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Today we're at the Jaguar Antiques and Collectors Fair at Wetherby Racecourse. | 0:00:06 | 0:00:11 | |
So we're under starter's orders, all bets are on, | 0:00:11 | 0:00:15 | |
but which team will pick up the jackpot? | 0:00:15 | 0:00:17 | |
Let's go bargain hunting! Yeah! | 0:00:17 | 0:00:20 | |
Let's take a peek at all the fun and games coming up later. | 0:00:48 | 0:00:52 | |
'The Red team leave it all to the last minute.' | 0:00:52 | 0:00:55 | |
Sell us something. | 0:00:55 | 0:00:58 | |
'While the Blues need a guiding hand.' | 0:00:58 | 0:01:00 | |
Where are they going? | 0:01:00 | 0:01:02 | |
'And who will be celebrating after the auction?' | 0:01:02 | 0:01:05 | |
Here at the races, our two teams each have ?300 | 0:01:06 | 0:01:09 | |
to flutter on three items in only one hour. | 0:01:09 | 0:01:14 | |
Then they're off to the auction. | 0:01:14 | 0:01:16 | |
The team wins that makes the most profits. | 0:01:16 | 0:01:19 | |
But who will pull up short of the finish? | 0:01:19 | 0:01:23 | |
Who will progress and romp home to victory? | 0:01:23 | 0:01:26 | |
Let's go and meet them. HE NEIGHS | 0:01:26 | 0:01:29 | |
Now, Helen, you are great-aunt to Chris. | 0:01:34 | 0:01:38 | |
You get on well, do you? Oh, he's a lovely boy. Tremendously. | 0:01:38 | 0:01:41 | |
You're a retired head teacher. What do you do with your time now, Helen? | 0:01:41 | 0:01:46 | |
Oh, I do lots of things. I do lots of charity work, | 0:01:46 | 0:01:49 | |
I'm in the local dramatics society - I know it's hard to believe - | 0:01:49 | 0:01:52 | |
and the operatic society, | 0:01:52 | 0:01:54 | |
and I raise money for charity by telling people's fortunes. | 0:01:54 | 0:01:58 | |
Do you? So do I have to cross your palm with silver before I get a response? Possibly. | 0:01:58 | 0:02:05 | |
How do you see things going for you and Chris today? Extremely well. | 0:02:05 | 0:02:09 | |
Have you read... I have read the cards. The wheel of fortune. | 0:02:09 | 0:02:12 | |
Chris, I understand that you work in props. | 0:02:12 | 0:02:15 | |
Yes, I currently work in props. | 0:02:15 | 0:02:17 | |
It's a relatively new job, I've only been there three months. | 0:02:17 | 0:02:20 | |
Where's there? Er, it's working at a different TV production company to this. | 0:02:20 | 0:02:26 | |
Ah, yes. But it mainly involves moving scenery around, | 0:02:26 | 0:02:29 | |
refilling pint glasses and making sure that something's in the right hand and not the wrong hand. | 0:02:29 | 0:02:35 | |
So you're the continuity master. Kind of, yeah. | 0:02:35 | 0:02:38 | |
Previous to working there, I worked at Warwick Castle as a Trebuchet Master, | 0:02:38 | 0:02:43 | |
which is a medieval catapult. | 0:02:43 | 0:02:45 | |
I delivered tours and talks. | 0:02:45 | 0:02:47 | |
And I was once even a children's entertainer as a jester. | 0:02:47 | 0:02:51 | |
Were you? So I very much enjoy that side of it, as well. | 0:02:51 | 0:02:54 | |
What sort of a team do you think you're going to make with your aunt? I think I'll be the calming factor. | 0:02:54 | 0:02:59 | |
I'm quite laid-back. You think your auntie's a bit excitable? | 0:02:59 | 0:03:03 | |
Definitely. Well, you know what these headmistresses are like. | 0:03:03 | 0:03:06 | |
THEY LAUGH Exactly. | 0:03:06 | 0:03:07 | |
Anyway, very, very good luck. Thank you. | 0:03:07 | 0:03:10 | |
Meanwhile, we've got the father and daughter combo from heaven, Adrian and Jess. | 0:03:10 | 0:03:16 | |
How are you, kids? BOTH: Good, thank you. | 0:03:16 | 0:03:18 | |
Lovely. | 0:03:18 | 0:03:19 | |
Now, when not supporting Spurs, what do you get up to, Adrian? | 0:03:19 | 0:03:22 | |
Well, sadly and boringly, football also. | 0:03:22 | 0:03:24 | |
I'm heavily involved in running | 0:03:24 | 0:03:26 | |
a semi-pro football team in West Yorkshire, | 0:03:26 | 0:03:29 | |
down at Guiseley, which is only about 20 miles away from here. | 0:03:29 | 0:03:32 | |
Yeah. Are you coach or what? | 0:03:32 | 0:03:35 | |
I have been on that side, but I'm more or less general manager now, | 0:03:35 | 0:03:38 | |
so dealing with the players and the development of the club. | 0:03:38 | 0:03:41 | |
Do you collect anything, Adrian? Yes. I'm very keen on militaria | 0:03:41 | 0:03:45 | |
but I'm also very keen on history books. | 0:03:45 | 0:03:48 | |
Post-French Revolution, European history, by and large. | 0:03:48 | 0:03:51 | |
My wife counts them on a regular basis and I think we've just passed 600. Oh, dear. | 0:03:51 | 0:03:56 | |
Now, Jess, tell me about yourself. What do you do for a living? I am a trainee assistant manager at a pub | 0:03:56 | 0:04:01 | |
in Keighley, which happens to be a sports bar, | 0:04:01 | 0:04:03 | |
so I get paid to watch football, which is brilliant. | 0:04:03 | 0:04:05 | |
Is it quite fun, this bar? | 0:04:05 | 0:04:07 | |
Yeah, it's really good fun. | 0:04:07 | 0:04:08 | |
I'm a very sociable person and a bit of a flirt, so... | 0:04:08 | 0:04:11 | |
Oh! ..I'm getting to do the things I like to do. | 0:04:11 | 0:04:14 | |
And get paid for it. | 0:04:14 | 0:04:15 | |
Yeah. Good. Do you know anything about antiques? | 0:04:15 | 0:04:18 | |
Little bits. | 0:04:18 | 0:04:20 | |
The house is full of them, so my dad's sort of taught me bits, | 0:04:20 | 0:04:24 | |
but no, just interested in the sort of things that catch my eye. Fun. | 0:04:24 | 0:04:29 | |
Well, that's what we want. Some fun, eye-catching objects. | 0:04:29 | 0:04:34 | |
And now your money moment. Here we go, ?300 a piece. Your ?300. Thank you. | 0:04:34 | 0:04:38 | |
You know the rules. Your experts await. And off you go! And very, very, very good luck. | 0:04:38 | 0:04:43 | |
'Waiting in the paddocks today are our two experts | 0:04:43 | 0:04:45 | |
'who will be helping not one but two sets of teams! | 0:04:45 | 0:04:48 | |
'Under starter's orders for the Reds, it's Paul Laidlaw. | 0:04:48 | 0:04:51 | |
'And saddled up and ready to go for the Blues is Thomas Plant.' | 0:04:54 | 0:04:58 | |
That way? That way. | 0:04:58 | 0:04:59 | |
Here be bargains. | 0:04:59 | 0:05:01 | |
Are we ready? Are we fired up? Yep. Come on. | 0:05:01 | 0:05:03 | |
Yeah. | 0:05:06 | 0:05:07 | |
Anything? No, not really. No. | 0:05:14 | 0:05:15 | |
No? Not seen anything? No. | 0:05:15 | 0:05:17 | |
I used to play the violin. You didn't? Yeah! Very nice. | 0:05:17 | 0:05:21 | |
I gave it up. The world was grateful. | 0:05:21 | 0:05:24 | |
Bronze figure on a marble base. | 0:05:33 | 0:05:35 | |
It's of a Grecian lady in diaphanous robes. | 0:05:35 | 0:05:39 | |
Diaphanous means they're see-through. Mm. We always like ladies in see-through clothes. | 0:05:39 | 0:05:43 | |
How old would that be? It's Art Deco. | 0:05:43 | 0:05:45 | |
1920s. It's heavy. I quite like that. I think that's one to think about. How much is it? | 0:05:48 | 0:05:54 | |
It's... 195. | 0:05:54 | 0:05:57 | |
Yeah, but I'm sure a deal can be struck. | 0:05:57 | 0:06:00 | |
I'm sure a deal could be struck for a bit of brass. I'm sure it could be. | 0:06:00 | 0:06:03 | |
We could have a conversation. | 0:06:03 | 0:06:06 | |
What do you think, Adrian? Do you like that? It's very pretty. Do you think that'd sell in our area? | 0:06:06 | 0:06:10 | |
Yeah. Art Deco sells. | 0:06:10 | 0:06:13 | |
Deco does sell. Is it for fags? | 0:06:13 | 0:06:16 | |
I'm not entirely sure. | 0:06:16 | 0:06:18 | |
I don't think so. I tell you what, it's an inkwell. | 0:06:18 | 0:06:21 | |
That's what it was. There would've been glass liners in there. Yeah. | 0:06:21 | 0:06:24 | |
It's very nice. What's your very best on that? | 0:06:24 | 0:06:27 | |
?150. I was more thinking... a little bit less. | 0:06:27 | 0:06:32 | |
Well, ?130 is the very lowest. | 0:06:32 | 0:06:35 | |
I can't do it any lower. No, I paid good money for it. | 0:06:37 | 0:06:41 | |
What do you think, Jess? I'd like to have a look around, I think. | 0:06:41 | 0:06:45 | |
No, no, I'm just getting a price. No, I think that's quite understandable. | 0:06:45 | 0:06:50 | |
?130 is what we've got on it. Yeah. | 0:06:50 | 0:06:52 | |
What I think the tactic should be is that we'll have a look at things and price them up | 0:06:52 | 0:06:56 | |
and then we can decide. | 0:06:56 | 0:06:57 | |
Is that all right? Yeah. | 0:06:57 | 0:06:59 | |
Because we have only got the hour. It is a very nice thing. Thank you. | 0:06:59 | 0:07:02 | |
Thank you very much. No problem. | 0:07:02 | 0:07:04 | |
'So, the Blues already have a lady in waiting, but what about the Reds?' | 0:07:04 | 0:07:09 | |
What have you spied, my man? Comic cuts and comic cuttings. | 0:07:09 | 0:07:13 | |
They're right up your street. Definitely. | 0:07:13 | 0:07:16 | |
Various cuttings from newspapers. Interesting. | 0:07:16 | 0:07:19 | |
Is there a theme or is it random? | 0:07:19 | 0:07:22 | |
It looks random. There doesn't seem to be any comics. There's newspaper, stock markets. | 0:07:22 | 0:07:29 | |
There was some racing. That's hounds. Oh, yeah. | 0:07:29 | 0:07:32 | |
The derby. Fox hunting in the Lake District. | 0:07:32 | 0:07:35 | |
Alleged theft of an umbrella! Shocking! | 0:07:35 | 0:07:38 | |
