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Today, we're in the beautiful town of Hay-on-Wye. | 0:00:02 | 0:00:06 | |
And for over 200 years, people have used this bridge, Whitney Bridge, | 0:00:06 | 0:00:10 | |
to cross over the River Wye, the gateway into the town. | 0:00:10 | 0:00:13 | |
Each year, there are more than 120,000 crossings | 0:00:17 | 0:00:20 | |
over this privately owned toll bridge. | 0:00:20 | 0:00:22 | |
Sounds like a nice little earner. | 0:00:22 | 0:00:25 | |
Something our teams could do with today. | 0:00:25 | 0:00:26 | |
So, bearing that in mind, let's go Bargain Hunting. | 0:00:26 | 0:00:30 | |
Hay-on-Wye is more commonly known for its books | 0:00:56 | 0:00:59 | |
rather than its antiques. But don't worry, there are still plenty | 0:00:59 | 0:01:02 | |
of shops here for our teams to explore. | 0:01:02 | 0:01:04 | |
They'll still have just one hour and only £300 to bag three bargains. | 0:01:04 | 0:01:09 | |
Here's a little taster of what's coming up. | 0:01:09 | 0:01:12 | |
Will the Reds get to grips with finding that bargain? | 0:01:14 | 0:01:16 | |
Where's Paul? Paul? | 0:01:16 | 0:01:19 | |
-No. -All right, no. That's it. | 0:01:19 | 0:01:20 | |
Whilst the Blues strike a hard bargain. | 0:01:22 | 0:01:24 | |
I couldn't do it for less than 20. | 0:01:24 | 0:01:26 | |
So that means you would do it for 20. | 0:01:26 | 0:01:28 | |
And it's thrills... | 0:01:28 | 0:01:30 | |
and spills at auction. | 0:01:30 | 0:01:32 | |
-Thank you. -Oh! | 0:01:32 | 0:01:34 | |
£25? | 0:01:34 | 0:01:37 | |
But before all of that, let's first of all meet our teams. | 0:01:37 | 0:01:41 | |
Today in the Red team, we have married couple Helen and Arthur. | 0:01:41 | 0:01:44 | |
Welcome. And in the Blue team, we have father and son, John and Steve. | 0:01:44 | 0:01:47 | |
-Hello to you all. -Hello! | 0:01:47 | 0:01:49 | |
Now, I'm going to start with the Reds. | 0:01:49 | 0:01:51 | |
Helen, ladies first, shall we say? | 0:01:51 | 0:01:53 | |
You and Arthur have been married for nearly 22 years, which is lovely. | 0:01:53 | 0:01:57 | |
But tell us, how did you meet? | 0:01:57 | 0:01:59 | |
I was between marriages. | 0:01:59 | 0:02:00 | |
and waiting for a date on the docks in the harbour at Bristol. | 0:02:00 | 0:02:04 | |
He didn't turn up. | 0:02:04 | 0:02:05 | |
So I knew his friend was working in a place nearby on a boat | 0:02:05 | 0:02:09 | |
so I went along to the boat to see if he was in there, but he wasn't. | 0:02:09 | 0:02:12 | |
But Arthur was there and he said, | 0:02:12 | 0:02:14 | |
"You can come and wait on my boat, if you like." | 0:02:14 | 0:02:16 | |
-I bet you did, Arthur! -And he lived on a catamaran, | 0:02:16 | 0:02:19 | |
and he was cooking a roast chicken and it was lovely. | 0:02:19 | 0:02:22 | |
And he invited me for supper and I stayed. | 0:02:22 | 0:02:25 | |
That's the story, really, that's it. | 0:02:25 | 0:02:28 | |
The roast chicken did it, really! | 0:02:28 | 0:02:30 | |
They say that food is the way to a man's heart, but actually, | 0:02:30 | 0:02:33 | |
-it was the way to your heart. -The other way round, yeah. | 0:02:33 | 0:02:35 | |
You're retired now. You had quite a varied working life, didn't you? | 0:02:35 | 0:02:39 | |
I started off as a secretary and then, quite by chance, | 0:02:39 | 0:02:42 | |
I got a job as a secretary in a children's home. | 0:02:42 | 0:02:45 | |
Then they said, would I like two days' part time with the children? | 0:02:45 | 0:02:48 | |
And I adored it. I absolutely loved it. | 0:02:48 | 0:02:51 | |
And I worked in the children's home for 16 years. | 0:02:51 | 0:02:53 | |
-Oh, wow! -And then I changed to the elderly | 0:02:53 | 0:02:56 | |
and I worked with the elderly for 16. | 0:02:56 | 0:02:58 | |
Now you're retired, how else do you like to spend your spare time? | 0:02:58 | 0:03:01 | |
We do quite a lot of holidays. | 0:03:01 | 0:03:03 | |
The year after we got married, we did a trip around the world. | 0:03:03 | 0:03:07 | |
Lovely. That's fantastic. | 0:03:07 | 0:03:08 | |
You have sea legs, don't you, Arthur? | 0:03:08 | 0:03:10 | |
Yeah. You could say that. | 0:03:10 | 0:03:13 | |
Nine years in the Royal Navy | 0:03:13 | 0:03:14 | |
and after that I was skipper on my own boat. | 0:03:14 | 0:03:17 | |
Wow! And is this the catamaran which you met Helen? | 0:03:17 | 0:03:20 | |
-Yes. -Now, tell me about antiques - | 0:03:20 | 0:03:21 | |
do you have an interest in them generally? | 0:03:21 | 0:03:23 | |
I haven't got any idea about antiques, | 0:03:23 | 0:03:25 | |
but Helen has got her ideas. | 0:03:25 | 0:03:26 | |
Yeah, I like something that's still useful. | 0:03:26 | 0:03:29 | |
-Right. -Useful things. -Functional. | 0:03:29 | 0:03:30 | |
-And old, hopefully. -Functional and old! | 0:03:30 | 0:03:33 | |
Fantastic. Do you think you will work well as a team? | 0:03:33 | 0:03:35 | |
I think she's just described me, actually! | 0:03:35 | 0:03:38 | |
I was going to say, that's no way to talk about Arthur! | 0:03:38 | 0:03:41 | |
Oh, my goodness. It sounds like you're going to have a lot of fun. | 0:03:41 | 0:03:44 | |
It's all smiles and giggles. | 0:03:44 | 0:03:45 | |
I hope it's going to be a great day for you. | 0:03:45 | 0:03:48 | |
I wish you lots of luck. | 0:03:48 | 0:03:49 | |
-Thank you. -And move on to your competitors in the Blue team. | 0:03:49 | 0:03:52 | |
Steve and John. | 0:03:52 | 0:03:53 | |
We'll start with you, Steve. | 0:03:53 | 0:03:56 | |
You also have an affiliation with the water, | 0:03:56 | 0:03:58 | |
but for a very different reason. | 0:03:58 | 0:04:00 | |
Very much so, yeah. 27 years ago I got into plumbing. | 0:04:00 | 0:04:04 | |
Then I joined the corporate world with control against | 0:04:04 | 0:04:07 | |
legionnaire's disease, which is water hygiene. | 0:04:07 | 0:04:10 | |
Before that you'd sort of broken out on your own and gone to | 0:04:10 | 0:04:13 | |
-the other side of the world. -Yes, that was about 15 years ago. | 0:04:13 | 0:04:16 | |
I had 18 months in Sydney and another 12 months in Montreal. | 0:04:16 | 0:04:20 | |
-Which did you prefer? -Sydney. I'd go back tomorrow. | 0:04:20 | 0:04:23 | |
Sydney, you'd go back... | 0:04:23 | 0:04:24 | |
I thought you said you were going back tomorrow! | 0:04:24 | 0:04:26 | |
I was going to say, "Stay for the auction!" | 0:04:26 | 0:04:28 | |
If it wasn't for this gentleman, I probably would be there. | 0:04:28 | 0:04:30 | |
That was my next point was you're so close. | 0:04:30 | 0:04:32 | |
You're more like best friends than father and son, aren't you? | 0:04:32 | 0:04:35 | |
-We are. -Tell us about your relationship. | 0:04:35 | 0:04:37 | |
Well, he's my father. | 0:04:37 | 0:04:39 | |
He was a stand-up comedian. | 0:04:39 | 0:04:40 | |
So, tell us about your history with stand-up comedy. | 0:04:40 | 0:04:44 | |
It really did start at school, really, | 0:04:44 | 0:04:46 | |
because I was never interested at school. | 0:04:46 | 0:04:48 | |
I used to always be cracking jokes. | 0:04:48 | 0:04:50 | |
Somebody said, "You ought to go on Opportunity Knocks." | 0:04:50 | 0:04:53 | |
And apparently you go and you've got to get through one audition. | 0:04:53 | 0:04:56 | |
