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The antiques are out, the stalls are open, what are we waiting for? | 0:00:02 | 0:00:05 | |
Let's go bargain hunting! | 0:00:05 | 0:00:07 | |
The Ardingly International Antiques And Collectors' Fair | 0:00:31 | 0:00:35 | |
is our scene today, bargain hunters, where our teams | 0:00:35 | 0:00:38 | |
are going to have to struggle through | 0:00:38 | 0:00:41 | |
literally hundreds of stalls to see what there is on offer. | 0:00:41 | 0:00:46 | |
But before that, why don't we see what's coming up? | 0:00:46 | 0:00:50 | |
The boys are caught red-handed. | 0:00:52 | 0:00:54 | |
Can you call the police? | 0:00:54 | 0:00:55 | |
I think they're trying to nick my watch. | 0:00:55 | 0:00:58 | |
But will they catch a profitable bargain or three? | 0:00:58 | 0:01:01 | |
-Mark's light fingers catch him out. -Hey, give me my plate back! -Oh. | 0:01:02 | 0:01:06 | |
Will the game be a steal for the Blues? | 0:01:06 | 0:01:10 | |
And will the auction drive them all to despair? | 0:01:10 | 0:01:13 | |
-Oh! -Please, no. | 0:01:13 | 0:01:15 | |
So, today, for the Reds, we have brothers Robert and Christopher. | 0:01:16 | 0:01:20 | |
And Catherine and Malcolm, our married couple, for the Blues. | 0:01:20 | 0:01:23 | |
-Hello, everyone. -Hello, Tim. -Hello. -Really love to see you. | 0:01:23 | 0:01:27 | |
-Now, Chris, you're the eldest brother, is that right? -I am indeed. | 0:01:27 | 0:01:30 | |
I'm the eldest, but as you can see, he is the biggest. | 0:01:30 | 0:01:32 | |
-What does that mean, chunky? -No. | 0:01:32 | 0:01:34 | |
-He's a gym enthusiast, so much bulkier than I am. -I see. | 0:01:34 | 0:01:39 | |
And you've got a lot in common when it comes to your tastes. | 0:01:39 | 0:01:42 | |
Both of us spent years of actually doing karate | 0:01:42 | 0:01:45 | |
-and we both attained our second dan black belts, as well. -Technically, | 0:01:45 | 0:01:48 | |
according to the government, we are dangerous people. | 0:01:48 | 0:01:51 | |
What, two fingers and you could kill me at three yards? | 0:01:51 | 0:01:53 | |
-One finger. -Oh, one finger! | 0:01:53 | 0:01:56 | |
I am going to keep out of the way today, I can tell you that. | 0:01:56 | 0:01:58 | |
Have you got any collecting interest? | 0:01:58 | 0:02:00 | |
-Do you know about antiques? -Our dad's got a... | 0:02:00 | 0:02:03 | |
He is a collector, and has been for some time. | 0:02:03 | 0:02:06 | |
Has that rubbed off him? | 0:02:06 | 0:02:07 | |
-We hope so. -Hope so. | 0:02:07 | 0:02:09 | |
Are you quaking in your boots, you two? | 0:02:09 | 0:02:11 | |
-Absolutely. -I'd say, don't fall out with them, all right? | 0:02:11 | 0:02:15 | |
Whatever they say, if they look a bit aggressive, agree. | 0:02:15 | 0:02:18 | |
-No, we'll run. -Yes, that's it. | 0:02:18 | 0:02:21 | |
So, Catherine, how did you and Malc meet? | 0:02:21 | 0:02:23 | |
We met on a cruise, and I spent a week running away from him. | 0:02:23 | 0:02:28 | |
Then we came back a couple. | 0:02:28 | 0:02:30 | |
They say this cruising is very romantic. | 0:02:30 | 0:02:32 | |
-Well, 41 years. -41 years ago?! | 0:02:32 | 0:02:36 | |
-Today. -Today? | 0:02:36 | 0:02:37 | |
-Yes. -It's not your 41st wedding anniversary! -It is. | 0:02:37 | 0:02:41 | |
That is something else! | 0:02:41 | 0:02:42 | |
-Well, congratulations. -Thank you very much. -How lovely. | 0:02:42 | 0:02:45 | |
So, where were you cruising to, can you remember? | 0:02:45 | 0:02:47 | |
-A cruise around the Greek islands. -But it all went wrong. -Oh, yes. | 0:02:47 | 0:02:51 | |
-Did it? -It was meant to be a luxury cruise ship and it wasn't ready, | 0:02:51 | 0:02:54 | |
so they put us on a converted car ferry. | 0:02:54 | 0:02:57 | |
Oh, lovely. That sounds really romantic. | 0:02:57 | 0:02:59 | |
We had two deck chairs and one tennis ball between about 300 of us. | 0:02:59 | 0:03:03 | |
-THEY LAUGH -Well, never mind. | 0:03:03 | 0:03:05 | |
There wasn't anything else to do, so we had to get together. | 0:03:05 | 0:03:08 | |
-You had to fall in love. -Absolutely. -How sweet is that? | 0:03:08 | 0:03:11 | |
Malcolm, you are retired now. What did you do before you retired? | 0:03:11 | 0:03:13 | |
Well, I worked in a bank for 25 years and became assistant manager. | 0:03:13 | 0:03:18 | |
Walked out, we bought a shop down on the south coast | 0:03:18 | 0:03:21 | |
and then I started a driving school. | 0:03:21 | 0:03:23 | |
I did that for 17 years and put 1,200 new idiots on the road. | 0:03:23 | 0:03:28 | |
Oh, I love that. That is another good one. | 0:03:28 | 0:03:31 | |
-You don't drive, you two, by any chance? -No. -Very sensible. | 0:03:31 | 0:03:35 | |
-He's retired now. -Don't go to Malcolm's driving school, | 0:03:35 | 0:03:38 | |
that's what I can tell you. Anyway, your luck is | 0:03:38 | 0:03:41 | |
about to be tested cos here is your £300. £300 apiece. | 0:03:41 | 0:03:44 | |
You know the rules. Your experts await. And off you go! | 0:03:44 | 0:03:47 | |
And very, very, very good luck. | 0:03:47 | 0:03:49 | |
Our two sets of teams are going to need some expertise | 0:03:49 | 0:03:52 | |
to help them today. | 0:03:52 | 0:03:54 | |
For the martial-arts-loving Reds, it is the gavel-wielding auctioneer | 0:03:54 | 0:03:58 | |
Ms Anita Manning. | 0:03:58 | 0:04:00 | |
And for the Blues, they will be relying on the experience | 0:04:00 | 0:04:02 | |
and know-how of Mr Mark Stacey. | 0:04:02 | 0:04:05 | |
MUSIC: Kung Fu Fighting by Carl Douglas | 0:04:05 | 0:04:08 | |
-You guys are into martial arts. -We are indeed. | 0:04:08 | 0:04:12 | |
How exciting is this! | 0:04:12 | 0:04:14 | |
-Are we going to slash our way to profit? -We are. | 0:04:14 | 0:04:16 | |
We're going to chop our way to it. | 0:04:16 | 0:04:18 | |
-Your anniversary? -41 years. | 0:04:18 | 0:04:20 | |
41 years, and it doesn't seem a day or too long. | 0:04:20 | 0:04:23 | |
Oh, I don't know about that. | 0:04:23 | 0:04:25 | |
-You like jewellery? -Yes, yes. | 0:04:25 | 0:04:27 | |
-Oh! I love jewellery! -I knew that would suit you. | 0:04:27 | 0:04:30 | |
-We've got an hour. -With your help, we'll do it. | 0:04:30 | 0:04:32 | |
MARK LAUGHS | 0:04:32 | 0:04:34 | |
-Oh, you mad fools! -Wonderful, they've got faith in you, Mark. | 0:04:34 | 0:04:38 | |
What could possibly go wrong? Don't answer that. | 0:04:38 | 0:04:41 | |
When you are bargaining, the most valuable tool, my darlings, | 0:04:45 | 0:04:49 | |
is a lovely, big smile. | 0:04:49 | 0:04:51 | |
-Smile? -A big smile. -We've got those. -Have we got those? | 0:04:51 | 0:04:54 | |
A karate chop, delivered with a smile. That'll do it. | 0:04:54 | 0:04:59 | |
Hello. We were just wondering the price of your tinplate toys. | 0:05:00 | 0:05:04 | |
-They're various prices, from £30 to £40. -In that? A-ha. | 0:05:04 | 0:05:09 | |
-So, maybe keep them in mind. -Yeah, yeah. | 0:05:09 | 0:05:11 | |
-Tinplate toys, collectibles. -Yeah. -OK, guys. Thank you very much. | 0:05:11 | 0:05:15 | |
Thank you. | 0:05:15 | 0:05:17 | |
Something to toy with there, Reds. | 0:05:17 | 0:05:19 | |
Now, can Mark propel the Blues into action? | 0:05:19 | 0:05:22 | |
My grandfather was an aviation pioneer. | 0:05:23 | 0:05:26 | |
Shall I pick it up and we can have a look at it? | 0:05:26 | 0:05:29 | |
I don't think I'd manage to pick it up. Oh, isn't it beautiful? | 0:05:29 | 0:05:32 | |
-Do you like that? -I do! | 0:05:32 | 0:05:33 | |
I don't know whether anybody would want it. | 0:05:34 | 0:05:36 | |
-I think it is gorgeous. -Should we ask how much it is? | 0:05:36 | 0:05:39 | |
-Yes. -Malcolm? -Yeah. | 0:05:39 | 0:05:41 | |
How much is the propeller? | 0:05:41 | 0:05:43 | |
-One and a half, 150. -An awful lot of money for one thing. | 0:05:43 | 0:05:47 | |
Well, it is a nice-looking thing. It is quite unusual. | 0:05:47 | 0:05:50 | |
-It is very unusual. -And I like your reaction, you know, | 0:05:50 | 0:05:53 | |
that your grandfather was in aviation. | 0:05:53 | 0:05:55 | |
Well, it just fits you perfectly. | 0:05:55 | 0:05:56 | |
Well, it does, rather. | 0:05:56 | 0:05:58 | |
-It's awfully beautiful. -What about the price, though? -Well... -150. | 0:05:58 | 0:06:03 | |
Let's think about it. I don't think it is going to get sold very quickly. | 0:06:03 | 0:06:07 | |
It doesn't look like it, it's been here all day. | 0:06:07 | 0:06:09 | |
-We can always come back to that and think about it. -It is lovely. | 0:06:09 | 0:06:13 | |
That's one to think about, Blues, | 0:06:13 | 0:06:14 | |
but you're going to have to start haggling sooner or later. | 0:06:14 | 0:06:17 | |
Best foot forward. | 0:06:17 | 0:06:19 | |
-What sort of price is it? -75. | 0:06:24 | 0:06:28 | |
-What would be your best price on that? -85. | 0:06:28 | 0:06:30 | |
THEY LAUGH | 0:06:30 | 0:06:32 | |
Hmm, these stall holders are a canny lot. | 0:06:32 | 0:06:35 | |
-This is great. -Oh, actually... | 0:06:35 | 0:06:38 | |
-You like those, boys? -Yeah, let's have a look. | 0:06:38 | 0:06:40 | |
That one, I think, is rather nice. | 0:06:40 | 0:06:43 | |
I quite like that one, as well, actually. | 0:06:43 | 0:06:45 | |
-That's the most expensive one. -They have got good taste, haven't they? | 0:06:45 | 0:06:49 | |
-85. -85. A-ha. | 0:06:49 | 0:06:51 | |
These are made of agate, and these agates were found | 0:06:51 | 0:06:56 | |
in the burns and streams and the shores of Scotland. | 0:06:56 | 0:07:00 | |
-Oh, right. -And they were taken down to Edinburgh, to the New Town, | 0:07:00 | 0:07:05 | |
where you had people who polished and sliced these stones | 0:07:05 | 0:07:08 | |
and mounted them on silver, on these lovely pieces. | 0:07:08 | 0:07:11 | |
-So... -It's nice. | 0:07:11 | 0:07:13 | |
The absolute death, and there's no bidding, no further bidding, | 0:07:13 | 0:07:16 | |
-is £75. -75. | 0:07:16 | 0:07:20 | |
-I think we should go for it. I like that. -I think so. | 0:07:20 | 0:07:24 | |
I think you've made a good decision, boys, | 0:07:24 | 0:07:26 | |
