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It may not have the styling and beauty | 0:00:03 | 0:00:06 | |
of an Aston Martin... | 0:00:06 | 0:00:07 | |
..or the power and performance of a Ferrari... | 0:00:09 | 0:00:11 | |
..but who needs those? | 0:00:13 | 0:00:16 | |
Just take a look at the optional extras! | 0:00:16 | 0:00:19 | |
Hello! | 0:00:19 | 0:00:21 | |
Let's go Bargain Hunting! | 0:00:21 | 0:00:23 | |
The race is on for today's teams here at Newark Antiques Fair, | 0:00:45 | 0:00:49 | |
to find three items in one hour with £300. | 0:00:49 | 0:00:53 | |
No mean feat, cos it's the biggest one in Europe! | 0:00:53 | 0:00:57 | |
Let's take a look at what's coming up. | 0:00:57 | 0:00:59 | |
The Red team know what they like... | 0:01:02 | 0:01:04 | |
I mean, at 50 quid, I think I'd buy it. | 0:01:04 | 0:01:06 | |
You would? | 0:01:06 | 0:01:08 | |
..and what they don't. | 0:01:08 | 0:01:09 | |
I wouldn't. | 0:01:09 | 0:01:11 | |
Whilst the Blues question their beliefs. | 0:01:12 | 0:01:15 | |
Are you sure? | 0:01:15 | 0:01:16 | |
You think I shouldn't be sure? | 0:01:18 | 0:01:19 | |
At the auction, the Reds' expert could make or break them. | 0:01:19 | 0:01:23 | |
No pressure, Ben. | 0:01:23 | 0:01:25 | |
I might just take my coat now and go. | 0:01:25 | 0:01:29 | |
And the Blues finally regain their faith. | 0:01:29 | 0:01:32 | |
Look at the object, just look at it and believe. | 0:01:32 | 0:01:35 | |
I'm asking.... Look at it for the first time. | 0:01:35 | 0:01:37 | |
Going, going. | 0:01:37 | 0:01:40 | |
Now, that's all for later. | 0:01:40 | 0:01:42 | |
Now, today, we are pitting courting couples against padres and for | 0:01:42 | 0:01:48 | |
the Reds, we've got Paige and Adrian. And for the Blues, | 0:01:48 | 0:01:51 | |
we've got Edward and Paul. | 0:01:51 | 0:01:52 | |
-Hello, everyone. ALL: -Hello! | 0:01:52 | 0:01:54 | |
Now, the Reds. Adrian, you, I guess, | 0:01:54 | 0:01:57 | |
are bit of a danger addict, because for a living you're a spark. | 0:01:57 | 0:02:01 | |
So, you play with 240 volts? | 0:02:01 | 0:02:03 | |
Yeah, I do that with my job. And, obviously, my job before | 0:02:03 | 0:02:06 | |
was jumping out of aeroplanes. | 0:02:06 | 0:02:07 | |
Of course it was. Under what circumstances? | 0:02:07 | 0:02:10 | |
Well, I was in the Army and my job was a freefall instructor. | 0:02:10 | 0:02:13 | |
-Right! -So, we used to take soldiers all around the world | 0:02:13 | 0:02:16 | |
-and teach them how to freefall skydive. -Right. | 0:02:16 | 0:02:19 | |
I became national champion in 1996, | 0:02:19 | 0:02:21 | |
8-way formation motion skydiving. | 0:02:21 | 0:02:23 | |
And that's what you're judged on, I take it? | 0:02:23 | 0:02:25 | |
Yeah, how many formations you can make as you leave the aeroplane. | 0:02:25 | 0:02:28 | |
Inevitably, you're going to hit the bottom, of course. | 0:02:28 | 0:02:31 | |
Well, hopefully not hit the bottom too hard. Open your parachute | 0:02:31 | 0:02:34 | |
-before that happens. -Very good. Now, Paige, | 0:02:34 | 0:02:37 | |
you're not averse to jumping out a perfectly good aircraft yourself, | 0:02:37 | 0:02:40 | |
-are you, I believe? -No, I've also done one skydive. | 0:02:40 | 0:02:43 | |
I did a tandem skydive, to raise money for the preschool I work at. | 0:02:43 | 0:02:48 | |
-Very good! -It was really exciting. -Really? -Yeah. | 0:02:48 | 0:02:52 | |
Scarier than Bargain Hunt right now? | 0:02:52 | 0:02:55 | |
It's a close run thing, is it? | 0:02:55 | 0:02:58 | |
Jumping out of planes or shopping | 0:02:58 | 0:03:00 | |
for antiques with someone else's money? | 0:03:00 | 0:03:01 | |
Yes, I guess the aeroplane's a little bit more scary. | 0:03:01 | 0:03:04 | |
-Good luck to you. -Thank you. | 0:03:04 | 0:03:07 | |
Now, over to the Blues, Paul and Edward. | 0:03:07 | 0:03:10 | |
Now, Edward, tell me about these dangerous goings-on | 0:03:10 | 0:03:12 | |
that take place in your church sometimes. | 0:03:12 | 0:03:14 | |
Well, a couple of years ago, I went on a circus skills training weekend | 0:03:14 | 0:03:17 | |
and from that, I learned to do fire eating, | 0:03:17 | 0:03:20 | |
which I then incorporated into our baptism services in church. | 0:03:20 | 0:03:23 | |
Fire signifies the holy spirit, a big part of baptism services. | 0:03:23 | 0:03:26 | |
So, to try and draw people into the celebration | 0:03:26 | 0:03:28 | |
and give them something to take away as well. | 0:03:28 | 0:03:31 | |
Now, you're a bit of a football fan? | 0:03:31 | 0:03:33 | |
I certainly am. I'm a Hull City supporter living in Grimsby, | 0:03:33 | 0:03:36 | |
which is a little outside of the usual. | 0:03:36 | 0:03:39 | |
But I love my football and when I was a child growing up, | 0:03:39 | 0:03:42 | |
all I wanted to be was a goalkeeper. | 0:03:42 | 0:03:44 | |
-Right. -I attended Bob Wilson's goalkeeping school, | 0:03:44 | 0:03:47 | |
where I was coached by the Arsenal legend himself, Joe Corrigan, | 0:03:47 | 0:03:51 | |
-the former England goalkeeper. -My word! | 0:03:51 | 0:03:52 | |
I can't resist the pun - from saving goals to saving souls, | 0:03:52 | 0:03:56 | |
that's quite a journey. | 0:03:56 | 0:03:58 | |
-Indeed. -Now, Paul, you're a historian, I believe. | 0:03:58 | 0:04:01 | |
I was a historian and a history teacher, | 0:04:01 | 0:04:03 | |
-before I became a Church of England priest, yes. -Yes. -For three years. | 0:04:03 | 0:04:07 | |
Any particular eras and fields? | 0:04:07 | 0:04:09 | |
I particularly love Victorian, Edwardian, late Victorian, | 0:04:09 | 0:04:14 | |
British, European, that sort of stuff and railway history as well. | 0:04:14 | 0:04:16 | |
If the Victorian and Edwardian era is particularly | 0:04:16 | 0:04:19 | |
your fancy, from a historical perspective, do you collect? | 0:04:19 | 0:04:23 | |
And, if so, are objects from that era up your street? | 0:04:23 | 0:04:26 | |
Victoriana is the sort of thing that I prefer above everything else. | 0:04:26 | 0:04:29 | |
-Seriously? -It's not the most fashionable stuff any more, | 0:04:29 | 0:04:32 | |
-that's the trouble. -I was going to say, you're that guy I've heard of | 0:04:32 | 0:04:35 | |
-that collects Victoriana. -Yes, yeah. -Pleasure to meet you, sir. | 0:04:35 | 0:04:38 | |
-You're an endangered species. Do you know that? -I know, we're not looking | 0:04:38 | 0:04:41 | |
-for much today. -I'll tell you, | 0:04:41 | 0:04:42 | |
you'll have you pick out here, it'll be all yours. | 0:04:42 | 0:04:45 | |
Well, it's the moment where I prime you with all of £300. | 0:04:45 | 0:04:50 | |
There you go, Paige. Look at that, £300. | 0:04:50 | 0:04:53 | |
Now, your trusty experts are awaiting you eagerly. | 0:04:53 | 0:04:56 | |
So, off you go and the very best of luck to you. | 0:04:56 | 0:04:58 | |
-Thank you. -Bye-bye! -Vamoose! | 0:04:58 | 0:05:01 | |
What with skydivers and padres, | 0:05:01 | 0:05:03 | |
are we going to be bringing home profits on a wing and a prayer? | 0:05:03 | 0:05:06 | |
Font of all knowledge, for the Reds, it's Ben Cooper. | 0:05:06 | 0:05:11 | |
The Blues have the WHEELIE clever Natasha Raskin. | 0:05:11 | 0:05:14 | |
OK, lovely Paul and Ed, what on earth are we looking for today? | 0:05:16 | 0:05:19 | |
-Ed, start us off. -I'm looking for something expensive, | 0:05:19 | 0:05:22 | |
something shiny maybe. I'm thinking maybe something with a bit of | 0:05:22 | 0:05:25 | |
-a military, militaria type thing. -I want something small. | 0:05:25 | 0:05:28 | |
You know, is it going to be something that we would be able to | 0:05:28 | 0:05:30 | |
get a profit on? | 0:05:30 | 0:05:32 | |
I think something small, silver, bit exquisite. | 0:05:32 | 0:05:35 | |
