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We're in Leominster in Herefordshire | 0:00:02 | 0:00:05 | |
and this splendid 400-year-old building | 0:00:05 | 0:00:09 | |
is called Grange Court | 0:00:09 | 0:00:11 | |
and originally it was the butter market and it stood | 0:00:11 | 0:00:15 | |
about half a mile away in the middle of the town, but in the middle of the | 0:00:15 | 0:00:20 | |
19th century, it was deemed a traffic hazard and was reassembled here. | 0:00:20 | 0:00:26 | |
Let's hope that the only hazard that we encounter today is | 0:00:26 | 0:00:30 | |
getting our teams around Leominster's antique shops in only an hour. | 0:00:30 | 0:00:36 | |
Ha! So, let's go Bargain Hunting! | 0:00:36 | 0:00:39 | |
Yeah! | 0:00:39 | 0:00:40 | |
As usual, each of our teams have ?300 | 0:01:08 | 0:01:11 | |
and an hour in which to bag their three bargains | 0:01:11 | 0:01:14 | |
before they head off to auction | 0:01:14 | 0:01:15 | |
so let's take a sneaky peak as to what's coming up. | 0:01:15 | 0:01:18 | |
The Reds get carried away... | 0:01:21 | 0:01:22 | |
Hold tight. Ready? | 0:01:22 | 0:01:24 | |
SHE SCREECHES AND LAUGHS Let's go. Come on! | 0:01:24 | 0:01:26 | |
..the Blues forget they're a team... | 0:01:26 | 0:01:28 | |
35? | 0:01:28 | 0:01:30 | |
What about your partner?! | 0:01:30 | 0:01:31 | |
Isn't she? Oh, yeah. Sorry. | 0:01:31 | 0:01:33 | |
I got carried away. | 0:01:33 | 0:01:34 | |
..and it's excitement all round at the auction. | 0:01:35 | 0:01:37 | |
One more, sir. | 0:01:37 | 0:01:39 | |
Yes! | 0:01:39 | 0:01:40 | |
Well, before all that, let's meet today's teams | 0:01:44 | 0:01:47 | |
because it is a truly family affair. | 0:01:47 | 0:01:50 | |
For the Reds, we've got daughter and mother, Georgia and Fiona, | 0:01:50 | 0:01:54 | |
and for the Blues, we have sisters, Karen and Catherine. Hello, everyone. | 0:01:54 | 0:01:58 | |
Hello. Hello. Smashing to see you. | 0:01:58 | 0:02:00 | |
Now, Georgia, you are currently a music teacher at a local | 0:02:00 | 0:02:03 | |
secondary school but you want to change your career, right? | 0:02:03 | 0:02:07 | |
Yes, that's quite right. | 0:02:07 | 0:02:09 | |
I enjoy the teaching, but I just don't enjoy all the other | 0:02:09 | 0:02:12 | |
stuff that goes with it. | 0:02:12 | 0:02:13 | |
All that paperwork. All that paperwork. | 0:02:13 | 0:02:15 | |
So what is your plan? What are you going to shift to? | 0:02:15 | 0:02:17 | |
Well, my husband runs a bookshop online, a book dealership, | 0:02:17 | 0:02:22 | |
and basically I'm going to assist him. | 0:02:22 | 0:02:24 | |
I might do some supply teaching and possibly do some singing teaching. | 0:02:24 | 0:02:28 | |
And do you sing yourself? I do, yeah, occasionally. | 0:02:28 | 0:02:32 | |
So do you have a little tune up your sleeve? No. You do! | 0:02:32 | 0:02:35 | |
Just a favourite phrase? Oh, uh... OK. | 0:02:35 | 0:02:39 | |
SHE SINGS | 0:02:39 | 0:02:42 | |
We want more! That is so sweet. | 0:02:42 | 0:02:45 | |
And terribly brave because you didn't know I was going to ask you | 0:02:45 | 0:02:49 | |
to do that, did you? No. No. | 0:02:49 | 0:02:50 | |
Now, Fiona, you used to run a B in Bridlington. I did indeed, yes. | 0:02:50 | 0:02:54 | |
But now you're retired. | 0:02:54 | 0:02:55 | |
Does this mean you put your feet up all the time? | 0:02:55 | 0:02:57 | |
No, I don't. What do I do? I sell books. | 0:02:57 | 0:03:00 | |
So, books are a big part of your life then, Fiona. Yes, they are. | 0:03:00 | 0:03:03 | |
I suspect that you two are going to be going for books on the QT. | 0:03:03 | 0:03:06 | |
But... No? | 0:03:06 | 0:03:07 | |
She won't let me. | 0:03:07 | 0:03:09 | |
She won't let me! No, because we don't have time. | 0:03:09 | 0:03:11 | |
Yes, you do. We don't! | 0:03:11 | 0:03:13 | |
I don't take long. We don't have time! | 0:03:13 | 0:03:14 | |
I can look like that at a book and tell... | 0:03:14 | 0:03:16 | |
She can't. Yes, I can. | 0:03:16 | 0:03:17 | |
I think they're going to get on terribly well together. | 0:03:17 | 0:03:20 | |
Well, we live in hope. Yes, always. | 0:03:20 | 0:03:23 | |
Always live in hope, don't we? Yes. | 0:03:23 | 0:03:25 | |
Anyway, very good fun. I think you're very sparky, which is marvellous. | 0:03:25 | 0:03:30 | |
Now, Karen, tell me, what do you do as a job, darling? | 0:03:30 | 0:03:33 | |
I work for a supermarket as a security officer. | 0:03:33 | 0:03:36 | |
So what sort of timescale do you work at in your supermarket? | 0:03:36 | 0:03:39 | |
I work an early morning, | 0:03:39 | 0:03:41 | |
but then I also do night shifts as overtime with Cath. Oh, do you? | 0:03:41 | 0:03:45 | |
Just replenishing... You work there too? I do. Oh, lovely. | 0:03:45 | 0:03:48 | |
Yeah, we work together. Gosh. | 0:03:48 | 0:03:49 | |
Now, you like to go to the charity shops a bit? | 0:03:49 | 0:03:51 | |
Oh, me and my mum love charity shops. Ever have any finds? | 0:03:51 | 0:03:54 | |
My dad is more the one with the eye for the bargain, whereas me | 0:03:54 | 0:03:57 | |
and my mum are just like clothes, shoes. | 0:03:57 | 0:04:00 | |
Catherine, what do you collect, darling? | 0:04:00 | 0:04:02 | |
Well, I used to collect Disney. | 0:04:02 | 0:04:03 | |
I don't actually collect anything at the moment. But, yeah, Disney. | 0:04:03 | 0:04:06 | |
I do collect children. I got four children. | 0:04:06 | 0:04:08 | |
Oh, do you! I don't know if that counts! | 0:04:08 | 0:04:10 | |
Now, it says here that you know about sign language. | 0:04:10 | 0:04:12 | |
Yeah, I did four years. | 0:04:12 | 0:04:14 | |
As a child, I remember we had friends of the family who were deaf | 0:04:14 | 0:04:18 | |
and I used to watch the interpreter | 0:04:18 | 0:04:21 | |
and I was just always fascinated by it. | 0:04:21 | 0:04:23 | |
I think it's such an amazing language. | 0:04:23 | 0:04:25 | |
It's beautiful to watch people doing it. | 0:04:25 | 0:04:27 | |
Yeah, so give me the sign language for 'let's go Bargain Hunting'. | 0:04:27 | 0:04:29 | |
I mean, it may be wrong. Give us the version. | 0:04:29 | 0:04:32 | |
I'll do my version which is... | 0:04:32 | 0:04:34 | |
Right, that's pretty cool, isn't it? Thank you very much for that. | 0:04:37 | 0:04:41 | |
You'll get a few complaints if any of that was wrong! | 0:04:41 | 0:04:44 | |
Will you spend all your money? Hopefully. Probably. Well, yeah. | 0:04:44 | 0:04:47 | |
Just get out there and spend it, that's what I say. | 0:04:47 | 0:04:49 | |
Go forth and multiply. | 0:04:49 | 0:04:50 | |
Thank you very much. There you go. There's your ?300. | 0:04:50 | 0:04:53 | |
You know the rules, your experts await and off you go. | 0:04:53 | 0:04:56 | |
And very, very good luck. | 0:04:56 | 0:04:57 | |
Well, this is going to be fun, isn't it? | 0:04:57 | 0:05:00 | |
So, who are guiding our Bargain Hunters today? | 0:05:00 | 0:05:03 | |
He is off his rocker. | 0:05:03 | 0:05:05 | |
Charles Hanson saddles up for the Reds. | 0:05:05 | 0:05:08 | |
She'll turn up the heat. | 0:05:08 | 0:05:10 | |
Caroline Hawley steps out with the Blues. | 0:05:10 | 0:05:12 | |
What do you like, by the way, Georgia? | 0:05:14 | 0:05:16 | |
I like anything sort of pretty, | 0:05:16 | 0:05:17 | |
anything that I could see myself having, probably. | 0:05:17 | 0:05:20 | |
Something I just think is eye-catching. | 0:05:20 | 0:05:21 | |
And you agree, Fiona? I tend to agree with that, yes. | 0:05:21 | 0:05:24 | |
We haven't really got a plan, I don't think. | 0:05:24 | 0:05:26 | |
We've got a set idea of what we want. | 0:05:26 | 0:05:27 | |
Hopefully something will jump out. | 0:05:27 | 0:05:29 | |
Mum and daughter, it's a match made in heaven, right? | 0:05:29 | 0:05:32 | |
Um... Sort of. Semi-match. Well... Yes. Yes? | 0:05:32 | 0:05:35 | |
Plan or no plan, we don't need one because we will win. | 0:05:35 | 0:05:38 | |
Excellent, I like this. As long as we beat the Reds. I like your style. | 0:05:38 | 0:05:41 | |
The Reds have got to go down. It's all about the Blues today. | 0:05:41 | 0:05:44 | |
Right, teams, the sands of your time start now. | 0:05:44 | 0:05:49 | |
