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Today we're in the pretty market town of Brampton, | 0:00:03 | 0:00:07 | |
not a couple of miles from Hadrian's Wall | 0:00:07 | 0:00:10 | |
and nine miles from the county town of Carlisle. | 0:00:10 | 0:00:14 | |
Our teams are looking to make a pretty penny, I can tell you. | 0:00:14 | 0:00:18 | |
So, let's go bargain hunting! Yeah. | 0:00:18 | 0:00:21 | |
Well, we'd better mind our Ps and Qs today | 0:00:47 | 0:00:50 | |
because the Cumbrian Antique Centre is housed | 0:00:50 | 0:00:54 | |
in a former church hall. | 0:00:54 | 0:00:57 | |
Let's pray for bumper profits | 0:00:57 | 0:00:59 | |
and take a quick peek as to what's coming up. | 0:00:59 | 0:01:02 | |
On today's show, the Red's rock... | 0:01:03 | 0:01:05 | |
Could see that on an album cover. | 0:01:05 | 0:01:08 | |
That looks very scary. | 0:01:09 | 0:01:11 | |
And the Blues hit rocky waters... | 0:01:11 | 0:01:13 | |
-I'll shut up. -Oh, ho-ho! | 0:01:13 | 0:01:17 | |
At the auction, all's fair in love... | 0:01:17 | 0:01:19 | |
..and war. | 0:01:21 | 0:01:22 | |
THEY MIMIC A GUN FIGHT | 0:01:22 | 0:01:24 | |
So, let's meet today's teams which are married couples. | 0:01:25 | 0:01:29 | |
Let's hope they stay that way after the fray on Bargain Hunt. | 0:01:29 | 0:01:32 | |
For the Reds we've got Andrea and Wayne, | 0:01:32 | 0:01:35 | |
and for the Blues we've got Nancy and Simon. | 0:01:35 | 0:01:37 | |
-Hello, everyone. -ALL: Hello! | 0:01:37 | 0:01:39 | |
Lovely to see you. Wayne, are you really an old rocker? | 0:01:39 | 0:01:42 | |
-I am old and I'm definitely a rocker. -Tell us about your rock. | 0:01:42 | 0:01:45 | |
I love heavy metal. | 0:01:45 | 0:01:46 | |
I love going to watch it, I love playing it. I play bass guitar. | 0:01:46 | 0:01:50 | |
-What's your band? -I play in two bands actually, playing covers. | 0:01:50 | 0:01:54 | |
Things like The Who, The Jam, Queen. More popular stuff. | 0:01:54 | 0:01:57 | |
Not really my passion, although I do still love playing. | 0:01:57 | 0:02:01 | |
Away from the rock and roll, you and Andrea have become foster carers. | 0:02:01 | 0:02:05 | |
We have indeed, just recently. | 0:02:05 | 0:02:07 | |
Since December we have had two little girls | 0:02:07 | 0:02:10 | |
aged six and seven who are staying with us for the long-term. | 0:02:10 | 0:02:14 | |
Isn't that lovely? | 0:02:14 | 0:02:16 | |
-Quite a lovely experience, is it? -Yes. | 0:02:16 | 0:02:18 | |
-A bit of a handful, a bit whirlwind, but it's great. -Exactly. | 0:02:18 | 0:02:22 | |
Are you getting them into the music, then? Is that part of your role? | 0:02:22 | 0:02:25 | |
-Your mentor role. -I'm trying, but Justin Bieber and One Direction | 0:02:25 | 0:02:29 | |
seem to be taking over at the moment. | 0:02:29 | 0:02:32 | |
Which isn't really my thing! | 0:02:32 | 0:02:33 | |
So, Andrea, tell me - how did you meet this old rocker, then? | 0:02:33 | 0:02:36 | |
I met him and he was the bassist in a band. | 0:02:36 | 0:02:39 | |
I was engaged to the singer at that time. | 0:02:39 | 0:02:42 | |
-Yeah? -So I was... -So you ditched the singer, did you? -I did. | 0:02:42 | 0:02:46 | |
I think I got the best one. | 0:02:46 | 0:02:48 | |
-Were you what they call a bit of a groupie in those days? -I still am. | 0:02:48 | 0:02:51 | |
I was until we got the girls. I'm always at the front. | 0:02:51 | 0:02:54 | |
-You're also a bit of a hoarder. -Very much so. -And you like to buy stuff. | 0:02:54 | 0:02:57 | |
-Mm-hmm. -What sort of stuff do you like to buy? | 0:02:57 | 0:03:00 | |
Tatty rubbish, really, if you asked Wayne. | 0:03:00 | 0:03:02 | |
You'll do well in Bargain Hunt, then! | 0:03:02 | 0:03:04 | |
No, seriously, how do you reckon you two are going to get on | 0:03:06 | 0:03:08 | |
-on Bargain Hunt today, then? -He'll just do as he's told, he'll be fine. -Will he? | 0:03:08 | 0:03:12 | |
He's happy with that too. | 0:03:12 | 0:03:13 | |
Anyway, good luck and good fun. | 0:03:13 | 0:03:16 | |
Now, moving across the Atlantic... | 0:03:16 | 0:03:18 | |
Nancy, I can tell you're not from Cumbria. | 0:03:18 | 0:03:22 | |
-I am from Cumbria. -OK, not originally, you're not. | 0:03:22 | 0:03:25 | |
No, I'm not. I actually grew up in a small town in Iowa | 0:03:25 | 0:03:28 | |
and then moved to San Francisco to go to university. | 0:03:28 | 0:03:31 | |
Then I lived in Denver and then back to Iowa, Minneapolis, Chicago. | 0:03:31 | 0:03:37 | |
-You've been all over, haven't you? -I have. | 0:03:37 | 0:03:39 | |
-But you were once told you would never walk again. -That's right. | 0:03:39 | 0:03:42 | |
What happened? | 0:03:42 | 0:03:44 | |
I had an accident - I was mountain climbing and fell 65 feet | 0:03:44 | 0:03:48 | |
and crushed both my feet, broke my back, my pelvis, my left arm. | 0:03:48 | 0:03:53 | |
And ultimately you had a rather nasty bit of surgery, didn't you? | 0:03:53 | 0:03:56 | |
I did. After ten surgeries on my left foot, | 0:03:56 | 0:04:00 | |
it got to a point there was nothing left they could do. | 0:04:00 | 0:04:03 | |
So they said it's either be in a wheelchair or get your leg amputated. | 0:04:03 | 0:04:07 | |
For me, it was a no-brainer. | 0:04:07 | 0:04:09 | |
I've run several 5Ks and 10Ks, and even run a marathon. | 0:04:09 | 0:04:12 | |
-Did you really? -I did. -Fantastic. | 0:04:12 | 0:04:14 | |
Well done for overcoming all of that. | 0:04:14 | 0:04:17 | |
So, Simon, how did you manage to persuade this lovely girl | 0:04:17 | 0:04:20 | |
from North America to come to windy Cumbria? | 0:04:20 | 0:04:22 | |
-Lots of begging! -Is that what it was? And grovelling. | 0:04:22 | 0:04:25 | |
Yes, I'm very good at that. | 0:04:25 | 0:04:27 | |
I got an offer I couldn't say no to, basically. | 0:04:27 | 0:04:30 | |
What was the opportunity that tempted you both? | 0:04:30 | 0:04:33 | |
I'm a university scientist in my day life, shall we say, my day job, | 0:04:33 | 0:04:38 | |
and the offer was to build a research laboratory here for the | 0:04:38 | 0:04:43 | |
Nuclear Decommissioning Authority in the University of Manchester. | 0:04:43 | 0:04:46 | |
So we packed up, sold all our stuff in the States and moved over here. | 0:04:46 | 0:04:50 | |
So how you going to get on | 0:04:50 | 0:04:51 | |
on Bargain Hunt? Have you got lots of ideas? | 0:04:51 | 0:04:53 | |
-Oh, yes. Lots of quirky things we are looking for. -Like what? | 0:04:53 | 0:04:57 | |
-I want to spend little and... -Make lots. -..profit huge amounts. | 0:04:57 | 0:05:04 | |
Well, now you're talking my language! Anyway, good fun. | 0:05:04 | 0:05:07 | |
I'm going to give you 300 smackers now. 300 smackers each. | 0:05:07 | 0:05:11 | |
There you go. You know the rules, your experts await and off you go. | 0:05:11 | 0:05:15 | |
Very, very, very good luck. | 0:05:15 | 0:05:17 | |
Hands across the ocean, eh? | 0:05:17 | 0:05:19 | |
Let's meet today's experts. | 0:05:20 | 0:05:22 | |
Anita Manning will be keeping an eye on the clock for the Reds. | 0:05:24 | 0:05:26 | |
And the rocking David Harper will be assisting the Blues. | 0:05:28 | 0:05:31 | |
OK, guys, we're heading for the Antique Centre. | 0:05:32 | 0:05:35 | |