If they like you, you can come back. | 0:04:56 | 0:04:58 | |
Got a letter saying, "You're going on television." | 0:04:59 | 0:05:02 | |
And then two, three months before I was due to go on... | 0:05:02 | 0:05:05 | |
-..they took it off the television. -Oh, they cancelled the programme? | 0:05:07 | 0:05:10 | |
Yeah. The programme got took off and I never went on. | 0:05:10 | 0:05:13 | |
So maybe it's a good thing, actually. | 0:05:13 | 0:05:14 | |
Oh, no, it's a shame. | 0:05:14 | 0:05:16 | |
And do you share a lot of hobbies? | 0:05:16 | 0:05:17 | |
We do. Main one being clay pigeon shooting, which we do twice a week, | 0:05:17 | 0:05:21 | |
but we're very much into nature and we do a lot of walks together | 0:05:21 | 0:05:24 | |
and things like that. And we live very close, which is good and bad, | 0:05:24 | 0:05:27 | |
I suppose, really, at times. | 0:05:27 | 0:05:29 | |
But, yeah, we do a lot of country bumpkin sports, if you like. | 0:05:29 | 0:05:32 | |
I need to know how well you're going to work as a team, | 0:05:32 | 0:05:35 | |
cos usually you compete against one another, | 0:05:35 | 0:05:37 | |
and if you've got your eyes peeled for anything in particular. | 0:05:37 | 0:05:40 | |
There's nothing in particular, really, but what are we going for? | 0:05:40 | 0:05:43 | |
Quality sells, I think is what you said. | 0:05:43 | 0:05:45 | |
I've always said, quality sells, so I'm going to stick by that. | 0:05:45 | 0:05:49 | |
OK. Well, hopefully that works for you, | 0:05:49 | 0:05:51 | |
but before you make any decisions, | 0:05:51 | 0:05:52 | |
you're going to need to know what you've got in the pot. | 0:05:52 | 0:05:55 | |
So let me give you £300 to spend, Reds. | 0:05:55 | 0:05:58 | |
And let's make it fair - let's give the Blues £300 too. | 0:05:58 | 0:06:02 | |
Thank you very much. | 0:06:02 | 0:06:03 | |
Your experts are dying to meet you, so off you go and have loads of fun. | 0:06:03 | 0:06:06 | |
-OK, then. -Best of luck. -Thank you. | 0:06:06 | 0:06:08 | |
I think that we can safely say | 0:06:08 | 0:06:09 | |
this is going to be a bonkers Bargain Hunt. | 0:06:09 | 0:06:11 | |
Let's meet today's experts. | 0:06:14 | 0:06:15 | |
Making no bones about it for the Reds, it's Paul Laidlaw. | 0:06:17 | 0:06:20 | |
And on call for the Blues, Kate Bliss. | 0:06:21 | 0:06:23 | |
Arthur, Helen, you have travelled the world | 0:06:25 | 0:06:28 | |
and now you are at Hay-on-Wye. Have you exotic tastes, Helen? | 0:06:28 | 0:06:30 | |
-What are you looking for? -Something pretty. Something useful. | 0:06:30 | 0:06:33 | |
So, what are you going to be looking for, Steve? | 0:06:33 | 0:06:36 | |
-Very open-minded. -OK. | 0:06:36 | 0:06:37 | |
-Quality sells, as he keeps saying. -Right. | 0:06:37 | 0:06:39 | |
Arthur, are you going to agree? | 0:06:39 | 0:06:41 | |
Yeah, something maritime, military... | 0:06:41 | 0:06:43 | |
I'm all ready for making a lot of money. | 0:06:43 | 0:06:46 | |
Right, teams, your 60 minutes start now. | 0:06:46 | 0:06:48 | |
Well, speaking of maritime, let's navigate our way to these bargains. | 0:06:49 | 0:06:52 | |
-All right, let's go. -And let's get to it, then, fellas. | 0:06:52 | 0:06:55 | |
-OK. -You never know. | 0:06:55 | 0:06:57 | |
Right, teams, time to make hay in Hay while the sun shines. | 0:06:57 | 0:07:01 | |
Now, there's loads in here, so it's quite a good place to start. | 0:07:01 | 0:07:03 | |
-Oh, yeah. Looks good to me. -Let's go and have a look. | 0:07:03 | 0:07:06 | |
Hey, it's wood for the trees and a summer moon. | 0:07:06 | 0:07:08 | |
-Good stuff here. -Loads of stuff, isn't it? | 0:07:08 | 0:07:11 | |
And the Red team seem quick off the mark, | 0:07:11 | 0:07:13 | |
looking at a brooch priced at £120. | 0:07:13 | 0:07:16 | |
-Which one are we looking at? -The one in the middle. | 0:07:16 | 0:07:18 | |
-This? -Yeah. -It's a cameo. | 0:07:18 | 0:07:19 | |
It's a shell cameo. Do you like cameos, Helen? | 0:07:19 | 0:07:21 | |
I've actually got two cameos. | 0:07:21 | 0:07:23 | |
What do you think that would make at auction, Paul? | 0:07:23 | 0:07:26 | |
On a good day, 80 to 120. | 0:07:26 | 0:07:29 | |
-Would you wear that? Is that your taste? -I like it. | 0:07:29 | 0:07:31 | |
-I think it's lovely. -Is there any movement on that price? | 0:07:31 | 0:07:35 | |
-I'd do it for 100. -I think it's a gamble at that. | 0:07:35 | 0:07:38 | |
Let's call it 80. | 0:07:38 | 0:07:40 | |
-I'll do it for £80. -Would you be interested in £80? | 0:07:40 | 0:07:43 | |
-Do think it would be OK for 80? -I think it's in the right ballpark. | 0:07:43 | 0:07:46 | |
-This is early days. -Yes. | 0:07:46 | 0:07:47 | |
You could put that back in the cabinet... | 0:07:47 | 0:07:49 | |
Shall we think about it? | 0:07:49 | 0:07:50 | |
..knowing that it's 80, not a penny less, but it's 80 if we want it. | 0:07:50 | 0:07:54 | |
-Yeah, that's fine. -Sound all right? | 0:07:54 | 0:07:55 | |
Yeah, that's fine. OK. I'll just put it there. | 0:07:55 | 0:07:58 | |
-Shall we have a wee look upstairs? -Let's do that, then. | 0:07:58 | 0:08:02 | |
Move on, Reds. Plenty of time still. | 0:08:02 | 0:08:04 | |
Now, the Blues have found a very ladylike needlework case. | 0:08:04 | 0:08:08 | |
You've got the little scissors here, button hook, the little needles... | 0:08:08 | 0:08:13 | |
-It's very sweet, isn't it? -It's presented in a different way. | 0:08:13 | 0:08:17 | |
-How much is it? -It's 28. | 0:08:17 | 0:08:18 | |
-Mmm. -How modern is that? | 0:08:18 | 0:08:20 | |
I would say, a little velvet case like that, | 0:08:20 | 0:08:21 | |
looks a little bit more modern from the outside, actually, | 0:08:21 | 0:08:24 | |
but you look inside... | 0:08:24 | 0:08:25 | |
Present it on the inside - it looks quite nice, doesn't it? | 0:08:25 | 0:08:28 | |
It does. | 0:08:28 | 0:08:29 | |
I think what you've got here is a combination of a manicure set, | 0:08:29 | 0:08:34 | |
which is what these little tools are for, | 0:08:34 | 0:08:36 | |
-with the mother-of-pearl handles... -Yeah. -..and a sewing set. | 0:08:36 | 0:08:39 | |
It's definitely in the more affordable range of things. | 0:08:39 | 0:08:41 | |
-We'll put it on a maybe. Let's have a quick look round. -OK. | 0:08:41 | 0:08:44 | |
I'll put that back where I found it and we'll have a look. | 0:08:44 | 0:08:46 | |
-Yeah. -All right. Come up this way. | 0:08:46 | 0:08:48 | |
So that's a maybe for the Blues, | 0:08:48 | 0:08:50 | |
but the Reds look like they've spotted a "possibly". | 0:08:50 | 0:08:53 | |
What... See this one, Paul? | 0:08:53 | 0:08:55 | |
Well, what do we have here? | 0:08:55 | 0:08:57 | |
Well, I see merry chaps, chaps quaffing... | 0:08:57 | 0:09:02 | |
..fiddlers, dancers, windmills... | 0:09:04 | 0:09:08 | |
-What does that tell us? -It's a Mayfair. | 0:09:08 | 0:09:10 | |
And where might this originate, | 0:09:10 | 0:09:12 | |
in the absence of marks but the presence of windmills? | 0:09:12 | 0:09:16 | |
-You're well-travelled... -Oh, Amsterdam. | 0:09:16 | 0:09:18 | |
-Netherlands. -Netherlands. | 0:09:18 | 0:09:21 | |
Dutch silver, famously flamboyant in its decoration. | 0:09:21 | 0:09:26 | |
It is an electro-plated piece dating to, I'm going to say, | 0:09:26 | 0:09:29 | |