By a dog! By a dog! Oh, no! THEY LAUGH | 0:07:38 | 0:07:41 | |
And it's got jesters on it! It's got jesters on it. | 0:07:41 | 0:07:45 | |
It's sending us all the right messages. | 0:07:45 | 0:07:48 | |
Is it dear? Is that a price tag in your hand? ?8. | 0:07:48 | 0:07:52 | |
That's going to make ?10 or ?20 on any day of the week in any auction | 0:07:52 | 0:07:55 | |
and it could do 20 to 30 because of the field sports and how well it presents itself. | 0:07:55 | 0:08:01 | |
I think it's a no-brainer. I don't like spending no money | 0:08:01 | 0:08:04 | |
but this programme is called Bargain Hunt and that's a bargain. | 0:08:04 | 0:08:09 | |
And we quite like spending no money. PAUL LAUGHS | 0:08:09 | 0:08:11 | |
But you're loving this, yeah? Yeah. I absolutely love it, especially the little gold figures. | 0:08:11 | 0:08:17 | |
?4. Yeah. | 0:08:17 | 0:08:19 | |
'Go on, Chris! Strike a deal! Let's hope they don't laugh at your offer, though.' | 0:08:19 | 0:08:24 | |
I saw quite an interesting bracelet over here. Oh, did you? Yeah. | 0:08:25 | 0:08:29 | |
What did you see, Jess? This bracelet. I thought it was quite quirky and interesting. | 0:08:31 | 0:08:36 | |
And why did you like it? Well, I quite like stuff like this myself. | 0:08:36 | 0:08:40 | |
It's something I'd wear. It's quite cool, isn't it? Yeah. | 0:08:40 | 0:08:43 | |
It's bone. The reason we can tell it's bone is because you see these little blood vessels here? | 0:08:43 | 0:08:48 | |
Oh, yeah. Can you see? The bone has blood running through it. | 0:08:48 | 0:08:51 | |
And it's great. It's really quite... It's got a real retro look to it. | 0:08:51 | 0:08:56 | |
Yeah. What's the price on it? ?48. Gaming pieces made up into a bracelet. | 0:08:56 | 0:09:01 | |
And the discolouration, is that just age? | 0:09:01 | 0:09:04 | |
Yeah, discolouration, good point. It is age, yeah. Absolutely. | 0:09:04 | 0:09:08 | |
I'd wear it. Go on, put it on. | 0:09:08 | 0:09:11 | |
Let's see what it's like on. That's why I picked it up. | 0:09:11 | 0:09:14 | |
It's quite nice to see that you've picked something out... That's quite cool, actually, isn't it? Yeah. | 0:09:14 | 0:09:19 | |
Do you want to get a price on that? Yeah. Excuse me, can we just have a... Hello. Hiya. | 0:09:19 | 0:09:24 | |
What have we got here? | 0:09:24 | 0:09:26 | |
OK, well, I'll go down to 40. 40. | 0:09:26 | 0:09:29 | |
Can you not go any lower? 35? | 0:09:29 | 0:09:32 | |
Well, we could split the difference maybe. 38. | 0:09:32 | 0:09:36 | |
What do you think? Well, it's a good thing. 38, that's not bad. | 0:09:36 | 0:09:39 | |
I'd prefer it at 35. | 0:09:39 | 0:09:41 | |
VENDOR CHUCKLES | 0:09:41 | 0:09:43 | |
OK, today we'll go for 35. What do you want to do? | 0:09:43 | 0:09:46 | |
We'll say yes, thank you. You want to do that? Yes. OK. | 0:09:46 | 0:09:50 | |
Yeah. Well, Jess has said yes, 35. Thank you. That's quick. | 0:09:50 | 0:09:54 | |
That's quick, isn't it? Thank you very much. | 0:09:54 | 0:09:57 | |
Well done, you. I think we'd better go on and find the next two. Yeah. | 0:09:57 | 0:10:01 | |
I hope they're that easy! Thank you very much. Thank you. | 0:10:01 | 0:10:04 | |
'So, the Blues have got off to a start with the bone bracelet. Let's hope it's an ace up their sleeve! | 0:10:04 | 0:10:09 | |
'Now, how did Chris get on with that scrapbook?' | 0:10:09 | 0:10:12 | |
What was the bottom line in the end? The bottom line was ?5. Well done. | 0:10:12 | 0:10:16 | |
She offered me six and I got her down to five. | 0:10:16 | 0:10:19 | |
One down, two to go. Brilliant. Onwards. | 0:10:19 | 0:10:21 | |
'Only ?5? Last of the big spenders...not!' | 0:10:21 | 0:10:26 | |
We've been shopping for about half an hour, maybe a bit longer. | 0:10:31 | 0:10:34 | |
If we go inside, we've got another half an hour. If we stay out here, we've got to make a decision. | 0:10:34 | 0:10:39 | |
I like that Deco figure if we can get it at a reasonable price. Do you agree, Jess? Yeah. | 0:10:39 | 0:10:43 | |
Can we go back and have a look? Do you want to go round and buy it if we can for the right money? Yes. | 0:10:43 | 0:10:48 | |
And then go inside for one more item? Yep. Yep. All right, let's go. | 0:10:48 | 0:10:51 | |
'Well, you better back up, because these look like stormy skies.' | 0:10:51 | 0:10:56 | |
What did we get to before? 130? 150 we got to. | 0:10:57 | 0:11:00 | |
Did we? Yeah. We thought we got to 130. | 0:11:00 | 0:11:04 | |
Go on, we'll do it for 130, then. Can you knock another fiver off, perhaps? | 0:11:04 | 0:11:09 | |
So we can take it off your hands? It is rather heavy. I have to pay for the diesel to get home. | 0:11:09 | 0:11:13 | |
125, go on. Yep! Thank you. | 0:11:13 | 0:11:16 | |
Well done! I think I'm actually losing money on that! Oh, yeah! | 0:11:16 | 0:11:20 | |
I'll just get out the violins, eh? | 0:11:20 | 0:11:22 | |
'Music to Thomas's ears. Could tune up to a nice bargain, this.' | 0:11:22 | 0:11:27 | |
Fantastic. So that's 125 and you spent 35, so that's 160. Yep. | 0:11:27 | 0:11:33 | |
Well done. So we've still got 140 left to spend, a little bit left over for me. | 0:11:33 | 0:11:38 | |
The heavens are really going to start opening. Let's rush inside. Come on. Thank you. Cheers. | 0:11:38 | 0:11:43 | |
'That's 2-1 to the Blues | 0:11:43 | 0:11:44 | |
'but Paul has found something which might just balance the score.' | 0:11:44 | 0:11:48 | |
We know exactly what we're looking at here and they're not uncommon. | 0:11:50 | 0:11:54 | |
And this is all bad news... They used to sell really well | 0:11:54 | 0:11:58 | |
but that was then and this is now | 0:11:58 | 0:12:00 | |
and demand for such things, be they counter-top or pocket sovereign scales, | 0:12:00 | 0:12:05 | |
it's diminished greatly. | 0:12:05 | 0:12:07 | |
But you work within that environment | 0:12:07 | 0:12:11 | |
and these, for my money, are smart for this reason. | 0:12:11 | 0:12:15 | |
Not too big, not too small. Desk size, display size. | 0:12:15 | 0:12:19 | |
Love the turning here. | 0:12:19 | 0:12:21 | |
Tapering upright, these lovely little turnings. | 0:12:21 | 0:12:26 | |
It appears to be all there. That's cool. | 0:12:26 | 0:12:29 | |
We have... Is that...? | 0:12:29 | 0:12:31 | |
Yeah, that's dead right. | 0:12:31 | 0:12:32 | |
That's what elevates them for the exercise. | 0:12:32 | 0:12:36 | |
OK? Made by Avery, still a business name. | 0:12:36 | 0:12:40 | |
Mahogany base. Watermarked. Old flake there. | 0:12:40 | 0:12:45 | |
It's beautifully made and it's not huge, | 0:12:45 | 0:12:49 | |
so you can see it either in a modern home or a Victorian home. | 0:12:49 | 0:12:53 | |
Let me cut to the chase. They're worth ?20 to ?40 at auction. Right. | 0:12:53 | 0:12:56 | |
What did I say about what we need to buy it for? | 0:12:56 | 0:13:00 | |
You buy it at low estimate. Right. Can I...? Yes. | 0:13:00 | 0:13:03 | |
You've heard all of this. Utterly transparent. | 0:13:03 | 0:13:05 | |
Is there any way... I want to buy those for ?20. | 0:13:05 | 0:13:08 | |
I'll do them for ?20. Ohh! | 0:13:08 | 0:13:09 | |
Thank you! Thank you. Lovely to meet you. Thank you so much. | 0:13:09 | 0:13:13 | |
Pleasure to do business with you. Thank you. Shall I carry those? | 0:13:13 | 0:13:16 | |
Yeah, I'm frightened to cross you now. You could really sort me out. Very wise. Lead wellies. | 0:13:16 | 0:13:22 | |
Right then, guys, onwards and upwards. Two down, one more to go. | 0:13:23 | 0:13:26 | |
Excellent. Excellent. | 0:13:26 | 0:13:27 | |
'Well, well, Reds, looks like it's all hanging in the balance.' | 0:13:27 | 0:13:31 | |
Where are they going? | 0:13:31 | 0:13:34 | |
Like a sort of gay abandon. Just off, walking down the aisle. | 0:13:34 | 0:13:38 | |
'Well, give them a guiding hand then, Tom. That's what you're there for, boy.' | 0:13:38 | 0:13:43 | |
Come and have a look. There you are, just off with abandon, not looking at anything. Come on. | 0:13:43 | 0:13:50 | |
Again, this is the problem. What's happened is, we've come inside | 0:13:50 | 0:13:53 | |
and it is a huge assault and they don't know what's happening | 0:13:53 | 0:13:56 | |
because there's so much stuff to look at. | 0:13:56 | 0:13:58 | |
But I'm trying to point them on this stand to something. | 0:13:58 | 0:14:01 | |
It's an Art Deco lamp base. | 0:14:01 | 0:14:03 | |
And, you know, I want them to spot it, not me. | 0:14:03 | 0:14:06 | |
But Art Deco does well at this saleroom, so that's the item they should be looking at. | 0:14:06 | 0:14:11 | |
Yep. | 0:14:11 | 0:14:13 | |
What about the lamp? I was going to say the lamp, yeah. Yeah, it's quite funky. Eureka! | 0:14:13 | 0:14:18 | |
Yeah, I like that. Eureka! Right, let's have a look at the lamp. | 0:14:18 | 0:14:21 | |
It's classic, isn't it? Yeah. OK, let's have a look at this. | 0:14:21 | 0:14:25 | |
What happens about... Don't we need to plug it in? | 0:14:25 | 0:14:28 | |
Ah, well, I can tell you all about that. So here we are. | 0:14:28 | 0:14:31 | |
I really like that. What do you think? Yeah. | 0:14:31 | 0:14:34 | |
It's simple, stylish. It's something I'd have in my room and it's retro and for the... How much is it? | 0:14:34 | 0:14:41 | |
I don't know yet. What's your best on that? | 0:14:41 | 0:14:45 | |