because you've bought the best, | 0:07:26 | 0:07:29 | |
and the best will always be fancied. | 0:07:29 | 0:07:31 | |
-That's lovely. -Thank you so much. Cheers. Thank you. | 0:07:31 | 0:07:35 | |
Well done, lads, that's your first lot got. | 0:07:35 | 0:07:37 | |
And, surprise, surprise, it's a wee bit Scottish. | 0:07:37 | 0:07:42 | |
-That is a hell of a lump. -It is, isn't it? | 0:07:42 | 0:07:44 | |
You'd need a strong wall to hang it on, wouldn't you? | 0:07:44 | 0:07:46 | |
Well, yes. | 0:07:46 | 0:07:48 | |
That is probably a terrible amount of money. | 0:07:48 | 0:07:50 | |
-Yes, I'm sure it is. -Shall we have a laugh? | 0:07:50 | 0:07:52 | |
-Go on, then, let's have a laugh. -How much is your panel here? | 0:07:52 | 0:07:55 | |
-It's way out of your range. -I thought it might be. -That'll do. | 0:07:55 | 0:07:58 | |
Thanks, that'll do. Well, we did well. | 0:07:58 | 0:08:00 | |
That's told us, hasn't it? | 0:08:00 | 0:08:01 | |
It is going according to plan so far, isn't it? | 0:08:01 | 0:08:05 | |
Don't lose heart, Blues, there's plenty to choose from. | 0:08:05 | 0:08:08 | |
The trick is being decisive and coming prepared. | 0:08:08 | 0:08:11 | |
Speaking of coming prepared... | 0:08:11 | 0:08:13 | |
Do you want a wee glass? | 0:08:13 | 0:08:15 | |
-Oh, he's got his own glass! -We brought one along just in case. | 0:08:15 | 0:08:19 | |
Well done! I think I've got a couple of professionals here. | 0:08:19 | 0:08:23 | |
Well, well, well, that hasn't seen ink for a few years. | 0:08:23 | 0:08:27 | |
December, 1901. | 0:08:27 | 0:08:28 | |
Yeah, so it's over 100 years old, | 0:08:28 | 0:08:30 | |
just the beginning of the Edwardian period. | 0:08:30 | 0:08:34 | |
And you have a further detail on the base of it, where it's cut. | 0:08:34 | 0:08:38 | |
The glass is nice. | 0:08:38 | 0:08:40 | |
It seems to feel in pretty good order, actually. | 0:08:40 | 0:08:44 | |
-It has been an item which has been loved. -Looked after. | 0:08:44 | 0:08:46 | |
It has been given as a gift and it has been treasured and cherished. | 0:08:46 | 0:08:50 | |
Right, yeah. | 0:08:50 | 0:08:51 | |
And could you imagine if it were...? Is it a teacher it was given to? | 0:08:51 | 0:08:55 | |
It's given by the... | 0:08:55 | 0:08:57 | |
"For 25 years' service by a few friends and parents." | 0:08:58 | 0:09:04 | |
So, it may have been that it was a schoolteacher. | 0:09:04 | 0:09:07 | |
Yeah, that sounds about right. | 0:09:07 | 0:09:09 | |
In thanks for all the help she has given to children. | 0:09:09 | 0:09:13 | |
-How much is this one? -It's marked for 150. | 0:09:13 | 0:09:17 | |
Can you take a bit off of it for us? | 0:09:17 | 0:09:20 | |
I'll do 125. | 0:09:20 | 0:09:22 | |
125. What do you think, guys? | 0:09:22 | 0:09:25 | |
-I think we should go for it, definitely, yeah. -I agree. | 0:09:25 | 0:09:28 | |
-I think you've chosen quality again, guys. -Well, only the best. | 0:09:28 | 0:09:33 | |
Only the best. They're going to take it. Thank you very much. | 0:09:33 | 0:09:36 | |
Cheers, thank you. | 0:09:36 | 0:09:37 | |
Only the best will do. But will it do best at auction? | 0:09:37 | 0:09:40 | |
That's two items, guys. Two items, yeah. We've got one more. | 0:09:40 | 0:09:45 | |
20 minutes gone. Anita and the Reds are racing ahead of the Blues. | 0:09:45 | 0:09:50 | |
-I think we've done very well so far. -You like that inkwell. -I do, yeah. | 0:09:50 | 0:09:53 | |
I like the brooch. Very nice indeed. | 0:09:53 | 0:09:55 | |
Anita's guiding us, keeping us in line, I think, as well. | 0:09:55 | 0:09:58 | |
The boys are doing wonderfully well. | 0:09:58 | 0:10:00 | |
Often you get complacent if you bag the first two quickly, | 0:10:00 | 0:10:04 | |
and you lose time. | 0:10:04 | 0:10:06 | |
So, I'm going to remind them that they don't have a lot of time left | 0:10:06 | 0:10:11 | |
and they have got to find something really quite quickly. | 0:10:11 | 0:10:14 | |
Quite right. No time for complacency here, especially not | 0:10:14 | 0:10:17 | |
in the Blue camp. Come along, chaps, let's get you off the mark. | 0:10:17 | 0:10:21 | |
Eh, Mark? | 0:10:21 | 0:10:22 | |
-Would have you seen there? -I just rather like it. | 0:10:22 | 0:10:25 | |
Well, it's very typically late 19th century. I think it's continental. | 0:10:25 | 0:10:30 | |
-It has got very old hangers on it. -Yeah, it's very old. | 0:10:30 | 0:10:32 | |
And the subject's quite pretty, isn't it? | 0:10:32 | 0:10:34 | |
With the bluebirds and the ducklings. | 0:10:34 | 0:10:36 | |
Oh, it is signed there. Look, 1882. | 0:10:36 | 0:10:38 | |
-It's... -It's really quirky. -It is. I think it's absolutely gorgeous. | 0:10:38 | 0:10:43 | |
-Have we got a dealer? -How much is this? | 0:10:43 | 0:10:46 | |
-180. -Oh, gosh, it's 180. -180. | 0:10:46 | 0:10:49 | |
Shame it's so expensive. | 0:10:49 | 0:10:51 | |
We do have to buy things, though, | 0:10:51 | 0:10:54 | |
and I think Malcolm is rather taken with this. Aren't you, Malcolm? | 0:10:54 | 0:10:57 | |
-I am. -That is so beautiful. Well, let's think about it. -OK. | 0:10:57 | 0:11:02 | |
-If we have to... -OK. That's two things we're thinking about now. | 0:11:02 | 0:11:05 | |
40 minutes in and the Blues haven't bought a thing. | 0:11:05 | 0:11:08 | |
I think Mark is going to have to get pretty firm with the two, | 0:11:08 | 0:11:11 | |
and get them haggling. | 0:11:11 | 0:11:12 | |
At this rate, they will never be crowned champions. | 0:11:12 | 0:11:16 | |
Oh, isn't that lovely! | 0:11:18 | 0:11:21 | |
It's a bit like sort of Edward The Confessor's crown, isn't it? | 0:11:21 | 0:11:24 | |
How beautiful. | 0:11:24 | 0:11:26 | |
-What have you found there? -That. | 0:11:26 | 0:11:30 | |
Very regal. | 0:11:30 | 0:11:32 | |
Not convinced, Mark, eh? | 0:11:32 | 0:11:34 | |
I don't know what you would do with this. | 0:11:34 | 0:11:36 | |
No, not at all, but you could hang things from it. | 0:11:36 | 0:11:38 | |
Sort of kitchen utensils or something, | 0:11:38 | 0:11:41 | |
but it's actually a shade. I think it's a lampshade. | 0:11:41 | 0:11:43 | |
I think it probably is an old lampshade. Would it sell? | 0:11:43 | 0:11:47 | |
I have no idea. | 0:11:47 | 0:11:49 | |
But at some point in the game, we're going to have to dip | 0:11:49 | 0:11:52 | |
our hands in the pockets and say we are going to do something! | 0:11:52 | 0:11:55 | |
Absolutely. | 0:11:55 | 0:11:56 | |
Yes, that's the idea. Be firm, Mark, | 0:11:56 | 0:11:59 | |
they'll spend something soon, surely. | 0:11:59 | 0:12:01 | |
-I like that. -You like that? -Right. | 0:12:01 | 0:12:02 | |
Well, look, it's priced up at £22. | 0:12:02 | 0:12:06 | |
Should I go and have a word with the dealer and see what we can do? | 0:12:06 | 0:12:09 | |
-See what we can do. -All right. You carry on looking. | 0:12:09 | 0:12:12 | |
She said we can have it for £15. | 0:12:16 | 0:12:19 | |
-Well, I think that's a bargain. -Yes. -Well, I think we should say | 0:12:19 | 0:12:23 | |
-yes to that. -I think so. -That's our first purchase. | 0:12:23 | 0:12:25 | |
-15 quid. -Done. | 0:12:25 | 0:12:26 | |
Hallelujah! | 0:12:26 | 0:12:28 | |
They've looked at some pricey pieces | 0:12:28 | 0:12:30 | |
and what do they cough up after all that? £15. | 0:12:30 | 0:12:34 | |
Come on, Blues, there is still £285 in the kitty | 0:12:34 | 0:12:37 | |
and not a lot of time. | 0:12:37 | 0:12:38 | |
Oh, yeah, that's quite nice. | 0:12:38 | 0:12:40 | |
-Should we have a look at it? -Let's have a look. | 0:12:40 | 0:12:43 | |
-Have a wee look at it. -Careful there. -It's certainly big. | 0:12:43 | 0:12:46 | |
-Should we ask him? -Only if you... | 0:12:46 | 0:12:49 | |
I mean, we've still got a bit of time, guys, | 0:12:49 | 0:12:52 | |
-and there are still lots of places up there. -Yeah. -We know where it is. | 0:12:52 | 0:12:54 | |
You know where it is. | 0:12:54 | 0:12:57 | |
Yeah, I'd give that one the chop if I were you. | 0:12:57 | 0:12:59 | |
I love that red vase. | 0:13:01 | 0:13:04 | |
-This one? -Yeah. Isn't it beautiful? | 0:13:04 | 0:13:08 | |
It's Doulton, isn't it? | 0:13:08 | 0:13:09 | |
You're absolutely right, it's Doulton, | 0:13:09 | 0:13:12 | |
and it's known as a range of ware called flambe, | 0:13:12 | 0:13:15 | |
where they have this very bright glaze. | 0:13:15 | 0:13:19 | |
And it's sort of painted with a fishermen. | 0:13:19 | 0:13:20 | |
They are normally by somebody called Noke. | 0:13:20 | 0:13:23 | |
This is... Yes, it says they are flambe woodcut. | 0:13:23 | 0:13:26 | |
And their shape number is 1617. | 0:13:26 | 0:13:29 | |
The mark is the mark for 1902 to 1932, I think. | 0:13:29 | 0:13:33 | |
It's... | 0:13:33 | 0:13:35 | |
I'm not hungry. | 0:13:36 | 0:13:37 | |
I'm checking to make sure it has not been restored. | 0:13:37 | 0:13:39 | |
-And it seems all right. -I love the colour. I go for red. | 0:13:39 | 0:13:43 | |
Would you like me to see what the lowest price is from the dealer? | 0:13:43 | 0:13:47 | |
-Shall I do that? -Yeah, OK. -Yeah, that's more like it. | 0:13:47 | 0:13:50 | |
-Have a good haggle, Mark. -Would you like it? -Yeah. | 0:13:50 | 0:13:53 | |
The dealer says that the margin on this is a little bit tight. | 0:13:56 | 0:14:00 | |
-I would pay £80 for it. -Well, that's the lowest she can take. -80? | 0:14:00 | 0:14:05 | |
80. We've still got a bit of money to find... | 0:14:05 | 0:14:07 | |
-Maybe the plate that Malcolm liked so much. -Absolutely, yes. | 0:14:07 | 0:14:11 | |
We could negotiate a bit on that. | 0:14:11 | 0:14:13 | |
-That's a good idea. -And then we'd have our three items. | 0:14:13 | 0:14:15 | |
-What do you think? -We'll go with that. | 0:14:15 | 0:14:18 | |
-I'll try, I'll just try one more. -Try hard. | 0:14:18 | 0:14:21 | |
Nothing we wanted to buy, but everything we loved. | 0:14:23 | 0:14:26 | |
Aw, how lovely. A chap could get a bit misty-eyed. | 0:14:29 | 0:14:34 | |
-75. -Done. | 0:14:35 | 0:14:37 | |
Well done, Mark, and the Blues are cooking with gas, | 0:14:37 | 0:14:40 | |
