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Today we're in the county of Kent, | 0:00:04 | 0:00:06 | |
famous for the growing of hops. | 0:00:06 | 0:00:08 | |
In fact, it was a tradition for Londoners | 0:00:08 | 0:00:11 | |
to go hopping down in Kent during the harvest. | 0:00:11 | 0:00:15 | |
The big question for our teams today, though, is - | 0:00:15 | 0:00:18 | |
is the harvest going to be a bumper one? | 0:00:18 | 0:00:21 | |
Ha! Let's find out. Let's go Bargain Hunting. Yeah. | 0:00:21 | 0:00:25 | |
Don't believe everything you read, | 0:00:50 | 0:00:53 | |
because, actually, we're at the Kent County Showground | 0:00:53 | 0:00:57 | |
at the Detling International Antiques & Collectors Fair, | 0:00:57 | 0:01:00 | |
and if you want to see something unique, | 0:01:00 | 0:01:04 | |
well, just stagger around this place for a bit. | 0:01:04 | 0:01:06 | |
Let's take a bird's-eye as to what's coming up. | 0:01:06 | 0:01:08 | |
I think we came that way. | 0:01:10 | 0:01:12 | |
On today's show, the Reds test their expert's patience... | 0:01:12 | 0:01:16 | |
Listen, seriously, we've seen lots of things that have been good. | 0:01:16 | 0:01:19 | |
Which are the ones we're going to go for? | 0:01:19 | 0:01:21 | |
..the Blues speak their minds... | 0:01:22 | 0:01:25 | |
I hate it. I think it's hideous. | 0:01:25 | 0:01:27 | |
I'm going to start smacking bottoms in a minute. | 0:01:27 | 0:01:30 | |
..and at the auction, the Reds reach out to the world... | 0:01:30 | 0:01:33 | |
Go, internet! | 0:01:33 | 0:01:35 | |
-Come on, World Wide Web. -Come on. | 0:01:35 | 0:01:37 | |
..whilst the Blues can't believe their luck. | 0:01:37 | 0:01:40 | |
-Is that a profit? -What?! -No...what? | 0:01:40 | 0:01:42 | |
So, time to meet today's teams. | 0:01:45 | 0:01:48 | |
For the Reds, we have sisters, Lucy and Zena, | 0:01:48 | 0:01:52 | |
and for the Blues, we have friends, Christina and Philip. | 0:01:52 | 0:01:56 | |
-Hello, everyone. ALL: -Hello! -Hi, hi, hi. | 0:01:56 | 0:01:58 | |
Now, Lucy, you work in a restaurant and you do a job as a receptionist. | 0:01:58 | 0:02:03 | |
I do, yes. | 0:02:03 | 0:02:04 | |
How do you do the mixture of the two? How does it work out? | 0:02:04 | 0:02:06 | |
It's pretty horrible. | 0:02:06 | 0:02:08 | |
I just have to stay on the bus from one job, | 0:02:08 | 0:02:11 | |
go past my house, pretty sadly, and then go to my next job. | 0:02:11 | 0:02:14 | |
-But what are your ambitions? -Music, really. | 0:02:14 | 0:02:18 | |
I definitely, definitely want to do music as my main thing, | 0:02:18 | 0:02:21 | |
but I've done an induction course to be a masseuse | 0:02:21 | 0:02:24 | |
and then I'm also doing a bit of DJing. | 0:02:24 | 0:02:26 | |
So yeah... | 0:02:26 | 0:02:28 | |
The reception job, the restaurant, the masseurs business and DJing. | 0:02:28 | 0:02:34 | |
Yeah. | 0:02:34 | 0:02:35 | |
-You're a busy girl, aren't you? -Yeah. | 0:02:35 | 0:02:37 | |
Now, Zena, you've got an eye for the vintage and all that stuff. | 0:02:37 | 0:02:41 | |
Yeah, I love vintage clothing. I've got an online vintage boutique. | 0:02:41 | 0:02:45 | |
Have you? And what's your favourite period? | 0:02:45 | 0:02:47 | |
Probably '50s and '60s, '40s. | 0:02:47 | 0:02:50 | |
Really, really glamorous, Hollywood, that kind of thing. | 0:02:50 | 0:02:53 | |
And what about this blogging business? | 0:02:53 | 0:02:55 | |
I'm a fashion and lifestyle blogger as well. | 0:02:56 | 0:02:58 | |
-But it's a really good blog. -Thank you, Luce. -And what do you do? | 0:02:58 | 0:03:01 | |
You just chat about stuff, don't you? | 0:03:01 | 0:03:03 | |
Yeah, just talk a lot of rubbish about clothes | 0:03:03 | 0:03:05 | |
and take a lot of selfies. | 0:03:05 | 0:03:07 | |
Hair. Zena always does my hair, | 0:03:07 | 0:03:09 | |
so she gets a lot of comments on kind of natural hair. | 0:03:09 | 0:03:11 | |
-Do you really? -Yeah. | 0:03:11 | 0:03:12 | |
Well, you've not got so much hair yourself at the moment, have you? | 0:03:12 | 0:03:15 | |
I was worried my hair would fall out when I had my baby | 0:03:15 | 0:03:17 | |
so I shaved it off. | 0:03:17 | 0:03:18 | |
-And when is your baby due? -Nine weeks. -Nine weeks. | 0:03:18 | 0:03:22 | |
Gosh. We better get on with the auction then. | 0:03:22 | 0:03:24 | |
-Perfect. Good luck with that, girls. -Thank you. | 0:03:25 | 0:03:28 | |
Now, Christina, you've been a secretary for nigh on 40 years, | 0:03:28 | 0:03:31 | |
-but you've recently had a career change. -I have indeed. | 0:03:31 | 0:03:34 | |
About four years ago, I started to retrain in my spare time, | 0:03:34 | 0:03:38 | |
so I'm now a NAFAS - | 0:03:38 | 0:03:39 | |
that's the National Association of Flower Arrangement Societies - | 0:03:39 | 0:03:42 | |
area demonstrator. | 0:03:42 | 0:03:44 | |
CHRISTINA LAUGHS Sounds amazing. | 0:03:44 | 0:03:46 | |
I go around clubs and I do floral designs on stage | 0:03:46 | 0:03:49 | |
and talk about the flowers | 0:03:49 | 0:03:50 | |
and try and entertain the audience at the same time. | 0:03:50 | 0:03:53 | |
-So, you've got a motto, though, don't you? -Yes. | 0:03:53 | 0:03:55 | |
If you don't feel fear, you're not alive. | 0:03:55 | 0:03:58 | |
I've recently come back from holiday, | 0:03:58 | 0:04:00 | |
and on holiday I jumped off a 6,500ft mountain | 0:04:00 | 0:04:04 | |
strapped to a man on a parachute. | 0:04:04 | 0:04:06 | |
-Were you terribly frightened? -I was crying. -Were you? | 0:04:06 | 0:04:09 | |
At the top of the mountain, I was crying, | 0:04:09 | 0:04:10 | |
but then once I was floating | 0:04:10 | 0:04:12 | |
and there was nothing I could do but sit there, it was great fun. | 0:04:12 | 0:04:15 | |
-Yes, the views were fantastic? -It's like being in aeroplane. | 0:04:15 | 0:04:17 | |
Wonderful. Absolutely fantastic. | 0:04:17 | 0:04:19 | |
Well, there's a recommendation. | 0:04:19 | 0:04:20 | |
Philip, it says here you're retired now, | 0:04:20 | 0:04:22 | |
but you've also jetted all over the world, haven't you? | 0:04:22 | 0:04:25 | |
Yes, I've been to a few places - | 0:04:25 | 0:04:26 | |
I've been to Sudan, over Europe, Bosnia, | 0:04:26 | 0:04:29 | |
and also around the States with my job. | 0:04:29 | 0:04:31 | |
Now, you were based in the city, right? | 0:04:31 | 0:04:33 | |
That's correct. I used to be a Lloyd's insurance broker, so yeah. | 0:04:33 | 0:04:36 | |
Very good. Stripy suit, bowler hat. | 0:04:36 | 0:04:38 | |
Yeah, I did have a bowler hat in the early days. | 0:04:38 | 0:04:40 | |
In 1972, I did have a bowler hat. | 0:04:40 | 0:04:42 | |
I can see you in a bowler hat, actually. | 0:04:42 | 0:04:44 | |
Very, very distinguished. | 0:04:44 | 0:04:45 | |
Now, tell me about your collecting habits. | 0:04:45 | 0:04:48 | |
I really like collecting cuff links. | 0:04:48 | 0:04:50 | |
I've been collecting them since I was 15. | 0:04:50 | 0:04:52 | |
And how many pairs of cuff links have you got roughly? | 0:04:52 | 0:04:54 | |
-250, around. -Have you really? -Yeah. -That's amazing, isn't it? | 0:04:54 | 0:04:57 | |
Are you going to buy cuff links today on Bargain Hunt | 0:04:57 | 0:05:00 | |
if you want to make a profit? | 0:05:00 | 0:05:02 | |
I'm told that I shouldn't buy cuff links to make a profit, so... | 0:05:02 | 0:05:06 | |
Somebody's turned you off. I don't know why. | 0:05:06 | 0:05:08 | |
I'm not sure that's the correct advice, actually. | 0:05:08 | 0:05:10 | |
I'd probably agree with you. | 0:05:10 | 0:05:12 | |
Now the money moment - £300 a piece. | 0:05:12 | 0:05:13 | |
Look at Lucy's face! | 0:05:13 | 0:05:15 | |
Lighting up like a National cash register. | 0:05:15 | 0:05:17 | |
You know the rules, your experts await. | 0:05:17 | 0:05:20 | |
And off you go, and very, very, very good look. | 0:05:20 | 0:05:23 | |
Gosh, this is going to be fun. | 0:05:23 | 0:05:25 | |
Our teams are F-A-B, and so are our experts. | 0:05:25 | 0:05:30 | |
Hoping to churn out the big money for the Reds is Christina Trevanion. | 0:05:30 | 0:05:33 | |
And preparing the Blues for a downpour of profits, | 0:05:35 | 0:05:37 | |
it's Kate Bateman. | 0:05:37 | 0:05:40 | |
So tell me, girls, what are we looking for today? | 0:05:40 | 0:05:42 | |
I'm really into my vintage stuff. | 0:05:42 | 0:05:44 | |
-So anything sorts of '50s, '60s would be really, really nice. -OK. | 0:05:44 | 0:05:47 | |
-I'd like to buy something like a silver desk calendar. -Oh, OK. | 0:05:47 | 0:05:50 | |
