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We're at the East of England Showground | 0:00:02 | 0:00:04 | |
and I'm in the driving seat today. | 0:00:04 | 0:00:06 | |
MUSIC: Water Music, Suite No.2 by Handel | 0:00:06 | 0:00:08 | |
Sir Henry Royce, the man behind this superb Rolls-Royce, was born | 0:00:08 | 0:00:12 | |
here in Peterborough. So, with that in mind, let's go Bargain Hunting. | 0:00:12 | 0:00:16 | |
Henry Royce formed a fantastic partnership with | 0:00:43 | 0:00:46 | |
Charles Stewart Rolls. | 0:00:46 | 0:00:48 | |
And that's what we need on Bargain Hunt, successful partnerships. | 0:00:48 | 0:00:52 | |
So, let's take a little sneaky peek | 0:00:52 | 0:00:55 | |
at the journey ahead. | 0:00:55 | 0:00:59 | |
On today's show, the old ones are the best for the Reds. | 0:00:59 | 0:01:02 | |
-I like the old one. -Yeah. -Yeah. | 0:01:02 | 0:01:04 | |
Probably because we're of similar age! | 0:01:04 | 0:01:05 | |
THEY LAUGH | 0:01:05 | 0:01:08 | |
And the Blues have expensive tastes. | 0:01:08 | 0:01:11 | |
-That is beautiful. -A beautiful thing. Out of budget. Put it back. | 0:01:11 | 0:01:14 | |
-OK. -Well done. | 0:01:14 | 0:01:16 | |
But just who will come out on top at the auction? | 0:01:16 | 0:01:19 | |
-Ooh! The excitement of it all. -£35. | 0:01:19 | 0:01:21 | |
Equal! That's all for later. | 0:01:21 | 0:01:24 | |
Let's meet today's teams. | 0:01:24 | 0:01:26 | |
We've got four lovely ladies here today. | 0:01:26 | 0:01:28 | |
For the Reds, we have a mum and daughter team, Amelia and Rosie. | 0:01:28 | 0:01:32 | |
And for the Blues, we have two great friends, Amy and Rebecca. | 0:01:32 | 0:01:36 | |
-Hello, everyone. -Hello. -Hello. -That was very bright, wasn't it? | 0:01:36 | 0:01:39 | |
Now, Amelia, you work in sales. Does that mean | 0:01:39 | 0:01:41 | |
you're going to be driving a hard bargain? | 0:01:41 | 0:01:43 | |
I do like a good haggle, so I'll certainly try | 0:01:43 | 0:01:45 | |
-my best to drive a hard bargain. -Oh, do you? | 0:01:45 | 0:01:47 | |
-You love haggling? -Oh, absolutely. Yeah. | 0:01:47 | 0:01:49 | |
-What sort of sales are you involved with? -Software, | 0:01:49 | 0:01:52 | |
-for a software company that I work in. -I don't understand software. | 0:01:52 | 0:01:54 | |
Let's move on. Now, you're a car freak, aren't you? | 0:01:54 | 0:01:57 | |
I love motorsports and cars, especially drifting. | 0:01:57 | 0:01:59 | |
You're sliding the back end of a car out, so, like you're | 0:01:59 | 0:02:02 | |
skidding it, but doing it in a controlled way. | 0:02:02 | 0:02:03 | |
Now, Rosie. You're a retired customer services rep, aren't you? | 0:02:03 | 0:02:07 | |
-I am. -How long have you been retired? | 0:02:07 | 0:02:09 | |
-Or is it a secret? -Two years. Two years. -Two years! | 0:02:09 | 0:02:12 | |
And what you do you do with yourself now? | 0:02:12 | 0:02:13 | |
-I've taken up art classes. -Have you? Watercolours? Oils? | 0:02:13 | 0:02:16 | |
I've tried acrylics oils, pastels, soft pastels. | 0:02:16 | 0:02:20 | |
Any good at antiques? | 0:02:20 | 0:02:21 | |
Well, I used to have a collection of nearly 150 teapots but... | 0:02:21 | 0:02:24 | |
-too much dusting, so they had to go! -You kept your best ones, did you? | 0:02:24 | 0:02:27 | |
I have a 1760 blue and white from | 0:02:27 | 0:02:31 | |
-the Dutch royal house from 1760. -How fantastic. -I've still got that. | 0:02:31 | 0:02:35 | |
Well, the great thing about any collection, if you | 0:02:35 | 0:02:37 | |
are paring down a collection, the thing to remember is keep the best. | 0:02:37 | 0:02:41 | |
Get rid of the other bits and bobs and keep the best. | 0:02:41 | 0:02:44 | |
-Who's going to be in charge today? AMELIA: -I'm always in charge. | 0:02:44 | 0:02:47 | |
-ROSIE: -As I've said, I always do what I'm told. | 0:02:47 | 0:02:50 | |
Isn't that true with all mothers and daughters? | 0:02:50 | 0:02:52 | |
The daughter is always in charge. And what about tactics? | 0:02:52 | 0:02:55 | |
-Well, if we don't fall out, we might do well. -Have you ever fallen out? | 0:02:55 | 0:02:59 | |
-Never. -Daily! | 0:02:59 | 0:03:02 | |
And on that note, thank you very much indeed, Reds. | 0:03:02 | 0:03:05 | |
-Now, off to the Blues. We have great friends Amy and Rebecca. -Hello. | 0:03:05 | 0:03:09 | |
-You're both police officers? Is that how you met? -Yeah. | 0:03:09 | 0:03:13 | |
I joined the police force ten years ago | 0:03:13 | 0:03:15 | |
and Rebecca was already a police officer on the shift that I joined. | 0:03:15 | 0:03:20 | |
-Right. -So, we became friends from there, really. | 0:03:20 | 0:03:22 | |
What's your specific role in the police force? | 0:03:22 | 0:03:24 | |
I work in neighbour policing, and Amy's a detective. | 0:03:24 | 0:03:27 | |
-You're a detective? -I am, yeah. | 0:03:27 | 0:03:30 | |
-So you're quite intellectual, are you? -I'd like to think so. | 0:03:30 | 0:03:33 | |
-Most of the time. -Now, Rebecca. | 0:03:33 | 0:03:35 | |
When you're not on the beat, what do you like doing? | 0:03:35 | 0:03:37 | |
Well, most of my time is spent with my children, to be honest, | 0:03:37 | 0:03:40 | |
which I enjoy doing, and spending time with them, | 0:03:40 | 0:03:42 | |
-and taking them places. -Marvellous. | 0:03:42 | 0:03:44 | |
Now, going on to the antiques. What do you like? | 0:03:44 | 0:03:46 | |
I like perfume, so I like the perfume bottles. | 0:03:46 | 0:03:50 | |
-Oh, do you? -Yes. I do. | 0:03:50 | 0:03:51 | |
I've got 15 perfumes on the go at the moment, | 0:03:51 | 0:03:53 | |
and I'll probably keep about five of the bottles. | 0:03:53 | 0:03:56 | |
-15 perfumes on the go? -I like to have a nice choice in the morning, | 0:03:56 | 0:03:59 | |
when I get up. What do I want to smell like? So... | 0:03:59 | 0:04:02 | |
Hang on. Hang on. Oh, I like today's. | 0:04:02 | 0:04:06 | |
What about you, Rebecca? | 0:04:06 | 0:04:07 | |
I don't know too much about antiques, | 0:04:07 | 0:04:09 | |
but I like a good nosy round the shops. | 0:04:09 | 0:04:12 | |
I don't live that far from Lovejoy country, | 0:04:12 | 0:04:14 | |
so there's lots of antiques round that way. So I like to have a look. | 0:04:14 | 0:04:17 | |
-I like jewellery, I like fashion. -Lots of things? -Yeah. | 0:04:17 | 0:04:20 | |
-Are you going to be "spend, spend, spend?" -Yeah, definitely. -She will. | 0:04:20 | 0:04:23 | |
I'm going to have to rein her in a little bit. | 0:04:23 | 0:04:25 | |
Is that the way it's going to work? So, who's going | 0:04:25 | 0:04:27 | |
-to be captain of the team? -Probably Amy. -Me. | 0:04:27 | 0:04:30 | |
-Who's going to be superintendent? -Probably me. -You? | 0:04:30 | 0:04:33 | |
Now, if you're going to go shopping, girls, what will you need? | 0:04:33 | 0:04:36 | |
-ALL: -Money! -Absolutely, and I've got it. | 0:04:36 | 0:04:39 | |
I've got 300 smackers for you, girls. | 0:04:39 | 0:04:42 | |
And superintendent, I have £300 for you. | 0:04:42 | 0:04:47 | |
Off you go. | 0:04:47 | 0:04:48 | |
Whoosh! Away! I think this looks like being an absolute belter! | 0:04:48 | 0:04:52 | |
So, all the teams need now are their experts. | 0:04:54 | 0:04:58 | |
Hoping to put the P into profit | 0:04:58 | 0:05:00 | |
for the Reds, it's Philip Serrell. | 0:05:00 | 0:05:03 | |
And she won't be lounging around for long. | 0:05:03 | 0:05:05 | |
It's Christina Trevanion for the Blues. | 0:05:05 | 0:05:08 | |
-So, what are we looking for? Amy? -Something small and pretty, I think. | 0:05:08 | 0:05:11 | |
A perfume bottle, maybe. | 0:05:11 | 0:05:13 | |
-Right, because you're a bit of a perfume fan, aren't you? -Yes. | 0:05:13 | 0:05:16 | |
For me, it's not anything specific. | 0:05:16 | 0:05:18 | |
I know what I like, so if something catches my eye that's a bit | 0:05:18 | 0:05:20 | |
