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Today we are in Sussex, a county steeped in Roman history. | 0:00:05 | 0:00:10 | |
It was invaded around AD 43 | 0:00:10 | 0:00:13 | |
and at the command of a gent called Titus Flavius Vespasianus. | 0:00:13 | 0:00:19 | |
How about that for a name? | 0:00:19 | 0:00:20 | |
Let us hope that our teams today can mount their own successful invasion | 0:00:20 | 0:00:25 | |
of the fair and uncover their own treasures. | 0:00:25 | 0:00:29 | |
Right now though, let's go bargain hunting, yeah. | 0:00:29 | 0:00:33 | |
We're at the Ardingly International Antiques & Collectors Fair, | 0:01:00 | 0:01:03 | |
with over 1,700 stalls. | 0:01:03 | 0:01:06 | |
Our teams only have an hour and £300 to do their business, | 0:01:06 | 0:01:09 | |
so they'd better get on with it. | 0:01:09 | 0:01:10 | |
Let's take a sneaky peek as to what's coming up. Oh, yes. | 0:01:10 | 0:01:14 | |
-The Reds have some throwaway tactics... -Give me that! Hu-ah. | 0:01:15 | 0:01:20 | |
Oh, man! | 0:01:21 | 0:01:23 | |
..while the Blues underestimate their expert. | 0:01:23 | 0:01:26 | |
-I'm fitter than you think. Race you. -Oh, what? No! | 0:01:26 | 0:01:30 | |
-And there's plenty of excitement in the saleroom. -£28...5. £35. | 0:01:32 | 0:01:34 | |
One more. Come on. | 0:01:34 | 0:01:36 | |
-Yes! -Oh, I say. Good Lord. -Yes! Well played. | 0:01:36 | 0:01:40 | |
But before all that, let's meet the teams. | 0:01:40 | 0:01:43 | |
Well, it's all about media on the show today | 0:01:43 | 0:01:45 | |
because we have filmmaking friends Will and Laurie for the Reds | 0:01:45 | 0:01:50 | |
and a couple of playwrights, Ellen and Charles, for the Blues. | 0:01:50 | 0:01:53 | |
-Hello, everyone. -Hello! -Ooh, rousing. | 0:01:53 | 0:01:56 | |
Now, Laurie, you've been friends for absolutely ages. | 0:01:56 | 0:01:59 | |
Tell us about how your friendship truly blossomed. | 0:01:59 | 0:02:02 | |
It started to blossom about eight years ago | 0:02:02 | 0:02:06 | |
at Chelsea College of Arts and we've been friends ever since. | 0:02:06 | 0:02:10 | |
Yeah, I mean, we kind of met at a bar that served free curry | 0:02:10 | 0:02:13 | |
every Monday night and, you know, like every student, | 0:02:13 | 0:02:17 | |
you go where there is free food. | 0:02:17 | 0:02:19 | |
-So you collaborate at work a bit? -We collaborate. | 0:02:19 | 0:02:22 | |
We're working on a short film at the moment... | 0:02:22 | 0:02:24 | |
well, animation. Will is an animator, | 0:02:24 | 0:02:26 | |
but I'm helping with the scriptwriting side of things. | 0:02:26 | 0:02:29 | |
OK, and can you tell us anything about it? | 0:02:29 | 0:02:33 | |
-It's about a depressed robot. -Sounds... -Sprightly? | 0:02:33 | 0:02:38 | |
Incredibly commercial. | 0:02:38 | 0:02:40 | |
Now, your profession should mean that you're going to be | 0:02:40 | 0:02:43 | |
very comfortable in front of our cameras today. | 0:02:43 | 0:02:45 | |
-I'm more comfortable behind them. -Are you? -Yeah. | 0:02:45 | 0:02:47 | |
-You're not feeling shifty now, are you? -No. -No. | 0:02:47 | 0:02:51 | |
-Will... -Hello. -..you're also a budding filmmaker. | 0:02:51 | 0:02:54 | |
-Yeah, I direct animation, both commercially and creatively. -Yeah. | 0:02:54 | 0:02:59 | |
I work for a whole bunch of clients. | 0:02:59 | 0:03:01 | |
One of my latest jobs was to do a One Direction music video. | 0:03:01 | 0:03:06 | |
It wasn't so much one of their tracks, | 0:03:06 | 0:03:08 | |
it was for their new world tour. | 0:03:08 | 0:03:09 | |
The average stadium size for One Direction is about 75,000 a night. | 0:03:09 | 0:03:14 | |
Really? That's a bit of coverage, isn't it? | 0:03:14 | 0:03:16 | |
-So a lot of screaming kids, I think. -Yeah. | 0:03:16 | 0:03:18 | |
So, what sort of things are you going to go for | 0:03:18 | 0:03:20 | |
on the old bargain hunt today then? | 0:03:20 | 0:03:22 | |
-I think we're going to go all or nothing. -Is it? You reckon? | 0:03:22 | 0:03:25 | |
-Yeah, I think so. -What, really spend every last penny? -Well... | 0:03:25 | 0:03:27 | |
-Spend it all, yeah. -Really? -Spend it all. | 0:03:27 | 0:03:29 | |
-Look at that glint in his eye. -Leave them with nothing. | 0:03:29 | 0:03:32 | |
He's determined. You're determined to do this, aren't you? | 0:03:32 | 0:03:34 | |
-Going to leave him with nothing. Make him sweat. -OK. | 0:03:34 | 0:03:38 | |
What fun we are going to have. Great, chaps, thank you so much. | 0:03:38 | 0:03:40 | |
-Now, Ellen... -Hi. -You have creativity in your job, yeah? -Yeah. | 0:03:40 | 0:03:45 | |
And it's that creativity | 0:03:45 | 0:03:46 | |
that brought the two of you lovebirds together. | 0:03:46 | 0:03:49 | |
You make it sound a lot more romantic than it was. | 0:03:49 | 0:03:51 | |
Was is not romantic? | 0:03:51 | 0:03:52 | |
-Our eyes met across a slightly darkened bar... -Smoky? | 0:03:52 | 0:03:56 | |
-..mid-afternoon. -Oh, mid-afternoon. | 0:03:56 | 0:04:00 | |
-That's the decadent, the mid-afternoon. -After a lesson. | 0:04:00 | 0:04:02 | |
It was bored out of our minds in a classroom, wasn't it? | 0:04:02 | 0:04:04 | |
-No, we were in a lesson. -I can tell the romance is oozing here. | 0:04:04 | 0:04:07 | |
-You've been together now for three years. -Yeah, apparently so. | 0:04:07 | 0:04:11 | |
Don't look so surprised. Somebody's got to know these facts. | 0:04:11 | 0:04:14 | |
So, tell me, Ellen, what do you do now, darling? | 0:04:14 | 0:04:16 | |
You've done the university, you've done the MA, done the business. | 0:04:16 | 0:04:20 | |
I'm currently writing plays. I've done a couple of groups | 0:04:20 | 0:04:22 | |
with the Royal Court Theatre, which is good. | 0:04:22 | 0:04:25 | |
I did their young writers group and their studio group. | 0:04:25 | 0:04:27 | |
I'm currently editing a play that I've got to give to them, so... | 0:04:27 | 0:04:30 | |
There is something about your writing because it starts off | 0:04:30 | 0:04:33 | |
being terribly jolly and then what happens? | 0:04:33 | 0:04:35 | |
-Um... The word harrowing has been thrown around... -Has it? | 0:04:35 | 0:04:38 | |
..in describing it, which is fun | 0:04:38 | 0:04:40 | |
cos I'm such a chipper person naturally | 0:04:40 | 0:04:42 | |
and then in all of my plays, I don't even kill off my characters | 0:04:42 | 0:04:45 | |
-because that's too easy. -Oh. | 0:04:45 | 0:04:47 | |
-So they all end up living forever in a terribly miserable state. -Do they? | 0:04:47 | 0:04:51 | |
-Oh, yes. Everyone. -You two should get together. | 0:04:51 | 0:04:54 | |
The depressed robot, I feel could have another life. | 0:04:54 | 0:04:56 | |
But he can't die. | 0:04:56 | 0:04:58 | |
This is going very nicely. Charles, you're also a playwright? | 0:04:58 | 0:05:01 | |
My first passion, I'm very lucky, | 0:05:01 | 0:05:03 | |
I work in customer service churning out coffees and beers, | 0:05:03 | 0:05:06 | |
and I'm very lucky that I can satisfy that, but on the side, | 0:05:06 | 0:05:08 | |
just for a little old laugh, I like to sometimes write a play, | 0:05:08 | 0:05:11 | |
draw a comic book. SHE LAUGHS | 0:05:11 | 0:05:13 | |
And you performed at the arts festival. | 0:05:13 | 0:05:15 | |
