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SOMBRE CHORAL MUSIC | 0:00:02 | 0:00:05 | |
Yes, it's Bargain Hunt. | 0:00:05 | 0:00:06 | |
But we've gone back to medieval times. | 0:00:08 | 0:00:12 | |
We're in Lincolnshire, | 0:00:12 | 0:00:14 | |
which had more monasteries than anywhere in England. | 0:00:14 | 0:00:17 | |
But what you probably didn't know is that this show has its own order. | 0:00:18 | 0:00:23 | |
CHURCH BELL CHIMES | 0:00:23 | 0:00:24 | |
The Order Of The Golden Gavel. | 0:00:24 | 0:00:27 | |
And there's no mystery about what our mantra is. | 0:00:29 | 0:00:32 | |
That's right, let's go Bargain Hunting. | 0:00:32 | 0:00:35 | |
Today, we're at the Lincoln Showground | 0:00:59 | 0:01:01 | |
at their enormous antiques fair. | 0:01:01 | 0:01:04 | |
But will our teams be blessed with good fortune? | 0:01:04 | 0:01:06 | |
Let's take a look at what's coming up. | 0:01:06 | 0:01:08 | |
The Reds show off their knowledge... | 0:01:11 | 0:01:14 | |
It's 19th century. | 0:01:14 | 0:01:15 | |
-All right, we've... -Shaped like the Victory. | 0:01:15 | 0:01:18 | |
Very interesting plate. He was leader of Germany. | 0:01:18 | 0:01:20 | |
Yeah, but it's hideous. Who's going to buy it? | 0:01:20 | 0:01:22 | |
..but are they smart shoppers? | 0:01:22 | 0:01:24 | |
And the Blues know what they don't like... | 0:01:25 | 0:01:27 | |
-No. -You're not sure? -No, no. | 0:01:27 | 0:01:29 | |
-No? You're not struck on those? -No. -No. | 0:01:29 | 0:01:31 | |
Right, OK. | 0:01:31 | 0:01:32 | |
..and what they do. | 0:01:32 | 0:01:34 | |
Oh, look what I can see. | 0:01:34 | 0:01:37 | |
-Oh, wow! -She hasn't! | 0:01:37 | 0:01:38 | |
-Oh, wow! -I can't believe it! Those are gnomes! | 0:01:38 | 0:01:42 | |
And there's excitement down at the auction. | 0:01:42 | 0:01:44 | |
£10?! | 0:01:44 | 0:01:46 | |
-52, 55... -Yes! | 0:01:46 | 0:01:48 | |
Well done! | 0:01:48 | 0:01:49 | |
But first of all, let's meet today's teams. | 0:01:51 | 0:01:54 | |
And in the Red corner, we have father and daughter, John and Lucy. | 0:01:54 | 0:01:58 | |
And for the Blues, we've got mother and daughter, Caroline and Natalie. | 0:01:58 | 0:02:02 | |
-Hello! ALL: -Hello! | 0:02:02 | 0:02:04 | |
That is a resounding hello. | 0:02:04 | 0:02:06 | |
I'm going to come to you later, Blues. Starting with the Reds. | 0:02:06 | 0:02:08 | |
Lucy, you have a demanding career, | 0:02:08 | 0:02:11 | |
but you've just taken on a responsibility | 0:02:11 | 0:02:13 | |
that puts that into the pale, I'm sure. Tell me more. | 0:02:13 | 0:02:15 | |
Absolutely. Usually I'm a solicitor, but I'm currently on maternity leave | 0:02:15 | 0:02:19 | |
having given birth to my son nine weeks ago. | 0:02:19 | 0:02:21 | |
-Nine weeks! -I have to say that maternity leave | 0:02:21 | 0:02:23 | |
is possibly the hardest job I have ever had. | 0:02:23 | 0:02:26 | |
Longer hours, less pay but probably the most rewarding. | 0:02:26 | 0:02:30 | |
And getting help from Dad, by any chance? And Mum? | 0:02:30 | 0:02:33 | |
Dad and Mum, absolutely. | 0:02:33 | 0:02:36 | |
They're doting grandparents. | 0:02:36 | 0:02:37 | |
In fact, I can't really get rid of them. | 0:02:37 | 0:02:39 | |
John, you were a teacher. | 0:02:39 | 0:02:40 | |
-I was, yes. -Teaching? | 0:02:40 | 0:02:42 | |
-History. -Oh, very good. Did you specialise at all? | 0:02:42 | 0:02:45 | |
Medieval period and castles particularly. | 0:02:45 | 0:02:48 | |
You know your crenellations and your keeps? | 0:02:48 | 0:02:50 | |
-And your inner wards and outer wards? -I certainly do. | 0:02:50 | 0:02:53 | |
-And my baileys and my... -Your mottes. -..mottes. | 0:02:53 | 0:02:56 | |
-Yes. -Very good. | 0:02:56 | 0:02:58 | |
Frankly, you would have been my ideal dad. | 0:02:58 | 0:03:00 | |
Not that I didn't have an ideal dad, | 0:03:00 | 0:03:02 | |
but a dad that would drive me around castles would be my first choice. | 0:03:02 | 0:03:06 | |
Lucy, did you feel the same way about your dad? | 0:03:06 | 0:03:08 | |
-Not quite! Not quite. -THEY LAUGH | 0:03:08 | 0:03:11 | |
Dad did tend to drag us around lots of historical properties | 0:03:11 | 0:03:15 | |
and we seemed to attract other people. | 0:03:15 | 0:03:18 | |
-The entourage? -Yes, yes. | 0:03:18 | 0:03:20 | |
Now, a solicitor commands some respect. | 0:03:20 | 0:03:22 | |
Will you hold all the power in this little team? | 0:03:22 | 0:03:26 | |
I think so. I mean, Dad's got the knowledge, obviously, | 0:03:26 | 0:03:28 | |
being a history teacher, | 0:03:28 | 0:03:29 | |
but ultimately the final word will be mine. | 0:03:29 | 0:03:32 | |
I'm saying nothing. I'll see you in a moment. | 0:03:32 | 0:03:34 | |
Now, over to the Blues. | 0:03:34 | 0:03:36 | |
Natalie, this programme is about spending money. | 0:03:36 | 0:03:40 | |
But your day job is all about saving money. Tell me more. | 0:03:40 | 0:03:43 | |
Yes. My normal day job is helping normal people, mums, | 0:03:43 | 0:03:49 | |
just people trying to make ends meet, save money. | 0:03:49 | 0:03:52 | |
And how do you get this across? | 0:03:52 | 0:03:55 | |
I run a website. It all started off as a hobby | 0:03:55 | 0:03:58 | |
just a little bit of a blog, | 0:03:58 | 0:04:00 | |
something that I was writing in my spare time as a mum. | 0:04:00 | 0:04:02 | |
People started spotting it, asking me more questions | 0:04:02 | 0:04:05 | |
and then someone very nice approached me and said, | 0:04:05 | 0:04:07 | |
"Would you like to make it a full-time job?" | 0:04:07 | 0:04:09 | |
and I just leaped at the chance. | 0:04:09 | 0:04:11 | |
Now, I've got a tip for you. | 0:04:11 | 0:04:13 | |
If you want to go shopping for antiques and collectors items, | 0:04:13 | 0:04:16 | |
go on Bargain Hunt and spend someone else's money. | 0:04:16 | 0:04:19 | |
-Yes, there is that. I was told that. -Just saying. | 0:04:19 | 0:04:23 | |
Good. Caroline, a wee birdie tells me | 0:04:23 | 0:04:25 | |
you have an interesting collection, or collections. | 0:04:25 | 0:04:28 | |
-Tell me more. -Yeah, I collect gnomes. | 0:04:28 | 0:04:30 | |
-Gnomes? -Yeah. I love my gnomes. | 0:04:30 | 0:04:32 | |
HE LAUGHS | 0:04:32 | 0:04:34 | |
And how many have you got in the gnome clan? | 0:04:34 | 0:04:36 | |
I've got about ten. I haven't got that many. | 0:04:36 | 0:04:38 | |
Only about ten. That's ten more than you need. | 0:04:38 | 0:04:40 | |
But they keep getting kidnapped, so... | 0:04:40 | 0:04:42 | |
-What? -People kidnap them. | 0:04:42 | 0:04:45 | |
My nephew decides that it's quite a good idea that when he comes round | 0:04:45 | 0:04:49 | |
and he'll kidnap them and they go to exotic places, | 0:04:49 | 0:04:52 | |
like Heathrow and Paris. | 0:04:52 | 0:04:53 | |
What, do you get the texted photographs? | 0:04:53 | 0:04:55 | |
Yeah. I've got one where they're behind bars. | 0:04:55 | 0:04:58 | |
There was a gnome and they were behind bars like they were in jail, | 0:04:58 | 0:05:02 | |
-which I thought was quite cruel. -A wee little message? -Yeah. | 0:05:02 | 0:05:05 | |
-Pay a ransom. -"Deliver the money." -Yeah. | 0:05:05 | 0:05:07 | |
"Used fivers or you're never going to see gnome boy and girl again." | 0:05:07 | 0:05:10 | |
-Yeah. -Seriously, I wouldn't pay the money. | 0:05:10 | 0:05:13 | |
-Do yourself a favour. -I love my gnomes! | 0:05:13 | 0:05:15 | |
I'm just joking with you. | 0:05:15 | 0:05:17 | |
This could be a blinder. | 0:05:19 | 0:05:21 | |
Well, look, you have got £300 to invest as you see fit. | 0:05:21 | 0:05:26 | |
-John and Lucy. -There you go, darling. -There you go. | 0:05:26 | 0:05:29 | |
-Natalie and Caroline. Spend it wisely. -Thank you. | 0:05:29 | 0:05:32 | |
You've got two trusty experts awaiting you. | 0:05:32 | 0:05:35 | |
Off you go and the very best of luck to you. | 0:05:35 | 0:05:38 | |
I dread to think what's going to come back after this hour's up. | 0:05:38 | 0:05:41 | |
