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Welcome to Kingston Upon Thames, | 0:00:03 | 0:00:06 | |
the oldest of the four royal boroughs in England | 0:00:06 | 0:00:08 | |
and self-proclaimed historic market town. Oh, yes. | 0:00:08 | 0:00:13 | |
The market here dates back to the 13th century. | 0:00:13 | 0:00:16 | |
And in 1628, Charles I banned any other market taking place | 0:00:16 | 0:00:22 | |
within a seven mile radius of this place. | 0:00:22 | 0:00:25 | |
So with exclusive shopping in mind, | 0:00:25 | 0:00:29 | |
let's go bargain hunting, yeah! | 0:00:29 | 0:00:31 | |
Just a few steps away | 0:00:58 | 0:01:00 | |
from the famous tumbling phone boxes | 0:01:00 | 0:01:02 | |
is today's treasure trove | 0:01:02 | 0:01:05 | |
of antiques - | 0:01:05 | 0:01:06 | |
Kingston Antiques Centre. | 0:01:06 | 0:01:09 | |
There is plenty of choice inside for our teams to grab a bargain. | 0:01:09 | 0:01:13 | |
But who will plummet spectacularly? | 0:01:13 | 0:01:17 | |
And who will rise triumphant? | 0:01:17 | 0:01:20 | |
Let's find out. Let's take a sneaky peak, eh? | 0:01:20 | 0:01:23 | |
The Blues are confident. | 0:01:25 | 0:01:27 | |
-With the way this is going, it is going to have to be champagne. -Oh! | 0:01:27 | 0:01:32 | |
The Reds are panicking. | 0:01:32 | 0:01:33 | |
HE YELLS | 0:01:33 | 0:01:35 | |
-We found a toilet. -Oh, for goodness' sake! | 0:01:35 | 0:01:37 | |
What am I doing? | 0:01:37 | 0:01:39 | |
And there are highs and lows at the auction. | 0:01:39 | 0:01:43 | |
-BOTH: Oh! -Disappointing. | 0:01:43 | 0:01:44 | |
-You are in profit. -Boys! | 0:01:44 | 0:01:46 | |
Brilliant. | 0:01:46 | 0:01:47 | |
Well, we have got some top hole teams for you today. | 0:01:49 | 0:01:53 | |
For the Reds, we've got best chums David and Simon. | 0:01:53 | 0:01:57 | |
-And Tim and Toby, who are also best chums. Hello, everyone. -ALL: Hello. | 0:01:57 | 0:02:02 | |
Very nice to see you all. | 0:02:02 | 0:02:04 | |
-Now, David, you are a software engineer by trade. -Yes. | 0:02:04 | 0:02:07 | |
Tell us what that means. | 0:02:07 | 0:02:09 | |
It means that I write software for the internet. | 0:02:09 | 0:02:13 | |
But you have a charitable spring to your life to, don't you, Davido? | 0:02:13 | 0:02:16 | |
Yes, I do indeed, Timido. | 0:02:16 | 0:02:19 | |
Oh! | 0:02:19 | 0:02:20 | |
Very good. OK, so tell us about your charity. | 0:02:20 | 0:02:24 | |
Well, I help volunteer for the charity that Simon works for. | 0:02:24 | 0:02:27 | |
And that is how I met Simon, actually. | 0:02:27 | 0:02:28 | |
Simon works for an outdoors pursuits charity. | 0:02:28 | 0:02:31 | |
So, what sort of things do you get up to | 0:02:31 | 0:02:33 | |
when you go outside on the charitable jaunts? | 0:02:33 | 0:02:35 | |
Kayaking, climbing, things like that. | 0:02:35 | 0:02:37 | |
But you are accompanying the sprogs, that's the point, is it? | 0:02:37 | 0:02:40 | |
-Yeah, young people. -Brilliant. | 0:02:40 | 0:02:41 | |
So, Simon, we have heard a bit about the charity you work for, | 0:02:41 | 0:02:44 | |
tell us some more. | 0:02:44 | 0:02:46 | |
Well, we are mobile adventure charity, so we go around the country | 0:02:46 | 0:02:50 | |
doing outdoor pursuits for schools, youth groups, whatever, really. | 0:02:50 | 0:02:55 | |
You are pretty active in your spare time as well. | 0:02:55 | 0:02:57 | |
I like snowboarding and anything to do with the mountains, really. | 0:02:57 | 0:03:00 | |
And kayaking and canoeing, they are kind of my favourite. | 0:03:00 | 0:03:03 | |
I'm going to give you £300 and you're going to be given | 0:03:03 | 0:03:05 | |
an hour to go shopping. Have you got any tactics? | 0:03:05 | 0:03:08 | |
-We are going to buy quirky, I think. -Yeah, definitely quirky. -Weird. | 0:03:08 | 0:03:12 | |
-Weird. -We are weird. | 0:03:12 | 0:03:13 | |
-OK, fine. Well, good luck with that, chaps. -Thank you. | 0:03:13 | 0:03:16 | |
This is going to be fun, isn't it? | 0:03:16 | 0:03:17 | |
Now, Timbo, you are a particularly theatrical chap, I'm told. | 0:03:17 | 0:03:21 | |
I was a member of the National Theatre Company | 0:03:21 | 0:03:23 | |
-for 15 years. -Were you?! | 0:03:23 | 0:03:25 | |
I then became head of drama at Haberdasher's Boys' School. | 0:03:25 | 0:03:30 | |
Now, this theatrical interest of yours | 0:03:30 | 0:03:33 | |
-leaks into your personal collections a bit, doesn't it? -It does. | 0:03:33 | 0:03:37 | |
I'm terrible hoarder and collector. | 0:03:37 | 0:03:39 | |
One of the things that I really enjoy doing is procuring | 0:03:39 | 0:03:43 | |
props for shows. | 0:03:43 | 0:03:44 | |
My limited experience as an actor was always the sense of thinking, | 0:03:44 | 0:03:47 | |
"Wow, what have I got in my hands?" | 0:03:47 | 0:03:49 | |
And it just makes you become that character in a very realistic way. | 0:03:49 | 0:03:53 | |
Now, Toby, is it as a result of theatre that you two became friends? | 0:03:53 | 0:03:57 | |
It is, yeah. I mean, I was very, very lucky. | 0:03:57 | 0:04:00 | |
At my school, we had something called a theatre appreciation society. | 0:04:00 | 0:04:04 | |
Tim, being the theatre buff that he is, was always there. | 0:04:04 | 0:04:07 | |
Went to Oxford, went to university, I used to come down every week or | 0:04:07 | 0:04:11 | |
so, we used to go and see a show, | 0:04:11 | 0:04:13 | |
have a meal. That's really how the friendship was born. | 0:04:13 | 0:04:17 | |
Now, your day job now involves a different sort of theatre, | 0:04:17 | 0:04:21 | |
-doesn't it? -Of sorts. Less of a cutting doctor, | 0:04:21 | 0:04:24 | |
more of a physician - I work at the Royal Brompton, which is | 0:04:24 | 0:04:28 | |
a heart and lung specialist hospital in South Kensington. | 0:04:28 | 0:04:32 | |
I am currently just working in the respiratory side, so looking | 0:04:32 | 0:04:35 | |
after all the people with weird and wonderful respiratory conditions. | 0:04:35 | 0:04:39 | |
But is it true that you recently have been elected to the | 0:04:39 | 0:04:42 | |
-Royal College of Physicians? -Yeah, well, it has been a year now ago, | 0:04:42 | 0:04:46 | |
but, yeah, it is something that...it's a hoop that everyone | 0:04:46 | 0:04:48 | |
has to jump through, really. | 0:04:48 | 0:04:50 | |
Don't be modest about it cos now we let it out of the bag. | 0:04:50 | 0:04:52 | |
Everybody will know you are clearly a genius and will do very, | 0:04:52 | 0:04:55 | |
very well on Bargain Hunt too. But right now, it is time for the money. | 0:04:55 | 0:04:59 | |
-£300 a piece. -Thank you. -You know the rules, your experts await. | 0:04:59 | 0:05:02 | |
And off you go! And very, very good luck. | 0:05:02 | 0:05:06 | |
Well, thank goodness there is a doctor in the house! | 0:05:06 | 0:05:09 | |
First up, let's find out who is doing the rounds | 0:05:10 | 0:05:14 | |
for our teams today. | 0:05:14 | 0:05:15 | |
Keeping things shipshape for the Reds, | 0:05:15 | 0:05:18 | |
Jonathan Pratt, bless him. | 0:05:18 | 0:05:19 | |
And on the case for the Blues | 0:05:21 | 0:05:23 | |
is our consultant. | 0:05:23 | 0:05:24 | |
Now, am I going to have a little drama with you two gents? | 0:05:28 | 0:05:31 | |
Certainly not. No, we are very, very cool. | 0:05:31 | 0:05:33 | |
We know exactly what we want to do. | 0:05:33 | 0:05:34 | |
So, Red team, we are all in red today. | 0:05:34 | 0:05:36 | |
-Yes. -Have you got any idea what you want to get today? -Quirky. -And big. | 0:05:36 | 0:05:40 | |
Quirky and big. | 0:05:40 | 0:05:42 | |
-Something shiny, intricate, beautiful. -Sounds good to me. | 0:05:42 | 0:05:45 | |