Yeah, The International Youth Arts Festival. | 0:05:15 | 0:05:17 | |
I had my first show put on there a few years back. | 0:05:17 | 0:05:20 | |
-Well, that's very nice. -That was a live radio comedy. | 0:05:20 | 0:05:23 | |
You seem pretty live wires to me. | 0:05:23 | 0:05:25 | |
What are you going to be on the lookout for today | 0:05:25 | 0:05:27 | |
-on the old bargain hunt? -I'd like something grotesque. -Would you? | 0:05:27 | 0:05:30 | |
-It goes with his personality. -That could be arranged. | 0:05:30 | 0:05:33 | |
Well, you're going to have a challenge. That's brilliant. | 0:05:33 | 0:05:36 | |
The first emotion you have to overcome is taking the £300. | 0:05:36 | 0:05:38 | |
-Are you going to be able to do this? -Just about. -That's the £300. | 0:05:38 | 0:05:41 | |
£300 apiece. You know the rules, your experts await | 0:05:41 | 0:05:44 | |
and off you go, and very, very good luck. | 0:05:44 | 0:05:46 | |
Sparky or what? | 0:05:46 | 0:05:48 | |
And, of course, our teams today need two experienced experts | 0:05:49 | 0:05:53 | |
and we've got a right pair of Charlies. | 0:05:53 | 0:05:55 | |
Planning his next move for the Reds, it's Charles Hanson. | 0:05:57 | 0:06:02 | |
And he's tickled pink for the Blues - it's Charlie Ross. | 0:06:02 | 0:06:06 | |
Laurie, what's our plan? | 0:06:08 | 0:06:09 | |
Oriental and strange is going to make us a load of money. | 0:06:09 | 0:06:13 | |
We could go for some lovely bits of silver, bits of jewellery, | 0:06:13 | 0:06:16 | |
a bit of Deco? | 0:06:16 | 0:06:18 | |
I do like cameras as well, so maybe we'll look for some vintage ones. | 0:06:18 | 0:06:22 | |
-Teams, your time starts now. -Feeling in focus? -Yeah, focus. | 0:06:22 | 0:06:26 | |
-I'm feeling very focused. -Let's go. -Follow me. | 0:06:26 | 0:06:29 | |
-Really, I like to take my time over these things. -Really? | 0:06:29 | 0:06:32 | |
I thought you were a fit, thrusty guy on the way to make a profit? | 0:06:32 | 0:06:36 | |
That's funny. Well, if you like action, Charlie... | 0:06:36 | 0:06:41 | |
-I'll give you action. -Go on, you run ahead. -Let's go! -Oh, Lord. | 0:06:41 | 0:06:46 | |
Act One, Scene One, already off the pace. | 0:06:48 | 0:06:51 | |
Well, let's hope you don't get the runaround today, Charlie. | 0:06:51 | 0:06:56 | |
Now there's shopping to be done and the teams are searching | 0:06:56 | 0:06:58 | |
high and low. | 0:06:58 | 0:06:59 | |
-Have a good look. -OK. -See if there's anything you like. | 0:06:59 | 0:07:03 | |
-That's just scary, man. -No. | 0:07:03 | 0:07:06 | |
Ellen is focused on the competition, while Charlie just needs to focus. | 0:07:11 | 0:07:15 | |
Easy. | 0:07:16 | 0:07:17 | |
Reds are on a mission for something Oriental | 0:07:20 | 0:07:23 | |
and I think they may have spotted something right up their street. | 0:07:23 | 0:07:25 | |
-Isn't yellow...the colour they use in China? -Samuel Guane. G-U-A-N-E. | 0:07:27 | 0:07:34 | |
I like the typographic element here as well. | 0:07:34 | 0:07:36 | |
-I just don't know what it's used for. -What is that? | 0:07:36 | 0:07:39 | |
A sceptre is an ornamental staff carried | 0:07:39 | 0:07:41 | |
by rulers as a symbol of sovereignty. | 0:07:41 | 0:07:44 | |
If it was, let's say, Chinese Imperial... | 0:07:44 | 0:07:47 | |
-Right. -..and it was made for Emperor Quianlong's palace | 0:07:47 | 0:07:51 | |
in the late 18th century... | 0:07:51 | 0:07:54 | |
it might be worth a million pounds. | 0:07:54 | 0:07:57 | |
-What do you think of it? -I like it. I think the colours are pretty bold. | 0:07:57 | 0:08:00 | |
I'm no expert on stuff like this, | 0:08:00 | 0:08:02 | |
but if it's is as old as you say it is, it's certainly good quality. | 0:08:02 | 0:08:06 | |
-What would be the absolute very, very bottom? -I'd do that for 300. | 0:08:06 | 0:08:10 | |
Oh, don't say that. Would you really? | 0:08:10 | 0:08:13 | |
That's your entire budget, Reds. | 0:08:13 | 0:08:15 | |
Let's hope it's worth a million pounds for that price. | 0:08:15 | 0:08:18 | |
-250? -I couldn't do it. | 0:08:18 | 0:08:22 | |
-So it might just be a no-go. -Yeah, well, you know... | 0:08:22 | 0:08:25 | |
Well, yeah. Let's have a walk and a wander. | 0:08:25 | 0:08:28 | |
While Carlos tries to rein in the Reds, | 0:08:28 | 0:08:31 | |
Charlie's got a lot on his plate with the Blues. | 0:08:31 | 0:08:33 | |
-I think you might be disappointed with us again. -You are, aren't you? | 0:08:33 | 0:08:36 | |
I can't say I'm over the moon with it, | 0:08:36 | 0:08:38 | |
but I would still rather you bought something you liked. | 0:08:38 | 0:08:41 | |
-Where are we here? -Right... India. | 0:08:41 | 0:08:44 | |
India, spot on. What are we made of? | 0:08:44 | 0:08:47 | |
-Um... Not quite silver. Well, silver with... -Not wood. | 0:08:47 | 0:08:50 | |
-If that was silver, it wouldn't be £18. It's brass. -Yes. | 0:08:50 | 0:08:56 | |
OK. And it's got a typically Indian pattern on it, | 0:08:56 | 0:08:59 | |
-which I think is quite charming. -Charming is the word. | 0:08:59 | 0:09:02 | |
-It's not a lot of money. -No. -It's a safe sort of buy... -Yeah. | 0:09:02 | 0:09:08 | |
..because, after all, at 18 quid, there isn't a lot of downside, | 0:09:08 | 0:09:11 | |
is there? And you might be able to get a bit of a deal on it. | 0:09:11 | 0:09:13 | |
-That's true. -It's certainly not earlier than 1900. | 0:09:13 | 0:09:17 | |
I would think it could be as late as 1950s, | 0:09:17 | 0:09:20 | |
-but it's a difficult thing to age. -1930. -There we are, 1930s. | 0:09:20 | 0:09:26 | |
-You see, the Oracle has spoken. -Thank you. -He can tell the age. | 0:09:26 | 0:09:30 | |
-And you can have it for a tenner. -Did you hear that? -A tenner? | 0:09:30 | 0:09:33 | |
I tell you what, I like it when people spend loads of money. | 0:09:33 | 0:09:36 | |
But at a tenner, if you can make something on that, frankly... | 0:09:36 | 0:09:39 | |
We could hopefully at least break even with that. | 0:09:39 | 0:09:42 | |
-I think that's hard to pass up. -Should we go for a tenner? | 0:09:42 | 0:09:45 | |
-Let's make it so. -Let's make it so. | 0:09:45 | 0:09:48 | |
Well done, Blues. You served up a bargain on your first item. | 0:09:48 | 0:09:51 | |
But let's see if the Reds can ride in with a purchase too, shall we? | 0:09:51 | 0:09:55 | |
Highly-detailed, Continental Silver oxen and carriage. | 0:09:56 | 0:10:01 | |
-How much is it? -139. | 0:10:01 | 0:10:05 | |
I think that's quite expensive for a low-quality silver and something. | 0:10:05 | 0:10:09 | |
-My gut feeling is no. -Yeah, gut feeling is no. | 0:10:09 | 0:10:12 | |
-For the time being. -For the time being. | 0:10:12 | 0:10:14 | |
We're against the clock, so you don't know what's going to happen. | 0:10:14 | 0:10:17 | |
We'll mental note it and perhaps come back to it. | 0:10:17 | 0:10:20 | |
-Thanks for your help. -Thank you very much. -Thank you. | 0:10:20 | 0:10:23 | |
I think Carlos is struggling to impress these London lads, | 0:10:23 | 0:10:26 | |
but the Blues have got to be joking about this next one. | 0:10:26 | 0:10:30 | |
-No! We don't want that! -It's awesome! | 0:10:30 | 0:10:33 | |
A jester tobacco jar. | 0:10:33 | 0:10:36 | |