30. ?30. | 0:14:45 | 0:14:47 | |
Yeah. | 0:14:47 | 0:14:49 | |
It's got to be worth a risk. | 0:14:49 | 0:14:50 | |
Do you think? Yes. | 0:14:50 | 0:14:52 | |
25? | 0:14:52 | 0:14:53 | |
Go on. 25. | 0:14:55 | 0:14:57 | |
Yeah. It's lovely. Do you like it? | 0:14:57 | 0:15:00 | |
I want it myself. And this is a screw-off thing. | 0:15:00 | 0:15:04 | |
This screws off. | 0:15:04 | 0:15:07 | |
That will screw off, so that's quite a good fitting. | 0:15:07 | 0:15:10 | |
It's a moulded fitting. | 0:15:10 | 0:15:12 | |
Love this shaft. I think it's wonderful. What do you want to do? | 0:15:12 | 0:15:17 | |
Yeah. I like it. You want to go for it? I'd like it, yeah. | 0:15:17 | 0:15:20 | |
25 quid. Yeah. | 0:15:20 | 0:15:21 | |
You in for it? Absolutely. | 0:15:21 | 0:15:23 | |
You're happy? Yep. | 0:15:23 | 0:15:24 | |
Three items. Yep. | 0:15:24 | 0:15:26 | |
Do it? Yeah. Yes, let's do it. | 0:15:26 | 0:15:28 | |
Who's going to tell the dealer? Who's going to say, "We'll have it"? | 0:15:29 | 0:15:33 | |
Go on, Dad. We'll have it. Thank you. | 0:15:33 | 0:15:35 | |
'Lighten up, Thomas. The Blues are done. | 0:15:35 | 0:15:37 | |
'The Reds, on the other hand, have lost their sense of direction. They're at the end of the road.' | 0:15:37 | 0:15:42 | |
What's up here? Nothing. Nothing. | 0:15:42 | 0:15:44 | |
Stalls that way. | 0:15:44 | 0:15:46 | |
Is that where we came from? Yeah. We had better sprint. | 0:15:46 | 0:15:50 | |
Yeah. I don't think we've got any option. Definitely. | 0:15:50 | 0:15:53 | |
Sell us something. Seriously, we're running out of time. | 0:15:58 | 0:16:02 | |
We're sort of panicking. We've got a budget. We're looking for something with individuality. | 0:16:02 | 0:16:07 | |
But is there anything you can help us with on price? | 0:16:07 | 0:16:10 | |
Is there anything you want to sell that you're sick of seeing? | 0:16:10 | 0:16:14 | |
Yes. Apart from your husband. | 0:16:14 | 0:16:15 | |
Had it too long... All of it. THEY LAUGH | 0:16:15 | 0:16:18 | |
You beat me to that one. How about this? | 0:16:18 | 0:16:22 | |
Yeah, that little... For scent or snuff. Yeah. | 0:16:22 | 0:16:26 | |
I could do that for 25. | 0:16:26 | 0:16:29 | |
It's 1922 and it's still got its original... Stopper's there. | 0:16:29 | 0:16:35 | |
Yeah, that's not unattractive. And there are no nibbles on the glass. Can I have a feel? | 0:16:35 | 0:16:39 | |
It's a pretty little thing and it's a very fair price for the end user. | 0:16:39 | 0:16:44 | |
But... I don't think we've got wow. No. We've got three minutes. | 0:16:44 | 0:16:47 | |
Anything more substantial? Have you got something bigger, more wow, that you could maybe compromise on? | 0:16:47 | 0:16:53 | |
That's lovely! I know. I saw that. That's so sweet. | 0:16:53 | 0:16:55 | |
No compromise on that. Engine-turned, nine-carat banding. | 0:16:55 | 0:16:59 | |
Rosy nine-carat. Yep. | 0:16:59 | 0:17:01 | |
Condition is sweet. | 0:17:01 | 0:17:02 | |
Absolutely. Lovely lenticular section. | 0:17:02 | 0:17:05 | |
Lovely price of...? Never mind what you've got on it, just tell us what it could be. | 0:17:05 | 0:17:10 | |
85. You hold the perfume. | 0:17:10 | 0:17:13 | |
I'll hold the perfume. That really is smart, isn't it? That is really smart. | 0:17:13 | 0:17:17 | |
And it could be a card case. Yes, indeed. | 0:17:17 | 0:17:20 | |
If you want to win it, if you want to win the programme, and you buy that, | 0:17:20 | 0:17:23 | |
if you don't mind me saying, it's a modest little perfume. Yeah. | 0:17:23 | 0:17:27 | |
I think you'll break even with that. This is panic territory. We've got less than a minute. | 0:17:27 | 0:17:31 | |
I think if you're unlucky, you'll lose ?20 on that. | 0:17:31 | 0:17:34 | |
Please, please, please, please, please, and we will stump up, I'm sure I can convince you, | 0:17:34 | 0:17:39 | |
please, please, please, with icing, | 0:17:39 | 0:17:43 | |
please take ?70 for it. I beg you. No. | 0:17:43 | 0:17:46 | |
Please. 80 is the absolute death on it. | 0:17:46 | 0:17:49 | |
It's a gamble. What do you think? | 0:17:50 | 0:17:53 | |
It's a gamble. I think we haven't got much time left. I'm happy with that. I like it. | 0:17:53 | 0:17:57 | |
I think it's very nice. We'll go with that. Shake on it. | 0:17:57 | 0:18:00 | |
Thank you. Thank you very much. Well done, team. Thank you. Thank you very much. | 0:18:00 | 0:18:04 | |
Time's up. The shopping's over and it's now time to sell. | 0:18:04 | 0:18:08 | |
And we're at Calder Valley Auctioneers in Halifax | 0:18:08 | 0:18:11 | |
to find out whether the teams will make a profit. | 0:18:11 | 0:18:13 | |
But first, let's remind ourselves what the Red team bought. | 0:18:13 | 0:18:16 | |
'At ?5, they could be playing their joker with this scrapbook. | 0:18:16 | 0:18:21 | |
'Weighing in at ?20 are these apothecary scales. | 0:18:23 | 0:18:27 | |
'And at ?80, are they taking a gamble | 0:18:30 | 0:18:32 | |
'with this silver and gold cigarette case?' | 0:18:32 | 0:18:35 | |
Your leftover lolly moment. | 0:18:35 | 0:18:38 | |
Paul Laidlaw was given the princely sum of ?195. | 0:18:38 | 0:18:42 | |
What did you spend it all on, Paul Laidlaw? | 0:18:42 | 0:18:45 | |
I didn't blow the budget but I guarantee you I have grown you a profit if you go with it. | 0:18:45 | 0:18:52 | |
Do you know what that is? I haven't a clue. | 0:18:52 | 0:18:54 | |
Picture that beside one's bed with one's pocket watch here. | 0:18:54 | 0:19:00 | |
Oh, of course! Ah! Yeah? | 0:19:00 | 0:19:02 | |
That's clever. | 0:19:02 | 0:19:03 | |
?15. Oh! TIM LAUGHS | 0:19:03 | 0:19:05 | |
You are wonderful. | 0:19:05 | 0:19:07 | |
?15? Well, wait and see, don't count any chickens. Hang on a minute, ?15? | 0:19:07 | 0:19:13 | |
Yes. Was that the deposit then? And you're sending in the rest later? | 0:19:13 | 0:19:17 | |
I've got to go back! You've got to go back there! Whether you pick it or not is up to you. | 0:19:17 | 0:19:21 | |
You can decide later, Reds. | 0:19:21 | 0:19:22 | |
Now for the Blues. | 0:19:22 | 0:19:24 | |
Let's remind ourselves what the team bought with their ?300. | 0:19:24 | 0:19:27 | |
'Jess thinks she has come up trumps | 0:19:28 | 0:19:30 | |
'with this playing card bracelet for ?35. | 0:19:30 | 0:19:33 | |
'They paid ?125 for the bronze and marble inkstand. | 0:19:35 | 0:19:40 | |
'And they were positively lit up by the Art Deco lamp.' | 0:19:44 | 0:19:48 | |
So, Adrian and Jess. The leftover lolly moment. | 0:19:48 | 0:19:51 | |
You gave the lovely TP ?115. What did you spend it on, Thomas Plant? | 0:19:51 | 0:19:57 | |
I spent it on a very fine jade and gold pendant. | 0:19:57 | 0:20:02 | |
It's Chinese. It's got a beautiful detail here, it's pierced. | 0:20:04 | 0:20:09 | |
For ?90, it's a steal and right now it's hot, hot, hot! | 0:20:09 | 0:20:14 | |
Oh! It's beautiful. It's very pretty. I think Jess loves it. | 0:20:14 | 0:20:19 | |
Look at that. I do like that. Would you expect that to make a profit? | 0:20:19 | 0:20:23 | |
Yeah, if they have Chinese objects here and it's on the internet, yes. | 0:20:23 | 0:20:28 | |
And it's a 14-carat gold little swing, as well. It's a lovely thing, isn't it? | 0:20:28 | 0:20:31 | |
I like it. It's very pretty. | 0:20:31 | 0:20:33 | |
Very pretty indeed. | 0:20:33 | 0:20:34 | |
We'll see whether the Blues decide to go for it | 0:20:34 | 0:20:37 | |
once their three items have sold. | 0:20:37 | 0:20:38 | |
And talking of selling... Well, here goes! | 0:20:38 | 0:20:41 | |
Are you feeling a bit nervy then, Jess? A little bit, yeah, my heart's going slightly. Why's that? | 0:20:42 | 0:20:46 | |
I don't know. I don't want to make a fool of myself and make a massive loss. | 0:20:46 | 0:20:49 | |
I shouldn't worry about that. Hundreds have before you. | 0:20:49 | 0:20:53 | |
The first lot is your bracelet, Jess, and here it comes. | 0:20:53 | 0:20:57 | |
Early 20th century bone bracelet made up of gaming pieces. | 0:20:57 | 0:21:01 | |
What am I bid for this lot here? 30? | 0:21:01 | 0:21:03 | |
20? 15 to open? Right at the back at 10. | 0:21:03 | 0:21:08 | |
And 12.50. 15. | 0:21:08 | 0:21:10 | |
Hey! 17.50. | 0:21:10 | 0:21:12 | |
20. 22.50. | 0:21:12 | 0:21:15 | |
At ?22.50, the lady at the back there. At 22.50. | 0:21:15 | 0:21:19 | |
Anybody else now? At 22.50. | 0:21:19 | 0:21:21 | |
Oh, no. I can't bear this, Jess. Don't cry, honey, don't cry. | 0:21:21 | 0:21:25 | |
Anyway, 22.50. | 0:21:25 | 0:21:28 | |
That means you are minus ?12.50 on that. | 0:21:28 | 0:21:31 | |
But not to worry. Here comes the inkstand. | 0:21:31 | 0:21:33 | |
19th century Art Deco bronze and marbled inkstand | 0:21:33 | 0:21:37 | |
in the style of Thomas Hope. | 0:21:37 | 0:21:39 | |
I'm going to open this at ?80. 80? | 0:21:39 | 0:21:42 | |
At ?80. At 80. At 80. At 90. | 0:21:42 | 0:21:46 | |
I have ?100. At ?100. All done at ?100? | 0:21:46 | 0:21:49 | |
?110 second row. ?120 on commission bid. At 120. | 0:21:49 | 0:21:54 | |
130. At ?130. Well done, Dad. | 0:21:54 | 0:21:57 | |
130, second row. Any further bids? | 0:21:57 | 0:22:00 | |
At ?130, all done? | 0:22:00 | 0:22:03 | |
That, old fruit, is plus ?5. Well done. Well, a profit is a profit. | 0:22:03 | 0:22:08 | |
