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Today, we are at a location which is no stranger to competition. | 0:00:02 | 0:00:05 | |
For over a century, | 0:00:05 | 0:00:07 | |
horses have galloped around the racecourse here, at Newbury. | 0:00:07 | 0:00:11 | |
Battling it out for big money. | 0:00:14 | 0:00:17 | |
'Swagger is absolutely charging at him on the far side. | 0:00:17 | 0:00:21 | |
'Mitchum Swagger, after Time Flies.' | 0:00:21 | 0:00:24 | |
But today, it plays host to a different type of meet. | 0:00:24 | 0:00:28 | |
It is a meeting of mind, money and antiques today. | 0:00:30 | 0:00:34 | |
So place your bets, eh? | 0:00:34 | 0:00:36 | |
Let's see who is going to be first past the post, | 0:00:36 | 0:00:38 | |
and let's go bargain hunting! | 0:00:38 | 0:00:41 | |
Yeah! | 0:00:41 | 0:00:42 | |
This is one of Bargain Hunt's first visits to | 0:01:03 | 0:01:06 | |
Newbury's Antiques & Collectors Fair. | 0:01:06 | 0:01:08 | |
And doesn't it look splendid?! | 0:01:08 | 0:01:10 | |
There may not be any thoroughbreds here today, but we are still | 0:01:11 | 0:01:15 | |
going to crack the whip | 0:01:15 | 0:01:18 | |
and hope that our teams make substantial profits. | 0:01:18 | 0:01:22 | |
What do you think, my old cock? | 0:01:22 | 0:01:23 | |
CROWING Cheeky! | 0:01:23 | 0:01:25 | |
Let's take a sneaky peak as to what is coming up. | 0:01:25 | 0:01:28 | |
The Reds are proving a handful for Natasha. | 0:01:30 | 0:01:32 | |
We'll take it then. | 0:01:34 | 0:01:35 | |
The Blues and their expert clearly have differing tastes. | 0:01:37 | 0:01:42 | |
Oh, Mark, it's a hideous colour. | 0:01:42 | 0:01:44 | |
Don't you like turquoise? | 0:01:44 | 0:01:45 | |
-Not really. -I love turquoise. | 0:01:45 | 0:01:47 | |
-£50, I have. -And the auction is full of... | 0:01:47 | 0:01:49 | |
OOHS | 0:01:49 | 0:01:51 | |
..and ahs. | 0:01:51 | 0:01:53 | |
That's good. | 0:01:53 | 0:01:55 | |
But before all that, let's meet the teams. | 0:01:56 | 0:01:58 | |
Gosh, we have got some top teams on the show today. | 0:01:59 | 0:02:03 | |
For the Reds, we've got chums Maddie and Wendy. | 0:02:03 | 0:02:07 | |
Well, they are chums at the moment. | 0:02:07 | 0:02:09 | |
And for the Blues, we have partners Andy and Steve. Hello, everyone. | 0:02:09 | 0:02:13 | |
-ALL: -Hello! -Hello, hello, hello. | 0:02:13 | 0:02:15 | |
Now, Maddie, we have had some top-hole actresses | 0:02:15 | 0:02:18 | |
on this programme before, | 0:02:18 | 0:02:20 | |
but never a Bond girl. | 0:02:20 | 0:02:21 | |
Yeah, but I am not top-hole, that's for sure. | 0:02:21 | 0:02:24 | |
Listen, girl, don't be modest about it. | 0:02:24 | 0:02:26 | |
-Well, anyway. -You spent more time with Roger Moore, | 0:02:26 | 0:02:29 | |
-mainly in the sack... -Yes. | 0:02:29 | 0:02:31 | |
-..than anybody else, right? -Days of it. -Days and days. | 0:02:31 | 0:02:34 | |
Three at least, yes. | 0:02:34 | 0:02:35 | |
Yes. Actually, IN bed with him. | 0:02:35 | 0:02:37 | |
So your Bond movie was what? | 0:02:37 | 0:02:39 | |
-Live And Let Die. -Was it? -Yes, it was. -Tell us about it. | 0:02:39 | 0:02:42 | |
The whole point is that M and Moneypenny come in, | 0:02:42 | 0:02:45 | |
I hop out of bed, | 0:02:45 | 0:02:47 | |
sneak into the wardrobe, they go, | 0:02:47 | 0:02:49 | |
he comes to the wardrobe, and of course, | 0:02:49 | 0:02:51 | |
I've put my dress on by then, and he doesn't like that. | 0:02:51 | 0:02:53 | |
-No, of course. -So he undoes the dress with his magic watch, | 0:02:53 | 0:02:57 | |
which wasn't actually magic, it was a thread going all the way down. | 0:02:57 | 0:03:01 | |
-Was it? -Yes. That he was pulling on. | 0:03:01 | 0:03:03 | |
That's the magic of the cinema, isn't it? | 0:03:03 | 0:03:05 | |
-You have to use your imagination. -Course you do. | 0:03:05 | 0:03:07 | |
It is all about imagination, that is the art. | 0:03:07 | 0:03:09 | |
You know about antiques, you were brung up with them. | 0:03:09 | 0:03:11 | |
Well, my dad, he went and got himself a stall at Bermondsey | 0:03:11 | 0:03:15 | |
and Portobello and started with just little bits of junk | 0:03:15 | 0:03:18 | |
and stuff like that. | 0:03:18 | 0:03:19 | |
He liked bits and pieces of sort of Staffordshire, that kind of thing. | 0:03:19 | 0:03:23 | |
-So I have got a yen for Staffordshire. -Have you? -Yep. | 0:03:23 | 0:03:25 | |
-Find the rare figure... -Yes. -..and I tell you, you could make a fortune. | 0:03:25 | 0:03:28 | |
-So keep your eye honed. -I will. -Perfect. | 0:03:28 | 0:03:31 | |
So, Wendy, tell me, how did you and Maddie meet? | 0:03:31 | 0:03:34 | |
We met on the West End production of Habeas Corpus, Bennett's play. | 0:03:34 | 0:03:37 | |
-Did you? -Yes. | 0:03:37 | 0:03:39 | |
-And I was under studying Maddie, who was playing Felicity Rumpers. -Yes. | 0:03:39 | 0:03:44 | |
And we became friends then and we've stayed friends ever since. | 0:03:44 | 0:03:47 | |
-Tell me about when you played Marilyn Monroe. -Oh, that was lovely. | 0:03:47 | 0:03:51 | |
I was working on a play then - All My Sons by Arthur Miller, | 0:03:51 | 0:03:54 | |
funnily enough - when... | 0:03:54 | 0:03:56 | |
And it was coming to the end of the run | 0:03:56 | 0:03:57 | |
and I got a phone call from Granada asking me | 0:03:57 | 0:04:00 | |
if I was interested in playing Marilyn Monroe in a play called | 0:04:00 | 0:04:04 | |
Whatever Happened To The Heroes. | 0:04:04 | 0:04:06 | |
-Right. -It is a science-fiction play. | 0:04:06 | 0:04:08 | |
And I auditioned, and I got it. | 0:04:08 | 0:04:10 | |
And I was amazed to be asked to play her, but it was wonderful. | 0:04:10 | 0:04:14 | |
-It seems like a natural to me. -Thank you. | 0:04:14 | 0:04:18 | |
So, are you going to agree to buy something stellar together | 0:04:18 | 0:04:21 | |
or are you going to fall out? | 0:04:21 | 0:04:22 | |
Maddie is the expert on antiques, not me, but I'll just | 0:04:22 | 0:04:27 | |
look for what I like, things that particularly appeal to me. | 0:04:27 | 0:04:30 | |
-You are on the negotiating end of it. -Yes. | 0:04:30 | 0:04:32 | |
And Maddie, as we know, is going to go for Staffordshire. | 0:04:32 | 0:04:34 | |
Yeah, well, if I can. Staffordshire or something...something amusing. | 0:04:34 | 0:04:38 | |
-OK, fine. -A bit different. -Well, we will look forward to it. | 0:04:38 | 0:04:40 | |
Now, chaps, I should think you are absolutely petrified after that, | 0:04:40 | 0:04:43 | |
-aren't you? -Yes. -Andy. -Yep. | 0:04:43 | 0:04:45 | |
It says here that you recently bought a house | 0:04:45 | 0:04:47 | |
and you are thoroughly enjoying doing it up. | 0:04:47 | 0:04:49 | |
Yeah, we've recently bought | 0:04:49 | 0:04:50 | |
a Homes Under The Hammer kind of house, | 0:04:50 | 0:04:53 | |
1930s style, and we're kind of furnishing it up in a 1930s, | 0:04:53 | 0:04:58 | |
Art Deco kind of style, with a modern twist, really, Tim. | 0:04:58 | 0:05:01 | |
You are the practical type. You are keen on DIY and all that? | 0:05:01 | 0:05:04 | |
We are a dab hand at doing ceilings and walls. | 0:05:04 | 0:05:08 | |
You are lovely and tall, so you're quite close to the ceiling. | 0:05:08 | 0:05:11 | |
Yes, I get the ceilings, actually. | 0:05:11 | 0:05:12 | |
-Do you do the lower walls? -Yes, I do the skirting, he does the ceiling. | 0:05:12 | 0:05:16 | |
He does the skirting and I do the ceilings. | 0:05:16 | 0:05:18 | |
That is the joy of the partnership, isn't it? Yeah, absolutely. | 0:05:18 | 0:05:22 | |
Now, you are in the social care sector as a job of work. | 0:05:22 | 0:05:25 | |
-But you are actually a history buff. -I love history, yeah. | 0:05:25 | 0:05:29 | |
That has always been the thing that I am into. | 0:05:29 | 0:05:31 | |
We go around quite a few National Trust houses, don't we? | 0:05:31 | 0:05:35 | |
And visiting lots of different places like that. | 0:05:35 | 0:05:38 | |
-Yeah. -Getting your eye in for the next style for the next house. | 0:05:38 | 0:05:41 | |
That would be nice. | 0:05:41 | 0:05:42 | |
Now, Steve, you are going to hold the purse strings | 0:05:42 | 0:05:45 | |
