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Hello and welcome to today's show from West Sussex. | 0:00:02 | 0:00:05 | |
That's right. | 0:00:05 | 0:00:07 | |
We are here in Ardingly at the sight of England's Showground. | 0:00:07 | 0:00:10 | |
Thanks, Tim. | 0:00:10 | 0:00:11 | |
And, boy, do we have a cracking show for you today. | 0:00:11 | 0:00:15 | |
We certainly do, Tim. | 0:00:15 | 0:00:16 | |
Because we've got two teams of twins going head-to-head. | 0:00:16 | 0:00:20 | |
Well, let's not hang about, eh? | 0:00:20 | 0:00:23 | |
Let's go Bargain Hunting, yeah! | 0:00:23 | 0:00:26 | |
Boy, you're a handsome devil, aren't you? | 0:00:26 | 0:00:28 | |
It's double trouble on the show today. | 0:00:50 | 0:00:54 | |
Identical teams, each with an identical £300 and an hour to shop | 0:00:54 | 0:00:59 | |
for their three items. | 0:00:59 | 0:01:00 | |
Does that mean that we are in for double the profits then? Ha! | 0:01:00 | 0:01:05 | |
Let's take a sneaky peak as to what is coming up. | 0:01:05 | 0:01:08 | |
It's all go today as the Reds are put through their paces. | 0:01:09 | 0:01:13 | |
-I think it's that way. -Oh, no. It's the other side, I think. -Other side? | 0:01:13 | 0:01:17 | |
It's like boot camp in the Blue camp. | 0:01:17 | 0:01:20 | |
-Quick! -Keep up! | 0:01:20 | 0:01:22 | |
What do you mean, "Keep up?" What is this man on? | 0:01:22 | 0:01:25 | |
£50 I've already got. | 0:01:26 | 0:01:28 | |
And there is plenty of action down at the auction. | 0:01:28 | 0:01:31 | |
THEY CHEER | 0:01:31 | 0:01:32 | |
-70 I've got. -Yes, come on! | 0:01:32 | 0:01:34 | |
We can do this, boys. We can do this. | 0:01:34 | 0:01:37 | |
Let's meet the teams. | 0:01:37 | 0:01:38 | |
Gosh, we are going to have fun on the show today. | 0:01:38 | 0:01:41 | |
Two teams of identical twins. | 0:01:41 | 0:01:44 | |
How rare is that! | 0:01:44 | 0:01:46 | |
For the Reds, we've got Gemma and Polly. | 0:01:46 | 0:01:49 | |
And for the Blues, we have a Martin and Russell. Hello, everyone. | 0:01:49 | 0:01:52 | |
ALL: Hello! | 0:01:52 | 0:01:53 | |
-Lovely to see you. Now, Gemma. -Yes. -Identical twins. -Yes. | 0:01:53 | 0:01:57 | |
Do you do most things together with Polly? | 0:01:57 | 0:01:59 | |
Yeah, we actually do quite a lot together. | 0:01:59 | 0:02:01 | |
We are at this same uni. | 0:02:01 | 0:02:03 | |
We work in the same store part-time together. | 0:02:03 | 0:02:06 | |
We are also in the same hockey team. | 0:02:06 | 0:02:09 | |
So, yeah, we spend most of our time together rather than apart. | 0:02:09 | 0:02:12 | |
What are you studying at university? | 0:02:12 | 0:02:14 | |
-I'm doing chemistry with management. -And what do you hope to do with it? | 0:02:14 | 0:02:17 | |
I'm not really sure at the moment. | 0:02:17 | 0:02:19 | |
I'm thinking about going into environmental science. | 0:02:19 | 0:02:21 | |
Or I could just leave chemistry altogether | 0:02:21 | 0:02:24 | |
-and move on to finance and that. -Do more of the business side of it? | 0:02:24 | 0:02:27 | |
-Yeah, see what comes up, yeah. -You've got plenty of time to choose though. | 0:02:27 | 0:02:30 | |
-Yes. -Yeah. So, Polly, is it fun being an identical twin? | 0:02:30 | 0:02:34 | |
Have you got any stories to tell us? | 0:02:34 | 0:02:35 | |
-It is really quite a lot of fun, isn't it? -Yeah. -Yeah. | 0:02:35 | 0:02:38 | |
A lot of people get us mixed up, | 0:02:38 | 0:02:40 | |
even people quite close to us sometimes. | 0:02:40 | 0:02:42 | |
-Ex-boyfriends, things like that. -Really? | 0:02:42 | 0:02:44 | |
-Yeah. -That's embarrassing. -It has been known to happen, yeah. | 0:02:44 | 0:02:48 | |
-But you always take it quite light-heartedly. -Yeah. | 0:02:48 | 0:02:51 | |
-It's just a bit of fun really. -Yes, of course. | 0:02:51 | 0:02:53 | |
So how are you going to get on buying with your twin this time? | 0:02:53 | 0:02:57 | |
-We like the same things. We have similar taste, don't we? -Yeah. | 0:02:57 | 0:02:59 | |
We tend to go for shiny things. We know what the other person likes, | 0:02:59 | 0:03:02 | |
so hopefully that should save us a bit of time. | 0:03:02 | 0:03:04 | |
-This really is going to be a test then, isn't it? -BOTH: -Yes. | 0:03:04 | 0:03:07 | |
OK, I hope you enjoy it. | 0:03:07 | 0:03:08 | |
Now, Martin, you are no stranger at | 0:03:08 | 0:03:11 | |
unearthing a bit of treasure yourself. | 0:03:11 | 0:03:13 | |
-I've found a few things, yeah. Over the years. -Like what? | 0:03:13 | 0:03:16 | |
A couple of years ago I found a vase for £10, sold that for 4,500. | 0:03:16 | 0:03:21 | |
I beg your pardon?! | 0:03:21 | 0:03:23 | |
You found a vase for £10... Pray, tell us more about the vase. | 0:03:23 | 0:03:28 | |
Um, it was by an artist called Hans Coper. | 0:03:28 | 0:03:30 | |
-Oh, yes. -Um... | 0:03:30 | 0:03:32 | |
Good, well. Things are bucking up on Bargain Hunt today, aren't they? | 0:03:32 | 0:03:36 | |
What do you do for a living? | 0:03:36 | 0:03:37 | |
-I'm a graphic designer. -Right. So you have an eye for design? | 0:03:37 | 0:03:40 | |
Yeah, if we saw any nice posters I would probably grab those | 0:03:40 | 0:03:43 | |
-but I don't think they come up very often. -Well, they do occasionally. | 0:03:43 | 0:03:47 | |
I mean, in a fair like Ardingly they could be anywhere actually. | 0:03:47 | 0:03:50 | |
Russell, what do you do for a living? | 0:03:50 | 0:03:52 | |
-I'm a charity shop manager. -Ah! -HE LAUGHS | 0:03:52 | 0:03:54 | |
I'm banned from his shop. I can't go in there. | 0:03:54 | 0:03:56 | |
You haven't been buying these £10 items in the brother's shop? | 0:03:56 | 0:04:01 | |
-No. It is off-limits, my shop. -Yeah, quite. | 0:04:01 | 0:04:05 | |
And how long have you done it for, Russ? | 0:04:05 | 0:04:07 | |
I've been in my current position for two years with my local hospice. | 0:04:07 | 0:04:11 | |
-And you like it, do you? -I love it. I absolutely love it. | 0:04:11 | 0:04:13 | |
It must be very exciting | 0:04:13 | 0:04:15 | |
when somebody brings in a great boxful of stuff | 0:04:15 | 0:04:17 | |
and you have a rummage and find something that's really quite good. | 0:04:17 | 0:04:20 | |
-It's like Christmas. -What sort of things are you going | 0:04:20 | 0:04:23 | |
-to be going for today? -Big statement pieces hopefully. | 0:04:23 | 0:04:25 | |
So you are going to spend a lot of money? | 0:04:25 | 0:04:27 | |
I want to spend money but I think you want to play it safe, | 0:04:27 | 0:04:29 | |
-don't you? -We will see. -Is Russell a bit meaner than you? | 0:04:29 | 0:04:32 | |
-I'm used to spending £10, so... -OK. So you want to go mad? | 0:04:32 | 0:04:36 | |
It's someone else's money, so, yeah. TIM LAUGHS | 0:04:36 | 0:04:39 | |
That is very true. | 0:04:39 | 0:04:40 | |
In fact, I'm going to give you somebody else's money right now. | 0:04:40 | 0:04:43 | |
Lovely. There is the £300. | 0:04:43 | 0:04:45 | |
There we go. £300. You know the rules. | 0:04:45 | 0:04:48 | |
Your experts await and off you go. Very, very good luck. | 0:04:48 | 0:04:52 | |
Well, a Bargain Hunt first. Two teams of identical twins. Ho-ho! | 0:04:52 | 0:04:57 | |
Going into battle for the Reds is Charles Hanson. | 0:05:05 | 0:05:08 | |
Whilst on call for the Blues is Charlie Ross. | 0:05:09 | 0:05:13 | |
And of course our two tremendous teams of twins need | 0:05:14 | 0:05:17 | |
two excellent experts. | 0:05:17 | 0:05:19 | |
-Gemma? -No! | 0:05:21 | 0:05:22 | |