But I fancy there's a bit more profit in that, don't you? I do. | 0:22:08 | 0:22:11 | |
Next up is the aluminium Deco table lamp. Here it comes. | 0:22:11 | 0:22:14 | |
Right, what am I bid for lot 63? 20? 15. | 0:22:14 | 0:22:19 | |
17.50 anywhere? It's unusual. ?15. | 0:22:19 | 0:22:23 | |
Anybody else now at ?15? Quite quirky. 17.50. | 0:22:23 | 0:22:27 | |
20, the lady there. 20. 22.50. | 0:22:27 | 0:22:30 | |
At 22.50. 25. | 0:22:30 | 0:22:33 | |
27.50. You're in profit. | 0:22:33 | 0:22:37 | |
On my right then, it's going at 27.50. | 0:22:37 | 0:22:40 | |
HAMMER BANGS | 0:22:40 | 0:22:42 | |
Well done. That's a profit again. Excellent. | 0:22:42 | 0:22:44 | |
So that's plus ?2.50 on that, which means your profits are ?7.50 | 0:22:44 | 0:22:48 | |
and your losses are ?12.50, which means overall, you're minus a fiver. | 0:22:48 | 0:22:53 | |
Now listen, there's no shame in that, is there? No. No shame in that at all. | 0:22:53 | 0:22:57 | |
What are you going to do about the bonus buy, though? Go with it. Liked it, so we'll go with it. | 0:22:57 | 0:23:00 | |
We're definitely going with the bonus buy? It's a lovely thing. | 0:23:00 | 0:23:03 | |
The decision is made, let's see what happens. | 0:23:03 | 0:23:06 | |
The 14-carat gold mounted jade pendant. | 0:23:06 | 0:23:08 | |
?30. Jade pendant, ?30. 20 then, 20. | 0:23:08 | 0:23:12 | |
20 I'm bid. At ?20. At 20. And five anywhere? | 0:23:12 | 0:23:16 | |
So far only one bid. There you are, 25. | 0:23:16 | 0:23:20 | |
30 there. 35 in the corner. 35. | 0:23:20 | 0:23:22 | |
40. 45. | 0:23:22 | 0:23:25 | |
At 45. 45, then. HAMMER BANGS | 0:23:25 | 0:23:28 | |
Disappointing. It's a disaster. Well, I am sorry, people. | 0:23:28 | 0:23:33 | |
It was still a lovely thing. Well, it is still a lovely thing. | 0:23:33 | 0:23:35 | |
How can that be? | 0:23:35 | 0:23:37 | |
Minus ?45? | 0:23:37 | 0:23:38 | |
With the gold and the whatnot. | 0:23:38 | 0:23:40 | |
Surely there's more than ?45 worth of gold there! | 0:23:40 | 0:23:43 | |
Yes. Oh, dear. | 0:23:43 | 0:23:45 | |
Anyway, overall you are minus ?50. | 0:23:45 | 0:23:48 | |
Now, minus ?50 might be a winning score, so don't talk to the Reds. We won't. | 0:23:48 | 0:23:53 | |
So how are you, guys? Yeah, very good. We're quite excited. | 0:23:58 | 0:24:02 | |
We're being quite quiet because the auctioneer's quite quiet. | 0:24:02 | 0:24:06 | |
Well, it really annoys me when you have noisy contestants. You don't like noisy contestants? No. | 0:24:06 | 0:24:11 | |
The viewers do like to hear what's going on, though, which is fair enough. It's like assembly. | 0:24:11 | 0:24:16 | |
Television, that's what it's called. | 0:24:16 | 0:24:19 | |
The first item is the scrapbook. And here it comes. | 0:24:19 | 0:24:21 | |
The Victorian scrapbook. 15. | 0:24:21 | 0:24:26 | |
?10. 10. Open me at 5. | 0:24:26 | 0:24:29 | |
?5 I'm bid. At ?5. | 0:24:29 | 0:24:31 | |
The scrapbook at 5. Break even. | 0:24:31 | 0:24:34 | |
At ?5. Any advance on 5? | 0:24:34 | 0:24:36 | |
And 7 here. And 9. 11. | 0:24:36 | 0:24:39 | |
13. 13 in the second row. | 0:24:39 | 0:24:43 | |
?13. And 15, the lady at the back. At 15. 17. | 0:24:43 | 0:24:47 | |
We're going at 17. All done? | 0:24:47 | 0:24:50 | |
Plus ?12! | 0:24:50 | 0:24:51 | |
Get in! Christopher Columbus! | 0:24:51 | 0:24:55 | |
Right. Now, the scales. | 0:24:55 | 0:24:58 | |
Start me at 10. ?10. Here we go. 10 at the back. ?10. | 0:24:58 | 0:25:02 | |
At 12.50, do I see? | 0:25:02 | 0:25:05 | |
At 10. At 12.50. At 15. | 0:25:05 | 0:25:07 | |
I don't like the look of this. At 17.50. | 0:25:07 | 0:25:10 | |
At ?20. | 0:25:10 | 0:25:12 | |
22.50. | 0:25:12 | 0:25:13 | |
At 22.50. Are we all done? At 22.50. | 0:25:13 | 0:25:17 | |
Plus ?2.50. But there's a lot of money in that still. | 0:25:17 | 0:25:21 | |
Yes, well done. Fair enough. | 0:25:21 | 0:25:23 | |
Now, the cigarette case. Fine silver and gold edge cigarette case | 0:25:23 | 0:25:28 | |
and I have a bit of interest here, so I'm opening the bidding at ?100. | 0:25:28 | 0:25:32 | |
Oh! Yes! THEY LAUGH | 0:25:32 | 0:25:37 | |
That's popular. 110 there. | 0:25:37 | 0:25:40 | |
110. | 0:25:40 | 0:25:42 | |
120. At ?120. At 120. ?130. | 0:25:42 | 0:25:46 | |
130. ?130. I'll take 5 now. | 0:25:46 | 0:25:50 | |
At 130, the gentleman in the middle of the room. | 0:25:50 | 0:25:53 | |
That's brilliant. Plus ?50. Plus ?50. 50. | 0:25:53 | 0:25:57 | |
62... | 0:25:57 | 0:26:00 | |
?64.50 you are up. | 0:26:00 | 0:26:03 | |
Hey! That is brilliant, isn't it? | 0:26:03 | 0:26:05 | |
You spend ?105 and you make ?64 profit on ?105. That is very good. | 0:26:05 | 0:26:11 | |
Well done, team. Now, what are you going to do about the watch stand? | 0:26:11 | 0:26:15 | |
Are you going to risk the ?15? We are. Yes. You are. | 0:26:15 | 0:26:19 | |
We're going with the bonus buy and here comes the watch stand. | 0:26:19 | 0:26:22 | |
Start me at 10. ?10. | 0:26:22 | 0:26:25 | |
?10. 10 I'm bid, thank you. And 12. | 0:26:25 | 0:26:28 | |
14. I have 14, gentleman over there. | 0:26:28 | 0:26:31 | |
14. 16. 18. | 0:26:31 | 0:26:32 | |
SHE MOUTHS | 0:26:32 | 0:26:34 | |
32. 34. 36. 38. | 0:26:34 | 0:26:39 | |
?40. At 40, second row. | 0:26:39 | 0:26:41 | |
At ?40. Any further bids? At ?40, it's going. | 0:26:41 | 0:26:45 | |
?40. Well done. Brilliant. Yeah! | 0:26:45 | 0:26:47 | |
It's a profit. | 0:26:47 | 0:26:49 | |
It's plus ?25. That's added to the total | 0:26:49 | 0:26:52 | |
but I fancy there's a bit more profit in that, don't you, Mr Laidlaw? | 0:26:52 | 0:26:55 | |
I suspect there is. Anyway, there we are. 64. 84. | 0:26:55 | 0:26:59 | |
That's plus ?89.50. Wonderful. | 0:26:59 | 0:27:02 | |
Look at that... There we go, well done. | 0:27:02 | 0:27:04 | |
A vast difference indeed from the Blues' minus ?50. | 0:27:04 | 0:27:07 | |
Well done, Reds, great buys all round. | 0:27:07 | 0:27:10 | |
Coming up, I wonder what our next | 0:27:10 | 0:27:11 | |
two teams will make at auction. | 0:27:11 | 0:27:13 | |
We'll see in a bit. | 0:27:13 | 0:27:14 | |
Meanwhile, we're off to a stately home! | 0:27:16 | 0:27:20 | |
Actually, Ormesby Hall in Middlesbrough, North Yorkshire. | 0:27:22 | 0:27:27 | |
It was built in 1737 by James and Dorothy Pennyman | 0:27:27 | 0:27:31 | |
in the newly-fashionable Palladian style. | 0:27:31 | 0:27:34 | |
Dorothy supervised all the fitting up of the interior | 0:27:34 | 0:27:38 | |
and the results of her dedication are evident. | 0:27:38 | 0:27:41 | |
When Dorothy died, the estate was eventually inherited by her nephew, the 6th Baronet, | 0:27:44 | 0:27:49 | |
another James Pennyman. | 0:27:49 | 0:27:52 | |
In 1772, when the 6th Baronet came to inspect his inheritance, | 0:27:52 | 0:27:58 | |
he brought with him this iron-bound chest. | 0:27:58 | 0:28:02 | |
Known as Armada chests, | 0:28:02 | 0:28:05 | |
these cunning devices are effectively a massive strongbox. | 0:28:05 | 0:28:10 | |
At the front, we've got a keyhole. | 0:28:10 | 0:28:13 | |
Well, if you tried to put a key in there, | 0:28:13 | 0:28:16 | |
you'd be in difficulty. | 0:28:16 | 0:28:18 | |
Because the beauty of the Armada chest, | 0:28:18 | 0:28:21 | |
which gets its name from the Tudor Elizabethan Spanish Armada period | 0:28:21 | 0:28:28 | |
when quantities of these things were washed up in the wrecked ships | 0:28:28 | 0:28:33 | |
around the shores of Britain, | 0:28:33 | 0:28:35 | |
is that it's got a secret lock mechanism. | 0:28:35 | 0:28:39 | |
If you look at this stud on the top, | 0:28:39 | 0:28:42 | |
it's spring-loaded, if I lift it it reveals the true keyhole. | 0:28:42 | 0:28:48 | |
Stick the key in there and open it up... | 0:28:48 | 0:28:51 | |
HE GROANS | 0:28:51 | 0:28:52 | |
..and it reveals the concealed lock underneath the lid. | 0:28:52 | 0:28:58 | |
But at the time that Sir James came to the house, | 0:28:58 | 0:29:01 | |
he had inside this chest ?30,000 in cash. | 0:29:01 | 0:29:07 | |
The equivalent of several million today. | 0:29:07 | 0:29:10 | |
The lock works, but sadly, the chest is empty! | 0:29:10 | 0:29:16 | |
Back at the antiques and collectors fair at Wetherby Racecourse, | 0:29:16 | 0:29:19 | |
we're about to find out whether our new set of Reds... | 0:29:19 | 0:29:22 | |
The tension! It's taking a long time. You want a bit of atmosphere. | 0:29:22 | 0:29:24 | |
ALL LAUGH | 0:29:24 | 0:29:26 | |
..and Blues can race ahead to flutter ?300 | 0:29:26 | 0:29:28 | |
on three items in 60 minutes. | 0:29:28 | 0:29:30 | |
I like the pram. We're not looking at the pram. Why not? | 0:29:30 | 0:29:34 | |
No, because they don't make any money. If I... No, no, no. | 0:29:34 | 0:29:38 | |
But before all that, let's pedal off to meet the teams. | 0:29:38 | 0:29:41 | |
Now, Ben and Jonathan, | 0:29:42 | 0:29:44 | |
you've been friends for a long time, right? | 0:29:44 | 0:29:46 | |
We have. Lived together for nearly ten years. | 0:29:46 | 0:29:49 | |
Have you really? Yes. So you've sorted out who does the washing up? | 0:29:49 | 0:29:53 | |
Me all the time, pretty much! Washing up, vacuuming, everything. | 0:29:53 | 0:29:57 | |
Poor old Ben. But you're about to be splitting up, you two? | 0:29:57 | 0:30:01 | |