And chocks away! Teams, your 60 minutes starts now. | 0:05:45 | 0:05:50 | |
TRUMPET SOUNDS | 0:05:50 | 0:05:52 | |
-Let's go. -Cool. | 0:05:52 | 0:05:53 | |
Get some child labour. | 0:05:57 | 0:05:59 | |
What, holding up the mug? | 0:05:59 | 0:06:01 | |
Oh. What is this? | 0:06:02 | 0:06:06 | |
Oh, wow! | 0:06:06 | 0:06:08 | |
Look at its face. Its face looks like it has been something horrific. | 0:06:08 | 0:06:12 | |
I'm gauging from the conversation that you have pretty much | 0:06:12 | 0:06:16 | |
-no knowledge of antiques. -How did you know(?) | 0:06:16 | 0:06:19 | |
Oh, dear, Jonathan, you may have your work cut out with these two. | 0:06:19 | 0:06:23 | |
What about this conch right next to it? | 0:06:23 | 0:06:24 | |
What, the massive shell? | 0:06:24 | 0:06:26 | |
-No... -Do we move on a bit? -Let's move on, let's cover some ground. | 0:06:26 | 0:06:29 | |
We have only gone, like, two feet into this room. | 0:06:29 | 0:06:31 | |
I know, and we've used five minutes. | 0:06:31 | 0:06:33 | |
Kate, what about this little doctor's bag? | 0:06:33 | 0:06:36 | |
-Oh, I like the look of that. -That is good. | 0:06:36 | 0:06:38 | |
Back with the Blues, | 0:06:38 | 0:06:39 | |
and the good doctor has found something worth examining. | 0:06:39 | 0:06:42 | |
I can see myself swanning around the wards, stethoscope, | 0:06:42 | 0:06:45 | |
my sandwiches. | 0:06:45 | 0:06:46 | |
-Yeah. -I want to see if we can get it open. -Have a go, Tim. | 0:06:46 | 0:06:51 | |
-Oh, there we go. -There we go. | 0:06:51 | 0:06:54 | |
-Oh, OK. -Well, it's not bad. No great fittings, but it's OK. | 0:06:54 | 0:06:58 | |
-I have seen a lot worse. -Yes. | 0:06:58 | 0:07:00 | |
I mean, the key with leather bags like this is to check the seams | 0:07:00 | 0:07:03 | |
are intact, cos that is where the stitching tends to go, | 0:07:03 | 0:07:06 | |
and the condition of the leather. | 0:07:06 | 0:07:08 | |
Now, this one looks a little bit dry. | 0:07:08 | 0:07:09 | |
It just needs a little bit of feeding. | 0:07:09 | 0:07:11 | |
But essentially, it is not in bad nick. | 0:07:11 | 0:07:14 | |
I love these designs because of course the designer of the Gladstone | 0:07:14 | 0:07:18 | |
bag invented this framework which opens up to really expand the bag. | 0:07:18 | 0:07:24 | |
-To get loads in it. -It's a girl's dream. | 0:07:24 | 0:07:27 | |
You could just pack everything in there. | 0:07:27 | 0:07:29 | |
-It is actually in very good condition, really, isn't it? -Hm. | 0:07:29 | 0:07:31 | |
Cos that is going to be what, 1930s, '20s possibly? | 0:07:31 | 0:07:35 | |
Yes. First two decades of the 20th century. | 0:07:35 | 0:07:37 | |
-It would be ideal in the prop store. -Wouldn't it? | 0:07:37 | 0:07:40 | |
I think we should have it, but maybe... The price is £35. | 0:07:40 | 0:07:43 | |
-It's the wrong price. -I think, yeah. -What would you pay, Doctor? | 0:07:43 | 0:07:48 | |
I'd pay £15 to £20, I think. £20. | 0:07:48 | 0:07:51 | |
There are no flies on you two, that is exactly what I would say. | 0:07:51 | 0:07:54 | |
Hopefully, it might make 30, maybe even 40 at auction. | 0:07:54 | 0:07:58 | |
-I rather like that. -OK. -Let's give it a go. | 0:07:58 | 0:08:00 | |
Let's see what the best price might be and I'll see you in a sec. | 0:08:00 | 0:08:03 | |
-Keep looking. -Great start, Blues. | 0:08:03 | 0:08:05 | |
Meanwhile, something fowl - ha - has caught Jonathan's attention. | 0:08:09 | 0:08:14 | |
-A rather quirky cockerel. -What would you do with that, though? | 0:08:14 | 0:08:18 | |
-It looks really sassy. -It is quite heavy. You know what? | 0:08:18 | 0:08:21 | |
-It is a slip moulded pottery figure of a chicken. -Wow. | 0:08:21 | 0:08:25 | |
But they have poured concrete inside it. | 0:08:25 | 0:08:28 | |
-Should you pour concrete inside it? -It's not the idea, no. | 0:08:28 | 0:08:31 | |
What I am guessing is they wanted to weigh it down. | 0:08:31 | 0:08:33 | |
And they have obviously used it as either a doorstop or | 0:08:33 | 0:08:36 | |
they have had in the garden. | 0:08:36 | 0:08:37 | |
But it has some age. I mean, it might be 50 years old. | 0:08:37 | 0:08:40 | |
It has a bit of that sort of '50s kitsch style about it. | 0:08:40 | 0:08:43 | |
People are going to be put off by the fact that it is filled with concrete? | 0:08:43 | 0:08:46 | |
They probably will be. | 0:08:46 | 0:08:48 | |
Porcelain poultry with concrete stuffing, Jonathan, | 0:08:49 | 0:08:53 | |
you should know better. Now, come on, move on. | 0:08:53 | 0:08:55 | |
-And I'll shut up for a while. -OK. Thanks. | 0:08:55 | 0:08:58 | |
-Hi, guys. -Back with the Blues, and Kate has news from the dealer. | 0:08:58 | 0:09:02 | |
-They have very kindly come down to £20 for us. -I think... | 0:09:02 | 0:09:07 | |
I think we go with that. I think we'll go for it. It's a good price. | 0:09:07 | 0:09:11 | |
I'm really glad you said that because I have said yes. | 0:09:11 | 0:09:13 | |
THEY LAUGH | 0:09:13 | 0:09:15 | |
-Thank you. -One in the bag. | 0:09:15 | 0:09:16 | |
-Ha, ha, get it? -Kids, let's press on, shall we? -Come on then. | 0:09:16 | 0:09:19 | |
One in the bag indeed and with just ten minutes gone. | 0:09:19 | 0:09:23 | |
You Blues are certainly savvy shoppers. | 0:09:23 | 0:09:26 | |
Meanwhile, the Reds may be less savvy, but they certainly are eager. | 0:09:27 | 0:09:31 | |
About everything. | 0:09:31 | 0:09:32 | |
No. Simon, Simon, Game Boys. We found a weird element. | 0:09:34 | 0:09:37 | |
-These pigs. The three pigs. -What about the whisky? | 0:09:39 | 0:09:43 | |
It's a cognac bottle for the Olympic Games in Moscow, 1980. | 0:09:43 | 0:09:47 | |
I would have walked straight past this cabinet. | 0:09:47 | 0:09:50 | |
Right. That says a lot, to be honest. | 0:09:50 | 0:09:53 | |
Purely because if we were to look at everything like this, | 0:09:53 | 0:09:55 | |
-we will run out of time very quickly. -OK. | 0:09:55 | 0:09:57 | |
Jonathan, I think the boys need a bit of navigation, yeah? | 0:09:57 | 0:10:00 | |
This sale room is on the Thames, and it is just up from Richmond, | 0:10:01 | 0:10:05 | |
so you've got a good, wealthy clientele. | 0:10:05 | 0:10:08 | |
So we could buy silver, works of art, maritime stuff, OK? | 0:10:08 | 0:10:11 | |
-Those dolphins are silver, and they live in the sea. -They're not. | 0:10:11 | 0:10:14 | |
-They are silver. -They are not. -Yes, they are. -No, they're not. | 0:10:14 | 0:10:17 | |
-No, they're black. -Sorry. | 0:10:17 | 0:10:19 | |
All right, move along, move swiftly along. | 0:10:19 | 0:10:22 | |
Oh, dear! | 0:10:23 | 0:10:25 | |
Oh, dear, we've got a right pair here. | 0:10:25 | 0:10:28 | |
Whatever will they find next? | 0:10:28 | 0:10:30 | |
We are nearly halfway through the shop and the Blues think | 0:10:30 | 0:10:33 | |
they are on to a winning formula with more medical items. | 0:10:33 | 0:10:36 | |
Now, this is all chemistry, isn't it? Which is so not my field. | 0:10:36 | 0:10:39 | |
Come on, Toby, talk us through it. | 0:10:39 | 0:10:41 | |
-What have we got? -At risk of just making things up, which I will. | 0:10:41 | 0:10:45 | |
-So what is this? Sol. -It's a solution. -OK, onto the next one. | 0:10:45 | 0:10:51 | |
-This is ABC. -OK. -And salicylic acid is aspirin. -Oh, is it? | 0:10:51 | 0:10:57 | |
What I do know is that I quite like them. | 0:10:57 | 0:11:00 | |
Time to talk money with Leslie from the antiques centre. | 0:11:00 | 0:11:03 | |
-Can we ask you about price? -Yeah, I think they are at 132 together. | 0:11:03 | 0:11:08 | |
Yeah, they are very, very pricey. | 0:11:08 | 0:11:10 | |