-cos you are in the business. -Yes, yes, yes. | 0:05:45 | 0:05:47 | |
I work at a bank, so I'll be looking after the money | 0:05:47 | 0:05:49 | |
and do all the negotiating. | 0:05:49 | 0:05:51 | |
-Will you? -Yes. -And what do you do in the bank? | 0:05:51 | 0:05:53 | |
Oh, I supervise the cashiers at the moment. | 0:05:53 | 0:05:57 | |
What is the best part of the job? | 0:05:57 | 0:05:59 | |
It's meeting the people, chatting to people, helping them with things. | 0:05:59 | 0:06:02 | |
Now, what is it going to be like, | 0:06:02 | 0:06:03 | |
you two going off and doing the shopping together? | 0:06:03 | 0:06:06 | |
Are you going to agree on everything? | 0:06:06 | 0:06:07 | |
-Oh, I shouldn't think so. -No, no, no. | 0:06:07 | 0:06:09 | |
There will be some discord. | 0:06:09 | 0:06:11 | |
-Go with the flow. -Go with the flow, hopefully spend all your money. | 0:06:11 | 0:06:14 | |
Anyway, talking about money, here comes the £300. £300. | 0:06:14 | 0:06:17 | |
There is your £300. You know the rules. Your experts await. | 0:06:17 | 0:06:21 | |
And off you go! | 0:06:21 | 0:06:22 | |
Very, very, very good luck. | 0:06:22 | 0:06:24 | |
I never thought I'd stand next door to a Bond girl. | 0:06:24 | 0:06:28 | |
The supporting cast today | 0:06:28 | 0:06:30 | |
are experts Natasha Raskin, | 0:06:30 | 0:06:32 | |
who's striking the right chord for the Reds. | 0:06:32 | 0:06:35 | |
And mirror, mirror on the wall, | 0:06:37 | 0:06:38 | |
Mark Stacey is the fairest of them all. | 0:06:38 | 0:06:41 | |
-What I would like to know is what we are looking for here today. -Wendy. | 0:06:41 | 0:06:45 | |
Well, I love blue-and-white china. | 0:06:45 | 0:06:47 | |
I just think it looks so peaceful and elegant-looking. | 0:06:47 | 0:06:50 | |
-Are you ready for this? -Yes, we're ready. -Yes. | 0:06:50 | 0:06:53 | |
What are the plans? Come on, you've got thoughts. | 0:06:53 | 0:06:55 | |
-Well, I think we're going to buy cheap. -Oh, I don't know... | 0:06:55 | 0:06:58 | |
I love Staffordshire | 0:06:58 | 0:07:00 | |
of all kinds, but not the flat-back Staffordshire. I don't like those. | 0:07:00 | 0:07:03 | |
They are too big and unwieldy. | 0:07:03 | 0:07:04 | |
Small things, I think. | 0:07:04 | 0:07:06 | |
-Don't want anything too big, really, do we? -Small and profitable? -Yes. | 0:07:06 | 0:07:09 | |
What I'd like to know is, | 0:07:09 | 0:07:10 | |
with these gorgeous actresses, is there going to be high drama? | 0:07:10 | 0:07:13 | |
-Oh. -No. -Yes? | 0:07:13 | 0:07:15 | |
Well, you never know, it depends what we see. | 0:07:15 | 0:07:17 | |
I might see something I love and you don't. | 0:07:17 | 0:07:19 | |
Let's find out. Oh, my goodness, we've already got our lines drawn. | 0:07:19 | 0:07:22 | |
OK, teams, your 60 minutes starts... | 0:07:22 | 0:07:24 | |
..now! | 0:07:25 | 0:07:27 | |
-Time to go... -ALL: -Bargain-hunting! | 0:07:27 | 0:07:30 | |
It is the boys versus girls. The Reds versus the Blues. | 0:07:31 | 0:07:35 | |
And they are off to a flying start. | 0:07:35 | 0:07:38 | |
-There is a very quirky mix, isn't there? -Yes, yes. | 0:07:38 | 0:07:40 | |
Lots of different things. | 0:07:40 | 0:07:42 | |
-Mid-20th century. -I would've thought, yes. | 0:07:47 | 0:07:49 | |
It has got that kind of appeal, which is loft apartment. | 0:07:49 | 0:07:53 | |
I think, in that condition, it is a not from me. | 0:07:53 | 0:07:56 | |
-But I like the idea. -Yeah, so do I. | 0:07:56 | 0:07:58 | |
Those are quite fun, aren't they? Those rabbit things. | 0:07:58 | 0:08:01 | |
Oh, Mark, they are a hideous colour. | 0:08:01 | 0:08:03 | |
Don't you like turquoise? | 0:08:03 | 0:08:05 | |
-Not really. -I love turquoise. | 0:08:05 | 0:08:06 | |
-Oh, yes! Yes, yes, yes! -Oh, that is very theatre, isn't it? | 0:08:11 | 0:08:14 | |
That is very theatre. | 0:08:14 | 0:08:15 | |
Oh, goody. The Reds have already found some blue-and-white. | 0:08:16 | 0:08:19 | |
Wendy has got this lovely bath-cum-planter in her hands. | 0:08:19 | 0:08:23 | |
-£75. -75. Now... | 0:08:23 | 0:08:26 | |
-Can I stop holding this, Natasha? -Yes, you can! | 0:08:26 | 0:08:28 | |
-Put it down. -Shall I put it down? -That's absolutely fine. | 0:08:28 | 0:08:31 | |
I think there is probably going to be lots of blue-and-white | 0:08:31 | 0:08:33 | |
-out at this fair. -Really? | 0:08:33 | 0:08:35 | |
But do you know, in all the times that I've sold blue-and-white | 0:08:35 | 0:08:38 | |
in the auction house - | 0:08:38 | 0:08:39 | |
millions of times - I've never sold one like that. | 0:08:39 | 0:08:42 | |
-It is probably not the most unusual thing. -No, I like that. | 0:08:42 | 0:08:45 | |
But I have not sold one before, so I'm thinking, | 0:08:45 | 0:08:47 | |
how often do these come up at auction, | 0:08:47 | 0:08:49 | |
these planters-cum-baths, whatever they are? | 0:08:49 | 0:08:51 | |
They have taken the time, which I think is really nice, | 0:08:51 | 0:08:53 | |
to put a pattern not only all the way on the outside | 0:08:53 | 0:08:56 | |
-but all the way on the inside, too. -Yes. | 0:08:56 | 0:08:58 | |
-So there's a bit of quality there. -Absolutely. | 0:08:58 | 0:09:00 | |
-So how much are we going to go? -So, Wendy, can I persuade you? | 0:09:00 | 0:09:02 | |
-Yes, you can. I would like that. -All right, my love. | 0:09:02 | 0:09:05 | |
Hello. We love blue-and-white between us, | 0:09:05 | 0:09:08 | |
-but this is Wendy's particular love affair. -Yes. | 0:09:08 | 0:09:11 | |
Why do you rate it so much? | 0:09:11 | 0:09:13 | |
-Because it is an unusual pattern. -Yes. | 0:09:13 | 0:09:15 | |
It is late-19th-century Victorian. It is a foot bath. | 0:09:15 | 0:09:20 | |
-MADDIE: -A foot bath?! | 0:09:20 | 0:09:22 | |
A Victorian foot bath. | 0:09:22 | 0:09:23 | |
Oh, what fun. | 0:09:23 | 0:09:25 | |
Would you take 40 for it? | 0:09:25 | 0:09:27 | |
No. | 0:09:27 | 0:09:28 | |
-That is the way we want to do it, direct. -45? | 0:09:28 | 0:09:31 | |
I will do 50. | 0:09:32 | 0:09:34 | |
-Oh, what a gentleman. -What do you reckon? | 0:09:34 | 0:09:36 | |
I think at £50, we all get something out of it. Is that right? | 0:09:36 | 0:09:40 | |
-That's fine. -Shall we go for it, then? | 0:09:40 | 0:09:42 | |
-Yes. -Who is ready to shake for it? Who is doing the first shake? | 0:09:42 | 0:09:44 | |
-Wendy. -Me. But don't drop it. | 0:09:44 | 0:09:46 | |
That's great. Thank you so much. | 0:09:47 | 0:09:49 | |
-You're very welcome. -Right, item one. -Item one. -Done. | 0:09:49 | 0:09:52 | |
They said they wanted blue-and-white, and blue-and-white they got. | 0:09:52 | 0:09:56 | |
They are sticking to the script after all. | 0:09:56 | 0:09:59 | |
The gents, on the other hand, don't seem to be in any sort of rush. | 0:09:59 | 0:10:02 | |
-Right, come on. -Another clock. | 0:10:04 | 0:10:07 | |
-Oh, no, clocks. No! -OK. | 0:10:07 | 0:10:10 | |
-We need to buy something. -Yeah, we need to... -OK. | 0:10:12 | 0:10:15 | |
And this is quite a fun item, actually. This is a pepper pot. | 0:10:15 | 0:10:19 | |
Silver mounted. Nice turned wood. | 0:10:19 | 0:10:21 | |
-How old? -I don't think it is terribly old, actually, that one. | 0:10:21 | 0:10:24 | |
-Edwardian, I'd have thought. -Do you think it's as old as that? | 0:10:24 | 0:10:27 | |
-Oh, really? -Turn-of-the-century. -Is it? | 0:10:27 | 0:10:29 | |
-I really like that, actually. And it is £22. -Yes. | 0:10:29 | 0:10:31 | |
These are quite collectible. | 0:10:31 | 0:10:33 | |
If this came in for auction, I would estimate it at 30 to 50, | 0:10:33 | 0:10:37 | |
maybe £40 to £60. | 0:10:37 | 0:10:38 | |
-Wow. -And I think that may do well. So even at 22, it is reasonable. | 0:10:38 | 0:10:42 | |
If we can just get a little bit off it, it gives us | 0:10:42 | 0:10:44 | |
-a bit more potential profit. -All right, then, we'll go for that. | 0:10:44 | 0:10:47 | |
-Yeah, yeah. I like that. -How much could you do it for? | 0:10:47 | 0:10:50 | |
20. | 0:10:50 | 0:10:51 | |
Oooh. 19, so we have a chance of making a little profit? | 0:10:51 | 0:10:55 | |
-Eh... -Oh! | 0:10:55 | 0:10:57 | |