Yes, true. I'm heading to the bright lights of London. | 0:30:01 | 0:30:05 | |
To do what? I'm one of the lucky few to get into the Central School of Speech and Drama. | 0:30:05 | 0:30:10 | |
Hopefully, after three years' training, I'll be an actor. | 0:30:10 | 0:30:13 | |
An actor. But don't tell everybody! | 0:30:13 | 0:30:15 | |
Jonathan, you too have developed a taste for the thespian aspect? | 0:30:15 | 0:30:20 | |
I have more recently, yes. | 0:30:20 | 0:30:23 | |
I've worked with Ben on a number of things behind the scenes. | 0:30:23 | 0:30:26 | |
Is this a result of your living in the same place? Yes, his influence must have rubbed off. | 0:30:26 | 0:30:31 | |
Yes, I was in my first musical review this year. | 0:30:31 | 0:30:34 | |
Doing what? Singing. | 0:30:34 | 0:30:37 | |
Were you? I've just got a principal part in a production of Fiddler On The Roof. | 0:30:37 | 0:30:42 | |
Which part are you playing? Tevye, the fat old butcher! | 0:30:42 | 0:30:46 | |
Right. Sorry, Lazar Wolf. | 0:30:48 | 0:30:51 | |
Have you got a little tune for us from Fiddler? | 0:30:51 | 0:30:54 | |
A little Fiddler On The Roof? A preview! | 0:30:54 | 0:30:57 | |
Give us a bit of a troll. Go on. | 0:30:57 | 0:30:59 | |
# To life, to life | 0:30:59 | 0:31:01 | |
# L'chaim | 0:31:01 | 0:31:02 | |
# L'chaim, l'chaim, to life! # | 0:31:02 | 0:31:05 | |
Very good! I think you should be off to the capital! | 0:31:05 | 0:31:09 | |
Very good luck with that. Thank you. Thank you. | 0:31:09 | 0:31:13 | |
Now for the Blues. Very good friends, Beryl and Madge. | 0:31:13 | 0:31:17 | |
Welcome, girls. How did you two become friends? | 0:31:17 | 0:31:20 | |
I met Madge because she advertised for a jumble sale | 0:31:20 | 0:31:25 | |
and I had a few bits and pieces. | 0:31:25 | 0:31:27 | |
I got in touch with Madge and we struck up a friendship straightaway. | 0:31:27 | 0:31:31 | |
And it went on from there. Went from strength to strength. | 0:31:31 | 0:31:36 | |
This is ten years ago. Ten years ago. | 0:31:36 | 0:31:38 | |
You've been firm mates ever since? Absolutely. | 0:31:38 | 0:31:41 | |
What will your tactics be, Madge, to beat these lively young lads? | 0:31:41 | 0:31:46 | |
We've definitely got age on our side. We've got far more experience. | 0:31:46 | 0:31:50 | |
We've got more experience. | 0:31:50 | 0:31:52 | |
You won't have anything to do with this theatricality and flim-flam? Not at all. Solid. | 0:31:52 | 0:31:58 | |
Definitely. Down-to-earth. Absolutely. Positive. | 0:31:58 | 0:32:01 | |
If we want it, we'll buy it. | 0:32:01 | 0:32:03 | |
If you want it, you'll get it. Absolutely. | 0:32:03 | 0:32:05 | |
Anyway, here we go. The money moment. | 0:32:05 | 0:32:08 | |
?300 apiece. There's your ?300. You know the rules. | 0:32:08 | 0:32:11 | |
Your experts await. And off you go! And very, very good luck! | 0:32:11 | 0:32:15 | |
Now, have we got any plans? | 0:32:19 | 0:32:21 | |
Ye... No. | 0:32:21 | 0:32:22 | |
Well, yes... No? You're saying yes and you're saying no! | 0:32:22 | 0:32:26 | |
We're looking for something really, really nice | 0:32:26 | 0:32:28 | |
that's usable but cheap. | 0:32:28 | 0:32:31 | |
Guys, this is it. The quickest hour of your life is about to begin! | 0:32:31 | 0:32:35 | |
Oh, I like the pram. No, we're not looking at the pram. | 0:32:36 | 0:32:39 | |
Why not? They don't make any money. Come on. No... | 0:32:39 | 0:32:42 | |
I like the pram. No, no. Prams don't make any money at all. | 0:32:42 | 0:32:46 | |
But I like the pram. I don't care if you like the pram. | 0:32:46 | 0:32:48 | |
I won't like this elephant. | 0:32:48 | 0:32:51 | |
Crikey! There's no stopping two pensioners in full flight! | 0:32:51 | 0:32:55 | |
But Laidlaw and our thespian lads are getting into their roles. | 0:32:57 | 0:33:01 | |
What are the lively Madge and Beryl getting up to? | 0:33:01 | 0:33:04 | |
Girls... Lost the kids already, Thomas? | 0:33:05 | 0:33:09 | |
Beryl! | 0:33:09 | 0:33:10 | |
Beryl. | 0:33:10 | 0:33:11 | |
I think you need some leading reins on these two! | 0:33:12 | 0:33:15 | |
Have a good gander. She's nice, isn't she? Yes. | 0:33:15 | 0:33:19 | |
And don't break anything. | 0:33:19 | 0:33:20 | |
Honestly, you can't take your eyes off them for a minute! | 0:33:20 | 0:33:24 | |
Now, have the Reds found a bargain bucket? | 0:33:24 | 0:33:27 | |
Got everything you need there. | 0:33:27 | 0:33:28 | |
Brighouse is local, isn't it? It is. | 0:33:28 | 0:33:31 | |
Just down the road from Halifax. | 0:33:31 | 0:33:33 | |
Has it got any age? It's got to be 1900s, isn't it? | 0:33:33 | 0:33:36 | |
First part of the 20th century. | 0:33:36 | 0:33:38 | |
It's utterly mad. | 0:33:38 | 0:33:41 | |
I just keep thinking buckets of chicken! | 0:33:41 | 0:33:43 | |
ALL LAUGH | 0:33:43 | 0:33:45 | |
It's a good thing, but what's it worth? | 0:33:45 | 0:33:47 | |
It should be safe at 20 to 40, even 30 to 60. | 0:33:47 | 0:33:50 | |
But you might get a fright at the price tag on that | 0:33:50 | 0:33:53 | |
because it could be priced up at 80 quid. Shall we ask? | 0:33:53 | 0:33:56 | |
No harm in it. Do you want to ask? Worth an ask. | 0:33:56 | 0:33:59 | |
Can I ask the price? VENDOR: You certainly can. | 0:34:01 | 0:34:03 | |
I think it's on here. | 0:34:03 | 0:34:04 | |
The suspense is killing me! | 0:34:05 | 0:34:07 | |
Be gentle! | 0:34:07 | 0:34:09 | |
I'm getting worried. The tension! It's taking a long time! | 0:34:09 | 0:34:11 | |
Well, you want a bit of atmosphere. | 0:34:11 | 0:34:13 | |
ALL LAUGH Dammit! I want a bargain! | 0:34:13 | 0:34:16 | |
This is part of it. | 0:34:16 | 0:34:17 | |
It'll be an incredible achievement. OK. | 0:34:17 | 0:34:21 | |
Best I can do would be 20. | 0:34:21 | 0:34:23 | |
I've got 28 on it, but 20's the best. | 0:34:23 | 0:34:25 | |
Thanks for that. I like that. | 0:34:25 | 0:34:26 | |
BEN: If it's 15, we should go for it. But no more than 15. | 0:34:26 | 0:34:30 | |
VENDOR: I'll do 15, but that's it. | 0:34:30 | 0:34:32 | |
BEN: 15. What do you think? 15 quid. Sounds like a deal! | 0:34:32 | 0:34:35 | |
That was a deal. Deal. That's it. | 0:34:35 | 0:34:37 | |
Thank you. 15 quid. Shake your hand? | 0:34:37 | 0:34:40 | |
Thank you. Right. That's four nanoseconds gone! | 0:34:40 | 0:34:43 | |
That's it. | 0:34:43 | 0:34:45 | |
Yes, a suitably dramatic first buy for our actors. | 0:34:45 | 0:34:49 | |
But what about the Blues? | 0:34:49 | 0:34:51 | |
Do you like those, ladies, or do you think they're horrible? | 0:34:51 | 0:34:54 | |
I'm not keen. All right. OK. | 0:34:54 | 0:34:57 | |
Do you like this? BOTH: No! | 0:34:57 | 0:34:59 | |
No?! No. No. | 0:34:59 | 0:35:01 | |
We need to spend some money. Yeah. I'm good with that. | 0:35:01 | 0:35:04 | |
LAUGHTER | 0:35:04 | 0:35:05 | |
Do you like weights, girls? Yes, I saw those. | 0:35:05 | 0:35:09 | |
With the stand. | 0:35:10 | 0:35:12 | |
Avery weights. | 0:35:12 | 0:35:14 | |
?100 on those weights. They're not that old, you know. | 0:35:14 | 0:35:16 | |
Oh, do they fit in that thing? Yeah! | 0:35:16 | 0:35:19 | |
Oh, nice. Now you see, don't you? | 0:35:19 | 0:35:21 | |
Now you like. I see, yeah. | 0:35:21 | 0:35:23 | |
It's quite useful, they're not pounds and ounces. | 0:35:23 | 0:35:27 | |
Put it on there. Bring them all out. Would they clean up? | 0:35:27 | 0:35:30 | |
They would if you wanted to clean them up. | 0:35:30 | 0:35:33 | |
Testing my muscles now! I am. | 0:35:33 | 0:35:35 | |
By Avery. I think... See what the best price is. I do like those. | 0:35:35 | 0:35:40 | |
What's your best price on these? VENDOR: 80. | 0:35:40 | 0:35:42 | |
Oh, yeah! We've got to get a bit better than that! | 0:35:42 | 0:35:45 | |
Come on. | 0:35:45 | 0:35:47 | |
Cash. Cash. | 0:35:47 | 0:35:48 | |
It's cash, yes. | 0:35:48 | 0:35:50 | |
What about 60? No, sorry, I really can't do it for 60. | 0:35:50 | 0:35:54 | |
75 really is the very best. | 0:35:54 | 0:35:57 | |
65? No. | 0:35:57 | 0:35:58 | |
THOMAS: Why don't you meet him half-way? | 0:35:58 | 0:36:00 | |
Say you'll meet half-way. | 0:36:00 | 0:36:02 | |
Meet you half-way, then? VENDOR: Half-way? Um... | 0:36:02 | 0:36:05 | |
70... 72.50. | 0:36:05 | 0:36:08 | |
No. THOMAS: Why did you say that?! | 0:36:08 | 0:36:10 | |
65? Go as low as you dare. | 0:36:10 | 0:36:13 | |
VENDOR: Well, 75 was my limit. But 70 will do? | 0:36:13 | 0:36:17 | |
Cash. | 0:36:17 | 0:36:18 | |
Go on, then. | 0:36:18 | 0:36:19 | |
Is that good, 70 cash? It's fine. It's a good price. Yeah. | 0:36:19 | 0:36:23 | |
You've got a deal. OK. Have we? | 0:36:23 | 0:36:25 | |
We have. THOMAS: You've just done it! | 0:36:25 | 0:36:27 | |
Sorry. THOMAS: What am I doing here? | 0:36:27 | 0:36:28 | |
Sorry. You said it was a good price. | 0:36:28 | 0:36:31 | |
THOMAS: They are a good price. | 0:36:31 | 0:36:32 | |
They're really nice. They could be decorative and useful. | 0:36:32 | 0:36:37 | |
And good for weight training! And for the burglars... | 0:36:37 | 0:36:39 | |
If the burglars come, you can... | 0:36:39 | 0:36:41 | |
VENDOR: Exactly, yes! A woman after my own heart! | 0:36:41 | 0:36:44 | |
With that, both teams are up and running. | 0:36:44 | 0:36:47 | |