OK, teams, you've got 60 minutes. | 0:05:35 | 0:05:37 | |
Get stuck in! | 0:05:37 | 0:05:39 | |
Let's start shopping. | 0:05:39 | 0:05:41 | |
Small and shiny. I mean, certainly, there's a lot of glistening over | 0:05:41 | 0:05:44 | |
-here, but I don't know... -Probably more silver than glassware. | 0:05:44 | 0:05:47 | |
More silver than glassware. | 0:05:47 | 0:05:48 | |
Oh, they're a bit scary. | 0:05:48 | 0:05:50 | |
-Yeah. -Oh, God. | 0:05:50 | 0:05:53 | |
You're a couple of magpies, aren't you? | 0:05:53 | 0:05:55 | |
Straight in for the shiny, shiny. | 0:05:55 | 0:05:57 | |
Oh, yes. Made in China. | 0:05:57 | 0:06:01 | |
Definitely not Victorian then. | 0:06:01 | 0:06:02 | |
What about this? I think it's a gun case, isn't it? | 0:06:02 | 0:06:05 | |
Yeah, absolutely. It's known as a leg of mutton, because of its shape. | 0:06:05 | 0:06:08 | |
Obviously, you know, when you break the gun in half you have the barrel | 0:06:08 | 0:06:11 | |
and the butt, so it makes it a shorter case for carrying. | 0:06:11 | 0:06:13 | |
By being leather, of course, it will allow it to breathe. | 0:06:13 | 0:06:16 | |
So, you don't want to have the gun sitting in moisture, obviously, | 0:06:16 | 0:06:20 | |
particularly out on the field. | 0:06:20 | 0:06:21 | |
-I quite like the look of that. -She's got £60 on it. | 0:06:21 | 0:06:24 | |
She's trying to make living, but we're also trying to make a profit, | 0:06:24 | 0:06:27 | |
so we've got to find our balance. | 0:06:27 | 0:06:28 | |
-See if there's a bit of a bargain. -Is there any move that you can do on | 0:06:28 | 0:06:31 | |
-the 60? -I can do 50, but no less. | 0:06:31 | 0:06:34 | |
-So, the lady said 50. -50 quid? If it's a good quality one and... | 0:06:34 | 0:06:37 | |
-I mean, it looks nice to me. -Do the straps do up? | 0:06:37 | 0:06:39 | |
Looks like it's proper old leather. | 0:06:39 | 0:06:41 | |
All the straps are still here, the handle's in good condition. | 0:06:41 | 0:06:44 | |
Often, you'll see where it's been re-stitched | 0:06:44 | 0:06:46 | |
where the handle comes apart. | 0:06:46 | 0:06:47 | |
Who would buy something like this at auction? | 0:06:47 | 0:06:49 | |
There's mixtures of people. | 0:06:49 | 0:06:51 | |
Obviously, there's members of the trade, | 0:06:51 | 0:06:54 | |
who specialise solely in sporting memorabilia. You also have people | 0:06:54 | 0:06:58 | |
who specialise in shop displays. | 0:06:58 | 0:07:00 | |
So, some of the big gunsmiths in London and, of course, | 0:07:00 | 0:07:03 | |
they want to have a period look and so they will be scouting options to | 0:07:03 | 0:07:06 | |
buy things like this. So, it's a bigger spectrum of people | 0:07:06 | 0:07:09 | |
than you might think would be looking out for a piece like this. | 0:07:09 | 0:07:13 | |
The lady's been very generous. | 0:07:13 | 0:07:14 | |
I think there's a chance that it could make a profit at auction. | 0:07:14 | 0:07:17 | |
-It's in a good state. Look inside. -Oh, it you can smell it. | 0:07:17 | 0:07:20 | |
-Oh, it's wonderful, isn't it? -It's wonderful, yeah. | 0:07:20 | 0:07:23 | |
So, what do you think? Are you going to go for it? | 0:07:23 | 0:07:25 | |
Yeah, it's not small and silver. We might need something small | 0:07:25 | 0:07:27 | |
-and silver to look at. -I think it could be your turn next time, Paige. | 0:07:27 | 0:07:30 | |
Right, let's give the lady 50 squiddlydids. | 0:07:30 | 0:07:32 | |
-Thank you ever so much. -Thank you very much. -Thank you. | 0:07:32 | 0:07:35 | |
That's a great start, Reds. First buy in ten minutes, | 0:07:35 | 0:07:39 | |
paid in squiddlydids. | 0:07:39 | 0:07:40 | |
Now, the Blues seem to be ignoring my advice. | 0:07:40 | 0:07:44 | |
-I'm a big Victoriana person. -Me too, I'm all about it. | 0:07:44 | 0:07:47 | |
-Yeah? -There's some things that I like, | 0:07:47 | 0:07:49 | |
but I don't know whether anybody would buy them or not. | 0:07:49 | 0:07:52 | |
You know, these anchors, I think they're really interesting. | 0:07:52 | 0:07:55 | |
Anchors are great. Bearing in mind, | 0:07:55 | 0:07:56 | |
we're going to an auction in Derbyshire. | 0:07:56 | 0:07:59 | |
While the Reds are all at sea, the Blues are struggling too. | 0:08:00 | 0:08:03 | |
Anything at all? Anything coming at you? | 0:08:03 | 0:08:06 | |
-No. -You're not into your glassware. | 0:08:08 | 0:08:10 | |
-Any time that we see glassware, you sort of... -No. -Instantly turned off. | 0:08:10 | 0:08:13 | |
Unless it's really good, classic '60s stuff, | 0:08:13 | 0:08:16 | |
I think that's probably the only thing that people are really into | 0:08:16 | 0:08:19 | |
-at the moment. -So, things like this vase do fit into that. | 0:08:19 | 0:08:22 | |
-Yes, they do. -Almost like a lava lamp sort of idea. -Yeah, yeah. | 0:08:22 | 0:08:25 | |
Ed's terrified. Horrified. | 0:08:25 | 0:08:27 | |
-Let's have a look. -Do you want to have a look at it? | 0:08:27 | 0:08:29 | |
-Yeah, let's have a look. -See if we can find any marks on the bottom, | 0:08:29 | 0:08:32 | |
cos that's what it's all about. But I think it's a nice bit of | 0:08:32 | 0:08:34 | |
decorative glass. So, we can see it's hand-blown, it's got a pontil | 0:08:34 | 0:08:37 | |
mark at the bottom. Someone's taken the time to really grind that down | 0:08:37 | 0:08:40 | |
to make it a nice smooth pontil. | 0:08:40 | 0:08:43 | |
I think one thing it's got going in its favour | 0:08:43 | 0:08:45 | |
is a really minimalist, but super-attractive shape. | 0:08:45 | 0:08:48 | |
Yeah. Yeah. It goes with the modern minimalist style. | 0:08:48 | 0:08:51 | |
Shall we ask how much this is? | 0:08:51 | 0:08:53 | |
-Yeah, do you want to ask away? -He cannot believe that you're asking | 0:08:53 | 0:08:56 | |
about glass. Cannot believe it. Why not? Excuse us, sir, | 0:08:56 | 0:08:59 | |
sorry to interrupt you from your lovely breakfast cooking. | 0:08:59 | 0:09:02 | |
We're wondering how much you have on the vase? | 0:09:02 | 0:09:04 | |
-£15. -£15. | 0:09:04 | 0:09:06 | |
Plenty of room in that for you. | 0:09:06 | 0:09:09 | |
Possible. Mark it down as a possible? | 0:09:09 | 0:09:11 | |
It's a possible or is it a strike while the iron is hot? | 0:09:11 | 0:09:15 | |
There are two choices. The clock is ticking. | 0:09:15 | 0:09:17 | |
I'll leave this one over to you, I think. | 0:09:17 | 0:09:19 | |
I've got 25 on it and I took a tenner straight off it. | 0:09:19 | 0:09:22 | |
-Come back. -Come back? OK. Well, hopefully it's still here. | 0:09:26 | 0:09:29 | |
-That was very kind of you. -I'm not an impulse buyer, but, yeah. | 0:09:29 | 0:09:33 | |
If it's gone when you come back, it's gone. | 0:09:33 | 0:09:35 | |
-Yeah. -I know. We'll only have ourselves to blame. | 0:09:35 | 0:09:38 | |
Yeah. | 0:09:38 | 0:09:39 | |
That's a cracking offer, but as we near the 20 minute mark, | 0:09:39 | 0:09:43 | |
I wouldn't mull over it too long. | 0:09:43 | 0:09:44 | |
Back with the Reds, and Adrian's blokey item bagged, | 0:09:45 | 0:09:50 | |
Paige is on the lookout for something that's more her. | 0:09:50 | 0:09:53 | |
You like looking in these sort of things, don't you? | 0:09:53 | 0:09:55 | |
I do. I like the look of this. | 0:09:55 | 0:09:58 | |
Initially, I thought it was silver, but feeling it, | 0:09:58 | 0:10:00 | |
I'm thinking maybe not. | 0:10:00 | 0:10:01 | |
It's obviously plated. | 0:10:01 | 0:10:03 | |
You can see where the silver has rubbed through the top | 0:10:03 | 0:10:05 | |
and shown the copper underneath. | 0:10:05 | 0:10:07 | |
I mean, it would probably only go for, at auction, £15 to £20, | 0:10:07 | 0:10:11 | |
-that kind of price. -Oh, OK. | 0:10:11 | 0:10:14 | |
