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What do you do when you're in | 0:00:04 | 0:00:06 | |
one of the world's most famous antiques markets? | 0:00:06 | 0:00:09 | |
What you do is go bargain hunting! That's what you do. | 0:00:09 | 0:00:13 | |
Today, we're in west London | 0:00:41 | 0:00:44 | |
with our Red and Blue teams, | 0:00:44 | 0:00:46 | |
who are about to do battle with these massive crowds, | 0:00:46 | 0:00:50 | |
here at Portobello Road. | 0:00:50 | 0:00:53 | |
So, stand by, and let's see what's coming up. | 0:00:53 | 0:00:56 | |
The glamorous Reds are hard to please. | 0:00:58 | 0:01:01 | |
-OK! -Next. -Not us. | 0:01:01 | 0:01:04 | |
Anything catching your eyes here, girls? | 0:01:06 | 0:01:09 | |
-No, not me. You? -No. | 0:01:09 | 0:01:11 | |
No? Come on, then. | 0:01:11 | 0:01:13 | |
I really don't know which direction to point them in. | 0:01:14 | 0:01:17 | |
They know what they want, and they can't see it. | 0:01:17 | 0:01:20 | |
The Blues get in a spin as time runs out. | 0:01:20 | 0:01:23 | |
-Was it that way? -Was it this way? -This way. -Was it? | 0:01:23 | 0:01:26 | |
-We've got five minutes. -I know. We are truly panicking now! | 0:01:29 | 0:01:32 | |
Whoa! Watch the cars. | 0:01:32 | 0:01:34 | |
But that is all to come. First, I must remind you of the rules. | 0:01:37 | 0:01:41 | |
Each team gets £300, and an hour to shop for three objects, | 0:01:41 | 0:01:44 | |
which they sell later at auction. | 0:01:44 | 0:01:45 | |
The team wins that makes the biggest profit. Got it? | 0:01:45 | 0:01:48 | |
Right. Let's go and meet today's teams. | 0:01:48 | 0:01:51 | |
I feel a bit of a vintage retro feel coming on. | 0:01:57 | 0:02:01 | |
Because for the Reds today, we have friends Harriet and Amy. | 0:02:01 | 0:02:07 | |
For the Blues, we have Janeka and Duncan. Welcome! | 0:02:07 | 0:02:09 | |
-ALL: Hello! -Lovely to see you guys, and girls. | 0:02:09 | 0:02:12 | |
-Harriet, how did you two meet? -On the first day of university, I spotted her in vintage clothes, | 0:02:12 | 0:02:18 | |
and thought, "We have to be friends." | 0:02:18 | 0:02:20 | |
Were you wearing vintage clothes at the time? | 0:02:20 | 0:02:22 | |
I was. I marched over, and was like, | 0:02:22 | 0:02:24 | |
-"I like your bag." -What did she say? "I like your hat"? -Something along those lines. | 0:02:24 | 0:02:28 | |
It's been a mutual admiration society ever since? | 0:02:28 | 0:02:31 | |
It has. We started a blog. We write together, do everything together. | 0:02:31 | 0:02:36 | |
-I think you look marvellous. -Thanks! | 0:02:36 | 0:02:38 | |
-Amy, what do you do with yourself? -I'm a keen swing dancer. | 0:02:38 | 0:02:41 | |
-Is this Glenn Miller, and that kind of thing? -Yeah, the jazz era. | 0:02:41 | 0:02:45 | |
-Are you studying at the moment? -Literature and creative writing. | 0:02:45 | 0:02:48 | |
When you're not studying, what do you get up to? | 0:02:48 | 0:02:51 | |
I also work as a corsetry assistant, | 0:02:51 | 0:02:54 | |
and I spend my time taking inches off many attractive ladies. | 0:02:54 | 0:02:58 | |
You're giving them the squeeze? | 0:02:58 | 0:03:00 | |
Literally taking about four inches off their waist, | 0:03:00 | 0:03:03 | |
maybe anything up to eight. | 0:03:03 | 0:03:04 | |
That's interesting. What about your strategy? | 0:03:04 | 0:03:08 | |
-Are you going to buy just vintage, retro items? -The strategy is, | 0:03:08 | 0:03:11 | |
we want to get something macabre and creepy. | 0:03:11 | 0:03:13 | |
Oh, do you? | 0:03:13 | 0:03:14 | |
Yes. Then something quite glamorous. | 0:03:14 | 0:03:17 | |
The third item will be random, whatever we see. | 0:03:17 | 0:03:20 | |
-Good luck with that. -BOTH: Thank you! | 0:03:20 | 0:03:23 | |
So, you two. How did YOU meet, then? | 0:03:23 | 0:03:25 | |
We met on the dance floor, of swing dancing. | 0:03:25 | 0:03:30 | |
-Don't tell me you're swingers too?! -We're all swingers here. | 0:03:30 | 0:03:33 | |
I don't believe it! | 0:03:33 | 0:03:35 | |
-Have you met each other before today? -No. -No. | 0:03:35 | 0:03:39 | |
So, you met when dancing? | 0:03:39 | 0:03:41 | |
Our paths just kept crossing, on the swing dancing scene, | 0:03:41 | 0:03:46 | |
and eventually, he wore me down, I guess. | 0:03:46 | 0:03:48 | |
-HE LAUGHS -I'm only kidding. Of course not. | 0:03:48 | 0:03:51 | |
-Many a dance partner's said that to me before. -That's sweet. | 0:03:51 | 0:03:55 | |
What do you collect, old fruit? | 0:03:55 | 0:03:57 | |
Apart from my vintage 1930s and '40s men's clothing, | 0:03:57 | 0:04:00 | |
I have an extensive collection of 78rpm shellac records | 0:04:00 | 0:04:04 | |
of the late '20s | 0:04:04 | 0:04:06 | |
to the early '40s. | 0:04:06 | 0:04:08 | |
So, Janeka, you're obviously a vintage fan too? | 0:04:08 | 0:04:11 | |
I am a HUGE vintage fan. | 0:04:11 | 0:04:12 | |
Apart from dressing up in old clothes, | 0:04:12 | 0:04:14 | |
what do you do for a living? | 0:04:14 | 0:04:16 | |
I'm A PA in a property company, in London. | 0:04:16 | 0:04:18 | |
Do you wear your vintage clothes to work? | 0:04:18 | 0:04:21 | |
No. I think that might raise some eyebrows. | 0:04:21 | 0:04:24 | |
How do you two think you'll perform today | 0:04:24 | 0:04:26 | |
against our dynamic duo of the Reds? Are you scared? | 0:04:26 | 0:04:29 | |
-We ARE a bit scared. -Shaking in your boots? -A little bit. | 0:04:29 | 0:04:33 | |
They look quite intimidating there, don't they, | 0:04:33 | 0:04:36 | |
these kids? | 0:04:36 | 0:04:37 | |
Next up is the money moment. Here's your £300 apiece. | 0:04:37 | 0:04:40 | |
Thank you very much. | 0:04:40 | 0:04:41 | |
You know the rules. Your experts await. | 0:04:41 | 0:04:44 | |
Off you go! Very, very, very good luck! | 0:04:44 | 0:04:46 | |
We are going to have a dynamic day today, I tell you. | 0:04:46 | 0:04:50 | |
Our experts will be helping not one but two sets of teams today. | 0:04:50 | 0:04:54 | |
Wearing suitable headgear to stalk out a bargain for the Reds | 0:04:54 | 0:04:58 | |
is expert Anita Manning. | 0:04:58 | 0:05:00 | |
Meanwhile the Blues will be assisted by the dancing, prancing | 0:05:00 | 0:05:03 | |
Charles Hanson, who is looking for antiques which, like him, | 0:05:03 | 0:05:06 | |
stand out in the crowd. | 0:05:06 | 0:05:08 | |
What's the plan, then? What are you after? | 0:05:17 | 0:05:19 | |
-Something really stylish. -Something interesting. | 0:05:19 | 0:05:22 | |
-A decent amount of money. -Yeah. -Leave you a little bit at the end. | 0:05:22 | 0:05:26 | |
I thought we'd get things which are quite stunning. | 0:05:26 | 0:05:29 | |
-So, we're going retro? -Oh, definitely! | 0:05:29 | 0:05:31 | |
So, the Blues are going retro. | 0:05:31 | 0:05:33 | |
Surprise, surprise(!) | 0:05:33 | 0:05:35 | |
We're being timed. Come on, guys! | 0:05:35 | 0:05:37 | |
Whereas the Reds ain't going anywhere. | 0:05:37 | 0:05:39 | |
It's packed! Elbows out, lads! | 0:05:39 | 0:05:42 | |
Cameras were the essence of what, the '40s, '30s? | 0:05:42 | 0:05:45 | |
-Yeah! -Some of these hand-held bellows cameras, | 0:05:45 | 0:05:48 | |
I think these are really collectible. | 0:05:48 | 0:05:50 | |
They're reasonably priced, between £30 and £45. | 0:05:50 | 0:05:54 | |
Is it worth a go, Duncan? Look at me! | 0:05:54 | 0:05:55 | |
Straight in the eyes, I'd say no. | 0:05:55 | 0:05:59 | |
-I think let's keep hunting, OK? -OK. -I think so. | 0:05:59 | 0:06:02 | |
Let's just go round here. | 0:06:05 | 0:06:08 | |
-OK. -Round the bend? | 0:06:08 | 0:06:10 | |
I'm already round the bend! | 0:06:10 | 0:06:13 | |
Do you mind if I...? | 0:06:16 | 0:06:18 | |
There's something I've never seen before. What would it be used for? | 0:06:18 | 0:06:22 | |
VENDOR: It's a silver purse. | 0:06:22 | 0:06:24 | |
Oh, right! There's leather on the inside. | 0:06:24 | 0:06:26 | |
-That's lovely, isn't it? -Yeah. | 0:06:26 | 0:06:28 | |
-Do you think that leatherwork's original? -Absolutely! | 0:06:28 | 0:06:31 | |
You can see the old dirt, where fingers have taken out money, | 0:06:31 | 0:06:35 | |
or a note, or a card. | 0:06:35 | 0:06:36 | |
-It's in really nice condition. -Solid silver? | 0:06:36 | 0:06:40 | |
There's your all-important hallmark. | 0:06:40 | 0:06:42 | |
That's the lion passant, facing left, | 0:06:42 | 0:06:43 | |
-so we know it's sterling silver. -OK. -So, it's 92.5% pure. | 0:06:43 | 0:06:47 | |
On the other side it might tell you... | 0:06:47 | 0:06:51 | |
It's probably Edwardian, or 1915, the date. | 0:06:51 | 0:06:53 | |
It's a good hallmark, as Chester now don't hallmark silver. | 0:06:53 | 0:06:56 | |
It has added silver value. | 0:06:56 | 0:06:57 | |
-What do you think? -I like it. | 0:06:57 | 0:07:00 | |
A small indentation. Look at the condition, OK? | 0:07:00 | 0:07:04 | |