Do you like a fruit machine? | 0:36:47 | 0:36:50 | |
VENDOR: A Japanese gambling machine. | 0:36:50 | 0:36:52 | |
Make your fortune. VENDOR: Make your fortune. | 0:36:52 | 0:36:54 | |
Never lose money. | 0:36:54 | 0:36:56 | |
We've heard that before! | 0:36:56 | 0:36:58 | |
Are these things big bucks? VENDOR: No, no. 140. 150. | 0:36:58 | 0:37:02 | |
Plug that in and it'll go. | 0:37:02 | 0:37:04 | |
Sorry? Plug that in... It's perfect, yeah, you can play it. | 0:37:04 | 0:37:07 | |
That, in a general auction, | 0:37:07 | 0:37:10 | |
speculators and students love those! | 0:37:10 | 0:37:15 | |
PAUL LAUGHS What are we talking? | 0:37:15 | 0:37:17 | |
VENDOR: The best price I can do on that is 100 quid. | 0:37:17 | 0:37:19 | |
That's the death. | 0:37:19 | 0:37:21 | |
It's... It's a pity. It's enough, isn't it? | 0:37:21 | 0:37:24 | |
It's too much of a gamble. VENDOR: Too much of a gamble for a gamble! | 0:37:25 | 0:37:28 | |
BEN: That's true. | 0:37:28 | 0:37:30 | |
I think for 50 it would be worth it. | 0:37:30 | 0:37:33 | |
It would be mad. | 0:37:33 | 0:37:34 | |
Bargain Hunt bought a Japanese... And they've not aged it, either! | 0:37:34 | 0:37:38 | |
What is it, 20 years old? | 0:37:38 | 0:37:40 | |
VENDOR: 1980. 30 years old. | 0:37:40 | 0:37:42 | |
VENDOR: About '82. | 0:37:42 | 0:37:44 | |
It's too much money. 80 is too much. | 0:37:44 | 0:37:46 | |
It is. 60 quid. | 0:37:46 | 0:37:49 | |
I'll think about it. We've still got plenty of time. | 0:37:49 | 0:37:52 | |
It's just fun. When do you ever see that on Bargain Hunt? | 0:37:52 | 0:37:55 | |
But would it sell in the auction? | 0:37:55 | 0:37:57 | |
I think we'd only do it at 50, if we were to do it. | 0:37:57 | 0:38:01 | |
Yeah. | 0:38:01 | 0:38:02 | |
Give us your 50 quid. New money buys new things. | 0:38:03 | 0:38:06 | |
ALL LAUGH | 0:38:06 | 0:38:09 | |
Can you put that in a bag? | 0:38:09 | 0:38:10 | |
ALL LAUGH | 0:38:10 | 0:38:13 | |
Well done, lads, you played that well. That secures item number two. | 0:38:13 | 0:38:19 | |
Hello! | 0:38:19 | 0:38:21 | |
First purchase, very credible. A local piece. | 0:38:21 | 0:38:23 | |
A genuine antique and collector's item. | 0:38:23 | 0:38:25 | |
Their willingness to buy anything. Just look at pretty things. | 0:38:25 | 0:38:29 | |
Second purchase, utterly insane! | 0:38:29 | 0:38:32 | |
What's going on? | 0:38:32 | 0:38:33 | |
Oh, they've found something. Do you like this, Tom? | 0:38:33 | 0:38:37 | |
I don't have to like it, do I? | 0:38:37 | 0:38:39 | |
We like Friday's Child. You like Friday's Child? | 0:38:39 | 0:38:42 | |
It's a little Worcester figure. Friday's Child. What do you like about it? | 0:38:42 | 0:38:47 | |
I think it's cute and I like the feel of it and the subject... | 0:38:47 | 0:38:52 | |
The pussy cat? I think it's cute. | 0:38:52 | 0:38:54 | |
He's perfect, isn't he? | 0:38:54 | 0:38:56 | |
He is perfect. He feels nice. | 0:38:56 | 0:38:58 | |
But he's a lot of money. What is it, 65? | 0:38:58 | 0:39:01 | |
It is a lot of money, isn't it? | 0:39:01 | 0:39:04 | |
But they do sell, though, these Worcester figures. | 0:39:04 | 0:39:07 | |
It's just the expression on his face. He feels nice. | 0:39:07 | 0:39:12 | |
The little cat. | 0:39:12 | 0:39:13 | |
But it would depend on what we could get it for. | 0:39:13 | 0:39:16 | |
Do you want me to ask? | 0:39:16 | 0:39:18 | |
You ask. You might have a better chance than us. I don't know. | 0:39:18 | 0:39:21 | |
They would have a better chance! Ladies have a better chance. | 0:39:21 | 0:39:24 | |
Of course they would. Friday's Child. Worcester figure. | 0:39:24 | 0:39:28 | |
Not the oldest thing in the book. How much? | 0:39:28 | 0:39:31 | |
50? ?50. You couldn't do any more for them? | 0:39:31 | 0:39:34 | |
BERYL: Course you can. Yeah. | 0:39:34 | 0:39:36 | |
VENDOR: The absolute bottom is 45. | 0:39:36 | 0:39:38 | |
42 and a half? I don't do 50 pences. | 0:39:38 | 0:39:41 | |
Well, 42, then. Go to the car boot in the morning for that! | 0:39:41 | 0:39:45 | |
Shall we? Yeah. | 0:39:45 | 0:39:46 | |
What do you think? We like it. | 0:39:46 | 0:39:48 | |
Go for it. You want to go? | 0:39:48 | 0:39:49 | |
Go and shake the man's hand. Go and say you'll have it. | 0:39:49 | 0:39:52 | |
Where's the man? He's over there. | 0:39:52 | 0:39:54 | |
We really like this little boy. | 0:39:54 | 0:39:57 | |
So we'll do a deal. OK. 45. Great. | 0:39:57 | 0:40:00 | |
That's very good. Happy with that? | 0:40:00 | 0:40:02 | |
Course he's happy with that. It's whether you're happy with it. | 0:40:02 | 0:40:06 | |
I'm happy. No problem. | 0:40:06 | 0:40:07 | |
BERYL: Now we're going to get something really expensive. | 0:40:07 | 0:40:10 | |
So that's two items apiece for our teams. | 0:40:10 | 0:40:13 | |
Ben's latest suggestion has gone down like a lead weight! | 0:40:13 | 0:40:17 | |
LAUGHTER | 0:40:17 | 0:40:19 | |
Have you anything heavier? LAUGHTER | 0:40:19 | 0:40:22 | |
What are we going to buy? A proper antique? I think we'd better! | 0:40:22 | 0:40:27 | |
Well, if you could squeeze one in between having a good time! | 0:40:27 | 0:40:31 | |
With the clock ticking, I'm glad to see the Blues | 0:40:31 | 0:40:34 | |
are narrowing down their options. | 0:40:34 | 0:40:36 | |
You've got some money. You can spend some money. So don't feel shy. | 0:40:36 | 0:40:40 | |
What age is that? | 0:40:40 | 0:40:42 | |
Well, this looks almost like a Boer War uniform. | 0:40:42 | 0:40:46 | |
Laidlaw would tell you what it is. | 0:40:46 | 0:40:49 | |
This is a mother and this is her cameo and this is one of her sons. | 0:40:49 | 0:40:53 | |
And the other son on the other side. | 0:40:53 | 0:40:55 | |
That's what it would have been. Yeah. | 0:40:55 | 0:40:57 | |
I like the sentiment as well. Yes, I do. | 0:40:57 | 0:41:00 | |
Can we just come back to it, then? | 0:41:00 | 0:41:02 | |
What can you do on the bracelet? | 0:41:02 | 0:41:04 | |
VENDOR: I can do a one-er on the bracelet. A one-er. | 0:41:04 | 0:41:06 | |
VENDOR: And 120 on the brooch. BERYL: And what on this? | 0:41:06 | 0:41:09 | |
120 on the brooch. VENDOR: The best one I've ever seen and I've seen plenty. | 0:41:09 | 0:41:12 | |
Shall we have a look at the next two or three stalls and come back? | 0:41:12 | 0:41:16 | |
We've got 15 minutes. I think you need to make the decision. | 0:41:16 | 0:41:19 | |
You don't need to go, you need to make the decision. | 0:41:19 | 0:41:23 | |
Right. Five, four, three, two, one. | 0:41:23 | 0:41:26 | |
In two minutes, I'll ask... I've done it. | 0:41:26 | 0:41:28 | |
You want to do that, do you? I've made my mind up. | 0:41:28 | 0:41:30 | |
Beryl has to make hers up. You've done that? You want that? Yeah. | 0:41:30 | 0:41:33 | |
120. What's the best price? | 0:41:33 | 0:41:35 | |
He says 120. He won't go any lower. | 0:41:35 | 0:41:37 | |
No? I've tried, I've tried my best. | 0:41:37 | 0:41:39 | |
I know, but I've not tried. | 0:41:39 | 0:41:41 | |
If I flutter my eyes, he might go another ?5 off. | 0:41:41 | 0:41:45 | |
Oh, come on! | 0:41:45 | 0:41:46 | |
Ooh, the boss has dropped it to 110. It gets even better. | 0:41:46 | 0:41:51 | |
Ooh, 110! | 0:41:51 | 0:41:53 | |
Right, shall we shake on that? You have to tell him, though! | 0:41:53 | 0:41:57 | |
No, we have to decide between ourselves or we'll argue then! | 0:41:57 | 0:42:00 | |
Oh, God! OK. | 0:42:00 | 0:42:01 | |
We'd be fighting. Thank you. Thank you very much. | 0:42:01 | 0:42:04 | |
You've bought three cracking things. Well done, you. Thank you. | 0:42:04 | 0:42:07 | |
Shall we go and get a cup of tea? Absolutely. Good idea. | 0:42:07 | 0:42:10 | |
Good heavens! Our unruly Blues have bickered their way over the finish line with ten minutes to spare! | 0:42:10 | 0:42:16 | |
Who'd have thought that? | 0:42:16 | 0:42:18 | |
But the Reds, of course, are still gadding about. | 0:42:19 | 0:42:21 | |
What is it? | 0:42:22 | 0:42:23 | |
There's the Holy Grail there! | 0:42:24 | 0:42:27 | |
LAUGHTER From Indiana Jones. | 0:42:27 | 0:42:30 | |
It's like a Harry Potter wand. | 0:42:30 | 0:42:32 | |
Shame we can't magic up some more time! | 0:42:32 | 0:42:35 | |
HE HUMS | 0:42:35 | 0:42:37 | |
Lots of groaning. Not a good sign! | 0:42:39 | 0:42:42 | |
Are medals good? | 0:42:43 | 0:42:45 | |
Three minutes left, lads! | 0:42:45 | 0:42:47 | |
I don't think you're going to find a bargain in that field. | 0:42:47 | 0:42:51 | |
Is there much slack in your prices? | 0:42:51 | 0:42:53 | |
VENDOR: There is in some, yes. | 0:42:53 | 0:42:55 | |
Depends. I'm after something sexy that you can do me a deal on. | 0:42:55 | 0:43:01 | |
What have you got? | 0:43:01 | 0:43:02 | |
What are you going to sell me... very quickly? | 0:43:02 | 0:43:05 | |
This I've acquired very recently. I don't know if it's your cup of tea. | 0:43:05 | 0:43:10 | |
It's 1907, silver. What can it be? What are we talking about? | 0:43:10 | 0:43:15 | |
Well, see the price there, it could be two-and-a-half. | 0:43:15 | 0:43:18 | |
Yes, it's too much, isn't it? What about this? | 0:43:18 | 0:43:22 | |
Can we look at it? Yes. | 0:43:22 | 0:43:24 | |
It's William the... IV. | 0:43:24 | 0:43:27 | |
Yeah. Yeah. | 0:43:27 | 0:43:29 | |