Identical teams with an identical budget. | 0:05:22 | 0:05:25 | |
Just how different will the outcome be? | 0:05:25 | 0:05:28 | |
I feel as if I'm with experts here. | 0:05:28 | 0:05:31 | |
Well, we know what we like. | 0:05:31 | 0:05:32 | |
-What are we looking for today? -BOTH: -Jewellery. | 0:05:32 | 0:05:35 | |
-Yeah. -That's quite spooky. | 0:05:35 | 0:05:37 | |
-Your 60 minutes starts now. -WHISTLE BLOWS | 0:05:38 | 0:05:41 | |
Better get your skates on, team. | 0:05:41 | 0:05:43 | |
Come on. | 0:05:43 | 0:05:45 | |
You need to get shopping properly. | 0:05:45 | 0:05:46 | |
-There is so much. -Yeah. | 0:05:46 | 0:05:48 | |
-Look at the jewellery. -How much is that? | 0:05:48 | 0:05:50 | |
Oh, I love that. | 0:05:50 | 0:05:51 | |
What a wonderful start. Oh, hello, madam. | 0:05:51 | 0:05:53 | |
You have some wonderful things. | 0:05:53 | 0:05:55 | |
The girls have already sniffed out a potential purchase. | 0:05:55 | 0:05:59 | |
OK, team, what's taking your fancy? | 0:05:59 | 0:06:01 | |
-I quite like this. -Why? | 0:06:01 | 0:06:03 | |
I just think it looks really pretty. | 0:06:03 | 0:06:05 | |
What is it, Gemma? Have a guess. | 0:06:05 | 0:06:07 | |
Is it a scent bottle? | 0:06:07 | 0:06:09 | |
Absolutely. Look at that. | 0:06:09 | 0:06:11 | |
What do you think, Gemma? | 0:06:11 | 0:06:13 | |
I quite... I'm Polly. | 0:06:13 | 0:06:15 | |
I'm sorry, Polly. | 0:06:15 | 0:06:16 | |
Oh, Carlos. I guess twins can be confusing, eh? | 0:06:16 | 0:06:20 | |
It's decorative. It could be '70s, it could be '80s. | 0:06:20 | 0:06:23 | |
In that regard, it's just too new to really make a point at auction. | 0:06:23 | 0:06:27 | |
-Good handle. Let's leave that for the time being. -Yup. | 0:06:27 | 0:06:30 | |
Good advice, Charles. Onwards. | 0:06:30 | 0:06:32 | |
Meanwhile, how is Roscoe doing? | 0:06:32 | 0:06:34 | |
What have we got here, boys? | 0:06:34 | 0:06:35 | |
We've got some Gouda. | 0:06:35 | 0:06:37 | |
How much is it? | 0:06:37 | 0:06:38 | |
-It's 65. -65. | 0:06:38 | 0:06:40 | |
It's quite decorative, isn't it? It's a good size. | 0:06:40 | 0:06:42 | |
It's a pattern from the Congo. It's a rare pattern. | 0:06:42 | 0:06:45 | |
-Yeah? -Yeah. -A rare pattern from the Congo. There we go. | 0:06:45 | 0:06:48 | |
-Congo, yes. -Where are you on the price there? | 0:06:48 | 0:06:50 | |
-I would have said about 25. -Would you? | 0:06:50 | 0:06:53 | |
To sell at auction. | 0:06:53 | 0:06:56 | |
So you would buy it but only at a price? | 0:06:56 | 0:06:58 | |
You want to help pay for the stall? Every little helps. | 0:06:58 | 0:07:00 | |
-It's already been paid for. -THEY LAUGH | 0:07:00 | 0:07:03 | |
I feel I'm completely superfluous here. | 0:07:03 | 0:07:05 | |
I tell you what, let me give you that. | 0:07:05 | 0:07:07 | |
-All right, chaps. -I think it's still early days. | 0:07:07 | 0:07:10 | |
Where are you off to, Charlie? | 0:07:10 | 0:07:11 | |
-Should we keep it in mind? -We'll keep that in mind and come back. | 0:07:11 | 0:07:14 | |
We could even do 40. | 0:07:14 | 0:07:15 | |
Poor old Charlie. It seems like he might have an easy day today. | 0:07:15 | 0:07:19 | |
Meanwhile, the Reds are still | 0:07:19 | 0:07:20 | |
on the rummage and remain at the same stall. | 0:07:20 | 0:07:22 | |
Look at that there. Isn't that sweet? | 0:07:22 | 0:07:24 | |
-May we look at that? -Yes. Of course. | 0:07:24 | 0:07:26 | |
Out she comes. | 0:07:26 | 0:07:28 | |
-Isn't that gorgeous? -And it's got a hallmark on it. | 0:07:28 | 0:07:30 | |
-Look at that. -That's really nice. | 0:07:30 | 0:07:32 | |
Why, Polly? What's nice about it? | 0:07:32 | 0:07:34 | |
I like the little lines on it. | 0:07:34 | 0:07:35 | |
The detail, yeah. | 0:07:35 | 0:07:37 | |
It's like a throne, isn't it? | 0:07:37 | 0:07:38 | |
The nice thing is that it's made by one of the leading Edwardian | 0:07:38 | 0:07:41 | |
silversmiths. Levi and Solomon. It's fully hallmarked. From Birmingham. | 0:07:41 | 0:07:46 | |
1901. What happened in the year 1901? | 0:07:46 | 0:07:49 | |
Who was crowned King of England? | 0:07:49 | 0:07:51 | |
-No idea. -History. History. -My history is not great. | 0:07:53 | 0:07:55 | |
THEY LAUGH | 0:07:55 | 0:07:57 | |
-Edward VII. -OK. | 0:07:57 | 0:07:58 | |
-He was our king. So it's got almost that regal merit... -Yeah. | 0:07:58 | 0:08:01 | |
..for the coming of age of a new monarch. It's quite nice, isn't it? | 0:08:01 | 0:08:05 | |
-MAN: -It is. The thrones are always... -ALL: Yeah. | 0:08:05 | 0:08:08 | |
I think we will wander and leave you to ponder. | 0:08:08 | 0:08:11 | |
Leaving them to it, eh, Charlie? | 0:08:12 | 0:08:14 | |
Can you get any closer to 30? | 0:08:14 | 0:08:17 | |
Yeah, 30 I think is... I don't want to go more than 30. | 0:08:17 | 0:08:19 | |
35 I will do. | 0:08:19 | 0:08:21 | |
34? | 0:08:21 | 0:08:22 | |
'Action stations...' | 0:08:22 | 0:08:24 | |
-OK, 34. -Yeah? Thank you. | 0:08:24 | 0:08:26 | |
-Are you all right, guys? -34. -It is. -Are you getting somewhere? | 0:08:26 | 0:08:29 | |
-Yeah. 34. -34. -You've bought it? | 0:08:29 | 0:08:31 | |
Yeah, we bought it. | 0:08:31 | 0:08:33 | |
You are absolute legends! I've got the money, guys. | 0:08:33 | 0:08:36 | |
You've got the expertise. And the knowledge. | 0:08:36 | 0:08:38 | |
And the negotiating skills. | 0:08:38 | 0:08:40 | |
And I just run around in the back with the money. | 0:08:40 | 0:08:42 | |
Thank you, my dear. That's really kind of you. | 0:08:42 | 0:08:44 | |
Let me shake you by the hand. | 0:08:44 | 0:08:45 | |
Thank you for looking after my two chums. | 0:08:45 | 0:08:49 | |
Ah, you lot are getting on like a house on fire. | 0:08:49 | 0:08:51 | |
Huh, well done, chaps. One item down, two to go. | 0:08:51 | 0:08:54 | |
-£95. -£95. | 0:08:55 | 0:08:57 | |
-You want to go big. You want to go sparkly. -Yeah, we do. | 0:08:57 | 0:09:00 | |
You want good objects which are novelty. | 0:09:00 | 0:09:02 | |
-We don't want to pay £95 though. -Rather. | 0:09:02 | 0:09:05 | |
THEY LAUGH | 0:09:05 | 0:09:06 | |
What's the best price on that? | 0:09:06 | 0:09:07 | |
-I can do 75 on that one. -Really? | 0:09:07 | 0:09:10 | |
That's not bad. | 0:09:10 | 0:09:12 | |
I would have said about 65. | 0:09:12 | 0:09:14 | |
I would've said about 50. | 0:09:14 | 0:09:15 | |
Thanks for coming. | 0:09:15 | 0:09:17 | |
You know when they say two heads are better than one... | 0:09:17 | 0:09:20 | |
I like it. So your very best would be? | 0:09:20 | 0:09:22 | |
-£70. -£70. | 0:09:22 | 0:09:24 | |
That's a good price. Shall we think about it? | 0:09:24 | 0:09:27 | |
Yeah, OK. We will think about it. We might very well be back. | 0:09:27 | 0:09:30 | |
Crikey, team. I thought you were on to a winner there. | 0:09:30 | 0:09:33 | |
Still, early days I suppose. | 0:09:33 | 0:09:36 | |
How about something like this? | 0:09:36 | 0:09:38 | |
Wh... Is it...? | 0:09:38 | 0:09:40 | |
Is it Scandinavian? | 0:09:40 | 0:09:41 | |
The thing is, can you date jade? | 0:09:41 | 0:09:44 | |
I find jade incredibly difficult to date. | 0:09:44 | 0:09:47 | |
I think that's modern. | 0:09:47 | 0:09:49 | |
-Orange jade. -So it's Oriental? | 0:09:50 | 0:09:52 | |
To me, it almost looked Scandinavian, sort of Viking. | 0:09:52 | 0:09:54 | |
No, no, no, that's Oriental. | 0:09:54 | 0:09:56 | |
-And that has more chance, in my opinion, as a modern piece... -OK. | 0:09:56 | 0:10:01 | |
-..of making 10 quid than 50 quid. -Right. -Personally. -OK. | 0:10:01 | 0:10:05 | |