He's getting ahead there, isn't he? | 0:10:57 | 0:10:59 | |
-Don't... What do you do for a living? -Bank. | 0:10:59 | 0:11:02 | |
-Yeah, quite. -THEY LAUGH | 0:11:02 | 0:11:04 | |
-That sums it up, doesn't it? I think we can do 18, can't we? -Yes, we can. | 0:11:04 | 0:11:08 | |
-Are you happy with 18? -17? | 0:11:08 | 0:11:10 | |
Go on, go on. | 0:11:10 | 0:11:11 | |
-I started something now, haven't I? -You want us to win, don't you? | 0:11:11 | 0:11:14 | |
We'll stick at 18, I think. | 0:11:14 | 0:11:15 | |
17.50. Go on. | 0:11:15 | 0:11:17 | |
50s? Come on. | 0:11:17 | 0:11:20 | |
-I think, to be honest with you, £18 is a very good price for that. -OK. | 0:11:20 | 0:11:24 | |
I think you should shake the gentleman's hand | 0:11:24 | 0:11:26 | |
and say, "Yes, please." | 0:11:26 | 0:11:27 | |
OK, we'll shake on 18. | 0:11:27 | 0:11:28 | |
Thank you very much. | 0:11:28 | 0:11:30 | |
-Well, that just might add a bit of flavour to our profits. -Yeah. -OK. | 0:11:30 | 0:11:33 | |
-I like it. -It is cheap enough. -Flavour to profits. FLAVOUR. | 0:11:33 | 0:11:36 | |
-Oh, flavour. -Flavour? | 0:11:36 | 0:11:39 | |
We got it, Mark. Very good. | 0:11:39 | 0:11:42 | |
Now, they say actresses can be flighty, | 0:11:42 | 0:11:44 | |
so how are our team Red performing? | 0:11:44 | 0:11:47 | |
Right, Maddie is off on... | 0:11:47 | 0:11:49 | |
Maddie has gone for a recce. | 0:11:49 | 0:11:51 | |
Ah-ha! Some Staffordshire. | 0:11:51 | 0:11:53 | |
Team members? | 0:11:53 | 0:11:56 | |
-We're being summoned. -Stop chatting. | 0:11:56 | 0:11:58 | |
We are just having a chat, and you're working! | 0:11:58 | 0:12:00 | |
Stop chatting because I've found some lovely little Staffordshires. | 0:12:00 | 0:12:03 | |
-Staffordshire, Wendy, Staffordshire. -Lovely. | 0:12:03 | 0:12:05 | |
-They're sweet. -Aren't they? -What's the best thing about them? | 0:12:05 | 0:12:08 | |
-Surely the fact they're a pair. -One is a girl and one is a boy. | 0:12:08 | 0:12:11 | |
-One is a lad. -I like his sporran and his kilt. -Yes. | 0:12:11 | 0:12:13 | |
That is right up my street. | 0:12:13 | 0:12:16 | |
The thing is, we need to think about, will they make any money? | 0:12:16 | 0:12:19 | |
-At 120, no. -I'm a little bit scared that an auction estimate on those | 0:12:19 | 0:12:23 | |
-is going to be around £50 to £80. -I agree with you. | 0:12:23 | 0:12:25 | |
Shall we think about it and move on? | 0:12:25 | 0:12:27 | |
-All right. -Or do you really want to go for it? -OK. No, I don't have to. | 0:12:27 | 0:12:30 | |
You don't have to? Good spot, cos you were after that. | 0:12:30 | 0:12:32 | |
I do adore them, but we might come back. | 0:12:32 | 0:12:34 | |
Right. Shall we move on? | 0:12:34 | 0:12:36 | |
-Yes. -OK, thank you. After you, ladies. -Yes, ma'am. | 0:12:36 | 0:12:39 | |
Sorry, Maddie, James Bond himself couldn't get that | 0:12:39 | 0:12:42 | |
Staffordshire for a bargain. | 0:12:42 | 0:12:44 | |
-It's your thing, isn't it? -Yeah. -You really like globes. -I like globes. | 0:12:45 | 0:12:48 | |
It's very of its period. I mean, have you noticed, it's not English? | 0:12:48 | 0:12:51 | |
-No, that's French, isn't it? -French! -Amerique. | 0:12:51 | 0:12:54 | |
-So, is there a big market for this sort of thing? -There is. | 0:12:54 | 0:12:56 | |
I mean, there is a strong market for vintage globes, actually. | 0:12:56 | 0:13:00 | |
I mean, this one is quite nice | 0:13:00 | 0:13:02 | |
cos you've got that almost Art Deco base. | 0:13:02 | 0:13:04 | |
-Yeah, I like the Art Deco base. -It is probably 1950s. -Yeah. | 0:13:04 | 0:13:07 | |
You know, you'd put sort of £40 to £60 on it, I suppose. | 0:13:07 | 0:13:10 | |
-So we need to get it under that. -You'd need to get it down a bit. | 0:13:10 | 0:13:13 | |
What would you say was your best price, then? | 0:13:13 | 0:13:15 | |
-I would do £40 on that one. -45... | 0:13:15 | 0:13:18 | |
I'll do 40, yes. | 0:13:18 | 0:13:19 | |
Any negotiation on that? | 0:13:19 | 0:13:21 | |
I think 40 is a pretty good price, actually. | 0:13:21 | 0:13:24 | |
38, maybe? We've got to try and make a profit. | 0:13:24 | 0:13:27 | |
-So do I. -I know, I know. | 0:13:27 | 0:13:29 | |
I brought it all the way from France, it was raining, | 0:13:29 | 0:13:32 | |
four miles to my van... | 0:13:32 | 0:13:33 | |
I think there's a sob story coming on. | 0:13:33 | 0:13:36 | |
Exactly. I've got nine children to feed. | 0:13:36 | 0:13:38 | |
THEY LAUGH | 0:13:38 | 0:13:40 | |
£38 would be absolutely fine. | 0:13:40 | 0:13:42 | |
-38? -Yeah. -Shall we go for that, Mark? -Your choice. | 0:13:42 | 0:13:46 | |
-Yeah. -Thank you very much. -Thank you. -Good luck with it. | 0:13:46 | 0:13:49 | |
Well done, Blues. | 0:13:49 | 0:13:51 | |
Two pieces bought in the first 20 minutes with the banker | 0:13:51 | 0:13:53 | |
driving a hard bargain. | 0:13:53 | 0:13:55 | |
-It's going a lot better than I thought it would. -Yeah... | 0:13:56 | 0:13:59 | |
-I think we've still got time, haven't we? -Yeah. | 0:13:59 | 0:14:01 | |
We've got enough time to find something else. | 0:14:01 | 0:14:03 | |
Yeah, something we really like, I think. | 0:14:03 | 0:14:05 | |
So you don't really like the globe and the pepper mill, huh? | 0:14:05 | 0:14:08 | |
Oh, look, the Reds are over the place again. | 0:14:10 | 0:14:13 | |
-Where is Maddie? Where has Maddie got to? -Over there. | 0:14:13 | 0:14:16 | |
Maddie! There's something over here that is quite cool. | 0:14:16 | 0:14:18 | |
-What are my team-mates doing? -And look at these excellent seats. | 0:14:18 | 0:14:22 | |
-Oh, goodness me. -Oh, yes! -Are they not just absolutely gorgeous? | 0:14:22 | 0:14:25 | |
Oh, wow. | 0:14:25 | 0:14:26 | |
Because they are likely from the theatre or an early cinema or | 0:14:26 | 0:14:29 | |
-something like that. -Are we allowed to sit on them to try them? | 0:14:29 | 0:14:31 | |
-By all means, yes. -Have a wee seat. -They're fantastic. | 0:14:31 | 0:14:35 | |
They are fantastic, aren't they? | 0:14:35 | 0:14:37 | |
Are they stable? Yes. And they're still adjustable. | 0:14:37 | 0:14:41 | |
-Are they theatre or cinema? -I think they're... | 0:14:41 | 0:14:43 | |
What do you reckon? Probably cinema. | 0:14:43 | 0:14:45 | |
-I would say cinema. -Yeah, cinema. -1940s, probably. | 0:14:45 | 0:14:48 | |
But they are fab, aren't they? Do you want to have a wee sit? | 0:14:48 | 0:14:51 | |
And then they came from a cinema with a sloping floor, | 0:14:51 | 0:14:54 | |
-so we've just put them on wood. -To balance them up. -Yeah. -Yes. | 0:14:54 | 0:14:59 | |
-How does that feel? -They're lovely, aren't they? -They are pretty cool. | 0:14:59 | 0:15:02 | |
Comfortable! You could sort of... | 0:15:02 | 0:15:04 | |
Are we going to buy some cinema seats, then? | 0:15:04 | 0:15:07 | |
They're the best seats in the house. | 0:15:07 | 0:15:09 | |
What kind of price have you got on them? | 0:15:09 | 0:15:12 | |
Well, we have been asking 250 for the pair. | 0:15:12 | 0:15:14 | |
-I don't know if we're going to make that back at auction. -Right. | 0:15:14 | 0:15:17 | |
It is a case of taking a massive risk. | 0:15:17 | 0:15:20 | |
But this lady is lovely and she'll let us have them for loads less. | 0:15:20 | 0:15:24 | |
I mean, what would you be willing to pay for them? | 0:15:24 | 0:15:26 | |
-That is the question I would ask. -Would you take 150 on them? | 0:15:26 | 0:15:29 | |
Yes, I would do it. | 0:15:29 | 0:15:30 | |
Thank you so much. Thank you. | 0:15:30 | 0:15:33 | |
MUSIC: James Bond Theme A hug from a Bond girl... | 0:15:33 | 0:15:37 | |
Well, I never did! | 0:15:37 | 0:15:39 | |
And what an appropriate purchase for our lovely loveys. | 0:15:39 | 0:15:41 | |
-That's really nice. -Yes, it is a sort of silver-plate. | 0:15:44 | 0:15:47 | |
I just like the organic feel about it. | 0:15:47 | 0:15:50 | |
Well, it has got all the right sort of influences of the Art Nouveau. | 0:15:50 | 0:15:54 | |
But it is whether it is going to make any money, Mark. | 0:15:54 | 0:15:56 | |
It isn't marked, which is always a shame. | 0:15:56 | 0:15:58 | |