We have our teams, but who are our experts? | 0:05:43 | 0:05:46 | |
He'll be strutting his stuff. | 0:05:46 | 0:05:48 | |
Raj Bisram takes charge of the Reds. | 0:05:48 | 0:05:50 | |
We all know she's ACE. | 0:05:51 | 0:05:53 | |
Kate Bliss joins the Blues. | 0:05:53 | 0:05:55 | |
Here we are. Lucy, John, what are we looking for today, then? | 0:05:55 | 0:05:59 | |
Well, some Victorian jewellery and perhaps some silver. | 0:05:59 | 0:06:02 | |
We like the idea of a suitcase or a trunk. | 0:06:02 | 0:06:05 | |
Maybe a little bit of studio glass. | 0:06:05 | 0:06:07 | |
-I'd like to look for a gnome. -Would you now? | 0:06:07 | 0:06:09 | |
-I would love a gnome. If I could find an old gnome... -Right. | 0:06:09 | 0:06:12 | |
..that would suit me down to the ground. I reckon it could make | 0:06:12 | 0:06:14 | |
-a bit of profit. -Do you? -Yeah. -Are you happy with that? -No. | 0:06:14 | 0:06:17 | |
Noses to the grindstone, teams. Your hour starts now. | 0:06:19 | 0:06:22 | |
-WHISTLE BLOWS -Let's see. Come on! | 0:06:22 | 0:06:24 | |
Let's go shopping. | 0:06:24 | 0:06:26 | |
Both teams are starting their shops inside | 0:06:26 | 0:06:29 | |
and both teams need a reality check. | 0:06:29 | 0:06:32 | |
-Kate. -That silver dog. | 0:06:32 | 0:06:34 | |
420. | 0:06:34 | 0:06:36 | |
-Oh, right. -You guys have got good taste. | 0:06:36 | 0:06:38 | |
-RAJ: -There's some very nice jewellery, | 0:06:38 | 0:06:40 | |
but it all looks very expensive. | 0:06:40 | 0:06:42 | |
That's what I like. | 0:06:42 | 0:06:43 | |
Remember, you've only got £300 to spend. | 0:06:43 | 0:06:47 | |
Natalie, you said you like luggage. | 0:06:47 | 0:06:49 | |
I like that a lot. I love that. | 0:06:49 | 0:06:51 | |
-That's exactly what we were looking for. -Is it? | 0:06:51 | 0:06:54 | |
Shall we have a closer look? | 0:06:54 | 0:06:55 | |
This is lovely actually. What do you think, Caroline? | 0:06:55 | 0:06:58 | |
I think it's in really good condition for the age | 0:06:58 | 0:07:00 | |
and I really do like it, actually. | 0:07:00 | 0:07:02 | |
The special thing about it is it's got a really interesting mechanism. | 0:07:02 | 0:07:07 | |
If we come down here... | 0:07:07 | 0:07:10 | |
I'll show you. | 0:07:10 | 0:07:11 | |
If you open it up... | 0:07:11 | 0:07:12 | |
..these bits here extend out on the hinge as well. | 0:07:13 | 0:07:17 | |
So then it almost doubles in width. | 0:07:17 | 0:07:20 | |
-Very clever. -Brilliant. | 0:07:20 | 0:07:22 | |
-And what's the inside like? -Let's have a look. | 0:07:22 | 0:07:24 | |
So, inside you've got an original little badge there. | 0:07:24 | 0:07:28 | |
The name's Revelation, which is quite nice. | 0:07:28 | 0:07:30 | |
It's a little bit dirty inside, but it's the original interior, | 0:07:30 | 0:07:33 | |
-which is really nice. -It's in good condition. -I really like that. | 0:07:33 | 0:07:36 | |
Well, I think this is probably post-war. Late '40s, I would say. | 0:07:36 | 0:07:39 | |
Now, the price tag on here is 45. | 0:07:39 | 0:07:42 | |
Get down to 30? | 0:07:42 | 0:07:44 | |
I would put an auction estimate of certainly 30 to 40 on it. | 0:07:44 | 0:07:48 | |
-Shall I go and see what the best price is? -Yes. -Yes, please. | 0:07:48 | 0:07:51 | |
See you in a minute. | 0:07:51 | 0:07:52 | |
While Kate goes off on her travels, what's John found? | 0:07:53 | 0:07:57 | |
Raj, what do you think to this? | 0:07:57 | 0:07:59 | |
Here's a first - Raj is lost for words. | 0:08:01 | 0:08:03 | |
-Well... -I think the silence says it all! | 0:08:03 | 0:08:06 | |
Well, I can see why you're attracted to it. | 0:08:06 | 0:08:08 | |
-It's commemorating... -The Dardanelles campaign. | 0:08:08 | 0:08:11 | |
Yeah, absolutely. So it's got military interest as well. | 0:08:11 | 0:08:13 | |
But to me, it's just a bit too plain. | 0:08:13 | 0:08:16 | |
-Yeah. -OK. -That's my opinion. | 0:08:16 | 0:08:18 | |
-I agree. -You agree? -Absolutely. Veto. | 0:08:18 | 0:08:20 | |
OK, it's vetoed. | 0:08:20 | 0:08:22 | |
Time to pack up and move on, Reds. | 0:08:22 | 0:08:25 | |
Now, what's the word on the luggage? | 0:08:25 | 0:08:27 | |
All right, ladies. The best deal is £40. OK? | 0:08:27 | 0:08:32 | |
And they've got to make their profit too. | 0:08:32 | 0:08:34 | |
So £40 is the death, as they say. | 0:08:34 | 0:08:37 | |
What do we think? | 0:08:37 | 0:08:38 | |
Even if we only make a few pounds profit, I'll be happy. | 0:08:38 | 0:08:40 | |
I really, really like it. | 0:08:40 | 0:08:42 | |
-I think it's certainly got a chance. -Yeah. | 0:08:42 | 0:08:44 | |
-Shall we do it? -Yes, please. -Yes. | 0:08:44 | 0:08:45 | |
Great! Come on, then. | 0:08:45 | 0:08:46 | |
You work fast, Blues, I'll give you that. | 0:08:48 | 0:08:51 | |
You bagged that case in under 15 minutes. | 0:08:51 | 0:08:54 | |
The Reds are now playing catch up. | 0:08:54 | 0:08:56 | |
OK. Now, I'm drawn to this. | 0:08:57 | 0:08:58 | |
-From here that looks like Whitefriars. -Yes. | 0:08:58 | 0:09:02 | |
Now, Whitefriars is very, very collectable. | 0:09:02 | 0:09:05 | |
You know, the factory closed | 0:09:05 | 0:09:07 | |
and some of their stuff fetches lots of money these days. | 0:09:07 | 0:09:10 | |
There are a lot of collectors about. | 0:09:10 | 0:09:12 | |
Big designer was Geoffrey Baxter, | 0:09:12 | 0:09:14 | |
who was the first person ever in the world... | 0:09:14 | 0:09:17 | |
In the moulds, he put in nails and all sorts of other things, | 0:09:17 | 0:09:22 | |
which gave it these textured designs. | 0:09:22 | 0:09:24 | |
That almost looks like bamboo. | 0:09:24 | 0:09:26 | |
-Yes, it is. Correct! Well done. -THEY LAUGH | 0:09:26 | 0:09:29 | |
Have a gold star, John. | 0:09:29 | 0:09:31 | |
If we could get that for somewhere around... | 0:09:31 | 0:09:33 | |
-..£60 to £80, we'd be seeing a profit in that. -Yeah? | 0:09:34 | 0:09:37 | |
-That's a nice piece of Whitefriars. -I really like that. | 0:09:37 | 0:09:40 | |
-Yeah? -Do you want to haggle? -I really like that. | 0:09:40 | 0:09:42 | |
-OK. Shall we let you haggle? -Yes. | 0:09:42 | 0:09:43 | |
-Excuse me. -Hello, there. -Hi. | 0:09:43 | 0:09:45 | |
We're interested in this Blackfriars vase. | 0:09:45 | 0:09:49 | |
-Whitefriars. -Whitefriars! | 0:09:49 | 0:09:50 | |
You must pay attention in class, Lucy! | 0:09:50 | 0:09:53 | |
-This would be £95. -£95? -Yes. | 0:09:53 | 0:09:56 | |
-Any better? -He did say that was his best. | 0:09:56 | 0:09:59 | |
-£80? -I can't. Not on this one. | 0:09:59 | 0:10:01 | |
I'll do it for 90. | 0:10:01 | 0:10:03 | |
Could we meet in the middle? Maybe 85? | 0:10:03 | 0:10:05 | |
-Go on, then, deal. -85? Are we happy? | 0:10:05 | 0:10:07 | |
-JOHN: -Yes, certainly. -Thank you so much. | 0:10:07 | 0:10:09 | |
All right. Well done, Lucy. Thank you very much indeed. | 0:10:09 | 0:10:12 | |
You're a canny operator, Lucy. | 0:10:13 | 0:10:15 | |
I didn't think he'd come down on that. | 0:10:15 | 0:10:18 | |
So both teams have a buy in the bag on the 20-minute mark. | 0:10:18 | 0:10:21 | |
What's next on the shopping list? | 0:10:21 | 0:10:24 | |
This is Swedish art pottery. | 0:10:24 | 0:10:27 | |
It's by a factory called Upsala-Ekeby, | 0:10:27 | 0:10:30 | |
which was manufacturing art pottery and teaware, | 0:10:30 | 0:10:34 | |
utilitarian wares as well, up to about the 1970s. | 0:10:34 | 0:10:38 | |
And this is this period - '60s, '70s. | 0:10:38 | 0:10:41 | |
And we've got the manufacturer's mark on the back here. | 0:10:41 | 0:10:47 | |
Do you see the U and the E? Upsala-Ekeby. | 0:10:47 | 0:10:49 | |
These are really starting to become popular in the UK, actually. | 0:10:49 | 0:10:53 | |
They sell very well in Sweden. | 0:10:53 | 0:10:55 | |
And I think there's just something about it. | 0:10:55 | 0:10:57 | |
They're quite retro-looking, but the colours, I think, are fab. | 0:10:57 | 0:11:00 | |
Yeah, I really like that, actually. | 0:11:00 | 0:11:01 | |