the late 19th century, and I'm quite happy I'm right with that. | 0:09:29 | 0:09:32 | |
-You've got good taste, you. -I like it. -You like? | 0:09:32 | 0:09:34 | |
-I do, yes. -I feel I'd go for that. | 0:09:34 | 0:09:36 | |
Let's have a look at the price. £98. | 0:09:36 | 0:09:39 | |
If that comes into an auction room, | 0:09:39 | 0:09:40 | |
I think most auctioneers are going to be cautious with it and say | 0:09:40 | 0:09:43 | |
-it's a £30 to £60 piece. -Oh. | 0:09:43 | 0:09:46 | |
-Paul, where's Paul? -Paul. | 0:09:46 | 0:09:47 | |
-See your jug here? -Yeah. | 0:09:47 | 0:09:51 | |
Tell me it's an old friend and you'd love to do a great deal | 0:09:51 | 0:09:54 | |
and see it out the door. | 0:09:54 | 0:09:55 | |
-Yeah. Yeah, I would. -You'd do a deal? -Yeah. | 0:09:56 | 0:09:59 | |
-Cheeky offer. -OK. | 0:09:59 | 0:10:00 | |
Would that be 20 or 30 quid or not? | 0:10:00 | 0:10:02 | |
-Erm... -But you don't want it, Paul, do you? | 0:10:02 | 0:10:05 | |
-It's been a long time. -Thanks for helping here! | 0:10:05 | 0:10:07 | |
I don't know if I'd part with it for that little. | 0:10:07 | 0:10:09 | |
I'd do it for 50. | 0:10:09 | 0:10:11 | |
You'd do it for 50. | 0:10:11 | 0:10:12 | |
You're not going to break that 50 barrier, are you? | 0:10:12 | 0:10:14 | |
Up to 40? | 0:10:14 | 0:10:15 | |
Yeah, I'll do it for 40 for you. | 0:10:15 | 0:10:17 | |
-I like that. I do like it, actually. -You do like it? OK. | 0:10:17 | 0:10:20 | |
-Have we just bought something? -I think so. -I think we have. | 0:10:20 | 0:10:23 | |
-Shake the man's hand. -Paul, you've sold it. | 0:10:23 | 0:10:25 | |
Thank you very much. Very generous of you. Thank you. | 0:10:25 | 0:10:28 | |
OK, no problem. | 0:10:28 | 0:10:29 | |
-Shake the hand. -OK. | 0:10:29 | 0:10:31 | |
Team Red - one down, two to go, in the first 13 minutes. | 0:10:31 | 0:10:36 | |
Now, Kate seems to have spotted something for the Blues. | 0:10:36 | 0:10:39 | |
There's just one thing I want to show you here, | 0:10:39 | 0:10:41 | |
because the saleroom that we're going to, Philip Serrell's, | 0:10:41 | 0:10:45 | |
specialises in this stuff. | 0:10:45 | 0:10:47 | |
It is Royal Worcester porcelain, and this is a particular type | 0:10:47 | 0:10:51 | |
that Royal Worcester did called blush ivory, | 0:10:51 | 0:10:54 | |
which is the name given to this pinky, yellow ground. | 0:10:54 | 0:10:57 | |
Now, I don't know whether it's your kind of thing. | 0:10:57 | 0:10:59 | |
It's very decorative with the gilt rim, | 0:10:59 | 0:11:02 | |
but it usually sells pretty well. | 0:11:02 | 0:11:04 | |
I suppose we're not buying it to put on my mantelpiece. | 0:11:04 | 0:11:07 | |
I would say this would be made in 19... | 0:11:07 | 0:11:10 | |
You know, 1894, I'd say. | 0:11:10 | 0:11:12 | |
-What makes you say that? -It's got the date on it, there. | 0:11:12 | 0:11:15 | |
-Boom, boom. -You did that so convincingly! | 0:11:15 | 0:11:18 | |
So, it was Victorian. 1894. | 0:11:18 | 0:11:20 | |
It's got all the right marks on the bottom - | 0:11:20 | 0:11:22 | |
this pink stamp here. | 0:11:22 | 0:11:23 | |
And actually, Worcester were really clever. | 0:11:23 | 0:11:26 | |
They did a little date code, if you like, | 0:11:26 | 0:11:28 | |
and however many dots around the outside | 0:11:28 | 0:11:31 | |
of their Royal Worcester mark tells you the date. | 0:11:31 | 0:11:34 | |
So what are we looking at, chaps? | 0:11:34 | 0:11:35 | |
-68 is on there. -We can maybe negotiate. | 0:11:35 | 0:11:38 | |
I think we should strike while the iron is hot and go and see what | 0:11:38 | 0:11:41 | |
-the best price is. -Let's go. -Come on, then. | 0:11:41 | 0:11:43 | |
Remember to shut the cabinet. | 0:11:43 | 0:11:44 | |
-Hello, there. -Hello. | 0:11:46 | 0:11:48 | |
We're just looking at this, for various reasons. | 0:11:48 | 0:11:50 | |
-Uh-huh. -And everything seems to tick the box... | 0:11:50 | 0:11:52 | |
-Yeah. -..apart from the price, unfortunately. | 0:11:52 | 0:11:55 | |
I'm trying to get this at the best possible price you could do | 0:11:55 | 0:11:58 | |
and I'm putting my very kind face on, with a smile. | 0:11:58 | 0:12:01 | |
Well, the best I actually will do is £50. | 0:12:01 | 0:12:04 | |
I personally think we should do that. | 0:12:04 | 0:12:07 | |
Well, if that's your opinion, we'll go for it. | 0:12:07 | 0:12:10 | |
-OK. That means I'm going to get the blame. -Exactly. | 0:12:10 | 0:12:12 | |
Thank you. OK, yeah, we'll take that. | 0:12:12 | 0:12:13 | |
-I'll take it and wrap it for you. -Thank you very much indeed. | 0:12:13 | 0:12:16 | |
-Thank you very much. -OK. | 0:12:16 | 0:12:18 | |
Well done, guys. First purchase. | 0:12:18 | 0:12:20 | |
-Well, happy days. -Here we go. -Yeah. -Excellent, come on. | 0:12:20 | 0:12:22 | |
-Two more to go. -Let's keep going. | 0:12:22 | 0:12:24 | |
Yeah. See if I can make a profit now. | 0:12:24 | 0:12:26 | |
Good job, Blues. First item sorted. | 0:12:26 | 0:12:28 | |
Now, something seems to have chimed with sailor Arthur. | 0:12:30 | 0:12:33 | |
There's the most bizarre dinner gong I've seen in many a moon. | 0:12:33 | 0:12:36 | |
Look at that. | 0:12:36 | 0:12:38 | |
-It's maritime. -Shall we have a wee look? | 0:12:38 | 0:12:40 | |
Aye. Yeah, OK. He's lost his knocker. | 0:12:40 | 0:12:43 | |
So, this is a stylised dolphin, would you believe? | 0:12:44 | 0:12:48 | |
Dolphin, yeah, yeah. | 0:12:48 | 0:12:50 | |
We've only got one of two rests for the clacker itself. | 0:12:50 | 0:12:55 | |
Traditionally, your gong, of course, is a gong. | 0:12:55 | 0:12:58 | |
-Gong, yeah. -But of course, with a nautical theme, ship's bell. | 0:12:58 | 0:13:03 | |
-That's what I was thinking. -And, wait for it, | 0:13:03 | 0:13:05 | |
what's never been in there? | 0:13:05 | 0:13:07 | |
-A clapper. -A clacker, yeah. -Exactly. | 0:13:07 | 0:13:09 | |
So the whole thing could be homogeneous. | 0:13:09 | 0:13:12 | |
It dates to the late 19th century. | 0:13:12 | 0:13:15 | |
It's also not a lot of money. | 0:13:15 | 0:13:18 | |
I think that's worth £40 to £60. | 0:13:18 | 0:13:20 | |
-Wow. -And could it do 80? | 0:13:20 | 0:13:22 | |
Well, frankly, if you want one, you'd better buy this one, | 0:13:22 | 0:13:25 | |
cos never see another one quite like it. | 0:13:25 | 0:13:27 | |
That's unique. You won't see one like that again. | 0:13:27 | 0:13:29 | |
-Are we going to do this? -Yeah. | 0:13:29 | 0:13:30 | |
-Shall we shout on Paul? -Yes, we will. | 0:13:30 | 0:13:32 | |
Call him up. Call him up, yeah? | 0:13:32 | 0:13:34 | |
While you're finding sailor Paul, over to the Blues, | 0:13:36 | 0:13:39 | |
who have got hold of a potential second buy. | 0:13:39 | 0:13:41 | |
With enamelware, there are so many modern replicas on the market, | 0:13:42 | 0:13:47 | |
and actually, I don't know, | 0:13:47 | 0:13:49 | |
you just get a feel for whether it's original or not. | 0:13:49 | 0:13:52 | |
That damage wouldn't bother me at all. | 0:13:52 | 0:13:55 | |
-No, no. -That just shows, to me, it's been used. | 0:13:55 | 0:13:58 | |
So would you put bread in it if it was yours? | 0:13:58 | 0:14:00 | |
In all fairness, this could be used for anything. | 0:14:00 | 0:14:03 | |
-Put your chicken feed in there. -Oh, I'd put chicken feed in there. | 0:14:03 | 0:14:05 | |
