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Line | From | To | |
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From Newbury to Edinburgh. | 0:00:02 | 0:00:04 | |
Belfast to Builth Wells. | 0:00:04 | 0:00:07 | |
Bargain Hunt travels around the country challenging | 0:00:07 | 0:00:10 | |
teams to find a bargain. | 0:00:10 | 0:00:12 | |
Well, here's a little challenge for you at home. Riddle me this - | 0:00:12 | 0:00:16 | |
Rivers without water. Forests without trees. | 0:00:16 | 0:00:20 | |
Towns without houses. Whatever can it be? | 0:00:20 | 0:00:24 | |
It is of course... | 0:00:26 | 0:00:27 | |
a map. | 0:00:27 | 0:00:29 | |
Man's navigational aid for centuries. | 0:00:29 | 0:00:32 | |
And today's journey starts right here. So... | 0:00:32 | 0:00:37 | |
let's go bargain hunting, yeah! | 0:00:37 | 0:00:39 | |
More than 200 stalls occupy this former military training ground | 0:01:01 | 0:01:06 | |
in Oswestry and our teams have just one hour and £300 to bag | 0:01:06 | 0:01:09 | |
themselves a bargain. | 0:01:09 | 0:01:12 | |
Let's take a quick squint as to what's coming up. Oh, yes. | 0:01:12 | 0:01:16 | |
The Reds can't seem to find anything they like. | 0:01:17 | 0:01:20 | |
I don't like that. | 0:01:20 | 0:01:22 | |
I don't like opals, a sign of tears. | 0:01:22 | 0:01:24 | |
You just confuse me! | 0:01:24 | 0:01:26 | |
The Blues are charming their way to the top. | 0:01:26 | 0:01:30 | |
Just look at that face! | 0:01:30 | 0:01:31 | |
My flirting is working! | 0:01:32 | 0:01:34 | |
And it's a rollercoaster of an auction. | 0:01:34 | 0:01:37 | |
-We've got a bidder! -I don't believe this! | 0:01:37 | 0:01:40 | |
-Yes! -Yes! | 0:01:40 | 0:01:41 | |
On today's show, some mothers do 'ave 'em - | 0:01:43 | 0:01:45 | |
we have two mothers and two daughters. | 0:01:45 | 0:01:48 | |
For the Reds, we've got Margaret and Alison, | 0:01:48 | 0:01:52 | |
and for the Blues we have Kate and Julie. | 0:01:52 | 0:01:54 | |
-Hello, everyone! ALL: -Hello! | 0:01:54 | 0:01:56 | |
Hello, hello. Now, Alison, you're rather a busy bee, I'm told. | 0:01:56 | 0:02:00 | |
-I am indeed. -Surrounded by children. | 0:02:00 | 0:02:02 | |
I know, I've ended up with three children of my own and I'm a | 0:02:02 | 0:02:05 | |
health visitor working with children from 0-5, about 300 of them! | 0:02:05 | 0:02:09 | |
Enough to drive you mad, I'd say. | 0:02:09 | 0:02:11 | |
It drives me quite mad! | 0:02:11 | 0:02:13 | |
But you're supposed to be, apart from all these other things, | 0:02:13 | 0:02:16 | |
-a soccer mother. -I am indeed. | 0:02:16 | 0:02:18 | |
My two boys both joined football teams, | 0:02:18 | 0:02:22 | |
so yeah, I'm on the sidelines every weekend when they're playing. | 0:02:22 | 0:02:25 | |
Now, Margaret, tell me, darling, most people have one job, | 0:02:25 | 0:02:29 | |
but you've had about 30. | 0:02:29 | 0:02:30 | |
What sort of jobs have you done? | 0:02:30 | 0:02:33 | |
I've worked in a lot of places, from part-time working in shops, | 0:02:33 | 0:02:37 | |
and then in offices, in hospitals, in a library... | 0:02:37 | 0:02:41 | |
-And now you're semi-retired. -I am. | 0:02:41 | 0:02:43 | |
OK, what's this about you crying when you met Mickey Mouse? | 0:02:43 | 0:02:46 | |
-Yes. Um... -Did you really? -It's perfectly true, yes. | 0:02:46 | 0:02:50 | |
When I was 50, we went to America. | 0:02:50 | 0:02:52 | |
One of the tours was to go to Disneyland, | 0:02:52 | 0:02:55 | |
and I took one look at him and he came towards me and he went... | 0:02:55 | 0:02:59 | |
-And I just burst into tears! -Did you really? | 0:03:01 | 0:03:03 | |
-Because it was Mickey Mouse! -Was it? -It really was Mickey Mouse! | 0:03:03 | 0:03:08 | |
-And he was so nice to you, this man in this suit? -He was abso... | 0:03:08 | 0:03:11 | |
-No, it was really Mickey Mouse! -It was Mickey Mouse. | 0:03:11 | 0:03:14 | |
-Yeah. -I'd grown-up with him and it really was him. -Moving. -Moving. | 0:03:14 | 0:03:18 | |
So moving on quickly, then, what do you girls collect? | 0:03:18 | 0:03:21 | |
I used to collect, when I lived on my own, | 0:03:21 | 0:03:23 | |
like, quite vintage stuff. | 0:03:23 | 0:03:25 | |
I used to have quite a few vintage typewriters and office stuff | 0:03:25 | 0:03:28 | |
and old abacuses and things like that. | 0:03:28 | 0:03:31 | |
Yeah. For me, it was china and old glass. Things like that. | 0:03:31 | 0:03:36 | |
-So you'll be after a right mixture today. -Yes, we will. -Yes. -Good. | 0:03:36 | 0:03:39 | |
-Well, that'll be fun. Good luck with it. -Thank you. -Thank you. | 0:03:39 | 0:03:42 | |
Thank you, girls. | 0:03:42 | 0:03:43 | |
-Now, Kate, you're a student. -I am. -A bit of an adrenaline junkie. | 0:03:43 | 0:03:47 | |
So what do you get up to to get your fix? | 0:03:47 | 0:03:50 | |
Well, I've done skydiving, wing-walking | 0:03:50 | 0:03:53 | |
and I'm currently looking at swimming with sharks. | 0:03:53 | 0:03:56 | |
I'm just anything adrenaline, I'm up for it. | 0:03:56 | 0:03:59 | |
But now you're in a much safer environment. | 0:03:59 | 0:04:02 | |
I am. I'm a student at the Uni of Liverpool, doing business. | 0:04:02 | 0:04:06 | |
-So it's all about business for you, then? -Yes. -Yes, fantastic. | 0:04:06 | 0:04:09 | |
-Now, Julie, you own a hotel. -Yes, that's right. | 0:04:09 | 0:04:12 | |
Which you combine with your passion for jazz. | 0:04:12 | 0:04:15 | |
Yes, that's right. Yes, we have a lot of jazz weekends. | 0:04:15 | 0:04:18 | |
It's in Southport and people come from all over, | 0:04:18 | 0:04:21 | |
and my passion is jazz. | 0:04:21 | 0:04:23 | |
I've been to New Orleans several times | 0:04:23 | 0:04:25 | |
and I love all the mementos, anything jazz. | 0:04:25 | 0:04:30 | |
So, um, how are you two going to get on money comes to shopping? | 0:04:30 | 0:04:33 | |
Are you going to fall out or get on? | 0:04:33 | 0:04:35 | |
-No, I think we've got our tactics, haven't we? -What are your tactics? | 0:04:35 | 0:04:39 | |
Flirting? | 0:04:39 | 0:04:40 | |
-Oh, flirting! -Yes. -Yeah. -She does a good flutter. -Does she? | 0:04:40 | 0:04:44 | |
Oh, yes, look at that! | 0:04:44 | 0:04:45 | |
That'll work a miracle, I tell you. I feel £10 coming off immediately. | 0:04:45 | 0:04:50 | |
-Exactly. -Here comes the £300. | 0:04:50 | 0:04:52 | |
300 smackers. Thank you very much. £300. You know the rules. | 0:04:52 | 0:04:56 | |
Your experts await and off you go! And very, very good luck. | 0:04:56 | 0:05:01 | |
Gosh, what a fun this is going to be. | 0:05:01 | 0:05:03 | |
She's got all the moves to get the Reds out of checkmate. | 0:05:03 | 0:05:06 | |
It's Anita Manning. | 0:05:06 | 0:05:08 | |
And the Blues will be having a jolly old time with laughing | 0:05:11 | 0:05:14 | |
antique man, Richard Madley. | 0:05:14 | 0:05:17 | |
Well, girls, we've got 300 quid. What do we want to buy? | 0:05:18 | 0:05:21 | |
World War II things really interest me, | 0:05:21 | 0:05:23 | |
so maybe some World War II artefacts or... | 0:05:23 | 0:05:26 | |
-Jewellery. -Jewellery! -You're girls after my own heart. | 0:05:26 | 0:05:31 | |
Anything jazz. New Orleans, anything at all. | 0:05:31 | 0:05:34 | |
-And silver. -I think, yes, some silver. | 0:05:34 | 0:05:38 | |
-Maybe we can find a voodoo doll, pins to the Red team. -Oh, OK! | 0:05:38 | 0:05:43 | |