I can imagine somebody, you know, having it. | 0:11:01 | 0:11:04 | |
-Whether it was in their bathroom or... -Hm. | 0:11:04 | 0:11:05 | |
-You know, by a window, definitely. -Hm. | 0:11:05 | 0:11:08 | |
It's really pretty, but like I say, I suppose it all depends on price | 0:11:08 | 0:11:12 | |
and how much it could make. | 0:11:12 | 0:11:13 | |
-What's the best on that? -'What have I got on that?' | 0:11:13 | 0:11:16 | |
-You've got 65 on there. -65? -Yeah. | 0:11:16 | 0:11:18 | |
I could do it for 55. | 0:11:18 | 0:11:20 | |
Would you go as low as 45? | 0:11:20 | 0:11:21 | |
We'll take it if you go as low as 45. | 0:11:21 | 0:11:23 | |
I can't. I can't. | 0:11:23 | 0:11:26 | |
-Ohh. -'No.' | 0:11:26 | 0:11:27 | |
I'll come down to 50. | 0:11:27 | 0:11:28 | |
If you would like it, darling. | 0:11:28 | 0:11:30 | |
I might have to be a bit more flexible on the third item. | 0:11:30 | 0:11:34 | |
-I think you might. -I really like it | 0:11:34 | 0:11:35 | |
and I think that's actually a very fair price. | 0:11:35 | 0:11:38 | |
I really do. I think that's really, really pretty. | 0:11:38 | 0:11:41 | |
Well, if our money-saving expert says it's OK, I'd go with it, Mum. | 0:11:41 | 0:11:45 | |
OK. I give in. Just once and once only. | 0:11:45 | 0:11:48 | |
-Two to one. -Yeah. | 0:11:48 | 0:11:49 | |
-Thank you, sir. We'll do it. -'OK.' | 0:11:49 | 0:11:51 | |
There's no stopping the Blues. | 0:11:51 | 0:11:53 | |
They've bought two items in under half an hour. | 0:11:53 | 0:11:56 | |
The Reds are busy looking for their second. | 0:11:58 | 0:12:00 | |
Very interesting plate here of Paul von Hindenburg. | 0:12:00 | 0:12:04 | |
He was the second president of the Weimar Republic. | 0:12:04 | 0:12:07 | |
He was leader of Germany before Hitler. | 0:12:07 | 0:12:09 | |
-Yeah, but it's hideous. Who's going to buy it? -I don't know. | 0:12:09 | 0:12:11 | |
It's just an interesting... | 0:12:11 | 0:12:13 | |
-Yeah, from the history teacher's point of view. -I know. | 0:12:13 | 0:12:15 | |
With militaria, there are always people interested in it. | 0:12:15 | 0:12:19 | |
I'm not so sure about Hindenburg. | 0:12:19 | 0:12:22 | |
OK? I have to be honest. But shall we...? | 0:12:22 | 0:12:25 | |
-We'll earmark it and come back. -OK. | 0:12:25 | 0:12:27 | |
No. We're not buying it. Come on, we're moving on. | 0:12:27 | 0:12:29 | |
-Thank you, darling. -Oh, we've been told. We've been told. | 0:12:29 | 0:12:32 | |
Come on, let's go. | 0:12:32 | 0:12:33 | |
Your dad may be a teacher, Lucy, | 0:12:33 | 0:12:35 | |
but you could definitely get a job as headmistress. | 0:12:35 | 0:12:38 | |
And while our teams look for some smoking-hot deals, | 0:12:38 | 0:12:41 | |
I have an axe to grind. | 0:12:41 | 0:12:44 | |
Behold an authentic Native American tomahawk. | 0:12:50 | 0:12:55 | |
Now, if you've seen enough John Wayne movies and the likes, | 0:12:55 | 0:12:58 | |
you will be conjuring up images of proud warriors | 0:12:58 | 0:13:02 | |
in their buckskin war shirts and feather headdress, | 0:13:02 | 0:13:05 | |
perhaps holding such tools as this. | 0:13:05 | 0:13:08 | |
It is indeed an iconic object. | 0:13:08 | 0:13:10 | |
But it's more than a simple axe because here, | 0:13:10 | 0:13:15 | |
opposed to the blade, is a pipe bowl. | 0:13:15 | 0:13:19 | |
And this serves not only as a useful tool but also... | 0:13:20 | 0:13:26 | |
..a pipe for moments of leisure. | 0:13:28 | 0:13:31 | |
So there you have it, an authentic Native American crafted artefact. | 0:13:31 | 0:13:37 | |
Well, no, because you may be shocked to hear | 0:13:37 | 0:13:41 | |
that this was actually made in Blighty, here in England. | 0:13:41 | 0:13:46 | |
And you ask yourself, "Shock, horror, Paul. Is it a fake? | 0:13:46 | 0:13:49 | |
"A reproduction? A forgery?" | 0:13:49 | 0:13:52 | |
Well, no. We've got an 18th or very early 19th-century tomahawk | 0:13:52 | 0:13:58 | |
manufactured specifically for trading with Native Americans. | 0:13:58 | 0:14:02 | |
Now, who's doing this trading? | 0:14:02 | 0:14:03 | |
Well, think of the likes of the Hudson Bay Company, | 0:14:03 | 0:14:06 | |
set up to gather up beaver skins and other treasures | 0:14:06 | 0:14:11 | |
for export back to Europe. No doubt at great profit. | 0:14:11 | 0:14:16 | |
A useful bargaining tool in the hands of the traders | 0:14:16 | 0:14:20 | |
was a prized object like a steel-headed axe, or tomahawk, | 0:14:20 | 0:14:25 | |
as we have before us now. | 0:14:25 | 0:14:28 | |
Now, if we look at this object closely, | 0:14:28 | 0:14:30 | |
we can see hallmarks of its European origin. | 0:14:30 | 0:14:33 | |
Look at this head here. | 0:14:33 | 0:14:34 | |
The pipe bowl itself of ovoid form with this collar | 0:14:34 | 0:14:37 | |
and this wasted neck. | 0:14:37 | 0:14:39 | |
That could easily be from a Georgian Adam-influenced candlestick, | 0:14:39 | 0:14:44 | |
could it not? | 0:14:44 | 0:14:45 | |
The socket here has this decorative chevron, | 0:14:45 | 0:14:48 | |
which is very typical for such. | 0:14:48 | 0:14:49 | |
And you see this moulding here, just at the neck of the axe blade. | 0:14:49 | 0:14:54 | |
All aesthetic refinements whose origins are clearly western, | 0:14:54 | 0:15:00 | |
as opposed to Native American. | 0:15:00 | 0:15:02 | |
Now, there's one other decorative element to this piece | 0:15:02 | 0:15:04 | |
that really works for me. | 0:15:04 | 0:15:07 | |
And it's this buckskin thong here | 0:15:07 | 0:15:09 | |
with a combination of glass trade beads and cowry shells, | 0:15:09 | 0:15:14 | |
proving that it travelled over the Atlantic. | 0:15:14 | 0:15:17 | |
Was almost certainly used, if not by a Native American, | 0:15:17 | 0:15:20 | |
then by a settler, frontiersman or a soldier | 0:15:20 | 0:15:24 | |
and then ultimately returned to this country. | 0:15:24 | 0:15:27 | |
Now, this was purchased in a provincial antique shop | 0:15:27 | 0:15:31 | |
for all of £140. | 0:15:31 | 0:15:34 | |
These are scarce and extremely desirable objects. | 0:15:34 | 0:15:38 | |
It's true value in the hands of a specialist is closer to £3,000. | 0:15:38 | 0:15:43 | |
Now that's a bargain, if ever I saw one. | 0:15:44 | 0:15:48 | |
Stick those numbers in your pipe and smoke it. | 0:15:48 | 0:15:50 | |
Let's get back in the thick of things. | 0:15:58 | 0:16:00 | |
The Blues are out in front with two items... | 0:16:00 | 0:16:02 | |
-That's really cute. -I don't like it. | 0:16:02 | 0:16:05 | |
-No. -No? You're not sure? -No, no. | 0:16:05 | 0:16:07 | |
..while the Reds only have one. | 0:16:07 | 0:16:09 | |
Well, you do go for all the stuff that's really expensive. | 0:16:09 | 0:16:12 | |
Sorry, darling. | 0:16:12 | 0:16:14 | |
With less than 30 minutes left, how are our experts feeling? | 0:16:14 | 0:16:18 | |
Well, Lucy and John definitely have got fixed ideas. | 0:16:18 | 0:16:22 | |
They know what they want. They are very knowledgeable, especially John. | 0:16:22 | 0:16:25 | |
I think for the third piece, it's got to be Caroline's shout | 0:16:25 | 0:16:29 | |
and I have a horrible feeling we're going in the direction of gnomes. | 0:16:29 | 0:16:33 | |
Oh, gno...me! | 0:16:33 | 0:16:35 | |
Take them in the other direction then, KB. | 0:16:35 | 0:16:38 | |
Oh, that's better. A bit of fresh air. | 0:16:38 | 0:16:39 | |
-Yeah, a bit of fresh air. -Yeah, I like that. | 0:16:39 | 0:16:41 | |
Let's go this way, then, ladies. | 0:16:41 | 0:16:43 | |
I'm glad you know where you're going. | 0:16:43 | 0:16:45 | |
I'm not sure Raj does. | 0:16:45 | 0:16:46 | |
And I'm having second thoughts about Kate. | 0:16:48 | 0:16:50 | |
We seem to have come out of the busy bit, ladies. | 0:16:50 | 0:16:52 | |
-Shall we head up there? -Well, there's a big tent over there. | 0:16:52 | 0:16:55 | |
-That looks good. -Let's head for the big tent. | 0:16:55 | 0:16:57 | |
Quick march! Quick march! | 0:16:58 | 0:17:00 | |
You take your time, ladies. | 0:17:01 | 0:17:03 | |