-different... -What do you like? -I like military items, I like | 0:05:20 | 0:05:24 | |
-vintage items, clothing. -Yep. | 0:05:24 | 0:05:26 | |
-So, -what do you think? Jewellery, silverware. Something a bit quirky! | 0:05:26 | 0:05:30 | |
Girls after my own heart! I love it. | 0:05:30 | 0:05:32 | |
-Is there a plan? -Well, we'll have to see what we like, I think. | 0:05:32 | 0:05:36 | |
Quirky, maybe, and a bit different. | 0:05:36 | 0:05:39 | |
Right, teams. Your time starts now... | 0:05:39 | 0:05:42 | |
BELL DINGS ..and they're off. | 0:05:42 | 0:05:44 | |
-Come on. Let's get going. -Let's go! | 0:05:44 | 0:05:48 | |
let's see if we can find a modest Ferrari, or something. | 0:05:49 | 0:05:53 | |
Good luck with that. | 0:05:53 | 0:05:57 | |
'Ello, 'ello, 'ello. What have we here, then? | 0:05:57 | 0:06:00 | |
Oh, there's a little policeman! | 0:06:00 | 0:06:02 | |
Hey, this looks like a really quirky shop, doesn't it? | 0:06:02 | 0:06:05 | |
-And the police sign over there. -Where's that? -Just there. | 0:06:05 | 0:06:08 | |
Oh, yeah! Very appropriate. | 0:06:08 | 0:06:10 | |
A bit of a police sign going on. | 0:06:10 | 0:06:12 | |
So, what would that have gone on originally? | 0:06:12 | 0:06:14 | |
Maybe a fence, or something? | 0:06:14 | 0:06:15 | |
-VENDOR: Back of a motorbike. -Back of a motorbike. | 0:06:15 | 0:06:18 | |
-A police motorbike? -That's pretty cool though, isn't it? | 0:06:18 | 0:06:21 | |
The blue is very fitting. | 0:06:21 | 0:06:22 | |
Maybe we could take this off and make it a necklace. | 0:06:22 | 0:06:25 | |
-Would you wear that, Becks? -It's a bit big for me. | 0:06:25 | 0:06:27 | |
I do like my big and chunky, but it's a bit on the big side. | 0:06:27 | 0:06:29 | |
You did say you wanted some jewellery. | 0:06:29 | 0:06:31 | |
-I'm coming up with some good stuff. -I'm going to continue looking | 0:06:31 | 0:06:34 | |
-if that's all right. -OK. fair enough. | 0:06:34 | 0:06:36 | |
A wise decision, I think, Blues. | 0:06:36 | 0:06:37 | |
Now, Reds, are you about to clean up with your first item? | 0:06:37 | 0:06:40 | |
-Do you mind me enquiring about these suitcases? -Yeah? | 0:06:40 | 0:06:43 | |
-Do you know about them? -They're not suitcases, more boxes, aren't they? | 0:06:43 | 0:06:46 | |
-Boxes. -They are laundry cases, So, when people would | 0:06:46 | 0:06:48 | |
take their laundry to Wolverhampton, | 0:06:48 | 0:06:51 | |
that's how they would get it back. | 0:06:51 | 0:06:53 | |
Apparently, in 1890s, 1900s, | 0:06:53 | 0:06:55 | |
it was the biggest place that employed women in England. | 0:06:55 | 0:06:59 | |
-Oh, right. So there's a bit of history to it, really? -That's right. | 0:06:59 | 0:07:02 | |
That's what they're most known for. | 0:07:02 | 0:07:04 | |
And are they coming as a package? | 0:07:04 | 0:07:08 | |
You could have them separate if you like. | 0:07:08 | 0:07:10 | |
-What are you talking about, price-wise? -£35 each. | 0:07:10 | 0:07:13 | |
-Can I just say something to you? -Go on, then. | 0:07:13 | 0:07:15 | |
If you look at those, the one at the front looks to me | 0:07:15 | 0:07:19 | |
-like it's quite cool, 1950s, early -'60s. The other one's modern. | 0:07:19 | 0:07:22 | |
-The other one is 1980s. I like the old one. -Yeah. -Yeah. | 0:07:22 | 0:07:27 | |
Probably because we're of similar age. | 0:07:27 | 0:07:30 | |
Speak for yourself, please! | 0:07:30 | 0:07:31 | |
But I think that's a quite a cool thing, though. | 0:07:31 | 0:07:34 | |
-People like them for displays, decor. -Can we have a look at this? | 0:07:34 | 0:07:38 | |
-Any holes in it, or bumps, or... -You're welcome to have a look. | 0:07:38 | 0:07:41 | |
What's the very, very best on it? This is the painful bit. | 0:07:41 | 0:07:45 | |
I know, very, very painful. £30? | 0:07:45 | 0:07:49 | |
See, that was said as though it was a question, wasn't it? | 0:07:49 | 0:07:51 | |
-Not a statement. -I was trying to be very polite. | 0:07:51 | 0:07:54 | |
Well, you'll probably say no to £20, will you? | 0:07:54 | 0:07:56 | |
-I will say no to £20, I'm afraid. -Would you meet halfway, though? | 0:07:56 | 0:08:00 | |
-That's what I was going to say. £25? -£25? | 0:08:00 | 0:08:02 | |
Have a look. Have a look, | 0:08:02 | 0:08:03 | |
and make sure you're actually happy with it before you agree on a price. | 0:08:03 | 0:08:07 | |
Right, let's just have a look. As I say, what we're looking at here | 0:08:07 | 0:08:10 | |
is a very expensive cardboard box. | 0:08:10 | 0:08:14 | |
-That's about what it is. -Has it got any dates on it? -1951. | 0:08:14 | 0:08:17 | |
-You were spot on! -Yeah. -Yeah, we'd like to take that, please. -Yeah? | 0:08:17 | 0:08:22 | |
-25, is that all right? -That's fine. -Thank you, very much. | 0:08:22 | 0:08:25 | |
-Good luck with it. -Thank you! | 0:08:25 | 0:08:28 | |
So, that's one box for the Reds | 0:08:28 | 0:08:30 | |
and it looks like the Blues have found a box of their own. | 0:08:30 | 0:08:33 | |
-Want to have a look at this? Christina? -What's that, darling? | 0:08:33 | 0:08:37 | |
-Altrincham Police, 1936. -Oh, wow. How appropriate. | 0:08:37 | 0:08:42 | |
I'm not entirely sure what it would have been used for. | 0:08:42 | 0:08:45 | |
Perhaps a notebook? And some... | 0:08:45 | 0:08:47 | |
I'm really surprised that you've just taken the cover... | 0:08:47 | 0:08:50 | |
I would have expected a hinged lid. | 0:08:50 | 0:08:52 | |
Really beautiful oak box, which possibly would have been... | 0:08:52 | 0:08:54 | |
I mean, there's still a card in there, | 0:08:54 | 0:08:56 | |
but I would have said it probably would have been a cigar box, | 0:08:56 | 0:08:59 | |
because it's obviously a presentation piece. | 0:08:59 | 0:09:01 | |
You've got this lovely shield on the front here, | 0:09:01 | 0:09:03 | |
which has been engraved. | 0:09:03 | 0:09:04 | |
Altrincham Police, 1936. | 0:09:04 | 0:09:07 | |
So, 1936, just coming towards | 0:09:07 | 0:09:09 | |
the end of the Art Deco period, and we can see that by its form, | 0:09:09 | 0:09:11 | |
if you look at that lovely chamfered top on there. | 0:09:11 | 0:09:14 | |
-Now, any moulding missing, if you have a good look around it? -No. | 0:09:14 | 0:09:18 | |
-OK. How much is that? -I've got £45 on it. | 0:09:18 | 0:09:23 | |
I think, really, if you want to make a profit on it, you want to be | 0:09:23 | 0:09:26 | |
-nudging it towards the £20 region. -Would you take £20 for it? | 0:09:26 | 0:09:29 | |
-Definitely not. -What's the best price you could do us? | 0:09:29 | 0:09:32 | |
The best price for me or the best price for you? | 0:09:32 | 0:09:34 | |
-The best price for us? -The best price for you, | 0:09:34 | 0:09:37 | |
-probably £30. -Meet us in the middle at £25. | 0:09:37 | 0:09:40 | |
-Could we just nudge you that £5 less? -Ooh. The pain. | 0:09:40 | 0:09:44 | |
-You are pushing, but you have a deal. -Thank you, very much. | 0:09:44 | 0:09:47 | |
-Have we just bought something? -Yeah! | 0:09:47 | 0:09:50 | |
Well done, girls. Speedy Gonzales. | 0:09:50 | 0:09:53 | |
I'm going to have to watch you two, I can tell. | 0:09:53 | 0:09:56 | |
-Right, let's go. -OK. | 0:09:56 | 0:10:00 | |
Speedy indeed. And for just £25. | 0:10:00 | 0:10:01 | |
Now, both teams have ticked a box, quite literally. | 0:10:01 | 0:10:04 | |
So, it's one apiece with just over ten minutes on the clock. | 0:10:04 | 0:10:07 | |
Well, Reds. What's next? | 0:10:07 | 0:10:11 | |
I think we should look for something | 0:10:11 | 0:10:12 | |
different, and this is certainly different. | 0:10:12 | 0:10:15 | |
-I'm not too sure I know what it is. -I was about to say, | 0:10:15 | 0:10:17 | |
do you know what it is? | 0:10:17 | 0:10:18 | |