Right, teams, your 60 minutes starts now. | 0:05:43 | 0:05:46 | |
BELL RINGS | 0:05:46 | 0:05:47 | |
Let's go! Yeah! | 0:05:47 | 0:05:49 | |
-Come with me! -Absolutely. | 0:05:49 | 0:05:52 | |
OK, there's some cracking bits over there, girls. | 0:05:52 | 0:05:55 | |
We might find shiny, sparkly... | 0:05:55 | 0:05:57 | |
This is the sort of stall that might just have something that | 0:05:57 | 0:06:01 | |
will catch your eye. | 0:06:01 | 0:06:04 | |
-The girls like shiny and sparkly. -Jewellery. | 0:06:04 | 0:06:08 | |
What's that? Is that a crochet hook there? | 0:06:09 | 0:06:12 | |
It's for buttoning up your boots. | 0:06:12 | 0:06:15 | |
-Oh, is it? -Uh-huh. | 0:06:15 | 0:06:16 | |
In Victorian times, when you had the boots with little buttons on. | 0:06:16 | 0:06:20 | |
-OK. -You would hook your boot... the button on it and pull it. -Wow! | 0:06:20 | 0:06:25 | |
So - Victorian. So what do you think about that? | 0:06:25 | 0:06:28 | |
Would that make any money? | 0:06:28 | 0:06:29 | |
-It wouldn't get a lot of money. -OK. | 0:06:29 | 0:06:31 | |
But you're going in the right direction, girls. | 0:06:31 | 0:06:34 | |
Heading in a very different direction are the Blues. | 0:06:36 | 0:06:39 | |
Surely that's not a voodoo doll, is it? What are the chances, eh? | 0:06:39 | 0:06:43 | |
-Oh, my word! -Straightaway! -What do you think? -What do you think? | 0:06:43 | 0:06:48 | |
I've got no idea! What is it? | 0:06:48 | 0:06:51 | |
Well... It's clearly from New Orleans, from the French Quarter. | 0:06:51 | 0:06:55 | |
Absolutely, Bourbon Street, yeah. | 0:06:55 | 0:06:58 | |
Er, I'm not sure about that, Julie. | 0:06:58 | 0:07:01 | |
I can't see much French amongst this lot, can you? | 0:07:01 | 0:07:04 | |
Do you think we should perhaps ask the owner? Because he is more | 0:07:04 | 0:07:08 | |
likely to know more about this than you, me or all of us put together. | 0:07:08 | 0:07:12 | |
-OK. -Would you like me to have a word with him? -Oh, please! -Yes thank you! | 0:07:12 | 0:07:16 | |
-Leave that with me. -Thank you. | 0:07:16 | 0:07:18 | |
Good idea, Richard. | 0:07:18 | 0:07:20 | |
Now, how the Reds getting on? They haven't moved far. | 0:07:20 | 0:07:23 | |
-Is that a pencil? -It is silver, girls. It's sterling silver. | 0:07:23 | 0:07:28 | |
-It's probably from the 1920s, 1930s. -OK. -OK. | 0:07:28 | 0:07:32 | |
And you've got this sort of machined pattern here. | 0:07:32 | 0:07:36 | |
Which is looking to the Art Deco period, | 0:07:36 | 0:07:39 | |
-so it's quite nice. -Yeah. -Let's ask our dealer. | 0:07:39 | 0:07:42 | |
-Could you come and... We're quite interested in this. -Yes. -Yeah. | 0:07:42 | 0:07:47 | |
-What sort of price is that? -I've got 15 on it, but I'll come down to 10. | 0:07:47 | 0:07:52 | |
-All the small leads are in there. -Are they to go in it? -Oh, right! | 0:07:52 | 0:07:57 | |
That's another tenner, though, that. | 0:07:57 | 0:07:59 | |
ALL EXCLAIM | 0:07:59 | 0:08:01 | |
-HE MUMBLES -Shall we go for it? -Yes, definitely. | 0:08:01 | 0:08:04 | |
-What do you think, girls? -Yes, definitely. -Is that shiny? | 0:08:04 | 0:08:07 | |
Yes, shiny, shiny! | 0:08:07 | 0:08:09 | |
-Thank you! -Thank you, my darling. | 0:08:09 | 0:08:11 | |
-OK, we're going for that one. -That's fabulous. | 0:08:11 | 0:08:14 | |
-Well, you girls don't hang about! -No! No point hanging about. | 0:08:14 | 0:08:17 | |
-Go for it! -Absolutely. -OK, we've got shiny. | 0:08:17 | 0:08:21 | |
-Shall we have a try at sparkly next? -Yes! -Sparkly next. | 0:08:21 | 0:08:24 | |
Onwards and upwards. | 0:08:24 | 0:08:26 | |
Good work, Reds - one bought in the first ten minutes. | 0:08:26 | 0:08:28 | |
This is going to be a walk in the park, surely. | 0:08:28 | 0:08:32 | |
Meanwhile, the Blues are pursuing one of the strangest things I've | 0:08:32 | 0:08:35 | |
ever seen at a fair. | 0:08:35 | 0:08:37 | |
Could you give me | 0:08:37 | 0:08:38 | |
some idea of what you think it is in terms of age and origin? | 0:08:38 | 0:08:42 | |
Yes, it's from West Africa. | 0:08:42 | 0:08:45 | |
The old Belgian Congo. Probably '30s, maybe '20s. | 0:08:45 | 0:08:49 | |
And it's a good luck charm, funnily enough. | 0:08:49 | 0:08:52 | |
Oh, good luck charm! | 0:08:52 | 0:08:53 | |
It sat outside the hut | 0:08:53 | 0:08:55 | |
and visitors would hammer a nail in to leave the bad luck outside. | 0:08:55 | 0:08:59 | |
Aha! Right, OK. | 0:08:59 | 0:09:01 | |
-So he had a number of visitors. -Yes, he was quite a popular chap. | 0:09:01 | 0:09:06 | |
He was indeed! | 0:09:06 | 0:09:07 | |
Not so much a voodoo doll at all. | 0:09:07 | 0:09:10 | |
Now, you've got a price tag on it of £145. | 0:09:10 | 0:09:16 | |
-I actually paid a fair bit for it. -Did you? | 0:09:16 | 0:09:19 | |
Would you take £100 for it? | 0:09:19 | 0:09:21 | |
-No, the best I could do is 115, I think. -Would you take 113? | 0:09:21 | 0:09:26 | |
13 being good luck and you said it brings good luck. | 0:09:26 | 0:09:29 | |
-13 would bring me good luck. -Go on, then. | 0:09:29 | 0:09:32 | |
-So he's going to bring us good luck at the auction. -Exactly! | 0:09:32 | 0:09:35 | |
Good luck at the auction, that's right. | 0:09:35 | 0:09:37 | |
-We need it. -Good flirting, girls. | 0:09:37 | 0:09:39 | |
On the other side of the fair, the Reds are not quite so decisive. | 0:09:39 | 0:09:44 | |
Oh, here we go. Over we go. | 0:09:44 | 0:09:46 | |
Nothing, really. | 0:09:47 | 0:09:49 | |
I don't like opals, a sign of tears. | 0:09:49 | 0:09:53 | |
No, I don't like that. | 0:09:53 | 0:09:56 | |
I was looking at that horse one. | 0:09:56 | 0:09:58 | |
It'd appeal to people who are into horses. I'm not. | 0:09:58 | 0:10:01 | |
-That looks quite pretty. What period would that be from? -1950s. | 0:10:03 | 0:10:07 | |
-We're thinking of this. So how much... -120. -Ohhhh! | 0:10:07 | 0:10:12 | |
Ohhh... | 0:10:12 | 0:10:14 | |
That'll be a no, then! | 0:10:14 | 0:10:16 | |
-OK. -Yes. Off we go, off we go. | 0:10:16 | 0:10:20 | |
Now, there was a mention early on of military. | 0:10:25 | 0:10:28 | |
Was that just because you like soldiers or sailors? | 0:10:28 | 0:10:31 | |
Well, at the hotel, my mum does | 0:10:31 | 0:10:33 | |
war-themed afternoons, so we're always collecting war things. | 0:10:33 | 0:10:36 | |
It just interests me, so... | 0:10:36 | 0:10:38 | |
Oh, so a stall like this might just have something on that | 0:10:38 | 0:10:42 | |
-sort of theme. -Definitely. | 0:10:42 | 0:10:43 | |
-Hopefully something will catch my eye. -Something might. | 0:10:43 | 0:10:46 | |
-Do you want to go and have a look? -Yep. | 0:10:46 | 0:10:47 | |
-Go on, then, let's go and have a look. -Thank you. | 0:10:47 | 0:10:51 | |
Right, so it's military they're after, eh, Richard? | 0:10:51 | 0:10:54 | |
In these dressing table sets, | 0:10:56 | 0:10:58 | |
the one thing that sells well is the hand mirror. | 0:10:58 | 0:11:03 | |
It's not militaria, though, Richard. | 0:11:03 | 0:11:05 | |
-What actually is this made up? -This is silver. -Oh, right! | 0:11:05 | 0:11:09 | |
This is embossed silver. | 0:11:09 | 0:11:11 | |
-So, floral decoration and it's centred with a chrysanthemum. -Oh! | 0:11:11 | 0:11:16 | |
That's Mum's lucky flower! | 0:11:16 | 0:11:18 | |