-All right, let's put them back for now. -OK. | 0:11:10 | 0:11:13 | |
While we are here, can I just have a look in that cabinet? There's | 0:11:13 | 0:11:16 | |
a little corkscrew down there. Can we have a look at that? | 0:11:16 | 0:11:19 | |
-Can I grab it? -Uh-huh. | 0:11:19 | 0:11:22 | |
OK, so corkscrews are a great collectors market. | 0:11:22 | 0:11:25 | |
Connoisseurs of fine wines like to collect them with the wines, | 0:11:25 | 0:11:28 | |
which is rather nice. | 0:11:28 | 0:11:29 | |
Condition, of course, is really important, as with most things. | 0:11:29 | 0:11:33 | |
A little bit worn. | 0:11:33 | 0:11:35 | |
It probably dates, I would say, from the very early | 0:11:35 | 0:11:38 | |
part of the 20th century, I think, rather than Victorian. | 0:11:38 | 0:11:42 | |
What is nice about it is the action. It is all about the action. | 0:11:42 | 0:11:45 | |
-Great. And that is quite unusual. -This is quite nice. | 0:11:45 | 0:11:49 | |
It has got a lovely screw mechanism. And I've just noticed the price. | 0:11:49 | 0:11:53 | |
I'm just wondering if we could get that for less than £10. | 0:11:53 | 0:11:57 | |
-I try to imagine myself, you know, a summer's evening... -In the Loire. | 0:11:57 | 0:12:01 | |
In the Loire... | 0:12:01 | 0:12:03 | |
-Let's go for it. -Yeah, what can you do for us? | 0:12:04 | 0:12:06 | |
Seven would be basically the bottom line. | 0:12:06 | 0:12:09 | |
I mean, I think seven is a reasonable price, actually. | 0:12:09 | 0:12:12 | |
-I'm happy with seven. -What do you think, Tim? | 0:12:12 | 0:12:14 | |
I'd pay seven to get the bottle open, yeah. Definitely. | 0:12:14 | 0:12:16 | |
Great, you got a deal. | 0:12:16 | 0:12:18 | |
-Oh, good. -Thank you very much. | 0:12:18 | 0:12:19 | |
So, what is your favourite tipple, then? | 0:12:21 | 0:12:23 | |
-I think the way this is going, it is going to have to be champagne. -Oh! | 0:12:23 | 0:12:26 | |
Steady on, Blues. You still have one more item to go. | 0:12:26 | 0:12:29 | |
But you are certainly doing better than the Reds, | 0:12:29 | 0:12:31 | |
who still haven't bought anything. | 0:12:31 | 0:12:33 | |
But are they following Jonathan's advice? | 0:12:33 | 0:12:36 | |
I've just seen this. A silver ship. | 0:12:38 | 0:12:41 | |
That's exactly what we are looking for. | 0:12:41 | 0:12:43 | |
-It's not silver. -Oh. -But... You know... | 0:12:43 | 0:12:46 | |
It says on there "Art Deco," which one hopes it is, | 0:12:46 | 0:12:49 | |
-cos the Art Deco style is popular. -I've heard of that. | 0:12:49 | 0:12:52 | |
-Oh, have you? -I don't know what it means. | 0:12:52 | 0:12:53 | |
I did it in art class once and I completely forgot what it is. | 0:12:53 | 0:12:56 | |
OK, very briefly, | 0:12:56 | 0:12:58 | |
Art Deco is a label that goes to a style in 1925 in Paris. | 0:12:58 | 0:13:01 | |
There was the exposition to Arts Decoratifs. | 0:13:01 | 0:13:03 | |
It is that rectilinear, straight lines, strong contrast. | 0:13:03 | 0:13:07 | |
It was the age of people coming out of the Victorian era | 0:13:07 | 0:13:10 | |
and going into the adventurous stuff like skiing | 0:13:10 | 0:13:13 | |
and hiking and mountain climbing. | 0:13:13 | 0:13:15 | |
And travel. So this is sort of someone's souvenir. | 0:13:15 | 0:13:18 | |
£35 isn't a lot, I don't think, if it is right, if it is Art Deco. | 0:13:18 | 0:13:22 | |
So let's dive in. | 0:13:22 | 0:13:24 | |
-That looks light, amazing. -It looks like a shoe. | 0:13:24 | 0:13:28 | |
It's an ashtray. | 0:13:28 | 0:13:29 | |
Not all the rage. Nowadays. I just don't like the quality of it. | 0:13:29 | 0:13:34 | |
But then, it is not a lot of money. | 0:13:34 | 0:13:36 | |
-What do you think? -I reckon we should risk it. -For 20. | 0:13:36 | 0:13:40 | |
-Let's do it. -30 at most. -Go in at 20. Maybe ask... David, isn't it? | 0:13:40 | 0:13:45 | |
We just want to know whether you'll accept £20. | 0:13:45 | 0:13:48 | |
-Best price is going to be 25. -I think we need to go for it. | 0:13:48 | 0:13:50 | |
I think we do need to go for it. | 0:13:50 | 0:13:52 | |
I think we should definitely go for it. | 0:13:52 | 0:13:54 | |
-Is that a deal for us? -Yes. -Thank you very much. -Thank you. Thank you. | 0:13:54 | 0:13:58 | |
-Thank you very much. -We've got one down, two to go, half an hour. | 0:13:58 | 0:14:03 | |
-Don't panic yet, guys. -HE YELLS | 0:14:03 | 0:14:06 | |
-Don't lose it. We need to work fast. -OK, cool. -OK, fabulous, let's go. | 0:14:06 | 0:14:09 | |
Finally! | 0:14:09 | 0:14:10 | |
Well done, Reds, but you'll have to knuckle down and focus | 0:14:10 | 0:14:13 | |
on getting those last two buys now, because your time is running out. | 0:14:13 | 0:14:17 | |
I am going to try to motivate them to buy more selected objects. | 0:14:17 | 0:14:21 | |
Hopefully, we can cover enough ground in here to do so | 0:14:21 | 0:14:23 | |
in the time we've got left. In a nutshell, it's hard work. | 0:14:23 | 0:14:27 | |
Yes, let's leave Jonathan working hard while I show you a bargain | 0:14:28 | 0:14:31 | |
I picked up at Portobello Market, eh? | 0:14:31 | 0:14:34 | |
What do you make of that? | 0:14:34 | 0:14:36 | |
It looks a bit like a plastic button, but it isn't. | 0:14:36 | 0:14:40 | |
It is a piece of stone. | 0:14:40 | 0:14:42 | |
A curious amalgam of bright blue, which is lapis lazuli, | 0:14:42 | 0:14:48 | |
and the green, which is malachite. | 0:14:48 | 0:14:50 | |
The effect is that when this is cut and carved and polished, it is | 0:14:50 | 0:14:56 | |
a most beautiful sight. Just look at the detail in this thing. | 0:14:56 | 0:15:01 | |
I suspect it may be Chinese. | 0:15:01 | 0:15:04 | |
Because it is moon shaped. | 0:15:04 | 0:15:06 | |
And the moon is a very auspicious thing in Chinese mythology. | 0:15:06 | 0:15:11 | |
What it really needs is a length of ribbon to make it into a pendant. | 0:15:11 | 0:15:16 | |
This being Portobello, I hoofed it down to the haberdashery store | 0:15:16 | 0:15:20 | |
and bought myself half a yard of Victorian silk ribbon. | 0:15:20 | 0:15:26 | |
Now, if I take the ribbon through the hole | 0:15:26 | 0:15:30 | |
and make a little loop like that, this becomes | 0:15:30 | 0:15:34 | |
a gift from heaven for the girlfriend or the wife. | 0:15:34 | 0:15:39 | |
You put that around her neck like that, tie it behind her neck, | 0:15:39 | 0:15:43 | |
and I tell you, she will be swept away by this. | 0:15:43 | 0:15:48 | |
She'll say, "Oh, darling, that is so lovely. How kind of you. | 0:15:48 | 0:15:52 | |
"It must have been expensive." | 0:15:52 | 0:15:55 | |
Actually, the pendant cost me the princely sum of £12. | 0:15:55 | 0:16:00 | |
Plus the 50p for the ribbon, £12.50. | 0:16:00 | 0:16:03 | |
That is what I call an absolute snip. | 0:16:03 | 0:16:06 | |
Don't you? | 0:16:07 | 0:16:09 | |
Meanwhile, back in Surrey, | 0:16:09 | 0:16:10 | |
our teams are over halfway through the shop. | 0:16:10 | 0:16:13 | |
The Blues, who handled their first two buys with ease, | 0:16:13 | 0:16:17 | |
are now struggling to agree on their third. | 0:16:17 | 0:16:20 | |
-This is not saying Richmond to me at all. -This is. | 0:16:20 | 0:16:23 | |
No, that's just saying you, | 0:16:24 | 0:16:26 | |
I think. Hang on a minute, this little box, it's got a ship on it. | 0:16:26 | 0:16:29 | |
-It is a little snuffbox. Papier-mache. -That is rather nice. | 0:16:29 | 0:16:32 | |
-Toby is pulling a face. -You are pulling a face. -I don't like it. | 0:16:32 | 0:16:36 | |
You couldn't really be more candid. "I don't like it." | 0:16:36 | 0:16:41 | |
