Browse content similar to Newark 17. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
1642 to 1648. | 0:00:03 | 0:00:06 | |
Civil war rages throughout England, | 0:00:06 | 0:00:09 | |
and castles, just like this one, here in Newark, | 0:00:09 | 0:00:12 | |
come under constant siege. | 0:00:12 | 0:00:14 | |
It can feel like that on Bargain Hunt | 0:00:14 | 0:00:16 | |
when the teams battle it out to win the biggest profit. | 0:00:16 | 0:00:19 | |
So, let combat commence. | 0:00:19 | 0:00:22 | |
So, let's arm ourselves and go bargain-hunting! | 0:00:22 | 0:00:24 | |
So, no Roundheads or Cavaliers here today, just two teams, | 0:00:47 | 0:00:51 | |
each armed with £300. | 0:00:51 | 0:00:53 | |
And the winning team will be the one who makes the biggest profit, | 0:00:53 | 0:00:56 | |
or, of course, makes the smallest loss, which can sometimes happen. | 0:00:56 | 0:01:01 | |
So, let's see what's coming up. | 0:01:01 | 0:01:03 | |
The Reds have expensive tastes. | 0:01:03 | 0:01:05 | |
-I'm asking £1,200. -Well, there we go. | 0:01:05 | 0:01:08 | |
Whilst the Blues have lower standards. | 0:01:08 | 0:01:10 | |
-What do you think? -I have no idea. | 0:01:10 | 0:01:13 | |
It looks nice. I'll go with it. | 0:01:13 | 0:01:15 | |
The auctioneer pulls out all the stops for the Reds... | 0:01:15 | 0:01:18 | |
I'm asking 15, 18, 22, 25. | 0:01:18 | 0:01:20 | |
He's doing all he can for you. | 0:01:20 | 0:01:23 | |
..And has the Blues in suspense. | 0:01:23 | 0:01:25 | |
Come on. Come on, madam. | 0:01:25 | 0:01:27 | |
Yes! | 0:01:29 | 0:01:32 | |
Before all that, let's meet the teams. | 0:01:32 | 0:01:35 | |
Now, for today's show, we have two young married couples. | 0:01:36 | 0:01:40 | |
For the Red team, we have Stuart and Anna-Marie, | 0:01:40 | 0:01:43 | |
and for the Blue team, we have Dan and Camilla. | 0:01:43 | 0:01:45 | |
-Hello, everyone. -Hello! | 0:01:45 | 0:01:47 | |
Ooh! A deafening sound! | 0:01:47 | 0:01:49 | |
Now, Stuart, you have a slightly different life nowadays to | 0:01:49 | 0:01:53 | |
-your former job, don't you? -That's correct. | 0:01:53 | 0:01:55 | |
I'm a mechanical engineer now, | 0:01:55 | 0:01:57 | |
but I was in the Royal Marines for ten years. | 0:01:57 | 0:02:01 | |
And I run military-style boot camps, | 0:02:01 | 0:02:04 | |
also, and survival schools, in my spare time. | 0:02:04 | 0:02:07 | |
-It's a little quieter on the boot camps, now? -Yep. Well, not a lot | 0:02:07 | 0:02:11 | |
quieter, but a little bit quieter on the boot camps. | 0:02:11 | 0:02:14 | |
-Now, you're a teacher, aren't you? -I am. -Yeah? | 0:02:14 | 0:02:16 | |
-A primary school teacher. -A primary school- but that's taken you | 0:02:16 | 0:02:19 | |
all round the world, Anna-Marie, hasn't it? | 0:02:19 | 0:02:21 | |
It has. I've been to South Africa, Cambodia, | 0:02:21 | 0:02:25 | |
and Palestine in Jerusalem, as well. | 0:02:25 | 0:02:27 | |
Really? That must have been quite challenging? | 0:02:27 | 0:02:29 | |
It really was, yeah. It was much more difficult | 0:02:29 | 0:02:31 | |
than I actually thought it would be. | 0:02:31 | 0:02:33 | |
-Really? -But I did really enjoy it. -It's usually rewarding, though. | 0:02:33 | 0:02:36 | |
-Very. -Yeah, yeah. | 0:02:36 | 0:02:38 | |
And now you are back at home, back in teaching. | 0:02:38 | 0:02:40 | |
-Back in your old school. -Back in your old school. | 0:02:40 | 0:02:42 | |
And, so what do you do when you're not teaching? | 0:02:42 | 0:02:44 | |
Do you go to his boot camps and things? | 0:02:44 | 0:02:47 | |
-When I'm made to. -When you're made to? | 0:02:47 | 0:02:50 | |
Are you going to spend big or small? | 0:02:50 | 0:02:53 | |
I'd like to say big, but I think we'll go middle of the park. | 0:02:53 | 0:02:57 | |
I always think the less you can leave your expert with, the better. | 0:02:57 | 0:03:00 | |
It's all about you. | 0:03:00 | 0:03:02 | |
Now, moving swiftly on to this wonderful Blue team, | 0:03:02 | 0:03:05 | |
our musicians, here on the left. | 0:03:05 | 0:03:07 | |
Now, Daniel, from the Potteries, aren't you? | 0:03:07 | 0:03:10 | |
I'm from Telford, around that area. | 0:03:10 | 0:03:12 | |
We live in Stoke on Trent, at the moment. | 0:03:12 | 0:03:14 | |
-And Camilla, you come from Brazil? -Yeah, I do. | 0:03:14 | 0:03:17 | |
So, Dan, how did that happen? How did you meet? | 0:03:17 | 0:03:19 | |
We met in Brazil. My band went on tour for two weeks in 2009, | 0:03:19 | 0:03:23 | |
so we were on a two week sell-out tour. | 0:03:23 | 0:03:26 | |
I was talking to Cam | 0:03:26 | 0:03:28 | |
probably a month beforehand, online. | 0:03:28 | 0:03:31 | |
And she met us at the airport, with the fans as well. And that's it. | 0:03:31 | 0:03:34 | |
-She came on tour with us. -The fans? You have fans? | 0:03:34 | 0:03:36 | |
-Yeah, we had fans waiting. -How exciting. | 0:03:36 | 0:03:38 | |
Yeah, it was awesome. We had fans waiting for us at the airport. | 0:03:38 | 0:03:41 | |
-What's the band called? -"Waiting for Hollywood", | 0:03:41 | 0:03:44 | |
but the last band that I was in is "Hill Valley High." | 0:03:44 | 0:03:46 | |
Hill Valley High, now Waiting for Hollywood. | 0:03:46 | 0:03:49 | |
-Now, you're also a musician, aren't you? -Yes, I am. | 0:03:49 | 0:03:52 | |
-But you are... -I play the bass. | 0:03:52 | 0:03:54 | |
-..right-handed or left-handed? -Right-handed. | 0:03:54 | 0:03:57 | |
-You're not a Paul McCartney, then? -No. -No? -No. | 0:03:57 | 0:03:59 | |
When you're not doing this sort of thing, | 0:03:59 | 0:04:02 | |
-how do you relax? -Doing this. | 0:04:02 | 0:04:03 | |
-That? -Yes. -You're a photographer? | 0:04:03 | 0:04:06 | |
I love photography. | 0:04:06 | 0:04:08 | |
I did media in college, | 0:04:08 | 0:04:09 | |
so we learned how to take pictures, | 0:04:09 | 0:04:12 | |
develop them, and I love that, so when I'm doing this, I'm doing that. | 0:04:12 | 0:04:16 | |
So, have you discussed tactics for today? | 0:04:16 | 0:04:18 | |
Are you going to be spending big? Small? | 0:04:18 | 0:04:21 | |
-Big. -Middle. | 0:04:21 | 0:04:23 | |
Instant harmony. We love that. | 0:04:23 | 0:04:26 | |
Fantastic. Well, good luck today. | 0:04:26 | 0:04:29 | |
Good luck, both of you. You're about to go shopping. | 0:04:29 | 0:04:31 | |
What are you missing? | 0:04:31 | 0:04:33 | |
-The lolly. -The lolly. | 0:04:33 | 0:04:35 | |
I've got the lolly. | 0:04:35 | 0:04:37 | |
Now, Reds. £300 for you. | 0:04:37 | 0:04:40 | |
Blues, just to be strictly fair about this, £300 for you. | 0:04:40 | 0:04:43 | |
-Thank you. -Off you go. Have a great time. | 0:04:43 | 0:04:47 | |
I think this could be really quite exciting. | 0:04:47 | 0:04:51 | |
Let's meet our experts. | 0:04:51 | 0:04:53 | |
The Red team have the out-of-this-world Ben Cooper. | 0:04:53 | 0:04:57 | |
And for the Blues, computer says yes, Natasha Raskin. | 0:04:57 | 0:05:01 | |
So, are you going to be going for the same kind of stuff? Tell me. | 0:05:05 | 0:05:08 | |
No, I don't think so. | 0:05:08 | 0:05:10 | |
I'm thinking small, something quirky, something unique. | 0:05:10 | 0:05:13 | |
What on earth are we looking for today? Dan? | 0:05:13 | 0:05:15 | |
-Anything, hopefully, music-related. -Music-related? OK. | 0:05:15 | 0:05:18 | |
-And Camilla, anything in particular? -I say exactly the same. | 0:05:18 | 0:05:20 | |
I'm looking for something silver. | 0:05:20 | 0:05:23 | |