We've got 300 quid. Yay! What are you going to buy? | 0:05:35 | 0:05:40 | |
Ooh, well, hopefully something musical | 0:05:40 | 0:05:42 | |
-to go with my heavy metal tastes. -Heavy metal! | 0:05:42 | 0:05:46 | |
I want to buy something cheap and I want to make a load of money. | 0:05:46 | 0:05:49 | |
Oh, my gosh, you're going to be big trouble. | 0:05:49 | 0:05:51 | |
I hope you're going to be easier. | 0:05:51 | 0:05:53 | |
I like a bit of junk, but anything with any equestrian - horses on - | 0:05:53 | 0:05:56 | |
I might not be able to resist. | 0:05:56 | 0:05:58 | |
The pressure's on - your 60 minutes, teams, starts now. | 0:06:00 | 0:06:03 | |
-Let's get going. -Let's do it. | 0:06:03 | 0:06:06 | |
-Are you raring to go? -I am. -OK, 60 minutes of experiences. -Let's go. | 0:06:06 | 0:06:11 | |
Wow, look at this place. | 0:06:15 | 0:06:17 | |
-Heading straight for the bar. -Of course. | 0:06:19 | 0:06:22 | |
I like the bear. | 0:06:22 | 0:06:23 | |
I would buy that in a heartbeat but I bet it's a thousand quid. | 0:06:23 | 0:06:27 | |
-1,450. -There you go. | 0:06:27 | 0:06:30 | |
275. Yeah. | 0:06:31 | 0:06:34 | |
It would only leave you a wee drop for the other items. | 0:06:34 | 0:06:37 | |
-You're a man of great taste, that's what I have to say. -Thank you. | 0:06:37 | 0:06:41 | |
Simon, chase your wife up the stairs. | 0:06:41 | 0:06:44 | |
Come on, teams, that's enough fun and games. You need to start the shopping. | 0:06:44 | 0:06:48 | |
HEAVY METAL MUSIC | 0:06:48 | 0:06:50 | |
Here we go - it's a rocky start for the Reds. | 0:06:50 | 0:06:53 | |
Could see that on an album cover! | 0:06:53 | 0:06:56 | |
-That looks very scary. -Does it? -Let me see. | 0:06:58 | 0:07:01 | |
He's scary! He's scary! | 0:07:02 | 0:07:05 | |
-I do like it. -Oh! | 0:07:05 | 0:07:07 | |
-I'm trembling with excitement. -Are you trembling? | 0:07:07 | 0:07:10 | |
You've got Anita trembling with fear. | 0:07:10 | 0:07:13 | |
-How much is it? -£85. | 0:07:13 | 0:07:15 | |
Chinese soapstone. | 0:07:15 | 0:07:17 | |
Yes. Soapstone is a soft stone which is easily carved. | 0:07:17 | 0:07:22 | |
This one, we've got the skull of a ram. | 0:07:22 | 0:07:26 | |
It's quite good, it's quite good. | 0:07:26 | 0:07:29 | |
Now, I wouldn't say this is a Victorian piece, | 0:07:29 | 0:07:32 | |
I would say this is probably, again, 20th century. | 0:07:32 | 0:07:35 | |
But it's got a lot of punch. | 0:07:35 | 0:07:39 | |
What do I say when I do that? | 0:07:39 | 0:07:41 | |
-Just make a guttural kind of roar if you like. -Yeah. | 0:07:41 | 0:07:44 | |
Hurgh! Hurgh! | 0:07:44 | 0:07:48 | |
Terrifying, Anita(!) | 0:07:48 | 0:07:49 | |
Just say to him you'll pay... | 0:07:49 | 0:07:51 | |
You fell in love with it and could you buy it for 40 quid. | 0:07:51 | 0:07:56 | |
Yeah, go on. We'll go for it, I think. | 0:07:56 | 0:07:58 | |
Good luck with that then, Wayne. | 0:07:58 | 0:08:00 | |
Upstairs, the Blues have found a jazzy brooch. | 0:08:02 | 0:08:05 | |
It's very smart and it's got some good weight to it. | 0:08:05 | 0:08:08 | |
Hallmarks... Get that big eyeglass out, Nancy, find a hallmark for me. | 0:08:08 | 0:08:12 | |
Crikey, you have come prepared! | 0:08:12 | 0:08:14 | |
-It's on the back, isn't it? -Yeah, well done. | 0:08:14 | 0:08:17 | |
There is an import mark. So, 1972. | 0:08:17 | 0:08:19 | |
It's novel, it's different. I've never seen anything like it before. | 0:08:19 | 0:08:23 | |
It is silver. I think silver's a good idea. | 0:08:23 | 0:08:25 | |
-Do you think 32 is a good price? -I think it's fantastic. | 0:08:25 | 0:08:28 | |
I think it'll be 30 to 50 in a sale. 20 to 30 in sale. | 0:08:28 | 0:08:30 | |
If we get it a bit cheaper. | 0:08:30 | 0:08:33 | |
-You're not impressed at all, Nancy, are you? -No. -'Oh, dear. | 0:08:33 | 0:08:36 | |
'It's not playing Nancy's tune. So what about the Reds? | 0:08:36 | 0:08:40 | |
'Are they talking low notes with Steve from the Antique Centre?' | 0:08:40 | 0:08:44 | |
£45. | 0:08:44 | 0:08:46 | |
Let's do it. I'm happy with that. | 0:08:46 | 0:08:49 | |
Well done, Reds. £85 down to £45. What a discount. | 0:08:49 | 0:08:52 | |
-Shake my hand. -You'll end up buying this back for yourself! | 0:08:52 | 0:08:56 | |
Steve, the Blues need you upstairs. They're talking money. | 0:08:57 | 0:09:00 | |
-I would pay ten for that. -Would you? | 0:09:00 | 0:09:03 | |
We came here looking for quirky and I think that's quirky. I like it. | 0:09:03 | 0:09:07 | |
-I think if we can get that for 30... -No! -Yes! | 0:09:07 | 0:09:10 | |
-15? -What do you think, Steve? | 0:09:11 | 0:09:15 | |
-I like the gentleman's idea. -You're very cute. -Thank you! | 0:09:15 | 0:09:20 | |
Will Steve be seduced by Nancy's flattery? | 0:09:20 | 0:09:23 | |
-All right, then, 26. -You see?! | 0:09:23 | 0:09:25 | |
He certainly is! | 0:09:25 | 0:09:27 | |
-You said it! -OK, 26, no more compliments. -Shall we do it? | 0:09:28 | 0:09:31 | |
-Shall we do it? -OK. -Steve, thank you. | 0:09:31 | 0:09:33 | |
-Let me shake your hand quickly before she says anything else. -Thank you very much, Steve. | 0:09:33 | 0:09:37 | |
Well done, Blues. So both teams have their first item | 0:09:37 | 0:09:40 | |
with 12 minutes on the clock. | 0:09:40 | 0:09:42 | |
-Keep on going. -OK. -Don't look so disappointed. | 0:09:43 | 0:09:46 | |
Back downstairs, are the Reds barking up the right tree? | 0:09:46 | 0:09:50 | |
I keep looking at that, I quite like that. | 0:09:50 | 0:09:53 | |
It is cute, and it's got a wonderful expression and it's endearing. | 0:09:53 | 0:09:56 | |
But look at the back and see if it's got a maker's stamp on it. | 0:09:56 | 0:10:01 | |
-No. -What is appealing about this is that it's so cute. | 0:10:01 | 0:10:05 | |
-Aha. -And if it was just a few pounds, yeah, but at £26... | 0:10:06 | 0:10:10 | |
You'd expect the rest of the dog for that. | 0:10:12 | 0:10:14 | |
Paws, tail, tongue, everything. | 0:10:15 | 0:10:18 | |
OK, PAWS that there, then. | 0:10:18 | 0:10:21 | |
You can come back to it. | 0:10:21 | 0:10:23 | |
He's looking at me, he knows where I am. | 0:10:23 | 0:10:25 | |
Does he follow you as you move round the room? | 0:10:25 | 0:10:27 | |
Sticking its tongue out at me. | 0:10:27 | 0:10:29 | |
Back to the Blues. | 0:10:29 | 0:10:31 | |
Do we like a bit of Lalique? I love Lalique. | 0:10:31 | 0:10:33 | |
I'm just looking at Nancy's face and wondering if she's loving Lalique? | 0:10:33 | 0:10:37 | |
I'm... | 0:10:37 | 0:10:38 | |
It hasn't quite touched me. | 0:10:38 | 0:10:40 | |
DAVID LAUGHS | 0:10:40 | 0:10:42 | |
Oh! She's not la-la-liking this item either. | 0:10:42 | 0:10:44 | |
I absolutely adore Lalique. It just oozes style and class. | 0:10:44 | 0:10:49 | |
You can buy them new today and they are fabulously expensive. | 0:10:49 | 0:10:54 | |
But it's the early ones that really fascinate me. | 0:10:54 | 0:10:57 | |
Now, have a look at that. Love it, Nancy, love it. | 0:10:57 | 0:11:00 | |
It says on the tag that it's 1930s and it's - on the base - signed | 0:11:00 | 0:11:04 | |
"Lalique, France". | 0:11:04 | 0:11:06 | |
If we get this, then I get to pick the next one because so far... | 0:11:06 | 0:11:09 | |