-It'd be quite nice to have a mark on it. -Oh, right. | 0:15:58 | 0:16:00 | |
If we really want it, we can speak to the dealer and see | 0:16:00 | 0:16:03 | |
whether we can negotiate a price. | 0:16:03 | 0:16:05 | |
-Yeah, I am happy with that. -Are you happy with that? -Yeah. Thanks, Mark. | 0:16:05 | 0:16:08 | |
Yeah, that is brilliant. | 0:16:08 | 0:16:10 | |
Always good to have one in the bank because time is a-ticking. | 0:16:10 | 0:16:14 | |
-Well, yes, I'm... -She is off again! Maddie! -Off she goes again. | 0:16:15 | 0:16:18 | |
-Honestly. -Oh, she has probably spotted something we could do with. | 0:16:18 | 0:16:22 | |
Is the crab the wildest thing you've ever seen? | 0:16:22 | 0:16:24 | |
Yes, it is very wild. Whether I like it or not, I don't know. | 0:16:24 | 0:16:28 | |
-He is actually rather smashing. -He is quite smashing. | 0:16:28 | 0:16:30 | |
-I quite like him. -On a wall... On a white wall... -Look at that. | 0:16:30 | 0:16:34 | |
-He's wonderful. -A pantomime clock. It's a pantomime clock. | 0:16:34 | 0:16:37 | |
It is a sort of tinny metal. And then look at this. | 0:16:37 | 0:16:40 | |
Do you think is a sort of down at the end of the pier kind of prop? | 0:16:40 | 0:16:43 | |
It is a sort of like a prop from a sort of | 0:16:43 | 0:16:46 | |
-pantomime or something like Peter Pan or... -Yeah. | 0:16:46 | 0:16:49 | |
-Something to do with the sea and pirates. -You may be right. | 0:16:49 | 0:16:52 | |
I don't know. I mean, I wouldn't like it in my home. | 0:16:52 | 0:16:55 | |
I was about to say, would you let | 0:16:55 | 0:16:56 | |
this to adorn your living room? | 0:16:56 | 0:16:57 | |
No. I think it is quirky enough | 0:16:57 | 0:17:00 | |
that it might actually sell. | 0:17:00 | 0:17:03 | |
-Well, I think we need to inquire as to its price. -Where is the person? | 0:17:03 | 0:17:06 | |
Side shuffle back to us. | 0:17:06 | 0:17:08 | |
-Sideways going? -Yes! | 0:17:08 | 0:17:11 | |
She is mad as a brush. | 0:17:11 | 0:17:12 | |
MUSIC: Live And Let Die You are all mad, Reds. | 0:17:12 | 0:17:15 | |
And we love it. | 0:17:15 | 0:17:16 | |
Now, how are the cool Blues getting on? | 0:17:16 | 0:17:19 | |
-The hour just isn't enough to take it all in, is it? -No. -Yeah, I know. | 0:17:19 | 0:17:23 | |
Mark, there was one thing. | 0:17:23 | 0:17:24 | |
I saw a mirror over on that stall we passed just a minute ago. | 0:17:24 | 0:17:28 | |
-OK, do you want show me? -Can we go and have a look at that? -Yes. | 0:17:28 | 0:17:30 | |
I see, going back to the first stall, eh? Clever. | 0:17:30 | 0:17:34 | |
-The first thing you can tell, it's not English. -No, looks French to me. | 0:17:34 | 0:17:38 | |
I think it is French, you are absolutely right. | 0:17:38 | 0:17:40 | |
And this is very much sort of that Empire style, | 0:17:40 | 0:17:43 | |
-or even Egyptian-esque style. -Yeah. | 0:17:43 | 0:17:45 | |
-Yeah. -I think this is somewhere at the beginning of the 20th century. | 0:17:45 | 0:17:48 | |
I mean, it feels like silver to me. | 0:17:48 | 0:17:50 | |
I mean, this is the sort of thing you'd find on a lady's dressing... | 0:17:50 | 0:17:53 | |
And it is still usable, isn't it? | 0:17:53 | 0:17:55 | |
-It is still usable. You like it. -I do. -I like it. -And I like it. | 0:17:55 | 0:17:59 | |
-How much is it? -£78. -£78. | 0:17:59 | 0:18:02 | |
Well, that is not a bad start, is it? | 0:18:02 | 0:18:05 | |
-Is there any wriggle room in that? -A little. A little. | 0:18:05 | 0:18:08 | |
See where... Where can you start off with? | 0:18:08 | 0:18:10 | |
Well, shall we start off | 0:18:10 | 0:18:12 | |
with a really ridiculous offer? £60. | 0:18:12 | 0:18:15 | |
-So not that ridiculous. -No! | 0:18:17 | 0:18:19 | |
It is reasonable, but I need a little bit more than that. | 0:18:19 | 0:18:22 | |
-You're going to come up a bit more. -How about 65? | 0:18:22 | 0:18:25 | |
-I think that is quite reasonable. -At 65, yes? -I think it is a deal. | 0:18:25 | 0:18:29 | |
-Are you happy with that, Mark? -I am very happy with that. | 0:18:29 | 0:18:32 | |
That is a reasonable price to pay. | 0:18:32 | 0:18:33 | |
-Brilliant. Thank you very much. -Thank you. | 0:18:33 | 0:18:36 | |
I am so happy with that. | 0:18:36 | 0:18:37 | |
-And we have got three things! -And we're finished. -Yes! | 0:18:37 | 0:18:41 | |
Excellent work, team - | 0:18:41 | 0:18:42 | |
all finished with ten minutes to spare. | 0:18:42 | 0:18:45 | |
-Who is putting the kettle on? -Oh, he can. -No, not me. | 0:18:45 | 0:18:49 | |
THEY LAUGH | 0:18:49 | 0:18:51 | |
Milk, no sugar for me, please. | 0:18:51 | 0:18:53 | |
Meanwhile, the Reds are about to find out the cost of the tin crab. | 0:18:53 | 0:18:57 | |
How much is this? | 0:18:57 | 0:18:59 | |
-£85. -£85?! | 0:18:59 | 0:19:02 | |
-'No!' -No, no. | 0:19:02 | 0:19:03 | |
-Yes, it's made by Mexican artisan families. -Yeah... | 0:19:03 | 0:19:08 | |
And they're all made out of old oil drums, any metal they can get. | 0:19:08 | 0:19:13 | |
I don't think we can afford this. | 0:19:13 | 0:19:14 | |
Do it for 70, sir. | 0:19:14 | 0:19:16 | |
-75? -80 is best. | 0:19:16 | 0:19:17 | |
80 is the best. | 0:19:17 | 0:19:18 | |
Do we do it for 80, Natasha? | 0:19:18 | 0:19:20 | |
-Um, uh... -You are the oracle. | 0:19:20 | 0:19:22 | |
I...I... | 0:19:22 | 0:19:23 | |
We are running out of time, but I am worried at 80. | 0:19:23 | 0:19:26 | |
-I am worried at 80. -Yes. -Are you? | 0:19:26 | 0:19:28 | |
-Not 75 even? -'No, sorry.' | 0:19:28 | 0:19:30 | |
Well, I think we have to say no then, don't we? | 0:19:30 | 0:19:32 | |
'Do we have to say no?' | 0:19:32 | 0:19:33 | |
It is up to you, but I'm worried. Personally, I am worried at 80. | 0:19:33 | 0:19:37 | |
-What does that leave you? -It leaves me 20 quid. | 0:19:37 | 0:19:39 | |
And I've made money on less, so don't worry about that. | 0:19:39 | 0:19:41 | |
We'll take it then. | 0:19:41 | 0:19:43 | |
We'll take it then. Because I think it is worth the gamble. | 0:19:43 | 0:19:47 | |
I hope we make a fortune out of it. | 0:19:47 | 0:19:50 | |
We are going to lose brilliantly, but it will have been a lot of fun. | 0:19:50 | 0:19:53 | |
I think we can all just burst into Que Sera. | 0:19:53 | 0:19:55 | |
I think that would be a nice thing to do right now. | 0:19:55 | 0:19:58 | |
Time is up! | 0:20:00 | 0:20:01 | |
Ladies, we have snapped up three pretty wild items. | 0:20:01 | 0:20:05 | |
And I have been thrilled | 0:20:05 | 0:20:08 | |
-to spend the last hour with you. -Oh, thank you. | 0:20:08 | 0:20:10 | |
-I think we need to wish ourselves a little bit of luck at auction. -Yes. | 0:20:10 | 0:20:12 | |
So let's go and have a sit down and just sort of think about | 0:20:12 | 0:20:15 | |
-what we've done. -And have a drink. -Yeah. Yes, please, let's go. | 0:20:15 | 0:20:18 | |
Thank you. | 0:20:18 | 0:20:19 | |
Let's check out what the Red team bought, eh? | 0:20:19 | 0:20:22 | |
The girls went wild for the blue-and-white foot bath. | 0:20:24 | 0:20:27 | |
They were crazy about the cinema chairs, and spent £150 on them. | 0:20:30 | 0:20:34 | |
And guess what? | 0:20:34 | 0:20:35 | |
They were bonkers about the tin crab | 0:20:35 | 0:20:38 | |
and shelled out - ha - £80 for it. | 0:20:38 | 0:20:41 | |
Those girls sure know how to spend money! | 0:20:41 | 0:20:43 | |
I say, I say, I say! | 0:20:43 | 0:20:46 | |
How lovely. | 0:20:46 | 0:20:47 | |
-Have you had a lovely time? -Absolutely fantastic. | 0:20:47 | 0:20:49 | |
-It was good, was it? -Really enjoyed it. Yes, it was. | 0:20:49 | 0:20:52 | |
Yeah. Did the time whiz by? | 0:20:52 | 0:20:53 | |
-Awfully quick. -Awfully quick. And which is your favourite piece, Mads? | 0:20:53 | 0:20:57 | |
-The Mexican crab. -Good. | 0:20:57 | 0:21:00 | |
It sounds like some sort of dance, doesn't it, really? Or worse. | 0:21:00 | 0:21:04 | |
It's make or break, I think, with the crab, but I do love it. | 0:21:04 | 0:21:06 | |
-Was the crab your favourite too, Wendy? -Not really. | 0:21:06 | 0:21:09 | |
-My favourite thing was the blue-and-white foot bath. -Good. | 0:21:09 | 0:21:14 | |