-And... -Nothing too specific then(!) -No, nothing... | 0:05:50 | 0:05:53 | |
You're open to anything(!) | 0:05:53 | 0:05:54 | |
-Good silverware... -Good. | 0:05:54 | 0:05:55 | |
..and then, say, a really nice jewellery box. | 0:05:55 | 0:05:58 | |
I would like silver, but nothing that's damaged. | 0:05:58 | 0:06:00 | |
Right, teams, your hour starts now! BELL DINGS | 0:06:00 | 0:06:04 | |
Come on, let's go. | 0:06:04 | 0:06:05 | |
-Let's go shopping. -Great. | 0:06:05 | 0:06:06 | |
And they're off, with the Reds heading to what they know and love. | 0:06:07 | 0:06:12 | |
Having fun shopping, girls? | 0:06:12 | 0:06:14 | |
We could not resist coming to the clothes bit... | 0:06:14 | 0:06:17 | |
..whilst the Blues dive in for a bit of bling. | 0:06:17 | 0:06:20 | |
He's looking at the tiaras. | 0:06:20 | 0:06:22 | |
-Found a nice tiara? -You'd look very good in the tiara. | 0:06:23 | 0:06:25 | |
I think a tiara would suit you, Filippo. | 0:06:25 | 0:06:28 | |
Now, what's CT found? | 0:06:31 | 0:06:33 | |
So, girlies, you mentioned about silver. | 0:06:34 | 0:06:37 | |
-Yeah? -We'd really like a watch, though, if there was one. | 0:06:37 | 0:06:39 | |
A watch? OK. Some silver and a watch. OK. | 0:06:39 | 0:06:42 | |
There. There, there, there. | 0:06:42 | 0:06:43 | |
Ah! You're right. There's some watches. OK. | 0:06:43 | 0:06:45 | |
So, when we're looking at pocket watches, | 0:06:45 | 0:06:47 | |
there are three different types - | 0:06:47 | 0:06:48 | |
you get full hunters, which are... | 0:06:48 | 0:06:50 | |
Can you see the one at the back over there | 0:06:50 | 0:06:52 | |
where it's got a lid that will come over the face? | 0:06:52 | 0:06:54 | |
-Yeah. I think they're the ones that I like. -Yeah. | 0:06:54 | 0:06:57 | |
So the more valuable ones are the full hunters. OK? | 0:06:57 | 0:07:01 | |
-Cos obviously you've got more silver content... -Yeah. | 0:07:01 | 0:07:03 | |
..you've got more gold content, whatever it's made of, all right? | 0:07:03 | 0:07:06 | |
Could we have a look at the full hunter at the back there? | 0:07:06 | 0:07:10 | |
-The silver one. -OK. | 0:07:10 | 0:07:11 | |
-I must point out, there is some damage. -OK. | 0:07:11 | 0:07:14 | |
That's reflected in the price, though, obviously? | 0:07:14 | 0:07:16 | |
Of course. Naturally. | 0:07:16 | 0:07:18 | |
-'She's good, that Christina.' -Thank you. | 0:07:18 | 0:07:20 | |
That's amazing. Thank you. | 0:07:20 | 0:07:21 | |
OK, so it's got this lovely white enamel dial | 0:07:21 | 0:07:23 | |
with black Roman numerals | 0:07:23 | 0:07:25 | |
which is standard for a pocket watch of this time. | 0:07:25 | 0:07:27 | |
We have got a nice silver hallmark in there, | 0:07:27 | 0:07:29 | |
-probably dating to about 1880. -OK. | 0:07:29 | 0:07:31 | |
What does worry me is that this subsidiary seconds dial here | 0:07:31 | 0:07:35 | |
has lost its hands. | 0:07:35 | 0:07:36 | |
-Would that decrease the value? -It would. -Of course it would. | 0:07:36 | 0:07:39 | |
And then, yeah, you've got half a hand there. | 0:07:39 | 0:07:42 | |
Really we would want to be looking at securing this for under £30. | 0:07:42 | 0:07:45 | |
-Yeah. -Oh, wow. -OK? | 0:07:45 | 0:07:46 | |
-OK. -All right? | 0:07:46 | 0:07:48 | |
We want it for a tenner. | 0:07:48 | 0:07:50 | |
You never know. | 0:07:50 | 0:07:52 | |
Work your magic, ladies. | 0:07:52 | 0:07:54 | |
So the Reds know what they want while the Blues know what they don't. | 0:07:56 | 0:07:59 | |
There's lots of Royal Worcester. | 0:07:59 | 0:08:01 | |
That's Worcester that you can spot a mile away. | 0:08:01 | 0:08:03 | |
-That probably is going to be too expensive. -I don't like Worcester. | 0:08:03 | 0:08:06 | |
-No? -No. -All right. | 0:08:06 | 0:08:07 | |
-It's like I don't like Wedgwood either. -OK. | 0:08:07 | 0:08:09 | |
-No Wedgwood, no Worcester. We're narrowing it down. -Sorry! | 0:08:09 | 0:08:12 | |
Try keeping an open mind, perhaps. | 0:08:12 | 0:08:14 | |
Oh, those are genuine antiques. | 0:08:14 | 0:08:16 | |
-Not tempted? -They're chipped though. -No, they're not. | 0:08:18 | 0:08:22 | |
That is where they were resting in the kiln. | 0:08:22 | 0:08:24 | |
-Yeah, but it's chipped there. -It is chipped there. | 0:08:24 | 0:08:27 | |
-I don't like them. -No, I don't. -You don't like them? | 0:08:27 | 0:08:29 | |
Philip's dismissed them. | 0:08:29 | 0:08:30 | |
You know, I told you - I might not get a say in this. | 0:08:30 | 0:08:32 | |
Chipped China is not my favourite. | 0:08:32 | 0:08:34 | |
Good luck with this pair, Kate. | 0:08:34 | 0:08:36 | |
Now, time to check how the Reds are getting on with that watch. | 0:08:36 | 0:08:40 | |
What would your price be on that, Billy? | 0:08:40 | 0:08:41 | |
As it is now and to give you a chance, | 0:08:41 | 0:08:43 | |
how's £60 for a full hunter? | 0:08:43 | 0:08:46 | |
Bearing in mind the damage that's on it, | 0:08:46 | 0:08:48 | |
can we go any less than that? | 0:08:48 | 0:08:50 | |
-And how much you like us. -Yeah. -THEY LAUGH | 0:08:50 | 0:08:53 | |
Nice try, girls. | 0:08:53 | 0:08:54 | |
I'll... 45, but that's scrap money. | 0:08:54 | 0:08:57 | |
-I'll give you it for scrap money. -Yeah? | 0:08:57 | 0:08:59 | |
I think that's a little bit too much. | 0:08:59 | 0:09:01 | |
Shall we wait? | 0:09:01 | 0:09:02 | |
But there was something else that... sort of caught your eye? | 0:09:02 | 0:09:05 | |
Yes, the smallest tray I've ever seen. | 0:09:05 | 0:09:07 | |
Could we have a look at that? | 0:09:07 | 0:09:08 | |
Look at that there. It's actually a teapot stand. OK? | 0:09:08 | 0:09:11 | |
So you would've had, as a Victorian lady, | 0:09:11 | 0:09:14 | |
you would've had a silver teapot that you put on your teapot stand. | 0:09:14 | 0:09:17 | |
I would've thought a teapot would be too big for that. | 0:09:17 | 0:09:19 | |
Well, they would've had a specially shaped teapot to go on the stand. | 0:09:19 | 0:09:23 | |
But TB is probably Thomas Bradbury. | 0:09:23 | 0:09:26 | |
-Is that a good name? -Yeah. Yeah, good name. | 0:09:26 | 0:09:28 | |
What's your best on that, Billy? | 0:09:28 | 0:09:31 | |
Well...to give yous a real good chance, | 0:09:31 | 0:09:35 | |
how's 35? | 0:09:35 | 0:09:36 | |
-30. -20. | 0:09:36 | 0:09:38 | |
-OK! -20! -20! | 0:09:38 | 0:09:39 | |
-I like the 30! -THEY GIGGLE | 0:09:39 | 0:09:41 | |
I'll shake on 30. | 0:09:41 | 0:09:43 | |
Steady on! | 0:09:43 | 0:09:45 | |
We've got offers flying all over the place. | 0:09:45 | 0:09:47 | |
-You said 35. -And then... | 0:09:47 | 0:09:49 | |
And then I said 30 and she said 20, so 25. | 0:09:49 | 0:09:52 | |
I can't... I'll be losing that as scrap. | 0:09:52 | 0:09:54 | |
-25? -For you, yes. | 0:09:54 | 0:09:56 | |
-Yay! -Happy. | 0:09:56 | 0:09:59 | |
-You're a legend. Thank you. -Thank you, good luck. | 0:09:59 | 0:10:01 | |
Let's go, go, go. One down! | 0:10:01 | 0:10:03 | |
And in just over ten minutes, | 0:10:03 | 0:10:04 | |
look at that, You're making this look easy. | 0:10:04 | 0:10:07 | |
Pity I can't say that for the Blues. | 0:10:07 | 0:10:09 | |
And you're going to dismiss that, the amethyst brooch? | 0:10:09 | 0:10:11 | |
Yeah, I think so, cos it's not... | 0:10:11 | 0:10:13 | |
-Yeah, but there's not enough round it. -OK. | 0:10:13 | 0:10:15 | |
The amethyst is nice, but the rest, | 0:10:15 | 0:10:17 | |
the sea pearls aren't even coming out. | 0:10:17 | 0:10:18 | |
All right! OK, I've just... | 0:10:18 | 0:10:20 | |
Oh, my goodness. This is a hard sell. | 0:10:20 | 0:10:22 | |
You are difficult, Philip, cos I liked that one. | 0:10:22 | 0:10:24 | |
-We've bought absolutely nothing so far. -Fine. | 0:10:24 | 0:10:26 | |
We're just trying to find that quality for a low price. | 0:10:26 | 0:10:29 | |
-Yes. -Right. -So let's have a look in here. | 0:10:29 | 0:10:31 | |
The diamond in the rough. | 0:10:31 | 0:10:32 | |
Let's keep going very quickly. Time, time... | 0:10:32 | 0:10:35 | |
Yes, 15 minutes gone, teams, | 0:10:35 | 0:10:37 | |
but you're in the right spot to keep a check on that, aren't you, Reds? | 0:10:37 | 0:10:40 | |
-So we've got a stall of clocks. -We love Art Deco clocks. | 0:10:40 | 0:10:44 | |
-Yeah. -Oh, really? -They're so stylish. -Ah! | 0:10:44 | 0:10:46 | |
-And we know they do well, they always do well, don't they? -OK. | 0:10:46 | 0:10:48 | |
So there's Art Deco and there's Art Deco. | 0:10:48 | 0:10:50 | |
I mean, these sort of traditional oak veneered mantel clocks here, | 0:10:50 | 0:10:53 | |
