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Today... | 0:00:02 | 0:00:03 | |
..we're in Norwich - | 0:00:04 | 0:00:07 | |
home to what could be the unluckiest cathedral in the whole world. | 0:00:07 | 0:00:12 | |
In 1362, the spire was blown down! | 0:00:12 | 0:00:15 | |
In 1643, a mob ransacked the place! | 0:00:16 | 0:00:20 | |
And while they say lightning doesn't strike twice, it did here. | 0:00:21 | 0:00:25 | |
THUNDERCLAP | 0:00:25 | 0:00:27 | |
Let's hope none of that bad luck rubs off on me or the teams today. | 0:00:27 | 0:00:31 | |
So let's go bargain hunting! | 0:00:31 | 0:00:33 | |
We believe you make your own luck on this show. | 0:00:57 | 0:01:01 | |
But, for the superstitious amongst you, | 0:01:01 | 0:01:03 | |
you might want to avoid... | 0:01:03 | 0:01:06 | |
a £13 item. | 0:01:06 | 0:01:08 | |
And avoid breaking - ooh - any mirrors you might find. | 0:01:10 | 0:01:14 | |
GLASS SMASHES Oh, no! | 0:01:14 | 0:01:16 | |
Quick, cut to what's coming up! | 0:01:16 | 0:01:17 | |
They may be going head to head, but our teams have one thing in common. | 0:01:19 | 0:01:23 | |
-OK, Malcolm. -The ladies are in charge. | 0:01:23 | 0:01:26 | |
Can I have a quick look at the memorabilia? | 0:01:26 | 0:01:29 | |
-I don't really want that. -Will the boys ever get a look in? | 0:01:29 | 0:01:32 | |
-Are you going to let Malcolm take the lead with this? -Yeah, | 0:01:32 | 0:01:34 | |
you do this one. There we are. | 0:01:34 | 0:01:36 | |
-You can buy the next one on your own. -OK. -How's that? | 0:01:36 | 0:01:39 | |
And there's excitement at the auction. | 0:01:39 | 0:01:42 | |
-Come on, come on. -That's awesome. | 0:01:42 | 0:01:44 | |
-Yay! -THEY LAUGH | 0:01:44 | 0:01:46 | |
But before all that, let's meet today's bargain hunters. | 0:01:46 | 0:01:50 | |
So, it's a Mr and Mrs show today. Love and marriage. | 0:01:50 | 0:01:53 | |
And in red, we've got Trevor and Catherine, | 0:01:53 | 0:01:56 | |
-and in blue, we've got Malcolm and Anne. Hello. ALL: -Hello. | 0:01:56 | 0:02:00 | |
So let's get to know the Red team, Trevor and Catherine. | 0:02:00 | 0:02:02 | |
Trevor, I believe you've travelled the world. | 0:02:02 | 0:02:05 | |
Yes, I was lucky enough to be 23 years in the RAF. | 0:02:05 | 0:02:09 | |
I managed to travel through America, all of Europe, | 0:02:09 | 0:02:13 | |
-and a little bit of north Africa as well. -What did you do for them? | 0:02:13 | 0:02:16 | |
I was an engineer. | 0:02:16 | 0:02:19 | |
I was even lucky enough to have 20 hours of flying in Jaguar aircraft. | 0:02:19 | 0:02:24 | |
You're really into your planes, but is there anything else you're into? | 0:02:24 | 0:02:27 | |
I used to deal with Dinky and Corgi cars. | 0:02:27 | 0:02:30 | |
I repatriated them from places like America, and from Australia. | 0:02:30 | 0:02:35 | |
I found out I could buy them for £30 over there, get them shipped to | 0:02:35 | 0:02:38 | |
the UK. I'd clean them up and sell them back here for about 130 quid. | 0:02:38 | 0:02:42 | |
Oh! You are a right bargain hunter, aren't you? | 0:02:42 | 0:02:45 | |
THEY LAUGH | 0:02:45 | 0:02:47 | |
I also hear you are a keen DIYer - is that right? | 0:02:47 | 0:02:50 | |
Yes, and not the normal putting up a shelf. | 0:02:50 | 0:02:52 | |
I mean, we, actually between us, built the extension on our bungalow. | 0:02:52 | 0:02:56 | |
-Is he any good? -He's very good. -Oh, right. -But I'm not. | 0:02:56 | 0:03:00 | |
-You get in the way, do you? -Yes. | 0:03:00 | 0:03:02 | |
Mind you, saying that, he built the extension. | 0:03:02 | 0:03:05 | |
-Yes. -We had three walls, inside wall, | 0:03:05 | 0:03:09 | |
so Trevor had a long one, I had that one, my father had | 0:03:09 | 0:03:11 | |
that one. We had to have it inspected. The inspector came in | 0:03:11 | 0:03:15 | |
and he tapped on our walls to make sure the plaster was fine. | 0:03:15 | 0:03:18 | |
He passed ours, went to Trevor's, he went, "Do-do," | 0:03:18 | 0:03:21 | |
-and the whole wall went..."Dzzz!" -Oh, dear. | 0:03:21 | 0:03:24 | |
-So, what do you do, otherwise? -Well, I'm a nurse - | 0:03:24 | 0:03:27 | |
I've been a nurse for over 30 years. I work as a forensics nurse | 0:03:27 | 0:03:31 | |
-for the police. I work with them. -What does that involve? | 0:03:31 | 0:03:35 | |
Anyone that has got a medical condition that's arrested, | 0:03:35 | 0:03:38 | |
needs medication, needs medical treatment, | 0:03:38 | 0:03:41 | |
we do forensics, so we take swabs and DNA. | 0:03:41 | 0:03:45 | |
-In the mouth, around. -All sorts. | 0:03:45 | 0:03:48 | |
All sorts. I don't want to know. Tell me, how are you going to operate? | 0:03:48 | 0:03:53 | |
Well, I think we're going to use the expert, and we're going to | 0:03:53 | 0:03:56 | |
listen to everything they say, we're going to analyse it, | 0:03:56 | 0:03:59 | |
and then me and the expert are going to what ever Cath says. | 0:03:59 | 0:04:02 | |
-That sounds like a great plan. -What a challenge, eh? -It is a challenge. | 0:04:02 | 0:04:06 | |
Well done. Now, the Blues! | 0:04:06 | 0:04:08 | |
-How are you doing, Malcolm and Anne? -Thank you. -Fine, thank you, Tom. | 0:04:08 | 0:04:12 | |
-Malcolm, tell me...you were also in the RAF - is that right? -Yes, I was, | 0:04:12 | 0:04:15 | |
like Trevor, spent 23 years in the Royal Air Force. I was a chef | 0:04:15 | 0:04:18 | |
in the RAF. Catering for anywhere between... | 0:04:18 | 0:04:22 | |
ten and 20 people, up to the high hundreds sometimes, | 0:04:22 | 0:04:26 | |
in the bigger units. And anything from feeding aircrew | 0:04:26 | 0:04:30 | |
in in-flight feeders up to formal balls, | 0:04:30 | 0:04:33 | |
summer ball, Battle of Britain ball, so quite a wide and varied... | 0:04:33 | 0:04:36 | |
Yeah. Really wide and varied. You like to do open swimming. | 0:04:36 | 0:04:40 | |
I do, I do. I've taken it up about | 0:04:40 | 0:04:43 | |
five or six years ago. And I like to swim around a number of open areas. | 0:04:43 | 0:04:47 | |
Lakes. So, I've done some local, and one of them was done in Windermere. | 0:04:47 | 0:04:51 | |
It was very nice there. Colder, but also nice scenery, but I didn't see | 0:04:51 | 0:04:54 | |
-much of it, obviously, cos I was swimming. -Head down. | 0:04:54 | 0:04:57 | |
Yeah, head down, crawl, et cetera, et cetera. | 0:04:57 | 0:04:59 | |
You're both quite fit, aren't you? You're both a bit fitness fanatics. | 0:04:59 | 0:05:03 | |
And we have something hugely in common. You met each other skiing. | 0:05:03 | 0:05:07 | |
-Yes. -I met my wife skiing. -Oh, right. -So, tell me about the story. | 0:05:07 | 0:05:11 | |
We went on what they call a solo skiing holiday, | 0:05:11 | 0:05:13 | |
and I just went because I wanted... I love skiing. | 0:05:13 | 0:05:16 | |
And people with similar interests, so I booked up, and Malcolm did as well. | 0:05:16 | 0:05:20 | |
And that's how we met. | 0:05:20 | 0:05:22 | |
And it was the first night, we were put together, | 0:05:22 | 0:05:25 | |
as a couple, in a game they'd laid on called The Most Compatible Couple. | 0:05:25 | 0:05:30 | |
And we won it, actually. Yes. | 0:05:30 | 0:05:32 | |
So, you guys are quite tactical with your sporting prowess. | 0:05:32 | 0:05:36 | |
Is that going to come forward in the shopping today? | 0:05:36 | 0:05:39 | |
Well, I think the plan is that I'll choose one item, | 0:05:39 | 0:05:42 | |
and Anne will choose one item, | 0:05:42 | 0:05:44 | |