How much is it? | 0:07:04 | 0:07:05 | |
It's on at... What's your best offer on it? | 0:07:05 | 0:07:08 | |
What's on the ticket price? | 0:07:09 | 0:07:11 | |
95. | 0:07:11 | 0:07:13 | |
I could probably do a bit better. | 0:07:14 | 0:07:17 | |
-Could you do 75? -No. | 0:07:17 | 0:07:20 | |
THEY LAUGH What about 80? | 0:07:20 | 0:07:22 | |
-I'd take 80, yeah. -You would? -Yeah. | 0:07:22 | 0:07:24 | |
-That would be good. -What do you think? | 0:07:24 | 0:07:27 | |
You ARE dressed to impress. | 0:07:27 | 0:07:29 | |
Would this purse satisfy you, as an accessory, at £80? | 0:07:29 | 0:07:32 | |
-It would satisfy ME at £80. -Really? -Yes. | 0:07:32 | 0:07:34 | |
I think we should do it. | 0:07:34 | 0:07:36 | |
£2 off? | 0:07:36 | 0:07:38 | |
£80. | 0:07:38 | 0:07:39 | |
-78, now, cash. -Cash. | 0:07:39 | 0:07:41 | |
-It WILL be cash. -It will be. | 0:07:41 | 0:07:42 | |
-78? -I think it's a great accessory. I think it's a wonderful thing. | 0:07:42 | 0:07:47 | |
To buy a silver purse in London, at £78, | 0:07:47 | 0:07:51 | |
today, or back in 1915, isn't a bad price. | 0:07:51 | 0:07:54 | |
I think it's very good. | 0:07:54 | 0:07:56 | |
-Thank you very much. -Deal. Thank you. | 0:07:56 | 0:07:58 | |
The Blues are off the mark with a stylish accessory. | 0:07:58 | 0:08:02 | |
Talking of style, how are the Reds getting on? | 0:08:02 | 0:08:05 | |
Oh, the silhouettes, Amy. | 0:08:05 | 0:08:06 | |
-Yeah, I love silhouettes. -Those are lovely. | 0:08:06 | 0:08:09 | |
-£80 a pair. -For the pair? | 0:08:09 | 0:08:11 | |
I don't know. Maybe we should ask Anita. | 0:08:11 | 0:08:14 | |
BOTH: Anita! | 0:08:14 | 0:08:16 | |
-What do you think of these? -Oh, miniatures! | 0:08:18 | 0:08:21 | |
You like those? | 0:08:21 | 0:08:22 | |
We're making ones of us at the moment, so they're quite fitting. | 0:08:22 | 0:08:25 | |
Are they as good as these, or are these as good as yours? | 0:08:25 | 0:08:29 | |
These are probably better. | 0:08:29 | 0:08:31 | |
Before the time of photography, | 0:08:31 | 0:08:33 | |
people could only look at drawn images, | 0:08:33 | 0:08:37 | |
or drawn portraits of their friends and families. | 0:08:37 | 0:08:40 | |
These are cut-outs, from an image. | 0:08:40 | 0:08:42 | |
They probably will be | 0:08:42 | 0:08:44 | |
mid to late 19th century. | 0:08:44 | 0:08:47 | |
Now, that type of thing is still popular, | 0:08:47 | 0:08:50 | |
so I think you've made quite a nice choice, | 0:08:50 | 0:08:52 | |
but I want you to tell me why YOU like them. | 0:08:52 | 0:08:54 | |
They're quite creepy. | 0:08:54 | 0:08:56 | |
You like them because they're creepy?! | 0:08:56 | 0:08:59 | |
-Yeah! -So, we've got macabre. | 0:08:59 | 0:09:00 | |
They're also nice and handmade as well, | 0:09:00 | 0:09:04 | |
-and we're into things like crafting. -Crafting, yeah. | 0:09:04 | 0:09:07 | |
I really like them, but I'm worried about the price. | 0:09:07 | 0:09:10 | |
-Have you spoken to the...? -We have not! | 0:09:10 | 0:09:12 | |
< You can get them for 70. | 0:09:12 | 0:09:13 | |
-BOTH: -70? | 0:09:13 | 0:09:14 | |
What do you think? | 0:09:14 | 0:09:17 | |
These are collectible, and I think they're a good choice. | 0:09:17 | 0:09:21 | |
They're not too dear at £80 for two. | 0:09:21 | 0:09:23 | |
-Could we go to 60 for the two? -VENDOR: 65? | 0:09:23 | 0:09:26 | |
Let's take them for £65. | 0:09:26 | 0:09:28 | |
Do you realise you were supposed to have said, "How about £62?" | 0:09:28 | 0:09:31 | |
SHE LAUGHS | 0:09:31 | 0:09:32 | |
We're not THAT mean. We know a fair price when we see it. | 0:09:32 | 0:09:36 | |
It may be a fair price, | 0:09:36 | 0:09:38 | |
but will it be a winning price? | 0:09:38 | 0:09:40 | |
Only time will tell. | 0:09:40 | 0:09:42 | |
So, guys, there's all sorts here. | 0:09:44 | 0:09:47 | |
-Some glassware. -There's even some records, shaped into bowls. | 0:09:47 | 0:09:51 | |
As a record collector, I don't like to see that. | 0:09:51 | 0:09:55 | |
You could say no record should go to waste. | 0:09:55 | 0:09:58 | |
It must be bad music, when they do that to it. | 0:09:58 | 0:10:00 | |
It's probably Vera Lynn or something. | 0:10:00 | 0:10:02 | |
THEY LAUGH | 0:10:02 | 0:10:03 | |
I love Vera Lynn! That's typically 1940s, isn't it, Janeka? | 0:10:03 | 0:10:06 | |
That's outrageous! | 0:10:06 | 0:10:08 | |
It's a slur on great music, I know. | 0:10:08 | 0:10:11 | |
But I had to say it! | 0:10:11 | 0:10:13 | |
Come on! | 0:10:13 | 0:10:14 | |
Time's marching on, but the Reds seem relaxed. | 0:10:14 | 0:10:17 | |
I wish I could say the same for Anita. | 0:10:17 | 0:10:20 | |
We don't know what we want to buy. | 0:10:20 | 0:10:21 | |
We need to head down and look at some more stalls. When we see it, | 0:10:21 | 0:10:25 | |
-we'll know. -Definitely. | 0:10:25 | 0:10:26 | |
I really don't know which direction to point them in | 0:10:28 | 0:10:31 | |
because they know what they want and they can't see it. | 0:10:31 | 0:10:34 | |
We're going to have to carry on. | 0:10:34 | 0:10:36 | |
Only 25, 30 minutes left. | 0:10:36 | 0:10:39 | |
Got to go. Got to help them. | 0:10:39 | 0:10:42 | |
You get to it, girl. Go rescue those Reds, Anita. | 0:10:42 | 0:10:44 | |
You need to tell them it's a competition. | 0:10:44 | 0:10:48 | |
-Cufflinks and jewellery things here. -They're quite nice, aren't they? | 0:10:48 | 0:10:51 | |
-May I look at... -Those? -Yes, those. | 0:10:51 | 0:10:54 | |
Nice box. | 0:10:54 | 0:10:56 | |
-The box is from Winchester. -There's a mark. | 0:10:56 | 0:10:58 | |
-There IS a mark there. -Where's my eyeglass? -You're going to need it. | 0:10:58 | 0:11:02 | |
-They're nice, aren't they? They're Birmingham. -Lovely. | 0:11:04 | 0:11:07 | |
And they would date to around 1900, aren't they? | 0:11:07 | 0:11:12 | |
About 1885, 1890. | 0:11:12 | 0:11:13 | |
I quite like them. I like their box especially. | 0:11:13 | 0:11:17 | |
-Look at that lovely, chaste ornament, Janeka. -That IS nice. But what about this? | 0:11:17 | 0:11:21 | |
-Is that mother-of-pearl? -That's mother-of-pearl. | 0:11:21 | 0:11:25 | |
With a tiny lapis lazuli, or little sapphire style of droplets. | 0:11:25 | 0:11:29 | |
They're really stylish cufflinks. | 0:11:29 | 0:11:32 | |
They're nice. | 0:11:32 | 0:11:33 | |
-How much are they, madam? -The best? -Yeah. | 0:11:33 | 0:11:35 | |
-The best? -The best. | 0:11:35 | 0:11:37 | |
75. | 0:11:37 | 0:11:38 | |
I think that's quite good. | 0:11:38 | 0:11:40 | |
I would guide them between 40 and 60, | 0:11:40 | 0:11:42 | |
and hopefully they might make 80 or 90. | 0:11:42 | 0:11:44 | |
-So, it would be a bit of a risk? -Yes, it would be. | 0:11:44 | 0:11:47 | |
Name your very, very best price, madam. | 0:11:47 | 0:11:50 | |
70. | 0:11:50 | 0:11:51 | |
-BOTH: -70? -No less. | 0:11:51 | 0:11:54 | |
I think they're beautiful and I would pay that, | 0:11:54 | 0:11:57 | |
but at £70? This is the thing. | 0:11:57 | 0:12:00 | |
Are we in it to win it? | 0:12:00 | 0:12:02 | |
-Guys, think about it. -Yeah. -I gave you my thoughts. | 0:12:02 | 0:12:05 | |
-Thank you. -I'm over here, OK? Think about it. -OK. | 0:12:05 | 0:12:07 | |
So, the Blues are in it to win it. | 0:12:07 | 0:12:11 | |
They've rejected the cufflinks. They want retro. | 0:12:11 | 0:12:16 | |
They're pourers as well. | 0:12:16 | 0:12:17 | |
-You put this into the bottle. -Absolutely. -Take this off when you pour. | 0:12:17 | 0:12:21 | |
-They're really bold, aren't they? -They really are. | 0:12:21 | 0:12:24 | |
-What, 19...? -'50s. | 0:12:24 | 0:12:25 | |
-Looks like '50s. -The colours are the '50s, aren't they? | 0:12:25 | 0:12:28 | |
Are they Bakelite, or are they enamel? | 0:12:28 | 0:12:32 | |
Give them a little chew. Are they quite hard? | 0:12:32 | 0:12:35 | |
-Feels almost glass-like. -Yeah, enamel on porcelain. | 0:12:35 | 0:12:38 | |
Wonderful. What are they? Just purely stoppers? | 0:12:38 | 0:12:41 | |
And pourers. See? You take this top off. | 0:12:41 | 0:12:45 | |
-And then you can pour through the... -I never knew that! | 0:12:45 | 0:12:48 | |
They're fantastic. | 0:12:48 | 0:12:50 | |
-I've never seen anything like that. -They're neat. | 0:12:50 | 0:12:52 | |
I think they're what we're after. | 0:12:52 | 0:12:54 | |
They're a bit quirky. They're of an era we know about. | 0:12:54 | 0:12:56 | |
-They're bold. -Very bold. | 0:12:56 | 0:12:58 | |
And they're houseware, which we we're quite interested in. | 0:12:58 | 0:13:01 | |
Something people used regularly in the cocktail cabinet, in the '50s. | 0:13:01 | 0:13:05 | |
-Yeah. -What's your best price on them? | 0:13:05 | 0:13:07 | |
Best on them would be £60. | 0:13:07 | 0:13:09 | |
-60? -Yeah. | 0:13:09 | 0:13:10 | |
-And your very, very best? -It IS the very, very best. | 0:13:10 | 0:13:12 | |