I know, but never mind... | 0:11:11 | 0:11:13 | |
-I'll shut up. -Oh, ho-ho! | 0:11:13 | 0:11:15 | |
I love a bit of an argument. It really adds a bit of spice. | 0:11:16 | 0:11:20 | |
That's his standard, "I'll just shut up." | 0:11:20 | 0:11:23 | |
Is that what he always says? | 0:11:23 | 0:11:24 | |
-Yes. -Typical! Honestly! -And walks away. | 0:11:24 | 0:11:27 | |
Stop stirring, David. | 0:11:27 | 0:11:30 | |
Meanwhile, the Reds have sniffed out a snuff box | 0:11:30 | 0:11:32 | |
with a ticket price of £28. | 0:11:32 | 0:11:34 | |
I like the girl on there. It's like a story, isn't it? | 0:11:35 | 0:11:38 | |
It looks like it's from the 1940s. | 0:11:38 | 0:11:42 | |
It's not made of precious metals. | 0:11:42 | 0:11:45 | |
No, no. | 0:11:45 | 0:11:46 | |
It's a...a white metal | 0:11:46 | 0:11:49 | |
with a sort of cellophane picture on it. | 0:11:49 | 0:11:53 | |
It's not hand-painted or anything. But it has got the look. | 0:11:53 | 0:11:57 | |
I think it's got... | 0:11:57 | 0:11:59 | |
I think if we could get it for, like, I don't know...£10, maybe? | 0:11:59 | 0:12:03 | |
If you can get it for £10, that would be superb | 0:12:03 | 0:12:07 | |
but I doubt if you'll get it for as low as that. | 0:12:07 | 0:12:10 | |
-But I think that little box has got potential. -Do you like it? | 0:12:10 | 0:12:13 | |
Well, it's not really my kind of thing but I knew it would be yours | 0:12:13 | 0:12:17 | |
and I know you like it, so if you're happy, I'm happy. | 0:12:17 | 0:12:20 | |
He's nice. | 0:12:20 | 0:12:21 | |
Oh, you softie. So much for being a tough rocker. | 0:12:21 | 0:12:25 | |
Not everyone's such a pushover, though. | 0:12:25 | 0:12:28 | |
-I thought you weren't supposed to buy anything that had chips in them? -You know what? I do. | 0:12:28 | 0:12:32 | |
And if something is beautiful, | 0:12:32 | 0:12:34 | |
it's still beautiful if it has a little chip out of it. | 0:12:34 | 0:12:37 | |
-OK. -Do you love it, Nancy? | 0:12:37 | 0:12:39 | |
I like it. | 0:12:39 | 0:12:41 | |
I don't love it. | 0:12:41 | 0:12:43 | |
-OK. -But I like it. -OK. Shall I get a price? -Yes, please. | 0:12:43 | 0:12:47 | |
She's hard to please, this Nancy. | 0:12:47 | 0:12:50 | |
But David, off you go and get a price. | 0:12:50 | 0:12:53 | |
Talking of prices, Andrea, have you got a good one for the snuff box? | 0:12:53 | 0:12:57 | |
-How did you get on? -I got it for 15. -That's a good buy. | 0:12:59 | 0:13:02 | |
Another one in the bag, Reds. | 0:13:02 | 0:13:04 | |
A holiday on the profits ever closer! | 0:13:04 | 0:13:07 | |
Have you ever watched Bargain Hunt before, Wayne? | 0:13:07 | 0:13:09 | |
But you never know, anything can happen at the auction. | 0:13:09 | 0:13:12 | |
So back to the Blues, and has David got a price on the Lalique dish? | 0:13:12 | 0:13:16 | |
Right, OK, let's see, Nancy, if it touches you now. | 0:13:17 | 0:13:20 | |
-Are you ready for it? -I'm ready. -75. | 0:13:20 | 0:13:23 | |
-I... -Simon, is it touching you? -It's touching me. -It's touching me! | 0:13:25 | 0:13:29 | |
-Nancy, is it touching you? -No! -No! No! | 0:13:29 | 0:13:32 | |
-Are we buying it, Nancy? -N... | 0:13:34 | 0:13:36 | |
-Yes! -Yes! Second buy, well done. | 0:13:36 | 0:13:39 | |
Lordy, thank goodness for that. Two down for the Blues. | 0:13:39 | 0:13:43 | |
-Shall we have a look downstairs? -It's my turn. | 0:13:43 | 0:13:46 | |
Yes, definitely your turn. | 0:13:46 | 0:13:48 | |
So, from one intriguing game to another. | 0:13:48 | 0:13:50 | |
Look what I found down the road in Hexham. | 0:13:50 | 0:13:52 | |
There are some oddball objects, you know, | 0:14:00 | 0:14:02 | |
in the far away corners of the United Kingdom... | 0:14:02 | 0:14:06 | |
like this fellow. | 0:14:06 | 0:14:08 | |
What is going on here? | 0:14:08 | 0:14:10 | |
Well, on the face of it, it is a deliciously turned lump of wood. | 0:14:11 | 0:14:15 | |
Strictly speaking, a piece of treen, because that's what turned wood is. | 0:14:15 | 0:14:21 | |
Just look at the detail in all these different mouldings. | 0:14:21 | 0:14:25 | |
The top has a series of concentric rings which are perfectly formed, | 0:14:25 | 0:14:30 | |
absolutely smooth to the touch and are centred by this concave section. | 0:14:30 | 0:14:35 | |
By the look of the colour of the timber, | 0:14:35 | 0:14:39 | |
I don't think this thing is any earlier than about 1900 in date. | 0:14:39 | 0:14:43 | |
It could have been turned anywhere between, say, 1900 and 1940. | 0:14:43 | 0:14:48 | |
But it contains some surprises. | 0:14:48 | 0:14:52 | |
The lower part, which is in the form of a perfect spool, | 0:14:52 | 0:14:56 | |
comes away from the upper part. | 0:14:56 | 0:14:58 | |
The upper part has a little recess - call that the female - | 0:14:58 | 0:15:02 | |
and the lower part has a little projection - call that the male. | 0:15:02 | 0:15:06 | |
Put the male and the female together. | 0:15:07 | 0:15:10 | |
So perfectly has this object | 0:15:10 | 0:15:12 | |
been turned, that they lock and they don't come apart. | 0:15:12 | 0:15:16 | |
So beautifully has this thing been made. | 0:15:16 | 0:15:18 | |
Now, if you look at the upper part, it is | 0:15:18 | 0:15:21 | |
effectively a cylinder within a cylinder. | 0:15:21 | 0:15:24 | |
Because if I pull the upper, upper part, | 0:15:24 | 0:15:27 | |
the central convex section stays where it is. | 0:15:27 | 0:15:31 | |
-Then if you shake it around a bit, -RATTLING | 0:15:33 | 0:15:35 | |
there's something rattling inside, and when I put the top | 0:15:35 | 0:15:39 | |
up like this, look, hey presto! | 0:15:39 | 0:15:42 | |
A bright yellow turned ball. | 0:15:42 | 0:15:45 | |
Turn to the lower part and pull these cylinders apart - | 0:15:45 | 0:15:49 | |
and they're a very tight fit - | 0:15:49 | 0:15:52 | |
and it reveals a compartment with no less than five | 0:15:52 | 0:15:56 | |
turned wooden counter trays. | 0:15:56 | 0:15:59 | |
Each one with a different colour in the middle. | 0:15:59 | 0:16:02 | |
But look how beautifully these have been turned. | 0:16:02 | 0:16:05 | |
They are wafer thin, | 0:16:05 | 0:16:07 | |
and the turner has even been able to achieve a little outer lip | 0:16:07 | 0:16:10 | |
to stop whatever's put on the tray | 0:16:10 | 0:16:13 | |
from rolling or falling out. | 0:16:13 | 0:16:15 | |
And if I set these out, we've got purple and green | 0:16:15 | 0:16:19 | |
and red and | 0:16:19 | 0:16:21 | |
yellow and a pale coloured timber with a cross in the middle of it. | 0:16:21 | 0:16:25 | |
So that is where the yellow ball should sit, | 0:16:25 | 0:16:29 | |
inside the coloured yellow counter tray. | 0:16:29 | 0:16:33 | |
-RATTLING -Do the shake-up process again, pull it up, | 0:16:33 | 0:16:37 | |
and out comes a green counter, which goes in there. | 0:16:37 | 0:16:41 | |
I can only imagine that this is a game of chance, | 0:16:41 | 0:16:43 | |
where you place your wager - a sovereign or two - | 0:16:43 | 0:16:47 | |
in the appropriate coloured tray and then make the draw, | 0:16:47 | 0:16:51 | |
and that will entitle you to win your wager. | 0:16:51 | 0:16:54 | |
Now, the price here in Hexham | 0:16:54 | 0:16:57 | |
of this delicious tour de force | 0:16:57 | 0:16:59 | |