The Pascal lamb suggests religious. | 0:43:29 | 0:43:31 | |
So this is regalia. Not quite Masonic lodge, but similar context. | 0:43:31 | 0:43:37 | |
It could be for the blouse of your frock or a sash. | 0:43:37 | 0:43:41 | |
And indeed, | 0:43:41 | 0:43:43 | |
that little strap suggests it hooks on somewhere. | 0:43:43 | 0:43:47 | |
VENDOR: I've got it down at 65, but I could do it at 40. | 0:43:47 | 0:43:51 | |
No, I need a bargain! Right. | 0:43:51 | 0:43:53 | |
I need that at 20 or I need that at scrap. | 0:43:53 | 0:43:56 | |
I could do that at 25. | 0:43:56 | 0:43:57 | |
It's William IV. 170 years old, let's say. | 0:43:58 | 0:44:02 | |
What I like about it is it looks more valuable than it is. | 0:44:02 | 0:44:06 | |
BEN: 20 quid? VENDOR: I can't do... | 0:44:06 | 0:44:08 | |
BEN: 23. VENDOR: I can't... | 0:44:08 | 0:44:09 | |
BEN: Go on, 23! Do it for 23. | 0:44:09 | 0:44:11 | |
VENDOR: If they go up in fivers, then at least we'll make two quid! | 0:44:11 | 0:44:14 | |
Go on, 23. Let's have it! | 0:44:14 | 0:44:16 | |
BEN: Let's do it. Cheers, buddy, thanks very much! | 0:44:16 | 0:44:19 | |
Thank you very much. VENDOR: Cheers. | 0:44:19 | 0:44:21 | |
BEN: Thanks. | 0:44:21 | 0:44:23 | |
VENDOR: Oh, my, goodness me! | 0:44:23 | 0:44:24 | |
They've pulled it out of the bag with only one minute to spare. | 0:44:24 | 0:44:28 | |
Commission, come on. LAUGHTER | 0:44:28 | 0:44:31 | |
The shopping's done. | 0:44:32 | 0:44:33 | |
Time to go back to the Calder Valley auction house near Halifax, | 0:44:33 | 0:44:37 | |
but first, let's remind ourselves what the Red team bought. | 0:44:37 | 0:44:41 | |
The boys got off to a cracking start with the tin plate toffee box, ?15. | 0:44:41 | 0:44:47 | |
They went retro with the Japanese fruit machine for 50. | 0:44:47 | 0:44:51 | |
And scooped up a silver regalia badge in the dying minutes for ?23. | 0:44:52 | 0:44:57 | |
Now, Ben and Jonathan, you spent the most paltry ?88. We did. | 0:44:59 | 0:45:04 | |
You gave our man, Laidlaw, ?212. | 0:45:04 | 0:45:08 | |
I sincerely hope he's blown the lot! | 0:45:08 | 0:45:11 | |
Paul Laidlaw, you have brought us a witch's cap underneath this, yes? | 0:45:11 | 0:45:17 | |
Reveal all, please. | 0:45:17 | 0:45:19 | |
PEALS OF LAUGHTER | 0:45:20 | 0:45:22 | |
"He's bought us a bomb!" | 0:45:22 | 0:45:25 | |
How sculptural an object is that? | 0:45:25 | 0:45:28 | |
Look at the lines in that. | 0:45:28 | 0:45:29 | |
Fantastic. Beautiful. We know what it is, of course? | 0:45:29 | 0:45:32 | |
A bomb? | 0:45:32 | 0:45:33 | |
Prefix it with "inert"! | 0:45:33 | 0:45:36 | |
OK. Are you sure? | 0:45:36 | 0:45:39 | |
It's an artillery projectile. OK. | 0:45:39 | 0:45:42 | |
Not of historic importance. | 0:45:42 | 0:45:44 | |
Doesn't pertain to the Great War, the Second World War, | 0:45:44 | 0:45:46 | |
it's a post-war piece, OK? | 0:45:46 | 0:45:49 | |
I love that! What's it doing for you, guys? | 0:45:49 | 0:45:51 | |
I like it. It's fantastic. | 0:45:51 | 0:45:52 | |
I mean it's a boy's toy, this. This is a boy's toy. | 0:45:52 | 0:45:57 | |
What's the damage? I spent ?200 on that. | 0:45:57 | 0:46:00 | |
Cheap, isn't it?! | 0:46:02 | 0:46:03 | |
Where's the door? | 0:46:04 | 0:46:06 | |
If I said 20, and I'm not kidding... | 0:46:06 | 0:46:10 | |
?20? ?20. Really? | 0:46:10 | 0:46:13 | |
I paid ?20 for it! | 0:46:13 | 0:46:16 | |
I paid ?20 for it! ?20. I'll shake your hand again. | 0:46:16 | 0:46:19 | |
Shake his hand again. | 0:46:19 | 0:46:21 | |
I'm going to shake his hand again! | 0:46:21 | 0:46:24 | |
He paid ?20 for it! Any sort of prediction, Paul, at all? | 0:46:24 | 0:46:28 | |
It's got to be worth ?50 to ?100. | 0:46:28 | 0:46:30 | |
?50 to ?100. You watched his lips. | 0:46:30 | 0:46:32 | |
Just depends on how jammy you are today | 0:46:32 | 0:46:35 | |
and if you decide to go with it at the moment critique. | 0:46:35 | 0:46:38 | |
Yes, decide later, Reds. | 0:46:38 | 0:46:39 | |
But in the meanwhile, let's remind ourselves of the Blue team's items. | 0:46:39 | 0:46:44 | |
After a bit of faffing about, they settled on the Avery weights | 0:46:44 | 0:46:48 | |
for ?70. | 0:46:48 | 0:46:50 | |
They talked Thomas into buying Friday's Child for 45. | 0:46:50 | 0:46:54 | |
And decided to pin their hopes on the swivel brooch for ?110. | 0:46:54 | 0:46:59 | |
Beryl and Madge. How are you, girls? | 0:47:00 | 0:47:04 | |
Fine. Fine. Fine. Good. | 0:47:04 | 0:47:06 | |
Very well, thank you. Lovely. | 0:47:06 | 0:47:07 | |
You spent ?225. You gave Thomas Plant ?75. We did. | 0:47:07 | 0:47:11 | |
What did the boy spend it on? Ready for this? | 0:47:11 | 0:47:14 | |
Something equally beautiful for my beautiful ladies. | 0:47:14 | 0:47:17 | |
Ooh! Ooh! | 0:47:17 | 0:47:19 | |
Doesn't stop there. Cos there's two... | 0:47:19 | 0:47:22 | |
Oh, wow! A little pair of earrings. | 0:47:22 | 0:47:24 | |
Oh, very nice. They suit you! Yes, I look like a pirate! | 0:47:24 | 0:47:29 | |
These are simulated onyx, jade and pearl. | 0:47:29 | 0:47:33 | |
It's in the Art Deco period. | 0:47:33 | 0:47:37 | |
A tremendous bit of good quality costume jewels. | 0:47:37 | 0:47:43 | |
Would you wear that, Madge? No. | 0:47:43 | 0:47:45 | |
What about you, Beryl? | 0:47:45 | 0:47:47 | |
Sort of. Depending on what I was wearing. | 0:47:47 | 0:47:49 | |
If I didn't have anything else. Nothing else on? | 0:47:49 | 0:47:51 | |
No! Nothing else to wear! Oh! | 0:47:51 | 0:47:54 | |
Anyway. So, do you like them? No. No. | 0:47:54 | 0:47:58 | |
Are you going to ask him how much it cost? Yes. Yes, out of interest. | 0:47:58 | 0:48:02 | |
?60. | 0:48:02 | 0:48:04 | |
Ooh, no! "Ooh, no!" Is that too much or too little? | 0:48:04 | 0:48:08 | |
Too much. Absolutely too much. What, too...?! Oh, yes. | 0:48:08 | 0:48:11 | |
Well, girls, you're not at first glance bowled out by this lot. | 0:48:11 | 0:48:16 | |
No. No. For ?60. OK. You can't love everything, can you? | 0:48:16 | 0:48:19 | |
You do have a little time to think about it, girls. | 0:48:20 | 0:48:22 | |
We'll see whether you change your mind. | 0:48:22 | 0:48:24 | |
The auctioneer Ian Peace is ready and waiting, | 0:48:24 | 0:48:27 | |
so let's sell, sell, sell! | 0:48:27 | 0:48:29 | |
So, BJ, all right? | 0:48:29 | 0:48:31 | |
BJ. I like it! You like BJ? Yeah. | 0:48:31 | 0:48:35 | |
BJ's pretty good. It's cool. | 0:48:35 | 0:48:37 | |
First up is the Brighouse toffee bucket. | 0:48:37 | 0:48:42 | |
Here it comes. | 0:48:42 | 0:48:44 | |
?20? 20 I have. | 0:48:44 | 0:48:46 | |
At ?20. At 20. And 2.50. And 25. | 0:48:46 | 0:48:51 | |
And 7.50. And ?30 on commission. | 0:48:51 | 0:48:54 | |
?30. 32.50. Still going. | 0:48:54 | 0:48:55 | |
IAN: At ?32.50. BEN: Come on! | 0:48:55 | 0:48:59 | |
At 32.50. Anybody else? | 0:48:59 | 0:49:01 | |
I don't believe it. | 0:49:01 | 0:49:02 | |
At...?32.50 in the middle. LAUGHTER | 0:49:02 | 0:49:07 | |
All done at 32.50... | 0:49:07 | 0:49:09 | |
Yes, come on! | 0:49:09 | 0:49:11 | |
That is... Is that plus ?17.50? | 0:49:11 | 0:49:15 | |
Oh, yes, more than doubled its money. | 0:49:15 | 0:49:17 | |
It's more than doubled its money! Local interest. | 0:49:17 | 0:49:20 | |
Lot 82 is the 1970s electric fruit machine. Savanna Park. | 0:49:20 | 0:49:25 | |
?50? 40? 40. Thank you. | 0:49:25 | 0:49:28 | |
At ?40. At 40. | 0:49:28 | 0:49:30 | |
And five. 45 here. At 45. | 0:49:30 | 0:49:33 | |
Anybody else now? 45. At 45. | 0:49:33 | 0:49:36 | |
50 right at the back of the room. At 50. | 0:49:36 | 0:49:39 | |
At 55. | 0:49:39 | 0:49:40 | |
I have 55. 7.50 if you like. | 0:49:40 | 0:49:44 | |
At ?55, front row. | 0:49:44 | 0:49:45 | |
55. Are you all finished? | 0:49:45 | 0:49:47 | |
57.50. | 0:49:47 | 0:49:49 | |
?60 here. At 60, front row. 60. | 0:49:49 | 0:49:53 | |
Anybody else now, at ?60 for the fruit machine? | 0:49:53 | 0:49:56 | |
Selling for ?60, then. | 0:49:56 | 0:49:58 | |
All done? | 0:49:58 | 0:50:00 | |
Yes, come on, profit! 60, great! | 0:50:00 | 0:50:02 | |
That's a line-up of cherries! | 0:50:02 | 0:50:04 | |
LAUGHTER | 0:50:04 | 0:50:06 | |
Plus ten. Love it. | 0:50:06 | 0:50:08 | |
Lot 83. Interesting piece there. | 0:50:08 | 0:50:11 | |
What am I bid? 30? 20? | 0:50:11 | 0:50:14 | |
Start me at 15, somebody. 15. | 0:50:14 | 0:50:17 | |
This is madness, come on... Thank you. 10 I'm bid. | 0:50:17 | 0:50:21 | |
12.50 anywhere? At 10. | 0:50:21 | 0:50:23 | |
12.50. 15. | 0:50:23 | 0:50:25 | |
17.50. 20 there. ?20. | 0:50:25 | 0:50:29 | |
?22.50. I have 22.50. | 0:50:29 | 0:50:32 | |
Go on! BEN: Go on! | 0:50:32 | 0:50:34 | |
At ?22.50 in the corner. Any further bids? 25 by the kitchen. | 0:50:35 | 0:50:39 | |
Yes! 25. 27.50. 27.50. | 0:50:39 | 0:50:43 | |
On my right at ?27.50. | 0:50:43 | 0:50:45 | |
Any further bids? | 0:50:45 | 0:50:47 | |
At 27.50, then. | 0:50:47 | 0:50:49 | |
Number 12. | 0:50:49 | 0:50:51 | |
?32. That's 32 notes. And a profit on each item. | 0:50:51 | 0:50:56 | |
What are you going to do about the artillery shell? | 0:50:56 | 0:50:59 | |
Are you going to risk another 20? No question. Got to go. | 0:50:59 | 0:51:02 | |
We trust Paul. Look at that face. | 0:51:02 | 0:51:05 | |
I don't like to bang on about this, | 0:51:05 | 0:51:07 | |