Let's get shopping. Definitely. Come on. | 0:05:49 | 0:05:51 | |
Aw. Thank you very much. Cheers. | 0:05:54 | 0:05:57 | |
Ooh! Ooh! | 0:05:57 | 0:05:59 | |
Take in the antique flavour, OK. | 0:05:59 | 0:06:02 | |
Hey, it's enough to make your mouth water, isn't it, Carlos? | 0:06:02 | 0:06:05 | |
Shall we go inside? After you, ladies. In you go. | 0:06:05 | 0:06:08 | |
Don't buy the first thing you see. No. OK? OK. | 0:06:09 | 0:06:12 | |
That's you told, Fiona. | 0:06:12 | 0:06:14 | |
But your daughter is right, there's plenty of choice. | 0:06:14 | 0:06:16 | |
It is time that is in short supply. | 0:06:16 | 0:06:18 | |
Now, here it's an antique centre, | 0:06:18 | 0:06:22 | |
so a lot of the things are going to be behind cabinets. | 0:06:22 | 0:06:25 | |
So the whole centre will have many different dealers in it. | 0:06:25 | 0:06:29 | |
OK, I didn't realise that. No. | 0:06:29 | 0:06:31 | |
We should publish our experts' advice, | 0:06:31 | 0:06:33 | |
although books are a no-go for the Reds. | 0:06:33 | 0:06:36 | |
They've got an Alice In Wonderland. | 0:06:36 | 0:06:37 | |
No, we're not looking at books. | 0:06:37 | 0:06:39 | |
But the Blues have found one that has caught their eye. | 0:06:39 | 0:06:41 | |
This looks interesting, this book. Oh, what have you found? | 0:06:41 | 0:06:45 | |
'A Wonderful Scrapbook Of Social History'. | 0:06:45 | 0:06:47 | |
How much? 155. | 0:06:47 | 0:06:49 | |
I wouldn't want to pay anywhere near that much. | 0:06:49 | 0:06:51 | |
How much would you want to pay? | 0:06:51 | 0:06:53 | |
I think it would have to be really good. Say 50 or under. | 0:06:53 | 0:06:55 | |
But they're not going to go down to that, are they? | 0:06:55 | 0:06:57 | |
That's what I would've said. I'd pay 50 quid. | 0:06:57 | 0:06:59 | |
I wouldn't have thought so, but I'll go and ask. | 0:06:59 | 0:07:01 | |
All I can say is good luck, Caroline. | 0:07:01 | 0:07:04 | |
Back to the Reds. | 0:07:05 | 0:07:06 | |
Mum, look. That's really pretty. It is, isn't it? | 0:07:06 | 0:07:09 | |
But it doesn't have a price, that means it's going to be expensive. | 0:07:09 | 0:07:12 | |
Is it the pendant you're looking at here? Yes. No price on it. | 0:07:12 | 0:07:15 | |
Shall we mental note it? On our journey? Yes, please. | 0:07:15 | 0:07:17 | |
Pretty things. That's nice. Georgia, the opera glasses. | 0:07:17 | 0:07:19 | |
Oh! Look! Aren't they nice? They're mother-of-pearl. | 0:07:19 | 0:07:22 | |
Is that mother-of-pearl? It could be mother-of-pearl. | 0:07:22 | 0:07:24 | |
And I think what's nice is they're in the original box. | 0:07:24 | 0:07:26 | |
?19. I think you're right, that's ?19. I think it's ?19. | 0:07:26 | 0:07:29 | |
It's nice. I like that. So that would be ?19 then. | 0:07:29 | 0:07:31 | |
If they are ?19, that's quite cheap. Yes. | 0:07:31 | 0:07:33 | |
I like your style already. Thank you. Good. | 0:07:33 | 0:07:36 | |
Well, the Reds seem to be getting on...for now. | 0:07:36 | 0:07:39 | |
So, we're already at 15 minutes and over the road, | 0:07:39 | 0:07:42 | |
the Blues are hoping for some money off this ?150 book. | 0:07:42 | 0:07:47 | |
Perhaps she'd knock 20 off, would that be any good? | 0:07:47 | 0:07:49 | |
I could go and check with her. | 0:07:49 | 0:07:50 | |
I think it's going to be too much money and I don't think we would win | 0:07:50 | 0:07:54 | |
if we spent anywhere near that amount on it. | 0:07:54 | 0:07:55 | |
I don't think we would. I think we'd lose the money. | 0:07:55 | 0:07:58 | |
CAROLINE: Beautiful book, though. | 0:07:58 | 0:07:59 | |
Yeah, it is lovely. Thank you for that. Pleasure. | 0:07:59 | 0:08:02 | |
Very polite but straight to the point. A bit like the Reds. | 0:08:02 | 0:08:05 | |
I don't like it. Do you not? No. No. | 0:08:05 | 0:08:07 | |
Do you like it? No. It's OK. | 0:08:07 | 0:08:10 | |
Say how you see it. | 0:08:10 | 0:08:11 | |
THEY LAUGH And don't worry about me. | 0:08:11 | 0:08:13 | |
I'm here for the ride, OK? OK. | 0:08:13 | 0:08:14 | |
I think it could be a bumpy one, Carlos. | 0:08:14 | 0:08:17 | |
I'll show you what I've seen down here. What?! | 0:08:17 | 0:08:19 | |
There's another one, as well. What?! The horses. | 0:08:19 | 0:08:21 | |
The horses? But, mum... | 0:08:21 | 0:08:23 | |
I wasn't sure about bronze. | 0:08:23 | 0:08:26 | |
Is it a paperweight? | 0:08:26 | 0:08:27 | |
More of an ornament for your mantelpiece, | 0:08:27 | 0:08:29 | |
and what you look for is something in a high-quality metal like silver | 0:08:29 | 0:08:34 | |
or named and inscribed, so it has a real history. | 0:08:34 | 0:08:36 | |
So, what you're saying is don't go bronze. Possibly not. No. | 0:08:36 | 0:08:38 | |
This isn't the cabinet for us. Let's keep going. | 0:08:38 | 0:08:41 | |
I propose we just keep walking on. Yes. | 0:08:41 | 0:08:43 | |
The Blues are on the move too, Mr Hanson. | 0:08:43 | 0:08:45 | |
And they are heading your way. | 0:08:45 | 0:08:47 | |
We've done 24 minutes. I don't want to put pressure on you. | 0:08:50 | 0:08:53 | |
Too late, it's on. But be pressured! Go! | 0:08:53 | 0:08:56 | |
I'm sure I can hear Caroline Hawley's voice | 0:08:57 | 0:08:59 | |
from somewhere. I think the Blues are here. | 0:08:59 | 0:09:01 | |
No, because what if they get the stuff that we like? | 0:09:01 | 0:09:03 | |
Oh, uh... | 0:09:03 | 0:09:04 | |
Can we find out price of that pendant? I'm having a panic. | 0:09:04 | 0:09:07 | |
The first thing we saw? Yeah. | 0:09:07 | 0:09:08 | |
Just so we know so we can rule it out if it's too much. | 0:09:08 | 0:09:10 | |
It's around here, isn't it? | 0:09:10 | 0:09:12 | |
They'll need someone from the centre to get that one out for them. | 0:09:12 | 0:09:14 | |
Stan? | 0:09:14 | 0:09:16 | |
Oh, are you over there? There's a pendant, sir, in this cabinet. | 0:09:16 | 0:09:19 | |
We can't see a price but my team are slightly concerned it | 0:09:19 | 0:09:23 | |
might be gobbled up by our rival Blues. | 0:09:23 | 0:09:25 | |
And we've got to win, you see. | 0:09:25 | 0:09:27 | |
Here's the pendant and here's the price. How much? | 0:09:27 | 0:09:29 | |
?785. | 0:09:29 | 0:09:30 | |
THEY LAUGH That's why I like it! | 0:09:30 | 0:09:33 | |
I tell you what, mum and daughter, you have good taste. | 0:09:33 | 0:09:35 | |
We have good taste! So, what's the best price you could do that? | 0:09:35 | 0:09:38 | |
THEY LAUGH | 0:09:38 | 0:09:40 | |
I can't believe that! It's time to move on. Come on, ladies. Follow me. | 0:09:40 | 0:09:44 | |
Thanks a lot, Stan. | 0:09:44 | 0:09:45 | |
Stan is the man. Come on, you lot. | 0:09:45 | 0:09:48 | |
30 minutes gone and you have yet to spend a penny. | 0:09:48 | 0:09:50 | |
Can I suggest you do what I've done | 0:09:50 | 0:09:52 | |
and put your own stamp on these shops? | 0:09:52 | 0:09:55 | |
Well, isn't this fun? We never do stamps on Bargain Hunt. | 0:10:02 | 0:10:06 | |
The first thing that got me going with this lot | 0:10:06 | 0:10:09 | |
happened to be the stereoscopic viewer. What is it? | 0:10:09 | 0:10:13 | |
Well, that is what I asked the dealer and he wasn't too sure. | 0:10:13 | 0:10:18 | |
It's obviously a stereoscopic viewer | 0:10:18 | 0:10:21 | |
because it has got two lenses inset into a frame | 0:10:21 | 0:10:24 | |
and the two folding legs are set out at that distance | 0:10:24 | 0:10:28 | |
so that what you are observing on the table is | 0:10:28 | 0:10:31 | |
perfectly in focus when you come to look at it through the lenses. | 0:10:31 | 0:10:36 | |
He suggested that the thing might be a stamp viewer, which seemed to me | 0:10:36 | 0:10:42 | |
a perfectly reasonable suggestion. | 0:10:42 | 0:10:44 | |
And in the middle of the central bar is a vital clue, the maker, | 0:10:44 | 0:10:48 | |
Casella, London. | 0:10:48 | 0:10:49 | |
Subsequently, I have been able to research Casella | 0:10:49 | 0:10:52 | |
and I found out that they're makers of optical instruments | 0:10:52 | 0:10:56 | |
that dates back to the end of the 18th century. | 0:10:56 | 0:11:00 | |
This particular example was made specifically for looking | 0:11:00 | 0:11:03 | |
