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One, two, three, four! | 0:00:03 | 0:00:06 | |
A-ha! Here in excellent Exeter | 0:00:06 | 0:00:09 | |
is an antiques fair with the top end of 400 stalls | 0:00:09 | 0:00:13 | |
offering the best in the west. | 0:00:13 | 0:00:15 | |
And hey, I've had a good idea. | 0:00:15 | 0:00:17 | |
Let's go Bargain Hunting! | 0:00:17 | 0:00:20 | |
It's not everyone that gets to spend ?300 | 0:00:43 | 0:00:45 | |
on three items in just one hour. | 0:00:45 | 0:00:47 | |
But everyone on this show does... | 0:00:47 | 0:00:49 | |
because those are our rules. | 0:00:49 | 0:00:52 | |
Here's a peek at what's coming up. | 0:00:52 | 0:00:54 | |
Two couples go head-to-head, and everyone's feeling the pressure. | 0:00:54 | 0:00:58 | |
You can't have it. Why can't I? I'm telling you. | 0:00:58 | 0:01:00 | |
You're being very mean. | 0:01:00 | 0:01:02 | |
The Reds get riled and the Blues bicker. | 0:01:02 | 0:01:04 | |
I don't like them. You don't? Huh? Hey! | 0:01:04 | 0:01:07 | |
Will it be happy ever after? | 0:01:08 | 0:01:10 | |
Time to meet our teams. | 0:01:10 | 0:01:12 | |
Today we've got two teams of happily married couples. | 0:01:12 | 0:01:16 | |
Well, they're happily married at the moment! | 0:01:16 | 0:01:18 | |
For the Reds we have Simon and Liz, | 0:01:18 | 0:01:20 | |
and for the Blues, Ross and Sam. | 0:01:20 | 0:01:22 | |
Welcome, everyone. ALL: Hello! | 0:01:22 | 0:01:25 | |
Simon, how did you two first meet? | 0:01:25 | 0:01:27 | |
I first met Liz at naval college in Dartmouth, | 0:01:27 | 0:01:30 | |
where we were at naval college training to be officers. | 0:01:30 | 0:01:33 | |
Really? What branch were you going into? | 0:01:33 | 0:01:35 | |
I was joining to be a pilot, and Liz was joining to be a nurse. | 0:01:35 | 0:01:38 | |
What a lovely place to meet. | 0:01:38 | 0:01:40 | |
You missed out on your first military passing out parade. | 0:01:40 | 0:01:44 | |
Yes. Back in '96, I joined as an artificer | 0:01:44 | 0:01:47 | |
and I passed out with chicken pox at the back of the parade! | 0:01:47 | 0:01:51 | |
Really? I ended up in sickbay corner! Yes. | 0:01:51 | 0:01:55 | |
What keeps you busy these days, Liz? | 0:01:55 | 0:01:57 | |
Two boys aged six and nine, and I'm a part-time student. | 0:01:57 | 0:02:02 | |
What are you studying? Studying to be an accountancy technician. | 0:02:02 | 0:02:06 | |
Having a change of tack due to some newly acquired mobility issues. | 0:02:06 | 0:02:10 | |
I can't be a psychiatric nurse any more. A fresh career beckons. | 0:02:10 | 0:02:13 | |
Absolutely! | 0:02:13 | 0:02:15 | |
Are you in charge of the money today, | 0:02:15 | 0:02:17 | |
as you're going into book-keeping and accountancy? | 0:02:17 | 0:02:20 | |
You'd like to think so, but probably not, no. I see. | 0:02:20 | 0:02:24 | |
Now, moving to the Blues. Ross. Hi, Tim. | 0:02:24 | 0:02:28 | |
When did you first clap eyes on Sam? | 0:02:28 | 0:02:31 | |
When we were at school together. | 0:02:31 | 0:02:33 | |
I was 15. We got together when we were at school | 0:02:33 | 0:02:36 | |
and we used to be told off for talking to each other. Really? | 0:02:36 | 0:02:39 | |
What do you do to earn your crust, Ross? | 0:02:39 | 0:02:42 | |
I'm actually a baker. Oh, really? Who writes these questions? | 0:02:42 | 0:02:46 | |
That's rather good! How long have you been a baker? | 0:02:46 | 0:02:49 | |
For about 12 years. Have you? | 0:02:49 | 0:02:51 | |
Do you have to get up terribly early? | 0:02:51 | 0:02:53 | |
Yes, sometimes I start at four in the morning. | 0:02:53 | 0:02:56 | |
The smell of bread wakes me up. Is it the sort of bakery | 0:02:56 | 0:02:59 | |
where you make about three trillion loaves a day? | 0:02:59 | 0:03:02 | |
Yes, especially hot cross buns at Easter. | 0:03:02 | 0:03:04 | |
You don't like those? I'm sick of the sight of them at the end! | 0:03:04 | 0:03:07 | |
Sam, what do you do for a living? I'm a savings advisor in a building society. Are you? | 0:03:08 | 0:03:12 | |
So you're the expert with the money today? | 0:03:12 | 0:03:15 | |
Yeah. Well, hopefully. | 0:03:15 | 0:03:16 | |
It probably won't go to plan, but hopefully. | 0:03:16 | 0:03:19 | |
What are you two hunting for today? | 0:03:19 | 0:03:21 | |
I like something unusual. | 0:03:21 | 0:03:23 | |
I like Art Deco things, something along those lines. | 0:03:23 | 0:03:27 | |
Yes. Nothing in particular. So you're just waiting to be grabbed. | 0:03:27 | 0:03:31 | |
Yes. Waiting for that moment. | 0:03:31 | 0:03:32 | |
Before you get grabbed, I have to give you something to grab. | 0:03:32 | 0:03:35 | |
It's the ?300 money moment. There you go. There's your ?300. | 0:03:35 | 0:03:39 | |
You know the rules. Your experts await, | 0:03:39 | 0:03:42 | |
and off you go! Very, very good luck! | 0:03:42 | 0:03:45 | |
Cor, nifty driving! | 0:03:45 | 0:03:48 | |
We've a canny pair of professionals | 0:03:48 | 0:03:50 | |
to help our two sets of teams today. | 0:03:50 | 0:03:52 | |
For the Reds, we have Philip "first past the post" Serrell. | 0:03:54 | 0:03:57 | |
For the Blues, it's Charlie "pole position" Hanson. | 0:03:57 | 0:04:01 | |
We're definitely not buying any wood. | 0:04:04 | 0:04:06 | |
Is this your plan as well, Simon? It is now! It is now! | 0:04:06 | 0:04:10 | |
Are you shoppers? Yes. Can you shop till you drop? Yes. | 0:04:10 | 0:04:12 | |
Do you shop well together? Yeah, sometimes. Really? | 0:04:12 | 0:04:16 | |
We ladies like shiny things. | 0:04:16 | 0:04:18 | |
Go and find some shiny things. Off you go. Go on, then. | 0:04:18 | 0:04:21 | |
Do you ever fall out? Yeah. All right. Definitely. | 0:04:21 | 0:04:25 | |
We could be in trouble! | 0:04:25 | 0:04:27 | |
Phil's wasting no time in going into battle. | 0:04:27 | 0:04:29 | |
What about naval cannonballs? | 0:04:29 | 0:04:32 | |
Yeah. Cannons. You're looking suitably moved. Can I just say, it's not very shiny! | 0:04:32 | 0:04:38 | |
So that rules it out? Not necessarily. Who buys a cannonball? | 0:04:38 | 0:04:42 | |
Um... | 0:04:42 | 0:04:44 | |
..I'm just going to shut up. Follow me. Will she follow us? | 0:04:47 | 0:04:51 | |
It's good that you've got your expert with you. | 0:04:51 | 0:04:53 | |
And I'm sure she'll be a great help today! | 0:04:53 | 0:04:55 | |
Follow me. We only have an hour, OK? Let's go. | 0:04:55 | 0:04:58 | |
Go for it, Blues. There's a lot of ground to cover here. | 0:04:58 | 0:05:02 | |
We'll start down here first of all. OK. | 0:05:02 | 0:05:05 | |
Phil's found something close to his heart. | 0:05:05 | 0:05:08 | |
These are very, very collectable. | 0:05:08 | 0:05:11 | |
Sometimes you have water, and sometimes whisky. | 0:05:11 | 0:05:14 | |
And you'd put them by the side and before bed, you'd have a shot. | 0:05:14 | 0:05:17 | |
Oh, I like those. | 0:05:17 | 0:05:20 | |
At auction, I think this one, without the label, | 0:05:20 | 0:05:23 | |
is going to be perhaps 100 to 150 quid. | 0:05:23 | 0:05:25 | |
I haven't seen the prices on these, | 0:05:25 | 0:05:28 | |
but I'd like to try and buy that for around 130, 140, if we could. | 0:05:28 | 0:05:32 | |
I don't know what's on it. That one can be 150. | 0:05:32 | 0:05:35 | |
You couldn't do it for 125, then? | 0:05:35 | 0:05:37 | |
We couldn't. That's pushing it too far? That's less than I paid. | 0:05:37 | 0:05:42 | |
Gosh, we don't want to do that to you. | 0:05:42 | 0:05:44 | |
I'd buy that, which is a good sign, isn't it? Do you both like it? | 0:05:44 | 0:05:47 | |
Yes. I like whisky, too. If it was full, I'd pay more! | 0:05:47 | 0:05:50 | |
All three of us like it. I'd love to own one of these. I would, too. I like it. It's lovely. | 0:05:50 | 0:05:55 | |
I would own it. Top makers, gold and silversmiths. 1908, so it's 103 years old. Right. | 0:05:55 | 0:06:00 | |
SIMON: And it's shiny, so that knocks that on the head. | 0:06:00 | 0:06:03 | |
I like it. I like it. Thanks very much. Pay the man! | 0:06:03 | 0:06:06 | |
Thank you. Thank you. | 0:06:06 | 0:06:08 | |
Do you know what? I think they liked that! | 0:06:08 | 0:06:10 | |
Let's hope they like the price it fetches at auction. | 0:06:10 | 0:06:14 | |
That little box there. Sorry? The little box that's there. | 0:06:14 | 0:06:17 | |
That, I think, is probably Chinese cloisonne. Have a handle. | 0:06:17 | 0:06:21 | |
I like the dragon on it. Yeah, I like the dragon. | 0:06:22 | 0:06:25 | |
Ross, what's its pull to you? It looks like a tattoo. | 0:06:25 | 0:06:28 | |
It looks like a cloisonne box to me! | 0:06:28 | 0:06:29 | |
Like a tattoo? A tattoo. Thanks for coming, Ross(!) Thanks for coming! | 0:06:29 | 0:06:34 | |
I'm pleased you've got some antique aura about you, Ross! | 0:06:34 | 0:06:37 | |
Do you have any tattoos? I've got quite a few. Have you? Whereabouts? | 0:06:37 | 0:06:41 | |
I dread to think. | 0:06:41 | 0:06:43 | |
