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Now, you might be wondering what I'm searching for. | 0:00:06 | 0:00:10 | |
But many centuries ago, Lincoln had its own mint. | 0:00:10 | 0:00:13 | |
So I'm in search of a bit of their old money. | 0:00:13 | 0:00:16 | |
No luck yet! | 0:00:19 | 0:00:21 | |
DETECTOR BUZZES | 0:00:21 | 0:00:23 | |
It's all happening! | 0:00:23 | 0:00:25 | |
Bingo! | 0:00:29 | 0:00:30 | |
Wow! In all my days, | 0:00:30 | 0:00:33 | |
I never thought I'd set my eyes on one of these. | 0:00:33 | 0:00:36 | |
So, it's heavy, it's gold and it's inscribed. | 0:00:36 | 0:00:40 | |
It says here, "Let's go bargain hunting." | 0:00:40 | 0:00:44 | |
So let's do it. Let's go bargain hunting. | 0:00:44 | 0:00:47 | |
Well, our teams will be wanting to make the biggest | 0:01:14 | 0:01:17 | |
profit from the three items they find amongst the stalls. | 0:01:17 | 0:01:20 | |
DETECTOR BUZZES Wahey! But the question is, | 0:01:20 | 0:01:23 | |
will they win one of these? | 0:01:23 | 0:01:25 | |
That would be telling. But here's a taste of what's coming up. | 0:01:25 | 0:01:29 | |
The Reds struggle to contain their excitement... | 0:01:30 | 0:01:33 | |
-Ooh! -Ooh! -Already "ooh". | 0:01:33 | 0:01:36 | |
..the Blues strut their stuff... | 0:01:36 | 0:01:39 | |
# Glorious feeling | 0:01:39 | 0:01:42 | |
# We're in the profit again. # | 0:01:42 | 0:01:44 | |
Everyone tries keeping up at the auction... | 0:01:45 | 0:01:49 | |
-Oh! -Come on. | 0:01:49 | 0:01:51 | |
Get your hands out, come on. Come on. | 0:01:51 | 0:01:54 | |
And who is the man who found time to amass one of the best | 0:01:54 | 0:01:57 | |
collections that I've ever seen? | 0:01:57 | 0:01:59 | |
I'm getting short of words, because quite simply, they're breathtaking. | 0:01:59 | 0:02:04 | |
But, before all that, let's meet our teams. | 0:02:05 | 0:02:08 | |
And our Red team today, we've got friends Judy and Mary, | 0:02:08 | 0:02:12 | |
and our Blues are Mr and Mrs, who are Kathleen and Stephen. | 0:02:12 | 0:02:16 | |
-So, hello! ALL: -Hello! -Hello. Well, Judy, can I start with you? | 0:02:16 | 0:02:20 | |
Because you're not going to be camera-shy today, are you? | 0:02:20 | 0:02:23 | |
Well, I do quite a bit of TV and film extra work, which is great fun. | 0:02:23 | 0:02:27 | |
I've worked on Downton Abbey, right through until the end of the series. | 0:02:27 | 0:02:30 | |
-What else? -I've worked with Tom Cruise, who was really lovely. | 0:02:30 | 0:02:33 | |
-Tom Cruise, no less? -And that was in Edge Of Tomorrow. | 0:02:33 | 0:02:36 | |
-Any gossip from the set? -I can't give you any gossip, | 0:02:36 | 0:02:39 | |
but I can say Tom Cruise is a really nice guy. | 0:02:39 | 0:02:42 | |
I can see you're wearing some very interesting, sort of vintage... | 0:02:42 | 0:02:46 | |
dare I use the word vintage? Jewellery and... | 0:02:46 | 0:02:49 | |
Now, you're into all that? | 0:02:49 | 0:02:51 | |
Yes, we both are, very into this. This is actually how we met. | 0:02:51 | 0:02:55 | |
Judy needed a model for a fashion show, | 0:02:55 | 0:02:58 | |
and I stepped in, and we did a very successful fashion show, didn't we? | 0:02:58 | 0:03:03 | |
And that's lead onto re-enacting, 1930s and 1940s particularly. | 0:03:03 | 0:03:08 | |
And any excuse to dress up and have a lot of fun. | 0:03:08 | 0:03:11 | |
-I'm with you on that one! -Yes. -LAUGHTER. | 0:03:11 | 0:03:13 | |
In every sense! So, Mary, you're also involved with a charity shop? | 0:03:13 | 0:03:17 | |
I work in a local charity bookshop, | 0:03:17 | 0:03:19 | |
which raises money for our local hospice. | 0:03:19 | 0:03:22 | |
It's an open door, and you never know | 0:03:22 | 0:03:23 | |
who's going to come in through it. | 0:03:23 | 0:03:25 | |
-Maybe Tom Cruise? -Maybe. -LAUGHTER. | 0:03:25 | 0:03:27 | |
Now, turning my attention to the Blues. | 0:03:27 | 0:03:30 | |
Stephen, tell me, you're very keen on fishing? | 0:03:30 | 0:03:34 | |
Oh, I love my fishing. I love going out fishing. | 0:03:34 | 0:03:36 | |
Just the quietness of the river bank or the lake. | 0:03:36 | 0:03:39 | |
I go mainly after the larger fish. | 0:03:39 | 0:03:41 | |
My record's a 32 lbs carp. | 0:03:41 | 0:03:44 | |
How big, with your hands, show me how big is a 32... | 0:03:44 | 0:03:47 | |
-32... It's about that long and that deep. -Yeah, OK. | 0:03:47 | 0:03:52 | |
-You know when you pick it up! -LAUGHTER | 0:03:52 | 0:03:54 | |
I know exactly they're that long and that big, | 0:03:54 | 0:03:57 | |
so you are a fisherman. | 0:03:57 | 0:03:58 | |
Do you do any meditation | 0:03:58 | 0:04:00 | |
-while you're waiting for that thing to pop up? -I do a bit of drinking. | 0:04:00 | 0:04:03 | |
LAUGHTER Oh, you do a bit of drinking? | 0:04:03 | 0:04:05 | |
Right, well, that's interesting. | 0:04:05 | 0:04:06 | |
Well, your secret's safe with us and a few of the others out there. | 0:04:06 | 0:04:10 | |
Well, there you go. | 0:04:10 | 0:04:11 | |
Kathleen, something I've learnt about you, | 0:04:11 | 0:04:13 | |
you're very nimble on your feet. | 0:04:13 | 0:04:15 | |
USED to be nimble on my feet. | 0:04:15 | 0:04:16 | |
No, no, I don't know about that. Um, because you're into tap dancing? | 0:04:16 | 0:04:20 | |
I was lucky enough to go to a stage school, and we did lots of theatre | 0:04:20 | 0:04:23 | |
and dance and things there, and it was brilliant, absolutely brilliant. | 0:04:23 | 0:04:27 | |
Was it? My mother, believe it or not, was a tap dancer as well. | 0:04:27 | 0:04:30 | |
-Was she? -Yeah. Until she had the accident. -Oh, fell in the sink. | 0:04:30 | 0:04:33 | |
LAUGHTER That's the one, that's it! | 0:04:33 | 0:04:36 | |
BOTH: The old ones are the best ones! Yes, OK. | 0:04:36 | 0:04:38 | |
But in all seriousness, my mother was a tap dancer. | 0:04:38 | 0:04:41 | |
But you say you're not... Come on, give us a twirl... Give us a... | 0:04:41 | 0:04:45 | |
-Oh, well, what do we think, a round of applause! -Jazz hands! | 0:04:48 | 0:04:53 | |
-I must give you Michael Flatley's telephone number. -Thank you. | 0:04:53 | 0:04:56 | |
LAUGHTER | 0:04:56 | 0:04:57 | |
All right, we've got £300 each for you. | 0:04:57 | 0:05:00 | |
I want you to go off there, buy those three items | 0:05:00 | 0:05:02 | |
and I want you to go now and find your respective experts. | 0:05:02 | 0:05:05 | |
So, good luck! And I think we're in for a bit of fun. | 0:05:05 | 0:05:09 | |
So, which experts are joining our teams today? | 0:05:10 | 0:05:14 | |
He's been good, so we'll let him out early. | 0:05:14 | 0:05:17 | |
Richard Madley does time with the Reds. | 0:05:17 | 0:05:20 | |
And buckle up, Blues, you're in for a wild ride! It's Charlie Ross. | 0:05:20 | 0:05:27 | |
-Kath, Steve, come to me! -LAUGHTER | 0:05:27 | 0:05:30 | |
Oh, lovely to see you. | 0:05:30 | 0:05:32 | |
-Lovely to see you. -Now, what are you going to be looking for today? | 0:05:32 | 0:05:35 | |
-Bargains! -Bargains, yeah. | 0:05:35 | 0:05:37 | |
-SHE YELPS -So, losing your hat already? | 0:05:37 | 0:05:39 | |
-Have you come here today with some tactics in mind? -Yes, we have. | 0:05:39 | 0:05:43 | |
-A bit of silver, maybe. -A bit of silver? -Jewellery. -Of course. | 0:05:43 | 0:05:47 | |
-And for you, Kath? -Whatever takes my eye. | 0:05:47 | 0:05:49 | |
I don't want to choose something | 0:05:49 | 0:05:50 | |
-and then not be able to find it within the hour. -Really? -Yes. | 0:05:50 | 0:05:53 | |