OK, you're on the right lines. | 0:10:14 | 0:10:16 | |
But, like Ben, I think there's better out there. | 0:10:16 | 0:10:19 | |
Now, are the Blues still debating the vase? | 0:10:19 | 0:10:22 | |
Do you think we should... | 0:10:23 | 0:10:25 | |
-You think I shouldn't be sure? -You look quite smitten. | 0:10:25 | 0:10:27 | |
Well, I was, but... | 0:10:27 | 0:10:30 | |
Yeah, do you think so? Go for it now? | 0:10:30 | 0:10:32 | |
I think it's a great buy at 15 quid, to be honest with you. | 0:10:32 | 0:10:34 | |
I think it's a gorgeous thing, very trendy at the moment. | 0:10:34 | 0:10:38 | |
-We do need to make a first buy. -Yeah, yeah... | 0:10:38 | 0:10:40 | |
Yeah, we'll get our first buy. At least we'll | 0:10:40 | 0:10:42 | |
have accomplished something. That would be good. | 0:10:42 | 0:10:44 | |
-You're going to go back and have a bash? -Yeah. | 0:10:44 | 0:10:46 | |
-You said 15. -Yes. | 0:10:48 | 0:10:50 | |
We're looking to make on this. | 0:10:50 | 0:10:52 | |
-Right. -12, could you do it for 12 as a best price? | 0:10:52 | 0:10:55 | |
I'll do you a really, really, really big favour. | 0:10:55 | 0:10:57 | |
-You can have it for £10. -Oh, right. | 0:10:57 | 0:11:00 | |
That is on. A cracking deal. That's got to be a deal, mate. | 0:11:00 | 0:11:02 | |
That really is a deal. We're really impressed with this. | 0:11:02 | 0:11:05 | |
-God bless you, sir. -Thank you. | 0:11:05 | 0:11:06 | |
What a legend. | 0:11:06 | 0:11:07 | |
-Thank you, bye-bye. -But a lengthy debate over a £10 purchase is | 0:11:07 | 0:11:11 | |
a sure-fire way of running out of time. | 0:11:11 | 0:11:14 | |
By contrast, the Reds aren't hanging around. | 0:11:14 | 0:11:17 | |
I'm an electrician. We're just walking past a load of lights. | 0:11:17 | 0:11:20 | |
I was looking for something that, sort of, they used to sort of dangle | 0:11:20 | 0:11:23 | |
down from the ceiling of a factory or something like that, | 0:11:23 | 0:11:26 | |
-that's been repurposed. -Some of the big enamel ones? | 0:11:26 | 0:11:28 | |
There's also some which I saw down there, which have got the holophane | 0:11:28 | 0:11:31 | |
-shades on. -Yeah, those ones, yeah. -They're probably going to be beyond | 0:11:31 | 0:11:36 | |
our realm. What kind of money have you got on these? | 0:11:36 | 0:11:39 | |
£50 on the green ones. | 0:11:39 | 0:11:41 | |
-Yeah. -£30 on the yellow ones. | 0:11:41 | 0:11:43 | |
The yellow's got a little tiny crack. | 0:11:43 | 0:11:45 | |
-Has it? -In the actual lens. -Oh, I can... Yeah. | 0:11:45 | 0:11:48 | |
On the ground, they look like the glass shades. | 0:11:48 | 0:11:51 | |
They're a plastic shade. They're not actually as old. | 0:11:51 | 0:11:54 | |
-You see the labels on top. -Yeah, they've got the CE sign. | 0:11:54 | 0:11:56 | |
-Yeah. -I mean, at 50 quid, I think I'd buy it. -You would? | 0:11:56 | 0:12:00 | |
-Yeah. -I wouldn't. | 0:12:00 | 0:12:03 | |
Good on you, Paige. | 0:12:04 | 0:12:06 | |
Adrian's had his turn. | 0:12:06 | 0:12:08 | |
Now, Blues go from the vibrant and modern to the complete opposite. | 0:12:08 | 0:12:12 | |
Look at this beautiful circa 1880 rostrum. | 0:12:12 | 0:12:16 | |
That's a lovely thing, isn't it? | 0:12:16 | 0:12:18 | |
My Victorian taste, yes, but... | 0:12:18 | 0:12:21 | |
Have you got Paul Laidlaw hovering around your mind right now? | 0:12:21 | 0:12:24 | |
He's ever-present in my mind. | 0:12:24 | 0:12:26 | |
I think it's a cool thing. | 0:12:26 | 0:12:28 | |
It just reminded me of you guys giving your sermons, | 0:12:28 | 0:12:30 | |
but maybe you want to get away from that today. | 0:12:30 | 0:12:33 | |
-Very possibly. -Very possibly. | 0:12:33 | 0:12:34 | |
It looks kind of good from the front. From the back, does it... | 0:12:34 | 0:12:37 | |
-Is it a solid piece? -It is solid from the back. | 0:12:37 | 0:12:40 | |
I think it's all right. It's got a kind of an easel stand. | 0:12:40 | 0:12:43 | |
There's a little hinge on one side | 0:12:43 | 0:12:46 | |
that makes sure it doesn't go too far and falls if you put | 0:12:46 | 0:12:48 | |
a particularly heavy tome, like one of your Victorian Bibles, | 0:12:48 | 0:12:52 | |
on top, it wouldn't go too far and collapse. | 0:12:52 | 0:12:54 | |
It's just smacks of a little bit of quality. | 0:12:54 | 0:12:57 | |
-Is it walnut? -I think it's veneered in walnut. | 0:12:57 | 0:13:00 | |
And that walnut veneer is continued on to the easel back as well, | 0:13:00 | 0:13:04 | |
on to the stand. I think it's a really pretty thing. | 0:13:04 | 0:13:06 | |
-But it's not cheap. -It's 90 quid, almost, for a book stand. | 0:13:06 | 0:13:10 | |
And books are a little bit out of fashion. | 0:13:10 | 0:13:12 | |
-Could you go a little lower? -Have it at 60. -You'd do it for 60? -60. | 0:13:12 | 0:13:16 | |
-What do you reckon? -I had my way with the vase. | 0:13:16 | 0:13:18 | |
You have your way with the books, yeah? | 0:13:18 | 0:13:19 | |
If you're not going to get a book, get the next best thing. | 0:13:19 | 0:13:22 | |
Next best thing. OK. I think that's a deal, sir. Thank you so much. | 0:13:22 | 0:13:25 | |
-Did that just happen? £60? -It did. -OK. OK, well, | 0:13:25 | 0:13:28 | |
let's say thank you very much and go find our third item. | 0:13:28 | 0:13:31 | |
-Thank you. -Thank you, bye-bye. Off we go. | 0:13:31 | 0:13:33 | |
Well done, well done. | 0:13:33 | 0:13:35 | |
The Blues prove they can make quick decisions | 0:13:35 | 0:13:37 | |
and there's still half an hour to play with. | 0:13:37 | 0:13:40 | |
Now, while the teams crack on, | 0:13:40 | 0:13:42 | |
I'd like to show you something that in its day | 0:13:42 | 0:13:44 | |
was at the cutting edge of technology. | 0:13:44 | 0:13:47 | |
Now, in an age where your mobile phone, | 0:13:55 | 0:13:58 | |
your television and probably also your car will be obsolete within | 0:13:58 | 0:14:02 | |
a decade, let me show you something that had a useful working life | 0:14:02 | 0:14:06 | |
of almost 400 years. | 0:14:06 | 0:14:09 | |
Standing next to me is what I'm sure you will call a chainmail shirt. | 0:14:09 | 0:14:14 | |
But you'd be wrong. As that term wasn't coined until likely | 0:14:14 | 0:14:18 | |
the 19th century. This is a shirt of mail. | 0:14:18 | 0:14:22 | |
Mail armour was in use from classical times. | 0:14:22 | 0:14:25 | |
The Roman legionary would use it. | 0:14:25 | 0:14:27 | |
The Bayeux tapestry shows Saxons and Normans wearing it. | 0:14:27 | 0:14:30 | |
And in the Sudan in the 1890s, | 0:14:30 | 0:14:33 | |
certain Mahdist cavalry fighting the British wore shirts of mail. | 0:14:33 | 0:14:38 | |
If you look at these links, they are solid. | 0:14:38 | 0:14:43 | |
There's no break, | 0:14:43 | 0:14:45 | |
like that watch chain of yours, where the lengths butt together. | 0:14:45 | 0:14:48 | |
These links are either welded or riveted solid. | 0:14:48 | 0:14:52 | |
So, it's incredibly difficult to pull them apart. | 0:14:52 | 0:14:55 | |
And therein lies its protective strength. | 0:14:55 | 0:14:59 | |
Now, this particular shirt was found in the hands of | 0:14:59 | 0:15:03 | |
a general antique dealer. But it didn't look like this. | 0:15:03 | 0:15:06 | |
It was longer in the arm and longer in the body. | 0:15:06 | 0:15:09 | |
And of a form that we would associate with | 0:15:09 | 0:15:12 | |
the aforementioned Mahdist troops fighting in North Africa | 0:15:12 | 0:15:15 | |
in the late 19th century. And it was brought on that basis. | 0:15:15 | 0:15:20 | |
Under close examination, its true nature was revealed. | 0:15:20 | 0:15:23 | |
We have, before us, a heart of medieval mail, | 0:15:23 | 0:15:29 | |