-Maybe a teapot. -A bit sparkly? -A bit sparkly. | 0:05:23 | 0:05:26 | |
Well, teams. Your 60 minutes starts now, | 0:05:26 | 0:05:29 | |
so let's go! | 0:05:29 | 0:05:33 | |
And as a bass player, you're going to keep us in time? Is that right? | 0:05:33 | 0:05:36 | |
-I will try my best. -Well, time is of the essence | 0:05:36 | 0:05:38 | |
so let's not mess around. | 0:05:38 | 0:05:41 | |
-There's two violins. -Violins? | 0:05:41 | 0:05:43 | |
-I knew you'd like that. -It's a toy, isn't it? | 0:05:43 | 0:05:45 | |
-It's just a wooden toy. -No, that's rubbish. | 0:05:45 | 0:05:48 | |
You don't like it? Right, OK. Walk on. | 0:05:48 | 0:05:50 | |
Ooh! Speak your mind, Anna-Marie. | 0:05:50 | 0:05:52 | |
Here's a thing. You've got banjo barometers. | 0:05:52 | 0:05:55 | |
Nothing to do with actual musical instruments, but banjo-shaped. | 0:05:55 | 0:05:58 | |
-That doesn't appeal? -Hmm. | 0:05:58 | 0:06:01 | |
I'm trying to look for, like, metals, and stuff, you know? | 0:06:01 | 0:06:04 | |
Things made solid and sturdy. | 0:06:04 | 0:06:07 | |
What's this one, here? | 0:06:07 | 0:06:09 | |
Is that just a doorstop? | 0:06:09 | 0:06:11 | |
-Well, that's an iron. -No. That's not for us, Stu. | 0:06:11 | 0:06:15 | |
It needs to be a more precious metal, I think. | 0:06:15 | 0:06:17 | |
There's a kind of musical thing over there. | 0:06:17 | 0:06:19 | |
The deck, there, with the record player, | 0:06:19 | 0:06:22 | |
and the radio system. | 0:06:22 | 0:06:24 | |
-Probably not that one. What do you think? -Carry on. | 0:06:24 | 0:06:27 | |
-Too ugly. Too ugly. -I think so. | 0:06:27 | 0:06:29 | |
OK, teams. Slow down a bit and reflect. | 0:06:29 | 0:06:32 | |
A hairbrush and mirror set? | 0:06:32 | 0:06:34 | |
-I like this. -Is it silver? -Yeah, that's silver. | 0:06:34 | 0:06:36 | |
And it would have been part of a full set. | 0:06:36 | 0:06:38 | |
Originally, when it was first made, there would have been | 0:06:38 | 0:06:40 | |
a couple of brushes, and the mirror. | 0:06:40 | 0:06:42 | |
That's a clothes brush. You'd have also had your hairbrush. | 0:06:42 | 0:06:44 | |
There would have been lots of other parts to it. | 0:06:44 | 0:06:47 | |
Now, what's nice here is that it looks | 0:06:47 | 0:06:49 | |
in wonderful condition, the silver. | 0:06:49 | 0:06:51 | |
Very clear hallmark on the side for Birmingham. | 0:06:51 | 0:06:53 | |
I would have thought it's around about 1910. | 0:06:53 | 0:06:56 | |
Well, it's silver and it's sparkly, so, I like it. | 0:06:56 | 0:06:59 | |
-Shall we have a look at it. -Yes, please. -Yeah? | 0:06:59 | 0:07:02 | |
We'd like to have a look. | 0:07:02 | 0:07:05 | |
Oh, look. Thank you. | 0:07:05 | 0:07:08 | |
Thank you. | 0:07:08 | 0:07:10 | |
There you go. | 0:07:10 | 0:07:12 | |
What you can see is that the brush | 0:07:12 | 0:07:14 | |
has got slightly overzealously cleaned, | 0:07:14 | 0:07:16 | |
but it's the mirror which has the main part of the value. | 0:07:16 | 0:07:20 | |
You can see that the actual mirror plate itself is in good condition. | 0:07:20 | 0:07:23 | |
Yeah. Do you want to make an offer on it? | 0:07:23 | 0:07:27 | |
-Yeah. Let's go for it. -Yeah? | 0:07:27 | 0:07:29 | |
-What is your bottom... Er... bottom? -£48. | 0:07:29 | 0:07:31 | |
£48? | 0:07:31 | 0:07:34 | |
-Could you go £40? -£45? | 0:07:34 | 0:07:36 | |
-Can we go for that, then? Fantastic. -There you go. | 0:07:36 | 0:07:39 | |
That's your first one done very quickly. Marvellous. | 0:07:39 | 0:07:41 | |
Thank you very much. | 0:07:41 | 0:07:43 | |
Nice work, Reds. Ten minutes gone and one item bagged. | 0:07:43 | 0:07:45 | |
Don't worry, Stewart. | 0:07:45 | 0:07:47 | |
I'm sure Anna-Marie will let you choose the next one. | 0:07:47 | 0:07:49 | |
The Blues still have music in mind. | 0:07:49 | 0:07:52 | |
I mean, it sort of looks kind of 70s-80s to me. | 0:07:52 | 0:07:55 | |
-Yeah, round about that. -Do they have a lot of auction appeal?. | 0:07:55 | 0:07:58 | |
-I don't think so. -Very narrow? -Yeah. Very narrow. OK. | 0:07:58 | 0:08:01 | |
Absolutely pristine. | 0:08:01 | 0:08:03 | |
I think we can safely say that that was made yesterday. | 0:08:03 | 0:08:09 | |
So, still no headway there, then. | 0:08:09 | 0:08:11 | |
Stuart's still desperate for something macho, though. | 0:08:11 | 0:08:14 | |
I'm trying to just keep my eyes open for something that's a bit more... | 0:08:14 | 0:08:18 | |
-Blokey. -Masculine. | 0:08:18 | 0:08:20 | |
-Because we are men. -We are men. | 0:08:20 | 0:08:24 | |
Just keep telling yourself that, fellas. | 0:08:24 | 0:08:26 | |
The Blues finally seem to have moved on from their music mania. | 0:08:26 | 0:08:30 | |
I know we're thinking music, but I bet that Dan | 0:08:30 | 0:08:32 | |
and I have a shared sort of memory of these kinds of desks at school. | 0:08:32 | 0:08:36 | |
And in Brazil, is this the sort of thing you would see at school? | 0:08:36 | 0:08:39 | |
-I've never seen that before. -You've never seen that before? | 0:08:39 | 0:08:41 | |
But it sounds interesting. | 0:08:41 | 0:08:43 | |
-Do you want to each take a hinge? -Yeah. Yeah. | 0:08:43 | 0:08:45 | |
See if there are any hidden treasures? | 0:08:45 | 0:08:47 | |
I mean, it looks quite good, doesn't it? | 0:08:47 | 0:08:50 | |
-A little bit of graffiti. -Oh, look. People wrote things. | 0:08:50 | 0:08:53 | |
Dan loves Cam. That sort of thing. | 0:08:53 | 0:08:56 | |
This was my desk! | 0:08:56 | 0:08:58 | |
It's not going to be a huge auction estimate. | 0:08:58 | 0:09:00 | |
But it would be 20-40 quid. | 0:09:00 | 0:09:01 | |
So, if we could try and buy it for around that £20 mark, | 0:09:01 | 0:09:04 | |
I think we'd be doing really well. | 0:09:04 | 0:09:06 | |
But at auction, old furniture is tricky to sell. | 0:09:06 | 0:09:08 | |
But vintage furniture is sort of hot right now. | 0:09:08 | 0:09:11 | |
-Shall I have a try, yeah? -You want to do it? You want to take the lead? | 0:09:11 | 0:09:15 | |
-Yeah. I'm going to take the lead. -OK. Lead singer. Take it away. | 0:09:15 | 0:09:18 | |
-OK, let's do it. Let's do it. -What's your best offer on the little desk? | 0:09:18 | 0:09:22 | |
We've got £30 on it. I'd take £25 for it? | 0:09:23 | 0:09:26 | |
Do you think...? | 0:09:28 | 0:09:29 | |
-I think £25 is very cheap. -£25 is cheap. | 0:09:29 | 0:09:32 | |
-I was thinking £12.50 a half. -That's some good pitch. | 0:09:32 | 0:09:36 | |
-Can we make a tenner each side and make it £20? -Go on, then. | 0:09:36 | 0:09:40 | |
-That's all right, isn't it? I think you should grab his hand. -Thank you. | 0:09:40 | 0:09:44 | |
That is well done. Let's carry on. Thank you, sir. | 0:09:44 | 0:09:48 | |
Well, it's not exactly musical, but they can see a profit in it. | 0:09:48 | 0:09:52 | |
Over with the Reds, and Stuart's found something right up his street. | 0:09:53 | 0:09:58 | |
I have no idea what that is. | 0:09:58 | 0:10:00 | |
Let me help you. | 0:10:00 | 0:10:01 | |
It's a surveyor's tool for measuring levels. | 0:10:01 | 0:10:04 | |
You'd probably have had to stand, so you'd stand on something. | 0:10:04 | 0:10:07 | |
You'd normally have another man stood 100 metres away with | 0:10:07 | 0:10:09 | |
a marker, and then you would look through the eyepiece | 0:10:09 | 0:10:12 | |
and you'd have to size up until you get the correct | 0:10:12 | 0:10:15 | |
angle to work out your height in triangulation. | 0:10:15 | 0:10:17 | |