of the treen maker's art | 0:16:59 | 0:17:02 | |
could be yours for £50. | 0:17:02 | 0:17:04 | |
Double or quits? | 0:17:05 | 0:17:07 | |
Well, our teams certainly aren't quitting. Back to the shopping. | 0:17:07 | 0:17:10 | |
Both teams have two items, and the race is on to find their third, | 0:17:10 | 0:17:14 | |
with 25 minutes left on the clock. | 0:17:14 | 0:17:16 | |
What are we looking at here? | 0:17:18 | 0:17:19 | |
Well, it's a spinning wheel. I don't know how to use one. | 0:17:19 | 0:17:22 | |
-I'd like to learn how. -I don't know how you use the thing. | 0:17:22 | 0:17:26 | |
-Presumably it is for decoration. -No... -You can use it. -Look at that. | 0:17:26 | 0:17:31 | |
I bet that works. Look at that. That is a piece of machinery. | 0:17:31 | 0:17:35 | |
Well, what do you think, Nancy? | 0:17:35 | 0:17:37 | |
-That is speaking to me. -Seriously? Is it? -Yes. -What is it saying? | 0:17:37 | 0:17:42 | |
It says, "Take me home so you can learn how to do this." | 0:17:42 | 0:17:46 | |
-Really? -Yes. | 0:17:46 | 0:17:47 | |
Finally something Nancy likes. | 0:17:47 | 0:17:50 | |
It is definitely 19th century, and if you look at the little turnings | 0:17:50 | 0:17:53 | |
and the decoration, I think it is probably | 0:17:53 | 0:17:55 | |
earlier in the 19th century. | 0:17:55 | 0:17:57 | |
Very late Georgian, very early Victorian - 1830, 40. | 0:17:57 | 0:18:01 | |
-So... -Do you love the patination, the feel? -I do. | 0:18:01 | 0:18:04 | |
I can tell you, Simon, that you only get that patination with | 0:18:04 | 0:18:09 | |
generations of wax and polish. | 0:18:09 | 0:18:12 | |
It has never been stripped or varnished, | 0:18:12 | 0:18:14 | |
it's got its natural colour. | 0:18:14 | 0:18:15 | |
-But it's got to be cheap, because it's just a piece of decoration. -Yeah. | 0:18:15 | 0:18:19 | |
So let's find Steve. | 0:18:19 | 0:18:22 | |
-Steve. -'Ticket price is £95. Steve, | 0:18:22 | 0:18:25 | |
'prepare for the charm offensive.' | 0:18:25 | 0:18:26 | |
You're looking very lovely right now, by the way. | 0:18:26 | 0:18:29 | |
Sorry, we are going for compliments. | 0:18:29 | 0:18:30 | |
-Give Steve some compliments. -'Well, it has worked before.' | 0:18:30 | 0:18:34 | |
-STEVE: -Right, what are we talking about here? Price-wise. | 0:18:34 | 0:18:37 | |
30 quid. | 0:18:37 | 0:18:38 | |
-STEVE: -That's a fantastic thing! -Yeah, I would think 30. | 0:18:38 | 0:18:41 | |
-I think it's gorgeous, I love it. -STEVE: -£30? | 0:18:41 | 0:18:45 | |
I would be crazy. | 0:18:45 | 0:18:47 | |
-Give me a decent profit. 31. -DAVE LAUGHS | 0:18:47 | 0:18:49 | |
-31. -Deal. -No. | 0:18:49 | 0:18:51 | |
-Shake his hand! -31. -30. -Shake his hand. | 0:18:52 | 0:18:55 | |
THEY LAUGH | 0:18:55 | 0:18:56 | |
-30. -Nancy. -30. STEVE: -£30, you've done it again. | 0:18:56 | 0:19:00 | |
-NANCY LAUGHS -That last pound... | 0:19:00 | 0:19:03 | |
NANCY LAUGHS | 0:19:03 | 0:19:05 | |
Well, you can't say the Blues weren't on a roll. | 0:19:05 | 0:19:08 | |
Well done - all three items bought. | 0:19:08 | 0:19:11 | |
-Done! We are done, we are done. Well done. -STEVE: -It is a lovely thing. | 0:19:11 | 0:19:15 | |
I'm very happy I finally got something I like. | 0:19:15 | 0:19:17 | |
It is a good job, otherwise I'd have heard it all the way home. | 0:19:17 | 0:19:20 | |
And for years to come. | 0:19:20 | 0:19:22 | |
Wise move, I think there, Simon. | 0:19:22 | 0:19:24 | |
So, 12 minutes left. | 0:19:25 | 0:19:27 | |
You Reds need to get a gallop on and find your final item. | 0:19:27 | 0:19:30 | |
-It is quite heavy, actually. -This is an interesting thing. | 0:19:32 | 0:19:35 | |
Again it is horse-related. You can't keep away from it. | 0:19:35 | 0:19:38 | |
It's an inkwell which has been made out of a pony's hoof. | 0:19:38 | 0:19:42 | |
And this, quite possibly, could have been a pit pony. | 0:19:42 | 0:19:46 | |
And what would have happened at the end of its life... Its owner, | 0:19:48 | 0:19:52 | |
who would have loved it and felt great affection for this animal, | 0:19:52 | 0:19:56 | |
would have had this little inkwell made out of a hoof. | 0:19:56 | 0:20:00 | |
And we know that the pit pony perhaps | 0:20:00 | 0:20:03 | |
-died in 1960. -Yeah. | 0:20:03 | 0:20:07 | |
And its name was Alain. | 0:20:07 | 0:20:10 | |
And I think that's a lovely thing. | 0:20:10 | 0:20:12 | |
Do we know how much it is? | 0:20:12 | 0:20:14 | |
Ticket price was 60, the best he can do is 50. | 0:20:14 | 0:20:18 | |
But I think that's a good buy... | 0:20:18 | 0:20:20 | |
-..at that price. -There's only minutes left. | 0:20:21 | 0:20:24 | |
You need to make a decision. | 0:20:24 | 0:20:25 | |
-I think we'll go with that, then. -OK. -Happy with that? -Yes. | 0:20:25 | 0:20:29 | |
Hold your horses, that's all three items for the Reds, | 0:20:29 | 0:20:32 | |
with just minutes to spare. | 0:20:32 | 0:20:34 | |
The sands of time wait for no man, so, teams, time's up. | 0:20:34 | 0:20:39 | |
Let's check out what the Red team bought, eh? | 0:20:39 | 0:20:41 | |
Our rockers went on a RAM-page (ha!), and bought this | 0:20:41 | 0:20:45 | |
ram's skull for £45. | 0:20:45 | 0:20:47 | |
Hoping that they have a nose for a bargain, | 0:20:47 | 0:20:50 | |
they paid £15 for this 20th-century snuff box. | 0:20:50 | 0:20:53 | |
And in the final furlong, they cantered home with | 0:20:55 | 0:20:58 | |
the horse's hoof inkwell for £50. | 0:20:58 | 0:21:01 | |
Where's the other three? | 0:21:01 | 0:21:02 | |
-Well, Wayne, Andrea - was that fun or was it fun? -That was great fun. | 0:21:02 | 0:21:06 | |
I bet it was fun. Looked fun. Now, how much did you spend? | 0:21:06 | 0:21:09 | |
-110. -I would like 190 of leftover lolly, please. -There you go. | 0:21:09 | 0:21:13 | |
You don't like handing that over one little bit, do you? | 0:21:13 | 0:21:17 | |
-Now, which is your favourite piece? -I liked the little snuffbox. | 0:21:17 | 0:21:20 | |
-Do you agree, Wayne? -No. -What is your favourite? | 0:21:20 | 0:21:23 | |
Soapstone ram's head. | 0:21:23 | 0:21:24 | |
-Yeah? -Great. -Is that going to bring the biggest profit? -No. -No. What is? | 0:21:24 | 0:21:28 | |
-The little snuffbox, I think. -OK. You are sticking with the snuffbox. | 0:21:28 | 0:21:32 | |
OK, fine, lovely, that's our predictions. | 0:21:32 | 0:21:34 | |
Anyway, a wodge goes over to Anita Manning. | 0:21:34 | 0:21:36 | |
What are you going to spend that dosh on, Anita? | 0:21:36 | 0:21:38 | |
Well, I'm hoping, with all this money, to beat | 0:21:38 | 0:21:41 | |
some profit for these guys here, | 0:21:41 | 0:21:43 | |
-because they were quite wonderful. -Oh, that sounds rhythmic. | 0:21:43 | 0:21:47 | |
Anyway. Good luck with that, Anita. | 0:21:47 | 0:21:49 | |
Why don't we check out what the Blue team bought, eh? | 0:21:49 | 0:21:53 | |
Hoping they've hit the right note, | 0:21:53 | 0:21:54 | |
they blew £26 on this | 0:21:54 | 0:21:56 | |
saxophone-shaped silver brooch. | 0:21:56 | 0:21:58 | |
And building up to a crescendo, | 0:22:00 | 0:22:01 | |
they went "ooh-la-la" over this French Lalique circular dish | 0:22:01 | 0:22:05 | |
and paid £75. | 0:22:05 | 0:22:07 | |