Really? Yes. Some there. | 0:06:43 | 0:06:45 | |
Oh, goodness me! It's a bit like that. Is that a real one? Yeah. | 0:06:45 | 0:06:49 | |
Wowee. Good for you. Yeah. Yeah. | 0:06:49 | 0:06:52 | |
So it looks like a tattoo. Yeah. | 0:06:52 | 0:06:53 | |
It's one way of looking at it. Thanks for coming! | 0:06:53 | 0:06:56 | |
Funny thing - when people talk tat on Bargain Hunt, | 0:06:57 | 0:06:59 | |
they're not often discussing tattoos. | 0:06:59 | 0:07:02 | |
Probably 1880s, 1890s. | 0:07:02 | 0:07:04 | |
It was a wonderful skill to be able to create these. I don't know if I'd want it for 65, though. | 0:07:04 | 0:07:09 | |
Quite right. I think at auction, no disrespect, | 0:07:09 | 0:07:12 | |
at auction it might only make ?25. | 0:07:12 | 0:07:14 | |
So if there was room to negotiate, it might be worth buying. | 0:07:14 | 0:07:19 | |
But I think we're a long way from that. That's fine. Thank you. | 0:07:19 | 0:07:22 | |
That's unusual. What, the waistcoat or the tall silver...? | 0:07:24 | 0:07:28 | |
No, the plate. | 0:07:28 | 0:07:30 | |
It is nice, Liz, but it's ?675-worth of nice! | 0:07:30 | 0:07:34 | |
I think that might just stretch the budget. | 0:07:34 | 0:07:36 | |
It would break the licence fee! | 0:07:36 | 0:07:38 | |
Keep at it, Reds. At least you've bought something. | 0:07:38 | 0:07:41 | |
We've had, so far, 20 minutes. Yeah. | 0:07:41 | 0:07:43 | |
Which means, really, we ought to buy a lot every 20 minutes. Yes. | 0:07:43 | 0:07:46 | |
We have an hour. Yes. Seen anything so far? No. Nothing. | 0:07:46 | 0:07:50 | |
Worried? A bit now, yeah. Slightly. Get outta here! | 0:07:50 | 0:07:54 | |
Aren't our couples lovely today? All smiles. | 0:07:55 | 0:07:58 | |
You can't have it. Why can't I have it? You've got a shiny already. You've done shiny. | 0:07:58 | 0:08:02 | |
I know we've done shiny... | 0:08:02 | 0:08:03 | |
Me and my big mouth, eh? | 0:08:03 | 0:08:05 | |
It's in the cabinet for a reason. It doesn't necessarily mean it's expensive. | 0:08:05 | 0:08:10 | |
No, it doesn't. "Cheap, cheap, cheap", like the budgie. Come on. | 0:08:10 | 0:08:13 | |
I think you're being very mean. | 0:08:13 | 0:08:17 | |
This is harder than I thought it would be. | 0:08:17 | 0:08:19 | |
Yes, it's a tough old challenge. You've got to find three items and agree on those three. | 0:08:19 | 0:08:24 | |
Maybe a little exploration is in order. | 0:08:24 | 0:08:27 | |
There's no carpet on the floor here. I always think that's a good thing | 0:08:27 | 0:08:30 | |
because it's cheaper, you might say. Let's go and find... | 0:08:30 | 0:08:34 | |
Yeah, cheap works for me. I do cheap. | 0:08:34 | 0:08:36 | |
I like his postbox. It's a proper postbox. Is it expensive? | 0:08:36 | 0:08:40 | |
It's a proper price, as well. Is it? 750 quid. | 0:08:40 | 0:08:44 | |
That's about the price of a first class stamp these days, isn't it? | 0:08:44 | 0:08:48 | |
What about a postbox that's a money box? | 0:08:48 | 0:08:50 | |
I think that's ?2, my love. OK. | 0:08:50 | 0:08:52 | |
It's one extreme to the other, with these Reds. | 0:08:52 | 0:08:54 | |
Let's have a wander. You've got a good eye, babe. A good eye for tat. | 0:08:54 | 0:08:58 | |
Now, these definitely are not tat. | 0:08:59 | 0:09:02 | |
What you've got here is a wine glass | 0:09:02 | 0:09:04 | |
that you may have toasted the French Revolution to. | 0:09:04 | 0:09:07 | |
You may have toasted Mad King George III | 0:09:07 | 0:09:10 | |
when he came to the throne in 1760. | 0:09:10 | 0:09:12 | |
And that's history. | 0:09:12 | 0:09:14 | |
Well remembered, Charles. | 0:09:14 | 0:09:16 | |
And the way these wine glasses have been blown, | 0:09:16 | 0:09:19 | |
you'll see this wreathing or writhing in the glass. | 0:09:19 | 0:09:22 | |
That's hand-wrought lead glass on a folded foot | 0:09:22 | 0:09:25 | |
and a rough pontil mark | 0:09:25 | 0:09:28 | |
where they've been snapped off | 0:09:28 | 0:09:30 | |
when they've been blown on the tube, like so. | 0:09:30 | 0:09:33 | |
I like the age of it. Yeah, I do. 1780. Where were you, Ross, then? | 0:09:33 | 0:09:37 | |
In my father's eye! Exactly. | 0:09:37 | 0:09:39 | |
Hmm. That makes your dad about 200 years old, Ross. | 0:09:39 | 0:09:42 | |
I don't think he'll thank you! | 0:09:42 | 0:09:44 | |
I wasn't sure of them until you said how old they were. | 0:09:44 | 0:09:47 | |
So the best price is ?100. | 0:09:47 | 0:09:49 | |
That's a wonderful discount, because asking on the ticket is 185. | 0:09:49 | 0:09:53 | |
So we can't complain there, can we? | 0:09:53 | 0:09:55 | |
With a bit more leeway, they could make 120 or 130. | 0:09:55 | 0:09:59 | |
I think we should go with Charles. Go on, Charles. | 0:09:59 | 0:10:02 | |
I love them because of what they are. I like the age of them and the history of them. | 0:10:02 | 0:10:05 | |
Sometimes you buy it because you like them. | 0:10:05 | 0:10:09 | |
Would I buy these? Yes. Yes. You would. | 0:10:09 | 0:10:12 | |
It is a sale. ?100 spent. Well done, guys. | 0:10:12 | 0:10:16 | |
Give me a chink-chink. Ooh, I don't want to break them! | 0:10:16 | 0:10:19 | |
Cheers. That's history. | 0:10:19 | 0:10:20 | |
It certainly is. In fact, that's what this place is all about. | 0:10:20 | 0:10:25 | |
The Reds, however, have found something a bit more modern. | 0:10:25 | 0:10:28 | |
That feels nice. | 0:10:28 | 0:10:31 | |
They're not antiques, though! | 0:10:31 | 0:10:32 | |
No, but people like a decent paperweight. | 0:10:32 | 0:10:35 | |
People like a bacon sandwich, too, but I wouldn't take that to auction! | 0:10:35 | 0:10:38 | |
1988. It says it on the bottom. ?75?! Yeah, well, | 0:10:38 | 0:10:42 | |
it doesn't have to be ?75. That was a vase when it started life! | 0:10:42 | 0:10:45 | |
She's not giving up. Maybe Phil should have a word. | 0:10:45 | 0:10:48 | |
Do you want to make a profit or a loss? A profit. | 0:10:48 | 0:10:50 | |
Then don't buy that. Have a look at that. How much is that? | 0:10:50 | 0:10:53 | |
?28. But if you don't like it, don't buy it. | 0:10:53 | 0:10:55 | |
Ooh. No, ?28 is more appealing. | 0:10:55 | 0:10:58 | |
Good work, Phil! Disaster averted. | 0:10:58 | 0:11:00 | |
Could you keep it for us | 0:11:00 | 0:11:02 | |
for half an hour? Would that be all right? No problem. | 0:11:02 | 0:11:05 | |
Whizzy Liz has gone off again. | 0:11:05 | 0:11:07 | |
I thought this was a team game. | 0:11:07 | 0:11:08 | |
I've found a pair of pink glass matching tea-cake stands. | 0:11:08 | 0:11:15 | |
You can tell he's excited, can't you? | 0:11:15 | 0:11:18 | |
It's not going too well for the Reds, is it? | 0:11:18 | 0:11:21 | |
I'm beginning to wish I'd brought my mother instead of my husband. | 0:11:21 | 0:11:24 | |
He doesn't like any of the things I like. Yeah... | 0:11:24 | 0:11:27 | |
Which is why we've only got one item. | 0:11:27 | 0:11:30 | |
For me, 20 minutes to go, my mission is to keep you on a tight leash, | 0:11:30 | 0:11:34 | |
because you seem to have an eye for tat | 0:11:34 | 0:11:36 | |
as opposed to stuff that makes money. | 0:11:36 | 0:11:39 | |
Oh, you're so harsh! I know! | 0:11:39 | 0:11:41 | |
Come on, Reds. It's all about teamwork. | 0:11:41 | 0:11:44 | |
At least the Blues are getting on with it. | 0:11:44 | 0:11:46 | |
A nice pair of toast racks. Chester. Sweet. 1918. They're gorgeous. | 0:11:46 | 0:11:50 | |
There we go. Look - toast, which is... Bread! | 0:11:50 | 0:11:53 | |
We've got the bread lots. We've got it. | 0:11:53 | 0:11:56 | |
They're quite small, aren't they? Tiny little things. | 0:11:56 | 0:12:00 | |
They were made in Chester in 1918. | 0:12:00 | 0:12:04 | |
Chester stopped hallmarking silver in 1962. | 0:12:04 | 0:12:08 | |
Somewhere, you'll see a hallmark. | 0:12:08 | 0:12:11 | |
There it is. Just there. | 0:12:11 | 0:12:13 | |
Let's double-check the hallmarks match up. They certainly do. | 0:12:13 | 0:12:16 | |
What do you think? ?70 for the pair, ?35 each. | 0:12:16 | 0:12:19 | |
70 isn't a bad price. If they came into my saleroom, | 0:12:19 | 0:12:22 | |
I'd say to a client they're going to fetch between 60 and ?90. | 0:12:22 | 0:12:28 | |
I don't like them. You don't? Huh? I don't like them. | 0:12:28 | 0:12:31 | |
Oh, well! This is your husband's background. His pedigree! | 0:12:31 | 0:12:36 | |
Don't you like them, really? No. | 0:12:36 | 0:12:38 | |
Oh, it was all going too well. | 0:12:38 | 0:12:40 | |
You couldn't go a bit more? Look at me. | 0:12:40 | 0:12:43 | |
65. | 0:12:43 | 0:12:45 | |
That means it. | 0:12:45 | 0:12:47 | |
I think we should... I'll leave it to you. | 0:12:48 | 0:12:50 | |
VENDOR: There's profit in them. I think we should go for it. | 0:12:50 | 0:12:53 | |
That's only just over ?30 each. What do you think? | 0:12:53 | 0:12:57 | |
I don't like them. Give the man his toast racks! | 0:12:57 | 0:13:00 | |
Then the last lot is up to you. Yeah, the last one's yours. | 0:13:00 | 0:13:03 | |