Something that can be used inside and outside. | 0:05:53 | 0:05:56 | |
KETTLE WHISTLES | 0:05:56 | 0:05:57 | |
Well, I'm sorry, teams. There's no time for tea. | 0:05:57 | 0:06:00 | |
Because your 60 minutes are about to begin. | 0:06:00 | 0:06:03 | |
-WHISTLE BLOWS -Hang onto your hats, | 0:06:03 | 0:06:05 | |
let's go shopping. | 0:06:05 | 0:06:06 | |
-Excitement! Come on, let's have it. -All of those! | 0:06:06 | 0:06:08 | |
Well, the skies may be grey, | 0:06:08 | 0:06:10 | |
but our teams are braving the elements. | 0:06:10 | 0:06:13 | |
And the Reds have spotted a window of opportunity. | 0:06:13 | 0:06:16 | |
-Richard! -Richard, what do you think of this? | 0:06:16 | 0:06:18 | |
What do I see through the window? | 0:06:18 | 0:06:20 | |
-It's definitely inside-outside! -LAUGHTER | 0:06:20 | 0:06:22 | |
Yes, it certainly is. You've got to think, yeah, | 0:06:22 | 0:06:25 | |
-you've got to think of who's got the space for something like that. -Yeah. | 0:06:25 | 0:06:28 | |
And unless someone is rebuilding or is looking to incorporate | 0:06:28 | 0:06:31 | |
a period feature, then you're limiting the number of people | 0:06:31 | 0:06:34 | |
who could accommodate it. | 0:06:34 | 0:06:35 | |
Absolutely. Well... Um. | 0:06:35 | 0:06:37 | |
-So I would be steering you away from that. -OK. -Right, OK. -Let's move on. | 0:06:37 | 0:06:42 | |
-Good decision. You don't want people glazing over at the auction. -Look! | 0:06:44 | 0:06:48 | |
-A wonderful stall! Let's get cracking. -Good morning. | 0:06:48 | 0:06:51 | |
-Good morning. -May I look at your inkwell, please? -Wow. | 0:06:51 | 0:06:55 | |
-What about that! Good grief! -That's a big weight. | 0:06:55 | 0:06:59 | |
-Kath, feel the weight of that! He said. -Oh! | 0:06:59 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:04 | |
That is rather delicious. No mark on it, is there, though? | 0:07:04 | 0:07:07 | |
There will be a mark on it. Trust me. There we are. | 0:07:07 | 0:07:10 | |
A little shield with a leopard's head in it. Where was it made? | 0:07:10 | 0:07:14 | |
-Is that Sheffield? -No. -No. -Birmingham? -No. | 0:07:14 | 0:07:17 | |
-That's... -London! -ALL: London! -Well done, well done. | 0:07:17 | 0:07:22 | |
-Go to the top of the class. -And this is 1893. | 0:07:22 | 0:07:26 | |
Do you know what that's worth? | 0:07:26 | 0:07:29 | |
-The ticket says... -What does the ticket say? | 0:07:29 | 0:07:32 | |
-No, no, I like that, "The ticket says..." -145. -Yes. | 0:07:32 | 0:07:35 | |
But our new best friend, Greg, | 0:07:35 | 0:07:37 | |
he's going to come down a bit from that for us, | 0:07:37 | 0:07:41 | |
-I would think. -130? -Yes. | 0:07:41 | 0:07:42 | |
-You can't do any better than 130? -I could squeeze in another five. | 0:07:42 | 0:07:47 | |
-Squeeze a five! I think we're very early into our shop. -Yes. | 0:07:47 | 0:07:51 | |
If that Red team come here, tell them it's 200 quid. | 0:07:51 | 0:07:55 | |
And a note for everything. | 0:07:55 | 0:07:56 | |
THEY LAUGH | 0:07:56 | 0:07:59 | |
I can tell you lot aren't to be trusted. | 0:07:59 | 0:08:01 | |
I think the Reds have something else in mind anyway. | 0:08:01 | 0:08:04 | |
-I quite like militaria, but... -Yeah, militaria is a good subject. | 0:08:04 | 0:08:09 | |
Talking about militaria... | 0:08:09 | 0:08:11 | |
There's something that catches my eye. | 0:08:11 | 0:08:13 | |
I've also seen something else that catches my eye, | 0:08:13 | 0:08:15 | |
but we'll start on the drum. | 0:08:15 | 0:08:16 | |
-Is there any age to this? -Yes, First World War. -First World War? | 0:08:16 | 0:08:19 | |
Yes, the Officers' Training Corps, | 0:08:19 | 0:08:21 | |
which is before the Combined Cadet Force, | 0:08:21 | 0:08:23 | |
which was the school... It's my old school. | 0:08:23 | 0:08:26 | |
-You were at Denstone College? -Denstone College. | 0:08:26 | 0:08:28 | |
The old-school drum. | 0:08:28 | 0:08:30 | |
-Was it Army cadets? -Yes. -Army cadets. | 0:08:30 | 0:08:32 | |
So, could we enquire about the price? | 0:08:32 | 0:08:35 | |
-£150 would be the cheapest. -£150. It's a good-looking thing. -It is. | 0:08:35 | 0:08:40 | |
I've got to say. It is a good looking thing. | 0:08:40 | 0:08:42 | |
But it would be half your budget. | 0:08:42 | 0:08:44 | |
Put it on the maybe list, you've still got 45 minutes left, | 0:08:44 | 0:08:47 | |
and there's plenty out there, even if it is a little soggy. | 0:08:47 | 0:08:51 | |
-The weather's really coming in now. -It's coming in, isn't it? I know. | 0:08:51 | 0:08:55 | |
-That'll keep the rain out! -LAUGHTER | 0:08:55 | 0:08:56 | |
I saw an umbrella salesman... | 0:08:56 | 0:08:58 | |
I think that would be a very good idea. | 0:08:58 | 0:09:00 | |
# I'm singing in the rain | 0:09:00 | 0:09:03 | |
# Just singing in the rain | 0:09:03 | 0:09:07 | |
# What a glorious feeling | 0:09:07 | 0:09:11 | |
# We're in the profit again. # | 0:09:11 | 0:09:14 | |
You're getting ahead of yourself there, Roscoe, you need to buy | 0:09:14 | 0:09:17 | |
-something first! You best get on the case! -Ooh, I quite like that. | 0:09:17 | 0:09:22 | |
Yes, I do that quite like it. | 0:09:22 | 0:09:23 | |
-Well, we've seen something you like! -I know! | 0:09:23 | 0:09:26 | |
We're getting there, at last! We've only had about two hours shopping. | 0:09:26 | 0:09:29 | |
-More like 20 minutes! -Do you want to ask how much it is? -Yes. | 0:09:29 | 0:09:33 | |
My Kath would love that if it was ever so cheap, | 0:09:33 | 0:09:35 | |
because she'd pretend that somebody could make it into a coffee table. | 0:09:35 | 0:09:38 | |
I have a champagne taste, pale ale pocket. | 0:09:38 | 0:09:41 | |
THEY LAUGH | 0:09:41 | 0:09:42 | |
-Well, disregarding that, it's still £35. -£35. -Yes. -Not untoward, is it? | 0:09:42 | 0:09:47 | |
-No. No. No. -That is definitely an old trunk. -Yeah. | 0:09:47 | 0:09:51 | |
Whether the labels are old is anybody's guess. | 0:09:51 | 0:09:54 | |
But, whoever did it, if they aren't old, has done them very cleverly, | 0:09:54 | 0:09:58 | |
-because they've ripped bits off... -THEY LAUGH | 0:09:58 | 0:10:01 | |
-I like it, it looks the part. -Answer an honest question? | 0:10:01 | 0:10:04 | |
-Did you put the labels on? -Of course I did. -Yeah, of course. You see! | 0:10:04 | 0:10:08 | |
Isn't that wonderful, when people are honest? There you are. | 0:10:08 | 0:10:11 | |
-The very best price on that being...? -I can do that for 30. | 0:10:11 | 0:10:13 | |
-Happy with 30 quid? -Yeah, happy at 30. | 0:10:13 | 0:10:16 | |
-Brilliant. -Shake the man's hand. -Thank you. | 0:10:16 | 0:10:18 | |
Brilliant, Blues. | 0:10:18 | 0:10:20 | |
-Thank you. -Bye. -Bye-bye. -But don't stop now. | 0:10:20 | 0:10:23 | |
You've got two lots to go, and just over 30 minutes left. | 0:10:23 | 0:10:27 | |
Anything on that inside/outside theme you'd like to pursue? | 0:10:27 | 0:10:31 | |
-These. -These. -These? -They just caught my eye. They caught my eye. | 0:10:31 | 0:10:35 | |
-What do you think of this one, Mary? -They look like horses. | 0:10:35 | 0:10:38 | |
-Half a horse, half... Serpentine-like. -Yes. | 0:10:38 | 0:10:42 | |
THEY LAUGH | 0:10:42 | 0:10:44 | |
This has caught our eye. | 0:10:44 | 0:10:46 | |
The price is usually 65, I'll do it for 55. | 0:10:46 | 0:10:50 | |
-And what is it? -It's a hippocampus. | 0:10:50 | 0:10:53 | |
Which is a mythical creature from Greek mythology. | 0:10:53 | 0:10:56 | |