-I think they're great, and they're bold. Be bold. -Yeah! | 0:13:12 | 0:13:17 | |
It'll be a real chance, | 0:13:17 | 0:13:19 | |
but if you really want them, go for it. | 0:13:19 | 0:13:21 | |
-It'll be nice to see if anyone else likes them too. -Let's do it. | 0:13:21 | 0:13:24 | |
-Your buy? -Yes. -Your choice. -Let's do it. -Thank you, sir. | 0:13:24 | 0:13:28 | |
Just ten minutes left. | 0:13:28 | 0:13:31 | |
Anita needs to get those girls buying! | 0:13:31 | 0:13:33 | |
Anita, I love these dolls. | 0:13:33 | 0:13:37 | |
-Oh, my God! That one's so creepy! -Yeah! | 0:13:37 | 0:13:39 | |
The dolls are a wee bit scary. | 0:13:39 | 0:13:42 | |
-We love dolls. -Yeah, we love those. Those are brilliant. | 0:13:42 | 0:13:45 | |
-Harriet has a big collection. -A collection? -I want them for myself. | 0:13:45 | 0:13:50 | |
Are there any there which terrify you? | 0:13:50 | 0:13:52 | |
-No. We want one with a pretty porcelain face. -Give us that one out. | 0:13:52 | 0:13:55 | |
-She's VERY expensive. -This is a German doll. | 0:13:55 | 0:13:58 | |
The Germans were great doll makers. | 0:13:58 | 0:14:01 | |
-Oh, I love her. She's a flapper. -Look how scary she is. | 0:14:01 | 0:14:04 | |
-She's a slapper?! -BOTH: She's a flapper! | 0:14:04 | 0:14:07 | |
220, though. | 0:14:07 | 0:14:09 | |
This is the one the girls like the best. | 0:14:09 | 0:14:12 | |
-But they can't afford that one. -We could come down in price. | 0:14:12 | 0:14:16 | |
How much is it marked? | 0:14:16 | 0:14:18 | |
You've got "£220" written. We haven't got a lot of money. | 0:14:18 | 0:14:21 | |
This is only our second buy. | 0:14:21 | 0:14:23 | |
I can come down to... | 0:14:23 | 0:14:26 | |
160...160? | 0:14:26 | 0:14:28 | |
-What do you think of the doll, Harriet? -I love her. | 0:14:28 | 0:14:31 | |
-I'm just worried about the price. -She's so beautiful. | 0:14:31 | 0:14:34 | |
-We'll leave that. We know that we do like that one. -We do like her. | 0:14:34 | 0:14:38 | |
-But it's maybe too dear at 160. -Mm-hm. | 0:14:38 | 0:14:40 | |
I like the one over there in the paisley print dress. | 0:14:40 | 0:14:46 | |
-She's lovely! -She is! -Tell me why you like her. | 0:14:46 | 0:14:49 | |
Her dress. I want it! | 0:14:49 | 0:14:52 | |
-Have a look at her knees! -So, she moves! | 0:14:52 | 0:14:55 | |
It's made of leather. | 0:14:55 | 0:14:57 | |
She's even more expensive than this one. | 0:14:57 | 0:14:59 | |
Yes. 230. | 0:14:59 | 0:15:00 | |
See this one here? | 0:15:00 | 0:15:02 | |
Could you come to round about 130 on that? | 0:15:02 | 0:15:06 | |
Can you go 150, or no? | 0:15:06 | 0:15:08 | |
140? All right. I'll do that. | 0:15:08 | 0:15:10 | |
-Shall we take her for 140? -Yeah. | 0:15:10 | 0:15:13 | |
-Do you love her? -BOTH: We love her! -Let's go for it. | 0:15:13 | 0:15:15 | |
Maybe if we present them at the auction, | 0:15:15 | 0:15:18 | |
-somebody will buy it! -Buy it, yeah! | 0:15:18 | 0:15:19 | |
-Do a little dance! -Yeah. | 0:15:19 | 0:15:22 | |
A German doll makes it two for the Reds. | 0:15:22 | 0:15:25 | |
Not much time left. Get your skates on, Blues! | 0:15:25 | 0:15:28 | |
But no panic buy. | 0:15:28 | 0:15:30 | |
The cufflinks are back in the fray. | 0:15:30 | 0:15:32 | |
Which one of these ladies was selling the cufflinks? | 0:15:32 | 0:15:34 | |
-It was one of those. -We need to know which one. | 0:15:34 | 0:15:37 | |
-It's that lady there. -Yeah. | 0:15:37 | 0:15:39 | |
-We've got five minutes. -I know. | 0:15:39 | 0:15:41 | |
-We are truly panicking now. -Watch the cars. | 0:15:41 | 0:15:44 | |
Don't panic, Mainwaring! | 0:15:44 | 0:15:45 | |
Focus. Focus. | 0:15:45 | 0:15:49 | |
We don't have an awful lot of time. | 0:15:49 | 0:15:51 | |
Is there anything that you can see, girls? | 0:15:51 | 0:15:53 | |
I just noticed this compact in here. | 0:15:53 | 0:15:56 | |
Could we have a look, please? Thank you. | 0:15:56 | 0:15:59 | |
The person who sold it to me said it was tortoiseshell, | 0:15:59 | 0:16:02 | |
but I think you're right, it's only plastic. | 0:16:02 | 0:16:05 | |
Yeah. Maybe it smells of formulide. | 0:16:05 | 0:16:09 | |
Give it a rub with your thumb. | 0:16:09 | 0:16:11 | |
-It's an early plastic... -BOTH: That's Bakelite. | 0:16:11 | 0:16:14 | |
-Isn't that super? -I love it. | 0:16:14 | 0:16:17 | |
I think old plastics are in vogue. It's a shame it's a bit damaged. | 0:16:17 | 0:16:21 | |
Try the different things, see if they all open. | 0:16:21 | 0:16:24 | |
It's £48 at the moment, but the lady priced it up as tortoiseshell. | 0:16:24 | 0:16:28 | |
-OK. -So... I'll take it down to 38. | 0:16:28 | 0:16:30 | |
You can do 38? Yes. | 0:16:30 | 0:16:32 | |
What d'you think? | 0:16:32 | 0:16:33 | |
If it was in perfect condition, but because it's damaged... | 0:16:33 | 0:16:37 | |
It's not damaged, so much as it's need of some repair. | 0:16:37 | 0:16:40 | |
Tender loving care. | 0:16:40 | 0:16:42 | |
-I'll go for 30, then. -I think for 30, it looks good. | 0:16:42 | 0:16:44 | |
What do you think, Anita? | 0:16:44 | 0:16:46 | |
-I think that that is just you. -Yeah. | 0:16:46 | 0:16:50 | |
We've got the macabre, and I think that that's the glamour. | 0:16:50 | 0:16:53 | |
-Right, OK. -That means we have fulfilled... | 0:16:53 | 0:16:57 | |
We've fulfilled our purpose. | 0:16:57 | 0:16:59 | |
All the goals. | 0:16:59 | 0:17:00 | |
So, who'd have thought it? | 0:17:00 | 0:17:02 | |
That's all three items purchased for the Reds and they've finished shopping. | 0:17:02 | 0:17:06 | |
But the Blues are still trying to find the cufflink stall. | 0:17:06 | 0:17:10 | |
-Where has she gone? -With a case and cufflinks. Was it that way? -Or was it this way? | 0:17:10 | 0:17:15 | |
The serene Reds have been skilfully steered across the finish line | 0:17:15 | 0:17:19 | |
by Anita, but those Blues are still hopping around. | 0:17:19 | 0:17:22 | |
We are still interested in those mother-of-pearl silver earrings. | 0:17:22 | 0:17:25 | |
-Earrings? -Cufflinks! -You don't even know what it is! | 0:17:25 | 0:17:29 | |
-We'd only be able to offer 65? -I can't. £70? | 0:17:29 | 0:17:35 | |
THEY LAUGH | 0:17:35 | 0:17:37 | |
You are a hard woman! | 0:17:37 | 0:17:39 | |
-I think we've met our match. -I think we have! | 0:17:39 | 0:17:42 | |
In a saleroom they could make £100. It's a real gamble, but don't worry. | 0:17:42 | 0:17:46 | |
Leave me all that leftover money and I'll make your day. | 0:17:46 | 0:17:49 | |
-You'll make it up? -We need you to rescue us if need be. | 0:17:49 | 0:17:52 | |
Yes, absolutely, but these are great. It's up to you. | 0:17:52 | 0:17:56 | |
-I think we should do it. -I think we should just do it, too. | 0:17:56 | 0:17:59 | |
-OK. We'll take them, thank you. -Thank you. | 0:17:59 | 0:18:01 | |
Right, time's up | 0:18:01 | 0:18:03 | |
and the missing link proves to be a final purchase for the Blues. | 0:18:03 | 0:18:08 | |
With shopping time over, it's now time to find out | 0:18:08 | 0:18:10 | |
whether the auction can string some profits together | 0:18:10 | 0:18:12 | |
for today's teams. We're off to Tring Market Auctions | 0:18:12 | 0:18:16 | |
in Hertfordshire. But first, let's remind ourselves | 0:18:16 | 0:18:18 | |
what the Red team bought. | 0:18:18 | 0:18:20 | |
The Reds spent £65 on a pair of Victorian silhouettes | 0:18:21 | 0:18:24 | |
in original frames. | 0:18:24 | 0:18:26 | |
They forked out £140 on a 1920s French porcelain doll. | 0:18:28 | 0:18:34 | |
And finally, for a faux tortoiseshell compact case, | 0:18:35 | 0:18:39 | |
they paid a compact £30. | 0:18:39 | 0:18:41 | |
Harriet, Amy. Gosh, you're looking gorgeous. | 0:18:42 | 0:18:45 | |
You've changed your entire style. Where did you get that cloche hat? | 0:18:45 | 0:18:48 | |
-From a charity shop. -Charity shop. | 0:18:48 | 0:18:51 | |
-And how much did you spend in the charity shop? -I paid £17 for it. | 0:18:51 | 0:18:55 | |
-Do you think you'd get a profit on it? -I'd never sell it. | 0:18:55 | 0:18:58 | |
-You'd never sell it? -No, it's my favourite one. | 0:18:58 | 0:19:00 | |
That is your loyalty to vintage clothing indeed. Anyway, you two petals, | 0:19:00 | 0:19:04 | |
you spent £235 and you gave the lovely Anita 65 smackers. | 0:19:04 | 0:19:09 | |
-Anita, what did you spend it on? -When I saw this little item, | 0:19:09 | 0:19:13 | |
-I just couldn't resist it. -How about that! | 0:19:13 | 0:19:18 | |
I have a blonde and a brunette, | 0:19:18 | 0:19:20 | |
and it did remind me of Harriet and Amy. | 0:19:20 | 0:19:24 | |
-I love it. -Me too. It's pretty perfect. | 0:19:24 | 0:19:26 | |
It's from between 1930 and 1937. | 0:19:26 | 0:19:30 | |
It was made by Crown Devon. | 0:19:30 | 0:19:33 | |