No, we'll leave that. | 0:10:05 | 0:10:06 | |
Ah, Roscoe, redundancy isn't on the cards just yet then, old bean. | 0:10:06 | 0:10:10 | |
These boys don't know everything. | 0:10:10 | 0:10:12 | |
-Wowee, look at this. -Wow. -Wow! | 0:10:12 | 0:10:15 | |
This here has everything. | 0:10:15 | 0:10:18 | |
-And where do we start? -That clock. It looks very expensive. | 0:10:18 | 0:10:22 | |
-The clock is lovely. -I really like that clock. -Do you really? Why? | 0:10:22 | 0:10:24 | |
I think... I like the pattern. | 0:10:25 | 0:10:28 | |
-Yeah. -How much is it? | 0:10:28 | 0:10:29 | |
-We're out, aren't we? -Yes. -We're out of that. | 0:10:29 | 0:10:31 | |
Without even looking at the price, | 0:10:31 | 0:10:33 | |
I can tell you it's way out of your budget. | 0:10:33 | 0:10:35 | |
Onwards and upwards, eh? | 0:10:35 | 0:10:37 | |
Uh-oh, what have the Blues spotted? | 0:10:37 | 0:10:39 | |
I like this. | 0:10:39 | 0:10:41 | |
-The glass cane? -Yeah. -I've not seen one...a glass one that long. | 0:10:41 | 0:10:45 | |
Well, they're normally damaged, and this isn't. | 0:10:45 | 0:10:47 | |
This is full. | 0:10:47 | 0:10:48 | |
The other thing I think about that is it's an old-fashioned antique. | 0:10:49 | 0:10:52 | |
-Yes. -Do you know what I mean? | 0:10:52 | 0:10:54 | |
I'm an old-fashioned kind of guy. | 0:10:54 | 0:10:56 | |
Are you? Yes. But at auction, you've got to limit your market. | 0:10:56 | 0:11:00 | |
Who's going to buy this? If it's not you. | 0:11:00 | 0:11:02 | |
It's a cane collector, that's it. | 0:11:02 | 0:11:03 | |
And that is it. | 0:11:03 | 0:11:05 | |
Hmm, not very practical with not many uses. | 0:11:05 | 0:11:07 | |
Let's hope the Reds are doing a bit better. | 0:11:07 | 0:11:09 | |
What actually is it? | 0:11:10 | 0:11:12 | |
I don't know. It's just described | 0:11:12 | 0:11:14 | |
being a silver handle like that. | 0:11:14 | 0:11:16 | |
Ah. | 0:11:16 | 0:11:17 | |
And I'm thinking, "Well, we're missing the parasol." | 0:11:17 | 0:11:21 | |
-Can I enquire how much? -BOTH: -Yeah. | 0:11:21 | 0:11:24 | |
-OK, yeah. -You're not keen, are you? | 0:11:24 | 0:11:25 | |
I'm not keen because half of it is missing. | 0:11:25 | 0:11:28 | |
-I think we should think about it. -Yes. | 0:11:28 | 0:11:29 | |
-Shall we mental note it? -BOTH: -Yes. Mental note. | 0:11:29 | 0:11:32 | |
OK. | 0:11:32 | 0:11:33 | |
Good on you, girls. | 0:11:33 | 0:11:34 | |
I could see that idea wasn't grabbing you. | 0:11:34 | 0:11:36 | |
Chop chop, those Blues are still ahead of you. | 0:11:36 | 0:11:39 | |
-I love that, actually. -That's actually really nice, isn't it? | 0:11:39 | 0:11:42 | |
It's made by, you know, a skilled amateur, isn't it? | 0:11:42 | 0:11:45 | |
-Oh, it is damaged. -It might be a... -It's got damage there. | 0:11:45 | 0:11:48 | |
-Ah. -To me, it's something like that that is relatively crudely sculpted. | 0:11:48 | 0:11:52 | |
The damage to me doesn't matter, so... | 0:11:52 | 0:11:54 | |
No. Well, how much would you pay for it? | 0:11:54 | 0:11:57 | |
-I wouldn't want to pay more than 20 quid for it. -Yeah, 20 quid. | 0:11:57 | 0:11:59 | |
How much do you think we could make on it? | 0:11:59 | 0:12:01 | |
You'd make between £30 and £50 on it | 0:12:01 | 0:12:03 | |
which, in Bargain Hunt terms, is a good deal. | 0:12:03 | 0:12:06 | |
-Yeah. -I think we should just do one offer, 20 quid. | 0:12:06 | 0:12:09 | |
-If they don't take it, we walk away. -Yeah. | 0:12:09 | 0:12:11 | |
-There's plenty of time, isn't there? -There's loads of other stuff. | 0:12:11 | 0:12:14 | |
-OK. -We saw that jade and we've seen that. | 0:12:14 | 0:12:16 | |
-So if we've got one last thing to buy and we run out of time... -Yes. | 0:12:16 | 0:12:19 | |
-..flip a coin. -I like that, yes. -We'll flip a coin. | 0:12:19 | 0:12:22 | |
-BOTH: -Yes. -Very good, chaps. | 0:12:22 | 0:12:23 | |
All under control with plenty of time left on the clock. | 0:12:23 | 0:12:26 | |
Let's leave you to it whilst I pop off and go potty. | 0:12:26 | 0:12:31 | |
Cor, this pot's shiny inside, isn't it? Look at all those reflections. | 0:12:31 | 0:12:36 | |
That's because the outside film is lustre, and it's a difficult | 0:12:36 | 0:12:41 | |
and expensive technique that was perfected by the Pilkington factory, | 0:12:41 | 0:12:47 | |
based just outside Manchester. | 0:12:47 | 0:12:50 | |
They started their studio art pottery in 1897 | 0:12:50 | 0:12:54 | |
and it ran as a business until 1935. | 0:12:54 | 0:12:58 | |
The complicated part about the silver resist lustre | 0:12:59 | 0:13:02 | |
is that it has to be fired just right in the kiln. | 0:13:02 | 0:13:07 | |
And you can see here at the bottom a cruciform ornament with these | 0:13:07 | 0:13:11 | |
spiky plant-like structures, all in lustre on the surface of the glaze. | 0:13:11 | 0:13:18 | |
That style of decoration continues around the outer rim | 0:13:18 | 0:13:21 | |
where we've got a series of diapers | 0:13:21 | 0:13:23 | |
each of which are filled with four circular balls. | 0:13:23 | 0:13:27 | |
The coloured part underneath I particularly like | 0:13:28 | 0:13:31 | |
because this copies earlier Chinese ceramics. | 0:13:31 | 0:13:35 | |
Basically, it's a burgundy colour but it's got this dribble to it, | 0:13:35 | 0:13:40 | |
which is a deliberate effect which is called hare's foot glaze. | 0:13:40 | 0:13:45 | |
And if I turn it upside down, | 0:13:45 | 0:13:47 | |
you can see the maker's marks. | 0:13:47 | 0:13:49 | |
Under the surface there is a capital P for Pilkington's, | 0:13:49 | 0:13:53 | |
which is the mark from 1897 to 1913. | 0:13:53 | 0:13:56 | |
And around that, in silver resist, is a monogram which reads | 0:13:56 | 0:14:02 | |
CEC for Charles E Cundall. | 0:14:02 | 0:14:05 | |
And every Pilkington's decorator signed their piece | 0:14:05 | 0:14:10 | |
not only with their initials but also with a rebus. | 0:14:10 | 0:14:12 | |
And his is this rather elegant-looking bird | 0:14:12 | 0:14:15 | |
wandering on a green ground. | 0:14:15 | 0:14:18 | |
It's a super wee pot. It's valuable and highly collectable. | 0:14:18 | 0:14:22 | |
What's it worth? | 0:14:22 | 0:14:23 | |
Well, today, here at Ardingly, you could buy it for £190. | 0:14:23 | 0:14:28 | |
What might it make on another day in a specialist sale of studio pottery? | 0:14:28 | 0:14:34 | |
Maybe the top end of 400. | 0:14:34 | 0:14:36 | |
So, you see, it pays to be potty about pots. | 0:14:36 | 0:14:40 | |
Back to the shop, and with over half their time gone, | 0:14:41 | 0:14:45 | |
the Blues have bagged their first item. | 0:14:45 | 0:14:47 | |
But, for the Reds, not a single piece purchased. | 0:14:47 | 0:14:52 | |
Come on, Carlos, time to take charge! | 0:14:52 | 0:14:54 | |
Maybe these shoe buckles will take the girls' fancy. | 0:14:54 | 0:14:56 | |
-I think they're really nice. -Aren't they? | 0:14:56 | 0:14:59 | |
What I love about them | 0:14:59 | 0:15:00 | |
is the fact that I'm hoping they might be 18th century. | 0:15:00 | 0:15:03 | |
And if you think about the dandy in the 18th century, | 0:15:03 | 0:15:05 | |
you may have worn these buckles on your shoes. | 0:15:05 | 0:15:08 | |
I'm going to enquire very quickly. | 0:15:08 | 0:15:09 | |
They are shoe buckles, aren't they, for a gentleman? | 0:15:09 | 0:15:12 | |
-SELLER: -I would assume so, yes. | 0:15:12 | 0:15:13 | |
-So you'd have worn them on the top of your shoe? -Yes. | 0:15:13 | 0:15:15 | |