and then we'll perhaps get the expert to look at the other item for us. | 0:05:44 | 0:05:47 | |
-Sounds like you've got a plan. -I hope so. And hopefully it works. | 0:05:47 | 0:05:51 | |
Hopefully it does. Well, I'd better give some money. There's £300. | 0:05:51 | 0:05:54 | |
-Thank you. -And £300 for you. -Thank you. | 0:05:54 | 0:05:57 | |
Off you go. Your experts await. Have a great time. | 0:05:57 | 0:06:00 | |
I hope this marital bliss continues through the shopping. | 0:06:00 | 0:06:03 | |
They don't do marriage guidance, | 0:06:03 | 0:06:05 | |
but we do have experts who can spot a bargain. | 0:06:05 | 0:06:09 | |
I spy with my little eye - it's Nick Hall. | 0:06:09 | 0:06:12 | |
Nice move. Natasha Raskin hooks up with the Blues. | 0:06:13 | 0:06:18 | |
-Now, team, what are we looking for today? -Silver and bling. | 0:06:18 | 0:06:21 | |
Oh, I like the sound of that. | 0:06:21 | 0:06:23 | |
I already feel as though I've come between husband and wife, | 0:06:23 | 0:06:26 | |
but listen, Anne, what are you looking for today? | 0:06:26 | 0:06:28 | |
What I'd like is some nice Art Deco type jewellery, | 0:06:28 | 0:06:30 | |
or some nice glassware. | 0:06:30 | 0:06:32 | |
I'd like quirky, but at the same time it's got to be practical. | 0:06:32 | 0:06:35 | |
Practical, blingy. | 0:06:35 | 0:06:37 | |
I like the idea of things like militaria or kitchenalia. | 0:06:37 | 0:06:41 | |
-OK. -So quite diverse. -OK. | 0:06:41 | 0:06:43 | |
Will they pick up the scent and find a bargain? | 0:06:43 | 0:06:45 | |
Teams, your 60 minutes starts now. | 0:06:45 | 0:06:48 | |
ROOSTER CROWS | 0:06:48 | 0:06:49 | |
I think this is going to be a difficult day. | 0:06:49 | 0:06:51 | |
Come on, let's get stuck in, you two. | 0:06:51 | 0:06:53 | |
Steady on, Nicholas, you've only just started. | 0:06:53 | 0:06:56 | |
-I get the impression, Anne, you're going to be in amongst it. -Well, I want to be in amongst it. | 0:06:56 | 0:07:00 | |
Also, I would like to get my first item under the belt quite quickly. | 0:07:00 | 0:07:03 | |
-I don't know about you. -I'm the same as you. Whatever you say. | 0:07:03 | 0:07:07 | |
You're well trained, Malcolm. | 0:07:07 | 0:07:09 | |
The ladies are certainly in control today. | 0:07:09 | 0:07:11 | |
Pots, glass. No. | 0:07:11 | 0:07:15 | |
- Those buckets over there, that bath, is quite handy. | 0:07:15 | 0:07:17 | |
To be honest with you, although it's very functional, I think, | 0:07:17 | 0:07:20 | |
to a lot of eyes, it's just a bit of a brute. | 0:07:20 | 0:07:23 | |
I think people would like maybe something a little bit more refined | 0:07:23 | 0:07:26 | |
-in the auction catalogue. -Let's go and find refined, then. -Yes, shall we? | 0:07:26 | 0:07:29 | |
-Oh, tins. Are they worth anything? -I love tins. -You love old tins. | 0:07:29 | 0:07:33 | |
-Can we look at the tins? -Wouldn't keep your biccies in there, Trev. | 0:07:33 | 0:07:37 | |
-Rust buckets, aren't they? -You want something nice and early and rare. | 0:07:37 | 0:07:40 | |
If you're going to auction with it, of course. | 0:07:40 | 0:07:42 | |
There's nothing really there, is there? | 0:07:42 | 0:07:44 | |
Nothing rare I can see, but good decorative items. | 0:07:44 | 0:07:47 | |
-What on earth is that? -It's a metal rail. -It's a metal rail, | 0:07:47 | 0:07:50 | |
but there's a sort of a word that is in capital letters on that label. | 0:07:50 | 0:07:54 | |
"Upcycled." I think we want things in their original condition. | 0:07:54 | 0:07:57 | |
-I agree on that one. -Let the buyers at auction take it and upcycle it. | 0:07:57 | 0:08:01 | |
-We'll buy them something to upcycle! -I agree on that one. | 0:08:01 | 0:08:04 | |
That's right, Miss Raskin. We don't want you getting your hands dirty. | 0:08:04 | 0:08:08 | |
Do you want to stop and have a look at some silver? | 0:08:08 | 0:08:10 | |
Silver can be good, but you want to make sure you get hallmarked | 0:08:10 | 0:08:13 | |
silver, not silver plate or foreign imports. | 0:08:13 | 0:08:15 | |
It's that all-important hallmark that you need. | 0:08:15 | 0:08:18 | |
And that's what collectors at auction want. | 0:08:18 | 0:08:21 | |
It was the colours that attracted me, actually, | 0:08:21 | 0:08:23 | |
but I don't quite know how old it is or what... Where it's from. | 0:08:23 | 0:08:27 | |
We don't have a sort of maker, we don't know exactly how | 0:08:27 | 0:08:30 | |
old it is, we don't know if it's Bohemian, if it's French, et cetera. | 0:08:30 | 0:08:34 | |
We don't have many clues. | 0:08:34 | 0:08:36 | |
-I don't think it's worth a huge sum. -OK. | 0:08:36 | 0:08:38 | |
Don't be frightened to get stuck in and explore and have a good rummage. | 0:08:40 | 0:08:43 | |
You never know what you might turn up that you haven't initially | 0:08:43 | 0:08:46 | |
-seen as you walk past. -What about that vase? -The big Japanese one? | 0:08:46 | 0:08:50 | |
-Yeah. -It's not old enough. I can tell you from here it's not old enough. | 0:08:50 | 0:08:54 | |
You have cracking eyesight, Nick. And so have the Blues. | 0:08:54 | 0:08:58 | |
They've spotted a tiny brooch. | 0:08:58 | 0:09:00 | |
-STALLHOLDER: -I've got £40 on for it. I can do it for 30. | 0:09:02 | 0:09:05 | |
OK, so what's the motif there? What do we have? | 0:09:05 | 0:09:07 | |
It's got a horseshoe and a little flower in the middle. | 0:09:07 | 0:09:10 | |
-That's really quite sweet, isn't it? -Yes. | 0:09:10 | 0:09:14 | |
Just a very small thing that somebody could put on a jacket | 0:09:14 | 0:09:16 | |
-or something. -Yes, I think so. | 0:09:16 | 0:09:18 | |
What we want to see is a little mark on the back, | 0:09:18 | 0:09:20 | |
and we have that for nine carat gold. | 0:09:20 | 0:09:23 | |
And it is in quite nice order, actually. It's a nicely made item. | 0:09:23 | 0:09:27 | |
I mean, the gentleman's saying he can do it for £30. | 0:09:27 | 0:09:30 | |
I don't think it's too far off. | 0:09:30 | 0:09:31 | |
If that's the very best price, and I think we're nearly there... | 0:09:31 | 0:09:35 | |
-That is the very best price. -Not 25? -No, not 25. | 0:09:35 | 0:09:39 | |
Not even 29? Oh, dear. | 0:09:39 | 0:09:42 | |
Every pound counts, believe us. No, I think it's a sweet thing. | 0:09:42 | 0:09:45 | |
If you want to go down the jewellery route, | 0:09:45 | 0:09:46 | |
then you do want a precious metal. | 0:09:46 | 0:09:48 | |
You'd try not to get costume if you want to make a bit of profit. | 0:09:48 | 0:09:51 | |
I think we're going for it, actually. | 0:09:51 | 0:09:53 | |
-Cos, you know, the theme as well. -I agree. Horseshoe for luck. | 0:09:53 | 0:09:57 | |
-Yes. -Do you think that's a good omen for us? -It is. -Yes, it's a good omen. | 0:09:57 | 0:10:02 | |
OK. Thank you, sir. I think you've done some business there. | 0:10:02 | 0:10:05 | |
Thank you. | 0:10:05 | 0:10:07 | |
Bravo, Blues. First buy after ten minutes. That should make you happy. | 0:10:07 | 0:10:11 | |
Can't say the same for Catherine. | 0:10:11 | 0:10:13 | |
So far, I haven't found anything that's jumped out at me and gone, "Mmm." | 0:10:16 | 0:10:19 | |
Oh, dear! They're feeling the pressure. | 0:10:19 | 0:10:22 | |
-What about that ship wheel thing at the back? -A barometer. -Where's Nick? | 0:10:22 | 0:10:27 | |
-Where have you sneaked off to? -I was having a look around. | 0:10:27 | 0:10:30 | |
-I've been trying to find some bargains for you. -What about the barometer? | 0:10:30 | 0:10:33 | |