-Do you notice the... -A tobacco jar? -It's so heavy. -..similarity? | 0:10:36 | 0:10:39 | |
-It's uncanny. -No. Absolutely not, no. -You don't? -Oh, there it is. | 0:10:39 | 0:10:44 | |
-Aah. -There we go. -You don't like it, do you? -I don't like it. | 0:10:44 | 0:10:49 | |
-Well, I would never go against you. -Would you not? Oh, dear. That's not very cutting edge, is it? | 0:10:49 | 0:10:53 | |
-Only because you've already bought something. -I've already gone rogue. I can't go rogue twice. | 0:10:53 | 0:10:58 | |
-OK. -All right. Let's mosey. -Let's mosey. | 0:10:58 | 0:11:00 | |
Well, don't mosey about too much, Blues. The clock is still ticking. | 0:11:00 | 0:11:04 | |
You're 20 minutes down. Charles is trying so hard, | 0:11:04 | 0:11:06 | |
but is getting nothing but rejection from the Reds. | 0:11:06 | 0:11:10 | |
-I can't win. -Are you being serious? | 0:11:10 | 0:11:14 | |
Give me that. Hu-ah. | 0:11:14 | 0:11:16 | |
I can't believe it. | 0:11:18 | 0:11:19 | |
They've now turned down an early 20th-century silver scroll box. | 0:11:19 | 0:11:22 | |
I'll put it down. | 0:11:24 | 0:11:26 | |
While the Reds are proving hard to please, those cunning young Blues | 0:11:30 | 0:11:34 | |
-have got their eyes on a second item. -Oh, that's nice. | 0:11:34 | 0:11:37 | |
-Charlie. -Yes? -Both of you. -Both Charlies. | 0:11:37 | 0:11:40 | |
It's a standard object. | 0:11:40 | 0:11:42 | |
-Standard, yeah. It's very... -Mother-of-pearl. Open it up. | 0:11:42 | 0:11:44 | |
Let's have a look. | 0:11:44 | 0:11:46 | |
-Oh! -Oh, that's not a standard object. | 0:11:48 | 0:11:50 | |
-No. -That's the most wonderful interior. | 0:11:50 | 0:11:52 | |
Normally there's no fittings inside - | 0:11:52 | 0:11:56 | |
it's just plain satin or silk - | 0:11:56 | 0:11:58 | |
-and that's got individual card, I think, isn't it? -Yes, it is. | 0:11:58 | 0:12:02 | |
-Would this have been added in later? -No, that is definitely original, | 0:12:02 | 0:12:06 | |
in my humble opinion, because of the colouring and the gilding. | 0:12:06 | 0:12:11 | |
-It does have this tile missing. -That is a problem. -Yeah. -Well done. | 0:12:11 | 0:12:16 | |
-And very well spotted because to repair that... -Would cost... | 0:12:16 | 0:12:20 | |
Well, it's the time in doing it. It's something you could do yourself | 0:12:20 | 0:12:23 | |
if you could find a bit of mother of pearl. | 0:12:23 | 0:12:25 | |
It's a sweet thing and it's 19th century I think. | 0:12:25 | 0:12:28 | |
-I think it's just about Victorian rather than Edwardian. -Yeah. | 0:12:28 | 0:12:30 | |
-It's got some nice age to it. -How much is the price? | 0:12:30 | 0:12:33 | |
-It says 60. -Yeah. | 0:12:33 | 0:12:34 | |
What I would do with that is ask the lady if she can do anything | 0:12:34 | 0:12:38 | |
better on the price. There's no harm in asking in this business. | 0:12:38 | 0:12:41 | |
-I think you should ask the lady. -All right, I'll give it a go. | 0:12:41 | 0:12:44 | |
-Give it a go. -Give it a go. | 0:12:44 | 0:12:46 | |
Dear, lady... THEY LAUGH | 0:12:46 | 0:12:48 | |
..we're wondering, is there any price lower than £60 | 0:12:48 | 0:12:52 | |
we could push you, just given the damage and...wear and tear? | 0:12:52 | 0:12:55 | |
-The very, very best I could do on that is 40. -40? | 0:12:55 | 0:12:59 | |
I wouldn't dare push you to 35... | 0:12:59 | 0:13:02 | |
of course. | 0:13:02 | 0:13:05 | |
-You can push me. -Can I? -Yes, 35. -You're such a star. -I know. -35? | 0:13:05 | 0:13:11 | |
-That's so generous. Thank you very much. That's a deal. -OK. | 0:13:11 | 0:13:14 | |
Another Charles, another charmer. | 0:13:14 | 0:13:18 | |
Well done, team. That's your second purchase. | 0:13:18 | 0:13:20 | |
Now, I have a question for you. | 0:13:20 | 0:13:23 | |
What is the similarity between these two objects? | 0:13:23 | 0:13:27 | |
They're both made silver - wrong. | 0:13:27 | 0:13:29 | |
They're both filthy - right. | 0:13:29 | 0:13:31 | |
These two items came from an outside dealer | 0:13:31 | 0:13:35 | |
and have been cleared from a house. | 0:13:35 | 0:13:37 | |
This is actually made of silver plate | 0:13:37 | 0:13:39 | |
and it's called a novelty knife rest. | 0:13:39 | 0:13:42 | |
You'd have that on a late-Victorian dining table | 0:13:42 | 0:13:45 | |
and put your carving knife on that to stop the dirty knife | 0:13:45 | 0:13:49 | |
mucking up the nice tablecloth. | 0:13:49 | 0:13:51 | |
And it's novelty because, instead of it just being | 0:13:51 | 0:13:54 | |
an X-form support with a bar across the top, | 0:13:54 | 0:13:56 | |
what we've got is a device that goes on top of a mine shaft. | 0:13:56 | 0:14:01 | |
You've got the rope around the central tube | 0:14:01 | 0:14:03 | |
and then these X supports on the end are textured, | 0:14:03 | 0:14:07 | |
as if they were made of wood, and then the base itself is cast | 0:14:07 | 0:14:11 | |
with grass and all the rest of it. | 0:14:11 | 0:14:13 | |
In fact, it's a beautifully-made object. | 0:14:13 | 0:14:16 | |
What's it worth? Well, to a novelty knife rest collector, at least £75. | 0:14:16 | 0:14:22 | |
But the interesting thing that came with it is this fellow. | 0:14:22 | 0:14:26 | |
Strictly speaking, this is a piece of jewellery called a torque - | 0:14:26 | 0:14:30 | |
T-O-R-Q-U-E - | 0:14:30 | 0:14:33 | |
and torque date way back to antiquity, to early, early | 0:14:33 | 0:14:38 | |
Saxon times, before the Romans, when ancient peoples, | 0:14:38 | 0:14:44 | |
particularly men, would wear bent, curved pieces of precious metal | 0:14:44 | 0:14:50 | |
around their necks. But these things were crudely made | 0:14:50 | 0:14:54 | |
and then displayed on men who were warriors. | 0:14:54 | 0:14:59 | |
And if you look carefully, the whole thing is chased with designs. | 0:14:59 | 0:15:03 | |
We've got two fish here, look, on the end. | 0:15:03 | 0:15:05 | |
And then, running down the ridge, you've got some herringbone | 0:15:05 | 0:15:09 | |
patterning here and then some diamond quilting. | 0:15:09 | 0:15:13 | |
Where does this thing come from? | 0:15:13 | 0:15:14 | |
I have not got the faintest idea, but it's got some age | 0:15:14 | 0:15:18 | |
and it's incredibly heavy. And, assuming this is silver, | 0:15:18 | 0:15:22 | |
a gram of silver today scraps at 50p a gram. | 0:15:22 | 0:15:25 | |
There's £100 worth of silver in this thing alone. | 0:15:25 | 0:15:29 | |
So if the worst came to worst, you could melt it down | 0:15:29 | 0:15:31 | |
and get your money back. How much money back? | 0:15:31 | 0:15:34 | |
Well, scrap that, you get £100 for it. £70 for the novelty knife rest | 0:15:34 | 0:15:40 | |
and these two items, on an outside stand, here at Ardingly today, | 0:15:40 | 0:15:45 | |
would cost you the princely sum of £50. Not bad, hey? | 0:15:45 | 0:15:49 | |
But what happens if actually this torque | 0:15:49 | 0:15:53 | |
is not only made of solid silver, but it's actually got some age | 0:15:53 | 0:15:57 | |
and you could perhaps attribute it to a particular period? | 0:15:57 | 0:16:02 | |
Well, then its value would be transformed. | 0:16:02 | 0:16:05 | |
In fact, it could be worth a fortune. | 0:16:05 | 0:16:08 | |
Back to the shopping. It's two-nil to the Blues with 20 minutes to go. | 0:16:09 | 0:16:13 | |
