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Today, we're in Sussex, home to the beautiful South Downs, | 0:00:06 | 0:00:12 | |
which forms a large part of the Sussex counties. | 0:00:12 | 0:00:15 | |
But do you know what else is big around here? | 0:00:15 | 0:00:19 | |
AEROPLANE ENGINE ROARS | 0:00:19 | 0:00:23 | |
Apart from Gatwick Airport? | 0:00:23 | 0:00:26 | |
Ardingly Antiques & Collectors Fair. | 0:00:26 | 0:00:29 | |
So let's go Bargain Hunting here! | 0:00:29 | 0:00:31 | |
Ardingly is the biggest antiques and collectors fair | 0:01:00 | 0:01:04 | |
in the South of England. | 0:01:04 | 0:01:05 | |
So where better place for our teams to spend their £300 | 0:01:05 | 0:01:10 | |
doing a spot of vintage shopping? | 0:01:10 | 0:01:12 | |
Coming up on today's show... | 0:01:15 | 0:01:17 | |
The Blues have a list. | 0:01:17 | 0:01:19 | |
-Buy and don't buy. -Right. | 0:01:19 | 0:01:22 | |
But it doesn't go quite to plan. | 0:01:22 | 0:01:24 | |
I don't even like it! | 0:01:24 | 0:01:26 | |
OK, you've got one minute left. Do you like it now? | 0:01:26 | 0:01:29 | |
Yes. | 0:01:29 | 0:01:30 | |
And what can I say about the Reds? | 0:01:30 | 0:01:33 | |
You're meant to work your way up? | 0:01:33 | 0:01:35 | |
Or are you meant to work your way down? I can't remember. | 0:01:35 | 0:01:37 | |
-Down, we are buying. -Oh! I always work my way up. | 0:01:37 | 0:01:41 | |
No, you're not a seller, you're a buyer. | 0:01:41 | 0:01:44 | |
Oh, Lord. The question is, | 0:01:44 | 0:01:45 | |
will the prices go in the right direction at the auction? | 0:01:45 | 0:01:49 | |
Let's meet the teams. | 0:01:49 | 0:01:51 | |
Today, we've got two couples. | 0:01:53 | 0:01:56 | |
Patrick and Matthew for the Reds, | 0:01:56 | 0:01:58 | |
and Matthew and Jude for the Blues. | 0:01:58 | 0:02:00 | |
-Welcome, everybody. -Hello, Tim. -Hi, Tim. | 0:02:00 | 0:02:02 | |
Now, Patrick, is it true that you met down the pub? | 0:02:02 | 0:02:05 | |
Yeah, I met Matthew at a quiz night. | 0:02:05 | 0:02:07 | |
We got stuck on one of our questions in my team, | 0:02:07 | 0:02:10 | |
which was, "Where are the Maldives?" which I had no clue. | 0:02:10 | 0:02:13 | |
And I saw this cute guy standing at the bar, | 0:02:13 | 0:02:16 | |
and went up to ask him where the Maldives were. | 0:02:16 | 0:02:18 | |
-And that's how we got together. -Did he know? -No. | 0:02:18 | 0:02:21 | |
THEY LAUGH | 0:02:21 | 0:02:23 | |
-So that worked out very well. -But he cooked a very nice fish supper. | 0:02:23 | 0:02:26 | |
Brilliant. | 0:02:26 | 0:02:27 | |
So when you're not doing pub quizzes, what do you get up to? | 0:02:27 | 0:02:29 | |
I'm an artist. | 0:02:29 | 0:02:30 | |
I like to paint and sketch, and recently | 0:02:30 | 0:02:33 | |
some of my paintings have gone abroad. | 0:02:33 | 0:02:36 | |
I've got a Virgin Mary hanging in a monastery in India. | 0:02:36 | 0:02:39 | |
And some of my paintings have been turned into greeting cards | 0:02:39 | 0:02:41 | |
-which are sent all over the world. -Gosh, you must be proud of that. | 0:02:41 | 0:02:44 | |
Your first career choice, though, was to be a waiter, wasn't it? | 0:02:44 | 0:02:47 | |
I thought you were going to ask me that, Tim. | 0:02:47 | 0:02:49 | |
-Yes, I was a waiter for nine years... -And it went very well. | 0:02:49 | 0:02:52 | |
It went very well up until I got sacked. | 0:02:52 | 0:02:54 | |
The first time I was sacked | 0:02:54 | 0:02:55 | |
was after I dropped a teapot on a lady's head. | 0:02:55 | 0:02:58 | |
The second time I was sacked | 0:02:58 | 0:03:00 | |
was when I was uncorking a bottle of Champagne, | 0:03:00 | 0:03:03 | |
and didn't catch the cork on time, | 0:03:03 | 0:03:05 | |
which hit a lady on the back of the head, | 0:03:05 | 0:03:07 | |
-and her face fell into her omelette. -Ah. | 0:03:07 | 0:03:09 | |
And the third time I was sacked | 0:03:09 | 0:03:11 | |
was when I was flambeing a steak, | 0:03:11 | 0:03:12 | |
taking it over to the guest at the table | 0:03:12 | 0:03:14 | |
when the handle flipped over, and I set him on fire. | 0:03:14 | 0:03:17 | |
Was this called Fawlty Towers, your hotel? | 0:03:17 | 0:03:20 | |
-It could have been, yes. -Yes. | 0:03:20 | 0:03:21 | |
Well, I'm glad you've moved on, anyway. | 0:03:21 | 0:03:23 | |
And what do you do for a living, Matthew? | 0:03:23 | 0:03:25 | |
-I work for a property auctioneer in London. -Do you? | 0:03:25 | 0:03:28 | |
-What, one of the big ones? -One of the big ones, yes. | 0:03:28 | 0:03:30 | |
And you're quite competitive, both of you. | 0:03:30 | 0:03:32 | |
Yes, we are. We're very competitive, | 0:03:32 | 0:03:34 | |
particularly when we're watching Bargain Hunt. | 0:03:34 | 0:03:36 | |
Very nice to talk to you. | 0:03:36 | 0:03:37 | |
Now, you're from Ohio. | 0:03:37 | 0:03:39 | |
-Yes. -How did you hook up with Matthew? | 0:03:39 | 0:03:42 | |
-Well, I met my Matthew in a pub as well. -Did you? -Yes. | 0:03:42 | 0:03:46 | |
-And we got on splendidly. -You're a bit of an iron woman, aren't you? | 0:03:46 | 0:03:50 | |
-Yep. Currently, I go to the gym a lot and I do body combat. -Do you? | 0:03:50 | 0:03:54 | |
I punch. | 0:03:54 | 0:03:55 | |
And we do body weightlifting as well. | 0:03:55 | 0:03:58 | |
-I keep strong. -So you are very strong. | 0:03:58 | 0:04:00 | |
-Yes, and I used to do triathlons when I lived in San Diego. -Gosh. | 0:04:00 | 0:04:04 | |
So what do you get up to, then, Matthew? | 0:04:04 | 0:04:07 | |
Well, most of my working life, | 0:04:07 | 0:04:08 | |
I worked for a pharmaceutical company | 0:04:08 | 0:04:10 | |
-and I was on the point of retiring when I met Jude. -Yes. | 0:04:10 | 0:04:14 | |
And she didn't like this idea at all. | 0:04:14 | 0:04:16 | |
So I then worked for a couple of years as a researcher | 0:04:16 | 0:04:20 | |
in a hospital and then for another seven years | 0:04:20 | 0:04:23 | |
at Buckingham University. | 0:04:23 | 0:04:25 | |
Well, for a man who wanted to retire early, | 0:04:25 | 0:04:27 | |
you've done very well, then, haven't you? | 0:04:27 | 0:04:29 | |
I've been well put down for nine extra years, really! | 0:04:29 | 0:04:33 | |
So keep working! So what's your tactic today, then, between you? | 0:04:33 | 0:04:37 | |
Jude has a list... | 0:04:37 | 0:04:39 | |
-She has a long list of things that... -I have two lists. | 0:04:39 | 0:04:41 | |
Oh, do you? | 0:04:41 | 0:04:42 | |
Things to buy, and things not to buy. | 0:04:42 | 0:04:44 | |
-What's the top of the "to buy" list, then? -Gold or silver. -Mm. -Right. | 0:04:44 | 0:04:49 | |
Anyway, it will be interesting to see what you actually pitch up with. | 0:04:49 | 0:04:52 | |
Now, the money moment. £300 apiece, there you go. £300. | 0:04:52 | 0:04:56 | |
-Thank you, Tim. -You know the rules. | 0:04:56 | 0:04:58 | |
Your experts await, and off you go and very, very, very good luck. | 0:04:58 | 0:05:02 | |
My gosh, this is going to be exciting. | 0:05:02 | 0:05:04 | |
Giving the two sets of Reds | 0:05:04 | 0:05:06 | |
a helping hand today | 0:05:06 | 0:05:07 | |
is the irrepressible Catherine Southon. | 0:05:07 | 0:05:10 | |
But she'd better watch out, | 0:05:12 | 0:05:13 | |
because David Harper's on the Blue team and he is fighting fit! | 0:05:13 | 0:05:17 | |
So the hour starts now. | 0:05:20 | 0:05:22 | |
And with rockets in their pockets, our Reds dive straight in. | 0:05:22 | 0:05:27 | |
-Well, the clock's started. -The clock's started! | 0:05:27 | 0:05:29 | |
Quick, Catherine, find those pictures. | 0:05:29 | 0:05:31 | |
Jude, however, has a plan. | 0:05:32 | 0:05:35 | |
-This looks like a list to me, Matthew. -It is. -Oh, dear. | 0:05:36 | 0:05:39 | |
I've got "buy" and "don't buy". | 0:05:39 | 0:05:41 | |
This came from ten years of watching Bargain Hunt... | 0:05:41 | 0:05:43 | |
You've been watching...? | 0:05:43 | 0:05:45 | |
Yes, and we've been marking down what sells well and what doesn't. | 0:05:45 | 0:05:49 | |
You haven't been watching me, have you? | 0:05:49 | 0:05:51 | |
That's on the "no buy" list. | 0:05:51 | 0:05:54 | |
Something tells me our teams will be going about this | 0:05:54 | 0:05:56 | |
in very different ways. | 0:05:56 | 0:05:59 | |
-OK, let's go. -Let's go. -Thank you. | 0:05:59 | 0:06:01 | |
Oh, my gosh, how long is that list? | 0:06:01 | 0:06:04 | |
We've only got an hour, for goodness' sake. Come on. | 0:06:04 | 0:06:06 | |
Walk while you talk. | 0:06:06 | 0:06:09 | |
Now, what have the Reds stumbled across? | 0:06:10 | 0:06:13 | |
-Ah, that's a nice design. -Secessionist. | 0:06:13 | 0:06:15 | |
Is it Secessionist - Minton? | 0:06:15 | 0:06:17 | |
-Oh, yes. -Art Nouveau sort of shape. | 0:06:17 | 0:06:19 | |
Oh, we love Art Nouveau. | 0:06:19 | 0:06:21 | |
-SHE LAUGHS -No, we do. | 0:06:21 | 0:06:23 | |
-How much is this? -£160. | 0:06:23 | 0:06:25 | |
-What? -160? -Will you take 20? | 0:06:25 | 0:06:27 | |
You've got 20?! | 0:06:27 | 0:06:29 | |
20? These guys are just having a laugh. | 0:06:29 | 0:06:33 | |
-Candlesticks, troika and gold. -Gold. | 0:06:33 | 0:06:36 | |
# Gold! | 0:06:36 | 0:06:38 | |
# Always believe in your soul... # | 0:06:38 | 0:06:40 | |
But where is it when you want it? | 0:06:40 | 0:06:42 | |
# You're indestructible | 0:06:43 | 0:06:46 | |
# Always believe in | 0:06:46 | 0:06:49 | |
# Because you are gold... # | 0:06:49 | 0:06:51 | |
Doesn't look like gold to me. | 0:06:51 | 0:06:53 | |
I think it's kind of cool. | 0:06:53 | 0:06:55 | |
-It is cool. -How old is it, first? | 0:06:55 | 0:06:57 | |
Ten years you've been watching this programme. So how old is it? | 0:06:57 | 0:07:00 | |
I think it's not very old. | 0:07:00 | 0:07:02 | |
-In fact, I think it's brand Harry Spankers. -You are bang on. | 0:07:03 | 0:07:08 | |
Listen, Yankee Doodle, that's my line. | 0:07:08 | 0:07:11 | |
-Brand Hairy Spankers? -Brand Harry Spankers. | 0:07:11 | 0:07:14 | |
I'm going to use that. | 0:07:14 | 0:07:15 | |
I'm going to write it down. | 0:07:15 | 0:07:17 | |
You can't, though. That's Tim's line. | 0:07:17 | 0:07:19 | |
-Does he say that? -You tell him, Jude. -Does he say Hairy? -Yes. | 0:07:19 | 0:07:21 | |
No, we don't. We said Harry. | 0:07:21 | 0:07:24 | |
That's Harry, not Hairy. Get it right, Harper. | 0:07:24 | 0:07:27 | |
-Oh, that is lovely, isn't it? -That is very nice. What is it? | 0:07:33 | 0:07:36 | |
-A quaich, it's like a taste dish. -Quaich? -Quaich. | 0:07:36 | 0:07:39 | |