-Would you? -Yeah. Or I figured I might even keep my eggs in there. | 0:14:05 | 0:14:08 | |
So you're going to keep eggs in a box with the word bread on it. | 0:14:08 | 0:14:12 | |
-Yeah. -This is why I love you. | 0:14:12 | 0:14:14 | |
I'd love people to come to the house and I'd say, | 0:14:14 | 0:14:17 | |
"Would you like bacon and eggs?" | 0:14:17 | 0:14:18 | |
They'd say yes, and I'd go in there and I'd say, | 0:14:18 | 0:14:21 | |
"I'll get your egg out." | 0:14:21 | 0:14:23 | |
These are really commercial, these enamel items - | 0:14:23 | 0:14:25 | |
not just as practical items to be used. | 0:14:25 | 0:14:27 | |
People love them as, kind of, vintage furnishing pieces. | 0:14:27 | 0:14:30 | |
-What does it say on there, Steve? -I think it said 40, didn't it? | 0:14:30 | 0:14:33 | |
I have to say, I really like it, | 0:14:33 | 0:14:34 | |
and there's only one way we're going to find out what the best price is - | 0:14:34 | 0:14:37 | |
somebody's going to have to go and ask. | 0:14:37 | 0:14:39 | |
I think it's your turn, now. | 0:14:39 | 0:14:40 | |
Well, if you did it last time, then, Steve, | 0:14:40 | 0:14:42 | |
-I'll do it this time. -Go on. -I'll go and see what we can get for it. | 0:14:42 | 0:14:45 | |
Great. Do you think he'll get a good price? | 0:14:45 | 0:14:47 | |
I'm not sure whether he's got my skills, but we'll see. | 0:14:47 | 0:14:51 | |
Use your loaf on this one, Blues! | 0:14:51 | 0:14:52 | |
-Right, I've seen the lady... -Yeah. | 0:14:52 | 0:14:55 | |
..and she's quite willing to go down to £25 but no more. | 0:14:55 | 0:14:59 | |
-I offered 20. -In Worcestershire, where we are selling this, | 0:14:59 | 0:15:02 | |
they do have big farmhouses, | 0:15:02 | 0:15:04 | |
and I would pay 25 easily for that. | 0:15:04 | 0:15:06 | |
I'm going along with you, so we are going to buy it, Steve. | 0:15:06 | 0:15:09 | |
-OK. -You're outvoted. -Yeah, yeah. That's fine. | 0:15:09 | 0:15:11 | |
I get the feeling I might have talked you into this one. | 0:15:11 | 0:15:13 | |
No, you haven't talked me into it. | 0:15:13 | 0:15:15 | |
-My head's on the block. -No, no. -Are you sure? | 0:15:15 | 0:15:17 | |
I can assure you, if this doesn't work, it'll be his fault, not yours. | 0:15:17 | 0:15:20 | |
Oh, we've got that straight, then! | 0:15:20 | 0:15:23 | |
Great. Let's go get it. | 0:15:23 | 0:15:25 | |
Deal two done and dusted, Blues. | 0:15:25 | 0:15:27 | |
Time for the Reds to talk pricing on that dolphin bell. | 0:15:27 | 0:15:31 | |
-Hello again. -Hello, Paul. -Hi. | 0:15:31 | 0:15:33 | |
Very unusual, isn't it? | 0:15:33 | 0:15:34 | |
It's extremely unusual. | 0:15:34 | 0:15:36 | |
I think it's Arts and Crafts. | 0:15:36 | 0:15:37 | |
-You reckon? -Mmm. | 0:15:37 | 0:15:39 | |
You've got a price of... | 0:15:39 | 0:15:41 | |
£48. | 0:15:41 | 0:15:43 | |
Can I say 20? | 0:15:43 | 0:15:45 | |
How about 30? | 0:15:45 | 0:15:46 | |
How about halfway? | 0:15:47 | 0:15:49 | |
-25? -25. | 0:15:49 | 0:15:50 | |
I'll do 25. | 0:15:50 | 0:15:52 | |
-Paul? -You guys are professionals, you don't need me! | 0:15:52 | 0:15:55 | |
-Thank you very much. -Thank you, Paul. -Thank you. | 0:15:55 | 0:15:58 | |
Thank you so much. | 0:15:58 | 0:15:59 | |
'Ding dong, that's your second item, Reds, | 0:15:59 | 0:16:02 | |
'and you're level pegging with the Blues.' | 0:16:02 | 0:16:04 | |
Now, while the teams continue shopping, | 0:16:04 | 0:16:06 | |
I want to show you another funny thing. | 0:16:06 | 0:16:09 | |
How much importance do you place on a Sunday? | 0:16:15 | 0:16:19 | |
For some, it's all about the roast. | 0:16:19 | 0:16:22 | |
Getting together with the family, gathering around the table | 0:16:22 | 0:16:25 | |
and enjoying something that's taken hours and lots of love to prepare. | 0:16:25 | 0:16:30 | |
So, why on earth are we talking about Sunday roasts when I'm | 0:16:30 | 0:16:33 | |
sitting beside what is quite plainly an item of supreme torture? | 0:16:33 | 0:16:36 | |
Look at it. It's terrifying-looking. | 0:16:36 | 0:16:39 | |
Let me tell you what it is. | 0:16:39 | 0:16:41 | |
It's a leg of mutton holder. | 0:16:41 | 0:16:43 | |
Let me tell you how it works. | 0:16:43 | 0:16:46 | |
You take this screw here and you open it up | 0:16:46 | 0:16:49 | |
and latch the end onto the leg of mutton. | 0:16:49 | 0:16:53 | |
And instead of faffing around with the carving fork and knife, | 0:16:53 | 0:16:56 | |
you simply place your hand around this lovely moulded silver handle, | 0:16:56 | 0:17:01 | |
lift it up to elevate the joint, | 0:17:01 | 0:17:04 | |
and carve away in the most efficient and least messy way possible. | 0:17:04 | 0:17:11 | |
In the 19th century, how did you show that you had money to spend | 0:17:11 | 0:17:14 | |
and that you were up-to-date with the latest innovations? | 0:17:14 | 0:17:18 | |
You showed that by buying the latest in design in tableware. | 0:17:18 | 0:17:23 | |
I recently put this one under the hammer at the auction house | 0:17:23 | 0:17:25 | |
and it fetched £50. | 0:17:25 | 0:17:28 | |
A few years ago, when silver was a little bit more buoyant | 0:17:28 | 0:17:31 | |
with its prices, perhaps it would have fetched £100 or so. | 0:17:31 | 0:17:34 | |
And I reckon that at a fair or in an antiques shop today, | 0:17:34 | 0:17:37 | |
that's what it would cost you. | 0:17:37 | 0:17:39 | |
So, if you're at your local auction house and you see one, snap it up, | 0:17:39 | 0:17:43 | |
because you never know - in the future, it could carve out a profit. | 0:17:43 | 0:17:47 | |
Back to see how the teams are cracking on with their buys. | 0:17:57 | 0:18:00 | |
We're just over halfway through and it's 2-2, | 0:18:00 | 0:18:02 | |
so who's going to score next? | 0:18:02 | 0:18:04 | |
Right, come on, guys. | 0:18:05 | 0:18:07 | |
-Right. -We still need that elusive third item. | 0:18:07 | 0:18:09 | |
We've got about 25 minutes on the clock. | 0:18:09 | 0:18:12 | |
We're doing well but I'm going to keep you moving. | 0:18:12 | 0:18:14 | |
-Right, let's go, then. -Come on. | 0:18:14 | 0:18:16 | |
Oh, look at that. | 0:18:16 | 0:18:18 | |
-Yeah. That's... -Don't drop it. | 0:18:18 | 0:18:20 | |
I shan't drop it. | 0:18:20 | 0:18:21 | |
There's two of them, look. | 0:18:21 | 0:18:22 | |
Yeah, OK, there's a pair. | 0:18:22 | 0:18:24 | |
Are they the same? Turn it round. Turn it round. Is it the same? | 0:18:24 | 0:18:27 | |
£28. | 0:18:27 | 0:18:28 | |
Where's Paul? | 0:18:28 | 0:18:30 | |
Paul? No. | 0:18:30 | 0:18:31 | |
No. All right, no. That's it. | 0:18:31 | 0:18:33 | |
Paul's not so keen. Keep hunting. | 0:18:33 | 0:18:35 | |
So, what's going on at the back here, then, guys? | 0:18:35 | 0:18:38 | |
Would that sell as a decorative item? | 0:18:38 | 0:18:40 | |
This is a dessert knife and fork set. | 0:18:40 | 0:18:42 | |
-OK. -So, in the Edwardian period, | 0:18:42 | 0:18:45 | |
this would have been set on quite a well-heeled family's table | 0:18:45 | 0:18:49 | |
to have with dessert, | 0:18:49 | 0:18:50 | |
so they would use it for fruit or for any puddings. | 0:18:50 | 0:18:53 | |
Not many people will buy that today to use. | 0:18:53 | 0:18:56 | |
You said the right thing to me. That's what I wanted to hear. | 0:18:56 | 0:18:59 | |