And it has this cellulose finish, which, at that time, | 0:19:33 | 0:19:38 | |
was a very shiny finish, meant to look like the finish on a motor car. | 0:19:38 | 0:19:43 | |
-Do you like it? -I love it. -It's brilliant. -It's pretty us. | 0:19:43 | 0:19:47 | |
That's what I thought. | 0:19:47 | 0:19:49 | |
It was just you. | 0:19:49 | 0:19:50 | |
And I paid £65 for it. | 0:19:50 | 0:19:52 | |
(Ask her how much she thinks it's going to bring.) | 0:19:52 | 0:19:54 | |
How much is it going to bring? | 0:19:54 | 0:19:56 | |
I think it could do around about 80. | 0:19:56 | 0:19:59 | |
We CAN make a profit on it. | 0:19:59 | 0:20:01 | |
I think you deserve a prize for finding something so appropriate for our two lovely girls. | 0:20:01 | 0:20:06 | |
Let's see if it'll reach an appropriate price later on. | 0:20:06 | 0:20:10 | |
In the meanwhile, let's remind ourselves what the Blue team bought | 0:20:10 | 0:20:13 | |
with their £300. | 0:20:13 | 0:20:15 | |
A George V silver purse set them back £78. | 0:20:15 | 0:20:19 | |
They paid £60 for a set of 1950s bottle stoppers. | 0:20:21 | 0:20:25 | |
This pair of Victorian silver cufflinks cost them £70. | 0:20:27 | 0:20:31 | |
-Now, Duncan, Janeka, how are you, all right? -Yes. | 0:20:34 | 0:20:37 | |
-Great. -Now, are you excited about this? -Yeah. | 0:20:37 | 0:20:39 | |
What could Charles Hanson possibly have spent your £92 leftover lolly on? | 0:20:39 | 0:20:45 | |
Just look at this. | 0:20:45 | 0:20:46 | |
-That really is nice. -Do you like it? -I love it. | 0:20:46 | 0:20:48 | |
-I really like it. -What we've got here is only part of the ensemble. | 0:20:48 | 0:20:53 | |
Namely, we have 16 parts making up this wonderful little tea set. | 0:20:53 | 0:20:57 | |
I think it's wonderful because it's laborious, it's hand-painted, | 0:20:57 | 0:21:01 | |
its Japanese, and it's about 120 years old, | 0:21:01 | 0:21:04 | |
and what you get for your money in terms of quality, this is it. | 0:21:04 | 0:21:08 | |
-Have a handle. -That's really nice, what do you think? -I really like it. | 0:21:08 | 0:21:12 | |
-I love the two-tone effect, and this is actually hand-painted? -It is. | 0:21:12 | 0:21:16 | |
We have five cups and saucers, | 0:21:16 | 0:21:18 | |
sugar bowl and cover, | 0:21:18 | 0:21:19 | |
and a small little milk jug, and this wonderful coffee or teapot. | 0:21:19 | 0:21:24 | |
-It's wonderful. What did you pay for it? -Well, we have no change. | 0:21:24 | 0:21:27 | |
It was my licence to thrill you, and I spent the entire lot. | 0:21:27 | 0:21:31 | |
-£92? -Correct. -The whole lot, Charles? -The whole lot. | 0:21:31 | 0:21:35 | |
-Now, that's called Satsuma, isn't it? -It is. | 0:21:35 | 0:21:37 | |
-Nothing to do with the oranges. -OK. -A description of the earthenware type and this elaborate decoration. | 0:21:37 | 0:21:42 | |
Very often very elaborately decorated, isn't it, Charles? | 0:21:42 | 0:21:46 | |
There were some wonderful artists. | 0:21:46 | 0:21:48 | |
Yabu Meizan, Kinkozan, important names that can fetch many thousands, but this is more middle rate, | 0:21:48 | 0:21:53 | |
but the quality and the attention to detail | 0:21:53 | 0:21:56 | |
really puts it at a fine level. | 0:21:56 | 0:21:59 | |
I would guide it happily between... | 0:21:59 | 0:22:02 | |
80 and 120. | 0:22:02 | 0:22:03 | |
And with the wind blowing, I feel that's a fairly realistic guide. | 0:22:03 | 0:22:08 | |
-We'll see, won't we? -Anyway. | 0:22:08 | 0:22:10 | |
A stylish item for a stylish team. | 0:22:10 | 0:22:13 | |
We'll see if they decide to go with their bonus buy in a few minutes. | 0:22:13 | 0:22:16 | |
-Stephen Hearn is on the rostrum and raring to go. -30 I'm bid, 40 now. | 0:22:16 | 0:22:21 | |
Now, Harriet and Amy, how are you feeling? | 0:22:22 | 0:22:25 | |
Excited. | 0:22:25 | 0:22:26 | |
Not nervous at all, are you? | 0:22:26 | 0:22:27 | |
-Er, a little bit! -Little bit. | 0:22:27 | 0:22:29 | |
Anyway, first up are the silhouettes, and here they come. | 0:22:29 | 0:22:33 | |
Little silhouettes, little cut-out ones, | 0:22:33 | 0:22:35 | |
you'll find a little place for those somewhere next to that fireplace. | 0:22:35 | 0:22:38 | |
There you go, what about £50 for them? | 0:22:38 | 0:22:40 | |
30? Are you 20? | 0:22:40 | 0:22:42 | |
Go on! | 0:22:42 | 0:22:43 | |
15 I'm bid? 18? Are you 20? I'm bid. | 0:22:43 | 0:22:46 | |
Five I've got, it's two of you. | 0:22:46 | 0:22:48 | |
30 at the very back. 30 we're bid. | 0:22:48 | 0:22:50 | |
Five now then, Madam? No? | 0:22:50 | 0:22:52 | |
At £30 then I shall sell them. | 0:22:52 | 0:22:54 | |
Oh, no. Boo! | 0:22:54 | 0:22:56 | |
£30 then. | 0:22:56 | 0:22:58 | |
£30 sold. I think £30. £30 is minus £35. That's not so hot, is it? | 0:22:58 | 0:23:03 | |
Oh, dear, cherubs. | 0:23:03 | 0:23:05 | |
We have the little French dolly, there it is. | 0:23:05 | 0:23:08 | |
What about that? Rather nice little Paris doll there. | 0:23:08 | 0:23:11 | |
Will we pay £100 for her? | 0:23:11 | 0:23:13 | |
I would've thought so. £100 for her, or £50. I have 50 for her. | 0:23:13 | 0:23:17 | |
This is going to have to... | 0:23:17 | 0:23:18 | |
60 I am bid. 70 bid. 80 bid. | 0:23:18 | 0:23:20 | |
Are you 90? At £80? | 0:23:20 | 0:23:22 | |
Go on! | 0:23:22 | 0:23:23 | |
90 anywhere? | 0:23:23 | 0:23:24 | |
She's beautiful! | 0:23:24 | 0:23:26 | |
£80. At 80. That's it I do believe at £80. | 0:23:26 | 0:23:29 | |
I don't like the look of this, girls. | 0:23:29 | 0:23:32 | |
£80. Thank you very much. | 0:23:32 | 0:23:34 | |
Oh, no. £80. That's minus £60. | 0:23:34 | 0:23:38 | |
Minus 95. | 0:23:38 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
One for the ladies. Well, I don't know these days. | 0:23:41 | 0:23:45 | |
The faux tortoiseshell compact, nice little one for someone. | 0:23:45 | 0:23:49 | |
£30 for someone. Are you giving me 20 for it? | 0:23:49 | 0:23:51 | |
£20 now I'm bid 20, and five now. | 0:23:51 | 0:23:54 | |
Those estimates, 40 to 60. | 0:23:54 | 0:23:56 | |
Yes, sir. At £20. Thank you very much. | 0:23:56 | 0:23:58 | |
Minus £10. That means overall you're minus 105. | 0:24:00 | 0:24:03 | |
Amazing. | 0:24:03 | 0:24:04 | |
That is quite a disaster, isn't it? | 0:24:04 | 0:24:06 | |
But Tim, the girls bought things that they loved. | 0:24:06 | 0:24:09 | |
-Yeah. -That's true, and I love them too. | 0:24:09 | 0:24:12 | |
You'd never make any money on Portobello Road, come on now. | 0:24:12 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:16 | |
What are you going to do about this Crown Devon deco figure? | 0:24:16 | 0:24:20 | |
-Let's go for it! -We'll go for it. | 0:24:20 | 0:24:22 | |
We can't get any worse! | 0:24:22 | 0:24:23 | |
You're a couple of punters! So we're going to go with the bonus buy? | 0:24:23 | 0:24:26 | |
-Yeah! -We're going with the balloon girls. | 0:24:26 | 0:24:28 | |
Now we go back to Crown Devon, a little piece of Crown Devon. | 0:24:28 | 0:24:32 | |
There it is, typifies the 1930s, doesn't it? | 0:24:32 | 0:24:37 | |
Interesting figure, that one. I should think possibly £50 for it. | 0:24:37 | 0:24:41 | |
What about 30? 20 for it? | 0:24:41 | 0:24:43 | |
That's a start. 25, 30. I'm bid. 40 I'm bid. | 0:24:43 | 0:24:46 | |
50. And 60. | 0:24:46 | 0:24:47 | |
Are you sure? I'll take a fiver. | 0:24:48 | 0:24:50 | |
I'll take a fiver. | 0:24:50 | 0:24:51 | |
Go on! | 0:24:51 | 0:24:52 | |
60 on my left then! Are you five? | 0:24:52 | 0:24:55 | |
No! Oh, dear. | 0:24:55 | 0:24:56 | |
Oh, come on! | 0:24:56 | 0:24:58 | |
£60 then, it's yours. For £60. Thank you very much, sir. | 0:24:58 | 0:25:02 | |
605. | 0:25:02 | 0:25:03 | |
Bad luck. | 0:25:03 | 0:25:04 | |
It certainly is. | 0:25:04 | 0:25:06 | |
You came through for us the most though! | 0:25:06 | 0:25:08 | |
-It hasn't been your day today, has it? -Not today. | 0:25:08 | 0:25:10 | |
Going to be sold, you're out! | 0:25:11 | 0:25:13 | |
Now, Duncan and Janeka. Are you excited? | 0:25:17 | 0:25:20 | |
-Yes. -Yes. | 0:25:20 | 0:25:21 | |
Do you know how the Reds got on? | 0:25:21 | 0:25:23 | |
-No. -No, good. You don't want to. | 0:25:23 | 0:25:24 | |
First up then is the silver purse and here it comes. | 0:25:24 | 0:25:27 | |
There we are, one for the girls. A nice silver purse. | 0:25:27 | 0:25:30 | |
I believe that one is George V. What about that? | 0:25:30 | 0:25:33 | |
I think possibly £80 for it. | 0:25:33 | 0:25:34 | |
Come on! | 0:25:34 | 0:25:35 | |
£50 for it. 40 I've got. | 0:25:35 | 0:25:37 | |
And five. There's two of you - five. | 0:25:37 | 0:25:39 | |
There's three of you. 60. And five. | 0:25:39 | 0:25:41 | |
70 and five. 80! | 0:25:41 | 0:25:44 | |
Yes! It's a proper... | 0:25:44 | 0:25:46 | |
£80, and five now then. | 0:25:46 | 0:25:48 | |
£80. Another fiver in the corner. | 0:25:48 | 0:25:50 | |