-I like it. -I like that. What do you do with it, Catherine? | 0:07:39 | 0:07:43 | |
-I think it's for tasting, isn't it? Wine-tasting. -How old is it? | 0:07:43 | 0:07:47 | |
-Well, it's hallmarked there, can you see? With the London. -Yeah. | 0:07:47 | 0:07:51 | |
-And I think that's M, and that's 1911. -I like it. | 0:07:51 | 0:07:56 | |
-I think it's very pretty. -It is pretty. -Yeah. | 0:07:56 | 0:07:59 | |
So here, we've got these handles. | 0:07:59 | 0:08:01 | |
-They are quite delicate, quite flimsy. -They could come off. -Yeah. | 0:08:01 | 0:08:04 | |
Still, it's 100 years old, isn't it? If it's 1911. | 0:08:04 | 0:08:06 | |
-I know you wanted something glass. -I like it. | 0:08:06 | 0:08:09 | |
I mean, it's something I'd set on my coffee table quite happily. | 0:08:09 | 0:08:11 | |
-It's very attractive. -Would you? -Yes. | 0:08:11 | 0:08:13 | |
I mean, the only thing is now, it's not hugely commercial, is it? | 0:08:13 | 0:08:16 | |
-That's what I would say. But it's pretty. -I would call it specialist. | 0:08:16 | 0:08:20 | |
-And unusual. -What would you want on that? -70. | 0:08:20 | 0:08:23 | |
70? | 0:08:23 | 0:08:24 | |
-What could you do on that? -I could do 55, would be the best. | 0:08:25 | 0:08:28 | |
-50? -DEALER: -1911, so it's 100 years old, it's just an antique. | 0:08:28 | 0:08:32 | |
-MATTHEW: -Could you do 50 for me? -If you do 50, we'll pay cash. | 0:08:32 | 0:08:36 | |
-Go on, give us your 50. -MATTHEW: 50. -That's a deal. | 0:08:36 | 0:08:38 | |
Do you want that for 50? | 0:08:38 | 0:08:39 | |
-Yes, I like it. -Yes, it's a deal. | 0:08:39 | 0:08:41 | |
-Are you happy with that? -I'm very happy with that. -We like that. Yes! | 0:08:41 | 0:08:45 | |
-Yes? -Let's do it. -Are you really happy? -Yeah! -Good, excellent. | 0:08:45 | 0:08:48 | |
First purchase, well done! Ten minutes, I think. | 0:08:48 | 0:08:52 | |
-Excellent! -Come on! | 0:08:52 | 0:08:53 | |
Now, we know what was top of Jude's list, don't we? | 0:08:57 | 0:09:00 | |
# Gold... # | 0:09:00 | 0:09:02 | |
Well, here's some gold. So what have we got going here? | 0:09:02 | 0:09:05 | |
-Is it all gold? -Yes. | 0:09:05 | 0:09:07 | |
-What is it, nine carat? -No, that's a 15. -15. | 0:09:07 | 0:09:11 | |
One is nine. | 0:09:11 | 0:09:12 | |
OK, now, I can tell by your response there, Jude, | 0:09:12 | 0:09:15 | |
that you're not overly excited? | 0:09:15 | 0:09:16 | |
It looks pretty light and the value of gold is the weight. | 0:09:16 | 0:09:20 | |
It is all in weight. How much is this little lot? | 0:09:20 | 0:09:23 | |
I should say that it's probably about 4g altogether. | 0:09:23 | 0:09:26 | |
Working out, that's about £45. | 0:09:26 | 0:09:28 | |
-OK, so it's on scrap weight? -Yeah. | 0:09:28 | 0:09:30 | |
So he's selling it as scrap, | 0:09:30 | 0:09:32 | |
but the great thing with gold is everybody wants it. | 0:09:32 | 0:09:35 | |
And it just keeps going up in price. | 0:09:35 | 0:09:37 | |
-Can we do this little lot for... -£20? | 0:09:37 | 0:09:40 | |
-Go on, you say it. -I'd do it for £40. | 0:09:40 | 0:09:44 | |
That gives you a good chance. | 0:09:44 | 0:09:46 | |
Would you go 38, cos things go in round numbers? | 0:09:46 | 0:09:49 | |
-I won't make any pennies. I'll do 39. -Do you think? | 0:09:49 | 0:09:53 | |
You've got a diamond and a bunch of gold for 39 quid. | 0:09:53 | 0:09:55 | |
-39, we'll go for that. -Marvellous. -There's our first purchase. | 0:09:55 | 0:09:58 | |
-Thank you very much. -Thank you. -Thanks a lot. | 0:09:58 | 0:10:01 | |
OK? | 0:10:01 | 0:10:02 | |
Ah! | 0:10:02 | 0:10:04 | |
SHE LAUGHS | 0:10:04 | 0:10:05 | |
So Jude's list gets its first big tick. | 0:10:05 | 0:10:08 | |
That's nice. That's Davidson cloud glass, isn't it? | 0:10:13 | 0:10:16 | |
That's lovely, actually. | 0:10:16 | 0:10:18 | |
-1930s. -It's a sort of wine colour, isn't it? Like a red wine. | 0:10:18 | 0:10:20 | |
But these are collectable. If you can buy that at the right price... | 0:10:20 | 0:10:24 | |
See, I wouldn't want to pay any more than 30 for this. It's 20 to 30. | 0:10:24 | 0:10:28 | |
Sometimes they used to come on a stand, a black glass stand. | 0:10:28 | 0:10:32 | |
A centrepiece as well. | 0:10:32 | 0:10:34 | |
-How much is that? -45. -45. Or thereabouts. -Or thereabouts? Ah! | 0:10:34 | 0:10:39 | |
Ah! | 0:10:39 | 0:10:40 | |
We like that. Yeah, we definitely like that. | 0:10:40 | 0:10:43 | |
Would we buy that if the gentleman did it for 20? | 0:10:43 | 0:10:46 | |
He's not going to do it for 20. | 0:10:46 | 0:10:48 | |
-He might do. -Don't say that, he might do. | 0:10:48 | 0:10:50 | |
-Oh, sorry. -DEALER: -25's my best. | 0:10:50 | 0:10:52 | |
I tell you what, 25, we'll pay you cash. | 0:10:52 | 0:10:56 | |
-25? -DEALER: -Right now? -Right now, is that a deal? -Why can't we do 20? | 0:10:56 | 0:11:00 | |
-Why did you build it up to 25? -I don't know. | 0:11:00 | 0:11:02 | |
He's just done a deal at 25. | 0:11:02 | 0:11:04 | |
-You've done a deal, mate. -MATTHEW: -It's definitely worth 25. | 0:11:04 | 0:11:07 | |
-OK, no, well, it... Are we having this? -Yes. | 0:11:07 | 0:11:10 | |
-Are we having this at 25? -Yes. -Yes, I've got my glassware. | 0:11:10 | 0:11:13 | |
Catherine's regretting ever coming out with us! | 0:11:13 | 0:11:15 | |
I love the fact that you're going up. | 0:11:15 | 0:11:17 | |
-We're supposed to be going down. -Yes. | 0:11:17 | 0:11:19 | |
No, you're meant to work your way up. | 0:11:19 | 0:11:22 | |
Or meant to work your way down? I can't remember. | 0:11:22 | 0:11:24 | |
-Down, we are buying. -Oh! | 0:11:24 | 0:11:26 | |
-I always work my way up. -No. You're not a seller. You're a buyer! | 0:11:26 | 0:11:29 | |
-Oh, yeah, yeah. -My, I'm glad we cleared that one up. -Rewind! | 0:11:29 | 0:11:33 | |
-OK, we're done. -Right. -Second purchase. -Second purchase. | 0:11:33 | 0:11:37 | |
Quick, leave, before Patrick offers him more money. | 0:11:37 | 0:11:40 | |
And what have the Blues found? | 0:11:45 | 0:11:47 | |
-Oh, a banjo! -Oh! -Hey, a banjo would be good. I love banjos. | 0:11:47 | 0:11:51 | |
Now, do we have banjos written down? | 0:11:51 | 0:11:53 | |
We have musical instruments written down. | 0:11:53 | 0:11:54 | |
We have musical instruments, cheap. | 0:11:54 | 0:11:56 | |
OK. Well, how much does it need to be? | 0:11:56 | 0:11:58 | |
You've watched the programme for ten years, how much do they make? | 0:11:58 | 0:12:00 | |
-40 to 60. -Oof! It'll never be that. -It will never be that, will it? | 0:12:00 | 0:12:04 | |
-How much do YOU think it will make? -I don't know. We'll find out now. | 0:12:05 | 0:12:08 | |
-How are you? -Hi. | 0:12:08 | 0:12:09 | |
-Are we well, today? -MATTHEW: -Very well, thank you. | 0:12:09 | 0:12:12 | |
-How much is the banjo? -The banjo, I tell you what I'll do, right? | 0:12:12 | 0:12:15 | |
I've got 170 on it, but the absolute death is 130. | 0:12:15 | 0:12:18 | |
And that is an absolute bargain, that is. It's a belter. | 0:12:18 | 0:12:21 | |
That's a winner, that is, all day. | 0:12:21 | 0:12:23 | |
There's a man with great confidence. It's a quality thing. | 0:12:23 | 0:12:27 | |
You've got a nice bit of stringing there | 0:12:27 | 0:12:29 | |
in what looks like bone, | 0:12:29 | 0:12:30 | |
but it's probably a plastic or a Bakelite, maybe. | 0:12:30 | 0:12:32 | |
-I mean, I don't play the banjo. -No. | 0:12:32 | 0:12:34 | |
HE STRUMS | 0:12:34 | 0:12:35 | |
But I think that sounds rather good. Absolutely. | 0:12:35 | 0:12:38 | |
And the thing is as well, not all banjos have a reinforced neck. | 0:12:38 | 0:12:42 | |
If you look at the top, this one has. | 0:12:42 | 0:12:44 | |
-What's the double death? -Can you go under 100? | 0:12:44 | 0:12:47 | |
-Come on! -120, that's it. -If you really want to do it. | 0:12:47 | 0:12:50 | |
Let's do a quick, and then come back. | 0:12:50 | 0:12:52 | |
Darren, can you hold it for five minutes? | 0:12:52 | 0:12:54 | |
-Please? -Don't be long. -Five minutes, thank you. | 0:12:54 | 0:12:57 | |
You heard the man, Blues. Hurry up! | 0:12:57 | 0:12:59 | |
Do you like those rattles? That one's quite nice, the joker. | 0:13:07 | 0:13:11 | |
I like the Humpty Dumpty. | 0:13:11 | 0:13:12 | |
It's quite nice as a christening present, isn't it? What are they? | 0:13:12 | 0:13:14 | |
1910, or something? | 0:13:14 | 0:13:15 | |
-Do people collect these, Catherine? -They do, actually. | 0:13:15 | 0:13:18 | |
The only thing I'm worried about is the price on this. | 0:13:18 | 0:13:20 | |
-I think it's probably going to be quite hefty. -How much? | 0:13:20 | 0:13:23 | |
-I love the hair at the back. Isn't that a lovely detail? -Yes. | 0:13:23 | 0:13:25 | |
-Where is the stallholder? -Can you tell us how much these are? | 0:13:25 | 0:13:28 | |
-The jester is 95, Humpty is 190. -Oh, no, too expensive. | 0:13:28 | 0:13:33 | |
-One what, sorry? -190. | 0:13:33 | 0:13:34 | |
-MATTHEW: -190 for Humpty Dumpty. -Oh. | 0:13:34 | 0:13:36 | |
That's quite a lot, isn't it? | 0:13:36 | 0:13:38 | |
We've got 100 quid and we love this Humpty Dumpty. | 0:13:38 | 0:13:42 | |
-Can't do it, sorry. -Oh! -MATTHEW: -What could you do it for? | 0:13:42 | 0:13:45 | |
-DEALER: -170 it needs to be. | 0:13:45 | 0:13:46 | |
-170, too much. -No, we can't do it. -We haven't got 170. | 0:13:46 | 0:13:50 | |
-OK, are we going to walk away from this, then? -Yes. | 0:13:50 | 0:13:53 | |
-OK, we might come back. -Thanks for your offers. -Thank you so much. | 0:13:53 | 0:13:56 | |
-Thank you. -Cheers. -Thank you. | 0:13:56 | 0:13:58 | |
Time's running out, guys, and the Blues have still got two to buy! | 0:14:02 | 0:14:05 | |
I don't know what to say. I'm under pressure, here. Under real pressure. | 0:14:06 | 0:14:10 | |
-I'm floundering. How about you? -I'm completely and utterly lost. | 0:14:10 | 0:14:13 | |
-We need help. -I'm going down fast. | 0:14:13 | 0:14:17 | |
THEY LAUGH | 0:14:17 | 0:14:18 | |
I've got to go and make them buy another two items. | 0:14:18 | 0:14:21 | |
And I've hardly got any time. | 0:14:21 | 0:14:23 | |
-I think I'm ready to go for the banjo, Matthew. -It is expensive. | 0:14:23 | 0:14:27 | |
-Let's just risk it. -OK. -We're running out of time. -OK, let's go. | 0:14:27 | 0:14:29 | |
So let's get David. | 0:14:29 | 0:14:31 | |
Let's hope it hasn't been sold, with all this dithering about. | 0:14:31 | 0:14:35 | |
And with ten minutes left, the Reds have headed inside. | 0:14:39 | 0:14:43 | |