-MARY: -And it's like a ridge tile? Ridge tile. | 0:10:56 | 0:10:58 | |
They're all... I really like the dragons, as well, | 0:10:58 | 0:11:01 | |
but I just think this two-headed one | 0:11:01 | 0:11:02 | |
-has got something about it. -That's my favourite. | 0:11:02 | 0:11:04 | |
Do you have these made for you, | 0:11:04 | 0:11:06 | |
they're available in the marketplace? | 0:11:06 | 0:11:07 | |
-We make them ourselves. -You make them yourself? | 0:11:07 | 0:11:09 | |
Can we just squeeze it a little bit lower? | 0:11:09 | 0:11:11 | |
How close can you get to me? | 0:11:11 | 0:11:13 | |
-48? -48? Yeah, I'll settle on that. 48. | 0:11:13 | 0:11:16 | |
-Could you do 45? -STALLHOLDER: -Got a deal there at 48! | 0:11:16 | 0:11:19 | |
THEY LAUGH | 0:11:19 | 0:11:20 | |
I'll tell you what, we'll spin a coin, 45 or 48. | 0:11:20 | 0:11:24 | |
-You can call, Mary. -Oh, yes. -Ready? -Toss the coin. -Heads or tails? | 0:11:24 | 0:11:28 | |
-MARY: -Heads. -STALLHOLDER: -We go on the ground? | 0:11:28 | 0:11:30 | |
-MARY: -It's not a double-headed one, is it? -Tails. | 0:11:30 | 0:11:33 | |
THEY LAUGH | 0:11:33 | 0:11:35 | |
Good old double-tailed coin, it never fails. | 0:11:35 | 0:11:38 | |
I promise you it's a real one. | 0:11:38 | 0:11:39 | |
That's it, the first deal is done. Excellent. In the bag. | 0:11:39 | 0:11:42 | |
-Thank you very much indeed, sir. -Thank you. -Thank you. | 0:11:42 | 0:11:46 | |
And yourself. | 0:11:46 | 0:11:48 | |
You can't win them all, Reds, | 0:11:48 | 0:11:49 | |
but at £48, the hippocampus could still be a steal. | 0:11:49 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:55 | |
-Evening, all. -Evening, all. | 0:11:55 | 0:11:57 | |
I'm going to give you a caution - | 0:11:57 | 0:11:59 | |
you've less than half an hour to go. | 0:11:59 | 0:12:01 | |
We've got one purchase in the bag. | 0:12:01 | 0:12:03 | |
I'd have liked to see have seen a little bit more. | 0:12:03 | 0:12:05 | |
Maybe one and a half, but we have got the drum, haven't we? | 0:12:05 | 0:12:08 | |
-How many things have we bought? -One. -One. | 0:12:08 | 0:12:10 | |
-How many have we got to buy? -BOTH: Three. | 0:12:10 | 0:12:12 | |
STEPHEN LAUGHS | 0:12:12 | 0:12:13 | |
-Are we worried? -Two...left. -You're right, three in all. | 0:12:13 | 0:12:16 | |
Come on, let's go and look at that drum. | 0:12:16 | 0:12:18 | |
I have noticed that you have a bit of a tendency to walk past things. | 0:12:18 | 0:12:22 | |
-I'm waiting for something to draw me in. -Grab our attention. | 0:12:22 | 0:12:26 | |
THEY LAUGH | 0:12:26 | 0:12:29 | |
Does that charm work on the dealers, Charlie? | 0:12:29 | 0:12:31 | |
I see the Reds are hoping to get the price down on the £150 drum. | 0:12:31 | 0:12:36 | |
-Can I turn it over? -Yes, turn it over. -OK. | 0:12:36 | 0:12:40 | |
Might need a bit of help with this, Mary. | 0:12:40 | 0:12:42 | |
-It's all right on the bottom? -Wet. -That's fine. | 0:12:42 | 0:12:46 | |
-Yeah, how does it sound? -Sounds good. -Good. | 0:12:46 | 0:12:50 | |
But I've got just one question to ask you, sir - would £140 buy it? | 0:12:50 | 0:12:54 | |
No, I'm afraid it wouldn't. | 0:12:54 | 0:12:56 | |
I asked you the same price that I wanted, and it's a fair deal. | 0:12:56 | 0:12:58 | |
-In that case, sir, we'd like to buy your drum. -Wonderful. | 0:12:58 | 0:13:01 | |
-Thank you very much. Deal. -Thank you. -I love your hat. | 0:13:01 | 0:13:05 | |
-MARY: -Thank you very much. | 0:13:05 | 0:13:06 | |
-STALLHOLDER: -I wish I'd worn it up, you know... | 0:13:06 | 0:13:08 | |
You're getting into the rhythm now, Reds, which requires perfect timing. | 0:13:08 | 0:13:12 | |
Talking of which, this is your 15 minute warning. | 0:13:12 | 0:13:15 | |
Feeling the pressure, gents? | 0:13:15 | 0:13:17 | |
We've got £100 left. As long as they leave me two, | 0:13:17 | 0:13:20 | |
we can go and buy a piece of jewellery, | 0:13:20 | 0:13:22 | |
and that's what they wanted to do. | 0:13:22 | 0:13:23 | |
So, yeah, I'm feeling pretty relaxed now. | 0:13:23 | 0:13:25 | |
They wander into a stall, and they wander out. | 0:13:25 | 0:13:28 | |
We have a laugh, we enjoy ourselves, and what have we got to show for it? | 0:13:28 | 0:13:31 | |
One trunk. With fake labels. I'm thrilled, really. | 0:13:31 | 0:13:36 | |
Cheer up, Charlie. Maybe your luck is about to turn. | 0:13:36 | 0:13:40 | |
-Have you found something? -No. -No? | 0:13:40 | 0:13:43 | |
-"No" is the answer to that. -Or maybe not. | 0:13:43 | 0:13:47 | |
We've got 15 minutes to buy one piece. Let's get inside. | 0:13:47 | 0:13:50 | |
I'm in your hands now. | 0:13:50 | 0:13:52 | |
You are the jewellery experts, so lead me on. | 0:13:52 | 0:13:55 | |
So you're going for something sparkly and sophisticated. | 0:13:55 | 0:13:59 | |
What about you, Blues? | 0:13:59 | 0:14:00 | |
-I like this one. -Really? | 0:14:00 | 0:14:02 | |
You like a knackered old malt shovel, do you? | 0:14:02 | 0:14:05 | |
THEY LAUGH | 0:14:05 | 0:14:07 | |
I feel a bit like a knackered old malt shovel, | 0:14:07 | 0:14:09 | |
to be honest, perfectly honest. | 0:14:09 | 0:14:11 | |
Looks nice, it's got a nice bit of age to it. | 0:14:11 | 0:14:12 | |
-I like it. -It's got age? -Yeah. | 0:14:12 | 0:14:14 | |
I love the repair. | 0:14:14 | 0:14:16 | |
I love the hallmark silver repair on it. | 0:14:16 | 0:14:18 | |
-It's particularly nice. -It's delicate, isn't it? | 0:14:18 | 0:14:20 | |
I think if it was free, I would go for it. | 0:14:20 | 0:14:23 | |
-90, but for you, 30. -90 would be... What, pence?! | 0:14:23 | 0:14:26 | |
STEPHEN LAUGHS | 0:14:26 | 0:14:28 | |
I love it, but would somebody pay more than 30 quid at auction? | 0:14:28 | 0:14:30 | |
-No, they wouldn't. -No. | 0:14:30 | 0:14:32 | |
Which is a shame, but on the other hand... | 0:14:32 | 0:14:34 | |
# My old man's a dustman He wears a dustman's hat | 0:14:34 | 0:14:37 | |
# He wears cor blimey trouser... # | 0:14:37 | 0:14:39 | |
-STALLHOLDER: -..because you play. -KATHLEEN: -22. | 0:14:39 | 0:14:42 | |
22! I want it for a tenner, | 0:14:42 | 0:14:43 | |
because I think it will make 14 quid at auction. She's going to play it. | 0:14:43 | 0:14:46 | |
-She's going to strum to me. -You know what? | 0:14:46 | 0:14:49 | |
-Because I like you, make it for 20. -KATHLEEN: -I like it. | 0:14:49 | 0:14:52 | |
I'm just going to say one thing... | 0:14:52 | 0:14:54 | |
I'm going to hand over the money, and if that makes a loss, | 0:14:54 | 0:14:57 | |
-don't blame me. -I won't. | 0:14:57 | 0:14:59 | |
So, you're a gentleman and a player. | 0:14:59 | 0:15:01 | |
You have made a £20 profit on that lot. | 0:15:01 | 0:15:05 | |
-KATHLEEN: -I love it. I'd give you 20 quid. -Thank you very much indeed. | 0:15:05 | 0:15:08 | |
STEPHEN LAUGHS | 0:15:08 | 0:15:10 | |
It's not the most glamorous object I've ever seen, but who knows? | 0:15:10 | 0:15:13 | |
It may get you out of a hole at the auction. | 0:15:13 | 0:15:15 | |
Both teams now need their final buys, | 0:15:15 | 0:15:18 | |
and have just under ten minutes. | 0:15:18 | 0:15:20 | |
Found any jewellery, Reds? | 0:15:20 | 0:15:22 | |
-Over the course of... -Ooh! -Oh! -Ooh! | 0:15:22 | 0:15:25 | |
-Already "ooh". -There we go. -There we go. | 0:15:25 | 0:15:29 | |
-Mary, there's jewellery over there. -OK, right. -Is that enamel? -Yes. | 0:15:29 | 0:15:34 | |
Enamelled and silver are nice, as well. | 0:15:34 | 0:15:36 | |
-I know it's not jewellery, it's just rather decorative. -Very pretty. | 0:15:36 | 0:15:39 | |