at aerial photographs taken in the Second World War | 0:11:03 | 0:11:07 | |
and for my money, this is a much more interesting object with | 0:11:07 | 0:11:11 | |
a World War II perspective on it than simply being a stamp-viewing device. | 0:11:11 | 0:11:18 | |
But, I wasn't aware of the research when I found the viewer | 0:11:18 | 0:11:22 | |
and I set off on a bit of a mission. | 0:11:22 | 0:11:24 | |
What sort of stamps could I find? | 0:11:24 | 0:11:26 | |
And sure enough, I found this lot. | 0:11:26 | 0:11:29 | |
23 Victorian Penny Reds stamps. | 0:11:29 | 0:11:32 | |
Now, the earliest stamp is this one. | 0:11:32 | 0:11:34 | |
It's addressed to Dr Moore, St Anne Street, Dublin. | 0:11:34 | 0:11:38 | |
No postcode, no number, St Anne Street. | 0:11:38 | 0:11:42 | |
Apparently, the postman in 1858 was expected to make that delivery | 0:11:42 | 0:11:47 | |
without any of that extra information. | 0:11:47 | 0:11:49 | |
What the franked cover tells us is that it was | 0:11:49 | 0:11:52 | |
posted in London on August 16, 1858 | 0:11:52 | 0:11:56 | |
and received in Dublin on August 17. | 0:11:56 | 0:11:59 | |
So, even in the 1850s, it was possible to post a letter in London, | 0:11:59 | 0:12:05 | |
it would whizz to Holyhead on the steam train, | 0:12:05 | 0:12:08 | |
go across the Irish Sea, probably on the Steam Packet, | 0:12:08 | 0:12:12 | |
and be delivered in Dublin the next day. | 0:12:12 | 0:12:15 | |
Which I think, for 1858, is positively first-class. | 0:12:15 | 0:12:20 | |
I just wish our teams were as fast. | 0:12:20 | 0:12:22 | |
Look, Charles, look, look! | 0:12:22 | 0:12:23 | |
There's only 30 minutes left and they haven't bought a thing. | 0:12:23 | 0:12:27 | |
But maybe Steph from the Antiques Centre | 0:12:27 | 0:12:29 | |
has something for the Blues. | 0:12:29 | 0:12:30 | |
This is a lovely thimble in its original box. I love the box. | 0:12:30 | 0:12:35 | |
It has literally just come in, that has. Really? Half an hour ago. | 0:12:35 | 0:12:38 | |
Has it really? That is a sign, isn't it? Oh, it is a sign. | 0:12:38 | 0:12:41 | |
And it's silver. | 0:12:41 | 0:12:42 | |
Can I have a look at it? Yeah, that's really pretty. | 0:12:42 | 0:12:45 | |
Look at the little box. I love it. | 0:12:45 | 0:12:47 | |
I'm not sure it's the original case, | 0:12:47 | 0:12:50 | |
but it's Charles Horner, Dorcas is the type of thimble | 0:12:50 | 0:12:54 | |
and it is in great condition. | 0:12:54 | 0:12:56 | |
I always look for signs of damage | 0:12:56 | 0:12:59 | |
because silver is a very soft material and prone to damage. | 0:12:59 | 0:13:02 | |
Do either of you sew? | 0:13:02 | 0:13:04 | |
No. And the silence... | 0:13:04 | 0:13:06 | |
THEY LAUGH "No!" | 0:13:06 | 0:13:08 | |
Now, how much does this thing need to be, please? Right. | 0:13:08 | 0:13:11 | |
How about if we did that one for...48? | 0:13:11 | 0:13:14 | |
48... And what about the other one? | 0:13:16 | 0:13:18 | |
That one could be 30. | 0:13:18 | 0:13:20 | |
I like both cos I think... Ugh. | 0:13:20 | 0:13:22 | |
Salability, if there is two... | 0:13:22 | 0:13:24 | |
Cos it is only going to attract a thimble collector. | 0:13:24 | 0:13:27 | |
OK. So the person is going to have two in boxes. | 0:13:27 | 0:13:29 | |
What would be the best price for both of them? | 0:13:29 | 0:13:31 | |
Half price? | 0:13:31 | 0:13:32 | |
How about ?70? | 0:13:33 | 0:13:35 | |
?60 for both? 65 and it's a deal. | 0:13:35 | 0:13:38 | |
65, yeah? | 0:13:38 | 0:13:40 | |
64? Look, my hand starts going. My hand is going. 65? | 0:13:40 | 0:13:44 | |
Elder sister, go on. | 0:13:44 | 0:13:45 | |
65! Thank you. | 0:13:45 | 0:13:47 | |
You have done your first deal! SISTERS: Woohoo! | 0:13:47 | 0:13:49 | |
Well done, well done you! That is because we are under pressure. | 0:13:49 | 0:13:52 | |
Oh, goodness me! I thought it was not going to happen. | 0:13:52 | 0:13:55 | |
I know someone else who is feeling the same. | 0:13:55 | 0:13:58 | |
Dated 1801. It has got the date written on it. | 0:13:58 | 0:14:00 | |
Yeah, isn't that wonderful? It's like painting by numbers. | 0:14:00 | 0:14:03 | |
Yeah, but we can't afford it. Look at all this. | 0:14:03 | 0:14:05 | |
No, Charles, keep looking. With a discount, it could be 260. | 0:14:05 | 0:14:08 | |
Charles, keep looking. It is a great object. Charles, keep looking. | 0:14:08 | 0:14:11 | |
Don't you like it? No. OK. | 0:14:11 | 0:14:14 | |
I'll walk on. | 0:14:14 | 0:14:15 | |
Keep the faith, Carlos. I am sure you will find something. | 0:14:15 | 0:14:18 | |
Isn't that wonderful? A 17th-century relief carving on oak. | 0:14:18 | 0:14:20 | |
Would you buy that for your home? | 0:14:20 | 0:14:22 | |
No. I'll put it back for the time being. Put it back for now. | 0:14:22 | 0:14:26 | |
Oh, that is a lovely object. That is a shaving, a barber's bowl. | 0:14:26 | 0:14:29 | |
So if you were a gentleman shaving in the 18th century... | 0:14:29 | 0:14:32 | |
I do like the idea, but it is a real pity that it has got a huge, | 0:14:32 | 0:14:35 | |
whacking, great crack in it. | 0:14:35 | 0:14:36 | |
It is tin glazed earthenware and it is just so historically interesting. | 0:14:36 | 0:14:40 | |
It is 240 years old. Do you like it? | 0:14:40 | 0:14:41 | |
I do like it, I think it is nice, | 0:14:43 | 0:14:45 | |
but I don't like to buy things with huge cracks. | 0:14:45 | 0:14:48 | |
Don't you think it is cheap at ?69? No. | 0:14:48 | 0:14:50 | |
You are saying put it back, are you? Yes. | 0:14:50 | 0:14:52 | |
You have met your match here, Charles. | 0:14:52 | 0:14:54 | |
I am finding rich pickings for you. But we are struggling. | 0:14:54 | 0:14:57 | |
Yes. I like the opera glasses. Can we go and have a look and see...? | 0:14:57 | 0:15:01 | |
And just have a look at those? I like those at ?19. | 0:15:01 | 0:15:05 | |
Have a look outside the case and just make sure. | 0:15:05 | 0:15:07 | |
They are quite steady, but if you feel you want to buy them... | 0:15:07 | 0:15:10 | |
Well, I just think... You said we could make a profit on them. | 0:15:10 | 0:15:13 | |
Well, I think so. A small profit is still a profit, isn't it? | 0:15:13 | 0:15:15 | |
It is, but it might be very small. | 0:15:15 | 0:15:17 | |
I'm sure the Blues can hear all that bickering down the corridor, | 0:15:17 | 0:15:20 | |
where they have got something in the old pipeline. | 0:15:20 | 0:15:23 | |
There is something we have already spotted. | 0:15:23 | 0:15:25 | |
Which I'm not sure if it is ivory. It isn't ivory. | 0:15:25 | 0:15:28 | |
Do you know what it is? | 0:15:28 | 0:15:29 | |
I haven't got a clue. It is actually called meerschaum. | 0:15:29 | 0:15:33 | |
The literal translation is sea foam. | 0:15:33 | 0:15:35 | |
And it is a type of soft soapstone. It is a pipe, or cheroot. | 0:15:35 | 0:15:39 | |
Can you see that it is missing an amber mouthpiece at the end? Right. | 0:15:39 | 0:15:44 | |
Collectability? Yes, the unusual ones are very collectible. | 0:15:44 | 0:15:48 | |
Condition is everything. | 0:15:48 | 0:15:49 | |
But the horses look to be in good condition, don't they? | 0:15:49 | 0:15:52 | |
Do you think it would make money if we got it at a good price? | 0:15:52 | 0:15:55 | |
Well, if it was a much better price, yes. | 0:15:55 | 0:15:58 | |
Do you want to pop off and do the asking? Yeah, go on. Let's go. | 0:15:58 | 0:16:02 | |
Quick. Will do. Quick, time is ticking. | 0:16:02 | 0:16:05 | |
It certainly is. You have got 25 minutes left. | 0:16:05 | 0:16:08 | |
Now, have those opera glasses hit the right note? | 0:16:08 | 0:16:11 | |
They are probably maybe more like 1920s, '30s in period, | 0:16:11 | 0:16:15 | |
so not Victorian. | 0:16:15 | 0:16:16 | |
We didn't think they were... I don't know. Well... | 0:16:16 | 0:16:19 | |
We can't go off them, Mum! We can't go off them. | 0:16:19 | 0:16:21 | |
Otherwise we are not going to buy anything, are we? No, that's true. | 0:16:21 | 0:16:24 | |
Dan, what do you think is the best price on these? Let me have a look. | 0:16:24 | 0:16:27 | |
The price we have got on these is ?19. Yeah. | 0:16:27 | 0:16:31 | |