-Ah, that's quite nice. It's a little bit more than £100, though. -102? | 0:14:43 | 0:14:49 | |
-I paid 130 for it. -What is it? A little aneroid barometer? | 0:14:49 | 0:14:53 | |
Yeah, but look at the thermometer on the back. | 0:14:53 | 0:14:55 | |
Oh, that's quite nice, isn't it? | 0:14:55 | 0:14:57 | |
-You can have it for 140. -What's the year of it? | 0:14:57 | 0:15:00 | |
-Does it work? -It's been working. | 0:15:00 | 0:15:03 | |
-It's BEEN working? -I like it. | 0:15:03 | 0:15:05 | |
Or we go back to the Humpty Dumpty. | 0:15:05 | 0:15:07 | |
The rattle, the silver rattle. | 0:15:09 | 0:15:10 | |
We've got seven minutes. | 0:15:10 | 0:15:11 | |
-We've got seven minutes. -We have to go. -Let's use five of them. | 0:15:11 | 0:15:15 | |
You're being assertive now. | 0:15:15 | 0:15:16 | |
-Yes. -We have to go and have a quick tour and then come back? | 0:15:16 | 0:15:18 | |
-And then come back. -Right, the guy's going to hold on to this for us. | 0:15:18 | 0:15:21 | |
So, is that banjo still there? Oh, yes! | 0:15:27 | 0:15:30 | |
-It's still here. -We just got it in time, Darren. | 0:15:32 | 0:15:34 | |
-So I think he said 118, right? -No, 120. -OK. | 0:15:36 | 0:15:39 | |
We're going to have it, Darren. We're going to make a decision. | 0:15:39 | 0:15:42 | |
-A very wise choice. -Hallelujah. Darren, 120. | 0:15:42 | 0:15:45 | |
You are very welcome. | 0:15:45 | 0:15:46 | |
-Thank you very much. -Thank you. Thank you. | 0:15:46 | 0:15:49 | |
Come on, spend some more, please! | 0:15:49 | 0:15:51 | |
Yes, there's no time to lose. | 0:15:51 | 0:15:53 | |
Both teams need one more item and they need it NOW! | 0:15:53 | 0:15:56 | |
-Come on, then, we've got about one minute. -OK. -Come on. | 0:15:58 | 0:16:01 | |
Let's hope it's still there. | 0:16:01 | 0:16:03 | |
-And what was it, 135? -DEALER: -No, 140, sir. | 0:16:03 | 0:16:06 | |
-140, he said. -I thought he said 135. | 0:16:06 | 0:16:08 | |
I'm not getting involved in the negotiations. | 0:16:08 | 0:16:11 | |
No, the guy has given us a good deal. | 0:16:11 | 0:16:12 | |
-Are we happy with that, for one... What did we say, 140? -140. | 0:16:12 | 0:16:16 | |
-Yeah, it's a deal. Thank you, sir. -Thanks very much indeed. -Thank you. | 0:16:16 | 0:16:19 | |
-Thanks. -MATTHEW: -Thanks very much. -DEALER: -Good luck. | 0:16:19 | 0:16:21 | |
We have finished. I am exhausted. | 0:16:21 | 0:16:23 | |
Three items, are we happy? | 0:16:23 | 0:16:25 | |
-Yes. -Yes. -I think we deserve a cup of tea. -Cup of tea?! | 0:16:25 | 0:16:28 | |
I need a rum and Coke. | 0:16:28 | 0:16:29 | |
-THEY LAUGH -Come on. | 0:16:29 | 0:16:31 | |
Let's see what we can find. | 0:16:31 | 0:16:32 | |
While the Reds go in search of refreshment, | 0:16:32 | 0:16:35 | |
can the Blues rustle up a bargain? | 0:16:35 | 0:16:37 | |
Come on, David! It's now or never. | 0:16:37 | 0:16:39 | |
We've only got two minutes to buy something. I like that. | 0:16:42 | 0:16:46 | |
Hold it to the light. Jude, do you like it? | 0:16:46 | 0:16:49 | |
-No. -Listen, if it's good, it will ring well, ready? | 0:16:49 | 0:16:53 | |
-GLASS RINGS -Quality. | 0:16:53 | 0:16:55 | |
-How much? -18. -18? Would ten quid buy it? -Oh, you've got to! | 0:16:55 | 0:17:02 | |
No. No, no, no! | 0:17:02 | 0:17:04 | |
HE LAUGHS | 0:17:04 | 0:17:06 | |
-11? -It could be 14. And that's it. | 0:17:06 | 0:17:09 | |
I don't even like it. | 0:17:09 | 0:17:11 | |
I don't even like it! | 0:17:11 | 0:17:13 | |
-OK, you've got one minute left. Do you like it? -Yes, fine. | 0:17:13 | 0:17:17 | |
-It's quality, actually. -Are we going to have it at 14? | 0:17:17 | 0:17:19 | |
-We're going to have it at 14. -Well done. Thank the Lord. Well done. | 0:17:19 | 0:17:24 | |
-Oh, my God! -Let's ring the bells! | 0:17:24 | 0:17:25 | |
-I can't believe we bought that! -That is a relief. | 0:17:25 | 0:17:28 | |
Well, you either bought that or you bought nothing. | 0:17:28 | 0:17:31 | |
You will make profit on that, I promise you. | 0:17:31 | 0:17:33 | |
We've aged about five years today, I think, Matthew. Come on. Tea-time. | 0:17:33 | 0:17:38 | |
Pah! Who needs a list, after all? Well done, Blues. | 0:17:38 | 0:17:41 | |
What time is it, viewers? Well, it's time to stop the shop time. | 0:17:46 | 0:17:50 | |
That's what it is. | 0:17:50 | 0:17:52 | |
It's now time to sell. | 0:17:52 | 0:17:54 | |
And we've whizzed west from Ardingly to Wisborough Green | 0:17:54 | 0:17:58 | |
near Billingshurst and to Bellmans Saleroom. | 0:17:58 | 0:18:00 | |
But first, let's remind ourselves what the Red team bought. | 0:18:00 | 0:18:03 | |
They got the party started with this tasting quaich at £50. | 0:18:06 | 0:18:11 | |
Patrick haggled the cloud glass bowl UP to £25 | 0:18:11 | 0:18:15 | |
and not a penny less. Brilliant. | 0:18:15 | 0:18:18 | |
And as temperatures rose, they relieved the pressure | 0:18:18 | 0:18:20 | |
with a barometer/thermometer for £140. | 0:18:20 | 0:18:24 | |
-Well, boys, how are you feeling? Excited? -Yeah, we are. | 0:18:25 | 0:18:28 | |
-Very much so. -You spent £215. | 0:18:28 | 0:18:31 | |
You gave the lovely Catherine Southon 85 smackers. | 0:18:31 | 0:18:34 | |
-What did you spend it on, darling? -I have bought you... | 0:18:34 | 0:18:36 | |
..this. | 0:18:37 | 0:18:39 | |
-Oh! -I don't believe it! -The rattle! | 0:18:39 | 0:18:42 | |
-That's amazing! -Isn't it lovely? -Yeah, absolutely stunning. | 0:18:42 | 0:18:45 | |
-Have a little shimmy. -Yeah? Isn't that gorgeous? | 0:18:45 | 0:18:48 | |
A little child's baby rattle. | 0:18:48 | 0:18:51 | |
-How old is it? -Well, it's hallmarked Birmingham, 1918. -Wow. | 0:18:51 | 0:18:55 | |
-What's this bit made out of? -Well, this is bone. | 0:18:55 | 0:18:58 | |
So we've got a bone teething ring and a bone handle. | 0:18:58 | 0:19:01 | |
-Have you bought a jester for these two jokers? -Well, absolutely. | 0:19:01 | 0:19:05 | |
-It fits, doesn't it? -And, Catherine, how much did it cost? | 0:19:05 | 0:19:08 | |
-Well, you gave me 85, wasn't it? -Yes. | 0:19:08 | 0:19:10 | |
-I spent 60. -HE GASPS | 0:19:11 | 0:19:13 | |
Which I think is actually quite reasonable. | 0:19:13 | 0:19:15 | |
-No, that was a "gasp" for good. -Is it? Oh, right, good. | 0:19:15 | 0:19:18 | |
-Not a "Gasp, I'm going to pass out"? -No. | 0:19:18 | 0:19:21 | |
I think that is worth £60 all day long. That should make us a profit. | 0:19:21 | 0:19:24 | |
-Fantastic. -Oh, wonderful. | 0:19:24 | 0:19:25 | |
It may not be a great profit, but it'll be a little profit. | 0:19:25 | 0:19:28 | |
It might be the only thing that makes a profit. | 0:19:28 | 0:19:30 | |
-Oh, don't be like that! -Be positive! | 0:19:30 | 0:19:33 | |
-Is he always like this? -In the mornings. | 0:19:33 | 0:19:35 | |
Oh, in the mornings. | 0:19:35 | 0:19:36 | |
-He gets better as the day goes on. -Oh, right, fair enough, | 0:19:36 | 0:19:39 | |
-as he warms up. -Yeah. | 0:19:39 | 0:19:40 | |
You can decide later, Reds. Now for the Blues. | 0:19:40 | 0:19:42 | |
And let's remind ourselves what the team bought with their £300. | 0:19:42 | 0:19:46 | |
At the top of Jude's list was gold, | 0:19:46 | 0:19:49 | |
and they paid £39 for this assorted collection. | 0:19:49 | 0:19:53 | |
Still sticking with the shopping inventory, | 0:19:53 | 0:19:55 | |
they spent £120 on a banjo. | 0:19:55 | 0:19:58 | |
But at that price, will it strike a bum note at the auction? | 0:19:58 | 0:20:01 | |
Then, in the dying seconds, the list went out of the window | 0:20:04 | 0:20:07 | |
and in a combined act of desperation | 0:20:07 | 0:20:10 | |
they bought this glass vase for £14. | 0:20:10 | 0:20:13 | |
-Well, guys, excited? -Yes. -Very. -Very. -You gave your man £127. | 0:20:13 | 0:20:19 | |
What did the genius buy? David, over to you. | 0:20:19 | 0:20:21 | |
The big build-up, "the genius". Here we go, running for a fall. | 0:20:21 | 0:20:24 | |
Are you ready? | 0:20:24 | 0:20:25 | |
Be prepared to be impressed, right? | 0:20:25 | 0:20:28 | |
-OK. -Seriously. Hello, baby. -Wow! | 0:20:28 | 0:20:31 | |
-Wow! Pretty cool. -Missing two fingers on that, I notice. | 0:20:31 | 0:20:35 | |
-How many fingers? -Two. -Yeah. | 0:20:35 | 0:20:37 | |
There could be a message in the two fingers. | 0:20:37 | 0:20:40 | |
-We don't want to talk about that. -No, quite. | 0:20:40 | 0:20:42 | |
-Is it an object of beauty? -It was originally. | 0:20:42 | 0:20:45 | |
-It's a little damaged, David. -It's called an antique. | 0:20:45 | 0:20:48 | |
Antiques have got to look their age. | 0:20:48 | 0:20:51 | |
She's hand-carved, probably French, circa 1900. | 0:20:51 | 0:20:55 | |
But how much did you pay, David? | 0:20:55 | 0:20:57 | |
What do you think? What would you pay for something... | 0:20:57 | 0:21:00 | |
Her head almost came off, there. ..of such wonderful museum quality? | 0:21:00 | 0:21:03 | |
-It is a bit wobbly, actually. -In this condition, 20 to 40. -40 to 50. | 0:21:03 | 0:21:07 | |
OK. | 0:21:07 | 0:21:09 | |
-Are we getting closer? -No. -Oh, Lord. -Double your top estimate. | 0:21:09 | 0:21:12 | |
-That's why she's risky. -We don't have to choose her. -You don't, no. | 0:21:12 | 0:21:16 | |
There, Jude, you are absolutely right. | 0:21:16 | 0:21:19 | |
-And we will see what happens in the auction. -Indeed. | 0:21:19 | 0:21:22 | |
Have a think, and decide later, Blues. | 0:21:22 | 0:21:24 | |
Now we're going to auction. JP, take it away! | 0:21:24 | 0:21:27 | |
Patrick, Matthew, how do you feel about this auction lark? | 0:21:29 | 0:21:33 | |
Well, there's quite a few people here, so we're quietly confident. | 0:21:33 | 0:21:37 | |
The first lot that is coming up | 0:21:37 | 0:21:39 | |
is your lovely silver-mounted quaich, | 0:21:39 | 0:21:43 | |
which you paid £50 for. | 0:21:43 | 0:21:45 | |
The auctioneer's estimate is £80 to £120. | 0:21:45 | 0:21:48 | |
-So that should be a pretty good do. -Fantastic. | 0:21:48 | 0:21:50 | |
And here it comes. | 0:21:50 | 0:21:53 | |
Lot 1651 A. | 0:21:53 | 0:21:55 | |
We have a silver-mounted glass quaich, lovely mounts on it... | 0:21:55 | 0:21:59 | |
And someone start me at... | 0:21:59 | 0:22:01 | |
Start me at £80. Start me at £80. | 0:22:01 | 0:22:04 | |
£80 bid on the left, thank you, at 80. | 0:22:04 | 0:22:06 | |
On the left, at £80. | 0:22:06 | 0:22:08 | |
A maiden bid of £80, but surely worth another five. | 0:22:08 | 0:22:10 | |
"Surely not," she says. No, sure it is. | 0:22:10 | 0:22:12 | |