Choosy Blues! But don't forget, the clock is ticking. | 0:18:59 | 0:19:02 | |
And what's happening with the Reds? | 0:19:02 | 0:19:04 | |
It's chintz. | 0:19:04 | 0:19:06 | |
That's the chintz. This is the... | 0:19:06 | 0:19:08 | |
THEY LAUGH | 0:19:08 | 0:19:10 | |
-Come on. -All right. | 0:19:10 | 0:19:11 | |
They started so well... | 0:19:11 | 0:19:13 | |
-That's not Faberge. -What does it say? | 0:19:13 | 0:19:16 | |
-I don't know, I can't read Russian. -It's in Russian! | 0:19:16 | 0:19:18 | |
..and now seem to be adopting the scatter-gun approach. | 0:19:18 | 0:19:21 | |
-What about this, Paul? -A bit of chintz. | 0:19:21 | 0:19:24 | |
-I don't know. -Paul, what about this? | 0:19:24 | 0:19:26 | |
-Definitely not. -Definitely not. -No. | 0:19:29 | 0:19:32 | |
They've lost their form and they're picking up... | 0:19:32 | 0:19:34 | |
They've gone from picking up quality, striking, | 0:19:34 | 0:19:36 | |
I think, standout pieces, to this piece of bric-a-brac | 0:19:36 | 0:19:39 | |
and that piece of bric-a-brac, | 0:19:39 | 0:19:41 | |
and I'm thinking, "Never mind that, get your mojo back!" | 0:19:41 | 0:19:44 | |
I'm leaving them, hoping that by the time I get back, | 0:19:44 | 0:19:46 | |
they're going to have pulled the rabbit of the hat. | 0:19:46 | 0:19:49 | |
But right now, I'm looking for the rabbit. | 0:19:49 | 0:19:51 | |
Meanwhile, with 15 minutes to go, | 0:19:52 | 0:19:55 | |
have the Blues found a trick of their own with this cocktail shaker? | 0:19:55 | 0:19:58 | |
Is that Art Deco? | 0:19:58 | 0:19:59 | |
-Yeah. -Yeah. | 0:19:59 | 0:20:01 | |
It is, John, I would say. | 0:20:01 | 0:20:03 | |
Let's have a look. There's your measure on the top. | 0:20:03 | 0:20:06 | |
The measure's not big enough. | 0:20:06 | 0:20:08 | |
It's quite a neat little shaker, that one. | 0:20:08 | 0:20:10 | |
Very nice, Steve. You could drink out of that. | 0:20:10 | 0:20:12 | |
That's probably more my measure. | 0:20:12 | 0:20:14 | |
So, this is quite nice because we've got EPNS, | 0:20:14 | 0:20:17 | |
which stands for electro-plated nickel silver. | 0:20:17 | 0:20:19 | |
-Yeah. -So we know it's silver-plated. | 0:20:19 | 0:20:21 | |
We've also got "made in England" there, | 0:20:21 | 0:20:23 | |
which tells us that it's actually the early part of the 20th century. | 0:20:23 | 0:20:28 | |
I would say it's probably '40s, actually. | 0:20:28 | 0:20:30 | |
It's nice and it's got some... | 0:20:30 | 0:20:32 | |
-some history to it. -It's got some age to it. | 0:20:32 | 0:20:34 | |
It's not a modern reproduction, which is what I like about it. | 0:20:34 | 0:20:37 | |
And it is quite a nice, usable size to have in the home. | 0:20:37 | 0:20:41 | |
So, what are we looking at, top line? | 0:20:41 | 0:20:43 | |
-Well, I reckon... -I'll put my glasses on. | 0:20:43 | 0:20:45 | |
-That's 30, isn't it? You've got your glasses on. -That's £30. | 0:20:45 | 0:20:47 | |
I'd be interested if we are looking at 15, 20 quid. | 0:20:47 | 0:20:50 | |
I think we should go and have a chat to my friend down here. | 0:20:50 | 0:20:52 | |
-What do we think? -I think so. -And just see what it would go for. | 0:20:52 | 0:20:55 | |
Are you thinking more that than the other thing that we left? | 0:20:55 | 0:20:58 | |
Oh, you've got your sewing thing. | 0:20:58 | 0:20:59 | |
I don't think we're going to buy a sewing kit. | 0:20:59 | 0:21:01 | |
Do you know... Yeah, I was surprised when you picked that up. | 0:21:01 | 0:21:04 | |
You picked a nice thing. I think this has got more legs, | 0:21:04 | 0:21:06 | |
depending on what price we can get it for. | 0:21:06 | 0:21:08 | |
It's a more masculine item as well, Dad. | 0:21:08 | 0:21:10 | |
-You think it'll do your street cred? -Yeah, yeah, yeah. | 0:21:10 | 0:21:13 | |
Steve, I'll let you do what's got to be done. | 0:21:13 | 0:21:15 | |
Come on, then. OK, right, Steve, you do your stuff. | 0:21:15 | 0:21:17 | |
There's the ticket, which has come loose. | 0:21:17 | 0:21:19 | |
Right. It's my turn, is it? | 0:21:19 | 0:21:21 | |
-Good morning. -Good morning. | 0:21:21 | 0:21:23 | |
-Looking at this for a multitude of reasons. -Mm-hmm. | 0:21:23 | 0:21:26 | |
Would there be an element of flexibility to it? | 0:21:26 | 0:21:28 | |
There is some movement on it, yes. | 0:21:28 | 0:21:30 | |
How about 25? | 0:21:30 | 0:21:31 | |
That's... We were... | 0:21:33 | 0:21:35 | |
We were looking more closer to less than 20, really. | 0:21:35 | 0:21:38 | |
-Less than 20? -Mm. | 0:21:38 | 0:21:40 | |
I couldn't do it for less than 20. | 0:21:40 | 0:21:42 | |
So that means you would do it for 20. | 0:21:42 | 0:21:44 | |
-I'll do it for 20. -I think you have a deal. | 0:21:44 | 0:21:46 | |
-Thank you very much indeed. -Thank you very much. | 0:21:46 | 0:21:48 | |
-Are you happy? -I can't thank you enough as well. | 0:21:48 | 0:21:50 | |
Thank you very much. | 0:21:50 | 0:21:51 | |
Canny bargaining, and that's your three items all sewn up, Blues. | 0:21:51 | 0:21:55 | |
We've beaten the clock! | 0:21:55 | 0:21:57 | |
-All done. -Great. Well done. | 0:21:57 | 0:21:59 | |
-Well done, you. -Thank you very much. | 0:21:59 | 0:22:01 | |
So what are we going to do now, then? | 0:22:01 | 0:22:03 | |
-Cup of tea, I reckon. -Coffee break. Let's go. | 0:22:03 | 0:22:05 | |
Ten minutes, Arthur, ten minutes. | 0:22:06 | 0:22:09 | |
Now, Reds, you need to get your skates on, | 0:22:09 | 0:22:11 | |
and Paul has found not a rabbit, but a walrus. | 0:22:11 | 0:22:14 | |
How far north have you travelled? | 0:22:15 | 0:22:17 | |
Have you been north of the Arctic Circle? | 0:22:17 | 0:22:19 | |
I've been in the Arctic Circle. | 0:22:19 | 0:22:20 | |
-He has, yeah. -But that was in 1958 with Strikeback. | 0:22:20 | 0:22:23 | |
-Who made that? -Oh, the Inuits. | 0:22:23 | 0:22:25 | |
Ha-ha, you know your stuff! | 0:22:25 | 0:22:27 | |
-This could be called tourist material. -Yeah. | 0:22:27 | 0:22:30 | |
It could also be called indigenous art, | 0:22:30 | 0:22:33 | |
cos there's a really long and proud heritage to the Inuit carving of, | 0:22:33 | 0:22:37 | |
in this instance, a green hardstone, | 0:22:37 | 0:22:40 | |
but they use all sorts of media - walrus tusk and so on. | 0:22:40 | 0:22:44 | |
Well, I think a little Inuit child playing with a walrus | 0:22:44 | 0:22:48 | |
is going to melt any stone-cold heart. | 0:22:48 | 0:22:50 | |
Look on the bottom. | 0:22:50 | 0:22:51 | |
I can't read that, but I assure you, | 0:22:53 | 0:22:56 | |
that's the artist's native Inuit name | 0:22:56 | 0:22:59 | |
and that's a reference that's given to the artists today. | 0:22:59 | 0:23:04 | |
Take it or leave it, | 0:23:04 | 0:23:06 | |
but I can buy that because I've had a word with the lady. | 0:23:06 | 0:23:09 | |
It's priced at 38. | 0:23:09 | 0:23:10 | |
You can buy that for £20. | 0:23:10 | 0:23:12 | |
I just thought you, man of the sea, | 0:23:12 | 0:23:14 | |
might get that and, boy, I was right. | 0:23:14 | 0:23:17 | |
-Yeah. -That's lovely. | 0:23:17 | 0:23:18 | |
-Isn't it sweet? -It is, it is. | 0:23:18 | 0:23:20 | |
-It's tactile, too. -Yes, I was going to say... | 0:23:20 | 0:23:22 | |
-It's something you can, erm... -Isn't it? | 0:23:22 | 0:23:24 | |