OK. Is it sold? It's a deal. It's a deal. We'll buy them. | 0:13:03 | 0:13:07 | |
Well done. Shake the baker's hand. Sam, happy? | 0:13:07 | 0:13:10 | |
OK. | 0:13:10 | 0:13:11 | |
I am. They're lovely. Nice pair. | 0:13:13 | 0:13:16 | |
Keep it clean, Charles! | 0:13:16 | 0:13:18 | |
I just didn't like them. The toast racks? No. | 0:13:18 | 0:13:21 | |
OK. But I can live with it. Are you sure? | 0:13:21 | 0:13:24 | |
It's your turn now, OK? It's your turn. OK. | 0:13:24 | 0:13:27 | |
Oh, dear. Both couples are having issues, | 0:13:27 | 0:13:30 | |
and the pressure's on. Time's a-ticking! | 0:13:30 | 0:13:32 | |
The Reds seem to be getting on with it at the moment, though. But where's Phil? | 0:13:32 | 0:13:36 | |
We've got "God Save The Queen, | 0:13:36 | 0:13:38 | |
"2nd June, 1953." | 0:13:38 | 0:13:41 | |
And "Denby stoneware, Made in England." | 0:13:41 | 0:13:43 | |
What's the price on that one? | 0:13:43 | 0:13:45 | |
Looking at ?20. ?20. | 0:13:45 | 0:13:47 | |
Liz, she's got an eye. | 0:13:47 | 0:13:49 | |
I'm not sure it's an eye we all share, but she's got an eye! | 0:13:49 | 0:13:52 | |
I think we've got to rein her in | 0:13:52 | 0:13:54 | |
from buying something really wacky. It's a deal. | 0:13:54 | 0:13:58 | |
I think you might have spoken too soon, Phil. | 0:13:58 | 0:14:00 | |
We may have made a second purchase. Really? We have. May or have? | 0:14:00 | 0:14:04 | |
We have, actually. We have made a second purchase. | 0:14:04 | 0:14:07 | |
We'd still value your opinion, though. We would value your opinion. | 0:14:07 | 0:14:11 | |
I think it's a bit late for that! | 0:14:11 | 0:14:13 | |
You bought this? We bought that. Yes. | 0:14:13 | 0:14:15 | |
A little bit of Denbyware. ?10. ?10. | 0:14:15 | 0:14:18 | |
I can't see you losing more than 15 on it. | 0:14:20 | 0:14:23 | |
ALL LAUGH | 0:14:23 | 0:14:25 | |
We'll see if they've got themselves a money-maker with the mug later. | 0:14:25 | 0:14:31 | |
Now, come on, teams. There's a third item out there for you somewhere | 0:14:31 | 0:14:34 | |
but only 15 minutes left to find it! | 0:14:34 | 0:14:37 | |
Pig pincushion! Pig pincushion. Here. I'm having it. | 0:14:37 | 0:14:39 | |
Look. Look! Look at that pig! | 0:14:39 | 0:14:43 | |
That's a good pig. I like that! That's nice. I do like that. Do you like pigs? | 0:14:43 | 0:14:48 | |
I do. Any animal, really. Yeah. | 0:14:48 | 0:14:50 | |
A pincushion that will probably date to around 1900. | 0:14:50 | 0:14:53 | |
The more popular ones are in silver. | 0:14:53 | 0:14:56 | |
He's charming. How much is he? | 0:14:56 | 0:14:58 | |
He's 33. I reckon about ?30. | 0:14:58 | 0:15:01 | |
Yeah. He's novel, he's neat | 0:15:01 | 0:15:04 | |
and if you could buy him for maybe 20... Yeah? Yeah. | 0:15:04 | 0:15:08 | |
I would say he's a really good finale to our three lots. OK. Yeah. | 0:15:08 | 0:15:11 | |
See what we can do. Any pigs at home? No pigs. | 0:15:11 | 0:15:15 | |
Three dogs. Have you? Yes. They look like pigs! | 0:15:15 | 0:15:18 | |
I think he's telling porkies! | 0:15:20 | 0:15:22 | |
I've spoken to her. She was reluctant to come down, but I've got her down to 25. | 0:15:24 | 0:15:28 | |
25. That's the lowest she'll do. | 0:15:28 | 0:15:31 | |
Come on, guys. You said Sam could choose the next item. | 0:15:31 | 0:15:34 | |
I want the pig. Yeah. OK. | 0:15:34 | 0:15:36 | |
I think if it is ?10, it's ?10. | 0:15:36 | 0:15:39 | |
Hopefully the wine glasses and toast racks might bring us up. Yeah? | 0:15:39 | 0:15:42 | |
OK? Go for it. Lovely. Thank you very much. | 0:15:42 | 0:15:45 | |
Go, girl power! Now everyone in the blue corner is as happy as a pig in muck. | 0:15:45 | 0:15:50 | |
Three items safely stashed. Reds, you've got five minutes. No time to disagree. | 0:15:50 | 0:15:54 | |
Get that final item found! | 0:15:54 | 0:15:56 | |
Whitefriars, Geoffrey Baxter. | 0:15:56 | 0:15:58 | |
They're quite nice. Are they a pair? | 0:15:58 | 0:16:00 | |
You could buy them as a pair, but they're separate. | 0:16:00 | 0:16:03 | |
We've got five minutes left and you've got to buy something. | 0:16:03 | 0:16:07 | |
I would like you to buy something that you like... I like that. ..but keep your damage down. | 0:16:07 | 0:16:11 | |
How much is that? One of those is ?28. OK. | 0:16:11 | 0:16:14 | |
Want to look at the other one? Yes, please. Could I have a look? | 0:16:14 | 0:16:16 | |
Cos I'm sure, everything that I've listened to | 0:16:16 | 0:16:20 | |
is "a pair is best". | 0:16:20 | 0:16:22 | |
But I'd rather you buy Whitefriars than nobody's. | 0:16:23 | 0:16:27 | |
Excuse me, what's the best that you could do on these, please? | 0:16:27 | 0:16:31 | |
I'll do you the pair for the price of one. | 0:16:31 | 0:16:33 | |
It's 28 I've got on one, so I'll do the two for 28. What do you think, chaps? | 0:16:33 | 0:16:37 | |
Sounds like quite a good deal. And they're red. | 0:16:37 | 0:16:40 | |
Do you know, I would love to... | 0:16:40 | 0:16:42 | |
I like these and I'm going to say, thank you very much, sir. You've got a deal! | 0:16:42 | 0:16:47 | |
Well, someone had to make a decision. | 0:16:47 | 0:16:49 | |
There were only a couple of minutes left. | 0:16:49 | 0:17:18 | |
Good on you, Reds. From trials and tribulations to a good old titter. Good shop done. | 0:17:18 | 0:17:19 | |
Excuse me, have you got the time? I've got lots of time, Tim. Take your pick! | 0:17:19 | 0:17:23 | |
So you have! | 0:17:23 | 0:17:24 | |
Anyway, time's up. That's your lot. | 0:17:24 | 0:17:27 | |
All the items have been bought, | 0:17:27 | 0:17:30 | |
so we've now trotted east from Exeter all the way to Honiton, | 0:17:30 | 0:17:34 | |
to the Bearnes Hampton Littlewood saleroom. | 0:17:34 | 0:17:37 | |
Before we find out if they make a profit or not, | 0:17:37 | 0:17:39 | |
let's remind ourselves what the Red team bought. | 0:17:39 | 0:17:42 | |
They made a good start. Five minutes in and they agreed on this whisky toddy jug. | 0:17:42 | 0:17:47 | |
It set them back ?150, though. | 0:17:47 | 0:17:49 | |
With half their cash gone, they went very low-key for their second item. | 0:17:49 | 0:17:53 | |
So low that Phil missed it altogether! | 0:17:53 | 0:17:55 | |
It was a ?10 Queen Elizabeth II coronation mug. | 0:17:55 | 0:17:58 | |
But it was when indecision reigned that Liz took charge, | 0:18:00 | 0:18:03 | |
settling a deal for these Whitefriar vases at ?28 the pair. | 0:18:03 | 0:18:07 | |
Now, Simon, Liz, you spent ?188. ?112 went to Philip Serrell. | 0:18:11 | 0:18:16 | |
What did you spend it on, old boy? I did say it would be different! | 0:18:16 | 0:18:19 | |
Ooh! Do you want to take it? I don't actually know what it is! Oh! | 0:18:21 | 0:18:26 | |
But I know where it was made. It was made in Glasgow by a company called Gilchrist | 0:18:26 | 0:18:30 | |
because it's stamped along there. | 0:18:30 | 0:18:32 | |
Is it heavy? Just a touch, yeah! | 0:18:32 | 0:18:35 | |
That is very heavy! Yeah. Wow. | 0:18:35 | 0:18:38 | |
I paid ?40 for it. They guy I bought it off thought it might be an oat roller, | 0:18:38 | 0:18:43 | |
which it might be. But if somebody came up with a better idea, | 0:18:43 | 0:18:46 | |
I could equally believe that. | 0:18:46 | 0:18:47 | |
I think that is going to make at auction... | 0:18:47 | 0:18:49 | |
I think it's a quirky, daft thing and it could make 40 to 60 quid. | 0:18:49 | 0:18:53 | |
?40? It's very aesthetically pleasing. | 0:18:53 | 0:18:56 | |
Unusual item, Mr Serrell. | 0:18:57 | 0:18:59 | |
Luckily, the Reds have a bit of time to decide. | 0:18:59 | 0:19:03 | |
Now for the Blues. Here's a little reminder of what they bought. | 0:19:03 | 0:19:06 | |
The Blues bought a pair of 18th-century drinking glasses | 0:19:08 | 0:19:12 | |
that cost them a nice, round ?100. | 0:19:12 | 0:19:15 | |
Charles and Ross overruled Sam | 0:19:17 | 0:19:20 | |
and bought a pair of silver George V toast racks for ?65. | 0:19:20 | 0:19:24 | |
Sam spotted an Edwardian brass pig | 0:19:26 | 0:19:29 | |
and pinned it down for a sharp ?25. Oink! | 0:19:29 | 0:19:32 | |
Now, Ross, Sam, this is exciting, isn't it? Yep. | 0:19:34 | 0:19:38 | |
You gave Carlos Hanson ?110 to spend. Charles, what did you spend it on? | 0:19:38 | 0:19:42 | |
I spent the entirety. I've gone big. | 0:19:42 | 0:19:45 | |
I've gone for the magic of the Far East. | 0:19:45 | 0:19:48 | |
And look at that. | 0:19:48 | 0:19:50 | |
Ooh! Do you like it? Yes, I do. It's really nice. | 0:19:50 | 0:19:52 | |
You spent ?110 on that? ?110. It's Japanese, | 0:19:52 | 0:19:55 | |
it's circa 1890, 1900, | 0:19:55 | 0:19:58 | |
and it's what we call the magic of the Meiji period. | 0:19:58 | 0:20:00 | |
It's the high-brow export that was made for our Western world. | 0:20:00 | 0:20:04 | |
It's not just a teapot and cover. | 0:20:04 | 0:20:06 | |