And finally, they're hoping for a WHEELIE good profit | 0:22:07 | 0:22:11 | |
on this 19th-century mahogany spinning wheel. | 0:22:11 | 0:22:14 | |
Oh, dear. | 0:22:14 | 0:22:15 | |
-Well, that was fun, wasn't it? -It was a blast. -Excellent. | 0:22:16 | 0:22:19 | |
-Now, Nancy, tell me which is your favourite piece? -The spinning wheel. | 0:22:19 | 0:22:22 | |
-The spinning wheel. Do you agree with that? -No. | 0:22:22 | 0:22:25 | |
Nothing simple about Simon, is there? OK. | 0:22:25 | 0:22:27 | |
-I liked the little silver saxophone, the brooch. -Really? Good. | 0:22:27 | 0:22:32 | |
You like it. Will it bring the biggest profit? | 0:22:32 | 0:22:34 | |
I think, of the three we've got, it will bring the biggest profit, yes. | 0:22:34 | 0:22:37 | |
-Do you agree with that, Nancy? -No. -There we go, here we go again. | 0:22:37 | 0:22:40 | |
I think the two things... Because he picked two out of the three. | 0:22:40 | 0:22:43 | |
I think both of his are going to lose money. | 0:22:43 | 0:22:46 | |
-Oh! -No support. -She's hoping... | 0:22:46 | 0:22:49 | |
Now, so that's that, how much did you spend overall? | 0:22:49 | 0:22:52 | |
-Er... -131. -131. | 0:22:52 | 0:22:55 | |
Oh, 131. What's that? | 0:22:55 | 0:22:57 | |
-169. -That's about right. -Roughly. | 0:22:57 | 0:23:00 | |
OK, you don't need to be a nuclear physicist to add that. | 0:23:00 | 0:23:04 | |
-But you got the fusion right. -Yes, that's right. -OK, fine, here we go. | 0:23:04 | 0:23:08 | |
-There you go. -I'm counting on him. | 0:23:08 | 0:23:10 | |
Yes, he could have his work cut out today, though, boy. | 0:23:10 | 0:23:12 | |
I think... Mind you, there's plenty of good things in here, Tim, it is | 0:23:12 | 0:23:15 | |
quite a delight. We are surrounded. | 0:23:15 | 0:23:17 | |
What can you find that is going | 0:23:17 | 0:23:18 | |
to make that profit? That extra bite, boy. | 0:23:18 | 0:23:20 | |
This is the thing. Full of good things, but maybe | 0:23:20 | 0:23:22 | |
-too good for my budget. -I know. | 0:23:22 | 0:23:25 | |
I'm thinking a £200 profit, probably. | 0:23:25 | 0:23:28 | |
-Are you? -Yes. -I think... | 0:23:28 | 0:23:30 | |
-She is piling the pressure on me, Tim. -Think on, that's all I can say. | 0:23:30 | 0:23:35 | |
Anyway, jolly good fun, you've been | 0:23:35 | 0:23:36 | |
watching too much television, you have. | 0:23:36 | 0:23:38 | |
Anyway, that's it for that. Off you go, David, and good luck | 0:23:38 | 0:23:41 | |
because shortly we will be shuffling straight off to the auction. | 0:23:41 | 0:23:44 | |
-Thank you very much. Thank you, Nancy. -Thank you. -Thank you. | 0:23:44 | 0:23:47 | |
Well, how lovely is this, to be in Paul Laidlaw's saleroom in Carlisle? | 0:23:53 | 0:23:58 | |
Great to be here. | 0:23:58 | 0:23:59 | |
Now, we've got this archaic style stone lump, | 0:23:59 | 0:24:03 | |
said to be Chinese. | 0:24:03 | 0:24:05 | |
-Could be anything, really, couldn't it? -Indeed. | 0:24:05 | 0:24:08 | |
Look, I've got that keyword, "style", in there. | 0:24:08 | 0:24:13 | |
I don't think there's any great age to it, I think | 0:24:13 | 0:24:15 | |
it was long ago in a container, I suspect. | 0:24:15 | 0:24:18 | |
But it's a mystery object. I don't know what the origin... | 0:24:18 | 0:24:21 | |
I don't though what they are trying to produce or reproduce here. | 0:24:21 | 0:24:26 | |
-But I will tell you what it is - it's a speculator's piece. -Yes. | 0:24:26 | 0:24:29 | |
-It is a bit of fun, a desk ornament. How much? -£20-£40. | 0:24:29 | 0:24:33 | |
-If you want it, it's got to be worth that. -Exactly, | 0:24:33 | 0:24:35 | |
£45 is what they paid, | 0:24:35 | 0:24:36 | |
so I suspect that there's going to be a small loss there. | 0:24:36 | 0:24:40 | |
When it comes to little boxes, as you know, I'm passionate. | 0:24:40 | 0:24:43 | |
Chromium plated with a print in the top don't really do it for me. | 0:24:43 | 0:24:48 | |
I'm in your camp with this one, Tim. | 0:24:48 | 0:24:51 | |
-Ordinarily, I wouldn't be rushing to stick a lot number on it. -Exactly. | 0:24:51 | 0:24:55 | |
And if the truth be known, you would have 15 or 20 of them, you | 0:24:55 | 0:24:58 | |
would stick them in a box and they would be in at £40-£60 for 15 to 20. | 0:24:58 | 0:25:02 | |
-You've got one on its own, what's your estimate? -I've gone at £10-£20. | 0:25:02 | 0:25:05 | |
-But it could make two, frankly? -Yes. | 0:25:05 | 0:25:08 | |
And the team paid £15, so they didn't pay a lot of money for it. | 0:25:08 | 0:25:11 | |
The bit that I do like, though, is this hoof inkwell. | 0:25:11 | 0:25:15 | |
-It's a fine object, isn't it? -It's a cracking thing. | 0:25:15 | 0:25:18 | |
If that is your thing, short of turning up the Holy Grail, | 0:25:18 | 0:25:23 | |
the silver mounted one, that is about as good | 0:25:23 | 0:25:25 | |
as you will hope to find. | 0:25:25 | 0:25:26 | |
-What is it worth? -£50-£80. -Brilliant, £50 paid. -Aye, good buy. | 0:25:26 | 0:25:30 | |
Excellent. Well, on that basis, | 0:25:30 | 0:25:32 | |
I don't think this team are going to do too badly, | 0:25:32 | 0:25:34 | |
but on the other hand, they might need their bonus buy, | 0:25:34 | 0:25:36 | |
so let's go have a look at it. | 0:25:36 | 0:25:39 | |
W and A, Wayne and Andrea. | 0:25:39 | 0:25:42 | |
Ha-ha. This is your moment. | 0:25:42 | 0:25:45 | |
You spent £110, you gave £190 to A Manning. | 0:25:45 | 0:25:48 | |
Anita, what did you buy? | 0:25:48 | 0:25:50 | |
Well, I have two rock and rollers here, two musicos. | 0:25:50 | 0:25:55 | |
And in music, the most important thing is the beat. | 0:25:55 | 0:25:59 | |
But I've bought something you would find on another | 0:25:59 | 0:26:02 | |
type of beat. | 0:26:02 | 0:26:04 | |
-LAUGHTER -Ah! | 0:26:04 | 0:26:06 | |
It's a copper's truncheon. | 0:26:07 | 0:26:10 | |
This is late 19th, early 20th century. | 0:26:10 | 0:26:14 | |
And this is what the police would have carried. | 0:26:14 | 0:26:16 | |
Now, I like this one because it has | 0:26:16 | 0:26:19 | |
some painted detail on it. | 0:26:19 | 0:26:21 | |
Now, there were many different forces in Britain at that time, | 0:26:21 | 0:26:26 | |
and each force had a different | 0:26:26 | 0:26:29 | |
design on there, | 0:26:29 | 0:26:32 | |
for their emblem or their area, so... | 0:26:32 | 0:26:35 | |
What do you think of that? | 0:26:37 | 0:26:38 | |
Does this type of beat... | 0:26:38 | 0:26:40 | |
SHE LAUGHS | 0:26:40 | 0:26:42 | |
-..press your buttons? -Yes. | 0:26:42 | 0:26:44 | |
-Can we tell which force it's from? -It is quite a nice weight there. | 0:26:44 | 0:26:48 | |
Is it quite a nice weight? | 0:26:48 | 0:26:50 | |
Now, could you beat a drum with it, do you think? | 0:26:50 | 0:26:53 | |
-But you were a bass player, weren't you? -I am. | 0:26:53 | 0:26:55 | |
-For beating the strings as well. -So how much did you pay for it? | 0:26:55 | 0:26:59 | |
-I paid £30. -Oh. | 0:26:59 | 0:27:02 | |
-Didn't break the bank, then. -No. | 0:27:02 | 0:27:04 | |
£30 is not a bad price for it. | 0:27:04 | 0:27:07 | |
The painting is not as sharp as it was. | 0:27:07 | 0:27:10 | |
Is there no way to identify which force it was from? | 0:27:10 | 0:27:12 | |
You probably could, doing a little bit of homework and maybe | 0:27:12 | 0:27:16 | |