I think you've done really well so far | 0:17:05 | 0:17:07 | |
and you haven't spent that much money. | 0:17:07 | 0:17:09 | |
Although you only have 20 minutes left on the clock. | 0:17:09 | 0:17:12 | |
Back inside, Raj is in need of John's expertise. | 0:17:12 | 0:17:16 | |
Look at these, right. OK. | 0:17:16 | 0:17:18 | |
Tell me if you can tell me a little bit about these | 0:17:18 | 0:17:20 | |
because these are very, very unusual. | 0:17:20 | 0:17:22 | |
There are four of them with ship scenes. | 0:17:22 | 0:17:25 | |
Do you want to look at those? | 0:17:25 | 0:17:26 | |
-They're ashtrays, aren't they? -That's what I thought. Off a ship. | 0:17:26 | 0:17:29 | |
-Off a ship. -Yeah, maybe a ship cinema or something like that. -Yeah. | 0:17:29 | 0:17:32 | |
That's an 18th-century ship... | 0:17:32 | 0:17:34 | |
-All right, we've... -..like the Victory. | 0:17:34 | 0:17:36 | |
That basically looks like the White Ship. | 0:17:36 | 0:17:39 | |
This is medieval. | 0:17:39 | 0:17:41 | |
-That looks like the Viking raid on Porlock Bay... -OK. | 0:17:41 | 0:17:44 | |
..in about nine something, something. | 0:17:44 | 0:17:47 | |
Blimey! John does know his stuff. | 0:17:47 | 0:17:49 | |
I'm not sure about that. That's a carrack. | 0:17:49 | 0:17:51 | |
-They're all different, aren't they? -Yeah. -They're all different | 0:17:51 | 0:17:53 | |
and they're really well made. Do you like them or not? | 0:17:53 | 0:17:56 | |
-I think they're interesting. -Yeah. -Would they sell? | 0:17:56 | 0:17:58 | |
It depends. If we can get them at the right price, | 0:18:00 | 0:18:02 | |
-I think they would sell. How much has she got on them? -£20 each. | 0:18:02 | 0:18:04 | |
-£20 each. -That's £80. Put it this way, | 0:18:04 | 0:18:06 | |
if we can get these for a tenner each or under, | 0:18:06 | 0:18:09 | |
you're almost guaranteed to make a profit. | 0:18:09 | 0:18:11 | |
Do you want to give it a go, then, Dad, if you like them? | 0:18:11 | 0:18:14 | |
These are scenes from British history. British maritime history. | 0:18:14 | 0:18:17 | |
All right. Well, go and see what you can get for them. | 0:18:17 | 0:18:20 | |
Well, that's your interest. So let's see what we can do. | 0:18:20 | 0:18:22 | |
These have caught our eye. | 0:18:22 | 0:18:24 | |
They were from a ship's theatre on the back of the seats | 0:18:24 | 0:18:28 | |
for the cigarettes, with brass liner inside. | 0:18:28 | 0:18:31 | |
'What about for the four, 40 quid?' | 0:18:31 | 0:18:34 | |
50. | 0:18:34 | 0:18:36 | |
We really can't go much more than 40. | 0:18:36 | 0:18:39 | |
45? | 0:18:39 | 0:18:40 | |
Go on. | 0:18:40 | 0:18:42 | |
-What? -I would stick out with the 40. | 0:18:42 | 0:18:44 | |
I think we're taking a chance here. | 0:18:44 | 0:18:46 | |
I think we're taking a chance and I think 40 is not a bad deal. | 0:18:46 | 0:18:51 | |
Would you take 40 for them? We're going to pay cash. | 0:18:51 | 0:18:53 | |
-Go on, then. We'll do 40. -We'll do a deal? -Thank you very much. | 0:18:53 | 0:18:56 | |
-I hope you do well with them. -Thanks. | 0:18:56 | 0:18:57 | |
-I've never seen anything like them before. -No. -Thank you very much. | 0:18:57 | 0:19:00 | |
-Right. Well, two things down. -Two down. -Two down, one to go. | 0:19:00 | 0:19:04 | |
Yeah, OK. | 0:19:04 | 0:19:06 | |
Bravo, Reds, although I think Raj saved the day there. | 0:19:06 | 0:19:09 | |
Now, have the Blues found their way yet? | 0:19:10 | 0:19:13 | |
Oh, look what I can see. | 0:19:13 | 0:19:16 | |
-Oh, wow! -I can't believe it! -She hasn't! | 0:19:16 | 0:19:18 | |
-Oh, wow! -I can't believe it! She's found a gnome! | 0:19:18 | 0:19:21 | |
-Oh, no! -A whole kind of clan of gnomes. -Yeah. | 0:19:21 | 0:19:24 | |
-Oh, brilliant. -They're actually quite heavy. I'm really surprised. | 0:19:24 | 0:19:28 | |
Would they actually be worth anything? | 0:19:28 | 0:19:31 | |
They're not very old and they were probably made in their... | 0:19:32 | 0:19:35 | |
-..millions. -Right, OK. | 0:19:37 | 0:19:38 | |
-What are you asking for your little collection here? -'45 quid.' | 0:19:38 | 0:19:42 | |
'But you can have them for £30.' | 0:19:42 | 0:19:43 | |
-I think it's still quite a lot for some gnomes. I really do. -Yeah. | 0:19:44 | 0:19:48 | |
I think we need to make a profit. And as much as I love them... | 0:19:48 | 0:19:51 | |
Yeah. I think good call. | 0:19:51 | 0:19:53 | |
Do you know, that is music to my ears! | 0:19:53 | 0:19:55 | |
There might be another gnome somewhere. | 0:19:55 | 0:19:57 | |
Oh, pretend you didn't hear that, KB, | 0:19:57 | 0:20:00 | |
although I'm sure Caroline could sniff out a gnome at 100 paces. | 0:20:00 | 0:20:04 | |
The Reds have picked up the smell of potential as well. | 0:20:04 | 0:20:07 | |
So I've spotted this little perfume bottle here, | 0:20:07 | 0:20:11 | |
which I think is quite cute. | 0:20:11 | 0:20:12 | |
Oh, that does look very, very pretty. Shall we have a look at it? | 0:20:12 | 0:20:15 | |
-That's wonderful. -Very sweet. -I just think it's absolutely beautiful. | 0:20:15 | 0:20:19 | |
It's got an interesting clasp as well. | 0:20:19 | 0:20:22 | |
Look at the back as well. | 0:20:22 | 0:20:23 | |
That's fabulous. | 0:20:23 | 0:20:25 | |
-That is a pretty little thing. -I love it. | 0:20:25 | 0:20:28 | |
Can you tell us a little bit about it? | 0:20:28 | 0:20:30 | |
'Roundabout the '30s. Possibly Czechoslovakian.' | 0:20:30 | 0:20:32 | |
Yeah. Actually, that would figure. You know, the Bohemian glass. | 0:20:32 | 0:20:35 | |
The Bohemian glass, yeah. | 0:20:35 | 0:20:36 | |
What about trying a double deal with that Art Deco compact there? | 0:20:36 | 0:20:42 | |
I'm not sure about the quality of this, unfortunately. | 0:20:42 | 0:20:45 | |
See what you think. | 0:20:45 | 0:20:46 | |
'That's Czechoslovakian again.' | 0:20:46 | 0:20:48 | |
Again, I think it's Turk and I think it's the glass. | 0:20:48 | 0:20:50 | |
Well, it's definitely got age to it. | 0:20:50 | 0:20:52 | |
This is definitely a period piece as well, definitely. | 0:20:52 | 0:20:55 | |
I mean, it's quite sweet. I mean, maybe the two would go together. | 0:20:55 | 0:20:59 | |
Perfume and a mirror. | 0:20:59 | 0:21:01 | |
-Right, whose turn is it to haggle this time? -I think I can do it. | 0:21:01 | 0:21:04 | |
OK, Lucy. Let's see what we can do. | 0:21:04 | 0:21:07 | |
You've got 35 on this one and I think that's 28 on that. | 0:21:07 | 0:21:10 | |
What's the best you could do for the both of them together? | 0:21:10 | 0:21:13 | |
-55 is the best. -55? -Yes. | 0:21:13 | 0:21:16 | |
-Hmm. -What do you think? | 0:21:16 | 0:21:17 | |
Do you think you could do it for 45 for the pair? | 0:21:17 | 0:21:19 | |
'I'm sorry. They're pretty good prices.' | 0:21:19 | 0:21:22 | |
Would you split the difference with us and do 50? | 0:21:22 | 0:21:24 | |
'OK. I'll do 50, then.' | 0:21:24 | 0:21:25 | |
£50? Thank you very much. Thank you. | 0:21:25 | 0:21:28 | |
You pair are a force to be reckoned with. | 0:21:28 | 0:21:31 | |
Well done. Very, very professional. | 0:21:31 | 0:21:34 | |
You two would make fantastic dealers. | 0:21:34 | 0:21:36 | |
You finished your shop with 15 minutes to spare. | 0:21:36 | 0:21:39 | |
-Let's go and gloat somewhere and have a drink, shall we? -Yeah. | 0:21:39 | 0:21:42 | |
-Fabulous. -After you, Lucy. | 0:21:42 | 0:21:43 | |
The Blues are still in the hunt for their last item... | 0:21:43 | 0:21:46 | |
..but nothing takes their fancy. | 0:21:47 | 0:21:50 | |
-No? Not struck on those? -No. -No. | 0:21:50 | 0:21:52 | |
No. Let's keep looking. | 0:21:54 | 0:21:55 | |
-No? -No. I think we're all right. | 0:21:55 | 0:21:59 | |
I haven't seen anything like it in my life! | 0:21:59 | 0:22:01 | |
-Do you know what, ladies? I don't think it's for us. -No. -Right, OK. | 0:22:01 | 0:22:05 | |
-That's a shame. -I think we're losing time. | 0:22:05 | 0:22:07 | |