I'll be honest with you, I'm struggling. I think, really, we need to change track. | 0:10:33 | 0:10:37 | |
-We need to go inside to the bigger rooms. -Yes, we agree with you. | 0:10:37 | 0:10:39 | |
We've had a look, OK, we've done as much as we can. | 0:10:39 | 0:10:42 | |
-Let's see what else we can find. -Thank you very much. -Thank you. | 0:10:42 | 0:10:45 | |
Let's hope it's plain sailing when you get inside, Reds. | 0:10:45 | 0:10:48 | |
Talking of planes... | 0:10:48 | 0:10:50 | |
-That's interesting, isn't it? Like a Vulcan bomber. -Oh, gosh! | 0:10:51 | 0:10:54 | |
-It's a light. -Is it a light? -I forgot we're with Mr RAF here. | 0:10:54 | 0:10:58 | |
-That is... -It's like a Vulcan bomber. We are in an RAF sort of area. | 0:10:58 | 0:11:03 | |
-Whether someone would buy that... -It depends on the price, really. | 0:11:03 | 0:11:05 | |
And what's the age? I don't know what age it is. | 0:11:05 | 0:11:08 | |
-Unfortunately, it's very new. -It is. | 0:11:08 | 0:11:11 | |
It's got great decorative appeal but I think, in auction terms, | 0:11:11 | 0:11:15 | |
it's going to be too modern to really inspire competition. | 0:11:15 | 0:11:18 | |
But, yes, I forgot that we are in the presence of Mr RAF. | 0:11:18 | 0:11:23 | |
So I'm now keeping my eyes peeled for all things aeronautical. | 0:11:23 | 0:11:27 | |
Yes, I'm not sure that would take off at the auction. | 0:11:27 | 0:11:30 | |
Maybe there are richer pickings inside. | 0:11:30 | 0:11:33 | |
-Oh, my goodness. -Well, there we are. -Oh, that's better. | 0:11:33 | 0:11:36 | |
So, look, there's a great big avenue full of stores down here, | 0:11:36 | 0:11:40 | |
fresh, we've not seen. Let's get a good rummage in here, shall we? | 0:11:40 | 0:11:44 | |
I do like a good rummage. Outside, the Blues are on the case as well. | 0:11:44 | 0:11:48 | |
So, we've got a paper label on the back here | 0:11:48 | 0:11:51 | |
-that says it's from Norfolk. Norwich. And we're in Norwich. -OK. | 0:11:51 | 0:11:55 | |
So, we're in Norwich. And there's our auction in Diss. It is nearby. | 0:11:55 | 0:11:58 | |
That's Norfolk, the same county. | 0:11:58 | 0:12:00 | |
-Super-nearby. -Should we just see how much the gentleman... -Well, it's 95. | 0:12:00 | 0:12:03 | |
-It's 95. -Is it really? -Yes. | 0:12:03 | 0:12:05 | |
I think, at auction, it is likely to fetch something between 40 | 0:12:05 | 0:12:08 | |
and £50, to be honest with you. | 0:12:08 | 0:12:10 | |
I don't know whether it will be anything worth going for, Malcolm, actually. | 0:12:10 | 0:12:13 | |
-No, OK. We had a look anyway. -I like the profit. | 0:12:13 | 0:12:16 | |
-Yeah. -Yes, I think profit in that one is marginal. | 0:12:16 | 0:12:20 | |
Time to pack up and move on. Sorry, Malcolm. | 0:12:20 | 0:12:23 | |
Back to the Reds. Are they ready to shell out on something yet? | 0:12:23 | 0:12:26 | |
-What about card cases, Nick? -Calling card cases. | 0:12:26 | 0:12:29 | |
Yeah, quite collectable. | 0:12:29 | 0:12:31 | |
Particularly the late Georgian, Victorian ones. | 0:12:31 | 0:12:34 | |
Condition is all-important, and material as well. | 0:12:34 | 0:12:37 | |
-Yes, and that's nice, isn't it? -What sort of money are they? | 0:12:37 | 0:12:40 | |
-STALLHOLDER: -Pricing on them is 85, but I would let you choose one of the three for 60. | 0:12:42 | 0:12:46 | |
Would 50 be 60-ish? | 0:12:46 | 0:12:49 | |
50 is just a bit too low for "ish". | 0:12:49 | 0:12:52 | |
-55 for one of those. -On that one could be 55? -It could be, yes. | 0:12:52 | 0:12:56 | |
Couldn't be 52? | 0:12:56 | 0:12:58 | |
-53 and we have a deal on that. -53. | 0:12:59 | 0:13:01 | |
Now, 53 doesn't sound too bad to me. | 0:13:01 | 0:13:03 | |
It sounds like there's a bit of a margin in there. | 0:13:03 | 0:13:06 | |
We've got this Victorian card case, made of mother of pearl, | 0:13:06 | 0:13:09 | |
abalone shell. | 0:13:09 | 0:13:11 | |
It's a case, really, of whether you two want to buy it, | 0:13:11 | 0:13:15 | |
take that risk, go to auction. | 0:13:15 | 0:13:17 | |
-Well, I think, at 53, we are in with a chance. -53. | 0:13:17 | 0:13:20 | |
-Is that a yes? -Are you actually in agreement, you two? | 0:13:20 | 0:13:23 | |
Well, I want it for 50. | 0:13:23 | 0:13:25 | |
THEY LAUGH | 0:13:25 | 0:13:26 | |
If you won't agree with me, and you boys aren't going to agree with me... | 0:13:26 | 0:13:29 | |
Someone has got to make a decision here. | 0:13:29 | 0:13:31 | |
-STALLHOLDER: -I'll make a decision on £53. | 0:13:31 | 0:13:34 | |
-53. -Yes, 53. -Go on, then. -Thank you very much. | 0:13:34 | 0:13:38 | |
That's buy number one in the bag, Reds. | 0:13:38 | 0:13:40 | |
You have 40 minutes to find the next two. | 0:13:40 | 0:13:43 | |
So, calling card case. There's more stalls calling us. | 0:13:43 | 0:13:47 | |
-Yes, we best get on. -More shopping to do. Thank you. | 0:13:47 | 0:13:50 | |
Watch out for the Blues, though, Reds. They're hot on your heels. | 0:13:50 | 0:13:53 | |
Oh, we're close to being inside now. | 0:13:53 | 0:13:55 | |
Should we just full steam ahead and let's just get in there? | 0:13:55 | 0:13:58 | |
-Get in amongst it. -OK. Malcolm. -Cap badges. | 0:13:58 | 0:14:02 | |
Malcolm. | 0:14:02 | 0:14:04 | |
Do as you're told! | 0:14:04 | 0:14:06 | |
So while our teams look for item number two, let's take | 0:14:06 | 0:14:10 | |
a butcher's at something I've found at a fair just like this. | 0:14:10 | 0:14:13 | |
Once when I was in Builth Wells, I found this rather magical seed pot. | 0:14:16 | 0:14:21 | |
This is what we call a gourd. It's a seed pod for containing seeds. | 0:14:21 | 0:14:26 | |
If you rattle it, you can hear all the seeds inside. | 0:14:27 | 0:14:29 | |
I was walking around the fair and I saw this | 0:14:29 | 0:14:31 | |
and I thought, "That looks interesting." | 0:14:31 | 0:14:33 | |
It's carved with all these magical, mythical figures. | 0:14:33 | 0:14:37 | |
It reminded me of a children's book, | 0:14:37 | 0:14:40 | |
the book I would read to the children. | 0:14:40 | 0:14:42 | |
I would imagine this is from South America, probably dateline 1920s. | 0:14:42 | 0:14:48 | |
You've got to imagine the family who would have brought this back. | 0:14:48 | 0:14:51 | |
They wouldn't have just got on a plane from Heathrow or Gatwick | 0:14:51 | 0:14:55 | |
and flown to Rio. No, this would have been a cruise. | 0:14:55 | 0:14:58 | |
This would have been on a ship crossing the ocean. | 0:14:58 | 0:15:01 | |
You end up in South America and you'd be walking around a town | 0:15:01 | 0:15:05 | |
and you'd be offered many, many things. | 0:15:05 | 0:15:07 | |
You can imagine the man or woman thinking, "Oh, I quite like this. | 0:15:07 | 0:15:11 | |
"It's a little thing to have. | 0:15:11 | 0:15:13 | |
"It's not to do anything, it's to look at. It reminds me." | 0:15:13 | 0:15:16 | |
They might have fallen in love with the animals | 0:15:16 | 0:15:18 | |
like I fell in love with. | 0:15:18 | 0:15:20 | |
They're all a bit mad and they're all a bit scary | 0:15:20 | 0:15:23 | |
but it's rather magical. | 0:15:23 | 0:15:26 | |
I would have thought it's been engraved | 0:15:26 | 0:15:28 | |
so the gourd has been dried out and a sharp blade, | 0:15:28 | 0:15:31 | |
knife or needle has been applied to engrave right inside | 0:15:31 | 0:15:36 | |
and make these beautiful animals, palm trees. | 0:15:36 | 0:15:40 | |
My favourite is this grinning monkey. He looks really cheeky. | 0:15:40 | 0:15:45 | |