It's got Eton College here, 1927 football club. | 0:10:18 | 0:10:22 | |
All the players. | 0:10:22 | 0:10:23 | |
ECFC? EC...? | 0:10:23 | 0:10:25 | |
-Eton College? -Eton, maybe? -That would be nice, wouldn't it? | 0:10:25 | 0:10:28 | |
All those names. | 0:10:28 | 0:10:29 | |
Well, it's got the wall game over here, so it probably must be. | 0:10:29 | 0:10:32 | |
-It's worth a risk, maybe. -So, if you buy this, what you do with it? | 0:10:32 | 0:10:35 | |
-Oh, yeah. -Well, I think someone who's interested maybe has possibly | 0:10:35 | 0:10:38 | |
been to Eton, or has contacts, or whatever, might be interested. | 0:10:38 | 0:10:42 | |
What you don't want to be doing is buying a Dalton jug, | 0:10:42 | 0:10:44 | |
-that... Everybody can look up the price of a Dalton jug. -Yeah. | 0:10:44 | 0:10:47 | |
I've never seen anything like this in my life before, | 0:10:47 | 0:10:49 | |
So, what's it worth? I haven't got a clue. | 0:10:49 | 0:10:51 | |
It could be cheap at £150. It could be cheap at £50. | 0:10:51 | 0:10:54 | |
It could be cheap at £300. I really, really don't know. | 0:10:54 | 0:10:57 | |
But I think it's such fun. | 0:10:57 | 0:10:58 | |
-How much is this, please? -£150, sir. | 0:10:58 | 0:11:00 | |
What's the absolute finish on it? | 0:11:03 | 0:11:05 | |
It needs to clear £120. The best price. | 0:11:05 | 0:11:08 | |
-So, £120 is it. -Absolutely. -Can I ask you to do a favour for us? | 0:11:08 | 0:11:12 | |
Could you just hang onto it for us for about 35 minutes? | 0:11:12 | 0:11:14 | |
-Yeah, that's fine. -Right. Let's go and have a think. | 0:11:14 | 0:11:16 | |
-Thank you very much indeed. -Thank you. -Thank you. | 0:11:16 | 0:11:20 | |
CHARLIE: I'd keep that one in mind, then, Reds. Now, Blues. | 0:11:20 | 0:11:23 | |
Are you BOBBIN' along nicely? | 0:11:23 | 0:11:24 | |
A sewing machine. Yeah. | 0:11:24 | 0:11:26 | |
It's slightly difficult thing to sell at auction, | 0:11:26 | 0:11:28 | |
to be perfectly honest. | 0:11:28 | 0:11:30 | |
And they don't tend to sell for a huge amount of money. | 0:11:30 | 0:11:32 | |
Having said that, that is probably the most beautiful case | 0:11:32 | 0:11:35 | |
-I've ever seen. And, darling, it's a Premier. -Premier. | 0:11:35 | 0:11:38 | |
It's not just any old sewing machine, it's a Premier. | 0:11:38 | 0:11:41 | |
No, it's nice that you've got this mother of pearl inlay on here. | 0:11:41 | 0:11:44 | |
It's a lovely thing. How much have you got on your sewing machine? | 0:11:44 | 0:11:47 | |
£75 because it's quite unusual and the case | 0:11:47 | 0:11:50 | |
has been restored. | 0:11:50 | 0:11:52 | |
What would be your very best price on it, Johnny? | 0:11:52 | 0:11:54 | |
-To give me a small profit, £55. -£55. | 0:11:54 | 0:11:59 | |
At auction you're probably looking at £30-£50. | 0:11:59 | 0:12:01 | |
-OK. -OK. | 0:12:01 | 0:12:03 | |
-OK. What do you think? -No, then. -No? | 0:12:03 | 0:12:05 | |
-Yeah, it's no. -Let's move on. Come on, girls. | 0:12:05 | 0:12:07 | |
Back on the beat, then, Blues. | 0:12:10 | 0:12:12 | |
But with nearly 30 minutes left, | 0:12:12 | 0:12:13 | |
you might need to turn on your blue lights. | 0:12:13 | 0:12:16 | |
So, Reds, what's the plan? | 0:12:16 | 0:12:19 | |
Now, then. Let's just take a bit of a rain check. | 0:12:19 | 0:12:24 | |
We've bought the first two. | 0:12:24 | 0:12:25 | |
That case, which I thought was really, really lovely. I liked that. | 0:12:25 | 0:12:28 | |
The "but" is, we've only got six minutes before that bloke | 0:12:28 | 0:12:31 | |
puts his Eton College thing back on his floor, | 0:12:31 | 0:12:34 | |
so, I think we need to decide, do we want that, or don't we? | 0:12:34 | 0:12:37 | |
-You like it, don't you? -I like it. | 0:12:37 | 0:12:39 | |
It's that kill or cure thing. | 0:12:39 | 0:12:41 | |
I think it's a nice... I like it because you can't put a price on it. | 0:12:41 | 0:12:44 | |
You know, that could make £50. | 0:12:44 | 0:12:47 | |
It could make £200 and it could make anywhere between. | 0:12:47 | 0:12:50 | |
But I think it's a fun thing. | 0:12:50 | 0:12:51 | |
And I think the fact that you like it means to me that I'd buy it. | 0:12:51 | 0:12:54 | |
-And it's a bit different! -Yeah. -Maybe we should go for it, then. | 0:12:54 | 0:12:57 | |
Yeah, OK. | 0:12:57 | 0:12:58 | |
Go and seal the deal, then, Reds. | 0:12:58 | 0:13:01 | |
Hello? What has our detective sniffed out? | 0:13:01 | 0:13:03 | |
Oh, look! Perfume bottles! | 0:13:03 | 0:13:06 | |
-Now, who was the perfume fan? -Me. -Amy. | 0:13:06 | 0:13:09 | |
So, we've got some perfume bottles here and if we look at construction | 0:13:09 | 0:13:12 | |
of this, this is a moulded glass piece rather than | 0:13:12 | 0:13:15 | |
a cut glass piece, | 0:13:15 | 0:13:17 | |
so instantly it says to us that the | 0:13:17 | 0:13:19 | |
quality isn't as good as it could be. OK. | 0:13:19 | 0:13:21 | |
And the reason we can tell it's a moulded glass piece | 0:13:21 | 0:13:24 | |
is that we've actually got a seam line down there. | 0:13:24 | 0:13:26 | |
So that has been made in a mould, molten glass, | 0:13:26 | 0:13:29 | |
pressed together in a mould and then that's how it's been made. OK. | 0:13:29 | 0:13:32 | |
-All right. -I don't like the look of it. -No. I don't. -OK. All right. | 0:13:32 | 0:13:35 | |
Let's move on. | 0:13:35 | 0:13:37 | |
And the Reds are back for the Eton display cabinet. | 0:13:37 | 0:13:40 | |
Hello. | 0:13:40 | 0:13:41 | |
-Thank you. -You'll have that? -Yeah, we'll have them. | 0:13:41 | 0:13:44 | |
-Thank you very much, indeed. -Pleasure. -We just bought them. | 0:13:44 | 0:13:46 | |
-Thank you. Yay! -We'll be back later on. | 0:13:46 | 0:13:48 | |
-Right, on to the next now, then. -Right on time. | 0:13:48 | 0:13:51 | |
Crumbs! No fuss with that buy. £120 for their second item. | 0:13:51 | 0:13:55 | |
-Maybe the Blues can smell a profit at this stall. -Right. | 0:13:56 | 0:14:00 | |
-That's really nice. -Heh. Look at this. | 0:14:00 | 0:14:03 | |
Oh, my goodness. | 0:14:03 | 0:14:05 | |
-AMY GASPS -It's got the little stopper thing. | 0:14:05 | 0:14:07 | |
Yeah. | 0:14:07 | 0:14:08 | |
We've got a magic stopper. OK. So this, | 0:14:08 | 0:14:10 | |
even just not having a really close look at it, | 0:14:10 | 0:14:12 | |
the perfume bottle we were looking at before, | 0:14:12 | 0:14:15 | |
it's kind of the bicycle of the perfume bottle world. | 0:14:15 | 0:14:21 | |
-This is the Rolls-Royce. -Is it? | 0:14:21 | 0:14:22 | |
This is the piece de resistance. | 0:14:22 | 0:14:25 | |
Look at this fabulous decoration. I'd say it's got to be Victorian. | 0:14:25 | 0:14:29 | |
And that cover there, engraved with a lily. | 0:14:29 | 0:14:31 | |
Language of flowers - Lily, I think, is for remembrance. | 0:14:31 | 0:14:34 | |
-Amy likes lilies. That's her favourite flower. -Ah! | 0:14:34 | 0:14:38 | |
And solid silver again. | 0:14:38 | 0:14:39 | |
We've got these hallmarks on here. Nice thing. | 0:14:39 | 0:14:42 | |
What have we got on that? | 0:14:42 | 0:14:44 | |
-Ooh! -What is it? What is it? | 0:14:44 | 0:14:46 | |
-Did you want to spend big or spend small? -Spend small. | 0:14:46 | 0:14:50 | |
-What is it? Ooh. -£160. | 0:14:50 | 0:14:52 | |
Ouch! | 0:14:52 | 0:14:54 | |
What would it make though? Do think it would make anything? | 0:14:54 | 0:14:57 | |
You pay for quality and quality always sells. | 0:14:57 | 0:15:00 | |
I mean, at auction I would put it at maybe £80-120. | 0:15:00 | 0:15:02 | |
It's a beautiful thing. But what do you think of it? | 0:15:02 | 0:15:05 | |
-I really like it. -I really like it. -What would be your | 0:15:05 | 0:15:07 | |
very, very best price on that beautiful scent bottle, | 0:15:07 | 0:15:09 | |
my darling? | 0:15:09 | 0:15:11 | |