And the Reds are trailing with just one piece purchased. | 0:16:41 | 0:16:44 | |
And Jonathan's strategy seems to be going down the old pan. | 0:16:44 | 0:16:47 | |
-That's nice. I quite like that. -Quite like what, guys? -Oh. | 0:16:48 | 0:16:52 | |
-I have got to keep a tight rein on you. -We found a toilet. | 0:16:52 | 0:16:55 | |
-Oh, for goodness' sake! -THEY LAUGH | 0:16:55 | 0:16:58 | |
-We've found something else as well. -Come over here. | 0:16:58 | 0:17:01 | |
Uh-oh. | 0:17:01 | 0:17:02 | |
Here we go. This is our signed spoon that we found. | 0:17:04 | 0:17:07 | |
-This is you because you are kayaker, isn't it? -Yeah. -It is a paddle. | 0:17:07 | 0:17:10 | |
We could use it as a paddle. It will be quite a paddle. | 0:17:10 | 0:17:13 | |
-A bit weird. -You probably could. -A canoe paddle. -A canoe, definitely. | 0:17:13 | 0:17:16 | |
Yeah, that would be fine. | 0:17:16 | 0:17:18 | |
But it is signed by some random school team or something. | 0:17:18 | 0:17:20 | |
Yeah, so we are not sure. It could be a famous Olympic team. | 0:17:20 | 0:17:23 | |
What on earth is it? What does it say? Large spoon, very unusual. | 0:17:23 | 0:17:27 | |
-Suits us. Buy. -What is it? I mean, this is... -BOTH: It's a spoon. | 0:17:27 | 0:17:31 | |
-A big spoon. -Is it old? | 0:17:31 | 0:17:33 | |
-HESITANTLY: -Yes. | 0:17:33 | 0:17:35 | |
THEY LAUGH | 0:17:35 | 0:17:38 | |
What am I doing? It's not terribly old. | 0:17:38 | 0:17:42 | |
I'd say it is 20th century, maybe middle of the century. | 0:17:42 | 0:17:45 | |
HE EXHALES LOUDLY | 0:17:49 | 0:17:50 | |
-You don't like it, do you? -You hate our theme. | 0:17:50 | 0:17:53 | |
What is going through my brain is, "Will it make any money?" | 0:17:53 | 0:17:57 | |
The guy has put £45 on it, and he has put £45 on it | 0:17:57 | 0:18:00 | |
cos he doesn't know how much to charge for it. | 0:18:00 | 0:18:02 | |
I think it is a good thing. | 0:18:02 | 0:18:04 | |
Why don't you run down to the counter, | 0:18:04 | 0:18:06 | |
see what magic you can work. | 0:18:06 | 0:18:07 | |
-OK. -Go on, Simon, time for your best bargaining! | 0:18:07 | 0:18:11 | |
So, what is the absolute best price you could give us for this spoon? | 0:18:11 | 0:18:16 | |
We could do 35. | 0:18:16 | 0:18:18 | |
Cool. I will go and check with the other guys and see what they think. | 0:18:18 | 0:18:21 | |
-OK. -Thank you. | 0:18:21 | 0:18:22 | |
Not sure that really counts as negotiating, Simon. | 0:18:22 | 0:18:25 | |
-He said the absolute best price we can do is 35. -The absolute best? | 0:18:25 | 0:18:29 | |
Well, that's what he thinks, anyway. | 0:18:29 | 0:18:31 | |
Did you actually try and haggle at all? | 0:18:31 | 0:18:33 | |
I tried to. He was very persuasive. | 0:18:33 | 0:18:34 | |
-How are we doing for time? -We've got no time left at all. | 0:18:34 | 0:18:38 | |
Frankly, it's a definite purchase. Yes, were taking it. | 0:18:38 | 0:18:42 | |
-Brilliant. -We bought a spoon! | 0:18:42 | 0:18:45 | |
Well done. | 0:18:45 | 0:18:46 | |
Let's hope it doesn't leave you up the proverbial creek at the auction. | 0:18:46 | 0:18:49 | |
Meanwhile, with less than ten minutes to go, | 0:18:49 | 0:18:52 | |
the Blues are worried about how little they have forked out. | 0:18:52 | 0:18:55 | |
I assumed we would have spent much more money by now. | 0:18:57 | 0:19:01 | |
But we haven't. | 0:19:01 | 0:19:02 | |
We've really got to get stuck in there cos we've only spent £27. | 0:19:02 | 0:19:05 | |
It's ridiculous! | 0:19:05 | 0:19:07 | |
Well, a fancy bit of silver would soon put that right. | 0:19:07 | 0:19:10 | |
I first of all thought it was a cigarette case in a very | 0:19:10 | 0:19:12 | |
-strange shape. -Ah. More of a gentleman's piece. | 0:19:12 | 0:19:16 | |
-Absolutely. -Now we've got it out, you can see it's a lady's piece. | 0:19:16 | 0:19:19 | |
That is quite nice. | 0:19:19 | 0:19:21 | |
The interior is very, very nice. | 0:19:21 | 0:19:23 | |
-It's lovely. -Great nick. -Isn't it? What have we got there? | 0:19:23 | 0:19:25 | |
-Is that the price? -SHE GASPS | 0:19:25 | 0:19:27 | |
Oh, right, that might be a little bit too much. 225. | 0:19:27 | 0:19:29 | |
I think there is another one in the case. | 0:19:29 | 0:19:32 | |
Shall we have a look at that one? | 0:19:32 | 0:19:33 | |
Could we have a look at the other one? | 0:19:33 | 0:19:35 | |
I'll hold on to this one, if that's all right. | 0:19:35 | 0:19:37 | |
Apparently, she will do 100 on that. | 0:19:37 | 0:19:39 | |
-She'll do 100, OK. So is it this one here? -It's this one. | 0:19:39 | 0:19:43 | |
It's that one. | 0:19:43 | 0:19:46 | |
It is the sort of thing a lady would take with her to the theatre. | 0:19:46 | 0:19:49 | |
Exactly. | 0:19:49 | 0:19:50 | |
I would call them Edwardian, George V lady's silver evening bags. | 0:19:50 | 0:19:55 | |
When you think of a lady, she would be wearing gloves, | 0:19:55 | 0:19:58 | |
so her gloved finger would be placed through the little ring. | 0:19:58 | 0:20:02 | |
So it is made to be elegant, it is made to be discreet. | 0:20:02 | 0:20:05 | |
But it is also a little symbol of refinement. | 0:20:05 | 0:20:08 | |
The thing that I like about this is that it is slightly plainer. | 0:20:08 | 0:20:14 | |
-I like this because it is more ornate, actually. -Right, OK. | 0:20:14 | 0:20:17 | |
-So, we are differing. -But that's OK. | 0:20:17 | 0:20:21 | |
This one is in the better condition, I would say. | 0:20:21 | 0:20:24 | |
-It has a few little dinks in it. -The interior in this one is similar. | 0:20:24 | 0:20:29 | |
I think the interior of this has the edge, actually. | 0:20:29 | 0:20:32 | |
I think they are both good. This one is almost pristine, isn't it? | 0:20:32 | 0:20:36 | |
-So we have got 100 on this. -This starts at 120. | 0:20:36 | 0:20:40 | |
But overall, I think this is the better buy. | 0:20:40 | 0:20:43 | |
-OK. -I agree. -It is very, very pretty. -So 100 on this one. -Yes. | 0:20:43 | 0:20:48 | |
-You can't do a sneaky 90? -No, I've already done a sneaky huge amount. | 0:20:48 | 0:20:53 | |
OK, that's very kind. Just thought I'd ask. | 0:20:53 | 0:20:56 | |
-£100, are we happy, guys? -I think so. -I think so. | 0:20:56 | 0:20:59 | |
-Lovely, thank you very much indeed. -Thank you. -Great. | 0:20:59 | 0:21:02 | |
Well done, Blues, that's your three items bought. | 0:21:02 | 0:21:05 | |
But with less than five minutes to go, | 0:21:05 | 0:21:06 | |
the Reds are nowhere near making a decision. | 0:21:06 | 0:21:09 | |
Ah... Shipping. | 0:21:11 | 0:21:13 | |
Um, yes, slightly out of our price range. | 0:21:16 | 0:21:19 | |
-Go on, team, time is running out. -Four minutes. -Oh, my gosh. | 0:21:19 | 0:21:22 | |
-What about a fire extinguisher? -No. -Go back for the cockerel? -Really? | 0:21:22 | 0:21:27 | |
-The concrete cockerel. -Have you seen this one? -Our new cockerel. | 0:21:27 | 0:21:30 | |
-It's more expensive. -Well, actually... Who is that by? | 0:21:30 | 0:21:34 | |
It is quite a nice thing. It has got a bit of age. It says 85. | 0:21:34 | 0:21:38 | |
-Whose is it? -Elaine. -Is she here? No, she's not. -Yes, she is. | 0:21:38 | 0:21:43 | |
-She is here. Where is Elaine? -On the desk downstairs. | 0:21:43 | 0:21:45 | |
On the desk downstairs, right, let's go. | 0:21:45 | 0:21:48 | |
-Which way is the stairs? -Go that way. -That way. | 0:21:49 | 0:21:53 | |
Oh, dear, the pressure seems to be getting to the Red team. | 0:21:53 | 0:21:57 | |
Just one minute left! | 0:21:57 | 0:21:58 | |
We have a very small amount of time left. | 0:21:58 | 0:22:01 | |
We've got loads of time! | 0:22:01 | 0:22:03 | |