£80 is bid. Any more at £80? | 0:22:12 | 0:22:15 | |
On the left, I shall sell it, then, a maiden bid of £80. | 0:22:15 | 0:22:17 | |
Are you all done? It's selling at £80. | 0:22:17 | 0:22:19 | |
Aw, £80. Came in at 80. Sold it at 80. | 0:22:19 | 0:22:22 | |
You are plus £30, that is excellent. | 0:22:22 | 0:22:25 | |
And your next item is the Davidson amethyst bowl. | 0:22:25 | 0:22:29 | |
And here it comes. | 0:22:29 | 0:22:31 | |
Start me at £20 for the bowl. | 0:22:31 | 0:22:33 | |
£20 is bid, thank you, at 20 now. 5 anywhere? | 0:22:33 | 0:22:36 | |
£20, standing left, looking for 5. I'll take 2, then. | 0:22:36 | 0:22:38 | |
It's £20 on the left. Who is going to bid me 2? | 0:22:38 | 0:22:41 | |
£20, on the left, then, any more at £20? Again, a maiden bid. | 0:22:41 | 0:22:44 | |
-It's going to go. At £20... -Oh, no. I can't bear it. £20. | 0:22:44 | 0:22:48 | |
-You are minus £5. -Five down on that. -You're still plus 25, though. | 0:22:48 | 0:22:51 | |
Lot 1653 A. | 0:22:51 | 0:22:53 | |
A late-19th-century gilt-brass oval mantel barometer by Bryson. | 0:22:53 | 0:22:56 | |
Rather handsome-looking chap. | 0:22:56 | 0:22:58 | |
And I have interest to start me at £130. | 0:22:58 | 0:23:02 | |
-Straight in at £130. -How much? -130. | 0:23:02 | 0:23:04 | |
140. 150. | 0:23:04 | 0:23:07 | |
160, 170. £170 against you. | 0:23:07 | 0:23:09 | |
One bid of £170. | 0:23:09 | 0:23:11 | |
Do I see 180? At £170. | 0:23:11 | 0:23:13 | |
With me at £170. Are you all done? £170 and selling... | 0:23:13 | 0:23:16 | |
-MATTHEW: -More, more, more. -Don't be greedy. | 0:23:16 | 0:23:18 | |
170. Well done, Catherine. That is marvellous. | 0:23:18 | 0:23:21 | |
Plus £30 on that, which means, overall, you are plus £55. | 0:23:21 | 0:23:25 | |
-Now, how good is that? -That is just awesome! -You're £55 up. | 0:23:25 | 0:23:29 | |
Now, are you going to risk any of that on the rattle at £60? | 0:23:29 | 0:23:33 | |
-Well, I think we should. -Oh, do you? -I think we should. | 0:23:33 | 0:23:37 | |
-Are you doubtful, Catherine? -I don't want to risk it. | 0:23:37 | 0:23:40 | |
-You don't want to risk it? -Oh, Patrick. | 0:23:40 | 0:23:42 | |
-I think we'll bank what we've got. -Good. | 0:23:42 | 0:23:44 | |
Well, we're going to sell it anyway, and here it comes, | 0:23:44 | 0:23:47 | |
so this will be fun. | 0:23:47 | 0:23:49 | |
Lot 1657 A, silver baby's rattle. Modelled as a jester. | 0:23:49 | 0:23:53 | |
I've got bids to start me in at £40. And I'll take 5. £40. | 0:23:53 | 0:23:57 | |
45 and 50. | 0:23:57 | 0:23:59 | |
55 and 60. | 0:23:59 | 0:24:00 | |
-65, on the left now, at £65. -You're in profit. -Only five, though. | 0:24:01 | 0:24:05 | |
65, standing left. | 0:24:05 | 0:24:06 | |
Are we all done at £65? Then, with Lee at £65 and selling. All done. | 0:24:06 | 0:24:11 | |
-That's OK. -Well done, Catherine. -Yes, well done. | 0:24:11 | 0:24:13 | |
Full marks to you, darling, | 0:24:13 | 0:24:15 | |
you've done extremely well with your barometer and your rattle. | 0:24:15 | 0:24:19 | |
Plus £5, so you gave up £5 for the security of hanging on to your 55. | 0:24:19 | 0:24:22 | |
-We did, yes. -£55 you are up. | 0:24:22 | 0:24:24 | |
That could be a winning score. Just don't say a word to the Blues. | 0:24:24 | 0:24:28 | |
No. No. No. | 0:24:28 | 0:24:30 | |
-Do you know how the Reds got on? -No idea. -You have no idea? | 0:24:38 | 0:24:41 | |
Well, we don't want you to know. | 0:24:41 | 0:24:42 | |
Now, the gold items, which you paid a miserable £39 for, apparently, | 0:24:42 | 0:24:47 | |
will melt down and will make between £70 and £90, according to Jonathan. | 0:24:47 | 0:24:52 | |
-That's pretty good, isn't it? -Excellent. -And here it comes. | 0:24:52 | 0:24:55 | |
Gold value alone, surely you've got to start me at £60. | 0:24:55 | 0:24:58 | |
Surely worth £60 for the gold. Do I see £60? | 0:24:58 | 0:25:02 | |
-Thank you, on the left at 60. Straight in at £60. -60 is bid. | 0:25:03 | 0:25:06 | |
-You've doubled your money. -At 60. I shall sell it as a maiden bid. | 0:25:06 | 0:25:09 | |
It's going straight in and selling... 65 at the very back. | 0:25:09 | 0:25:12 | |
65, look at that. | 0:25:12 | 0:25:14 | |
70? | 0:25:14 | 0:25:16 | |
70 still, then, on the left by the bell, at £70. Selling, all done. | 0:25:16 | 0:25:21 | |
-Brilliant. -I think that's £31. It is £31. | 0:25:21 | 0:25:26 | |
You are so brilliant. | 0:25:26 | 0:25:27 | |
Now, the banjo. | 0:25:27 | 0:25:29 | |
Lot 1674 A, 1960s banjo, | 0:25:29 | 0:25:31 | |
-and four bids. -Four bids! | 0:25:31 | 0:25:33 | |
I have, to start me, £80, with me at 80. | 0:25:33 | 0:25:37 | |
£80. Bid me 5. | 0:25:37 | 0:25:39 | |
It's with me at £80 for the banjo. | 0:25:39 | 0:25:40 | |
At £80. 85, 90. | 0:25:40 | 0:25:43 | |
-95 and 100. -Look at this. | 0:25:43 | 0:25:44 | |
It's £100, then. | 0:25:44 | 0:25:46 | |
With me, still against you all at £100. Do I see the 10? | 0:25:46 | 0:25:48 | |
It's £100, then, I'm selling. | 0:25:48 | 0:25:50 | |
-Oh, bad luck. -Not bad. -Not bad. | 0:25:50 | 0:25:52 | |
-Not as bad as we thought. -It nearly struck the right chord there. | 0:25:52 | 0:25:56 | |
OK, minus 20 | 0:25:56 | 0:25:57 | |
means you are plus 11. | 0:25:57 | 0:26:00 | |
Now, surely this Whitefriars lookalike vase | 0:26:00 | 0:26:02 | |
is going to be all right, isn't it? | 0:26:02 | 0:26:04 | |
-Someone start me at 20. £20 to start me. -Go on. -10, then. | 0:26:04 | 0:26:09 | |
On the left at 10. Surely worth 12, though. Let's go up now. | 0:26:09 | 0:26:12 | |
Come on, it's £10, at 10. 12. | 0:26:12 | 0:26:15 | |
Got to be worth 15 somewhere, now. | 0:26:15 | 0:26:17 | |
£12 on the left. 15 somewhere. | 0:26:17 | 0:26:18 | |
-He's struggling. -He is struggling. -All done at £12? | 0:26:18 | 0:26:22 | |
Surely worth more. It's £12, then, Mr Fowler's bid. | 0:26:22 | 0:26:25 | |
It's £12 and selling. | 0:26:25 | 0:26:27 | |
What a dirty shame. Anyway, you are minus two on that. | 0:26:27 | 0:26:30 | |
You are still plus £9. | 0:26:30 | 0:26:32 | |
-We are plus £9. -That's pretty good going. | 0:26:32 | 0:26:35 | |
That, over here, in English money, is £4.50 each. | 0:26:35 | 0:26:40 | |
Now, listen, lads, | 0:26:40 | 0:26:42 | |
are you going to preserve your £4.50 each | 0:26:42 | 0:26:44 | |
or are you going to dribble away some of it, perhaps, | 0:26:44 | 0:26:47 | |
on the old alabaster? | 0:26:47 | 0:26:48 | |
-Will you give us a clue, Tim? -Give us a clue. | 0:26:48 | 0:26:52 | |
I think he's been giving you clues all the way through. | 0:26:52 | 0:26:54 | |
I couldn't possibly indicate whether I love that loathsome thing or not. | 0:26:54 | 0:26:58 | |
-We'll stick with what we have. -Let's stick. | 0:26:58 | 0:27:00 | |
We're not going with the bonus buy, but we're going to sell it anyway. | 0:27:00 | 0:27:03 | |
So stand by, lads, cos here it comes. | 0:27:03 | 0:27:05 | |
Handsome figure, this, isn't it? | 0:27:05 | 0:27:07 | |
A little bit of minor damage, but nonetheless, | 0:27:07 | 0:27:09 | |
-almost all complete there. -I can't bear it. -55 I'm bid. | 0:27:09 | 0:27:12 | |
Start me straight in at £55. Surely worth 60? | 0:27:12 | 0:27:15 | |
65. 75. | 0:27:15 | 0:27:16 | |
80 if you like. 75 against you, then, sir, at £75. | 0:27:16 | 0:27:19 | |
-Come on! -Do I see 80 now? | 0:27:19 | 0:27:21 | |
On the book, against you all, commission, but it's £75 | 0:27:21 | 0:27:24 | |
-and I shall sell it. It's your last chance at 75. -Go on. -£75?! | 0:27:24 | 0:27:27 | |
Not as bad as you predicted! Not as bad. | 0:27:27 | 0:27:30 | |
-£75. -That would have wiped our profit. | 0:27:30 | 0:27:32 | |
Where did they get that bidder from? | 0:27:32 | 0:27:34 | |
Unbelievable. Anyway, the fact of the matter | 0:27:34 | 0:27:37 | |
is that you have made an overall profit, | 0:27:37 | 0:27:39 | |
which is a considerable achievement. | 0:27:39 | 0:27:41 | |
Yes, I like that. | 0:27:41 | 0:27:42 | |
The thing is, now, don't say a word to the Reds, all right? | 0:27:42 | 0:27:45 | |
Not a word to those boys. | 0:27:45 | 0:27:46 | |
Unfortunately, despite being in profit, | 0:27:48 | 0:27:51 | |
the Blues' £9 wasn't enough to secure today's winning score. | 0:27:51 | 0:27:55 | |
Well done, the Reds. | 0:27:55 | 0:27:57 | |
Coming up, how will our second set of teams face their challenge? | 0:27:59 | 0:28:02 | |
We'll see. | 0:28:02 | 0:28:04 | |
Next, my favourite piece of the programme, the stately home, | 0:28:04 | 0:28:08 | |
which is, today, just the other side of Chichester, | 0:28:08 | 0:28:11 | |
almost on the Hampshire border. | 0:28:11 | 0:28:13 | |
And the stately home in question is Stansted Park, | 0:28:15 | 0:28:19 | |
which began life as a hunting estate in the 12th century. | 0:28:19 | 0:28:23 | |
Then, in 1900, a fire destroyed the first Stansted House | 0:28:24 | 0:28:28 | |
and it was rebuilt at great expense. | 0:28:28 | 0:28:31 | |
By 1924, this relatively new and impressive building was up for sale. | 0:28:31 | 0:28:36 | |
So one Vere Ponsonby, the 9th Earl of Bessborough, | 0:28:36 | 0:28:40 | |
snapped it up. | 0:28:40 | 0:28:41 | |
He needed a place to house the family's pictures and furniture, | 0:28:41 | 0:28:45 | |
which had been saved when his own family seat in Ireland | 0:28:45 | 0:28:48 | |
was burned down in the Irish War of Independence. | 0:28:48 | 0:28:52 | |
And where better than here? | 0:28:52 | 0:28:54 | |
Well, here we are in an English country house | 0:28:55 | 0:28:58 | |
in the middle of an English country estate, | 0:28:58 | 0:29:02 | |
in a dining room contained | 0:29:02 | 0:29:05 | |
by four peculiarly Irish pieces of furniture. | 0:29:05 | 0:29:09 | |
The proportions of this table are ideal to fit into the modern home. | 0:29:09 | 0:29:14 | |
It sort of sums up everything that is good about | 0:29:14 | 0:29:18 | |
mid-18th-century Irish furniture. | 0:29:18 | 0:29:20 | |
It's got a substantial Carrara white-marble top. | 0:29:20 | 0:29:24 | |
The frieze has been treated in a typical mid-18th-century Irish way, | 0:29:24 | 0:29:29 | |
carving it with diapers - that's this lozenge-shaped ground. | 0:29:29 | 0:29:34 | |
It gets a bit more complicated down below with this swag made of | 0:29:34 | 0:29:38 | |
a solid piece of mahogany, | 0:29:38 | 0:29:40 | |
boldly carved with flowers and foliage, | 0:29:40 | 0:29:43 | |
which is centred by a mask - | 0:29:43 | 0:29:45 | |