So, what's its worth? All those years ago, I paid £40 for it. | 0:15:45 | 0:15:51 | |
What's it worth now? | 0:15:51 | 0:15:52 | |
In the correct sale, say in an ethnographica travel sale | 0:15:52 | 0:15:56 | |
or in an Asian sale, £200 to £300. | 0:15:56 | 0:15:59 | |
Let me plant that seed with you. | 0:15:59 | 0:16:02 | |
Back to the shopping | 0:16:05 | 0:16:07 | |
and our teams have one buy apiece and 30 minutes left on the clock. | 0:16:07 | 0:16:11 | |
The Blues have come in from the cold. | 0:16:12 | 0:16:14 | |
A whole different kettle of fish, isn't it? | 0:16:14 | 0:16:17 | |
-And it's quite warm too! -Lovely and warm. | 0:16:17 | 0:16:20 | |
I expect some red hot haggling from both teams. | 0:16:20 | 0:16:23 | |
Oh, look! It looks like a spider. | 0:16:26 | 0:16:28 | |
I'll tell you what - you might be on to something with that. | 0:16:28 | 0:16:32 | |
Is that a piece of Alessi? It is. | 0:16:32 | 0:16:35 | |
Alessi is one of the great 20th-century designers | 0:16:35 | 0:16:39 | |
and of course, modern design, 20th century design, mid century, | 0:16:39 | 0:16:43 | |
all these buzzwords are bang on trend at the minute. | 0:16:43 | 0:16:46 | |
What would they use it for? | 0:16:46 | 0:16:48 | |
A lot of these are lemon squeezers, aren't they? | 0:16:48 | 0:16:50 | |
-Yes. -Really? -Then made to look like an alien spaceship. | 0:16:50 | 0:16:54 | |
Where is the hallmark on that? | 0:16:55 | 0:16:57 | |
It's not hallmarked because it's not silver. It's a base metal. | 0:16:57 | 0:17:01 | |
It's certainly got the factory marks, | 0:17:01 | 0:17:03 | |
it's got the Alessi stamp on it. | 0:17:03 | 0:17:06 | |
It's a million miles away from that Victorian piece we've just bought. | 0:17:06 | 0:17:10 | |
We're right bang up to date here with this. | 0:17:10 | 0:17:12 | |
Are you comfortable with that? Do you like it? | 0:17:12 | 0:17:14 | |
-How much do you think this would make at auction? -Hard to tell. | 0:17:14 | 0:17:18 | |
It's a young buy for a smart, contemporary, modern kitchen. | 0:17:18 | 0:17:22 | |
You didn't answer the question there, Nick. | 0:17:22 | 0:17:24 | |
OK, so you've got 40 on here. Could we juice it down a bit more? | 0:17:24 | 0:17:28 | |
-25? -Oh, 25 - that sounds good. | 0:17:31 | 0:17:33 | |
What do you think? Oh, don't worry what he thinks. I like it! | 0:17:33 | 0:17:37 | |
You very nearly got a say in this, Trevor! Very nearly got a say in it. | 0:17:37 | 0:17:41 | |
I'll tell you what - you can buy the next one on your own. How's that? | 0:17:41 | 0:17:45 | |
If it helps, I think she might be on to something with this. | 0:17:45 | 0:17:47 | |
-Yes, I quite like it. -Are you happy? | 0:17:47 | 0:17:49 | |
I know it's sad, but yes, I do like it. | 0:17:49 | 0:17:52 | |
Great discount, Reds. | 0:17:52 | 0:17:53 | |
You should squeeze some profit out of that. | 0:17:53 | 0:17:56 | |
And by the way, you've less than 20 minutes to go. | 0:17:56 | 0:17:59 | |
-Cathy has been passionate. -You can look but don't touch. | 0:17:59 | 0:18:02 | |
Poor old Trev doesn't get a look in | 0:18:02 | 0:18:04 | |
so I'm really having to drag Trevor in to give him some input | 0:18:04 | 0:18:07 | |
but it's definitely Cathy that's leading this. | 0:18:07 | 0:18:11 | |
Can I have a quick look at the memorabilia? | 0:18:11 | 0:18:13 | |
Come on. We don't really want that. Find something glittery, Trev. | 0:18:13 | 0:18:17 | |
I'm not sure Trev is the man for sparkles. | 0:18:17 | 0:18:20 | |
But Malcolm is doing his best. | 0:18:20 | 0:18:22 | |
-Jewellery over here. -Sorry? | 0:18:22 | 0:18:24 | |
-Jewellery. -We've got jewellery, haven't we? | 0:18:24 | 0:18:26 | |
Poor blokes - it's definitely the ladies wearing the trousers today. | 0:18:26 | 0:18:30 | |
-Nick! Come on, run. -All right, all right. | 0:18:31 | 0:18:35 | |
Gosh, I can't keep up with you. What have you found now? | 0:18:35 | 0:18:37 | |
-What do you think of these? -Pretty. Are they hallmarked silver? | 0:18:37 | 0:18:40 | |
-I don't know. -Have you been listening? -We haven't looked yet. | 0:18:40 | 0:18:43 | |
-We haven't picked them up yet. -Now, let's have a look. | 0:18:43 | 0:18:47 | |
Stylistically, we've got classic Art Nouveau, circa 1900. | 0:18:47 | 0:18:52 | |
What we really want is for there to be a hallmark on there somewhere. | 0:18:52 | 0:18:59 | |
-What's that there? -Well spotted. | 0:18:59 | 0:19:01 | |
Look, if we can just... | 0:19:01 | 0:19:03 | |
Now, those hallmarks have been rubbed and rubbed | 0:19:03 | 0:19:07 | |
and worn and rubbed. | 0:19:07 | 0:19:08 | |
Someone has very lovingly polished these day in, day out. | 0:19:08 | 0:19:13 | |
-They've almost rubbed the hallmarks out. -Oh, wow. | 0:19:13 | 0:19:16 | |
What I can see is the lion passant | 0:19:16 | 0:19:18 | |
that tells us it's English hallmarked silver, | 0:19:18 | 0:19:21 | |
British hallmarked silver. | 0:19:21 | 0:19:23 | |
It's interesting - when you read the ticket, | 0:19:23 | 0:19:25 | |
it didn't mention them being hallmarked silver. | 0:19:25 | 0:19:28 | |
I'm wondering, hope upon hope, it's because the dealer | 0:19:28 | 0:19:30 | |
might not have seen that. | 0:19:30 | 0:19:32 | |
-He might have seen it. -Don't say anything, Nick. | 0:19:32 | 0:19:34 | |
That's what I'm saying. | 0:19:34 | 0:19:36 | |
Mum's the word if he hasn't. | 0:19:36 | 0:19:38 | |
Your secret's safe with us. | 0:19:38 | 0:19:39 | |
Now, let's see if the Blues are in need of any support. | 0:19:39 | 0:19:43 | |
What is it appeals to you about the walking stick? | 0:19:43 | 0:19:45 | |
Is it the fact that it still has a function? | 0:19:45 | 0:19:48 | |
It has a function but also, | 0:19:48 | 0:19:49 | |
people that have it for effect as well usually | 0:19:49 | 0:19:52 | |
and if they're not too pricey, | 0:19:52 | 0:19:54 | |
there may be a small amount of profit in them. | 0:19:54 | 0:19:56 | |
Do you want to take a closer look, Malcolm? | 0:19:56 | 0:19:58 | |
Here we are, and what you're looking for on the top there | 0:19:58 | 0:20:00 | |
is a silver hallmark. | 0:20:00 | 0:20:01 | |
See if you can clock one. | 0:20:01 | 0:20:04 | |
There you are - the silver hallmarks are just there. | 0:20:04 | 0:20:08 | |
They are quite faded and the handle itself is a little bit battered | 0:20:08 | 0:20:12 | |
and bruised. It's not in great condition so maybe | 0:20:12 | 0:20:14 | |
if we can spot one that has silver but is in better condition, | 0:20:14 | 0:20:18 | |
-we may be on to a bit more of a winner there. -This one is silver. | 0:20:18 | 0:20:21 | |
OK, that looks more dainty and ladylike, doesn't it? | 0:20:21 | 0:20:25 | |
OK, so what have we got here? We've got more of a lady's cane. | 0:20:25 | 0:20:29 | |
Silver terminal again, silver collar this time | 0:20:29 | 0:20:32 | |
and quite clearly on the handle we've got the hallmarks there. | 0:20:32 | 0:20:36 | |
-I think it's quite good. -Yes, it's nice, that. | 0:20:36 | 0:20:38 | |
No price on it, so, Anne, what do you think? Are you going to let Malcolm take the lead? | 0:20:38 | 0:20:42 | |
Yes, you do this one, since I chose the brooch. | 0:20:42 | 0:20:45 | |
Hopefully our camera-shy stallholder will put a smile on Malcolm's face. | 0:20:45 | 0:20:51 | |
Fine, he said he can do that for 50. | 0:20:51 | 0:20:54 | |
Little bit of a squeeze at £50. | 0:20:54 | 0:20:56 | |
I think it's a bit close to the bone. | 0:20:56 | 0:20:59 | |
Just while you were away, | 0:20:59 | 0:21:00 | |