not selling overly well at auction at the moment, sadly. | 0:10:53 | 0:10:57 | |
But then you've got something like this... | 0:10:57 | 0:10:58 | |
And that's cool and it's different. | 0:10:58 | 0:11:00 | |
..which is so sort of characteristically Art Deco. | 0:11:00 | 0:11:02 | |
I mean, you look at it and you think, | 0:11:02 | 0:11:04 | |
"Wow! It's an Art Deco piece," | 0:11:04 | 0:11:05 | |
rather than just looking at a normal clock there. | 0:11:05 | 0:11:07 | |
Yeah, I really like that. | 0:11:07 | 0:11:09 | |
And it's cool, it's quirky, the colour scheme. I really like it. | 0:11:09 | 0:11:11 | |
-What do you think, Lu? -Yeah, I think that's good that. | 0:11:11 | 0:11:14 | |
So that has got £65 on it. | 0:11:14 | 0:11:18 | |
At auction, I would say we might be looking at maybe 30 - 50, 40 - 60, | 0:11:18 | 0:11:22 | |
so we need to do some negotiating, OK? | 0:11:22 | 0:11:25 | |
Let's just have a little look in the back, see what we can see. | 0:11:25 | 0:11:28 | |
OK. So that's quite nice. | 0:11:30 | 0:11:31 | |
It looks like it's got its original movement on here. | 0:11:31 | 0:11:35 | |
And...it's a striker! | 0:11:35 | 0:11:38 | |
-Yeah? Which is nice. -What does that mean? | 0:11:38 | 0:11:40 | |
-So it will strike on the hour. -Oh... | 0:11:40 | 0:11:43 | |
And it's got its original instructions in there. | 0:11:43 | 0:11:46 | |
I do really like it, guys. | 0:11:46 | 0:11:47 | |
-I think it's a very stylish thing. -I like it. | 0:11:47 | 0:11:50 | |
Can I ask what your best price would be on this clock? | 0:11:50 | 0:11:53 | |
55. Take a tenner off. | 0:11:53 | 0:11:55 | |
I mean, we would... | 0:11:55 | 0:11:56 | |
We were sort of thinking at auction, it might go for sorts of £40-60. | 0:11:56 | 0:12:00 | |
Is there any chance you could go towards... | 0:12:00 | 0:12:02 | |
-Well, you're correct there because I bought it for 40. -Ah, there we go! | 0:12:02 | 0:12:05 | |
Could we say 45? | 0:12:06 | 0:12:07 | |
-Meet you in the middle... -We'll say 45 then. | 0:12:07 | 0:12:09 | |
-Could we? -Yeah. -At 45? -That gives me a fiver. | 0:12:09 | 0:12:12 | |
I think, at 45, that's a good price. No? | 0:12:12 | 0:12:15 | |
I think we should think about it. I think we should... | 0:12:15 | 0:12:17 | |
It's definitely, like, the top contender, | 0:12:17 | 0:12:19 | |
but should we have a quick zap? | 0:12:19 | 0:12:20 | |
So, as you're sisters, who normally makes the decisions? | 0:12:20 | 0:12:24 | |
Neither of us, really. | 0:12:24 | 0:12:26 | |
-Who...? -We're proper indecisive people. | 0:12:26 | 0:12:28 | |
Are you? I never would've guessed(!) | 0:12:28 | 0:12:30 | |
Oh, no, we don't need that. | 0:12:30 | 0:12:32 | |
-OK. Let's move on. Thank you so much. -We'll probably be back. | 0:12:32 | 0:12:35 | |
-It'll be 65 when you come back. -THEY LAUGH | 0:12:35 | 0:12:38 | |
That's inflation for you. | 0:12:38 | 0:12:39 | |
Just remember, the clock is ticking, teams. | 0:12:39 | 0:12:42 | |
This is your 30-minute warning. | 0:12:42 | 0:12:44 | |
That's a fantastic thing. | 0:12:44 | 0:12:46 | |
Well, it's flowers, and, of course, I do flower arranging. | 0:12:46 | 0:12:49 | |
-Oh, yes, you're the flower... -CHRISTINA LAUGHS | 0:12:49 | 0:12:51 | |
No, hang on. They're...convolvulus? | 0:12:51 | 0:12:54 | |
-Is that right? -Yes. | 0:12:54 | 0:12:56 | |
Top marks! | 0:12:56 | 0:12:57 | |
-Call me Green Fingers Bateman. -Can I have a look at it, please? | 0:12:57 | 0:13:00 | |
Not sure. | 0:13:01 | 0:13:03 | |
It's damaged, and I did say I wasn't going to buy anything damaged. | 0:13:04 | 0:13:07 | |
I don't like it. It does not shine out enough, really, does it? | 0:13:07 | 0:13:09 | |
But you've got, like, 25 minutes and you haven't bought anything. | 0:13:09 | 0:13:12 | |
-I know. We're going to do last chance saloon. -Hold on. | 0:13:12 | 0:13:15 | |
It's really unusual, and to be fair, you can get replacements for these, | 0:13:15 | 0:13:18 | |
as this nice man knows. | 0:13:18 | 0:13:20 | |
-There is a lot of detail. -It's really nice. | 0:13:20 | 0:13:22 | |
It's Victorian, so nouveau-y. | 0:13:22 | 0:13:24 | |
Yeah. I do quite like that. | 0:13:24 | 0:13:26 | |
So what flowers would you put in it? Or is that overkill? | 0:13:26 | 0:13:28 | |
-Oh... -Come on, creative juices flowing. | 0:13:28 | 0:13:31 | |
-Iris? -I think a lily, a lily. | 0:13:31 | 0:13:33 | |
-A lily would be beautiful in there. -Something simple and gorgeous. | 0:13:33 | 0:13:36 | |
If you like it, girls, then get it, but it's not really my choice. | 0:13:36 | 0:13:39 | |
Maybe you'll grow to love it, Philip. | 0:13:39 | 0:13:41 | |
-..shifting blame already. -I think so. -Absolutely. | 0:13:41 | 0:13:43 | |
I'm running away already | 0:13:43 | 0:13:44 | |
cos we said we weren't going to get anything damaged | 0:13:44 | 0:13:47 | |
-and you've got something damaged... -But we are running out of time. | 0:13:47 | 0:13:49 | |
I know. So fine, girls, get it. | 0:13:49 | 0:13:51 | |
We are running out of time. | 0:13:51 | 0:13:52 | |
So how much for that? | 0:13:52 | 0:13:54 | |
Well, it's up for 45, I can do it for 40. | 0:13:55 | 0:13:58 | |
40? Do you think 40? | 0:13:58 | 0:14:00 | |
If you like it and we haven't got anything for the moment. | 0:14:00 | 0:14:03 | |
This can be your buy, so, yeah, by all means. | 0:14:03 | 0:14:05 | |
-38's better, though. -Genuinely paid £35 for it. | 0:14:05 | 0:14:08 | |
-Go on. -£40. -Thank you very much. -Thank you very much. | 0:14:08 | 0:14:11 | |
-Hope you do well. -Yes, thank you. | 0:14:11 | 0:14:13 | |
Thank you. I think that's a good buy. | 0:14:13 | 0:14:14 | |
You've got one done, we've got about 25 minutes left. | 0:14:14 | 0:14:17 | |
That much time?! | 0:14:17 | 0:14:18 | |
-So, you know... -Let's get going then. Come on. | 0:14:18 | 0:14:21 | |
Let's go and have a look. | 0:14:21 | 0:14:22 | |
Blooming marvellous, Blues... and about time. | 0:14:22 | 0:14:25 | |
Now, where have the Reds got to? | 0:14:25 | 0:14:28 | |
-I like this. -Yeah, that's nice. | 0:14:28 | 0:14:29 | |
-That's really nice. -Oh, that's lovely. | 0:14:29 | 0:14:31 | |
So it's a papier-mache black lacquered tray. | 0:14:31 | 0:14:34 | |
-Oh, great! Look at these guys flying kites. -Mm. | 0:14:34 | 0:14:37 | |
Isn't that gorgeous? | 0:14:37 | 0:14:39 | |
Are these, like, hand-painted? | 0:14:39 | 0:14:41 | |
I think this is actually transfer-printed, | 0:14:41 | 0:14:43 | |
but it has been hand-coloured. | 0:14:43 | 0:14:45 | |
There's this wonderful gilt here. I think that's gorgeous. | 0:14:45 | 0:14:48 | |
-I think this looks really nice. -I love that. | 0:14:48 | 0:14:50 | |
So what's the price? | 0:14:50 | 0:14:52 | |
£30 on it there. Is there any flexibility on that? | 0:14:52 | 0:14:54 | |
-Let me have a look and I'll see. -Thank you. | 0:14:54 | 0:14:57 | |
-I can do it for 22. -Ooh, 22. | 0:14:58 | 0:15:02 | |
-What's your thoughts, guys? -It is nice. | 0:15:02 | 0:15:04 | |
If you like it, and you buy it because you like it, | 0:15:04 | 0:15:06 | |
-then I think that's a great reason to buy it. -Any more wiggle room? | 0:15:06 | 0:15:09 | |
Ooh, "Any more wiggle room?" I like that. That's a good phrase. | 0:15:09 | 0:15:12 | |
-I'll wiggle to 20... -Wiggle to 20. | 0:15:14 | 0:15:17 | |
-..and that's it. -He's wiggling. | 0:15:17 | 0:15:19 | |
-You're not actually wiggling, though. -No. | 0:15:19 | 0:15:21 | |
I think it's a really nice thing. | 0:15:21 | 0:15:23 | |
I do like it, but I do reckon that would probably sell | 0:15:23 | 0:15:25 | |
for, like, £20 in an auction. | 0:15:25 | 0:15:27 | |
I want to be getting my golden gavels. | 0:15:28 | 0:15:30 | |
-OK? -Yeah, we'll leave the tray. -Leave the tray? OK. All right. | 0:15:32 | 0:15:35 | |
Potentially we'll come back to that. | 0:15:35 | 0:15:36 | |
You've got lots on the back burner there, Reds. | 0:15:36 | 0:15:38 | |
But with only 20 minutes left, you need to spend, spend, spend. | 0:15:38 | 0:15:42 | |
This is my anxious face. They're brilliant | 0:15:42 | 0:15:45 | |
and they're looking at lots of different things, | 0:15:45 | 0:15:47 | |
but we're not actually making any decisions. | 0:15:47 | 0:15:49 | |
I've just got to maybe get them to focus a bit more. | 0:15:49 | 0:15:51 | |
Don't worry, CT, you're not alone. | 0:15:51 | 0:15:54 | |
Come on. I'm going to start smacking bottoms in a minute. | 0:15:54 | 0:15:58 | |
This is massively stressful. | 0:15:58 | 0:15:59 | |