Oh, she's looking cross. | 0:15:11 | 0:15:14 | |
No, it's the sun! | 0:15:14 | 0:15:16 | |
I'm bedazzled! | 0:15:16 | 0:15:19 | |
How about £110? | 0:15:19 | 0:15:20 | |
-Excellent! -Because I was going to ask her. | 0:15:20 | 0:15:23 | |
-CHRISTINA MUTTERS -OK! | 0:15:23 | 0:15:26 | |
Oh, Blues. You can haggle better than that! | 0:15:26 | 0:15:28 | |
Let's have a little chat about this, shall we? | 0:15:28 | 0:15:32 | |
That's why she's the expert, and I know nothing. | 0:15:32 | 0:15:34 | |
If we can try to nudge it under the £100, | 0:15:34 | 0:15:37 | |
I'd be a very happy bunny. | 0:15:37 | 0:15:38 | |
Is there any, any, any chance we could nudge it | 0:15:38 | 0:15:41 | |
under the hundred? | 0:15:41 | 0:15:42 | |
£98. | 0:15:42 | 0:15:44 | |
-£95. -£95. | 0:15:44 | 0:15:45 | |
-Come on, £95. -Brilliant. You're an angel. | 0:15:45 | 0:15:49 | |
Well done, Christina. Show them how it's done. | 0:15:49 | 0:15:51 | |
Perfume bottle got! Well done. | 0:15:51 | 0:15:54 | |
And that, honestly, is the nicest perfume bottle I've ever seen. | 0:15:54 | 0:15:57 | |
-Really? -It is beautiful. -Oh. -Well done, girls. -Yes! -Right. Come on. | 0:15:57 | 0:16:00 | |
Let's go. | 0:16:00 | 0:16:03 | |
So, that's two in the bag with 20 minutes left on the clock. | 0:16:03 | 0:16:06 | |
Are you pleased, Christina? | 0:16:06 | 0:16:09 | |
It sort of started a bit hesitantly, and then suddenly, that was it. | 0:16:09 | 0:16:12 | |
Done. Decisive. And another one. Done. Decisive. And I love that. | 0:16:12 | 0:16:17 | |
That's great. It makes life a lot easier. | 0:16:17 | 0:16:19 | |
I thought we were going to be ditherers, but we're not. | 0:16:19 | 0:16:23 | |
-Phil, are you as optimistic? -I think they've done really well. | 0:16:23 | 0:16:26 | |
Bought two bits early on. Decisive. Job's done. | 0:16:26 | 0:16:29 | |
Splendid. Now, it looks like the Blues have got their hands | 0:16:29 | 0:16:32 | |
on some silver. | 0:16:32 | 0:16:35 | |
-Now, that is rather splendid, isn't it? -It is. I do like that. | 0:16:35 | 0:16:38 | |
That is beautiful. | 0:16:38 | 0:16:40 | |
Beautiful thing. Out of budget. Put it back. | 0:16:40 | 0:16:42 | |
Oh, lawks. You tell 'em, Christina. | 0:16:42 | 0:16:45 | |
-I've spotted this here. -I saw that one, as well. | 0:16:45 | 0:16:48 | |
Is it a...? | 0:16:48 | 0:16:50 | |
What do you think that is? | 0:16:50 | 0:16:52 | |
Is that for the end of a necklace? | 0:16:52 | 0:16:55 | |
-Is it a pendant? -Well, potentially, today. | 0:16:55 | 0:16:57 | |
So, how to open it, well, normally... | 0:16:57 | 0:17:01 | |
I'm going to give it to you. | 0:17:01 | 0:17:05 | |
Stop breaking the merchandise! | 0:17:05 | 0:17:07 | |
There we go. Well, this is interesting, isn't it? | 0:17:07 | 0:17:09 | |
Press that middle bit. | 0:17:09 | 0:17:11 | |
Oh, look at that. | 0:17:11 | 0:17:13 | |
What do you think that's for? | 0:17:13 | 0:17:16 | |
Clicking how many people go into a club? | 0:17:16 | 0:17:19 | |
Oh, Amy. You're so classy. | 0:17:19 | 0:17:21 | |
So, basically, when you were a Victorian lady or gentlemen, | 0:17:24 | 0:17:27 | |
you would carry around your sovereigns. | 0:17:27 | 0:17:29 | |
-So, like the plastic pound holders? -Yes. -Oh, of course. | 0:17:29 | 0:17:33 | |
So, obviously you'd put maybe three or four in there, | 0:17:33 | 0:17:36 | |
and as you spent them, which we are, liberally, it would | 0:17:36 | 0:17:40 | |
spring up, and then you'd close it up | 0:17:40 | 0:17:41 | |
so nobody could see how many coins you are carrying on you. | 0:17:41 | 0:17:44 | |
-Oh, OK. -What's it got on it? -It's got £110. -OK, so £110. | 0:17:44 | 0:17:47 | |
-So at auction it would be maybe £30-£50. -OK. | 0:17:47 | 0:17:53 | |
OK. So, if nothing floats your boat, what's our plan? | 0:17:53 | 0:17:55 | |
We've only got ten minutes left and I'm feeling a little bit antsy. | 0:17:55 | 0:17:59 | |
I know. I know. | 0:17:59 | 0:18:01 | |
I think, well, I haven't liked anything | 0:18:01 | 0:18:03 | |
as much as I like the sewing machine. | 0:18:03 | 0:18:04 | |
-Ah. OK. The one we saw at the start? -With the box. | 0:18:04 | 0:18:07 | |
I love the box, as well, with it. | 0:18:07 | 0:18:08 | |
So, given that we've only got ten minutes, then let's go get it. | 0:18:08 | 0:18:11 | |
That's very unusual. The sewing machine's floating your boat. | 0:18:11 | 0:18:14 | |
I know. Totally unlike me. | 0:18:14 | 0:18:15 | |
I don't mend stuff and sew stuff, but I like it. | 0:18:15 | 0:18:19 | |
-OK. All right. Let's go. Let's hope it's still there. -Yeah. -Yes. | 0:18:19 | 0:18:22 | |
Off you go, then, Blues. | 0:18:22 | 0:18:23 | |
Now, Reds. You also need to bag your final item. | 0:18:23 | 0:18:27 | |
-Is that a post office bag? -That's right. | 0:18:27 | 0:18:30 | |
And most people think they are doctor's bags. | 0:18:30 | 0:18:32 | |
-Gladstones, aren't they? -That's right. | 0:18:32 | 0:18:35 | |
You can see this heavy lined leather interior. Nice and secure. | 0:18:35 | 0:18:40 | |
Nice and sturdy. | 0:18:40 | 0:18:41 | |
After all these years, to get that. | 0:18:41 | 0:18:43 | |
Is that about 1950s? | 0:18:43 | 0:18:45 | |
-It would be earlier than '50s. -Yeah? | 0:18:45 | 0:18:47 | |
You can tell by the actual fittings and the construction. | 0:18:48 | 0:18:51 | |
-You could use it as a handbag, couldn't you? -I could. | 0:18:51 | 0:18:53 | |
-I would, as well! -How much is it, that's the key? | 0:18:53 | 0:18:56 | |
This wouldn't be out of the way at around about £75. | 0:18:56 | 0:19:00 | |
-It's the "about" bit, isn't it? -Yes, yes. What would be your best price? | 0:19:00 | 0:19:05 | |
If we were talking about cash and giving me | 0:19:05 | 0:19:07 | |
-a little bit of profit, we'd be talking about 60. -OK. -About. | 0:19:07 | 0:19:12 | |
-It's that would "about". -55 or 60? -I was thinking 50. | 0:19:12 | 0:19:17 | |
-It's too near to what it cost me. -55? | 0:19:17 | 0:19:22 | |
If it's going to help you, | 0:19:24 | 0:19:26 | |
and you're definitely going to get more than 55. | 0:19:26 | 0:19:31 | |
I'd love a pound for every time someone said that to me! | 0:19:31 | 0:19:35 | |
-You really like that, don't you? -I really like it. | 0:19:35 | 0:19:37 | |
Really like it, but will we make any money? | 0:19:37 | 0:19:40 | |
I think it'll make between probably £30 and £60. | 0:19:40 | 0:19:44 | |
-That would be the top end. -Yeah, but you like it, that's the issue. | 0:19:44 | 0:19:47 | |
-I do really like it. -What I think you should do, hang onto it. | 0:19:47 | 0:19:51 | |
This gentleman has nice things on his stall. | 0:19:51 | 0:19:53 | |
Let's look at the rest of his stall. Hold on to it, don't let go. | 0:19:53 | 0:19:58 | |
Thanks very much. | 0:19:58 | 0:19:59 | |
I wouldn't wait too long, Reds, time's ticking on. | 0:20:01 | 0:20:04 | |
Come on, girls, let's go, we're running out of time. | 0:20:04 | 0:20:08 | |
So, Blues, put those blue lights on and sew up your final item. | 0:20:08 | 0:20:13 | |
-Ah, I see it. It's still there. -Yes, it is. -Hello. -Back again. | 0:20:13 | 0:20:18 | |
You've had a good scout around | 0:20:18 | 0:20:20 | |
and obviously you've made a good decision. | 0:20:20 | 0:20:22 | |
-Well, not as yet. -Would you take 40? | 0:20:22 | 0:20:25 | |
I can't do that, I'm afraid. I would be making a loss. | 0:20:25 | 0:20:28 | |
-Obviously, I do have a few overhead costs myself. -Sure. | 0:20:28 | 0:20:32 | |
What would your very best price be, Johnny? | 0:20:32 | 0:20:34 | |
Well, it's going to be 50 because I paid the lady 45 for this, you see, | 0:20:34 | 0:20:37 | |
and that just gives me a little contribution towards my costs. | 0:20:37 | 0:20:40 | |
-I'm trying to help you out as much as I can. -We appreciate that. | 0:20:40 | 0:20:43 | |