probably made in Italy around 1510. | 0:15:29 | 0:15:32 | |
This was picked up for all of £200. | 0:15:32 | 0:15:35 | |
In its restored state, as it would have appeared back in 1500, | 0:15:35 | 0:15:39 | |
its true value today is £3,000 or £4,000. | 0:15:39 | 0:15:44 | |
And that is a margin I'm not going to get shirty about. | 0:15:44 | 0:15:49 | |
Back to the shopping, and with 25 minutes left, | 0:15:57 | 0:16:00 | |
the Reds only have the gun case. Whereas, the Blue team | 0:16:00 | 0:16:03 | |
have bought a vase and a book stand. | 0:16:03 | 0:16:05 | |
And it seems there's a pattern emerging with their tastes. | 0:16:05 | 0:16:09 | |
I think, to be honest with you, | 0:16:09 | 0:16:10 | |
the only way in which we would get any money back | 0:16:10 | 0:16:13 | |
is if we were to buy the whole lot for about a fiver. | 0:16:13 | 0:16:17 | |
Pewter dishes are so out of fashion, to be honest with you. | 0:16:17 | 0:16:20 | |
-Yeah. -When it comes to buyers... | 0:16:20 | 0:16:21 | |
Yeah, it's the same as Victoriana stuff. | 0:16:21 | 0:16:24 | |
No, no, don't listen to that Paul Laidlaw. | 0:16:24 | 0:16:27 | |
Aye, you cheeky young scamp. | 0:16:27 | 0:16:29 | |
It's not shouting out at me saying, "Buy me." | 0:16:29 | 0:16:32 | |
Now, come on, Reds. | 0:16:32 | 0:16:34 | |
I think you've lost your early vigour. | 0:16:34 | 0:16:36 | |
I will admit there's nothing hugely enthralling. | 0:16:36 | 0:16:39 | |
No. | 0:16:39 | 0:16:40 | |
Blues have an answer for that. | 0:16:40 | 0:16:42 | |
They're heading indoors. | 0:16:42 | 0:16:44 | |
It's where the high class, high risk gear is. | 0:16:44 | 0:16:49 | |
We've got to stay focused and determined. | 0:16:49 | 0:16:51 | |
And, you never know, something completely bonkers | 0:16:51 | 0:16:54 | |
might catch our eye. | 0:16:54 | 0:16:56 | |
I like the look of this. | 0:16:56 | 0:16:57 | |
I don't know what it is, but it's pretty and it's silver. | 0:16:57 | 0:17:00 | |
It is a silver handle for a cane, for a walking cane or stick. | 0:17:00 | 0:17:03 | |
-Oh, OK. -So, it's designed to sit in your hand. | 0:17:03 | 0:17:07 | |
-It's got a nice clear hallmarks on the side. -Very pretty. | 0:17:07 | 0:17:10 | |
Come on, dazzle us with your knowledge. | 0:17:10 | 0:17:12 | |
-Where were the marks from? -Well, you've got the lion passant. | 0:17:12 | 0:17:15 | |
The lion's on all four. | 0:17:15 | 0:17:16 | |
That means it's English silver, of sterling quality. | 0:17:16 | 0:17:19 | |
So, it's 975 purity. | 0:17:19 | 0:17:22 | |
If you've got a lion sitting on his back, he'll be a Scottish chap. | 0:17:22 | 0:17:26 | |
This is an English one. Then you've got the leopard's head | 0:17:26 | 0:17:29 | |
in the middle. That means it was assayed in London, | 0:17:29 | 0:17:31 | |
early 20th century to the late 19th century. | 0:17:31 | 0:17:34 | |
-OK. -And what you've got is a very nice, chased design. | 0:17:34 | 0:17:38 | |
There is a huge amount of people who collect canes. | 0:17:38 | 0:17:42 | |
And also people find a nice cane, but they haven't got a nice top. | 0:17:42 | 0:17:45 | |
Ah, I was just going to say, would this be a collectors item in its own | 0:17:45 | 0:17:48 | |
-right, or would it be collected and used? -There are some people who | 0:17:48 | 0:17:51 | |
collect them. I mean, they are... | 0:17:51 | 0:17:53 | |
The one thing I find, when you look at a piece like this, | 0:17:53 | 0:17:55 | |
there's a lot of workmanship goes into this | 0:17:55 | 0:17:58 | |
-and the ticket price is only £18. -I was thinking it seems reasonable | 0:17:58 | 0:18:01 | |
without haggling. We have to haggle though. | 0:18:01 | 0:18:05 | |
You've got to go down a little bit. I must admit, you know, | 0:18:05 | 0:18:08 | |
at a price like this, if I was selling it, | 0:18:08 | 0:18:10 | |
I wouldn't be selling it down to a tenner, because it is so reasonably | 0:18:10 | 0:18:13 | |
priced already. So, why don't you ask... | 0:18:13 | 0:18:17 | |
-Here, Paige, your turn. -I think it's very pretty | 0:18:17 | 0:18:19 | |
and I'd like to ask £15. What do you think? | 0:18:19 | 0:18:21 | |
I think that's very fair and very reasonable. | 0:18:21 | 0:18:23 | |
Do you think £15, sir? Would you take £15 from us? | 0:18:23 | 0:18:26 | |
Yes. | 0:18:26 | 0:18:27 | |
-Thank you. It's very pretty. -Great, thank you very much, sir. | 0:18:27 | 0:18:30 | |
-Cheers. -Loving your work, team. | 0:18:30 | 0:18:33 | |
Upping the pace and grabbing your second buy with 15 minutes to go. | 0:18:33 | 0:18:37 | |
So, it's even-stevens as the Blues drop down a gear. | 0:18:37 | 0:18:42 | |
So, time is going to run away from us if we carry on kind of ambling. | 0:18:42 | 0:18:46 | |
Good heavens! | 0:18:51 | 0:18:53 | |
Let's leave the Blues meandering and see if we can pick up the pace with | 0:18:53 | 0:18:56 | |
-the Reds. -I'm going to go and have a look at those, | 0:18:56 | 0:18:58 | |
there's some cabinets over there and stuff. | 0:18:58 | 0:19:00 | |
-Do you want a quick look? -Quickly? -Yeah, let's do it. -Quickly? | 0:19:00 | 0:19:03 | |
-Right. -We've got to be quick, because we've only got 12 minutes. | 0:19:03 | 0:19:06 | |
Yeah, that's right, Ben. | 0:19:06 | 0:19:08 | |
Now, the Blues have spotted some Victorian bling. | 0:19:08 | 0:19:11 | |
It's quite flashy. £130. | 0:19:13 | 0:19:15 | |
It's a lovely card case made of mother-of-pearl. | 0:19:16 | 0:19:19 | |
OK, thank you very much. | 0:19:19 | 0:19:21 | |
Time is running out. | 0:19:23 | 0:19:24 | |
Let's have a look. OK. | 0:19:24 | 0:19:26 | |
So, gents, have a peer, have a feel. | 0:19:26 | 0:19:28 | |
Very tactile objects and made for the inside breast pocket. | 0:19:28 | 0:19:33 | |
And they're made to be pulled out, | 0:19:33 | 0:19:35 | |
so they would have been touched a lot. | 0:19:35 | 0:19:37 | |
Is your index finger a wee bit sore? | 0:19:37 | 0:19:39 | |
Look, it's left a little dot on your finger, because it wouldn't normally | 0:19:39 | 0:19:42 | |
have left that. Because it would have a nice, wee, | 0:19:42 | 0:19:45 | |
round, soft button on it. So, it's a little bit damaged. | 0:19:45 | 0:19:48 | |
We can see there is some damage there. | 0:19:48 | 0:19:50 | |
No hallmark on the silver, | 0:19:50 | 0:19:51 | |
but we can quite confidently say it's silver. | 0:19:51 | 0:19:54 | |
You wouldn't bother overlaying silver plate onto mother-of-pearl. | 0:19:54 | 0:19:58 | |
It's got its original lining and the hinge works quite nicely. | 0:19:58 | 0:20:02 | |
How do you feel about card cases as functional items in today's society? | 0:20:02 | 0:20:06 | |
Probably not a huge demand for them. | 0:20:06 | 0:20:08 | |
Perhaps, to a collector, it is a piece that might appeal. | 0:20:08 | 0:20:11 | |
It's decorative, seems to be well made. | 0:20:11 | 0:20:13 | |
The thing we really need to talk about is the price. | 0:20:13 | 0:20:16 | |
I can't go below 100. | 0:20:16 | 0:20:18 | |
Not even down to about...90, 95? | 0:20:19 | 0:20:22 | |
No. | 0:20:22 | 0:20:24 | |
With time so tight, the Blues might be forced to pay top dollar. | 0:20:24 | 0:20:29 | |
While they negotiate, how are the Reds getting on? | 0:20:29 | 0:20:32 | |
I quite like both of those. | 0:20:32 | 0:20:34 | |
Either of those look interesting? | 0:20:34 | 0:20:37 | |
The bottom bowl is really quite simple. | 0:20:37 | 0:20:40 | |
It's not going to catch the eye a lot. | 0:20:40 | 0:20:43 | |
The top... Can't even tell whether it is silver. | 0:20:43 | 0:20:46 | |
It doesn't look like it is, but let's get it out | 0:20:46 | 0:20:49 | |
-and have a little look. -It's an interesting piece. | 0:20:49 | 0:20:53 | |
It is nice, it's marked at 45. | 0:20:53 | 0:20:55 | |