in a flambe style. | 0:14:40 | 0:14:42 | |
-See the wee lady's enamelled watch. -That's quite nice, actually. | 0:14:42 | 0:14:47 | |
Very pretty at the back. That's so beautiful. | 0:14:47 | 0:14:50 | |
Give me 90 quid. Look at the enamel on that. | 0:14:50 | 0:14:53 | |
I don't know if it's Faberge or not. | 0:14:53 | 0:14:56 | |
If it was Faberge, you would know. | 0:14:56 | 0:14:59 | |
I'm not an expert, I'll leave it to you people. | 0:14:59 | 0:15:02 | |
That's a nice little watch. It's from the 1930s. | 0:15:02 | 0:15:06 | |
The porcelain of the face is in good condition. | 0:15:06 | 0:15:10 | |
It has this lovely green enamel around here. | 0:15:10 | 0:15:13 | |
So, we like that. | 0:15:13 | 0:15:15 | |
But even better, we turn it round to the back, | 0:15:15 | 0:15:18 | |
we see a nice picture of a romantic, young couple. | 0:15:18 | 0:15:22 | |
Looks as if they're walking on the beach. | 0:15:22 | 0:15:24 | |
-So, it's a nice watch. Is that one working? -Yeah, it's guaranteed. | 0:15:24 | 0:15:29 | |
-Got a two-year guarantee as long as you don't bring it back. -Two-year guarantee. | 0:15:29 | 0:15:33 | |
-Yep, it's ticking away like a good'un. -Could we buy that for £50? | 0:15:34 | 0:15:39 | |
Can you call the police? I think they're trying to nick my watch. | 0:15:39 | 0:15:43 | |
-Well, it was worth a try. -It's a beautiful watch. | 0:15:43 | 0:15:47 | |
Would you go to 70? | 0:15:47 | 0:15:49 | |
-Will it be cash? -It's always cash. | 0:15:49 | 0:15:53 | |
-Shake hands. -Is that all right with you guys? -Cheers. | 0:15:53 | 0:15:55 | |
Thank you. Very much. | 0:15:55 | 0:15:57 | |
If you do well, come back and give me another few quid. | 0:15:57 | 0:15:59 | |
I'll try and remember. | 0:15:59 | 0:16:01 | |
Yes, of course they will. | 0:16:01 | 0:16:02 | |
Ow! | 0:16:02 | 0:16:04 | |
So, that's it, Reds, third deal done. You can breathe easy. | 0:16:04 | 0:16:08 | |
The Blues are still one short and time is ticking away. | 0:16:08 | 0:16:12 | |
They have spotted a few pieces, but which to go for? | 0:16:12 | 0:16:15 | |
The big charger. You've packed it up, have you? | 0:16:15 | 0:16:17 | |
Look, it's come back out of the bag. Look at that. | 0:16:17 | 0:16:20 | |
Just think of the diesel you'll save not taking it home. | 0:16:20 | 0:16:23 | |
Has diesel really gone up that much? | 0:16:23 | 0:16:26 | |
That's a very good point. | 0:16:26 | 0:16:28 | |
I mean, it's lovely. I do love it. I just... | 0:16:28 | 0:16:31 | |
I haven't a clue what it will make at auction. | 0:16:31 | 0:16:34 | |
If two or three people love it, it will be great. | 0:16:34 | 0:16:37 | |
But 180 I think is quite a lot for us. | 0:16:38 | 0:16:41 | |
150? | 0:16:41 | 0:16:42 | |
-I can do 165. -Ooh! | 0:16:44 | 0:16:47 | |
Halfway? 160? | 0:16:47 | 0:16:51 | |
-Go on, go on. -Lovely! | 0:16:51 | 0:16:52 | |
A dashing smile from Malcolm and it's job done for the Blues. | 0:16:52 | 0:16:57 | |
-I'm surplus to requirements. -Nonsense, Mark. | 0:16:57 | 0:17:01 | |
They couldn't have done it without you. | 0:17:01 | 0:17:03 | |
Hey, bring my plate back! | 0:17:03 | 0:17:05 | |
That's it, shopping time's over. | 0:17:07 | 0:17:09 | |
It's now time to sell, and we've travelled east | 0:17:09 | 0:17:12 | |
from Ardingly to Canterbury. | 0:17:12 | 0:17:14 | |
But before we place our items under the hammer | 0:17:14 | 0:17:16 | |
at the Canterbury Auction Galleries, | 0:17:16 | 0:17:18 | |
first let's remind ourselves what the Red team bought. | 0:17:18 | 0:17:21 | |
First up, our boys and Anita found the Red's arrow. | 0:17:23 | 0:17:27 | |
The agate brooch costs them £75. | 0:17:27 | 0:17:30 | |
And they dipped their nibs in at the silver-mounted glass inkwell. | 0:17:30 | 0:17:35 | |
And it drew up at £125. | 0:17:35 | 0:17:38 | |
With plenty of time to spare, they found their third item, | 0:17:38 | 0:17:41 | |
a lady's enamelled wristwatch for a charming £70. | 0:17:41 | 0:17:45 | |
Well, Robert, Christopher, this is the moment. | 0:17:45 | 0:17:47 | |
We are nearly on the edge. | 0:17:47 | 0:17:48 | |
You gave Anita all of £30, not a fortune. | 0:17:48 | 0:17:50 | |
What did Anita spend it on? You clever girl. | 0:17:50 | 0:17:53 | |
The boys and I were looking at tinplate toys earlier on, | 0:17:53 | 0:17:57 | |
so I bought them a tinplate toy. | 0:17:57 | 0:18:01 | |
-Oh, guys. -Oh, Lord. | 0:18:01 | 0:18:03 | |
The stallholders were packing up, I was under time pressure, | 0:18:03 | 0:18:07 | |
I looked at this little creature. | 0:18:07 | 0:18:09 | |
It gazed at me with its light-up eyes, | 0:18:09 | 0:18:12 | |
which don't light up, | 0:18:12 | 0:18:14 | |
its poor, scruffy old coat and its broken paw | 0:18:14 | 0:18:18 | |
and my heart melted and I had to buy it. | 0:18:18 | 0:18:22 | |
Boys, I might have made a bit of a mistake. | 0:18:22 | 0:18:25 | |
But I couldn't resist it. It's Japanese, it's post-war. | 0:18:25 | 0:18:31 | |
I paid £15 for him. | 0:18:31 | 0:18:33 | |
We might get away with it, but what do you think? | 0:18:33 | 0:18:36 | |
Is he melting your hearts, boys? | 0:18:36 | 0:18:38 | |
-What do you reckon? -It's quite funky, | 0:18:38 | 0:18:41 | |
isn't it? But the big question here, Anita, is... | 0:18:41 | 0:18:43 | |
Is it going to get us loads of money? | 0:18:43 | 0:18:45 | |
It's not going to get you loads of money, boys. | 0:18:45 | 0:18:48 | |
We get to cross our paws, actually, that's what we old dogs do. | 0:18:48 | 0:18:51 | |
It might be a walk in the park. | 0:18:51 | 0:18:53 | |
A walk in the park. I think we'll stop while we're ahead. | 0:18:53 | 0:18:55 | |
Yeah, best do that. Decide later, Reds. | 0:18:55 | 0:18:58 | |
It's certainly paws for thought, though. | 0:18:58 | 0:19:00 | |
Oh, dear. These dog puns. | 0:19:00 | 0:19:03 | |
Now for the Blues. Let's remind ourselves | 0:19:03 | 0:19:06 | |
what the team bought with their £300. | 0:19:06 | 0:19:09 | |
After much hunting, the Blues found their crowning first item. | 0:19:09 | 0:19:12 | |
But it hardly cost a king's ransom. | 0:19:12 | 0:19:15 | |
They were on fire with their second purchase - | 0:19:15 | 0:19:18 | |
the flambe vase cost them £75. | 0:19:18 | 0:19:21 | |
And they were drawn back to their hand-painted plate, | 0:19:21 | 0:19:24 | |
and spent £160. Wow. | 0:19:24 | 0:19:28 | |
Malcolm, Catherine, welcome. | 0:19:28 | 0:19:29 | |
You spent 250, you gave Mark Stacey £50 of leftover lolly. | 0:19:29 | 0:19:33 | |
Mark, what did you spend it on? | 0:19:33 | 0:19:35 | |
I spent it on something you've always wanted. | 0:19:35 | 0:19:38 | |
Something silver. Let me hand you that. | 0:19:38 | 0:19:40 | |
-It's a Guernsey milk churn. -Isn't it beautiful! -Do you like it? | 0:19:40 | 0:19:45 | |
-I do. On its own? -No, funny you should mention it | 0:19:45 | 0:19:50 | |
as I'm going to hand one over to Tim. | 0:19:50 | 0:19:51 | |
-Oh, look! -Look at that! -Which is a pair of them. | 0:19:51 | 0:19:55 | |
-Do you like them? -Oh, they're beautiful, yeah. | 0:19:55 | 0:19:58 | |
It doesn't stop there. | 0:19:58 | 0:20:00 | |
-It doesn't stop there cos there's a third one. -No! -Oh, my! | 0:20:00 | 0:20:03 | |
-How much did you have? -Well, I had £50. | 0:20:03 | 0:20:07 | |
-Yes. -And I blew the lot on these three. -Are they're all silver? | 0:20:07 | 0:20:10 | |
All silver. I thought that was a pretty good buy, actually. | 0:20:10 | 0:20:14 | |
-£50 for three? -You did want some silver, and I had that in mind. | 0:20:14 | 0:20:18 | |
-Because we have to listen to her, don't we? -Absolutely. | 0:20:18 | 0:20:21 | |
So, I followed our orders. | 0:20:21 | 0:20:23 | |
What, he's deaf, he never listens to me. | 0:20:23 | 0:20:25 | |
-Well, isn't that nice? Do you like them, Malcolm? -I do, very much. | 0:20:25 | 0:20:29 | |
How much are they going to make? | 0:20:29 | 0:20:31 | |
-There's got to be 20 to 30 profit in there. -I would think so. | 0:20:31 | 0:20:34 | |
I hope so, anyway. | 0:20:34 | 0:20:36 | |
You don't think you're going to double your money then? | 0:20:36 | 0:20:38 | |
Well, you know, Tim, I like to keep a little bit in reserve. | 0:20:38 | 0:20:42 | |
-You don't want to tease too much. -No, I don't want to tease. | 0:20:42 | 0:20:45 | |
I'd have a tease if I were you. | 0:20:45 | 0:20:47 | |
I have a good felling about those pots. | 0:20:47 | 0:20:49 | |
But it's not up to me, it's the Blues that decide. | 0:20:49 | 0:20:52 | |
And they'll be doing that very, very soon | 0:20:52 | 0:20:54 | |
as Anthony Prat, the auctioneer, is ready to sell. | 0:20:54 | 0:20:57 | |
-Now, Robert, Christopher, how are you feeling? -Very well, thank you. | 0:20:57 | 0:21:00 | |
-Feeling confident? -Yeah, I'd say so. | 0:21:00 | 0:21:03 | |
That doesn't sound so confident. | 0:21:03 | 0:21:05 | |
-I haven't decided yet. -We're trying. -That is difficult, isn't it? | 0:21:05 | 0:21:08 | |
Not deciding whether you're confident or not. | 0:21:08 | 0:21:11 | |
No, seriously, it's the moment, isn't it? | 0:21:11 | 0:21:13 | |
-It's always nice in a crowded sale room. -Yeah. | 0:21:13 | 0:21:16 | |
-But you come to sales quite a lot, don't you? -We do, yeah. | 0:21:16 | 0:21:19 | |
So, you know what it's all about. | 0:21:19 | 0:21:20 | |
The first lot up is going to be the arrow brooch, and here it comes. | 0:21:20 | 0:21:25 | |
This Scottish silver-metal-mounted agate brooch, | 0:21:25 | 0:21:27 | |
with arrow design. | 0:21:27 | 0:21:29 | |
A delightful little brooch here. Who will start me at £30? | 0:21:29 | 0:21:31 | |
-Come on. -30 for the brooch? 30 I have. | 0:21:31 | 0:21:35 | |
35, where? Who's 35? | 0:21:35 | 0:21:38 | |
35 I have. 40. 45. 50. | 0:21:38 | 0:21:42 | |
-55? -Go. -55, someone? -Come on! | 0:21:42 | 0:21:45 | |
Who is 55? Selling at £50, the bid standing. | 0:21:45 | 0:21:48 | |
-All in at £50 then. -No money. | 0:21:48 | 0:21:50 | |
-£50. -What a shame. | 0:21:50 | 0:21:52 | |