The race is on, teams. | 0:16:13 | 0:16:15 | |
-I'm taking you to some posh antiques. -Excellent. -Magic. | 0:16:15 | 0:16:18 | |
-And I'm fitter than you think. Race you. -Oh, what?! No! | 0:16:18 | 0:16:23 | |
The Blues are well and truly in the lead, | 0:16:23 | 0:16:25 | |
but the Reds aren't even off the starting blocks yet. | 0:16:25 | 0:16:28 | |
Come on, lads. Time to strike a deal, eh? | 0:16:28 | 0:16:31 | |
-Nice. -Yeah. -I'm not sure. I feel like it's kind of like ski lodge. | 0:16:32 | 0:16:37 | |
-Bearing in mind time is running... -Yeah, yeah. | 0:16:37 | 0:16:39 | |
-I wouldn't mind getting a buy under our belt. -OK. -Do you like it? -Um... | 0:16:39 | 0:16:45 | |
Gut feeling is... I've got hesitations about it, | 0:16:45 | 0:16:48 | |
-but we're running out of time. -Yeah. | 0:16:48 | 0:16:51 | |
-Do you want to move on? -Let's move on really quickly. We'll be quick. | 0:16:51 | 0:16:54 | |
-Thank you, sir. -Charles is trying really hard with these Reds. | 0:16:54 | 0:16:57 | |
-How about this hand-stitched sampler? -It's got a few holes in, | 0:16:57 | 0:17:02 | |
it's stained and I'm hoping it will be...£40? How much is it? | 0:17:02 | 0:17:07 | |
-It's 110. -We're going. -We're running out of time. -Come on. | 0:17:07 | 0:17:11 | |
This has to be a first on Bargain Hunt - only 10 minutes left | 0:17:11 | 0:17:14 | |
and the Reds still haven't bought anything. | 0:17:14 | 0:17:16 | |
Thank goodness the Blues have bucked up, with only one item left to buy. | 0:17:16 | 0:17:20 | |
Is there anything else here that tickles your fancy? | 0:17:20 | 0:17:23 | |
-Let's move on. -OK. | 0:17:23 | 0:17:24 | |
With time running out for the Reds, they really need to get a move on. | 0:17:24 | 0:17:27 | |
At this rate, they could be going to the auction empty-handed. | 0:17:27 | 0:17:31 | |
-I like that. Look at that. -Yeah. | 0:17:31 | 0:17:34 | |
-That's really Aztec-y. -Yeah. I quite like that. | 0:17:34 | 0:17:38 | |
But it seems not as much as that Chinese sceptre you saw earlier, | 0:17:38 | 0:17:42 | |
-eh, lads? -I say, let's see our sceptre first. | 0:17:42 | 0:17:44 | |
I've got this gravitational pull back to the sceptre. | 0:17:44 | 0:17:47 | |
I've never had, in my career, such a gamble on that sceptre. | 0:17:47 | 0:17:50 | |
-It could just go all wrong for us. -It could, yeah. -It could make £50. | 0:17:50 | 0:17:55 | |
-Yeah. -Stop laughing. This is serious. -Yeah, this is serious. | 0:17:55 | 0:17:58 | |
Frightening, isn't it, this show? | 0:17:58 | 0:18:00 | |
-We've got to give you something for the leftover lolly. -Well, thanks. | 0:18:00 | 0:18:04 | |
So I assume that's a no to the copper coal bucket. | 0:18:04 | 0:18:07 | |
Poor, old Carlos. | 0:18:07 | 0:18:09 | |
It's turning into the most desperate hour because we've seen nothing, | 0:18:09 | 0:18:13 | |
we've cherished nothing | 0:18:13 | 0:18:16 | |
and we could end up gambling almost everything on that Chinese sceptre. | 0:18:16 | 0:18:21 | |
This is like that situation where people go, | 0:18:21 | 0:18:23 | |
"Oh, I've spent all the money on one thing." | 0:18:23 | 0:18:25 | |
And we're doing that and we'll see how it goes for us. | 0:18:25 | 0:18:28 | |
-This is... Now we're answering those calls. -All or nothing. -Yeah. | 0:18:28 | 0:18:31 | |
A risky strategy, lads. | 0:18:31 | 0:18:34 | |
I just give up. | 0:18:34 | 0:18:37 | |
I think Charlie has also got his hands full with the sprightly, | 0:18:37 | 0:18:40 | |
-young Blues. Time check, please, old bean. -Five minutes left. | 0:18:40 | 0:18:44 | |
-OK. -I'm going to make a suggestion. | 0:18:44 | 0:18:46 | |
Don't keep running round and round in circles - | 0:18:46 | 0:18:48 | |
you won't focus on anything. Either buy something here | 0:18:48 | 0:18:52 | |
and if you haven't found something in four minutes, | 0:18:52 | 0:18:54 | |
we are about 43 seconds away from that grotesque lead tobacco jar. | 0:18:54 | 0:18:59 | |
-I love grotesque lead tobacco jar. -Let's find something here. | 0:18:59 | 0:19:03 | |
-Right, well, let's get cracking. -OK. | 0:19:03 | 0:19:06 | |
The boss has spoken. Now get a move on, teams. Time is running out. | 0:19:06 | 0:19:10 | |
-Is it still here? -Oh, oh, oh... -Yes, there it is, glowing. | 0:19:10 | 0:19:15 | |
-I just can't believe we've come back to this. -Yeah. | 0:19:15 | 0:19:19 | |
Well, you know, like any good story, it goes round in a full circle. | 0:19:19 | 0:19:23 | |
You had the Aztec bowl - you turned it down. | 0:19:23 | 0:19:26 | |
The Bavarian clock, you said "No, thanks." | 0:19:26 | 0:19:29 | |
There were other objects we saw and we've come back to this. | 0:19:29 | 0:19:32 | |
-Yeah. -Life's too short. -Life's too short. Exactly. | 0:19:32 | 0:19:34 | |
And the hour is too short now. | 0:19:34 | 0:19:36 | |
-Excuse me, is this your sceptre, over here? -Yes. | 0:19:36 | 0:19:39 | |
We have arrived at a scenario where we have bought nothing. | 0:19:39 | 0:19:45 | |
-Right. -What's your best price on this? -Very best? -Yes. | 0:19:45 | 0:19:50 | |
285. | 0:19:52 | 0:19:54 | |
-I've never spent that much money on one item. -285. | 0:19:55 | 0:20:00 | |
280? | 0:20:00 | 0:20:02 | |
Seeing as... ..I could do 280. | 0:20:02 | 0:20:05 | |
We've got five minutes and we've bought this from you. | 0:20:05 | 0:20:09 | |
Have you anything else, where you could maybe throw in two items | 0:20:09 | 0:20:12 | |
-for maybe a tenner? -I can show you two items. Let me just think. | 0:20:12 | 0:20:17 | |
-I'll show you one... -Bring them out to us and we'll just stand here. | 0:20:17 | 0:20:20 | |
-OK, OK. Do you want me to bring them to you? -Please, bring them to us. | 0:20:20 | 0:20:24 | |
-What have we done? -What about this lamp? | 0:20:24 | 0:20:26 | |
Who is this guy? | 0:20:29 | 0:20:30 | |
He's on your team, Charles, and frankly you need to buck up | 0:20:30 | 0:20:33 | |
their ideas cos time is running out. | 0:20:33 | 0:20:35 | |
Just two minutes left and you still need two items. I can't bear it. | 0:20:35 | 0:20:38 | |
Let's take a breather and see how those Blues are doing | 0:20:38 | 0:20:40 | |
finding their last item. | 0:20:40 | 0:20:42 | |
That is a Victorian twisted glass walking stick. | 0:20:45 | 0:20:49 | |
-I haven't seen that before. -And I would say this stands out. | 0:20:49 | 0:20:53 | |
-It certainly does. -Oh, la. -Do you know what's good about that? | 0:20:53 | 0:20:56 | |
-Beautiful. -It's still full-length. They're nearly always broken... -Mm. | 0:20:56 | 0:21:01 | |
-..and that isn't. It's a decorative item, obviously... -Certainly. | 0:21:01 | 0:21:04 | |
..but I have seen these at quite a lot of money. | 0:21:04 | 0:21:08 | |
I saw one yesterday that was...£60 or £70, I think. | 0:21:08 | 0:21:11 | |
It was a different colour, perhaps a more attractive colour. It might be worth asking. | 0:21:11 | 0:21:15 | |
-Do you like that? -I do quite like this. -We were looking for something glass as well. -We were. | 0:21:15 | 0:21:19 | |
Well, we could always ask. Sir? What's the damage? | 0:21:19 | 0:21:24 | |
-20. -£20. -It's a steal at 20. -I have to say, that is amazingly cheap. | 0:21:24 | 0:21:30 | |