And is that going to bring the biggest profit, do you think? | 0:21:14 | 0:21:17 | |
-I think it's got a good chance, yes. -Yes, you do? -I think. | 0:21:17 | 0:21:19 | |
-In total, how much did you spend? -280. -280. | 0:21:19 | 0:21:23 | |
Please, may I have 20? | 0:21:23 | 0:21:25 | |
Lovely. Jolly good. | 0:21:25 | 0:21:26 | |
-Don't spend it all at once. -No, no, it's not for me. | 0:21:26 | 0:21:29 | |
-It is for her indoors. -Thank you. | 0:21:29 | 0:21:30 | |
Who is going to go out now and go forth and multiply. | 0:21:30 | 0:21:33 | |
Aren't you, Natasha. | 0:21:33 | 0:21:34 | |
Yeah, well, as you can tell, Tim, the last hour has been... | 0:21:34 | 0:21:37 | |
-Quite tiring. -..quite wild. | 0:21:37 | 0:21:38 | |
So I'm going to amble around and find something, | 0:21:38 | 0:21:41 | |
like these ladies, that is fun and games. | 0:21:41 | 0:21:43 | |
Which is absolute marvellous, Natasha, thank you very much. | 0:21:43 | 0:21:46 | |
But right now, why don't we check out what the Blue team bought, eh? | 0:21:46 | 0:21:50 | |
The charming pepper grinder cost the Blues just £18. | 0:21:51 | 0:21:54 | |
The world is their oyster with the 1960s French globe. | 0:21:56 | 0:22:01 | |
And here's looking at you, team. The silver mirror, bought for £65. | 0:22:01 | 0:22:06 | |
-So, how was that for you? -I really enjoyed it. | 0:22:06 | 0:22:08 | |
Time goes really quickly. | 0:22:08 | 0:22:09 | |
-It does. -Oh, yeah. -When you are enjoying yourself. | 0:22:09 | 0:22:12 | |
-Oh, yes, spending other people's money. -Fiddling about. | 0:22:12 | 0:22:14 | |
-No better guide than Mark Stacey. -No. -No. -Uh, well... | 0:22:14 | 0:22:19 | |
-How much did you spend? -Steve. | 0:22:19 | 0:22:21 | |
-121. -Did you? 121. | 0:22:21 | 0:22:23 | |
So, please, may have 179? | 0:22:23 | 0:22:25 | |
-I have got it somewhere safe. -OK. What is your favourite piece? | 0:22:25 | 0:22:29 | |
Oh, I like my globe. | 0:22:29 | 0:22:30 | |
-You like your globe. Do you agree with that? -No, not really. | 0:22:30 | 0:22:33 | |
I like my mirror. I thought that was a good quality piece. | 0:22:33 | 0:22:36 | |
-Do you ever agree with Steve? -No, not really. | 0:22:36 | 0:22:38 | |
THEY LAUGH That is your favourite. | 0:22:38 | 0:22:41 | |
Is it going to bring the biggest profit? | 0:22:41 | 0:22:43 | |
-No, I don't think so. -What is going to? | 0:22:43 | 0:22:45 | |
-The pepper grinder. -I agree. -It was found by our expert. | 0:22:45 | 0:22:48 | |
Well, he is pretty hot stuff himself. | 0:22:48 | 0:22:50 | |
He doesn't need peppered up. There you go. | 0:22:50 | 0:22:52 | |
What are you going to spend all that cash on, Mark Stacey? | 0:22:52 | 0:22:55 | |
Well, we've got... | 0:22:55 | 0:22:56 | |
We've taken a trip around the world with the globe. I think I'm going | 0:22:56 | 0:22:59 | |
-to look East. -Are you? | 0:22:59 | 0:23:00 | |
-BOTH: -Aaah! -There is a bit of a hint. -Yeah. | 0:23:00 | 0:23:03 | |
You've got a little bit of time because we are about to head off | 0:23:03 | 0:23:05 | |
to Winchester Cathedral. | 0:23:05 | 0:23:07 | |
What a marvel this 11th-century building is. | 0:23:12 | 0:23:16 | |
It has the longest nave of any medieval cathedral in Europe | 0:23:16 | 0:23:21 | |
and is full of antiquities that reveal our rich, fascinating history. | 0:23:21 | 0:23:25 | |
Behind me is the West Window, | 0:23:28 | 0:23:30 | |
a simply vast expanse of stained glass. | 0:23:30 | 0:23:35 | |
And when this was originally completed in 1375 | 0:23:35 | 0:23:39 | |
by Thomas of Oxford, it told the story of the life of Christ. | 0:23:39 | 0:23:45 | |
And it is interesting, isn't it? | 0:23:45 | 0:23:46 | |
If you consider that at that time the population was largely | 0:23:46 | 0:23:51 | |
illiterate and stained glass, pictorially, enabled the story | 0:23:51 | 0:23:56 | |
to be understood by practically everyone. | 0:23:56 | 0:24:00 | |
But today, that window tells a slightly different story. | 0:24:00 | 0:24:04 | |
For 250 years, | 0:24:06 | 0:24:08 | |
the window stood proudly at the entrance of the cathedral. | 0:24:08 | 0:24:12 | |
But come the English Civil War in 1642, | 0:24:12 | 0:24:15 | |
when Cromwell's forces tried to overthrow King Charles, | 0:24:15 | 0:24:19 | |
the magnificent stained glass came under attack. | 0:24:19 | 0:24:22 | |
To help uncover the West Window's past | 0:24:25 | 0:24:29 | |
is local historian Dr Louise Hill Curth, | 0:24:29 | 0:24:32 | |
who is an expert in the Civil War period. | 0:24:32 | 0:24:35 | |
So how does this window differ from the original? | 0:24:35 | 0:24:39 | |
This window is made up of many, | 0:24:39 | 0:24:41 | |
many thousands of pieces of tiny broken medieval glass. | 0:24:41 | 0:24:45 | |
The original window was destroyed sometime in the 1640s | 0:24:45 | 0:24:49 | |
when the Parliamentarians came in and pillaged the cathedral. | 0:24:49 | 0:24:53 | |
Why was Winchester targeted by the Parliamentarians? | 0:24:53 | 0:24:57 | |
Winchester was a Royalist stronghold. | 0:24:57 | 0:25:00 | |
We have a castle, we have the cathedral. | 0:25:00 | 0:25:02 | |
And the Winchesterians were very, very strong supporters | 0:25:02 | 0:25:06 | |
of King Charles. | 0:25:06 | 0:25:07 | |
When they came into Winchester and attacked, | 0:25:07 | 0:25:10 | |
they destroyed buildings all along the way to the cathedral. | 0:25:10 | 0:25:13 | |
And when they got to the cathedral, the stories go, that they | 0:25:13 | 0:25:16 | |
destroyed or stole everything they possibly could, | 0:25:16 | 0:25:20 | |
and this included destroying the stained glass windows. | 0:25:20 | 0:25:23 | |
Cromwell's forces were determined to use violence to obliterate | 0:25:25 | 0:25:29 | |
certain symbols in Britain's churches. | 0:25:29 | 0:25:31 | |
But here they failed. | 0:25:31 | 0:25:33 | |
Instead, the smashed glass was kept safe. And when peace was restored, | 0:25:33 | 0:25:37 | |
so was the West Window, in a new and different way. | 0:25:37 | 0:25:41 | |
When we look at the window, | 0:25:41 | 0:25:42 | |
you must remember that it is many, many thousands of pieces | 0:25:42 | 0:25:45 | |
of medieval glass that were broken and then replaced or renovated. | 0:25:45 | 0:25:51 | |
Now, there is a figure which is... | 0:25:51 | 0:25:53 | |
It looks like one person, | 0:25:53 | 0:25:54 | |
but it is actually made up of bits of original | 0:25:54 | 0:25:57 | |
figures of different people which now looks like one completed figure. | 0:25:57 | 0:26:01 | |
So, what is it that is important about this window? | 0:26:01 | 0:26:05 | |
I think, actually, we need to ask | 0:26:05 | 0:26:06 | |
what is so important about the survival of the window | 0:26:06 | 0:26:10 | |
and the cathedral. | 0:26:10 | 0:26:11 | |
This cathedral dates back to the 11th century. | 0:26:11 | 0:26:14 | |
It is a major part of our heritage. | 0:26:14 | 0:26:16 | |
And today, we can see it in its magnificence | 0:26:16 | 0:26:19 | |
and beauty despite centuries of war. | 0:26:19 | 0:26:22 | |
It is a thrilling experience to be able to wander | 0:26:28 | 0:26:31 | |
in one of our historic cathedrals. | 0:26:31 | 0:26:34 | |
So much history safely gathered under a single roof. | 0:26:34 | 0:26:39 | |
And the West Window, of course, is a reminder to us that | 0:26:39 | 0:26:43 | |
when something is broken, it is not necessarily lost. | 0:26:43 | 0:26:47 | |
The big question today for our teams over at the auction is, | 0:26:47 | 0:26:52 | |
are they going to find themselves in lots of little pieces or | 0:26:52 | 0:26:56 | |
simply have a smashing time? HE CHUCKLES | 0:26:56 | 0:26:59 | |
Half an hour up the road | 0:27:02 | 0:27:03 | |
are Special Auction Services, in Greenham, | 0:27:03 | 0:27:06 | |
where our bargain hunters are putting their purchases to the test. | 0:27:06 | 0:27:09 | |
Thomas Plant is wielding the gavel. | 0:27:09 | 0:27:11 | |
And I caught up with him about our items. | 0:27:11 | 0:27:13 | |
-Thomas, it is grand be here. -It is a pleasure to have you. | 0:27:15 | 0:27:18 | |