No? He's hiding. It's going down then for £80. Thank you. | 0:25:50 | 0:25:54 | |
£80 is plus £2. | 0:25:54 | 0:25:56 | |
That's OK. | 0:25:56 | 0:25:57 | |
Yeah. No point in looking too happy for it. | 0:25:57 | 0:26:00 | |
OK, next - the bottle stoppers. | 0:26:00 | 0:26:02 | |
How about that? Interesting, aren't they? | 0:26:02 | 0:26:05 | |
£40 for those. 30. 20. | 0:26:05 | 0:26:07 | |
Five. 30. Five. 40. | 0:26:07 | 0:26:10 | |
Yes. Come on! | 0:26:10 | 0:26:12 | |
-Go on! -Are you going to give me 50? | 0:26:12 | 0:26:14 | |
Yes. 50 I'm bid. Five. | 0:26:14 | 0:26:16 | |
Yes! | 0:26:16 | 0:26:17 | |
You're out? Yes, you are. It's going down then for £50. | 0:26:17 | 0:26:20 | |
Thank you. | 0:26:20 | 0:26:21 | |
Yes! | 0:26:21 | 0:26:22 | |
Only minus ten. | 0:26:22 | 0:26:24 | |
That's a surprise. | 0:26:24 | 0:26:25 | |
-A damn sight better than we thought. -Yes, it is. | 0:26:25 | 0:26:27 | |
Yeah. | 0:26:27 | 0:26:28 | |
Look out. Now. Cufflinks. Lovely. Marvellous. | 0:26:28 | 0:26:32 | |
The cufflinks with mother of pearl and a little blue stone centre. | 0:26:32 | 0:26:35 | |
Nice ones, those are. What about £80? | 0:26:35 | 0:26:38 | |
Or £50? £40? Yes, and five. £50? | 0:26:38 | 0:26:41 | |
And five. 60. Five. Two of you. 70. Five? | 0:26:41 | 0:26:45 | |
80, is it. | 0:26:45 | 0:26:46 | |
No? 75 for Madam? 80 anywhere? | 0:26:48 | 0:26:50 | |
75, 80, is it? | 0:26:50 | 0:26:53 | |
Yes, I've got me 80. Anywhere? | 0:26:53 | 0:26:55 | |
Yes! 80! | 0:26:55 | 0:26:56 | |
And 90, is it? | 0:26:56 | 0:26:57 | |
85. Are you thinking? You've lost them. | 0:26:57 | 0:27:01 | |
They're going to Madam then for £85. | 0:27:01 | 0:27:02 | |
Well done, Madam. That's very good. | 0:27:02 | 0:27:05 | |
Plus 15, which is absolutely marvellous, | 0:27:05 | 0:27:08 | |
so you are overall plus £7. | 0:27:08 | 0:27:10 | |
What are you going to do about the Satsuma? | 0:27:10 | 0:27:13 | |
-We've got to go for it. -Yeah. | 0:27:13 | 0:27:14 | |
We love it and we think it could do well. | 0:27:14 | 0:27:17 | |
OK, you're going with the bonus buy and here it is. | 0:27:17 | 0:27:20 | |
Now we have a Japanese Satsuma part tea set. | 0:27:20 | 0:27:23 | |
These are rather nice. | 0:27:23 | 0:27:25 | |
Look at that lovely dense chrysanthemum decoration. | 0:27:25 | 0:27:27 | |
That one would split nicely, wouldn't it? | 0:27:27 | 0:27:29 | |
I think £150 for that one. | 0:27:29 | 0:27:31 | |
Oh, yeah. | 0:27:31 | 0:27:32 | |
Do we say 150 or do we say 100? We say 80. Yes, we do. | 0:27:32 | 0:27:35 | |
80 I have it then. | 0:27:35 | 0:27:36 | |
80, I'm bid for that one. | 0:27:36 | 0:27:38 | |
90, I've got it. Are you 100? | 0:27:38 | 0:27:40 | |
-Come on! -Ten, 20! | 0:27:40 | 0:27:41 | |
Yes! | 0:27:41 | 0:27:42 | |
30 I'm bid, at £40. | 0:27:42 | 0:27:44 | |
No more? £140 then, it is. | 0:27:44 | 0:27:47 | |
One more! | 0:27:47 | 0:27:48 | |
Don't be greedy, Charles. | 0:27:48 | 0:27:50 | |
140 has it! 50 now then. | 0:27:50 | 0:27:53 | |
You've all gone quiet. I sell at £140. Thank you. | 0:27:53 | 0:27:57 | |
£140, that's very good. | 0:27:57 | 0:27:59 | |
Plus 48, yes, on that. | 0:27:59 | 0:28:02 | |
That means you are plus £55. | 0:28:02 | 0:28:05 | |
I tell you, guys, we're going to have this folding money. | 0:28:05 | 0:28:09 | |
How lovely is that? | 0:28:09 | 0:28:10 | |
It's good, isn't it! | 0:28:10 | 0:28:13 | |
A vast ocean of difference in profit and loss today. | 0:28:13 | 0:28:16 | |
No surprise, but it is the Blues' £55 which is the winning score. | 0:28:16 | 0:28:21 | |
Coming up, will our next two teams fare any better? We'll see. | 0:28:23 | 0:28:27 | |
Meanwhile we're heading off to Fenton House in Hampstead. | 0:28:27 | 0:28:30 | |
What could be nicer than that? | 0:28:30 | 0:28:32 | |
Built at the end of the 17th century, | 0:28:43 | 0:28:47 | |
Fenton House in Hampstead is home to a number of wonderful collections, | 0:28:47 | 0:28:52 | |
but I'm here today to look at a group of pieces of needlework, | 0:28:52 | 0:28:56 | |
created across the ages. | 0:28:56 | 0:28:59 | |
One of the lovely things about the collection of Stuart needlework at Fenton House | 0:29:12 | 0:29:18 | |
is that it all came from one collector, George Salting, | 0:29:18 | 0:29:22 | |
who gathered the pieces together in the 19th century | 0:29:22 | 0:29:26 | |
and eventually, they were bequeathed to the National Trust. | 0:29:26 | 0:29:29 | |
Just have a look at the stitching on this casket. | 0:29:29 | 0:29:33 | |
Here we've got an absolute tour de force, | 0:29:33 | 0:29:37 | |
a timber carcass completely covered in needlework, | 0:29:37 | 0:29:43 | |
but the fineness of this needlework just takes your breath away. | 0:29:43 | 0:29:48 | |
Look at this fellow at the front here. | 0:29:48 | 0:29:51 | |
It's a wee bird astride a grassy mound. | 0:29:51 | 0:29:55 | |
Every part of that grassy mound is a stitch. | 0:29:56 | 0:29:59 | |
Every bit of the bird's body is stitched. | 0:29:59 | 0:30:04 | |
And the way that the needleworker has raised all those elements of its tail | 0:30:04 | 0:30:10 | |
into different coloured, individual stitched sections | 0:30:10 | 0:30:15 | |
and then brought the whole thing together is quite extraordinary. | 0:30:15 | 0:30:20 | |
I mean, it is truly amazing how skilled these people were, | 0:30:20 | 0:30:25 | |
each piece in this room crafted between about 1620 | 0:30:25 | 0:30:31 | |
and about 1670. | 0:30:31 | 0:30:33 | |
And for the areas that have been unaffected by the light, | 0:30:33 | 0:30:38 | |
just look at the brilliance inside the casket itself. | 0:30:38 | 0:30:44 | |
Back to Portobello Road in West London, to see whether our next two | 0:30:45 | 0:30:49 | |
teams can pick three objects capable of making a profit at auction. | 0:30:49 | 0:30:53 | |
Let's meet them. | 0:30:54 | 0:30:56 | |
-Go for a wander, then come back. -I think we should get it. -Come back. -Get it. | 0:30:56 | 0:31:02 | |
-Let's come back. -Domestic dispute. | 0:31:02 | 0:31:04 | |
Well, we've got two groovy young couples for you today. | 0:31:05 | 0:31:09 | |
For the Reds, we've got Ollie and Carla. And for the Blues we've got Roberto and Nadine. | 0:31:09 | 0:31:16 | |
-Hi, everybody. -Hello. -Happy? Now, Ollie, how did you two meet? | 0:31:16 | 0:31:20 | |
We met at a heavy metal music awards ceremony. | 0:31:20 | 0:31:24 | |
-Did you? -Yes. And neither of us like heavy metal. -So why were you there? | 0:31:24 | 0:31:29 | |
Well, it was free beer, which was good, but I work in the music industry, | 0:31:29 | 0:31:35 | |
and at the time Carla did as well. | 0:31:35 | 0:31:38 | |
My job is to get bands on the radio, so I go out and find new bands and new acts | 0:31:38 | 0:31:43 | |
-and then run off to Radio 1 and 6 Music and convince people to play them. -What a lovely job. | 0:31:43 | 0:31:50 | |
-How long have you done that for? -Since leaving uni. About ten years now. | 0:31:50 | 0:31:56 | |
-Are you fond of collecting things connected with music? -Yeah, well, my record collection's a bit silly. | 0:31:56 | 0:32:02 | |
-I've got thousands of vinyl and CDs, probably about 5,000. -Have you really? -Yeah. | 0:32:02 | 0:32:07 | |
-So, Carla, do you still work in the music industry? -No, I don't. | 0:32:07 | 0:32:12 | |
-I work for a very well-known alcoholic beverage company. -Ah! | 0:32:12 | 0:32:15 | |
What a nice job! | 0:32:15 | 0:32:17 | |
-Beautiful job. -What do you have to do? -Cocktail tastings... -You don't? -Yes! | 0:32:17 | 0:32:23 | |
-Always before lunch as well. -Really? -Yes! | 0:32:23 | 0:32:27 | |
-And what are your tactics? -Well, maybe not spend too much, because that means we won't lose as much. | 0:32:27 | 0:32:32 | |
-Ahh. -And Carla will do the haggling. -Good luck. Excellent. How did you two meet, Robert? | 0:32:32 | 0:32:38 | |
We met at a tennis tournament six years ago in Dusseldorf. | 0:32:38 | 0:32:43 | |
You played for your university and at the after-party | 0:32:43 | 0:32:47 | |
we met each other and we kind of twinned. We continued to have e-mail contact | 0:32:47 | 0:32:54 | |
and then we went to the same uni in England, here in Regent's College, | 0:32:54 | 0:32:59 | |
and then we got together. | 0:32:59 | 0:33:02 | |
-Do you still play tennis a lot? -Erm, I do sometimes. Robert played... | 0:33:02 | 0:33:07 | |
-So the tennis has gone off the boil, but you remained on the boil. -Absolutely. | 0:33:07 | 0:33:12 | |
-That's what I like to hear. So you grew up in Germany? -Exactly. | 0:33:12 | 0:33:17 | |
-Nadine, you met in Germany. Are you German? -No, I'm Dutch. I'm half-Dutch, half-American, | 0:33:17 | 0:33:23 | |
but I grew up in Holland. | 0:33:23 | 0:33:24 | |