taking some photographs and blowing it up, you could identify it. | 0:27:16 | 0:27:20 | |
So how much do you think it will bring, with the smudge... | 0:27:20 | 0:27:22 | |
-Well, I think it maybe could go to £50. -Oh, that's fine. | 0:27:22 | 0:27:26 | |
-On a good day. -So, are you happy? -Yes. | 0:27:26 | 0:27:29 | |
You've got all your information, that's brilliant. | 0:27:29 | 0:27:31 | |
And now, for the audience at home, let's find out what | 0:27:31 | 0:27:34 | |
the auctioneer thinks about Anita's little truncheon. | 0:27:34 | 0:27:37 | |
Right then, Paul. | 0:27:38 | 0:27:40 | |
-Hello, hello. -Indeed. -HE LAUGHS | 0:27:40 | 0:27:42 | |
It's rather rubbed, isn't it? | 0:27:42 | 0:27:44 | |
It is, to within an inch of its life...I fear. | 0:27:44 | 0:27:48 | |
You get the right obscure constabulary unit, | 0:27:48 | 0:27:51 | |
and these things can make a small fortune. Um... | 0:27:51 | 0:27:55 | |
But, in themselves, | 0:27:55 | 0:27:57 | |
painted truncheons aren't rare. | 0:27:57 | 0:28:00 | |
And this, sadly, isn't the first one you would rush to buy. | 0:28:00 | 0:28:04 | |
-OK. -Purely because it has just lost its appeal. -Mmm. | 0:28:04 | 0:28:08 | |
I agree with you. How much, in this rubbed state? | 0:28:09 | 0:28:12 | |
-£20-£30 is probably a bullish estimate. -Is it? | 0:28:12 | 0:28:16 | |
OK, Anita bought it as a bonus buy, and she paid 30. | 0:28:16 | 0:28:19 | |
-So she's not far off. -We are in the right boundary. | 0:28:19 | 0:28:22 | |
Now, that's it for the Reds, now for the Blues, | 0:28:22 | 0:28:24 | |
and a lovely mixture they've got. | 0:28:24 | 0:28:26 | |
The novelty brooch in the form of a saxophone. | 0:28:26 | 0:28:29 | |
That's a good thing. | 0:28:29 | 0:28:31 | |
That is not an antique, but it's a good thing. | 0:28:31 | 0:28:34 | |
There's good workmanship there, its price. | 0:28:34 | 0:28:36 | |
There is substance to it - it's not lightweight, throwaway. | 0:28:36 | 0:28:39 | |
I... Look, I think you buy that for £20-£40, that's a good buy. | 0:28:39 | 0:28:43 | |
-OK, £26 was paid. So they paid the right price, didn't they? -Yeah. | 0:28:43 | 0:28:47 | |
Good. Now, next. I really rate this next job, because Lalique is | 0:28:47 | 0:28:52 | |
the most surprising factory when it comes to sales, | 0:28:52 | 0:28:55 | |
isn't it, at auction? | 0:28:55 | 0:28:56 | |
Because the internet bids that can be attracted to the right | 0:28:56 | 0:29:00 | |
-piece of Lalique are extraordinary. -They are. | 0:29:00 | 0:29:02 | |
I love the form of this, I love the quality of the metal, | 0:29:02 | 0:29:06 | |
the blue opaline aspect to it. | 0:29:06 | 0:29:09 | |
-It is a good little dish! -Isn't it? | 0:29:09 | 0:29:11 | |
-So, they paid 75. -That is a good buy. -Good buy. | 0:29:11 | 0:29:15 | |
-What is your estimate? -I've gone in at 60 to 100 on that. | 0:29:15 | 0:29:18 | |
-And it could easily make £120. -Yeah. | 0:29:18 | 0:29:20 | |
'That's a good estimate. Despite the small chip.' | 0:29:20 | 0:29:23 | |
-And, lastly, we've got the spinning wheel. -Yes. | 0:29:23 | 0:29:27 | |
Again, we see up and down the country no end of spinning wheels. | 0:29:27 | 0:29:31 | |
But this is better than most. | 0:29:31 | 0:29:34 | |
The quality of the turning... the balusters are lovely. | 0:29:34 | 0:29:38 | |
It is not a rustic piece. This is a better quality example. | 0:29:38 | 0:29:42 | |
-So, what's your estimate? -40 to 80. -Lovely, I'm loving it. | 0:29:42 | 0:29:45 | |
£30 they paid. | 0:29:45 | 0:29:47 | |
Oh, we've got a good warm feeling about the Blues, | 0:29:47 | 0:29:49 | |
they are never going to need their bonus buy, but let's go and have a look at it anyway. | 0:29:49 | 0:29:53 | |
-Well, this is exciting, isn't it? -It's very exciting. -Sure is. | 0:29:53 | 0:29:56 | |
Yeah, sure is. I mean, to give a man like David Harper | 0:29:56 | 0:29:59 | |
-£169... -We're very generous. | 0:29:59 | 0:30:02 | |
..and to send him boldly forth is quite something, isn't it? | 0:30:02 | 0:30:06 | |
-Yeah, and scary. -And scary. | 0:30:06 | 0:30:08 | |
Well, prepare to be really frightened | 0:30:08 | 0:30:10 | |
because David is about to reveal what he spent the £169 on. | 0:30:10 | 0:30:14 | |
-Go, Dave, go. -OK. Well, I think we are going to go on a musical theme. | 0:30:14 | 0:30:18 | |
So, inside this little fitted case... | 0:30:18 | 0:30:20 | |
-Which looks like a pipe case. -It does. It does. | 0:30:20 | 0:30:24 | |
-We have something that looks like... -Oh! | 0:30:24 | 0:30:26 | |
..an X-ray gun. | 0:30:26 | 0:30:29 | |
THEY LAUGH | 0:30:29 | 0:30:31 | |
-Now, Simon knows all about x-rays and radiation. -Yes. -And all that business. | 0:30:31 | 0:30:36 | |
-So... -How does that work then, Simon? | 0:30:36 | 0:30:39 | |
I have no idea what it actually is. | 0:30:39 | 0:30:41 | |
Well, it is a musical instrument, | 0:30:41 | 0:30:43 | |
and it's an ancient musical instrument, not necessarily | 0:30:43 | 0:30:46 | |
that one, but the model itself dates back thousands of years. | 0:30:46 | 0:30:50 | |
-And the pronunciation is... -Ocarina. | 0:30:50 | 0:30:53 | |
-Ocarina! That's the one, yes. -Don't break it. | 0:30:53 | 0:30:57 | |
So you blow into it, and that, the little silver-plated | 0:30:57 | 0:31:00 | |
tube there, will change the tune. | 0:31:00 | 0:31:03 | |
It is late 19th century, it is a Parisian maker. | 0:31:03 | 0:31:06 | |
It's a fun thing. | 0:31:06 | 0:31:08 | |
-Do you blow into the handle? -I think you do. | 0:31:08 | 0:31:11 | |
-Would you blow across the top of it, like a flute? -No idea. | 0:31:11 | 0:31:13 | |
FAINT BLOWING | 0:31:13 | 0:31:15 | |
-Well, that doesn't work. -That's not so good, that. | 0:31:15 | 0:31:17 | |
I personally would like to know where it's been before I blow. | 0:31:17 | 0:31:21 | |
-Do you like it? -Yes, I do. It is just... | 0:31:21 | 0:31:24 | |
it is quirky, it is unique, I have never, ever seen anything like it. | 0:31:24 | 0:31:28 | |
-Now let's get down to business. -Shall we? | 0:31:28 | 0:31:31 | |
OK, well, I paid 65. | 0:31:31 | 0:31:34 | |
-Mmm. -What do you think about that? | 0:31:34 | 0:31:37 | |
I have just no concept about what the actual value of it would be, but | 0:31:37 | 0:31:41 | |
-it's... -I'm slightly concerned by that face. -How do you feel, Nance? | 0:31:41 | 0:31:44 | |
-A bit sick? -A little bit. | 0:31:44 | 0:31:46 | |
-Yeah. -I don't know if that's because I blew on it or I heard the price. | 0:31:46 | 0:31:49 | |
SHE LAUGHS | 0:31:49 | 0:31:51 | |
I take it from that grimace that you don't think it's worth £65? | 0:31:51 | 0:31:55 | |
Is that your instinctive reaction or do you think, "That is cool for 65"? | 0:31:55 | 0:31:58 | |
I think it is going to depend on the people we have at the auction. | 0:31:58 | 0:32:02 | |
-Yeah. It is a long way from Peru, is Carlisle. -It is. | 0:32:02 | 0:32:06 | |
-I think... -I would be more impressed if somebody could play it. | 0:32:06 | 0:32:09 | |
Yes, I know. I'm so sorry to let you down in that respect. | 0:32:09 | 0:32:13 | |
Brilliant. Thank you very much, Dave, for educating us today. | 0:32:13 | 0:32:16 | |