What we have got here is an amazing selection of stuff. | 0:27:18 | 0:27:21 | |
First up is this blue-and-white foot bath. | 0:27:21 | 0:27:24 | |
-For washing one's feet after a long day. -Exactly. | 0:27:24 | 0:27:27 | |
-It is not very old. -No. -It was probably made... -Last year? | 0:27:27 | 0:27:31 | |
Late 20th century. It could be last year. | 0:27:31 | 0:27:33 | |
It is directly a copy of a Mason's Ironstone one | 0:27:33 | 0:27:38 | |
in a transfer blue-and-white. | 0:27:38 | 0:27:40 | |
-It is decorative. -Exactly. But brand-new, effectively, | 0:27:40 | 0:27:43 | |
What is it worth? | 0:27:43 | 0:27:44 | |
-£20 to £30. -OK. -That is being generous. -Yes. | 0:27:44 | 0:27:48 | |
I'm afraid to say that £50 was paid. We'll see what happens. | 0:27:48 | 0:27:51 | |
Now, we have got the cinema chairs. They're fun, aren't they? | 0:27:51 | 0:27:54 | |
I love the cinema chairs. | 0:27:54 | 0:27:55 | |
-If you were a cinema buff... -Exactly. | 0:27:55 | 0:27:58 | |
..and you didn't have a home cinema, you'd still like them. | 0:27:58 | 0:28:00 | |
You could put them in a corner of a room where you can show your movies. | 0:28:00 | 0:28:04 | |
And get a tub of popcorn | 0:28:04 | 0:28:06 | |
and a couple of cans of something fizzy, right? | 0:28:06 | 0:28:09 | |
Snuggle down in those chairs. | 0:28:09 | 0:28:11 | |
And I tell you, you would be back in the ODEON in 1935. | 0:28:11 | 0:28:14 | |
-Right. How much? -80 to 100. -OK, 150 paid. | 0:28:14 | 0:28:18 | |
Well, you know, it is the opportunity. | 0:28:18 | 0:28:20 | |
-It should make money. -And then lastly, we've got this old crab. | 0:28:20 | 0:28:23 | |
-The crab. -It could be 1980s. It could be even later. | 0:28:23 | 0:28:26 | |
-It is just made out of some old scrap metal, isn't it? -It is. | 0:28:26 | 0:28:29 | |
It is handmade. It is not beautifully done. | 0:28:29 | 0:28:33 | |
It has been done with a bit of oxyacetylene on here. | 0:28:33 | 0:28:35 | |
You can see the way they've done it. | 0:28:35 | 0:28:37 | |
It's a horrible thing. How much is it worth? | 0:28:37 | 0:28:40 | |
-£20 to £30. -OK, £20 to £30. | 0:28:40 | 0:28:42 | |
-80 paid. -Right, OK. -OK? | 0:28:42 | 0:28:44 | |
-They have taken some serious chances here. -They have. | 0:28:44 | 0:28:47 | |
And I have a horrible feeling it is going to go most horribly | 0:28:47 | 0:28:50 | |
wrong for them and they are going to need their bonus buy. | 0:28:50 | 0:28:53 | |
So we need now, Tom, | 0:28:53 | 0:28:55 | |
to shuffle off, without you, | 0:28:55 | 0:28:57 | |
secretly, | 0:28:57 | 0:28:58 | |
to check out the bonus buy. | 0:28:58 | 0:29:00 | |
Don't we? | 0:29:00 | 0:29:02 | |
Look, you spent £280. I am so proud of you girls! | 0:29:02 | 0:29:05 | |
You only gave £20 to Natasha Raskin | 0:29:05 | 0:29:07 | |
to go and find your bonus buy. What did you find, Nattie? | 0:29:07 | 0:29:10 | |
Poor little sweetie. | 0:29:10 | 0:29:11 | |
-I didn't have a lot of money, did I? -No. Sorry about that. | 0:29:11 | 0:29:13 | |
So I kept it cheap but cheerful. I thought, fun and games. | 0:29:13 | 0:29:16 | |
-I think if you remember, I said, "Fun and games." -You did. | 0:29:16 | 0:29:19 | |
And I thought, talking of games, | 0:29:19 | 0:29:21 | |
I don't know if you ladies play bridge at all. | 0:29:21 | 0:29:23 | |
No. Too stupid. | 0:29:23 | 0:29:25 | |
-THEY LAUGH -Not the game, me. | 0:29:25 | 0:29:26 | |
Not true, not true. But it is very popular. | 0:29:26 | 0:29:29 | |
-Parlour games have become so popular. -Hugely. | 0:29:29 | 0:29:32 | |
And this is a wee trump marker. So you have little slabs here | 0:29:32 | 0:29:35 | |
that show you the different suits of the cards. Do you play bridge, Tim? | 0:29:35 | 0:29:38 | |
-You nominate the suits or something like that. -You do, you do. | 0:29:38 | 0:29:41 | |
I think in the contemporary game, this is done with a wee box. | 0:29:41 | 0:29:44 | |
-Is that silver? -It's not. It is silver-plated. | 0:29:44 | 0:29:46 | |
It looks like ivory, but it is ivorine. | 0:29:46 | 0:29:48 | |
And it is just a sweet wee thing. | 0:29:48 | 0:29:50 | |
-It is kind of falling to bits, but I loved it. -How old is it? | 0:29:50 | 0:29:53 | |
How old is it? I wouldn't think it was terribly old, sort of 1950s, | 0:29:53 | 0:29:56 | |
'60s, something like that. | 0:29:56 | 0:29:57 | |
-But I only paid four pounds for it. -Really? -Mm. | 0:29:57 | 0:29:59 | |
Four pounds. So it is really nothing. | 0:29:59 | 0:30:02 | |
But we did take quite a few risks, ladies, | 0:30:02 | 0:30:03 | |
-so I thought, "Let's bring the risk level down a little bit." -Yes. | 0:30:03 | 0:30:06 | |
-That's interesting(!) -OK, well, you like that, don't you? -I love it. | 0:30:06 | 0:30:10 | |
You don't pick now, Wendy, | 0:30:10 | 0:30:11 | |
you pick after the sale of your first three items. | 0:30:11 | 0:30:14 | |
Right now, for the audience at home, | 0:30:14 | 0:30:16 | |
let's find out whether the auctioneer thinks that Natasha is onto a winner. | 0:30:16 | 0:30:21 | |
-So, there you go, Tom. -Yeah. I love bridge things. | 0:30:21 | 0:30:25 | |
And this is very respectable, | 0:30:25 | 0:30:27 | |
electroplated bridge marker with IVORINE markers, slightly faded. | 0:30:27 | 0:30:31 | |
-Which is another word for plastic, really, isn't it? -Yeah. | 0:30:31 | 0:30:34 | |
It is a fancy word for plastic. | 0:30:34 | 0:30:36 | |
But it is at the bottom | 0:30:36 | 0:30:37 | |
of the pecking order of bridge trump markers. | 0:30:37 | 0:30:41 | |
Poor Natasha only had £20, | 0:30:41 | 0:30:42 | |
and she went out and she spent a modest amount. | 0:30:42 | 0:30:44 | |
What is your estimate on that? | 0:30:44 | 0:30:46 | |
I think we put ten to £15 on it. | 0:30:46 | 0:30:48 | |
Well, the girl only spent four pounds. | 0:30:48 | 0:30:49 | |
-She spent the right amount, didn't she? -Perfect. | 0:30:49 | 0:30:52 | |
Which is a perfect bonus buy | 0:30:52 | 0:30:53 | |
if you've only got that modest amount to buy. | 0:30:53 | 0:30:55 | |
Exciting, though. Whatever is going to happen, Tom? | 0:30:55 | 0:30:57 | |
-Absolutely. -It is a weird group. | 0:30:57 | 0:30:59 | |
Not quite as weird but getting on that way | 0:30:59 | 0:31:01 | |
for Mark Stacey and Andy and Steve | 0:31:01 | 0:31:05 | |
is the pepper mill. Now, that is a classic of its type. | 0:31:05 | 0:31:08 | |
-It has got a retailer's name to it - Park, Green and Co. -Lovely. | 0:31:08 | 0:31:11 | |
And they are well known for making pepper mills. I like this very much. | 0:31:11 | 0:31:16 | |
-Good. And it is silver, right? Solid silver? -Silver banding. -1960s silver. | 0:31:16 | 0:31:21 | |
What is it worth? | 0:31:21 | 0:31:22 | |
-I put £20 to £30 on it. -Fair enough. Mark found it. He paid £18. | 0:31:22 | 0:31:25 | |
He paid the right price. And that is cheap, really, as a retail price. | 0:31:25 | 0:31:28 | |
-Now, the globe. I mean, do you like that one? -I do like this one. | 0:31:28 | 0:31:32 | |
-It is a French one. -Yeah. Well, we can't hold that against it. | 0:31:32 | 0:31:34 | |
No, we can't hold that against it. | 0:31:34 | 0:31:36 | |
-Does it date from the 1950s, that thing? -1960s. -Right. | 0:31:36 | 0:31:39 | |
What do you think it is worth? Is it worth £100? | 0:31:39 | 0:31:42 | |
-But because of the base... -Yes. | 0:31:42 | 0:31:45 | |
It has been squashed here, which is a real shame. | 0:31:45 | 0:31:48 | |
-£20 to £30. -Really? -Mm. | 0:31:48 | 0:31:50 | |
£38 paid. | 0:31:50 | 0:31:52 | |
I don't see a problem. It might make more. | 0:31:52 | 0:31:54 | |
-Do you know, I've got a funny feeling about it. -Good. | 0:31:54 | 0:31:56 | |
Now, moving on, we have got the little hand mirror. | 0:31:56 | 0:31:58 | |
Is it made of a precious metal? | 0:31:58 | 0:32:00 | |
I think it probably is going to be a silver. | 0:32:00 | 0:32:02 | |
It has got that sort of Renaissance-y look to the wings. | 0:32:02 | 0:32:06 | |
-And the grotesque, yeah. -That is a quality thing. | 0:32:06 | 0:32:09 | |
-And it is a lovely size. -Exactly. What is it worth? -£40 to £60. | 0:32:09 | 0:32:12 | |