-Chrysanthemums, I love anything like that. -Mum's lucky flower! Well! | 0:11:18 | 0:11:23 | |
We have to have it. | 0:11:23 | 0:11:25 | |
Well, yes. | 0:11:25 | 0:11:26 | |
It is rubbed, but I think that has been reflected in the price, | 0:11:26 | 0:11:31 | |
the asking price of £30. | 0:11:31 | 0:11:34 | |
But if it was priced at £30, and using your special techniques of... | 0:11:34 | 0:11:41 | |
negotiating... | 0:11:41 | 0:11:43 | |
..we might find that it's something that could go | 0:11:43 | 0:11:47 | |
onto our list as a potential buy. | 0:11:47 | 0:11:50 | |
OK. Let me just have a little think. | 0:11:50 | 0:11:52 | |
Would you take £20 for this? | 0:11:53 | 0:11:55 | |
-25... -I mean, just look at that face. | 0:11:56 | 0:11:59 | |
Just look at that face! | 0:11:59 | 0:12:01 | |
-No, it's not that good! -£20. -Evil! -£20. | 0:12:01 | 0:12:04 | |
Mirror, mirror, on the wall, who's the fairest of them all? | 0:12:04 | 0:12:07 | |
You are! £20. | 0:12:07 | 0:12:10 | |
-Go on. -Look at that. | 0:12:10 | 0:12:12 | |
RICHARD LAUGHS I'll never wash that face again! | 0:12:13 | 0:12:17 | |
# Let there be love. # | 0:12:17 | 0:12:19 | |
I say! That's some skill. | 0:12:19 | 0:12:21 | |
Two items bought, using just a touch of feminine charm. | 0:12:21 | 0:12:25 | |
Now for something charming I found in Oswestry. | 0:12:25 | 0:12:28 | |
One of the fun things to keep your eye open for | 0:12:35 | 0:12:38 | |
when shopping in a fair like this, in Oswestry, are items of memorabilia. | 0:12:38 | 0:12:44 | |
Here are two invitations to | 0:12:44 | 0:12:46 | |
two completely separate parties. | 0:12:46 | 0:12:50 | |
The lower one says in French, | 0:12:50 | 0:12:53 | |
that the ambassador invites | 0:12:53 | 0:12:57 | |
Colonel and Mrs Lloyd to a ball | 0:12:57 | 0:13:01 | |
on Friday 12th of August 1814. | 0:13:01 | 0:13:07 | |
And if you do a little bit of research, | 0:13:07 | 0:13:09 | |
you'll find that the ambassador to France at that moment is no other | 0:13:09 | 0:13:14 | |
person than, of course, the Duke of Wellington. | 0:13:14 | 0:13:17 | |
The Duke of Wellington fought | 0:13:17 | 0:13:20 | |
what he thought was his final battle | 0:13:20 | 0:13:22 | |
of the Napoleonic campaign on 10 April 1814. | 0:13:22 | 0:13:27 | |
Bonaparte was out, | 0:13:27 | 0:13:29 | |
banished to Elba, and the war, they thought, was over. | 0:13:29 | 0:13:34 | |
And this little slip of paper | 0:13:34 | 0:13:36 | |
at the bottom records what would have | 0:13:36 | 0:13:39 | |
been the new ambassador's first entertainment in Paris to the public. | 0:13:39 | 0:13:45 | |
Amazing, isn't it? | 0:13:45 | 0:13:46 | |
But what about the invitation up above? | 0:13:46 | 0:13:49 | |
It clearly says the Duke of Wellington | 0:13:49 | 0:13:53 | |
and he's inviting another Lloyd couple, | 0:13:53 | 0:13:58 | |
on 26 May 1815. | 0:13:58 | 0:14:02 | |
Of course, Napoleon scooted back from Elba. | 0:14:02 | 0:14:06 | |
He's raised his army | 0:14:06 | 0:14:08 | |
and he's threatening the rest of the world to further combat by gathering | 0:14:08 | 0:14:14 | |
his troops on the French border with a view to invading Belgium. | 0:14:14 | 0:14:19 | |
It was the importance of those events in 1814 and 1815 | 0:14:19 | 0:14:23 | |
that persuaded the original owner of these invitations not | 0:14:23 | 0:14:27 | |
to throw them away, that they should be kept. | 0:14:27 | 0:14:30 | |
Because in the future they would be of historic interest and importance. | 0:14:30 | 0:14:34 | |
What would such an object be likely to be worth? | 0:14:34 | 0:14:39 | |
I would guess, without doing any more research, that these two invitations | 0:14:39 | 0:14:43 | |
are likely to be worth say between £300 and £400, were they to be sold. | 0:14:43 | 0:14:49 | |
What would they cost you here today in Oswestry in a field | 0:14:49 | 0:14:54 | |
in a hideous frame? | 0:14:54 | 0:14:56 | |
They could be yours for £15. | 0:14:56 | 0:14:58 | |
Ooh la-la! | 0:15:00 | 0:15:01 | |
Back to bargain-hunting with less than half an hour to go. | 0:15:07 | 0:15:10 | |
The jazzy Blues have already bought two, | 0:15:10 | 0:15:13 | |
but the Reds are trailing with only one item in the bag. | 0:15:13 | 0:15:16 | |
So crack that whip, Anita! | 0:15:16 | 0:15:18 | |
-Girls, you've got to... -ALL: Focus, focus, focus! | 0:15:20 | 0:15:25 | |
-Wow! -Focus! | 0:15:25 | 0:15:27 | |
-How can I focus when there's all this? -I know. | 0:15:27 | 0:15:31 | |
Wow! | 0:15:31 | 0:15:32 | |
-I'm putting a feast in front of you! -I know! | 0:15:34 | 0:15:37 | |
-Temptation! -Temptation. It's beautiful! | 0:15:37 | 0:15:40 | |
Have a wee look first of all and see if there's anything that... | 0:15:40 | 0:15:45 | |
-OK. -..you fall in love with. | 0:15:45 | 0:15:47 | |
OK, OK. | 0:15:47 | 0:15:49 | |
Can you see this, there? | 0:15:49 | 0:15:52 | |
That little filigree... That one. That's the one. | 0:15:52 | 0:15:55 | |
-DEALER: The little gold cameo? -Yeah. | 0:15:55 | 0:15:57 | |
I'm not normally drawn to cameos, but I think that's... | 0:15:57 | 0:16:01 | |
What do you think, Anita? | 0:16:01 | 0:16:03 | |
-That's lovely. It's an Edwardian piece. -Oh, is it? -Oh, right, OK. | 0:16:03 | 0:16:08 | |
-Nine carat gold chain. And pendant. -That's right. -OK. | 0:16:08 | 0:16:12 | |
-You've got a lot of gold content there, girls. -OK. | 0:16:12 | 0:16:16 | |
What's your price on that one? | 0:16:16 | 0:16:18 | |
Your very, very bestest price. | 0:16:18 | 0:16:20 | |
Well, I have got £100 on it but I will do it for 75. | 0:16:20 | 0:16:23 | |
I think, Margaret, that you've made a nice choice there. | 0:16:23 | 0:16:27 | |
Alison, tell me what you think. | 0:16:27 | 0:16:30 | |
It's OK. You know, I don't mind it at all. | 0:16:30 | 0:16:33 | |
It's not grabbing me, but I'll go with it, you know. | 0:16:33 | 0:16:38 | |
Mother and daughter disagreeing, eh? Now, that's unusual(!) | 0:16:38 | 0:16:41 | |
Meanwhile, the Blues are still on the hunt for militaria. | 0:16:41 | 0:16:45 | |
So, do you have these sort of things on display in your hotel in Southport? | 0:16:45 | 0:16:49 | |
Yes, we do, and it's just lovely when the old people come | 0:16:49 | 0:16:52 | |
and they see all the memorabilia. And it's all authentic. | 0:16:52 | 0:16:55 | |
It's all real things. | 0:16:55 | 0:16:57 | |
So that's why it's been a treat this afternoon coming | 0:16:57 | 0:16:59 | |
and seeing all these wonderful things. | 0:16:59 | 0:17:01 | |
And hopefully Kate will be able to get something a bit more | 0:17:01 | 0:17:04 | |
military than a hand mirror! | 0:17:04 | 0:17:06 | |
It is Kate's turn now. | 0:17:06 | 0:17:08 | |
I feel that it is now your turn to buy something. | 0:17:08 | 0:17:13 | |
Anything that catches your eye there? | 0:17:13 | 0:17:15 | |
Well, I play the clarinet, so that caught my eye. | 0:17:15 | 0:17:18 | |
-You play the clarinet? -I do. | 0:17:18 | 0:17:20 | |
I've played with Acker Bilk, | 0:17:20 | 0:17:21 | |
who's, like, the most famous clarinettist in the world. | 0:17:21 | 0:17:25 | |
-You played with Acker Bilk? -I have, yes. -Wow! -At the hotel, actually. | 0:17:25 | 0:17:30 | |
You've been hiding your light under a bushel. | 0:17:30 | 0:17:32 | |
However, we have got to focus our attention on buying one final lot. | 0:17:32 | 0:17:37 | |