but we're going with the artillery shell? | 0:51:07 | 0:51:09 | |
It'll blow them out the water. Oh, no! | 0:51:09 | 0:51:12 | |
Lot 86. The English military artillery shell. | 0:51:12 | 0:51:16 | |
Presentation piece on this gentleman's retirement. | 0:51:16 | 0:51:21 | |
He didn't get a watch, he got a bullet! | 0:51:21 | 0:51:24 | |
Lot 86. | 0:51:24 | 0:51:25 | |
I wonder what he thought when he got home? Anyway, | 0:51:27 | 0:51:31 | |
lot 86. What am I bid? ?30? | 0:51:31 | 0:51:34 | |
?20. | 0:51:34 | 0:51:35 | |
15, anywhere? | 0:51:35 | 0:51:37 | |
It's ticking. 15, anywhere? | 0:51:37 | 0:51:39 | |
15 I'm bid. At 15. | 0:51:39 | 0:51:42 | |
17.50 anywhere? | 0:51:42 | 0:51:43 | |
I've 15. Only one bid. | 0:51:43 | 0:51:45 | |
Come on! At ?15. Come on. | 0:51:45 | 0:51:47 | |
17.50. | 0:51:47 | 0:51:48 | |
?20. | 0:51:48 | 0:51:50 | |
22.50. | 0:51:50 | 0:51:51 | |
25. | 0:51:51 | 0:51:54 | |
27.50. | 0:51:54 | 0:51:55 | |
?30. | 0:51:55 | 0:51:57 | |
30, the gentleman with the cap on. | 0:51:57 | 0:51:59 | |
At ?30. Any further bids? At ?30. | 0:51:59 | 0:52:02 | |
We're selling at ?30 to the highest bidder. All done? | 0:52:02 | 0:52:05 | |
Well done, Paul. Very good. | 0:52:07 | 0:52:09 | |
It's a profit. Lovely job. | 0:52:09 | 0:52:10 | |
You are therefore, lads, overall, plus ?42. | 0:52:10 | 0:52:14 | |
Plus ?42 is a remarkable achievement, I have to say, | 0:52:14 | 0:52:20 | |
when you've only spent ?108 overall. | 0:52:20 | 0:52:23 | |
Beryl and Madge, this is your moment. | 0:52:28 | 0:52:30 | |
Do you know how the Reds got on? No. No. Good. | 0:52:30 | 0:52:33 | |
We kept that from you deliberately and successfully. | 0:52:33 | 0:52:36 | |
First up, chickens, are your weights, Beryl. Here they come. | 0:52:36 | 0:52:40 | |
What shall we say? ?40? | 0:52:40 | 0:52:42 | |
30? 20 to open? ?20? | 0:52:42 | 0:52:46 | |
Start me where you like. 10 to start. ?10. 10 I'm bid. | 0:52:47 | 0:52:50 | |
12.50. 15. | 0:52:50 | 0:52:53 | |
17.50. | 0:52:53 | 0:52:54 | |
?20. | 0:52:54 | 0:52:56 | |
20, the gentleman with the hat on. At ?20. | 0:52:56 | 0:52:59 | |
Any further bids? 22.50. | 0:52:59 | 0:53:01 | |
25 there. | 0:53:01 | 0:53:03 | |
27.50. | 0:53:03 | 0:53:04 | |
?30. | 0:53:04 | 0:53:08 | |
Man with the hat on at ?30. Any further bids? All finished? | 0:53:08 | 0:53:11 | |
At ?30. We're going at 30. | 0:53:11 | 0:53:13 | |
BERYL: Come on! Come on! | 0:53:13 | 0:53:14 | |
First and last time... | 0:53:14 | 0:53:16 | |
I'm afraid it's ?30. That's minus 40. | 0:53:16 | 0:53:19 | |
They don't like kilograms in Halifax! | 0:53:19 | 0:53:22 | |
Not into kilos. | 0:53:22 | 0:53:24 | |
OK. Here we go. | 0:53:24 | 0:53:25 | |
What shall we say? ?40? 30? | 0:53:25 | 0:53:28 | |
20, then? Royal Worcester, ?20. No! | 0:53:28 | 0:53:32 | |
Open me somewhere. 15? 15. Here we go. | 0:53:32 | 0:53:34 | |
?15 I'm bid. 17.50 do I see? | 0:53:34 | 0:53:36 | |
Royal Worcester. At ?15. | 0:53:36 | 0:53:39 | |
Come on, Madge. | 0:53:39 | 0:53:41 | |
17.50. | 0:53:41 | 0:53:43 | |
Use a card if you can. 17.50. 20. | 0:53:43 | 0:53:45 | |
I have 20. Any further bids? At ?20. Come on! Royal Worcester. | 0:53:45 | 0:53:50 | |
At ?20. Gentleman in the corner there. At ?20. | 0:53:50 | 0:53:54 | |
Oh, no! First and last time at ?20. | 0:53:54 | 0:53:57 | |
Don't cry, Madge. Don't cry! | 0:53:57 | 0:53:58 | |
Don't. Don't cry! | 0:53:58 | 0:54:00 | |
Minus 25. | 0:54:02 | 0:54:03 | |
Lot 103. | 0:54:03 | 0:54:05 | |
30. 30 I'm bid. And 5, sir? 35. | 0:54:05 | 0:54:09 | |
40. 45. | 0:54:09 | 0:54:11 | |
50. 55. | 0:54:11 | 0:54:13 | |
60. And 5. | 0:54:13 | 0:54:16 | |
70. And 5. | 0:54:16 | 0:54:18 | |
80 and 5. | 0:54:18 | 0:54:21 | |
90 and 5. | 0:54:21 | 0:54:22 | |
?100. 105. | 0:54:23 | 0:54:27 | |
IAN: 110. BERYL: Yes! | 0:54:27 | 0:54:28 | |
115. 120. | 0:54:28 | 0:54:30 | |
120 sat down there. | 0:54:30 | 0:54:32 | |
120. Any further bids? | 0:54:32 | 0:54:35 | |
At ?120. Bit more! | 0:54:35 | 0:54:36 | |
BERYL: Come on! IAN: Fifth row. | 0:54:36 | 0:54:38 | |
At 120. All done? | 0:54:38 | 0:54:41 | |
Ah, all is not lost. | 0:54:41 | 0:54:44 | |
Not completely lost, no. | 0:54:44 | 0:54:45 | |
That is ?10 back. | 0:54:45 | 0:54:47 | |
You were minus 65. You're now minus 55. | 0:54:47 | 0:54:50 | |
It's not bad. You are minus 55. | 0:54:50 | 0:54:52 | |
Not a lot of shame in that. No. | 0:54:52 | 0:54:54 | |
Quickly, you have to decide what to do with the jewellery lark. | 0:54:54 | 0:54:57 | |
If it doesn't do any good, it shows it's his fault because he's been guiding us! | 0:54:57 | 0:55:02 | |
Shall we say no? This is not a game of... I love the blame game. | 0:55:02 | 0:55:06 | |
I love the blame game. This is not a game of blame and shame. It's a game of love and harmony! | 0:55:06 | 0:55:12 | |
We'll go for it. What? We'll go for it. You're going for it? | 0:55:12 | 0:55:14 | |
Yeah. You are? Love the blame game. We're desperate. | 0:55:14 | 0:55:17 | |
You're desperate? We're desperate, yes. | 0:55:17 | 0:55:19 | |
What shall we say? ?30 for those? 30, 20? | 0:55:19 | 0:55:23 | |
?20. At 20. | 0:55:23 | 0:55:25 | |
?20? 15, anywhere? | 0:55:25 | 0:55:28 | |
15 I'm bid. At 15. | 0:55:28 | 0:55:30 | |
We've got bids. At 15. It's a start. | 0:55:30 | 0:55:32 | |
Any advance on 15? Come on. | 0:55:32 | 0:55:33 | |
17.50 if you like. At ?15. | 0:55:33 | 0:55:37 | |
Only one bid at ?15, here, | 0:55:37 | 0:55:39 | |
on my right. Are we all done at ?15? Well done, Madge. | 0:55:39 | 0:55:42 | |
Selling at 15. Any further bids? At 15. | 0:55:42 | 0:55:46 | |
"Well done, Madge." | 0:55:46 | 0:55:48 | |
Minus ?45 on that, Madge. | 0:55:48 | 0:55:51 | |
This is when you follow an expert! Well done, Madge! | 0:55:51 | 0:55:54 | |
Well done, Madge. You've done nicely with that(!) | 0:55:54 | 0:55:56 | |
That rounds it down to a cool... That's your fault! | 0:55:56 | 0:55:59 | |
I blame you now! ..minus ?100. | 0:55:59 | 0:56:03 | |
All very good sports. A nice round figure. | 0:56:03 | 0:56:05 | |
Good sports. Don't fall out at the final hurdle, girls! | 0:56:05 | 0:56:09 | |
Why not? The big thing is, don't tell the Reds a thing. | 0:56:09 | 0:56:12 | |
Mum's the word. Our lips are sealed. | 0:56:12 | 0:56:15 | |
Everything should be sealed at this moment, Beryl! | 0:56:15 | 0:56:19 | |
Oh, dear, oh, dear! | 0:56:24 | 0:56:25 | |
We've had some gaps between teams in the past, | 0:56:25 | 0:56:29 | |
but rarely such a chasm as there is between these teams today. | 0:56:29 | 0:56:34 | |
At the bottom end of the chasm, unfortunately, are the Blues. | 0:56:34 | 0:56:38 | |
Ooh! Ooh! Ooh! | 0:56:38 | 0:56:40 | |
Oh, no! Don't look so surprised, love! | 0:56:40 | 0:56:42 | |
LAUGHTER We are! We're devastated! | 0:56:42 | 0:56:45 | |
You know you're minus ?100, which is a fair old dollop! Yeah, that's... | 0:56:45 | 0:56:50 | |
You made a nice profit on the swivel brooch. | 0:56:50 | 0:56:53 | |
We did, yes. Let's be positive and optimistic. That was pretty good. | 0:56:53 | 0:56:57 | |
It was. Thereafter... It went downhill. | 0:56:57 | 0:57:00 | |
Best not talked about. Yes. | 0:57:00 | 0:57:02 | |
But the victors today have done stupendously well, these Reds. | 0:57:02 | 0:57:07 | |
They're going home with ?42. Here we go, Ben boy. Thanks. | 0:57:07 | 0:57:11 | |
That's good, isn't it? Certainly is. | 0:57:11 | 0:57:13 | |
That'll pay your RADA subscription for a while(!) You have the two! | 0:57:13 | 0:57:16 | |
Thanks! Lovely, down the way... | 0:57:16 | 0:57:18 | |
You made a lovely profit of ?17.50 on the tin of toffees. That was fab. | 0:57:18 | 0:57:23 | |
You came up all cherries on the fruit machine, plus ?10. Lovely. | 0:57:23 | 0:57:28 | |
Then you went on to make ?4.50, just making the third profit, | 0:57:28 | 0:57:33 | |
which is so exciting, | 0:57:33 | 0:57:35 | |
which enters you into the Ancient Order of the Golden Gavel! | 0:57:35 | 0:57:39 | |
Except we haven't got any Golden Gavels any more. | 0:57:39 | 0:57:43 | |
We ran out. You now get one of these very rare pins. | 0:57:43 | 0:57:46 | |
Please take one. Thank you. Jonathan, take your pick, mate. | 0:57:46 | 0:57:49 | |
Thank you. And one to add to your collection, Mr Laidlaw. | 0:57:49 | 0:57:53 | |
Your bedroom will be full of these, before we know where we are! | 0:57:53 | 0:57:57 | |
Well done for that. Put it there. Getting the Golden Gavel is a rare occurrence. | 0:57:57 | 0:58:03 | |
Congratulations. Well done. | 0:58:03 | 0:58:06 | |
We've had a fantastic time today. | 0:58:06 | 0:58:08 | |
Join us soon for some more bargain hunting, yes? | 0:58:08 | 0:58:10 | |
Yes! | 0:58:10 | 0:58:12 | |
Home chefs with a passion for cooking | 0:58:40 | 0:58:41 | |
join forces with professional chefs | 0:58:41 | 0:58:43 | |
putting their reputations on the line. | 0:58:43 | 0:58:45 | |
Mash the spuds! | 0:58:45 | 0:58:46 | |
Take the risotto off for ten minutes! | 0:58:46 | 0:58:49 | |
Who will rise and who will fall? | 0:58:49 | 0:58:50 | |
How are you getting on? | 0:58:50 | 0:58:52 | |
It's a cracking plate of food. | 0:58:52 | 0:58:53 | |
Are you going to do me proud? Yes, chef. | 0:58:53 | 0:58:55 | |
Brand-new... | 0:58:55 | 0:58:56 |