I've also got a milk jug, a sugar bowl, six cups and saucers, too, | 0:20:06 | 0:20:11 | |
all in a similar condition, for ?110. | 0:20:11 | 0:20:14 | |
Have a handle of the magic of the Far East. | 0:20:14 | 0:20:17 | |
All hand-painted, all labour intensive, and it's a jewel! | 0:20:17 | 0:20:21 | |
It's really nice. I like it. How much could it sell for? | 0:20:21 | 0:20:24 | |
Well, it ought to be carrying a guide price of 100 to 150. | 0:20:24 | 0:20:28 | |
I think that is quite reasonable. | 0:20:28 | 0:20:30 | |
Hopefully, on a good day, it could make more towards 200. | 0:20:30 | 0:20:34 | |
I hope so, but you never know. | 0:20:34 | 0:20:36 | |
We'll see if the Far East brings far-reaching profits in a minute, | 0:20:36 | 0:20:41 | |
as we're now off to auction. | 0:20:41 | 0:20:43 | |
Auctioneer Brian Goodison-Blanks is ready. | 0:20:43 | 0:20:46 | |
Now, are you nervous? Yes! | 0:20:46 | 0:20:49 | |
I wasn't, but I am now. You're so brave but yet so frightened! | 0:20:49 | 0:20:54 | |
I know! | 0:20:54 | 0:20:56 | |
But first up is your whisky decanter. Here it comes. | 0:20:56 | 0:21:00 | |
Interesting whisky toddy jug here. Shame the label is a little later. | 0:21:00 | 0:21:04 | |
Interest here with me at 40, 45, 50. | 0:21:04 | 0:21:07 | |
55. At ?55. 60. | 0:21:07 | 0:21:10 | |
Five. 70. The bid is in the room at ?70. Five, anybody else? | 0:21:10 | 0:21:14 | |
75, fresh place. 80. Five? | 0:21:14 | 0:21:18 | |
At ?80 seated. In the room at 80. | 0:21:18 | 0:21:21 | |
In the room, then, at ?80. Uh-oh! | 0:21:21 | 0:21:22 | |
That means a hit of minus ?70. Sorry about that. | 0:21:22 | 0:21:27 | |
Anyway, here comes the Denby jug. | 0:21:28 | 0:21:30 | |
The Queen Elizabeth II coronation mug by Denby. 1953. | 0:21:30 | 0:21:35 | |
What can I say for that? ?10? | 0:21:35 | 0:21:37 | |
Come on! Five pounds? | 0:21:37 | 0:21:39 | |
Come on. Five I have. Thank you, madam. God bless you. | 0:21:39 | 0:21:42 | |
At five pounds, then. And eight now elsewhere? | 0:21:42 | 0:21:45 | |
Any advance on five? | 0:21:45 | 0:21:47 | |
I don't like the look of this! | 0:21:47 | 0:21:49 | |
That's a five-pound note. We thought we couldn't lose anything on ?10. | 0:21:49 | 0:21:53 | |
The pair of Whitefriars ruby and clear glass bud vases. | 0:21:53 | 0:21:57 | |
Five pounds? Five I have all over the place. | 0:21:57 | 0:21:59 | |
At five, eight, ten. | 0:21:59 | 0:22:01 | |
12? 12. 15. | 0:22:01 | 0:22:03 | |
18? At 15, then, seated. | 0:22:03 | 0:22:06 | |
At 15. | 0:22:06 | 0:22:08 | |
Oh, dear! | 0:22:08 | 0:22:10 | |
?15 is minus ?13 on that. | 0:22:10 | 0:22:13 | |
That's minus 88. | 0:22:13 | 0:22:15 | |
It's all going well, isn't it? Yes. Fantastic... | 0:22:15 | 0:22:19 | |
Chaps, now, to roll or not to roll, that is the question. | 0:22:19 | 0:22:24 | |
We'll roll. We need the bus fare home, Tim. Going with it? Yes. | 0:22:24 | 0:22:27 | |
We're going with the roller. It's interesting. | 0:22:27 | 0:22:30 | |
And here comes the so-called oat crusher. | 0:22:30 | 0:22:32 | |
The brass oat crusher or roller by Gilchrist of Glasgow. | 0:22:32 | 0:22:36 | |
Interesting thing. I'm sure you all want one! | 0:22:36 | 0:22:38 | |
LAUGHTER | 0:22:38 | 0:22:39 | |
Interest here with me at ?50. | 0:22:39 | 0:22:42 | |
55. 60. Five. 70. Five. At ?75. 80. | 0:22:42 | 0:22:48 | |
At 80 here. Five now elsewhere. | 0:22:48 | 0:22:51 | |
At ?80, the bid is in the room. He's doubled his money! | 0:22:51 | 0:22:54 | |
I'm sure you want one. At ?80, then. We've cut our loss a bit. | 0:22:54 | 0:22:58 | |
Selling at 80. | 0:22:58 | 0:22:59 | |
?80 it's gone for. Well done, P Serrell. That's plus ?40. | 0:22:59 | 0:23:03 | |
Thank you. That is the way to produce a bonus buy | 0:23:03 | 0:23:06 | |
and cut 'em up. Plus 40, | 0:23:06 | 0:23:09 | |
which means overall you are only now minus 48, which could easily be a winning score. | 0:23:09 | 0:23:15 | |
Just don't say a word to the Blues. We won't! | 0:23:15 | 0:23:18 | |
Not a word. Thank you. Thank you. Well done. Thanks, Phil. | 0:23:18 | 0:23:22 | |
So, Ross, Sam. Do you know how the Reds got on? No. No. | 0:23:30 | 0:23:35 | |
Haven't been chatting? No. Good. | 0:23:35 | 0:23:37 | |
We don't want that. OK? Are you cool? Yes. Everybody cool? Yes. Charles, cool? | 0:23:37 | 0:23:41 | |
Very confident. Nobody cooler than Charles. | 0:23:41 | 0:23:44 | |
First up is your drinking glasses. Here they come. | 0:23:44 | 0:23:46 | |
The pair of George III fluted drinking glasses, circa 1780. | 0:23:46 | 0:23:50 | |
And here with me at 50. | 0:23:50 | 0:23:52 | |
Five. 60. Five. | 0:23:52 | 0:23:55 | |
70. Five. 80. | 0:23:55 | 0:23:57 | |
Five. 90 now. 90. | 0:23:57 | 0:24:00 | |
Five. 100? Moving. 110? 120. We're in profit. Good. | 0:24:00 | 0:24:05 | |
130. 140? | 0:24:05 | 0:24:07 | |
130. Yes! Shake of the head there. | 0:24:07 | 0:24:08 | |
140, do I see? Well done, Charlie. ?130, then. | 0:24:08 | 0:24:11 | |
130. That is ?30 profit straight up. That is so good. | 0:24:11 | 0:24:15 | |
Now, these toast racks. | 0:24:15 | 0:24:18 | |
Toast racks. Dinky little things, for if you're on a diet! | 0:24:18 | 0:24:21 | |
What do I say here? Commission bid with me | 0:24:21 | 0:24:24 | |
at 35. 40. 45. 50. | 0:24:24 | 0:24:26 | |
50 bid here with me. | 0:24:26 | 0:24:28 | |
Five. | 0:24:28 | 0:24:29 | |
55. 60. Five. 70. Five. | 0:24:29 | 0:24:33 | |
80. Five. | 0:24:33 | 0:24:35 | |
At ?80 commission back with me, then. | 0:24:35 | 0:24:38 | |
Five now elsewhere? At ?80, then. All done? Love it, Charles. | 0:24:38 | 0:24:41 | |
At ?80. That is plus ?15. | 0:24:41 | 0:24:44 | |
I love that. Don't you? ?15. | 0:24:44 | 0:24:47 | |
You were doubting, weren't you? I didn't like them. | 0:24:47 | 0:24:50 | |
Now the pig pincushion. | 0:24:50 | 0:24:53 | |
The little piggy's here. What am I saying for that? ?15? | 0:24:53 | 0:24:56 | |
15 straightaway. Thank you. 18 now? | 0:24:56 | 0:24:59 | |
At ?15 here. 18. 20? | 0:24:59 | 0:25:02 | |
20. 22. 25. | 0:25:02 | 0:25:04 | |
28. 30. You're in profit. I love it. | 0:25:04 | 0:25:08 | |
35. 38. 40. 42. | 0:25:08 | 0:25:10 | |
Oh, my pig! | 0:25:10 | 0:25:12 | |
At ?40 in the room, then. | 0:25:12 | 0:25:14 | |
At 40. | 0:25:14 | 0:25:15 | |
It came to market and it sold. Plus ?15. | 0:25:15 | 0:25:18 | |
Well done! So, you've got 30 plus 30 is plus 60. | 0:25:18 | 0:25:22 | |
Perfect. Now, there's a bit of a decision to make here, OK? | 0:25:22 | 0:25:26 | |
So, do you park your ?60 worth of profit, | 0:25:26 | 0:25:32 | |
which is lovely, could be a winning score, | 0:25:32 | 0:25:34 | |
or do you risk it to go with the Satsuma tea set? | 0:25:34 | 0:25:37 | |
I think we should go with it. I really like it. | 0:25:37 | 0:25:39 | |
Shall we? Shall we go with it? Really? Yeah, why not? | 0:25:39 | 0:25:44 | |
Oh, no! | 0:25:44 | 0:25:45 | |
Are we sensible here? Probably not sensible, but... Not sensible. | 0:25:45 | 0:25:49 | |
Quickly, you've got to decide! We're not going with it. No? No. | 0:25:49 | 0:25:52 | |
No. No. We're not. Quickly. No. No. | 0:25:52 | 0:25:57 | |
Right. We're not going with the bonus buy. | 0:25:57 | 0:25:59 | |
Dear, oh, dear! Lot 75 is the Japanese Satsuma tea service. | 0:25:59 | 0:26:04 | |
Lot 75. Satsuma tea service. Watch it make 400! 20th century. | 0:26:04 | 0:26:07 | |
With the figural decoration. | 0:26:07 | 0:26:10 | |
What do I say for this? ?80? | 0:26:10 | 0:26:12 | |
Really chancing. It is chancing. Bid me 40? | 0:26:12 | 0:26:16 | |
Oh, no! No commission bids. | 0:26:16 | 0:26:18 | |
?20? Thank you, sir. At 20. 22. 25. | 0:26:18 | 0:26:22 | |
28. 30. | 0:26:22 | 0:26:25 | |
32. 35. | 0:26:25 | 0:26:27 | |
38. 40? | 0:26:27 | 0:26:29 | |
Sure? | 0:26:29 | 0:26:31 | |
Keep going! | 0:26:31 | 0:26:32 | |
?38. Bid is in the room. In the room at 38. | 0:26:32 | 0:26:34 | |
No bid on the internet. | 0:26:34 | 0:26:36 | |
Yes! 38. We made the right choice! Thank God for that! | 0:26:36 | 0:26:39 | |
You did make the right choice. Painful, isn't it? | 0:26:39 | 0:26:41 | |
That's two shy of 40. I would have paid that. | 0:26:41 | 0:26:44 | |
That would have been minus ?72, lads. | 0:26:44 | 0:26:47 | |
We did the right thing, then. You did the right thing. | 0:26:47 | 0:26:51 | |
You parked it. You parked up. Just about! | 0:26:51 | 0:26:53 | |
You are plus ?60, OK? | 0:26:53 | 0:26:56 | |
Don't let anybody say that you're indecisive, because that's not true! | 0:26:56 | 0:27:01 | |
Listen, don't say a word to the Reds, all right? No. | 0:27:01 | 0:27:04 | |
Completely sealed up? Definitely. | 0:27:04 | 0:27:06 | |
All will be revealed in a moment. Well done. | 0:27:06 | 0:27:08 | |
And the Blues did have today's winning score | 0:27:12 | 0:27:16 | |
with their profit of ?60. | 0:27:16 | 0:27:18 | |
And they also go home with a golden gavel each. Well done, Blues. | 0:27:18 | 0:27:21 | |