I clocked this lovely wee swagger stick on the side here. | 0:21:00 | 0:21:03 | |
It's different to a cane, | 0:21:03 | 0:21:04 | |
it's more about adding a bit of authority to your stance. | 0:21:04 | 0:21:07 | |
I think it's quite nice because it's modelled with the head | 0:21:07 | 0:21:10 | |
of some sort of setter or hunting dog or something. | 0:21:10 | 0:21:14 | |
Quite good appeal and it would be very good | 0:21:14 | 0:21:17 | |
if we could get a deal on the two. Let's try and make a little job lot. | 0:21:17 | 0:21:20 | |
-See what you can do now, dear. -Walking stick and swagger stick. | 0:21:20 | 0:21:25 | |
-See what you can do. Can you do your magic? -I'll do my best, dear. | 0:21:25 | 0:21:29 | |
-Very, very, very best. -My very, very best? -Yes, your very, very best. | 0:21:29 | 0:21:33 | |
No pressure, Malcolm! | 0:21:33 | 0:21:35 | |
Let's see if the Reds can sweet-talk the owner of the vases. | 0:21:35 | 0:21:38 | |
-What's your best price on that? -What have we got here? 148. | 0:21:38 | 0:21:44 | |
-Could we possibly get it down to two rather than three figures? -What, 99? | 0:21:44 | 0:21:50 | |
-Something like that. 95-ish. -Let's go 95 and I'll do a deal. | 0:21:50 | 0:21:56 | |
For the pair, 95 quid? OK. Is that the absolute death? | 0:21:56 | 0:22:00 | |
I think that's the death. I think I've done you a good deal. | 0:22:00 | 0:22:03 | |
You have, actually. I'm happy with that but it's down to you. | 0:22:03 | 0:22:06 | |
Shake the man's hand, then. | 0:22:06 | 0:22:09 | |
About 35% off, thank you very much indeed. | 0:22:09 | 0:22:12 | |
He can be very decisive when he wants to, can't he? | 0:22:12 | 0:22:15 | |
I'm going to shake your hand and, Trev, | 0:22:15 | 0:22:18 | |
I'm going to shake yours even more. Good buy! Well done, you! | 0:22:18 | 0:22:21 | |
I'm not sure how much of that was down to Trevor but well done anyway. | 0:22:21 | 0:22:25 | |
That's your shop done and dusted with 15 minutes to spare. | 0:22:25 | 0:22:28 | |
-Cheers to us and cheers to you, Trevor. -That's the way it is. | 0:22:30 | 0:22:35 | |
Left out again! Come on, let's get him a proper drink, shall we? | 0:22:35 | 0:22:38 | |
Yes, let's go. | 0:22:38 | 0:22:40 | |
Back to the Blues. | 0:22:40 | 0:22:41 | |
Has Malcolm thrashed out a price for those canes? | 0:22:41 | 0:22:43 | |
-I did my very, very best. -Well done. And? -For the two, we got £55. | 0:22:45 | 0:22:49 | |
-Oh, well done. -That's fantastic - you're a genius. | 0:22:49 | 0:22:52 | |
Thank you very much. I did it with a swagger. | 0:22:52 | 0:22:54 | |
I see, the swagger stick under your arm, cane on the ground. | 0:22:54 | 0:22:58 | |
Let's go looking for our third item. Well done, sir. | 0:22:58 | 0:23:00 | |
You've had some stick, Malcolm, but that is a great deal. | 0:23:00 | 0:23:04 | |
Just ten minutes to go. | 0:23:04 | 0:23:05 | |
I thought these guys would be quick and easy but, actually, | 0:23:05 | 0:23:08 | |
they're quite indecisive and Anne, who thought she would take the lead, | 0:23:08 | 0:23:12 | |
is turning to Malcolm a lot more than I think she expected to. | 0:23:12 | 0:23:15 | |
This is no time for you to lose your head, Anne, | 0:23:15 | 0:23:17 | |
as you look for your final lot. | 0:23:17 | 0:23:19 | |
I wonder if the Reds are happy with theirs. | 0:23:19 | 0:23:22 | |
Are you happy with what you've bought? | 0:23:22 | 0:23:24 | |
Is what you were expecting to buy? | 0:23:24 | 0:23:25 | |
-Sort of. -No, I wanted silver and I wanted... | 0:23:25 | 0:23:28 | |
You got silver. | 0:23:28 | 0:23:30 | |
I can't believe we still agreed on everything. | 0:23:30 | 0:23:32 | |
Well, not the prices. | 0:23:32 | 0:23:34 | |
I think, strictly speaking, you're still not agreeing too much! | 0:23:34 | 0:23:37 | |
What we need now is for the Blues to agree on their last item. | 0:23:37 | 0:23:40 | |
They've got ten minutes to decide. | 0:23:40 | 0:23:42 | |
I know you were looking for a little bit of glass. | 0:23:44 | 0:23:46 | |
Work with me on this one. It's not going to be everyone's cup of tea. | 0:23:46 | 0:23:50 | |
It's a decanter in the form of a duck. | 0:23:50 | 0:23:52 | |
We don't have any cut glass, | 0:23:52 | 0:23:54 | |
we don't have any beautiful silver collars or anything like that. | 0:23:54 | 0:23:58 | |
We also don't really seem to have a brand or maker or anything, | 0:23:58 | 0:24:01 | |
but it's quite good fun. Got that novelty element. | 0:24:01 | 0:24:04 | |
The stopper is a blinking duck's head! | 0:24:04 | 0:24:07 | |
-It's the best thing I've ever seen. -What's the price, first? £30? | 0:24:07 | 0:24:10 | |
-£30 is all right. -It looks solid. -It doesn't look too damaged. | 0:24:10 | 0:24:15 | |
-No chips out of the stopper or anything? -No. -What about the base? | 0:24:15 | 0:24:19 | |
Keep a firm hold of the stopper and have a wee look at the base. | 0:24:19 | 0:24:22 | |
-Do we see any pontil marks or anything? -Very smooth. | 0:24:22 | 0:24:25 | |
So probably quite modern. | 0:24:25 | 0:24:27 | |
-It kind of smacks of the 1960s or something, doesn't it? -Yeah. | 0:24:27 | 0:24:30 | |
-Is he you bringing you joy? -What do you think, dear? | 0:24:30 | 0:24:32 | |
Well, it's something but I'm just looking at that cranberry glass. | 0:24:32 | 0:24:35 | |
Would that be something? Would that be better? | 0:24:35 | 0:24:38 | |
What I would point out is the difference between the two | 0:24:38 | 0:24:41 | |
is just a little bit of fun. | 0:24:41 | 0:24:43 | |
The cranberry glass is a little bit Victorian and stiff, | 0:24:43 | 0:24:47 | |
whereas the duck decanter is just the kind of thing | 0:24:47 | 0:24:49 | |
that a good auctioneer should be able to say, "Come on, | 0:24:49 | 0:24:52 | |
"this is a good bit of fun, let's get a price on this." | 0:24:52 | 0:24:54 | |
What would a good auctioneer sell it for? | 0:24:54 | 0:24:56 | |
-I'd want half price as a retail price. -At least 15? | 0:24:56 | 0:24:59 | |
Yeah, I'd want half price. | 0:24:59 | 0:25:00 | |
-If we can get it for 20, I would still go for it. -I did the last one. | 0:25:00 | 0:25:03 | |
OK, and it's not very heavy anyway. | 0:25:03 | 0:25:06 | |
Tick-tock, tick-tock. Five minutes left, Blues. | 0:25:07 | 0:25:10 | |
-25. -25. | 0:25:10 | 0:25:12 | |
I suppose it's not much to lose if we do make a loss on it | 0:25:12 | 0:25:15 | |
but we want to make a profit. | 0:25:15 | 0:25:16 | |
-Shall I see if I can go away and get it nearer 20? -Give it a shot. | 0:25:16 | 0:25:20 | |
-Are you up for it? -I'm up for it. -Squeeze it hard. | 0:25:20 | 0:25:22 | |
The thing I love as well is that, can you imagine Thomas Plant | 0:25:22 | 0:25:26 | |
sitting at that auction table, saying, "I love this"? | 0:25:26 | 0:25:28 | |
-He's going to hate it. -22? -Oh, 22. -£3 could be it. | 0:25:28 | 0:25:32 | |
What do you think? | 0:25:32 | 0:25:34 | |
-22, two little ducks. -Shall we do it? | 0:25:34 | 0:25:37 | |
-Yes! -Oh, that's a very good sign. | 0:25:37 | 0:25:39 | |
Just in the nick of time. | 0:25:39 | 0:25:41 | |
WHISTLE BLOWS | 0:25:41 | 0:25:43 | |
Teams, it's time to wake up and smell the coffee. | 0:25:43 | 0:25:46 | |
Your 60 minutes are up. | 0:25:46 | 0:25:47 | |
I think we should go fill that with something | 0:25:47 | 0:25:49 | |
-and get rid of it straightaway. -Something red! -Something red! | 0:25:49 | 0:25:54 | |
Let's remind ourselves what the Reds bought. | 0:25:54 | 0:25:56 | |