I'll see what we can do about that. OK. | 0:16:31 | 0:16:34 | |
The fact we've had now... Well, 25 minutes to go. | 0:16:34 | 0:16:37 | |
We have bought nothing yet. | 0:16:37 | 0:16:39 | |
You almost think it has got to be one of those emergency buys. | 0:16:39 | 0:16:42 | |
The best price I can do on these is ?15. | 0:16:42 | 0:16:45 | |
That is what you thought originally, isn't it, 15? | 0:16:45 | 0:16:47 | |
You don't like them, do you? Shall we rock, paper, scissors? | 0:16:47 | 0:16:50 | |
If you win, we don't get them. One, two, three. | 0:16:50 | 0:16:52 | |
Four. | 0:16:52 | 0:16:54 | |
We don't get them. We don't get them. Oh, dear, oh, dear. | 0:16:54 | 0:16:57 | |
I've changed my mind, go on, have them. | 0:16:57 | 0:16:59 | |
OK, you sure? Yes, I'm sure. Right, that would be lovely. ?15. | 0:16:59 | 0:17:04 | |
OK, so fingers crossed somebody likes them. Yes. Exactly. | 0:17:04 | 0:17:07 | |
Feeling happier now? Yes. A little bit. Good. Yes. | 0:17:07 | 0:17:10 | |
Me too. About time you bought something. | 0:17:10 | 0:17:12 | |
I wonder if the Blues will be next. | 0:17:14 | 0:17:16 | |
Before we get it out of the case, | 0:17:17 | 0:17:19 | |
what is the best price you can do on the pipe? | 0:17:19 | 0:17:21 | |
I'll tell you now, we are looking for around ?30. | 0:17:21 | 0:17:24 | |
Just so that we don't waste any time. | 0:17:24 | 0:17:26 | |
Really?! | 0:17:26 | 0:17:27 | |
Since we already bought something, brilliant customers. | 0:17:27 | 0:17:29 | |
A lot depends on that. I would have said 50. | 0:17:29 | 0:17:31 | |
I don't really think I can go 30. | 0:17:31 | 0:17:33 | |
Can we not go a little bit more? | 0:17:33 | 0:17:34 | |
I'd like you to buy it cos it is a nice thing. | 0:17:34 | 0:17:37 | |
It is. 35? | 0:17:37 | 0:17:38 | |
What about your partner? | 0:17:38 | 0:17:40 | |
Oh, yeah! Sorry. | 0:17:40 | 0:17:42 | |
I got carried away. | 0:17:42 | 0:17:43 | |
Do you think we'd make money on it if we got it for 35? | 0:17:43 | 0:17:46 | |
How about 32? I'm happy with... Are you happy with 32? | 0:17:46 | 0:17:49 | |
Yes. If that's what you like, yes. | 0:17:49 | 0:17:51 | |
Yeah, happy? Lovely. We'll have that. Right. Do you think? | 0:17:51 | 0:17:54 | |
Yeah. No, no, you are both happy, it is your buy. | 0:17:54 | 0:17:57 | |
Your second buy is done. Deal, thank you. Another one. | 0:17:57 | 0:18:01 | |
Thank you. | 0:18:01 | 0:18:02 | |
Bravo, Blues. Two down and one to go. | 0:18:02 | 0:18:05 | |
With 20 minutes left, | 0:18:05 | 0:18:07 | |
the Reds have gone elsewhere to track down their last two items. | 0:18:07 | 0:18:11 | |
We have got to be quick! | 0:18:11 | 0:18:13 | |
OK? Cos we have spent ages. Ladies first. | 0:18:13 | 0:18:15 | |
Spinning wheel. What do you think? | 0:18:17 | 0:18:20 | |
I think it is almost a reproduction | 0:18:20 | 0:18:22 | |
but carried out in an early Victorian style. | 0:18:22 | 0:18:25 | |
Saying that, how much is it? 95. That is quite cheap. | 0:18:25 | 0:18:28 | |
I think that is. If you could buy it for maybe 70... | 0:18:28 | 0:18:30 | |
But it could make 100 on a good day. | 0:18:30 | 0:18:32 | |
So, on a bad day, it could stitch you up at the auction. | 0:18:32 | 0:18:34 | |
But there is no time for naval glazing, | 0:18:34 | 0:18:38 | |
unless you are the Blues. | 0:18:38 | 0:18:39 | |
From a purely female selfish point of view, a uniform. | 0:18:39 | 0:18:43 | |
Do you like uniforms, then? | 0:18:43 | 0:18:45 | |
Do you? What sort of uniforms do you like? | 0:18:45 | 0:18:47 | |
Do you know, my favourite is traffic warden. | 0:18:47 | 0:18:49 | |
Traffic warden?! I know! | 0:18:49 | 0:18:51 | |
She's a weirdo. Thanks(!) You like traffic wardens? | 0:18:51 | 0:18:54 | |
Maybe it is because you're not supposed to, | 0:18:54 | 0:18:55 | |
that is why I can't help it. | 0:18:55 | 0:18:57 | |
Lordy! Let's park that conversation, shall we, Blues? | 0:18:57 | 0:19:00 | |
You will make me go red. Talking of which... | 0:19:00 | 0:19:03 | |
The other thing I like are the little set of tables down there. | 0:19:03 | 0:19:07 | |
Oh, they are nice. | 0:19:07 | 0:19:08 | |
Now, why do these appeal to you? Just because they look like quality. | 0:19:08 | 0:19:12 | |
You are quite right. Look at that quarter veneering in the timber. | 0:19:12 | 0:19:15 | |
Probably again 1950s in period. | 0:19:15 | 0:19:17 | |
And also look at the rim as well, | 0:19:17 | 0:19:18 | |
this raised cartouche frame to the tables. | 0:19:18 | 0:19:22 | |
They're not a quartetto, they are three. There's three. | 0:19:22 | 0:19:25 | |
But the quality is very good. | 0:19:25 | 0:19:26 | |
They're what you might call Queen Anne style, in a burr walnut. | 0:19:26 | 0:19:30 | |
And I am surprised, actually. They are not a lot either, at ?45. | 0:19:30 | 0:19:34 | |
Where is Georgia, by the way? | 0:19:34 | 0:19:36 | |
Georgia? Georgia, where are you? Yeah. These are quite good, Georgia. | 0:19:36 | 0:19:39 | |
Do like these tables? Yeah, they are nice. What about these ones? | 0:19:39 | 0:19:42 | |
Oh, they are nice. Would you make money on them? | 0:19:42 | 0:19:45 | |
You need to really get some more to make money. | 0:19:45 | 0:19:47 | |
All right, OK. So what do you like, Mum? I like the tables. | 0:19:47 | 0:19:49 | |
Would you have these in your house? Yes. Hallelujah! Give me a hug. | 0:19:49 | 0:19:54 | |
Give me a hug. I don't believe it! | 0:19:54 | 0:19:56 | |
Say thank you to your mother. I'm made up! No, you're right, Mum. | 0:19:56 | 0:19:59 | |
Can we see if we can get a little bit off? All right, OK. | 0:19:59 | 0:20:02 | |
All right, shall we ask the chap? Go on, then. | 0:20:02 | 0:20:04 | |
Hello, Mr Shopkeeper! | 0:20:04 | 0:20:06 | |
If you are looking for a good deal, Reds, | 0:20:06 | 0:20:08 | |
the Blues have some advice on how to bag one. | 0:20:08 | 0:20:10 | |
And always be positive. Yes. Assume you're going to get the sale. Yes. | 0:20:10 | 0:20:14 | |
Like we assume the Reds are going to go down because we are going to win. | 0:20:14 | 0:20:17 | |
So, obviously, that is what'll happen. | 0:20:17 | 0:20:19 | |
What do you say to that, Reds? | 0:20:19 | 0:20:21 | |
Or are you too busy persuading Matt, the shopkeeper, to do you a deal? | 0:20:21 | 0:20:24 | |
They could be 40 quid. | 0:20:24 | 0:20:27 | |
And that really is... Not 35? | 0:20:27 | 0:20:29 | |
37.50? | 0:20:29 | 0:20:31 | |
38 quid. 38? OK. Let's go, we'll do it. That's it. | 0:20:31 | 0:20:34 | |
Thank you very much. There you go. Well done, Reds. | 0:20:34 | 0:20:37 | |
But there is only ten minutes left to find your last item. Any brain waves? | 0:20:37 | 0:20:41 | |
The spinning wheel is one. What else, Fiona? | 0:20:41 | 0:20:43 | |
We could go back and get the shaving thing. | 0:20:43 | 0:20:44 | |
Would it sell, though, with a crack in it? I don't know. | 0:20:44 | 0:20:47 | |
Mum, I don't know. You have got to decide. Why have I got to decide? | 0:20:47 | 0:20:50 | |
Well, someone needs to. | 0:20:50 | 0:20:52 | |
With the pressure building, | 0:20:52 | 0:20:53 | |
how is the hunt for buy number three working out for the Blues? | 0:20:53 | 0:20:56 | |
It looks like the sort of thing that was in my gym at school. | 0:20:56 | 0:20:59 | |
Yonks old. | 0:20:59 | 0:21:00 | |
Cheeky. | 0:21:00 | 0:21:01 | |
THEY LAUGH This is our expert helper. | 0:21:01 | 0:21:03 | |
Oh, dear! What about that wooden cabinet behind you? That? | 0:21:03 | 0:21:08 | |
It's all right. I think we're clutching at straws here. | 0:21:08 | 0:21:10 | |
I don't like it. Move on. | 0:21:10 | 0:21:11 | |
Move on. We need to move on and be quick. | 0:21:11 | 0:21:14 | |
We've still got six minutes to go, so it's not all lost yet. | 0:21:15 | 0:21:18 | |
We have a quick wander around here, you never know, | 0:21:18 | 0:21:20 | |
something might jump out at us in here. | 0:21:20 | 0:21:22 | |
Have we got time to get back there for the shaving mug? Probably not. | 0:21:22 | 0:21:25 | |
Tick tock, eh. Five minutes left. | 0:21:25 | 0:21:27 | |
If we ran, we could. You can't run. You can. OK, all right. All right. | 0:21:27 | 0:21:32 | |