Right, I'm not moving from this spot until you have made a decision. | 0:21:30 | 0:21:35 | |
-That's going to make money at auction, I admit. -Yes. | 0:21:35 | 0:21:37 | |
However, grotesque tobacco lead jester head is... | 0:21:37 | 0:21:41 | |
-One and three-quarter minutes. -..a grotesque lead jester tobacco head. | 0:21:41 | 0:21:46 | |
But I think, I've never seen or even heard of anything like this before. | 0:21:46 | 0:21:49 | |
Let's take this and take the rest of the money down the pub. | 0:21:49 | 0:21:52 | |
-One and a half minutes. -All right. -One and a half minutes. | 0:21:52 | 0:21:55 | |
I think with one and a half minutes to go, we've found our third piece. | 0:21:55 | 0:21:59 | |
-You hold that. -All right. -We're going to buy it. -I'll miss you! | 0:21:59 | 0:22:02 | |
-I'm going to give the gentleman 20 quid. Thank you very much. -Perfect. | 0:22:02 | 0:22:05 | |
It's all right, dear, you got the case, I get the walking stick. | 0:22:05 | 0:22:09 | |
-All right. -Are we good? -Yeah. -Awesome. | 0:22:09 | 0:22:11 | |
Well done, Blues. That's your final purchase. | 0:22:11 | 0:22:15 | |
Now there's only a minute left on the clock | 0:22:15 | 0:22:17 | |
and the Reds are in trouble. Will the dealer save their bacon? | 0:22:17 | 0:22:21 | |
This is one other item I've got, which is extremely pretty. | 0:22:21 | 0:22:25 | |
LAURIE: How much is it? | 0:22:25 | 0:22:26 | |
DEALER: It's only costume. It's not silver or gold. | 0:22:26 | 0:22:29 | |
Very, very pretty, but I must have £10. | 0:22:29 | 0:22:33 | |
-Perfect. Put it in our pile. -Put it in the pile. -Yeah, we'll take it. | 0:22:33 | 0:22:36 | |
Thanks a lot. What else have you got? Anything for a fiver? | 0:22:36 | 0:22:39 | |
-There's one other rather unusual item. -Come on, let's get it out. | 0:22:39 | 0:22:42 | |
Two down, one to go. | 0:22:42 | 0:22:44 | |
Now I don't know an awful lot about this piece, | 0:22:44 | 0:22:46 | |
other than it's an early bell. THEY LAUGH | 0:22:46 | 0:22:48 | |
-Let's get that. -It doesn't work. -It doesn't work, no, but it's not wired. | 0:22:48 | 0:22:52 | |
It's not wired at the moment. | 0:22:52 | 0:22:54 | |
-LAURIE: Oh, definitely. -We need a new bell. -I want the bell. | 0:22:54 | 0:22:57 | |
-I think it's plastic, isn't it? -I think it's plastic. -No, no, no... | 0:22:57 | 0:23:01 | |
Hurry up, lads, you need to make a decision. | 0:23:01 | 0:23:04 | |
-There? -You should find it's quite cold. | 0:23:04 | 0:23:07 | |
I think you'll find it may be ceramic... | 0:23:07 | 0:23:09 | |
Oh, it is china. It is ceramic, you're right. | 0:23:09 | 0:23:11 | |
But it's an early... That, I would throw in for the £300. | 0:23:11 | 0:23:15 | |
What I quite like about this... | 0:23:15 | 0:23:17 | |
I like the chrome finish and the Bakelite | 0:23:17 | 0:23:19 | |
-and obviously, on the back there, that little... -It's quite charming. | 0:23:19 | 0:23:23 | |
-It's quite interesting how it's ceramic. -..stoneware firing. | 0:23:23 | 0:23:26 | |
Now I'm going to be cheeky. Because we've spent 290 already, | 0:23:26 | 0:23:29 | |
I need maybe at least a sliver of hope in the bonus buy, | 0:23:29 | 0:23:34 | |
so could I maybe buy that for a fiver? | 0:23:34 | 0:23:37 | |
Make it 295 all in... | 0:23:37 | 0:23:40 | |
and you've cleared us almost all out. | 0:23:40 | 0:23:42 | |
Oh, you're a smooth talker. | 0:23:42 | 0:23:44 | |
Get out of here. Put it there. That's a sale. Done. | 0:23:44 | 0:23:47 | |
Thank goodness for that. | 0:23:47 | 0:23:48 | |
BELL CHIMES | 0:23:48 | 0:23:50 | |
Stop. Teams, that's it. Time is up. | 0:23:50 | 0:23:54 | |
-Thanks a lot. -Thanks. -Never, ever... | 0:23:54 | 0:23:56 | |
-You must be buying the beers. -Yeah. -Well, I don't know about that. | 0:23:56 | 0:23:59 | |
We haven't got any money left. | 0:23:59 | 0:24:01 | |
Well, Laurie, I kid you not, I will not sleep until that auction | 0:24:01 | 0:24:05 | |
for fear, for panic, of dread of that sceptre completely bombing. | 0:24:05 | 0:24:10 | |
Yeah, well, it's going to haunt my dreams too, | 0:24:10 | 0:24:12 | |
but hopefully in a good way. | 0:24:12 | 0:24:13 | |
Let's remind ourselves what the Red Team bought, eh? | 0:24:13 | 0:24:18 | |
Putting all their eggs in one basket and almost blowing | 0:24:18 | 0:24:21 | |
their entire budget, they splurged £280 on the Oriental sceptre. | 0:24:21 | 0:24:26 | |
Bought in a panic, £10 went on this piece of costume jewellery, | 0:24:26 | 0:24:30 | |
a pendant in the form of a cross. | 0:24:30 | 0:24:33 | |
And the dealer let them chime in with this bell push for £5. | 0:24:33 | 0:24:37 | |
Well, Charles, you've had some shopping experiences. | 0:24:39 | 0:24:41 | |
These boys have taken you to a special place, haven't they? | 0:24:41 | 0:24:44 | |
Tim, I'm still recovering. It was frightening. | 0:24:44 | 0:24:46 | |
Now, I have to ask you, do you have a favourite piece? | 0:24:46 | 0:24:49 | |
-Oh, yeah. It has to be... -The Chinese sceptre. -I think so. | 0:24:49 | 0:24:52 | |
-A big investment. -This is a major, major risk. -We're confident in it. It's unusual. | 0:24:52 | 0:24:56 | |
So the piece that's going to bring the biggest profit has to be the sceptre. | 0:24:56 | 0:24:59 | |
I hope so, yeah. I think the bell is a nice object | 0:24:59 | 0:25:02 | |
and I reckon that will probably make a profit, | 0:25:02 | 0:25:05 | |
but I think we're going for the big guns. | 0:25:05 | 0:25:08 | |
Not like the monster profit that the sceptre could bring. | 0:25:08 | 0:25:10 | |
-Yeah. -OK. -All our hopes are in... -This is such bravery. | 0:25:10 | 0:25:14 | |
This is such courage, I can't tell you. Anyway, you spent quite a lot. | 0:25:14 | 0:25:18 | |
-How much did you spend? -We spent 295. -This is so magnificent. Thanks. | 0:25:18 | 0:25:23 | |
I'll have your £5 note. Thanks very much. That goes over to Charlie. | 0:25:23 | 0:25:26 | |
Normally, Tim, this moment can be the escape to victory, but... | 0:25:26 | 0:25:30 | |
I just don't know what to do. | 0:25:30 | 0:25:32 | |
Well, you could afford a cup of coffee and a meat pie, | 0:25:32 | 0:25:36 | |
-and that's about it. -Exactly. | 0:25:36 | 0:25:37 | |
Well, it's a challenge, Charles, and one to which I know you will rise. | 0:25:37 | 0:25:41 | |
Well done, chaps. | 0:25:41 | 0:25:42 | |
Why don't we now check out what the Blue Team bought, eh? | 0:25:42 | 0:25:46 | |
First up was the Indian brass tray, served up for a mere £10. | 0:25:46 | 0:25:52 | |
Next, they gambled £35 on this 19th-century mother-of-pearl | 0:25:52 | 0:25:56 | |
card case. | 0:25:56 | 0:25:59 | |
And, finally, they toddled off with this glass walking stick for £20. | 0:25:59 | 0:26:04 | |
-Well, team, that was extraordinary... -Yeah, yeah. | 0:26:05 | 0:26:08 | |
..largely because of your parsimony. | 0:26:08 | 0:26:11 | |
-I mean, how much did you spend? -£65. -I don't believe it. | 0:26:11 | 0:26:15 | |
-Why do we give them 300? -We don't like to be excessive. | 0:26:15 | 0:26:19 | |
Well, I'd like £235 of leftover lolly, please, | 0:26:19 | 0:26:21 | |
and a security guard to guard me while I hand it over to Charlie. | 0:26:21 | 0:26:25 | |