It's good art, that, and I think it is transportative. | 0:23:24 | 0:23:27 | |
I think so. Right. | 0:23:27 | 0:23:28 | |
It's only £20 with the clock ticking. | 0:23:28 | 0:23:31 | |
-We like it. -I like it. | 0:23:31 | 0:23:32 | |
Yes? Have we just completed our mission? | 0:23:32 | 0:23:34 | |
-I think we have! -Yay! | 0:23:34 | 0:23:36 | |
Come on, that's great. We did it! | 0:23:38 | 0:23:41 | |
Yous were stars. | 0:23:41 | 0:23:43 | |
Wow. Third one bagged. | 0:23:43 | 0:23:45 | |
Mission accomplished, Reds. | 0:23:45 | 0:23:46 | |
-Brilliant. -Wonderful. | 0:23:46 | 0:23:48 | |
CUCKOO CLOCK CHIMES | 0:23:48 | 0:23:50 | |
Those 60 minutes...are up! | 0:23:50 | 0:23:53 | |
That's in the bag. | 0:23:53 | 0:23:54 | |
It's in the bag and we're going to be in the cafe in two ticks. | 0:23:54 | 0:23:58 | |
-Come on. -I'm ready. | 0:23:58 | 0:24:00 | |
That sounds lovely, thank you. | 0:24:00 | 0:24:02 | |
Let's remind ourselves what the Red team bought. | 0:24:02 | 0:24:05 | |
First there's the 19th-century silver-plated jug, | 0:24:06 | 0:24:09 | |
picked up for £40. | 0:24:09 | 0:24:12 | |
Can this dolphin gong make a splash at auction? | 0:24:12 | 0:24:15 | |
£25 paid. | 0:24:15 | 0:24:16 | |
And the Inuit carving of a walrus and child cost them £20. | 0:24:17 | 0:24:21 | |
Helen and Arthur, I think you enjoyed the last hour. | 0:24:22 | 0:24:25 | |
-I have loved it. -Had a fantastic time. | 0:24:25 | 0:24:27 | |
We've had a wonderful time. | 0:24:27 | 0:24:28 | |
Helen, tell me, what was your favourite item? | 0:24:28 | 0:24:30 | |
My favourite item is the wine jug. | 0:24:30 | 0:24:33 | |
-And you chose that. You saw it, you had to have it. -Yeah. | 0:24:33 | 0:24:35 | |
Did you think the wine ewer going to make the biggest profit? | 0:24:35 | 0:24:38 | |
I think it might. | 0:24:38 | 0:24:39 | |
Arthur, which was your favourite piece of the three? | 0:24:39 | 0:24:42 | |
Well, I certainly like the Inuit carving, | 0:24:42 | 0:24:45 | |
but I think the ewer is going to make the biggest profit. | 0:24:45 | 0:24:49 | |
Now, what did you spend in total? | 0:24:49 | 0:24:50 | |
Because it wasn't a lot, really. | 0:24:50 | 0:24:52 | |
85. | 0:24:53 | 0:24:54 | |
£85? | 0:24:54 | 0:24:55 | |
Which leaves Paul Laidlaw £215. | 0:24:55 | 0:24:58 | |
I'll take it from you, Helen. | 0:24:58 | 0:24:59 | |
215, I'll hand it straight over to my fellow Scot and say, | 0:24:59 | 0:25:04 | |
with such a burgeoning wallet, what are you going to do? | 0:25:04 | 0:25:06 | |
Well, I should like to find something to complement the offering | 0:25:06 | 0:25:10 | |
we already have, but more importantly, | 0:25:10 | 0:25:12 | |
something that will make a profit. | 0:25:12 | 0:25:13 | |
So while he does the shopping, | 0:25:13 | 0:25:15 | |
let's remind ourselves what the Blue team bought. | 0:25:15 | 0:25:18 | |
First up, the Royal Worcester jug bought for £50. | 0:25:18 | 0:25:21 | |
Will this bin be the best thing since sliced bread? | 0:25:24 | 0:25:26 | |
It cost £25. | 0:25:26 | 0:25:28 | |
And can the £20 cocktail shaker serve up a profit at auction? | 0:25:29 | 0:25:33 | |
OK, Steve and John, well done. | 0:25:34 | 0:25:36 | |
You beat the Bargain Hunt clock. | 0:25:36 | 0:25:38 | |
-15 minutes to spare. -15 minutes to spare. | 0:25:38 | 0:25:40 | |
-Time for a coffee. -How good is that? I hope Kate treated you to one. | 0:25:40 | 0:25:43 | |
No, she didn't. | 0:25:43 | 0:25:44 | |
Tell me, Steve, which of the three is your favourite item? | 0:25:46 | 0:25:49 | |
For profit-making, on a good day, | 0:25:49 | 0:25:51 | |
I would say hopefully the Royal Worcester. | 0:25:51 | 0:25:53 | |
That's one I'd put my name to. | 0:25:53 | 0:25:54 | |
-You'd put your name to that making the biggest profit. -Hopefully, yes. | 0:25:54 | 0:25:57 | |
But which, personally, was your favourite item? | 0:25:57 | 0:26:00 | |
I'd say the cocktail shaker, actually, if I'm honest, but I'd buy that for myself. | 0:26:00 | 0:26:03 | |
-Oh, right, OK, so that was up your street. -Yeah, yeah, yeah. -OK. | 0:26:03 | 0:26:06 | |
And what about you, John? Which was your favourite item? | 0:26:06 | 0:26:08 | |
I would say the cocktail shaker. | 0:26:08 | 0:26:10 | |
OK, so for the first time, you're in agreement today. | 0:26:10 | 0:26:12 | |
-That's fantastic. -For the first time ever. | 0:26:12 | 0:26:14 | |
And in total, you didn't spend a lot of money, though, did you? | 0:26:14 | 0:26:18 | |
-How much in total? -95. | 0:26:18 | 0:26:19 | |
95 only? | 0:26:19 | 0:26:21 | |
I'll ask you very politely, then, for £205, please. | 0:26:21 | 0:26:25 | |
Thank you very much. | 0:26:25 | 0:26:26 | |
£205 over to the lovely Kate Bliss, and what on earth are you going to | 0:26:26 | 0:26:30 | |
-spend it on? -I'm going to spend it on something which definitely gets | 0:26:30 | 0:26:34 | |
the best prices in Worcestershire. | 0:26:34 | 0:26:37 | |
You heard it here first. | 0:26:37 | 0:26:38 | |
The best prices in Worcestershire. | 0:26:38 | 0:26:40 | |
Let's see if that happens because we're heading straight over | 0:26:40 | 0:26:43 | |
to the auction. | 0:26:43 | 0:26:45 | |
Well, we've nipped over from Hay-on-Wye to Malvern. | 0:26:51 | 0:26:53 | |
I find myself in Serrell's saleroom beside Philip Serrell. | 0:26:53 | 0:26:57 | |
-How are you, Phil? -Very well. How are you? | 0:26:57 | 0:26:59 | |
Do you know, I'm full of the joys of spring because our first lot | 0:26:59 | 0:27:03 | |
for the Reds is a gay old affair. | 0:27:03 | 0:27:05 | |
Everyone is dancing and drinking on this hexagonal jug. | 0:27:05 | 0:27:08 | |
It's like Malvern on a Friday night. | 0:27:08 | 0:27:10 | |
Ah, you've been before! | 0:27:10 | 0:27:12 | |
It's got a great shape, though, hasn't it? | 0:27:12 | 0:27:14 | |
It does, it's just lovely, | 0:27:14 | 0:27:15 | |
the hexagonal shape and the spout coming out. | 0:27:15 | 0:27:18 | |
I'm really excited about it. | 0:27:18 | 0:27:19 | |
We put £20-£30 on that. | 0:27:19 | 0:27:21 | |
What did they pay for that? | 0:27:21 | 0:27:22 | |
Well, the Red team, Arthur and Helen, | 0:27:22 | 0:27:24 | |
were quite excited about it, too, and Paul let them pay £40 for that. | 0:27:24 | 0:27:28 | |
We... We're on the cusp of getting him out of trouble. | 0:27:28 | 0:27:31 | |
So, next up is this lovely Edwardian dinner bell. | 0:27:31 | 0:27:34 | |
It's got a look, that, hasn't it? | 0:27:34 | 0:27:35 | |
-It seriously does. -It's got a look. -East Asian in its style, | 0:27:35 | 0:27:38 | |
missing the beater, but is that the end of the world? | 0:27:38 | 0:27:40 | |
I don't think so, no. | 0:27:40 | 0:27:41 | |
It's easy enough to replace that, but it's just got a look. | 0:27:41 | 0:27:44 | |
It's quite stylish. I can see that making £30-£50. | 0:27:44 | 0:27:47 | |
-What did they pay for that? -They only paid £25 for it. | 0:27:47 | 0:27:49 | |
Well, you'd sort of kind of think there's a profit in that. | 0:27:49 | 0:27:51 | |
It's a very clever use of this horn shape, isn't it? | 0:27:51 | 0:27:54 | |
-Yeah. -I love it. Someone's going to find a perfect | 0:27:54 | 0:27:56 | |
little beater for that and it will once again make plenty of noise. | 0:27:56 | 0:28:00 | |