I mean, we can see it has been restored around the neck. | 0:22:03 | 0:22:06 | |
-Quite a lot. -Quite a lot of restoration there. | 0:22:06 | 0:22:08 | |
But it has got some age. | 0:22:08 | 0:22:09 | |
I mean, it is sort of early 20th century, late 19th century. | 0:22:09 | 0:22:13 | |
OK, bearing in mind the condition, and I think you've got £85, | 0:22:14 | 0:22:17 | |
are you quite happy to get rid of it? | 0:22:17 | 0:22:19 | |
-Yes. -You don't want this in your shop. -£30 and you're done. | 0:22:19 | 0:22:23 | |
-OK, go on. -Brilliant, there we are, £30. | 0:22:23 | 0:22:25 | |
-Sorry, guys. -You are a miracle worker. -That was ridiculous. | 0:22:25 | 0:22:29 | |
-Thank you very much. -How did you do that? | 0:22:29 | 0:22:32 | |
I struggled with the spoon, to get it down £10. | 0:22:32 | 0:22:35 | |
CLOCK DINGS | 0:22:35 | 0:22:38 | |
Oh, do stop clowning about. Your 60 minutes is up. | 0:22:38 | 0:22:42 | |
Before we sail off to the auction, | 0:22:42 | 0:22:44 | |
let's check out what the teams bought. | 0:22:44 | 0:22:47 | |
The Reds were hoping they could | 0:22:47 | 0:22:48 | |
cruise their way to a profit | 0:22:48 | 0:22:50 | |
with this Art Deco style ashtray, | 0:22:50 | 0:22:52 | |
bought for £25. | 0:22:52 | 0:22:53 | |
Next came the giant spoon. | 0:22:56 | 0:22:57 | |
Or is it a paddle? | 0:22:57 | 0:22:59 | |
Which cost £35. | 0:22:59 | 0:23:01 | |
And finally, the pottery cockerel | 0:23:02 | 0:23:05 | |
at the knock-down price of £30. | 0:23:05 | 0:23:07 | |
Cock-a-doodle-do, eh? | 0:23:07 | 0:23:09 | |
-OK, chaps, did you have a swell time? -Yeah, was great. | 0:23:10 | 0:23:13 | |
-A bit indecisive, a bit last-minute. -No! -No! -Nothing of the sort. | 0:23:13 | 0:23:17 | |
-How much did you spend in toto? -£90. | 0:23:17 | 0:23:21 | |
OK, £90. £210 of leftover lolly, please. | 0:23:21 | 0:23:26 | |
Which is your favourite piece? | 0:23:26 | 0:23:27 | |
-Wooden spoon. -Is it? -Yep. -Do you agree with that, Simon? | 0:23:27 | 0:23:30 | |
-I definitely do. -Is the wooden spoon going to bring the biggest profit? | 0:23:30 | 0:23:33 | |
-I think so. -I don't. | 0:23:33 | 0:23:34 | |
What do you think is going to bring the biggest profit? | 0:23:34 | 0:23:37 | |
-I think the last-minute chicken. -Do you? -Yes. | 0:23:37 | 0:23:40 | |
-It is going to come up with a golden egg. -Yeah, exactly. | 0:23:40 | 0:23:43 | |
OK, fine. Well, there is a prediction. JP, you feeling strong? | 0:23:43 | 0:23:46 | |
-I need to be. That's for sure. -What?! -I'm going to dig deep. | 0:23:46 | 0:23:51 | |
Whatever it is, I'll put a lot of attention | 0:23:51 | 0:23:53 | |
-and I'll do you proud. -Anyway, good luck, JP. | 0:23:53 | 0:23:56 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:23:56 | 0:23:59 | |
They were carried away | 0:23:59 | 0:24:00 | |
with this Gladstone bag. | 0:24:00 | 0:24:02 | |
And managed to secure it | 0:24:02 | 0:24:03 | |
for just £20. Pity about the stain. | 0:24:03 | 0:24:06 | |
Their love of wine meant | 0:24:06 | 0:24:07 | |
they couldn't say no to this | 0:24:07 | 0:24:09 | |
early 20th century corkscrew, | 0:24:09 | 0:24:10 | |
bought for just £7. | 0:24:10 | 0:24:13 | |
And they really splashed the cash | 0:24:13 | 0:24:15 | |
on their final item, | 0:24:15 | 0:24:16 | |
a George V silver purse. | 0:24:16 | 0:24:19 | |
Price paid - £100. | 0:24:19 | 0:24:20 | |
So what is it with you two? Luxury goods and flight stuff. | 0:24:24 | 0:24:29 | |
Well, nice bottles of claret, certainly. | 0:24:29 | 0:24:31 | |
And certainly the odd bottle of champagne, or three. | 0:24:31 | 0:24:34 | |
Anyway, there were go. We live in hope, right? | 0:24:34 | 0:24:37 | |
Which is your favourite piece, Tim? | 0:24:37 | 0:24:39 | |
I think probably the Edwardian lady's silver purse. | 0:24:39 | 0:24:44 | |
-Do you agree with that, Doc? -I do to a certain extent, but actually, | 0:24:44 | 0:24:47 | |
-I rather like the little doctor's bag we got as well. -Funny that. | 0:24:47 | 0:24:50 | |
Which item is going to bring the biggest profit, Doc? | 0:24:50 | 0:24:53 | |
-I think definitely the doctor's bag. -Do you? -It has to be. | 0:24:53 | 0:24:56 | |
-And you agree? -I agree wholeheartedly. | 0:24:56 | 0:24:58 | |
And how much did you spend? | 0:24:58 | 0:24:59 | |
-£127. -So, can I have £173, please? -Indeed. -Thank you very much, 173. | 0:24:59 | 0:25:06 | |
-And there we go, £173. -Thank you very much. | 0:25:06 | 0:25:08 | |
-That's a lot of cash for you, isn't it? -Lovely. It is a lot of cash. | 0:25:08 | 0:25:11 | |
-Just as well. -What are you going to do with it? | 0:25:11 | 0:25:13 | |
Well, one thing's for sure, I can't get away with any rubbish for | 0:25:13 | 0:25:16 | |
these two, so it is going to have to be something of really good quality. | 0:25:16 | 0:25:19 | |
-I hope you spend the lot. -Me too. | 0:25:19 | 0:25:21 | |
Anyway, stand by because very shortly, | 0:25:21 | 0:25:24 | |
we're going to be heading off to the auction, into the smoke. | 0:25:24 | 0:25:27 | |
Well, this is fun, isn't it? | 0:25:38 | 0:25:40 | |
We've popped up the Thames, from Kingston to Twickenham, | 0:25:40 | 0:25:44 | |
to High Road Auctions to be with our auctioneer of the moment, | 0:25:44 | 0:25:47 | |
-David Holmes. David, good morning. -Good morning, Tim. | 0:25:47 | 0:25:50 | |
Now, the Reds, what a mixture, eh? | 0:25:50 | 0:25:52 | |
Whoo! First up is the Deco style ashtray. What do you make of that? | 0:25:52 | 0:25:56 | |
We have catalogued this one as a chromium-plated object. | 0:25:56 | 0:25:59 | |
I think, on closer inspection, it is polished aluminium. | 0:25:59 | 0:26:03 | |
-Made in large numbers, though, Tim. -And not very old. | 0:26:03 | 0:26:06 | |
Not very old at all, I'm afraid. | 0:26:06 | 0:26:07 | |
That's the trouble with it, isn't it? | 0:26:07 | 0:26:09 | |
-I mean, loosely, it has got that Art Deco look. -Yes, it has. | 0:26:09 | 0:26:11 | |
Which is what the manufacturer, probably in the Far East, | 0:26:11 | 0:26:14 | |
has tried to kind of come up with. | 0:26:14 | 0:26:15 | |
-Yeah. -Bunged it in a container | 0:26:15 | 0:26:17 | |
and you are finding these things throughout the fairs, | 0:26:17 | 0:26:19 | |
and I guess the auctions, fairly regularly. | 0:26:19 | 0:26:22 | |
We see quite a few of these every month. | 0:26:22 | 0:26:24 | |
And, you know, they can make £5, they can make £50. | 0:26:24 | 0:26:27 | |
It all depends on the day. | 0:26:27 | 0:26:29 | |
-Fair enough. £25 the team paid. -OK. Let's hope we can do it for them. | 0:26:29 | 0:26:33 | |
Exactly right. Now, next up is this seriously wacky spoon. | 0:26:33 | 0:26:37 | |
What do you make of that? | 0:26:37 | 0:26:39 | |
Well, we are thinking possibly a presentation wooden spoon | 0:26:39 | 0:26:42 | |
to someone who has done particularly badly at something. | 0:26:42 | 0:26:46 | |
The tradition goes back to Cambridge, to the | 0:26:46 | 0:26:48 | |
early 19th century. It has got some signatures on the bowl there. | 0:26:48 | 0:26:52 | |
Possibly later applied. It may have a crest or something underneath. | 0:26:52 | 0:26:56 | |
That paper cellotaped in relates to somebody's retirement party | 0:26:56 | 0:27:00 | |
-or something like that. -Exactly. -20 or 30 years ago. -Yeah. | 0:27:00 | 0:27:02 | |
Whereas originally, | 0:27:02 | 0:27:04 | |
the Cambridge maker that might have made this would have painted | 0:27:04 | 0:27:08 | |
on the monogram of the bloke who had come simply bottom of the form. | 0:27:08 | 0:27:13 | |
-And that's what you got. -The chap who has come last, exactly. | 0:27:13 | 0:27:17 | |