-What are your tactics? -I think we'll look for something shiny in the gold, silver area. | 0:33:24 | 0:33:32 | |
We'll see whether that works out or not. Now the money moment - £300 apiece. You know the rules. | 0:33:32 | 0:33:37 | |
Your experts await. And off you go! Wow! We're going to have an international! | 0:33:37 | 0:33:43 | |
Guys, Portobello Road! The most exciting market in the world! | 0:33:48 | 0:33:53 | |
The sky is blue. And we've got 300 quid to spend. | 0:33:53 | 0:33:56 | |
-Robert, Nadine, this is it. Isn't it awesome? -Absolutely. -You're bargain hunting! | 0:33:56 | 0:34:03 | |
-What are our tactics? -I think if we spend a little we won't lose a lot. | 0:34:03 | 0:34:09 | |
Don't be negative, darling! | 0:34:09 | 0:34:11 | |
-What are we going to buy? -I think we're going to look for some gold, silver, shiny bling-bling stuff. | 0:34:11 | 0:34:19 | |
Follow me! | 0:34:19 | 0:34:21 | |
Well, here we go, bargain hunters. And with huge crowds here at the ever-popular Portobello Road, | 0:34:22 | 0:34:29 | |
our teams will have to be decisive and eagle-eyed. | 0:34:29 | 0:34:33 | |
Back in the olden days, years ago, you may have gone to bed with this. | 0:34:42 | 0:34:46 | |
Gone upstairs with your candle in there. It's a chamberstick, porcelain. This, believe it or not, | 0:34:46 | 0:34:53 | |
-would go back to about 1820. -Really? -Wow. -I think it's French. | 0:34:53 | 0:34:57 | |
-Possibly. -I think it's French, porcelain. Two centuries old. It's so old. -Amazing. | 0:34:57 | 0:35:04 | |
-How much? -£30. | 0:35:04 | 0:35:06 | |
-£30... -I like it. | 0:35:06 | 0:35:08 | |
-It's 200 years old! -It's in your hands. -It's two centuries, Nadine. | 0:35:08 | 0:35:13 | |
I like it. Not for £30, I think. | 0:35:13 | 0:35:16 | |
Not for £30?! That's less than a pound a year! | 0:35:16 | 0:35:21 | |
-£15 I'd give for it. -What's up with it, Nadine? | 0:35:21 | 0:35:25 | |
-I don't really like orange. -Orange? That's the only reason?! | 0:35:25 | 0:35:30 | |
Well, thanks for coming. | 0:35:30 | 0:35:32 | |
-If it could talk, what could it tell you? -"Buy me!" | 0:35:32 | 0:35:37 | |
I think it says, "Buy me." I'm being serious. | 0:35:37 | 0:35:41 | |
Hold on. "Buy me." But listen, guys, it's your day. | 0:35:41 | 0:35:45 | |
We'll put it down and if it's gone later, don't blame me! Thank you very much. | 0:35:45 | 0:35:51 | |
Well, it's early days and with loads to see, it's going to take a lot to impress posh Roberto and Nadine. | 0:35:51 | 0:35:58 | |
Meanwhile, Anita has spotted something tasty amongst the crowds. | 0:36:02 | 0:36:07 | |
Can you imagine cupcakes on that? Or, as we call them in Scotland, fairy cakes. | 0:36:07 | 0:36:14 | |
-It's really decorative. -It's got bags of style. | 0:36:14 | 0:36:18 | |
-Made of chrome. Is that very expensive? -Probably! | 0:36:18 | 0:36:23 | |
I had 120 on it. I can come down a bit on that. I can negotiate. | 0:36:23 | 0:36:29 | |
- What would you be willing to do? - 90? | 0:36:29 | 0:36:32 | |
-90? -It's a great-looking thing, but we have to sell it at auction. | 0:36:32 | 0:36:38 | |
Tell me what you think, Ollie. Hold that. | 0:36:38 | 0:36:42 | |
Don't break it! | 0:36:42 | 0:36:44 | |
Maybe if it was something around... getting closer to 70. | 0:36:44 | 0:36:48 | |
It looks really nice, stylish. | 0:36:48 | 0:36:50 | |
It's lovely and very contemporary. People are getting more eclectic with what's in their houses. | 0:36:50 | 0:36:56 | |
Can we go lower than 90 on it? | 0:36:56 | 0:36:59 | |
- 80? - 75? | 0:36:59 | 0:37:01 | |
-Smile at me nicely. -Please? So we can make a profit. | 0:37:01 | 0:37:05 | |
Go on, then. 75. | 0:37:05 | 0:37:08 | |
-Who could resist this face? -I know. -She couldn't! She couldn't! | 0:37:08 | 0:37:12 | |
OK, Ollie? Get the money out and pay the lady. | 0:37:14 | 0:37:18 | |
-The next one's my choice! -All right. | 0:37:18 | 0:37:21 | |
So that's the Reds' first purchase, but will the stand tempt the right buyer at auction? | 0:37:21 | 0:37:28 | |
-Sweet, isn't it? -Yes, very nice. -Nine-carat gold. | 0:37:32 | 0:37:36 | |
-1906. -For a lock of hair, maybe a portrait of a loved one. | 0:37:36 | 0:37:41 | |
But of course it's all in the weight. | 0:37:41 | 0:37:45 | |
-That's quite light. -Quite light. -It's delicate. -Good quality. -A sweet thing. | 0:37:45 | 0:37:50 | |
Nadine, come on. Why do you like it? | 0:37:50 | 0:37:53 | |
-It's shiny! -Why would it make money? | 0:37:53 | 0:37:57 | |
-Because it's old. -Yeah. -The detail. -All the engraving is quite detailed. | 0:37:57 | 0:38:02 | |
I like the fact that it's quite secret, whatever you put into it. | 0:38:02 | 0:38:06 | |
-You could put a picture of Robert in there. -Exactly. -And it would be love. -Exactly. | 0:38:06 | 0:38:12 | |
A quality item. And it's an antique because it's pre-1911, OK? | 0:38:12 | 0:38:17 | |
-It's a bit of a gamble, but if you like it... -What's the best price? | 0:38:17 | 0:38:22 | |
-£75. -Look, guys. I'm the gooseberry. Decide, OK? | 0:38:22 | 0:38:27 | |
-I like it, Nadine. -You like it? Let's just do it. -Take it. | 0:38:27 | 0:38:31 | |
-We'll take it, yeah? -Yes. -First item. Fantastic. | 0:38:31 | 0:38:35 | |
And the Blues are off with their first buy. | 0:38:35 | 0:38:39 | |
Guys, half an hour left. Half an hour! | 0:38:49 | 0:38:54 | |
-This is serious! -OK, let's get going. -This is money making, guys. | 0:38:54 | 0:39:00 | |
-Perfect for my job. -Yeah. | 0:39:04 | 0:39:07 | |
-So tell me about your job. -I work for a well-known booze company. -Oh, right. Uh-huh. | 0:39:07 | 0:39:13 | |
-So we're in familiar territory. -Absolutely, yeah. A bit of cocktail shaking! | 0:39:13 | 0:39:20 | |
-That is nice. -But is it that old? -Yes, it's maybe from the 1950s, 1960s. -Really? | 0:39:20 | 0:39:26 | |
-I think that's very cool. I really like that. -Really like it? | 0:39:26 | 0:39:31 | |
-I like it much more than the cake stand! -More than the cake stand? | 0:39:31 | 0:39:35 | |
Yeah, if we'd come here first... | 0:39:35 | 0:39:38 | |
-Is everything going to be food or drink related? -Basically, yes. | 0:39:38 | 0:39:43 | |
I think we've got a theme here. I think we've got a theme. | 0:39:43 | 0:39:47 | |
I should have had breakfast! | 0:39:47 | 0:39:49 | |
People are making cocktails at home all the time now. How great is this? | 0:39:49 | 0:39:54 | |
-Very cool. -How much? -I don't know. | 0:39:54 | 0:39:57 | |
- I could do 40. - Would you go for 30? 35? | 0:39:57 | 0:40:02 | |
- 40. - 40. | 0:40:02 | 0:40:04 | |
-I think it's something we could come back to. -We didn't come back to your cake stand. -No, we didn't. | 0:40:04 | 0:40:10 | |
I'm not getting involved! | 0:40:10 | 0:40:14 | |
-Go for a wander and come back. -I think we should get it. -Come back. -Get it. | 0:40:14 | 0:40:18 | |
-Let's come back. -Let's get it. -It'll still be there. -Get it. -No, not yet. | 0:40:18 | 0:40:24 | |
I tell you what. We'll leave it just now and give ourselves another few stalls to look at. | 0:40:24 | 0:40:31 | |
Wise words, Anita. We don't want Ollie and Carla shaken or stirred for the rest of the shop. | 0:40:31 | 0:40:37 | |
It looks like the Blues are looking at things from a different angle. | 0:40:41 | 0:40:45 | |
-Guys, look at all this. It's mechanical, Robert. -I'm in my element. -But why mechanical? | 0:40:45 | 0:40:52 | |
-Why this sort of thing? -I love working with numbers and measuring, having everything exact. | 0:40:52 | 0:40:59 | |
-How early is it? -Thirties. -1930s. -1930s. Really beautiful. | 0:40:59 | 0:41:04 | |
-Its function is purely a...? -It's a rule, obviously. And it has a level and protractor. | 0:41:04 | 0:41:10 | |
-Correct. And isn't it well made with these mounts in gilt brass? -It's very sturdy. | 0:41:10 | 0:41:17 | |
It's on at 110. And that's a fair price in a retail market. So what is best price? | 0:41:17 | 0:41:23 | |
-We're going to auction. -Normally, I'd say the obvious - 100. | 0:41:23 | 0:41:27 | |
But...90. I'll do it for 90. | 0:41:27 | 0:41:30 | |
He's a good man, you see. He's trying to help us. | 0:41:30 | 0:41:34 | |
Time is of the essence, OK? Ten minutes to go. | 0:41:34 | 0:41:39 | |
Today we're struggling, but this is great. A lovely object. | 0:41:39 | 0:41:43 | |
-And the best price is...? -The best price would be £90. -Would you take 80? It'd really help. | 0:41:43 | 0:41:50 | |
-I can't do it... -We're in the highest-end retail market, | 0:41:50 | 0:41:54 | |
-and we respect your profit margin. -OK, I'll take 80. -Thank you so much. -We'll take it! | 0:41:54 | 0:42:00 | |
We've done it. Thank you. Good man. Give him a handshake, Nadine. | 0:42:00 | 0:42:05 | |
-Thank you. -Give me a high-five. Thanks again. We've done it. | 0:42:05 | 0:42:09 | |