-Yes. -What about our little Inuit carving in stone? | 0:28:00 | 0:28:04 | |
Is it a little bit too naive? | 0:28:04 | 0:28:06 | |
Innit? | 0:28:06 | 0:28:08 | |
-Innit? -What is that? | 0:28:08 | 0:28:09 | |
I think that's a really cool thing. It is naive, it is quite primitive. | 0:28:09 | 0:28:13 | |
Yeah, the trouble with these things is | 0:28:13 | 0:28:15 | |
there's every chance it might have been made for the tourist market, | 0:28:15 | 0:28:18 | |
and as such it's £15-£30. But the market will determine. | 0:28:18 | 0:28:20 | |
Yeah, well, they only paid £20 for it and I think its naivete | 0:28:20 | 0:28:24 | |
is its charm, isn't it? | 0:28:24 | 0:28:25 | |
-Yeah, absolutely. -I don't think I've ever heard you so upbeat | 0:28:25 | 0:28:29 | |
-about three items. -I'm very positive. I'm very positive! | 0:28:29 | 0:28:31 | |
Phil's in a positive mood, but just in case, | 0:28:31 | 0:28:34 | |
Paul has bought the Reds a bonus buy, so let's find out what it is. | 0:28:34 | 0:28:37 | |
Well, Arthur and Helen, as we suspected, | 0:28:38 | 0:28:41 | |
you were a formidable team and you spent only £85, which is wild. | 0:28:41 | 0:28:46 | |
Anyway, we'll forget about that. | 0:28:46 | 0:28:48 | |
It means that you left Paul Laidlaw £215. | 0:28:48 | 0:28:52 | |
Now, did you spend it all, Paul? | 0:28:52 | 0:28:54 | |
I'll get to that in a moment, but I've got my Nelson pose on today. | 0:28:54 | 0:28:57 | |
Would you give me a hand, Natasha, help me reveal this bonus buy? | 0:28:57 | 0:29:00 | |
Hands are full. Let me lend you a hand. | 0:29:00 | 0:29:03 | |
What have we got here? | 0:29:03 | 0:29:04 | |
That ain't your granny's sherry glass | 0:29:04 | 0:29:06 | |
that she pulls out at Christmas, OK? | 0:29:06 | 0:29:08 | |
That's 200 years old. | 0:29:08 | 0:29:10 | |
-Is it? -Scarce survivor at that. The form, subtle. | 0:29:10 | 0:29:13 | |
-Don't drop it! -I'm not going to touch it! | 0:29:13 | 0:29:16 | |
The Georgians produced the finest glass in the 18th century. | 0:29:16 | 0:29:19 | |
In the late 17th century, they revolutionised the medium itself. | 0:29:19 | 0:29:23 | |
These are highly good glasses of that period, highly coveted. | 0:29:23 | 0:29:27 | |
One such glass is fair enough. | 0:29:27 | 0:29:29 | |
It's a pleasing thing. But get me a matching set of four... | 0:29:29 | 0:29:34 | |
Oh, look at that! | 0:29:34 | 0:29:35 | |
-What a treat! -..and all of a sudden, I'm impressed. | 0:29:35 | 0:29:38 | |
-How much...? -Oh, here we go, the money moment. | 0:29:38 | 0:29:41 | |
They cost 30. | 0:29:41 | 0:29:43 | |
Surely they are worth £20-£30 apiece. | 0:29:43 | 0:29:46 | |
Forget all the other three pieces we chose, | 0:29:46 | 0:29:48 | |
-we'll just go with this, shall we? -I think they're lovely. | 0:29:48 | 0:29:52 | |
Paul thinks that there is profit in these sparkling glasses, | 0:29:52 | 0:29:55 | |
so let's find out if our auctioneer thinks the same. | 0:29:55 | 0:29:59 | |
So here we are. Paul Laidlaw has done it again, | 0:30:01 | 0:30:04 | |
bought some lovely glassware. | 0:30:04 | 0:30:06 | |
And isn't it delightful to handle these, | 0:30:06 | 0:30:08 | |
because they're just so fragile and hand-blown and nicely etched | 0:30:08 | 0:30:13 | |
and 19th century? Philip, I'm excited, are you? | 0:30:13 | 0:30:17 | |
I think they're nice things | 0:30:17 | 0:30:19 | |
and I think I've probably been a bit mean because I've put | 0:30:19 | 0:30:22 | |
the dreaded £15-£30 on them. | 0:30:22 | 0:30:23 | |
I think, in reality, they might hopefully make £30-£50. | 0:30:23 | 0:30:26 | |
-What did he pay for them? -Yeah, well, he paid 30, a set of four. | 0:30:26 | 0:30:29 | |
I mean, Paul Laidlaw knows his glass. | 0:30:29 | 0:30:31 | |
-Yes. -So I think that he reckons £30 is a good deal. | 0:30:31 | 0:30:33 | |
I agree. And you're just a meanie at 15-30. | 0:30:33 | 0:30:35 | |
Yeah, I am. I'm being too mean, I'm being too mean. | 0:30:35 | 0:30:37 | |
Oh, but we're used to you being a meanie. | 0:30:37 | 0:30:39 | |
Now, how mean have you been for the Blues? | 0:30:39 | 0:30:41 | |
Because John and Steve, father and son, | 0:30:41 | 0:30:45 | |
went out with Kate Bliss and they bought a bit of a mixed bag. | 0:30:45 | 0:30:49 | |
We start off with this blush Worcester. | 0:30:49 | 0:30:51 | |
-Tell us about it. -It's a nice little blushed ivory pot, this. | 0:30:51 | 0:30:54 | |
The painting is almost like an infill of a printed design. | 0:30:54 | 0:30:56 | |
We put £50-£60 on it. | 0:30:56 | 0:30:59 | |
-What was paid for it? -£50 was paid and 50-60, | 0:30:59 | 0:31:02 | |
from Philip Serrell in Worcestershire, | 0:31:02 | 0:31:05 | |
must mean that you have got it bang on the money. | 0:31:05 | 0:31:07 | |
-I would hope so, I would hope so. -If that makes £100, | 0:31:07 | 0:31:09 | |
-you'll be mortified. -Erm, I'd be surprised! | 0:31:09 | 0:31:12 | |
Now, let's move on to item number two. Now, I remember Dad, John, | 0:31:13 | 0:31:17 | |
saying that he couldn't believe | 0:31:17 | 0:31:18 | |
that he'd gone out and bought an enamelled bread bin, | 0:31:18 | 0:31:21 | |
but he trusted Kate because she thought this was quite cool | 0:31:21 | 0:31:24 | |
-and had vintage appeal. -These things, they're just, | 0:31:24 | 0:31:27 | |
they dress and decorate different surroundings. | 0:31:27 | 0:31:29 | |
And does the erosion worry you at all? | 0:31:29 | 0:31:31 | |
That's just standard, isn't it? | 0:31:31 | 0:31:32 | |
Well, it would be nice if it wasn't there, but it is. | 0:31:32 | 0:31:34 | |
I think it's £20-£30 worth. | 0:31:34 | 0:31:36 | |
Well, they only paid £25 and I think that Kate's led them along | 0:31:36 | 0:31:40 | |
-the right path with that one. -Absolutely right. | 0:31:40 | 0:31:43 | |
Now, what about this little silver-plated cocktail shaker? | 0:31:43 | 0:31:46 | |
It has appeal but it's not overly decorative, is it? | 0:31:46 | 0:31:49 | |
It's just a nice wee thing. | 0:31:49 | 0:31:51 | |
Yeah, well, any serious cocktail man | 0:31:51 | 0:31:53 | |
would surely like one about this big. | 0:31:53 | 0:31:55 | |
-Well, you would, anyway. -Yeah, absolutely right. | 0:31:55 | 0:31:58 | |
It's quite twee, it's quite collectable. | 0:31:58 | 0:32:00 | |
It's going to make between £20-£40. | 0:32:00 | 0:32:02 | |
-Do you reckon? -Yeah. -Well, do you know what? | 0:32:02 | 0:32:04 | |
They paid £20 for it. | 0:32:04 | 0:32:05 | |
I think between the Reds and the Blues here it's going to be quite tight, | 0:32:05 | 0:32:09 | |
so it could all hinge on the bonus buy, and on that note, | 0:32:09 | 0:32:12 | |
let's find out what Kate bought for the Blues. | 0:32:12 | 0:32:14 | |
Well, I love it on Bargain Hunt when we have a family affair, | 0:32:15 | 0:32:19 | |
but you did let Kate take charge | 0:32:19 | 0:32:21 | |
quite a lot during the shopping and then | 0:32:21 | 0:32:23 | |
you let her loose with £205. And hey, Kate, how did it go? | 0:32:23 | 0:32:28 | |
-What did you spend? -Well, I've bought something quite different. | 0:32:28 | 0:32:31 | |
I don't think I've ever bought one of these on Bargain Hunt, in fact. | 0:32:31 | 0:32:34 | |
Here we go... | 0:32:34 | 0:32:36 | |
-Oh, dear. -Oh. -OK. | 0:32:36 | 0:32:37 | |