You don't choose until after the sale of your first three items, | 0:32:16 | 0:32:19 | |
but right now, for the audience at home, | 0:32:19 | 0:32:21 | |
let's find out what the auctioneer thinks about Dave's ocarina. | 0:32:21 | 0:32:24 | |
Well, well, well. | 0:32:26 | 0:32:27 | |
We see some weird things on this programme, | 0:32:27 | 0:32:30 | |
-and this is about to take the ticket, I think. -Yeah... | 0:32:30 | 0:32:34 | |
I love this. | 0:32:34 | 0:32:35 | |
Of age, cries out late 19th century. In its case. | 0:32:36 | 0:32:40 | |
And stamped up Mezzetti. | 0:32:40 | 0:32:43 | |
Now, the Mezzetti brothers play a key role | 0:32:43 | 0:32:47 | |
in the refinement of the ocarina | 0:32:47 | 0:32:49 | |
as a musical instrument in the late 19th century. | 0:32:49 | 0:32:51 | |
Originating in Italy, settling in Paris, | 0:32:51 | 0:32:54 | |
-this is a Parisian made piece. -Have you ever played one? -I have not. | 0:32:54 | 0:32:58 | |
No, me neither, and we're not going to start now. | 0:32:58 | 0:33:01 | |
-OK, what is your estimate? -40 to 80. | 0:33:01 | 0:33:03 | |
OK, the Harper paid £65, he's a cunning fox. Brilliant. | 0:33:03 | 0:33:06 | |
-Well, I'm looking forward to this, are you looking forward to it? -Absolutely. -Me too. | 0:33:06 | 0:33:10 | |
Thank you anyway. Anyone else? | 0:33:12 | 0:33:15 | |
Wayne. How many times do you go to auction, mate? | 0:33:15 | 0:33:17 | |
Oh, I've been at least... | 0:33:17 | 0:33:19 | |
-This is my first time. -What about you, Andrea? -My first time too. | 0:33:19 | 0:33:23 | |
-Is it really? -I look on the internet. -You are standing next door to two people who've | 0:33:23 | 0:33:27 | |
been to an auction or two. Aren't they, Anita? | 0:33:27 | 0:33:30 | |
Thousands, millions. | 0:33:30 | 0:33:32 | |
And every one is different and every one is exciting. | 0:33:32 | 0:33:36 | |
OK, first up, then, is the Chinese green stone, and here it comes. | 0:33:36 | 0:33:40 | |
Lot 196 now. | 0:33:40 | 0:33:42 | |
It's a striking object, is it not? | 0:33:42 | 0:33:45 | |
This hand-carved green stone | 0:33:45 | 0:33:47 | |
Chinese carving, the ram's skull. | 0:33:47 | 0:33:50 | |
What think you of that? £20 to get me started. Let's get it moving. | 0:33:50 | 0:33:53 | |
£20 where? £20. | 0:33:53 | 0:33:55 | |
£20. 20 bid. 25. 30. | 0:33:55 | 0:33:58 | |
£30 here. Who else is bidding? £30. £30. | 0:33:59 | 0:34:02 | |
30 bid. £30. 30 bid. | 0:34:02 | 0:34:04 | |
Is that it? My bid is here in the room. Fair warning. | 0:34:04 | 0:34:07 | |
I sell at £30. | 0:34:07 | 0:34:10 | |
Uh-oh. £30 is -15. | 0:34:10 | 0:34:13 | |
That's not so hot, but he was trying, wasn't he? | 0:34:13 | 0:34:16 | |
Lot 197. | 0:34:16 | 0:34:18 | |
Here's a charming little object, is it not? | 0:34:18 | 0:34:21 | |
1930s, '40s. | 0:34:21 | 0:34:22 | |
Little pill or snuffbox. | 0:34:22 | 0:34:24 | |
Anyone, £40? £10 to get me started. £10 bid. £10. | 0:34:24 | 0:34:28 | |
10 bid. 15. 15. | 0:34:28 | 0:34:30 | |
15, it is all on the net at the moment. | 0:34:30 | 0:34:32 | |
Where is the audience? 18, 20. 22. | 0:34:32 | 0:34:35 | |
25. 25 here. 25. 25. | 0:34:35 | 0:34:39 | |
I think it is a lovely little lot. Nothing for £25. Thank you, sir. 28. | 0:34:39 | 0:34:42 | |
28. 28. Internet, come again. 30 we have. | 0:34:42 | 0:34:46 | |
£30. 32. 32. 35. | 0:34:46 | 0:34:49 | |
35 - it's a slogging match. 38 in the room. | 0:34:49 | 0:34:51 | |
38. 40. | 0:34:51 | 0:34:53 | |
Not a lot of money. £40. You sure? One more might do it. | 0:34:53 | 0:34:57 | |
£40 on the net. Quite sure you're all done? | 0:34:57 | 0:34:59 | |
I sell. | 0:34:59 | 0:35:01 | |
-£40. -Well done. | 0:35:01 | 0:35:03 | |
That is plus £25. | 0:35:03 | 0:35:05 | |
So, well done. | 0:35:05 | 0:35:07 | |
Lot 198 now. It is a great thing. | 0:35:07 | 0:35:10 | |
This really is very, very pleasingly worked and electroplated. | 0:35:10 | 0:35:14 | |
Cracking little thing for you equestrian lovers out there. | 0:35:14 | 0:35:16 | |
I have a bit of interest on the books. | 0:35:16 | 0:35:18 | |
I might as well get it started with me at £40 bid. £40. 40 bid. £40. | 0:35:18 | 0:35:22 | |
45, 50. 5. 60. | 0:35:22 | 0:35:25 | |
-5. 70. -Hey! -With me at 75. | 0:35:25 | 0:35:28 | |
80. 5 with me. | 0:35:28 | 0:35:30 | |
85. 85. | 0:35:30 | 0:35:32 | |
With me on commission. 90, I'm out. It is on the net. | 0:35:32 | 0:35:34 | |
£90. 90 bid. £90. | 0:35:34 | 0:35:36 | |
90 bid. My bid is on the net. | 0:35:36 | 0:35:38 | |
Fair warning, I sell at £90. | 0:35:38 | 0:35:41 | |
So £90. The big question is where are the other three? | 0:35:42 | 0:35:46 | |
THEY LAUGH | 0:35:46 | 0:35:47 | |
OK, plus £40, plus £10 equals | 0:35:47 | 0:35:50 | |
-plus £50. You are £50 up. -Oh! | 0:35:50 | 0:35:53 | |
-Is that good, chickens, or not? -Yes. -Sounds good to me. | 0:35:53 | 0:35:56 | |
So what are you going to do about the police truncheon? | 0:35:56 | 0:35:59 | |
Are you going to risk it for a biscuit, or park your £50? | 0:35:59 | 0:36:01 | |
She can't help you. What are you going to do? | 0:36:01 | 0:36:03 | |
She doesn't need to help me. We are going for it. We are going for it. | 0:36:03 | 0:36:06 | |
-Are you? -Yes. -Definitely? -Definitely. | 0:36:06 | 0:36:09 | |
We are going with the bonus buy. | 0:36:09 | 0:36:11 | |
I can now tell you that the auctioneer's estimate is £20-£40. | 0:36:11 | 0:36:13 | |
You paid £30, that's slap bang in the middle. | 0:36:13 | 0:36:15 | |
It seems like a wise decision to me. | 0:36:15 | 0:36:17 | |
You're going with the bonus buy, and here we go. | 0:36:17 | 0:36:20 | |
Lot 202 now. The police truncheon. | 0:36:20 | 0:36:23 | |
Great little lot this, ladies and gentlemen. £20 for a start. | 0:36:23 | 0:36:26 | |
£20 for the truncheon. 20 bid. £20. 20 bid. | 0:36:26 | 0:36:29 | |
22. 25. 25. | 0:36:29 | 0:36:31 | |
28. And 30. £30. | 0:36:31 | 0:36:34 | |
£30. In the room, £30. 32. | 0:36:34 | 0:36:38 | |
-32 on the net. -She's in profit. | 0:36:38 | 0:36:40 | |
Are you sure, it's a nice one? 32. 32. | 0:36:40 | 0:36:42 | |
35 - fresh outbreak. 35. | 0:36:42 | 0:36:44 | |
35. 38. | 0:36:44 | 0:36:47 | |
40. £40 at the back of the room. | 0:36:47 | 0:36:50 | |
42. Sir? 45. Thank you. | 0:36:50 | 0:36:52 | |
45. Internet? | 0:36:52 | 0:36:55 | |
48. And 50. Thank you, sir. | 0:36:55 | 0:36:58 | |
£50 at the back of the room. £50. 55. Sir? | 0:36:58 | 0:37:02 | |
55 on the net. Anyone else interested? | 0:37:02 | 0:37:04 | |
My bid is on the net. Fair warning, I sell | 0:37:04 | 0:37:06 | |
at £55. | 0:37:06 | 0:37:09 | |
-Ah! -Anita, that is plus £25, my darling. | 0:37:09 | 0:37:13 | |
That is plus £75 overall for the team. | 0:37:13 | 0:37:15 | |
-We made a profit! -How magnificent is that? | 0:37:15 | 0:37:19 | |
-Well done, well done, guys! -That is cracking. | 0:37:19 | 0:37:22 | |
-Group hug! -We made a profit! -Happy hunting. | 0:37:22 | 0:37:26 | |
-Now, don't say a word to the Blues, all right? -No. | 0:37:26 | 0:37:29 | |
Schtum. Schtum indeed. | 0:37:29 | 0:37:31 | |
-Simon, Nancy - do you know how the Reds got on? -No, have no idea. | 0:37:40 | 0:37:45 | |
Did they look confident when you passed them in the corridor? | 0:37:45 | 0:37:47 | |