Like that, basically. I mean, look at that. | 0:15:15 | 0:15:17 | |
REDS CHUCKLE | 0:15:17 | 0:15:18 | |
-Hey, I mean... -They're smart. They suit you. | 0:15:18 | 0:15:20 | |
-Hasn't the man got style now? -Yes. | 0:15:20 | 0:15:22 | |
Style is in the genes, Carlos. | 0:15:22 | 0:15:26 | |
And are these 18th century? | 0:15:26 | 0:15:27 | |
-I would suggest, because of the box, they may be slightly later. -Yes. | 0:15:27 | 0:15:32 | |
What's the price? So, £65. | 0:15:32 | 0:15:34 | |
-What would be your best price on these? -I could do those at 50. | 0:15:34 | 0:15:38 | |
-50... -I'm going to say, madam, | 0:15:38 | 0:15:40 | |
would you take a chance and do 40? | 0:15:40 | 0:15:43 | |
-I can't do 40. -What about 45? | 0:15:43 | 0:15:46 | |
I can do 48. | 0:15:46 | 0:15:48 | |
-48? Can we shake your hand at £48? Thank you. -Thank you very much. | 0:15:48 | 0:15:52 | |
-Thank you so much. -Your hands are so cold! | 0:15:52 | 0:15:54 | |
-THEY LAUGH -Excellent. | 0:15:54 | 0:15:56 | |
Buckle up and knuckle down, you still have two items to go. | 0:15:56 | 0:15:59 | |
Both teams are level pegging and time to check in with the Blues. | 0:15:59 | 0:16:03 | |
That's nice, isn't it? What's down the side? | 0:16:04 | 0:16:07 | |
-Is it Inuit type of stuff... -Yes. -..or is it African or...? | 0:16:07 | 0:16:11 | |
Can you enlighten us any more on that? Is that middle African? | 0:16:11 | 0:16:14 | |
-SELLER: -Do you know, I've just bought it from a high school. | 0:16:14 | 0:16:17 | |
They didn't know what it was, | 0:16:17 | 0:16:18 | |
I don't know what it is, nobody knows what it is. | 0:16:18 | 0:16:21 | |
-I dare say... -Do like it? | 0:16:21 | 0:16:23 | |
Well, you're not likely to find anybody else today showing | 0:16:23 | 0:16:25 | |
any interest in this at all, are you? | 0:16:25 | 0:16:27 | |
I just thought I'd chip that in. | 0:16:27 | 0:16:28 | |
Bit cheeky, Charlie. | 0:16:28 | 0:16:30 | |
Let's cut to the chase. One and only. | 0:16:30 | 0:16:32 | |
Yes. | 0:16:32 | 0:16:34 | |
Cost 40, you can have it for 45. | 0:16:34 | 0:16:36 | |
-Loving your work. -I'm a chancer. | 0:16:36 | 0:16:38 | |
I would have said 35 tops. | 0:16:38 | 0:16:40 | |
I think if Karen had come up with a cheeky 20, | 0:16:40 | 0:16:42 | |
we'd have snapped her hand off. | 0:16:42 | 0:16:43 | |
-Yes, I think we would, but... -45 is a bit tight. | 0:16:43 | 0:16:47 | |
-Yes. -Very good. | 0:16:47 | 0:16:48 | |
Come on, teams, you are coming up to 15 minutes left on the clock. | 0:16:48 | 0:16:52 | |
I think this one may come down to the wire. | 0:16:52 | 0:16:55 | |
Does anything here take your fancy? | 0:16:55 | 0:16:57 | |
-I like this one. -Why is that? | 0:16:57 | 0:17:00 | |
-I think it's really pretty. -Yeah, I think it's a really unusual shape. | 0:17:00 | 0:17:03 | |
-I would say is about 1890-1900s. So late Victorian. -OK. | 0:17:03 | 0:17:08 | |
Perhaps a good Edwardian brooch you'd have on your perhaps lapel. | 0:17:08 | 0:17:12 | |
And of course on the front, first of all, | 0:17:12 | 0:17:14 | |
look at these beautiful graduated seed pearls, | 0:17:14 | 0:17:17 | |
how they just slowly almost blister | 0:17:17 | 0:17:20 | |
and become bigger as you work around the two or the twin series. | 0:17:20 | 0:17:25 | |
-It just depends on the price. -BOTH: -Yes. | 0:17:25 | 0:17:27 | |
It depends on what, madam, you are asking for. | 0:17:27 | 0:17:31 | |
Well, I'm asking 120 for it. | 0:17:31 | 0:17:34 | |
-OK. -That's a bit too much of our budget. | 0:17:34 | 0:17:38 | |
Would you possibly go a bit less? | 0:17:38 | 0:17:40 | |
-What about 90? -Oh, don't. -BOTH: 90? | 0:17:41 | 0:17:44 | |
I think the gamble would work for me if this fine lady could say £85. | 0:17:44 | 0:17:48 | |
-Go on, then, 85. -85? -Are you sure? -Yes. | 0:17:48 | 0:17:50 | |
-It's up to you. -What do you think? -We are running out of time. -Yes. | 0:17:50 | 0:17:54 | |
-I think we should take a gamble. -Yes. | 0:17:54 | 0:17:56 | |
OK. | 0:17:56 | 0:17:57 | |
-Shall we say going, going... -Gone. | 0:17:57 | 0:17:59 | |
-TIM: -And just like that, the Reds have wrapped up item number two. | 0:17:59 | 0:18:03 | |
The Blues are now eyeing up their next potential purchase. | 0:18:03 | 0:18:06 | |
Ten minutes left, chaps. | 0:18:06 | 0:18:08 | |
-Stone, isn't it? No. -I like that. | 0:18:09 | 0:18:11 | |
Oriental vase with elephant head handles. | 0:18:14 | 0:18:17 | |
And the handle's been off there. But, ooh, hang on, no, it is bronze. | 0:18:17 | 0:18:21 | |
I like that a lot. | 0:18:21 | 0:18:22 | |
What kind of date would you put on that? | 0:18:22 | 0:18:26 | |
-It's so hard, isn't it? -It's early 20th century, isn't it? | 0:18:26 | 0:18:29 | |
It's not earlier than that, I don't think. | 0:18:29 | 0:18:30 | |
-Wow. -Go for it. 95 quid here. -Yes. -We're running out of time. | 0:18:30 | 0:18:34 | |
-You like it, you half like it. -Yeah. -I quite like it. | 0:18:34 | 0:18:37 | |
-I was going to try and offer him 50 quid for it. -OK, that sounds OK. | 0:18:39 | 0:18:43 | |
-It's got 95, so it's... -It's half the price. | 0:18:43 | 0:18:45 | |
I'm going to see what I can do. I'll keep it in my hand. | 0:18:45 | 0:18:47 | |
Go on, Charlie, work your magic... | 0:18:47 | 0:18:49 | |
whilst we get a fraught time check from the Reds. | 0:18:49 | 0:18:52 | |
-We've got five minutes left, Charles. -OK, and what's the plan? | 0:18:52 | 0:18:55 | |
-We want to go and get the throne. -Yes. -Get the throne? | 0:18:55 | 0:18:57 | |
-BOTH: -Yes. | 0:18:57 | 0:18:58 | |
-It was over here, wasn't it? -BOTH: -Yes. | 0:18:58 | 0:19:00 | |
Yeah, I almost forgot about that little silver throne. | 0:19:00 | 0:19:02 | |
Now all you've got to do is find it. | 0:19:02 | 0:19:04 | |
Now, Ross goes back with the price. | 0:19:04 | 0:19:05 | |
Took a bit of persuading but at a nifty, it's ours. Nifty 50. | 0:19:05 | 0:19:09 | |
-Fantastic. -Yeah, we'll have that. | 0:19:09 | 0:19:11 | |
-One more done. -I'll do the deal with you. | 0:19:11 | 0:19:12 | |
Nifty 50 and pretty swiftly-swiftly. | 0:19:12 | 0:19:15 | |
Well done, chaps, that's number two for you. | 0:19:15 | 0:19:17 | |
It looks like the Reds are en route. | 0:19:17 | 0:19:20 | |
Where was it? | 0:19:20 | 0:19:21 | |
-Um, I think it was over that way. -Chop chop. Blues, what's your plan? | 0:19:21 | 0:19:25 | |
Guys, we're going to run out of time and you won't buy anything at all. | 0:19:25 | 0:19:27 | |
-Yes. -There's no point in doing that. Let's run over. | 0:19:27 | 0:19:30 | |
-Can you remember where that thing was? -Yes. | 0:19:30 | 0:19:32 | |
Oh, dear, I have a bad feeling about this. | 0:19:32 | 0:19:34 | |
-Follow me. -I want the terracotta one. | 0:19:34 | 0:19:36 | |
Which one... You can have the choice. | 0:19:36 | 0:19:38 | |
Where are you going, Charlie? | 0:19:38 | 0:19:39 | |
-Wrong way! -That building there? | 0:19:39 | 0:19:41 | |
-I don't think you can get through that way, Charlie. -Hurry up, chaps. | 0:19:42 | 0:19:44 | |
-I think it's down there. -Oh, no, it's the other side. | 0:19:44 | 0:19:47 | |
You're heading the wrong way as well. | 0:19:47 | 0:19:48 | |
-We've got to get there, madam! -Tick-tock, teams. -Four minutes. | 0:19:48 | 0:19:51 | |
Come on! | 0:19:51 | 0:19:54 | |
-Keep up?! What do you mean, keep up? -Come on, old boy, on the double. | 0:19:54 | 0:19:57 | |
-We're back, sir. -Whew! Well done, Reds, you made it. | 0:19:57 | 0:20:00 | |