but just look at his face. | 0:29:45 | 0:29:48 | |
What's going on here? | 0:29:48 | 0:29:50 | |
This mask is supposed to represent a green man. | 0:29:50 | 0:29:53 | |
A sort of fertility god that's existed way before | 0:29:53 | 0:29:58 | |
the time of Christianity. | 0:29:58 | 0:30:00 | |
We're back in Sussex at the Ardingly Antiques Fair, | 0:30:02 | 0:30:05 | |
the biggest in the South of England. | 0:30:05 | 0:30:07 | |
Therefore, there should be plenty of choice for our second set of teams to pick from. | 0:30:07 | 0:30:11 | |
They have an hour to find their three items, | 0:30:11 | 0:30:13 | |
but who are they? Let's meet 'em. | 0:30:13 | 0:30:16 | |
On Bargain Hunt today we've got a brace of couples. | 0:30:16 | 0:30:20 | |
For the Reds we've got Matt and Emma | 0:30:20 | 0:30:23 | |
and for the Blues we have Sally and Dave. | 0:30:23 | 0:30:25 | |
-Welcome, everybody. -Hello. -Lovely to see you. | 0:30:25 | 0:30:28 | |
Now, Matt, they say that opposites attract - | 0:30:28 | 0:30:30 | |
is that the case with you two? | 0:30:30 | 0:30:32 | |
It is, indeed. Our eyes met across a crowded staffroom. | 0:30:32 | 0:30:36 | |
Emma's an English teacher, I'm a science teacher. | 0:30:36 | 0:30:39 | |
It's opposites and it certainly attracted. | 0:30:39 | 0:30:41 | |
Well, that's brilliant, isn't it? Do you work together? | 0:30:41 | 0:30:44 | |
We used to work together. We worked at the same school in Eastbourne. | 0:30:44 | 0:30:47 | |
Now I've continued to be a teacher and Matt is at home looking | 0:30:47 | 0:30:52 | |
after our six-month-old baby, Thora, | 0:30:52 | 0:30:55 | |
and my son Finn, who's nine. | 0:30:55 | 0:30:57 | |
-Gosh! You really have got your hands full, haven't you? -Yeah. | 0:30:57 | 0:31:01 | |
Well done for doing that and very, very, very good luck. | 0:31:01 | 0:31:05 | |
Sally, what do you do for a living, darling? | 0:31:05 | 0:31:07 | |
I'm a stand-up comedian called Champagne. | 0:31:07 | 0:31:10 | |
I've been very busy, actually, doing a lot of television at the moment. | 0:31:10 | 0:31:14 | |
I grew up in America, Florida, where I was a broker out there and | 0:31:14 | 0:31:17 | |
did 13 years of television and radio, which is fun. | 0:31:17 | 0:31:21 | |
Also my comedy and writing, all good stuff. | 0:31:21 | 0:31:23 | |
We're going to have a riot today, aren't we? | 0:31:23 | 0:31:26 | |
You've certainly got the spangly gear on. | 0:31:26 | 0:31:28 | |
-This is Hollywood, isn't it? -This is Hollywood, it certainly is. | 0:31:28 | 0:31:31 | |
Dave, did Sally charm you with her sense of humour? | 0:31:31 | 0:31:34 | |
Yeah, kind of. | 0:31:34 | 0:31:36 | |
We met in a pub in Croydon. She was doing a gig. She was on stage. | 0:31:36 | 0:31:39 | |
Was she very funny? | 0:31:39 | 0:31:40 | |
Yeah, not too bad, I must say. I've got to say that. | 0:31:40 | 0:31:43 | |
That is praise, that is, from the old man. | 0:31:43 | 0:31:46 | |
You've got your number-one fan here, girl, I tell you. | 0:31:46 | 0:31:49 | |
-OK, she wasn't bad. -She was funny. | 0:31:49 | 0:31:51 | |
-Yeah. -Afterwards we had a drink together. | 0:31:51 | 0:31:53 | |
Basically we got engaged three or four months after that | 0:31:53 | 0:31:56 | |
and have been married six years. | 0:31:56 | 0:31:57 | |
-It was love at first sight. -Love at first sight, that's good fun. | 0:31:57 | 0:32:00 | |
I hope you have a great time today. Here's the money moment. £300 apiece, here comes your £300. | 0:32:00 | 0:32:05 | |
-There we go, £300. -Thank you. | 0:32:05 | 0:32:07 | |
You know the rules, your experts await, and off you go | 0:32:07 | 0:32:10 | |
and very, very, very good luck. | 0:32:10 | 0:32:12 | |
My goodness, we've got some characters on the show today. | 0:32:12 | 0:32:15 | |
So have you ever been to a place like this, you two? | 0:32:20 | 0:32:22 | |
-I did, years ago, but that's a long time. -Sally, how about you? | 0:32:22 | 0:32:25 | |
This is my first time, actually. | 0:32:25 | 0:32:26 | |
-Oh, marvellous, marvellous. -It's going to be fun! | 0:32:26 | 0:32:29 | |
-Do we like a bit of bling? -Yes. | 0:32:29 | 0:32:31 | |
I love bling. Look at me, cheap girl. | 0:32:31 | 0:32:33 | |
-Something a bit unusual, maybe copper or silver. -OK. | 0:32:35 | 0:32:38 | |
A bit of copper, a bit of silver, a bit of bling. | 0:32:38 | 0:32:40 | |
Typical heating engineer, always got his eye on the copper. | 0:32:40 | 0:32:43 | |
Are we going to spend a lot of money? | 0:32:43 | 0:32:46 | |
As little as possible, I think, really. | 0:32:46 | 0:32:49 | |
-We are open. -Are you open to offers? | 0:32:49 | 0:32:51 | |
-We don't mind if we think it'll make a profit. -Right, OK. | 0:32:51 | 0:32:54 | |
That's good, because that is the name of the game after all. | 0:32:54 | 0:32:57 | |
Quite so. And, with that thought, | 0:32:57 | 0:32:59 | |
it looks as though David has a plan for the Blues. | 0:32:59 | 0:33:02 | |
Always spend time scouring these little cabinets, because there | 0:33:03 | 0:33:07 | |
are often little treasures, but you need to really get your eye in. | 0:33:07 | 0:33:10 | |
There's a little boat at the back. I don't know whether that's silver. | 0:33:10 | 0:33:13 | |
Is that silver or silver-plated, the boat? The cruet, there. | 0:33:13 | 0:33:16 | |
-It's plated. -It's plated. | 0:33:16 | 0:33:18 | |
-It's, um, £80. -£80. | 0:33:18 | 0:33:20 | |
-Do you like that? -Can we have a look at it? Would you mind? -Sure. | 0:33:20 | 0:33:23 | |
-What do you know about the designer? -Christofle? -Yeah. | 0:33:23 | 0:33:26 | |
Is it signed? | 0:33:26 | 0:33:28 | |
-I think it's signed, it might be numbered. -Oh, that'll be nice. | 0:33:28 | 0:33:31 | |
-That's plate, yeah. -That's plated. | 0:33:31 | 0:33:33 | |
Now, you know, rule of thumb, silver-plated items are not | 0:33:33 | 0:33:37 | |
good news and I avoid them like the plague. | 0:33:37 | 0:33:39 | |
However, when you look at something like that, | 0:33:39 | 0:33:42 | |
it's got the Deco theme. | 0:33:42 | 0:33:44 | |
What would the trade best price on that one be for me? | 0:33:44 | 0:33:47 | |
-£70. -£70. | 0:33:47 | 0:33:49 | |
-Do you want to have a think about that? -Shall we go for it? Would you? | 0:33:49 | 0:33:52 | |
-I'm happy, go for it. -By gosh, she's... | 0:33:52 | 0:33:54 | |
You're a bit worrying, you are. | 0:33:54 | 0:33:56 | |
Mind you, I quite like it. | 0:33:56 | 0:33:58 | |
Go for it. I think it's wonderful. | 0:33:58 | 0:34:01 | |
-Dave, I've done all the talking... -I love it. I think it's nice. | 0:34:01 | 0:34:04 | |
The only thing I'm a little bit worried about is it's quite pitted. | 0:34:04 | 0:34:07 | |
-It is. -It's the shape of it, though. -It's a good shape. -It's nice. | 0:34:07 | 0:34:10 | |
It couldn't be a trickle less, could it? | 0:34:10 | 0:34:13 | |
Just a trickle less, give us a chance in auction. | 0:34:13 | 0:34:15 | |
-65. -Thank you very much. | 0:34:15 | 0:34:17 | |
-She's too eager. -She is too eager. | 0:34:17 | 0:34:19 | |
-Do you want it? -Yes. | 0:34:19 | 0:34:21 | |
I like quick purchases, thank you very much. | 0:34:21 | 0:34:23 | |
I'm all for decisive action but Sally, gosh, she's hot to trot. | 0:34:23 | 0:34:28 | |
Meanwhile, it looks like Catherine's found a cardboard box. Nice! | 0:34:29 | 0:34:33 | |
I like the school table. | 0:34:33 | 0:34:35 | |
-It's the school thing, isn't it, coming out? -Oh, my God, yeah. | 0:34:35 | 0:34:38 | |
Being teachers we've gone for these but they're missing the brass slides | 0:34:38 | 0:34:41 | |
-over the ink wells. -Oh, over the ink wells, aren't they lovely? | 0:34:41 | 0:34:44 | |
They are so cute. | 0:34:44 | 0:34:46 | |
I just spoke to him about this. | 0:34:46 | 0:34:48 | |
I don't know a huge amount about tools | 0:34:48 | 0:34:51 | |
but sometimes these can sell rather well. | 0:34:51 | 0:34:53 | |
We've got a nice selection of planes here. | 0:34:53 | 0:34:56 | |
-Yeah. -We've got a saw. | 0:34:56 | 0:34:59 | |
-A few nice set squares. -Some set squares. -Yeah. | 0:34:59 | 0:35:02 | |
-That's quite nice, isn't it? -There's a spirit level. | 0:35:02 | 0:35:04 | |
He said he'd take £60. I don't think that's too bad. | 0:35:04 | 0:35:07 | |
-There's quite a lot in there, isn't there? -Yeah. -I'm happy with that. | 0:35:07 | 0:35:11 | |
Emma's clearly blown away. She loves them. | 0:35:11 | 0:35:13 | |
It's a risk. | 0:35:13 | 0:35:15 | |
-But I'm willing. -Yeah? -Let's do it. | 0:35:15 | 0:35:18 | |
I think it'll entertain. | 0:35:18 | 0:35:19 | |
I think I'll have a little last word with him and see what I can do. | 0:35:19 | 0:35:22 | |
Yeah, work your magic, Catherine. | 0:35:22 | 0:35:24 | |
Now, has Champagne Sally struck again? | 0:35:24 | 0:35:27 | |
-David, what do you reckon of that? That hits me. -It's different. | 0:35:27 | 0:35:30 | |
-What are we looking at? -The chair. | 0:35:30 | 0:35:32 | |
You can imagine that in an elegant hall with a beautiful green plant. | 0:35:32 | 0:35:37 | |
-Right. -What do you think? | 0:35:37 | 0:35:38 | |
OK, it is exactly that, it's a hall chair, isn't it? | 0:35:38 | 0:35:41 | |
It probably would have been one of a pair. Nicely made. | 0:35:41 | 0:35:44 | |
It's got leather...covered here, with an oak... | 0:35:44 | 0:35:47 | |
Looks like oak. | 0:35:47 | 0:35:48 | |
No, actually, I think that's... | 0:35:48 | 0:35:50 | |
See that, Dave, get your nail. Stick your nail in. | 0:35:50 | 0:35:53 | |
-Yeah. -And it's soft. So it's pine. | 0:35:53 | 0:35:56 | |
-Oh, right. -But it doesn't really matter. | 0:35:56 | 0:35:58 | |
-A bit of damage there, as well. -It's got age, let's think how old it is. | 0:35:58 | 0:36:01 | |
How old do you think is? | 0:36:01 | 0:36:03 | |
Maybe '40s, '50s. I don't know. | 0:36:03 | 0:36:05 | |
It might be a bit earlier. | 0:36:05 | 0:36:06 | |
It's got an English Arts and Crafts feel to it, | 0:36:06 | 0:36:09 | |
although it's definitely not English. | 0:36:09 | 0:36:11 | |
Now, who is this character here? It's celebrating somebody. | 0:36:11 | 0:36:14 | |
-Do you know who it is? -No idea. -Sally, do you know who it is? | 0:36:14 | 0:36:16 | |
-No, no. -I don't know who it is either but you thought I would do. | 0:36:16 | 0:36:20 | |
I was hoping! | 0:36:20 | 0:36:21 | |
Call yourself an expert, David? Hah! | 0:36:22 | 0:36:24 | |
I know Catherine does. | 0:36:24 | 0:36:27 | |
-OK, guys, I've got 55. -Oh, fantastic. -Good work. -Nice work. | 0:36:27 | 0:36:30 | |