After some pearls of wisdom from Nick, | 0:25:56 | 0:25:58 | |
they bought the Victorian card case for £53. | 0:25:58 | 0:26:01 | |
The lemon squeezer from Alessi was £25. Will it make a juicy profit? | 0:26:03 | 0:26:08 | |
The Art Nouveau vases cost £95. | 0:26:08 | 0:26:11 | |
Hopefully, their haggling will make all the difference. | 0:26:11 | 0:26:14 | |
-Guys, that was like Speedy Gonzales! -That's because they listened to me. | 0:26:14 | 0:26:18 | |
Is it all down to you? | 0:26:18 | 0:26:20 | |
No, Trevor can get the blame for one of the items. | 0:26:20 | 0:26:23 | |
-Trevor, what's the best item? -Oh, it's definitely the card box. | 0:26:23 | 0:26:27 | |
I think that's a really lovely little item. | 0:26:27 | 0:26:29 | |
-The mother-of-pearl card case? -Yeah, I really like that. | 0:26:29 | 0:26:32 | |
What's going to bring the biggest profit? | 0:26:32 | 0:26:34 | |
-I hate to say this but her alien thing. -The alien thing? -My juicer. | 0:26:34 | 0:26:40 | |
-How much did you spend? -A hundred and... -173. | 0:26:40 | 0:26:43 | |
That's really good. Well done. | 0:26:43 | 0:26:45 | |
-So that's £127 you've got left. -Yes. -Can I have it, please? | 0:26:45 | 0:26:49 | |
-Do you really want it? -I do. I can see you're in charge. | 0:26:49 | 0:26:52 | |
-You were reluctant with that, weren't you? -I am. | 0:26:54 | 0:26:57 | |
Nick, how's it been? | 0:26:57 | 0:26:58 | |
I think Trevor and I were mere passengers. | 0:26:58 | 0:27:01 | |
Well, this time, you can swap that around and you can be the driver. | 0:27:01 | 0:27:05 | |
Now I'm in charge and I can go and have a good old spend up with that. | 0:27:05 | 0:27:08 | |
-Thank you. -Make sure it's something really nice. -As always, ma'am. | 0:27:08 | 0:27:11 | |
Well, with all of that, then, | 0:27:13 | 0:27:14 | |
let's remind ourselves what the Blues bought. | 0:27:14 | 0:27:17 | |
This Victorian bar brooch cost £30, | 0:27:17 | 0:27:19 | |
but will the horseshoe bring the Blues good luck? | 0:27:19 | 0:27:22 | |
They couldn't walk away from the swagger stick and cane. £55 paid. | 0:27:22 | 0:27:26 | |
The decanter with the duck head stopper cost £22. | 0:27:26 | 0:27:30 | |
Does that make it a "duck-canter"? | 0:27:30 | 0:27:33 | |
How was that for you guys? | 0:27:33 | 0:27:35 | |
It was very enjoyable. A bit stressful. | 0:27:35 | 0:27:37 | |
OK, so, Malcolm, what's your favourite item? | 0:27:37 | 0:27:39 | |
-The swagger stick and the walking stick. -Oh, lovely. | 0:27:39 | 0:27:42 | |
-What's going to bring the biggest profit? -Those. -Those items? | 0:27:42 | 0:27:45 | |
-Yes. -There is a complete shake here. What is your favourite item? | 0:27:45 | 0:27:50 | |
My favourite item was the little brooch pin we got | 0:27:50 | 0:27:52 | |
which was a horseshoe and a bit of edelweiss on. | 0:27:52 | 0:27:55 | |
I think that will bring the most profit. | 0:27:55 | 0:27:57 | |
-So, you like that and the biggest profit? -Yes. | 0:27:57 | 0:27:59 | |
-So, how much did you spend? -We spent £107. -107? -Yes. -Is that all? | 0:27:59 | 0:28:04 | |
That was all! Yes, bargains. | 0:28:04 | 0:28:06 | |
-So you've got £193. -That's right, yes. | 0:28:06 | 0:28:10 | |
-Can I have that, please? -Yes, you can. | 0:28:10 | 0:28:12 | |
What a wonderful amount of money. | 0:28:12 | 0:28:13 | |
-193. There you are. -Thank you. -What you going to do with it, Tasha? | 0:28:13 | 0:28:17 | |
I think I'm going to explore. | 0:28:17 | 0:28:19 | |
Seeing as I've got all this cash to splash, I'll take my time. | 0:28:19 | 0:28:22 | |
Natasha, it sounds like you've got a plan, | 0:28:22 | 0:28:24 | |
so let's head off to the auction just down the road. | 0:28:24 | 0:28:27 | |
Well, how delightful to be here in Diss | 0:28:34 | 0:28:36 | |
at TW Gaze with auctioneer Elizabeth Talbot. | 0:28:36 | 0:28:39 | |
-Hello, Thomas, lovely to have you here. -Thank you very much. | 0:28:39 | 0:28:43 | |
Now, we've got the Reds, we've got Trevor and Catherine. | 0:28:43 | 0:28:45 | |
First item was a late Victorian mother-of-pearl abalone | 0:28:45 | 0:28:49 | |
calling card case. We see a lot of these, don't we? | 0:28:49 | 0:28:53 | |
Yes, they are quite prolific. They were made in large quantities | 0:28:53 | 0:28:56 | |
and everybody in the Victorian period wanted one because it was | 0:28:56 | 0:28:59 | |
fashionable to have, so they've survived in large quantities. | 0:28:59 | 0:29:02 | |
They have, haven't they? | 0:29:02 | 0:29:03 | |
The problem we face with these things | 0:29:03 | 0:29:05 | |
-is there's no other use for them now. -Very true, yes. | 0:29:05 | 0:29:07 | |
Unless you're a collector cos you like them, | 0:29:07 | 0:29:09 | |
you wouldn't use them for any alternative. | 0:29:09 | 0:29:11 | |
-Business cards, no. -Wrong size. -Wrong size, and it's fragile. | 0:29:11 | 0:29:15 | |
-Your estimate is? -£35 to £50. | 0:29:15 | 0:29:18 | |
-53 paid. The next item - I have one of these at home. -Do you? | 0:29:18 | 0:29:23 | |
-I put it down on my wedding list. -Oh, I say. | 0:29:23 | 0:29:26 | |
-I don't think I've used it. -It's one of those archetypal things. | 0:29:26 | 0:29:31 | |
Everybody recognises it as a piece of high design but again, | 0:29:31 | 0:29:36 | |
it's not a rare object. They were mass produced. | 0:29:36 | 0:29:38 | |
They were churned out in large quantities. | 0:29:38 | 0:29:40 | |
-Your estimate is? -It's £20 to £30. -£25 paid. | 0:29:40 | 0:29:45 | |
For a proper antique, a pair of silver Art Nouveau vases. | 0:29:45 | 0:29:49 | |
They are pretty, aren't they? | 0:29:49 | 0:29:52 | |
I quite like the shape, and the dimensions suit the pattern. | 0:29:52 | 0:29:56 | |
It's quite spiky, the design, isn't it? I do quite like those. | 0:29:56 | 0:30:01 | |
-I like those, I have to say. -How do you think that will do? | 0:30:01 | 0:30:04 | |
-We've put £80 to £100 on them. -£95 paid. | 0:30:04 | 0:30:07 | |
-I don't think that's out of the way. -No, shouldn't be. | 0:30:07 | 0:30:10 | |
It could make it at the upper end, | 0:30:10 | 0:30:12 | |
but let's take a look at their bonus buy. | 0:30:12 | 0:30:15 | |
They might need it. | 0:30:15 | 0:30:16 | |
You left Nick with £127. Nick, what did you do with 127? | 0:30:18 | 0:30:23 | |
-I went and bought myself this. -Oh. -What do you mean, "Oh," Catherine? | 0:30:25 | 0:30:30 | |
That's gone down like a lead... | 0:30:30 | 0:30:33 | |
You're supposed to say "wow", not "oh"! | 0:30:33 | 0:30:36 | |
It's Art Deco, French glass, I think from Monaco. | 0:30:36 | 0:30:39 | |
Obviously a liqueur set. | 0:30:39 | 0:30:40 | |
You've got the original tray, the glasses and the decanter, | 0:30:40 | 0:30:43 | |
which is nice to find the whole lot still there. | 0:30:43 | 0:30:45 | |
-And Deco is on trend, so why not? -How much did you pay for it? -£45. | 0:30:45 | 0:30:50 | |
How much do you think it will make? | 0:30:50 | 0:30:52 | |
Er...well, a little bit more than that, I hope. | 0:30:52 | 0:30:55 | |
I'd have thought £50 to £70, maybe. Something like that. | 0:30:55 | 0:30:57 | |
It's not going to make us rich, Nick? | 0:30:57 | 0:31:00 | |
Well, you won't be retiring on it, no. | 0:31:00 | 0:31:02 | |
You don't have to decide now. | 0:31:02 | 0:31:05 | |
But for the viewers at home, let's see what the auctioneer | 0:31:05 | 0:31:08 | |
thinks about Nick's decanter liqueur set. | 0:31:08 | 0:31:11 | |
Tell me what you think of that. | 0:31:13 | 0:31:15 | |