I think at 45, we stand a fighting chance | 0:20:43 | 0:20:46 | |
and then you don't have to lug it home with you. | 0:20:46 | 0:20:49 | |
And you've got space in the van to buy something else with that 45. | 0:20:49 | 0:20:53 | |
It's a very kind offer. | 0:20:53 | 0:20:54 | |
Very kind offer and I see where you're coming from | 0:20:54 | 0:20:57 | |
but I'm going to decline on that | 0:20:57 | 0:20:58 | |
because I have to be a bit more disciplined about my costs. | 0:20:58 | 0:21:01 | |
-Oh, my goodness. -48? | 0:21:01 | 0:21:04 | |
-Well, I tell you what. -Everybody loves a trier. | 0:21:04 | 0:21:07 | |
For your efforts and your sheer determination, | 0:21:07 | 0:21:10 | |
I'm going to say yes to 48. | 0:21:10 | 0:21:11 | |
Yay! Thank you. | 0:21:11 | 0:21:13 | |
A big improvement on your haggling skills, Blues. Job done. | 0:21:13 | 0:21:17 | |
Yes! Fantastic, well done. | 0:21:17 | 0:21:19 | |
Reds, you need one more item. | 0:21:19 | 0:21:22 | |
Right, we've got about three minutes left | 0:21:22 | 0:21:24 | |
and we've spent £145 on two items. | 0:21:24 | 0:21:27 | |
What are your thoughts? | 0:21:27 | 0:21:29 | |
I've just seen that gramophone there and the gentleman on the stall | 0:21:29 | 0:21:32 | |
says it's £150 and is in working order, but he is open to offers. | 0:21:32 | 0:21:36 | |
It's your decision. | 0:21:36 | 0:21:38 | |
Time is ticking! | 0:21:38 | 0:21:40 | |
I think we should probably go with the bag | 0:21:40 | 0:21:42 | |
and then you've got some left-over dosh to find something nice. | 0:21:42 | 0:21:45 | |
£200 you spent, three items. | 0:21:45 | 0:21:46 | |
The thing is, I think we bought three items all of us like, | 0:21:46 | 0:21:49 | |
-haven't we? -I think so, yeah. | 0:21:49 | 0:21:51 | |
-We're happy. -Off you go. -OK, brilliant. | 0:21:51 | 0:21:56 | |
Did you ever think that you'd come out and buy a box, | 0:21:56 | 0:21:58 | |
-a perfume bottle and a sewing machine? -No! | 0:21:58 | 0:22:02 | |
-The Blues can celebrate as they've finished. -Let's go. | 0:22:02 | 0:22:05 | |
The Reds are also about to finish, if that bag hasn't been sold. | 0:22:05 | 0:22:09 | |
-It's still here. -Phew! | 0:22:09 | 0:22:10 | |
Thank you very much. | 0:22:10 | 0:22:12 | |
I hope you do very well. KLAXON | 0:22:12 | 0:22:14 | |
Right, team, the race is over. | 0:22:14 | 0:22:17 | |
Your time is up. | 0:22:17 | 0:22:18 | |
I think you've done really, really well | 0:22:18 | 0:22:20 | |
and just by the skin of your teeth. | 0:22:20 | 0:22:22 | |
-Oh, thank God for that. -Let's go. -Come on then. Thank you. -Bye. | 0:22:22 | 0:22:27 | |
Let's check out what the Red team have bought. | 0:22:27 | 0:22:30 | |
First up at £25, | 0:22:31 | 0:22:33 | |
will the Reds be hung out to dry with this laundry box? | 0:22:33 | 0:22:36 | |
Next up, will they have something to show with this display cabinet? | 0:22:37 | 0:22:42 | |
£120 paid. | 0:22:42 | 0:22:43 | |
Finally, will this £55 GPO bag deliver a first-class profit? | 0:22:44 | 0:22:49 | |
-How was it, girls? -Interesting. -Interesting? Wasn't it awesome? | 0:22:53 | 0:22:57 | |
That's the sort of answer I want. So, what's your favourite lot? | 0:22:57 | 0:23:00 | |
I really like the Post Office bag we got. I really liked that. | 0:23:00 | 0:23:03 | |
-You really like that? -Yeah, I'd take it home if I could and use it. | 0:23:03 | 0:23:06 | |
Wonderful. It won't make you much more profit, will it? | 0:23:06 | 0:23:09 | |
What's going to make the biggest profit? | 0:23:09 | 0:23:11 | |
I think the laundry box we got is going to make the biggest profit. | 0:23:11 | 0:23:13 | |
Excellent. | 0:23:13 | 0:23:15 | |
-So, mum, what's your favourite lot? -A difficult choice. | 0:23:15 | 0:23:17 | |
We bought this rather large thing. | 0:23:17 | 0:23:19 | |
I think it's got Eton memorabilia or... | 0:23:19 | 0:23:20 | |
-How much did you spend, girls? -£200. | 0:23:20 | 0:23:23 | |
-So you've got £100 for Uncle Phil? -We have. -Hand it over. | 0:23:23 | 0:23:27 | |
Philip, you lucky chap. What are you going to spend it on? | 0:23:27 | 0:23:32 | |
Looking at those, Charlie, | 0:23:32 | 0:23:33 | |
I'm going to try and find some blue suede dancing shoes! | 0:23:33 | 0:23:37 | |
Well, on that note, let's go and find out what the Blue team bought. | 0:23:37 | 0:23:42 | |
Our girls in Blue hit the beat and paid £25 for this police box. | 0:23:42 | 0:23:46 | |
Next, they followed the scent | 0:23:48 | 0:23:50 | |
and sniffed out this perfume bottle for £95. | 0:23:50 | 0:23:53 | |
Finally, their shop was all stitched up with this sewing machine at £48. | 0:23:55 | 0:24:01 | |
Well, well, well, you were so focused, you two. | 0:24:03 | 0:24:06 | |
Discipline of the police force, I suppose. | 0:24:06 | 0:24:09 | |
Now, what's your favourite lot? | 0:24:09 | 0:24:11 | |
-The police box. -The police box. I would expect that. -Yeah. | 0:24:11 | 0:24:15 | |
-What was your favourite? -I think I'm going to go with my perfume bottle. | 0:24:15 | 0:24:18 | |
-What's going to make the biggest profit? -I think the box. | 0:24:18 | 0:24:22 | |
You think the box? | 0:24:22 | 0:24:24 | |
I was pointing because I was going to say the perfume bottle. | 0:24:24 | 0:24:26 | |
So, perfume bottle and the box. What's their best buy? | 0:24:26 | 0:24:29 | |
-Ah, the perfume bottle. -Without a shadow of a doubt? | 0:24:29 | 0:24:31 | |
By a country mile. I mean, we did pay quite a lot for it | 0:24:31 | 0:24:33 | |
-but it is the piece de resistance. -Oh, how wonderful. | 0:24:33 | 0:24:37 | |
-Well, how much did you spend? -168. -So, you've got for me 132. | 0:24:37 | 0:24:43 | |
-I have. -Come on, let's have it. -There you go. | 0:24:43 | 0:24:47 | |
That's far more than most people would risk with Christina. | 0:24:47 | 0:24:51 | |
There you go, my dear. What are you going to do with it? | 0:24:51 | 0:24:53 | |
We didn't really tick any sparkly boxes, did we? | 0:24:53 | 0:24:56 | |
Which is what you wanted, girls, | 0:24:56 | 0:24:57 | |
and I think that gives me quite a lot... Look at that! | 0:24:57 | 0:25:00 | |
-That is far too much for a girl like you. -I'm a bit over-excited! | 0:25:00 | 0:25:04 | |
Now, we're off to somewhere rather special. | 0:25:04 | 0:25:07 | |
Today I've come to Blakesley Hall, | 0:25:12 | 0:25:14 | |
built in 1590, which makes it one of the oldest buildings in Birmingham. | 0:25:14 | 0:25:22 | |
It was constructed with darkened timber and wattle and daub infill. | 0:25:22 | 0:25:26 | |
It was then rendered in lime and painted white. | 0:25:26 | 0:25:29 | |
The man that built this house | 0:25:35 | 0:25:36 | |
on former farmland in the Birmingham suburb of Yardley | 0:25:36 | 0:25:40 | |
was Richard Smallbrook. | 0:25:40 | 0:25:42 | |
He was a wealthy merchant | 0:25:42 | 0:25:43 | |
and this is a statement of his new-found wealth. | 0:25:43 | 0:25:47 | |
Now a museum, | 0:25:49 | 0:25:50 | |
the house forms part of the urban sprawl of England's second city. | 0:25:50 | 0:25:54 | |
There's a fascinating history | 0:25:54 | 0:25:56 | |
and I've come to meet Steve Spencer to find out more. | 0:25:56 | 0:26:00 | |
What a wonderful building! | 0:26:00 | 0:26:02 | |
So, what was the house like when it was first built? | 0:26:02 | 0:26:05 | |
It was modern and fashionable. | 0:26:05 | 0:26:07 | |
It was at a time when English domestic architecture | 0:26:07 | 0:26:09 | |
was moving away from the medieval style | 0:26:09 | 0:26:12 | |
and the central fireplace and one big room. | 0:26:12 | 0:26:15 | |
What specific external features have we got here? | 0:26:15 | 0:26:19 | |
Well, you have a lot of use of oak. | 0:26:19 | 0:26:20 | |