It's not my cup of tea, really. | 0:20:55 | 0:20:57 | |
I think it might not be mine, initially, | 0:20:57 | 0:20:59 | |
but, actually, I think it's quite interesting. | 0:20:59 | 0:21:01 | |
There we go, we have got a hallmark on the side. | 0:21:01 | 0:21:03 | |
So, it is silver, even though it's very tarnished. | 0:21:03 | 0:21:06 | |
-London, probably around 1890. -Oh. | 0:21:06 | 0:21:10 | |
And, actually, what's nice | 0:21:10 | 0:21:13 | |
is it's in good condition. | 0:21:13 | 0:21:14 | |
-Very often... -I was going to say, it looks too new. | 0:21:14 | 0:21:16 | |
Well, yeah, very often in polishing, people get overzealous and they can | 0:21:16 | 0:21:20 | |
wear away, particularly in a decoration, it can wear too thin. | 0:21:20 | 0:21:23 | |
I would not have thought that was that old at all. | 0:21:23 | 0:21:25 | |
-Well, it is. -I'm shocked. -It's old and interesting. | 0:21:25 | 0:21:28 | |
-It's old, it's interesting... -Like us. | 0:21:28 | 0:21:31 | |
You are not old. | 0:21:31 | 0:21:33 | |
But it's... No, it's in lovely condition. | 0:21:33 | 0:21:36 | |
I really like this piece. | 0:21:36 | 0:21:38 | |
So, you reckon it's between this and the lights, really, isn't it? | 0:21:38 | 0:21:41 | |
We're going to need to buy this now or... | 0:21:41 | 0:21:42 | |
Shall I just leave it in your hands | 0:21:42 | 0:21:44 | |
-and I'll go across and ask the dealer. -If we think this is... | 0:21:44 | 0:21:48 | |
You know. I don't know. I wouldn't buy it. | 0:21:48 | 0:21:50 | |
-Leave it to Ben, see what he comes back with. -We've got a bit of | 0:21:50 | 0:21:53 | |
good news. She's done more. I was expecting at a price like this, | 0:21:53 | 0:21:56 | |
for a silver bowl it would be £40. She said 35. | 0:21:56 | 0:21:58 | |
-35. -So, that's a tenner off. | 0:21:58 | 0:22:01 | |
So, we think there's a bit of profit in there, auction-wise? | 0:22:01 | 0:22:04 | |
Yeah, yeah, certainly. I'd have thought at auction it should have a | 0:22:04 | 0:22:07 | |
-£50 to £80 estimate. Should do. -Right. Let's do it. | 0:22:07 | 0:22:11 | |
Third item. | 0:22:11 | 0:22:13 | |
Three items down. We've done it. | 0:22:13 | 0:22:15 | |
Right, cup of tea time. | 0:22:15 | 0:22:17 | |
-Cup of tea time. -Nicely done, Reds. | 0:22:17 | 0:22:19 | |
And with time to spare for a brew. | 0:22:19 | 0:22:22 | |
We are in the dying minutes now and the Blues are still trying to get | 0:22:22 | 0:22:25 | |
a deal on the final item. | 0:22:25 | 0:22:27 | |
And there's no way we could get the card case in two figures? | 0:22:27 | 0:22:29 | |
-Definitely not. -Definitely not? -Definitely not. | 0:22:29 | 0:22:32 | |
-It's got to be 100. -95. 95 and we'll take it. -No. | 0:22:32 | 0:22:36 | |
OK. OK. | 0:22:36 | 0:22:39 | |
OK, this is your splash of the cash, this is your expensive item. | 0:22:39 | 0:22:42 | |
This is the splash of the cash. | 0:22:42 | 0:22:44 | |
-Let's do it. -OK, go for it then. | 0:22:44 | 0:22:46 | |
Thank you very much. | 0:22:46 | 0:22:48 | |
Sacre bleu! That was close, because... | 0:22:48 | 0:22:52 | |
time's up. | 0:22:52 | 0:22:53 | |
Terrifying. | 0:22:55 | 0:22:57 | |
Let's reflect on what the Red team bought. | 0:22:57 | 0:22:59 | |
Quick as a shot, | 0:23:00 | 0:23:02 | |
they picked up the leg of mutton gun case for 15 squiddlydids. | 0:23:02 | 0:23:05 | |
Sorry, pounds. | 0:23:05 | 0:23:07 | |
The silver cane finial appealed to Paige, | 0:23:08 | 0:23:10 | |
who was happy to pay £15 for it. | 0:23:10 | 0:23:13 | |
And to finish, they walked away with the late Victorian silver sugar bowl | 0:23:15 | 0:23:19 | |
for £35. | 0:23:19 | 0:23:20 | |
Paige, Adrian, that seemed a leisurely affair. | 0:23:22 | 0:23:25 | |
-It was good. -We're pretty calm, aren't we? | 0:23:25 | 0:23:27 | |
It seems it. | 0:23:27 | 0:23:29 | |
So, tell me, what was your favourite lot, Paige? | 0:23:29 | 0:23:31 | |
I like the small silver pot. | 0:23:31 | 0:23:33 | |
I really like the decoration on it | 0:23:33 | 0:23:35 | |
and the fact that it was solid silver. | 0:23:35 | 0:23:38 | |
Works for me. Is it going to be most profitable, though? | 0:23:38 | 0:23:41 | |
I think so. | 0:23:41 | 0:23:43 | |
Do we have a consensus, Adrian? | 0:23:43 | 0:23:45 | |
-Favourite lot? -My favourite lot is the gun case, definitely, | 0:23:45 | 0:23:48 | |
from a personal point of view. But I think Paige's probably right, | 0:23:48 | 0:23:51 | |
I think the most profit - probably going to be | 0:23:51 | 0:23:53 | |
-in the little silver pot. -We're of one mind. -Did you hear that? | 0:23:53 | 0:23:56 | |
Feel good? | 0:23:56 | 0:23:58 | |
Savour it. Now, what did you spend in all? | 0:23:58 | 0:24:01 | |
£100. | 0:24:01 | 0:24:02 | |
£100? | 0:24:02 | 0:24:04 | |
Frugal. What we suggested. | 0:24:04 | 0:24:06 | |
It's more than I was expecting. | 0:24:06 | 0:24:08 | |
-Someone owes me £200. -You got it? -No. | 0:24:08 | 0:24:12 | |
No-one goes until I get my money. | 0:24:12 | 0:24:14 | |
-It must be me. -Thank you very much, Paige. | 0:24:14 | 0:24:17 | |
Not holding it for long. Ben, seen anything on your travels? | 0:24:17 | 0:24:21 | |
I've seen a few things. | 0:24:21 | 0:24:22 | |
And it's nice to have a decent dollar to spend. | 0:24:22 | 0:24:25 | |
So, we'll see what we can do. | 0:24:25 | 0:24:26 | |
Meanwhile, let's go see what the Blues have bought. | 0:24:26 | 0:24:29 | |
After much deliberation, | 0:24:31 | 0:24:33 | |
they brought the decorative glass vase for £10. | 0:24:33 | 0:24:35 | |
Next, they paid £60 for the Victorian walnut music stand. | 0:24:38 | 0:24:42 | |
Lastly, they picked up the mother-of-pearl | 0:24:45 | 0:24:47 | |
and white metal card case for £100. | 0:24:47 | 0:24:49 | |
-Paul, Edward, what happened at the end? -We ran out of time! | 0:24:51 | 0:24:55 | |
-Had to make a snap decision. -Panic set in, I'm afraid. | 0:24:58 | 0:25:00 | |
So, tell me, what's your favourite purchase? | 0:25:00 | 0:25:03 | |
Is it the obvious one? | 0:25:03 | 0:25:04 | |
No, my favourite purchase is the one at the end, the card case. | 0:25:04 | 0:25:08 | |
-Because it's beautiful, it's lovely. -Is there profit in it? | 0:25:08 | 0:25:11 | |
-Is that the one? -No. | 0:25:11 | 0:25:14 | |
Well, we'll see. But I don't think so, I don't reckon so. | 0:25:14 | 0:25:17 | |
-But it is lovely. -OK. Edward, do you agree? | 0:25:17 | 0:25:19 | |
What's your favourite lot first? | 0:25:19 | 0:25:20 | |
I think my favourite one would definitely be the book stand. | 0:25:20 | 0:25:23 | |
It's more my kind of thing. I think as an object as well, | 0:25:23 | 0:25:26 | |
-it's really nice. -Could it be the most profitable? | 0:25:26 | 0:25:28 | |
I think possibly the vase, actually. | 0:25:28 | 0:25:31 | |
-Right. -I think that might do it for us. | 0:25:31 | 0:25:33 | |
It was a very good deal on the vase. | 0:25:33 | 0:25:34 | |
What did it all add up to, price-wise? | 0:25:34 | 0:25:36 | |
170. | 0:25:36 | 0:25:37 | |
£170. | 0:25:37 | 0:25:39 | |
So, who's got £130 change? | 0:25:39 | 0:25:41 | |
-I have here. There we are. -Thank you very much. | 0:25:41 | 0:25:44 | |
Natasha Raskin, are you going to be good with this? | 0:25:44 | 0:25:48 | |
Listen, I'm going to try and find something. | 0:25:48 | 0:25:50 | |
I don't know, a little less... | 0:25:50 | 0:25:52 | |
stressful. Plain sailing, I think, for the bonus buy. | 0:25:52 | 0:25:55 | |
Right. | 0:25:55 | 0:25:57 | |
And relax. | 0:25:57 | 0:25:59 | |
So, whilst Natasha does the business for her team, | 0:26:02 | 0:26:05 | |
let's cross over to the saleroom. | 0:26:05 | 0:26:07 | |
Well, we have headed west from nought to Derbyshire | 0:26:07 | 0:26:11 | |