-No. -OK. -Oh! | 0:22:07 | 0:22:09 | |
Oh! Mind the camera! | 0:22:09 | 0:22:10 | |
So we've eight minutes, guys. Let's have a look over here. | 0:22:10 | 0:22:13 | |
Oh, there's some lovely things on here. | 0:22:13 | 0:22:16 | |
What do you like, guys? | 0:22:16 | 0:22:17 | |
I really like stuff like this. | 0:22:17 | 0:22:19 | |
Well, this Celtic stuff is really coming back in. | 0:22:19 | 0:22:21 | |
I mean, that's a lovely little agate brooch. | 0:22:21 | 0:22:23 | |
-What have we got on that? -'35'. | 0:22:23 | 0:22:26 | |
Is it solid silver, Kate? | 0:22:26 | 0:22:28 | |
Let's just have a little look at it. | 0:22:28 | 0:22:29 | |
So brooch's at the moment are a little bit out of fashion, | 0:22:29 | 0:22:32 | |
but these very Celtic-looking pieces are still fairly popular, | 0:22:32 | 0:22:36 | |
I think it's fair to say. | 0:22:36 | 0:22:37 | |
You've got "silver" there and "Made in England", | 0:22:37 | 0:22:40 | |
which puts it at sort of post-war. | 0:22:40 | 0:22:43 | |
You've got a little bit of a fracture going on there... | 0:22:43 | 0:22:45 | |
-Yeah, I'd rather get... -Actually, it's not too bad. | 0:22:45 | 0:22:50 | |
I do quite like that one. | 0:22:50 | 0:22:51 | |
I think that's quite commercial with the different coloured agate. | 0:22:51 | 0:22:54 | |
What's the best you could do for us on this one? | 0:22:54 | 0:22:57 | |
I could do it for 25. | 0:22:57 | 0:22:58 | |
I really like that. | 0:22:58 | 0:22:59 | |
And I think we're quite short on time. I think we need to... | 0:22:59 | 0:23:02 | |
Could you do it for 20? | 0:23:02 | 0:23:03 | |
-You're cutting my throat here! -Please! | 0:23:03 | 0:23:05 | |
-I know, but please would you do it for 20? -'She's the haggler.' | 0:23:05 | 0:23:08 | |
-Of course, we can. -Oh, brilliant. | 0:23:08 | 0:23:09 | |
-Thank you. -Are you happy, Caroline? | 0:23:09 | 0:23:12 | |
-I'm happy with that, yeah. -That's a deal. Thank you so much. | 0:23:12 | 0:23:16 | |
Three lots for the Red and three lots for the Blue. | 0:23:16 | 0:23:18 | |
END OF ROUND KLAXON Time's up. | 0:23:18 | 0:23:20 | |
Brilliant. So all three pieces, in the nick of time, I have to say. | 0:23:20 | 0:23:23 | |
Only just! Only just! | 0:23:23 | 0:23:25 | |
Let's remind ourselves what the Red team have bought. | 0:23:25 | 0:23:28 | |
There were no cracks in Lucy's haggling. | 0:23:28 | 0:23:30 | |
She got this Whitefriars glass vase for £85. | 0:23:30 | 0:23:34 | |
These silver ashtrays featuring naval scenes were £40 for four. | 0:23:34 | 0:23:38 | |
Let's hope they didn't go overboard on the price. | 0:23:38 | 0:23:41 | |
And the compact and scent bottle were £50 for the pair. | 0:23:41 | 0:23:44 | |
Do I smell a profit or will they cause a stink? | 0:23:44 | 0:23:48 | |
Lucy, John, I'm sorry. Are you late for a prior appointment? | 0:23:48 | 0:23:52 | |
I've got to say, you did it with some grace. A very civilised affair. | 0:23:52 | 0:23:56 | |
Yeah. We had a plan and we stuck to it. | 0:23:56 | 0:23:59 | |
Boy, did you! And are we happy with our purchases in hindsight? | 0:23:59 | 0:24:02 | |
Absolutely. I like every single one of them. | 0:24:02 | 0:24:04 | |
Well, liking them all is one thing, but you've got to pick a favourite. | 0:24:04 | 0:24:07 | |
-Tell me. -I think my favourite is the perfume bottle and compact. | 0:24:07 | 0:24:12 | |
I picked that one and I just love it. I think it's gorgeous. | 0:24:12 | 0:24:15 | |
John, do you agree? | 0:24:15 | 0:24:16 | |
I personally think the Whitefriars glass. I like the bamboo. | 0:24:16 | 0:24:22 | |
OK. Now, total spend? | 0:24:22 | 0:24:24 | |
Total spend was £175. | 0:24:24 | 0:24:27 | |
-That's healthy. Very good. So someone owes me all of £125. -Yeah. | 0:24:27 | 0:24:31 | |
Thank you very much. And I shall give it to Raj to spend wisely. | 0:24:31 | 0:24:36 | |
-Any ideas? -Lucy's given me some ideas. | 0:24:36 | 0:24:37 | |
I've got to be very careful, though, with these two. | 0:24:37 | 0:24:40 | |
They know exactly what they're doing. | 0:24:40 | 0:24:41 | |
Interesting stuff. | 0:24:41 | 0:24:43 | |
Now, let's remind ourselves what the Blues bought. | 0:24:43 | 0:24:47 | |
The adjustable leather suitcase was £40. | 0:24:47 | 0:24:49 | |
Let's hope it gets them on their way at the auction. | 0:24:49 | 0:24:52 | |
The ceramic plaque by Upsala-Ekeby was £50. | 0:24:52 | 0:24:56 | |
But will it reel in a profit? | 0:24:56 | 0:24:57 | |
And £20 was paid for this Scottish-style agate brooch. | 0:24:58 | 0:25:01 | |
But was it a canny buy? | 0:25:01 | 0:25:03 | |
Natalie, Caroline, that looked like it went to plan. | 0:25:04 | 0:25:07 | |
Yeah, I think we did pretty well at the beginning. | 0:25:07 | 0:25:09 | |
We got a couple of items in, but towards the end it was a bit wobbly. | 0:25:09 | 0:25:13 | |
So, what do you like the most out of your lots? | 0:25:13 | 0:25:16 | |
I think I had lent towards the suitcase. I do like the suitcase. | 0:25:16 | 0:25:19 | |
But I think if I'm really honest, | 0:25:19 | 0:25:21 | |
the special piece is the tile with the fish on. I really like that. | 0:25:21 | 0:25:25 | |
Yeah. Very good. Do you agree, Mum? | 0:25:25 | 0:25:27 | |
I do. I like the tile. | 0:25:27 | 0:25:29 | |
At first I didn't, but it's grown on me | 0:25:29 | 0:25:31 | |
and I think we're going to make a lot of profit on that. | 0:25:31 | 0:25:34 | |
-So that ticks both boxes. -Yeah. | 0:25:34 | 0:25:36 | |
-Your favourite and the one with a profit? -Yeah, definitely. | 0:25:36 | 0:25:39 | |
-I like the sound of that. -Definitely. | 0:25:39 | 0:25:41 | |
How much have you spent? | 0:25:41 | 0:25:42 | |
I think we spent £110. | 0:25:42 | 0:25:44 | |
Well, I'd say that was reasonably measured. | 0:25:44 | 0:25:46 | |
-I think you delivered there. -Yeah. | 0:25:46 | 0:25:48 | |
So you owe me, or someone owes me, £190. | 0:25:48 | 0:25:51 | |
-There's quite a lot there. -Not mine for long. | 0:25:51 | 0:25:54 | |
-Into the trusty hands of Kate Bliss. -Lovely! | 0:25:54 | 0:25:56 | |
How are you going to complete this spend, then? | 0:25:56 | 0:25:59 | |
I'm going to go for something beautiful | 0:25:59 | 0:26:01 | |
that hopefully both of you will like. | 0:26:01 | 0:26:04 | |
It remains to be seen. | 0:26:05 | 0:26:07 | |
And that will happen at the auction. | 0:26:07 | 0:26:09 | |
And we're not going far. | 0:26:12 | 0:26:14 | |
We're heading down the road to Lincoln city centre | 0:26:15 | 0:26:18 | |
and the auction house of Golding Young & Mawer. | 0:26:18 | 0:26:20 | |
And here we are with auctioneer Colin Young himself. | 0:26:24 | 0:26:27 | |
-How are you, Colin? -I'm very well, Paul. Good to see you. | 0:26:27 | 0:26:29 | |
Likewise. | 0:26:29 | 0:26:31 | |
Well, look at this offering from the Reds - Lucy and John. | 0:26:31 | 0:26:35 | |
Kicking off with a good-looking piece of Whitefriars glass, | 0:26:35 | 0:26:38 | |
-is it not? -It is indeed, yes. | 0:26:38 | 0:26:40 | |
A fairly common one, though. | 0:26:40 | 0:26:42 | |
-You do see an awful lot of bamboo around. -Yeah. | 0:26:42 | 0:26:45 | |
And it's not one of the more exotic colours, either, I'm afraid. | 0:26:45 | 0:26:48 | |
-It's a wee bit grey. -Yes. | 0:26:48 | 0:26:50 | |
Because of that and all those factors... | 0:26:50 | 0:26:52 | |
I mean, it's still a good thing, | 0:26:52 | 0:26:53 | |
but you're essentially looking at an estimate of £50-£80. | 0:26:53 | 0:26:57 | |
OK. Well, that's a disappointment | 0:26:57 | 0:26:59 | |
because Lucy and John paid £85 for it. | 0:26:59 | 0:27:02 | |
-Just a tad over the high-end of the estimate spectrum. -Yeah. | 0:27:02 | 0:27:06 | |
And from there, we go to these rather unusual... | 0:27:06 | 0:27:09 | |
A quartet of ships' ashtrays, they've been described as. | 0:27:09 | 0:27:13 | |
-What do you think? -Well, we've continued that description | 0:27:13 | 0:27:17 | |