-There you are. -But you had great fun, didn't you? -Yes, definitely. | 0:26:25 | 0:26:29 | |
-Absolutely. -Very good. -Charlie, what's your favourite piece? | 0:26:29 | 0:26:32 | |
The glass walking stick. | 0:26:32 | 0:26:33 | |
Ellen, which is your favourite, darling? | 0:26:33 | 0:26:35 | |
I'm going to have to go with the mother-of-pearl card case. | 0:26:35 | 0:26:38 | |
-As your favourite? -Yeah. -And will that bring the biggest profit? | 0:26:38 | 0:26:41 | |
Probably not, no. | 0:26:41 | 0:26:42 | |
And, Charlie, which is going to bring the biggest profit, please? | 0:26:42 | 0:26:46 | |
-The walking stick. -OK, the walking stick. | 0:26:46 | 0:26:48 | |
Out of the miserable amount, and the mouths of babes and sucklings, | 0:26:48 | 0:26:52 | |
-comes a whole pile of dough. -I've never had so much fun | 0:26:52 | 0:26:55 | |
-spending absolutely diddly squat in all my life. -Really? | 0:26:55 | 0:26:59 | |
-But things are going to change. -Things are looking up. | 0:26:59 | 0:27:02 | |
OK, well, standby for big things over at the auction, | 0:27:02 | 0:27:04 | |
which we are about to scootle off to. Thank you very much. | 0:27:04 | 0:27:08 | |
Here we are, between Selsdon and Warlingham, with Catherine Southon, | 0:27:26 | 0:27:31 | |
-which is a thrill, Catherine. -Lovely to see you. Thanks for coming, Tim. | 0:27:31 | 0:27:34 | |
Well, we're delighted to be here and at such high risk, | 0:27:34 | 0:27:39 | |
I have to say, for the Reds, Will and Laurie, who have invested | 0:27:39 | 0:27:42 | |
nearly all their dough in this Chinese reproduction ruyi, | 0:27:42 | 0:27:48 | |
-or sceptre. -Yes. -I have to say that, as a modern reproduction, | 0:27:48 | 0:27:52 | |
it does look the part. | 0:27:52 | 0:27:54 | |
-It's very beautiful, isn't it? -Exactly that. It does look the part. | 0:27:54 | 0:27:58 | |
From a distance, that looks like a rather nice piece. | 0:27:58 | 0:28:00 | |
It looks like it might be a 19th-century ruyi, | 0:28:00 | 0:28:03 | |
but as you get closer, you can see that this is reproduction, | 0:28:03 | 0:28:07 | |
it is 20th-century. The enamel is in lovely condition. | 0:28:07 | 0:28:10 | |
It's all there, it's got lovely colours, nice, bright colours. | 0:28:10 | 0:28:13 | |
What made me laugh is the actual figure here with his nice quiff - | 0:28:13 | 0:28:17 | |
-that's quite funny. -Who looks like Elvis, right? -Well, he does. | 0:28:17 | 0:28:20 | |
He's got an Elvis quiff. He's overdeveloped, isn't he? | 0:28:20 | 0:28:24 | |
-Yes, he is. -In the chest department. | 0:28:24 | 0:28:26 | |
It just doesn't quite work, does it? | 0:28:26 | 0:28:28 | |
So for our team to have paid £280, which is most of their money, | 0:28:28 | 0:28:33 | |
-I have to say... -Gosh, yes. | 0:28:33 | 0:28:35 | |
-That is a huge risk. -What's your estimate, by the way? | 0:28:35 | 0:28:38 | |
We haven't gone anywhere near that. I've put £100 - £150. | 0:28:38 | 0:28:43 | |
OK, so it really is risky. | 0:28:43 | 0:28:45 | |
Anyway, they only had £20 leftover, so they went off and bought | 0:28:45 | 0:28:49 | |
this bit of paste, which, for a £10 note, looks jolly good actually. | 0:28:49 | 0:28:54 | |
It looks like a sapphire in the middle and it looks | 0:28:54 | 0:28:56 | |
like diamond encrustations, doesn't it? | 0:28:56 | 0:28:59 | |
-So is it worth £10, do you think? -Why not? | 0:28:59 | 0:29:02 | |
-10-to-15. -Perfect. | 0:29:02 | 0:29:03 | |
Now we come to the bell push, which I think is pretty nonsensical, | 0:29:03 | 0:29:07 | |
but so what? They spent £5 on it. Will it make £5? | 0:29:07 | 0:29:12 | |
Oh, yes, yes. Definitely. If we don't make £5, there is something wrong. | 0:29:12 | 0:29:16 | |
-What's your estimate then? -10-to-20. -Perfect. | 0:29:16 | 0:29:19 | |
So it all hinges on our ruyi here. | 0:29:19 | 0:29:22 | |
and, if it all goes wrong, let's have a look at the bonus buy, | 0:29:22 | 0:29:25 | |
which was acquired with only a £5 note. | 0:29:25 | 0:29:29 | |
Will and Laurie, you've spent £295, which is an incredibly brave amount, | 0:29:29 | 0:29:34 | |
and £5 went to Charles Hanson to find your bonus buy. Charles. | 0:29:34 | 0:29:37 | |
Frightening, the amount we spent. £5 leftover and it was eyes down, | 0:29:37 | 0:29:42 | |
and it was very much for my sort of thing - my spectacles. | 0:29:42 | 0:29:46 | |
-There we go. -Oh, wow. -It is what it is really. | 0:29:46 | 0:29:50 | |
I like the form because it's obviously quite | 0:29:50 | 0:29:52 | |
a labour-intensive object and we've got mother-of-pearl on an | 0:29:52 | 0:29:56 | |
ebonized spectacle case and, actually, if you open the base... | 0:29:56 | 0:30:00 | |
-Look at that. -Hello, gentleman. | 0:30:00 | 0:30:02 | |
-It is quite a nice little novelty. -It is. -What's it for? | 0:30:02 | 0:30:04 | |
-Glasses. -It's for spectacles. | 0:30:04 | 0:30:06 | |
So, back in the Victorian times, you would put your wirework spectacles | 0:30:06 | 0:30:09 | |
-into your case. -Right. -This is called a frogmouth opening. | 0:30:09 | 0:30:12 | |
-There we are, it's open and shut. -Nice. -And it cost me £5. | 0:30:12 | 0:30:16 | |
-Yeah, mind it doesn't croak. -HE CROAKS | 0:30:16 | 0:30:19 | |
-I like it. -I think you did all right. -It's got personality. Good job. -It has. | 0:30:19 | 0:30:22 | |
It's unique because you will not find an identical spectacle case | 0:30:22 | 0:30:26 | |
-in that condition. -The smell of it. | 0:30:26 | 0:30:28 | |
You're hoping for big profits though, aren't you? | 0:30:28 | 0:30:30 | |
Well, that's the plan but, you know, who knows? | 0:30:30 | 0:30:32 | |
Well, you've invested very, very strongly and we're looking forward to the result. | 0:30:32 | 0:30:36 | |
But right now, for the audience at home, let's find out | 0:30:36 | 0:30:38 | |
what the auctioneer thinks about Charles's spectacle case. | 0:30:38 | 0:30:42 | |
There we go, Catherine, a boring, lacquered spectacle case. | 0:30:42 | 0:30:47 | |
-Are you about to make a spectacle of yourself? -A-ha. | 0:30:47 | 0:30:49 | |
Well, that's just it. I mean, it is a little bit boring and it is a little bit tired, | 0:30:49 | 0:30:53 | |
-but I love the mouth, frogmouth. Isn't it great? -Yes, frogmouth. | 0:30:53 | 0:30:57 | |
It says it all, doesn't it? | 0:30:57 | 0:30:59 | |
-But you try and get a pair of your spectacles in there today. -I know. | 0:30:59 | 0:31:02 | |
OK, then, what's it worth? | 0:31:02 | 0:31:04 | |
£10-to-£20. | 0:31:04 | 0:31:06 | |
He only had £5, poor, old Carlos, and that's what he came up with, | 0:31:06 | 0:31:10 | |
which is fair enough in the pressure of it all. | 0:31:10 | 0:31:12 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:31:12 | 0:31:15 | |
We've got the embossed Indian tray. Banaras. | 0:31:15 | 0:31:20 | |
-Pretty standard object that, isn't it? -Pretty standard. | 0:31:20 | 0:31:23 | |
-I think probably a bit of tourist-ware, may I say? -Yeah. | 0:31:23 | 0:31:26 | |
-Maybe £10-to-£15 on that. -And £10 was paid, so that's fair enough. | 0:31:26 | 0:31:30 | |
Yeah, I think that's fair. | 0:31:30 | 0:31:32 | |
Now the mother-of-pearl card case, is that yesterday's antique? | 0:31:32 | 0:31:35 | |
This one, it's OK. It's got a few little bits of mother-of-pearl | 0:31:35 | 0:31:39 | |