We'll get there and someone has bought it. | 0:20:00 | 0:20:02 | |
I think for £70, it's worth the money. | 0:20:05 | 0:20:09 | |
-Yes. -Yes. -Reckon there is a profit in it? | 0:20:09 | 0:20:11 | |
-Oh, I hope so. -Good. | 0:20:11 | 0:20:13 | |
-Where was it? -This one, here. | 0:20:13 | 0:20:16 | |
Oh, God, you've got a sense of direction. It's still there! | 0:20:16 | 0:20:19 | |
It's still there. | 0:20:19 | 0:20:21 | |
-And for the last time, are we going, going... -Gone. -Yes. | 0:20:21 | 0:20:24 | |
-Shall we take it? -BOTH: -Yes. | 0:20:24 | 0:20:26 | |
-We'll take it, sir. -Thank you. | 0:20:26 | 0:20:27 | |
Shake his hand. | 0:20:27 | 0:20:28 | |
All three items in the bag and just in the nick of time. | 0:20:28 | 0:20:31 | |
-Thanks, sir. -You said £30. -Yes. -Can we go to 25? | 0:20:31 | 0:20:34 | |
Love it, Blues. They've still got time to have a haggle. | 0:20:34 | 0:20:37 | |
One minute left. | 0:20:37 | 0:20:38 | |
-25. -25? -25 quid?! | 0:20:40 | 0:20:41 | |
Fantastic. Sold, sold! | 0:20:41 | 0:20:43 | |
-Sold! -WHISTLE BLOWS | 0:20:43 | 0:20:46 | |
Time's up. And someone needs to get poor old Roscoe a chair. | 0:20:46 | 0:20:50 | |
-BREATHLESSLY: -25. -We're done. | 0:20:50 | 0:20:51 | |
-You're a gentleman, sir. -You've earned your stripes today, sir. | 0:20:51 | 0:20:55 | |
That was exhausting. | 0:20:55 | 0:20:56 | |
Let's sit down and remind ourselves what the Reds bought. | 0:20:56 | 0:20:59 | |
First up they had a chuckle over the buckles. £48 paid. | 0:21:01 | 0:21:05 | |
Next, the brooch set them back £85. | 0:21:06 | 0:21:09 | |
And finally they settled on the miniature throne for £70. | 0:21:12 | 0:21:15 | |
So tell me, Pol, which is your favourite piece? | 0:21:17 | 0:21:19 | |
Probably the silver throne. | 0:21:19 | 0:21:21 | |
-The silver throne? -Yes. | 0:21:21 | 0:21:23 | |
It was really decorative especially with the lines at the front. | 0:21:23 | 0:21:25 | |
Yes, great. And do you agree with that? | 0:21:25 | 0:21:27 | |
Yeah, I like that too, but I also like the brooch we bought. | 0:21:27 | 0:21:29 | |
OK. So that might be your personal favourite then? | 0:21:29 | 0:21:32 | |
-Yeah, yeah. -OK. And is your brooch going to bring the biggest profit? | 0:21:32 | 0:21:35 | |
-No... -It's a bit of a gamble on the brooch, I think. | 0:21:35 | 0:21:37 | |
-I think the throne might... -Yeah. -..bring the biggest profit. | 0:21:37 | 0:21:40 | |
-Possibly that, yeah. -All right, fine. How much did you spend? | 0:21:40 | 0:21:42 | |
We spent £203. | 0:21:42 | 0:21:44 | |
£203 is a splendid amount. Lovely. | 0:21:44 | 0:21:48 | |
-Can I have £97 of leftover lolly, please? -Yes. That's the notes. | 0:21:48 | 0:21:51 | |
-So you've had a great day, haven't you, Charles? -Great day, Tim. Yeah. | 0:21:51 | 0:21:54 | |
-And I want to buy something with glamour... -Yes. | 0:21:54 | 0:21:57 | |
-Something with blonde? -..which might sparkle and impress the two. | 0:21:57 | 0:22:00 | |
-All right. And something profitable hopefully too. -Indeed. | 0:22:00 | 0:22:03 | |
Very good fun. | 0:22:03 | 0:22:04 | |
Now, why don't we check out what the Blue team bought, eh? | 0:22:04 | 0:22:07 | |
First up, the Gouda pottery vase set them back £34. | 0:22:07 | 0:22:11 | |
Yet another vase was next on the menu. | 0:22:13 | 0:22:16 | |
The Chinese brass variety cost them £50. | 0:22:16 | 0:22:20 | |
And finally, the terracotta warrior was purchased for £25. | 0:22:20 | 0:22:24 | |
Well, chaps, are you absolutely exhausted? | 0:22:26 | 0:22:28 | |
Yes, just a bit. | 0:22:28 | 0:22:29 | |
I mean, all that running about has made the entire audience tired. | 0:22:29 | 0:22:32 | |
Which is your favourite piece? | 0:22:32 | 0:22:33 | |
-We liked the head, didn't we? -We do like the head. | 0:22:33 | 0:22:35 | |
-You've agreed on that? -BOTH: -Yes. | 0:22:35 | 0:22:37 | |
And is the terracotta head going to bring the biggest profit? | 0:22:37 | 0:22:40 | |
-Hmm, no. -No. -No, what is? -The bronze vase? | 0:22:40 | 0:22:43 | |
The bronze vase, we think, speculative. | 0:22:43 | 0:22:45 | |
-And you spent how much? -109. -Is that all? -Yes, I know. | 0:22:45 | 0:22:49 | |
£109... I'd like £191, please, of leftover lolly, | 0:22:49 | 0:22:52 | |
-which is a small fortune. -There you go. | 0:22:52 | 0:22:54 | |
You can buy most of the stalls here for £191. | 0:22:54 | 0:22:57 | |
-Straight over to you, then, Carlos. -Marvellous. | 0:22:57 | 0:22:59 | |
You love converting this into a profitable profit, don't you? | 0:22:59 | 0:23:02 | |
Yes, yes. I'm going to buy a pacemaker. | 0:23:02 | 0:23:05 | |
With some batteries in it, hopefully. | 0:23:05 | 0:23:07 | |
Anyway, good luck with that, | 0:23:07 | 0:23:09 | |
because we are about to set off a pace for the auction. | 0:23:09 | 0:23:13 | |
I cannot describe what fun it's been to go from Sussex north | 0:23:22 | 0:23:27 | |
to Surrey to find myself here at Catherine Southon's saleroom. | 0:23:27 | 0:23:32 | |
Which is precisely where, Catherine? | 0:23:32 | 0:23:34 | |
We are near Selsdon. | 0:23:34 | 0:23:37 | |
Now, for the Reds, they've got a nice mixture, | 0:23:37 | 0:23:39 | |
and we kick off with these buckles. | 0:23:39 | 0:23:41 | |
I love the buckles. | 0:23:41 | 0:23:42 | |
I mean, they're maybe 18th century, late 18th century. | 0:23:42 | 0:23:45 | |
-So a fashion accessory from a time of the real dandies. -Hmm. | 0:23:45 | 0:23:51 | |
What's it worth as a set-up, do you think? | 0:23:51 | 0:23:53 | |
Well, they're unusual. I'm going to put 40-60. | 0:23:53 | 0:23:57 | |
-OK. £48 paid, so that's fair enough. -Yeah. | 0:23:57 | 0:24:00 | |
Now, we come to a lovely little bit of jewellery. | 0:24:00 | 0:24:02 | |
-The crescent double row of pearl... -Beautiful. | 0:24:02 | 0:24:06 | |
..brooch. And it's got that little star in it. | 0:24:06 | 0:24:09 | |
Exactly that. | 0:24:09 | 0:24:10 | |
And what is so nice about it is we've got the double crescent. | 0:24:10 | 0:24:13 | |
I really love it. | 0:24:13 | 0:24:14 | |
I think that's a really nice brooch. | 0:24:14 | 0:24:16 | |
-The team only paid £85 for that. Can you believe it? -No. | 0:24:16 | 0:24:20 | |
I don't believe that one bit. | 0:24:20 | 0:24:23 | |
-I think they got... -I promise you. -They got a bargain. | 0:24:23 | 0:24:25 | |
Yeah, well, you're telling me a bargain. | 0:24:25 | 0:24:27 | |
-What's your estimate? -Very, very good. Very good buy. | 0:24:27 | 0:24:29 | |
£100-£150. I like that a lot. | 0:24:29 | 0:24:32 | |
-Might the brooch make 200? Might it? -I really hope so. | 0:24:32 | 0:24:35 | |
That's very encouraging. So it's going to be exciting for us. | 0:24:35 | 0:24:38 | |
-And lastly we've got the Westminster Abbey replica silver chair. -Of... | 0:24:38 | 0:24:44 | |
Exactly. Of King Edward's throne. I see quite a lot of these. | 0:24:44 | 0:24:48 | |
These do pop up at auction but people like them. | 0:24:48 | 0:24:50 | |
It's a nice piece, £60-£80. | 0:24:50 | 0:24:53 | |
Good. £60-£80. Thank you, Catherine. | 0:24:53 | 0:24:55 | |
£70 paid. | 0:24:55 | 0:24:56 | |
They shouldn't need their bonus buy but let's go | 0:24:56 | 0:24:58 | |
and have a look at it anyway. | 0:24:58 | 0:25:00 | |
Now, Gemma, Polly, you've spent 203, which is a magnificent | 0:25:00 | 0:25:05 | |
-amount of money. I'm so proud of you. -Yeah. -£97 went to Charles. | 0:25:05 | 0:25:08 | |
Charles, what did you spend it on? | 0:25:08 | 0:25:10 | |