at Hansons Auctioneers with Charles himself. | 0:26:11 | 0:26:13 | |
-How are you, Charles? -Hello, Paul. Very -well, thanks. Good to see you. | 0:26:13 | 0:26:16 | |
-You, too. -What think you of this offering? | 0:26:16 | 0:26:19 | |
For the Reds, we kick off with this leg of mutton gun case. | 0:26:19 | 0:26:22 | |
-What do you think of that, is that your thing? -Yeah, I think, Paul, | 0:26:22 | 0:26:25 | |
the team have brought something which really does fly | 0:26:25 | 0:26:28 | |
in Derbyshire. Anything which is sporting related. | 0:26:28 | 0:26:31 | |
This is patinated, glowing and my guide is between 40 and £60. | 0:26:31 | 0:26:36 | |
Well, that sounds healthy enough. The team paid £50. | 0:26:36 | 0:26:40 | |
-Good start. -But we go from there to the piece of silver. | 0:26:40 | 0:26:43 | |
I believe it's off of a walking stick, | 0:26:43 | 0:26:45 | |
what you might call a finial or the pommel, palm end. | 0:26:45 | 0:26:48 | |
And it's really not overly popular in the market. | 0:26:48 | 0:26:53 | |
It's London, in 1913, it's nicely chased. | 0:26:53 | 0:26:57 | |
So, in terms of value, Paul, | 0:26:57 | 0:26:59 | |
I've been quite hard to say between 10 and £20. | 0:26:59 | 0:27:03 | |
Safe to say, £15 was paid. So, we are out of the danger zone. | 0:27:03 | 0:27:07 | |
-It sounds fair enough. -Good, good. | 0:27:07 | 0:27:09 | |
So, from a piece of something to, in its entirety, | 0:27:09 | 0:27:12 | |
rather a pleasing little sugar bowl. | 0:27:12 | 0:27:15 | |
Paul, that's better because it has this market of fresh appeal. | 0:27:15 | 0:27:18 | |
What I like about this is it dark. | 0:27:18 | 0:27:19 | |
It hasn't been cleaned | 0:27:19 | 0:27:21 | |
and you can just be the depth of detail jump out at you | 0:27:21 | 0:27:25 | |
in that recousse embossed work. | 0:27:25 | 0:27:27 | |
This is London 1893, very, very stylish. | 0:27:27 | 0:27:31 | |
I hope it might make between 30 and £50. | 0:27:31 | 0:27:34 | |
Well, yet again, we seem to be in safe territory. | 0:27:34 | 0:27:38 | |
£35 paid. | 0:27:38 | 0:27:39 | |
They may not need a bonus buy. | 0:27:39 | 0:27:41 | |
But, in case they do, let's go and see what they've got. | 0:27:41 | 0:27:44 | |
Paige, Adrian, you spent a conservative £100, | 0:27:46 | 0:27:49 | |
leaving Ben a considerable 200 to invest. | 0:27:49 | 0:27:52 | |
Show us what you bought. | 0:27:52 | 0:27:54 | |
The lights. | 0:27:56 | 0:27:58 | |
Oh! | 0:27:58 | 0:27:59 | |
I don't know how you managed that. | 0:28:00 | 0:28:02 | |
75, I spent on the two. | 0:28:03 | 0:28:06 | |
-Right. -Oh, good. | 0:28:06 | 0:28:07 | |
Did we say these weren't the proper antique ones? | 0:28:08 | 0:28:11 | |
Yeah, they're not old, no. | 0:28:11 | 0:28:13 | |
They're the look. They're modern copies. | 0:28:13 | 0:28:15 | |
The shades are plastic, as opposed to the original glass holophane. | 0:28:15 | 0:28:18 | |
But they've got the look, they've got the real | 0:28:18 | 0:28:20 | |
sort of industrial feel, which is really popular at the moment. | 0:28:20 | 0:28:23 | |
I like the look of them. I think they'd look great | 0:28:23 | 0:28:26 | |
dangling from a long lead and from a high ceiling. | 0:28:26 | 0:28:29 | |
We're chuffed. | 0:28:29 | 0:28:32 | |
They should get up to the hundred-ish. | 0:28:32 | 0:28:34 | |
Right. Because I think 40 quid a pop for those is... | 0:28:34 | 0:28:36 | |
If you were buying them new, they would probably be in the region of | 0:28:36 | 0:28:40 | |
-£200, £300 each. -Yeah, I would've thought so. | 0:28:40 | 0:28:42 | |
That's the kind of money for lighting. | 0:28:42 | 0:28:43 | |
-Brilliant. -Excellent. -Happy with that. | 0:28:43 | 0:28:46 | |
-Yeah, really pleased. -Thumbs up all round then, is it not? | 0:28:46 | 0:28:48 | |
You don't have to decide now. We know you like them. | 0:28:48 | 0:28:51 | |
You don't have to decide whether you're going to run with this bonus | 0:28:51 | 0:28:54 | |
buy until after the sale of your lot. But in the meantime, | 0:28:54 | 0:28:56 | |
let's go see if the auctioneer thinks our lamps | 0:28:56 | 0:28:58 | |
are going to shine on sale day. | 0:28:58 | 0:29:00 | |
Well, prominently displayed, | 0:29:02 | 0:29:04 | |
Ben's purchase of two bang on trend industrial looking ceiling lights. | 0:29:04 | 0:29:09 | |
-Do you rate them? -They are bang on trend. | 0:29:09 | 0:29:12 | |
But are they true to their period, are they 1960s or '70s? | 0:29:12 | 0:29:16 | |
Have they got a hint of age? | 0:29:16 | 0:29:17 | |
No. But, Paul, they're lumpy, | 0:29:17 | 0:29:20 | |
they're decorative and if we get the interior decorator here who's not so | 0:29:20 | 0:29:24 | |
driven by a bit of age, they might just move. | 0:29:24 | 0:29:28 | |
It's all style and no... | 0:29:28 | 0:29:30 | |
profit? | 0:29:30 | 0:29:32 | |
I mean, Paul, I think they'll do well. | 0:29:32 | 0:29:35 | |
I really hope they make about £30. | 0:29:35 | 0:29:37 | |
-The pair? -Yes, are you happy with that? | 0:29:37 | 0:29:39 | |
Poor old Ben, he staked £75 on that. | 0:29:39 | 0:29:42 | |
-£75. -Oh, crikey. -But I reckon if anybody's going to get them | 0:29:42 | 0:29:45 | |
-in the room, it's going to be you. -Paul, I'll try. | 0:29:45 | 0:29:47 | |
Fingers crossed. Well, that was the Reds. | 0:29:47 | 0:29:50 | |
The Blues, there's a varied offering. | 0:29:50 | 0:29:52 | |
We kick off with that exclamation mark of a vase. | 0:29:52 | 0:29:55 | |
-Do you like it? -That looks to be... What would you say? Late '70s? | 0:29:55 | 0:29:58 | |
That's exactly where I'd put it. | 0:29:58 | 0:30:00 | |
Late '70s. And I think it's got a certain look about it. | 0:30:00 | 0:30:04 | |
I get that. And we see, | 0:30:04 | 0:30:06 | |
that is orange encasing a milk glass. That almost gives it a self | 0:30:06 | 0:30:11 | |
-illuminating feel. -It's got depth in that colour, if not just one colour, | 0:30:11 | 0:30:15 | |
you're quite right. It ought to make £20. | 0:30:15 | 0:30:18 | |
The Blues will be very happy, doubling their money. | 0:30:18 | 0:30:20 | |
-Oh, wow. -And knowing that you're a cautious auctioneer... | 0:30:20 | 0:30:23 | |
-I am. -..maybe they'll do better than that? | 0:30:23 | 0:30:25 | |
-Crossed fingers. -We're off to a great start, we're flying. | 0:30:25 | 0:30:27 | |
-Good. -From the 1970s to, I guess, 100 years earlier, | 0:30:27 | 0:30:31 | |
our walnut music stand. | 0:30:31 | 0:30:34 | |
What do you make of that? | 0:30:34 | 0:30:36 | |
It's very aesthetic. | 0:30:36 | 0:30:37 | |
It's very... | 0:30:37 | 0:30:39 | |
of that period, 1880s. | 0:30:39 | 0:30:42 | |
Having looked at the reverse and one can see it has come off | 0:30:42 | 0:30:46 | |
-that old style piano. -Would that be a bad thing? | 0:30:46 | 0:30:50 | |
-Not really, Paul. -Given the piano would perhaps be | 0:30:50 | 0:30:54 | |
-more difficult to sell than the stand. -Correct, correct. | 0:30:54 | 0:30:57 | |
My top estimate is £30. | 0:30:57 | 0:30:59 | |
-Bottom, 20. -Half of what the Blues paid. | 0:30:59 | 0:31:01 | |
Oh, no. They paid £60 for it? | 0:31:01 | 0:31:03 | |
They did indeed. But it will be the only one in the sale. | 0:31:03 | 0:31:06 | |
-Exactly. -And if you want it, | 0:31:06 | 0:31:07 | |
you better by this one, because you'll not get another chance. | 0:31:07 | 0:31:10 | |
-Exactly, Paul. -The next one's got a great big | 0:31:10 | 0:31:12 | |
-unsalable piano bolted to it. -Exactly. | 0:31:12 | 0:31:15 | |
Take it away, please. Take it away. | 0:31:15 | 0:31:17 | |
Now, we finish with a lovely little visiting card case. | 0:31:17 | 0:31:20 | |
-Is it a good one? -This is magnificent. | 0:31:20 | 0:31:24 | |