We are going to get the shaving thing. Are you sure? BOTH: Yes. | 0:21:32 | 0:21:35 | |
Shall I carry you? Can you? | 0:21:35 | 0:21:37 | |
Well, I can try. Hold tight. Ready? | 0:21:37 | 0:21:40 | |
SHE SHOUTS Come on, let's go. | 0:21:40 | 0:21:42 | |
Who is taking the lead? I'll go! | 0:21:44 | 0:21:46 | |
OK, you hold my arm and we'll walk together. | 0:21:46 | 0:21:49 | |
What have you found? Not another uniform or traffic warden? | 0:21:49 | 0:21:54 | |
Ta-da! Ahh. | 0:21:54 | 0:21:56 | |
Oh, my goodness, a spinning wheel. I want you to try it. | 0:21:56 | 0:21:59 | |
You want me to have a go? Yeah, have a go on it. Aw. Oh, that's nice. | 0:21:59 | 0:22:02 | |
How old did you say it is? It looks 19th century. | 0:22:02 | 0:22:06 | |
It's made of oak, I would say. | 0:22:06 | 0:22:08 | |
Some of the bits might have been replaced. | 0:22:08 | 0:22:11 | |
But it's generally, you know, it's a working model. | 0:22:11 | 0:22:14 | |
Yeah, I'd love to have a go. Would you? Yeah. Well, take a seat. | 0:22:14 | 0:22:18 | |
If someone would buy it to actually make something. | 0:22:18 | 0:22:20 | |
Somebody could well buy it to use it. Yeah. | 0:22:20 | 0:22:23 | |
I don't know the price. How much is it? It's quite expensive. 245. | 0:22:23 | 0:22:26 | |
Shall I just go in at 100? | 0:22:26 | 0:22:28 | |
THEY LAUGH Ohh, she's at it again! | 0:22:28 | 0:22:30 | |
We might as well. If I put a bit of pressure and say, | 0:22:30 | 0:22:33 | |
"Look, we've got a couple of minutes." | 0:22:33 | 0:22:35 | |
That applies to you too, Reds. | 0:22:35 | 0:22:37 | |
Run! You've got two minutes. Time is the essence. | 0:22:37 | 0:22:42 | |
And counting. | 0:22:42 | 0:22:43 | |
Here's the problem. | 0:22:43 | 0:22:44 | |
We literally just been told we're down to our final minutes now, | 0:22:44 | 0:22:47 | |
so we haven't got time to barter and do all of that stuff. | 0:22:47 | 0:22:51 | |
So I've come up with a brilliant offer. Well, we thought ?100. | 0:22:51 | 0:22:54 | |
How much is on it? 245. SHE LAUGHS | 0:22:54 | 0:22:57 | |
?100 cash, right here and now. | 0:22:57 | 0:22:59 | |
I think we'll have to go a bit more than that. 105? | 0:22:59 | 0:23:02 | |
120. 120, 120... 110 and it will be a deal. | 0:23:02 | 0:23:06 | |
110? Yeah! | 0:23:06 | 0:23:09 | |
Well done, Blues. That's your shop all sewn up. | 0:23:09 | 0:23:13 | |
But, it will be a close shave for the Reds. Hello, Stan. | 0:23:13 | 0:23:16 | |
We are back again hoping to do some business. | 0:23:16 | 0:23:19 | |
We've got about 30 seconds. All right, I'll do as good I can. | 0:23:19 | 0:23:22 | |
It's 69. | 0:23:22 | 0:23:23 | |
What's the best you can do for us, Stan? | 0:23:23 | 0:23:25 | |
We could shave that down to ?50. Ooh. | 0:23:25 | 0:23:28 | |
What do you think you? I think it's a really nice object. | 0:23:28 | 0:23:31 | |
But are we going to make money? Uh... | 0:23:31 | 0:23:33 | |
I love it because sometimes you buy the object... | 0:23:33 | 0:23:35 | |
Answer the question, Charles. Fiona, I like it. Do you like it? | 0:23:35 | 0:23:38 | |
I'm with it. Daughter? Look at me, daughter. Are you happy? Right, OK. | 0:23:38 | 0:23:41 | |
We'll go with it. | 0:23:41 | 0:23:43 | |
If it came to auction, I would guide it between ?50 and ?70, | 0:23:43 | 0:23:47 | |
and that's what I think it's worth. Go on, then. We'll have it, Stan. | 0:23:47 | 0:23:50 | |
Very good. Thank you very much. | 0:23:50 | 0:23:52 | |
We've done it. Wow. | 0:23:52 | 0:23:54 | |
Right, teams, your time is up. | 0:23:54 | 0:23:57 | |
That was an hour of all hours. | 0:23:57 | 0:24:00 | |
We didn't need to be as crazy as that at the end of it. No. | 0:24:00 | 0:24:02 | |
Do we get a group hug for that? Oh, dear. Come on, team. | 0:24:02 | 0:24:04 | |
There is still love here. There's a lot of love. Oh, I can't believe it. | 0:24:04 | 0:24:08 | |
Let's check out what the Red team bought, eh? | 0:24:08 | 0:24:11 | |
They were just ?15, but will selling these opera glasses end in tragedy? | 0:24:11 | 0:24:15 | |
Could three be a magic number? This nest of tables cost ?38. | 0:24:17 | 0:24:21 | |
And they got this glazed shaving bowl in the nick of time. Ha. | 0:24:23 | 0:24:28 | |
A deal was done for ?50. | 0:24:28 | 0:24:29 | |
Hang on a minute. You lot look very happy with yourselves. | 0:24:30 | 0:24:34 | |
Did you finish? | 0:24:34 | 0:24:36 | |
Yes. All complete. Well, that's brilliant, isn't it? | 0:24:36 | 0:24:38 | |
It was a bit close though. You had to run. I did have to, yeah. | 0:24:38 | 0:24:40 | |
And I had to run. Yes. We all had to run. Well, there we go. | 0:24:40 | 0:24:43 | |
Charles likes running. I do. You do. | 0:24:43 | 0:24:45 | |
Now, how much did you spend in total again? ?103. | 0:24:45 | 0:24:48 | |
So, I would like ?197 of leftover lolly, please. | 0:24:48 | 0:24:51 | |
Thank you, Georgia. | 0:24:51 | 0:24:53 | |
So, talking about your mind, which is your favourite piece? | 0:24:53 | 0:24:55 | |
I know it sounds a bit crazy, | 0:24:55 | 0:24:57 | |
but I actually quite like the shaving bowl. | 0:24:57 | 0:24:59 | |
That's your favourite? Yeah. Do you agree with that? | 0:24:59 | 0:25:02 | |
I have to be honest and say the shaving bowl. OK, fair enough. | 0:25:02 | 0:25:04 | |
Really? Yes, really. Is it going to bring the biggest profits? No. No. | 0:25:04 | 0:25:07 | |
I think the... The tables. Yes, I think probably the tables. | 0:25:07 | 0:25:11 | |
You think the tables will bring the biggest profit? I think so. | 0:25:11 | 0:25:13 | |
Charles, there we go. There's a tonne of money there. | 0:25:13 | 0:25:16 | |
I hope you'll spend it. Tim, it's a tonne of money. | 0:25:16 | 0:25:18 | |
It also very frightening | 0:25:18 | 0:25:19 | |
cos it's trying to find something that we can all agree on. | 0:25:19 | 0:25:21 | |
THEY LAUGH And you can go with a laugh, | 0:25:21 | 0:25:24 | |
what it represents. That could be a difficult challenge. | 0:25:24 | 0:25:26 | |
Well, it could be, in which case forget it, Charles, | 0:25:26 | 0:25:29 | |
and just find something that will make a profit. | 0:25:29 | 0:25:31 | |
Never mind whether they like it or not. That's my tip, OK? | 0:25:31 | 0:25:34 | |
Well done, my boy. OK, excellent. | 0:25:34 | 0:25:36 | |
Now, why don't we find out what the Blue team bought, eh? | 0:25:36 | 0:25:39 | |
Will two be better than one? These cost ?65. | 0:25:42 | 0:25:46 | |
Could their profits go up in smoke | 0:25:47 | 0:25:49 | |
after buying this meerschaum pipe for ?32? | 0:25:49 | 0:25:52 | |
And will it get the bidders in a spin? | 0:25:54 | 0:25:57 | |
The antique spinning wheel was ?110. | 0:25:57 | 0:26:00 | |
OK, well, that was fun, wasn't it? | 0:26:00 | 0:26:02 | |
Yeah. Very. It was great fun. Yeah, look at those grins. | 0:26:02 | 0:26:06 | |
I love to see the grins, don't you, Caroline? I do. | 0:26:06 | 0:26:08 | |
It's the grin that does it all, doesn't it? That's it. | 0:26:08 | 0:26:11 | |
Is it the grin that gets the reduced price? Yes. | 0:26:11 | 0:26:14 | |
So, what did you spend all round then? How much? | 0:26:14 | 0:26:17 | |
?207 we spent. 207. | 0:26:17 | 0:26:19 | |
I would like ?93 of leftover lolly, please. | 0:26:19 | 0:26:22 | |
93. Thank you, Karen, that's great. Which is your favourite piece? | 0:26:22 | 0:26:26 | |
My favourite is the spindle. The spindle is your favourite? | 0:26:26 | 0:26:29 | |
Definitely. Does the sister agree? No, I like the pipe. | 0:26:29 | 0:26:32 | |
Oh, you like the pipe. Yeah. | 0:26:32 | 0:26:33 | |
And which is going to bring the biggest profit? I think the pipe. | 0:26:33 | 0:26:36 | |
Oh, I think the thimbles as well. You think the thimbles? Mm. | 0:26:36 | 0:26:39 | |
Well, anyway, good fun. And ?93 is a handsome sum for you, Caroline. | 0:26:39 | 0:26:44 | |
What are you going to spend it on? | 0:26:44 | 0:26:45 | |
I found a handsome thing that both these lovely ladies love. Oh. Ooh! | 0:26:45 | 0:26:49 | |
How do you know they love it? Have they already seen it? | 0:26:49 | 0:26:51 | |
Well, they might have done. Oh! | 0:26:51 | 0:26:53 | |