Oh, I've seen a clock further down which I quite liked, | 0:17:37 | 0:17:40 | |
so maybe have another look at it. | 0:17:40 | 0:17:42 | |
So what about the militaria, then? Oh, I give up. | 0:17:42 | 0:17:45 | |
And the Reds aren't singing from the same hymn sheet either. | 0:17:45 | 0:17:49 | |
-Amethyst. -Amethyst. -Oh, that's pretty. -This stone is amethyst. | 0:17:51 | 0:17:56 | |
-Or it might be an amethyst glass. -Is it missing a little pearl there? | 0:17:56 | 0:17:59 | |
It's missing a wee seed pearl there. | 0:17:59 | 0:18:02 | |
What would be your best on that? | 0:18:02 | 0:18:05 | |
-Well, in view of the fact it needs a pearl, 65. -Got two here. | 0:18:05 | 0:18:09 | |
We've got the little cameo and seed pearl one | 0:18:09 | 0:18:12 | |
and we've got the other amethyst and seed pearl one. | 0:18:12 | 0:18:15 | |
-They're both nine carat gold. -I might see something... | 0:18:15 | 0:18:18 | |
She might see something else she likes! | 0:18:18 | 0:18:21 | |
I think the time might actually run out. | 0:18:21 | 0:18:23 | |
Right, I'm going to make a decision. We're going for that one. | 0:18:23 | 0:18:26 | |
That's it. That's it, Mum. That's the one you want. | 0:18:26 | 0:18:29 | |
-Which one did we go for? -The one you like best. Come on. | 0:18:29 | 0:18:33 | |
-The one you liked. -The one you like the best. | 0:18:33 | 0:18:35 | |
Yes. You... You are some girl! | 0:18:35 | 0:18:38 | |
You are some girl! | 0:18:38 | 0:18:39 | |
-I like it! -Yes. Right decision, that one. -£75, thank you. | 0:18:39 | 0:18:44 | |
-Thank you very much. -Thank goodness for that! | 0:18:44 | 0:18:46 | |
Second item bought! | 0:18:46 | 0:18:47 | |
-What do you think? -You did not too badly there. | 0:18:47 | 0:18:50 | |
BOTH TALK AT ONCE | 0:18:50 | 0:18:51 | |
I liked Miss Definite here. I think that you did very well. | 0:18:51 | 0:18:56 | |
-So that was another nice item. -OK. -But we must stay focused. | 0:18:56 | 0:19:00 | |
We've very little time for our last item, so let's head up that way. | 0:19:00 | 0:19:05 | |
This way. OK. | 0:19:05 | 0:19:07 | |
Well said, Anita. There's actually only 15 minutes to go. | 0:19:07 | 0:19:11 | |
I like the look of this clock. | 0:19:13 | 0:19:15 | |
And what is it about this particular clerk clock that your fancy? | 0:19:15 | 0:19:19 | |
I just really liked the marble effect | 0:19:19 | 0:19:21 | |
and the two pieces that came with it. | 0:19:21 | 0:19:23 | |
Obviously, I'm of the younger age category | 0:19:23 | 0:19:25 | |
and I think it's a bit more modern, in my opinion. | 0:19:25 | 0:19:29 | |
And I just really like it. | 0:19:29 | 0:19:31 | |
Now, these clock sets are of relatively modern manufacture. | 0:19:31 | 0:19:35 | |
-Is that a correct assumption? -No, they are genuine Deco ones. | 0:19:35 | 0:19:39 | |
-They're genuine Deco ones. -We bought them from Belgium last week. | 0:19:39 | 0:19:43 | |
And it comes with the garniture - it's the whole set, isn't it? | 0:19:43 | 0:19:45 | |
Yeah. It's the whole set, the complete set and the key as well. | 0:19:45 | 0:19:49 | |
-A key as well! -A key as well, yes. | 0:19:49 | 0:19:51 | |
Pricewise, I can see a price tag of £100 on it. | 0:19:51 | 0:19:54 | |
-That's right, yes. -Indeed. | 0:19:54 | 0:19:56 | |
I'm going to hand this over now to my friend... | 0:19:56 | 0:20:00 | |
Hello. | 0:20:00 | 0:20:02 | |
Erm, well, obviously, it's priced at £100 | 0:20:02 | 0:20:04 | |
but we're on a really tight budget at the moment. | 0:20:04 | 0:20:08 | |
Are you able to do near the £50 mark? | 0:20:08 | 0:20:12 | |
-No way I could get near £50. -What's the best price you could do? | 0:20:12 | 0:20:16 | |
I could do 80 on it. | 0:20:16 | 0:20:18 | |
-Hm... -It's very difficult to find a set like that with a key | 0:20:18 | 0:20:22 | |
-and with the two side pieces, as well. -What about 70? -I can't do 70. | 0:20:22 | 0:20:27 | |
-Do 75. -In the middle? 75? -75, yes. I could do that. -OK. Thank you. | 0:20:27 | 0:20:32 | |
There we go. That was quick. OK. We've bought all three lots. | 0:20:32 | 0:20:36 | |
-We have. That's great. -Result! -Result! -Result! Result! | 0:20:36 | 0:20:41 | |
Result. Thank you. | 0:20:43 | 0:20:44 | |
Well, I never did, Blues. That was precision purchasing, | 0:20:44 | 0:20:48 | |
all three items bought with ten minutes to spare. | 0:20:48 | 0:20:51 | |
What about the Reds, then, eh? | 0:20:51 | 0:20:53 | |
No! Not another button hook. | 0:20:54 | 0:20:57 | |
This is your mum's desire. To get a big... | 0:20:57 | 0:21:00 | |
-I've got a button hook in my brain! -Button hook? | 0:21:00 | 0:21:04 | |
-It depends on the price. -Which is totally useless in today's world. | 0:21:04 | 0:21:07 | |
It depends on the price. We are running out of money. | 0:21:07 | 0:21:11 | |
They are Chester. | 0:21:11 | 0:21:12 | |
A nurse's belt. You've got that. | 0:21:12 | 0:21:14 | |
I always said that if I saw a nurse's belt... | 0:21:14 | 0:21:16 | |
That's true to my heart. That's what I do for a living. | 0:21:16 | 0:21:20 | |
Yes. Can you... | 0:21:21 | 0:21:23 | |
Anita, just look at that and tell me what you think. | 0:21:23 | 0:21:26 | |
Your mum's obsessed with button hooks! | 0:21:26 | 0:21:28 | |
I'm going to get me a pair of boots with the buttons, so I can do it up. | 0:21:28 | 0:21:32 | |
And we've got a nurse's belt here. | 0:21:32 | 0:21:34 | |
-Is the nurse's belt not an older one? -It's 1930s that one. | 0:21:34 | 0:21:37 | |
-That one is. OK. -I'll do 50 on that one? | 0:21:37 | 0:21:40 | |
-How much is the button hook and shoehorn on its own? -25. -25? -25. | 0:21:40 | 0:21:46 | |
So there's 50 or 25. | 0:21:46 | 0:21:47 | |
I'd go for that for 50. Is it 50 quid? | 0:21:47 | 0:21:51 | |
I'll go for that. | 0:21:52 | 0:21:53 | |
I would. Would you? Come on. | 0:21:54 | 0:21:56 | |
Which would you like best? | 0:21:56 | 0:21:58 | |
Girls... | 0:21:58 | 0:21:59 | |
Girls, you just confuse me. | 0:21:59 | 0:22:02 | |
We confuse ourselves! | 0:22:02 | 0:22:04 | |
Come on, girls. Only a few minutes left. | 0:22:04 | 0:22:07 | |
-Right. I'm going to choose. -Are you going to choose it? -No! | 0:22:08 | 0:22:11 | |
Well, I went with the cameo because I let you have the one you wanted. | 0:22:11 | 0:22:16 | |
So I'll go for the belt for 50 quid. Done. One for all and all for one. | 0:22:16 | 0:22:19 | |
Yes. Definitely. | 0:22:19 | 0:22:20 | |
-OK. -Thank you. | 0:22:20 | 0:22:22 | |
WHISTLE | 0:22:24 | 0:22:25 | |
Mum's the word, eh? Cos time's up. | 0:22:25 | 0:22:27 | |
I don't know if I need a cup of tea or a large whisky! | 0:22:27 | 0:22:31 | |
I think we need a double brandy! | 0:22:31 | 0:22:32 | |
I think we need a large whisky or brandy! | 0:22:32 | 0:22:35 | |
After all that, so do I. | 0:22:35 | 0:22:37 | |
Let's check out what that naughty Red Team bought, shall we? | 0:22:37 | 0:22:41 | |
The silver pencil cost just £10 and even comes with extra lead. | 0:22:41 | 0:22:45 | |
The girls finally chose the shell cameo and paid £75 for it. | 0:22:48 | 0:22:53 | |
And the nurse's buckle spoke to Alison | 0:22:55 | 0:22:58 | |
and set them back £50. | 0:22:58 | 0:23:01 | |
You are terrific, you too. | 0:23:01 | 0:23:04 | |
-We are? -You are. And modest with it. Good. | 0:23:04 | 0:23:08 | |