I don't think they've realised quite how little time they've got left. | 0:15:59 | 0:16:03 | |
Well, as you mentioned it, you've just over 15 minutes. | 0:16:03 | 0:16:06 | |
What about that kind of stuff? Lalique-type things? | 0:16:06 | 0:16:09 | |
-The fish, maybe. -OK, well, Sabino is a really good make. | 0:16:09 | 0:16:11 | |
It's not quite as well known as Lalique, but it's getting up there | 0:16:11 | 0:16:14 | |
because people that can't afford Lalique go for Sabino, | 0:16:14 | 0:16:17 | |
and it's a really good make. | 0:16:17 | 0:16:18 | |
-Do you like them? -I like the fish. | 0:16:18 | 0:16:20 | |
-I like the fish. -I do like the fish. I think the fish is quite quirky. | 0:16:20 | 0:16:24 | |
OK. | 0:16:24 | 0:16:25 | |
Crikey, something they agree on. | 0:16:25 | 0:16:27 | |
Excuse me, what would be the price on the fish? | 0:16:27 | 0:16:29 | |
You've got it marked up at 80, but I think it's quite... | 0:16:29 | 0:16:32 | |
Erm, yes... | 0:16:32 | 0:16:33 | |
-CHRISTINA: -That's quite expensive, isn't it? | 0:16:33 | 0:16:35 | |
-You see... -I can do that... | 0:16:35 | 0:16:37 | |
-Best price. -50 would be the best. -50? -Really would be the best. | 0:16:37 | 0:16:40 | |
-You couldn't come down to 45... -I couldn't. I paid 45 for it. | 0:16:40 | 0:16:44 | |
-48! -Yeah, 48. -A profit's a profit. | 0:16:45 | 0:16:47 | |
-Erm, OK. 48. -48 would give us a chance. | 0:16:47 | 0:16:49 | |
-48. What do you think? -A small profit there. | 0:16:49 | 0:16:52 | |
-What do you think, girls? -I don't know. | 0:16:52 | 0:16:55 | |
Oh, dear. | 0:16:55 | 0:16:56 | |
Meanwhile, where have the Reds got to? | 0:16:56 | 0:16:58 | |
Where are my team? | 0:16:58 | 0:16:59 | |
Seriously, where have they gone? | 0:17:01 | 0:17:03 | |
-Have you seen them? -'No, I haven't.' | 0:17:03 | 0:17:05 | |
Oh, good Lord. | 0:17:05 | 0:17:06 | |
Oh, what a disaster. Now, what's the word on the fish? | 0:17:06 | 0:17:09 | |
I like the way the light shines through it. | 0:17:09 | 0:17:12 | |
-So, shall we go with the fish, then, for forty... -Eight. -Eight. | 0:17:12 | 0:17:16 | |
-Not 45? -Are you sure not 45? | 0:17:16 | 0:17:19 | |
-No, no, no. -46? | 0:17:19 | 0:17:20 | |
There's a chance. I think that has got a chance for a small profit, | 0:17:20 | 0:17:23 | |
and it's a really nice thing. | 0:17:23 | 0:17:24 | |
-It's good quality, good maker... -Shall we take a fish then? | 0:17:24 | 0:17:27 | |
Doesn't seem to have any damage on it, does it? | 0:17:27 | 0:17:29 | |
You do need something. | 0:17:29 | 0:17:30 | |
-We'll take the fish. -We'll take the fish. -Take the fish! | 0:17:30 | 0:17:33 | |
-Thank you very much. -You're welcome. | 0:17:33 | 0:17:34 | |
Thank you very much. Thank you. | 0:17:34 | 0:17:36 | |
Phew! That's two down. One to go. | 0:17:36 | 0:17:39 | |
Go! One more to go. | 0:17:39 | 0:17:40 | |
Ah! There are the Reds. All we need is Christina. | 0:17:40 | 0:17:43 | |
We've got 11 minutes left and we need to buy two things. | 0:17:43 | 0:17:45 | |
-That's what I'm trying to say to her. -Come on, come on... | 0:17:45 | 0:17:48 | |
Listen, seriously, we've seen lots of things that have been good - | 0:17:48 | 0:17:51 | |
which are the ones we're going to go for? | 0:17:51 | 0:17:53 | |
We're going to go for the clock. | 0:17:53 | 0:17:54 | |
-Let's go and buy the clock and... -Let's buy the clock. | 0:17:54 | 0:17:57 | |
We need to do that quickly, OK? | 0:17:57 | 0:17:58 | |
That's right, you take control, CT. | 0:17:58 | 0:18:01 | |
-OK. Hello, everybody! -Hello. -We're back again. | 0:18:01 | 0:18:05 | |
We were wondering, what was your best price on the clock? | 0:18:05 | 0:18:07 | |
-45. -45. -Yeah. | 0:18:07 | 0:18:09 | |
Could we say 40? | 0:18:09 | 0:18:11 | |
-That's only giving me a fiver now on... -OK. | 0:18:11 | 0:18:13 | |
-I think at £45... -I've spent a few hours on it as well. | 0:18:13 | 0:18:15 | |
-..we need to... -Yeah, get the clock. -That's a good price. | 0:18:15 | 0:18:18 | |
-Quickly. -£45? £45? -Yeah. | 0:18:18 | 0:18:20 | |
-£45. Thank you, sir. -Done, done. -You're a legend. | 0:18:20 | 0:18:23 | |
Finally, you and the Blues are now looking for your final buys. | 0:18:24 | 0:18:28 | |
Do you know that's Japanese. Do you know a lot about stuff like that? | 0:18:28 | 0:18:31 | |
-It goes on a belt. -Yeah, thank you. | 0:18:31 | 0:18:34 | |
Right. Ha-ha! What do you think of that? | 0:18:34 | 0:18:37 | |
-I don't like it. -Ergh! No? | 0:18:37 | 0:18:40 | |
-It's a Japanese netsuke, they're very collectable. -Yeah. | 0:18:40 | 0:18:43 | |
Looks like some kind of boxwood, maybe something like that. | 0:18:43 | 0:18:47 | |
Very nice little inset eyes, little bead insets. | 0:18:47 | 0:18:51 | |
-What's the price on that? -It's £20. | 0:18:52 | 0:18:54 | |
-£20. -Would you do it for ten? | 0:18:54 | 0:18:56 | |
-I can't, no. Sorry. -£12.50? | 0:18:56 | 0:18:59 | |
-Oh, look at him. -15 would be the very best. | 0:18:59 | 0:19:01 | |
-15? -15. -Well, what do you think? | 0:19:01 | 0:19:03 | |
-13 is better. -13 then? -13! -Anything! Come on. | 0:19:03 | 0:19:07 | |
-Go on, then. -All right, 13. Shake the man's... | 0:19:07 | 0:19:09 | |
-Wait, this would be your last item. -I know... | 0:19:09 | 0:19:11 | |
-Now, how desperate are we? -..but I hate to see stressed ladies. | 0:19:11 | 0:19:14 | |
I think we are quite desperate. | 0:19:14 | 0:19:15 | |
I hate it. I think it's hideous, but then it's not about what I like, | 0:19:15 | 0:19:19 | |
it's about what will sell well. | 0:19:19 | 0:19:21 | |
Can you put it to one side just for a few minutes, yeah? | 0:19:21 | 0:19:23 | |
-Of course I can. -Thank you very much. | 0:19:23 | 0:19:26 | |
-Right, get going. -Let's go. -Let's get outside now. | 0:19:26 | 0:19:28 | |
Right, power walk. | 0:19:28 | 0:19:30 | |
This isn't really the time for browsing - | 0:19:30 | 0:19:32 | |
you've less than ten minutes left. | 0:19:32 | 0:19:34 | |
That goes for you too, Reds. | 0:19:34 | 0:19:36 | |
Girls, there's a jewellery box here - what's your thoughts on that? | 0:19:36 | 0:19:39 | |
Oh, I like it. I like the quilting inside. | 0:19:39 | 0:19:41 | |
Yeah, it's pretty, isn't it? £130 is a lot of money to spend... | 0:19:41 | 0:19:44 | |
It's a lot of money, but hang on! | 0:19:44 | 0:19:46 | |
-ITALIAN ACCENT: -For you, we make a special price! | 0:19:46 | 0:19:48 | |
-THEY LAUGH -No, we could do something there. | 0:19:48 | 0:19:50 | |
What would be your best price on it, my darling? | 0:19:50 | 0:19:52 | |
-What would make you happy? -30 quid. -£20 -THEY LAUGH | 0:19:52 | 0:19:56 | |
Well, that'd make me sad, I'm telling you now. | 0:19:56 | 0:19:58 | |
that'd make me cry. | 0:19:58 | 0:20:00 | |
The top is original, but... | 0:20:00 | 0:20:01 | |
-The best I could do for that, really...about 80, really. -About 80. | 0:20:01 | 0:20:05 | |
-Too much? -I think that's going to be too much for us. | 0:20:05 | 0:20:08 | |
-I think that's a little bit too much. -It's really nice, though. | 0:20:08 | 0:20:10 | |
-But thank you so much. It's been a pleasure. -My pleasure. | 0:20:10 | 0:20:13 | |
Thank you. | 0:20:13 | 0:20:14 | |
Outside, the Blues are feeling the pressure. | 0:20:14 | 0:20:17 | |
-Table, nothing? -No. -No, no. | 0:20:17 | 0:20:19 | |
-I didn't want furniture. Absolutely no furniture. -OK. | 0:20:19 | 0:20:23 | |
I'm not sure you can be fussy at this point in time. | 0:20:23 | 0:20:26 | |
Back with the Reds, and have they found a contender | 0:20:26 | 0:20:28 | |
for item number three? | 0:20:28 | 0:20:29 | |
-I really like this. -This is the one, is it? | 0:20:29 | 0:20:32 | |
-That's really pretty. -Ah, OK. | 0:20:32 | 0:20:33 | |
It's that this mother of pearl inlay top, | 0:20:33 | 0:20:35 | |
so, again, it's a papier-mache which has been ebonised there. | 0:20:35 | 0:20:38 | |
Mother of pearl inlay, gilt painting. | 0:20:38 | 0:20:40 | |
Open the lid. Oh, lovely. | 0:20:40 | 0:20:42 | |
OK, so it's got its original fitted interior. | 0:20:42 | 0:20:45 | |
It's a sewing box, | 0:20:45 | 0:20:46 | |
so it will have been full of needles and thread | 0:20:46 | 0:20:48 | |
and scissors and bobbins and all sorts of things originally. | 0:20:48 | 0:20:51 | |
But nowadays, they are used as jewellery boxes. | 0:20:51 | 0:20:55 | |
That's what I was thinking, more of a jewellery box. | 0:20:55 | 0:20:57 | |
So, very, very, very sweet. | 0:20:57 | 0:20:59 | |
We've not got much time left... | 0:20:59 | 0:21:01 | |
THEY SQUEAL | 0:21:01 | 0:21:03 | |