-OK, £65 he paid. -Well, he's got to get the upper end. | 0:32:12 | 0:32:16 | |
It might get the upper end. But it is just a hand mirror. | 0:32:16 | 0:32:18 | |
And if you see the better hand mirrors, | 0:32:18 | 0:32:20 | |
-the larger sized ones, they do make £50 to £80. -Yeah. | 0:32:20 | 0:32:24 | |
I mean, they have taken some chances, these Blues. | 0:32:24 | 0:32:27 | |
There was a pile of leftover lolly. | 0:32:27 | 0:32:29 | |
Let us find out what Mark Stacey spent the leftover lolly on. | 0:32:29 | 0:32:34 | |
-Well, excitement or not? -Yes, yes. Looking forward to this. | 0:32:35 | 0:32:38 | |
-What, the leftover lolly? -Yes. -Well, you only spent the 121. | 0:32:38 | 0:32:41 | |
You gave Mark Stacey £179. Mark, what did you spend it on? | 0:32:41 | 0:32:45 | |
-I spent it on this. -Oh! -Oooh! -Which I think is absolutely wonderful. | 0:32:45 | 0:32:50 | |
It is... White metal, we'd call it, but actually it's silver. | 0:32:50 | 0:32:54 | |
-Indian. -Right, OK. | 0:32:54 | 0:32:56 | |
It is not marked, of course, but the detailing is quite good. | 0:32:56 | 0:32:59 | |
And I would have said it is sort of late 19th century, 1900 or so. | 0:32:59 | 0:33:03 | |
-Wow, quite old then. -During the Raj period. | 0:33:03 | 0:33:05 | |
-Want to have a look? -Yeah. | 0:33:05 | 0:33:06 | |
And these things now, I think, are becoming a lot more collectible. | 0:33:06 | 0:33:09 | |
What do you think, Stevie Wonder? | 0:33:09 | 0:33:11 | |
I like it. But the important question is, how much did you spend? | 0:33:11 | 0:33:14 | |
-Well, I paid a very modest £60 for that. -Not bad. | 0:33:14 | 0:33:18 | |
-Which I think is quite reasonable. -Yeah. | 0:33:18 | 0:33:19 | |
So, how much do you think it is going to make, Mark? | 0:33:19 | 0:33:22 | |
Well, I'd like to see it making about 100 or so. | 0:33:22 | 0:33:25 | |
-£80 to £100. -Wow. -I think that is perfectly reasonable, | 0:33:25 | 0:33:28 | |
particularly with the internet these days. | 0:33:28 | 0:33:30 | |
Got all the information you need, | 0:33:30 | 0:33:32 | |
-Stevie Wonder? -Um... I think so. | 0:33:32 | 0:33:34 | |
-You are anxious about it, Andy, are you? -Oh, no, not at all. -Not at all. | 0:33:34 | 0:33:38 | |
THEY LAUGH | 0:33:38 | 0:33:40 | |
Well, that's great. OK, everybody is happy. | 0:33:40 | 0:33:42 | |
Right now, for the audience at home, let's find out whether our auctioneer | 0:33:42 | 0:33:45 | |
is equally happy. | 0:33:45 | 0:33:46 | |
Right. Silver? | 0:33:47 | 0:33:49 | |
This is a piece of Indian silver, | 0:33:49 | 0:33:51 | |
possibly from the Lucknow region in India. It is a good canister. | 0:33:51 | 0:33:56 | |
-I like it. -You could use it for tea. | 0:33:56 | 0:33:59 | |
If you wanted to keep your Indian tea | 0:33:59 | 0:34:01 | |
in an Indian silver tea canister, nothing more perfect. | 0:34:01 | 0:34:05 | |
It is sort of air-tight, too, which is lovely, keep it nice and fresh. | 0:34:05 | 0:34:08 | |
-My estimate was £50 to £70. -Was it? | 0:34:08 | 0:34:10 | |
Well, that is brilliant, spot on, cos Mark paid 60. | 0:34:10 | 0:34:13 | |
And he paid that retail. | 0:34:13 | 0:34:14 | |
If you can get 50 to 70 at the auction, that would be brilliant. | 0:34:14 | 0:34:17 | |
-Well, it deserves to. -It does, doesn't it? -It does, 100%. | 0:34:17 | 0:34:20 | |
Very good, Tom. Well, we are looking forward to your action in a minute. | 0:34:20 | 0:34:23 | |
-Thank you very much. -Thank you. -Thank you. | 0:34:23 | 0:34:25 | |
Time for Thomas to take to the rostrum. Stand by. | 0:34:25 | 0:34:29 | |
45 online I have. | 0:34:29 | 0:34:30 | |
85. It's online at 85. | 0:34:33 | 0:34:35 | |
Online at £85... | 0:34:35 | 0:34:37 | |
-Maddie, how are you feeling? -Excited. | 0:34:38 | 0:34:40 | |
-Are you? -Excited. The knees are going. | 0:34:40 | 0:34:42 | |
-My knees tend to lock. -Are they? | 0:34:42 | 0:34:44 | |
-Yes. -Is that the same with you, Wendy? -Yes, absolutely. | 0:34:44 | 0:34:47 | |
Really, really looking forward to this. | 0:34:47 | 0:34:49 | |
And first up is your blue-and-white foot bath. | 0:34:49 | 0:34:53 | |
Stand by for a bloodbath, here it comes. | 0:34:53 | 0:34:55 | |
Lot number 110. | 0:34:55 | 0:34:57 | |
A late-20th-century | 0:34:57 | 0:34:58 | |
blue-and-white foot bath here. | 0:34:58 | 0:35:00 | |
Ten pounds. | 0:35:00 | 0:35:01 | |
Ten pounds to start us. Ten. 12. | 0:35:01 | 0:35:04 | |
15. 18. 20. Two. | 0:35:04 | 0:35:07 | |
Five. Eight. | 0:35:08 | 0:35:09 | |
30. Five. | 0:35:11 | 0:35:13 | |
35 I have. And 40 it is. | 0:35:13 | 0:35:15 | |
He is a conductor, isn't he? | 0:35:15 | 0:35:17 | |
'40 it is. At £40 it is.' | 0:35:17 | 0:35:18 | |
One more? | 0:35:18 | 0:35:20 | |
45 online I have. | 0:35:20 | 0:35:22 | |
How brilliant is that? | 0:35:22 | 0:35:23 | |
45. 50 it is. At £50. | 0:35:23 | 0:35:25 | |
You are on £50. | 0:35:25 | 0:35:27 | |
Room bidder has it at 50. Once. | 0:35:27 | 0:35:29 | |
-Oh, so close! -Wiped its face. | 0:35:29 | 0:35:31 | |
-But that is so much better than they thought. -Brilliant. | 0:35:31 | 0:35:34 | |
Than I thought! | 0:35:34 | 0:35:35 | |
-What do I know? -Lot 111, a pair of Art Deco cinema chairs. | 0:35:35 | 0:35:39 | |
Start me here at £60. 60 I have. | 0:35:39 | 0:35:42 | |
-Oh, straight in. -'60 in front.' | 0:35:42 | 0:35:43 | |
Any advance at 60? | 0:35:43 | 0:35:44 | |
A gentleman's bid in front at £60. | 0:35:44 | 0:35:46 | |
'Maiden bid. Five.' | 0:35:46 | 0:35:49 | |
70. 70 we have here. | 0:35:49 | 0:35:51 | |
70, it's against the internet. | 0:35:51 | 0:35:52 | |
'At £70.' | 0:35:52 | 0:35:54 | |
Room bidder has it at 70. Once, 70. | 0:35:54 | 0:35:57 | |
-'Twice. 75. 80.' -Oh! | 0:35:57 | 0:35:59 | |
80 I've got. 80 it is once. | 0:35:59 | 0:36:02 | |
80, twice. All done then at 80... | 0:36:02 | 0:36:04 | |
-Uh-oh. -Oh! | 0:36:04 | 0:36:06 | |
£80 is -70. That is not so hot. | 0:36:06 | 0:36:09 | |
That's unusual. | 0:36:09 | 0:36:10 | |
I am very surprised. | 0:36:10 | 0:36:12 | |
-In fact, I am cut up about it. -So am I. | 0:36:12 | 0:36:14 | |
Now, let's go with the crab. | 0:36:14 | 0:36:16 | |
Ten pound note for the crab. | 0:36:16 | 0:36:17 | |
And a ten pound note I have. At ten pounds it is. | 0:36:17 | 0:36:20 | |
Any advance at ten? 12. | 0:36:20 | 0:36:22 | |
-Uh-oh. -'15.' -Stop it. | 0:36:22 | 0:36:24 | |
18. 20. Two. | 0:36:24 | 0:36:26 | |
22 it is. | 0:36:26 | 0:36:28 | |
At £22 for the crab. At 22. | 0:36:28 | 0:36:31 | |
-'And five online.' -Oh! Wendy... | 0:36:31 | 0:36:32 | |
'Go on, sir, it is against you online. | 0:36:32 | 0:36:34 | |
'You could take it home today.' | 0:36:34 | 0:36:35 | |
28 I have. At 28 it is there. | 0:36:35 | 0:36:37 | |
At £30. | 0:36:37 | 0:36:38 | |
-I want 100. -'30. You're not going to stop at 30.' | 0:36:38 | 0:36:41 | |
30 once. | 0:36:41 | 0:36:43 | |
30 twice. All done then. | 0:36:43 | 0:36:45 | |
WOMEN GROAN £30 is minus £50. | 0:36:45 | 0:36:49 | |
Equals £120. | 0:36:49 | 0:36:52 | |
So what are we going to do about this bonus buy? | 0:36:52 | 0:36:54 | |
-Going to go with the four-pound bonus buy? -I love it. | 0:36:54 | 0:36:56 | |
-I love you. -What we got to lose? | 0:36:56 | 0:36:57 | |
-I think we should go for it. -Are you happy, Wendy? -Yes. -We are both happy. | 0:36:57 | 0:37:01 | |
-Maddie, you're happy? -Definitely. -We are going with the bonus buy. | 0:37:01 | 0:37:04 | |
Here it comes. | 0:37:04 | 0:37:06 | |
Lot 116, a plated trump marker. | 0:37:06 | 0:37:08 | |
Um... For bridge or whist. | 0:37:08 | 0:37:10 | |
Start me here at five pounds. | 0:37:10 | 0:37:12 | |
At five for the bridge marker. | 0:37:12 | 0:37:13 | |
Five pounds online. | 0:37:13 | 0:37:15 | |
TIM LAUGHS | 0:37:15 | 0:37:16 | |
Five pounds, an online bidder has it. | 0:37:16 | 0:37:18 | |
Is there eight anywhere else? | 0:37:18 | 0:37:20 | |
Five pounds it is here. Once. | 0:37:20 | 0:37:22 | |
Five pounds, twice. All done then. | 0:37:22 | 0:37:25 | |
Well done. Natasha, you made a pound. | 0:37:25 | 0:37:28 | |
-Oh, well. -Listen. Listen. | 0:37:29 | 0:37:31 | |
You are now -119. | 0:37:31 | 0:37:34 | |