I don't know if it has any real use, but it's rather nice. | 0:15:39 | 0:15:42 | |
-Letter opener, isn't it? -Yeah... | 0:15:42 | 0:15:45 | |
Think about it, take it back to the money man? | 0:15:45 | 0:15:48 | |
Don't take too long. Five minutes and counting. | 0:15:48 | 0:15:51 | |
What do we want to do? | 0:15:51 | 0:15:53 | |
-I think we'll go back and get that inkwell. -Yeah? | 0:15:53 | 0:15:55 | |
-An actual antique. -A proper antique. | 0:15:55 | 0:15:57 | |
It would be nice to have just a splash... | 0:15:57 | 0:15:59 | |
-A bit of quality. -A splash of quality. Come on, then. | 0:15:59 | 0:16:03 | |
Now, whilst the Reds were looking for jewellery, | 0:16:03 | 0:16:06 | |
they're now hunting for something else. | 0:16:06 | 0:16:08 | |
-We've lost... -Have we lost Richard? | 0:16:08 | 0:16:11 | |
The ladies are looking for you, Mr Madley. | 0:16:11 | 0:16:14 | |
Get the impression we've been here before? | 0:16:16 | 0:16:19 | |
-Now, have you still got the inkwell, sir? -I have, sir, yes. | 0:16:19 | 0:16:22 | |
-He's still got the inkwell. -Bonus. -Look at that. | 0:16:22 | 0:16:25 | |
-Isn't that magnificent? -I do still really like it. | 0:16:25 | 0:16:28 | |
You really like it, you really like it? 130? | 0:16:28 | 0:16:32 | |
-130? -Yeah. Sure that is the very best? | 0:16:32 | 0:16:34 | |
Being an honest man, I think we agreed on 125. | 0:16:34 | 0:16:37 | |
-KATHLEEN: -I think we did, as well. | 0:16:37 | 0:16:38 | |
-125. -125... -Marvellous. -Thank you. | 0:16:38 | 0:16:42 | |
-You're a good man, Greg. -Thank you. | 0:16:42 | 0:16:45 | |
So, the Blues are done and dusted. How about the Reds? | 0:16:45 | 0:16:48 | |
-All we've seen so far is the letter opener. -Well... | 0:16:48 | 0:16:51 | |
You came looking for some jewellery, and you sort... | 0:16:51 | 0:16:53 | |
-Did you like the letter opener? Was it...? -Yeah, we both liked it. | 0:16:53 | 0:16:56 | |
It was very pretty. I don't think it's old. | 0:16:56 | 0:16:58 | |
I'd like to get the price down on it. | 0:16:58 | 0:16:59 | |
-I'd like to see that before we close the deal. -It's just over there. | 0:16:59 | 0:17:02 | |
OK, let's go in and look at it. | 0:17:02 | 0:17:04 | |
Let's hope it's first-class, as you teams need to post a profit. | 0:17:04 | 0:17:08 | |
-We've done well. -That's my quality item. | 0:17:08 | 0:17:10 | |
And we've finished within time. | 0:17:10 | 0:17:12 | |
Come on. Show me some more dance moves. | 0:17:12 | 0:17:14 | |
Loving your moves, Blues. | 0:17:14 | 0:17:16 | |
Maybe the Reds should try out a quick step, | 0:17:16 | 0:17:18 | |
as they're running out of time. | 0:17:18 | 0:17:20 | |
I thought you were... I thought you were down the... | 0:17:20 | 0:17:23 | |
I'm an expert? What do you think of that, Richard? | 0:17:23 | 0:17:27 | |
-I think it's very nice. -OK. It's different, isn't it? | 0:17:27 | 0:17:30 | |
-And functional. A bit Nouveau. -A bit Art Nouveau. | 0:17:30 | 0:17:33 | |
Yeah, peacocks. Always a good design. | 0:17:33 | 0:17:36 | |
-It's almost Japanese. It's probably 1890... -Japanese? | 0:17:36 | 0:17:39 | |
I think, yeah, Japanese... Well, Japanesque is a term that is | 0:17:39 | 0:17:43 | |
used for things of a Japanese influence. | 0:17:43 | 0:17:46 | |
The price is £17. | 0:17:46 | 0:17:50 | |
We can get it for £15, so... | 0:17:50 | 0:17:52 | |
And you'd be happy with that? | 0:17:52 | 0:17:54 | |
You think we'd make a bit of a profit on that? | 0:17:54 | 0:17:56 | |
-I think... -I think we will. -Yeah? -Yeah, I think so. -I think... | 0:17:56 | 0:17:59 | |
-Should we go for this? -We're short of time. | 0:17:59 | 0:18:01 | |
It's lovely, actually. It's a lovely item, I think. | 0:18:01 | 0:18:03 | |
Good. Thank you. We'll have it. | 0:18:03 | 0:18:05 | |
ALARMS RING | 0:18:05 | 0:18:08 | |
That means, teams, your 60 minutes are up. | 0:18:08 | 0:18:11 | |
That was a rush, wasn't it? | 0:18:11 | 0:18:13 | |
So, let's remind ourselves what the Reds bought. | 0:18:13 | 0:18:16 | |
The Reds hope this hippocampus ridge tile | 0:18:16 | 0:18:18 | |
will raise the roof at the auction. It cost them £48. | 0:18:18 | 0:18:23 | |
£150 was paid for this military drum, | 0:18:23 | 0:18:26 | |
but will the punters stand to attention | 0:18:26 | 0:18:28 | |
when it goes under the hammer? | 0:18:28 | 0:18:31 | |
And the gilt brass letter opener was just £15. | 0:18:31 | 0:18:34 | |
Fingers crossed it delivers. | 0:18:34 | 0:18:36 | |
So, ladies, forgive me. A bit of a slow start there, | 0:18:36 | 0:18:38 | |
but eventually you picked up speed | 0:18:38 | 0:18:40 | |
-and got past the winning post. -We did. | 0:18:40 | 0:18:42 | |
Well, let me just ask you - your favourite object? | 0:18:42 | 0:18:45 | |
My favourite object is the finial. | 0:18:45 | 0:18:47 | |
It's a bit of an unusual item, and I really like it. | 0:18:47 | 0:18:50 | |
-You do? -Yes, I agree with Judy on that one. | 0:18:50 | 0:18:52 | |
-You do? -Yes, I do. -Oh, good. That's nice to have that solidarity. | 0:18:52 | 0:18:57 | |
And, of the three things you bought, which is going to | 0:18:57 | 0:19:00 | |
give you the biggest profit, do you think? | 0:19:00 | 0:19:03 | |
I think the paper knife. | 0:19:03 | 0:19:04 | |
Although it's only a tiny object, I think so. | 0:19:04 | 0:19:06 | |
-Now, remind me what you spent. -£213. -£213? | 0:19:06 | 0:19:12 | |
So my maths tells me that, in my hand, you should be placing | 0:19:12 | 0:19:15 | |
£87, is that right? Lovely. | 0:19:15 | 0:19:19 | |
So, Richard, there you go, £87. Have you got anything in mind? | 0:19:19 | 0:19:22 | |
I saw something shining in the jewellery quarter that | 0:19:22 | 0:19:25 | |
caught my eye, that I hope is still there. | 0:19:25 | 0:19:28 | |
All right. Well, they do say, | 0:19:28 | 0:19:30 | |
"If you want to get ahead, get a hat," so... | 0:19:30 | 0:19:32 | |
Richard, while you're spending that money, let's remind | 0:19:32 | 0:19:35 | |
ourselves how the Blue team have been spending their money. | 0:19:35 | 0:19:39 | |
The labels may be fake, but they still closed the deal on this trunk. | 0:19:39 | 0:19:42 | |
£30 paid. | 0:19:42 | 0:19:44 | |
Will people dig deep to get their hands on this wooden malt shovel? | 0:19:44 | 0:19:48 | |
It cost the Blues £20. | 0:19:48 | 0:19:50 | |
And Charlie thought the Victorian inkwell | 0:19:50 | 0:19:53 | |
was something to write home about. | 0:19:53 | 0:19:55 | |
But at £125, could it blot his team's copybook? | 0:19:55 | 0:19:58 | |
Well, Charlie, I believe you've been following | 0:20:00 | 0:20:03 | |
a song and dance act, is that right? | 0:20:03 | 0:20:06 | |
We have done more singing and dancing than we have buying, | 0:20:06 | 0:20:09 | |
-that's for sure. -THEY LAUGH | 0:20:09 | 0:20:12 | |
Well, come on, you two, what's your favourite object? | 0:20:12 | 0:20:14 | |
I think the inkwell. I think the inkwell's my favourite. | 0:20:14 | 0:20:17 | |
-Mine's the shovel. -The shovel? -I'm in love with my shovel, yeah. | 0:20:17 | 0:20:21 | |
Sorry, Charlie, I love my shovel. | 0:20:21 | 0:20:23 | |
You do, and it is a shovel, not a spade? | 0:20:23 | 0:20:25 | |
-No, it's definitely a malt shovel. -OK, that's good to know. | 0:20:25 | 0:20:28 | |
-All right, how much did you spend? -175. | 0:20:28 | 0:20:31 | |
OK. 175. So you're going to give me £125, is that right? | 0:20:31 | 0:20:36 | |