Ohhh! She's that coy. | 0:26:53 | 0:26:55 | |
Anyway, you better back up because we are going to be heading over | 0:26:55 | 0:26:58 | |
the hills shortly to Malvern to Philip Serrell's saleroom. | 0:26:58 | 0:27:02 | |
Thank you very much. | 0:27:02 | 0:27:03 | |
Well, how lovely is this to be in Philip Serrell's emporium | 0:27:12 | 0:27:16 | |
in Malvern. Phil, great to see you. And you too, Tim. | 0:27:16 | 0:27:19 | |
And we've got an unusual trio for Georgina and Fiona. | 0:27:19 | 0:27:23 | |
First up are the opera glasses. How do you rate this lot? | 0:27:23 | 0:27:27 | |
In terms of all shapes and sizes and materials, | 0:27:27 | 0:27:29 | |
they are about as low down on the letter as you can get. | 0:27:29 | 0:27:31 | |
?5 to ?10, I think. ?5 to ?10? | 0:27:31 | 0:27:33 | |
That's the estimate, is it? That's what I think. | 0:27:33 | 0:27:35 | |
Well, they paid ?15. Ouch. | 0:27:35 | 0:27:37 | |
And quite frankly, at this very low level, | 0:27:37 | 0:27:40 | |
by the time you've taken 5, 10, ?15, you'll be at ?15 and they'll be fine. | 0:27:40 | 0:27:44 | |
They should get away with it. | 0:27:44 | 0:27:45 | |
They were just cheap and cheerful in their day. Absolutely. | 0:27:45 | 0:27:47 | |
OK, fine. Next is the nest of three walnut tables. | 0:27:47 | 0:27:50 | |
And because they've been elevated like this, I can see there's | 0:27:50 | 0:27:53 | |
two steel screws screwing the front leg onto the thing there, right? | 0:27:53 | 0:27:57 | |
That's not a good repair, is it? | 0:27:57 | 0:27:59 | |
We were thinking of keeping them back for our November 5th sale, | 0:27:59 | 0:28:02 | |
but... Would that be a fire sale? | 0:28:02 | 0:28:05 | |
That is indeed a fire sale, Tim. | 0:28:05 | 0:28:07 | |
OK. Good. They're not good these, are they? Not really, no. | 0:28:07 | 0:28:09 | |
We put a very optimistic 15 quid on them as a base price. | 0:28:09 | 0:28:12 | |
?15 to ?30. OK. | 0:28:12 | 0:28:14 | |
?38 they paid. Ahhh. Which is a big enough price. | 0:28:14 | 0:28:17 | |
And I just wondered whether they spotted the steel screws in the leg. | 0:28:17 | 0:28:21 | |
Yes. | 0:28:21 | 0:28:22 | |
OK, fine. And lastly, we've got the bleeding bowl or shaving bowl. | 0:28:22 | 0:28:26 | |
I quite like it. I think it's quite a collectible thing. | 0:28:26 | 0:28:28 | |
We've put ?50 to ?80 on it. | 0:28:28 | 0:28:30 | |
Well, at first glance, the team were not at all keen on it. Really? | 0:28:30 | 0:28:33 | |
Nope. Charlie found it. | 0:28:33 | 0:28:35 | |
He persuaded them and ?50 was his entry price | 0:28:35 | 0:28:38 | |
and you said ?50-80, so Charlie's right, really. | 0:28:38 | 0:28:41 | |
Yeah, I think so. It's got some potential. | 0:28:41 | 0:28:43 | |
The problem, as usual with this, ceramics, | 0:28:43 | 0:28:44 | |
is the condition is nick but it means, were it not damaged, | 0:28:44 | 0:28:47 | |
in good condition, one of these could be worth 200, 300, ?400. | 0:28:47 | 0:28:50 | |
Absolutely right. Exactly. | 0:28:50 | 0:28:52 | |
But basically, it's a high risk item and on that basis, they might | 0:28:52 | 0:28:55 | |
not make it, in which case they're going to need their bonus buy. | 0:28:55 | 0:28:57 | |
So let's go and have a look. | 0:28:57 | 0:28:59 | |
OK, Georgia, Fifi. | 0:29:00 | 0:29:03 | |
You spent ?103. Pretty miserable. | 0:29:03 | 0:29:06 | |
And he gave Charles Hanson ?197 of leftover lolly, which is a fortune. | 0:29:06 | 0:29:11 | |
Charles, what did you buy? I found it just for you two. Hold tight. | 0:29:11 | 0:29:16 | |
Oh! | 0:29:16 | 0:29:17 | |
Really? Oh, what do you say to that?! I don't know what it is. | 0:29:17 | 0:29:22 | |
Do you like it? Feel the tactile quality. Oh, it's heavy! | 0:29:22 | 0:29:25 | |
It's bronze. | 0:29:25 | 0:29:26 | |
And he isn't marked, | 0:29:26 | 0:29:28 | |
but there's a great man called Bergman of the late 19th century. | 0:29:28 | 0:29:31 | |
He was renowned for creating and manufacturing | 0:29:31 | 0:29:35 | |
these cold-painted bronze ornaments. | 0:29:35 | 0:29:37 | |
And with that Arabian nature, I just feel he's got the exotic | 0:29:37 | 0:29:42 | |
and he might do quite well. | 0:29:42 | 0:29:43 | |
I like the idea of sitting on a Persian. | 0:29:43 | 0:29:45 | |
It is a Persian rug, isn't it? Mm. Yeah. | 0:29:45 | 0:29:47 | |
I think he's flying. | 0:29:47 | 0:29:48 | |
Just preparing for takeoff, isn't he? | 0:29:48 | 0:29:50 | |
He's reading the instructions on how to take off. | 0:29:50 | 0:29:52 | |
What do you think, Georgia? Well, I'm just stunned. Be honest. | 0:29:52 | 0:29:55 | |
No, it's... I didn't think that's what you're going to get. | 0:29:55 | 0:29:58 | |
I've gone down the commercial route. All right. | 0:29:58 | 0:30:01 | |
What would you pay for that? And be honest with me. Oh, I don't know. | 0:30:01 | 0:30:04 | |
90 quid? It only cost me ?150. | 0:30:04 | 0:30:07 | |
And when you say only, do that mean you think there's money in it? | 0:30:07 | 0:30:10 | |
I like it. I think it has potential. So, what age is it? Sorry. | 0:30:10 | 0:30:12 | |
Probably 1880. Just think it through, all right? Yes. | 0:30:12 | 0:30:15 | |
But right now, for the audience at home, | 0:30:15 | 0:30:17 | |
let's find out what the auctioneer thinks about Charles' bronze. | 0:30:17 | 0:30:21 | |
Right then, Phil. | 0:30:23 | 0:30:24 | |
Oh! One of your favourites. | 0:30:24 | 0:30:25 | |
Well, he looks like Mr Franz Bergman, doesn't he? | 0:30:25 | 0:30:28 | |
And his mark was sometimes just a bee and an urn | 0:30:28 | 0:30:31 | |
or he wrote his name backwards so he's Nam Greb. | 0:30:31 | 0:30:33 | |
His work is quite sought-after, it's not the best subject. | 0:30:33 | 0:30:36 | |
How much? 100 to ?150. | 0:30:36 | 0:30:38 | |
?150 invested by Charles Hanson. | 0:30:38 | 0:30:40 | |
Sounds tight on the money to me. He's had a go, hasn't he? | 0:30:40 | 0:30:43 | |
Maybe the team won't go with that. Anyway, we shall see. | 0:30:43 | 0:30:46 | |
That's it for the Reds. Now, for Karen and Catherine. | 0:30:46 | 0:30:49 | |
First up are their thimbles. | 0:30:49 | 0:30:51 | |
Well, my mother used to collect thimbles and they are very much, | 0:30:51 | 0:30:53 | |
I think, of that age of lady from the '70s and '80s | 0:30:53 | 0:30:57 | |
who collected thimbles by Charles Horner | 0:30:57 | 0:30:59 | |
and all sorts of other people and got very excited about them | 0:30:59 | 0:31:01 | |
and they made jolly good money. | 0:31:01 | 0:31:02 | |
I don't think people today collect stuff. | 0:31:02 | 0:31:05 | |
I think young people today want statement pieces, | 0:31:05 | 0:31:07 | |
they want clear shelves. | 0:31:07 | 0:31:09 | |
They don't want stuff and if you don't have stuff, | 0:31:09 | 0:31:11 | |
you don't have cabinets to put stuff in | 0:31:11 | 0:31:13 | |
which means all of this stuff isn't quite as sought-after as it was. | 0:31:13 | 0:31:17 | |
You could be right, Phil. What's your estimate? | 0:31:17 | 0:31:19 | |
I think they will make ?20-?30. ?65 paid. Uh! | 0:31:19 | 0:31:22 | |
What I like about them in mitigation is that they are in cases. | 0:31:22 | 0:31:26 | |
That makes a big difference to me. | 0:31:26 | 0:31:27 | |
Loose thimbles, I think, are less desirable | 0:31:27 | 0:31:30 | |
than nicely fitted cased ones. | 0:31:30 | 0:31:32 | |
Next is the meerschaum cheroot holder. | 0:31:32 | 0:31:35 | |
No case and it has been smoked. | 0:31:35 | 0:31:37 | |
What I do know about it is that once you smoke it, | 0:31:37 | 0:31:40 | |
the smoke draws into the porous nature of the stone | 0:31:40 | 0:31:43 | |
and it sort of stains it a much darker colour. | 0:31:43 | 0:31:45 | |
I think that is going to make an optimistic 20 quid, really. | 0:31:45 | 0:31:47 | |
OK, fine. ?32 they paid. There we are. | 0:31:47 | 0:31:50 | |
Now, can you believe it that Karen has harboured a lifetime | 0:31:50 | 0:31:55 | |
yearning to buy a spinning wheel? | 0:31:55 | 0:31:57 | |
And she has bought one. Yes, a spinning wheel will go. | 0:31:57 | 0:31:59 | |
That's just fine and dandy, isn't it? | 0:31:59 | 0:32:01 | |