-That was a particularly pretty one. -It was a good one, wasn't it? -Yeah. | 0:21:52 | 0:21:56 | |
Now, here comes the inkwell. | 0:21:56 | 0:21:58 | |
Birmingham, 1900. | 0:21:58 | 0:22:00 | |
Been engraved there. Good quality inkwell then. | 0:22:00 | 0:22:03 | |
£60? | 0:22:03 | 0:22:04 | |
60 for the inkwell? 60 on the internet. | 0:22:05 | 0:22:08 | |
65? 70? 75, the internet. 75 where? | 0:22:08 | 0:22:13 | |
-I'm not liking this. -70 I have in the room, | 0:22:13 | 0:22:15 | |
75 where? 75. 80? 85. 90? | 0:22:15 | 0:22:19 | |
90 for someone? | 0:22:19 | 0:22:20 | |
-Selling at £85. Are we all done then? -£85. | 0:22:20 | 0:22:24 | |
Oh, I can't bear this! Minus £40. | 0:22:24 | 0:22:27 | |
OK, that quickly, it's not too bad. Minus 65. | 0:22:27 | 0:22:30 | |
Now, here comes the enamelled watch. | 0:22:30 | 0:22:33 | |
Delightful little wrist watch with the enamel, decorative back. | 0:22:33 | 0:22:36 | |
We have commission bids, we start at £60. 65 where? | 0:22:36 | 0:22:40 | |
-That's close. -Who is 65? | 0:22:40 | 0:22:43 | |
The watch there. 65 for someone? | 0:22:43 | 0:22:46 | |
Selling at £60 then. Are we all done then? | 0:22:46 | 0:22:49 | |
On commission at £60... | 0:22:49 | 0:22:51 | |
Sold for £60, which is minus ten pounds, | 0:22:51 | 0:22:53 | |
which means overall you are minus 75. | 0:22:53 | 0:22:56 | |
What are we going to do about the old dog? | 0:22:56 | 0:22:57 | |
Oh, we're going to go for it. | 0:22:57 | 0:23:00 | |
It's going to make us bajillions. | 0:23:00 | 0:23:02 | |
-We'll make loads of money with it. -That's confidence for you. | 0:23:02 | 0:23:05 | |
-Anyway, that, I take it, is a yes? -Yes. | 0:23:05 | 0:23:07 | |
We are going with the Japanese tinplate dog, and here it comes. | 0:23:07 | 0:23:10 | |
He is looking for new home. At 135-A. | 0:23:10 | 0:23:13 | |
-Ten pounds? -Oh, please. | 0:23:13 | 0:23:15 | |
-Ten pounds I have. -Somebody has gone for it. -15 where? | 0:23:15 | 0:23:19 | |
Who is 15? 15 I have, 20? | 0:23:19 | 0:23:21 | |
25. 30. 35? 35, someone? | 0:23:21 | 0:23:26 | |
Who is 35? | 0:23:26 | 0:23:28 | |
I have 30 on my left. 35 anywhere? | 0:23:28 | 0:23:30 | |
Selling at £30 then. Are we all done? | 0:23:30 | 0:23:33 | |
Well done, Anita, doubled your cash. | 0:23:33 | 0:23:35 | |
I wasn't barking up the wrong tree after all. | 0:23:35 | 0:23:37 | |
Yeah, you certainly weren't. | 0:23:37 | 0:23:39 | |
And it went for a walk at that, I tell you. | 0:23:39 | 0:23:41 | |
Anyway, that's plus 15, | 0:23:41 | 0:23:43 | |
which means, overall, your score is minus 60. | 0:23:43 | 0:23:45 | |
Now, the way things are today, that could be a winning score, right? | 0:23:45 | 0:23:48 | |
-Could be. -On that basis, don't say a word to the Blues. | 0:23:48 | 0:23:51 | |
-Catherine, Malcolm, how are you? -Very fine. -"Very fine." | 0:23:58 | 0:24:03 | |
Do you know how the Reds got on? No? We don't want you to. | 0:24:03 | 0:24:06 | |
Anyway, first up then is the pendant fitting, and here it comes. | 0:24:06 | 0:24:10 | |
Continental brass crown pattern pendant mount. Good quality item. | 0:24:10 | 0:24:14 | |
Ten pounds? | 0:24:14 | 0:24:16 | |
Ten I have. 15 where? | 0:24:16 | 0:24:19 | |
15 for someone? | 0:24:19 | 0:24:20 | |
Selling at ten pounds then. | 0:24:20 | 0:24:22 | |
-All done? -No! -Come on! | 0:24:22 | 0:24:24 | |
To our youngest customer. | 0:24:24 | 0:24:25 | |
-Terrible. -Now, here comes the bottle vase. | 0:24:27 | 0:24:29 | |
Royal Doulton pottery flambe woodcut bottle-shaped vase. | 0:24:29 | 0:24:33 | |
A big decorative vase at 150-B. | 0:24:33 | 0:24:35 | |
-£50? -Yes. -50 I have. | 0:24:35 | 0:24:37 | |
55 where? | 0:24:37 | 0:24:39 | |
Who is 55 then? | 0:24:39 | 0:24:41 | |
I have £50 on my left. | 0:24:41 | 0:24:42 | |
55? 55. 60. 65. 70. | 0:24:42 | 0:24:46 | |
75? 75 for someone? | 0:24:46 | 0:24:48 | |
Selling at £70. The bid is still on my left. | 0:24:48 | 0:24:51 | |
-All done at £70? -One more. -Come on. -No further bid then? | 0:24:51 | 0:24:54 | |
-£70, was it? Was it £70? It was, wasn't it? -75. | 0:24:54 | 0:24:57 | |
Big imposing charger there, 16 in diameter. | 0:24:57 | 0:25:00 | |
Who will start me at £50? | 0:25:00 | 0:25:03 | |
50 where? 50. Hush out there. | 0:25:03 | 0:25:06 | |
-Come on! -Is anybody out there at all? | 0:25:06 | 0:25:08 | |
£50, the charger. 50 I have. | 0:25:08 | 0:25:10 | |
55. 60. | 0:25:10 | 0:25:12 | |
60? 60. 65? | 0:25:12 | 0:25:15 | |
-70. -Come on! | 0:25:15 | 0:25:16 | |
70? 75. 80. 85. | 0:25:17 | 0:25:21 | |
-90? -It's creeping. -No? | 0:25:21 | 0:25:23 | |
One more? 90. | 0:25:23 | 0:25:25 | |
95. | 0:25:25 | 0:25:27 | |
95. 100? | 0:25:27 | 0:25:29 | |
Top it off? | 0:25:29 | 0:25:31 | |
Selling at £95 then. All done then? | 0:25:31 | 0:25:34 | |
Oh, £95. | 0:25:34 | 0:25:36 | |
That's five off a 100, that's minus 65. | 0:25:36 | 0:25:39 | |
I'm afraid overall you are minus £75. | 0:25:39 | 0:25:42 | |
Minus £75, what are you going to do about the bonus buy? | 0:25:42 | 0:25:44 | |
-Are you going to go with it? -We're going to go with it. | 0:25:44 | 0:25:46 | |
-Go with it. -We trust the lad. | 0:25:46 | 0:25:48 | |
OK, you're going with a bonus buy, and here it comes. | 0:25:48 | 0:25:51 | |
The Victorian silver model of the Guernsey milk pail. | 0:25:51 | 0:25:54 | |
And the two other items with it. | 0:25:54 | 0:25:56 | |
Delightful little things or souvenirs of the Channel Islands. | 0:25:56 | 0:25:59 | |
£100, someone? | 0:25:59 | 0:26:00 | |
£100 I have. 110 where? | 0:26:00 | 0:26:02 | |
Who is 110? | 0:26:02 | 0:26:04 | |
110 I have. 120? 130? | 0:26:04 | 0:26:07 | |
Who is 130? | 0:26:07 | 0:26:08 | |
No further bid? Come on, there. | 0:26:08 | 0:26:10 | |
-Come on, one more. -Come on, one more. -Selling at 120. -One more! | 0:26:10 | 0:26:14 | |
-Nobody is into action here, apparently. -Action! | 0:26:14 | 0:26:17 | |
130 for someone? | 0:26:17 | 0:26:19 | |
Selling at 120 then. | 0:26:19 | 0:26:21 | |
The bid is on my left still. | 0:26:21 | 0:26:22 | |
Oh, bad luck. 120 means that's plus 70, | 0:26:22 | 0:26:27 | |
but as you are minus 75, | 0:26:27 | 0:26:28 | |
we are still minus five pounds. | 0:26:28 | 0:26:31 | |
So, you missed making a profit by only five pounds. | 0:26:31 | 0:26:34 | |
But you need to congratulate him for saving your bacon. | 0:26:34 | 0:26:37 | |
My gosh, that's a good show. | 0:26:37 | 0:26:39 | |
Well done, Mark. They wanted to blame you, too. | 0:26:39 | 0:26:43 | |
-I know. I pulled them back. -Brought them back from the edge. | 0:26:43 | 0:26:47 | |
Yes, Mark's buy clawed back most of the Blue's losses | 0:26:47 | 0:26:51 | |
to ensure that their minus five was today's winning score. | 0:26:51 | 0:26:55 | |
Coming up, will our second set of teams manage to make some profit? | 0:26:55 | 0:26:59 | |
Hmm, we'll see. | 0:26:59 | 0:27:00 | |
Meanwhile, we're heading to the west of England. Actually, to Bristol. | 0:27:02 | 0:27:06 | |
Today I've come to the Bristol City Museum And Art Gallery. | 0:27:12 | 0:27:17 | |
This magnificent Edwardian, baroque-style building | 0:27:17 | 0:27:21 | |
was opened in 1905. | 0:27:21 | 0:27:24 | |
Like so many wonderful municipal museums, | 0:27:24 | 0:27:27 | |
it's packed to the gills with fascinating objects | 0:27:27 | 0:27:30 | |
from the very old to the very special. | 0:27:30 | 0:27:33 | |
And the rare to the quirky. | 0:27:33 | 0:27:36 | |
Bristol is famous for a number of things. | 0:27:38 | 0:27:41 | |
John Cabot's voyage of discovery to America. | 0:27:41 | 0:27:45 | |
Bristol cream sherry. The Suspension Bridge. | 0:27:45 | 0:27:48 | |
And glass. And that is what I'm here to look at today. | 0:27:48 | 0:27:53 | |
The Romans brought glass-making to Bristol | 0:27:55 | 0:27:57 | |
and it continued as a steady trade until the 18th century, | 0:27:57 | 0:28:01 | |
when business boomed, and the city soon became | 0:28:01 | 0:28:04 | |
one of the most important glass-making centres in Europe. | 0:28:04 | 0:28:07 | |
But why is Bristol glass associated | 0:28:15 | 0:28:18 | |
so closely with this deep, glorious blue colour? | 0:28:18 | 0:28:23 | |
Well, it's a bit of a mystery, really. | 0:28:23 | 0:28:25 | |
Of course, in the town, they had got their porcelain works. | 0:28:25 | 0:28:29 | |
And the porcelain works | 0:28:29 | 0:28:31 | |
were already importing cobalt blue from Germany. | 0:28:31 | 0:28:36 | |
And some bright spark thought one day, | 0:28:36 | 0:28:39 | |
"I'll put a handful of this cobalt blue in the clear glass mix | 0:28:39 | 0:28:43 | |
"and see what happens". | 0:28:43 | 0:28:45 | |
Hey presto, there was a miracle. | 0:28:45 | 0:28:47 | |
And this deep blue hue was created. | 0:28:47 | 0:28:51 | |
The only way of being absolutely certain | 0:28:51 | 0:28:54 | |
that the Bristol Blue Glass you're buying was made in Bristol, | 0:28:54 | 0:28:57 | |
is to get a signed piece. Which is what we've got here. | 0:28:57 | 0:29:01 | |
This is extremely rare. | 0:29:01 | 0:29:03 | |
Underneath you can see in gold script "I. Jacobs", | 0:29:03 | 0:29:07 | |
who was a celebrated maker in the city of Bristol | 0:29:07 | 0:29:10 | |
between about 1780 and 1820. | 0:29:10 | 0:29:13 | |
One of the other novelty items that I like | 0:29:13 | 0:29:16 | |
is this decanter stand, or coaster. | 0:29:16 | 0:29:20 | |
But my all-time favourite | 0:29:20 | 0:29:22 | |
out of the museum display is this fellow. | 0:29:22 | 0:29:26 | |
If I open it up, look. | 0:29:26 | 0:29:28 | |
Isn't that amazing? It's a xylophone. | 0:29:30 | 0:29:33 | |
Or, more properly, a crystallophone, | 0:29:33 | 0:29:36 | |
made out of sections of Bristol blue glass of different lengths, | 0:29:36 | 0:29:41 | |
representing the various notes. | 0:29:41 | 0:29:44 | |
You can hardly believe that you'd make a xylophone | 0:29:44 | 0:29:47 | |
out of solid glass rods like this. | 0:29:47 | 0:29:50 | |
But, with special consent, I'm allowed to strike a note or two. | 0:29:50 | 0:29:54 | |