Well, they say small is beautiful. | 0:25:10 | 0:25:12 | |
And if you were a pretty woman walking down that | 0:25:12 | 0:25:15 | |
maybe suburban street in the 1830s, you may have had this | 0:25:15 | 0:25:19 | |
on you to keep your nose away from those pungent smells of the day. | 0:25:19 | 0:25:24 | |
Oh! | 0:25:26 | 0:25:27 | |
It's really small. | 0:25:27 | 0:25:29 | |
Thank you. | 0:25:29 | 0:25:30 | |
-It's what we call a vinaigrette. -OK. | 0:25:30 | 0:25:33 | |
-It's quite a sweet object for a lady. -Is it silver? | 0:25:33 | 0:25:36 | |
Absolutely, it's silver and gilded, hallmarked for Birmingham. | 0:25:36 | 0:25:39 | |
So how much did you spend on it? | 0:25:39 | 0:25:41 | |
-I paid £50 for it. -And do you think it's going to make a profit? | 0:25:41 | 0:25:44 | |
Yes, I do, because if it was in good condition, it might, | 0:25:44 | 0:25:47 | |
at the antique fair, have cost more like 110, 120. | 0:25:47 | 0:25:51 | |
So I think for £50, it is a good, hopefully inspired, buy. | 0:25:51 | 0:25:56 | |
-OK, cool. -Brilliant. | 0:25:56 | 0:25:57 | |
Well, whether you pin your hopes on it or not, girls... | 0:25:57 | 0:26:00 | |
CHARLES CHUCKLES | 0:26:00 | 0:26:01 | |
-..will depend on how your first three items go, right? -Yes. | 0:26:01 | 0:26:04 | |
But for the audience at home, let's find out | 0:26:04 | 0:26:06 | |
what Catherine Southon thinks about Charles' vinaigrette. | 0:26:06 | 0:26:10 | |
-Well, there you go. A little period piece. It's sweet. -Right. | 0:26:11 | 0:26:15 | |
As vinaigrettes go, I've seen a lot better. It's OK. | 0:26:15 | 0:26:19 | |
I mean, it's been through the wars a bit. | 0:26:19 | 0:26:21 | |
It's a little bit dented | 0:26:21 | 0:26:23 | |
and the pin is missing here for the grill that you lift it up. | 0:26:23 | 0:26:26 | |
-So it is OK. -OK. So, as a starter level vinaigrette, what is it worth? | 0:26:26 | 0:26:30 | |
-£40-60. -OK, £50 paid by Charles. -That's fine. | 0:26:30 | 0:26:33 | |
He hasn't overpaid and, quite frankly, | 0:26:33 | 0:26:35 | |
it will probably make its money. | 0:26:35 | 0:26:37 | |
-I hope so. -Good. That's it for the Reds. | 0:26:37 | 0:26:40 | |
Now, for the Blues, it is something completely different. The Gouda. | 0:26:40 | 0:26:43 | |
I call it "Gooda", do you call it "Gouda"? | 0:26:43 | 0:26:45 | |
-"Gooda", Gouda, it's one of those. -"Neether", neither. | 0:26:45 | 0:26:48 | |
"Neether", neither. Absolutely. I'm going to say "Gouda". | 0:26:48 | 0:26:51 | |
I'm going to say "Gooda". I like the cheese. | 0:26:51 | 0:26:53 | |
I have to say, I'm never terribly partial to this Dutch pottery. | 0:26:53 | 0:26:56 | |
But over to you, really. | 0:26:56 | 0:26:59 | |
-Can I be perfectly frank? -Of course you can. | 0:26:59 | 0:27:01 | |
-I find it really garish. -Do you? -Yeah, I'm... | 0:27:01 | 0:27:04 | |
I'm not a big fan of it, to be honest with you. | 0:27:04 | 0:27:07 | |
This is sort of in a pattern that I'm not familiar with | 0:27:07 | 0:27:10 | |
-and I don't particularly like it. -No. -It's rather dark, isn't it? | 0:27:10 | 0:27:13 | |
Well, it's the Congola pattern. That's the name of it. | 0:27:13 | 0:27:15 | |
That's what's written underneath as well. | 0:27:15 | 0:27:17 | |
People like this, I suppose, as tourist ware. | 0:27:17 | 0:27:20 | |
-Coming back from Holland. -It's quite good condition. | 0:27:20 | 0:27:23 | |
-It is in good condition. -It's quite chunky. -It is. | 0:27:23 | 0:27:27 | |
-Personally, it just doesn't rock my boat. -So, how much? | 0:27:27 | 0:27:31 | |
-£15-20. -Fair enough. They paid £34. | 0:27:31 | 0:27:35 | |
Now, moving on rather more positively to the bronze. | 0:27:35 | 0:27:38 | |
-It's very elegant, isn't it? -Isn't it? -And the colours are wonderful. | 0:27:38 | 0:27:42 | |
-Hm. -I particularly like these stylised elephant handles. | 0:27:42 | 0:27:46 | |
What about that cast cockerel in the collar? That's fun, isn't it? | 0:27:46 | 0:27:50 | |
It's really nice quality as well. | 0:27:50 | 0:27:52 | |
-A good piece, a good attractive piece with lovely colouring. -Yeah. | 0:27:52 | 0:27:56 | |
-So, how much? -I quite fancy that. I think that could do £100. | 0:27:56 | 0:27:59 | |
-Yeah, could do. They only paid £50 actually. -Yeah, they did well. | 0:27:59 | 0:28:02 | |
Brilliant. | 0:28:02 | 0:28:03 | |
Now, old sad face over there, he does not look terribly well. | 0:28:03 | 0:28:06 | |
LAUGHING: He doesn't. | 0:28:06 | 0:28:08 | |
What do you think? Balinese or somewhere in that bit of the East? | 0:28:08 | 0:28:13 | |
I like your idea of Balinese. That's what I'm going for. | 0:28:13 | 0:28:16 | |
-His ear is gone. -Hm. -That's probably why he looks so sad, actually. | 0:28:16 | 0:28:19 | |
Well, if you lost half an ear, you would yourself, | 0:28:19 | 0:28:22 | |
wouldn't you, really? | 0:28:22 | 0:28:23 | |
-He's been out in the garden too. -He's been out in the garden. | 0:28:23 | 0:28:26 | |
He's quite weathered. Yeah, he looks all right. | 0:28:26 | 0:28:28 | |
Well, I can reveal the team didn't pay very much. They only paid £25. | 0:28:28 | 0:28:32 | |
-I'm rather relieved to hear that, Tim. -Good. | 0:28:32 | 0:28:34 | |
What is your estimate? | 0:28:34 | 0:28:36 | |
Well, I put £50-80 on, which is a lot more than they've bought, | 0:28:36 | 0:28:39 | |
but I think we've put a bit too much. | 0:28:39 | 0:28:41 | |
So you will be relieved it's only £25 is the threshold you have | 0:28:41 | 0:28:44 | |
-to achieve. -Yes. I think otherwise we might be a bit stuck. | 0:28:44 | 0:28:48 | |
OK. Well, if it all goes belly-up, they've always got the bonus buy | 0:28:48 | 0:28:52 | |
to fall back on, so let's go and have a look at it. | 0:28:52 | 0:28:54 | |
Now, chaps, this is exciting. You spent £109, not a heck of a lot. | 0:28:56 | 0:29:00 | |
You gave £181 to Charlie Ross. Charlie, what did you buy? | 0:29:00 | 0:29:04 | |
I kept walking past this object where we were | 0:29:04 | 0:29:08 | |
and every time I walked past it, it just said to me, "Buy me!" | 0:29:08 | 0:29:14 | |
And I have to confess - I don't know a great deal about it. | 0:29:14 | 0:29:17 | |
I bought it purely on the look. And here it is. I think it is pre-1900. | 0:29:17 | 0:29:23 | |
Is it North American? Is it South American? | 0:29:23 | 0:29:26 | |
I don't know, is the answer to that. | 0:29:26 | 0:29:28 | |
It's a hugely pleasurable and unusual look to it. | 0:29:28 | 0:29:32 | |
But I bought it on price. I paid £44 for it. | 0:29:32 | 0:29:34 | |
I would like to see that make £70 or £80. I really would. | 0:29:34 | 0:29:39 | |
-So, it was £44? -£44. Odd figure. | 0:29:39 | 0:29:41 | |
-It's got some scrap value, hasn't it? -Oh, don't be like that. | 0:29:41 | 0:29:44 | |
Scrap value! What help have we got? | 0:29:44 | 0:29:47 | |
Anyway, do you quite like it? | 0:29:47 | 0:29:49 | |
I like it. I don't think it's going to lose money. | 0:29:49 | 0:29:53 | |
-It's just whether it will make loads. I like the shape. -OK. | 0:29:53 | 0:29:57 | |
Great. We have a pot consensus here. | 0:29:57 | 0:30:00 | |
You don't decide now, you decide later. | 0:30:00 | 0:30:02 | |
But right now for the audience at home, let's find out what the | 0:30:02 | 0:30:04 | |
auctioneeress thinks about Charlie's pick. | 0:30:04 | 0:30:07 | |
Well, look at that. | 0:30:10 | 0:30:11 | |
Have you ever seen a jardiniere that's quite as queer as that one? | 0:30:11 | 0:30:15 | |
Never. | 0:30:15 | 0:30:16 | |