Now, I know, Anna, you're a teacher | 0:10:17 | 0:10:19 | |
but I think Stuart's now giving us a good lesson. | 0:10:19 | 0:10:22 | |
-This would be sort of late Victorian -It is, yeah. It is. | 0:10:22 | 0:10:25 | |
And on the side, here, there's this beautiful copperplate script | 0:10:25 | 0:10:29 | |
Stanley, Great Turnstile, | 0:10:31 | 0:10:34 | |
Holborn, London. | 0:10:34 | 0:10:36 | |
-Actually, this is a wonderful thing. -I like it. | 0:10:36 | 0:10:38 | |
I mean, there's lots of information also inside here. | 0:10:38 | 0:10:41 | |
Obviously, you get the company, as well. So this is the box it came in. | 0:10:41 | 0:10:44 | |
And it's in lovely, original condition. Anna? | 0:10:44 | 0:10:47 | |
Come on. Tell us, what you're feeling? | 0:10:47 | 0:10:49 | |
I'm not sure, actually, Stu. | 0:10:51 | 0:10:54 | |
Really? | 0:10:54 | 0:10:55 | |
It's your choice. It's your choice. | 0:10:55 | 0:10:57 | |
I think it's a nice piece. I think it's a good box. | 0:10:57 | 0:11:00 | |
And for the age, as well. I mean, looking on it, | 0:11:00 | 0:11:03 | |
I think it's got markings for... | 0:11:03 | 0:11:05 | |
-1926. -1926? | 0:11:05 | 0:11:07 | |
Yep. And that was when it was repaired and adjusted. | 0:11:07 | 0:11:10 | |
So, it was sent back to Stanley. | 0:11:10 | 0:11:11 | |
You can see how they've changed their label. | 0:11:11 | 0:11:14 | |
They've modernised their design. | 0:11:14 | 0:11:16 | |
It's lovely to still have its original, fitted box. | 0:11:16 | 0:11:19 | |
£145 on it, which is not a lot of money | 0:11:19 | 0:11:23 | |
-for a wonderful bit of kit. -I wouldn't spend £140 on this. | 0:11:23 | 0:11:27 | |
I, personally, if I was buying this for myself, I would. | 0:11:27 | 0:11:29 | |
-How long have you two been married? -You're not buying it for yourself. | 0:11:29 | 0:11:32 | |
-Three months. -Three months? Marvellous, marvellous. | 0:11:32 | 0:11:34 | |
We'll find a divorce lawyer in a minute. | 0:11:34 | 0:11:36 | |
I think we should keep looking but I want to keep this | 0:11:36 | 0:11:38 | |
-on the back burner. -On your back burner? -Yeah. | 0:11:38 | 0:11:41 | |
Well, shall we ask the lady what the absolute best is on it, | 0:11:41 | 0:11:44 | |
and then it's food for thought? | 0:11:44 | 0:11:45 | |
I think that would be good, yeah, if we find out what we can do it for. | 0:11:45 | 0:11:49 | |
Right, so what is it you can do it for? | 0:11:49 | 0:11:51 | |
-The absolute best price would be £120. -£120. OK. | 0:11:51 | 0:11:54 | |
What's the old saying, Anna-Marie? | 0:11:54 | 0:11:57 | |
If you can't say anything nice, don't say anything at all. | 0:11:57 | 0:12:00 | |
Over with the Blue team, | 0:12:01 | 0:12:02 | |
Cam has turned to her other great passion. | 0:12:02 | 0:12:06 | |
-Is she a good photographer, Dan? -Yes. | 0:12:06 | 0:12:08 | |
-She's actually really good! -Have you ever been her subject? | 0:12:08 | 0:12:10 | |
-I have, yes. -Are you her muse? -I am her muse. -Oh, my goodness. | 0:12:10 | 0:12:14 | |
This is so beautiful. | 0:12:14 | 0:12:15 | |
OK. So, it's definitely vintage. | 0:12:15 | 0:12:17 | |
Yes. Look at the case! | 0:12:17 | 0:12:19 | |
OK. So, what have we got. | 0:12:19 | 0:12:21 | |
First of all, we want a good maker that we all recognise. | 0:12:21 | 0:12:24 | |
-Yeah. -Do we have that? | 0:12:24 | 0:12:25 | |
We are looking for even a Kodak, or a Zenith, something like that? | 0:12:25 | 0:12:29 | |
Do you think that's a brand? | 0:12:29 | 0:12:30 | |
AGFA. But it is quite cool, isn't it? | 0:12:30 | 0:12:33 | |
It's almost got a sort of espionage feel to it. I don't know. | 0:12:33 | 0:12:35 | |
It seems like something that would fit into your pocket. | 0:12:35 | 0:12:38 | |
And a Russian spy would just pull it out. | 0:12:38 | 0:12:40 | |
It's got a sort of Cold War feel about it. | 0:12:40 | 0:12:44 | |
I mean, as a photographer, a keen, budding photographer, anyway... | 0:12:44 | 0:12:47 | |
-I think I'd try and find a brand that we know more about. -OK. | 0:12:47 | 0:12:52 | |
It's a start because I think they're quite trendy at auction. | 0:12:52 | 0:12:54 | |
If we can find one that has a bit more of a history to it | 0:12:54 | 0:12:57 | |
when it comes to the branding then maybe we're onto a winner. | 0:12:57 | 0:13:01 | |
OK, teams. Half an hour gone. | 0:13:01 | 0:13:03 | |
So, might I suggest you step up the pace? | 0:13:03 | 0:13:06 | |
In the post-war period, glass manufacture changed enormously. | 0:13:06 | 0:13:10 | |
There was different designs, colours. | 0:13:10 | 0:13:13 | |
After the austerity of the Second World War... | 0:13:13 | 0:13:17 | |
While Ben continues his monologue on glass, | 0:13:17 | 0:13:20 | |
-let's catch up with the Blues. -That is a nice thing, isn't it? | 0:13:20 | 0:13:24 | |
For ten quid. Oh. For goodness' sake. Well, it was a lovely thing. | 0:13:24 | 0:13:29 | |
I mean, you've got two tier. | 0:13:29 | 0:13:31 | |
When it's closed, it looks like a nice occasional table. | 0:13:31 | 0:13:34 | |
It's a sewing box inside. | 0:13:34 | 0:13:36 | |
You open it up and you've got all the compartments. | 0:13:36 | 0:13:38 | |
I don't think we should go for another piece of furniture. | 0:13:38 | 0:13:41 | |
-I think we should have a look for something else. -Yeah? -Yes. | 0:13:41 | 0:13:44 | |
Good plan, Blues. I like your thinking. | 0:13:44 | 0:13:47 | |
Now, have the Reds moved on? | 0:13:47 | 0:13:49 | |
New technology created by the war was then used in civilian | 0:13:49 | 0:13:54 | |
manufacturing, so they were able to bring out different styles, | 0:13:54 | 0:13:57 | |
they were able to use different techniques, within their... | 0:13:57 | 0:14:00 | |
Ben, I think you're losing them. | 0:14:00 | 0:14:02 | |
So, is glass talking to you? | 0:14:02 | 0:14:06 | |
No. | 0:14:06 | 0:14:08 | |
No. | 0:14:08 | 0:14:09 | |
No. | 0:14:09 | 0:14:10 | |
-LAUGHTER -Never mind, eh? | 0:14:10 | 0:14:13 | |
Maybe next time, old boy. | 0:14:13 | 0:14:15 | |
-Time is ticking. -You're not wrong! | 0:14:15 | 0:14:17 | |
Each team still has two items to buy and 15 minutes left. | 0:14:17 | 0:14:21 | |
Things are getting desperate. | 0:14:21 | 0:14:23 | |
-How much have you got on the Japanese lacquer? -I'm asking 1,200. | 0:14:23 | 0:14:27 | |
Well, there we go. | 0:14:27 | 0:14:28 | |
Price wise, at the other end of the scale, | 0:14:28 | 0:14:31 | |
the Blues have found some bookends. | 0:14:31 | 0:14:33 | |
It says damaged, hence the price. | 0:14:33 | 0:14:35 | |
I think that our damage might be, if I pass that to you... | 0:14:35 | 0:14:38 | |
I think our damage might be this section here. You can see that? | 0:14:38 | 0:14:41 | |
-It's glued, yes. -So it's come right off. | 0:14:41 | 0:14:43 | |
But actually, it's been quite a clean break | 0:14:43 | 0:14:46 | |
-and it could be quite easily repaired. -Yeah. | 0:14:46 | 0:14:49 | |
-Is Art Deco something that you're in to? -Yeah, I like it. | 0:14:49 | 0:14:52 | |
-What do you think? -I've no idea. | 0:14:52 | 0:14:56 | |
-It looks nice, I'll go with it. -I'm quite keen on these, actually. | 0:14:56 | 0:14:59 | |
-Me too. Me too. -Very defined in structure. | 0:14:59 | 0:15:02 | |
And then we've got some sort of gilded metal here. | 0:15:02 | 0:15:05 | |
It's likely to be a spelter base, so not a fine precious metal, | 0:15:05 | 0:15:09 | |