-Are we happy? -Yes. -We are. -We're happy. | 0:36:30 | 0:36:32 | |
-You do want it after all that? -We do, indeed, yes. | 0:36:32 | 0:36:35 | |
Good stuff. | 0:36:35 | 0:36:37 | |
-OK, one purchase down and two more to go. -Fantastic. -Come on. | 0:36:37 | 0:36:40 | |
So £55 spent. | 0:36:42 | 0:36:45 | |
Now, can David do any better? | 0:36:45 | 0:36:46 | |
I'll get a price on it. | 0:36:46 | 0:36:48 | |
Let's see if we can get a price on it. | 0:36:48 | 0:36:50 | |
There's no-one here. Is it free? | 0:36:50 | 0:36:52 | |
-It must be free. -Hello? -How much is this one, please? | 0:36:52 | 0:36:54 | |
-120. -120? -Yeah. | 0:36:54 | 0:36:57 | |
Are we in euros here, or pounds? | 0:36:57 | 0:36:59 | |
In pounds. | 0:36:59 | 0:37:01 | |
Mind you, it wouldn't make much difference these days. | 0:37:01 | 0:37:04 | |
-It's French, obviously. -Yeah, French, from Brittany. -Oh, from Brittany. -Yeah. | 0:37:04 | 0:37:07 | |
-Unusual. -Very unusual. | 0:37:07 | 0:37:10 | |
What would be the very best trade price? | 0:37:10 | 0:37:13 | |
-100. -Really? -Yes. -60. -No! | 0:37:13 | 0:37:18 | |
-90. -90. Don't say anything yet. -We're getting close to the 75, I think. | 0:37:18 | 0:37:23 | |
-It's a good bargain. -I'd be happy at 75 if you are. -I'd be happy at 75. | 0:37:23 | 0:37:27 | |
-Would you be happy at 75? -No, I can't. | 0:37:27 | 0:37:30 | |
80 for you, my very best price. | 0:37:30 | 0:37:34 | |
-It's very unusual. -80's fine. -Shall we go with 80? -Yeah. -Thank you very much, we'll have it at 80. | 0:37:34 | 0:37:39 | |
Blimey! Quick work. | 0:37:39 | 0:37:41 | |
-Thank you very much. -I love you two! -Can I sit on it? | 0:37:41 | 0:37:45 | |
-Hold on to that. -You should have tried that! -Hang on, make sure I don't fall off. | 0:37:45 | 0:37:49 | |
-It's wonderful. That's comfortable, as well. It's lovely. -You're like the Queen. | 0:37:49 | 0:37:52 | |
The Blues' shop could be over almost before it's begun. | 0:37:52 | 0:37:56 | |
There are thousands of other stalls, you know, Sally. | 0:37:56 | 0:37:59 | |
If something catches your eye, buy it. | 0:37:59 | 0:38:01 | |
It's typical of us girls, if we don't buy something and we lose it... | 0:38:01 | 0:38:05 | |
So no, as soon as you see something, grab it. | 0:38:05 | 0:38:07 | |
I couldn't agree more. | 0:38:07 | 0:38:09 | |
Take heed, Reds. | 0:38:09 | 0:38:12 | |
-Ah, what about the little monkey? -What monkey? -The little monkey. | 0:38:12 | 0:38:15 | |
-Oh, he's lovely. -I like the monkey. | 0:38:15 | 0:38:17 | |
Is he Schuco? | 0:38:17 | 0:38:19 | |
I don't know, I think he may be. | 0:38:19 | 0:38:22 | |
He looks like he could be Schuco. | 0:38:22 | 0:38:24 | |
That's the maker.... Oh, that looks a bit rude. | 0:38:24 | 0:38:28 | |
It probably is, knowing what monkeys are like, yeah. | 0:38:28 | 0:38:31 | |
How much is your monkey? | 0:38:31 | 0:38:33 | |
My monkey is 55. | 0:38:33 | 0:38:36 | |
-Right. -It's a little bit worn. | 0:38:36 | 0:38:38 | |
It's got a lovely look about him, hasn't it? But he's a bit bald. | 0:38:38 | 0:38:42 | |
-Are they glass, those eyes? -Yes, they... | 0:38:42 | 0:38:46 | |
-Er, no, they're plastic. -How old do you think it is? | 0:38:46 | 0:38:48 | |
'40s, maybe. He is lovely but he's... | 0:38:48 | 0:38:50 | |
Could you come down any more on that? | 0:38:50 | 0:38:52 | |
-Yeah. -20. -Yeah, 20. | 0:38:52 | 0:38:54 | |
-Not quite that far. -25? | 0:38:54 | 0:38:56 | |
Nearly. | 0:38:56 | 0:38:58 | |
-26. -30, that's the absolute death on that. | 0:38:58 | 0:39:01 | |
Would you be able to put him aside for us for a little while? | 0:39:01 | 0:39:04 | |
How long. | 0:39:04 | 0:39:06 | |
-20 minutes. -20 minutes. | 0:39:06 | 0:39:08 | |
-Thanks very much. -Lovely. | 0:39:08 | 0:39:09 | |
-Let's have a little think. -Thank you so much for your time. | 0:39:09 | 0:39:12 | |
Come along, Reds, you need to take a leaf out of the Blues' book and get buying! | 0:39:13 | 0:39:18 | |
What about the spyglass? | 0:39:19 | 0:39:22 | |
What kind of money's that? | 0:39:22 | 0:39:24 | |
-That's 12. -£12. | 0:39:24 | 0:39:25 | |
-That's not actually horn. Oh, yes, it is horn. -Oh, is it? | 0:39:25 | 0:39:28 | |
-It is horn, sorry, I thought it was wood. -Well done. | 0:39:28 | 0:39:30 | |
-That's really quite nice. -Oh, that's interesting. | 0:39:30 | 0:39:33 | |
Date-wise... | 0:39:33 | 0:39:34 | |
Dave, what do you feel? | 0:39:34 | 0:39:36 | |
-It's obviously brass. -Brass. | 0:39:36 | 0:39:39 | |
Good thick glass. | 0:39:39 | 0:39:40 | |
It could... It's a difficult thing... | 0:39:40 | 0:39:42 | |
It could be late Victorian, maybe. | 0:39:42 | 0:39:44 | |
-It doesn't feel that old, though. -No, good, good. | 0:39:44 | 0:39:47 | |
I think you've got to go with your instinct. | 0:39:47 | 0:39:49 | |
-Its style is certainly late 19th century. -But I don't think it is. | 0:39:49 | 0:39:52 | |
I don't think it is. I think it's more modern. | 0:39:52 | 0:39:55 | |
You're just too quick. You just want to buy it. | 0:39:55 | 0:39:57 | |
-Once we've bought three, were done. -I know, I was thinking about that. | 0:39:57 | 0:40:00 | |
-Maybe think about it and come back. -Is that OK? -Yeah, definitely. | 0:40:00 | 0:40:03 | |
I think that's fantastic but they've spent so much money so quickly, | 0:40:03 | 0:40:06 | |
can we just put it down for a while? Is that OK? | 0:40:06 | 0:40:08 | |
Do you mind? Thanks a lot. | 0:40:08 | 0:40:11 | |
It looks like David's put the brakes on Sally. | 0:40:11 | 0:40:15 | |
Now, is it time for another lesson, Reds? | 0:40:15 | 0:40:17 | |
-A school bench. -A beautiful DT bench. | 0:40:17 | 0:40:20 | |
-What is it called, DT? -Craft, design and technology now. | 0:40:20 | 0:40:23 | |
Oh, craft, design and technology. It's got a vice. | 0:40:23 | 0:40:26 | |
This is perfect for our woodwork tools. | 0:40:26 | 0:40:29 | |
This is what I remember at school, using this. | 0:40:29 | 0:40:32 | |
Putting the block of wood in and sawing it. | 0:40:32 | 0:40:35 | |
-There's some of your old graffiti. -My graffiti? | 0:40:35 | 0:40:38 | |
-No, no, no, I was a good girl. -I'm sure you were! | 0:40:38 | 0:40:40 | |
I believe you, Catherine! Thousands wouldn't. | 0:40:42 | 0:40:45 | |
-Now, look, bling. I see bling. -Point me to some more bling. | 0:40:45 | 0:40:49 | |
How about a nice boiled egg in the morning? | 0:40:49 | 0:40:51 | |
A bald egg or a boiled egg? | 0:40:51 | 0:40:54 | |
It looks a bit dirty inside, though. It might need a good clean-up. | 0:40:54 | 0:40:57 | |
-I wouldn't clean that - do you know why? -No. | 0:40:57 | 0:40:59 | |
-It's plate. -It's plate and it's been cleaned so many times. | 0:40:59 | 0:41:02 | |
Now then, talk about eggs for breakfast. | 0:41:02 | 0:41:05 | |
That's pretty, isn't it? | 0:41:05 | 0:41:06 | |
This is a much posher eggs-for-breakfast thing. | 0:41:06 | 0:41:09 | |
Look at that. | 0:41:09 | 0:41:11 | |
Do you know what it is? | 0:41:11 | 0:41:12 | |
-Um, a poacher. -It's an egg coddler, or warmer. -Oh, right. | 0:41:12 | 0:41:17 | |
You'd have a little burner on the base here. Some water in there. | 0:41:17 | 0:41:21 | |
-Yeah. -Four eggs, and you just keep them at a lovely temperature. | 0:41:21 | 0:41:25 | |
-How posh is that? -I have never seen that before. Wow... -It's fantastic. | 0:41:25 | 0:41:28 | |
That shows how common I am. | 0:41:28 | 0:41:31 | |
Listen, I'm common too because I've never actually had one and used it. | 0:41:31 | 0:41:35 | |
That's nice. | 0:41:35 | 0:41:36 | |
-It's a bit funky. -It's good, but... -It's nice. | 0:41:36 | 0:41:38 | |
-It's not you, is it, Dave? -It's not me. There's wear on the bottom. | 0:41:38 | 0:41:41 | |
-Oh, right. -A dent in the top. -OK. -He's a bit critical, isn't he? | 0:41:41 | 0:41:43 | |
-I am critical. -It's only 100 years old! -OK. -I know. -Right, all right. | 0:41:43 | 0:41:47 | |
-It's not me. -OK, not you. | 0:41:47 | 0:41:49 | |
After a speedy start it looks as though the Blues have caught | 0:41:49 | 0:41:53 | |
the Reds' indecision bug. | 0:41:53 | 0:41:55 | |
I thought this was going to be really, really easy but it's actually really hard. | 0:41:55 | 0:42:00 | |
It is hard, isn't it? | 0:42:00 | 0:42:02 | |
There's a £1 table back there. | 0:42:02 | 0:42:04 | |
If we need something quickly... | 0:42:04 | 0:42:06 | |
Well spotted. | 0:42:06 | 0:42:07 | |
We might need to come back to that later. | 0:42:07 | 0:42:10 | |
We might need to come back to that one. | 0:42:10 | 0:42:12 | |
Now, David, have you seen anything you like? Because everything I keep seeing... | 0:42:12 | 0:42:16 | |
You know, I boss him around a bit too much, don't I? | 0:42:16 | 0:42:20 | |
A bit too bossy. | 0:42:20 | 0:42:22 | |
Yeah, we had noticed, Champagne Sally. | 0:42:22 | 0:42:24 | |
-He likes a bit of copper, doesn't he? -I do. | 0:42:25 | 0:42:28 | |
Well, what you need to look at that... Look at the design. | 0:42:28 | 0:42:32 | |
It looks very Art Nouveau, so 1895, 1900. | 0:42:32 | 0:42:35 | |
Art Nouveau, Arts and Crafts. It's handmade. It's copper. | 0:42:35 | 0:42:39 | |
What we need to look for are manufacturers' marks on the base. | 0:42:39 | 0:42:43 | |
-There isn't any. -There is nothing. | 0:42:43 | 0:42:45 | |
If you found something down there that related to Liberty... | 0:42:45 | 0:42:48 | |
This is very Liberty. Circa 1900. | 0:42:48 | 0:42:51 | |
..then that would be worth several hundreds of pounds. | 0:42:51 | 0:42:54 | |
Because it doesn't have a mark, you can't attribute it to anybody. | 0:42:54 | 0:42:57 | |
-It's worth a few pounds. -Yeah. | 0:42:57 | 0:43:00 | |
If it had Liberty, if it had Tudric on the bottom there... | 0:43:00 | 0:43:03 | |
-If it's Liberty's it might be Archibald Knox... -Knox, maybe even a Christopher Dresser connection. | 0:43:03 | 0:43:07 | |
He's very good, he's very good. | 0:43:07 | 0:43:09 | |
But a little knowledge can be a dangerous thing, David, | 0:43:09 | 0:43:12 | |
especially if it means you don't buy anything! | 0:43:12 | 0:43:15 | |
Speaking of which, Reds... | 0:43:15 | 0:43:17 | |
What do you want to do? Time is ticking. | 0:43:17 | 0:43:19 | |
-Right, um... -Ouch! | 0:43:19 | 0:43:22 | |
-I like the monkey. -Go and get your monkey, then. | 0:43:22 | 0:43:25 | |
-Shall we go and get the monkey? -See if you can get it down. | 0:43:25 | 0:43:28 | |
-What did he say, 30? -30. -He said 30. | 0:43:28 | 0:43:31 | |