Coming up, we'll see how our next two teams cope with their challenge. | 0:27:22 | 0:27:26 | |
Meanwhile... | 0:27:26 | 0:27:29 | |
we're heading off somewhere absolutely gorgeous. | 0:27:29 | 0:27:32 | |
Welcome to Antony in Cornwall, | 0:27:40 | 0:27:43 | |
named Antony after the parish in which it resides. | 0:27:43 | 0:27:48 | |
This has been home to the Carew family for hundreds of years. | 0:27:48 | 0:27:53 | |
The Carews are an ancient family, deriving their name from Carew Castle in Pembrokeshire. | 0:27:55 | 0:28:01 | |
They first settled here in Cornwall in the early 15th century. | 0:28:01 | 0:28:05 | |
Over the next 500 years, | 0:28:09 | 0:28:10 | |
the family have accumulated a considerable collection of antiques and works of art. | 0:28:10 | 0:28:17 | |
Some of the furniture in the place truly is spectacular. | 0:28:17 | 0:28:20 | |
And on this side of the room, the most eye-catching piece is this side table. | 0:28:20 | 0:28:27 | |
Just look at the detail in this. | 0:28:27 | 0:28:29 | |
This is a table made around 1715 to 1725. | 0:28:29 | 0:28:35 | |
The masks themselves are very unusual. | 0:28:35 | 0:28:38 | |
He's got short little horns and a very jovial face | 0:28:38 | 0:28:43 | |
because he's connected with Bacchus, God of drink and all that jollity, | 0:28:43 | 0:28:49 | |
and this table probably originally stood in a dining room, | 0:28:49 | 0:28:54 | |
covered in bottles and accoutrements connected with drink. | 0:28:54 | 0:28:59 | |
The really unusual feature, though, is the foot on each of the four supports. | 0:28:59 | 0:29:04 | |
That has been carved in the round naturalistically with a horse's hoof. | 0:29:04 | 0:29:09 | |
Very, very strange and rare. | 0:29:09 | 0:29:13 | |
If you look at the house brochure, there's a suggestion | 0:29:13 | 0:29:18 | |
that this table is the work of the famous Exeter cabinet-maker John Channon. | 0:29:18 | 0:29:24 | |
As John Channon was born in 1711, | 0:29:24 | 0:29:27 | |
it's unlikely that he was capable of making a table quite as good as this | 0:29:27 | 0:29:32 | |
when he was only nine or ten years of age, | 0:29:32 | 0:29:35 | |
so he's not the cabinet-maker. | 0:29:35 | 0:29:38 | |
Back in Exeter at the Westpoint Arena, we've got | 0:29:38 | 0:29:41 | |
two new teams and it's all about opposites. | 0:29:41 | 0:29:44 | |
The Reds prefer the logic of science. | 0:29:44 | 0:29:46 | |
Maximising efficiency. Logic has been employed. | 0:29:48 | 0:29:51 | |
Whereas the Blues turn to witchcraft to summon up a profit. | 0:29:51 | 0:29:55 | |
We need to use our vibes. Yes. OK, ready? OK. | 0:29:55 | 0:29:58 | |
Ooh! Can you feel it? I can feel it. # Can I feel it? # | 0:29:58 | 0:30:01 | |
I did feel it! | 0:30:01 | 0:30:02 | |
So, let's meet today's teams. | 0:30:05 | 0:30:06 | |
On today's show, we've got boys vs girls, best mates vs best mates. | 0:30:12 | 0:30:18 | |
For the Reds, we've got Lawrie and Paddy. And for the Blues, we've got Claire and Yola. Hi! Hello! | 0:30:18 | 0:30:25 | |
Lawrie, how did you and Pads meet? | 0:30:25 | 0:30:27 | |
We were both at University of Exeter. | 0:30:27 | 0:30:29 | |
On the first day, our eyes met across the room at the gym and the rest is history. | 0:30:29 | 0:30:35 | |
You thought, "He's muscular. I'll go for him"? We were both skinny. | 0:30:35 | 0:30:39 | |
What are you up to now? I'm studying a Master's in Economics at Oxford | 0:30:39 | 0:30:44 | |
and Paddy's studying water environmental management at Bristol. | 0:30:44 | 0:30:48 | |
So you are perpetual students. We are. You got into the groove. | 0:30:48 | 0:30:52 | |
We don't want to get away. So is a doctorate coming your way? Prolong it another 4 or 5 years? | 0:30:52 | 0:30:59 | |
Potentially, yes. Paddy's doing a PhD. This is something else! | 0:30:59 | 0:31:03 | |
Absolutely marvellous. | 0:31:03 | 0:31:04 | |
Paddy, you're interested in antiques? Well, yeah, my mother is an artist and a painter. | 0:31:04 | 0:31:11 | |
My brother's a sculptor and stonemason, so I have an appreciation for art. | 0:31:11 | 0:31:16 | |
Being scientists, we do like scientific instruments. | 0:31:16 | 0:31:21 | |
Some sell for a big old price. So what are your tactics - spend it all, or nothing? What? | 0:31:21 | 0:31:29 | |
We're going to go out pretty hard, pretty fast. Spend big. Go outrageous, I think. | 0:31:29 | 0:31:34 | |
Get some quirky items. Gosh! Stand by for this. | 0:31:34 | 0:31:38 | |
If it goes with your pimped-up hats, it should be quite a performance. | 0:31:38 | 0:31:43 | |
Well done. Very nice to meet you. Girls, are you quaking? | 0:31:43 | 0:31:46 | |
No! You're not. | 0:31:46 | 0:31:49 | |
So how did you meet Yola? We met at college about...sixteen years ago. | 0:31:49 | 0:31:56 | |
Since then, we've been best friends. And what do you do now, Claire? | 0:31:56 | 0:32:01 | |
I support families with children in care. I supervise the contacts between children and parents. | 0:32:01 | 0:32:07 | |
Is this social services? It is. | 0:32:07 | 0:32:09 | |
Is that a fun job or...? It can be. It can be hard at times. | 0:32:09 | 0:32:14 | |
You never know what you're going to get from day to day. | 0:32:14 | 0:32:18 | |
Quite stressful, I would think. It can be. | 0:32:18 | 0:32:21 | |
What line of work are you in, darling? I work with homeless people as a meaningful occupation worker. | 0:32:21 | 0:32:28 | |
I organise activities and make sure people have proper life skills and we lobby government | 0:32:28 | 0:32:35 | |
for specific causes as well. It's a busy role. I bet it is. | 0:32:35 | 0:32:40 | |
What do you like to collect? I like things from the occult. | 0:32:40 | 0:32:45 | |
I like things a little bit spooky and magical. | 0:32:45 | 0:32:49 | |
So, what are your tactics? What'll you get up to? | 0:32:49 | 0:32:53 | |
We'll just wait for something to attract us... Jump out at you. And we'll chat to our expert. | 0:32:53 | 0:32:59 | |
Very sensible. What fun. Here we go, then. ?300 apiece. | 0:32:59 | 0:33:03 | |
You know the rules. Your experts await. And off you go! Very, very, very good luck. | 0:33:03 | 0:33:09 | |
Love the hairdo. | 0:33:09 | 0:33:11 | |
We've got two young girls to take on. How will we apply ourselves to this? | 0:33:16 | 0:33:20 | |
We'll exploit the powers of logic that we've built up in education. | 0:33:20 | 0:33:26 | |
Do you feel vibes? I do. Really? Really. What are they telling you? | 0:33:26 | 0:33:31 | |
Well, you're just drawn to things. Like you're drawn to a partner that you fancy. | 0:33:31 | 0:33:36 | |
I think the same thing with objects. | 0:33:36 | 0:33:38 | |
We'll use mathematical reasoning. Buy low, sell high. | 0:33:38 | 0:33:42 | |
Oh, Lord help us. Come on. | 0:33:42 | 0:33:46 | |
Can you feel the vibe now? Yola? Yes, I can feel the vibe. Look at those vases. | 0:33:46 | 0:33:52 | |
What are they saying to you? They're saying, "Look at my bottom!" Oh! | 0:33:52 | 0:33:56 | |
Focus the mind. | 0:33:58 | 0:34:01 | |
Look at them. They're fun. Aren't they wonderful? | 0:34:01 | 0:34:06 | |
Oh, just look at those vases. They have a wonderful magic about them. Haven't they? | 0:34:06 | 0:34:12 | |
They are ?1,800. I don't think the love we're expressing... The magic isn't working, is it? | 0:34:12 | 0:34:19 | |
Onwards! Onwards! | 0:34:19 | 0:34:22 | |
Onwards and upwards, exactly. | 0:34:22 | 0:34:24 | |
Hope you're still feeling the vibe, girls. | 0:34:24 | 0:34:27 | |
So the search continues and no stone is left unturned in the quest for a bargain. | 0:34:27 | 0:34:33 | |
Correct me if I'm wrong. These are a set of oars. They look too short to be out of an eight. | 0:34:33 | 0:34:40 | |
Mm. We've had a closer look. This looks like the ceremonial blade | 0:34:40 | 0:34:45 | |
given to the First Eight crew of Oriel College during summer racing. | 0:34:45 | 0:34:49 | |
As you can see here, we have the four colleges of the Oriel team in 1949. | 0:34:49 | 0:34:55 | |
And same here for the First Eight. | 0:34:55 | 0:34:58 | |
The other thing is that they are very much a ceremonial thing. | 0:34:58 | 0:35:02 | |
It's a sacred rite to have earned one. As we can see on the back, | 0:35:02 | 0:35:06 | |
they would have been mounted on the wall of whoever won them in 1949. | 0:35:06 | 0:35:12 | |
You both like these, do you? Definitely. Well, let's not show too much enthusiasm here. | 0:35:12 | 0:35:18 | |
Sir? | 0:35:18 | 0:35:19 | |
What's the best you can do on the pair? | 0:35:19 | 0:35:23 | |
Very best. 90. | 0:35:23 | 0:35:26 | |
?90 the pair? ?90. What do you think, guys? | 0:35:26 | 0:35:30 | |
It's a good price. Is that the very best? There is no more? That's it. End of story. | 0:35:30 | 0:35:37 | |
Do you like them? I really like them. A lot of blood, sweat and tears have gone into these boys. | 0:35:37 | 0:35:44 | |