but certainly a composite metal that we can easily mould. | 0:15:09 | 0:15:13 | |
-I mean, £22, so if we can get between 10 and 15... -OK. | 0:15:13 | 0:15:17 | |
..then we're doing all right. Go for it, girl. | 0:15:17 | 0:15:20 | |
Hi. What's the best you can do for that? | 0:15:20 | 0:15:23 | |
-It's broken, I mean... -It is damaged, yes. | 0:15:23 | 0:15:26 | |
And considering the damage, I'll do those for £15. | 0:15:26 | 0:15:29 | |
-OK, best is 15. -What do you think? -I'm happy with 15. | 0:15:29 | 0:15:32 | |
-Can't really go wrong with £15. -Yeah. -Nope. | 0:15:32 | 0:15:35 | |
-I think we should go for it. -Thank you very much. -Thank you. | 0:15:35 | 0:15:38 | |
-Thank you. -Come on, guys. Ten minutes left and one to buy. | 0:15:38 | 0:15:41 | |
And, Reds, you still have two. | 0:15:41 | 0:15:43 | |
Come on, kids. We need to buy something. | 0:15:43 | 0:15:47 | |
-Yeah, I like this. -You like that? -That's nice. | 0:15:47 | 0:15:49 | |
Satsuma ware, it's Japanese. | 0:15:49 | 0:15:51 | |
Date wise, around about 1910. | 0:15:51 | 0:15:55 | |
You've got a mark on the bottom. | 0:15:55 | 0:15:57 | |
That could well be the artist and it's not one I recognise. | 0:15:57 | 0:16:00 | |
The gilding's good. | 0:16:00 | 0:16:02 | |
We're short of time. Shall we just ask how much it is quickly? | 0:16:02 | 0:16:05 | |
-£60. -50? | 0:16:05 | 0:16:07 | |
-60. -60. | 0:16:07 | 0:16:10 | |
-That's more than what I thought, actually. -Can you manage 40? | 0:16:10 | 0:16:14 | |
No. 50. | 0:16:14 | 0:16:17 | |
45? | 0:16:17 | 0:16:19 | |
-OK, 45. Yes. -OK. | 0:16:19 | 0:16:22 | |
-Do you think? -Yes. -That was nice and quick. | 0:16:22 | 0:16:25 | |
Crack on then! | 0:16:25 | 0:16:26 | |
One to go, with just a few minutes left. | 0:16:26 | 0:16:29 | |
Back to you as a photographer. | 0:16:29 | 0:16:31 | |
Is there anything here jumping out to you? | 0:16:31 | 0:16:33 | |
-I like that one. -That's chic, isn't it? -That looks really cool. | 0:16:33 | 0:16:36 | |
-So, collapsible lens, but also portable. -Yes. -That's quite cool. | 0:16:36 | 0:16:40 | |
-Shall we have a closer look? -Yeah, let's have a look. -OK. | 0:16:40 | 0:16:42 | |
-So, we've got its model there, Kodak 66, Model -3. Wow. | 0:16:42 | 0:16:45 | |
It's got its case, which is nice. It's... | 0:16:45 | 0:16:48 | |
I don't know, but it sees to be a lot smoother than the one | 0:16:48 | 0:16:51 | |
we were holding before. The other one was a bit loose. | 0:16:51 | 0:16:54 | |
-Yeah, it was a bit. -So that one seems to have a bit more snap to it. | 0:16:54 | 0:16:58 | |
-OK. -What do we think about the price? What have we got here? | 0:16:58 | 0:17:01 | |
So £28. We've got folding camera, Kodak 66. | 0:17:01 | 0:17:06 | |
-OK. -It just looks good. -It does. -It does look good. Yeah. | 0:17:06 | 0:17:09 | |
-That's right. -Who's going to do that? | 0:17:09 | 0:17:11 | |
-With you being a photographer... -How about a joint effort? -Yeah. | 0:17:11 | 0:17:14 | |
-Yeah, let's try both. -Husband and wife together. -Marital arguments... | 0:17:14 | 0:17:18 | |
-I think I'll leave you to it. -..aside. | 0:17:18 | 0:17:20 | |
-As low as you can. -OK. | 0:17:20 | 0:17:22 | |
Make it snappy though, Blues. | 0:17:22 | 0:17:23 | |
The Reds have gone for their fall back plan of the surveyor's | 0:17:23 | 0:17:27 | |
level, which they haggled down to £120 earlier. | 0:17:27 | 0:17:30 | |
We are £10 over what we can. Do you think you could drop another £10? | 0:17:32 | 0:17:37 | |
Honestly, I couldn't. | 0:17:37 | 0:17:39 | |
-120 is the absolute... -120 is the absolute death on that. | 0:17:39 | 0:17:42 | |
That is a face which is telling the truth. | 0:17:42 | 0:17:45 | |
Honestly, 120 would be the absolute best. | 0:17:45 | 0:17:48 | |
-Richard. -Yeah, I think we'd like to go ahead and purchase it. -Fantastic. | 0:17:48 | 0:17:52 | |
-Thank you very much. -Thank you. -Well, there we go. -All done. | 0:17:52 | 0:17:55 | |
That's three items done, we've got | 0:17:55 | 0:17:57 | |
about three minutes left, not even time for an ice cream. | 0:17:57 | 0:18:00 | |
Did you hear that, Blues? Three minutes! | 0:18:00 | 0:18:03 | |
What's the best offer that you can do on this? | 0:18:03 | 0:18:06 | |
I've got it marked 28, but you can have it for 20. | 0:18:06 | 0:18:09 | |
18? | 0:18:09 | 0:18:12 | |
-Yeah, go on... OK, go on then. -OK, and before you shake, | 0:18:12 | 0:18:15 | |
-you're quite confident with that? -Are you happy to buy that one? | 0:18:15 | 0:18:18 | |
-Have you got any others that you... -Only that one. -Come on, focus! | 0:18:18 | 0:18:24 | |
-Midget. It really is small. Does that collapse as well? -Yeah. | 0:18:24 | 0:18:27 | |
-OK. So a tiny wee handheld camera. -Wow! | 0:18:27 | 0:18:30 | |
I was thinking people can use this probably now and still... | 0:18:30 | 0:18:33 | |
-You can use them now. -Yeah. -Yeah. | 0:18:33 | 0:18:35 | |
So it's more practical for people who want to use it | 0:18:35 | 0:18:39 | |
and it does work now, so... | 0:18:39 | 0:18:41 | |
-Yeah. -I think... That's amazing. It's different, | 0:18:41 | 0:18:45 | |
but I still reckon maybe the sensible option could be this. | 0:18:45 | 0:18:48 | |
-18 quid. Are you happy to shake on that? -Yes. -Yes. -OK. | 0:18:48 | 0:18:51 | |
-Fantastic, thank you. -Thank you very much. -Thank you. | 0:18:51 | 0:18:53 | |
Stop! | 0:18:53 | 0:18:54 | |
Your time is up! | 0:18:54 | 0:18:56 | |
Let's go and get a cup of tea. | 0:18:56 | 0:18:58 | |
I don't know about you, but I need to sit down. Come on now. | 0:18:58 | 0:19:00 | |
Now, let's see what the Red team have bought. | 0:19:00 | 0:19:04 | |
First up was the Georgian silverback mirror and brush for £45. | 0:19:04 | 0:19:08 | |
Next was the early 20th century Japanese satsuma sugar | 0:19:10 | 0:19:14 | |
bowl for another £45. | 0:19:14 | 0:19:16 | |
Finally, the boxed Stanley surveying sight and level was bought for £120. | 0:19:18 | 0:19:23 | |
Well, Stuart and Anna-Marie, off like the clappers, buy, buy, buy, | 0:19:25 | 0:19:29 | |
and it all went dead. What went wrong? | 0:19:29 | 0:19:33 | |
-A little bit of... What's the word? -Hesitation. -Hesitation. -Hesitation. | 0:19:33 | 0:19:38 | |
Lots of hesitation. Almost an hour, wasn't it, Ben? | 0:19:38 | 0:19:41 | |
Yes, we cut it a little fine, but we succeeded. | 0:19:41 | 0:19:44 | |
Are you pleased with what you bought? | 0:19:44 | 0:19:46 | |
Yeah, really pleased, yeah. | 0:19:46 | 0:19:48 | |
-So, what's your favourite item? -Mine is the architect's engineering tool. | 0:19:48 | 0:19:51 | |
-The architect's engineering tool. -Yes. | 0:19:51 | 0:19:54 | |
-That won't be your favourite, will it? -No. Definitely not. | 0:19:54 | 0:19:56 | |
-What's yours? -The silver mirror and brush. | 0:19:56 | 0:19:59 | |
And what's going to make the biggest profit? | 0:19:59 | 0:20:02 | |
-We're undecided between the architect's tool and... -No! | 0:20:02 | 0:20:06 | |
No! No, certainly not! | 0:20:06 | 0:20:08 | |
-But you seem to think the satsuma... Um... -Yeah, the Japanese vase. | 0:20:08 | 0:20:13 | |
Yeah, anything Japanese is quite good news, isn't it? | 0:20:13 | 0:20:16 | |
-How much did you spend in all? -A total of £210. | 0:20:16 | 0:20:19 | |
-That's good, isn't it, Ben? -Yes. -You got them spending! | 0:20:19 | 0:20:22 | |
They've spent a bit of money and they've left enough for me. | 0:20:22 | 0:20:25 | |