Which I, in turn, am going to give to Charlie. | 0:20:36 | 0:20:40 | |
-Oh, Eric. -So, Charlie, have you done your homework? | 0:20:40 | 0:20:43 | |
-I've done my homework out there. -There were more shovels. | 0:20:43 | 0:20:46 | |
-There were more shovels? -And it won't be a shovel... | 0:20:46 | 0:20:49 | |
THEY LAUGH | 0:20:49 | 0:20:51 | |
Well, before we go off to the auction, | 0:20:51 | 0:20:53 | |
I'm off somewhere rather interesting. | 0:20:53 | 0:20:55 | |
Lincoln has many jewels in its crown. | 0:20:59 | 0:21:01 | |
The castle... | 0:21:03 | 0:21:05 | |
the cathedral... | 0:21:05 | 0:21:06 | |
But the gem I'm here to learn about wasn't made from stone, | 0:21:09 | 0:21:13 | |
but flesh and blood. | 0:21:13 | 0:21:15 | |
James Ward Usher was a jeweller, who ran this shop in Lincoln. | 0:21:18 | 0:21:22 | |
He was a shrewd businessman, who didn't miss a trick. | 0:21:22 | 0:21:25 | |
And in the late 19th century, he made his fortune after | 0:21:28 | 0:21:31 | |
spotting the moneymaking potential of a Lincolnshire legend. | 0:21:31 | 0:21:35 | |
The story goes, Satan sent two unruly creatures called imps | 0:21:37 | 0:21:42 | |
to Lincoln to create mischief and mayhem. | 0:21:42 | 0:21:45 | |
The two imps found their way into the cathedral and ran riot. | 0:21:50 | 0:21:55 | |
And it's said that an angel appeared and turned one of them into stone. | 0:21:55 | 0:22:01 | |
The legend goes that the imp was imprisoned here forever. | 0:22:01 | 0:22:05 | |
And there he is. | 0:22:05 | 0:22:07 | |
Usher exploited the tale of the Lincoln imp to his advantage. | 0:22:08 | 0:22:13 | |
He made all sorts of souvenirs featuring the mischievous creature, | 0:22:13 | 0:22:17 | |
and sold them to Lincoln's tourists. | 0:22:17 | 0:22:19 | |
As the sole supplier of imp memorabilia, | 0:22:19 | 0:22:22 | |
Usher watched the money roll in. | 0:22:22 | 0:22:25 | |
This meant he could afford to indulge in his real passion. | 0:22:25 | 0:22:29 | |
And that passion was collecting. | 0:22:30 | 0:22:33 | |
Usher amassed a huge collection of treasures from all around the world. | 0:22:36 | 0:22:41 | |
But he didn't forget his roots, | 0:22:41 | 0:22:42 | |
and his heart always belonged to Lincoln. | 0:22:42 | 0:22:44 | |
Well, there's no doubting that James Ward Usher had a good eye | 0:22:47 | 0:22:50 | |
and impeccable taste. | 0:22:50 | 0:22:52 | |
And when he died, he left his collection | 0:22:52 | 0:22:54 | |
to the good people of Lincoln. | 0:22:54 | 0:22:56 | |
And on top of that, he left them | 0:22:56 | 0:22:58 | |
enough money to build the Usher Gallery. | 0:22:58 | 0:23:01 | |
Andrea Martin is the curator, and can tell me | 0:23:05 | 0:23:08 | |
more about this wonderful place and the man who made it possible. | 0:23:08 | 0:23:11 | |
He seems to have concentrated primarily on objects? | 0:23:13 | 0:23:16 | |
Yes, very much an object man. | 0:23:16 | 0:23:19 | |
So, ceramics, silver, watches, enamels. | 0:23:19 | 0:23:22 | |
I can imagine the auctioneer spying him at the back of the building | 0:23:22 | 0:23:26 | |
and thinking, "Hmm, we're in for an OK sale here. | 0:23:26 | 0:23:30 | |
"Mr Usher has landed." | 0:23:30 | 0:23:31 | |
Oh, I definitely think so. | 0:23:31 | 0:23:33 | |
Being a fan of the decorative arts, Usher rarely bought paintings. | 0:23:33 | 0:23:38 | |
Surprising, given his hidden talents. | 0:23:38 | 0:23:41 | |
Well, this is one of Usher's watercolours, of his own collection. | 0:23:42 | 0:23:45 | |
He really liked to document what he had. | 0:23:45 | 0:23:47 | |
So this one here actually portrays the cabinet behind us | 0:23:47 | 0:23:50 | |
-that you can see. -He is a good artist, insofar as | 0:23:50 | 0:23:54 | |
the attention to detail on something like this is quite remarkable. | 0:23:54 | 0:23:57 | |
His attention to detail, as you say, is particularly fine, | 0:23:57 | 0:24:00 | |
right down to the little gilding and the gold work | 0:24:00 | 0:24:03 | |
you get on top of the plates, | 0:24:03 | 0:24:05 | |
that you can see as you look at the objects themselves. | 0:24:05 | 0:24:08 | |
It's just remarkable. There it is, and there it still is. | 0:24:08 | 0:24:11 | |
As well as being jewellers, the Usher family were talented | 0:24:13 | 0:24:16 | |
clock and watchmakers, which meant James had an incredible eye | 0:24:16 | 0:24:21 | |
for things that go tick, tock. | 0:24:21 | 0:24:24 | |
So the first watch we've got here is one of Usher's favourite watches, | 0:24:24 | 0:24:27 | |
made by a watchmaker called Rigby, so it's a 19th-century watch. | 0:24:27 | 0:24:32 | |
But actually, on the back, | 0:24:32 | 0:24:33 | |
we have some beautiful blue enamelling. | 0:24:33 | 0:24:36 | |
-With a star of diamonds, I can see. -Yes. | 0:24:36 | 0:24:39 | |
And when you twist it in the light, | 0:24:39 | 0:24:41 | |
it's a sort of semi-translucent, deep, cobalt blue, that enamel, | 0:24:41 | 0:24:46 | |
and picks up what appears to be like an engine turning. | 0:24:46 | 0:24:49 | |
I mean, you think of people like Faberge, | 0:24:49 | 0:24:51 | |
amongst others, using that method. | 0:24:51 | 0:24:53 | |
-Yes. -But I'd think twice about taking that out of the safe, | 0:24:53 | 0:24:57 | |
never mind taking it out of the house. | 0:24:57 | 0:25:00 | |
This one, I mean, it looks a little bit older, would I be right? | 0:25:00 | 0:25:04 | |
This watch was made by Justin Vulliamy, who was working in London. | 0:25:04 | 0:25:08 | |
-We think about 1750 it was made. -Yes. | 0:25:08 | 0:25:11 | |
You can see the enamelling on the back, and it's a picture called | 0:25:11 | 0:25:15 | |
Hope Nursing Love, and it's taken from the work by Joshua Reynolds. | 0:25:15 | 0:25:20 | |
I'm looking at something which has retained the same strength of colour | 0:25:20 | 0:25:24 | |
-since it came out of the kiln when it was fired. -Yes. | 0:25:24 | 0:25:28 | |
It's a little bit like time travel, this, isn't it? | 0:25:28 | 0:25:30 | |
Because you're experiencing the same visual pleasure that somebody | 0:25:30 | 0:25:35 | |
-else witnessed in 1750. -Yes, very much so. | 0:25:35 | 0:25:38 | |
And then they get smaller. | 0:25:38 | 0:25:40 | |
I mean, a little watch on a ring. | 0:25:40 | 0:25:42 | |
It's only 18 millimetres in diameter. | 0:25:42 | 0:25:44 | |
It was made by a watchmaker called John Arnold, | 0:25:44 | 0:25:47 | |
and it was reputedly made for George III. | 0:25:47 | 0:25:50 | |
Provenance is everything. Isn't it? You know, the royal connection. | 0:25:50 | 0:25:53 | |
The royal connection is the thing | 0:25:53 | 0:25:55 | |
that really, truly makes that one. | 0:25:55 | 0:25:57 | |
I think that would have sold it strongly to Usher. | 0:25:57 | 0:25:59 | |
I'm getting short of words because, quite simply, they're breathtaking. | 0:25:59 | 0:26:04 | |
But there's no doubt the legacy Usher left Lincoln is in safe hands. | 0:26:06 | 0:26:10 | |
CLOCK CHIMES | 0:26:10 | 0:26:11 | |
Well, what an inspiring place. | 0:26:14 | 0:26:16 | |
I'll tell you now, you could lock me in there and throw away the key | 0:26:16 | 0:26:20 | |
and I would not complain. | 0:26:20 | 0:26:22 | |
But time is of the essence, and it's time now to go off to the auction. | 0:26:22 | 0:26:26 | |
We've landed here in the saleroom of Golding Young & Mawer. | 0:26:37 | 0:26:42 | |
And I'm joined by a familiar face on this programme, | 0:26:42 | 0:26:45 | |
none other than Mr Colin Young himself. | 0:26:45 | 0:26:48 | |