-She's about to have a baby! -THEY LAUGH | 0:21:03 | 0:21:06 | |
-Oh... -What's your thoughts? | 0:21:06 | 0:21:08 | |
I think we should ask the price. | 0:21:08 | 0:21:09 | |
I will go and find the stallholder and see what he can do on this, OK? | 0:21:09 | 0:21:13 | |
-Do your best. -Hold fire. | 0:21:13 | 0:21:14 | |
Off you go, then, CT. | 0:21:14 | 0:21:16 | |
Now, I hope the Blues aren't going off the rails. | 0:21:16 | 0:21:18 | |
-Train set? -Oh, hold on a sec. | 0:21:18 | 0:21:20 | |
-Mamod? Do you like Mamod steam engines? -Yes. | 0:21:20 | 0:21:22 | |
These are collectable. Everybody plays with those. | 0:21:22 | 0:21:24 | |
I think we go back and get the... | 0:21:24 | 0:21:26 | |
-I think you've got so little time. -..the hideous thing. | 0:21:26 | 0:21:28 | |
-Right, fine, we go back... -Yes, we go back and get the hideous... | 0:21:28 | 0:21:31 | |
I'm sensing some...some resistance to my suggestion. | 0:21:31 | 0:21:35 | |
Trust your experts, teams - they know their stuff. | 0:21:35 | 0:21:38 | |
OK, girlie whirlies. | 0:21:38 | 0:21:39 | |
Right, so the asking price was 150. OK? | 0:21:39 | 0:21:43 | |
But he said that he could do it for £100 for us, | 0:21:43 | 0:21:45 | |
which I think is very generous. | 0:21:45 | 0:21:47 | |
I think that is very generous and that's really good, | 0:21:47 | 0:21:50 | |
but...I reckon it will only make about 80 quid. | 0:21:50 | 0:21:53 | |
How many minutes have we got left? | 0:21:53 | 0:21:54 | |
-Three! -I don't think we have a choice. | 0:21:54 | 0:21:57 | |
We have to choose between something that we've seen or this box. | 0:21:57 | 0:22:00 | |
-All right, we get the box. -The tray is just there, | 0:22:00 | 0:22:03 | |
but we would have to run and she is likely to go into labour. | 0:22:03 | 0:22:06 | |
Crikey, I'd rather you didn't. | 0:22:06 | 0:22:07 | |
-Right... -Quick, quick. Can we remember where it was? | 0:22:07 | 0:22:10 | |
-Yes. -Yes, I think it's just in there. | 0:22:10 | 0:22:11 | |
MUSIC: Rocky theme tune | 0:22:11 | 0:22:14 | |
-This is the fastest you lot have moved all day. -I know! | 0:22:14 | 0:22:17 | |
-Hello! -Hi there. -We're back. | 0:22:23 | 0:22:25 | |
We would like to do the deal, please. | 0:22:25 | 0:22:27 | |
-Thank you. -Thank you very much. We've done it. | 0:22:27 | 0:22:29 | |
Oh, thank God for that! | 0:22:29 | 0:22:31 | |
Where's Kate? Where's Kate? | 0:22:31 | 0:22:33 | |
-We've done it. -Thank you so much, Kate. | 0:22:33 | 0:22:35 | |
That was a close run thing. | 0:22:35 | 0:22:37 | |
Well done, Blues, and in the nick of time. | 0:22:37 | 0:22:40 | |
We've got under one minute. | 0:22:40 | 0:22:42 | |
Well, we'll have to get it, then, won't we? We don't have any choice. | 0:22:42 | 0:22:44 | |
-I will go and do the deal, all right? -Yeah. | 0:22:44 | 0:22:46 | |
Well done. Well done. | 0:22:46 | 0:22:49 | |
This is going to be our minus. | 0:22:50 | 0:22:52 | |
You never know, Reds - it could make you a fortune. | 0:22:52 | 0:22:55 | |
OK. £100, done the deal. It's ours. | 0:22:55 | 0:22:59 | |
59 minutes, 56 seconds. | 0:22:59 | 0:23:01 | |
HORN BLOWS Time's up! | 0:23:01 | 0:23:04 | |
I can bear-ly believe it. | 0:23:04 | 0:23:06 | |
-I think I need to lie down. -Me too. | 0:23:06 | 0:23:09 | |
Well done. Happy? | 0:23:09 | 0:23:10 | |
-No. -No! -Oh, no! What?! | 0:23:10 | 0:23:13 | |
Oh, dear. | 0:23:13 | 0:23:15 | |
Well, let's remind ourselves what you bought, then, Reds. | 0:23:15 | 0:23:17 | |
The sisters spied some silver and splashed £25 on this teapot stand. | 0:23:18 | 0:23:23 | |
They struck a deal at £45 for the Art Deco clock. | 0:23:26 | 0:23:29 | |
Finally, they crumpled under pressure | 0:23:32 | 0:23:34 | |
and bought this papier-mache box for £100. | 0:23:34 | 0:23:37 | |
-So, that was fun, wasn't it? -Yeah. | 0:23:38 | 0:23:40 | |
You must be puffed out. | 0:23:40 | 0:23:42 | |
Talk about leaving it till the last minute. | 0:23:42 | 0:23:44 | |
-Anyway, super. Did you have a good shop? -We did. | 0:23:44 | 0:23:47 | |
Did you? Which is your favourite piece, Zen? | 0:23:47 | 0:23:49 | |
My favourite is the Art Deco clock. | 0:23:49 | 0:23:52 | |
-Is it? -Yeah. Love it. | 0:23:52 | 0:23:53 | |
And, Luce, do you agree with that? | 0:23:53 | 0:23:55 | |
Mine's going to be the sewing box at the end. | 0:23:55 | 0:23:57 | |
Not sure it'll make the most profit, but probably my favourite item. | 0:23:57 | 0:24:00 | |
-That's your favourite favourite? -Yeah. | 0:24:00 | 0:24:02 | |
What is going to bring the biggest profit? | 0:24:02 | 0:24:04 | |
-I think maybe the clock. -Maybe the clock | 0:24:04 | 0:24:06 | |
-or the silverware at the beginning. -OK. | 0:24:06 | 0:24:08 | |
And you spent in total how much? | 0:24:08 | 0:24:10 | |
-170. -£170. | 0:24:10 | 0:24:12 | |
I'd like £130 of leftover lolly. | 0:24:12 | 0:24:14 | |
-No... -Thank you very much. | 0:24:14 | 0:24:15 | |
-You don't like passing that over, do you? -No. | 0:24:15 | 0:24:18 | |
-£130 goes straight ahead to Christina... -Thank you! | 0:24:18 | 0:24:21 | |
What are you going to buy, babe? | 0:24:21 | 0:24:22 | |
My love, we saw about eight different things that we didn't buy, | 0:24:22 | 0:24:26 | |
-so I've got lots to choose from. -We did. | 0:24:26 | 0:24:27 | |
OK, well, good luck with that. | 0:24:27 | 0:24:29 | |
You better get a leg on in case somebody buys them. | 0:24:29 | 0:24:31 | |
Anyway, meanwhile, right now, | 0:24:31 | 0:24:32 | |
we're going to check out what the Blue team bought, aren't we? | 0:24:32 | 0:24:36 | |
The Blues got off to a flourishing start | 0:24:36 | 0:24:38 | |
with this Art Nouveau epergne bought for £40. | 0:24:38 | 0:24:42 | |
They were hooked on the Sabino glass fish at £48. | 0:24:44 | 0:24:48 | |
And will this wooden dragon netsuke set the auction room alight? | 0:24:49 | 0:24:53 | |
Bought for £13. Lucky for someone. | 0:24:53 | 0:24:56 | |
A bit indecisive at the top, weren't you? | 0:24:57 | 0:25:00 | |
No, we just didn't like the rubbish that we were looking at. | 0:25:00 | 0:25:02 | |
Sorry! | 0:25:02 | 0:25:04 | |
-But you've finished up all right in the end. -We did indeed, yes. | 0:25:04 | 0:25:06 | |
Do you have a favourite piece, Christina? | 0:25:06 | 0:25:08 | |
Maybe the Sabino glassware that we bought, the little fish, maybe. | 0:25:08 | 0:25:13 | |
-Maybe? -Maybe. -But you don't really like that much? | 0:25:13 | 0:25:15 | |
-I didn't really like any of the pieces to be honest. -Oh, lordy. | 0:25:15 | 0:25:18 | |
And do you agree with that analysis, Phil? | 0:25:18 | 0:25:21 | |
I have to admit, I did like the Sabino glass, | 0:25:21 | 0:25:23 | |
but out of all of them, it was a bit car boot-ish, | 0:25:23 | 0:25:25 | |
I thought, the whole thing. | 0:25:25 | 0:25:26 | |
All right, fine. Well, fair enough. | 0:25:26 | 0:25:28 | |
I mean, that's, you know, say it as you find it. | 0:25:28 | 0:25:30 | |
Which piece is going to bring the biggest profit, then? | 0:25:30 | 0:25:33 | |
The netsuke piece, I think. | 0:25:33 | 0:25:35 | |
Yes, that will bring the best. | 0:25:35 | 0:25:36 | |
This has been a very happy trip, I can tell. | 0:25:36 | 0:25:38 | |
-No, it's been wonderful. -We've had great fun. Yeah. | 0:25:38 | 0:25:40 | |
-Great expert. -It's been good. -Yeah? -Yes. | 0:25:40 | 0:25:42 | |
And how much did you spend in to-to? | 0:25:42 | 0:25:44 | |
-101. -101. Wow! | 0:25:44 | 0:25:46 | |
I'd like £199 of leftover lolly, please. | 0:25:46 | 0:25:48 | |
-Do I really have to hand it to you? -You do, I'm afraid. | 0:25:48 | 0:25:50 | |
-Oh, dear. There we are. -Yeah, gently. -Gently. | 0:25:50 | 0:25:52 | |
-Thank you. -Oh, all right. | 0:25:52 | 0:25:54 | |
Right, with the upmost tenderness. Thank you very much, Christina. | 0:25:54 | 0:25:56 | |
-Well, that's a fortune. -Well, it is. -That is a fortune, isn't it? -Yeah. | 0:25:56 | 0:26:00 | |
What do you think you're going to spend it on? | 0:26:00 | 0:26:02 | |
Well, I've got a few ideas. | 0:26:02 | 0:26:04 | |
I've seen a few things around that you didn't like | 0:26:04 | 0:26:06 | |
but might make some money, so we'll have to wait and see. | 0:26:06 | 0:26:08 | |
Well, that is intriguing. | 0:26:08 | 0:26:10 | |
Almost as intriguing as our next little bit, | 0:26:10 | 0:26:12 | |
because Philip, I've got one or two little things | 0:26:12 | 0:26:15 | |
-that I'd like to show you. -That's great. | 0:26:15 | 0:26:17 | |
How many pairs of cuff links did you tell me you had? | 0:26:24 | 0:26:26 | |