-So, you know... -Just enough for you. -Just enough. | 0:20:25 | 0:20:27 | |
You don't want to leave this man with too much. A dangerous ploy. | 0:20:27 | 0:20:30 | |
-So, I reckon, by my maths, you've got £90 to give me. -That's correct. | 0:20:30 | 0:20:34 | |
-£90. -There you go, Ben. | 0:20:34 | 0:20:36 | |
-What are you going to do with that? -Something shiny possibly. | 0:20:36 | 0:20:39 | |
Because I know Anna-Marie likes shiny | 0:20:39 | 0:20:41 | |
and she's been a bit let down by something very blokey. | 0:20:41 | 0:20:44 | |
But we'll see. | 0:20:44 | 0:20:45 | |
-I think there's a lot to look at, so... Yeah. -Brilliant. | 0:20:45 | 0:20:49 | |
So, while Ben goes off to spend his money, | 0:20:49 | 0:20:51 | |
let's see what the Blue team have bought. | 0:20:51 | 0:20:54 | |
They chalked up the wooden double school desk for £20. | 0:20:54 | 0:20:58 | |
Next, they fawned over the Art Deco bookends, paying £15 for the pair. | 0:21:01 | 0:21:06 | |
In the dying seconds, they purchased the folding Kodak camera for £18. | 0:21:08 | 0:21:12 | |
-Dan and Camilla, where are your musical instruments? -Yeah, I know. | 0:21:14 | 0:21:18 | |
-You promised me musical instruments. -I know. I'm sorry. | 0:21:18 | 0:21:21 | |
-We couldn't find any good things. -We found a camera though. | 0:21:21 | 0:21:24 | |
-No musical instruments, no singing... -No. | 0:21:24 | 0:21:27 | |
..and how much did you spend? | 0:21:27 | 0:21:29 | |
It was a lot. We spent £53. | 0:21:29 | 0:21:32 | |
For goodness' sake! Natasha, couldn't you get them going? | 0:21:32 | 0:21:36 | |
That's what happens under my watch, Charlie. Cheap but not common. | 0:21:36 | 0:21:40 | |
Oh! So, what's your favourite item? | 0:21:40 | 0:21:42 | |
-I would say the camera. -The camera? -Yeah, it looks cool. | 0:21:42 | 0:21:44 | |
And the biggest profit? | 0:21:44 | 0:21:46 | |
-I think the desk. -The desk. -Possibly. | 0:21:46 | 0:21:48 | |
The school desk. | 0:21:48 | 0:21:50 | |
Now, you spent 53. That leaves 247. | 0:21:50 | 0:21:53 | |
Giving Natasha Raskin £247 is frankly the riskiest thing | 0:21:53 | 0:21:58 | |
you will ever do in your life. | 0:21:58 | 0:22:00 | |
-There you are, my dear. -Thank you, Charlie. | 0:22:00 | 0:22:04 | |
What are you going to do with it? | 0:22:04 | 0:22:06 | |
I've got to spend a big chunk of this, come on. I'm itching to do it. | 0:22:06 | 0:22:10 | |
So, while Natasha goes off shopping with that enormous | 0:22:10 | 0:22:13 | |
amount of money, I'm off to somewhere rather special. | 0:22:13 | 0:22:16 | |
Famous the world over, | 0:22:21 | 0:22:23 | |
the great British pub is an unique institution. | 0:22:23 | 0:22:27 | |
However, the concept of a drinking venue was first | 0:22:27 | 0:22:31 | |
introduced by the Romans some 2,000 years ago. | 0:22:31 | 0:22:34 | |
Now, the Romans called these drinking venues tabernae and they | 0:22:36 | 0:22:40 | |
were built for the Roman army at a time when ale was the local brew. | 0:22:40 | 0:22:44 | |
The tabernae became tavern, which became pub, | 0:22:45 | 0:22:49 | |
a place with which we're very familiar today. | 0:22:49 | 0:22:52 | |
# Another little drink and another little drink | 0:22:52 | 0:22:55 | |
# Another little drink won't do us any harm... # | 0:22:55 | 0:22:58 | |
And of course, it's the pub that's home to the humble pint. | 0:22:58 | 0:23:02 | |
Served as a specific measure since the late 17th century, | 0:23:02 | 0:23:06 | |
it's still at the heart of a social gathering. | 0:23:06 | 0:23:08 | |
# And another little drink wouldn't do us any harm. # | 0:23:08 | 0:23:13 | |
To find out more about the history of the great British pint, | 0:23:13 | 0:23:17 | |
I'm here to meet Des McGonigle at the National Brewery Museum | 0:23:17 | 0:23:20 | |
in Burton upon Trent. | 0:23:20 | 0:23:22 | |
Des, you're the head guide here. | 0:23:22 | 0:23:24 | |
Tell me more about beer production in Burton upon Trent. | 0:23:24 | 0:23:27 | |
By the 1880s, we had 30 breweries in Burton upon Trent. | 0:23:27 | 0:23:31 | |
Bass, William Bass, has got his first brewery in 1777. | 0:23:31 | 0:23:35 | |
Within 100 years, it's one of the biggest | 0:23:35 | 0:23:38 | |
brewers in the world, producing over one million barrels of beer a year. | 0:23:38 | 0:23:41 | |
-A million barrels. -A million barrels of beer a year. | 0:23:41 | 0:23:44 | |
How was all the beer distributed to the pubs? | 0:23:44 | 0:23:46 | |
By horses, mostly Shire horses. | 0:23:46 | 0:23:49 | |
They would also use Clydesdales and Suffolks as well. | 0:23:49 | 0:23:52 | |
So, bigger horses, bigger wagons, smaller horses, smaller wagons. | 0:23:52 | 0:23:55 | |
-Yeah. And they were called drays? -Drays, yes. | 0:23:55 | 0:23:58 | |
-Could we have a look at a dray? -Of course you can. There's one over there waiting for us. -Thank you. | 0:23:58 | 0:24:03 | |
-Just how important were these drays to the brewery? -The drays were really important, | 0:24:09 | 0:24:14 | |
not just for actually delivering the beer to the local pubs, | 0:24:14 | 0:24:16 | |
but also for use within the brewery yards to transport material from | 0:24:16 | 0:24:20 | |
-one side of the yard to the other, but also from different breweries. -Yeah, yeah. | 0:24:20 | 0:24:24 | |
And when were horses superseded by a different sort of horsepower? | 0:24:24 | 0:24:28 | |
The big decline came after the First World War. | 0:24:28 | 0:24:31 | |
A number of horses were taken off obviously to serve | 0:24:31 | 0:24:35 | |
in the First World War and by about 1919, Bass had 120 horses left. | 0:24:35 | 0:24:39 | |
By this time, a lot of movement within the brewery yards was | 0:24:39 | 0:24:42 | |
-done by tractors. -Yes. -And then some of the wagons were used to deliver beer, | 0:24:42 | 0:24:46 | |
also tractors were used to pull them around. | 0:24:46 | 0:24:50 | |
The last Bass horse was a horse called Monty. | 0:24:50 | 0:24:53 | |
He actually died in the 1960s, | 0:24:53 | 0:24:55 | |
but his last working day was in the '50s. | 0:24:55 | 0:24:57 | |
-In the '50s, as late as that? -Yes. -Yeah. | 0:24:57 | 0:25:00 | |
So, Des, can you talk me through these two vehicles behind? | 0:25:00 | 0:25:03 | |
The vehicle to the left is a Leyland Beaver. | 0:25:03 | 0:25:05 | |
It was built in 1949, belonged Mitchell and Butler's brewery, | 0:25:05 | 0:25:09 | |
in Birmingham, and that vehicle is roadworthy today. | 0:25:09 | 0:25:12 | |
ALE 1, which is the correct numberplate for that vehicle... | 0:25:12 | 0:25:15 | |
It's a real numberplate? | 0:25:15 | 0:25:17 | |
Yeah, we use this one daily | 0:25:17 | 0:25:18 | |
and that is basically based on a Ford Transit van. | 0:25:18 | 0:25:21 | |
Looks like a Model T Ford, not a Ford Transit. | 0:25:21 | 0:25:24 | |
Inside, sometimes we have a bar put in, | 0:25:24 | 0:25:26 | |
so we put the hatch down, have some beers in there. | 0:25:26 | 0:25:29 | |
Well, I don't know if you can arrange this, | 0:25:29 | 0:25:31 | |
but could I have a lift to the saleroom, please? | 0:25:31 | 0:25:34 | |
-Course you can. -Thank you. -Barry, off you go. -Ooh! | 0:25:34 | 0:25:38 | |
Quite exciting! | 0:25:38 | 0:25:39 | |
It's a quick canter to the saleroom in Derby to meet me | 0:25:44 | 0:25:47 | |
old mate Charles Hanson. | 0:25:47 | 0:25:49 | |
-Do you know where I was this morning? -No, tell me. | 0:25:49 | 0:25:52 | |