How much have you estimated on it, David? | 0:27:17 | 0:27:19 | |
We put it in around £30 or £40. | 0:27:19 | 0:27:21 | |
A bit of a speculative estimate, really. I haven't seen another one. | 0:27:21 | 0:27:25 | |
-Have you? -No, I don't think I have ever seen the like of it, | 0:27:25 | 0:27:27 | |
but I fancy you could do it good deal better than the £35, | 0:27:27 | 0:27:32 | |
which is what Simon and the team paid for it. | 0:27:32 | 0:27:35 | |
But you just don't know. Which will be fun to find out. | 0:27:35 | 0:27:38 | |
Lastly, are we going to get a golden egg out of that cockerel? | 0:27:38 | 0:27:42 | |
Probably not, unfortunately. | 0:27:42 | 0:27:44 | |
The cockerel has suffered a lot of damage in its life | 0:27:44 | 0:27:47 | |
-and it has undergone a lot of restoration. -Major surgery. | 0:27:47 | 0:27:50 | |
Major surgery on this one, Tim. | 0:27:50 | 0:27:52 | |
-But somebody has loved it, though, haven't they? -Somebody has loved it. | 0:27:52 | 0:27:55 | |
We think it's a Continental piece. | 0:27:55 | 0:27:57 | |
There is an impressed mark under there. | 0:27:57 | 0:27:58 | |
-We'll see what we can do with it. -What is your estimate? | 0:27:58 | 0:28:01 | |
-£20 to £30, I believe, something like that. -£30 paid. | 0:28:01 | 0:28:04 | |
Basically, it will depend on what happens with the spoon. | 0:28:04 | 0:28:06 | |
If the spoon does well, they won't need their bonus buy. | 0:28:06 | 0:28:09 | |
But I suspect they might. So let's go and have a look at it. | 0:28:09 | 0:28:13 | |
-Great hat. -THEY LAUGH | 0:28:13 | 0:28:15 | |
And no particular political affiliation to that tea cosy? | 0:28:15 | 0:28:19 | |
-Not that I know of. -Exactly right. Very sensible. | 0:28:19 | 0:28:22 | |
OK, now, David, Simon, you spent £90, which is not a lot. | 0:28:22 | 0:28:25 | |
-You gave £210 to JP. What did you buy, JP? -There we are. | 0:28:25 | 0:28:30 | |
-OK. -That looks old. -That does look old. | 0:28:30 | 0:28:33 | |
How much did it you spend on that? | 0:28:33 | 0:28:34 | |
Don't go straight for the jugular, come on. | 0:28:34 | 0:28:36 | |
It's important. It is an important number. | 0:28:36 | 0:28:39 | |
We were talking about sort of maritime. | 0:28:39 | 0:28:41 | |
I searched around trying to find something which I thought | 0:28:41 | 0:28:43 | |
you'd like. And I stumbled across this. | 0:28:43 | 0:28:45 | |
It was a bit of a sort of porthole clock, brass. It wasn't cheap. | 0:28:45 | 0:28:49 | |
But then, it's a nice quality object. | 0:28:49 | 0:28:51 | |
The key is that it is made by JW Benson's of London. | 0:28:51 | 0:28:55 | |
And they still have a presence on Bond Street. | 0:28:55 | 0:28:57 | |
-OK. -I rather liked it. It is a thing people are putting in their kitchens | 0:28:57 | 0:29:01 | |
-and people are collecting. -How much did you pay? | 0:29:01 | 0:29:03 | |
-It cost me £160. -Wow! | 0:29:03 | 0:29:06 | |
-It is a fair tranche of your money that you left me. -It is. | 0:29:06 | 0:29:09 | |
-It is more than you spent on all your items. -All our items together. | 0:29:09 | 0:29:12 | |
-Yeah, I know. Well, there we are. -How much do you think it'll make? | 0:29:12 | 0:29:15 | |
It might make a couple of hundred pounds. | 0:29:15 | 0:29:17 | |
-Got that? Received the message? All clear? -All loud and clear. -Yes. | 0:29:17 | 0:29:20 | |
Very good. Right now, though, for the audience at home, | 0:29:20 | 0:29:23 | |
let's find out from our auctioneer today whether it is all clear. | 0:29:23 | 0:29:27 | |
Well, tick-tock. | 0:29:28 | 0:29:30 | |
What do you make of that, David? | 0:29:30 | 0:29:33 | |
Well, it is a bulkhead or drum timepiece. | 0:29:33 | 0:29:36 | |
It has a mark on the back of Benson. | 0:29:36 | 0:29:39 | |
Benson, the famous metalworker of the 19th century. | 0:29:39 | 0:29:42 | |
The dial really doesn't hold the quality of a Benson piece | 0:29:42 | 0:29:46 | |
that I would imagine. | 0:29:46 | 0:29:47 | |
The numbers, or the dial looks slightly Continental to me. | 0:29:47 | 0:29:51 | |
I really don't like it that much, I'm afraid. | 0:29:51 | 0:29:54 | |
So I'm getting just the slightest hint that, | 0:29:54 | 0:29:58 | |
as you don't like it, maybe your estimate isn't so healthy either. | 0:29:58 | 0:30:03 | |
The estimate on this one is £60 to £80. | 0:30:03 | 0:30:06 | |
I had a funny feeling about this. JP paid £160 for this. | 0:30:06 | 0:30:10 | |
So the team might be in trouble if they go with the bonus buy, right? | 0:30:10 | 0:30:14 | |
Possibly, yes. | 0:30:14 | 0:30:15 | |
But we will find out in a minute. | 0:30:15 | 0:30:17 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:30:17 | 0:30:20 | |
And to kick on for them, is the Gladstone bag, which is | 0:30:20 | 0:30:24 | |
-a sweet little fellow, isn't it? -It is sweet. | 0:30:24 | 0:30:26 | |
Obviously, named after Gladstone the four-time Liberal Prime Minister. | 0:30:26 | 0:30:30 | |
This one dates probably from the early 20th century. | 0:30:30 | 0:30:34 | |
-And they have been quite popular. -What is your estimate on it? | 0:30:34 | 0:30:37 | |
-The estimate on this one, around £30, £40. -Perfect, £20 paid. | 0:30:37 | 0:30:41 | |
Anyway, moving on, is that chromium-plated corkscrew. | 0:30:41 | 0:30:45 | |
Which is a pretty bog-standard number, isn't it? | 0:30:45 | 0:30:48 | |
It is, unfortunately. It is 20th century, again. | 0:30:48 | 0:30:51 | |
No maker on this one. | 0:30:51 | 0:30:53 | |
So what is your estimate on the corkscrew? | 0:30:53 | 0:30:55 | |
-Ten to 20. -Oh, they will be pleased with that. | 0:30:55 | 0:30:57 | |
They only paid £7. | 0:30:57 | 0:30:58 | |
OK, now, lastly, which is the major investment, | 0:30:58 | 0:31:03 | |
is the bright cut, solid silver ring purse. | 0:31:03 | 0:31:07 | |
-How do you rate that, David? -I rather like it. | 0:31:07 | 0:31:10 | |
It is a good example of George V silver, early 20th century, | 0:31:10 | 0:31:14 | |
and it isn't rather nice condition, isn't it? | 0:31:14 | 0:31:16 | |
There are many collectors for these, of course. | 0:31:16 | 0:31:18 | |
-So how much, then? -We have estimated around £50 to £80. | 0:31:18 | 0:31:21 | |
50 to 80? | 0:31:21 | 0:31:23 | |
-Gosh, £100. -£100 paid? -Yeah. | 0:31:23 | 0:31:26 | |
That may be a difficult one. | 0:31:26 | 0:31:28 | |
Oh, dear, I'm getting a very nervous feeling about this. | 0:31:28 | 0:31:31 | |
In fact, I'm feeling so nervous, I think | 0:31:31 | 0:31:33 | |
they might need their bonus buy. | 0:31:33 | 0:31:34 | |
Let go and have a look at it. | 0:31:34 | 0:31:36 | |
-OK, chaps, this is exciting, isn't it? -Yes. | 0:31:38 | 0:31:40 | |
£173 you gave to 'er indoors. | 0:31:40 | 0:31:43 | |
Kate, what did you buy? | 0:31:43 | 0:31:44 | |
Well, I thought about the sort of auction we are going to | 0:31:44 | 0:31:48 | |
and I thought about your gentlemanly taste, | 0:31:48 | 0:31:51 | |
so I thought I would go for something of quality | 0:31:51 | 0:31:55 | |
that is elegant and something that would appeal to the refined buyer | 0:31:55 | 0:32:01 | |
at the sale room who might like to put a family photograph on display. | 0:32:01 | 0:32:06 | |
It hasn't got any bells and whistles. | 0:32:06 | 0:32:08 | |
It is a beautiful, George V silver photograph frame | 0:32:08 | 0:32:11 | |
-in original condition, with a silk lining. -Very nice. | 0:32:11 | 0:32:15 | |
-A lovely easel support. -It is very classic, very smart. | 0:32:15 | 0:32:18 | |
-Classic and smart, yes, exactly. -Thanks very much. | 0:32:18 | 0:32:21 | |
-Tim can't wait to have it. Can you? -I really can't. | 0:32:21 | 0:32:24 | |