missing. Some of them have been stuck back on again. | 0:31:39 | 0:31:42 | |
-It's been through the wars a bit, but it's OK. They always sell. -How much? | 0:31:42 | 0:31:46 | |
-£20-to-£40. -£35 paid, so they paid the right price. | 0:31:46 | 0:31:49 | |
-We should be all right. -Lastly is the novelty Nailsea-type walking cane. | 0:31:49 | 0:31:56 | |
-I mean, they're just so wacky in glass these, aren't they? -It is. | 0:31:56 | 0:31:59 | |
I mean, the Nailsea glassware... | 0:31:59 | 0:32:02 | |
What used to happen, when they had been making their glass panes | 0:32:02 | 0:32:06 | |
and whatever else, whatever bits of glass they had leftover, | 0:32:06 | 0:32:10 | |
the glass blowers used to show off their talents | 0:32:10 | 0:32:12 | |
and make walking sticks like this. | 0:32:12 | 0:32:14 | |
This isn't actually Nailsea, but it is Nailsea-type. | 0:32:14 | 0:32:17 | |
It's got a few little chips at the bottom. | 0:32:17 | 0:32:19 | |
Completely impractical, why you'd want one I don't know, | 0:32:19 | 0:32:22 | |
-but it looks nice. -Yeah. Some of them are brightly coloured. | 0:32:22 | 0:32:25 | |
That's very plain and dull. How much? | 0:32:25 | 0:32:28 | |
-£30-to-£40. -£20 paid. They paid the right price. | 0:32:28 | 0:32:30 | |
Yeah, I think they paid fine. | 0:32:30 | 0:32:31 | |
-They've only spent £65, this team, on the whole lot. -How mean. | 0:32:31 | 0:32:35 | |
So does the strategy to go out | 0:32:35 | 0:32:38 | |
and blow the lot on something speculatively work? | 0:32:38 | 0:32:41 | |
Or does being parsimonious and spending practically nothing work? | 0:32:41 | 0:32:45 | |
-We have the perfect contrast here. -Yeah. | 0:32:45 | 0:32:47 | |
And the perfect test for you, Catherine, today from the rostrum. | 0:32:47 | 0:32:50 | |
-Yeah. -Anyway, if it doesn't work out nicely for the Blues, | 0:32:50 | 0:32:53 | |
they've got the bonus buy to fall back on | 0:32:53 | 0:32:55 | |
and let's go and have a look at it. | 0:32:55 | 0:32:57 | |
-Well, this is fun, isn't it? -Oh, yeah. -Very much so. | 0:32:57 | 0:33:00 | |
Have you any idea what Charlie Ross has bought you for your bonus buy? | 0:33:00 | 0:33:03 | |
I'm starting to have a couple of suspicions about what it might be. | 0:33:03 | 0:33:07 | |
I trust you less than I once did. THEY LAUGH | 0:33:07 | 0:33:10 | |
Something's going on here, Charlie Ross. You had £235, old bean. | 0:33:10 | 0:33:15 | |
-Yeah. -What did you spend it on? -I spent less than half. -Yowzer. -Wow. | 0:33:15 | 0:33:19 | |
I know. I really thought that I would nail it | 0:33:19 | 0:33:21 | |
and spend a couple of hundred pounds of your money, but I didn't. | 0:33:21 | 0:33:24 | |
I spent... I'll tell you in a minute. I bought that. | 0:33:24 | 0:33:29 | |
-I recognise this. -That is... I'm so happy. | 0:33:29 | 0:33:32 | |
We're, I think, in the 19th century. We're in France. | 0:33:32 | 0:33:36 | |
We're bronze and I think actually it would convert into a table lamp, | 0:33:36 | 0:33:39 | |
-but I like it. -Yeah. | 0:33:39 | 0:33:41 | |
It's absolutely marvellous, but there's a Gothic feel to it, I think. | 0:33:41 | 0:33:44 | |
I know. I feel like it could be... | 0:33:44 | 0:33:46 | |
It looks like it's come straight out of something that | 0:33:46 | 0:33:48 | |
Edgar Allan Poe has written. First of all, what did you spend? | 0:33:48 | 0:33:51 | |
-£85. -85? | 0:33:51 | 0:33:54 | |
Yeah, I know you're probably thinking, | 0:33:54 | 0:33:56 | |
"85's a little on the strong side." I'd like it to make £100 at auction. | 0:33:56 | 0:34:00 | |
-Yeah? -It's great. I'm really happy. Good job. | 0:34:00 | 0:34:05 | |
-Tim's lost. -Would you own it? Would you buy it for home? -Personally, no. | 0:34:05 | 0:34:10 | |
I don't think it would go in my flat, with all my fluffy cushions | 0:34:10 | 0:34:14 | |
and cat posters. | 0:34:14 | 0:34:17 | |
OK. Well, we are where we are | 0:34:17 | 0:34:19 | |
and we're going to do what we're going to do. | 0:34:19 | 0:34:21 | |
You pick it later if you want to. But right now, for the audience at home, | 0:34:21 | 0:34:24 | |
let's find out what Catherine Southon thinks about it. | 0:34:24 | 0:34:28 | |
Now, Catherine, that looks chunky. Bronze or brass? | 0:34:28 | 0:34:33 | |
Brass. Brass made to look like bronze. | 0:34:33 | 0:34:37 | |
It's been aged and I don't really rate it a huge amount. | 0:34:37 | 0:34:42 | |
-It's gothic... -Style. -Gothic-style, absolutely. Gothic-style. | 0:34:42 | 0:34:48 | |
But, yeah. Who knows when this has been made | 0:34:48 | 0:34:51 | |
because this has all been aged. | 0:34:51 | 0:34:53 | |
It's decorative, it's ready to go. Charlie loved it. | 0:34:53 | 0:34:56 | |
-He paid £85. Will you get £85 for it in the auction? -I'm not sure. | 0:34:56 | 0:35:01 | |
I can see why he went for it. 40-to-60, Tim. | 0:35:01 | 0:35:05 | |
-OK. 40-to-60, if you're lucky, on a good day? -Yes. -OK. | 0:35:05 | 0:35:08 | |
It could be his good day, in which case, | 0:35:08 | 0:35:10 | |
perhaps the team should leave it, but maybe they won't. | 0:35:10 | 0:35:12 | |
When does the auction start? Any minute now? | 0:35:12 | 0:35:15 | |
-Very soon. -OK, thank you, Catherine. | 0:35:15 | 0:35:17 | |
OK, Catherine, it's time to get this sale underway | 0:35:19 | 0:35:22 | |
-and take to your rostrum, girl. -£50, thank you. 5, 60, £100 then. | 0:35:22 | 0:35:29 | |
-All done. -Right then, chaps. -Hello. | 0:35:29 | 0:35:32 | |
You have chanced you arm here, haven't you? | 0:35:32 | 0:35:35 | |
The first item is the sceptre. I mean, who knows? Risking all. | 0:35:35 | 0:35:42 | |
Well done, chaps, and here it comes. | 0:35:42 | 0:35:44 | |
We've got a 20th-century | 0:35:44 | 0:35:46 | |
Chinese canton enamel ruyi sceptre. | 0:35:46 | 0:35:49 | |
Who will give me £100 for it? | 0:35:49 | 0:35:51 | |
£100, I'm asking for. 100 is bid. | 0:35:51 | 0:35:54 | |
-Thank you. -He's straight in. -£100. 110. -Come on. | 0:35:54 | 0:35:57 | |
I think we're onto a run now. | 0:35:57 | 0:35:59 | |
120 standing. £120 down. | 0:35:59 | 0:36:03 | |
130. 140, standing. 150. | 0:36:03 | 0:36:06 | |
-Go on, son. -160. 160 standing. | 0:36:06 | 0:36:10 | |
It's against you, net at 160. £160 against you, net. | 0:36:10 | 0:36:14 | |
-Going once... -Come on, net. -Going twice. -Oh! -£160. | 0:36:14 | 0:36:19 | |
-Well, it didn't work, did it? 260... Minus 120. -Impressive(!) | 0:36:19 | 0:36:25 | |
-It was worth a go, Tim. -I mean, £160 is not so far off £200. | 0:36:25 | 0:36:30 | |
-No, no. -£200 is not so far off £280. It's just not quite there. | 0:36:30 | 0:36:35 | |
We have a modern costume jewellery pendant in the form of a cross. £10. | 0:36:35 | 0:36:40 | |
-£10 is bid. £10. -Come on, let's go. -I've got £10. £10, 15. -Profit! | 0:36:40 | 0:36:45 | |
Any more at £15? I will sell. | 0:36:45 | 0:36:49 | |
-£5. -WILL: Not bad, not bad. -Good stuff. | 0:36:49 | 0:36:52 | |
OK, we now have a 1930s ceramic and chrome-plated bell push. | 0:36:52 | 0:36:57 | |
Straight in at £10. | 0:36:57 | 0:37:00 | |
-£10. Any more at £10? -Come on. -12, 15, 18, thank you. | 0:37:00 | 0:37:05 | |
£20. No more. With me at 20? £20, all... | 0:37:05 | 0:37:10 | |