-The National Brewery Museum. -Were you really? -Yes. | 0:25:52 | 0:25:55 | |
And I brought you a present. | 0:25:55 | 0:25:57 | |
-You haven't. -I have. -Oh, you have. Thank you very much. | 0:25:57 | 0:26:00 | |
-That's really kind. -Well, put it down there. | 0:26:00 | 0:26:03 | |
-Don't drink it till afterwards. -Only for a good auction, OK? -Absolutely. | 0:26:03 | 0:26:06 | |
Now, we're going to kick off with the Red team, | 0:26:06 | 0:26:09 | |
-who no doubt you can wax lyrical about... -Charlie, this is great. | 0:26:09 | 0:26:12 | |
Look at the dressing table set. | 0:26:12 | 0:26:14 | |
What really excites me | 0:26:14 | 0:26:15 | |
is the crispness of the actual embossed work. | 0:26:15 | 0:26:18 | |
We haven't seen lots of polish slowly create holes... | 0:26:18 | 0:26:22 | |
-Well, we have a little bit. -Have we? -Have you looked carefully. -I have. | 0:26:22 | 0:26:26 | |
You've got to look more carefully, Charles. | 0:26:26 | 0:26:28 | |
-Inspection, inspection, inspection. -Yes, I can see. | 0:26:28 | 0:26:31 | |
On the actual hand mirror, condition's lovely. | 0:26:31 | 0:26:34 | |
It's got almost this dull patination about it. | 0:26:34 | 0:26:38 | |
What I love is it was made in the year the Titanic sank. | 0:26:38 | 0:26:41 | |
George V, it's got a bit of romance... | 0:26:41 | 0:26:45 | |
Having heard all that, it must be a substantial estimate. | 0:26:45 | 0:26:48 | |
I hope it'll make between 25 and £35. It'll do very well. | 0:26:48 | 0:26:52 | |
Not quite enough. | 0:26:52 | 0:26:53 | |
-Cost 45. -Oh, did it? -Yes. Shall we move swiftly on? -Yes, OK. | 0:26:53 | 0:26:58 | |
-Satsuma twin handled sucriere and cover. -Yes. | 0:26:58 | 0:27:01 | |
We like detail, we like intricacy and this satsuma is a bit late. | 0:27:01 | 0:27:06 | |
Rather than being, shall we say, early Meiji, more like 1880, | 0:27:06 | 0:27:10 | |
this is more like late export made, | 0:27:10 | 0:27:11 | |
but it's still very decorative, in good condition. | 0:27:11 | 0:27:14 | |
-Do you like it? -I'm a bit the same as you. | 0:27:14 | 0:27:17 | |
It needs to be earlier and it just has to have better detail, | 0:27:17 | 0:27:20 | |
-doesn't it? -Yes. What's nice about it is it's complete, the condition is good. | 0:27:20 | 0:27:24 | |
I would guide it at auction today, | 0:27:24 | 0:27:26 | |
wind blowing across the Midlands, between 30 and £40. | 0:27:26 | 0:27:30 | |
-Yep well, that's nearly as much as they paid. -Good. -45. | 0:27:30 | 0:27:34 | |
-Yeah, OK. -That's not too bad. -At a push and a shove, we might get there. -That would be good. | 0:27:34 | 0:27:38 | |
And then we've got this item here. Tell me about it. | 0:27:38 | 0:27:42 | |
Yeah, my knowledge isn't really scientific. I'm more of a... | 0:27:42 | 0:27:45 | |
You're artistic, aren't you, Charles? | 0:27:45 | 0:27:48 | |
-I'm romantic, Charlie, rather than being an engineering type. -Romantic! | 0:27:48 | 0:27:52 | |
It's a nice object. It's got that all-important name on it, Stanley. | 0:27:52 | 0:27:55 | |
-Yeah. -They rose in the 1860s, the great man himself died in 1909. | 0:27:55 | 0:28:00 | |
This is all complete, which is important. How do you use it? | 0:28:00 | 0:28:04 | |
-Do you know? -Yes. -Tell me. | 0:28:04 | 0:28:06 | |
When I first left school and I joined a firm of surveyors | 0:28:06 | 0:28:09 | |
and auctioneers, I used one of these surveyor's levels. | 0:28:09 | 0:28:12 | |
It's a vital part of surveying equipment. | 0:28:12 | 0:28:14 | |
Wowee. So, circa... | 0:28:14 | 0:28:16 | |
I suppose it must be, in period wise, it's 1900, but... | 0:28:16 | 0:28:20 | |
-A little bit later, I think. -You were using this in what - 1935? | 0:28:20 | 0:28:23 | |
How dare you! | 0:28:23 | 0:28:25 | |
1935! | 0:28:25 | 0:28:26 | |
I know I'm old, Charles, but I'm not that old! | 0:28:26 | 0:28:29 | |
You're a wise man, Charlie. | 0:28:29 | 0:28:30 | |
But it's something which I really hope will just touch £100. | 0:28:30 | 0:28:35 | |
-It cost 120. -OK. | 0:28:35 | 0:28:36 | |
-So we're doing all right here. -Yes, we are, Charlie. | 0:28:36 | 0:28:39 | |
-Hopefully, at a push, yes. -Yes. | 0:28:39 | 0:28:41 | |
But of course, if it doesn't quite go according to plan, | 0:28:41 | 0:28:44 | |
they might need their bonus buy. | 0:28:44 | 0:28:46 | |
-How much did you leave him with? -£90. | 0:28:48 | 0:28:50 | |
£90. Did you feel happy leaving Ben with £90? | 0:28:50 | 0:28:54 | |
No, I wanted to leave him less. | 0:28:54 | 0:28:56 | |
Ben, were you happy to have £90? | 0:28:56 | 0:28:58 | |
-Well, it was enough to go out and buy something interesting. -Yep. | 0:28:58 | 0:29:03 | |
But I also decided that I had to go and find something which I think | 0:29:03 | 0:29:05 | |
Anna-Marie will go, "Ooh!" | 0:29:05 | 0:29:08 | |
-Anna-Marie. No pressure, but let's have a look. -Right. | 0:29:08 | 0:29:12 | |
Ooh! | 0:29:12 | 0:29:13 | |
LAUGHTER | 0:29:13 | 0:29:15 | |
You see?! | 0:29:15 | 0:29:16 | |
While we were going around, I spotted this. | 0:29:16 | 0:29:19 | |
I mean, it's a kettle. So, it's got the burner. | 0:29:19 | 0:29:21 | |
It's in good condition. | 0:29:21 | 0:29:22 | |
It's a bit yesterday's antique, in one respect, but then again, | 0:29:22 | 0:29:26 | |
these used to be well over £100. | 0:29:26 | 0:29:28 | |
-150. -They were. | 0:29:28 | 0:29:31 | |
-I'd have thought so. 1890-1900, yeah. -Yeah. | 0:29:31 | 0:29:33 | |
You know, there's room for a bit of profit, I hope. | 0:29:33 | 0:29:37 | |
What do you reckon I paid for it? | 0:29:37 | 0:29:39 | |
-What do you think? I think...45? -No. -50? -Maybe a bit more. | 0:29:39 | 0:29:43 | |
-50. -50. -Mm. -Not bad. Happy with that? | 0:29:43 | 0:29:47 | |
-Yeah, I think so. -Yeah. -That wasn't unqualified, was it?! | 0:29:48 | 0:29:52 | |
-It's silver plated. -Silver plate. All right. OK. | 0:29:52 | 0:29:55 | |
You paid £50. What do you think it could make? | 0:29:55 | 0:29:57 | |
It could squeeze up to 60-65. | 0:29:57 | 0:30:01 | |
Well, there could be a slim profit, perhaps. | 0:30:01 | 0:30:04 | |
Let's see what the auctioneer thinks about it. | 0:30:04 | 0:30:07 | |
Here comes that bonus buy that Ben bought. | 0:30:08 | 0:30:12 | |
It is so elegant. I love this, almost, classical ornamentation, | 0:30:12 | 0:30:16 | |
almost, Athenian, which sits so well, and then you have got this, | 0:30:16 | 0:30:20 | |
almost, Victorian, very rustic stand. | 0:30:20 | 0:30:23 | |
I love that, sort of, arboreal base. | 0:30:23 | 0:30:26 | |
I think it's fab. | 0:30:26 | 0:30:27 | |
Its mould wood, almost, base, complete with its burner, as well. | 0:30:27 | 0:30:32 | |
And it is an object from, probably 1895. | 0:30:32 | 0:30:35 | |
And is it going to fly? | 0:30:35 | 0:30:37 | |
They are out of fashion. They're not practical. | 0:30:37 | 0:30:40 | |
On a really good day, it might make £40. | 0:30:40 | 0:30:45 | |
-Well, it cost £50. -Right. OK. | 0:30:45 | 0:30:48 | |
-That's the Reds. Shall we have a look at the Blues? -Can't wait. | 0:30:48 | 0:30:51 | |
-We start off with the school desk. -It is interesting, Charlie, we hear, | 0:30:51 | 0:30:55 | |
in the auction market now, there is interest in those words | 0:30:55 | 0:30:58 | |
like "vintage retro" and this school desk is, what, | 0:30:58 | 0:31:02 | |
the second quarter, 20th century? | 0:31:02 | 0:31:04 | |