And I can see exactly why he bought that. | 0:30:16 | 0:30:18 | |
I think that's really attractive and I think that would grace any | 0:30:18 | 0:30:21 | |
-hallway with a beautiful plant in and it would look superb. -Yeah. | 0:30:21 | 0:30:25 | |
I love this sort of Aztec influence here and this Greek key | 0:30:25 | 0:30:29 | |
design around it. But it's... | 0:30:29 | 0:30:31 | |
And don't you think Charlie's been clever finding it? | 0:30:31 | 0:30:33 | |
Yeah, I really do. I really do. | 0:30:33 | 0:30:35 | |
Yeah, I really like that. I would happily take that home myself. | 0:30:35 | 0:30:39 | |
Exactly. | 0:30:39 | 0:30:40 | |
Anyway, so there we have it. It's the Blue's bonus buy | 0:30:40 | 0:30:43 | |
and good old Charlie Ross. | 0:30:43 | 0:30:44 | |
What do you think it is worth, Catherine? | 0:30:44 | 0:30:46 | |
-£50-80. -Do you? -Yeah, why not? -The cunning fox. | 0:30:48 | 0:30:52 | |
He only paid £44, which is brilliant, isn't it? | 0:30:52 | 0:30:55 | |
Very good. Very good. | 0:30:55 | 0:30:56 | |
If the team decided to go with it, which we will find out | 0:30:56 | 0:30:59 | |
when you've done the necessary. | 0:30:59 | 0:31:00 | |
Now, naturally, this is your saleroom | 0:31:00 | 0:31:03 | |
-and you will be taking the sale today. -I will. | 0:31:03 | 0:31:05 | |
We are in safe hands. | 0:31:05 | 0:31:07 | |
Right then, girls. What is your expectation from today? | 0:31:15 | 0:31:20 | |
-We're fairly confident, aren't we? -Yeah, we are quite hopeful. -OK. | 0:31:20 | 0:31:23 | |
Prediction of the amount of cash you're going to go home with? | 0:31:23 | 0:31:26 | |
We think either a small profit or a small loss. | 0:31:26 | 0:31:29 | |
-We don't think it will be... -You think it's going to be massive? -No. | 0:31:29 | 0:31:32 | |
Right. First up are the buckles and case and here they come. | 0:31:32 | 0:31:36 | |
We have a pair of late 18th-century cut steel and leather | 0:31:36 | 0:31:40 | |
shoe buckles in a later case. | 0:31:40 | 0:31:42 | |
I'm looking for £40. | 0:31:42 | 0:31:45 | |
-Who is going to give me £40? -They are really good. -Come on, £40. -Oh, no. | 0:31:45 | 0:31:50 | |
-They're really good things. -£40 is bid. £40. -We need more than that. | 0:31:50 | 0:31:53 | |
-Come on. -Any more at 40? I would like 45. -Come on. -£40. | 0:31:53 | 0:31:58 | |
-They're really good things. -Nice leather buckles. -18th century. | 0:31:58 | 0:32:02 | |
-£40. Any more? -Oh, come on. | 0:32:02 | 0:32:05 | |
-I'm disappointed. £40 and I'm selling. -Oh, no. | 0:32:05 | 0:32:09 | |
-Thinking about it. 45. -50, go on. -50. -Yes! | 0:32:09 | 0:32:15 | |
-50. £50 is bid. -Good for Catherine. | 0:32:15 | 0:32:18 | |
-Take a bow, Catherine. -Thank you, Catherine. | 0:32:18 | 0:32:21 | |
£50. £50, any more? | 0:32:21 | 0:32:24 | |
I'm going to sell. They are yours at 50. | 0:32:24 | 0:32:27 | |
Whoo! | 0:32:27 | 0:32:29 | |
-That's £2. That's good. -We're going to be excited at £2. | 0:32:29 | 0:32:33 | |
It's a profit on the first lot. That's the most important. | 0:32:33 | 0:32:37 | |
Stand by for your brooch. | 0:32:37 | 0:32:38 | |
Lot 107 is a Victorian graduated seed pearl diamond | 0:32:38 | 0:32:43 | |
and gold-coloured metal crescent brooch. | 0:32:43 | 0:32:46 | |
And I have £100 already. £100. | 0:32:46 | 0:32:49 | |
-Straight into the profit. -£100. -It's gorgeous. | 0:32:49 | 0:32:53 | |
£100, 100. Any more at 100? Come on, ladies. | 0:32:53 | 0:32:57 | |
Thank you. 110. 120. 125. | 0:32:57 | 0:33:00 | |
I have 130. 140? | 0:33:00 | 0:33:03 | |
140. Why not? | 0:33:03 | 0:33:05 | |
-£140. £140. -Charles, you are a brilliant man. | 0:33:05 | 0:33:10 | |
£140, then. | 0:33:10 | 0:33:11 | |
-Any more at 140? -Come on. -It's yours. 140. 174. | 0:33:11 | 0:33:16 | |
How good is that. It's £55 of profit. | 0:33:16 | 0:33:21 | |
-Plus the two before means you are 57, plus £57. -Brilliant. | 0:33:21 | 0:33:25 | |
Now, let us pray that this chair does the business. Here we go. | 0:33:25 | 0:33:30 | |
Lot 108 is a novelty miniature silver Edwardian coronation throne, | 0:33:30 | 0:33:36 | |
replica of the King Edward's throne from Westminster Abbey. | 0:33:36 | 0:33:39 | |
£50, please. £50 I would like. Who's bid? £50, thank you. £50. £50. | 0:33:39 | 0:33:44 | |
Gentleman seated at 50. 5. 60. | 0:33:44 | 0:33:48 | |
-5. 70. -Broken even. -Yes. Come on, one more. 5. Yay! -80. | 0:33:50 | 0:33:55 | |
-£80, 90. -This is an achievement, girls. 5. | 0:33:57 | 0:34:00 | |
-But she's not stopped. -£90 I have. | 0:34:00 | 0:34:04 | |
One more. Can we have £95 against you, internet? It's in the room. | 0:34:04 | 0:34:08 | |
-Click your mouse! -At £95, against you net. £95. They're thinking. | 0:34:08 | 0:34:13 | |
-95, where are we? Thank you. 100. 110. -Yes! | 0:34:13 | 0:34:18 | |
110. Any more at 110? You've gone quiet at the back. | 0:34:19 | 0:34:22 | |
110. Are you sure? | 0:34:22 | 0:34:24 | |
Don't hide from me. 110. £110. Any more at 110? It's yours. | 0:34:24 | 0:34:30 | |
-£110, all done. Thank you. -Nice. Superb. | 0:34:30 | 0:34:34 | |
That's another £40 which means, overall, girls, you are plus £97. | 0:34:34 | 0:34:40 | |
-We are in business! We are in business. -You are in business. | 0:34:40 | 0:34:43 | |
Now what are you going to do about the bonus buy? | 0:34:43 | 0:34:45 | |
Charles, what do you think? | 0:34:45 | 0:34:46 | |
-You can't ask him. -I want to ask him. | 0:34:46 | 0:34:49 | |
-I think 50 is quite a good price for it. -We're going to go for it. | 0:34:49 | 0:34:52 | |
-Are you going to do it? -Oh, ladies. | 0:34:52 | 0:34:54 | |
They have worked it out, Charles. And here the jolly old thing comes. | 0:34:54 | 0:35:00 | |
Lot 112. We have a Georgian silver vinaigrette. We are on. | 0:35:00 | 0:35:04 | |
And I have bids. I have 35, 40. | 0:35:04 | 0:35:07 | |
45. With me at £45. With me at 45. | 0:35:07 | 0:35:12 | |
50 now. I'm out £50. | 0:35:12 | 0:35:15 | |
-£50, surely. £50. Any more at 50? -Come on, it's worth that. | 0:35:15 | 0:35:19 | |
£50 I've already got. It's in the room at £50. | 0:35:19 | 0:35:22 | |
£50. You're thinking internet. 5. | 0:35:22 | 0:35:25 | |
No? Thank you anyway. | 0:35:25 | 0:35:27 | |
-£60 on the net. -£60. -£60, any more at 60? | 0:35:27 | 0:35:31 | |
£60 then. All done. | 0:35:31 | 0:35:33 | |
-Thank you for your faith. -Selling at 60. | 0:35:33 | 0:35:36 | |
-BOTH: -Yes! -Plus 10. Plus 10. | 0:35:36 | 0:35:39 | |
That means you've broken the ton. But it's plus 107. | 0:35:39 | 0:35:43 | |
-Oh, yes! -BOTH: -Thank you, Charles. -It's been a pleasure. Thank you. | 0:35:43 | 0:35:47 | |
Thank you so much. Give me a hug. | 0:35:47 | 0:35:48 | |
That is a good performance, isn't it? | 0:35:48 | 0:35:51 | |
Now, the big thing is, don't tell the Blues. | 0:35:51 | 0:35:54 | |
Well, Tino and Russ-Russ. | 0:36:00 | 0:36:01 | |
Um, Gouda, yes? Jolly nice cheese. | 0:36:03 | 0:36:06 | |
What would you like to see it make? | 0:36:06 | 0:36:08 | |
Seriously, in your experience with this... | 0:36:08 | 0:36:11 | |
£34. THEY LAUGH | 0:36:11 | 0:36:13 | |
-He supports you, your bro, doesn't he? -I don't know, maybe 50. | 0:36:13 | 0:36:18 | |
Maybe 50. | 0:36:18 | 0:36:19 | |
Anyway, Gooda, Gouda, first lot up and here it comes, Russ. | 0:36:19 | 0:36:24 | |
Lot 125 is a 1950s Gouda Congola pattern pottery vase. | 0:36:24 | 0:36:31 | |
I would like for this £20, please. £20. | 0:36:31 | 0:36:35 | |