-I like to get my hands on things. -Exactly right. | 0:32:24 | 0:32:26 | |
That's really nice. How much did you pay for that? | 0:32:26 | 0:32:28 | |
-I did a little bit of a negotiating and I came up with £55. -Really? | 0:32:28 | 0:32:33 | |
It's very nice. I think it is very good. | 0:32:33 | 0:32:35 | |
I think for a good silver photograph frame, I think that is | 0:32:35 | 0:32:37 | |
-a pretty good price. -I think you've done beautifully. | 0:32:37 | 0:32:40 | |
-That's great, thank you. -What do you think? -Thumbs up. | 0:32:40 | 0:32:42 | |
Right now, for the audience at home, | 0:32:42 | 0:32:44 | |
let's find out what the auctioneer thinks about Kate's frame. | 0:32:44 | 0:32:48 | |
Now, David. That's a nice one, isn't it? | 0:32:48 | 0:32:51 | |
It is a nice silver photograph frame. It is very plain. | 0:32:51 | 0:32:54 | |
But that could work in its favour. | 0:32:54 | 0:32:56 | |
And it has got a rather nice quality back to it as well. | 0:32:56 | 0:33:00 | |
-Nice ebonised finish. -Excellent. So, how much? -40 to 60. | 0:33:00 | 0:33:05 | |
-£55 they paid. -I think that's very good. | 0:33:05 | 0:33:07 | |
I think Kate Bliss has done incredibly well with that. | 0:33:07 | 0:33:10 | |
And let us hope that the team decide to go with it in just a minute. | 0:33:10 | 0:33:14 | |
Thank you very much, David. | 0:33:14 | 0:33:15 | |
70. Five. 80. | 0:33:17 | 0:33:19 | |
-This is it, you are on the edge. -Yeah. -What is it like, Simon? | 0:33:21 | 0:33:25 | |
-It's terrifying. -Is it? -Yeah. | 0:33:25 | 0:33:28 | |
-What about you, David? -Well, I think we are going to make millions. | 0:33:28 | 0:33:31 | |
-Do you? -Absolutely, millions. | 0:33:31 | 0:33:32 | |
What are we talking about here, roubles or shekels or...? | 0:33:32 | 0:33:37 | |
-Shells. -Anyway, first up is going to be the ashtray, the cast ashtray. | 0:33:37 | 0:33:42 | |
And here it comes. | 0:33:42 | 0:33:44 | |
Lot number 30 is the aluminium | 0:33:44 | 0:33:46 | |
ashtray modelled as the ocean liner. | 0:33:46 | 0:33:48 | |
Give me £10, let's get it | 0:33:48 | 0:33:49 | |
started. Who has got a bid? | 0:33:49 | 0:33:50 | |
£10 only. I have taken it. | 0:33:50 | 0:33:52 | |
15. 15 with the internet. | 0:33:52 | 0:33:54 | |
I'll take 20 in the room. | 0:33:54 | 0:33:55 | |
Doesn't seem a lot of money, does it? | 0:33:55 | 0:33:57 | |
At £15 only. | 0:33:57 | 0:33:59 | |
Can I ask you 18 for it? | 0:33:59 | 0:34:01 | |
18, thank you. | 0:34:01 | 0:34:02 | |
Give me £20, internet. | 0:34:02 | 0:34:04 | |
At 18, the bid is in the room with the lady. | 0:34:04 | 0:34:06 | |
I'll take 20 on the internet. | 0:34:06 | 0:34:08 | |
Final time, I am selling to the room at 18. 20 bid. | 0:34:08 | 0:34:11 | |
-Well done, that man! -Just in time, sir. 22, madam? | 0:34:11 | 0:34:14 | |
Are you sure? At £20, | 0:34:14 | 0:34:16 | |
the gentleman's bid. I'll take two again. | 0:34:16 | 0:34:18 | |
25 with the internet, sir. | 0:34:18 | 0:34:20 | |
-My hero, internet man. -Woman, child. | 0:34:20 | 0:34:23 | |
Whatever. | 0:34:23 | 0:34:25 | |
At £25 with the internet. I'll take 28 in the room. Are you bidding? | 0:34:25 | 0:34:29 | |
It's your last chance. Selling online at 25. | 0:34:29 | 0:34:33 | |
£25, you wiped your face. | 0:34:33 | 0:34:34 | |
£25, no profit, no loss, no pain. | 0:34:34 | 0:34:38 | |
Fair enough. Now, here comes your spoon. | 0:34:38 | 0:34:41 | |
Lot number 31, we move onto, it's the rather interesting, | 0:34:41 | 0:34:45 | |
large 20th century, the walnut presentation spoon. £30 for it. | 0:34:45 | 0:34:50 | |
Give me £30 for this. You won't see another one. | 0:34:50 | 0:34:53 | |
£20 for it. | 0:34:53 | 0:34:55 | |
Come along, £20 only. Who has got a bid, then? | 0:34:55 | 0:34:57 | |
I'll take £10 for this. It's a bargain. | 0:34:57 | 0:34:59 | |
£10, I've got you, sir. I'll take 15. 20. | 0:34:59 | 0:35:02 | |
18, sir. | 0:35:03 | 0:35:05 | |
15, 18, 20. | 0:35:05 | 0:35:07 | |
Are you sure? At 18, the gentleman standing. | 0:35:07 | 0:35:10 | |
I'll take 20 on the internet. Two again, sir? Are you sure? | 0:35:10 | 0:35:15 | |
It is on the internet at 20. Any further bids in the room? | 0:35:15 | 0:35:18 | |
I've got to sell it this time with the internet at 20. | 0:35:18 | 0:35:22 | |
Absolutely pathetic. What is the point in coming? | 0:35:22 | 0:35:24 | |
-Minus £15. -I'd pay more than that for my spoon. | 0:35:24 | 0:35:27 | |
OK, fine, now the pottery box. | 0:35:27 | 0:35:29 | |
We have the late 19th century, the Continental box and cover | 0:35:29 | 0:35:33 | |
modelled as the cockerel. | 0:35:33 | 0:35:34 | |
A little bit of restoration on it, but I can open it at £25. | 0:35:34 | 0:35:38 | |
I'll take 28 in the room. | 0:35:38 | 0:35:40 | |
30 with me, madam. Two again? | 0:35:40 | 0:35:42 | |
-35. -Good, you are in profit. | 0:35:42 | 0:35:44 | |
40, thank you, madam. Commission is out. | 0:35:44 | 0:35:46 | |
I have the lady's bid on my right. At £40 for it. | 0:35:46 | 0:35:49 | |
I'll take five on the internet. At £40, bid in the room. | 0:35:49 | 0:35:53 | |
Any further interest? Are we all done at 40? | 0:35:53 | 0:35:56 | |
-Yes. -Plus £10. | 0:35:56 | 0:35:57 | |
You were minus 15, you are now minus £5. | 0:35:57 | 0:36:00 | |
So what are we going to do with this timepiece? | 0:36:00 | 0:36:03 | |
It could be a winning score. | 0:36:03 | 0:36:04 | |
-Minus £5 could be a winning score. -We have nothing to lose. | 0:36:04 | 0:36:07 | |
-Yeah, let's do it. -What do you mean you've got nothing to lose? | 0:36:07 | 0:36:10 | |
-You have £160 to lose. You don't care about that. -No. | 0:36:10 | 0:36:13 | |
I'm distraught about the spoon. | 0:36:13 | 0:36:15 | |
OK, we are going to go with the timepiece, | 0:36:15 | 0:36:18 | |
for better or for worse, cos the auctioneer's estimate is | 0:36:18 | 0:36:21 | |
£60 to £80 on it. | 0:36:21 | 0:36:23 | |
-Oh! -You are jeopardising all, you lovely chaps. And here it comes. | 0:36:23 | 0:36:28 | |
Lot number 36, we are on. | 0:36:28 | 0:36:30 | |
It is the Victorian-style brass copper the bulkhead or | 0:36:30 | 0:36:33 | |
drum-cased wall timepiece. | 0:36:33 | 0:36:35 | |
Give me £50 for it. | 0:36:35 | 0:36:36 | |
Thank you, 50 is bid. I'll take 60. Bid. | 0:36:36 | 0:36:39 | |
70. 80. | 0:36:39 | 0:36:40 | |
-Go on! -£80, the bid. I'll take 90 on the internet. At £80 only. | 0:36:42 | 0:36:47 | |
I'll take 90, online bidder. Anybody else? Are we done? | 0:36:47 | 0:36:50 | |
It has got to be sold, done at 80. | 0:36:50 | 0:36:52 | |
Thank you very much, it minus £80. | 0:36:52 | 0:36:55 | |
Now, overall, you are minus £85. | 0:36:55 | 0:36:58 | |
Sadly, it just hasn't worked out for you in this sale room | 0:36:58 | 0:37:01 | |
on this occasion. | 0:37:01 | 0:37:03 | |
But minus £85, you might win, and this could be a winning score. | 0:37:03 | 0:37:08 | |
Tim, Toby, do you know how the Reds got on? | 0:37:14 | 0:37:16 | |
-Not at all. -You don't want to know, I tell you. | 0:37:16 | 0:37:19 | |
OK, listen, you've got the Gladstone bag, you paid £20 for that. | 0:37:19 | 0:37:22 | |
His estimate is £25 to £35 on that. | 0:37:22 | 0:37:26 | |
It's a jolly nice bag. It's not just an old bag, it's a nice old bag. | 0:37:26 | 0:37:30 | |
-Right? -Real character. -It has. | 0:37:30 | 0:37:32 | |
OK, here it comes. | 0:37:32 | 0:37:33 | |
This one is the early 20th century. | 0:37:33 | 0:37:36 | |
It is the tan leather, the Gladstone bag. | 0:37:36 | 0:37:39 | |
It's in rather nice condition, actually. £30 I'll take on it. | 0:37:39 | 0:37:42 | |