Now, which is your favourite piece? | 0:23:08 | 0:23:10 | |
My favourite piece is the little silver pencil that we found first. | 0:23:10 | 0:23:14 | |
Yeah. Do you agree with that? | 0:23:14 | 0:23:15 | |
-It's got to be the necklace. -The necklace is your favourite. | 0:23:15 | 0:23:18 | |
-And which piece is going to bring the biggest profit? -The pencil. | 0:23:18 | 0:23:21 | |
-The pencil. -The pencil, yes. | 0:23:21 | 0:23:22 | |
-And it's going to bring the biggest profit? -No! | 0:23:22 | 0:23:25 | |
The one that's going to bring the biggest... Yeah! It's the pencil. | 0:23:25 | 0:23:29 | |
-OK. OK. You spent how much? -£135. -Did you? | 0:23:29 | 0:23:32 | |
-I'd like 165 Squadron, please. Thank you very much. -There you are. -165. | 0:23:32 | 0:23:37 | |
We've clearly had one of those days. | 0:23:37 | 0:23:40 | |
This duo... | 0:23:40 | 0:23:42 | |
were delightfully chaotic and uncontrollable. | 0:23:42 | 0:23:46 | |
-And the greatest fun. -Any idea what you're going to buy? | 0:23:46 | 0:23:49 | |
I know exactly what I'm going to buy | 0:23:49 | 0:23:51 | |
and it's going to make one of these girls very, very happy. | 0:23:51 | 0:23:55 | |
-But only the one. -Well, they never agree on anything. | 0:23:55 | 0:23:58 | |
True. Yes. Anyway. Good luck. | 0:23:58 | 0:24:00 | |
Meanwhile, why don't we check out what the Blue Team bought. | 0:24:00 | 0:24:03 | |
They nailed the Congolese wood figure for a whopping £113. | 0:24:03 | 0:24:09 | |
The Art Nouveau mirror cost the girls £20 and a little kiss. | 0:24:11 | 0:24:14 | |
And the marble clock was Kate's choice at £75. | 0:24:18 | 0:24:21 | |
-Gosh. That was all right, wasn't it? -Yeah! -"Yeah!" she says. | 0:24:24 | 0:24:28 | |
-And how much did you spend? -We spent £208. -You are such a brilliant team. | 0:24:28 | 0:24:33 | |
-I know. -Oh, "I know"! £92, please, leftover lolly. -Yeah. -OK. | 0:24:33 | 0:24:39 | |
Now, which is your favourite piece? | 0:24:39 | 0:24:41 | |
-Well, it's got to be said, it's the voodoo doll. -Voodoo doll. | 0:24:41 | 0:24:44 | |
Voodoo doll with all the little nails. | 0:24:44 | 0:24:45 | |
-And which is your favourite piece, the voodoo, too? -Um, no. | 0:24:45 | 0:24:49 | |
I'm going to go with the clock. | 0:24:49 | 0:24:50 | |
It's either voodoo or clock. | 0:24:50 | 0:24:52 | |
-How many voodoo dolls do you see in auction? None. -Not many. -And why? | 0:24:52 | 0:24:56 | |
-And why? Yes. -"And why?" says the daughter. | 0:24:56 | 0:24:59 | |
-This is the head of age and maturity here. -She didn't want me to buy it. | 0:24:59 | 0:25:03 | |
-Trying to rein the mother in. -No. She didn't want me to buy it. | 0:25:03 | 0:25:05 | |
Now, Richard. Seriously. Here is a ton of money. | 0:25:05 | 0:25:08 | |
I've seen something that might just help us climb out of the mire. | 0:25:08 | 0:25:12 | |
Thank you very much, Richard. That's marvellous. | 0:25:12 | 0:25:14 | |
Good luck with everything. | 0:25:14 | 0:25:16 | |
Very shortly, we're off to the auction in Whitchurch. | 0:25:16 | 0:25:19 | |
This is where our items go up for sale, | 0:25:25 | 0:25:27 | |
but will they make a profit or loss? | 0:25:27 | 0:25:30 | |
What fun are we going to have today? | 0:25:30 | 0:25:32 | |
With Christina Trevanion in her saleroom. How lovely. | 0:25:32 | 0:25:36 | |
-Are you very excited? -Yes, I am. | 0:25:36 | 0:25:38 | |
As Margaret and Alison will be. | 0:25:38 | 0:25:41 | |
-Now, their first item is the propelling pencil. -Yes. | 0:25:41 | 0:25:44 | |
-Which I guess is in silver, is it? -It is. And it comes with lead. | 0:25:44 | 0:25:49 | |
Quite unusual to see. Obviously, the refills, as well. | 0:25:49 | 0:25:52 | |
But very sweet thing. Very saleable. | 0:25:52 | 0:25:54 | |
-Is it worth more than £10? -I would hope so. | 0:25:54 | 0:25:57 | |
-Good. That's all they paid. -Oh good. | 0:25:57 | 0:25:58 | |
To spend £10 on a solid silver pencil... | 0:25:58 | 0:26:01 | |
-That's not bad is it? -That's not bad. -No. We put £20-£30 on it. | 0:26:01 | 0:26:04 | |
Oh, lovely! That's great. Next is the shell cameo pendant. | 0:26:04 | 0:26:10 | |
Cameos are a little bit like Marmite for some people. | 0:26:10 | 0:26:13 | |
Sometimes incredibly fashionable, sometimes totally out of fashion. | 0:26:13 | 0:26:16 | |
It'll have its fans and its detractors. | 0:26:16 | 0:26:18 | |
That's what you're saying. | 0:26:18 | 0:26:20 | |
But it's gold and it's very sweet. | 0:26:20 | 0:26:22 | |
-How much? -£60-£80 we put on it. | 0:26:22 | 0:26:25 | |
-£75 paid. -Oh, that's not bad. -Not too bad. | 0:26:25 | 0:26:28 | |
I just have a feeling it's not going to do terribly well. | 0:26:28 | 0:26:31 | |
-I'm pretty ambivalent about this belt job too. -Yeah. | 0:26:31 | 0:26:34 | |
Unfortunately, it does have a hallmark for 1973. | 0:26:34 | 0:26:38 | |
I think it's a little bit late to be worth big bucks, | 0:26:38 | 0:26:41 | |
but nonetheless it is beautiful | 0:26:41 | 0:26:44 | |
-and there will be, hopefully, a collector out there for it. -Yes. | 0:26:44 | 0:26:47 | |
We've put £20-£30 on it because it's late. | 0:26:47 | 0:26:49 | |
Hopefully, that'll be a come-and-get-me estimate and it'll | 0:26:49 | 0:26:52 | |
-climb a bit. -Somebody'll pay 40. -It might even get very racy at £50. | 0:26:52 | 0:26:56 | |
-Well, it needs to get to 50. -Oh, does it? Why? -No pressure. | 0:26:56 | 0:26:59 | |
-That's what they paid. -Ah! Right! | 0:26:59 | 0:27:03 | |
So, I've a funny feeling that with the cameo and the brooch, | 0:27:03 | 0:27:06 | |
they may need their bonus buy, so let's go and have a look at it. | 0:27:06 | 0:27:09 | |
-Lovely. Well, this is a happy little tribe, isn't it? -It is. | 0:27:09 | 0:27:12 | |
You spent 135 and you gave Anita Manning £165, girls. | 0:27:12 | 0:27:16 | |
-What did you buy, Anita? -£165 is a lot of money. | 0:27:16 | 0:27:20 | |
-It is. -In the end, | 0:27:20 | 0:27:21 | |
-with my bonus buy... -Oh! No! -Ha-ha! | 0:27:21 | 0:27:24 | |
I bought the button hook. | 0:27:24 | 0:27:26 | |
Sorry! Have you got bought a button hook? | 0:27:26 | 0:27:28 | |
Oh, lovely! Right! | 0:27:28 | 0:27:30 | |
So, how much? | 0:27:30 | 0:27:32 | |
-Well, I paid £25. -No way! -Yes! -Goodness me! | 0:27:32 | 0:27:37 | |
These girls had something about button hooks. | 0:27:37 | 0:27:39 | |
-They were fixed on button hooks. -Who made this one? | 0:27:39 | 0:27:43 | |
These were made in Chester. 1905. | 0:27:43 | 0:27:46 | |
The good thing is, they're in a nice box | 0:27:46 | 0:27:49 | |
and they are a matching pair. | 0:27:49 | 0:27:52 | |
-That is beautiful. Thank you so much! -Oh! | 0:27:52 | 0:27:55 | |
Your Mum's going to start bubbling! | 0:27:55 | 0:27:57 | |
I know! You've made me happy. | 0:27:57 | 0:28:00 | |
-Well, isn't that sweet? -Could I ask one question? -Of course you can. | 0:28:00 | 0:28:04 | |
-How much are they going to make, Anita? -Oh yes. We want to know that. | 0:28:04 | 0:28:07 | |
Well, the price that they were going to make wasn't a consideration | 0:28:07 | 0:28:11 | |
when I bought them. | 0:28:11 | 0:28:14 | |
I bought them because I knew that | 0:28:14 | 0:28:15 | |
it would make you very, very happy! | 0:28:15 | 0:28:18 | |
OK. Well, each to their own, as they say. | 0:28:18 | 0:28:21 | |