The more oak you used in a building, was a sign of your wealth. | 0:26:20 | 0:26:24 | |
Richard Smallbrook was very much showing off. | 0:26:24 | 0:26:26 | |
He was the nouveau riche of Tudor England, if you like. | 0:26:26 | 0:26:28 | |
The new money. | 0:26:28 | 0:26:30 | |
And the chimneys, brick chimneys? A statement of wealth? | 0:26:30 | 0:26:33 | |
A statement of wealth. Brick was very expensive. | 0:26:33 | 0:26:35 | |
They were just starting to use brick in the design of these homes. | 0:26:35 | 0:26:38 | |
-Well, here I am, a merchant and look what I've done. -Exactly. | 0:26:38 | 0:26:41 | |
-Perhaps we could go inside? -Yes. | 0:26:41 | 0:26:44 | |
The Smallbrooks lived here until 1686. | 0:26:45 | 0:26:49 | |
After that, the building passed into the hands | 0:26:49 | 0:26:51 | |
of another local family who rented the adjoining land | 0:26:51 | 0:26:54 | |
to a succession of farmers. | 0:26:54 | 0:26:56 | |
The house and farm fell into disrepair | 0:26:56 | 0:26:59 | |
but the house was renovated in 1899 and then bought at auction | 0:26:59 | 0:27:03 | |
by Thomas Merry, a Birmingham paint and varnish manufacturer. | 0:27:03 | 0:27:07 | |
When he died in 1932, the house was put up for auction again | 0:27:07 | 0:27:11 | |
and in 1935, the house became a museum. | 0:27:11 | 0:27:16 | |
What a magnificent table! Is this original to the house? | 0:27:16 | 0:27:19 | |
Not original to 1590. | 0:27:19 | 0:27:22 | |
This table dates to around 1630, which is the time the house | 0:27:22 | 0:27:26 | |
was occupied by the granddaughter of Richard Smallbrook, Barbara, | 0:27:26 | 0:27:31 | |
and her second husband, Aylmer Folliott and their 12 children. | 0:27:31 | 0:27:36 | |
There was huge attention to detail with regard to the | 0:27:36 | 0:27:39 | |
outside of the house and the opulence of it all. | 0:27:39 | 0:27:41 | |
Is there the same sort of attention to detail inside? | 0:27:41 | 0:27:45 | |
Very much so. We have very high ceilings in this room | 0:27:45 | 0:27:49 | |
and throughout the ground floor. We have plastered ceilings. | 0:27:49 | 0:27:53 | |
In a farmhouse, the ceilings would be lower, | 0:27:53 | 0:27:55 | |
you'd see the floorboards above. | 0:27:55 | 0:27:57 | |
We have chamfered beams as well. | 0:27:57 | 0:27:59 | |
And also, we have a long gallery on the first floor, which again, | 0:27:59 | 0:28:03 | |
is very unusual for a house of this style. | 0:28:03 | 0:28:05 | |
The long gallery is somewhere where they would entertain. | 0:28:05 | 0:28:09 | |
They would hang paintings and they would even exercise and dance. | 0:28:09 | 0:28:13 | |
Steve, thank you so much for all that history. | 0:28:13 | 0:28:15 | |
Absolutely fascinating. | 0:28:15 | 0:28:17 | |
Well, this house and its contents have been auctioned many times | 0:28:17 | 0:28:20 | |
over the years. | 0:28:20 | 0:28:21 | |
What I want to know is, | 0:28:21 | 0:28:23 | |
how are our teams going to get on at the auction today? | 0:28:23 | 0:28:25 | |
We've come to the lovely cathedral city of Lichfield | 0:28:31 | 0:28:35 | |
and who do we find here? None other than Richard Winterton. Richard. | 0:28:35 | 0:28:39 | |
Charlie, delighted to have you here. | 0:28:39 | 0:28:41 | |
Now, we're going to kick off with the laundry box | 0:28:41 | 0:28:44 | |
here from the Wolverhampton Steam Laundry Limited. | 0:28:44 | 0:28:47 | |
-What do you think of it? -It's a decorative piece, I suppose. | 0:28:47 | 0:28:50 | |
We're not far away from Northampton so we have half a chance. | 0:28:50 | 0:28:54 | |
So, what do you think the box is worth? | 0:28:54 | 0:28:56 | |
Well, we haven't actually put a guide on it, | 0:28:56 | 0:28:58 | |
which means we think it's under a £10 note. | 0:28:58 | 0:29:00 | |
Yeah, they didn't pay a lot. | 0:29:00 | 0:29:02 | |
-They paid £25 for it, so this might get there? -Yes, it'll be close. | 0:29:02 | 0:29:07 | |
Now, the next lot is a screen of various Etonian College | 0:29:07 | 0:29:13 | |
library rules but the one thing I have noticed about this, | 0:29:13 | 0:29:15 | |
there are some good games on there. | 0:29:15 | 0:29:17 | |
There are, Charlie, but I think it's one of those, | 0:29:17 | 0:29:19 | |
the market will decide. | 0:29:19 | 0:29:21 | |
I just don't... It's very difficult to place. | 0:29:21 | 0:29:24 | |
I do notice that there's a Douglas Hume on there. | 0:29:24 | 0:29:26 | |
Probably the father or uncle of the Prime Minister. | 0:29:26 | 0:29:30 | |
It gives it a certain cachet, doesn't it? | 0:29:30 | 0:29:32 | |
But you haven't put an estimate on it? | 0:29:32 | 0:29:34 | |
We haven't. Will we get £30 or £40? | 0:29:34 | 0:29:38 | |
I don't know, Charlie. I don't know. | 0:29:38 | 0:29:40 | |
Well, I hope you get to £30 or £40, because it cost them 120. | 0:29:40 | 0:29:45 | |
-Ouch? -I think it is. | 0:29:45 | 0:29:48 | |
Unless we have two Etonians wanting it and away it goes. | 0:29:48 | 0:29:52 | |
It's one of those unknown items | 0:29:52 | 0:29:54 | |
that the internet will help along, we hope. | 0:29:54 | 0:29:57 | |
Now we come to a more standard object really, the Gladstone bag. | 0:29:57 | 0:30:01 | |
It's got GPO on it. Was it a Post Office doctor, do you think? | 0:30:01 | 0:30:05 | |
Could well be. | 0:30:05 | 0:30:06 | |
Imagine what you like to try and get as much money as we can. | 0:30:06 | 0:30:10 | |
It's an interesting item. It's quite badly worn. | 0:30:10 | 0:30:13 | |
-What estimate have you put on it? -We think it's under a £10 note. | 0:30:13 | 0:30:18 | |
Cost? | 0:30:18 | 0:30:19 | |
-55! -Yeah. | 0:30:19 | 0:30:21 | |
Again, it's how much towards that to limit the damage, I think. | 0:30:21 | 0:30:25 | |
The Red team are going to need you like you've never auctioned before! | 0:30:25 | 0:30:29 | |
-We will try. -I'm sure you will. | 0:30:29 | 0:30:32 | |
Now, it's just possible that they will need their bonus buy. | 0:30:32 | 0:30:36 | |
In fact, it's likely to be inevitable. | 0:30:36 | 0:30:38 | |
Let's see what Philip has bought. | 0:30:38 | 0:30:40 | |
-Well, girls, somehow, you managed to spend £200, didn't you? -We did. | 0:30:40 | 0:30:44 | |
Not sure about the items, but we definitely did. | 0:30:44 | 0:30:47 | |
Anyway, this gave the great man £100. What have you done? | 0:30:47 | 0:30:49 | |
I wanted to be colour-coded. | 0:30:49 | 0:30:51 | |
-Oh, wow! What's that? -It's a... -What? | 0:30:52 | 0:30:56 | |
-It looks like a coal scuttle, or something. -A leather fire bucket. | 0:30:56 | 0:30:59 | |
-Oh, OK. -Right. And it cost me £50. | 0:30:59 | 0:31:01 | |
And I just love it. New handle. Have a look. | 0:31:01 | 0:31:04 | |
-Would that be from the fire station, or someone's house? -Country house. | 0:31:04 | 0:31:08 | |
Oh, right. | 0:31:08 | 0:31:09 | |
When do you think it was made, or... | 0:31:09 | 0:31:12 | |
Probably the back end of the 18th century, I would think. | 0:31:12 | 0:31:14 | |
These used to be really popular. | 0:31:14 | 0:31:16 | |
They've fallen a little bit out of favour | 0:31:16 | 0:31:18 | |
-but they used to be £200-£300. -What do you think it will make? | 0:31:18 | 0:31:22 | |
-I think, if we have a half decent day, it's £50-£80. -OK. | 0:31:22 | 0:31:26 | |
-But it's just a nice thing. -We think it's fine. | 0:31:26 | 0:31:29 | |
What does the auctioneer think about it? | 0:31:29 | 0:31:31 | |
Well, Philip has made a shrewd investment. By Philip's standards. | 0:31:32 | 0:31:37 | |
And there is the bonus buy. What do you think? | 0:31:37 | 0:31:40 | |
I can't see the word "fire" on it, which is a slight concern. | 0:31:40 | 0:31:44 | |
But it's a good object that will just sit in a conservatory, outside. | 0:31:44 | 0:31:48 | |
-It's commercial. -It would make a fun wastepaper bin. Wouldn't it? | 0:31:48 | 0:31:51 | |