Come on, £20. We all want this for £20. £20, I know you do. | 0:36:35 | 0:36:40 | |
Come on, ladies and gentlemen, £20, don't let me down. £20. | 0:36:40 | 0:36:44 | |
-Is there a bid at 20? -It's lovely! -10, then. £10 is bid. 10. | 0:36:44 | 0:36:49 | |
10, anyone at 10? £10. Thank you. 15, 20. £20 here. | 0:36:51 | 0:36:56 | |
£20, any more? We are at 20. £20, any more? | 0:36:56 | 0:37:00 | |
£20 seems very cheap. | 0:37:00 | 0:37:02 | |
-Yes, it does. -Very cheap. -Selling then. £20. £20. | 0:37:02 | 0:37:07 | |
Sorry, Russell, that's minus 14. | 0:37:07 | 0:37:10 | |
Now, let's go with the bronze vase, eh? | 0:37:10 | 0:37:14 | |
Now, this is beautiful. We have lot 126. | 0:37:14 | 0:37:17 | |
It's an early 20th century, possibly French in the Chinese style | 0:37:17 | 0:37:21 | |
but lovely elephant handles there. And I would like £50, please. £50. | 0:37:21 | 0:37:26 | |
£50. I'm asking for 50. 50 is bid. | 0:37:26 | 0:37:30 | |
£50. In the Chinese style, we've got £50. Is there another? 5. | 0:37:30 | 0:37:37 | |
55. Don't look down. One more. 60. £60. 5. | 0:37:37 | 0:37:43 | |
-It's a bit turgid at the moment, isn't it? -65, are you sure? | 0:37:43 | 0:37:46 | |
65. £65, any more at £65? It's a jolly nice piece. | 0:37:46 | 0:37:52 | |
£65, and that is cheap. £65. Thank you. 70. 5. | 0:37:52 | 0:37:57 | |
£75. Any more? £75. 75, I will sell. | 0:37:58 | 0:38:03 | |
-80. Why not? -Now we are going! Come on! | 0:38:03 | 0:38:05 | |
£80, and they're happy. £80, should we say 85? | 0:38:05 | 0:38:09 | |
-Do you want to? -Live that dream! -Madam. -Oh, sorry. | 0:38:09 | 0:38:13 | |
They're having a conference. They're having a discussion. 80, no? £80. | 0:38:13 | 0:38:18 | |
Are you bidding? No. £80. It's on the aisle at £80. It's sold. | 0:38:18 | 0:38:24 | |
Well, that is very nice. That's plus £30. | 0:38:25 | 0:38:28 | |
Plus £30, which means you are plus £16 overall. | 0:38:28 | 0:38:32 | |
Now, terracotta warrior. | 0:38:32 | 0:38:35 | |
OK, lot 127. Is it Balinese? Is it Chinese? | 0:38:35 | 0:38:39 | |
Let's call it Chinese. | 0:38:39 | 0:38:42 | |
Can we say £50, please? £50. It's terracotta. | 0:38:42 | 0:38:45 | |
It's charming and it's here and it's yours for £50. | 0:38:45 | 0:38:49 | |
-£50, any more at 50? -50, straight into the nifty. | 0:38:49 | 0:38:53 | |
Terracotta head here. Warrior's head. £50, come on. Any more at £50? | 0:38:53 | 0:38:58 | |
-I've got the urge to bid, haven't you? -£50, any more at £50, then? | 0:38:58 | 0:39:04 | |
I will sell. Lady's bid at 50. It's sold. £50. | 0:39:04 | 0:39:09 | |
That's what they call a maiden bid, from the lady. | 0:39:09 | 0:39:11 | |
OK, that's plus 25. So you had 16, 25, 35... That's 41. | 0:39:11 | 0:39:16 | |
-That's folding money, isn't it? -Yeah. | 0:39:16 | 0:39:19 | |
The bet was, if the Gouda didn't make money, then I got to choose, | 0:39:20 | 0:39:26 | |
so I'm going to choose the copper. | 0:39:26 | 0:39:28 | |
You're going with Aztec, are you? | 0:39:28 | 0:39:30 | |
Perfect. Here we go then. | 0:39:30 | 0:39:32 | |
We're going with the bonus buy and here it comes. | 0:39:32 | 0:39:35 | |
-Lot 131. -Doesn't it look great? | 0:39:35 | 0:39:38 | |
This lovely copper jardiniere with the embossed Aztec masks | 0:39:38 | 0:39:43 | |
on the front and the reverse, and the key motif on the side. | 0:39:43 | 0:39:47 | |
And, um... £50 I would like. £50. | 0:39:47 | 0:39:51 | |
With a plant in this, it's going to look fabulous. £50. | 0:39:51 | 0:39:53 | |
Who is going to give me 50? £50. Come on, 50. | 0:39:53 | 0:39:58 | |
-Come on. -£50 then. Any interest at 50? 40 then. | 0:39:58 | 0:40:02 | |
Thank you. £40 is bid. £40. 5. | 0:40:03 | 0:40:08 | |
50. 5. £55. I have 55. | 0:40:08 | 0:40:12 | |
Any more at 55? | 0:40:12 | 0:40:14 | |
-60 I've got. -5. She's not finished. | 0:40:14 | 0:40:17 | |
65 standing. 65 standing. Any more at 65? | 0:40:17 | 0:40:21 | |
Then it's against you at 65 then. I will sell. 70 I've got. | 0:40:21 | 0:40:25 | |
Come on, we can do this. We can do this, boys. | 0:40:25 | 0:40:28 | |
75. Thank you. 75. £75, it's yours. Against you, net, at 75. | 0:40:28 | 0:40:34 | |
I will sell standing. £75. | 0:40:34 | 0:40:37 | |
It's yours. 142. | 0:40:37 | 0:40:40 | |
-75. -Well, well, put it there. Thank you for letting him choose. | 0:40:40 | 0:40:44 | |
That is plus £31, isn't it? | 0:40:44 | 0:40:46 | |
Yeah. | 0:40:46 | 0:40:48 | |
Yeah, plus 31. You had 41, that means you are plus 72. | 0:40:48 | 0:40:51 | |
That could easily be a winning score. | 0:40:51 | 0:40:54 | |
Don't say anything to those twins until | 0:40:54 | 0:40:56 | |
-we reveal everything, all right? -Okey doke. | 0:40:56 | 0:40:59 | |
Well done, chaps. Well done, Roscoe. | 0:40:59 | 0:41:02 | |
Well, this is extraordinary, isn't it? | 0:41:08 | 0:41:11 | |
To have one that team make substantial profits on Bargain Hunt | 0:41:11 | 0:41:15 | |
is a thrill, but to have two... | 0:41:15 | 0:41:16 | |
ALL: Ooh! | 0:41:16 | 0:41:18 | |
But which team is marching ahead and which is behind? | 0:41:18 | 0:41:21 | |
The team behind, I'm sorry to say, are...the Blues. | 0:41:21 | 0:41:25 | |
-Oh, no! -Yes. | 0:41:25 | 0:41:27 | |
Unbelievable, isn't it? Yeah. | 0:41:27 | 0:41:31 | |
To be behind with a magnificent score of £72 profit, | 0:41:31 | 0:41:36 | |
which is where you're at. | 0:41:36 | 0:41:38 | |
-Did you believe this is possible, Martin? -No, I didn't. | 0:41:38 | 0:41:42 | |
Russell, could this possibly be your finest dream? | 0:41:42 | 0:41:46 | |
I think him going to have to listen to my brother a bit more, aren't I? | 0:41:46 | 0:41:50 | |
Well, steer away from that cheesy ceramics, that's all I can say. | 0:41:50 | 0:41:54 | |
Unfortunately, that pot let you down. | 0:41:54 | 0:41:56 | |
-But the jardiniere, you pleased with that? -Thrilled! | 0:41:56 | 0:41:59 | |
-I know. -Thrilled. | 0:41:59 | 0:42:01 | |
You stick to the Mexican copper work. | 0:42:01 | 0:42:03 | |
-THEY LAUGH -Anyway, there we go. | 0:42:03 | 0:42:05 | |
Normally, that would be enough to wipe the slate on Bargain Hunt, | 0:42:05 | 0:42:09 | |
but not today. Not with these fiendish Reds. All £107 of it. | 0:42:09 | 0:42:14 | |
-How about that, girls. Are you pleased with that? -Very happy. | 0:42:14 | 0:42:16 | |
It's amazing, isn't it? | 0:42:16 | 0:42:18 | |
You started off with the buckles on your shoes which made you | 0:42:18 | 0:42:21 | |
-a couple of pounds. £55, Charles... -On the brooch. | 0:42:21 | 0:42:25 | |
..off that brooch which you found which is marvellous. | 0:42:25 | 0:42:27 | |
Then the coronation throne, plus £40. You went with the bonus buy. | 0:42:27 | 0:42:31 | |
That gave you another tenner. | 0:42:31 | 0:42:33 | |
You are indeed a golden couple, you twins. So lucky. | 0:42:33 | 0:42:37 | |
And, because you got a profit on your three items, | 0:42:37 | 0:42:41 | |
-you can become Golden Gavellers. How about that? -Wow, Tim. | 0:42:41 | 0:42:45 | |
Charles, your suit is getting like an air tech's vest | 0:42:45 | 0:42:49 | |
it's got so many holes in the lapel. | 0:42:49 | 0:42:52 | |
Anyway, well done. Congratulations. | 0:42:52 | 0:42:54 | |
It's a rare feat indeed and a treat for us on Bargain Hunt. | 0:42:54 | 0:42:58 | |
Great to have met you. So nice in fact, | 0:42:58 | 0:43:01 | |
why don't you join us soon for some more bargain hunting, yes? | 0:43:01 | 0:43:03 | |
ALL: Yes! | 0:43:03 | 0:43:05 |