-Good to have you here, Eric. -Thank you for inviting us, | 0:26:48 | 0:26:51 | |
we're delighted to be here, and let's discuss our Red team. | 0:26:51 | 0:26:54 | |
They've come up with a very interesting terracotta ridge tile, | 0:26:54 | 0:26:59 | |
with a mythical beast known as a hippocampus. | 0:26:59 | 0:27:02 | |
What do you make of that? | 0:27:02 | 0:27:04 | |
I think a teasing 30 to 50 should sort of get people going for it. | 0:27:04 | 0:27:08 | |
-They've gone and paid £48 for that. -Yes. | 0:27:08 | 0:27:11 | |
So, not a bad piece of sculpture. | 0:27:11 | 0:27:13 | |
No, and, in the big scheme of things, | 0:27:13 | 0:27:15 | |
-it's really not a lot of money to spend, is it? -No, it's not. | 0:27:15 | 0:27:18 | |
OK, let's go and bang a drum, shall we? | 0:27:18 | 0:27:21 | |
I have to admit that I find them fascinating, | 0:27:21 | 0:27:24 | |
and yet, at the same time, I know nothing about drums. | 0:27:24 | 0:27:28 | |
I'm hoping that you're going to throw a little bit of light | 0:27:28 | 0:27:31 | |
onto this particular one. | 0:27:31 | 0:27:32 | |
The maker of it, Potter's, are still going today, | 0:27:32 | 0:27:36 | |
but because the condition isn't great, there's an awful lot | 0:27:36 | 0:27:39 | |
of damage to the paint decoration, it's been used, essentially. | 0:27:39 | 0:27:43 | |
And £50-£80, I think, is going to the as good as it's going to get. | 0:27:43 | 0:27:48 | |
I feel a big "ouch" here | 0:27:48 | 0:27:50 | |
because they went and paid £150 for this little fella. | 0:27:50 | 0:27:53 | |
-Ooh. -So, yeah, that could be their undoing, | 0:27:53 | 0:27:56 | |
-but let's be positive. -Yeah. | 0:27:56 | 0:27:59 | |
The next item we've got is the Japanese brass letter opener. | 0:27:59 | 0:28:05 | |
Not the greatest quality, it has to be said. | 0:28:05 | 0:28:07 | |
It is just brass. | 0:28:07 | 0:28:08 | |
-It is a little bit boring for me, I'm afraid. -Yeah. | 0:28:08 | 0:28:11 | |
Having said that, it's decorative, it only cost £15, | 0:28:11 | 0:28:14 | |
so they may be in with a chance. | 0:28:14 | 0:28:15 | |
That's OK, I mean, we've put 10 to 20 on it, | 0:28:15 | 0:28:18 | |
and I wouldn't be surprised if it did better than that. | 0:28:18 | 0:28:20 | |
-But it's not going to race away. -No, it's not, that's very true. | 0:28:20 | 0:28:23 | |
Bearing in mind that this drum could have put them | 0:28:23 | 0:28:27 | |
in a bit of jeopardy, I think it's probably as well to find out | 0:28:27 | 0:28:32 | |
what the bonus buy is and see if that can make amends. | 0:28:32 | 0:28:36 | |
Well, Judy and Mary, I have to complement you | 0:28:37 | 0:28:40 | |
because you spent a very credible £213, | 0:28:40 | 0:28:42 | |
leaving Mr Richard Madley here with £87 to go out and spend. | 0:28:42 | 0:28:48 | |
And Richard, I'd be intrigued to see what you've got for the money. | 0:28:48 | 0:28:53 | |
Well, for these two stylish ladies, I wanted something | 0:28:53 | 0:28:56 | |
sparkly and silvery, and I found you... | 0:28:56 | 0:29:00 | |
Ooh! | 0:29:00 | 0:29:01 | |
-..this. -Ooh. -A double "ooh." -Gorgeous. -Yes. | 0:29:01 | 0:29:05 | |
A Victorian heart-shaped silver pin tray. | 0:29:05 | 0:29:10 | |
Maker's mark is SC, made in London | 0:29:10 | 0:29:13 | |
around about 1895 to 1905. | 0:29:13 | 0:29:16 | |
So, it's late Victorian, Edwardian. | 0:29:16 | 0:29:18 | |
This would fit on anybody's dressing table, | 0:29:18 | 0:29:21 | |
I'm sure you'd find space for it. | 0:29:21 | 0:29:23 | |
-It's beautiful. -Just right for earrings. -And I bought it for 30. | 0:29:23 | 0:29:26 | |
-That's pretty good. -That's brilliant. | 0:29:26 | 0:29:28 | |
So, I was happy with that. Are you happy with that? | 0:29:28 | 0:29:30 | |
-Yeah, yeah. -And I've got a feeling that there is a little bit of profit | 0:29:30 | 0:29:35 | |
-left in that. -How much would you think? -How much? | 0:29:35 | 0:29:37 | |
We might make a 50% profit. | 0:29:37 | 0:29:40 | |
I think being heart-shaped... | 0:29:40 | 0:29:42 | |
Oh, heart shapes are so popular. | 0:29:42 | 0:29:45 | |
-Yeah. -I'm with you. Eric, they're happy. | 0:29:45 | 0:29:47 | |
Listen, you can't beat a double "ooh" to start with, can you? | 0:29:47 | 0:29:50 | |
But... But let us see | 0:29:50 | 0:29:54 | |
whether the auctioneer is going to be ruled by his heart | 0:29:54 | 0:29:57 | |
or whether he's going to consider this piece | 0:29:57 | 0:29:59 | |
to be nothing more than pin money. | 0:29:59 | 0:30:01 | |
So, Colin, here it is, a late 19th, | 0:30:02 | 0:30:05 | |
early 20th century silver heart-shaped pin tray. | 0:30:05 | 0:30:08 | |
Pretty little thing, not a lot of weight in terms of silver, | 0:30:08 | 0:30:11 | |
but I think I'd put an estimate of £25-£40 on that. | 0:30:11 | 0:30:14 | |
I think that should encourage people | 0:30:14 | 0:30:16 | |
to fall in love with the little heart. | 0:30:16 | 0:30:18 | |
Well, that was snapped up for £30, | 0:30:18 | 0:30:22 | |
so the omens are working in its favour, yeah? | 0:30:22 | 0:30:25 | |
So, that's our Red team. | 0:30:25 | 0:30:28 | |
Let's have a look at our Blues. | 0:30:28 | 0:30:29 | |
They start off with a 20th century canvas coloured trunk. | 0:30:29 | 0:30:34 | |
Elaborate on the description of being that canvas finish | 0:30:34 | 0:30:38 | |
with nice beech banding on it, that's bentwooded around it | 0:30:38 | 0:30:42 | |
and given it a little bit of pizzazz. | 0:30:42 | 0:30:44 | |
Beech banding, I like that terminology. | 0:30:44 | 0:30:46 | |
-That's going to sell something, isn't it? -It should do. | 0:30:46 | 0:30:49 | |
The downside with it, of course, | 0:30:49 | 0:30:51 | |
is that it's been jazzed up a little bit | 0:30:51 | 0:30:53 | |
and, probably, the labels are considerably later. | 0:30:53 | 0:30:56 | |
But turns it into a furnishing item rather than something you'd | 0:30:56 | 0:30:59 | |
be using, and they're sort of adding a little bit of history | 0:30:59 | 0:31:02 | |
and adding romance to it, really. | 0:31:02 | 0:31:04 | |
So, it's not really a case of faking, forging, | 0:31:04 | 0:31:06 | |
or something like that, | 0:31:06 | 0:31:08 | |
it is really just enhancing the presence of the object. | 0:31:08 | 0:31:10 | |
-Right. -The problem is, there are plenty of them out there, | 0:31:10 | 0:31:13 | |
and maybe £10-£30 is an estimate. | 0:31:13 | 0:31:17 | |
OK, well, they paid 30 for it, | 0:31:17 | 0:31:19 | |
so that's going to need a fair wind behind it, yeah? | 0:31:19 | 0:31:22 | |
-Yeah, I think it is. -OK. | 0:31:22 | 0:31:23 | |
Where would you be without a wooden shovel? | 0:31:23 | 0:31:25 | |
Malt shovels seem to be out there in quite a quantity. | 0:31:25 | 0:31:30 | |
Of course, it's one of those industries, | 0:31:30 | 0:31:32 | |
there are so many maltings that have closed down over the period of time. | 0:31:32 | 0:31:35 | |
Quite a heavy industrial thing of the 19th century. | 0:31:35 | 0:31:39 | |
-And your estimate? -10 to 20. | 0:31:39 | 0:31:41 | |
They've gone and paid £20 for that. | 0:31:41 | 0:31:43 | |
-Yeah. -This is their big spend. | 0:31:43 | 0:31:45 | |
Quite a handsome late Victorian table inkwell with a silver top. | 0:31:45 | 0:31:50 | |
Got a good, chunky writhe and body to it, | 0:31:50 | 0:31:53 | |
nicely matched with the top as well. £50-£80. | 0:31:53 | 0:31:57 | |
They went and spent the best part of £125 on that object. | 0:31:57 | 0:32:01 | |