-Correct. That's perfect. -Really, a talking point. | 0:31:51 | 0:31:53 | |
If you were chucking your bits of paper into there. Philip paid £50. | 0:31:53 | 0:31:59 | |
We've gone 20-30. If it's going to make them any profit, not sure. | 0:31:59 | 0:32:03 | |
Yeah. Well, that's it for the Red team | 0:32:03 | 0:32:05 | |
and now let's have a look at what the Blues have bought. | 0:32:05 | 0:32:08 | |
The first lot is an oak stationery box. | 0:32:08 | 0:32:10 | |
Now, there's a bit of history here. | 0:32:10 | 0:32:11 | |
-Because Amy and Rebecca are both policewomen. -OK. | 0:32:11 | 0:32:15 | |
And, if you look at the top, it says Altrincham Police. | 0:32:15 | 0:32:17 | |
-Mmm. -What do you think? -I love it, as an object. | 0:32:17 | 0:32:21 | |
I like this sort of thing. I like usable things. | 0:32:21 | 0:32:24 | |
I love the oak side of it. | 0:32:24 | 0:32:27 | |
Sitting on your desk, put your pens and pencils... | 0:32:27 | 0:32:29 | |
I just love that sort of thing. OK, it's a great piece. | 0:32:29 | 0:32:31 | |
I don't think the police sign on the top | 0:32:31 | 0:32:34 | |
will give it any lift to the price. | 0:32:34 | 0:32:36 | |
I think, as an object, it's great. | 0:32:36 | 0:32:38 | |
-We've gone 20 to 30. -Splendid. £25 paid. We are OK on that one. | 0:32:38 | 0:32:43 | |
-Might make a profit. -No, it's good. It's good. Nice object. | 0:32:43 | 0:32:45 | |
-Looking good for the Blues. -Yeah. | 0:32:45 | 0:32:47 | |
Now, whether it will look quite so good after the next lot... | 0:32:47 | 0:32:50 | |
We've got a silver-topped perfume bottle here. | 0:32:50 | 0:32:53 | |
What do you think of that? | 0:32:53 | 0:32:55 | |
Different. For perfume collectors, it might mean a bit more than me. | 0:32:55 | 0:32:59 | |
Because it's different and it's slightly ugly it might... | 0:32:59 | 0:33:04 | |
The top is a strange-looking thing. | 0:33:04 | 0:33:05 | |
We've only put 20 to 30 on it | 0:33:05 | 0:33:07 | |
because that's what they usually come to. | 0:33:07 | 0:33:09 | |
Yeah. I think you're usually a pretty generous man. | 0:33:09 | 0:33:12 | |
-I think here, you've been a little bit tough. -Do you think? | 0:33:12 | 0:33:16 | |
-I do. -OK. £40. -I'm liking 40 or 50, really, | 0:33:16 | 0:33:20 | |
-but it's nothing like the £95 paid. -Oh, Charlie, oh, dear. | 0:33:20 | 0:33:23 | |
-That's a lot, isn't it? -It is for that one. | 0:33:23 | 0:33:26 | |
Let's move on to a sewing machine. | 0:33:26 | 0:33:27 | |
We like a sewing machine that's got a bit about it. | 0:33:27 | 0:33:30 | |
This is quite a standard sort of thing that you would see. | 0:33:30 | 0:33:33 | |
-I know it's got a lot of age. -100 years old. | 0:33:33 | 0:33:36 | |
Yes, it's a bit of history. | 0:33:36 | 0:33:37 | |
But that doesn't help with the money. | 0:33:37 | 0:33:39 | |
You know, we've gone 20-25. That's what they usually make. | 0:33:39 | 0:33:42 | |
They have paid £48. For a sewing machine like this. | 0:33:42 | 0:33:46 | |
So, I've got a feeling they might need their bonus buy. | 0:33:46 | 0:33:50 | |
-Well, girls, exciting shopping? -Definitely. -Marvellous. | 0:33:52 | 0:33:55 | |
-And you spent £168. -We did. | 0:33:55 | 0:33:58 | |
That left young Christina with £132. | 0:33:58 | 0:34:01 | |
Rather too much, I would have thought. | 0:34:01 | 0:34:05 | |
-What did you do with it, Christina? -Well, darling, old habits die hard. | 0:34:05 | 0:34:09 | |
-A ring! -Wow! -I like that. | 0:34:09 | 0:34:12 | |
It is a silver-gilt, it's not platinum, or gold, | 0:34:12 | 0:34:16 | |
dress ring, which is in the belle epoque style. French style. | 0:34:16 | 0:34:20 | |
Early 20th century. Late 19th century. | 0:34:20 | 0:34:22 | |
Set with, obviously, three stones, within the stone set surround. | 0:34:22 | 0:34:25 | |
-There we go. Have a little look. -Lovely. Very sparkly. | 0:34:25 | 0:34:27 | |
-I like the shape of it. -Yeah. -That's fabulous. -It's not diamonds. | 0:34:27 | 0:34:31 | |
It's not diamonds. No. And that was reflected in the price that I paid. | 0:34:31 | 0:34:35 | |
-How much did you pay? -What do you think I paid for it? -Ooh. £132? | 0:34:35 | 0:34:41 | |
-I don't know, to be honest. I really wouldn't. -I spent £25 on it. | 0:34:42 | 0:34:47 | |
-Yes. That's good. -I would hope it would fetch, maybe, £50-£70. | 0:34:47 | 0:34:51 | |
It's quite effective. | 0:34:51 | 0:34:52 | |
You don't have to make up your minds now. | 0:34:52 | 0:34:54 | |
You've got plenty of time to think about that. | 0:34:54 | 0:34:57 | |
Meanwhile, let's see what the auctioneer thinks about the ring. | 0:34:57 | 0:35:01 | |
Well, here we have the bonus buy. | 0:35:01 | 0:35:03 | |
And, I have to say, if you don't know anything about diamonds, | 0:35:03 | 0:35:07 | |
what a lot! | 0:35:07 | 0:35:09 | |
I like this lot, you know. | 0:35:09 | 0:35:11 | |
To the purist out there, you know, they'll think, | 0:35:11 | 0:35:14 | |
"Nah! It's a bit of old tat." | 0:35:14 | 0:35:17 | |
But it's got the look. You know, just because they're not diamonds | 0:35:17 | 0:35:21 | |
and it's not gold, I think, is irrelevant. | 0:35:21 | 0:35:23 | |
I think that's one of the best costume jewellery pieces | 0:35:23 | 0:35:25 | |
I've seen for a long time. We've got 30 to 40 on it. And it'll make that. | 0:35:25 | 0:35:29 | |
Christina only paid £25. I mean, I could see that really taking off. | 0:35:29 | 0:35:34 | |
-It's got that look. -Charlie, I think it's a great object. | 0:35:34 | 0:35:37 | |
I really, really do think it's a great object. | 0:35:37 | 0:35:39 | |
-Will you be taking the auction today, Richard? -I will be, yes. | 0:35:39 | 0:35:42 | |
Splendid. We'll be in very good hands, then. | 0:35:42 | 0:35:45 | |
I'm getting quite excited about this. | 0:35:45 | 0:35:49 | |
15 bid. 20. 30. 35. | 0:35:49 | 0:35:51 | |
-Are you excited, girls? -Absolutely. -We can't wait. -You can't wait. | 0:35:55 | 0:35:58 | |
-Have you ever been to an auction before? -Not like this. | 0:35:58 | 0:36:01 | |
-I have. Not this one. Car auctions, but not ones like this. -Car auction? | 0:36:01 | 0:36:05 | |
-This is nothing like a car auction, is it, Philip? -Not at all, Charles. | 0:36:05 | 0:36:09 | |
-Not at all. -OK, girls, here comes the laundry box. | 0:36:09 | 0:36:12 | |
Laundry box there. | 0:36:12 | 0:36:14 | |
Wolverhampton Steam Laundry Ltd. | 0:36:14 | 0:36:16 | |
Nothing on my book to start us. Where are we going to be? | 0:36:16 | 0:36:19 | |
Tense moment. | 0:36:19 | 0:36:20 | |
£8, I'm bid. £8, I'm bid. | 0:36:20 | 0:36:23 | |
15, I'm bid, internet. | 0:36:23 | 0:36:27 | |
-£15, the internet. -Internet! -It's the internet! -£20, internet. | 0:36:27 | 0:36:31 | |
-Come on, come on! -Ooh! the excitement of it all. | 0:36:31 | 0:36:35 | |
£20. The internet at £20. | 0:36:35 | 0:36:37 | |
Anyone from Wolverhampton in the room? Come on! | 0:36:37 | 0:36:40 | |
£20! All finished. | 0:36:40 | 0:36:42 | |
Sold at £20. | 0:36:42 | 0:36:44 | |
-Well... -You've only lost a fiver. | 0:36:46 | 0:36:48 | |
It could be a lot worse. That's less than the cost of cleaning a sheet. | 0:36:48 | 0:36:52 | |
Here we go. The Eton College rules. | 0:36:52 | 0:36:55 | |
Ooh! let's see what happens with this. | 0:36:55 | 0:36:57 | |
The framed screen now. | 0:36:57 | 0:36:58 | |
Various Eton College library rules on there. Nothing on my book. | 0:36:58 | 0:37:02 | |
So, where are you going to be? I'm in your hands. £15, I'm bid. | 0:37:02 | 0:37:05 | |
-How much? -£15. -This needs to go a bit. Come on. | 0:37:05 | 0:37:07 | |
At the 15 bid. | 0:37:07 | 0:37:08 | |
Oh, dear. Oh, dear. | 0:37:08 | 0:37:10 | |
-£20. -Only 100 to go. | 0:37:10 | 0:37:14 | |