Get the money, girls. Pay the man. Thank you so much. | 0:35:44 | 0:35:48 | |
Pulling away smartly from the starting line | 0:35:48 | 0:35:51 | |
and clearly in OAR of their first purchase, | 0:35:51 | 0:35:53 | |
the Reds take the lead, just 10 minutes into the shop. | 0:35:53 | 0:35:57 | |
So what's this, then? This is a fantastic cauldron. | 0:35:57 | 0:36:01 | |
Could you cast a spell on this? Could you actually cast a spell? I could. Really? Yes. | 0:36:01 | 0:36:07 | |
Yeah... So could you turn it into a frog or something? No! | 0:36:07 | 0:36:12 | |
What you send out comes back to you. If I turned you into a frog, | 0:36:12 | 0:36:17 | |
what on earth would I become?! With those ears, perhaps a witch's cat. | 0:36:17 | 0:36:22 | |
Miaow! | 0:36:22 | 0:36:24 | |
Selling to people at auction, they'll be used to the same things, but something different... OK. | 0:36:24 | 0:36:31 | |
Well, let's go...let's go over here and see what we can find. | 0:36:31 | 0:36:35 | |
Oh, Claire, look at this! This is pretty damn gorgeous. | 0:36:35 | 0:36:40 | |
Absolutely. Look at this. | 0:36:40 | 0:36:43 | |
What I like is it's a soft wood. It's well carved. Late Victorian. | 0:36:43 | 0:36:48 | |
And the plate glass appears to be original. Yeah. Quite a stylish mirror, actually. | 0:36:48 | 0:36:53 | |
Aha! Now this is interesting. | 0:36:53 | 0:36:56 | |
Isn't it just some mathematician drawing...? | 0:36:56 | 0:37:00 | |
No. I don't know what they mean because everyone has their own... They're like hieroglyphics almost. | 0:37:00 | 0:37:06 | |
They're a code for some sort of spell. A witch's scrying mirror. A witch's...? Scrying mirror. | 0:37:06 | 0:37:12 | |
So it would have... it would have belonged to a witch? Oh, yes, most definitely. | 0:37:12 | 0:37:18 | |
Or given to a witch, for sure. Well, I'm spellbound. | 0:37:18 | 0:37:22 | |
No, I am. Can we get it, then? How much is it? What does it say? | 0:37:22 | 0:37:27 | |
?48 it says. Ah... Shall we try and haggle? | 0:37:27 | 0:37:31 | |
Hello! Morning. Morning, sir. Good morning to you. | 0:37:31 | 0:37:36 | |
We're admiring this mirror. Priced at ?48. What's the best price? | 0:37:36 | 0:37:40 | |
The very best I would normally do would be 35. | 0:37:40 | 0:37:44 | |
What about 30? I can't do that. Who's your opposition today? | 0:37:44 | 0:37:49 | |
Philip Serrell. Then I can find a little bit more. | 0:37:49 | 0:37:54 | |
Yay! I can do 33. It gives me a ?3 profit. | 0:37:54 | 0:37:57 | |
I reckon that's good. I've never sold a witch's item, but this is a first. | 0:37:57 | 0:38:03 | |
I think at ?33 with a guide price hopefully between 30 and 40, it stands a good chance. | 0:38:03 | 0:38:09 | |
I'd normally say that's the death, but I'll say it's the best I can do. | 0:38:09 | 0:38:14 | |
Good idea! Yeah. It's up to you. Yeah. Yeah. Yes, we'll take it, sir. | 0:38:14 | 0:38:20 | |
So the bewitching Blues have now purchased their first item. | 0:38:20 | 0:38:24 | |
Is Charles starting to fall under their spell? | 0:38:24 | 0:38:28 | |
Let's have a look in here, my love. | 0:38:28 | 0:38:30 | |
Now, you did want quirky. We did want quirky. Do you know what this is? | 0:38:30 | 0:38:36 | |
I have no idea. Shall I give you a clue? | 0:38:36 | 0:38:40 | |
What you always wanted! A moustache brush. | 0:38:41 | 0:38:44 | |
We expect a bit more luxurious growth. Imagine the Edwardian gentleman brushing his moustache. | 0:38:44 | 0:38:51 | |
I've never seen one before. Nor are you likely to again! | 0:38:51 | 0:38:55 | |
Do you like it? It is the quirkiness we required. | 0:38:55 | 0:38:59 | |
I think it's brilliant. Brushing your moustache is quite a funny image with that. | 0:38:59 | 0:39:05 | |
What's the price on that? 38? | 0:39:05 | 0:39:07 | |
What's the best you could do on that one, love? Erm, I'll do 30. | 0:39:07 | 0:39:12 | |
30. You see, I think that's going to make ?20-?30 at auction, | 0:39:12 | 0:39:16 | |
which means we need to try to get it lower. Could you do 25? | 0:39:16 | 0:39:20 | |
It's up to you, my love. Yeah. So we'll have that? For 25. | 0:39:23 | 0:39:27 | |
Thank you very much. Thank you very much. | 0:39:27 | 0:39:31 | |
Grooming themselves for calculated success, | 0:39:31 | 0:39:35 | |
that's the second item purchased by the Reds. | 0:39:35 | 0:39:38 | |
I think we're doing quite well. 19 minutes on the clock, got two items, spent ?115. | 0:39:38 | 0:39:43 | |
Maximising efficiency. Logic has been employed. | 0:39:43 | 0:39:46 | |
They're doing really well. The danger is to relax | 0:39:46 | 0:39:51 | |
and if we take our foot off the pedal, it can all go horribly wrong. | 0:39:51 | 0:39:55 | |
We're halfway through and it's time to talk team tactics. | 0:40:00 | 0:40:04 | |
We've got ?115. To spend ?100 on something would be nice. | 0:40:04 | 0:40:07 | |
Well-calculated spending. No pressure on Phil here(!) | 0:40:07 | 0:40:12 | |
Claire, we have to get spooky. We need to use our vibes. Yes. | 0:40:12 | 0:40:16 | |
OK, ready? OK. | 0:40:16 | 0:40:18 | |
Can you feel it? I can feel it! # Can I feel it? # | 0:40:18 | 0:40:22 | |
Hmm, very different plans. Logic versus the occult. That's a first for Bargain Hunt. | 0:40:22 | 0:40:28 | |
Isn't that a lovely chair? Yes. | 0:40:30 | 0:40:32 | |
And how much is that lovely chair, Charles? If you were a lady in the late 17th century, | 0:40:32 | 0:40:39 | |
this could have been in your hallway. Isn't it great? Yeah. 1680. A chair. | 0:40:39 | 0:40:44 | |
Who was King of England then? Charles II. | 0:40:44 | 0:40:47 | |
Ah! So it's his period. Just look at the quality. | 0:40:47 | 0:40:52 | |
This arch cresting is typical of the 1680s, 1690s. | 0:40:54 | 0:40:59 | |
This seat is new. Yeah, this is all new. | 0:40:59 | 0:41:03 | |
I just think that's a nice chair. | 0:41:03 | 0:41:06 | |
Are we going to make money on this? What do you think? | 0:41:06 | 0:41:10 | |
If the price came down a little bit. Can't I put it up? No! | 0:41:10 | 0:41:14 | |
Go on, go on. Put it down even more. | 0:41:14 | 0:41:18 | |
That could be ?90. OK. I like the chair, but I don't like the ?90. | 0:41:18 | 0:41:24 | |
Don't you? 85. | 0:41:24 | 0:41:26 | |
- 83. - 83?! Go on! | 0:41:26 | 0:41:29 | |
- Oh, no. - ?83.50! | 0:41:29 | 0:41:32 | |
- Go on. - Where do you find these women? | 0:41:32 | 0:41:35 | |
Do you know, I don't know?! Please, please. All right, then. | 0:41:35 | 0:41:40 | |
And that's the second purchase for the Blues. Well done, girls. | 0:41:40 | 0:41:45 | |
You're certainly persuasive. What's this? Time for Shakespeare? | 0:41:45 | 0:41:49 | |
Double double, toil and trouble? | 0:41:49 | 0:41:52 | |
Fire burn and cauldron bubble! | 0:41:52 | 0:41:55 | |
They're a handful, but I'm enjoying it. We came across that interesting mirror with that witch feel to it. | 0:41:55 | 0:42:02 | |
But I took them back to the real history of that wonderful late-17th century chair. | 0:42:02 | 0:42:07 | |
So far, so good. I think we've got an interesting last 15 minutes. | 0:42:07 | 0:42:12 | |
Like a hell-broth boil and bubble! | 0:42:12 | 0:42:15 | |
Hmm, we don't normally get quotes from Macbeth on this show. | 0:42:21 | 0:42:24 | |
Meanwhile, the pressure is getting to our Reds, who need a sit down. | 0:42:24 | 0:42:30 | |
It's good for a rest, this one. Phil, what are you thinking? | 0:42:30 | 0:42:34 | |
Come rest with us. I quite like that. | 0:42:34 | 0:42:37 | |
It's only when you stand here, underneath it's shaped, isn't it? | 0:42:37 | 0:42:41 | |
Yep. | 0:42:42 | 0:42:43 | |
I bought a pair of these in France for 100 euros, so how much is this? | 0:42:43 | 0:42:48 | |
?100. That's double up, isn't it? | 0:42:48 | 0:42:50 | |
Why do you two like this? | 0:42:50 | 0:42:53 | |
We've got lots of benches at home and I like how sturdy it is. | 0:42:53 | 0:42:57 | |
My brother's a carpenter so I like wooden things. It's quite well made. It's nice. Yeah. | 0:42:57 | 0:43:02 | |
Let's have a look at it. | 0:43:02 | 0:43:04 | |
I do like that. I don't know how accidental that is or not. | 0:43:04 | 0:43:09 | |
Mortise and tenon here, look. I like that. Let's get the man over. | 0:43:09 | 0:43:14 | |
See what he can do. Good sir... | 0:43:14 | 0:43:17 | |
Could you do ?60? 55. ?55. | 0:43:17 | 0:43:21 | |
Done. I think we can do that. I think you got a good buy there. | 0:43:22 | 0:43:26 | |
He's been really good to you. Thank you very much. We have a deal. Thank you very much. | 0:43:26 | 0:43:31 | |
Are you two going to carry it? Oh, yeah. Follow me. | 0:43:31 | 0:43:36 | |
Ready? Legs apart, lift together. | 0:43:36 | 0:43:39 | |
Ready? Off we go. | 0:43:39 | 0:43:40 | |
Frogmarched by Phil, the boys can bench press away | 0:43:40 | 0:43:44 | |
knowing that all three items are well and truly in the bag. | 0:43:44 | 0:43:48 | |
It's all three pieces. Oh, wow! | 0:43:48 | 0:43:51 | |