Well, that's all three. | 0:32:01 | 0:32:03 | |
It looks to me that there might be a bit of an overspend there, | 0:32:03 | 0:32:06 | |
so let us see what Charlie Ross has come up with | 0:32:06 | 0:32:09 | |
when it comes to the bonus buy. | 0:32:09 | 0:32:10 | |
Kathleen and Stephen, you went out and spent the best part of £175, | 0:32:12 | 0:32:17 | |
which meant that Mr Charles Ross here had the sum of £125 | 0:32:17 | 0:32:22 | |
to play with. What did you come up with? | 0:32:22 | 0:32:25 | |
-Ooh! -Oh! -A tray. | 0:32:25 | 0:32:29 | |
It's much bigger than an ordinary dressing table pin tray. | 0:32:29 | 0:32:33 | |
It is silver, it's English, | 0:32:33 | 0:32:36 | |
it's got a wonderful gadroon border to it, | 0:32:36 | 0:32:39 | |
but it's got other things going on. | 0:32:39 | 0:32:41 | |
It's got this rococo decoration, | 0:32:41 | 0:32:43 | |
it's got an acanthus leaf swirl to it, | 0:32:43 | 0:32:46 | |
it's got this wonderful mask. | 0:32:46 | 0:32:48 | |
Look at him, do you like him? | 0:32:48 | 0:32:49 | |
-Yes, yes. -Just feel the weight. | 0:32:49 | 0:32:51 | |
You see, it's got real weight, and it's solid silver. | 0:32:51 | 0:32:54 | |
There's an awful lot of work in there, isn't there? | 0:32:54 | 0:32:56 | |
A huge amount of work, yeah. | 0:32:56 | 0:32:58 | |
-It's not my cup of tea, but will it make us money? -Well, it cost £120, | 0:32:58 | 0:33:02 | |
but I think it stands a sporting chance | 0:33:02 | 0:33:05 | |
because it is a cut above the average example. | 0:33:05 | 0:33:08 | |
Well, let's find out whether our auctioneer considers that | 0:33:08 | 0:33:12 | |
our Mr Ross has made something of a sterling effort...or not. | 0:33:12 | 0:33:16 | |
So, Colin, here it is, described as a late 19th, | 0:33:17 | 0:33:21 | |
early 20th-century rectangular white metal tray. | 0:33:21 | 0:33:26 | |
Yes. | 0:33:26 | 0:33:27 | |
We have described it as such, for a fairly basic thing, | 0:33:27 | 0:33:31 | |
because of the Hallmarking Act. | 0:33:31 | 0:33:33 | |
And I actually do believe that it is silver, | 0:33:33 | 0:33:36 | |
I do believe that it is late Victorian. | 0:33:36 | 0:33:39 | |
I think it's period, I think it's fine, | 0:33:39 | 0:33:41 | |
but there is a definite absence of a hallmark there. | 0:33:41 | 0:33:45 | |
Myself, three staff, we've all looked with great depth | 0:33:45 | 0:33:49 | |
-and I can you see still... -I am, I am. | 0:33:49 | 0:33:52 | |
You're quizzing away as well, aren't you? | 0:33:52 | 0:33:54 | |
Essentially, I don't think it's going to make one jot of difference, | 0:33:54 | 0:33:57 | |
because you pick it up, you know it's period, | 0:33:57 | 0:33:59 | |
you know it's a really good quality thing. | 0:33:59 | 0:34:01 | |
-So, an estimate of £50-£80. -OK. | 0:34:01 | 0:34:05 | |
Well, dear Charlie Ross paid £120. | 0:34:05 | 0:34:08 | |
-I don't see much of a profit out of it for him. -OK. | 0:34:08 | 0:34:11 | |
-Are you going to be taking the sale today, Colin? -I am indeed, Eric. | 0:34:11 | 0:34:14 | |
Excellent. So, in Colin we trust. | 0:34:14 | 0:34:18 | |
The auction is underway, | 0:34:18 | 0:34:19 | |
but there's breaking news about Charlie's bonus buy. | 0:34:19 | 0:34:22 | |
He's found the hallmark. | 0:34:22 | 0:34:24 | |
It was quite plain to me. | 0:34:24 | 0:34:26 | |
Salaman & Levi, 1900, | 0:34:26 | 0:34:30 | |
Birmingham. | 0:34:30 | 0:34:31 | |
Proper antique. | 0:34:31 | 0:34:34 | |
I'm sure Colin will make amends when it goes under the hammer. | 0:34:34 | 0:34:37 | |
But first up are the Reds. | 0:34:37 | 0:34:39 | |
So, ladies, have you been to many auctions in your time, or...? | 0:34:39 | 0:34:43 | |
-I've only been to one. -I've been to several. | 0:34:43 | 0:34:46 | |
-You've been to several? -Yes, I do like them, yes. | 0:34:46 | 0:34:48 | |
-You're quite seasoned in it. -She's a professional, yes. | 0:34:48 | 0:34:51 | |
We've got your decorative ridge tile coming up now. | 0:34:51 | 0:34:54 | |
You both loved this, didn't you? | 0:34:54 | 0:34:55 | |
-We did. -I want to take it home with me. | 0:34:55 | 0:34:57 | |
Look, it's just about to come up, | 0:34:57 | 0:35:00 | |
so hang onto your hats and all systems go. | 0:35:00 | 0:35:03 | |
There we go, the ridge tile, hippocampus. £50. | 0:35:03 | 0:35:07 | |
£30. 22 go, then, £20, everybody. | 0:35:07 | 0:35:09 | |
20 bid, 2 bid, 5, 28, 28, 30, 32, 32 now, 35. | 0:35:09 | 0:35:13 | |
38, 40. | 0:35:13 | 0:35:15 | |
2, 45, 48, bid 50, 50 bid. | 0:35:15 | 0:35:18 | |
-Come on. -50, surely, 50 bid? | 0:35:18 | 0:35:19 | |
-5, 5, 60. -We're in profit. -55 bid. 60, do I see? | 0:35:19 | 0:35:23 | |
-60 bid, 65. -Good, good. -65, 70. | 0:35:23 | 0:35:26 | |
70 bid, 75. | 0:35:26 | 0:35:28 | |
80 now, 80 bid, 85. | 0:35:28 | 0:35:31 | |
-85! Come on! -Are we all done at 80? | 0:35:31 | 0:35:34 | |
Come on! Come on, you Reds! | 0:35:34 | 0:35:36 | |
-Any of you? Nope, £80. -Go on. -We should have bid, too. | 0:35:36 | 0:35:40 | |
Going with £80. Any more? | 0:35:40 | 0:35:43 | |
-Sold at 80. -Yes! Whoa, crikey! | 0:35:43 | 0:35:46 | |
Good start, ladies. Right, well, you're plus £32 on that. | 0:35:46 | 0:35:48 | |
Excellent, I think we're making history today. | 0:35:48 | 0:35:52 | |
OK, all right, the drum. | 0:35:52 | 0:35:53 | |
Who's going to start me at £100? £100, anyone, 100? | 0:35:53 | 0:35:56 | |
50, if you like, then. £50, anyone? 60, 70? | 0:35:56 | 0:35:59 | |
80, 90, 100. | 0:35:59 | 0:36:01 | |
At 90 bid, I'll take 5 now. | 0:36:01 | 0:36:03 | |
At £90, the bid's down here, then, at £90. | 0:36:03 | 0:36:05 | |
5 for anybody else, then? Selling at £90. | 0:36:05 | 0:36:07 | |
-Ouch! -I knew, I knew... | 0:36:07 | 0:36:10 | |
Well, I'm afraid minus 60 is getting us down to | 0:36:10 | 0:36:12 | |
a minus 28, so, you know, | 0:36:12 | 0:36:15 | |
take one step forward and two steps back. There's your opener. | 0:36:15 | 0:36:18 | |
You thought this was going to give you the most profit. | 0:36:18 | 0:36:20 | |
£10, anybody. 10 at the back of the room. 12 now, do I see? | 0:36:20 | 0:36:23 | |
12 on the internet. 15 bid. 18 now. | 0:36:23 | 0:36:26 | |
At 15. 18, 18 bid. 20, at 18, 20 surely. | 0:36:26 | 0:36:29 | |
At £18 bid. Last call, then. It's on the internet. | 0:36:29 | 0:36:32 | |
All the room is out. Back in the room at 20. | 0:36:32 | 0:36:34 | |
22 now, may I say? 20 bid. | 0:36:34 | 0:36:36 | |
There's these two people on the net, hovering. Are you going to bid? | 0:36:36 | 0:36:39 | |
No, they've both gone away. At 20. 2 now, may I say? | 0:36:39 | 0:36:42 | |
-Selling in the room at 20. -20. OK. | 0:36:42 | 0:36:45 | |
Well... | 0:36:45 | 0:36:47 | |
Listen, it's £5, and it's in your pocket, | 0:36:47 | 0:36:49 | |
so you're going in the right direction. Minus 23. | 0:36:49 | 0:36:52 | |
The question is, are you going to go with the bonus buy? | 0:36:52 | 0:36:56 | |
-Definitely. -Are you sure about that? -We really like it. -Love it. | 0:36:56 | 0:36:58 | |
-We think it's so pretty. -We like it. -Let's find out. | 0:36:58 | 0:37:02 | |
Who's going to start me at £50 for it? 50, anybody? 50. | 0:37:02 | 0:37:05 | |
30 to go, then, surely. 30, 20 to go. I'll take 10. | 0:37:05 | 0:37:08 | |
£10 for a bit of silver. | 0:37:08 | 0:37:09 | |
10, 12, 15, 18, 20, 2, 5, 28, | 0:37:09 | 0:37:12 | |
30, 2, 35, 38. 35 standing here. | 0:37:12 | 0:37:15 | |
-At 35 bid. 38, surely. 38 bid. 40 now. -40 bed. | 0:37:15 | 0:37:18 | |