With 15 minutes to go, the Blues have made their second purchase. | 0:42:09 | 0:42:14 | |
And guess what the Reds have decided on. They're back for the cocktail shaker. Hic! | 0:42:16 | 0:42:22 | |
-See if you can get another wee bit off it. You'll negotiate? -Absolutely. -Do your best. | 0:42:22 | 0:42:28 | |
-Big smiles. -I think she'll drive a hard bargain. -Uh-huh. | 0:42:28 | 0:42:32 | |
Brilliant. It's still here. I know you said it was 45... | 0:42:32 | 0:42:38 | |
-It's looking good. -She's got a smile on her face. | 0:42:38 | 0:42:42 | |
- 35? Yeah? - OK. | 0:42:42 | 0:42:45 | |
-Ah, right, then. -I got him down to 35. -Well done! | 0:42:45 | 0:42:49 | |
-Nice one. -Good girl. -Bit of a wink and a smile. -But you loved it. -Yeah. | 0:42:49 | 0:42:56 | |
Let's hope the cocktail shaker stirs up a profit at auction. | 0:42:56 | 0:43:01 | |
Time waits for no man, especially not a bargain hunter. | 0:43:06 | 0:43:11 | |
With only minutes left, the Blues are back to square one. | 0:43:11 | 0:43:15 | |
-That chamberstick. -Gone. -You've sold it? -Yeah. You had your chance. | 0:43:15 | 0:43:21 | |
Oh, no! I don't believe it. | 0:43:21 | 0:43:23 | |
-Has it gone? -Yeah. -It's gone. It's gone. | 0:43:23 | 0:43:28 | |
-- Oh, no! -It was so good. -- I do sell things occasionally. | 0:43:28 | 0:43:32 | |
-We should have listened to you. -These are a good buy. -Are they brass? -Victorian, brass. | 0:43:32 | 0:43:38 | |
-Patinated, are they? -And they're only 15. -Really? | 0:43:38 | 0:43:42 | |
-Only £15. -That's the pair. What's important is they're tall. | 0:43:42 | 0:43:47 | |
-Quite heavy. -What do you think, Charles? -I quite like them. | 0:43:47 | 0:43:51 | |
-What happened? What's this orange finish? -They're patinated. | 0:43:51 | 0:43:56 | |
-Yeah, they're patinated with this orange glow. -And as you said, they're tall. | 0:43:56 | 0:44:02 | |
-How early are they? 1900. -I think a bit older. -1890? | 0:44:02 | 0:44:07 | |
They're called Jack of Diamonds, I think. This design. A good pair. | 0:44:07 | 0:44:12 | |
-And do you know what... -For £15 a pair, £7.50 each. | 0:44:12 | 0:44:17 | |
For a good pair of late-Victorian candlesticks, they must make money. | 0:44:17 | 0:44:21 | |
-I think... -They've got to make money. He sold our chamberstick, | 0:44:21 | 0:44:26 | |
which would have made hundreds. OK? Hundreds! No, I'm joking. | 0:44:26 | 0:44:30 | |
It may have made a bit of profit, but that's gone now. | 0:44:30 | 0:44:34 | |
-This could be our next-best find. -Go for it. -There's three minutes. | 0:44:34 | 0:44:39 | |
-There's 180 seconds to go. -Yeah. -All right? Nadine, do the deal. | 0:44:39 | 0:44:44 | |
-Sir, we will take it. -We'll take the pair, yes. | 0:44:44 | 0:44:47 | |
-Congratulations. -£15. Are you happy? | 0:44:47 | 0:44:51 | |
-Absolutely. -Really? -Yes. -Which means what? -Group hug! | 0:44:51 | 0:44:56 | |
-Well done, guys. Time for a cup of tea? -Yes. -After you. -Cheers. | 0:44:56 | 0:45:01 | |
That's it. The Blues are all done. | 0:45:01 | 0:45:04 | |
With two minutes' shopping time left, I'm not sure if the Reds really have time to be playing. | 0:45:04 | 0:45:12 | |
Look at this! | 0:45:12 | 0:45:14 | |
-That's quite good. -Very good! -They're like kids in a toy shop! | 0:45:16 | 0:45:21 | |
-Oh, he's not a happy one. -No, no! | 0:45:24 | 0:45:27 | |
-Is it going to go? -Oh! | 0:45:32 | 0:45:34 | |
-How much is that one? -I have to look... -£10? -£10. They're really cheap. | 0:45:36 | 0:45:43 | |
-That's not bad at all. -These will be good buys. For £10, they're very good buys. | 0:45:43 | 0:45:49 | |
-Food, drink and fun. -Yeah! -I think you're right. -Drink the cocktails, play with the toys. | 0:45:49 | 0:45:55 | |
-I think we should go for that one. -Let's get that one. -I think that's a good buy. -Would you take £8? | 0:45:55 | 0:46:01 | |
-Yes. -Yes? Brilliant. | 0:46:01 | 0:46:04 | |
-A couple of pound off. That was nice and easy. -Good. | 0:46:04 | 0:46:08 | |
Yee-haw! That's the third buy for the Reds. | 0:46:08 | 0:46:12 | |
Hang on a tick! Well, two ticks, actually. | 0:46:18 | 0:46:21 | |
Time's up! | 0:46:21 | 0:46:23 | |
The shopping's all done and it's time to go back to Tring Market Auctions in Hertfordshire. | 0:46:23 | 0:46:27 | |
First, let's remind ourselves what the Red team bought. | 0:46:27 | 0:46:32 | |
The Reds spent £75 on an Art Deco chrome and glass stand. | 0:46:32 | 0:46:38 | |
They hope to shake things up with a 1940s cocktail shaker for £35. | 0:46:38 | 0:46:43 | |
And the grand sum of £8 was paid for a tin-plate toy stagecoach. | 0:46:44 | 0:46:49 | |
Giddy-up! | 0:46:49 | 0:46:51 | |
-This is exciting, isn't it? -Yes. | 0:46:51 | 0:46:53 | |
What do you suppose Anita Manning does when she's given £182 to run around with? | 0:46:53 | 0:46:58 | |
OK, Anita, show us your wares, love. | 0:46:58 | 0:47:01 | |
Do you know, I was so enchanted by Orla's enthusiasm for her cocktail shaker | 0:47:01 | 0:47:07 | |
that I decided that I would buy this little set of silver cocktail sticks. | 0:47:07 | 0:47:14 | |
They're in this lovely little shagreen-style box. | 0:47:14 | 0:47:18 | |
They're probably from the 1920s | 0:47:18 | 0:47:20 | |
and they have these wonderful cockerels on top. | 0:47:20 | 0:47:24 | |
-They're amazing. -Have they brought a smile to your face? Excellent! -They do look brilliant. -Yeah. | 0:47:24 | 0:47:31 | |
-I really like them. -Won't they go beautifully with your cocktail shaker? -How much were they? -Well... | 0:47:31 | 0:47:37 | |
-Here we go. -LAUGHTER | 0:47:37 | 0:47:39 | |
-I paid £100 for them. -Wow! -That's all right. -But we have six silver, little cocktail sticks. | 0:47:39 | 0:47:47 | |
-I think they're rather swish. -A cocktail is a special treat. | 0:47:47 | 0:47:51 | |
And those are special things to use in that drinking experience. | 0:47:51 | 0:47:55 | |
They're better than the little wooden ones. | 0:47:55 | 0:47:58 | |
More expensive as well! | 0:47:58 | 0:48:00 | |
'We'll see whether they cause a stir later on, but now let's have | 0:48:00 | 0:48:03 | |
'a quick look again at the Blue team's three items.' | 0:48:03 | 0:48:06 | |
The Blues spent £75 on an Edwardian gold locket pendant. | 0:48:09 | 0:48:13 | |
They forked out a precise £80 for a spirit level with measuring | 0:48:14 | 0:48:18 | |
ruler and protractor. | 0:48:18 | 0:48:20 | |
And finally they blew £15 on a pair of Victorian candlesticks. | 0:48:22 | 0:48:27 | |
Morning, Robert. Morning, Nadine. | 0:48:29 | 0:48:31 | |
Sadly, Robert and Nadine can't be with us today, | 0:48:31 | 0:48:35 | |
so Charles, we'll have to play this show entirely between the two of us. | 0:48:35 | 0:48:40 | |
-Yes. -So you two gave Charles Hanson £130 of leftover lolly. | 0:48:40 | 0:48:46 | |
Charles, what did you spend it on? | 0:48:46 | 0:48:49 | |
Ta-da! | 0:48:49 | 0:48:51 | |
-Tim, our team had great taste. -Did you? -I blew the lot, because I bought a bit of folk art. | 0:48:51 | 0:48:57 | |
It's a collection, a little amalgam of great country art | 0:48:57 | 0:49:03 | |
which will suit this great country auction house we're at in Tring. | 0:49:03 | 0:49:07 | |
-Yes. -Tim, this is earthenware. | 0:49:07 | 0:49:10 | |
It's beautifully slip-incised, maybe circa 1780. | 0:49:10 | 0:49:14 | |
-What about the bowl? -Tin-glazed earthenware, made before we found out the secrets of making porcelain. | 0:49:14 | 0:49:21 | |
-OK, fine. This little fellow is made of sycamore, right? -Yes, Tim. | 0:49:21 | 0:49:25 | |
They're clearly wildly enraptured by this. | 0:49:25 | 0:49:28 | |
How much did you spend, Charles? | 0:49:28 | 0:49:31 | |
-Tim, I spent £130. -Oh! | 0:49:31 | 0:49:34 | |
-They can't believe it. -She likes it. -I'm not so sure she does, Charles. | 0:49:34 | 0:49:38 | |
I wonder, what will Robert and Nadine decide to do? Hmmm. | 0:49:38 | 0:49:43 | |
It's time to sell, and the auctioneer, Stephen Hearn, | 0:49:44 | 0:49:47 | |
is ready, so off we go. | 0:49:47 | 0:49:49 | |
OK, Ollie, Carla, you are at the precipice. | 0:49:52 | 0:49:55 | |
-How excited are you? -Very. -I'm very excited to see how we do. | 0:49:55 | 0:50:00 | |
You've got some pretty extraordinary estimates. | 0:50:00 | 0:50:03 | |
That cake stand thing, it turns out it's not a cake stand at all. | 0:50:03 | 0:50:08 | |
-Oh. -It's a very rare caviar stand. -Really? | 0:50:08 | 0:50:12 | |
I think that's really interesting. | 0:50:12 | 0:50:15 | |
If anybody here in this room twigs what a special thing that is, | 0:50:15 | 0:50:19 | |
it should make a lot more than his estimate of £40 to £60. | 0:50:19 | 0:50:23 | |
First up is the caviar stand and here it comes. | 0:50:23 | 0:50:26 | |
Number 1704 now. | 0:50:27 | 0:50:30 | |