£30, surely. Come along, guys. Who's got 20 for it? | 0:37:42 | 0:37:45 | |
£20 is bid, thank you, in the seating. Take five on this lot. | 0:37:45 | 0:37:48 | |
Good start. | 0:37:48 | 0:37:49 | |
25 with the lady. 30 online. Five, madam? | 0:37:49 | 0:37:52 | |
-35 with the internet. I'll take 40 on it. £35. -You're in profit. | 0:37:52 | 0:37:57 | |
A telephone bid on this. Bid me 40 on the telephone. | 0:37:57 | 0:38:00 | |
£35 with the internet. | 0:38:00 | 0:38:01 | |
I'll take 40 on it. | 0:38:01 | 0:38:02 | |
£35 on the internet. | 0:38:04 | 0:38:07 | |
I'm going to sell it to the internet buyer this time, at £35 only. | 0:38:07 | 0:38:10 | |
Do you want to have another go at it? 40 bid. Five again? | 0:38:10 | 0:38:13 | |
-£40 with the internet buyer. -Yes! -All out in the room. | 0:38:13 | 0:38:16 | |
It's selling online. Are we done at 40? | 0:38:16 | 0:38:19 | |
£40. You've got £20. | 0:38:19 | 0:38:21 | |
Doubled the money. | 0:38:21 | 0:38:23 | |
That's perfect, isn't it? | 0:38:23 | 0:38:24 | |
Let's double up on the corkscrew. | 0:38:24 | 0:38:26 | |
We have the rather nice, the double, the patent action corkscrew. | 0:38:26 | 0:38:30 | |
Early 20th century, we think. | 0:38:30 | 0:38:32 | |
I don't know... £20 for it. £20 for this? | 0:38:32 | 0:38:34 | |
Any wine buffs in? Give me a £10 bid. It's cheap enough. | 0:38:34 | 0:38:38 | |
Thank you, sir. 15 again. At £10 only. | 0:38:38 | 0:38:41 | |
Will 12 help? At ten, 12, thank you. | 0:38:41 | 0:38:44 | |
15 again, sir? £15. 18 for it? | 0:38:44 | 0:38:48 | |
It's a bargain, sir, at £15 in the seating. I'll take 18. | 0:38:48 | 0:38:51 | |
Are you bidding? | 0:38:51 | 0:38:53 | |
£15 in the seating. I've got you, sir. Any bids with the internet? | 0:38:53 | 0:38:56 | |
This time at 15. | 0:38:56 | 0:38:58 | |
£8 profit equals plus 28. | 0:38:58 | 0:39:01 | |
Now, stand by for the blood bath. | 0:39:01 | 0:39:03 | |
There is going to be one. | 0:39:03 | 0:39:05 | |
Lot number 15-4, we are selling, very pretty, | 0:39:05 | 0:39:08 | |
it's the George V lady's silver purse. | 0:39:08 | 0:39:11 | |
Lovely condition, nice interior. Should I ask you 100 for it? | 0:39:11 | 0:39:15 | |
Get it started at £50. Let's see where we end up. £50 for this lot. | 0:39:15 | 0:39:18 | |
The beautiful silver purse. Was that a bid, sir? | 0:39:18 | 0:39:21 | |
-£50 for it? -Come on. -I've got 50 with the lady. Five again? | 0:39:21 | 0:39:24 | |
60. Five. | 0:39:24 | 0:39:25 | |
-70. Five. -Go on! -80. 85, sir. -Go on! | 0:39:25 | 0:39:30 | |
85. 90. 95, sir. | 0:39:30 | 0:39:33 | |
-95. 100. -One more, one more. | 0:39:33 | 0:39:36 | |
£100. You've come all this way, sir. 100, bid. Five again? | 0:39:36 | 0:39:40 | |
That's it, you're in profit. | 0:39:40 | 0:39:41 | |
110? £105, the gentleman's bid there. | 0:39:42 | 0:39:45 | |
I'll take ten with the internet. | 0:39:45 | 0:39:46 | |
Selling to the gentleman right in front of me, standing there, at 105. | 0:39:46 | 0:39:50 | |
Ten, new buyer. | 0:39:50 | 0:39:51 | |
-Hey! -115. 120. 125, sir. | 0:39:51 | 0:39:55 | |
130. Are you sure? | 0:39:55 | 0:39:57 | |
This is more like what it's worth. | 0:39:57 | 0:39:59 | |
Still there. It's your last chance. | 0:39:59 | 0:40:02 | |
Done at 125... | 0:40:02 | 0:40:04 | |
-Yes! -Is plus 25. | 0:40:04 | 0:40:06 | |
So that give you plus 53. What are you going to do, then? | 0:40:06 | 0:40:09 | |
Park the £53 profit or are you going to punt | 0:40:09 | 0:40:14 | |
-and run with the photo frame? -This is a really hard one. | 0:40:14 | 0:40:17 | |
-I think it's beautiful. -It's breaking my heart. | 0:40:17 | 0:40:19 | |
I think we might park it, we might park the money. | 0:40:19 | 0:40:21 | |
-We're not going to go with it. -You're not really? -No. | 0:40:21 | 0:40:25 | |
You are absolutely giggling away there. | 0:40:25 | 0:40:27 | |
-OK. -We're not going to go with it. -No go. | 0:40:27 | 0:40:29 | |
Well, we're going to sell it anyway, and here it comes. | 0:40:29 | 0:40:32 | |
The silver photograph frame. It's a very nice plain example. | 0:40:32 | 0:40:36 | |
I like this one. Bid me £50 for it. I'll take it £30 for it, sir. | 0:40:36 | 0:40:39 | |
It's cheap at that. | 0:40:39 | 0:40:40 | |
Who's going to get this frame started? £30 only. | 0:40:40 | 0:40:42 | |
Thank you. 35. 40. Five. £50. | 0:40:42 | 0:40:46 | |
55. No? | 0:40:46 | 0:40:49 | |
At £50, the gentleman's bid on my right. | 0:40:49 | 0:40:51 | |
55 behind you. | 0:40:51 | 0:40:53 | |
60. Five again. 70. | 0:40:53 | 0:40:55 | |
Five again. 80. 85. 90. | 0:40:55 | 0:40:59 | |
I'll take 95 bid. 100. No? | 0:41:00 | 0:41:03 | |
-£95. -Ahhh... | 0:41:03 | 0:41:06 | |
You've not lost your touch, Kate. | 0:41:06 | 0:41:08 | |
You can fill the frame! | 0:41:08 | 0:41:10 | |
£95 for it. | 0:41:10 | 0:41:11 | |
£95 is plus £40. | 0:41:11 | 0:41:13 | |
Very, very good, expert. Anyway, let's not fret about it, eh? | 0:41:13 | 0:41:17 | |
We're not going to burst into tears. | 0:41:17 | 0:41:18 | |
You have a profit on three items, that's pretty cool, | 0:41:18 | 0:41:21 | |
and you got £53 to go home with. | 0:41:21 | 0:41:23 | |
The big thing is, is it going to be a winning score or not? | 0:41:23 | 0:41:26 | |
Don't talk to the Reds and all will be revealed in a moment, all right? | 0:41:26 | 0:41:30 | |
-Have you been chatting with one another? -ALL: No. | 0:41:36 | 0:41:38 | |
Well, we've had a lot of youthful enthusiasm | 0:41:38 | 0:41:41 | |
and it's been great fun, but as usual, we have to have | 0:41:41 | 0:41:43 | |
runners up, and the runners up are behind by a large lump. | 0:41:43 | 0:41:46 | |
And they are the Reds. | 0:41:46 | 0:41:47 | |
Yeah! | 0:41:47 | 0:41:48 | |
-Minus £85. -Whoo! -That's quite a big lump, isn't it, really? | 0:41:48 | 0:41:52 | |
Unfortunately, the timepiece was an irretrievable dark hole. | 0:41:52 | 0:41:57 | |
Minus £80. | 0:41:57 | 0:41:58 | |
-Anyway, minus 85 overall, but you've had a great time, haven't you? -Yeah. | 0:41:58 | 0:42:02 | |
You took that final punt, and I admire you for it. | 0:42:02 | 0:42:05 | |
Almost as much as I admire the hat, actually. | 0:42:05 | 0:42:08 | |
I am rather falling in love with that orange hat. | 0:42:08 | 0:42:10 | |
-Would you like to wear it? -Not particularly. | 0:42:10 | 0:42:12 | |
But it has got that little je ne sais quoi, hasn't it? | 0:42:12 | 0:42:15 | |
Anyway, everybody happy? Thank you very much for joining us. | 0:42:15 | 0:42:18 | |
-But the victors today, who go home with £53! -Hooray! -Woo-hoo! | 0:42:18 | 0:42:23 | |
Well done, Toby and Tim. You happy? | 0:42:23 | 0:42:27 | |
Absolutely delighted. | 0:42:27 | 0:42:28 | |
And of course, the best is to come, because as a result of making a | 0:42:28 | 0:42:31 | |
profit on all of your items, you get to enter the ancient | 0:42:31 | 0:42:36 | |
and noble order of the Golden Gavellers. | 0:42:36 | 0:42:39 | |
-The privilege and the honour. -Why thank you. -Kate. | 0:42:39 | 0:42:44 | |
-Anyway, happy, chaps? -Absolutely. -As you well ought to be. | 0:42:44 | 0:42:48 | |
The only thing you missed out on was going with the bonus buy, | 0:42:48 | 0:42:52 | |
because Kate made £40 profit, and the team didn't go with it. | 0:42:52 | 0:42:55 | |
We will live to regret it for the rest of our lives. | 0:42:55 | 0:42:59 | |
Oh, no, you won't. When you get to the pub in a minute, you'll be fine. | 0:42:59 | 0:43:03 | |
Anyway, it's been great fun. Join us soon for some more bargain hunting. | 0:43:03 | 0:43:06 | |
-Yes? -All: Yes! | 0:43:06 | 0:43:07 |