42. £40 bid. 42? | 0:37:18 | 0:37:22 | |
-You know you want to. -LAUGHTER | 0:37:22 | 0:37:24 | |
42 now. At £40. 42, | 0:37:24 | 0:37:27 | |
45 now. Do I see 45? | 0:37:27 | 0:37:28 | |
You know you want to. Never works twice, does it? | 0:37:28 | 0:37:32 | |
Well, it might do. | 0:37:32 | 0:37:34 | |
45. At 45. Phew! Lightning. | 0:37:34 | 0:37:37 | |
At 45. 48 now? No, it didn't work twice with you. | 0:37:37 | 0:37:40 | |
45. 8 or not, then? Selling, lady's bid standing here at £45. | 0:37:40 | 0:37:44 | |
Yes, excellent! | 0:37:44 | 0:37:47 | |
I'm plus £15. | 0:37:47 | 0:37:49 | |
But we're in a total, I think, of minus £8. | 0:37:49 | 0:37:52 | |
That can be a winning score, girls, I can assure you. | 0:37:52 | 0:37:55 | |
So, um, you know, take heart, if you will. | 0:37:55 | 0:37:59 | |
OK, Blues. Hello, Kathleen, hello, Stephen. | 0:38:03 | 0:38:05 | |
Your first item that's coming up is the trunk. | 0:38:05 | 0:38:08 | |
-It's a good-looking thing, isn't it? Are you excited? -Yes. -So am I. | 0:38:08 | 0:38:12 | |
Hang on, everybody, this could be a rocky ride. | 0:38:12 | 0:38:14 | |
Let's hope it's going to be a nice, smooth crossing. | 0:38:14 | 0:38:16 | |
-OK? -Who's going to start me at £50 for it? | 0:38:16 | 0:38:18 | |
30 to go, then. £30, anybody. 30. 10 to go, then. | 0:38:18 | 0:38:23 | |
Ideal for interior decor. 10 bid. 12 now. | 0:38:23 | 0:38:26 | |
12 bid, surely. 12 bid. | 0:38:26 | 0:38:28 | |
Do I see 12, surely? 10 is here. At 10. | 0:38:28 | 0:38:31 | |
You're not looking very excited about it. At 10 bid. | 0:38:31 | 0:38:33 | |
12 now, may I say? £10 bid. Any more now? At 10. | 0:38:33 | 0:38:36 | |
12 on the internet. 15 there. | 0:38:36 | 0:38:38 | |
-18 here. 20 bid. -It's moving. | 0:38:38 | 0:38:41 | |
-At £20 bid. 2, surely. At £20 bid. -You're in. | 0:38:41 | 0:38:44 | |
Last call for everybody, then. | 0:38:44 | 0:38:45 | |
On my left here. Original bid is in at £20. | 0:38:45 | 0:38:49 | |
Oh, minus 10. Minus £10. | 0:38:49 | 0:38:52 | |
OK, it's not the end of the world. | 0:38:52 | 0:38:54 | |
You've got three lots to play with here. If you go with the bonus. | 0:38:54 | 0:38:58 | |
-Shovel! -You'll love this. You loved this, didn't you? | 0:38:58 | 0:39:01 | |
Who's going to start me at £30 for it? 30. 20. | 0:39:01 | 0:39:04 | |
£10. £10, anybody. | 0:39:04 | 0:39:06 | |
-Surely £10 for a malt shovel. -KATHLEEN: -Please, bid! | 0:39:06 | 0:39:09 | |
10 up. 5, surely. £5, anybody. | 0:39:09 | 0:39:12 | |
£5, anybody? 5 bid. 5. Any more now? 6, surely. | 0:39:12 | 0:39:15 | |
At £5 bid. 6 now, do I see? At £5. 6 now. | 0:39:15 | 0:39:18 | |
Surely somebody else can dig it. £6 bid. 6, 8, 8 bid, 10 bid. | 0:39:18 | 0:39:22 | |
-11 bid. 12 bid. 13. 13, do I see? -He's going in ones! | 0:39:22 | 0:39:26 | |
13, 13, pay attention. | 0:39:26 | 0:39:28 | |
Last call at 12. | 0:39:28 | 0:39:30 | |
That made minus 8, so we're in a minus 18 now. | 0:39:30 | 0:39:34 | |
-So the next two lots could turn things around. -This is a proper lot. | 0:39:34 | 0:39:37 | |
£100, anyone? 100. 50 if you like. Who's coming in at £50? | 0:39:37 | 0:39:40 | |
50. 50 bid, 50. | 0:39:40 | 0:39:42 | |
5 now, may I say? We're on the market at 50. 55. | 0:39:42 | 0:39:45 | |
Bid 60. 5 now. | 0:39:45 | 0:39:47 | |
At 65. 70. 5 now. | 0:39:47 | 0:39:50 | |
75. Quickly now. 75. £70 bid. | 0:39:50 | 0:39:55 | |
I'll take two as a last call. At 70. £70, are we all done? | 0:39:55 | 0:39:57 | |
Last call, then. Done, finished on 2? | 0:39:57 | 0:39:59 | |
No. Selling in the room, at 72 on the net. At 72, 75, 75, 78 now. | 0:39:59 | 0:40:04 | |
75, last call at £75. | 0:40:04 | 0:40:07 | |
-Oh, £75. Minus 50. -What's the damage, Eric? | 0:40:07 | 0:40:12 | |
-Minus 68 at the moment. -Is that all? -Don't worry, don't worry. | 0:40:12 | 0:40:16 | |
-I think it's that moment of truth. Do we go with the bonus buy? -Yes. | 0:40:16 | 0:40:20 | |
-We'll trust our expert, Charlie. -You do that. | 0:40:20 | 0:40:23 | |
It's a really good, crisp, bold hallmark. | 0:40:23 | 0:40:26 | |
Salaman & Levi, Birmingham, 1900. | 0:40:26 | 0:40:30 | |
And it's there for you all to see, Eric. | 0:40:30 | 0:40:32 | |
He is now in the know, and he will announce it from the rostrum. | 0:40:32 | 0:40:35 | |
I'm hoping he'll big it up when he's up there, | 0:40:35 | 0:40:37 | |
because you've gone with it now. | 0:40:37 | 0:40:39 | |
-We've found the hallmark on this... -KATHLEEN: -Hurray! | 0:40:39 | 0:40:42 | |
..which is 1900. | 0:40:42 | 0:40:44 | |
It is Levi & Salaman, so there we go. Quite a nice dish there. | 0:40:44 | 0:40:48 | |
Who's going to start me at £100? It will be easily over £100 for it. | 0:40:48 | 0:40:53 | |
80 to go, then. 80. £50 bid. 50. | 0:40:53 | 0:40:55 | |
5 anywhere else now? We've got 50. 5? | 0:40:55 | 0:40:57 | |
55 at the back of the room. At 55. 60, | 0:40:57 | 0:41:00 | |
5, 70, 70... | 0:41:00 | 0:41:03 | |
-Will it. -Will it. Get your hands out. | 0:41:03 | 0:41:06 | |
-Will it, will it. -5, 80, -5. Come on! | 0:41:06 | 0:41:09 | |
80. 5, surely. At £80 bid. At 80. | 0:41:09 | 0:41:12 | |
We've nearly reached scrap value. | 0:41:12 | 0:41:15 | |
85, 90. At 90 bid. | 0:41:15 | 0:41:18 | |
We're into market value now. 92, 95, 98 in the room. 98 now, surely. | 0:41:18 | 0:41:22 | |
-98, do I see? 95 on the internet. 95. -Come on! | 0:41:22 | 0:41:26 | |
Is anybody else going to bid? 90. | 0:41:26 | 0:41:28 | |
Very pretty dish. All done and finished at £95. | 0:41:28 | 0:41:32 | |
Sold at 95, thank you very much. | 0:41:32 | 0:41:34 | |
It was a noble effort, which has sadly resulted | 0:41:34 | 0:41:38 | |
in a £25 loss. | 0:41:38 | 0:41:40 | |
However, however, you know, | 0:41:40 | 0:41:42 | |
at least we're keeping a common theme going there. | 0:41:42 | 0:41:45 | |
So I reckon we've done minus 93, if my maths is correct. | 0:41:45 | 0:41:50 | |
And the most important thing to remember, don't talk to the Reds. | 0:41:50 | 0:41:54 | |
-OK. All right? -I don't think they'll want to. | 0:41:54 | 0:41:57 | |
THEY LAUGH | 0:41:57 | 0:41:59 | |
Well, it was a game of ups and downs, | 0:42:05 | 0:42:08 | |
and both the Reds and both the Blues had to take a few hits | 0:42:08 | 0:42:11 | |
and one or two on the chin, yes? | 0:42:11 | 0:42:13 | |
And I'm sorry to say that nobody is going home with any cash today. | 0:42:13 | 0:42:19 | |
But the team that managed to rid themselves of the most money... | 0:42:19 | 0:42:24 | |
LAUGHTER | 0:42:24 | 0:42:26 | |
..coming in second, were the Blues. | 0:42:26 | 0:42:29 | |
So, a noble effort. | 0:42:29 | 0:42:31 | |
I'm not one to patronise. | 0:42:31 | 0:42:33 | |
You did everything right apart from make money. | 0:42:33 | 0:42:36 | |
LAUGHTER | 0:42:36 | 0:42:37 | |
The sorry truth is, you ended up with minus £93. OK. | 0:42:37 | 0:42:42 | |
To the ladies in hats, | 0:42:42 | 0:42:44 | |
you actually have taken the day with a negative | 0:42:44 | 0:42:48 | |
of minus £8. | 0:42:48 | 0:42:50 | |
And, um, as I say, there's nothing coming out | 0:42:50 | 0:42:53 | |
of either of my pockets for you. | 0:42:53 | 0:42:55 | |
LAUGHTER | 0:42:55 | 0:42:57 | |
-But all we want to know is, have you had fun? -Yes. -You have indeed. | 0:42:57 | 0:43:01 | |
Excellent. Do join us again for some more bargain hunting. | 0:43:01 | 0:43:05 | |
-Yes? ALL: -Yes! | 0:43:05 | 0:43:07 |