-It ought to make £20 all day long. -Good. Well, that's what it cost, | 0:31:04 | 0:31:08 | |
so they might just about safe there. | 0:31:08 | 0:31:10 | |
-I predict, Charlie, a profit there. -What about the bookends? | 0:31:10 | 0:31:13 | |
I think they are quite exotic. I think they're decorative. | 0:31:13 | 0:31:17 | |
-Probably no earlier than, maybe, 1980s. -Yeah. | 0:31:17 | 0:31:20 | |
But they have got a look about them. We have put a guide price on | 0:31:20 | 0:31:24 | |
-of £20-£30. -Good news. Do you know, they only paid £15. | 0:31:24 | 0:31:28 | |
Charlie, you never know, but I'm confident. | 0:31:28 | 0:31:30 | |
-What about the camera? -The camera, Charlie, if there is one market | 0:31:30 | 0:31:34 | |
that has really moved in the last three years, | 0:31:34 | 0:31:36 | |
it's the collectors' market, particularly vintage cameras. | 0:31:36 | 0:31:39 | |
This Kodak 66 was the last fold-away camera in production and came out | 0:31:39 | 0:31:44 | |
-in the years 1958-60. Did you have one of these? -I did. | 0:31:44 | 0:31:48 | |
In 19...6...4. | 0:31:48 | 0:31:52 | |
-Wow. -And I used it. -Did you, really? | 0:31:52 | 0:31:54 | |
-I think I have still got some slides from it. -Have you really?! | 0:31:54 | 0:31:57 | |
It is a collectors' market. This was a fairly mass-produced type, | 0:31:57 | 0:32:01 | |
but even so, we hope, on a really good day, | 0:32:01 | 0:32:04 | |
it's going to make 10, 15, 20. Who knows? It could even make 25. | 0:32:04 | 0:32:08 | |
-It cost just £18. -Good, Charlie. | 0:32:08 | 0:32:11 | |
-So, it's not bad, is it? -Yep, there's hope there. | 0:32:11 | 0:32:14 | |
-I feel a bit of a profit coming on... -Good. | 0:32:14 | 0:32:16 | |
..on possibly all three items, which means, they might not need | 0:32:16 | 0:32:20 | |
their bonus buy. But, of course, just in case they do, | 0:32:20 | 0:32:23 | |
let's have a look at it. | 0:32:23 | 0:32:25 | |
You left Natasha with £247! | 0:32:27 | 0:32:31 | |
Is that not a dangerous tactic?! | 0:32:31 | 0:32:34 | |
What do you think, Natasha? | 0:32:34 | 0:32:36 | |
Well, I was quite excited to have all that money. | 0:32:36 | 0:32:39 | |
I fact, it is probably the largest amount | 0:32:39 | 0:32:41 | |
of leftover lolly I have ever been left, so I thought, | 0:32:41 | 0:32:44 | |
"Now is my opportunity to spend." | 0:32:44 | 0:32:47 | |
And spend, I did, on... | 0:32:47 | 0:32:49 | |
-Oh! -..our favourite little work table. | 0:32:49 | 0:32:52 | |
Do you remember it? | 0:32:52 | 0:32:53 | |
-Yes, I do, yeah. -Let me reveal the interior to you again. | 0:32:53 | 0:32:57 | |
-Oh! -See, it just glides... -Oh! -..so beautifully... -Gosh. | 0:32:57 | 0:33:03 | |
..to reveal all sorts of bobbins and things. | 0:33:03 | 0:33:05 | |
It comes with some accessories. I actually couldn't believe how much | 0:33:05 | 0:33:10 | |
-I spent on it. -Yeah. | 0:33:10 | 0:33:12 | |
£8. | 0:33:12 | 0:33:13 | |
LAUGHTER | 0:33:13 | 0:33:15 | |
Don't you think it's a nice thing? When we looked at this, I thought, | 0:33:15 | 0:33:18 | |
"Oh, well, 19, maybe, '50s, '60s." I think, in hindsight, | 0:33:18 | 0:33:21 | |
-probably a wee bit earlier. -It's earlier. If we said 1940, | 0:33:21 | 0:33:25 | |
-I don't think we'd be far off. -It's a nice thing. | 0:33:25 | 0:33:27 | |
It could do with a wee French polish on the wood. | 0:33:27 | 0:33:30 | |
I'm not sure - mahogany, walnut. It's a good-quality thing, anyway. | 0:33:30 | 0:33:33 | |
And the design of tapering legs, it just never goes out of fashion. | 0:33:33 | 0:33:36 | |
How much do you think we are going to make with this at auction? | 0:33:36 | 0:33:39 | |
A pretty penny. We cannot fail to make a profit on this. | 0:33:39 | 0:33:42 | |
-It's got to make 20, 25. -Are you happy about it? -Yeah, of course. | 0:33:42 | 0:33:45 | |
-That's good. So, Dan and Camilla are happy. -Yeah. | 0:33:45 | 0:33:48 | |
Natasha is happy. | 0:33:48 | 0:33:49 | |
Is the auctioneer happy? | 0:33:49 | 0:33:51 | |
-So, what do you think of it? -What's quite nice with this one | 0:33:54 | 0:33:56 | |
is the finish, with the sliding top section. | 0:33:56 | 0:33:59 | |
Yeah, and when you slide back the top, | 0:33:59 | 0:34:02 | |
-the quality inside is extremely good, isn't it? -Very much so. | 0:34:02 | 0:34:05 | |
From two yards, it looks like mahogany. | 0:34:05 | 0:34:07 | |
When you really get up close, it's washed walnut. | 0:34:07 | 0:34:10 | |
-It doesn't quite have that weight of mahogany. -Yes, but nice quality. | 0:34:10 | 0:34:15 | |
It will probably make between £20 and £30. | 0:34:15 | 0:34:19 | |
-Do you know, Natasha only paid £8 for it. -£8. That's a real bargain. | 0:34:19 | 0:34:25 | |
Yeah. Well, I simply can't wait for the auction. | 0:34:25 | 0:34:27 | |
We sell at £65. | 0:34:30 | 0:34:32 | |
-Stuart and Anna-Marie. Have you been to a sale before? -No. -No. | 0:34:35 | 0:34:38 | |
-Never been to an auction? -No. -Oh, how exciting is that?! | 0:34:38 | 0:34:41 | |
And we've got a good buzz. Here comes your matching | 0:34:44 | 0:34:46 | |
mirror and brush. | 0:34:46 | 0:34:48 | |
Very finely-embossed hand mirror and matching brush. | 0:34:48 | 0:34:52 | |
I am only bid £12. | 0:34:52 | 0:34:54 | |
I am asking 15, 18, 20, 22. 5. | 0:34:54 | 0:34:56 | |
25, madam? 25, in pink. | 0:34:56 | 0:34:58 | |
I have got 8. Bid 30. Bid 30. | 0:34:58 | 0:35:01 | |
I'm out. 30, I'm bid. Do I see 2 now? £30. Surely 2? | 0:35:01 | 0:35:05 | |
Surely 2? | 0:35:05 | 0:35:07 | |
Come on! Fair warning... | 0:35:07 | 0:35:10 | |
2, 5. | 0:35:10 | 0:35:11 | |
-35. -He's doing all he can for you! -Yes! -Come on! | 0:35:11 | 0:35:15 | |
Bid 40... | 0:35:15 | 0:35:16 | |
..or I sell it. That's it. Out online, | 0:35:17 | 0:35:20 | |
at £38. All done. | 0:35:20 | 0:35:23 | |
Well. Minus £7. People have done a lot worse with their first lots. | 0:35:24 | 0:35:30 | |
Historically, I would say that is something of a triumph. | 0:35:30 | 0:35:34 | |
Now, we have the Satsuma pottery twin-handled sucrier and cover. | 0:35:34 | 0:35:37 | |
I am only bid...£12. | 0:35:37 | 0:35:40 | |
-I am asking £15. -£12?! -15, 18, 20. | 0:35:40 | 0:35:43 | |
£20. 22, 25. | 0:35:43 | 0:35:45 | |
I'm out. Come on, it's a good object this. | 0:35:45 | 0:35:47 | |
Full of Eastern vigour. 25. | 0:35:47 | 0:35:50 | |
Surely 8? I sell to the lady. That's it. | 0:35:50 | 0:35:54 | |
-He's begging! -25. Going once...going twice... | 0:35:54 | 0:35:56 | |
-At £25. -25. | 0:35:56 | 0:35:59 | |
That's minus 20. | 0:36:00 | 0:36:01 | |
So, we are down 27, but now, we've got | 0:36:01 | 0:36:04 | |
the Stanley surveying sight and level. | 0:36:04 | 0:36:07 | |
Look at this. It is a really good object. 40, I'm bid. Do I see 5 now? | 0:36:07 | 0:36:11 | |
40, I'm bid. Surely 5? | 0:36:11 | 0:36:13 | |
50, 5, 60, 5, 70, 5. How about 85. Do I see 2? | 0:36:13 | 0:36:18 | |
Got to go. Fair warning. Bid me 2. | 0:36:18 | 0:36:20 | |
-80. -By commission. I'll take 2. | 0:36:20 | 0:36:23 | |
For the first time... I'll take 2. Good object. | 0:36:23 | 0:36:26 | |
-We're only losing £40(!) -I'm out. Surely, a fiver? | 0:36:26 | 0:36:29 | |
Come on. Good object. Make no mistake. | 0:36:29 | 0:36:32 | |
We're live in the saleroom. Fair warning. | 0:36:32 | 0:36:35 | |
At £82. | 0:36:35 | 0:36:37 | |
£82. Goodness me. | 0:36:39 | 0:36:40 | |