I love the chased, engraved, ornate mother-of-pearl shell case. | 0:31:24 | 0:31:29 | |
It's a really beautiful object and we always say buy quality. | 0:31:29 | 0:31:33 | |
Quality counts, quality matters | 0:31:33 | 0:31:36 | |
and this calling card case is that, Paul. | 0:31:36 | 0:31:39 | |
On a really bad day it shouldn't, but it might, make 50 or £60. | 0:31:39 | 0:31:45 | |
On a really good day with the wind blowing, it might do 125, 130, 135, | 0:31:45 | 0:31:51 | |
if we get a good day. | 0:31:51 | 0:31:53 | |
Well, I hope the weather's right, because we need that wind blowing. | 0:31:53 | 0:31:57 | |
£100 was paid. | 0:31:57 | 0:31:58 | |
Well, on the whole, we may need a bonus buy. | 0:31:58 | 0:32:02 | |
Let's go and take a look at what's been pulled out the hat | 0:32:02 | 0:32:04 | |
in that department. | 0:32:04 | 0:32:06 | |
Edward and Paul, you spent a healthy £170, | 0:32:07 | 0:32:10 | |
leaving Natasha all of the 130 to invest wisely. | 0:32:10 | 0:32:14 | |
What did you do with the 130, Natasha? | 0:32:14 | 0:32:16 | |
Yes, I spent some of it, shall we say. | 0:32:16 | 0:32:19 | |
Some, not all, on this lovely Mappin and Webb candleholder. | 0:32:19 | 0:32:24 | |
Isn't it so cute? | 0:32:24 | 0:32:26 | |
-It is. -It's got a touch of the Wee Willie Winkie about it. | 0:32:26 | 0:32:29 | |
But it's not a wee, downtrodden item. | 0:32:29 | 0:32:32 | |
It's Princess plate, so, good-quality silver plate. | 0:32:32 | 0:32:35 | |
It's a gorgeous thing. And what do you reckon I paid for it? | 0:32:35 | 0:32:38 | |
45? | 0:32:38 | 0:32:41 | |
45? | 0:32:41 | 0:32:42 | |
I managed to work the dealer down to £10 for it. | 0:32:42 | 0:32:46 | |
How good is that? | 0:32:46 | 0:32:48 | |
-Oh, that's brilliant. -Very good. | 0:32:48 | 0:32:51 | |
The asking price was 38 and I thought, "Come on, | 0:32:51 | 0:32:54 | |
"I've got to make a cheeky offer here." So, I did and he said, "OK." | 0:32:54 | 0:32:57 | |
And it was the end of the day. So, luck was on my side. | 0:32:57 | 0:33:01 | |
-Yeah, definitely. -What does Natasha think it's worth under the hammer? | 0:33:01 | 0:33:04 | |
More than £10? | 0:33:04 | 0:33:05 | |
30-£50? 20-40, a bit conservatively. | 0:33:05 | 0:33:08 | |
-But what do you think of it? -It looks nice. | 0:33:08 | 0:33:10 | |
That is timelessly elegant. | 0:33:10 | 0:33:13 | |
You don't have to decide whether you're going with it now, | 0:33:13 | 0:33:16 | |
we'll do that after the sale of your three lots. | 0:33:16 | 0:33:18 | |
But in the meantime, | 0:33:18 | 0:33:20 | |
let's go and see if the auctioneer thinks Natasha's chamber stick will | 0:33:20 | 0:33:24 | |
light up the saleroom or the Blues' hopes will be snuffed out. | 0:33:24 | 0:33:29 | |
Now, are you going to be like Wee Willie Winkie over that | 0:33:29 | 0:33:32 | |
or Ebenezer Scrooge? | 0:33:32 | 0:33:34 | |
Isn't it wonderful, Paul, seeing an object serving its purpose? | 0:33:34 | 0:33:38 | |
Often, we see these chamber sticks lacking its snuffer. | 0:33:38 | 0:33:41 | |
It's a charming object. | 0:33:41 | 0:33:43 | |
Mappin and Webb. And that looks a million dollars. | 0:33:43 | 0:33:45 | |
It looks desirable. | 0:33:45 | 0:33:47 | |
Tell me the numbers, what's that going to make? | 0:33:47 | 0:33:49 | |
I hope it will make £20 to 30. | 0:33:49 | 0:33:51 | |
Well, I hope you're right and I'm sure you are. | 0:33:51 | 0:33:54 | |
Natasha cleverly paid £10 for that. | 0:33:54 | 0:33:56 | |
Surely, how could she go wrong? | 0:33:56 | 0:33:58 | |
-Exactly, Paul. -She saw the light. | 0:33:58 | 0:34:00 | |
Yeah, she did. May I, Paul, do the honours for you? | 0:34:00 | 0:34:02 | |
Because it's great to use an original snuffer | 0:34:02 | 0:34:05 | |
with a chamber stick. There we go. | 0:34:05 | 0:34:08 | |
You're the man, Charles. Good luck to you. | 0:34:08 | 0:34:10 | |
Thanks, Paul. | 0:34:10 | 0:34:11 | |
£50 for the gold earrings! | 0:34:13 | 0:34:16 | |
Paige, Adrian, how's it going? | 0:34:16 | 0:34:19 | |
-It's good, it's good. -Cool as cucumbers or nervous wrecks? | 0:34:19 | 0:34:22 | |
A little bit of nervous excitement. | 0:34:22 | 0:34:23 | |
You can feel the excitement in the room. | 0:34:23 | 0:34:26 | |
The first lot up is that leg of mutton gun case. | 0:34:26 | 0:34:28 | |
-Here it comes now. -A really nice item here. | 0:34:28 | 0:34:30 | |
Bid here £20. Do I see five now? | 0:34:30 | 0:34:34 | |
Surely, five. Five, ma'am. | 0:34:34 | 0:34:35 | |
30. Five. Are you bidding? 35. | 0:34:35 | 0:34:38 | |
40's my commission... | 0:34:38 | 0:34:39 | |
-Five. -45. | 0:34:39 | 0:34:41 | |
I'm out. At £45 bid... | 0:34:41 | 0:34:43 | |
-Oh, it's close, come on. -At 45 to a lady. | 0:34:43 | 0:34:46 | |
Bid 50. | 0:34:46 | 0:34:47 | |
Come on! | 0:34:47 | 0:34:50 | |
She says no, I say yes. | 0:34:50 | 0:34:51 | |
Come on. | 0:34:51 | 0:34:53 | |
45 to a lady, we are going, going at £45. | 0:34:53 | 0:34:58 | |
Well done. It's yours. | 0:34:58 | 0:35:00 | |
You could smell that profit, it was that close. | 0:35:00 | 0:35:03 | |
If we could have got it for a fiver less. | 0:35:03 | 0:35:05 | |
A £5 loss. Here comes your best silver. | 0:35:05 | 0:35:07 | |
A cane handle off a cane. | 0:35:07 | 0:35:09 | |
George V. I'm only bid £8, I'm asking 10 now. | 0:35:09 | 0:35:12 | |
8 I'm bid. Got to go. | 0:35:12 | 0:35:14 | |
Bid 10. The silver's worth that. | 0:35:14 | 0:35:15 | |
8 I'm bid. Surely a tenner. | 0:35:15 | 0:35:17 | |
Come on, you can buy a mystery gift for someone. | 0:35:17 | 0:35:20 | |
10, 12, 15, sir. | 0:35:20 | 0:35:22 | |
15. Surely 18? | 0:35:22 | 0:35:25 | |
15 to a gentleman. | 0:35:25 | 0:35:27 | |
All done? Fair warning. | 0:35:27 | 0:35:29 | |
I shall sell to you, sir. | 0:35:29 | 0:35:31 | |
-It's yours. -Well, hey, no shame in that. | 0:35:31 | 0:35:35 | |
That's fair enough. In Bargain Hunt world, this doesn't look bad. | 0:35:35 | 0:35:38 | |
Now, lastly, it's your favourite, the silver bowl. Here it goes. | 0:35:38 | 0:35:41 | |
Beautiful bowl, it's very fresh from the market, it hasn't been cleaned. | 0:35:41 | 0:35:45 | |
1893, it's a cracker. | 0:35:45 | 0:35:47 | |
28, 32. | 0:35:47 | 0:35:49 | |
I'll take 2. Who wants that? | 0:35:49 | 0:35:51 | |
All done? I'll sell it on commission. Bid me 2. | 0:35:51 | 0:35:54 | |
Fair warning, selling. | 0:35:54 | 0:35:57 | |
-That's it. -Couldn't have tried any harder. | 0:35:57 | 0:36:00 | |
Look, another £5 loss. Do you know what? | 0:36:00 | 0:36:03 | |
That's the £10 loss, which is going to be disappointing, | 0:36:03 | 0:36:06 | |
but in Bargain Hunt world, that's no disaster. £10 loss. | 0:36:06 | 0:36:10 | |
-But the big question... -It's not a weekend away. | 0:36:10 | 0:36:12 | |
You're certainly not getting a weekend away | 0:36:12 | 0:36:15 | |
without gambling on the bonus buy. What are you going to do? | 0:36:15 | 0:36:17 | |
-We're definitely going for it. -Go for it, yeah. | 0:36:17 | 0:36:20 | |
Definitely. Ben's going to bail us out. | 0:36:20 | 0:36:22 | |
-No pressure, Ben. -I might just take my coat now and go. | 0:36:22 | 0:36:26 | |
A very, very nice pair of modern, industrial style | 0:36:26 | 0:36:30 | |
ceiling hanging lights fitting. They've got that retro look, | 0:36:30 | 0:36:35 | |
haven't they? There we are. Very nice. | 0:36:35 | 0:36:38 | |
Do I see £10 for these? | 0:36:38 | 0:36:40 | |
They are very, very striking. They are a pair as well. | 0:36:40 | 0:36:44 | |
Come on. You're bidding 10 there, I'm asking 12 now. | 0:36:44 | 0:36:46 | |
They are wonderful value. | 0:36:46 | 0:36:48 | |
Come on, let's roll on. | 0:36:48 | 0:36:50 | |
Surely £12. | 0:36:50 | 0:36:52 | |