Which is lovely, isn't it? | 0:28:21 | 0:28:23 | |
So, for the audience at home, | 0:28:23 | 0:28:24 | |
let's find out what the auctioneer thinks about the button hook. | 0:28:24 | 0:28:28 | |
-Christina, I know you're not a buttoned up person. -Thank you. | 0:28:29 | 0:28:33 | |
-What sort of profit do you think you might shoehorn out of that? -Ha-ha! | 0:28:33 | 0:28:36 | |
I like it. | 0:28:36 | 0:28:38 | |
However, I just have a feeling that somebody has found this box | 0:28:38 | 0:28:41 | |
-and put these two implements in it. -Right. | 0:28:41 | 0:28:44 | |
And I think these two implements | 0:28:44 | 0:28:46 | |
actually came from a much larger set, originally. | 0:28:46 | 0:28:48 | |
-Is it worth £20? -Well, yes. We put £20-£30 on it. | 0:28:48 | 0:28:51 | |
-Anita paid £25. -Ah, well, brilliant. | 0:28:51 | 0:28:54 | |
I don't think there's a big profit in it, or a big loss. | 0:28:54 | 0:28:56 | |
Anyway, that's it for the Reds. Now, for the Blues. Kate and Jules. | 0:28:56 | 0:29:00 | |
Their first item is the voodoo figure. | 0:29:00 | 0:29:03 | |
I don't know who your average buyer in Shropshire's going to be. | 0:29:03 | 0:29:07 | |
It's a long way from the Congo. | 0:29:07 | 0:29:09 | |
Well, thank the Lord we're on the Internet, hey? | 0:29:09 | 0:29:11 | |
-That's the secret, isn't it? -Yes, exactly. | 0:29:11 | 0:29:13 | |
What we need to know next is its value. | 0:29:13 | 0:29:16 | |
We've put £20-£30 on it. | 0:29:16 | 0:29:18 | |
-£113. Was paid. -Gosh! OK. | 0:29:19 | 0:29:23 | |
We'll have to cross our legs on that. | 0:29:23 | 0:29:25 | |
-Yes, let's hope they're clicking away. -Exactly. Now, the hand mirror. | 0:29:25 | 0:29:28 | |
Would that be a sunflower I see? | 0:29:28 | 0:29:30 | |
No, darling. It's a chrysanthemum. | 0:29:30 | 0:29:32 | |
Oh, is it? That's disappointing. | 0:29:32 | 0:29:34 | |
I was hoping for something more aesthetic. | 0:29:34 | 0:29:37 | |
Ah. Well, indeed. | 0:29:37 | 0:29:38 | |
It's typical of that period, isn't it? Very, very Art Nouveau. | 0:29:38 | 0:29:41 | |
And, very sadly, in this instance, you can see where | 0:29:41 | 0:29:43 | |
-the high points have all been very, very rubbed. -Worn away. | 0:29:43 | 0:29:47 | |
And it's so important that these are in good condition. | 0:29:47 | 0:29:50 | |
-How much then? -Well, we put £15-20 on it. | 0:29:50 | 0:29:53 | |
-OK. £20 paid. -Oh, great. OK. | 0:29:53 | 0:29:55 | |
-So it's the right price. -Good. Good. -OK. Good. | 0:29:55 | 0:29:57 | |
And then we come to this dazzling Art Deco three-piece garniture | 0:29:57 | 0:30:03 | |
-with these oddball little fawns here. -You're not kidding. | 0:30:03 | 0:30:07 | |
-I mean, what are they doing? Nuzzling up against a disc. -Yeah. | 0:30:07 | 0:30:11 | |
And then we've got these other discs. | 0:30:11 | 0:30:13 | |
-I mean, it is so reeking of its period, isn't it? -Utterly. | 0:30:13 | 0:30:16 | |
Especially that wonderful contrast of colours, materials, | 0:30:16 | 0:30:19 | |
-very beautiful. -Adds a quality, doesn't it? | 0:30:19 | 0:30:21 | |
-Yes, it does. We've put £40-60 on it. -Oh, not so much then. | 0:30:21 | 0:30:25 | |
-(What did they pay for it?) -75. | 0:30:25 | 0:30:27 | |
Ah. No, we might just get that. | 0:30:27 | 0:30:29 | |
-Might you? -Yeah. -Well, that's a relief. | 0:30:29 | 0:30:32 | |
Well, on that happy note, I think they're going to | 0:30:32 | 0:30:34 | |
need their bonus buy, so let's shove off and have a look at it. | 0:30:34 | 0:30:37 | |
-Well, this is exciting, isn't it? -Very. -Yes. | 0:30:37 | 0:30:40 | |
Well, you've spent £208, you've been very brave. You gave Richard £92. | 0:30:40 | 0:30:44 | |
Richard, what did you spend it on? | 0:30:44 | 0:30:47 | |
Well, I bought something just a little bit different. | 0:30:47 | 0:30:50 | |
Oh! | 0:30:50 | 0:30:52 | |
I got a laugh. | 0:30:52 | 0:30:54 | |
-Nervous - from both of you. -We are. -I'm trying to work out what it is. | 0:30:54 | 0:30:57 | |
You're trying to work out what it is? So was I when I saw it. | 0:30:57 | 0:30:59 | |
It wasn't until I removed that | 0:30:59 | 0:31:03 | |
and that, that I saw what it was. | 0:31:03 | 0:31:06 | |
It's a piolet. | 0:31:06 | 0:31:09 | |
-That's a musical instrument. -Very, very warm. | 0:31:09 | 0:31:12 | |
It's a French mountaineering axe. | 0:31:12 | 0:31:15 | |
It's probably late 19th-century. | 0:31:15 | 0:31:18 | |
-It's signed by the maker. -Oh, look at that, yes, so it is. | 0:31:18 | 0:31:22 | |
I know you're looking dumbfounded but believe me, there is an interest | 0:31:22 | 0:31:27 | |
-in mountaineering. -I like it. -Oh! | 0:31:27 | 0:31:30 | |
-Can we pick it up? -Can you pick it up?! Of course you can pick it up... | 0:31:30 | 0:31:34 | |
-And have a "pick". -Yes, indeed. | 0:31:34 | 0:31:37 | |
-There it is. -It's quite fun, don't you think? | 0:31:37 | 0:31:40 | |
Yes, it does look interesting. | 0:31:40 | 0:31:42 | |
So I'm intrigued as to how much you paid for it. | 0:31:42 | 0:31:44 | |
How much I paid for it. | 0:31:44 | 0:31:46 | |
The million-dollar question. Not quite the million-dollar question. | 0:31:46 | 0:31:49 | |
-I hope not. -The £30 question. | 0:31:49 | 0:31:53 | |
-Wow! -OK. That's really not that bad. | 0:31:53 | 0:31:55 | |
I thought it was going to be more than that. | 0:31:55 | 0:31:57 | |
-I'd like to think there's perhaps a ten or £20 profit in it. -Oh, OK. | 0:31:57 | 0:32:00 | |
We were thinking, what will it be? | 0:32:00 | 0:32:02 | |
-A little clock or stamp or something like that. -Exactly. | 0:32:02 | 0:32:05 | |
I mean, an axe, or whatever... | 0:32:05 | 0:32:07 | |
You don't expect that to be your bonus buy, do you? | 0:32:07 | 0:32:10 | |
You definitely don't. | 0:32:10 | 0:32:11 | |
-OK, are you happy? -Yep. -Very happy. Yeah. | 0:32:11 | 0:32:13 | |
Think about it, you don't pick now, but... | 0:32:13 | 0:32:15 | |
-You don't "pick" now! -Exactly. | 0:32:15 | 0:32:18 | |
She gets all the lines. So quick! | 0:32:18 | 0:32:20 | |
Meanwhile, for the audience at home, | 0:32:20 | 0:32:22 | |
let's find out what the auctioneer thinks about your "pick". | 0:32:22 | 0:32:25 | |
-Christina, you're a bit of a chip off the old block yourself. -Ha-ha! | 0:32:25 | 0:32:29 | |
Well, we are nearly on the Cheshire Plain, | 0:32:29 | 0:32:31 | |
-this would be incredibly useful. -Yes, very, very hilly round here. | 0:32:31 | 0:32:34 | |
-Yes! -Dead flat. | 0:32:34 | 0:32:36 | |
-All those glaciers around Whitchurch. -Exactly. | 0:32:36 | 0:32:40 | |
OK, so, tell me about it. | 0:32:40 | 0:32:42 | |
People love this. We have had a lot of interest in it and it's by | 0:32:42 | 0:32:44 | |
Francois Simond and Fils. | 0:32:44 | 0:32:46 | |
And the Simonds were | 0:32:46 | 0:32:48 | |
specialist mountaineering equipment makers | 0:32:48 | 0:32:51 | |
and they started out in the 1820s as blacksmiths and crystal hunters... | 0:32:51 | 0:32:56 | |
-Really? -Yeah. -How very interesting. | 0:32:56 | 0:32:58 | |
..in the French Alps. I think in the 1860s, | 0:32:58 | 0:33:00 | |
when mountaineering became particularly popular | 0:33:00 | 0:33:03 | |
around Mont Blanc, they were the men to go to | 0:33:03 | 0:33:05 | |
for all your mountaineering needs. | 0:33:05 | 0:33:07 | |