And it's French, apparently. It's Poseidon or Neptune. | 0:43:51 | 0:43:56 | |
OK. Yes. Claire, observations? | 0:43:56 | 0:43:59 | |
Um, it's... A garniture. | 0:43:59 | 0:44:01 | |
It's a garniture. Which is? | 0:44:01 | 0:44:03 | |
I don't know. What's a garniture? | 0:44:03 | 0:44:06 | |
You tell us. A garniture is essentially... | 0:44:06 | 0:44:08 | |
Here's your centrepiece, your very... OK. So your garnish. | 0:44:08 | 0:44:11 | |
..desirable pewter, or bronzed. | 0:44:11 | 0:44:14 | |
So it's a bronze-coated clock, which is, | 0:44:14 | 0:44:17 | |
of course, Neptune... Yeah. | 0:44:17 | 0:44:19 | |
..as you quite rightly say. | 0:44:19 | 0:44:21 | |
And then secondly you've got your two little supports, | 0:44:21 | 0:44:24 | |
which makes...of your garniture. | 0:44:24 | 0:44:26 | |
Your seamen. And here's the fishermen, or seamen... | 0:44:26 | 0:44:28 | |
That can be taken off, can't it? | 0:44:28 | 0:44:30 | |
I quite like that, actually. They're a real statement piece, aren't they? | 0:44:30 | 0:44:33 | |
They're full of sculptural quality. Yeah. | 0:44:33 | 0:44:35 | |
And how much is it? I think it's 175. | 0:44:35 | 0:44:38 | |
Yeah, and I would say, if it came into auction, Claire, | 0:44:38 | 0:44:40 | |
what's its market value? | 0:44:40 | 0:44:42 | |
Probably between ?100 and ?200. | 0:44:42 | 0:44:45 | |
And it's the sort of thing that a high decorator's market | 0:44:45 | 0:44:49 | |
would be happy to buy, and there's one best price only. | 0:44:49 | 0:44:52 | |
OK. ?110. | 0:44:52 | 0:44:54 | |
I really like it, I have to say, so I... And it did call us. Yeah. | 0:44:56 | 0:44:59 | |
OK. Yeah? You sure? | 0:44:59 | 0:45:01 | |
Happy? Sure? Do it. Sir, we'll take it. | 0:45:01 | 0:45:04 | |
Yay. Yay. We'll take it. Thanks ever so much. | 0:45:04 | 0:45:06 | |
Marvellous. | 0:45:06 | 0:45:08 | |
The Blues now have all three items. Having worked a little magic | 0:45:08 | 0:45:10 | |
on the shopping, the ultimate test is now on Charles. | 0:45:10 | 0:45:15 | |
Well, I know that you're not really into all my magic things. No. | 0:45:15 | 0:45:18 | |
No, you don't believe it? You unnerve me. I don't think so. | 0:45:18 | 0:45:20 | |
I don't unnerve... I'm nice. I'm nice, honestly... OK. | 0:45:20 | 0:45:23 | |
..but I think I'm going to want to prove to you that magic exists. | 0:45:23 | 0:45:26 | |
Are you ready for this? ALL: One, two, three. | 0:45:26 | 0:45:29 | |
FROG CROAKS | 0:45:31 | 0:45:33 | |
That's it. Time's up. That's your lot. | 0:45:33 | 0:45:36 | |
And time to go to auction. | 0:45:36 | 0:45:38 | |
Let's see if the auctioneer | 0:45:38 | 0:45:39 | |
at the Bearnes Hampton Littlewood Saleroom in Honiton | 0:45:39 | 0:45:42 | |
can work his magic on the team's items. | 0:45:42 | 0:45:45 | |
First, though, let's have a reminder of what the Reds bought. | 0:45:45 | 0:45:49 | |
An awesome pair of illuminated Oxford University blades | 0:45:49 | 0:45:53 | |
rowed in at ?90. | 0:45:53 | 0:45:56 | |
They shaved ?25 off their budget by investing in | 0:45:56 | 0:45:59 | |
a silver moustache brush. | 0:45:59 | 0:46:02 | |
And finally, they paid ?55 for an elm Arts and Crafts-style bench. | 0:46:02 | 0:46:07 | |
OK, Lawrie, Pads, this is exciting. You spent ?175. | 0:46:10 | 0:46:14 | |
You gave P Serrell 130 to spend. | 0:46:14 | 0:46:17 | |
Take the rag off, and that's what he bought. | 0:46:17 | 0:46:20 | |
Oh, wow. "Oh, wow." Is that a good "Oh, wow" or a bad "Oh, wow"? | 0:46:20 | 0:46:23 | |
It's lovely. | 0:46:23 | 0:46:25 | |
It's a chest. | 0:46:25 | 0:46:26 | |
But it's... Come on, let's pick it up. Let's look at it properly. | 0:46:26 | 0:46:29 | |
I said I'd get something sort of Bargain Hunt-related, | 0:46:29 | 0:46:32 | |
and I think that's a Bargain Hunt bargain, really. | 0:46:32 | 0:46:34 | |
It cost me 40 quid, and I would think that it's a coaching trunk, | 0:46:34 | 0:46:39 | |
I would think, hide... leather-covered. | 0:46:39 | 0:46:41 | |
It would date somewhere, I would think, between... | 0:46:41 | 0:46:43 | |
If you were lucky, it's 1780, and if you weren't so lucky, | 0:46:45 | 0:46:47 | |
it would be about 1820, 1830. | 0:46:47 | 0:46:50 | |
I paid 40 quid for it, which I think's nothing. | 0:46:50 | 0:46:53 | |
What sort of price do you think this might sell for? | 0:46:53 | 0:46:55 | |
I think it would at least, I would hope, double its money, | 0:46:55 | 0:46:57 | |
and if we're really lucky, it might go into three figures. | 0:46:57 | 0:47:01 | |
It's a real old-fashioned lot, and I think it'll do all right. | 0:47:01 | 0:47:04 | |
Add it the rest of the profits that we make today. | 0:47:04 | 0:47:07 | |
I love the optimism, don't you? The innocence of youth. | 0:47:07 | 0:47:11 | |
VOICEOVER: So much confidence, but we'll see | 0:47:11 | 0:47:13 | |
if the Reds are right later on. | 0:47:13 | 0:47:15 | |
In the meanwhile, let's discuss the Blue team's three items. | 0:47:15 | 0:47:19 | |
Here's a little reminder. | 0:47:19 | 0:47:20 | |
Our spellbound Blues bought a carved witch's mirror for ?33. | 0:47:21 | 0:47:26 | |
They spent ?83.50 on a late 17th-century walnut and elm chair. | 0:47:27 | 0:47:33 | |
And ooh-la-la! Finally, | 0:47:33 | 0:47:35 | |
they spent ?110 on a spelter French clock garniture. | 0:47:35 | 0:47:39 | |
Now, Claire, Yola, are you excited about this? Yes. We are, really. | 0:47:44 | 0:47:47 | |
You really, really, really want to know what's under Charles's wrap, | 0:47:47 | 0:47:50 | |
don't you? | 0:47:50 | 0:47:51 | |
We do. It looks a little small. | 0:47:51 | 0:47:53 | |
Beg your pardon? LAUGHTER | 0:47:53 | 0:47:56 | |
Well... Don't know about that. Might be just scrunched-up. | 0:47:56 | 0:48:00 | |
Exactly. Might be cold. | 0:48:00 | 0:48:02 | |
Thank you very much. | 0:48:02 | 0:48:03 | |
You had ?73.50. What did you get the girls? | 0:48:03 | 0:48:06 | |
I got very, very nervous. I had to really go out and impress. Oh, yeah. | 0:48:06 | 0:48:10 | |
Are you ready? | 0:48:10 | 0:48:11 | |
Look at that! Oh! Ooh! | 0:48:11 | 0:48:13 | |
And they say small is beautiful. It is beautiful. Yeah. | 0:48:13 | 0:48:16 | |
Have a handle. | 0:48:16 | 0:48:17 | |
Oh! Oh, yeah! | 0:48:17 | 0:48:18 | |
What is it? What does it say? Ashtray? | 0:48:18 | 0:48:20 | |
Exactly, it's an ashtray, but importantly, | 0:48:20 | 0:48:22 | |
it's got that wonderful name Moorcroft. | 0:48:22 | 0:48:24 | |
It's in this pomegranate 1930s form, | 0:48:24 | 0:48:27 | |
beautifully mounted in this plated mount. | 0:48:27 | 0:48:31 | |
It's in good condition, and I quite like it. | 0:48:31 | 0:48:34 | |
And how much did you pay for it? | 0:48:34 | 0:48:35 | |
It's a designer object, I think. It's a bargain at ?40. | 0:48:35 | 0:48:38 | |
Oh! Are we going to make money on this? | 0:48:38 | 0:48:41 | |
I think it ought to happily make... ?100. | 0:48:41 | 0:48:44 | |
I think so, between ?50 and ?70 is a fair guide price. | 0:48:44 | 0:48:49 | |
40 is a rock, rock bottom price to go, I hope. | 0:48:49 | 0:48:52 | |
The girls are happy with the bonus buy item, | 0:48:55 | 0:48:57 | |
but will they decide to go with it? | 0:48:57 | 0:48:59 | |
We'll find out in a minute, as the auctioneer | 0:49:00 | 0:49:03 | |
Brian Goodison-Blanks is ready to sell, sell, sell. | 0:49:03 | 0:49:07 | |
Feeling nervous at all? | 0:49:07 | 0:49:09 | |
No, we're ready. | 0:49:10 | 0:49:12 | |
We were born ready, yeah. First up is your old oars, yes? | 0:49:12 | 0:49:16 | |
Lot 90, the pair of illuminated Oxford University oars, | 0:49:16 | 0:49:19 | |
dated 1949 with the crew members all listed on the panels there. | 0:49:19 | 0:49:24 | |
And what am I seeing here? Bid me ?60. | 0:49:24 | 0:49:27 | |
60 I have, straightaway. Straight in. | 0:49:27 | 0:49:30 | |
At the opening bid here, seated at 60. At ?60, and 5, do I see? | 0:49:30 | 0:49:34 | |
Come on. ..advance then. At 60. | 0:49:34 | 0:49:37 | |
60? | 0:49:39 | 0:49:41 | |
Do you hear that? 60? Just like that? | 0:49:41 | 0:49:43 | |
That's terrible. ?60. If you made a bit of money, you'd come again. | 0:49:43 | 0:49:46 | |
Interesting, this one. It's a 19th century, hallmarked silver... | 0:49:46 | 0:49:50 | |
We've catalogued it as a moustache brush, but I'm sure you're | 0:49:50 | 0:49:53 | |
all aware it's a lady's muff brush with the case there. So Lot 91 then. | 0:49:53 | 0:49:57 | |
What am I saying for that? ?15? | 0:49:57 | 0:49:59 | |
?10, then? | 0:50:00 | 0:50:02 | |
?5? 5? Thank you, madam. At 5. At ?5. 8, now. | 0:50:02 | 0:50:07 | |
At ?5 only. Any advance...? 8, 10, 12, 15... | 0:50:07 | 0:50:12 | |
You sure, madam? At ?12, here. | 0:50:13 | 0:50:15 | |
?12 I have in the room, seated at 12, then. | 0:50:15 | 0:50:18 | |
It's a fine moustache you have, sir. | 0:50:18 | 0:50:19 | |
At ?12, then. | 0:50:19 | 0:50:21 | |
LAUGHTER | 0:50:21 | 0:50:22 | |