purely on the basis that we haven't got anything better to call them. | 0:27:17 | 0:27:21 | |
And so, we're just sticking with the party line on that, I'm afraid. | 0:27:21 | 0:27:25 | |
Regardless of what they were, the workmanship, those friezes, | 0:27:25 | 0:27:29 | |
are actually rather pleasingly executed. | 0:27:29 | 0:27:31 | |
It is. It's that typical sort of 1920s, 1930s look | 0:27:31 | 0:27:36 | |
-that you find on mock Tudor. -Yeah. | 0:27:36 | 0:27:38 | |
What do you think the next owner's going to pay for them? | 0:27:38 | 0:27:41 | |
I think they've got to be worth £10 apiece. | 0:27:41 | 0:27:43 | |
So on that basis, I'm hedging my bets and going for 30 to 50. | 0:27:43 | 0:27:46 | |
OK, I hear you. | 0:27:46 | 0:27:47 | |
Well, that's not bad given that they actually paid mid-estimate, £40. | 0:27:47 | 0:27:52 | |
-OK, yeah. -So there or thereabouts, fingers crossed. | 0:27:52 | 0:27:56 | |
And they end their little trio with a pair | 0:27:56 | 0:27:58 | |
of superficially showy-looking gilt metal objects. | 0:27:58 | 0:28:02 | |
They're decorative, they're costume items. | 0:28:02 | 0:28:05 | |
There's no value in terms of gemstone. | 0:28:05 | 0:28:07 | |
There's no value in terms of metalware either on there. | 0:28:07 | 0:28:11 | |
And my feeling is that they're going to stop bidding at low tens. | 0:28:11 | 0:28:15 | |
OK. So, what are we saying? 10, 20, maybe £30? | 0:28:15 | 0:28:18 | |
Yeah, that's the sort of range I would be in for it. | 0:28:18 | 0:28:20 | |
The Reds paid £50 for those. | 0:28:20 | 0:28:22 | |
-Right. -A bonus buy may be needed at this juncture. | 0:28:22 | 0:28:26 | |
A plan B. An escape plan. Let's go and see what Raj has got in mind. | 0:28:26 | 0:28:30 | |
Well, Lucy, John, you spent a respectable £175, leaving Raj 125. | 0:28:32 | 0:28:37 | |
Show us what you invested in, Raj. | 0:28:37 | 0:28:40 | |
I decided to buy this. | 0:28:40 | 0:28:42 | |
-It's a jewellery box. -A jewellery box. | 0:28:42 | 0:28:43 | |
-Look at that. That opens up like that. -That looks quite old. | 0:28:43 | 0:28:46 | |
-How old is it? -It's late 19th, early 20th century. | 0:28:46 | 0:28:49 | |
It's a Black Forest jewellery box | 0:28:49 | 0:28:51 | |
and Black Forest items are very collectable. | 0:28:51 | 0:28:54 | |
The Black Forest is an area in south-west Germany. | 0:28:54 | 0:28:57 | |
-Can I feel it? -Yeah, of course you can. | 0:28:57 | 0:28:59 | |
-How much did you pay for it? -Well, I actually... | 0:28:59 | 0:29:01 | |
THEY LAUGH Cutting to the bottom line! | 0:29:01 | 0:29:04 | |
Well, come on, it comes down to profit, doesn't it?! | 0:29:04 | 0:29:06 | |
Let's be honest. It can be really beautiful, | 0:29:06 | 0:29:08 | |
-but if you paid a fortune for it... -I paid £40 for it. | 0:29:08 | 0:29:11 | |
-£40? -Which I think was a bargain. | 0:29:11 | 0:29:13 | |
It should make £40 to £60. | 0:29:13 | 0:29:15 | |
It's unusual, isn't it? | 0:29:15 | 0:29:17 | |
So this will be carved in lime wood. | 0:29:17 | 0:29:19 | |
-Beautiful. -Is it your cup of tea, John? -Yes, I like it. | 0:29:19 | 0:29:21 | |
-I do like it very much. -We don't have to make a final decision | 0:29:21 | 0:29:24 | |
until after the auction of our lots. | 0:29:24 | 0:29:27 | |
So let's, in the meantime, go see if the auctioneer | 0:29:27 | 0:29:30 | |
thinks our lime wood box will add some zest to the auction. | 0:29:30 | 0:29:34 | |
Well, there... | 0:29:36 | 0:29:37 | |
..is a Black Forest-type casket. | 0:29:39 | 0:29:41 | |
Very much a sort of souvenir ware piece. | 0:29:41 | 0:29:43 | |
People travelling in that region would often buy these things | 0:29:43 | 0:29:46 | |
made of what's known as linden wood, | 0:29:46 | 0:29:48 | |
but we all know it as lime wood. | 0:29:48 | 0:29:49 | |
That really good softwood that comes from the Black Forest area. | 0:29:49 | 0:29:53 | |
So let's put an estimate say £25 to £40 on it. | 0:29:53 | 0:29:56 | |
OK. That's going the right direction. | 0:29:56 | 0:29:58 | |
£40 is what Raj paid for it. | 0:29:58 | 0:30:01 | |
Well, that's it for the Reds. | 0:30:01 | 0:30:03 | |
The Blues - Natalie and Caroline. | 0:30:03 | 0:30:05 | |
They have come up with quite a varied offering. | 0:30:05 | 0:30:08 | |
Kicking off with our vintage case. | 0:30:08 | 0:30:10 | |
Is that going to be a popular vintage hide case? | 0:30:10 | 0:30:14 | |
I think there'll be plenty of people going for it, yeah. | 0:30:14 | 0:30:17 | |
I just think they'll probably all stop at about the same time. | 0:30:17 | 0:30:20 | |
Which is going to be? | 0:30:20 | 0:30:22 | |
Well, £25 to £40 would be my estimate on it. | 0:30:22 | 0:30:25 | |
The Blues paid £40 for that. | 0:30:25 | 0:30:27 | |
OK. Well, from our late 19th, early 20th century case | 0:30:28 | 0:30:32 | |
to the 1960s, or early '70s perhaps, with our Swedish plaque, which... | 0:30:32 | 0:30:37 | |
Well, that's a statement piece if ever I saw one. | 0:30:37 | 0:30:39 | |
The designer was actually born in St Petersburg in 1911. | 0:30:39 | 0:30:43 | |
-Right. -So you've got a little bit of Russian influence in there. | 0:30:43 | 0:30:47 | |
Fascinating. Well, do we see Russian money bidding up the price? | 0:30:47 | 0:30:51 | |
What's it going to make? | 0:30:51 | 0:30:53 | |
I think it's probably not going to be the Russian market, I'm afraid! | 0:30:53 | 0:30:56 | |
But hopefully, there'll be plenty of people rushing for it. | 0:30:56 | 0:30:59 | |
-I think we should put an estimate of £30 to £50. -OK. | 0:30:59 | 0:31:02 | |
And I think everybody should be quite excited at that. | 0:31:02 | 0:31:05 | |
I'm less excited about the fact that the Blues paid £50 for it, | 0:31:05 | 0:31:08 | |
which is high estimate. | 0:31:08 | 0:31:10 | |
But with your enthusiasm, or what you tell me about it, | 0:31:10 | 0:31:12 | |
-I think that could easily translate to a wee profit. -OK. | 0:31:12 | 0:31:15 | |
Sounds good. | 0:31:15 | 0:31:17 | |
What do you think of our little annular brooch? | 0:31:17 | 0:31:19 | |
Well, they're just so iconic, so desirable, | 0:31:19 | 0:31:24 | |
everybody wants to buy into that market. | 0:31:24 | 0:31:26 | |
And whenever we get them through the sales, | 0:31:26 | 0:31:28 | |
there's always a queue of people that want them. | 0:31:28 | 0:31:30 | |
25 to 40 estimate, which is quite commensurate with that type of thing | 0:31:30 | 0:31:33 | |
-on a regular basis. -Sounds tickety-boo | 0:31:33 | 0:31:35 | |
cos the Blues managed to buy that for £20. | 0:31:35 | 0:31:37 | |
So, I wonder what kind of bonus buy Kate added to that offering. | 0:31:37 | 0:31:42 | |
Let's go take a look. | 0:31:42 | 0:31:43 | |
Caroline, we're gutted that Natalie can't be with us today. | 0:31:44 | 0:31:47 | |
No doubt somewhere she's chewing her fingernails and rooting for us. | 0:31:47 | 0:31:50 | |
Yeah, she will be. She's here in spirit, if not in body. | 0:31:50 | 0:31:53 | |
-I can feel her presence. -Yeah. | 0:31:53 | 0:31:56 | |
Well, the pair of you, no doubt under Natalie's cautious eye, | 0:31:57 | 0:32:01 | |
-spent just £110... -Yeah. | 0:32:01 | 0:32:04 | |
..leaving Kate all of 190. | 0:32:04 | 0:32:07 | |
What do you have lurking under there for your 190? | 0:32:07 | 0:32:10 | |
-Oh! -OK. | 0:32:10 | 0:32:11 | |
-Right, OK. -First impression there? | 0:32:11 | 0:32:14 | |
-Hmm. -It's coordinated. -Do you want to take one and have a little look? | 0:32:14 | 0:32:17 | |
Yeah. How old are these? | 0:32:17 | 0:32:18 | |
Early 20th century, I would say. Maybe '20s, possibly '30s. | 0:32:18 | 0:32:23 | |
-Yeah? -Yeah. | 0:32:23 | 0:32:25 | |
And how much did you pay for them? | 0:32:25 | 0:32:27 | |
-Straight to the numbers! -Straight in there, isn't she? | 0:32:27 | 0:32:30 | |
Well, a funny little amount, actually. | 0:32:31 | 0:32:33 | |
-I had to haggle quite hard. -Yeah. | 0:32:33 | 0:32:34 | |
But I think actually a very reasonable amount. | 0:32:34 | 0:32:37 | |