I mean, that thing could been 1880s, couldn't it? | 0:33:07 | 0:33:10 | |
-Maybe a little bit later. -1900, something like that? | 0:33:10 | 0:33:12 | |
Maybe a little bit later. I think it's great fun. I love it. | 0:33:12 | 0:33:15 | |
You could hang it on the wall | 0:33:15 | 0:33:16 | |
-and it would look rather fun, wouldn't it? -Exactly. | 0:33:16 | 0:33:19 | |
-Now, tell me, your estimate. -£15-20, | 0:33:19 | 0:33:21 | |
-but we have had a lot of interest in it. -Have you? -Yeah. | 0:33:21 | 0:33:23 | |
It seems to be the sort of thing that provokes a bit | 0:33:23 | 0:33:26 | |
of a love reaction. | 0:33:26 | 0:33:28 | |
Yes, good. Well, Richard Madley loved it and he's a good egg | 0:33:28 | 0:33:30 | |
-and he paid £20. -It might just get there, you know? | 0:33:30 | 0:33:32 | |
-Whatever happens, it will be fun, right? -Yes, exactly. -Yes. | 0:33:32 | 0:33:35 | |
Do you think this could be my new gavel? Oh, maybe. | 0:33:35 | 0:33:38 | |
-No. -Oh, all right. | 0:33:38 | 0:33:41 | |
Now it's time for Christina to take to the rostrum | 0:33:42 | 0:33:44 | |
with a gavel, not a pickaxe. | 0:33:44 | 0:33:46 | |
..In the room at £240. | 0:33:46 | 0:33:49 | |
Is there anything you wish you hadn't bought, sweet pea? | 0:33:49 | 0:33:52 | |
-Yeah. -What? Tell us, share it with us. | 0:33:52 | 0:33:55 | |
-Share it. -Yeah. | 0:33:55 | 0:33:57 | |
Well, my mum moaned all the way home that I bought that nurse's belt. | 0:33:57 | 0:34:00 | |
She told me I shouldn't have bought it. | 0:34:00 | 0:34:02 | |
Why was she so critical about you buying that lovely belt? | 0:34:02 | 0:34:05 | |
Because she wanted the shoehorn! | 0:34:05 | 0:34:07 | |
Right. Well, we now know she's got the shoe hook, | 0:34:09 | 0:34:12 | |
so she's off that kick, right? | 0:34:12 | 0:34:13 | |
Don't worry about it because anybody with taste | 0:34:13 | 0:34:16 | |
and discrimination, and all of that, | 0:34:16 | 0:34:18 | |
will pick up on it and you'll be absolutely fine. | 0:34:18 | 0:34:21 | |
Now, first up is your propelling pencil | 0:34:21 | 0:34:23 | |
with additional leads and here it comes. | 0:34:23 | 0:34:25 | |
Lot 177 is this silver long-life, | 0:34:25 | 0:34:28 | |
or a lifelong, propelling pencil. | 0:34:28 | 0:34:31 | |
I'm looking for £20 for it. | 0:34:31 | 0:34:32 | |
Bid me 20, someone. | 0:34:32 | 0:34:34 | |
-20 I have online. Straight away at 20. -20! -Doubled your money. | 0:34:34 | 0:34:37 | |
Thank you, sir. At £25 in the room. | 0:34:37 | 0:34:39 | |
Front row at 25. Where's 30 now? | 0:34:39 | 0:34:41 | |
30! | 0:34:41 | 0:34:43 | |
Will you go 5, sir? You're out. Are you sure? Are you sure? | 0:34:43 | 0:34:46 | |
At £30 I have. Internet bidder then. At £35. It's keeping going. | 0:34:46 | 0:34:50 | |
Where's 40? At £35. If we're all done. | 0:34:50 | 0:34:52 | |
It's against you all. Online at 35. | 0:34:52 | 0:34:55 | |
ALL: Yes! | 0:34:55 | 0:34:57 | |
That's £25. OK, here comes the cameo pendant. | 0:34:57 | 0:35:01 | |
I've got a bid here. | 0:35:03 | 0:35:05 | |
It seems a bit mean, but I've got £50 straight away with me here. | 0:35:05 | 0:35:08 | |
Bid me 5, someone. | 0:35:08 | 0:35:10 | |
It's a really pretty little thing. Looking for 5 now. | 0:35:10 | 0:35:13 | |
So at £50. With me at £50. | 0:35:13 | 0:35:15 | |
-Looking for five. -No more? | 0:35:15 | 0:35:17 | |
If we're all done. Against you all. | 0:35:17 | 0:35:19 | |
It will sell to my commission bidder at £50. | 0:35:19 | 0:35:22 | |
£50, that's miserable, that is. | 0:35:22 | 0:35:25 | |
Just lost your £25. | 0:35:25 | 0:35:27 | |
SHE GASPS | 0:35:27 | 0:35:28 | |
You started off with £25 and you've now got nothing. | 0:35:28 | 0:35:30 | |
-Here comes your old buckle. -Really pretty little buckle this. | 0:35:30 | 0:35:33 | |
Lot 179. I've got to start this straightaway with me at £20. | 0:35:33 | 0:35:38 | |
With me on commission at 20. At £20 with me. | 0:35:38 | 0:35:41 | |
At £20. It's at £20. | 0:35:41 | 0:35:43 | |
With my bidder then at £20. | 0:35:43 | 0:35:46 | |
-ALL: Oh! -What a shame. -£20! | 0:35:46 | 0:35:48 | |
You loved that belt! | 0:35:48 | 0:35:50 | |
£20. If we're all done. Selling to my commission bidder at £20. | 0:35:50 | 0:35:54 | |
£20 is minus £30. | 0:35:55 | 0:35:57 | |
-It certainly... -Can't you fiddle it? | 0:35:57 | 0:36:00 | |
It certainly isn't a belter. | 0:36:00 | 0:36:02 | |
OK, listen, overall you are now, after that rollercoaster, | 0:36:02 | 0:36:05 | |
-you are now minus £30. -Oh! | 0:36:05 | 0:36:07 | |
-What are you going to do about the shoehorn? -We're going to go. | 0:36:07 | 0:36:10 | |
-We've got to have the button. -We've got to have the box. | 0:36:10 | 0:36:12 | |
-We have to have... -..the button hook! | 0:36:12 | 0:36:14 | |
-You are doing it? -We are. -Yes, we are. | 0:36:14 | 0:36:17 | |
Now you're doing it, I can tell you the auctioneer's estimate is £20-30. | 0:36:17 | 0:36:21 | |
So £25 is right in the middle of the estimate. | 0:36:21 | 0:36:23 | |
-So let's cross our legs and hope for the best. -OK. -We'll do that. | 0:36:23 | 0:36:26 | |
Lot 183 is an Edwardian silver handle shoehorn and button hook. | 0:36:26 | 0:36:30 | |
There they are in a little case there. Bid me £20 for them. | 0:36:30 | 0:36:33 | |
£10 a piece can't be bad. Bid me £15 then. | 0:36:33 | 0:36:35 | |
-£15 for the two. 15 is bid. -We've got a bidder! | 0:36:35 | 0:36:38 | |
Thank you. At 15 I have seated here. I'm looking for 18. | 0:36:38 | 0:36:42 | |
Oh, dear. | 0:36:42 | 0:36:44 | |
No mistake. If we're all done. At £15... | 0:36:44 | 0:36:47 | |
She just sold that for £15. | 0:36:47 | 0:36:49 | |
Which means you're minus £10. | 0:36:49 | 0:36:51 | |
I'm so sorry! | 0:36:51 | 0:36:52 | |
-Overall that's minus £40, all right? -OK. | 0:36:52 | 0:36:55 | |
-I never really liked button hooks, personally. -Neither do I. | 0:36:55 | 0:36:59 | |
-There you go. -You see, we have good taste. | 0:36:59 | 0:37:01 | |
The way things are, that could be a winning score, | 0:37:01 | 0:37:03 | |
-seriously, at minus 40. Do not despair. -Do not despair. | 0:37:03 | 0:37:08 | |
-Go forth boldly. -We shall. -We will try. -OK, very good. | 0:37:08 | 0:37:12 | |
Have you ever felt more nervous in your life? | 0:37:17 | 0:37:19 | |
-No, never. -I'm excited. -Are you? More excited than nervous. | 0:37:19 | 0:37:23 | |
-It should go very, very well. -OK. | 0:37:23 | 0:37:25 | |
Particularly hot in this area is anything to do with voodoo. | 0:37:25 | 0:37:29 | |
Well, the voodoo doll. We are so excited. | 0:37:29 | 0:37:31 | |
Apparently Shropshire is very hot for voodoo. | 0:37:31 | 0:37:34 | |
And we feel personally that we've nailed it. | 0:37:34 | 0:37:36 | |
Ha, ha! Well done! You paid £113. | 0:37:36 | 0:37:39 | |
-And the room will be cursed... -If they don't buy it. | 0:37:39 | 0:37:41 | |
-If they don't buy it, yeah. -That's right. | 0:37:41 | 0:37:43 | |
Anyway, the auctioneer is so cursed by it, she's only put £20-£30 on it. | 0:37:43 | 0:37:47 | |
-Really? -Yeah. Amway, we are looking forward to it immensely. -Great. | 0:37:47 | 0:37:51 | |
I think you are very brave to go with these objects | 0:37:51 | 0:37:53 | |
and let's give it a punt and hope for the best. | 0:37:53 | 0:37:56 | |
-Absolutely. -Here comes our voodoo face. | 0:37:56 | 0:37:58 | |