That is for caviar. How about that? | 0:50:30 | 0:50:33 | |
£50 for it? Have we got £30? | 0:50:33 | 0:50:35 | |
Yes, 30 I'm bid for it. Thank you very much. 30 I'm bid. And 5. | 0:50:35 | 0:50:40 | |
And 40. 5. And 50. | 0:50:40 | 0:50:43 | |
No? 50. I've got £50 now. 5 anywhere then? At 50. | 0:50:43 | 0:50:47 | |
-Are you going to bid 5, sir? -Go on! -No. You're too mean for the caviar. | 0:50:47 | 0:50:51 | |
It's going down then to madam. I sell it for £50... | 0:50:51 | 0:50:55 | |
-Thank you very much. -That's cheap. | 0:50:55 | 0:50:57 | |
-It's annoying, £50. -It is annoying. -Minus 25. I'm sorry about that. | 0:50:57 | 0:51:02 | |
We have a cocktail shaker, a decent little cocktail shaker. £30. | 0:51:02 | 0:51:06 | |
20 for it? Anybody got £20 for that one? Anyone got a tenner? | 0:51:06 | 0:51:11 | |
Yes, a tenner I'm bid. 12 anywhere? 12 I'm bid. | 0:51:11 | 0:51:15 | |
Not a lot of money at 12. 15. | 0:51:15 | 0:51:17 | |
Sir? Yes? No? 15 for you, then, madam. At £15... | 0:51:17 | 0:51:21 | |
£15 is minus £20 on that. You're minus 45. | 0:51:21 | 0:51:26 | |
Now, the tin-plate stagecoach. | 0:51:26 | 0:51:29 | |
This will win it all back for you. | 0:51:29 | 0:51:31 | |
The little Japanese painted tin-plate stagecoach, in good order. | 0:51:31 | 0:51:35 | |
£30 for it? £20 for it? 15 bid. 18. 20. | 0:51:35 | 0:51:39 | |
All of you. 2. And 5. | 0:51:39 | 0:51:41 | |
And 8, madam? At 25. | 0:51:41 | 0:51:43 | |
No. It's for nothing. | 0:51:43 | 0:51:46 | |
Another 2 surely? Yes, 28. | 0:51:46 | 0:51:48 | |
You can't resist it, can you? At £28. | 0:51:48 | 0:51:51 | |
30 I'm bid now. And 5, is it? No? | 0:51:51 | 0:51:54 | |
OK then, at £30. Are you sure? | 0:51:54 | 0:51:57 | |
At £30, it's going. You have it, sir, at £30. | 0:51:57 | 0:52:00 | |
There we go... | 0:52:00 | 0:52:02 | |
'A profit of £22 for the tin-plate stagecoach, | 0:52:02 | 0:52:06 | |
-'leaving the Reds with a total of minus £23.' -Well done, Robert. | 0:52:06 | 0:52:10 | |
You are risking now £100. Are you going to go with these sticks for 100? | 0:52:10 | 0:52:15 | |
Be careful. | 0:52:15 | 0:52:17 | |
I think because we've lost so much on the cocktail and the cake stand, I don't think they'll go for 100. | 0:52:17 | 0:52:23 | |
-You won't go with them? -I don't think so. -Even though you love them so much? | 0:52:23 | 0:52:28 | |
They are really nice, but we run the risk of making a loss on them. | 0:52:28 | 0:52:33 | |
Yeah? You are so sweet. | 0:52:33 | 0:52:35 | |
-Do what Ol says? -Yeah. -Ol knows best? | 0:52:35 | 0:52:39 | |
Then if we're wrong, it's his fault. | 0:52:39 | 0:52:42 | |
-LAUGHTER -Anyway, here they come. | 0:52:42 | 0:52:45 | |
A box of sterling cocktail sticks with cockerel terminals to them. | 0:52:45 | 0:52:49 | |
£30? 20? | 0:52:49 | 0:52:51 | |
Bid. 5. 30. 5. 40. | 0:52:51 | 0:52:54 | |
5. 50. 5. | 0:52:54 | 0:52:56 | |
60. 5. | 0:52:56 | 0:52:58 | |
No? £65 for those then. 70 anywhere? | 0:52:58 | 0:53:03 | |
No more? Madam has those then. I sell for that £65. | 0:53:03 | 0:53:07 | |
-Thank you, madam. -£65. You made the right decision. | 0:53:07 | 0:53:11 | |
-Yes. Good. -Overall, you are minus £23. | 0:53:11 | 0:53:15 | |
OK? Which could be a winning score. | 0:53:15 | 0:53:18 | |
Just don't say a word to the Blues. | 0:53:18 | 0:53:21 | |
Right, one lot to go and it is going to be the pendant. | 0:53:27 | 0:53:31 | |
-Come on, Nadine. -Come on, Robert. -Come on, Nadine. | 0:53:31 | 0:53:34 | |
-Sorry. Sorry, Tim. Sorry, Robert. -Don't worry. Here it comes. | 0:53:35 | 0:53:40 | |
Now we have a little gold pendant locket. | 0:53:40 | 0:53:43 | |
What about that? I think possibly we ought to be around £80 for it. | 0:53:43 | 0:53:47 | |
80 or 50? Or 60. | 0:53:47 | 0:53:49 | |
Yes, we're 5 now. We have 70. And 5. 80 I'm bid now. | 0:53:49 | 0:53:53 | |
-Yeah, that's good, isn't it? Yes. -Yes. | 0:53:53 | 0:53:56 | |
£80. Just another 5? No, he says. | 0:53:56 | 0:53:58 | |
That's it. It's going down for the £80. | 0:53:58 | 0:54:02 | |
-Thank you. -£80 is plus £5. This is so fantastic. | 0:54:02 | 0:54:07 | |
The Rabone folding rule with a spirit level and a protractor. | 0:54:07 | 0:54:11 | |
That's a rather nice example, isn't it? | 0:54:11 | 0:54:14 | |
I thought something nearer £50 for that one. 50 for it? 30? | 0:54:14 | 0:54:18 | |
20? Yes, 20 I'm bid, then. | 0:54:18 | 0:54:21 | |
Thank you, sir. 20 we're bid for it. 5. | 0:54:21 | 0:54:24 | |
30 I'm bid now. 5. 40. And 5. | 0:54:24 | 0:54:27 | |
-And 50? -Come on. -Yes or no? | 0:54:27 | 0:54:31 | |
At £50. And 5 now, ma'am, no? | 0:54:31 | 0:54:33 | |
I'm selling, then, to you, sir, for £50. Thank you very much. | 0:54:33 | 0:54:37 | |
Bad luck, Robert. That's minus 30. | 0:54:37 | 0:54:40 | |
Minus 30, which means, overall, you two are minus £25. | 0:54:40 | 0:54:45 | |
-Sorry. -Now the candlesticks. | 0:54:45 | 0:54:47 | |
The patinated brass candlesticks. Stretch a point, £30? | 0:54:47 | 0:54:52 | |
20 for them? 10 for them? | 0:54:52 | 0:54:54 | |
-Come on. -10 I'm bid for those. 12. 15. | 0:54:54 | 0:54:57 | |
18. 20. | 0:54:57 | 0:54:59 | |
-You can have them for another 2, sir. -One more. -No? | 0:54:59 | 0:55:03 | |
20 for madam, then. At £20. They're going down, then, for the £20. | 0:55:03 | 0:55:07 | |
-Thank you very much. -That's very good. That's a profit of £5. | 0:55:07 | 0:55:11 | |
Fantastic. That's great, guys. | 0:55:11 | 0:55:13 | |
Overall, you two are minus £20. This is a difficult moment. | 0:55:13 | 0:55:17 | |
Now I am made to feel like the team feel, because minus £20 could be a winning score. | 0:55:17 | 0:55:24 | |
Of Charles's three items, I rate most of all the pestle and mortar. | 0:55:24 | 0:55:29 | |
I think that's worth £120 to £150 any day of the week, then we get those other two items, | 0:55:29 | 0:55:34 | |
so if I was Nadine and Robert, | 0:55:34 | 0:55:37 | |
I would be urging them now to go with the bonus buy. | 0:55:37 | 0:55:41 | |
Therefore, we're going with the bonus buy and we're going to see what happens. Here we go. | 0:55:41 | 0:55:47 | |
We have a collection of three items now. | 0:55:47 | 0:55:49 | |
Interesting lot. £80 for them? | 0:55:49 | 0:55:52 | |
80 or 50? Yes, I've got 50 I'm bid for those. | 0:55:52 | 0:55:55 | |
60 I'm bid. 70 bid. 80 bid. 90 bid. | 0:55:55 | 0:55:57 | |
100 bid. | 0:55:57 | 0:56:00 | |
100 I'm bid for those. And 10 now? | 0:56:00 | 0:56:02 | |
At £100. 10, madam? Yes or no? | 0:56:02 | 0:56:05 | |
No? | 0:56:05 | 0:56:07 | |
Madam in front's got them, then. I shall sell them for £100. | 0:56:07 | 0:56:11 | |
-633... -Disappointing. -Oh, dear, that's a bad result. | 0:56:11 | 0:56:15 | |
I bet you wish, you two, you hadn't picked those! | 0:56:15 | 0:56:18 | |
Anyway, £100 is minus £30 on the bonus buy. Thanks, Charles(!) | 0:56:18 | 0:56:24 | |
That means, overall, we are minus £50 for the absent Robert and Nadine. | 0:56:24 | 0:56:30 | |
It will not be a difficult thing for you two not to say a word to the Reds, will it? | 0:56:30 | 0:56:35 | |
-Well, teams, present and absent... -LAUGHTER | 0:56:43 | 0:56:47 | |
-Both teams are in minus score situations. -Oh, no. | 0:56:47 | 0:56:51 | |
That is no secret, but it's a question of scale, do you see? | 0:56:51 | 0:56:56 | |
And the team that is running up today...are the Blues. | 0:56:56 | 0:57:00 | |
Oh, dear. I'm sorry. | 0:57:00 | 0:57:02 | |
Yes, they are running up with a minus total of 50, | 0:57:02 | 0:57:07 | |
largely as a result of me selecting to go with Charles's bonus buy. | 0:57:07 | 0:57:12 | |
-Yeah. -Because if I hadn't gone with Charles's bonus buy, | 0:57:12 | 0:57:16 | |
Nadine and Robert here would be winning | 0:57:16 | 0:57:19 | |
by a handsome margin of, I think, £3. | 0:57:19 | 0:57:23 | |
-As it is, I selected to go with the bonus buy, which was a bum decision, Charles. -It happens now and again. | 0:57:23 | 0:57:29 | |
-I'm never believing you again, boy. Seriously, keep smiling, boy. -I will. | 0:57:29 | 0:57:34 | |
Now, the real smilers though are the Reds, who started off with all these minus scores, | 0:57:34 | 0:57:40 | |
but you did not go with the bonus buy, and as a result your grand total of minuses only total 23, | 0:57:40 | 0:57:47 | |
-which is a resounding victory, really, isn't it? -Yes. | 0:57:47 | 0:57:51 | |
-Have you loved it? -Yeah, it's been brilliant. -It's been great having you on the show. | 0:57:51 | 0:57:56 | |
And anybody who is lucky enough to snuggle up to Anita Manning is bound to have a good show. | 0:57:56 | 0:58:02 | |
Enough of this jollity. Join us soon for some more bargain hunting, yes? | 0:58:02 | 0:58:07 | |
-ALL: Yes! -Whoops, Charles! | 0:58:07 | 0:58:10 |