I mean, we've put ?80-?120 on that. | 0:32:01 | 0:32:03 | |
Good, well, they paid ?110. Your estimate is 80-120. | 0:32:03 | 0:32:07 | |
Let us see whether they can spin a yarn with that. Excellent. | 0:32:07 | 0:32:10 | |
On the other hand, if it all gets tangled up, they may need to fall | 0:32:10 | 0:32:13 | |
back on their bonus buy and let's go and have a look at it. | 0:32:13 | 0:32:16 | |
Karen, Catherine, excited? Very. Yes. | 0:32:17 | 0:32:20 | |
You spent ?207. You gave Caroline ?93. | 0:32:20 | 0:32:24 | |
What did you spend it on, Caroline? Shall I show you? Yes. Yeah. | 0:32:24 | 0:32:27 | |
Whoo! | 0:32:27 | 0:32:29 | |
Oh, yes! | 0:32:29 | 0:32:30 | |
Do you like it? We love that. | 0:32:30 | 0:32:32 | |
I do really like it. What do you love about it? | 0:32:32 | 0:32:34 | |
THEY LAUGH | 0:32:34 | 0:32:37 | |
Silence. Oh, let me tell you about it. | 0:32:37 | 0:32:40 | |
It is early 19th century, oak, | 0:32:40 | 0:32:43 | |
beautiful crib on its original rockers, really great condition. | 0:32:43 | 0:32:48 | |
Somebody has put some metal inside to make it into a planter. | 0:32:48 | 0:32:51 | |
So you can plant it up with geraniums or anything else inside, | 0:32:51 | 0:32:55 | |
it would look rather splendid. | 0:32:55 | 0:32:56 | |
It's definitely something I would buy. Is it? | 0:32:56 | 0:32:58 | |
And what would you do with it? Baby in it. Would you? | 0:32:58 | 0:33:01 | |
You've got a few children, haven't you? Yeah, I would. | 0:33:01 | 0:33:03 | |
What, another baby? | 0:33:03 | 0:33:05 | |
THEY LAUGH | 0:33:05 | 0:33:07 | |
Possibly, but I would use it. It's lovely. | 0:33:07 | 0:33:09 | |
Toy and doll collectors would buy it. You could put sticks in it. | 0:33:09 | 0:33:12 | |
Wood for the fire. Yeah, I love it. It's beautiful. | 0:33:12 | 0:33:15 | |
And do you want to know what I paid for it? | 0:33:15 | 0:33:17 | |
Yes. ?80. | 0:33:17 | 0:33:18 | |
That's really good, well done. Yeah, that is good. | 0:33:18 | 0:33:21 | |
And I think there's going to be a profit in that. How much? | 0:33:21 | 0:33:23 | |
Well, it's got to get 120. | 0:33:23 | 0:33:26 | |
OK, ?40 profit. | 0:33:26 | 0:33:27 | |
We watched her lips, right? She said ?40 profit. We hope, right. | 0:33:27 | 0:33:31 | |
It's got a good chance of getting that. | 0:33:31 | 0:33:32 | |
Anyway, you don't pick now. You pick later. | 0:33:32 | 0:33:34 | |
But for the audience at home, let's find out | 0:33:34 | 0:33:36 | |
what the auctioneer thinks about Caroline's crib. | 0:33:36 | 0:33:38 | |
Does this rock your boat? | 0:33:40 | 0:33:42 | |
Well, it does, actually. I quite like these. | 0:33:42 | 0:33:44 | |
I mean, I would use that as either putting newspapers | 0:33:44 | 0:33:46 | |
and magazines in, sticks, kindling, logs by the fire. | 0:33:46 | 0:33:50 | |
The last thing I would put in there is a child. | 0:33:50 | 0:33:52 | |
But I do think they are quite cool things. | 0:33:52 | 0:33:54 | |
Particularly when they are a nice colour like that. | 0:33:54 | 0:33:57 | |
Yeah, it's a lovely colour. | 0:33:57 | 0:33:58 | |
And that kind of plank form construction | 0:33:58 | 0:34:00 | |
is just the best, isn't it? | 0:34:00 | 0:34:01 | |
It is, and I think that is going to make ?80-120. | 0:34:01 | 0:34:04 | |
Do you? Yeah. | 0:34:04 | 0:34:05 | |
Well, ?80 is what Caroline paid for it. | 0:34:05 | 0:34:07 | |
She really rated it over in the centre. | 0:34:07 | 0:34:10 | |
You've got to think outside what its first use was. Exactly. | 0:34:10 | 0:34:13 | |
Well out of the box. Thank you very much, Phil. Thank you, Tim. | 0:34:13 | 0:34:16 | |
We'll see you on the rostrum in a minute, yes? | 0:34:16 | 0:34:18 | |
Indeedy do. Indeedy do. | 0:34:18 | 0:34:20 | |
45, 50, sir. | 0:34:22 | 0:34:25 | |
Tim. Fiona. | 0:34:25 | 0:34:28 | |
How are you feeling? Nervous. Are you? | 0:34:28 | 0:34:31 | |
Very nervous. Why? | 0:34:31 | 0:34:33 | |
Because what if something doesn't sell? | 0:34:33 | 0:34:35 | |
Oh, don't worry. Everything will sell for something. | 0:34:35 | 0:34:37 | |
He'll sell it for a pound if he has to. | 0:34:37 | 0:34:39 | |
But you've got nothing that's going to sell for a pound. | 0:34:39 | 0:34:41 | |
Anyway, first up is the opera glasses and here they come. | 0:34:41 | 0:34:44 | |
Stamped foreign. I don't know, who's got ?10 for them? | 0:34:44 | 0:34:47 | |
10, I'm bid at 10. 10 bid. | 0:34:47 | 0:34:49 | |
At ?10. | 0:34:49 | 0:34:50 | |
10 bid. Come on. | 0:34:50 | 0:34:52 | |
All bid at ?10. | 0:34:52 | 0:34:54 | |
And I sell at ?10. | 0:34:54 | 0:34:56 | |
Oh, no. Go on. A bit more. | 0:34:56 | 0:34:57 | |
Thank you. | 0:34:57 | 0:34:58 | |
Oh! That's a shame. Yeah, ?10. | 0:34:58 | 0:35:01 | |
That's not good. Minus 5. | 0:35:01 | 0:35:03 | |
The nest of walnut tables. | 0:35:03 | 0:35:04 | |
Bid me for those. Put them in the bidding. | 0:35:04 | 0:35:06 | |
Start me off. I don't know. | 0:35:06 | 0:35:08 | |
I've got ?15 bid. At 15. | 0:35:08 | 0:35:11 | |
20. 5. 30. 5. | 0:35:11 | 0:35:14 | |
One more! | 0:35:14 | 0:35:15 | |
You're out. Oh! 35. | 0:35:15 | 0:35:16 | |
Any more? At ?35, I'm only bid. At ?35. | 0:35:16 | 0:35:21 | |
One more. At ?35 on the book. | 0:35:21 | 0:35:22 | |
At ?35 and done then at 35. | 0:35:22 | 0:35:25 | |
And done. Thank you. | 0:35:25 | 0:35:26 | |
Oh! Minus 3, that's... Minus 8, overall. | 0:35:26 | 0:35:30 | |
Now, your bowl. Yeah. | 0:35:31 | 0:35:33 | |
Shaving bowl or bleeding bowl. | 0:35:33 | 0:35:36 | |
Bid me for that lot. Nice thing. | 0:35:36 | 0:35:38 | |
Bid me ?30, someone, quickly. | 0:35:38 | 0:35:39 | |
Come on. | 0:35:39 | 0:35:40 | |
Surely. 20 I'm bid. | 0:35:40 | 0:35:42 | |
Oh, it is a good thing. | 0:35:42 | 0:35:44 | |
The bid is here at 20. Cheap lot. | 0:35:44 | 0:35:47 | |
It is. But that's the auction, | 0:35:47 | 0:35:49 | |
you see, you get bargains. 25. | 0:35:49 | 0:35:51 | |
25. At ?25 only. | 0:35:51 | 0:35:53 | |
At 25. Oh, it's a shame. | 0:35:53 | 0:35:56 | |
Net's out now. At 25. | 0:35:56 | 0:35:58 | |
And done. Thank you. | 0:35:58 | 0:36:00 | |
That is a memory. And that is a regret. Yes. | 0:36:00 | 0:36:02 | |
Minus ?25 means overall you are minus ?33. | 0:36:02 | 0:36:06 | |
Oh, that is not minus a lot, though, is it? | 0:36:06 | 0:36:08 | |
No. But you only spent 100 on the three. | 0:36:08 | 0:36:11 | |
Shh! Anyway, what are we going to do about the Bergman bronze? | 0:36:11 | 0:36:14 | |
Oh, loving it. Do you want to go with that? Yes! Oh, yes. | 0:36:14 | 0:36:16 | |
You love it? Lovely. Really like it, yes. | 0:36:16 | 0:36:18 | |
?150 paid. I don't care. | 0:36:18 | 0:36:20 | |
You don't care. I don't care. I don't, it's lovely. | 0:36:20 | 0:36:23 | |
You are in agreement with your mother? Oh, yes, yes. OK. | 0:36:23 | 0:36:25 | |
I know, for the first time the entire time I've been here. | 0:36:25 | 0:36:28 | |
OK, fine. We agreed! We're going with the bourbon bronze. | 0:36:28 | 0:36:31 | |
And here it comes. | 0:36:31 | 0:36:32 | |
Bergman bronze. Who has got ?100? | 0:36:32 | 0:36:34 | |
Uh-oh. Oh, Lord. It's not going to go. | 0:36:34 | 0:36:37 | |
50 I'm bid. At 50. 60. | 0:36:37 | 0:36:39 | |
60. 70. 80. 90. 100. | 0:36:39 | 0:36:42 | |
We need the internet. 110. 120. | 0:36:42 | 0:36:44 | |
Hold tight, guys. | 0:36:44 | 0:36:45 | |
130. 140. | 0:36:45 | 0:36:47 | |
50, come on! 150. 160. | 0:36:47 | 0:36:49 | |
Go on, sir! | 0:36:49 | 0:36:50 | |
160. The escape. 170. 180. | 0:36:50 | 0:36:53 | |
One for the road, sir. | 0:36:53 | 0:36:54 | |
180. 190. 200. | 0:36:54 | 0:36:57 | |
?200. Don't miss it for one bid. | 0:36:57 | 0:37:00 | |
At ?200 only. Let him do it. | 0:37:00 | 0:37:02 | |
Is there any more at all? Yes or no? | 0:37:02 | 0:37:04 | |
Here is the bid. At ?200. One more, sir. | 0:37:04 | 0:37:08 | |
At ?200. And done, thank you. | 0:37:08 | 0:37:10 | |
That is ?200! | 0:37:10 | 0:37:13 | |
Well done, Charles. | 0:37:13 | 0:37:14 | |
Plus ?50. | 0:37:14 | 0:37:16 | |
He had the faith. It's the excitement. | 0:37:16 | 0:37:18 | |
Plus ?17. Yay! You are plus ?17. | 0:37:18 | 0:37:22 | |