-£20. Internet going to let us down? -Oh, no! | 0:37:14 | 0:37:18 | |
Obviously, Eton boys are not sitting there watching the internet today. | 0:37:18 | 0:37:22 | |
Finished and closed. £20. | 0:37:22 | 0:37:24 | |
-Girls, that's just a cool hundred you've lost there. -Never mind. | 0:37:25 | 0:37:29 | |
Down 105, at the moment. | 0:37:29 | 0:37:31 | |
What about the Gladstone bag? It's coming up now. | 0:37:31 | 0:37:34 | |
GPO, the Gladstone bag. Always popular. £8, I'm bid. | 0:37:34 | 0:37:38 | |
£10, 15, 20, 25, in the room. | 0:37:38 | 0:37:41 | |
25, £30, the internet. | 0:37:41 | 0:37:43 | |
-It's coming on. -Come on! | 0:37:43 | 0:37:44 | |
It's coming on. It's a rare lot this, isn't it? | 0:37:44 | 0:37:47 | |
£40, the room. | 0:37:47 | 0:37:48 | |
-Now we're going. -Just 15 more. Come on. | 0:37:48 | 0:37:53 | |
£40 on the room. All out? Sold at £40! | 0:37:53 | 0:37:56 | |
Goes at 40. Thank you. | 0:37:56 | 0:37:58 | |
-Oh, minus 15. -Another loss. -Minus 105. You're only down £120. | 0:37:58 | 0:38:02 | |
If you say it quickly, that's not a great deal. | 0:38:02 | 0:38:05 | |
-What's the opposite of a golden gavel? -Yes. We want one. | 0:38:05 | 0:38:08 | |
Come on, now, think. Do you want to go with the fire bucket? | 0:38:08 | 0:38:11 | |
-I think we should. -Do you have faith in the fire bucket? -Absolutely. | 0:38:11 | 0:38:15 | |
-I like it. Again,... -You're going with it? Here we go. | 0:38:15 | 0:38:18 | |
It's coming up right now. Come on, bucket. | 0:38:18 | 0:38:22 | |
19th-century red leather fire bucket there. | 0:38:22 | 0:38:24 | |
Bit of interest on this. | 0:38:24 | 0:38:26 | |
-Bit of interest. -£20, I'm bid. Five, 30. Five, with me at 35. | 0:38:26 | 0:38:31 | |
Creaming along now. | 0:38:31 | 0:38:33 | |
35. £40 in the front. £40. | 0:38:33 | 0:38:36 | |
-Come on. Go on. -At £40. | 0:38:36 | 0:38:39 | |
Come on. Just two more. | 0:38:39 | 0:38:41 | |
-You're all out here at 40. All finished? 40! -Think that's it. | 0:38:41 | 0:38:44 | |
£40! | 0:38:44 | 0:38:46 | |
-It's been a really good day, this, Charlie. -This has been a cracker. | 0:38:46 | 0:38:49 | |
-In a nutshell, girls, you have lost £130. -Is that all? | 0:38:49 | 0:38:54 | |
Now, I don't want a word to the Blues because, | 0:38:54 | 0:38:57 | |
believe it or not, this could yet be a winning score. | 0:38:57 | 0:39:01 | |
Charlie, we're not going to mention this to anybody, | 0:39:01 | 0:39:03 | |
let alone the Blues! | 0:39:03 | 0:39:04 | |
-Right, girls, are you excited? -Yes. -Very excited? -Yes. | 0:39:13 | 0:39:16 | |
-Ever been to an auction before? -Never. | 0:39:16 | 0:39:19 | |
You could not be in safer hands than the great Christina. | 0:39:19 | 0:39:22 | |
Oh, my goodness! | 0:39:22 | 0:39:23 | |
She will guide you to profits untold. | 0:39:23 | 0:39:25 | |
So, first up, the stationary box. | 0:39:26 | 0:39:29 | |
The oak stationary box there. | 0:39:29 | 0:39:31 | |
Police, 1936, on the front. | 0:39:31 | 0:39:33 | |
Where are we going to be? Nothing on my book. | 0:39:33 | 0:39:35 | |
I'm in your hands. 20? | 0:39:35 | 0:39:37 | |
10? £8? 8. 10. | 0:39:37 | 0:39:40 | |
15. £20. | 0:39:40 | 0:39:41 | |
-25. -Equal! -30. 35, the internet. 35, the internet. | 0:39:41 | 0:39:49 | |
-Internet! -£10 profit. That's fantastic. Big gosh! | 0:39:49 | 0:39:52 | |
£35! | 0:39:52 | 0:39:53 | |
Plus a tenner! | 0:39:53 | 0:39:56 | |
You know how to make money. Gosh! | 0:39:56 | 0:39:58 | |
I should give up that policing lark. | 0:39:58 | 0:40:01 | |
Here comes the scent bottle. | 0:40:01 | 0:40:03 | |
Now we go across to the perfume bottle. Now. | 0:40:03 | 0:40:05 | |
Silver-topped. Hinged top with it there. | 0:40:05 | 0:40:08 | |
£10, I'm bid. | 0:40:09 | 0:40:11 | |
15. 20. £20, I'm bid. | 0:40:11 | 0:40:14 | |
£20 I'm bid. With me. 25. 30. 35. | 0:40:14 | 0:40:18 | |
35 on my left. £40, the internet. | 0:40:18 | 0:40:22 | |
-45, the room. -Getting better. | 0:40:22 | 0:40:26 | |
45, the room. 45, the room. On my left at 45! | 0:40:26 | 0:40:29 | |
You're all out? All done? | 0:40:29 | 0:40:31 | |
Minus 50 plus 10 means minus 40. | 0:40:33 | 0:40:36 | |
Don't worry about that. | 0:40:36 | 0:40:38 | |
It could be a hell of a lot worse. | 0:40:38 | 0:40:39 | |
Stop laughing. Think sewing machine. | 0:40:39 | 0:40:42 | |
Moving now to the sewing machine there. | 0:40:42 | 0:40:45 | |
The Premier sewing machine. | 0:40:45 | 0:40:47 | |
Commission bids are left. | 0:40:47 | 0:40:48 | |
15, 20, 25! | 0:40:48 | 0:40:52 | |
25, not bad. | 0:40:52 | 0:40:54 | |
It's halfway there. | 0:40:54 | 0:40:56 | |
25, 30 in the room. 30 in the room. | 0:40:56 | 0:40:58 | |
-Internet, you are out now. -We need some more sewers, don't we? | 0:40:58 | 0:41:03 | |
Sold, then, | 0:41:03 | 0:41:05 | |
at £30. | 0:41:05 | 0:41:07 | |
You've lost £58. | 0:41:07 | 0:41:10 | |
Which, in these terms, it's not too bad. | 0:41:10 | 0:41:13 | |
-Now, do you want to go with the bonus buy? -Absolutely. -Yes. | 0:41:13 | 0:41:15 | |
-Were going with it. -Do you like it? -Yes. We like it. | 0:41:15 | 0:41:18 | |
-We have faith in you. We're going with it. -On that result, really? | 0:41:18 | 0:41:22 | |
-Yes. -No. -I have to say, I think you've done the right thing. | 0:41:22 | 0:41:24 | |
-Here we go. -I don't think I can watch. -This is the moment. | 0:41:24 | 0:41:29 | |
What a fab little silver-gilt ring. | 0:41:29 | 0:41:31 | |
You'd never know this wasn't the real thing. | 0:41:31 | 0:41:33 | |
Bit of interest on my book. | 0:41:33 | 0:41:35 | |
10, 15. | 0:41:35 | 0:41:36 | |
£20. 25, £30. 35. £40. | 0:41:36 | 0:41:39 | |
-£50 with me. -Double your money! | 0:41:39 | 0:41:42 | |
At 50. | 0:41:43 | 0:41:45 | |
£50! | 0:41:45 | 0:41:47 | |
Yes! | 0:41:47 | 0:41:49 | |
-Well done. -That's a huge result. That's plus 25. | 0:41:49 | 0:41:52 | |
You were down 58, which means you're only down £33. | 0:41:52 | 0:41:55 | |
Oh, God! That's OK. | 0:41:55 | 0:41:56 | |
Stunning, stunning work! | 0:41:56 | 0:41:58 | |
Never mind. I wanted to make some, but never mind. | 0:41:58 | 0:42:01 | |
-Girls, not a word to the Reds. -No. | 0:42:01 | 0:42:03 | |
And we'll find the result pretty soon. | 0:42:03 | 0:42:07 | |
Well, Bargain Hunt can be a lot of fun, can't it, girls? | 0:42:15 | 0:42:18 | |
-Yes. -Absolutely. | 0:42:18 | 0:42:19 | |
The only sad thing about Bargain Hunt | 0:42:19 | 0:42:21 | |
is that somebody has to come second. | 0:42:21 | 0:42:23 | |
Yeah. It's a great shame, isn't it? | 0:42:23 | 0:42:25 | |
-But one of you has come second by some margin today. -Oh! | 0:42:25 | 0:42:29 | |
You've had a few losses. The odd sprinkling of a profit. | 0:42:29 | 0:42:32 | |
But today's runners-up are, without doubt, the Red team! | 0:42:32 | 0:42:37 | |
It really was the Eton lot, wasn't it? To be honest. | 0:42:39 | 0:42:42 | |
That turned into an Eton mess. It really did. | 0:42:42 | 0:42:44 | |
But, never mind, you've had a lot of fun. | 0:42:44 | 0:42:46 | |
You've lost a lot of money! | 0:42:46 | 0:42:48 | |
And, the Blues, don't look too smug, | 0:42:48 | 0:42:51 | |
because you haven't made a profit either, have you? | 0:42:51 | 0:42:54 | |
You've lost £33. | 0:42:54 | 0:42:55 | |
But you did find a profit in that wonderful bonus buy. | 0:42:55 | 0:42:59 | |
So, thank you, Christina for the bonus buy, | 0:42:59 | 0:43:01 | |
which doubled its money. | 0:43:01 | 0:43:03 | |
It cost £25, sold for 50. You've been wonderful contestants. | 0:43:03 | 0:43:06 | |
If you want to find out more about the programme, | 0:43:06 | 0:43:09 | |
have a look at our website. | 0:43:09 | 0:43:10 | |
In the meantime, join us for more Bargain Hunting. | 0:43:10 | 0:43:13 | |
Yes! ALL: Yes! | 0:43:13 | 0:43:14 |