That means you have lost 38, 48, 58, £65. | 0:36:40 | 0:36:44 | |
So, down £65. Now, you have this big choice. | 0:36:44 | 0:36:48 | |
Do you go with Ben's super | 0:36:48 | 0:36:51 | |
bonus buy, the electro-plated kettle on a stand? He paid £50 for it. | 0:36:51 | 0:36:57 | |
-Yep. -OK. -You're going with the bonus buy? You have confidence | 0:36:57 | 0:37:00 | |
-in this man? -No, I think it's desperation! | 0:37:00 | 0:37:03 | |
There we are. This wonderful kettle. 57. Late Victorian, | 0:37:05 | 0:37:08 | |
could be Edwardian, just. | 0:37:08 | 0:37:11 | |
And I am bid here only £10. | 0:37:11 | 0:37:13 | |
Oh, no! £10. | 0:37:13 | 0:37:15 | |
12, 15, 18, 20, 2. | 0:37:15 | 0:37:18 | |
I'm out. Look at this object. At £22. Surely a fiver now? At 22. | 0:37:18 | 0:37:22 | |
At 22. Surely 5? | 0:37:22 | 0:37:24 | |
-It's a lot for the money. -Are you sure, sir? 25. Bid 8 | 0:37:24 | 0:37:29 | |
or I sell to the lady seated. Fair warning. I am asking 8 | 0:37:29 | 0:37:33 | |
or I sell, at £25. | 0:37:33 | 0:37:36 | |
That's it. | 0:37:36 | 0:37:38 | |
GAVEL BANGS | 0:37:38 | 0:37:39 | |
Well, that's a loss of 25. | 0:37:39 | 0:37:40 | |
That rounds you up to a very neat minus 90. | 0:37:40 | 0:37:44 | |
Now, don't worry. 90 can be a winning score | 0:37:44 | 0:37:48 | |
and, remember, not a word to the Blues. | 0:37:48 | 0:37:51 | |
-Have you seen the auctioneer? -Yeah. -He's a performer. Like yourselves, | 0:37:59 | 0:38:02 | |
he is a performer. Like Natasha. She's a performer. | 0:38:02 | 0:38:06 | |
This is the moment. | 0:38:06 | 0:38:07 | |
We can't put it off any more. We're coming up, with the school desk. | 0:38:07 | 0:38:11 | |
A wooden double school pine desk, | 0:38:11 | 0:38:15 | |
with inkwell, recesses and a hinged writing surface. | 0:38:15 | 0:38:18 | |
Where do we start this? | 0:38:18 | 0:38:20 | |
£10. Just look at this desk. 10, 12, 15, 18, 20, 22. | 0:38:20 | 0:38:25 | |
25. Are you sure, madam? 25, and it's gone. 28. | 0:38:25 | 0:38:29 | |
30. Are you sure, madam? Not one for the road? | 0:38:29 | 0:38:33 | |
I'm asking 30. 5. It's a cracking desk. 35. | 0:38:33 | 0:38:37 | |
Are you sure? | 0:38:37 | 0:38:39 | |
Make a memory. | 0:38:39 | 0:38:41 | |
-I've got 30. I'll take 5, standing. -Look at him go! -40. | 0:38:41 | 0:38:44 | |
-Ooh! -Bid now 40 or I sell to the lady who is standing, | 0:38:44 | 0:38:48 | |
at £35. Madam, well done. | 0:38:48 | 0:38:51 | |
It's yours. | 0:38:51 | 0:38:53 | |
Plus £15! | 0:38:53 | 0:38:54 | |
What a solid start! | 0:38:56 | 0:38:57 | |
-Feels good. -Bookends coming up next. | 0:38:57 | 0:38:59 | |
Art Deco-style bookends. I am only bid £10. I am asking 12 now. | 0:38:59 | 0:39:04 | |
They are charming. 12, 15, 18. I'm out. 18 bid. | 0:39:04 | 0:39:06 | |
I'm asking 20 now. Come on, they're charming. | 0:39:06 | 0:39:09 | |
18. 20 bid online. We are live online. | 0:39:09 | 0:39:11 | |
Online! You are positively printing money, Camilla! | 0:39:11 | 0:39:14 | |
£28. I'm asking 30 online. For the first time... | 0:39:14 | 0:39:19 | |
Bid 30. For the second time... Bid 30. | 0:39:19 | 0:39:22 | |
There's another man bidding down there, look! He's waving like mad! | 0:39:22 | 0:39:25 | |
I'll take 2, Lenny. 32. 35 down here. 35. 38. | 0:39:25 | 0:39:29 | |
Are you sure? | 0:39:29 | 0:39:31 | |
£35. All done? | 0:39:31 | 0:39:33 | |
Sing it, Charlie. Well done! | 0:39:33 | 0:39:36 | |
£35. It's another £20. You've got | 0:39:36 | 0:39:40 | |
£35 profit. This is very consistent work, team. | 0:39:40 | 0:39:43 | |
Now, we are coming up with the Kodak camera. | 0:39:43 | 0:39:45 | |
1958, the last folding camera. Start me at £5. 5, I'm bid. | 0:39:45 | 0:39:52 | |
Inviting 6 now. At a fiver. 6, 7. 7, I'm bid. I'm asking 8 now. | 0:39:52 | 0:39:57 | |
Good camera, this. 7, 8, 9. Come on! 8, I'm bid. 9, 10, 12. £12. | 0:39:57 | 0:40:01 | |
-Come on, it's a good camera. It's cheap. 12, 15, 18. -Come on! | 0:40:01 | 0:40:05 | |
-£18. -Come on! We need 18! -Come on, madam! 18, 20. -Yes! | 0:40:05 | 0:40:09 | |
£20. I'll take 2 or I sell it. That's it. 22, 25, 28. | 0:40:09 | 0:40:14 | |
28. 25, I sell to the lady. It's yours, madam. | 0:40:14 | 0:40:19 | |
It's extraordinary! | 0:40:19 | 0:40:21 | |
It's amazing! | 0:40:21 | 0:40:22 | |
£7 for the camera. | 0:40:22 | 0:40:24 | |
You've got £42, | 0:40:24 | 0:40:27 | |
so you've got a decision to make, because the bonus buy is coming up. | 0:40:27 | 0:40:31 | |
It's the walnut work table. | 0:40:31 | 0:40:34 | |
-What do you think? -I think we should go for it. | 0:40:34 | 0:40:36 | |
-Go for it? -Yeah, I think so. -Yeah. | 0:40:36 | 0:40:38 | |
-Let's go for it. -Here we go. -A very good washed work table. 12, I'm bid. | 0:40:38 | 0:40:43 | |
Do I see 15? 18, 20. 20, I'm out. I'm asking 2 now. Come on! At 22. | 0:40:43 | 0:40:48 | |
5. This is a good object. Let's hold at 25? 28. | 0:40:48 | 0:40:52 | |
30. | 0:40:52 | 0:40:54 | |
2... 5... | 0:40:54 | 0:40:56 | |
I'm asking 5 now. | 0:40:56 | 0:40:58 | |
Fair warning! I shall sell it. Bid 5 or I sell to you, sir, | 0:40:58 | 0:41:02 | |
at £32. Well done, sir. It's yours. | 0:41:02 | 0:41:06 | |
Guys, this is so good! | 0:41:07 | 0:41:09 | |
24 plus. | 0:41:09 | 0:41:12 | |
£66! | 0:41:12 | 0:41:14 | |
Clickety-click! | 0:41:14 | 0:41:15 | |
How wide is the Pacific Ocean? | 0:41:23 | 0:41:25 | |
How wide is the Atlantic Ocean? | 0:41:25 | 0:41:27 | |
How wide is the gap | 0:41:27 | 0:41:29 | |
between the Reds and the Blues? | 0:41:29 | 0:41:32 | |
-It couldn't get much wider, really. -Marvellous(!) -And today's runners-up | 0:41:32 | 0:41:36 | |
are...the Red team. | 0:41:36 | 0:41:37 | |
Oh, well done! | 0:41:37 | 0:41:39 | |
-Well done. -Did you feel that was happening? -Yep. | 0:41:39 | 0:41:42 | |
You made a gallant effort, | 0:41:42 | 0:41:44 | |
but every time you put something under the auctioneer's gavel, | 0:41:44 | 0:41:48 | |
it lost more money. If you tot it all up, it comes to minus 90. | 0:41:48 | 0:41:52 | |
-Oh! -But I have to say, I've known worse. | 0:41:52 | 0:41:56 | |
But turning to Smugarooni on the left here. I'm afraid I'm going to | 0:41:56 | 0:42:01 | |
-have to give them £66. -Yes! Well done, team! | 0:42:01 | 0:42:04 | |
65... Hold on... | 0:42:05 | 0:42:07 | |
66. | 0:42:07 | 0:42:09 | |
Now, if you happen to make three consecutive profits, | 0:42:09 | 0:42:13 | |
you get invested into the wonderful Order of the Golden Gavel. | 0:42:13 | 0:42:17 | |
-Ahh! -And in my pocket, I have two Golden Gavels. | 0:42:17 | 0:42:24 | |
-BLUES: -Oh! | 0:42:24 | 0:42:26 | |
-Look at those. -Wear it with pride! -Thank you. | 0:42:26 | 0:42:28 | |
They're probably worth considerably more than anything | 0:42:28 | 0:42:31 | |
the Red team bought! | 0:42:31 | 0:42:33 | |
LAUGHTER | 0:42:33 | 0:42:34 | |
I didn't say that! | 0:42:34 | 0:42:35 | |
-Wasn't that mean?! But have you had fun? -Yes. -It's been fantastic. | 0:42:35 | 0:42:41 | |
I know you've been runners-up, but well done and thank you for being | 0:42:41 | 0:42:44 | |
-such good sports. Tremendous. -Thank you. -We hope you have | 0:42:44 | 0:42:47 | |
enjoyed it, too. Don't forget to follow us on our website | 0:42:47 | 0:42:50 | |
or, indeed, on Twitter. Meanwhile, don't forget to join us for more | 0:42:50 | 0:42:54 | |
bargain hunting. Yes? | 0:42:54 | 0:42:56 | |
-ALL: -Yes! | 0:42:56 | 0:42:58 |