Not too hard, mind you. Cos we can't afford to break 'em. | 0:29:54 | 0:29:57 | |
But just listen to this. How sweet and clear. | 0:29:57 | 0:30:01 | |
ASCENDING CHIME | 0:30:01 | 0:30:03 | |
Marvellous, isn't it? And not a fracture in sight. | 0:30:04 | 0:30:09 | |
We're back in Sussex at the Ardingly Antiques Fair. | 0:30:09 | 0:30:12 | |
So many stalls, but so little time! | 0:30:12 | 0:30:14 | |
Only an hour to pick three profitable items. | 0:30:14 | 0:30:18 | |
Who will be facing the Bargain Hunt challenge next? | 0:30:18 | 0:30:21 | |
I did not expect to find something quite so personal. | 0:30:21 | 0:30:25 | |
Just hold on a sec. | 0:30:25 | 0:30:27 | |
I'm trying to work out which is the ass...er...donkey(!) | 0:30:27 | 0:30:30 | |
Let's meet the teams! | 0:30:30 | 0:30:32 | |
Today for the Reds, we have partners | 0:30:32 | 0:30:35 | |
Louise and Matthew. | 0:30:35 | 0:30:37 | |
And for the Blues, we've got good friends | 0:30:37 | 0:30:39 | |
-Bev and Lucy. Hello, everyone. -Hello! -Hello! -Good to see you. | 0:30:39 | 0:30:42 | |
Now, Matthew, how did you two first meet? | 0:30:42 | 0:30:45 | |
Well, we were both on tour with the BBC Symphony Chorus. | 0:30:45 | 0:30:48 | |
We did a splendid six-day tour of Europe | 0:30:48 | 0:30:51 | |
with 120 chorus and 120 orchestra, | 0:30:51 | 0:30:54 | |
-so we were quite a swarm going across Europe. -Gosh. | 0:30:54 | 0:30:57 | |
And we had a day off in Rome, which was very fortunate, | 0:30:57 | 0:31:00 | |
and we happened to spend the day together. | 0:31:00 | 0:31:01 | |
And, as they say, things sort of developed from there. | 0:31:01 | 0:31:04 | |
We became chums and, on a slow burn, here we are today. | 0:31:04 | 0:31:08 | |
Isn't that nice? So music brought you together? | 0:31:08 | 0:31:10 | |
It did indeed. And it keeps us together still. We still sing together and... | 0:31:10 | 0:31:14 | |
And where do you sing now? | 0:31:14 | 0:31:15 | |
We sing locally, really. We don't do anything big any more. | 0:31:15 | 0:31:18 | |
-You know, the voice is going a bit now. -Oh, come on. | 0:31:18 | 0:31:21 | |
What, on account of your advancing years? | 0:31:21 | 0:31:23 | |
-Yes, that's right. -Steady on. | 0:31:23 | 0:31:25 | |
Good. What do you do for a living? | 0:31:26 | 0:31:29 | |
Me, I'm a music teacher, and I absolutely love my job. | 0:31:29 | 0:31:32 | |
I spend my life working with five-year-olds up to 12-year-olds, | 0:31:32 | 0:31:37 | |
teaching them music on percussion instruments, | 0:31:37 | 0:31:40 | |
on recorders, on clarinets, on brass instruments, singing. | 0:31:40 | 0:31:44 | |
-You name it, I'll teach it. -Lovely. | 0:31:44 | 0:31:45 | |
Yeah, but my favourite instrument is the ukulele. | 0:31:45 | 0:31:48 | |
The moment you put a little ukulele into the hands | 0:31:48 | 0:31:50 | |
of these little children, they're like, rock gods! | 0:31:50 | 0:31:52 | |
-Good. -They're absolutely fantastic. They love it. | 0:31:52 | 0:31:55 | |
Well, all I can say is the children are jolly lucky to have such a lovely teacher. | 0:31:55 | 0:31:58 | |
-Thank you very much. -Don't you think she sounds fab? -Thank you. | 0:31:58 | 0:32:01 | |
I feel like taking up music. | 0:32:01 | 0:32:03 | |
-Very good luck. -Thank you. -Lovely to meet you. | 0:32:03 | 0:32:05 | |
Now, Lucy. How did you two meet, darling? | 0:32:05 | 0:32:07 | |
Bev and I met a couple of years ago when we worked at the Samaritans together. | 0:32:07 | 0:32:11 | |
-Did you? -And we've been friends ever since. | 0:32:11 | 0:32:13 | |
That's an amazing organisation, isn't it? | 0:32:13 | 0:32:15 | |
-Yes. -Absolutely. | 0:32:15 | 0:32:17 | |
And are you there to receive the calls, | 0:32:17 | 0:32:21 | |
-or how does it work? -Yes. | 0:32:21 | 0:32:22 | |
That's what you're trained to do, to sit on the phones | 0:32:22 | 0:32:25 | |
for hours and hours and hours, as all the calls come in. | 0:32:25 | 0:32:29 | |
Yeah, it's a valuable organisation. | 0:32:29 | 0:32:30 | |
-And that's where you became friends? -Yes. -Lovely. | 0:32:30 | 0:32:33 | |
We've got lots in common cos we're both vegetarians and we're both animal-mad. | 0:32:33 | 0:32:37 | |
-Yes. -Yeah. -And she's just such a lovely little darling. | 0:32:37 | 0:32:40 | |
She's young enough to be my granddaughter. | 0:32:40 | 0:32:43 | |
But she's just so sweet and wonderful and I love her. | 0:32:43 | 0:32:45 | |
Oh, isn't that nice? | 0:32:45 | 0:32:47 | |
And Bev, you alluded to your love of animals. Tell us about that. | 0:32:47 | 0:32:50 | |
Yes. Well, my late husband was a vet | 0:32:50 | 0:32:52 | |
and I used to work in the surgery with him, | 0:32:52 | 0:32:55 | |
and we'd take home rescued animals. | 0:32:55 | 0:32:57 | |
And in the end I had eight cats and three dogs, | 0:32:57 | 0:33:01 | |
some rescued chickens, tortoises and baby goats. | 0:33:01 | 0:33:05 | |
-All my friends think I'm mad. -Well, that doesn't matter a scrap, does it? | 0:33:05 | 0:33:09 | |
That doesn't matter a scrap, not at all. | 0:33:09 | 0:33:11 | |
Both of you are pretty cool when it comes to bargain-hunting, aren't you? | 0:33:11 | 0:33:14 | |
-We're scavengers. -Absolutely, yes. | 0:33:14 | 0:33:17 | |
So give us the scavenging routine then. What are your techniques? | 0:33:17 | 0:33:20 | |
Well, early start in Brighton, walk around the skips, | 0:33:20 | 0:33:23 | |
see what's hanging out. | 0:33:23 | 0:33:25 | |
-Skip-dipping! -See what we can grab. | 0:33:25 | 0:33:26 | |
-I don't know if that's allowed. -What, skip-dipping? -But we do. | 0:33:26 | 0:33:29 | |
-Yeah. -Skip-dipping. I know people who have found fabulous things in skips. -Yeah, we clean them up. | 0:33:29 | 0:33:34 | |
-Bev cleans them up and takes them to charity shops. -Yeah. | 0:33:34 | 0:33:36 | |
So we're doing our recycling, our green bit, helping the charity. | 0:33:36 | 0:33:39 | |
-Well, you're not only blue, you're also green, which is so nice. -Absolutely. | 0:33:39 | 0:33:43 | |
And talking about greenbacks, this is the money moment. | 0:33:43 | 0:33:45 | |
Here comes your £300. £300 apiece, there's your 300. | 0:33:45 | 0:33:49 | |
You know the rules, your experts await, and off you go! | 0:33:49 | 0:33:52 | |
And very, very, very good luck. | 0:33:52 | 0:33:54 | |
-The plan is quality, something pretty. -And a bargain. | 0:33:54 | 0:33:58 | |
And it's to win, win, win, win, win. | 0:33:58 | 0:34:01 | |
Oh, I like the attitude. Come on, let's keep this up. | 0:34:01 | 0:34:04 | |
So the animal-loving Blues are full of fighting talk. | 0:34:04 | 0:34:06 | |
But the musical Reds think they've got it cracked too. | 0:34:06 | 0:34:10 | |
MATTHEW: I think there's a magic formula actually. | 0:34:10 | 0:34:12 | |
It's magpie - I want that shiny thing. | 0:34:12 | 0:34:16 | |
-Something shiny. -Yeah. Something musical. -Something musical. | 0:34:16 | 0:34:20 | |
-And a name. -A name. | 0:34:20 | 0:34:22 | |
-A name if we can. -Not too expensive. -Not too expensive. -Not Clarice Cliff. | 0:34:22 | 0:34:25 | |
We want to make a couple of quid, don't we? | 0:34:25 | 0:34:27 | |
-We want to make some money. -That's all you need. | 0:34:27 | 0:34:29 | |
-OK, let's go in. -All right. | 0:34:29 | 0:34:31 | |
So both teams have got plans. | 0:34:31 | 0:34:33 | |
But will they stick to them? | 0:34:33 | 0:34:35 | |
-How about that? -Well, it's very Deco, cos you've got the classic woman | 0:34:35 | 0:34:38 | |
and you've got the, sort of, is it an Afghan? | 0:34:38 | 0:34:41 | |
Would that be good to take, do you think? | 0:34:41 | 0:34:43 | |
-Well, it's quite decorative, isn't it? -Yeah. | 0:34:43 | 0:34:46 | |
We can come back and have a detailed look if we don't see anything else. | 0:34:46 | 0:34:51 | |
So the Blues have gone to the dogs already. | 0:34:51 | 0:34:53 | |
But are the Reds on song? | 0:34:53 | 0:34:55 | |
Is this something someone might want to put in their hall, | 0:34:55 | 0:34:58 | |
to put a pot on, or dried flowers and things? | 0:34:58 | 0:35:00 | |
-Yeah, it's obviously a piece of Victorian indoor architecture. -Absolutely. | 0:35:00 | 0:35:04 | |
Really, it would have been, perhaps, at the bottom of a stairway | 0:35:04 | 0:35:08 | |
with railings and so on. Oh, right. | 0:35:08 | 0:35:10 | |
Or supporting something. Do you want to have a wee look at it? | 0:35:10 | 0:35:13 | |
-Yes, I will. -How do they...? -Well, they fit flat against the wall | 0:35:13 | 0:35:16 | |
and then you can have a thing on top, you see? | 0:35:16 | 0:35:18 | |
-It's oak, is it? -Yeah. -Probably, I should imagine. | 0:35:18 | 0:35:21 | |
-I actually quite like them. -Do you? OK. | 0:35:21 | 0:35:23 | |
-I quite like those. -I'd be interested to know what price it is. | 0:35:23 | 0:35:26 | |
-Shall we go and see? -Oh, go on. Let's go for it. -Yeah. | 0:35:26 | 0:35:29 | |
Go on, Matthew. Go on, Matthew. | 0:35:29 | 0:35:33 | |
So, Reds, was it shiny? No. | 0:35:33 | 0:35:36 | |
Was it musical? No. | 0:35:36 | 0:35:38 | |
Did it have a name? No. | 0:35:38 | 0:35:41 | |
Best laid plans, eh? | 0:35:41 | 0:35:43 | |
The plaque is quite nice. Art Nouveau. | 0:35:43 | 0:35:46 | |
-Do you like the Art Nouveau movement? -I love Art Nouveau. | 0:35:46 | 0:35:49 | |
Do you think it's appealing, or do you think it's a bit dull? | 0:35:49 | 0:35:51 | |
Well, it's very appealing to those people who like Art Nouveau. | 0:35:51 | 0:35:54 | |
If you don't, it's dull. | 0:35:54 | 0:35:55 | |
-Well, shall we move on into the other room? -Yes. -That's our backup plan. | 0:35:55 | 0:35:59 | |
I love having backups, but don't forget we have to buy things. | 0:35:59 | 0:36:02 | |
Three things, to be exact. | 0:36:02 | 0:36:05 | |
But it looks like the Blues might be ditherers. | 0:36:05 | 0:36:08 | |
How did you get on? They'll very kindly do it for 45. | 0:36:08 | 0:36:11 | |
Sorry, the pair for 45. | 0:36:11 | 0:36:13 | |
-I think we ought to go for it. -Could you come to 40? | 0:36:13 | 0:36:16 | |