-Well I think it's very of its period, isn't it? -Mm-hm. | 0:31:15 | 0:31:18 | |
And, er... So that's got to... 1950s, I'm guessing. '40s, '50s. | 0:31:18 | 0:31:23 | |
The sets themselves... | 0:31:23 | 0:31:25 | |
It is a variant on the types we see frequently. | 0:31:25 | 0:31:29 | |
What I do like is the fact it's with the tray. | 0:31:29 | 0:31:31 | |
We put £40 to £60 on it but that's really... | 0:31:31 | 0:31:33 | |
It's the aesthetic look of it, | 0:31:33 | 0:31:35 | |
rather than the fact it's rare, collectable, | 0:31:35 | 0:31:37 | |
but it's a unit with the tray and the yellow really sets it off. | 0:31:37 | 0:31:40 | |
It does, doesn't it? | 0:31:40 | 0:31:42 | |
Nick's been clever, he's got it with a tray and he paid £45. | 0:31:42 | 0:31:46 | |
-So your estimate of 40 to 60? -It might recoup. | 0:31:46 | 0:31:50 | |
-It might, it's stylish. Now, on to the Blues. -Yes. | 0:31:50 | 0:31:54 | |
The first lot is the Victorian nine-carat-gold bar brooch | 0:31:54 | 0:31:58 | |
with the horseshoe and flower. | 0:31:58 | 0:32:00 | |
It's like a forget-me-not, isn't it? | 0:32:00 | 0:32:02 | |
Yes, a little token, really. | 0:32:02 | 0:32:04 | |
I always think they should be so wearable. | 0:32:04 | 0:32:06 | |
It amazes me that people don't take delight in reutilising these. | 0:32:06 | 0:32:10 | |
It just seems they are off the boil at the moment. | 0:32:10 | 0:32:12 | |
People don't seem to want them for wearing, certainly. | 0:32:12 | 0:32:14 | |
You've put a really small estimate on this. | 0:32:16 | 0:32:18 | |
It's what I think is a realistic estimate for what it is, £10 to £15. | 0:32:18 | 0:32:21 | |
I think that's totally realistic. £30 paid. | 0:32:21 | 0:32:24 | |
Next, on to something, | 0:32:24 | 0:32:26 | |
a swagger stick with a plated spaniel's head, which has been | 0:32:26 | 0:32:30 | |
stuck on there, and a horn-handled walking cane with silver ends. | 0:32:30 | 0:32:37 | |
Starting with the one with the spaniel, again, | 0:32:37 | 0:32:39 | |
anybody who is interested in dogs - | 0:32:39 | 0:32:41 | |
they quite like anything which visually represents dogs. | 0:32:41 | 0:32:43 | |
I can see that being eye-catching for some people | 0:32:43 | 0:32:45 | |
but I don't think it has many merits in terms of a piece of art. | 0:32:45 | 0:32:48 | |
It's very straightforward. | 0:32:48 | 0:32:51 | |
The other piece - it's nice, it's authentic, | 0:32:51 | 0:32:53 | |
the silver is there, but again, it's quite worn and simple. | 0:32:53 | 0:32:57 | |
-You've put an estimate of...? -£40 to £60 on those. | 0:32:57 | 0:33:00 | |
They paid middle estimate, £55. | 0:33:00 | 0:33:03 | |
The next item is the 20th-century decanter with an associated | 0:33:03 | 0:33:08 | |
duck-head stopper. | 0:33:08 | 0:33:10 | |
You can almost see somebody saying, "I quite like that!" | 0:33:10 | 0:33:14 | |
To have a bit of a novelty on the table... It's not so precious that | 0:33:14 | 0:33:18 | |
you wouldn't perhaps use it around the dinner table at a dinner party. | 0:33:18 | 0:33:21 | |
-It's a bit of a talking point. -Absolutely. -We put £30 to £40 on it. | 0:33:21 | 0:33:26 | |
-£22 paid. -Hey, we're getting exciting now. -It could fly. | 0:33:26 | 0:33:31 | |
Or alternatively, it might nosedive. | 0:33:31 | 0:33:33 | |
Well, in that case, then, let's have a look at Natasha's bonus buy. | 0:33:33 | 0:33:36 | |
They might need it. | 0:33:36 | 0:33:38 | |
You left Tasha here with £193. What did you do with it, Natasha? | 0:33:40 | 0:33:45 | |
I found World War I items related to cooking, believe it or not! | 0:33:45 | 0:33:52 | |
So, we've got this lovely French campaign stove. | 0:33:52 | 0:33:55 | |
A World War I stove for the trenches and if you open it up, | 0:33:55 | 0:33:59 | |
probably, Anne, if you go for it. | 0:33:59 | 0:34:01 | |
That is, believe it or not, a wee campaign knife and fork set. | 0:34:01 | 0:34:05 | |
How good is that! | 0:34:06 | 0:34:08 | |
It's just a case of, | 0:34:08 | 0:34:09 | |
do we have the World War I buffs looking online or in the room? | 0:34:09 | 0:34:13 | |
-Don't break it, dear. -I hope they are. -Love that. | 0:34:13 | 0:34:16 | |
"Don't break it, dear." So, you guys have not asked the all-important... | 0:34:16 | 0:34:19 | |
I was just about to ask. How much did you fork out for that? | 0:34:19 | 0:34:22 | |
Oh, Malcolm, you're a genius. Well, altogether, do you know what? | 0:34:22 | 0:34:27 | |
I look back and think, "Did I splash out a bit?" | 0:34:27 | 0:34:30 | |
-because I did spend £65 on the two. -People love campaign items. | 0:34:30 | 0:34:35 | |
Campaign furniture is so fashionable and so sought after. | 0:34:35 | 0:34:38 | |
-How much do you think we'll get for them? -It could do 70. I don't know. | 0:34:38 | 0:34:41 | |
For the viewers at home, let's see what the auctioneer thinks | 0:34:41 | 0:34:44 | |
about the campaign knife and fork and stove. | 0:34:44 | 0:34:47 | |
I think you can open that. | 0:34:49 | 0:34:51 | |
Ah! Have knife and fork, will travel. | 0:34:51 | 0:34:54 | |
Absolutely. I love travel antiques. | 0:34:54 | 0:34:56 | |
Travel antiques are great, aren't they? | 0:34:56 | 0:34:58 | |
You don't actually see very many of them | 0:34:58 | 0:35:00 | |
and they are quite nice to see - a little knife and fork like that. | 0:35:00 | 0:35:03 | |
I think that's where the value lies and I quite like that. | 0:35:03 | 0:35:06 | |
It's got a maker's name on it, as well. | 0:35:06 | 0:35:09 | |
They'll probably sell for around £30 to £50, I think. | 0:35:09 | 0:35:11 | |
OK, Natasha sort of doubled that and spent £65 on it. | 0:35:11 | 0:35:16 | |
I think, Elizabeth, | 0:35:16 | 0:35:17 | |
both sets of teams are going to need your expertise. | 0:35:17 | 0:35:20 | |
-Well, I shall certainly try. -You're on, aren't you? -I am on, yes. | 0:35:20 | 0:35:23 | |
We are definitely in safe hands. | 0:35:23 | 0:35:26 | |
Surely once more? | 0:35:26 | 0:35:28 | |
All done. | 0:35:28 | 0:35:30 | |
At 55, I have. | 0:35:30 | 0:35:31 | |
60 bid. Done. | 0:35:31 | 0:35:34 | |
-How are you feeling? -I'm all right as long as I keep my hands down. | 0:35:34 | 0:35:37 | |
Oh, really? You can't bid on your own lots, you know that? Trevor? | 0:35:37 | 0:35:41 | |
Optimistic. What we bought, we're going to have to be optimistic. | 0:35:41 | 0:35:44 | |
I love that line. | 0:35:44 | 0:35:46 | |
So, the late Victorian mother-of-pearl | 0:35:46 | 0:35:48 | |
and abalone calling card case. Catherine, this was your item. | 0:35:48 | 0:35:50 | |
Interest on the sheet shown and I start here at £30. | 0:35:50 | 0:35:54 | |
£30 is bid straightaway. | 0:35:54 | 0:35:57 | |
32, 35, 38 and 40. | 0:35:57 | 0:36:00 | |
42, 45. | 0:36:00 | 0:36:03 | |
48, the lady. 50, I have. | 0:36:03 | 0:36:07 | |
50 is with me. You're out again. Both out now at £50. Any advance? | 0:36:07 | 0:36:12 | |
She's done really well. £50. | 0:36:12 | 0:36:14 | |
You paid 53 - that is minus £3. The next item | 0:36:14 | 0:36:18 | |
-is the Philippe Starck. -My spider. -The lemon squeezer by Alessi. | 0:36:18 | 0:36:23 | |
There is interest on the sheet shown here. I start at £8. | 0:36:23 | 0:36:27 | |
£8 I have. 10, 12, 15, the lady. | 0:36:27 | 0:36:31 | |
18, 20, 22, 25, 28, 30. | 0:36:31 | 0:36:33 | |
32, 35, 38. | 0:36:33 | 0:36:35 | |
40 is now the lady and I've lost the gentleman behind. | 0:36:35 | 0:36:38 | |