About 250. | 0:26:26 | 0:26:28 | |
-What's special about cuff links for you, then? -I just enjoy them. | 0:26:28 | 0:26:31 | |
I worked up in the city, and as we were all in ties, | 0:26:31 | 0:26:34 | |
and in those days, we all had to wear sombre ties and suits, | 0:26:34 | 0:26:38 | |
the only thing that sort of made you stand out sometimes | 0:26:38 | 0:26:40 | |
-was your -cuff links. OK. | 0:26:40 | 0:26:41 | |
-You've got 250 pairs. -Yeah. | 0:26:41 | 0:26:43 | |
I've found two pairs here today at Detling | 0:26:43 | 0:26:46 | |
that I want to run by you. | 0:26:46 | 0:26:48 | |
Try those on. | 0:26:48 | 0:26:50 | |
Thank you very much indeed. | 0:26:50 | 0:26:52 | |
-Do you like them? -I'm not keen. | 0:26:52 | 0:26:54 | |
I think these are more sort of like Liberace-type cuff links. | 0:26:54 | 0:26:58 | |
You know, very sort of over-the-top. | 0:26:58 | 0:27:00 | |
What do you think they're made of? | 0:27:00 | 0:27:02 | |
Quartz or something? | 0:27:02 | 0:27:03 | |
It is a stone - you're absolutely right. | 0:27:03 | 0:27:05 | |
-It's called aventurine. -Uh-huh. | 0:27:05 | 0:27:08 | |
Comes in various colours - blue, green, | 0:27:08 | 0:27:10 | |
-but more popularly this brown with the gold flecks in. -Yeah. | 0:27:10 | 0:27:14 | |
The quality of the stone polishing is very, very high, | 0:27:14 | 0:27:16 | |
-so I actually quite rate them as -cuff links... Oh, all right. | 0:27:16 | 0:27:20 | |
..and they may not appeal to you in your particular collection, | 0:27:20 | 0:27:23 | |
-but I think they would appeal in the marketplace. -Ah. | 0:27:23 | 0:27:26 | |
Here, in Detling, you can buy the pair for £18. | 0:27:26 | 0:27:30 | |
-That...that is incredible. -That is incredible, isn't it? | 0:27:30 | 0:27:33 | |
And I think you'd probably, in another place, | 0:27:33 | 0:27:35 | |
-get something like £60 or £80 for them. -I'd agree, yeah. | 0:27:35 | 0:27:37 | |
Now, something a bit more straightforward - | 0:27:37 | 0:27:40 | |
how do you rate these? | 0:27:40 | 0:27:41 | |
I really like these. | 0:27:41 | 0:27:42 | |
They've got wonderful sort of machining on both of them. Gold. | 0:27:42 | 0:27:46 | |
I'd like them in my collection. | 0:27:46 | 0:27:48 | |
-They are nine carat gold, so they're hallmarked, which is lovely. -Yeah. | 0:27:48 | 0:27:51 | |
What I like about them is that terminal, | 0:27:51 | 0:27:53 | |
which, to me, is rather like a dumbbell. | 0:27:53 | 0:27:56 | |
Here, in Detling, the pair could be yours for £38. | 0:27:56 | 0:28:00 | |
That's incredible. | 0:28:00 | 0:28:01 | |
Now, let's not get too buttoned up about this | 0:28:01 | 0:28:03 | |
because right now we're heading off into West London for our auction, | 0:28:03 | 0:28:07 | |
and frankly, I can't wait. | 0:28:07 | 0:28:09 | |
We've crossed the M25 from Kent | 0:28:16 | 0:28:18 | |
and find ourselves in West London at High Road Auctions, Chiswick. | 0:28:18 | 0:28:24 | |
What could be nicer? With our auctioneer Charles Hoy. | 0:28:24 | 0:28:27 | |
-Good morning, Charles. -Morning, Tim. | 0:28:27 | 0:28:29 | |
Now, the first item for the Reds is the silver teapot stand | 0:28:29 | 0:28:33 | |
which looks Georgian but it ain't. | 0:28:33 | 0:28:36 | |
No, exactly. It's the later part of the 19th century. | 0:28:36 | 0:28:40 | |
It's a good little piece. | 0:28:40 | 0:28:41 | |
What it has against it is it is engraved and, as we can work out, | 0:28:41 | 0:28:45 | |
someone with five initials on it, it'll be a tricky one. | 0:28:45 | 0:28:49 | |
We have put £30-£50 on it. | 0:28:49 | 0:28:51 | |
-OK, £25 paid. So that's a great estimate. -Yeah. | 0:28:51 | 0:28:54 | |
Next is the Art Deco style mantel clock | 0:28:54 | 0:28:57 | |
-and that just reeks of the late 1930s, doesn't it? -It does, yeah. | 0:28:57 | 0:29:01 | |
It's stamped foreign on the front | 0:29:01 | 0:29:03 | |
which suggests a European import around the 1930s period. | 0:29:03 | 0:29:06 | |
However, Art Deco is popular. There's lots of Art Deco houses | 0:29:06 | 0:29:10 | |
in this area so it does tend to be popular when it comes here. | 0:29:10 | 0:29:13 | |
-Yeah. -We put £40-£60. | 0:29:13 | 0:29:15 | |
OK, £45 paid so that's well in the frame. | 0:29:15 | 0:29:18 | |
And lastly, the quintessential late Victorian papier-mache box. | 0:29:18 | 0:29:24 | |
Does this stuff sell still, Charles? | 0:29:24 | 0:29:27 | |
It does, Tim, but not at the same price that it used to. | 0:29:27 | 0:29:30 | |
It is in good condition though, it does have good inlay, | 0:29:30 | 0:29:33 | |
the interior is later which slightly works against it. | 0:29:33 | 0:29:38 | |
However, it's still a good piece and we've put £50-£70 on it. | 0:29:38 | 0:29:42 | |
OK, £100 was paid and I guess if there's a dark hole | 0:29:42 | 0:29:46 | |
into which this team are about to plunge | 0:29:46 | 0:29:49 | |
it will be via the papier-mache box. | 0:29:49 | 0:29:52 | |
Cos I vote that as a bit of a loser. | 0:29:52 | 0:29:54 | |
On that happy note, they may need their bonus buy, | 0:29:54 | 0:29:57 | |
so let's go and have a look at it. | 0:29:57 | 0:29:59 | |
Hey, kids, what fun is this? | 0:29:59 | 0:30:02 | |
Zena, what have you done to your hair? | 0:30:02 | 0:30:04 | |
Had a bit of a malfunction this morning. | 0:30:04 | 0:30:07 | |
-Was it supposed to go orange? -It was not supposed to go orange. | 0:30:07 | 0:30:10 | |
Thank you for bringing that up. | 0:30:10 | 0:30:12 | |
Anyway, £130 of leftover lolly went to Christina. What did you buy? | 0:30:12 | 0:30:16 | |
There was a lot of sisterly love going on on our shop | 0:30:16 | 0:30:20 | |
and we pretty much ran out of time and it was between the box and... | 0:30:20 | 0:30:26 | |
So I thought, well, I'll give you the tray as your bonus buy | 0:30:26 | 0:30:29 | |
and you can see which one makes any money. | 0:30:29 | 0:30:32 | |
There we go. It's over to you. | 0:30:32 | 0:30:34 | |
So, girls, what did you like about this tray first time round? | 0:30:34 | 0:30:37 | |
You thought you'd never see it ever again. | 0:30:37 | 0:30:39 | |
I've kind of been having nightmares about this tray. I hate this tray. | 0:30:39 | 0:30:43 | |
-You hate the tray? -I hate the tray. | 0:30:43 | 0:30:45 | |
That's changed, she didn't always hate the tray. | 0:30:45 | 0:30:48 | |
So, Luce, what do you like about it? | 0:30:48 | 0:30:50 | |
The picture. I think it's really nice. I like the colours. | 0:30:50 | 0:30:53 | |
And the gild on it. And we love the kite. | 0:30:53 | 0:30:55 | |
The little boys playing with their kites up here | 0:30:55 | 0:30:57 | |
and we thought it was sweet, didn't we? | 0:30:57 | 0:30:59 | |
-How much was it? -It was cheap, wasn't it? | 0:30:59 | 0:31:01 | |
Well, I paid £20 for it. | 0:31:01 | 0:31:04 | |
To be perfectly honest, | 0:31:04 | 0:31:05 | |
I think it might make a little bit of money but we'll see. | 0:31:05 | 0:31:08 | |
Think on, because right now for the audience at home, | 0:31:08 | 0:31:11 | |
let's find out what the auctioneer thinks about Christina's tray. | 0:31:11 | 0:31:15 | |
Now, this is an object that I think gives Chinese lacquer a bad name. | 0:31:15 | 0:31:19 | |
-Yes, it's not... -Not the best. | 0:31:19 | 0:31:22 | |
..terribly inspiring. | 0:31:22 | 0:31:23 | |
Transfer printed. | 0:31:23 | 0:31:25 | |
Yeah, it's not hugely old. We have seen old ones. | 0:31:25 | 0:31:27 | |
There's not too much more we can bring to you about that. | 0:31:27 | 0:31:30 | |
Not terribly. | 0:31:30 | 0:31:31 | |
I mean, just gird up your loins and give us an estimate. | 0:31:31 | 0:31:34 | |
Yeah, we said £20-£40. | 0:31:34 | 0:31:35 | |
Yeah, and that's quite a gird up, I tell you cos £20 was paid. | 0:31:35 | 0:31:38 | |
-OK. -Christina rates it and who knows? | 0:31:38 | 0:31:41 | |
She may well be right | 0:31:41 | 0:31:42 | |
but I think you're going to be lucky to get much of a profit out of that. | 0:31:42 | 0:31:45 | |
That's it for the Reds. Now for the Blues. | 0:31:45 | 0:31:47 | |
This looks rather promising. What do you think about the epergne? | 0:31:47 | 0:31:51 | |
Well, it is rather nice, Tim. It's a good design to it. | 0:31:51 | 0:31:55 | |
The base would need re-plating at some point. | 0:31:55 | 0:31:57 | |
What works against it is it is, in fact, broken on the inside | 0:31:57 | 0:32:02 | |
we can see, which is a pity. | 0:32:02 | 0:32:04 | |
However, though, it's still a nice piece. | 0:32:04 | 0:32:07 | |