Come on. Fair warning, I shall sell. | 0:36:52 | 0:36:54 | |
For the first time, 12, 15. | 0:36:54 | 0:36:57 | |
Are you sure, sir? They're out. | 0:36:57 | 0:37:01 | |
18 online, come again. | 0:37:01 | 0:37:02 | |
Don't miss it for one bid. | 0:37:02 | 0:37:04 | |
-That's my dad online. -Three times, selling at £15. | 0:37:04 | 0:37:09 | |
Going, going... | 0:37:09 | 0:37:11 | |
Dear me, I am so sorry. | 0:37:11 | 0:37:14 | |
That's a loss of £60. | 0:37:16 | 0:37:19 | |
We'll forgive you. | 0:37:21 | 0:37:22 | |
How are you feeling, guys? | 0:37:29 | 0:37:31 | |
-This is it. -Apprehensive, yeah. | 0:37:31 | 0:37:34 | |
-Yeah? -We are. -Do you think you should be apprehensive? | 0:37:34 | 0:37:37 | |
-Is there anything to be nervous about? -The card case, I think. | 0:37:37 | 0:37:41 | |
-Your big spend? -It was a big spend, yeah. | 0:37:41 | 0:37:43 | |
Here's your first lot. It's the orange vase. | 0:37:43 | 0:37:46 | |
A really striking vase of the late 1970s, we believe. | 0:37:46 | 0:37:51 | |
Bid me 8 now. A fiver, 8 online. | 0:37:51 | 0:37:53 | |
10 bid, bid 12 now. | 0:37:53 | 0:37:55 | |
Give us a profit, give us a little profit. | 0:37:55 | 0:37:57 | |
It really is dazzling. | 0:37:57 | 0:38:00 | |
At £12. Bid 15 now, come on. | 0:38:00 | 0:38:02 | |
Bid 15. You're out in the room, fair warning. | 0:38:02 | 0:38:06 | |
We're live online. | 0:38:06 | 0:38:07 | |
I shall sell it. Bid £15. | 0:38:07 | 0:38:08 | |
At £12 today. Sold. | 0:38:08 | 0:38:13 | |
That's a 20% profit. | 0:38:13 | 0:38:16 | |
Look at it that way. OK, now, up comes your stand. | 0:38:16 | 0:38:19 | |
This is a Victorian walnut music stand. | 0:38:19 | 0:38:23 | |
I'm only bid £12. | 0:38:23 | 0:38:25 | |
I'm asking 15 now. | 0:38:25 | 0:38:27 | |
It's a gorgeous object to enjoy. | 0:38:27 | 0:38:29 | |
Come on. 12, 15, 18, 20 online. | 0:38:29 | 0:38:32 | |
I'm asking 2 now. | 0:38:32 | 0:38:34 | |
At 29 bid, do I see 2? | 0:38:34 | 0:38:35 | |
Just look at the object, just look at it and believe. | 0:38:35 | 0:38:38 | |
At 29 bid, 2 I'm bid. | 0:38:38 | 0:38:40 | |
I'm asking 5 now, look at it for the first time. | 0:38:40 | 0:38:42 | |
At £22, surely a fiver? | 0:38:42 | 0:38:44 | |
Bid, thank you, ma'am. At £25. | 0:38:44 | 0:38:46 | |
Bid 8. Bid 8 online. | 0:38:46 | 0:38:48 | |
It's a really nice object. | 0:38:48 | 0:38:50 | |
I shall sell it. | 0:38:50 | 0:38:51 | |
I'm asking 8 online. | 0:38:51 | 0:38:53 | |
28, yes or no? | 0:38:53 | 0:38:55 | |
Quickly. 25 in the room. | 0:38:55 | 0:38:57 | |
Going. | 0:38:57 | 0:38:59 | |
Going. It's yours, ma'am. | 0:38:59 | 0:39:01 | |
£25. | 0:39:01 | 0:39:02 | |
That's a £35 loss. | 0:39:02 | 0:39:05 | |
So, overall, we are at a loss of 33 after the first two lots. | 0:39:05 | 0:39:08 | |
All hopes on this card case. | 0:39:08 | 0:39:11 | |
Paid £100. Estimate is 50 to 130. | 0:39:11 | 0:39:13 | |
-Oh, that's an odd testament. -It's low and wide. | 0:39:13 | 0:39:16 | |
-It is vague. -Circa 1890, | 0:39:16 | 0:39:18 | |
you could place your credit or debit card in there as well. | 0:39:18 | 0:39:21 | |
It has got a modern purpose. | 0:39:21 | 0:39:23 | |
45's my bid. | 0:39:23 | 0:39:24 | |
Do I see 50 now? | 0:39:24 | 0:39:26 | |
45 I'm bid, I'm asking 50. | 0:39:26 | 0:39:28 | |
50, 5. 60 I'm bid. | 0:39:28 | 0:39:30 | |
Do I see 5 now? | 0:39:30 | 0:39:31 | |
60 on commission. Do I see 5 online? | 0:39:31 | 0:39:33 | |
60 I'm bid, do I see 5 now? | 0:39:33 | 0:39:35 | |
It is an absolute cracker, come on. | 0:39:35 | 0:39:37 | |
Look at this. Hello? | 0:39:37 | 0:39:38 | |
Surely. | 0:39:38 | 0:39:40 | |
-The man is on his feet. -At £60. | 0:39:40 | 0:39:44 | |
Make no mistake, we shall sell it at £60. | 0:39:44 | 0:39:47 | |
Going, going. Gone. | 0:39:47 | 0:39:51 | |
OK, £60. | 0:39:51 | 0:39:53 | |
That's a loss of £40 on our card case, | 0:39:53 | 0:39:58 | |
giving an aggregate loss of £73. | 0:39:58 | 0:40:01 | |
Now, what are we going to do? | 0:40:01 | 0:40:03 | |
Are we going to try and recover the situation with the chamber stick or | 0:40:03 | 0:40:06 | |
-are we cutting and running? -We know what we're going to do. | 0:40:06 | 0:40:10 | |
We will certainly go for it. | 0:40:10 | 0:40:11 | |
Try and retain some dignity. | 0:40:11 | 0:40:13 | |
-Claw some back. -It's a chamber stick. | 0:40:13 | 0:40:16 | |
Very, very nice, Mappin and Webb. | 0:40:16 | 0:40:18 | |
Well made. It's complete with its snuffer as well. | 0:40:18 | 0:40:21 | |
Showing for you there, I only bid £12, I'm asking 15. | 0:40:21 | 0:40:24 | |
It really is terrific. | 0:40:24 | 0:40:26 | |
At 12, 15. 20 I'm bid online. | 0:40:26 | 0:40:28 | |
As 20 I'm bid, do I see 2 now? | 0:40:28 | 0:40:31 | |
At 20 bid, surely 2. | 0:40:31 | 0:40:33 | |
Come on. Look at this object, it glistens in our light. | 0:40:33 | 0:40:36 | |
22, hello, there. 22. | 0:40:36 | 0:40:39 | |
5 online, yes or no? | 0:40:39 | 0:40:41 | |
Come on, internet. Click your mouse. | 0:40:41 | 0:40:43 | |
Come on, internet. | 0:40:43 | 0:40:45 | |
At 22, bid 5 online. | 0:40:45 | 0:40:48 | |
Or I sell to a lady, you're out over here. | 0:40:48 | 0:40:51 | |
All out to a lady at £22. | 0:40:51 | 0:40:54 | |
Going, going... | 0:40:54 | 0:40:58 | |
-Thank you. -Well done, Natasha. | 0:40:58 | 0:41:01 | |
A profit of 12, bringing your loss down to £61. | 0:41:01 | 0:41:06 | |
But it could be a winning score. | 0:41:06 | 0:41:08 | |
Keep schtum out there. You'll be quietly confident. | 0:41:08 | 0:41:11 | |
Well, well, well, well, well. | 0:41:17 | 0:41:21 | |
Heads hanging suitably in shame, I hope. | 0:41:22 | 0:41:25 | |
But the fact that I've introduced the prospect | 0:41:25 | 0:41:29 | |
of no great results today, sparked hope where there was none. | 0:41:29 | 0:41:35 | |
Maybe we lost money, but we didn't lose as much as the others? | 0:41:35 | 0:41:39 | |
Well, I shall put you all out of your misery and say that amongst | 0:41:39 | 0:41:43 | |
two teams who each managed to lose money, | 0:41:43 | 0:41:46 | |
sadly, it was the Reds that lost the most. | 0:41:46 | 0:41:49 | |
THEY GROAN | 0:41:49 | 0:41:51 | |
-Good grief! -Wow! | 0:41:51 | 0:41:52 | |
There was nothing in it, all of £9 separate you. | 0:41:52 | 0:41:59 | |
And I shall go further. | 0:41:59 | 0:42:02 | |
If we ignore the bonus buys, | 0:42:02 | 0:42:05 | |
it would have swung the other way and you'd have won. | 0:42:05 | 0:42:07 | |
-What do you think of that? -Oh, sorry! | 0:42:07 | 0:42:10 | |
It's no catastrophe, overall - lost a tenner. | 0:42:13 | 0:42:16 | |
But then you made the mistake of putting your faith | 0:42:16 | 0:42:19 | |
in the bang on trend industrial light | 0:42:19 | 0:42:22 | |
and you blew it all to a sum of £70. | 0:42:22 | 0:42:25 | |
-But did you have fun? -Yes. -We did, yeah. | 0:42:25 | 0:42:28 | |
It's good, isn't it? Well, you played the game | 0:42:28 | 0:42:31 | |
and I like your style. We're not dwelling on the bonus buy. | 0:42:31 | 0:42:34 | |
But the Blues who thought you'd lost it and recovered it, miraculously, | 0:42:36 | 0:42:40 | |
I've got to say. There was light at the end of the tunnel | 0:42:40 | 0:42:43 | |
and it was Natasha with a chamber stick. | 0:42:43 | 0:42:45 | |
Did you enjoy it? Was it good? | 0:42:45 | 0:42:47 | |
-It was great, fantastic. -Yeah, great. -Well, we all had fun. | 0:42:47 | 0:42:50 | |
If you want to learn more about the bargaining experience, | 0:42:50 | 0:42:53 | |
visit the website, follow us on Twitter | 0:42:53 | 0:42:55 | |
And, whatever you do, join us next time, | 0:42:55 | 0:42:58 | |
-for some more Bargain Hunting, yes? ALL: -Yes! | 0:42:58 | 0:43:00 |