-He was biddable. -He was biddable, yeah. | 0:43:31 | 0:43:33 | |
See if you can get him down then, because he is cute. | 0:43:33 | 0:43:35 | |
Fingers crossed. | 0:43:35 | 0:43:37 | |
With time running out, it's a last push for the Blues too. | 0:43:38 | 0:43:42 | |
Shall we go back for the magnifying glass? | 0:43:42 | 0:43:45 | |
-Let's think, that was 12 quid, wasn't it? -Yeah. | 0:43:45 | 0:43:48 | |
If that didn't make a profit then I think we all need to jump off | 0:43:48 | 0:43:53 | |
-a roof, or something. Because it is just ridiculous. -I think that's nice. -That should make money. | 0:43:53 | 0:43:57 | |
-I think let's go back. -Shall we go back? -Yeah. | 0:43:57 | 0:44:00 | |
Sounds like a plan, guys. | 0:44:00 | 0:44:03 | |
Emma and Matt are very calm. | 0:44:03 | 0:44:06 | |
They're just taking their time, | 0:44:06 | 0:44:07 | |
pondering and wondering and not really making any dynamic decisions. | 0:44:07 | 0:44:12 | |
So I'm going to put the pressure on them now. | 0:44:12 | 0:44:14 | |
Yeah, you crack the whip, Catherine. | 0:44:14 | 0:44:16 | |
Shake on it. | 0:44:16 | 0:44:17 | |
Hello, what's this? | 0:44:17 | 0:44:19 | |
-Thank you very much. -Thank you. | 0:44:19 | 0:44:20 | |
Hello, are you two making any decisions? | 0:44:20 | 0:44:23 | |
We've bought the monkey and the jester. | 0:44:23 | 0:44:24 | |
Oh! Gosh, you HAVE made decisions. | 0:44:24 | 0:44:27 | |
This is slightly out of character. | 0:44:27 | 0:44:29 | |
I was looking at this and wondering if Harry Potter made that worth any money. | 0:44:29 | 0:44:33 | |
What is it, a baton? | 0:44:33 | 0:44:34 | |
-A conductor's baton. -So you're now regretting your purchases. | 0:44:34 | 0:44:37 | |
Do we have a change of heart? | 0:44:37 | 0:44:40 | |
What's the best you could do on the baton? | 0:44:40 | 0:44:42 | |
The baton has to be 110. | 0:44:42 | 0:44:45 | |
Which is probably a bit much, really, isn't it? | 0:44:45 | 0:44:48 | |
-Is it ebony and silver? -It's beautiful. | 0:44:48 | 0:44:50 | |
-Is that actually ebony wood, then? -It looks like ebony to me. | 0:44:50 | 0:44:54 | |
What does it say, presented to H Platts, Horden, 1922. | 0:44:54 | 0:44:59 | |
I prefer the baton than the rattle. | 0:44:59 | 0:45:03 | |
-Do you? -Yeah, I do, actually. | 0:45:03 | 0:45:05 | |
-OK. -I really like the monkey. | 0:45:08 | 0:45:11 | |
Shall we say the monkey and the baton? | 0:45:11 | 0:45:13 | |
Yeah, I think so. | 0:45:13 | 0:45:15 | |
What's the best price you can do on the monkey and the baton? | 0:45:15 | 0:45:18 | |
-DEALER: -The monkey's got... I can't get any better. | 0:45:18 | 0:45:20 | |
It's got to be 110 on that. | 0:45:20 | 0:45:21 | |
Thank you very much. | 0:45:21 | 0:45:23 | |
The monkey's got to be 25. | 0:45:23 | 0:45:25 | |
In that case, we'll take that one, then. Do you reckon? | 0:45:25 | 0:45:28 | |
Yeah, let's go for the monkey and the baton. | 0:45:28 | 0:45:30 | |
The monkey and the baton would be fantastic. Thank you very much. | 0:45:30 | 0:45:34 | |
Well done. Fantastic. | 0:45:34 | 0:45:37 | |
Well, fancy that. For all their dithering, | 0:45:37 | 0:45:39 | |
the Reds have crossed the finishing line first with a double deal. | 0:45:39 | 0:45:43 | |
Are the Blues far behind them? | 0:45:43 | 0:45:44 | |
What was that going to be for us? | 0:45:44 | 0:45:46 | |
It was 12, but it can be ten. | 0:45:46 | 0:45:48 | |
-Thank you very much. -An absolute gentleman. | 0:45:48 | 0:45:50 | |
-Thank you very much. -Brilliant! | 0:45:50 | 0:45:53 | |
Brilliant. | 0:45:53 | 0:45:54 | |
Well done. Well done. Great stuff, really good. | 0:45:54 | 0:45:58 | |
-And tea on me, come on. -Lovely, come on. We're going. | 0:45:58 | 0:46:00 | |
SQUEAKING | 0:46:02 | 0:46:05 | |
SQUEAKING STOPS | 0:46:05 | 0:46:06 | |
Oh! Time's up. | 0:46:06 | 0:46:08 | |
Whoops! Did I break that? | 0:46:08 | 0:46:09 | |
Time to make a swift exit | 0:46:09 | 0:46:11 | |
and we're off to auction at Bellmans Saleroom in | 0:46:11 | 0:46:13 | |
Wisborough Green, but first let's remind ourselves | 0:46:13 | 0:46:16 | |
what the Red team bought. | 0:46:16 | 0:46:17 | |
It doesn't look like much but Catherine's convinced this box of | 0:46:19 | 0:46:23 | |
carpentry tools, bought for £55, will strike gold at the auction. | 0:46:23 | 0:46:29 | |
The toy monkey may be a bit thin on top but at £25 | 0:46:29 | 0:46:32 | |
he might just come up trumps. | 0:46:32 | 0:46:36 | |
And it was an afterthought but will this ebony and silver baton | 0:46:36 | 0:46:40 | |
for £110 march off with a profit? | 0:46:40 | 0:46:44 | |
-Matt and Emma, are you all right? -Yes, thank you. -We're not so bad. | 0:46:44 | 0:46:47 | |
Yeah, you want to know what your bonus-buy item is. | 0:46:47 | 0:46:50 | |
-We do. -We do, indeed. | 0:46:50 | 0:46:51 | |
Well, you gave Catherine £110. Bless her. | 0:46:51 | 0:46:53 | |
What did you buy, Catherine? | 0:46:53 | 0:46:55 | |
Well, I have bought you... | 0:46:55 | 0:46:57 | |
-a box. -It's a delightful box. | 0:46:57 | 0:47:00 | |
Inside the box is a very nice ivory thermometer. | 0:47:00 | 0:47:05 | |
Oh, wow. | 0:47:05 | 0:47:07 | |
It's by maker Negretti & Zambra, | 0:47:07 | 0:47:09 | |
which is a well-known instrument maker, and it's | 0:47:09 | 0:47:12 | |
in a nice fitted case and it's also got the maker's name on the case. | 0:47:12 | 0:47:15 | |
I really rate this. I think it's a jolly nice piece. | 0:47:15 | 0:47:17 | |
I think it's gorgeous. How old do you think it is? | 0:47:17 | 0:47:20 | |
It's going to be mid-to-late 19th century, around the 1860 date. | 0:47:20 | 0:47:25 | |
-Fantastic. -It's very nice, isn't it? -Yeah. -How much did you pay? | 0:47:25 | 0:47:29 | |
I did actually pay quite a bit for it. | 0:47:29 | 0:47:32 | |
I paid £100, but I think it's worth that, and I think it is worth | 0:47:32 | 0:47:36 | |
-a little bit more than that. It's lovely. -I think it's beautiful. | 0:47:36 | 0:47:39 | |
-I love the fact it's got the case. -It's in a nice, fitted case. | 0:47:39 | 0:47:42 | |
-It's worth that, I think. All day long. Do you like it? -I love it. | 0:47:42 | 0:47:46 | |
-Yeah? -Yeah. -Very nice. -Thank you. -Excellent. | 0:47:46 | 0:47:49 | |
Good. It is difficult, though, darling, isn't it? | 0:47:49 | 0:47:52 | |
-That's quite a specialist thing. -It is. | 0:47:52 | 0:47:55 | |
In the right sale, we keep on saying this, but there is a market for | 0:47:55 | 0:47:58 | |
that and there are hot collectors for your scientific instruments. | 0:47:58 | 0:48:01 | |
The problem is, it's in a collectables sale - | 0:48:01 | 0:48:03 | |
is someone going to pick it out? | 0:48:03 | 0:48:05 | |
We need two people to pick it out. | 0:48:05 | 0:48:07 | |
It is a smart thing but it's whether it makes its money. | 0:48:07 | 0:48:10 | |
-It's a gamble piece. -That's the excitement of the auction. | 0:48:10 | 0:48:13 | |
To gamble or not to gamble? | 0:48:13 | 0:48:15 | |
We'll find out what the Reds decide in | 0:48:15 | 0:48:18 | |
a bit but in the meanwhile let's discuss the Blue team's three items. | 0:48:18 | 0:48:22 | |
The others looked on helplessly as Sally jumped in to buy | 0:48:22 | 0:48:26 | |
this silver-plated boat-shaped cruet for £65. | 0:48:26 | 0:48:30 | |
Will it sail away with a profit at auction? | 0:48:30 | 0:48:33 | |
Sally also spotted this unusual French high-backed chair but | 0:48:33 | 0:48:36 | |
the dealer drove a hard bargain. | 0:48:36 | 0:48:39 | |
£80 paid. | 0:48:39 | 0:48:41 | |
And again David didn't get much of a look-in when Sally decided | 0:48:41 | 0:48:44 | |
this horn-handled magnifying glass | 0:48:44 | 0:48:46 | |
was sure to be a hit with the bidders, | 0:48:46 | 0:48:48 | |
and at just £10 paid, she might be right. | 0:48:48 | 0:48:51 | |
I bet you want to know what David Harper spent | 0:48:51 | 0:48:54 | |
your £145 of leftover lolly on, don't you? | 0:48:54 | 0:48:57 | |
-Very much so. -Yes. -Don't we all? | 0:48:57 | 0:48:59 | |
The nation is gagging to find out. | 0:48:59 | 0:49:01 | |
OK, David, show us what you spent it on. | 0:49:01 | 0:49:04 | |
For a very lovely couple, an absolutely delightful... | 0:49:04 | 0:49:08 | |
-That's beautiful. -A beautiful object. -It's lovely. | 0:49:08 | 0:49:11 | |
-Have a hold of him. -It's wonderful. -It's heavy, isn't it? | 0:49:11 | 0:49:13 | |
-It's very heavy. It's bronze. It's a hippo. -It's lovely. | 0:49:13 | 0:49:17 | |
It looks like you, dear. | 0:49:17 | 0:49:19 | |
Is that why you like him so much? | 0:49:19 | 0:49:22 | |
Aw, he's cuddly. | 0:49:22 | 0:49:24 | |
A big cuddly hippo. Yeah. | 0:49:24 | 0:49:26 | |
I want to just point something out to you. | 0:49:26 | 0:49:30 | |
-Asprey. -Right. -Made in England. | 0:49:30 | 0:49:32 | |
One of the most aspirational brand names you are ever going to | 0:49:32 | 0:49:38 | |
come across. It screams quality. | 0:49:38 | 0:49:41 | |
-Yes, lovely. -Patinated bronze. | 0:49:41 | 0:49:44 | |
Yes, it's lovely. | 0:49:44 | 0:49:46 | |
-Date, 1920s, 1930s. Think of that time. That's an onyx base. -OK. | 0:49:46 | 0:49:50 | |
It had a little bit of damage but you've got to be forgiving of something so wonderful. | 0:49:50 | 0:49:54 | |
-You've got to forgive it, a little bit. -How much did you pay? | 0:49:54 | 0:49:56 | |
-It didn't come cheap. -Right. -I had to beg and plead the guy. | 0:49:56 | 0:50:01 | |
-145 quid, and that's the best I could do. -It's gorgeous. | 0:50:01 | 0:50:05 | |
So profit-wise, I'd like to see it make... | 0:50:05 | 0:50:08 | |
-A couple of hundred? -Why not? | 0:50:08 | 0:50:10 | |
Why couldn't it make £200? | 0:50:10 | 0:50:13 | |
-It's not beyond the bounds of possibility, is it? -No. | 0:50:13 | 0:50:17 | |
We'll see whether the prediction comes true in a few minutes, | 0:50:17 | 0:50:20 | |
as auctioneer Jonathan Pratt is ready to go, go, go. | 0:50:20 | 0:50:23 | |
So, let's sell. | 0:50:23 | 0:50:25 | |
Now, Matthew, Emma, how are you feeling? | 0:50:27 | 0:50:29 | |
Very, very excited. | 0:50:29 | 0:50:30 | |
Here we go then, here come your tools, girls and boys. | 0:50:30 | 0:50:34 | |
There's loads, isn't there? | 0:50:34 | 0:50:36 | |
A collection of carpentry tools. | 0:50:36 | 0:50:38 | |
-Um, two commissions. I can start... -Here we go. | 0:50:38 | 0:50:41 | |
-I've got to start straight in at £60. -Yes. -Come on. | 0:50:41 | 0:50:45 | |
£60, who'll bid me 5? | 0:50:45 | 0:50:47 | |