£33 for the three. | 0:32:37 | 0:32:40 | |
Oh, that's not bad. Can I have a look at that one? | 0:32:40 | 0:32:42 | |
Have a look at that one. | 0:32:42 | 0:32:43 | |
So, that one shows off what is absolutely gorgeous about them, | 0:32:43 | 0:32:47 | |
in my opinion. | 0:32:47 | 0:32:48 | |
They're known as guilloche enamelled. | 0:32:48 | 0:32:50 | |
And that's the term when metal has been engine-turned, | 0:32:50 | 0:32:53 | |
engraved and then the liquid glass, the enamel, | 0:32:53 | 0:32:57 | |
has been laid over the top. | 0:32:57 | 0:32:59 | |
But because of the engraving, you get that lovely shimmering effect. | 0:32:59 | 0:33:03 | |
Faberge was perhaps the greatest exponent of enamelling. | 0:33:03 | 0:33:08 | |
These aren't Faberge, I'm afraid. | 0:33:08 | 0:33:10 | |
And actually, they're probably not silver. They're silver-plated. | 0:33:10 | 0:33:13 | |
-OK. -But I think they're probably French. | 0:33:13 | 0:33:16 | |
So how much do you think we could get for them? | 0:33:16 | 0:33:19 | |
Well, the thing about enamel work is condition, condition, condition... | 0:33:19 | 0:33:23 | |
-Yeah. They are perfect, aren't they? -..and they are perfect. | 0:33:23 | 0:33:26 | |
I think a gorgeous colour as well. | 0:33:26 | 0:33:27 | |
A very commercial colour. | 0:33:27 | 0:33:29 | |
So I would certainly put £40 to £60 on them | 0:33:29 | 0:33:32 | |
if I was putting an auction estimate on them. | 0:33:32 | 0:33:34 | |
Yeah. I'm... Yeah. | 0:33:34 | 0:33:36 | |
-Hesitant? Not sure? -Yeah. Hesitant, yeah. I'm not sure. | 0:33:36 | 0:33:39 | |
But, no, they're pretty. | 0:33:39 | 0:33:41 | |
But we don't need to know now because we're going to wait | 0:33:41 | 0:33:43 | |
until the auction over three lots. | 0:33:43 | 0:33:45 | |
In the meantime, let's go see if the auctioneer is any more confident | 0:33:45 | 0:33:49 | |
about their enamelled toiletry vessels. | 0:33:49 | 0:33:52 | |
How good are they? Do you like? | 0:33:55 | 0:33:56 | |
I do. Purely because I can't see any damage on them. | 0:33:56 | 0:33:59 | |
Because that's always going to be the big disaster. | 0:33:59 | 0:34:02 | |
If you see any damage on these, you know that it really is | 0:34:02 | 0:34:04 | |
going to be an uphill struggle. £30 to £50, maybe. | 0:34:04 | 0:34:07 | |
-Kate secured those for 33, so looking good. -Yeah, that's fine. | 0:34:07 | 0:34:10 | |
Who's taking the auction, then, Colin? Is it you? | 0:34:10 | 0:34:13 | |
Well, I've landed the plum job. | 0:34:13 | 0:34:14 | |
Well, I think we've landed the plum auctioneer. Can I say that? | 0:34:14 | 0:34:17 | |
-You can. -I'm looking forward to it immensely. | 0:34:17 | 0:34:19 | |
Let's see what happens under the hammer. | 0:34:19 | 0:34:21 | |
2 now. 32.. | 0:34:23 | 0:34:24 | |
45. At 45. | 0:34:24 | 0:34:26 | |
Phew! Lightning. | 0:34:26 | 0:34:29 | |
At 50 bid. Thank you. | 0:34:29 | 0:34:30 | |
-Optimistic? -Feeling a bit nervous. | 0:34:31 | 0:34:33 | |
-Really? -Yeah. -Overall or about...? | 0:34:33 | 0:34:35 | |
I'm a bit nervous about the scent bottle and compact | 0:34:35 | 0:34:38 | |
because that's the item I picked and if it doesn't do well, | 0:34:38 | 0:34:40 | |
-he's going to hold it against me forever. -Never. | 0:34:40 | 0:34:42 | |
-It could be like an albatross round your neck. -Yes, absolutely. | 0:34:42 | 0:34:45 | |
-But first up is going to be your Whitefriars glass. -Yes. | 0:34:45 | 0:34:49 | |
-Are you still optimistic? -Yeah. -I think so. | 0:34:49 | 0:34:52 | |
-This is a nice lot. -OK. | 0:34:52 | 0:34:54 | |
This is a nice piece of Whitefriars. | 0:34:54 | 0:34:56 | |
-Positive thoughts. -Positive vibes. | 0:34:56 | 0:34:58 | |
Here it comes now. Good luck. | 0:34:58 | 0:35:00 | |
'Start with 80 for it. 80.' | 0:35:00 | 0:35:01 | |
50 will do, then. £50, anyone? 50. | 0:35:01 | 0:35:03 | |
40, if you like. £40, anyone? 40. | 0:35:03 | 0:35:05 | |
There's your opening bid. | 0:35:05 | 0:35:07 | |
45. Bid 50. 55. 55, 60. 60 bid. 5 now. | 0:35:07 | 0:35:09 | |
At 60 for the bid. 5 anywhere else now? At 60. Standing bid at 60. | 0:35:09 | 0:35:12 | |
Do I see 5? At £60 bid. Last call. | 0:35:12 | 0:35:15 | |
I'll take 2. At £60 for the bid. Last call. Standing bid, then. | 0:35:16 | 0:35:19 | |
All done and finished. Everybody's seen it. Going at £60. | 0:35:19 | 0:35:22 | |
That feels like good value, it has to be said. | 0:35:22 | 0:35:24 | |
85 paid. That's a loss of £25. | 0:35:24 | 0:35:28 | |
Here come the ashtrays | 0:35:28 | 0:35:29 | |
that you have so much hope invested in. Come on! | 0:35:29 | 0:35:32 | |
A really stunning set of four of these. | 0:35:32 | 0:35:33 | |
£50, anybody? 50. | 0:35:33 | 0:35:35 | |
They've got to be worth £10 apiece. Who's going to start with £40? | 0:35:35 | 0:35:38 | |
40 at the back of the room. At 40. | 0:35:38 | 0:35:39 | |
5 now, do I see it? 40 for the bid. 5. 45. | 0:35:39 | 0:35:42 | |
50. 50 now. | 0:35:42 | 0:35:43 | |
At 45. Lady's bid at 45. Any more now? | 0:35:43 | 0:35:46 | |
50 from anybody else? At 45. | 0:35:46 | 0:35:48 | |
I'll take it as the last call, then. | 0:35:48 | 0:35:50 | |
At 45. Back row has it, then. | 0:35:50 | 0:35:52 | |
At 45 done and finished, then. Going at £45. | 0:35:52 | 0:35:55 | |
Well, that is a profit of a fiver. That brings your overall tally | 0:35:56 | 0:35:59 | |
to -20. | 0:35:59 | 0:36:01 | |
It's all on these gilt-metal pieces. | 0:36:01 | 0:36:03 | |
Come on. Here we go. Here they come now. | 0:36:03 | 0:36:05 | |
Who's going to start me at £40 for it? 40. 30. | 0:36:05 | 0:36:08 | |
£20. 20. | 0:36:08 | 0:36:09 | |
-£20 down here. -He's got a bid. He's got a bid. | 0:36:09 | 0:36:11 | |
20 bid. 22 again now. | 0:36:11 | 0:36:13 | |
Maiden bid has it at 20. | 0:36:13 | 0:36:14 | |
Oh, no! | 0:36:14 | 0:36:15 | |
Nobody else going to join in, then? Nobody else going to a party? No? | 0:36:15 | 0:36:18 | |
22. Joining in. 5, 28, and 30. And 2. | 0:36:18 | 0:36:21 | |
At £30 bid. 32, do I see now? | 0:36:21 | 0:36:23 | |
£30. Are we all done? Back in the front row, then. Selling at £30. | 0:36:23 | 0:36:26 | |
Do you know what? That is a loss of 20, | 0:36:27 | 0:36:29 | |
bringing your overall loss to £40. | 0:36:29 | 0:36:32 | |
Now, is... | 0:36:32 | 0:36:34 | |
-the jewellery basket going to save the day? -I love it. | 0:36:34 | 0:36:36 | |
-I think we've got to have it. -We've got to go with it. | 0:36:36 | 0:36:38 | |
-You're going for it? -Fingers crossed. | 0:36:38 | 0:36:40 | |
I mean, this is a nice little piece. | 0:36:40 | 0:36:42 | |
Well, here comes the Black Forest piece. Good luck. | 0:36:42 | 0:36:44 | |
Who's going to start me at £80 for it? 80. | 0:36:44 | 0:36:46 | |
50 to go, then, surely. £50, anybody? | 0:36:46 | 0:36:48 | |
50. Look at the quality of the carving. 50. 20 to go, then. | 0:36:48 | 0:36:51 | |
20. I'll take 10. | 0:36:51 | 0:36:52 | |
£10?! | 0:36:52 | 0:36:54 | |
15. 15, 18. 18, 20. At 2. | 0:36:54 | 0:36:55 | |
2 bid. 5. 5 bid. 5. 28. 28 bid. | 0:36:55 | 0:36:58 | |
30. 30 for the bid. 30 bid. 32 now. No? | 0:36:58 | 0:37:00 | |
At £30 at the back of the room. At 30. | 0:37:00 | 0:37:01 | |
Do I see 2 now? 32, surely? | 0:37:01 | 0:37:03 | |
At 30 bid. 2 again now. At £30 at the back of the room, then. | 0:37:03 | 0:37:06 | |
Two is the last call. At £30. Going then at £30 and sold at 30. | 0:37:06 | 0:37:11 | |
Ohh, close! Never mind. | 0:37:11 | 0:37:13 | |
-£30. -That's a loss of 10 and I think you were unlucky. | 0:37:13 | 0:37:17 | |
An overall loss of £50 there. | 0:37:17 | 0:37:19 | |
It could be a winning score. | 0:37:19 | 0:37:21 | |
-It could be. -That's the spirit! | 0:37:21 | 0:37:23 | |
That's the spirit! It could be a winning score. | 0:37:23 | 0:37:25 | |
Look at this. You have got a great environment here. | 0:37:29 | 0:37:33 | |
We've got the internet wired in. | 0:37:33 | 0:37:35 | |