And it is hidden within the frame of the Art Nouveau metalwork | 0:32:07 | 0:32:12 | |
so that goes in its favour. | 0:32:12 | 0:32:13 | |
And we did £30-£50 on it. | 0:32:13 | 0:32:16 | |
OK, £40 paid. I think you're right. | 0:32:16 | 0:32:19 | |
It could make £50 or even £60 on a good day. | 0:32:19 | 0:32:22 | |
Now, what about the Sabino glass fish? | 0:32:22 | 0:32:25 | |
If you can't afford the Lalique, Sabino's your man. | 0:32:25 | 0:32:28 | |
Exactly what it is. Trying to be Lalique. | 0:32:28 | 0:32:31 | |
Sabino, still a French company, we've seen lots of them before. | 0:32:31 | 0:32:36 | |
-Good little things. -What's your estimate? | 0:32:36 | 0:32:39 | |
We said £30-£50. | 0:32:39 | 0:32:40 | |
OK, £48 paid so it's just in the frame | 0:32:40 | 0:32:43 | |
-and it might wiggle into profit. -Yeah. | 0:32:43 | 0:32:48 | |
The last object is, I think, | 0:32:48 | 0:32:50 | |
probably just a shade off brand-new, don't you? | 0:32:50 | 0:32:53 | |
It is, yeah. Made most probably in a factory rather than handmade. | 0:32:53 | 0:32:56 | |
Clever, though. | 0:32:56 | 0:32:57 | |
It is, yeah, it's still a decorative piece of a dragon. | 0:32:57 | 0:33:02 | |
They do tend to be popular whenever they come in so we've said £20-£40. | 0:33:02 | 0:33:06 | |
OK. £13 paid. Well, you never know. | 0:33:06 | 0:33:09 | |
They might need their bonus buy so let's go and have a look at it. | 0:33:09 | 0:33:13 | |
-Well, what fun this is, isn't it? -Yes. | 0:33:13 | 0:33:15 | |
You only spend 101, £199 went to Kate, what did you buy? | 0:33:15 | 0:33:20 | |
Ta-da! Something small and sweet. | 0:33:20 | 0:33:22 | |
-Ooh. -It's a tiny little pillbox. | 0:33:22 | 0:33:24 | |
-You don't look convinced. -No... -Limoges. | 0:33:24 | 0:33:27 | |
-No, Limoges is good. -Limoges. It's very sweet. | 0:33:27 | 0:33:30 | |
It's hand-decorated. It's got all the stuff on the bottom. | 0:33:30 | 0:33:33 | |
-Any damage? -No, perfect. | 0:33:33 | 0:33:35 | |
I did try and spend more money but I couldn't find anything. | 0:33:35 | 0:33:38 | |
-How much did you spend then? -It was £35. -Oh. -That's good. | 0:33:38 | 0:33:41 | |
-Not so bad. -No, it's not. -Have a peek. | 0:33:41 | 0:33:43 | |
-Here we go. -It's quite girlie. -That's OK, as long as it sells. | 0:33:43 | 0:33:47 | |
It's a sort of trinket box. | 0:33:49 | 0:33:50 | |
And how much do you think it will actually make? | 0:33:50 | 0:33:52 | |
It'll be nice to see it at 40-60. | 0:33:52 | 0:33:54 | |
I mean, I've seen these make over £100 | 0:33:54 | 0:33:55 | |
but it all depends on the day on the sale. You never know. | 0:33:55 | 0:33:58 | |
I must admit, if I had seen that | 0:33:58 | 0:34:00 | |
I'd loved to have bought that as an item. | 0:34:00 | 0:34:02 | |
Ah, it missed your eagle eye. | 0:34:02 | 0:34:04 | |
-It did miss our eagle eye. -It did. | 0:34:04 | 0:34:07 | |
Well, it's a sweet thing | 0:34:07 | 0:34:08 | |
and there's lots of collectors for little boxes, trinket boxes | 0:34:08 | 0:34:10 | |
and Limoges and its hand-painted so I think there's a good chance. | 0:34:10 | 0:34:13 | |
-Yeah, it's lovely. Thank you. -Yes, I like that. | 0:34:13 | 0:34:16 | |
-Well, it ticks a few boxes, doesn't it? -It does. -That's the main thing. | 0:34:16 | 0:34:19 | |
Right now, though, for the audience at home, | 0:34:19 | 0:34:21 | |
let's find out whether it ticks the auctioneer's box. | 0:34:21 | 0:34:25 | |
Right, Charles, nice little feminine box. | 0:34:25 | 0:34:28 | |
Yeah, it's a nice little piece. Limoges is still popular. | 0:34:28 | 0:34:33 | |
People do still buy it. | 0:34:33 | 0:34:35 | |
Not as popular as it once was but even so it's a pretty little piece. | 0:34:35 | 0:34:39 | |
-How much is your estimate? -We've said £20-£40. | 0:34:39 | 0:34:42 | |
£35 paid by the lovely Kate. | 0:34:42 | 0:34:44 | |
And she knows a thing or two about lovely things. | 0:34:44 | 0:34:47 | |
-Looking forward to the auction? -We are, yes. -So are we. | 0:34:47 | 0:34:50 | |
AUCTIONEER CALLS OUT BIDS | 0:34:50 | 0:34:52 | |
-How are you feeling? -I'm feeling a bit nervous. | 0:34:54 | 0:34:58 | |
-I don't think it's going to go so well. -Do you not? | 0:34:58 | 0:35:00 | |
-It's the box. -It's that black box, yeah? -It's the box. | 0:35:00 | 0:35:04 | |
Lucy, how do you feel about that, sweet pea? | 0:35:04 | 0:35:07 | |
I'm worried, I am worried about the box. | 0:35:07 | 0:35:09 | |
I think what we need to do is to grip hard here | 0:35:09 | 0:35:12 | |
cos first up is your teapot stand and here it comes. | 0:35:12 | 0:35:14 | |
Next lot then, 108, | 0:35:14 | 0:35:16 | |
late 19th-century silver teapot stand, hallmarked for London, | 0:35:16 | 0:35:19 | |
lovely little piece there. | 0:35:19 | 0:35:20 | |
Where are we starting? I have £30 bid straight in. | 0:35:20 | 0:35:22 | |
30. | 0:35:22 | 0:35:24 | |
Yeah. | 0:35:24 | 0:35:25 | |
£35 anywhere? | 0:35:25 | 0:35:27 | |
I'll open it to the internet, £35 and five online. | 0:35:27 | 0:35:30 | |
40 I still have, internet. | 0:35:30 | 0:35:31 | |
-Hey. -Do I see five elsewhere? Come back with me at 45, internet. | 0:35:31 | 0:35:34 | |
It's with my commissions at £40 and selling, let's get five quickly, | 0:35:34 | 0:35:37 | |
it's going and selling to the commissions at 40 then. | 0:35:37 | 0:35:40 | |
-At 40. -£40. You've just made £15 just like that. | 0:35:40 | 0:35:43 | |
-Yeah, plus 15. -That's good, that's good. | 0:35:43 | 0:35:45 | |
Now, the mantel clock. I think this could do really well. | 0:35:45 | 0:35:48 | |
Not this clock. | 0:35:48 | 0:35:49 | |
Good little piece that. Nice little clock. | 0:35:49 | 0:35:52 | |
And where do we start? We have 60 and five on commissions already. | 0:35:52 | 0:35:55 | |
-65. -£70 the next bid. To the room. | 0:35:55 | 0:35:57 | |
I'm over to 65 on commission bids. | 0:35:57 | 0:35:59 | |
Surely worth a bid, internet? | 0:35:59 | 0:36:01 | |
What about that? | 0:36:01 | 0:36:02 | |
We're finished and I will sell to the commission bidders at 65 then. | 0:36:02 | 0:36:06 | |
-£70 at the back just in time. -CHRISTINA: -Last minute. | 0:36:07 | 0:36:10 | |
It's a killer clock, this. | 0:36:10 | 0:36:12 | |
£70 is with you at the back, it takes my commissions out | 0:36:12 | 0:36:15 | |
selling to the lady at the back at 70 then. That's yours. | 0:36:15 | 0:36:18 | |
£70. Killer clock. | 0:36:18 | 0:36:20 | |
And 5 is 50, that is plus £25. | 0:36:20 | 0:36:23 | |
So that's two profits on the trot. | 0:36:23 | 0:36:25 | |
Now... | 0:36:25 | 0:36:26 | |
-flipping box next. -Oh. | 0:36:26 | 0:36:28 | |
-CHRISTINA: -Keep the faith, keep the faith. -Think positive. | 0:36:28 | 0:36:31 | |
Next lot, 110 then, is a late 1930 20th-century papier-mache box. | 0:36:31 | 0:36:35 | |
There we go. Nice little piece this. | 0:36:35 | 0:36:36 | |
Lovely inlay on it if you've seen it. | 0:36:36 | 0:36:38 | |
And where do we start? Again I have interest here. | 0:36:38 | 0:36:40 | |
I have 50 and five, 60 and five straight in. Do I see £70 anywhere? | 0:36:40 | 0:36:44 | |
£70 the next bid to the room, surely worth a bid at that. | 0:36:44 | 0:36:47 | |
It's got to be worth it. One for you maybe, online? | 0:36:47 | 0:36:49 | |
Coming in at £70 for it, it's worth it. | 0:36:49 | 0:36:51 | |
Lovely little box, lovely little inlay on it. | 0:36:51 | 0:36:53 | |
It's with me at £65. Come on, internet, I can see you hovering. | 0:36:53 | 0:36:56 | |
-No. -It's worth a bid. Surely worth a bid at £70, internet. | 0:36:56 | 0:36:59 | |
-Go internet. -No? No? -Come on. | 0:36:59 | 0:37:01 | |
-CHRISTINA: -Come on, World Wide Web. | 0:37:01 | 0:37:03 | |
No, all done and finished then and I will sell. | 0:37:03 | 0:37:05 | |
I'll have to sell to the commissions at 65. | 0:37:05 | 0:37:08 | |
That's 65 then. | 0:37:08 | 0:37:10 | |
-She's going into labour, she's going into labour, oh, my goodness. -£65. | 0:37:10 | 0:37:13 | |
No, no, no, don't labour. | 0:37:13 | 0:37:15 | |
Listen, you are minus £35. You had 40, you're plus £5. | 0:37:15 | 0:37:18 | |
-It's OK, we're still plus. -£5 profit. -We've got a fiver. -Yeah. | 0:37:18 | 0:37:23 | |
I mean, think of the honour of that. That could be a winning score. | 0:37:23 | 0:37:25 | |
Now, what about this old, black tray which you don't like? | 0:37:25 | 0:37:29 | |
Shall we just do it? We don't need a fiver. | 0:37:29 | 0:37:32 | |
-Yeah, that's true. -But you're up. -Let's gamble it. | 0:37:32 | 0:37:35 | |