-Too much? -40 and a mint? | 0:36:18 | 0:36:20 | |
-40 and a handful of mints. -She's a trier. -Yeah, absolutely. Yes. | 0:36:26 | 0:36:29 | |
-Oh, he's taken the mint. -He's taken the mint. | 0:36:29 | 0:36:32 | |
-£40. -Oh, well done. -Lovely. | 0:36:32 | 0:36:34 | |
-£40. -Well done, love. -And a mint. -And a mint. | 0:36:34 | 0:36:37 | |
-That was a £5 mint. -And a kiss. | 0:36:37 | 0:36:39 | |
-Excellent. -Fantastic. Pleased with that. | 0:36:39 | 0:36:41 | |
-First one in the bag. -Fantastic. How long was that? | 0:36:41 | 0:36:44 | |
-About five minutes? -Yes. -Yeah. We're doing well. -Fantastic. | 0:36:44 | 0:36:47 | |
Aha! Bribery. | 0:36:47 | 0:36:49 | |
A case of SWEET persuasion, if ever there was. | 0:36:49 | 0:36:52 | |
Now, what are those dithering Blues up to, eh? | 0:36:52 | 0:36:56 | |
-It's in a nice, maple frame. -Yeah. -Let's just note. | 0:36:56 | 0:36:59 | |
The colours are relatively good on it. | 0:36:59 | 0:37:01 | |
-She's 14, look, Ethel Masters. -Sweet. | 0:37:01 | 0:37:05 | |
-Well, it's quite decorative. -It's a possibility. | 0:37:05 | 0:37:07 | |
-Well, everything's a possibility at the moment, Bev. -Absolutely. | 0:37:07 | 0:37:10 | |
This is our fourth thing that might be a possibility. | 0:37:10 | 0:37:13 | |
You know we're only allowed to buy three? | 0:37:13 | 0:37:15 | |
Sadly, yes. | 0:37:15 | 0:37:17 | |
I'm determined we're actually going to spend some money at some point. | 0:37:17 | 0:37:21 | |
-Do you think that's frightfully boring? -Yes. | 0:37:21 | 0:37:23 | |
-I thought you would. -But I do like the frame. | 0:37:23 | 0:37:25 | |
I've had a word with the dealer | 0:37:25 | 0:37:26 | |
and she says the very best price she can take for it is £65. | 0:37:26 | 0:37:31 | |
-OK. -I mean, I don't think that's a bad price, actually. | 0:37:31 | 0:37:34 | |
And I would have thought, comfortably, | 0:37:34 | 0:37:36 | |
they would have put an estimate of 80-100 or something on that. | 0:37:36 | 0:37:40 | |
So we've got a chance of a profit on that, you know. | 0:37:40 | 0:37:42 | |
Yeah. I'm quite keen on it now. | 0:37:42 | 0:37:44 | |
-I'm making an executive decision. -Shall we make a decision? | 0:37:44 | 0:37:46 | |
-We're buying it. -Yes! -£65, OK? | 0:37:46 | 0:37:48 | |
-We're doing it. -Wonderful, wonderful. -Winner. Sold. | 0:37:48 | 0:37:51 | |
The Blues have finally bought something. | 0:37:54 | 0:37:56 | |
Albeit with some strong-arm tactics from Mark. | 0:37:56 | 0:38:00 | |
-What exactly are these? A wonderful shape. -They're called fire dogs. | 0:38:00 | 0:38:04 | |
And we've got a pair here. | 0:38:04 | 0:38:06 | |
And they would sit on either side of your hearth. | 0:38:06 | 0:38:10 | |
And you would place the poker, the shovel, | 0:38:10 | 0:38:13 | |
-and the tongs on top of it. -OK. | 0:38:13 | 0:38:17 | |
-They're a lovely dog shape. -They do look like dogs. -They're quite sweet. | 0:38:17 | 0:38:21 | |
-They're very sweet. -Edwardian. | 0:38:21 | 0:38:23 | |
Early 20th century. | 0:38:23 | 0:38:25 | |
-Very nice. -What's the price on them? £78. Crikey. | 0:38:25 | 0:38:29 | |
-We have more to look at, I think. -Yes. -Let's go and have a look. | 0:38:29 | 0:38:33 | |
-We may well be back, though. -Thank you very much. -We may be back. | 0:38:33 | 0:38:36 | |
Talking of dogs, look what the Blues have spotted. | 0:38:36 | 0:38:39 | |
A little woofer. | 0:38:39 | 0:38:40 | |
-Good morning. -Hello. | 0:38:42 | 0:38:44 | |
-We're just looking at the bronze. Are these bronze? -Yes, it is. Absolutely. | 0:38:44 | 0:38:49 | |
-Oh, it's rather lovely, isn't it? -Do you collect bronzes? | 0:38:49 | 0:38:53 | |
Well, I think bronzes are lovely. How much is he? | 0:38:53 | 0:38:56 | |
Well, I've got £85 on it. | 0:38:56 | 0:38:59 | |
But I could do a little off, I could do it for 70. | 0:38:59 | 0:39:02 | |
-I don't know. I'm not sure. I'm not sure whether I like it or not. -OK. | 0:39:02 | 0:39:06 | |
-MARK: -It's an Alsatian, by the looks of it, isn't it? | 0:39:06 | 0:39:08 | |
-German shepherd. -A German shepherd. | 0:39:08 | 0:39:10 | |
-What are your instincts? -Well, I'll be honest, it doesn't bark at me. | 0:39:11 | 0:39:15 | |
It didn't bark at my Lucy either. So if it doesn't bark at you, | 0:39:15 | 0:39:19 | |
we'll pop it back till we find a doggy that barks. | 0:39:19 | 0:39:21 | |
But it is very nice quality, so we can put another thing | 0:39:21 | 0:39:24 | |
in our thinking cap. | 0:39:24 | 0:39:25 | |
-Thank you for showing us. -WOMAN: Thank you. You're welcome. | 0:39:25 | 0:39:28 | |
So no bark, but could it bite at auction? | 0:39:28 | 0:39:31 | |
Meanwhile, the Reds have also gone to the dogs. | 0:39:31 | 0:39:34 | |
The fire dogs, that is. | 0:39:34 | 0:39:36 | |
-I'll treat you, £60. -£60? -Yeah. | 0:39:37 | 0:39:40 | |
They are bronze. They're fantastic. | 0:39:40 | 0:39:42 | |
-Are these bronze ones? -They're bronze. They are really stylised. | 0:39:42 | 0:39:46 | |
-They are. They are lovely. -What do you think. -£60? -£60? | 0:39:46 | 0:39:50 | |
-Do you want us to try the mint trick again? -What, get another fiver off? | 0:39:50 | 0:39:54 | |
55. | 0:39:54 | 0:39:56 | |
It's worth a try. | 0:39:56 | 0:39:58 | |
I don't know about you, but I really feel good about those. | 0:39:58 | 0:40:01 | |
-I really do feel good about those. They've got a lovely weight to them. -Exactly. | 0:40:01 | 0:40:05 | |
-I can see the practicality of them. -Let's go for it. | 0:40:05 | 0:40:07 | |
-You shake hands this time. -I'll do it. -Sorry. -Thank you very much. | 0:40:07 | 0:40:11 | |
So the Reds bag their second buy. | 0:40:11 | 0:40:13 | |
Looks like they might teach the animal-loving Blues a lesson today. | 0:40:13 | 0:40:17 | |
Well, we're both totally animal-mad, it's our life. | 0:40:19 | 0:40:22 | |
So I don't want to say we've got to have it. | 0:40:22 | 0:40:25 | |
But I think you're leaning towards saying you want to, aren't you? | 0:40:25 | 0:40:28 | |
-It's ticking boxes. -Is it ticking boxes? -That's what it's doing. | 0:40:28 | 0:40:31 | |
Let me just see. I mean, it is ticking boxes, this dog. | 0:40:31 | 0:40:35 | |
They're both animal-lovers. | 0:40:35 | 0:40:36 | |
It means an awful lot to them to buy an animal. | 0:40:36 | 0:40:39 | |
-Is there any chance you can do it for 60? -Right. | 0:40:39 | 0:40:43 | |
-I'll have to ask my husband. -He said yes, I can see. | 0:40:43 | 0:40:45 | |
-Yes. -Did he? -Well, we do need food for the baby, don't we? | 0:40:45 | 0:40:49 | |
We do. We do indeed. | 0:40:49 | 0:40:51 | |
-Can we shake hands at 60? -We can indeed. -Thank you very much. | 0:40:51 | 0:40:54 | |
-Are you happy with 60? -Yes. -Thank you. We're happy, very happy. | 0:40:54 | 0:40:57 | |
Well, I can see you want it and, I think, if you really want something, you should have it. | 0:40:57 | 0:41:01 | |
-You know me well. -You spotted that. Your eyes... | 0:41:01 | 0:41:05 | |
-Are you happy? -Very happy. -Cool. -Yes, yes, yes. Wonderful. | 0:41:05 | 0:41:10 | |
The Blues are back in business with their second buy. It's even-stevens. | 0:41:10 | 0:41:15 | |
-How much have we spent? -£100. | 0:41:15 | 0:41:17 | |
-All right. -Why? -Both of you are choristers, aren't you? | 0:41:19 | 0:41:23 | |
-We sing, yeah. -We sing, yes. She's got a look in her eye. | 0:41:23 | 0:41:28 | |
I don't know about this look in her eye she's got. Where's this going? | 0:41:28 | 0:41:32 | |
-I remember something. -Oh, right. -OK. Is it back that way? | 0:41:32 | 0:41:36 | |
It is back. Now, wait a minute, wait a minute. | 0:41:36 | 0:41:39 | |
-You have a look there. Give me two minutes. OK? -OK, all right. | 0:41:41 | 0:41:45 | |
So what cunning plan is Anita hatching, eh? | 0:41:45 | 0:41:49 | |
Meanwhile, the Blues are talking about...guess what? | 0:41:49 | 0:41:52 | |
Yes, you've guessed right. Animals. | 0:41:52 | 0:41:55 | |
-And there's another. -Have you seen that little picture of a donkey? | 0:41:55 | 0:41:58 | |
-Aw, he's lovely, do you like it? -But I was thinking of your animals. | 0:41:58 | 0:42:02 | |
-It's quite a heavy frame. -Oh, it's beautiful. | 0:42:02 | 0:42:05 | |
-And it's signed. It's 1920. -It's so wonderful. | 0:42:05 | 0:42:08 | |
My late husband was a vet in Zimbabwe. | 0:42:08 | 0:42:12 | |
-Oh, whereabouts in Zimbabwe? -In Bulawayo. -Oh, Bulawayo. | 0:42:12 | 0:42:16 | |
And I helped, sort of, start up the donkey sanctuary in Bulawayo. | 0:42:16 | 0:42:20 | |
-Really, a donkey sanctuary? -A donkey sanctuary. | 0:42:20 | 0:42:22 | |
-So donkeys are so, so, so precious. -And I didn't know that. | 0:42:22 | 0:42:26 | |
-No. But this was meant to be. -What is the frame made of? | 0:42:26 | 0:42:29 | |
It's wood, but it's got a gesso on it, to give the decoration. | 0:42:29 | 0:42:33 | |
-So it's just wood. -Yes. | 0:42:33 | 0:42:35 | |
What would you like it to be made of? 15 carat gold? | 0:42:35 | 0:42:38 | |
-Solid gold, really. For £125. -Absolutely. | 0:42:38 | 0:42:41 | |
-But it's not... Where can you see £125? -Just there. | 0:42:41 | 0:42:45 | |
Oh, you're right. All right, smarty. | 0:42:45 | 0:42:47 | |
I'll go and have a word with the dealer, | 0:42:47 | 0:42:49 | |
-you carry on looking. -See if you can knock her down. | 0:42:49 | 0:42:51 | |
No, don't knock her down, try and haggle the price down! | 0:42:51 | 0:42:54 | |
Now, what's that naughty Anita Manning up to? | 0:42:54 | 0:42:57 | |
I've found something which I think you will fall in love with. | 0:42:57 | 0:43:01 | |
-Oh, yes? -Oh, how exciting. -Musical? | 0:43:01 | 0:43:04 | |
-It's musical. -Oh, right. -Great. | 0:43:04 | 0:43:06 | |
-And it will be very relevant to the pair of you... -Oh, right. | 0:43:06 | 0:43:09 | |
-..as singers. -Oh, wow. -Follow me, darlings. | 0:43:09 | 0:43:12 | |
-Oh, how exciting. -Thank you. | 0:43:12 | 0:43:14 | |
Clever old Anita. Sounds like the Reds' game plan could be back on track. | 0:43:14 | 0:43:19 | |
Back with the Blues, Bev has some serious persuading to do. | 0:43:21 | 0:43:25 | |