Why not? 25, 30, 35, 40. | 0:37:10 | 0:37:15 | |
-Yes! £40! -With me at £40. Any more, £40? £40 then, all done. 40. | 0:37:15 | 0:37:21 | |
-Ding-dong. -Oh, yes! -£40. I don't believe that. | 0:37:21 | 0:37:26 | |
It's £35 up, plus your other pound means that you're plus 40. Right. | 0:37:26 | 0:37:31 | |
Which means you're only minus 80 now. | 0:37:31 | 0:37:33 | |
-Which doesn't sound so bad, does it? -No. | 0:37:33 | 0:37:35 | |
-What are we going to do about the spectacle case? Are you going to go with it? -Go with it. -Yeah. | 0:37:35 | 0:37:39 | |
Well, unanimous vote in favour of that. | 0:37:39 | 0:37:41 | |
You paid £5, Charles. She likes it. She's put £10-to-£20 on it. | 0:37:41 | 0:37:44 | |
-Well, good. -Right, were going to go with the bonus buy and here comes. -Is this it? | 0:37:44 | 0:37:48 | |
A late 19th-century papier mache and mother-of-pearl spectacle case. | 0:37:48 | 0:37:54 | |
We would love £10 for this. Is bid. Thank you. 10, 12, 15, 18... | 0:37:54 | 0:37:58 | |
20, come on! The escape is on. | 0:37:58 | 0:37:59 | |
-20. No. Any more? £20. -One more, sir. -£20. | 0:37:59 | 0:38:04 | |
22, 25, 28, 30. | 0:38:04 | 0:38:10 | |
-Charles. -One more, sir. Come on! -5, £35. I've got 35. | 0:38:10 | 0:38:14 | |
-35, it's yours. £35. -One more. | 0:38:14 | 0:38:18 | |
-All done at 35. It's done. -Yes. | 0:38:18 | 0:38:22 | |
-We were so nearly... -Thanks. -That was great. | 0:38:22 | 0:38:26 | |
That is plus £30. Well done, Charles. | 0:38:26 | 0:38:28 | |
Which means, overall, you're only minus 50, which is nothing... | 0:38:28 | 0:38:31 | |
-No, no. -Pretty good. | 0:38:31 | 0:38:33 | |
That could easily be a winning score. Well done. | 0:38:33 | 0:38:35 | |
-Ellen, Charles, how are you feeling? -Very good. | 0:38:41 | 0:38:43 | |
-Do you know how the Reds got on? -Not at all. -Good, you don't want to. | 0:38:43 | 0:38:47 | |
-Oh, God. -First up is your tray from the banks of the Ganges | 0:38:47 | 0:38:51 | |
and here comes the tray. | 0:38:51 | 0:38:53 | |
It's an early 20th-century Indian, large, brass tray. | 0:38:53 | 0:38:57 | |
-Thank you, £10, I have. £10. -Can you believe it? -£10, any more? | 0:38:57 | 0:39:02 | |
Nice and even. | 0:39:02 | 0:39:03 | |
CATHERINE: £10. Surely worth a bit more than that. £10? | 0:39:03 | 0:39:06 | |
Any more at £10? £10. | 0:39:06 | 0:39:08 | |
-11! -Come on, you can all put your drinks on that. | 0:39:08 | 0:39:12 | |
15, 18. No more? £18. | 0:39:12 | 0:39:15 | |
-It's yours at 18. Any more at 18? -You beautiful people. | 0:39:15 | 0:39:18 | |
Thank you, 20. 22, 25. | 0:39:18 | 0:39:19 | |
Charlie, you're going to eat your words here. | 0:39:19 | 0:39:22 | |
25, I've got here. All done. It's against you standing. | 0:39:22 | 0:39:26 | |
-I think that was £25, if I heard it right. -Oh, my God. -It was. | 0:39:26 | 0:39:29 | |
Which is plus £15. | 0:39:29 | 0:39:30 | |
Lot 202, a late 19th-century mother of pearl card case. £20. | 0:39:30 | 0:39:35 | |
Come on, ladies. It's a gent. | 0:39:35 | 0:39:37 | |
£20. 25, 30, 35. | 0:39:37 | 0:39:43 | |
-35. Do you want to bid, sir? -Come on! 40, sir. -£35. No? | 0:39:43 | 0:39:46 | |
-It's your bid at 35. Against you on the internet. £35. -Oh. -All done, 35. | 0:39:46 | 0:39:53 | |
-£35. It's washed its face. -That's broke even. | 0:39:53 | 0:39:55 | |
-Washed its face? -Yeah. Now...the walking stick. | 0:39:55 | 0:40:00 | |
Victorian, Nailsea-type, twisted, green glass walking stick. | 0:40:00 | 0:40:05 | |
I have 20, 25, 28. I've got 30. With me at £30? | 0:40:05 | 0:40:11 | |
£30. Any more at £30? | 0:40:11 | 0:40:14 | |
-£30. -We can get the train home. -Yay. | 0:40:14 | 0:40:16 | |
I'm going to sell on commission and 30. £30. Any more? | 0:40:16 | 0:40:20 | |
Going once, going twice... | 0:40:20 | 0:40:24 | |
-35. -Yes! -Yes! -On the internet at 35. -Well-played. | 0:40:24 | 0:40:27 | |
I'm selling then on the internet. All done, 35. | 0:40:27 | 0:40:32 | |
-Major dosh. -Plus 15, plus 15 equals plus 30. -Yay! -You're £30 up. | 0:40:32 | 0:40:38 | |
Now what are you going to do about this candlestick? | 0:40:38 | 0:40:41 | |
I think, if we're plus, we should go against it. | 0:40:41 | 0:40:43 | |
Are we being conservative? | 0:40:43 | 0:40:45 | |
-I think we're being conservative. -You're not going with the bonus buy? -No. -No. | 0:40:45 | 0:40:48 | |
You love it but you're not going with it. | 0:40:48 | 0:40:50 | |
You have your £30. You're going to part with £30. | 0:40:50 | 0:40:52 | |
-Yes. -Well done for that. | 0:40:52 | 0:40:53 | |
We're going to sell the candlestick anyway, just for the fun of it. | 0:40:53 | 0:40:56 | |
-Yes, of course. -Here it comes. | 0:40:56 | 0:40:58 | |
A large, 19th-century-style, French, bronzed candlestick. £50. | 0:40:58 | 0:41:05 | |
-Come on, £50. £45 on the internet at 45. -They haven't seen it. | 0:41:05 | 0:41:10 | |
Any more at £45? I'm selling at £45... | 0:41:10 | 0:41:15 | |
-No matter though. You didn't go with it. You didn't lose that £40. -No. | 0:41:15 | 0:41:19 | |
You have plus £30, which could be a winning score, | 0:41:19 | 0:41:22 | |
and don't say a word to the Reds, all right? | 0:41:22 | 0:41:25 | |
-We won't, we won't. -We won't. -Aren't they lovely? | 0:41:25 | 0:41:27 | |
Well, what fun this has been, hasn't it? Have you been chatting, you lot? | 0:41:33 | 0:41:36 | |
-No! -About the score, no? -Not about the score. | 0:41:36 | 0:41:39 | |
The moment has come to reveal the truth | 0:41:39 | 0:41:41 | |
and I'm afraid the truth is quite unpalatable for one of the teams... | 0:41:41 | 0:41:44 | |
-Oh. -..and the team that it is unpalatable for are the Reds! | 0:41:44 | 0:41:48 | |
-Yes! -Ohhh! -Well done. | 0:41:48 | 0:41:51 | |
The Reds, who were so brave with their enamel sceptre. | 0:41:51 | 0:41:55 | |
-Yeah. -Rats! -Rats. -THEY LAUGH | 0:41:55 | 0:41:58 | |
It was minus £120, but you did a fantastic recovery run thereafter. | 0:41:58 | 0:42:03 | |
-We got... Yeah. -And only minus 50 is an achievement, I have to tell you. | 0:42:03 | 0:42:07 | |
We have a fleece to show for it. | 0:42:07 | 0:42:09 | |
Exactly. You haven't been fleeced, you've got one to go away with. | 0:42:09 | 0:42:12 | |
-THEY LAUGH -How lovely is that? | 0:42:12 | 0:42:14 | |
What a lovely attitude. | 0:42:14 | 0:42:15 | |
-Aren't they great, those guys? -They're dynamite. | 0:42:15 | 0:42:17 | |
-But the victors today go home with £30. -Yay. | 0:42:17 | 0:42:22 | |
-Whoo-hoo! How about that, hey? -Take that, student loan. -Quite right too. | 0:42:22 | 0:42:27 | |
That gorgeous tray, which Charlie loves so much, | 0:42:27 | 0:42:31 | |
-your special choice, Charles. -Have a little faith, Chaz. | 0:42:31 | 0:42:34 | |
-Yeah, I know. £15 on that. That walking stick, plus £15... -Yeah. | 0:42:34 | 0:42:38 | |
..and you didn't go with the bonus buy, your wisest move of the day. | 0:42:38 | 0:42:42 | |
We've learned a lot about Charlie Ross. | 0:42:42 | 0:42:45 | |
Well said, Charles. Anyway, there we go. Had a good time? | 0:42:45 | 0:42:48 | |
-Yeah, amazing, thanks. -Thanks for coming. | 0:42:48 | 0:42:50 | |
-Thanks for playing. Join us soon for some more bargain hunting, yes? -Yes! | 0:42:50 | 0:42:56 |