Thank you. Out of the depths of despair. That is amazing. | 0:37:22 | 0:37:25 | |
We held tight on the rock. We did, didn't we? | 0:37:25 | 0:37:28 | |
Now, listen, ?17 could be a winning score, couldn't it? It could. | 0:37:28 | 0:37:32 | |
It could easily be a winning score. Yes. Wonderful. | 0:37:32 | 0:37:34 | |
Say nothing to the Blues. | 0:37:34 | 0:37:36 | |
We shan't. Our lips are sealed. Sealed. All right, well done. | 0:37:36 | 0:37:39 | |
25. And 30. | 0:37:39 | 0:37:41 | |
Karen, Catherine, how are you feeling? Nervous. | 0:37:49 | 0:37:53 | |
What have you got to be nervous about? | 0:37:53 | 0:37:54 | |
In case nobody wants to buy anything. | 0:37:54 | 0:37:57 | |
You think nobody is going to bid on anything? Yeah. | 0:37:57 | 0:37:59 | |
That is gloomy, isn't it? | 0:37:59 | 0:38:01 | |
You don't really think that now, do you? I hope not. | 0:38:01 | 0:38:04 | |
Right. Who knows? Who knows? | 0:38:04 | 0:38:06 | |
Well, you're right, though, at the auction, you just can't tell. | 0:38:06 | 0:38:09 | |
Anyway, let's get going. | 0:38:09 | 0:38:10 | |
The two thimbles in the cases, and here they come. | 0:38:10 | 0:38:12 | |
The two lovely little thimbles, with their cases. Bid me for those. | 0:38:12 | 0:38:16 | |
I don't know, ?30 to start, someone? | 0:38:16 | 0:38:18 | |
20 to go. Two hallmarked silver thimbles. | 0:38:18 | 0:38:20 | |
20 I've got on the net. And 5. 25. | 0:38:20 | 0:38:23 | |
25. 30. And 5. | 0:38:23 | 0:38:24 | |
Yes! 35. 40. 40 bid. Yes. | 0:38:24 | 0:38:27 | |
?40. 5. 45. 45. | 0:38:27 | 0:38:29 | |
Real collector's pieces. At 45. 50. | 0:38:29 | 0:38:31 | |
50 bid. Go on! At ?50. ?60. | 0:38:31 | 0:38:34 | |
?60. Yes! 60 bid. | 0:38:34 | 0:38:36 | |
The bid is here at ?60. One more, net. Go on, net. Come on! Come on! | 0:38:36 | 0:38:41 | |
They can't hear you, Tim. | 0:38:41 | 0:38:42 | |
At 70. 70 bid. Perhaps they could. At 70. 70 bid. Yes! | 0:38:42 | 0:38:45 | |
At 70. 80. 80 bid. ?80 only. 80. | 0:38:45 | 0:38:49 | |
80 bid. Here is the bid at ?80 only. | 0:38:49 | 0:38:52 | |
The bid is on the net. That is a proper job. That is a proper job. | 0:38:52 | 0:38:55 | |
And I sell at ?80. And done, thank you. | 0:38:55 | 0:38:59 | |
There you go. And you were worried. Now I feel better. That's better. | 0:38:59 | 0:39:02 | |
Now I feel better. That is plus ?15. | 0:39:02 | 0:39:04 | |
That is the first | 0:39:04 | 0:39:05 | |
of your profits, girls. | 0:39:05 | 0:39:06 | |
?15. Now, the pipe. | 0:39:06 | 0:39:09 | |
Start me off. Bid me ?20 to go, someone. | 0:39:09 | 0:39:12 | |
20. 20 I'm bid. At 20. 20 bid. | 0:39:12 | 0:39:15 | |
It is your bid, ma'am. At 20. | 0:39:15 | 0:39:16 | |
And bid. 20. 20 bid. Any more? Has got to be worth more than ?20. | 0:39:16 | 0:39:19 | |
At ?20 only. Is there any more at all? | 0:39:19 | 0:39:22 | |
At ?20. And done then. | 0:39:22 | 0:39:24 | |
At 20, and done. | 0:39:24 | 0:39:26 | |
Thank you. You got ?20. | 0:39:26 | 0:39:27 | |
Oh, dear, it is minus 12. Means that you are plus three. | 0:39:27 | 0:39:32 | |
Yeah, it is a pity that, isn't it? Now, here comes the spinning wheel. | 0:39:32 | 0:39:35 | |
?100 to start. | 0:39:35 | 0:39:37 | |
100. | 0:39:37 | 0:39:39 | |
Bid me ?80, someone. | 0:39:39 | 0:39:41 | |
50. | 0:39:41 | 0:39:42 | |
Surely, ?50 for the spinning wheel. | 0:39:42 | 0:39:45 | |
Bid me ?30, someone. | 0:39:45 | 0:39:46 | |
30 I'm bid on the net. At 30. | 0:39:46 | 0:39:48 | |
30 bid. At ?30 only. | 0:39:48 | 0:39:49 | |
Go on. This is not expensive. | 0:39:49 | 0:39:51 | |
At ?30 only for the spinning wheel. ?30 is a gift. | 0:39:51 | 0:39:55 | |
At ?30 only, at 30. 30 bid. Any more at all? I sell then at ?30. | 0:39:55 | 0:40:00 | |
Oh, dear, oh, dear, oh! And thank you. | 0:40:00 | 0:40:03 | |
I could cry at that. ?30. | 0:40:03 | 0:40:05 | |
That was the one I was worried about. Minus 80, that is. | 0:40:05 | 0:40:09 | |
Which means, overall, you are minus 77. | 0:40:09 | 0:40:13 | |
OK, now, look out. | 0:40:13 | 0:40:15 | |
You have got that crib, right? | 0:40:15 | 0:40:17 | |
Yeah, we are going with the crib. Are you? Yeah. May as well, yeah. | 0:40:17 | 0:40:20 | |
We have nothing to lose, have we? | 0:40:20 | 0:40:22 | |
Well, you don't have to. No, I want to go with the crib. | 0:40:22 | 0:40:24 | |
OK, we're going with the bonus buy. And here it comes. | 0:40:24 | 0:40:27 | |
Really, really lovely crib. Good thing, this. Bid me for this. | 0:40:27 | 0:40:29 | |
Who has got ?100 to start? | 0:40:29 | 0:40:31 | |
Bid me ?80, someone. Bid me 50 for the crib. | 0:40:31 | 0:40:34 | |
40 I'm bid. At 40. 40 bid. | 0:40:35 | 0:40:37 | |
?40 only. At 40. 40 bid. | 0:40:37 | 0:40:39 | |
At ?40, I'm only bid. At 40. 40 bid. | 0:40:39 | 0:40:42 | |
And 5. 45 on the net. | 0:40:42 | 0:40:44 | |
It is going to be slow going. | 0:40:44 | 0:40:46 | |
This is going to be painful. This is very, very inexpensive. 50 bid. | 0:40:46 | 0:40:49 | |
Take 60 on the net, bid. Take 70 on the net, bid now. Cheap lot. | 0:40:49 | 0:40:53 | |
80 on the net, bid now. Come on, come on. 80, may I? | 0:40:53 | 0:40:58 | |
At 70. Go on! 70 bid. Is there any more at all? And away, thank you. | 0:40:58 | 0:41:03 | |
?70. He did try, in fairness. | 0:41:03 | 0:41:06 | |
He did. That is minus ?10. | 0:41:06 | 0:41:08 | |
Which means overall you are minus ?87. All right? | 0:41:08 | 0:41:12 | |
Could be worse. Minus ?87. | 0:41:12 | 0:41:15 | |
I think you have a punt, I think you have tried really hard. | 0:41:15 | 0:41:18 | |
And who knows? Minus ?87 could be a winning score. | 0:41:18 | 0:41:21 | |
So lovely, these sisters, aren't they? It could be. | 0:41:21 | 0:41:24 | |
Anyway, don't say anything to the Reds, all right? No, I won't. | 0:41:24 | 0:41:27 | |
OK, thank you very much. You have been marvellous. | 0:41:27 | 0:41:29 | |
250. | 0:41:31 | 0:41:32 | |
The tension here today is | 0:41:40 | 0:41:41 | |
unbelievable between our competitive teams. | 0:41:41 | 0:41:44 | |
The sisters, I tell you, versus the mother and daughter combo. | 0:41:44 | 0:41:47 | |
Have you been chatting about the scores? ALL: No. Not at all? | 0:41:47 | 0:41:50 | |
Well, that's OK. Because there is a bit of a gap. | 0:41:50 | 0:41:52 | |
And I regret to say that the runners-up today just happen | 0:41:52 | 0:41:55 | |
to be the Blues. | 0:41:55 | 0:41:57 | |
Aw. I knew it was going to be us! Did you? | 0:41:57 | 0:41:59 | |
Well, minus ?87. | 0:41:59 | 0:42:01 | |
Yeah, it was pretty bad. | 0:42:01 | 0:42:03 | |
But such a good sense of humour and such a lovely couple you two are. | 0:42:03 | 0:42:07 | |
It has been a treat having you on the show today. Thank you. | 0:42:07 | 0:42:09 | |
A really lovely time we've had. Anyway, have you had a good time? | 0:42:09 | 0:42:12 | |
Brilliant. Yeah, we loved it. Thank you very much for coming. | 0:42:12 | 0:42:15 | |
But the victors go home with ?17. | 0:42:15 | 0:42:18 | |
Get in! That is a five-pound note and a tenner there. | 0:42:18 | 0:42:21 | |
And a couple of littlies coming up. | 0:42:21 | 0:42:23 | |
She'll take the little ones. | 0:42:23 | 0:42:24 | |
I have to say that the team itself did very, very badly, | 0:42:24 | 0:42:27 | |
because you made nothing on anything. | 0:42:27 | 0:42:29 | |
Until Charles Hanson came into the frame. | 0:42:29 | 0:42:33 | |
With your Bergman bronze, which saved your bacon with ?50. | 0:42:33 | 0:42:37 | |
Cos they were minus ?33 until we got to the bonus buy. | 0:42:37 | 0:42:41 | |
But that staunched the flow, didn't it? Trust the expert. | 0:42:41 | 0:42:45 | |
I got lucky. Trust the expert. You got lucky! | 0:42:45 | 0:42:47 | |
You were very skilful, Charles, well done. | 0:42:47 | 0:42:48 | |
Anyway, was it good for you, FiFi? Very enjoyable. Was it? And Georgia? | 0:42:48 | 0:42:52 | |
Yes, great time. | 0:42:52 | 0:42:53 | |
Thank you very much. | 0:42:53 | 0:42:54 | |
Anyway, join us soon - first of all, by having a look at our website | 0:42:54 | 0:42:59 | |
and then joining us for some more Bargain Hunting. | 0:42:59 | 0:43:01 | |
Yes? ALL: Yes! | 0:43:01 | 0:43:03 |