-You've got plenty of bums on seats, I've got to say. -Yeah. | 0:37:35 | 0:37:37 | |
So thus far, it's all auspicious, is it not? | 0:37:37 | 0:37:40 | |
I think we'll make a profit. I'm quite confident. | 0:37:40 | 0:37:42 | |
-Yeah? -Yeah. I'm going to make hundreds. Yeah. | 0:37:42 | 0:37:44 | |
This is the spirit that we're looking for. Now, here we go. | 0:37:44 | 0:37:47 | |
Here's your suitcase. Good luck. | 0:37:47 | 0:37:49 | |
Who's going to start me at £50? | 0:37:49 | 0:37:51 | |
50? 40 to go, then. 40. | 0:37:51 | 0:37:53 | |
30, I'll take. 20. £20 to go. | 0:37:53 | 0:37:54 | |
20. Who's going to be first in? 20. £20. 10, surely? | 0:37:54 | 0:37:57 | |
-10. Oh, come on! -10 bid. 12 bid. 15. 15. -Oh, we've got one. | 0:37:57 | 0:38:00 | |
18. 18, 20. At 20 for the bid. At 20 bid. 2. 2. | 0:38:00 | 0:38:02 | |
Make it 2 now? No. At 20. | 0:38:02 | 0:38:04 | |
Seated bid down here. 2 again, surely? | 0:38:04 | 0:38:05 | |
22. 25. 28 now. | 0:38:05 | 0:38:08 | |
28. 30. 2. | 0:38:08 | 0:38:09 | |
-Go on. -Come on. -32. 35. | 0:38:09 | 0:38:12 | |
35. 38. Bid 40. | 0:38:12 | 0:38:14 | |
-One more! One more! One more! -40 bid now. | 0:38:14 | 0:38:15 | |
No? 38 bid. 40 from anywhere else now. | 0:38:15 | 0:38:18 | |
At 38 in the front here then. At 38. | 0:38:18 | 0:38:19 | |
40 not now, then. Going at £38 and done. | 0:38:19 | 0:38:21 | |
Oh! | 0:38:21 | 0:38:23 | |
Oh, you were so close. 38. | 0:38:23 | 0:38:25 | |
That's a loss of just £2. | 0:38:25 | 0:38:27 | |
But look, no big jeopardy so far. | 0:38:27 | 0:38:29 | |
-I'm quite surprised at that. -Up comes the Upsala-Ekeby piece. -Yeah. | 0:38:29 | 0:38:32 | |
-Good luck. -Who's going to start me at 40? | 0:38:32 | 0:38:34 | |
30. 30. | 0:38:34 | 0:38:36 | |
20. | 0:38:36 | 0:38:37 | |
22. 25. | 0:38:37 | 0:38:39 | |
28. And 30. And 2. | 0:38:39 | 0:38:41 | |
35. 38. No? | 0:38:41 | 0:38:42 | |
35. 38 now, surely? | 0:38:42 | 0:38:45 | |
At 35. Commission bidder. At 35. | 0:38:45 | 0:38:47 | |
-I also have a commission bidder for 36. -Oh, come on! | 0:38:47 | 0:38:50 | |
36. | 0:38:50 | 0:38:51 | |
38 anywhere else now? At £36 are we all done? | 0:38:51 | 0:38:54 | |
Selling at £36. | 0:38:54 | 0:38:55 | |
-Oh, no! -Oh! -36. That's a loss | 0:38:57 | 0:38:58 | |
of £14. Your overall loss so far, £16. | 0:38:58 | 0:39:01 | |
-Here comes the brooch that the auctioneer thinks is a profit. -Yeah. | 0:39:01 | 0:39:04 | |
Who's going to start me at 30? Who's going to be first? £30. | 0:39:04 | 0:39:07 | |
30. 20. | 0:39:07 | 0:39:09 | |
£10. | 0:39:09 | 0:39:10 | |
10, 12, 15, 18. 18, 20. At 20 for the bid. | 0:39:10 | 0:39:13 | |
At 2. 2 bid. 2. 2 bid. 5. 5 bid? No. | 0:39:13 | 0:39:15 | |
At 22 for the bid. 5. 25, 28, 30 on the net. | 0:39:15 | 0:39:18 | |
At £30. It's on the net, then, at £30. | 0:39:18 | 0:39:21 | |
All I'm looking for is just another 2. | 0:39:21 | 0:39:23 | |
At 32. 35. 5 bid. 38 now. | 0:39:23 | 0:39:26 | |
38, 40. | 0:39:26 | 0:39:27 | |
40 bid. 42 now. At £40. | 0:39:27 | 0:39:30 | |
It settles on the net at 40. | 0:39:30 | 0:39:32 | |
Is there 2? There is also 42. | 0:39:32 | 0:39:34 | |
45 now. | 0:39:34 | 0:39:35 | |
At 42. 45. At 45. | 0:39:35 | 0:39:38 | |
48 now. | 0:39:38 | 0:39:39 | |
48 bid. | 0:39:39 | 0:39:41 | |
48 bid. 50 now. | 0:39:41 | 0:39:43 | |
50, I'm bid. | 0:39:43 | 0:39:44 | |
-At 50. -Yes! -Any more now? | 0:39:44 | 0:39:46 | |
Offer them 2. At 50 bid. | 0:39:46 | 0:39:47 | |
2, surely? | 0:39:47 | 0:39:48 | |
-52 bid. -SHE LAUGHS | 0:39:48 | 0:39:51 | |
-55 now. -You're happy now. | 0:39:51 | 0:39:53 | |
At £52 bid. | 0:39:53 | 0:39:55 | |
Looks like the stone has settled. | 0:39:55 | 0:39:57 | |
-Fantastic price. -Finished at £52. | 0:39:57 | 0:40:01 | |
Oh, well done! | 0:40:01 | 0:40:03 | |
Well, wait until you tell Natalie your brooch came good. | 0:40:03 | 0:40:06 | |
That is plus £32 on the brooch alone. | 0:40:06 | 0:40:09 | |
-It gives you an overall profit of £16. -Oh, yeah. | 0:40:09 | 0:40:13 | |
-Excellent. -We'll take the bonus buy. | 0:40:13 | 0:40:15 | |
This is it. I was going to ask you. How are you feeling about that? | 0:40:15 | 0:40:18 | |
Are you going to jeopardise this profit? | 0:40:18 | 0:40:19 | |
-I reckon I'll still be in profit. -You think? | 0:40:19 | 0:40:22 | |
Yeah. Yeah. | 0:40:22 | 0:40:23 | |
-Go for it, yeah. -You sound kind of... -Yeah. | 0:40:23 | 0:40:25 | |
Yes? | 0:40:25 | 0:40:26 | |
Sure? Right, we're going for it. And here it comes now. | 0:40:26 | 0:40:30 | |
The enamel toiletry bottles. Let's have a look. | 0:40:30 | 0:40:32 | |
It's 50. It'll be a low start. 50. Who's first? | 0:40:32 | 0:40:34 | |
40 to go, then. £40 anyone? 30. | 0:40:34 | 0:40:36 | |
30. And 20 to go, then. 20 with you. | 0:40:36 | 0:40:37 | |
20 bid. 22, 25. 5 bid. 28. 28 bid. | 0:40:37 | 0:40:40 | |
32. 2 bid. 5 in row C. 35. | 0:40:40 | 0:40:42 | |
35 now. 5, either of you? | 0:40:42 | 0:40:43 | |
35 at the back. 38 standing? 38 bid. 40 now. | 0:40:43 | 0:40:46 | |
-It's a profit. -38 bid. 40. Let's keep going. | 0:40:46 | 0:40:48 | |
-40 for the bid. 40 bid. 42 bid. -Come on! Yes! That's better. | 0:40:48 | 0:40:51 | |
-42 bid. 45 bid. -Phew! -45 now. | 0:40:51 | 0:40:53 | |
45, surely? 45, 48. | 0:40:53 | 0:40:55 | |
48, 50. Last call, ladies and gentlemen. | 0:40:55 | 0:40:58 | |
Any more bids, then? Selling at 48. 50. Back in at 50. | 0:40:58 | 0:41:01 | |
THEY LAUGH EXCITEDLY | 0:41:01 | 0:41:02 | |
52. It'll help. 52, 55. | 0:41:02 | 0:41:04 | |
And another. At 52 bid. | 0:41:04 | 0:41:06 | |
Last call. Standing bid in the front here then. | 0:41:06 | 0:41:08 | |
I will sell this time, make no mistake. | 0:41:08 | 0:41:10 | |
At £52. | 0:41:10 | 0:41:12 | |
-Whey! -£52. | 0:41:12 | 0:41:14 | |
-Plus... -The relief! -..£19. | 0:41:14 | 0:41:16 | |
There is expertise. Look at that. | 0:41:16 | 0:41:18 | |
Plus £19. | 0:41:18 | 0:41:19 | |
You have grown your profit to £35. | 0:41:19 | 0:41:24 | |
-Do you like that? -Brilliant! Thank you, Kate. | 0:41:24 | 0:41:26 | |
Pleasure. | 0:41:26 | 0:41:28 | |
Well, I can't help but feel that this is a wee bit lopsided. | 0:41:35 | 0:41:38 | |
-We are. -And we've got runners up today as we always do. | 0:41:38 | 0:41:41 | |
And they are... | 0:41:41 | 0:41:42 | |
-the Reds. -Oh, yes! | 0:41:42 | 0:41:46 | |
We set off with high hopes. | 0:41:47 | 0:41:50 | |
Sadly, you may not be taking home profits, | 0:41:50 | 0:41:51 | |
but you're taking home some great memories, yes? | 0:41:51 | 0:41:54 | |
-Lots of fun. -Fabulous. -Yes? -Absolutely great, yeah. | 0:41:54 | 0:41:56 | |
And you were great players and I commend you for your spirit. | 0:41:56 | 0:42:00 | |
But lacking one half of the team, nevertheless here in spirit, | 0:42:00 | 0:42:06 | |
she is rejoicing with us | 0:42:06 | 0:42:08 | |
at what turned out to be a profitable exercise. | 0:42:08 | 0:42:12 | |
-Was it good? -I've had a brilliant time. Thank you very much. | 0:42:12 | 0:42:15 | |
-Yeah, brilliant. -Great stuff. And have you phoned home? | 0:42:15 | 0:42:17 | |
-Have you reported back? -I have. I've reported back. | 0:42:17 | 0:42:20 | |
But she doesn't know that we've won. | 0:42:20 | 0:42:22 | |
There's going to be a follow-up good conversation. | 0:42:22 | 0:42:25 | |
Bit of a party tonight, I think. | 0:42:25 | 0:42:27 | |
Well, a bit of a party. | 0:42:27 | 0:42:28 | |
-And a budget for said party... -Definitely. | 0:42:28 | 0:42:31 | |
-A profit of £35. -Oh, thank you. | 0:42:31 | 0:42:35 | |
Well done you. | 0:42:35 | 0:42:36 | |
Ups and downs, no doubt, but fun by the bag load. Yeah? | 0:42:36 | 0:42:41 | |
-ALL: -Yeah. -We hope you had as much fun. | 0:42:41 | 0:42:43 | |
Check out our website, follow us on Twitter and no matter what you do, | 0:42:43 | 0:42:47 | |
join us next time for some more Bargain Hunting, yes? | 0:42:47 | 0:42:49 | |
-ALL: -Yes! | 0:42:49 | 0:42:51 |