How old is that picture? Why is it 125 quid? | 0:43:25 | 0:43:27 | |
It's the subject matter, | 0:43:27 | 0:43:30 | |
I don't think it's all that old. | 0:43:30 | 0:43:31 | |
-It's just wood. -That's fine. -Sorry. | 0:43:31 | 0:43:34 | |
But don't you think people are absolutely going to love that? | 0:43:34 | 0:43:37 | |
I mean, there are other people that like donkeys and doggies. | 0:43:37 | 0:43:39 | |
We do. Do you think other people will like them as much as we do? | 0:43:39 | 0:43:42 | |
Yes, Lucy, look, I want that so much, please, please, please. | 0:43:42 | 0:43:45 | |
Bev, It's wood. It's wood. | 0:43:45 | 0:43:48 | |
I won't speak to you if you don't let me have it. | 0:43:48 | 0:43:51 | |
Oh, nice try, Bev. | 0:43:51 | 0:43:52 | |
Right. | 0:43:53 | 0:43:55 | |
-Oh, wow. A conductor's baton. -Oh, my goodness. | 0:43:55 | 0:43:59 | |
You took the words right out of my mouth. | 0:43:59 | 0:44:02 | |
It's what you said. | 0:44:02 | 0:44:04 | |
-Isn't that gorgeous? -Oh, it's gorgeous. | 0:44:04 | 0:44:07 | |
Now, there's an inscription on it. | 0:44:07 | 0:44:09 | |
And these were usually presented to conductors | 0:44:09 | 0:44:12 | |
of orchestras or choirs. | 0:44:12 | 0:44:14 | |
And I think this might be a chorister's baton. | 0:44:14 | 0:44:18 | |
-Oh! Is that a hallmark, there? -A hallmark, yes. | 0:44:18 | 0:44:21 | |
-Each of the little pieces of silver. Each have been hallmarked. -Lovely. | 0:44:21 | 0:44:25 | |
-And it's 1921. -1921. | 0:44:25 | 0:44:28 | |
Do you know, it makes me go quite... | 0:44:28 | 0:44:30 | |
It is, it's... | 0:44:30 | 0:44:32 | |
-That was really special for somebody, wasn't it? -Yes. | 0:44:32 | 0:44:34 | |
There are echoes of the past here. | 0:44:34 | 0:44:36 | |
-Has it made you happy? -Very, very happy. | 0:44:36 | 0:44:39 | |
-It's very, very nice. -But the big question is, of course... -I know. | 0:44:39 | 0:44:41 | |
-It's very dear. -How much is it? | 0:44:41 | 0:44:43 | |
How dear, how much are we going to need? | 0:44:43 | 0:44:45 | |
Well, there's more on the ticket | 0:44:45 | 0:44:49 | |
-than we actually have. -Yes. | 0:44:49 | 0:44:51 | |
-Oh. -Right. -That's a bit of a problem. -The ticket price is £210. | 0:44:51 | 0:44:56 | |
And we've got £200 left. | 0:44:56 | 0:44:58 | |
-So we will really have to strike a deal on this one. -OK. | 0:44:58 | 0:45:02 | |
-If you want to buy it. -It's wonderful. | 0:45:02 | 0:45:04 | |
-I absolutely love it. -So do I. -I really do love it. | 0:45:04 | 0:45:07 | |
So the big question now is, | 0:45:08 | 0:45:09 | |
will the Red team be able to talk the dealer down below 200? | 0:45:09 | 0:45:13 | |
Meanwhile, the Blues move in for the kill. | 0:45:13 | 0:45:16 | |
The news is, I've spoken to the dealer, | 0:45:19 | 0:45:21 | |
she said we could have it for 100. | 0:45:21 | 0:45:24 | |
-And then I told her about the Bulawayo story. -Yes, yes, yes. | 0:45:24 | 0:45:28 | |
-And she said, "I can't go any less than 90". -OK. | 0:45:28 | 0:45:31 | |
Well, what do you think? You love it, don't you, Bev? | 0:45:31 | 0:45:34 | |
-I absolutely adore it. -I love it because you love it. | 0:45:34 | 0:45:38 | |
-But I... -It just look... Look, it's all nicked. | 0:45:38 | 0:45:43 | |
-Age. -You're our expert. What do you think, expert? | 0:45:43 | 0:45:46 | |
Here we go again, Mark's in the firing line. | 0:45:46 | 0:45:49 | |
I think you love it. And I think the subject of friendship. | 0:45:50 | 0:45:53 | |
-Yeah, that's lovely. -And you two are friends. -Absolutely. | 0:45:53 | 0:45:56 | |
-I think it was made for us. -Hold on a second, | 0:45:56 | 0:45:58 | |
I'm trying to work out which is the ass...er...donkey(!) | 0:45:58 | 0:46:02 | |
-I'm the donkey. -You're the donkey and you're the doggy. -Yes, yes, yes. | 0:46:02 | 0:46:06 | |
I think it looks quite kitsch. The frame. | 0:46:06 | 0:46:09 | |
-I know that's how it's meant to be. -I think it's cute, isn't it? | 0:46:09 | 0:46:12 | |
-I think it's lovely. -And with your story about Bulawayo. | 0:46:12 | 0:46:15 | |
-You have to have it. -I've absolutely got to have it. | 0:46:15 | 0:46:17 | |
-Can I have it, Lucy, love? -You can have, Bev, anything. | 0:46:17 | 0:46:19 | |
-Anything for you, Bev. -I love you. Thank you. -Although it is wood. | 0:46:19 | 0:46:23 | |
I knew, as soon as we saw that from over there. | 0:46:23 | 0:46:26 | |
-You just knew. -Come on. -Done. | 0:46:26 | 0:46:28 | |
-Thank you, my friend, thank you. I love you. -I'll blame you. | 0:46:28 | 0:46:32 | |
So there's a turn-up for the books. | 0:46:32 | 0:46:35 | |
The dithering Blues have bagged their final item before the Reds. | 0:46:35 | 0:46:39 | |
You and I have just made this couple's day. | 0:46:40 | 0:46:45 | |
But it's too much money for us. | 0:46:45 | 0:46:46 | |
What is the very best that you can do on that? | 0:46:46 | 0:46:50 | |
Well, I'll give you one price and it is absolutely the best price. | 0:46:50 | 0:46:54 | |
And it's 160. | 0:46:54 | 0:46:55 | |
160. | 0:46:56 | 0:46:58 | |
-I think we've got to go for it. -I think we've got to go for it. | 0:46:58 | 0:47:00 | |
-It's beautiful. -I think you've made them very, very happy. | 0:47:00 | 0:47:06 | |
-Thank you very much. -Thank you very much. -Thank you so much. | 0:47:06 | 0:47:08 | |
It's nice to meet you. | 0:47:08 | 0:47:09 | |
Thank you very, very much. | 0:47:09 | 0:47:11 | |
I did not expect to find something quite so personal | 0:47:11 | 0:47:15 | |
-and quite so beautiful. Thank you so much. -Yeah, it's lovely. | 0:47:15 | 0:47:18 | |
-You've made our day. -It's brilliant. | 0:47:18 | 0:47:20 | |
You really have. Thank you. | 0:47:20 | 0:47:22 | |
-Good, good, good, good. -Can I go...Oooh! | 0:47:22 | 0:47:26 | |
That's it. Bargaining time's over. | 0:47:28 | 0:47:32 | |
Let's go to auction. | 0:47:32 | 0:47:33 | |
And we're returning to The Canterbury Auction Galleries | 0:47:33 | 0:47:36 | |
to sell our items. | 0:47:36 | 0:47:37 | |
But first, let's remind ourselves what the Reds bought. | 0:47:37 | 0:47:41 | |
The Reds' first buy was the fake pair | 0:47:41 | 0:47:43 | |
of 18th century wooden corbels for £40. | 0:47:43 | 0:47:46 | |
Next they paid £60 for the pair of bronze fire dogs. | 0:47:47 | 0:47:51 | |
And their final buy was the Edwardian silver and ebony | 0:47:52 | 0:47:56 | |
conductor's baton, for which they paid £160. | 0:47:56 | 0:48:00 | |
Now, Lulu, Matt... | 0:48:00 | 0:48:04 | |
-you spent 260, which is a magnificent total. -Yes. | 0:48:04 | 0:48:07 | |
And you gave Anita a measly £40. Anita, what did you spend it on? | 0:48:07 | 0:48:11 | |
I wanted to buy something wee and sparkly, | 0:48:11 | 0:48:13 | |
but I ended up with something which was just wee. | 0:48:13 | 0:48:16 | |
It's a little, silver brooch. It's hallmarked silver, | 0:48:16 | 0:48:19 | |
from about the 1930s. | 0:48:19 | 0:48:22 | |
But it's the pattern that I like. | 0:48:22 | 0:48:24 | |
It's lovely. It's beautiful, Yeah, I love that. | 0:48:24 | 0:48:26 | |
The Celtic interlaced knot. | 0:48:26 | 0:48:28 | |
-Yes. -That would look really nice on a scarf | 0:48:28 | 0:48:31 | |
-or a cravat or something. -Yes. -It's lovely. | 0:48:31 | 0:48:34 | |
-How much did you pay for it? -I paid £22... -Is that all? | 0:48:34 | 0:48:38 | |
-..which is not too bad. -That's very good. -I think that's pretty good. | 0:48:38 | 0:48:41 | |
-And it's silver. -It's beautiful. -And it's hallmarked. -Beautiful. | 0:48:41 | 0:48:44 | |
£22. I mean, would you like to make that for £22, Matt? | 0:48:44 | 0:48:47 | |
-I'd have that... -I don't think I could. | 0:48:47 | 0:48:49 | |
I was going to say, would you like to buy that for me for £22? | 0:48:49 | 0:48:53 | |
Of course, my love. Of course. | 0:48:53 | 0:48:55 | |
-Absolutely beautiful. Well done. -£22! | 0:48:55 | 0:48:57 | |
-Thank you very much. -I'm glad you like it. | 0:48:57 | 0:48:59 | |
-That's fantastic. Yeah. -£22! | 0:48:59 | 0:49:01 | |
Has Ms Manning chosen well? Well, we'll see before long. | 0:49:01 | 0:49:05 | |
In the meanwhile, let's discuss what the Blue's three items. | 0:49:05 | 0:49:09 | |
The Blues paid £65 for the late Victorian sampler. | 0:49:10 | 0:49:15 | |
Then £60 for the Art Deco bronze German shepherd. | 0:49:15 | 0:49:20 | |
And, finally, £90 for the little watercolour of the donkey and dog. | 0:49:20 | 0:49:25 | |
Now, Luce, Bev, this is exciting, isn't it? | 0:49:26 | 0:49:29 | |
-Absolutely. -And they're all giggling with amusement here. | 0:49:29 | 0:49:33 | |
£215 you spent. £85 went to Mark. Mark, what did you spend it on? | 0:49:33 | 0:49:38 | |
Well, Tim, I was on strict orders to find a piece of Lalique. | 0:49:38 | 0:49:42 | |
-It's lovely. -I love you! -And I found a piece. | 0:49:42 | 0:49:45 | |
It's not a period one, I'm afraid. | 0:49:45 | 0:49:47 | |
It's not Rene Lalique, it's certainly post-war. | 0:49:47 | 0:49:50 | |
-But I thought it's nice quality. -It's magical. | 0:49:50 | 0:49:52 | |
-And it's always a good name, Lalique. -It's perfect quality. | 0:49:52 | 0:49:56 | |
Yes, the quality's good. But it did cost a lot of money, you know. | 0:49:56 | 0:49:59 | |
-OK, how much did it cost? -It cost me £70 of the 85 you left me. | 0:49:59 | 0:50:03 | |
-OK. -I would have put sort of £50-70 on it. | 0:50:03 | 0:50:06 | |
So it's right at the end of the estimate. | 0:50:06 | 0:50:08 | |
But you can't find much at a good fair | 0:50:08 | 0:50:11 | |
that's Lalique for under £100 really. | 0:50:11 | 0:50:13 | |
-Yes. -I'd pay 100 for it. -Easily. | 0:50:13 | 0:50:15 | |
And it's a really decorative little piece. | 0:50:15 | 0:50:17 | |
And that's exactly what we were looking for. | 0:50:17 | 0:50:19 | |
-And you found it. -Yes. -We're well chuffed. | 0:50:19 | 0:50:22 | |
-Well chuffed. -Unbelievable. -We're well chuffed. | 0:50:22 | 0:50:25 | |
Good, isn't it? | 0:50:25 | 0:50:26 | |
We'll see whether they're still as chuffed later on | 0:50:26 | 0:50:30 | |