-They looked sad. -Did they? -They did! -Oh, dear. | 0:37:47 | 0:37:51 | |
Oh, well, there we go. | 0:37:51 | 0:37:52 | |
Anyway - first up is the novelty silver brooch in the form of a sax. | 0:37:52 | 0:37:57 | |
-And here it comes. -OK. | 0:37:57 | 0:37:58 | |
Lot 215 - cracking little brooch, this. | 0:37:58 | 0:38:01 | |
Real quality, and nothing frivolous about this. | 0:38:01 | 0:38:04 | |
20th-century silver brooch, modelled as a saxophone. | 0:38:04 | 0:38:07 | |
I can start the bidding at 28. 30? £30. | 0:38:07 | 0:38:10 | |
30 bid. 32. | 0:38:10 | 0:38:12 | |
32, takes me straight out. | 0:38:12 | 0:38:13 | |
Well done, Simon. | 0:38:13 | 0:38:14 | |
You'll be well pleased. | 0:38:14 | 0:38:16 | |
40. 2. | 0:38:16 | 0:38:18 | |
5. | 0:38:18 | 0:38:19 | |
45. 45 - you're quite sure you're all done? | 0:38:19 | 0:38:22 | |
I'm selling at £45. | 0:38:22 | 0:38:25 | |
Look at that. Four off 30. | 0:38:25 | 0:38:29 | |
That is plus £19. | 0:38:29 | 0:38:31 | |
Lot 216 now. | 0:38:31 | 0:38:33 | |
It's a cracker of a little mid 20th-century Lalique circular dish. | 0:38:33 | 0:38:38 | |
50 to get me started. | 0:38:38 | 0:38:39 | |
£50 there? £50 there? | 0:38:39 | 0:38:41 | |
50 bid. £50, we're off. | 0:38:41 | 0:38:42 | |
£50, 50 bid. £50, 50 bid. | 0:38:42 | 0:38:45 | |
This is Lalique, ladies and gentlemen. | 0:38:45 | 0:38:47 | |
Where are you on this? | 0:38:47 | 0:38:48 | |
55, 55. | 0:38:48 | 0:38:49 | |
60. | 0:38:49 | 0:38:51 | |
5. | 0:38:51 | 0:38:52 | |
70. | 0:38:52 | 0:38:53 | |
5. | 0:38:53 | 0:38:54 | |
75 with the lady at the back - anyone else? 75. | 0:38:54 | 0:38:57 | |
75. | 0:38:57 | 0:38:59 | |
Well, fair warning - I'll sell, but have no regrets. | 0:38:59 | 0:39:01 | |
Last chance and selling, at £75. | 0:39:01 | 0:39:04 | |
-Just 75? -At 75? | 0:39:04 | 0:39:07 | |
-75. -Yeah. Disappointing. | 0:39:07 | 0:39:09 | |
Well, no profit, no loss. | 0:39:09 | 0:39:12 | |
Lot 217 now. | 0:39:12 | 0:39:13 | |
So far as they go, | 0:39:13 | 0:39:14 | |
this is an absolute cracker, ladies and gentlemen. | 0:39:14 | 0:39:17 | |
Exquisitely Georgian, baluster-turned mahogany. | 0:39:17 | 0:39:21 | |
Start me at 40? | 0:39:21 | 0:39:22 | |
The spinning wheel? | 0:39:22 | 0:39:23 | |
£40. Quick, quick - where are you on this? £40 bid. £40. | 0:39:23 | 0:39:26 | |
40 bid, £40. 40 bid, £40. | 0:39:26 | 0:39:28 | |
40 bid, £40. | 0:39:28 | 0:39:30 | |
A gift. 42. | 0:39:30 | 0:39:31 | |
45. | 0:39:31 | 0:39:33 | |
45 in the room. | 0:39:33 | 0:39:34 | |
45. | 0:39:34 | 0:39:35 | |
My bid's here in the room. | 0:39:35 | 0:39:37 | |
You're quite sure? I sell at £45. | 0:39:37 | 0:39:40 | |
50. 50... 48, we have? | 0:39:40 | 0:39:42 | |
Yes! | 0:39:42 | 0:39:43 | |
50 now, in the room. | 0:39:43 | 0:39:45 | |
£50. £50. 50 bid. | 0:39:45 | 0:39:47 | |
My bid's in the room. Without further ado... | 0:39:47 | 0:39:49 | |
It's going. Last chance - at £50... | 0:39:49 | 0:39:52 | |
-Yes! -Plus £20. | 0:39:52 | 0:39:55 | |
You are now plus £39. | 0:39:57 | 0:40:00 | |
Now, what are we going to do about this ocarina? | 0:40:00 | 0:40:02 | |
-I think we're going to reject it, just because we... -Seriously? -Yes. | 0:40:02 | 0:40:06 | |
We reject it. | 0:40:06 | 0:40:07 | |
She's not happy, Nancy, is she? | 0:40:09 | 0:40:10 | |
-I can tell in that face. -We're rejecting it. | 0:40:10 | 0:40:12 | |
We're very happy if it makes money, but I would like to bank. | 0:40:12 | 0:40:15 | |
-You want to bank? -Mr Sensible. -OK. | 0:40:15 | 0:40:18 | |
Here we go - here comes the bonus buy, which is rejected. | 0:40:18 | 0:40:22 | |
Lot 221. | 0:40:22 | 0:40:23 | |
Well, I absolutely love this. Any ocarina players in the audience? | 0:40:23 | 0:40:27 | |
Cracking example, in excellent condition, | 0:40:27 | 0:40:30 | |
complete with its leather-covered case. | 0:40:30 | 0:40:32 | |
40, the ocarina. | 0:40:32 | 0:40:34 | |
40. Where are you with this? Quick, quick. | 0:40:34 | 0:40:36 | |
£40 bid, £40. | 0:40:36 | 0:40:37 | |
£40. £40 bid, £40. | 0:40:37 | 0:40:39 | |
-Is that it, maiden bidder? -Ooh, no! | 0:40:39 | 0:40:41 | |
£40, 42. | 0:40:41 | 0:40:42 | |
42. 42. 42. | 0:40:42 | 0:40:45 | |
45. 45. | 0:40:45 | 0:40:47 | |
48. | 0:40:47 | 0:40:48 | |
-48, a new player enters the fray. -Go on. | 0:40:48 | 0:40:50 | |
Come again, internet. 50. | 0:40:50 | 0:40:51 | |
5. Your turn, madam. | 0:40:51 | 0:40:53 | |
60. | 0:40:53 | 0:40:54 | |
It's in the room. Net's out. | 0:40:54 | 0:40:56 | |
£60, in the centre. | 0:40:56 | 0:40:57 | |
65, fresh outbreak. | 0:40:57 | 0:41:00 | |
-70, on the net. -Yes! | 0:41:00 | 0:41:02 | |
HE MIMICS GUNSHOTS | 0:41:02 | 0:41:03 | |
75 here, standing. | 0:41:03 | 0:41:04 | |
75, standing. Fair warning - I sell. | 0:41:04 | 0:41:07 | |
My bid's here. At £75... | 0:41:07 | 0:41:10 | |
Yes, well done. David, you are vindicated. It is a plus 10. | 0:41:10 | 0:41:14 | |
-Don't worry, Simon - I won't hold it against you. -What did I say? | 0:41:14 | 0:41:17 | |
-You said go with it. -Yes. | 0:41:17 | 0:41:19 | |
OK, seriously - you're £39 up, | 0:41:19 | 0:41:21 | |
don't say a word to the Reds. | 0:41:21 | 0:41:22 | |
-Add all be revealed in a moment. -OK. -You are marvellous, all of you. | 0:41:22 | 0:41:26 | |
Well, well, well - what a successful day it's been, hasn't it? Gosh! | 0:41:34 | 0:41:39 | |
-Haven't we had fun? -Very much so. -We have had fun. | 0:41:39 | 0:41:42 | |
We've had a lot of fun. | 0:41:42 | 0:41:43 | |
We've had so much fun I can hardly contain myself. | 0:41:43 | 0:41:46 | |
And, of course, it's lovely | 0:41:46 | 0:41:47 | |
-when you have two teams who've made substantial profits. -Wahey. | 0:41:47 | 0:41:50 | |
Just a question of scale, really. | 0:41:50 | 0:41:52 | |
-And the runners up today, are, I'm afraid, the Blues. -Aw! | 0:41:52 | 0:41:58 | |
Man! | 0:41:58 | 0:41:59 | |
And I'd love to hand over the £39 | 0:41:59 | 0:42:04 | |
which comes with love, Nancy, I have to say. | 0:42:04 | 0:42:06 | |
Because - here's two, sweetie, and here's another two, | 0:42:06 | 0:42:09 | |
because I know you can count and everything. | 0:42:09 | 0:42:11 | |
Anyway, moving onto the Reds - | 0:42:11 | 0:42:13 | |
who win today by making £75 of profits. | 0:42:13 | 0:42:19 | |
£75 - there's your £75. | 0:42:19 | 0:42:22 | |
-Thank you. -Slight loss on the archaic Chinese, yes? | 0:42:22 | 0:42:25 | |
That was not so hot. | 0:42:25 | 0:42:27 | |
But £25 on the plated snuffbox. And the hoof made £40. | 0:42:27 | 0:42:32 | |
-That was really cantering along, wasn't it? -Mm-hm. | 0:42:32 | 0:42:34 | |
And, lastly, the truncheon, that made you £25. | 0:42:34 | 0:42:37 | |
You went with the bonus buy, and you came out on top. Happy about that? | 0:42:37 | 0:42:41 | |
-Fabulous. -Wayne? -You gripping that money tightly? -I am, yeah. | 0:42:41 | 0:42:45 | |
-She's not going to give you any, I can tell you that! -I can see that! | 0:42:45 | 0:42:48 | |
Anyway, a fantastic day. | 0:42:48 | 0:42:50 | |
In fact, we've had such a lovely time, | 0:42:50 | 0:42:51 | |
why don't you join as soon for some more bargain hunting, yes? | 0:42:51 | 0:42:54 | |
ALL: Yes! | 0:42:54 | 0:42:55 |