At 198 we've got a Congolese carved wood tribal voodoo figure, | 0:37:58 | 0:38:01 | |
circa 1950. There he is, looking like he's in... | 0:38:01 | 0:38:04 | |
He's got pins and needles, hasn't he? | 0:38:04 | 0:38:06 | |
There he is, lot 198. Bid me £20 for him. | 0:38:06 | 0:38:09 | |
Bid me 20 for this Congolese tribal figure. | 0:38:09 | 0:38:12 | |
Bid me £20. 20 is bid. | 0:38:12 | 0:38:14 | |
20! | 0:38:14 | 0:38:16 | |
Thank I'm looking for 5 now. | 0:38:16 | 0:38:18 | |
25 I have against you, sir. 30. | 0:38:18 | 0:38:21 | |
At £30 in the room. | 0:38:21 | 0:38:23 | |
Where's 5? Against you Internet. It's at £30. Looking for 5 now. | 0:38:23 | 0:38:27 | |
35. Thank you, sir. | 0:38:27 | 0:38:29 | |
You're out. At £35 at the very back. At £35. Where's £40 now? | 0:38:29 | 0:38:32 | |
Internet come in. | 0:38:32 | 0:38:34 | |
If we're all done then, against you all. | 0:38:34 | 0:38:36 | |
-I don't believe this! -With you, sir, at £35. | 0:38:36 | 0:38:40 | |
£35. I'm in deep shock. | 0:38:40 | 0:38:43 | |
-So am I. -We're in deep trouble. | 0:38:43 | 0:38:46 | |
I'm just in shock that it sold. | 0:38:46 | 0:38:47 | |
65. That is 65, 75, £78. | 0:38:47 | 0:38:50 | |
Minus 78. Oh, dear. | 0:38:50 | 0:38:52 | |
Look out for the mirror. Here it is. | 0:38:52 | 0:38:54 | |
£10, that's all I'm looking for. 10 is bid online. Thank you. At £10. | 0:38:54 | 0:38:59 | |
12 is bid in the room. Where's 15? 15 is bid online. | 0:38:59 | 0:39:02 | |
At £15. Where's 18 now? | 0:39:02 | 0:39:04 | |
At £15, if we're all done. I will sell, make no mistake. At £15. | 0:39:04 | 0:39:10 | |
£15 is another minus £5. | 0:39:10 | 0:39:12 | |
Well, that's OK. | 0:39:15 | 0:39:17 | |
Lot 200 is the Art Deco three-piece clock garniture. | 0:39:17 | 0:39:20 | |
Very impressive looking thing and I've got interest with me. | 0:39:20 | 0:39:23 | |
I'm going to start this at 35, £40. | 0:39:23 | 0:39:26 | |
With me on commission on commission at 40. | 0:39:26 | 0:39:28 | |
I'm looking for 5 now. At £40 I have. | 0:39:28 | 0:39:30 | |
Where's 5? 45. 50. | 0:39:30 | 0:39:32 | |
Still with me on commission at £50. | 0:39:32 | 0:39:34 | |
Come on! | 0:39:34 | 0:39:36 | |
It's at £50 with me. All done. | 0:39:36 | 0:39:39 | |
-Minus £25! -Are we in the running for the gavel?! | 0:39:39 | 0:39:42 | |
THEY LAUGH | 0:39:42 | 0:39:44 | |
-No. I'm very sorry, Jules. No gavel. -No gavel. -No. | 0:39:44 | 0:39:48 | |
-I think essentially a spoon made of wood. -OK. -That's not that bad. | 0:39:48 | 0:39:51 | |
Anyway... Seriously, look, what can I say? | 0:39:51 | 0:39:55 | |
-Are we going to go with the ice axe? -I think so. | 0:39:55 | 0:39:59 | |
I think we can scrape the money back. | 0:39:59 | 0:40:01 | |
-"Scrape the..." -Shall we confer on this? | 0:40:01 | 0:40:04 | |
-Shall we go with it? -Yeah. -We'll go with it. | 0:40:04 | 0:40:07 | |
I don't think it can get much worse. | 0:40:07 | 0:40:10 | |
OK. That's it then, the die is cast. | 0:40:10 | 0:40:12 | |
-We're going with the ice axe. -Yeah, I think so. | 0:40:12 | 0:40:14 | |
The auctioneer's estimate is £15-£20. | 0:40:14 | 0:40:17 | |
So we'll see what happens. | 0:40:17 | 0:40:20 | |
Now, we're going with the bonus buy and here it comes. | 0:40:20 | 0:40:22 | |
Let's not get "picky" with this. | 0:40:22 | 0:40:24 | |
Lot 203. Here it is, this rather lovely ice pick. Very beautiful. | 0:40:24 | 0:40:28 | |
-This is yours, this one. -I'll take it. -It's your ice pick. | 0:40:28 | 0:40:32 | |
I've got interest here. I've got to start this at 15, £18. | 0:40:32 | 0:40:35 | |
With me on commission at £18. | 0:40:35 | 0:40:38 | |
Here with me at £18. | 0:40:38 | 0:40:40 | |
At £18 here. 20, 22, 25. | 0:40:40 | 0:40:43 | |
Clears my book, sir. With you at £25. | 0:40:43 | 0:40:45 | |
Where's 28 now? At £25, I have standing on the stairs at £25. | 0:40:45 | 0:40:50 | |
If we're all done. At £25. | 0:40:50 | 0:40:53 | |
£25. | 0:40:53 | 0:40:55 | |
Sold for 25. £5 light, I'm afraid. | 0:40:55 | 0:40:58 | |
A bit of a an avalanche of losses here. | 0:40:58 | 0:41:01 | |
Minus £5 for that. | 0:41:01 | 0:41:03 | |
Which, I'm afraid, makes it minus £113. | 0:41:03 | 0:41:08 | |
-Minus £113 - could be a winning score. -It could. | 0:41:08 | 0:41:11 | |
-So remain optimistic until the very end. -Absolutely. | 0:41:11 | 0:41:14 | |
# It's a crying shame... # | 0:41:14 | 0:41:18 | |
Gosh, that was fun, wasn't it? ALL: YES. | 0:41:19 | 0:41:21 | |
Mothers and daughters, I tell you, some mothers do 'ave 'em. | 0:41:21 | 0:41:24 | |
Nobody's going home with any profits today, though. | 0:41:24 | 0:41:26 | |
THEY SIGH | 0:41:26 | 0:41:28 | |
I'm not letting any secrets out of the old bag there. | 0:41:28 | 0:41:31 | |
I'm afraid, there is no cash going home. | 0:41:31 | 0:41:33 | |
Just a question of the scale of the losses, | 0:41:33 | 0:41:35 | |
which for each team are substantial, I'm afraid to say. | 0:41:35 | 0:41:38 | |
-Oh, dear! -Oops! | 0:41:38 | 0:41:40 | |
The largest wodge of loss, I'm afraid, sits with the Blues. | 0:41:40 | 0:41:45 | |
SQUEALING | 0:41:45 | 0:41:48 | |
I knew this was going to have a reaction. | 0:41:49 | 0:41:53 | |
Woohoo! | 0:41:54 | 0:41:56 | |
See what I mean? Minus £113 is... | 0:41:56 | 0:41:58 | |
WHOOPING | 0:41:58 | 0:42:00 | |
Gosh, I mean, talk about rubbing it in, you lot. Shut up a minute. | 0:42:00 | 0:42:05 | |
Anyway, listen, minus £78 on voodoo | 0:42:05 | 0:42:07 | |
was the kick that was really a bit too far | 0:42:07 | 0:42:10 | |
-to recover from, wasn't it? -A little bit. | 0:42:10 | 0:42:12 | |
I'm sorry because you loved it, you rated it and wanted to have a punt. | 0:42:12 | 0:42:16 | |
But the big thing is, Jules, | 0:42:16 | 0:42:17 | |
-this isn't going to put you off, darling, is it? -Absolutely not. | 0:42:17 | 0:42:20 | |
Kate, you're thinking about going into the antiques business, is that right? A career change. | 0:42:20 | 0:42:24 | |
Yeah, but I need to build my knowledge a bit more. | 0:42:24 | 0:42:28 | |
Oh, surely not(!) | 0:42:28 | 0:42:30 | |
-So do I! -Rubbish, Richard! | 0:42:30 | 0:42:32 | |
No, seriously, we've had a sweet day. I hope you've enjoyed yourself. | 0:42:32 | 0:42:35 | |
-It's been great. -Thank you. -Joking apart, it's been fantastic. | 0:42:35 | 0:42:38 | |
Thank you very much. But the victors, you aren't getting any money | 0:42:38 | 0:42:41 | |
-but managed to win by losing £40. -Woohoo! | 0:42:41 | 0:42:45 | |
It started off so beautifully, didn't it? Plus 25 on that | 0:42:45 | 0:42:47 | |
on that propelling pencil. | 0:42:47 | 0:42:49 | |
Whoever would have thought that would have made all that profit? | 0:42:49 | 0:42:52 | |
-Then it went completely down the old proverbial. -Belly up. | 0:42:52 | 0:42:54 | |
-Even Anita's bonus buy didn't work this time. -No, it didn't. | 0:42:54 | 0:42:57 | |
-Anyway, there we go. You've had a good time, haven't you? -Oh, marvellous. | 0:42:57 | 0:43:01 | |
You've been incredibly jolly. | 0:43:01 | 0:43:03 | |
For the audience at home, you should have a look at our website | 0:43:03 | 0:43:05 | |
and join us for some more bargain-hunting. | 0:43:05 | 0:43:08 | |
-Yes? ALL: -Yes! | 0:43:08 | 0:43:09 | |
Hang on a minute! | 0:43:09 | 0:43:11 |