It's with the lady. I've lost you by the door. 40. 42, new bidder. | 0:36:38 | 0:36:43 | |
-45, 48, 50 going to my left. -Doubled your money. | 0:36:43 | 0:36:48 | |
Looking for five elsewhere. It's £50 to my left. | 0:36:48 | 0:36:53 | |
-You could buy a new one for that! -£50 and it will sell. | 0:36:53 | 0:36:56 | |
£50! That's awesome. | 0:36:57 | 0:36:59 | |
So that is plus 25. | 0:36:59 | 0:37:03 | |
That means you are plus... | 0:37:03 | 0:37:05 | |
My one won! | 0:37:05 | 0:37:06 | |
Calm down, you. You are plus 22. | 0:37:06 | 0:37:10 | |
Next is the really lovely Art Nouveau vases. | 0:37:10 | 0:37:14 | |
50 to start. Treat yourself. £50. | 0:37:14 | 0:37:18 | |
Come on. Two of them. £50. £30 bid. | 0:37:18 | 0:37:23 | |
32, 35, | 0:37:23 | 0:37:25 | |
38, 40, | 0:37:25 | 0:37:27 | |
42, 45, 48, | 0:37:27 | 0:37:30 | |
50, new bidder. | 0:37:30 | 0:37:32 | |
50 is now upstairs with the lady. | 0:37:32 | 0:37:34 | |
That's still not a lot, they should be worth at least 55. 60. 65. | 0:37:34 | 0:37:40 | |
And 70. 75. It's 75 downstairs. | 0:37:40 | 0:37:45 | |
They are beautiful. At 75 and selling. | 0:37:45 | 0:37:49 | |
-75. -That was Nick's item. -You've got no taste! | 0:37:51 | 0:37:55 | |
Minus £20. Means you are plus £2. | 0:37:55 | 0:38:00 | |
Come on, that's a pound each. And nothing for me. | 0:38:00 | 0:38:04 | |
It's not going to pay for a holiday in the Bahamas, is it? | 0:38:04 | 0:38:07 | |
No, it's a chocolate bar each. | 0:38:07 | 0:38:09 | |
Now, look, the next lot is Nick's bonus buy. | 0:38:09 | 0:38:12 | |
Now, what are you going to do? | 0:38:12 | 0:38:14 | |
-Go for it. -Going to go for it? -Are we? -Just nod - it's easier. | 0:38:14 | 0:38:20 | |
Start me at 30. | 0:38:20 | 0:38:21 | |
20, I'll take. | 0:38:23 | 0:38:24 | |
Come on, Diss, don't let me down! | 0:38:24 | 0:38:26 | |
£20. Where are the liqueur drinkers in Norfolk? | 0:38:26 | 0:38:28 | |
20 bid, thank you. Upstairs at 20. | 0:38:28 | 0:38:31 | |
Where are you now at two? Come on, it's for nothing at £20. | 0:38:31 | 0:38:36 | |
They'll be going home crying at £20. Where is two? We're all done. | 0:38:36 | 0:38:40 | |
£20, so that's a minus... I'm sorry, guys, | 0:38:40 | 0:38:44 | |
-Minus 25... -Wasn't the right day for it, was it? | 0:38:44 | 0:38:47 | |
..which means you are minus 23 all over. | 0:38:47 | 0:38:51 | |
-Now, that could be a winning score. -Yeah, right. -Don't tell the Blues. | 0:38:51 | 0:38:56 | |
Go in poker-faced. We'll find out later. | 0:38:56 | 0:38:59 | |
Tell me, is this your first auction? | 0:39:05 | 0:39:07 | |
I have been to an auction before, yes, a couple of times. | 0:39:07 | 0:39:10 | |
-So you're familiar with the smells, the sights? -And the pace. | 0:39:10 | 0:39:14 | |
Good, good, good. | 0:39:14 | 0:39:16 | |
First item is the Victorian nine-carat-gold bar brooch. | 0:39:16 | 0:39:19 | |
-I have interest on this one and I start at just £5. -Oh! | 0:39:19 | 0:39:23 | |
Six, eight, ten, 12, 15. Yes, 18, new bidder. 20. | 0:39:23 | 0:39:28 | |
Two, 25, 28, | 0:39:28 | 0:39:32 | |
-30, 32, 35. -THEY CHEER | 0:39:32 | 0:39:34 | |
35 right at the back. At 35, standing at 35. | 0:39:36 | 0:39:39 | |
Where are you at eight? | 0:39:39 | 0:39:41 | |
-At £35, make no mistake. 35. -Were you saying "pedestrian"? Pedestrian? | 0:39:41 | 0:39:46 | |
£35! | 0:39:46 | 0:39:47 | |
I don't believe it - I'm eating my words. | 0:39:47 | 0:39:49 | |
£35 - that's a £5 profit. | 0:39:49 | 0:39:51 | |
-Next up is the swagger stick and walking cane. -OK. | 0:39:51 | 0:39:56 | |
£30. A souvenir of your day out. Come on, £30 for two items. | 0:39:56 | 0:40:01 | |
- Lovely items. - 20, I'll take. Come on. | 0:40:01 | 0:40:04 | |
Thank you, £20 bid. 20, I have, where's two? | 0:40:04 | 0:40:07 | |
It's 20, 22. | 0:40:07 | 0:40:09 | |
-25, 28, 30 with me now. -That's more like it. | 0:40:09 | 0:40:12 | |
30 with the lady nearer to me. Where are you at two? | 0:40:12 | 0:40:15 | |
-It's £30 for both items. -No! -At £30, they will sell. | 0:40:15 | 0:40:21 | |
ALL: Oh! | 0:40:21 | 0:40:23 | |
It was close. | 0:40:23 | 0:40:25 | |
That means you are now minus 25 on that lot, | 0:40:25 | 0:40:27 | |
plus the five which means minus 20. | 0:40:27 | 0:40:29 | |
-Tell us Elizabeth loved the duck. -We love your duck. | 0:40:29 | 0:40:32 | |
Oh, do we love the duck? | 0:40:32 | 0:40:33 | |
20, I'll take. | 0:40:33 | 0:40:34 | |
-Come on, don't duck out of this one. -Go on! -15, come on. | 0:40:36 | 0:40:40 | |
Thank you, £15 on commission. | 0:40:40 | 0:40:42 | |
15, where's 18? At £15 bid. | 0:40:42 | 0:40:45 | |
A novelty item for your table and sideboard. At £15. Don't be shy. | 0:40:45 | 0:40:49 | |
-Don't be shy. -At £15, it's a maiden bid on commission. | 0:40:49 | 0:40:53 | |
-Oh, no! -Disaster! | 0:40:53 | 0:40:56 | |
£7 lost. That's a total of minus 27. | 0:40:56 | 0:41:00 | |
What are you going to do? | 0:41:00 | 0:41:02 | |
-Go for the bonus buy? -I think we should. -You make the decision. | 0:41:02 | 0:41:05 | |
-For the first time! -Go for it. -Yeah, we'll go for it. -Really? -Yes. | 0:41:05 | 0:41:09 | |
Really like the campaign knife and fork. | 0:41:09 | 0:41:12 | |
-Cool, isn't it? -It's up now. | 0:41:12 | 0:41:13 | |
Start me at £30. | 0:41:13 | 0:41:15 | |
£30 - lovely collectables, these. | 0:41:15 | 0:41:18 | |
A lovely knife and fork, in particular. | 0:41:18 | 0:41:21 | |
20, I'll take. | 0:41:21 | 0:41:22 | |
- It's gone quiet. - 20 I have, where's two? | 0:41:22 | 0:41:27 | |
It's £20 now. 22, the net. 25. | 0:41:27 | 0:41:30 | |
28, 30 got. | 0:41:32 | 0:41:33 | |
32, 32 is on the internet. I'll take the five. | 0:41:34 | 0:41:39 | |
I have £32 bid - where's the five? | 0:41:39 | 0:41:41 | |
It's £32 on the internet. The room is out at 32. | 0:41:41 | 0:41:45 | |
Oh, I'm sorry, I'm sorry. | 0:41:47 | 0:41:50 | |
I'm afraid that's a £33 loss, so it's minus 60 overall. | 0:41:50 | 0:41:55 | |
-It could be a winning score. -It could be. Could be. Could be. | 0:41:55 | 0:41:58 | |
Could be a winning score. We'll wait and see. | 0:41:58 | 0:42:00 | |
Well, that was great fun, teams, wasn't it? | 0:42:07 | 0:42:10 | |
-Yes! -Very good. | 0:42:10 | 0:42:11 | |
-Have you been chatting? TEAMS: -No. | 0:42:11 | 0:42:14 | |
Well, I have to say that none of you are taking money home today. | 0:42:14 | 0:42:19 | |
Is that a big surprise? TEAMS: No! | 0:42:19 | 0:42:21 | |
So, the runners-up today... | 0:42:21 | 0:42:24 | |
are the Blues. | 0:42:24 | 0:42:25 | |
THEY EXCLAIM | 0:42:25 | 0:42:28 | |
They still won, they still won. | 0:42:28 | 0:42:30 | |
We all lost money, all right? | 0:42:30 | 0:42:34 | |
Now, yes, I'm afraid you were minus £60 | 0:42:34 | 0:42:39 | |
but you did have a start with a profit with that brooch, | 0:42:39 | 0:42:41 | |
which I really slated, and it made £5 so well done, you. | 0:42:41 | 0:42:44 | |
To the Reds, the victors. | 0:42:44 | 0:42:46 | |
But you still lost money, minus 23 after the bonus buy. | 0:42:46 | 0:42:49 | |
I'm sorry about that, Nick. I liked it. | 0:42:49 | 0:42:51 | |
I liked it but the buyers didn't - what can you do? | 0:42:51 | 0:42:54 | |
But wasn't it great fun? | 0:42:54 | 0:42:56 | |
If you've enjoyed that, go on our webpage | 0:42:56 | 0:42:58 | |
and have a look or follow us on Twitter - @BBCBargainHunt. | 0:42:58 | 0:43:02 | |
Better still, join us again for some more bargain hunting. | 0:43:02 | 0:43:04 | |
-Yes? ALL: -Yes! | 0:43:04 | 0:43:06 |