-A commission bid at 60. -Come on, come on. | 0:50:47 | 0:50:48 | |
It's surely worth another £5. | 0:50:48 | 0:50:50 | |
-60 it is. -Come on. | 0:50:50 | 0:50:51 | |
Are we all done? Straight in, maiden bid of £60. | 0:50:51 | 0:50:54 | |
-65 on the left now. -Yay! | 0:50:54 | 0:50:56 | |
At 65, looking for 70. On the left at 65. | 0:50:56 | 0:50:58 | |
£65. | 0:50:58 | 0:50:59 | |
Well, that's £10 profit straight up. | 0:50:59 | 0:51:01 | |
Well done, Catherine, perfect. | 0:51:01 | 0:51:03 | |
Now, come along, little monkey. | 0:51:03 | 0:51:05 | |
Lot 1696 A, a Schuco plush toy... | 0:51:05 | 0:51:09 | |
Come on, monkey, very sweet. | 0:51:09 | 0:51:10 | |
A handsome little chap, there he is sitting down. | 0:51:10 | 0:51:12 | |
-15 I have to start me. -15? | 0:51:12 | 0:51:14 | |
-18 and 20. -Oh, oh. | 0:51:14 | 0:51:16 | |
22, 25. | 0:51:16 | 0:51:17 | |
She shakes her head. £25 against you all, then. | 0:51:17 | 0:51:20 | |
Surely worth... 28 takes it away on the right, at £28. | 0:51:20 | 0:51:23 | |
Looking for 30 now. | 0:51:23 | 0:51:24 | |
-£28, do I see 30? -Come on, come on. | 0:51:24 | 0:51:26 | |
At £28, then, I shall sell. | 0:51:26 | 0:51:28 | |
Gentleman over by the heater, £28. | 0:51:28 | 0:51:31 | |
-But it's a profit. -It's no money. -£28 is plus £3. | 0:51:31 | 0:51:34 | |
There's more money in that one. | 0:51:34 | 0:51:36 | |
1697 A, an ebony and silver-mounted | 0:51:36 | 0:51:38 | |
two-piece military cane, and I have... | 0:51:38 | 0:51:41 | |
-I can start at £25. -Oh, Jonathan! | 0:51:41 | 0:51:44 | |
-30, 35, 40, 45. -It's keeping going. | 0:51:44 | 0:51:47 | |
Come on. Go the whole way. | 0:51:47 | 0:51:49 | |
50. 55. 60. 65. | 0:51:49 | 0:51:52 | |
-Shakes his head. -Go on! -Come on! | 0:51:52 | 0:51:54 | |
Come on, come on, come on. | 0:51:54 | 0:51:55 | |
65, that's how it's standing right now, at £65. | 0:51:55 | 0:51:57 | |
Surely worth 70, though. Who's going to join in at £70? | 0:51:57 | 0:52:00 | |
It's your last chance, and selling, all done at £60. | 0:52:00 | 0:52:02 | |
GAVEL BANGS | 0:52:02 | 0:52:04 | |
-That is not so good, is it? That's minus £32. -Minus 32... Oh! | 0:52:04 | 0:52:08 | |
-Minus 32, lads. -Shall we just go for bust? | 0:52:08 | 0:52:12 | |
Are we going to go with the thermometer or not? | 0:52:12 | 0:52:14 | |
Well, do we want to win or do we want to go for it? | 0:52:14 | 0:52:18 | |
-My instinct says go for it. -OK, go for it. -Going to do it? | 0:52:18 | 0:52:22 | |
-Yep, we have two punting teachers here. -We'll go for it, then. | 0:52:22 | 0:52:25 | |
-That's our final word. -Your final word, yeah? | 0:52:25 | 0:52:29 | |
-You don't need to phone anybody? -We might do. -No. -No. -OK, fine. | 0:52:29 | 0:52:32 | |
Lot 1701 A. We have the 19th-century Negretti & Zambra thermometer. | 0:52:32 | 0:52:38 | |
Start me at £30 for this. | 0:52:38 | 0:52:40 | |
It's bid, thank you, at 30. Now, let's move on from 30. | 0:52:40 | 0:52:43 | |
He's thinking about it at the back. 35, 40, 45, 50, 55... | 0:52:43 | 0:52:49 | |
55, standing far left. Now at £55. | 0:52:49 | 0:52:52 | |
-Come on. It's worth it any day. -£55. | 0:52:52 | 0:52:54 | |
Any more at £55? I shall sell, it's your last chance. 55... | 0:52:54 | 0:52:59 | |
GAVEL BANGS Oh, dear. | 0:52:59 | 0:53:01 | |
-Sorry! -I'm so sorry. | 0:53:01 | 0:53:03 | |
55 is minus 45, 45 is 77. Minus 77. | 0:53:03 | 0:53:06 | |
You've got to be in for a punt, haven't you? | 0:53:06 | 0:53:09 | |
I think you have to be philosophic and think, | 0:53:09 | 0:53:11 | |
-"That's really made somebody's day, to buy that for £55." -Yeah! | 0:53:11 | 0:53:15 | |
-And someone's got that lovely baton. -Well, there you go. | 0:53:15 | 0:53:17 | |
Anyway, if things go really badly, | 0:53:17 | 0:53:19 | |
-£77 minus might be a winning score today. -It might be. | 0:53:19 | 0:53:24 | |
In which case, don't say a thing to the Blues, all right? | 0:53:24 | 0:53:27 | |
-We shall keep schtum. -Yep. -You're very good sports. | 0:53:27 | 0:53:30 | |
So how are you feeling about stuff, Sal? All right? | 0:53:42 | 0:53:44 | |
-Fingers crossed, fingers crossed. -I'd cross everything. | 0:53:44 | 0:53:47 | |
I think we need to. | 0:53:47 | 0:53:49 | |
There is a bit of a dark hole opening up in the middle of | 0:53:49 | 0:53:52 | |
-your items, I'm afraid, and that's the chair. -Oh, gosh! | 0:53:52 | 0:53:55 | |
-Oh, we loved that chair! -You paid £80 for it. | 0:53:55 | 0:53:58 | |
-The auctioneer's estimate is £10-£20. -Oh, dear. -Oh, crumbs. | 0:53:58 | 0:54:02 | |
Now, it's not so often that a really nice man like Jonathan Pratt | 0:54:02 | 0:54:05 | |
becomes unprintable in his dismissiveness about that chair, | 0:54:05 | 0:54:10 | |
cos he really didn't like it, I'm afraid. | 0:54:10 | 0:54:12 | |
Oh, that's a shame, I loved that chair. | 0:54:12 | 0:54:14 | |
-But we don't like him any more, do we? -No. | 0:54:14 | 0:54:16 | |
First up, though, is your Deco Christofle cruet, and here it comes. | 0:54:16 | 0:54:19 | |
Right. | 0:54:19 | 0:54:21 | |
Lot 1717 A. | 0:54:21 | 0:54:23 | |
1920s silver-plated cruet modelled as a boat by Christofle. Start me... | 0:54:23 | 0:54:28 | |
I've got nothing here so start me at £10. | 0:54:28 | 0:54:31 | |
Let's work from the bottom upwards. 10 is bid. There we go at £10. | 0:54:31 | 0:54:34 | |
Surely worth 12, though. 12 is bid. | 0:54:34 | 0:54:36 | |
-15, 18, 20. Oh, he shakes his head there. -Go on. No! | 0:54:36 | 0:54:41 | |
£20, surely worth 5, though. £20 on the left, any more at £20? | 0:54:41 | 0:54:44 | |
It's a good-looking lot, this, £20, front row, going to get it. | 0:54:44 | 0:54:48 | |
-He's trying. -Are you all done? It's £20 and selling. | 0:54:48 | 0:54:50 | |
-All done at 20. -GAVEL BANGS | 0:54:50 | 0:54:53 | |
THEY GROAN Minus £45 for that. | 0:54:53 | 0:54:54 | |
-That was one of your stars. -I know! | 0:54:54 | 0:54:57 | |
-Let's wait for the chair now... -Oh, here comes the chair. | 0:54:57 | 0:55:00 | |
1718. A French pine and brass-studded leather hall chair. | 0:55:00 | 0:55:05 | |
Magnificent piece of furniture, this, | 0:55:05 | 0:55:07 | |
and I have bids on the book to start me at... | 0:55:07 | 0:55:11 | |
Wait for it. | 0:55:11 | 0:55:13 | |
..£20...£30...£40. I'm in at £40. At £40. Who'll bid me 5? | 0:55:13 | 0:55:20 | |
45, clears the commission now, on the right at £45. | 0:55:20 | 0:55:23 | |
-I'm out at 45, looking for 50. -Come on! | 0:55:23 | 0:55:25 | |
Selling at 45, your bid, sir, then, at £45, and going. Last chance, 45. | 0:55:25 | 0:55:29 | |
GAVEL BANGS | 0:55:29 | 0:55:30 | |
-Not nearly as bad. -No, not nearly as bad. | 0:55:30 | 0:55:32 | |
-There ARE people with taste and discrimination. -Exactly! | 0:55:32 | 0:55:36 | |
Yes, minus £35. Anyway, look out. Here comes the magnifying glass. | 0:55:36 | 0:55:40 | |
Lot 1719 A. | 0:55:40 | 0:55:42 | |
An early-20th-century magnifying glass with this turned handle. 20? | 0:55:42 | 0:55:46 | |
-15? -Go on. -If I have to, 10, £10. Give me 12, surely worth 12. | 0:55:46 | 0:55:52 | |
Last chance, everyone. | 0:55:52 | 0:55:53 | |
They're all going quiet and shaking their heads here. | 0:55:53 | 0:55:55 | |
-At the front at £10. -GAVEL BANGS | 0:55:55 | 0:55:58 | |
-Wiped its face. There we go. -Could have been worse. | 0:55:58 | 0:56:00 | |
Anyway, the fact of the matter is, you are minus £80 and... | 0:56:00 | 0:56:05 | |
So what are you going to do about the hippo? | 0:56:05 | 0:56:07 | |
-I like it. -Going to trust our man? | 0:56:07 | 0:56:09 | |
-We're going to trust David and go with it. -Yes. -Decision made. | 0:56:09 | 0:56:11 | |
-We're going with the bonus buy, and here we go. -Come on! -Here it comes. | 0:56:11 | 0:56:14 | |
Nice here, patinated bronze figure of a hippo by Asprey of London. | 0:56:14 | 0:56:19 | |
-And plenty of interest here! -Good. Oh, good! | 0:56:19 | 0:56:23 | |
I can start at £140. | 0:56:23 | 0:56:25 | |
Straight in with me at £140. I was wrong, you were right. | 0:56:25 | 0:56:28 | |
-£140, surely worth 50 now. 150, 160. -Yes! -160. Do you want one more? | 0:56:28 | 0:56:35 | |
Commission bid. £160 and selling, all done? | 0:56:35 | 0:56:39 | |
GAVEL BANGS | 0:56:39 | 0:56:40 | |
-Well done, David. -Yes! -That is a very good result. That is plus 15. | 0:56:40 | 0:56:44 | |
-Good. -Which means, overall, you are minus 65. All right with that, lads? | 0:56:44 | 0:56:49 | |
-Yes. It's brilliant. -Well, it could be a winning score, minus 65. | 0:56:49 | 0:56:52 | |
I think we're going to have an exciting finale. | 0:56:52 | 0:56:55 | |
-Don't say a word to the Reds. -We won't. | 0:56:55 | 0:56:57 | |
-Not a dickybird. -We don't like the Reds. | 0:56:57 | 0:56:59 | |
THEY LAUGH | 0:56:59 | 0:57:02 | |
-Oh, dear, oh, dear, oh, dear. -Oh... | 0:57:12 | 0:57:15 | |
It's no secret to the audience, of course, | 0:57:15 | 0:57:17 | |
that you have made spectacular losses around and about today. | 0:57:17 | 0:57:20 | |
Anyway, the team with the greatest losses today are... | 0:57:20 | 0:57:25 | |
..the Reds! THEY CHEER | 0:57:26 | 0:57:28 | |
-There's nothing to be proud about, you two! -Oh, we're proud! | 0:57:28 | 0:57:31 | |
Minus £77 doesn't make pleasant reading. | 0:57:31 | 0:57:35 | |
-No... -Anyway, have you had a nice time? -It's been fantastic. -We have. | 0:57:35 | 0:57:38 | |
Yeah. I loved it. | 0:57:38 | 0:57:39 | |
-Something to tell the kiddiewinks when you get back to school. -Indeed. -Absolutely. -All right. | 0:57:39 | 0:57:43 | |
Well, anyway, it's lovely having you on the show and thank you | 0:57:43 | 0:57:45 | |
very much for taking part. | 0:57:45 | 0:57:47 | |
But the victors today, who won by only losing £65, are the Blues! | 0:57:47 | 0:57:50 | |
-I know. -Who are very, very pleased about that. -We're very good. | 0:57:50 | 0:57:53 | |
You have absolutely no pluses on your scorecard at all with | 0:57:53 | 0:57:58 | |
the exception of David Harper's bonus buy. The hippo. Horus. | 0:57:58 | 0:58:03 | |
-Horus the hippo. -He did well for you. -He did wonderfully. | 0:58:03 | 0:58:05 | |
-Anyway, have you had a nice time? -Brilliant. | 0:58:05 | 0:58:08 | |
Well, we've loved having you on the show. Thank you for joining us. | 0:58:08 | 0:58:10 | |
In fact, join us soon for some more bargain hunting, yes? | 0:58:10 | 0:58:13 | |
ALL: Yes! | 0:58:13 | 0:58:14 | |
THEY LAUGH | 0:58:14 | 0:58:16 |