-Sounds good. -This is appalling. | 0:37:34 | 0:37:36 | |
And if things go really, really, really, really badly | 0:37:36 | 0:37:40 | |
for the Blues, that might be a winning score. | 0:37:40 | 0:37:42 | |
-How excited are you? -Very excited. | 0:37:47 | 0:37:49 | |
-On a scale of one to ten? -Eight. -Eight? -Going towards nine. | 0:37:49 | 0:37:54 | |
-That's more than seven. -Yes. | 0:37:54 | 0:37:56 | |
THEY LAUGH | 0:37:56 | 0:37:58 | |
-Andy, how are you? -Yeah, I'm OK, actually. -Are you? | 0:37:58 | 0:38:01 | |
Yeah. I am interested, really. | 0:38:01 | 0:38:03 | |
You wait such a long time for it to come up, | 0:38:03 | 0:38:06 | |
and we are, on the edge of the auction, and it is very exciting. | 0:38:06 | 0:38:09 | |
-Isn't it? -Oh, yes. Yes. -Good. | 0:38:09 | 0:38:11 | |
Well, we wish you well, cos you've been great contestants. | 0:38:11 | 0:38:14 | |
Anyway, your first item is the pepper mill. And here it comes. | 0:38:14 | 0:38:17 | |
Lot number 128, a modern, silver-banded, | 0:38:17 | 0:38:19 | |
mahogany pepper mill. Start the bidding with me here | 0:38:19 | 0:38:22 | |
at £15. | 0:38:22 | 0:38:23 | |
15. 15 we have. | 0:38:23 | 0:38:25 | |
At 15. It is an online bid. | 0:38:25 | 0:38:26 | |
At 15. At 18. | 0:38:26 | 0:38:28 | |
At 18, room bidder has it. | 0:38:28 | 0:38:29 | |
£18 now. Any advance at 18? Selling then. | 0:38:29 | 0:38:33 | |
-No! -'Are we all done at 18?' | 0:38:33 | 0:38:34 | |
Once, twice... | 0:38:34 | 0:38:36 | |
-I can't... -Oh! | 0:38:36 | 0:38:38 | |
-Oh, no! 18. Wiped its face. -I expected a profit. | 0:38:38 | 0:38:41 | |
I thought the same, Mark. | 0:38:41 | 0:38:43 | |
Here comes the globe. | 0:38:44 | 0:38:46 | |
By Girard, Barrere, Thomas. | 0:38:46 | 0:38:48 | |
On an aluminium step base. The lovely globe. | 0:38:48 | 0:38:50 | |
I have got bids immediately here with me at £20. | 0:38:50 | 0:38:54 | |
20 is my bid. 22. 25 now. | 0:38:54 | 0:38:57 | |
28 now. And 30. 35. And 40. | 0:38:57 | 0:38:59 | |
-THEY GASP -'45 now.' | 0:38:59 | 0:39:01 | |
All online at £45. | 0:39:01 | 0:39:03 | |
All online at 45. It is where we are, at 45. | 0:39:03 | 0:39:05 | |
Any advance in the room? | 0:39:05 | 0:39:06 | |
-Yeah. -'Online bidder. 45 once.' -Oh. | 0:39:06 | 0:39:09 | |
45 twice. All done. | 0:39:09 | 0:39:11 | |
£45. Well done. That is plus seven pounds. | 0:39:12 | 0:39:16 | |
That's handy. | 0:39:16 | 0:39:17 | |
It's folding money. | 0:39:17 | 0:39:19 | |
The straight-grained back with bevelled glass | 0:39:19 | 0:39:21 | |
and circular mirror with French strike marks to it. | 0:39:21 | 0:39:23 | |
Start the bidding with me here at £30. | 0:39:23 | 0:39:26 | |
Somebody start me here at £30. | 0:39:26 | 0:39:27 | |
'Lovely little travel mirror.' | 0:39:27 | 0:39:29 | |
No! | 0:39:29 | 0:39:30 | |
£30. At 30. | 0:39:30 | 0:39:31 | |
£30. Any advance? Surely, it's silver with this lot. | 0:39:31 | 0:39:33 | |
£30. | 0:39:33 | 0:39:35 | |
-Exactly. -'I don't believe it.' | 0:39:35 | 0:39:36 | |
-Unbelievable. -'Unbelievable.' | 0:39:36 | 0:39:38 | |
20 then. Try me at £20. | 0:39:38 | 0:39:41 | |
-THEY GASP -'20 I've got. | 0:39:41 | 0:39:42 | |
-'Gentleman's bid at 20.' -20?! | 0:39:42 | 0:39:44 | |
Go on, one more. You started it. | 0:39:44 | 0:39:46 | |
25 I have. 28 now. | 0:39:46 | 0:39:49 | |
28. 28 it is. | 0:39:49 | 0:39:51 | |
At 28. Is there 30 anywhere else? At 28 we have. | 0:39:51 | 0:39:54 | |
Gentleman's bid at £28. | 0:39:54 | 0:39:55 | |
-£28?! -'I was sure this would go for more.' | 0:39:55 | 0:39:57 | |
At 28. There is nothing online. | 0:39:57 | 0:39:59 | |
Once. Twice at £28. | 0:39:59 | 0:40:01 | |
All done. | 0:40:01 | 0:40:02 | |
-I can't bear it. -Oh, no! | 0:40:02 | 0:40:03 | |
£28 is a disaster. | 0:40:03 | 0:40:05 | |
That is two off 30. | 0:40:05 | 0:40:07 | |
That is minus 37. | 0:40:07 | 0:40:09 | |
Which means, overall, you are minus £30. I can't bear it. | 0:40:09 | 0:40:12 | |
-No! -No! | 0:40:12 | 0:40:15 | |
Now, what about the Indian canister? | 0:40:15 | 0:40:17 | |
-Tea canister. -We're going for it. | 0:40:17 | 0:40:19 | |
We are in minus territory, so I reckon we should maybe go for it. | 0:40:19 | 0:40:22 | |
You've got everything to go for, haven't you? OK, fine. | 0:40:22 | 0:40:25 | |
We are going with the bonus buy. How exciting. And here we go. | 0:40:25 | 0:40:27 | |
Lot number 134, an Indian white metal canister, | 0:40:27 | 0:40:30 | |
cylindrical shape. | 0:40:30 | 0:40:31 | |
And I can start the bidding with me at £40. | 0:40:31 | 0:40:34 | |
'40. Five. 50. Five I have.' | 0:40:34 | 0:40:37 | |
55 it is. 55, room bidder has it. At 55. | 0:40:37 | 0:40:40 | |
-Come on! -'Any advance at 55?' | 0:40:40 | 0:40:42 | |
55. My book bids out at 55. | 0:40:42 | 0:40:45 | |
-Come on. -'All done then? At 55 once.' | 0:40:45 | 0:40:47 | |
-Oh, no! -'Twice.' | 0:40:47 | 0:40:48 | |
I can't bear it. One more! | 0:40:48 | 0:40:51 | |
55. ALL GROAN | 0:40:51 | 0:40:53 | |
-Oh, lads, minus five pounds. -I'm so sorry. -That's all right, Mark. | 0:40:53 | 0:40:57 | |
-It is so close. -So close. | 0:40:57 | 0:40:58 | |
-Not a sheet of Bronco in it. -No, not at all. -Very good. | 0:40:58 | 0:41:01 | |
Anyway, that is overall minus £35. | 0:41:01 | 0:41:04 | |
-THEY GROAN -It could be a winning score. | 0:41:04 | 0:41:06 | |
It could be a winning score. | 0:41:06 | 0:41:08 | |
You have watched this programme before, Steven. | 0:41:08 | 0:41:11 | |
-I have. -You know all the jargon. | 0:41:11 | 0:41:12 | |
And the next line is, "Don't say a word to the Reds," Right? | 0:41:14 | 0:41:17 | |
No, not a problem. | 0:41:17 | 0:41:18 | |
Well, well, well. Looking at this lot, you could say it | 0:41:24 | 0:41:26 | |
is a bit of a disaster, couldn't you? THEY LAUGH | 0:41:26 | 0:41:29 | |
Neither team are going home with profits. | 0:41:29 | 0:41:32 | |
-CONTESTANTS: -Oh, no! | 0:41:32 | 0:41:33 | |
But there are great similarities between our teams in that both | 0:41:33 | 0:41:37 | |
achieved a wiped face, which is | 0:41:37 | 0:41:39 | |
as close as you can get to getting a profit on objects. | 0:41:39 | 0:41:43 | |
Both teams only made one profit | 0:41:43 | 0:41:45 | |
on all the items that they sold, each. | 0:41:45 | 0:41:49 | |
Which overall, didn't help them to any great total. | 0:41:49 | 0:41:51 | |
So there you have it. The runners-up today by fair old chalk are the Reds. | 0:41:51 | 0:41:56 | |
Yes! | 0:41:56 | 0:41:58 | |
-We had a feeling. -BLUES CHEER | 0:41:58 | 0:42:01 | |
Minus £119 is a fair old wodge, isn't it? | 0:42:01 | 0:42:04 | |
-Amazing! -Yes, as you say. | 0:42:04 | 0:42:06 | |
Only mitigated by your only profit on Natasha's lovely bonus buy, | 0:42:06 | 0:42:12 | |
which was four pounds invested, | 0:42:12 | 0:42:14 | |
managed to secure a profit of a pound. | 0:42:14 | 0:42:16 | |
-Did you have a good time, Wendy? -Fantastic time. And £119 is nothing. | 0:42:16 | 0:42:21 | |
It's nothing, not even a nano nothing. Maddie, good for you? | 0:42:21 | 0:42:25 | |
-I've had a wonderful time. -We're privileged. | 0:42:25 | 0:42:27 | |
Wonderful time, thank you. | 0:42:27 | 0:42:28 | |
We are privileged to have had you on our programme, both of you. | 0:42:28 | 0:42:31 | |
-Sorry for that, Natasha. -And thank you for coming to play. | 0:42:31 | 0:42:34 | |
But the victors today win by only losing £35. | 0:42:34 | 0:42:36 | |
THEY CHEER | 0:42:36 | 0:42:38 | |
Which is quite extraordinary, isn't it, really? | 0:42:38 | 0:42:41 | |
You did get seven pounds profit on the divine globe. | 0:42:41 | 0:42:43 | |
But apart from that, let's do not talk about the score. | 0:42:43 | 0:42:47 | |
THEY LAUGH | 0:42:47 | 0:42:48 | |
But did you have a good time, you chaps? | 0:42:48 | 0:42:50 | |
-Brilliant. Yeah, fantastic. -Lovely time. | 0:42:50 | 0:42:52 | |
It is a pity, with all these things, that they end. | 0:42:52 | 0:42:55 | |
But anyway, you have been a treat, you chaps. | 0:42:55 | 0:42:57 | |
-Join us soon for some more Bargain Hunting, yes? ALL: -Yes! | 0:42:57 | 0:43:00 |