as we're now about to put all the items under the hammer. | 0:50:30 | 0:50:34 | |
Now, Lulu, Matthew, how are you feeling? | 0:50:34 | 0:50:37 | |
-Confident. -Are you? | 0:50:37 | 0:50:38 | |
The patron saint of auctions is looking favourably on us. | 0:50:38 | 0:50:41 | |
-Smiling at us this morning. -Which one is the patron saint? | 0:50:41 | 0:50:44 | |
-St Bargain of Hunt. -Oh, St Bargain of Hunt. | 0:50:44 | 0:50:46 | |
Of course it is. He's sharp, this one. | 0:50:46 | 0:50:49 | |
And here we go, look. How exciting. Come on, the corbels. | 0:50:49 | 0:50:53 | |
And we go to 178, a pair of modern hardwood corbels. | 0:50:53 | 0:50:57 | |
We have a starting bid of £30. 35 where? | 0:50:57 | 0:51:00 | |
Pair of corbels there. 35 I have. 40. 45. | 0:51:00 | 0:51:03 | |
50. 55. 60. 60 where? | 0:51:03 | 0:51:07 | |
It's only got £55, the bid's standing in the room there. | 0:51:07 | 0:51:09 | |
All done at £55 then. | 0:51:09 | 0:51:11 | |
Plus £15, I feel another container coming on. | 0:51:12 | 0:51:15 | |
OK. Now, here come the bronze fire dogs. | 0:51:15 | 0:51:18 | |
170b is the pair of bronze fire dogs in the Arts and Crafts style. | 0:51:18 | 0:51:23 | |
£50. 40 then to start. | 0:51:23 | 0:51:25 | |
-Oh, come on. -Get it going. 40 I have. 45 where? | 0:51:25 | 0:51:29 | |
45? 45. 50 on the internet. | 0:51:29 | 0:51:32 | |
55. 60 on the internet. | 0:51:32 | 0:51:34 | |
-60. 65. 70. -Yes! | 0:51:34 | 0:51:38 | |
75. 80. 85, no? 85. | 0:51:38 | 0:51:42 | |
Bidder at 90? Internet, 95. 100. | 0:51:42 | 0:51:46 | |
110. Bid's on the internet at £100. All done at 100. | 0:51:47 | 0:51:53 | |
Yes! | 0:51:53 | 0:51:55 | |
You made another 40. Plus 40. | 0:51:55 | 0:51:58 | |
-You are plus 55. -Oh, my goodness. -You are so good, you two. | 0:51:58 | 0:52:02 | |
And 170c is the conductor's baton. | 0:52:02 | 0:52:05 | |
London, 1921. | 0:52:05 | 0:52:07 | |
-Who will start me at £100? -Come on. | 0:52:07 | 0:52:09 | |
100 someone? 75. | 0:52:09 | 0:52:11 | |
Let's get it going at 75. 75 I have. | 0:52:11 | 0:52:14 | |
80 where? 80 I have. | 0:52:14 | 0:52:16 | |
-85. 90. -Yes, yes. | 0:52:16 | 0:52:18 | |
-95? -It's a good one. -95 internet? | 0:52:18 | 0:52:20 | |
It's beautiful. It's so beautiful. | 0:52:20 | 0:52:22 | |
-95? -Go on. -95. 100. | 0:52:22 | 0:52:26 | |
And 10, internet. | 0:52:26 | 0:52:28 | |
110. 120. | 0:52:29 | 0:52:31 | |
Where's 120? It's only 110. 120. | 0:52:31 | 0:52:34 | |
Another bidder in the room. 130. | 0:52:34 | 0:52:37 | |
Selling at 120, bid standing in the room at £120, | 0:52:37 | 0:52:39 | |
are we all done then? | 0:52:39 | 0:52:41 | |
£120. That is such bad luck. | 0:52:41 | 0:52:44 | |
Anyway, there we go. It's minus 40, | 0:52:44 | 0:52:46 | |
it could have been a whole heap worse. | 0:52:46 | 0:52:47 | |
Which means overall, you are plus 15. | 0:52:47 | 0:52:50 | |
You still have 15 in the bank. | 0:52:50 | 0:52:52 | |
-Wow. Goodness me. -Even after all that. -I hadn't been counting. | 0:52:52 | 0:52:55 | |
-The rollercoaster of Bargain Hunt. -So exciting. | 0:52:55 | 0:52:57 | |
-Gosh, it's exciting, isn't it? -It is. -And rather tiring, don't you find? | 0:52:57 | 0:53:00 | |
Anyway, fine. There we go. | 0:53:00 | 0:53:02 | |
-Now, are we going to go with the Celtic knot? -Definitely. Yes. | 0:53:02 | 0:53:05 | |
We're going with the brooch. And it is going to be sold now. | 0:53:05 | 0:53:09 | |
175a. The George VI silver brooch, | 0:53:09 | 0:53:12 | |
Celtic design. £20. | 0:53:12 | 0:53:14 | |
-Yes, please. -20 I have. 25 where? | 0:53:14 | 0:53:17 | |
-25. 30. -Look at this. -Yes! -30, someone? | 0:53:17 | 0:53:20 | |
-35. 40. 45. -Yes! | 0:53:20 | 0:53:23 | |
50. 55. 55, someone? | 0:53:23 | 0:53:26 | |
55. 60 for someone? | 0:53:26 | 0:53:28 | |
Selling at 55. Bid's on my left there. All done at 55 then. | 0:53:28 | 0:53:32 | |
-Well done, Manning. -That's good. -High-five, mighty Manning. | 0:53:32 | 0:53:34 | |
£55. That's brilliant. | 0:53:34 | 0:53:36 | |
So that is plus 48. | 0:53:36 | 0:53:39 | |
-We've made money. -That is folding cash, isn't it? | 0:53:39 | 0:53:44 | |
That's a pub lunch. | 0:53:44 | 0:53:45 | |
-Well done, Anita. That's perfect. -Thank you. Brilliant. | 0:53:45 | 0:53:48 | |
Anyway. Plus 48 ought to be a jolly good winning score. | 0:53:48 | 0:53:50 | |
-Yeah. -So don't say a thing to the Blues. All right? | 0:53:50 | 0:53:52 | |
-Lips are sealed. Thank you. -Well done. | 0:53:52 | 0:53:55 | |
Now, Bev, Luce. Here we are. Do you know how the Reds got on? | 0:54:04 | 0:54:07 | |
-Not a clue. -Not a clue. Good. That's what we like. | 0:54:07 | 0:54:09 | |
So first up is the sampler, and here it comes. | 0:54:09 | 0:54:13 | |
190a. The Victorian needlework sampler, dated 1892. | 0:54:13 | 0:54:17 | |
£50. 50 I have. 55 where? | 0:54:17 | 0:54:21 | |
In red there. 55. Someone at 55, I have. | 0:54:21 | 0:54:24 | |
60. 65. 70. 75. | 0:54:24 | 0:54:26 | |
-80. 85. 90. -Yes! | 0:54:26 | 0:54:29 | |
95. 100. Selling at £100, the bid's standing. | 0:54:29 | 0:54:32 | |
Are we all in at £100 then? No further bid? | 0:54:32 | 0:54:36 | |
-That's plus 35. -That's all right. -Yes. | 0:54:36 | 0:54:38 | |
-I wonder if he lives in Foley Villa. -Quite. -You never know. | 0:54:38 | 0:54:41 | |
190b, the bronze figure, the German shepherd. | 0:54:41 | 0:54:44 | |
30 I have. 35. 35 I have. 40. 45. | 0:54:44 | 0:54:48 | |
-50. 55. 60. 65. 70. -Yes! | 0:54:48 | 0:54:52 | |
-You're in profit. -75? 75, someone? | 0:54:52 | 0:54:55 | |
Selling at 70, bid's on my left there. All done at £70 then. | 0:54:55 | 0:54:58 | |
Plus £10. | 0:54:58 | 0:55:00 | |
You are brilliant. Brilliant, Bev. | 0:55:00 | 0:55:03 | |
-Sorry. -Now, donkey and dog. | 0:55:04 | 0:55:07 | |
And the little watercolour, 190c. | 0:55:07 | 0:55:10 | |
Friendship. Commission bid of £40, 45 where? | 0:55:11 | 0:55:14 | |
45 I have. 50. 50 for someone? | 0:55:14 | 0:55:19 | |
Selling at 45, bid's in the middle then. Are we all done at £45? | 0:55:19 | 0:55:22 | |
Selling at 45 then. | 0:55:22 | 0:55:24 | |
No, bad luck. | 0:55:24 | 0:55:26 | |
You've just lost £45. And you had £45 worth of profit, | 0:55:26 | 0:55:30 | |
which means now you have absolutely nothing. | 0:55:30 | 0:55:32 | |
-No loss. It doesn't matter. -No profit. No loss. | 0:55:32 | 0:55:35 | |
-We didn't make a loss though, did we? -You didn't make a loss. | 0:55:35 | 0:55:37 | |
Now, you've got the pheasant. | 0:55:37 | 0:55:39 | |
-Are you going to punt on the pheasant? -Absolutely. | 0:55:39 | 0:55:41 | |
-We're relying on you. -Are you sure? -I love it. We both love it. | 0:55:41 | 0:55:44 | |
That's a decision then. We're going with the pheasant. | 0:55:44 | 0:55:46 | |
-Yes. -And here it comes. | 0:55:46 | 0:55:48 | |
195a, the modern Lalique figure of a pheasant. | 0:55:48 | 0:55:52 | |
We have several bids. Starting at £50. 55 where? | 0:55:52 | 0:55:55 | |
55 I have. 60. 65. | 0:55:55 | 0:55:58 | |
70. 70 for someone? | 0:55:58 | 0:56:01 | |
-70 where? -Come on. | 0:56:01 | 0:56:03 | |
Come along now, 70 for someone. Selling at £65. | 0:56:03 | 0:56:06 | |
Go on, go on, please. | 0:56:06 | 0:56:09 | |
Is that a bid? 70. 75. | 0:56:09 | 0:56:11 | |
80. 85. | 0:56:11 | 0:56:14 | |
90. 95. | 0:56:14 | 0:56:16 | |
Selling at £90, bid right at the front. All done at £90 then. | 0:56:17 | 0:56:22 | |
-Well done. -We didn't make a loss. | 0:56:22 | 0:56:26 | |
Well, isn't that brilliant? You made £20 profit on that pheasant. | 0:56:26 | 0:56:29 | |
So congratulations, Mark. Well done, Bev and Luce. | 0:56:29 | 0:56:32 | |
-It's so good, super. That feels good, doesn't it? -Fantastic. | 0:56:32 | 0:56:36 | |
-The thing is now. -We've got to keep zipped. | 0:56:36 | 0:56:38 | |
That's it. We know that bit. We're not going to say a thing | 0:56:38 | 0:56:40 | |
-till we catch up with the Reds in a moment. -Absolutely. | 0:56:40 | 0:56:43 | |
-Well done. -Thank you so much. -Thank you. | 0:56:43 | 0:56:45 | |
Thank you. | 0:56:46 | 0:56:48 | |
Well, isn't this lovely? Out in the park. | 0:56:58 | 0:57:00 | |
But this programme is not a walk in the park, is it? | 0:57:00 | 0:57:03 | |
It's jolly difficult to make profits. | 0:57:03 | 0:57:05 | |
And today, we have two teams who have made profits. | 0:57:05 | 0:57:08 | |
Both of you are in the black and that is quite an achievement. | 0:57:08 | 0:57:13 | |
Just a question of scale of profits again. | 0:57:13 | 0:57:15 | |
And the runners-up, the team that have marginally less | 0:57:15 | 0:57:19 | |
-in the profit stakes, are the Blues. -Oh! | 0:57:19 | 0:57:21 | |
-That's OK. -Which is a pity, isn't it? | 0:57:21 | 0:57:23 | |
-We're cool. We're cool with that. -You certainly are cool, Luce. | 0:57:23 | 0:57:26 | |
-I'm going to hand over your £20. -Oh, bless you, thank you. | 0:57:26 | 0:57:29 | |
Which is £10 for both of you. | 0:57:29 | 0:57:31 | |
Or are you going to make a little donation with that? | 0:57:31 | 0:57:33 | |
It's going to go to our animal charity. | 0:57:33 | 0:57:35 | |
-Is it? -So we're so pleased about that. -Well, lovely. | 0:57:35 | 0:57:38 | |
-You must be very chuffed. -We're really happy. -Unbelievably chuffed. | 0:57:38 | 0:57:41 | |
We've had the most wonderful time. Bless you, all of you. | 0:57:41 | 0:57:43 | |
Well, we loved having you. It's been a treat. | 0:57:43 | 0:57:46 | |
But the victors today are going home with £48. | 0:57:46 | 0:57:49 | |
Which I think is going to be spent in the pub, isn't it? | 0:57:49 | 0:57:51 | |
-No, no. -It's not going to be spent in the pub? | 0:57:51 | 0:57:53 | |
-Actually, it's not. -Oh, isn't it? | 0:57:53 | 0:57:55 | |
No. I've commissioned a new piece of work for my flute choirs. | 0:57:55 | 0:57:59 | |
And this is going to go towards it. | 0:57:59 | 0:58:01 | |
Anyway, join us soon for some more bargain-hunting, yes? | 0:58:01 | 0:58:04 | |
ALL: Yes! | 0:58:04 | 0:58:06 | |
Good on you. | 0:58:06 | 0:58:07 |