Did he say ?12? He did, indeed. | 0:50:22 | 0:50:24 | |
That is terrible. That's minus 13. | 0:50:24 | 0:50:26 | |
Now, here comes the bench. This is going to claw it all back. | 0:50:27 | 0:50:31 | |
It's the 19th century bench there. | 0:50:31 | 0:50:33 | |
I'm sure you've all seen this one, and interest here with me at ?30. | 0:50:33 | 0:50:37 | |
35, 40, 45, 45 I have. At ?45, commission bid, here. 50, do I see? | 0:50:37 | 0:50:43 | |
At ?45. 50, 5. 60, sir? ?60. I am out, then. | 0:50:43 | 0:50:47 | |
Bid is in the room at ?60. | 0:50:47 | 0:50:50 | |
Standing at 60. 5, now. At ?60 in the room. 5, internet. No bidding... | 0:50:50 | 0:50:55 | |
At ?60 in the room... | 0:50:55 | 0:50:57 | |
OK, lads, that is your first profit - plus ?5. | 0:50:57 | 0:51:00 | |
You're minus 43... | 0:51:00 | 0:51:02 | |
You're actually minus 38 at the end of this. | 0:51:02 | 0:51:05 | |
Minus 38. So, minus 38. | 0:51:05 | 0:51:08 | |
Are we going with the trunk? | 0:51:08 | 0:51:11 | |
Yeah, we'll go with it. Do you want to park it? Yeah. | 0:51:11 | 0:51:14 | |
Are you going to park it and not go with it or go with the bonus buy? Go with the bonus buy. Risk it? | 0:51:14 | 0:51:19 | |
You are so high-octane, you two. Aren't they high-octane? Strap yourself in. Strap yourself in. | 0:51:19 | 0:51:26 | |
Lot 95 is the 18th-century, leather-coated coaching trunk. | 0:51:26 | 0:51:31 | |
A little bit worn, but aren't we all? | 0:51:31 | 0:51:33 | |
Commission is with me, in fact, at ?40. | 0:51:33 | 0:51:37 | |
And 5 now I'm looking for. At 40 with me. | 0:51:37 | 0:51:39 | |
5 do I see? Quite sure then? ?40 for the... 45. | 0:51:39 | 0:51:43 | |
50. 5. 60. 5? | 0:51:43 | 0:51:46 | |
Can't see you, sir. 65. 70. 5? | 0:51:46 | 0:51:49 | |
?70, the commission bid is with me, at ?70. | 0:51:49 | 0:51:52 | |
The hammer falls at 70... | 0:51:52 | 0:51:54 | |
Bad luck, chaps. ?70, Philip, that's a lovely ?30 profit, old fruit, | 0:51:54 | 0:51:59 | |
which means, overall, you are minus ?8. | 0:51:59 | 0:52:02 | |
How ridiculous is that? | 0:52:02 | 0:52:04 | |
All this effort... We had a go, didn't we? We did. | 0:52:04 | 0:52:07 | |
And that is so easily a winning score. You could be the champions of the day. | 0:52:07 | 0:52:11 | |
Just don't say a word to the Blues. Walk tall. | 0:52:11 | 0:52:14 | |
Do you know how the Reds got on? No. We don't want you to, those naughty boys. | 0:52:20 | 0:52:24 | |
Your mirror is coming up...now! Yes. Good luck. | 0:52:24 | 0:52:29 | |
Lot 110 is the carved, enchained witch's mirror, dated 1889. | 0:52:29 | 0:52:34 | |
The witch's mirror there, so you can predict the future. | 0:52:34 | 0:52:37 | |
?30...? 20? 10? | 0:52:37 | 0:52:42 | |
I don't believe it. | 0:52:42 | 0:52:44 | |
10 here. 15, madam. | 0:52:44 | 0:52:45 | |
20, sir? Are you sure? | 0:52:45 | 0:52:48 | |
15 to the lady. 18, anybody else then? I've got ?20 online now. | 0:52:48 | 0:52:52 | |
25, madam...? ?20 on the internet. | 0:52:52 | 0:52:55 | |
20 on the internet. 2, anybody else? | 0:52:55 | 0:52:59 | |
Predict the Lottery numbers! | 0:52:59 | 0:53:00 | |
At ?20 then. For the mirror then at 20... | 0:53:00 | 0:53:04 | |
That's harsh. It is. It's gone to some old witch on the internet. | 0:53:04 | 0:53:09 | |
Minus ?13. She's going, "Hubble, bubble..." | 0:53:09 | 0:53:12 | |
Anyway, here comes the hall chair. | 0:53:12 | 0:53:15 | |
This is the late 17th century, walnut and elm hall chair, 1680. | 0:53:15 | 0:53:20 | |
The hall chair there and what can I say for that? ?60? | 0:53:20 | 0:53:24 | |
- ?40, do I see? - It's crazy. | 0:53:25 | 0:53:28 | |
40 I have, thank you. At ?40 for the chair. 5 now? 2 if you like? | 0:53:28 | 0:53:32 | |
At ?40, then... 42. 45. | 0:53:32 | 0:53:35 | |
48. 50. | 0:53:35 | 0:53:38 | |
5. 60. 5. | 0:53:38 | 0:53:40 | |
70. 5. 80? | 0:53:40 | 0:53:43 | |
75 standing in the doorway then. At 75. At 80 now? | 0:53:43 | 0:53:47 | |
At 75, all done. The internet's not in. At 75 in the room... | 0:53:47 | 0:53:51 | |
Uh-oh, ?75. It did better than I thought, I have to say. | 0:53:51 | 0:53:56 | |
That's minus ?8.50, girls. It's tough, isn't it? | 0:53:56 | 0:53:59 | |
But the clock's coming up. | 0:53:59 | 0:54:01 | |
Lot 112 is the French, bronze, spelter clock garniture. | 0:54:01 | 0:54:05 | |
Neptune and the horsemen. ?100, do I see? | 0:54:05 | 0:54:08 | |
?100 for the clock? Nothing fishy going on, honestly. ?50, then? | 0:54:08 | 0:54:13 | |
50, I have here. At ?50, maiden bid. At 5 now elsewhere? At ?50. | 0:54:13 | 0:54:18 | |
55, internet. 60, sir. 65. | 0:54:18 | 0:54:20 | |
70, internet? 65. 70, internet. 75. | 0:54:20 | 0:54:24 | |
- 80, internet? - Keep going. | 0:54:24 | 0:54:26 | |
80. 85, sir? 85. 90, internet? 85... | 0:54:26 | 0:54:30 | |
- 90. 95. 100, internet? - Come on. | 0:54:30 | 0:54:33 | |
100. 110, sir? 110. 120? | 0:54:33 | 0:54:37 | |
Wait a minute. 120. | 0:54:37 | 0:54:39 | |
130? 120, the bid is online. ?120. | 0:54:39 | 0:54:42 | |
At ?120 online... | 0:54:42 | 0:54:45 | |
GAVEL BANGS | 0:54:45 | 0:54:46 | |
That's so good! You made a profit of ?10 on that. Wonderful, girls. | 0:54:46 | 0:54:50 | |
Plus ?10. However, it's not enough. | 0:54:50 | 0:54:53 | |
No. Is it not enough? You were ?21.50 down. | 0:54:53 | 0:54:56 | |
You just made a profit of ?10 on the clock garniture, | 0:54:56 | 0:55:00 | |
which means you are minus ?11.50. | 0:55:00 | 0:55:03 | |
Good. I think we should go with Charles's ashtray. | 0:55:03 | 0:55:07 | |
Minus ?11.50. That's not bad. Are you going to go with the bonus buy? | 0:55:07 | 0:55:10 | |
Yes. You're going with the Moorcroft ashtray. Good decision. Here we go. | 0:55:10 | 0:55:15 | |
Lot 115 is the Moorcroft mounted ashtray, circa 1930, | 0:55:15 | 0:55:19 | |
pomegranate pattern. I'm sure you're all familiar with this one. | 0:55:19 | 0:55:22 | |
?40? Do I see ?40? | 0:55:22 | 0:55:25 | |
Do I see 30? 30, thank you, madam. At 30. 32. 35. 38. | 0:55:25 | 0:55:30 | |
40. 42. | 0:55:30 | 0:55:32 | |
45. | 0:55:32 | 0:55:34 | |
48? Are you sure, sir? At ?45. | 0:55:34 | 0:55:38 | |
48, fresh place. 50, madam? 50. | 0:55:38 | 0:55:40 | |
5, sir? 55. 60? Are you sure? | 0:55:40 | 0:55:43 | |
At ?55. 60, fresh place. You're in profit. | 0:55:43 | 0:55:47 | |
At ?60. Away in the doorway then at 60. And 5, anybody else at all? | 0:55:47 | 0:55:51 | |
At 60 then and done... And 5. | 0:55:51 | 0:55:54 | |
- Yes! - 70. 5? | 0:55:54 | 0:55:56 | |
At ?70 now in the doorway. It's yours, sir, at 70... | 0:55:56 | 0:56:01 | |
Yes! Yes! | 0:56:01 | 0:56:03 | |
We've done it. That is marvellous. | 0:56:07 | 0:56:11 | |
The sheer joy. Excellent, yeah. That is so cool, isn't it? | 0:56:11 | 0:56:15 | |
Anyway, listen, ssh, ssh. Plus ?30, yes? You were ?11.50 off, | 0:56:15 | 0:56:20 | |
which means you're ?8.50... I think you've made ?18.50. | 0:56:20 | 0:56:24 | |
You are plus ?18.50. | 0:56:27 | 0:56:29 | |
Now, the big thing is, is that a winning score or not? We hope so. | 0:56:29 | 0:56:34 | |
Just don't say anything to those naughty boys. No. No. | 0:56:34 | 0:56:37 | |
Well, well, well, we've reached the final moment and nobody has been chatting about scores, yes? No. No. | 0:56:41 | 0:56:47 | |
Very good. So you have no idea where you are in the pecking order. | 0:56:47 | 0:56:51 | |
Actually, I can tell you there is hardly anything between you, | 0:56:51 | 0:56:54 | |
but there is something between you and sadly, today, the Reds are the runners-up. | 0:56:54 | 0:56:59 | |
Yes! Yes! LAUGHTER | 0:56:59 | 0:57:04 | |
The pure joy is...is wonderful. | 0:57:04 | 0:57:08 | |
You didn't do so badly, did you? You made a profit on the bench, which was lovely. | 0:57:08 | 0:57:13 | |
And you nearly clawed it all back, Philip Serrell, with your ?30 profit on the old trunk. | 0:57:13 | 0:57:19 | |
Not quite good enough because, overall, minus 8 was your number. Not bad. I quite agree. | 0:57:19 | 0:57:25 | |
Normally, that would be a winning score, but today, we hadn't reckoned with the fantastic Blues | 0:57:25 | 0:57:32 | |
who are going to go home with ?18.50 of profit. | 0:57:32 | 0:57:36 | |
That's real money, yes? Real money! | 0:57:36 | 0:57:38 | |
Plus all this change. Have a look at that. | 0:57:38 | 0:57:40 | |
Lovely. You're a good man. | 0:57:40 | 0:57:43 | |
It's exactly all for you. Oh! A ?10 profit on that rather queer garniture. | 0:57:43 | 0:57:48 | |
But the big number came from Hanson with his ashtray - ?30 profit. | 0:57:48 | 0:57:52 | |
Yes. Thank goodness for Moorcroft, eh, Carlos? Exactly, Tim. Wonderful. | 0:57:52 | 0:57:56 | |
Did you have a good time? Wonderful. We loved it. It is a bit of a gas. | 0:57:56 | 0:58:00 | |
Thank you very much, girls, for making our day today. | 0:58:00 | 0:58:04 | |
In fact, join us soon for some more bargain hunting, yes? Yes! | 0:58:04 | 0:58:08 |