-You're going to go with it? You're in? -Yeah. | 0:37:35 | 0:37:37 | |
-We're going with the bonus buy. -It's going to backfire. | 0:37:37 | 0:37:39 | |
And here it comes. | 0:37:39 | 0:37:40 | |
Early 20th-century, Chinese papier-mache tray. | 0:37:40 | 0:37:43 | |
Nice little piece, that. | 0:37:43 | 0:37:44 | |
We have £15 on the books. | 0:37:44 | 0:37:46 | |
Do I see £20 anywhere? | 0:37:46 | 0:37:47 | |
£20 the next bid, to the room. Surely worth that? | 0:37:47 | 0:37:50 | |
Got to be worth a bid of £20, isn't it, for the tray? | 0:37:50 | 0:37:53 | |
Nice little piece. Chinese. 20 online now. | 0:37:53 | 0:37:56 | |
Do I see 25 in the room? | 0:37:56 | 0:37:57 | |
It's with the internet at £20. Let's get 25 elsewhere. | 0:37:57 | 0:38:00 | |
It's with the internet bidder at 20. I will sell online at £20 then. | 0:38:00 | 0:38:04 | |
GAVEL BANGS You've sold it for £20. | 0:38:04 | 0:38:07 | |
A wiped face. There's nothing the matter with that. | 0:38:07 | 0:38:09 | |
You are going home with folding money. | 0:38:09 | 0:38:11 | |
A £5 note. How good's that? | 0:38:11 | 0:38:13 | |
Well, at least we didn't make a minus, | 0:38:13 | 0:38:15 | |
-that's what we set out to do. -How good is that? Well done. | 0:38:15 | 0:38:18 | |
-Fantastic. Don't say a word to the Blues, all right? -OK. | 0:38:18 | 0:38:21 | |
Mum is the word. | 0:38:21 | 0:38:22 | |
-How are you feeling? -Fine, excited. | 0:38:30 | 0:38:33 | |
Good, how excited? | 0:38:33 | 0:38:35 | |
-Hmm, medium. -Oh, medium excited. -Yes. -What about you, Phil? | 0:38:35 | 0:38:39 | |
-I'm very excited. -Are you? | 0:38:39 | 0:38:42 | |
I can't wait for the big finale. | 0:38:42 | 0:38:45 | |
I'm gagging for a gaggle. | 0:38:45 | 0:38:47 | |
Anyway, first up is the epergne in the Art Nouveau style. | 0:38:47 | 0:38:50 | |
And here it comes. | 0:38:50 | 0:38:52 | |
Next up, 130 then, it's the Art Nouveau style epergne. | 0:38:52 | 0:38:55 | |
Glass liner. Lovely little piece, this. | 0:38:55 | 0:38:57 | |
Lovely colour to the glass on it. | 0:38:57 | 0:38:59 | |
I am a fan of it. Where do we start? | 0:38:59 | 0:39:00 | |
I have a 30 bid straight in, actually. Do I see five anywhere? | 0:39:00 | 0:39:03 | |
Surely with a bid of 35 elsewhere. | 0:39:03 | 0:39:04 | |
I have 30 on commissions, have to be 35. | 0:39:04 | 0:39:07 | |
35 online now. 40 with me. And five, internet. | 0:39:07 | 0:39:10 | |
-£40. -45 elsewhere? | 0:39:10 | 0:39:12 | |
It's going with my commission bidders and selling at 40 then... | 0:39:12 | 0:39:15 | |
Uh-oh. | 0:39:15 | 0:39:16 | |
-Wiped our face. -Did we? -Wiped your face. | 0:39:16 | 0:39:18 | |
Thank goodness. | 0:39:18 | 0:39:20 | |
-You watch the programme, you know all the terms. -Yes. | 0:39:20 | 0:39:22 | |
-Wiped your face. -Unfortunately. | 0:39:22 | 0:39:24 | |
OK, now, glass fish. | 0:39:24 | 0:39:26 | |
It's had lots of attention, lots of people like it | 0:39:26 | 0:39:29 | |
and again I have interest. | 0:39:29 | 0:39:30 | |
I have 20 and five and 30 bid straight in. | 0:39:30 | 0:39:32 | |
Do I see 35 anywhere for the Sabino fish? | 0:39:32 | 0:39:35 | |
It's got to be worth that, surely. | 0:39:35 | 0:39:36 | |
35. Well spotted, Madam. | 0:39:36 | 0:39:38 | |
Do I see £40 anywhere? | 0:39:38 | 0:39:40 | |
It's with me...it's with you, sorry, at £35 | 0:39:40 | 0:39:43 | |
unless we get £40 elsewhere. | 0:39:43 | 0:39:44 | |
-It's going, selling on the left then at 35. -£35. | 0:39:44 | 0:39:49 | |
-That means you are minus £13. Isn't that terrible? -Bother. -Oh, no. | 0:39:49 | 0:39:53 | |
Anyway, now, here comes the wooden netsuke. | 0:39:53 | 0:39:56 | |
Let's hope for the best for this. | 0:39:56 | 0:39:57 | |
Next lot then, 132 is a wooden netsuke in the form of a dragon. | 0:39:57 | 0:40:00 | |
And where do we start this? I have interest here. | 0:40:00 | 0:40:03 | |
I have 20 and five and 30 bid straight in. | 0:40:03 | 0:40:05 | |
Do I see five anywhere? £35 the next bid? | 0:40:05 | 0:40:07 | |
-Is that a profit? -What? | 0:40:07 | 0:40:10 | |
It's shaped like a dragon, it's a lovely little thing. | 0:40:10 | 0:40:12 | |
-Hideous thing. -Shh. | 0:40:12 | 0:40:14 | |
To the commissions at 30 then. | 0:40:14 | 0:40:16 | |
-Yes. -£30 is plus £17. -Good grief. | 0:40:16 | 0:40:19 | |
-Good grief. -Amazing. | 0:40:19 | 0:40:21 | |
And overall you have £4. | 0:40:21 | 0:40:25 | |
So what are we going to do about this bonus buy? | 0:40:25 | 0:40:27 | |
Are we going to go with the bonus buy, do you think? | 0:40:27 | 0:40:29 | |
-Go on, then. We'll go with it. -I mean, you've got the £4. | 0:40:29 | 0:40:32 | |
Do you want to part with £4 | 0:40:32 | 0:40:34 | |
or do you want to go with the bonus buy? | 0:40:34 | 0:40:35 | |
-Go with the bonus buy. -Go with the bonus buy? | 0:40:35 | 0:40:37 | |
-Yeah, go with the bonus buy. -Going to do it? Going to risk it? | 0:40:37 | 0:40:40 | |
-We'll risk it. -All right, lovely. So, here it comes. | 0:40:40 | 0:40:42 | |
Lot 136, this is a little Limoges porcelain trinket box. | 0:40:42 | 0:40:46 | |
Lovely little thing it is and where do we start? | 0:40:46 | 0:40:48 | |
I have 20 and five on commissions already. | 0:40:48 | 0:40:50 | |
Do I see £30 elsewhere? | 0:40:50 | 0:40:51 | |
Surely worth a bid at £30. I have 25 on commissions. | 0:40:51 | 0:40:53 | |
It will have to be £30 in the room or to the internet. | 0:40:53 | 0:40:56 | |
One for you maybe on the internet. Come in at £30 for it. | 0:40:56 | 0:40:59 | |
Lovely little piece, it's worth it. | 0:40:59 | 0:41:01 | |
Very good condition. It's with me at £25. | 0:41:01 | 0:41:04 | |
I can sell to the commissions then at 25. | 0:41:04 | 0:41:08 | |
-KATE: -No. -£25. -I know. | 0:41:08 | 0:41:09 | |
Overall then, you are minus £6. Bad luck, team. | 0:41:09 | 0:41:12 | |
Never mind. | 0:41:12 | 0:41:13 | |
-But, listen, minus £6 could be a winning score. -Yes. | 0:41:13 | 0:41:16 | |
-Don't say a word to the Reds. -Zip. -Zip. Perfect. | 0:41:16 | 0:41:20 | |
We've got some jokers on the programme today. | 0:41:27 | 0:41:29 | |
Look at this lot. | 0:41:29 | 0:41:30 | |
-All gagging to know what goes on, hey? -Yes. | 0:41:30 | 0:41:33 | |
Well, I can tell you there is absolutely nothing | 0:41:33 | 0:41:36 | |
between the teams today in terms of performance | 0:41:36 | 0:41:40 | |
because you have... CONTESTANTS LAUGH | 0:41:40 | 0:41:42 | |
-you have all performed... -Badly. -..brilliantly. | 0:41:42 | 0:41:46 | |
Not badly. | 0:41:46 | 0:41:48 | |
And there's just a few quid between you | 0:41:48 | 0:41:50 | |
and the team that's marginally behind | 0:41:50 | 0:41:52 | |
just happens to be the Blues. | 0:41:52 | 0:41:54 | |
-LUCY: -Yay! -CHRISTINA: -Bother! | 0:41:54 | 0:41:56 | |
Overall, minus £6. | 0:41:56 | 0:41:59 | |
-And, I tell you, there's no shame in that. -No. | 0:42:00 | 0:42:02 | |
-Christina, have you had a lovely time? -A fantastic time. | 0:42:02 | 0:42:05 | |
-It's been a blast, hasn't it? -Such a laugh. -Phil? | 0:42:05 | 0:42:07 | |
I've had a great time. | 0:42:07 | 0:42:08 | |
My expert was great, you were great, everything was great. | 0:42:08 | 0:42:11 | |
I know. It's lovely to be on such a great show too. | 0:42:11 | 0:42:13 | |
No, seriously. It's been a hoot. | 0:42:13 | 0:42:15 | |
You've been marvellous, well done for taking part. | 0:42:15 | 0:42:17 | |
But the victors today are going home with £5. | 0:42:17 | 0:42:20 | |
-Whoo! -Whoo-hoo-hoo! | 0:42:20 | 0:42:23 | |
Lucy! Take the cash! | 0:42:23 | 0:42:25 | |
Split it with your sister. Smell it, enjoy it. | 0:42:27 | 0:42:30 | |
Revel in it. | 0:42:30 | 0:42:31 | |
Now, what I want to know is, Zen, how are you feeling about it? | 0:42:31 | 0:42:35 | |
-I'm happy that we won. -Yeah, happy that we won. | 0:42:35 | 0:42:39 | |
Winning makes everything better. | 0:42:39 | 0:42:41 | |
You be careful with the hair colour next time, all right? | 0:42:41 | 0:42:43 | |
Next time I see you I want green, yeah? | 0:42:43 | 0:42:47 | |
-How're you feeling, Luce? -I'm...very, very happy that we won. | 0:42:47 | 0:42:50 | |
Are you... Do you feel like a champion? | 0:42:50 | 0:42:52 | |
-Yes. -Yeah, well, you are a champion. -Most definitely. | 0:42:52 | 0:42:55 | |
In fact, we have had the most champion programme. | 0:42:55 | 0:42:58 | |
Have a look at our website. | 0:42:58 | 0:42:59 | |
And join us soon for some more Bargain Hunting, yes? | 0:42:59 | 0:43:02 | |
-ALL: -Yeah! | 0:43:02 | 0:43:03 |