"Oh, dear"? That's not a good start! | 0:32:37 | 0:32:39 | |
It's not a deer, it's a cup! | 0:32:39 | 0:32:41 | |
As you can see, it is a little teacup. | 0:32:42 | 0:32:45 | |
It's porcelain, as opposed to pottery, | 0:32:45 | 0:32:48 | |
and you may notice the decoration is very much | 0:32:48 | 0:32:50 | |
in the Chinese or Oriental style, | 0:32:50 | 0:32:52 | |
but this little teacup is actually English porcelain. | 0:32:52 | 0:32:56 | |
-OK. -Not only is it English - have a little feel of it... | 0:32:56 | 0:33:00 | |
-Don't drop it, Steve. -But it is - | 0:33:00 | 0:33:02 | |
and definitely don't drop it after you hear this - | 0:33:02 | 0:33:05 | |
almost 250 years old, | 0:33:05 | 0:33:08 | |
because this is a piece of Worcester porcelain in perfect condition. | 0:33:08 | 0:33:12 | |
-OK. -And still highly collectable today. | 0:33:12 | 0:33:15 | |
You might be astonished to hear | 0:33:15 | 0:33:19 | |
that I paid just £25, | 0:33:19 | 0:33:21 | |
but the best thing, | 0:33:21 | 0:33:23 | |
I've held back to last, | 0:33:23 | 0:33:25 | |
if there is anywhere in the country where these little teacups, | 0:33:25 | 0:33:29 | |
Worcester first period, will get the best price, it is here. | 0:33:29 | 0:33:33 | |
-Here, yeah, yeah. -So that, actually, is the reason why I bought it. | 0:33:33 | 0:33:36 | |
-Food for thought. -Food for thought indeed. | 0:33:36 | 0:33:39 | |
Well, Kate thinks that Phil Serrell is just the man to sell this teacup, | 0:33:39 | 0:33:43 | |
so now it's time to find out what he thinks. | 0:33:43 | 0:33:46 | |
Well, as a special treat for you, | 0:33:46 | 0:33:48 | |
Phil, Kate bought some more Worcester. | 0:33:48 | 0:33:50 | |
-More Worcester! -This time, first period Worcester, | 0:33:50 | 0:33:52 | |
a bit of blue and white. Tell me all that you know about it, | 0:33:52 | 0:33:55 | |
-cos I know you love it. -That's quite sweet in that this sort of facsimile | 0:33:55 | 0:33:59 | |
Chinese mark underneath, | 0:33:59 | 0:34:01 | |
because this is copying designs that came from China in the 17th | 0:34:01 | 0:34:06 | |
and earlier centuries. | 0:34:06 | 0:34:08 | |
This was made, I would guess, 1770, 1780, | 0:34:08 | 0:34:11 | |
and normally you'd expect to see a little crescent or half-moon mark | 0:34:11 | 0:34:15 | |
on the base of your 18th-century Worcester. | 0:34:15 | 0:34:17 | |
That mark, just, it's... | 0:34:17 | 0:34:19 | |
Do you know what? That's almost as attractive as that. | 0:34:19 | 0:34:22 | |
-As the rest? -Yeah. | 0:34:22 | 0:34:24 | |
And what have we got, have we got a willow pattern on there? | 0:34:24 | 0:34:26 | |
Well, pagodas and zigzag fences and all sorts of things. | 0:34:26 | 0:34:29 | |
-It's very sweet. -An interesting fact, | 0:34:29 | 0:34:30 | |
it should have a saucer with it and it should also have a bowl, | 0:34:30 | 0:34:33 | |
and originally that would have been a trio set, so you've got coffee, | 0:34:33 | 0:34:37 | |
tea and a saucer. | 0:34:37 | 0:34:38 | |
That's where the term trio set first came from. | 0:34:38 | 0:34:40 | |
OK, so here we are, just one of three. | 0:34:40 | 0:34:42 | |
Yeah, we just got a component part. | 0:34:42 | 0:34:45 | |
I think there's going to make between 15 and £30. | 0:34:45 | 0:34:47 | |
Kate paid £25, so she's almost there. | 0:34:47 | 0:34:50 | |
A smidgen of profit, hopefully. | 0:34:50 | 0:34:52 | |
-And we got the right man on the rostrum? -I hope so. -Yeah, well, | 0:34:52 | 0:34:54 | |
it's going to be a very exciting auction, so let's see how it goes. | 0:34:54 | 0:34:58 | |
Tell me something, Helen and Arthur, | 0:35:04 | 0:35:05 | |
have you ever been as excited as you are now? | 0:35:05 | 0:35:07 | |
-No! -No. -No. | 0:35:07 | 0:35:10 | |
I thought one of you would say yes, one of you would say no. | 0:35:10 | 0:35:12 | |
-Well, we might have been at one time. -Well, maybe! | 0:35:12 | 0:35:15 | |
It's very exciting. So, are you feeling confident? | 0:35:15 | 0:35:17 | |
-Yes, of course we are. -Well, in that case, | 0:35:17 | 0:35:20 | |
let's get underway with our first item. | 0:35:20 | 0:35:22 | |
Late 19th century, it's silver plate, quite an unusual shape. | 0:35:22 | 0:35:25 | |
You paid 40 for that jug, but here it comes. | 0:35:25 | 0:35:28 | |
Lot number 246 is this rather | 0:35:28 | 0:35:31 | |
attractive silver-plated jug. | 0:35:31 | 0:35:34 | |
Bid me for that lot. Start me off wherever you want to be. | 0:35:34 | 0:35:36 | |
£50 to start me. | 0:35:36 | 0:35:38 | |
Bid me 40. Bid me 30. | 0:35:38 | 0:35:41 | |
Now, come along, £30, surely. | 0:35:41 | 0:35:43 | |
Please. | 0:35:43 | 0:35:45 | |
£20, someone. 20, I'm bid. | 0:35:45 | 0:35:47 | |
And five. At £30 I'm bid. | 0:35:47 | 0:35:50 | |
Any more? | 0:35:50 | 0:35:51 | |
One more! | 0:35:51 | 0:35:53 | |
One more! | 0:35:53 | 0:35:54 | |
-Please! -It's your bid, madam. | 0:35:55 | 0:35:57 | |
I sell, then, at £30 and done. | 0:35:57 | 0:36:00 | |
-Thank you. -Oh, £30, | 0:36:00 | 0:36:03 | |
so it's a wee loss to start, but just a tenner. | 0:36:03 | 0:36:05 | |
Now, the dinner bell could claw it all back. | 0:36:05 | 0:36:07 | |
Lot number 247 | 0:36:07 | 0:36:10 | |
is this very, very cool | 0:36:10 | 0:36:11 | |
dolphin dinner bell. | 0:36:11 | 0:36:13 | |
There we go. At 20, 20 bid. | 0:36:13 | 0:36:15 | |
At £20 only, and five, 30... | 0:36:15 | 0:36:19 | |
Yes, that's it! | 0:36:20 | 0:36:21 | |
One more. | 0:36:23 | 0:36:25 | |
50. 50 bid. | 0:36:25 | 0:36:26 | |
At £50, done then at 50 and done. Thank you. | 0:36:28 | 0:36:30 | |
OK, folks, £50, which means you made 25, | 0:36:32 | 0:36:35 | |
which means we're now in profit. | 0:36:35 | 0:36:37 | |
Here comes the Inuit-style carving. | 0:36:37 | 0:36:39 | |
-£20 paid. -Lot number 248, | 0:36:39 | 0:36:43 | |
bid me 20, someone. | 0:36:43 | 0:36:44 | |
10, I'm bid at 10. 15. 20, I've got here. | 0:36:44 | 0:36:47 | |
Five, 25. | 0:36:47 | 0:36:48 | |
One more, ma'am! At 30. | 0:36:48 | 0:36:50 | |
There's the bid. £30 and I sell, | 0:36:50 | 0:36:53 | |
then, at 30 and done. | 0:36:53 | 0:36:55 | |
-Thank you. -Yes! | 0:36:55 | 0:36:57 | |
£30, which means you've made another tenner. | 0:36:57 | 0:37:00 | |
Now, let's assess the situation. | 0:37:00 | 0:37:03 | |
We're £25 in front and we've now | 0:37:03 | 0:37:05 | |
got to consider Paul's Bonus Buy. | 0:37:05 | 0:37:08 | |
He bought you those beautiful glasses. | 0:37:08 | 0:37:12 | |
-OK, you've already made up your mind? -I think so. -I think we have. | 0:37:12 | 0:37:15 | |
They were lovely, they are nice. | 0:37:15 | 0:37:16 | |
I love the one. | 0:37:16 | 0:37:18 | |
-Four? -Four, that was a bonus. | 0:37:18 | 0:37:20 | |
That was wonderful. I think that's the thing, isn't it, Paul? | 0:37:20 | 0:37:23 | |
The fact it's a set. I think you've made the right choice. | 0:37:23 | 0:37:26 | |
We'll go with that. Let's find out how it all goes. | 0:37:26 | 0:37:29 | |
Lot number 252 | 0:37:29 | 0:37:32 | |
are these really lovely drinking glasses. | 0:37:32 | 0:37:34 | |
There you are. Bid me £50, someone. | 0:37:34 | 0:37:36 | |
30, I'm bid at 30. | 0:37:36 | 0:37:38 | |
£30 only, at 30. | 0:37:38 | 0:37:39 | |
Five, 40, before you. | 0:37:39 | 0:37:41 | |
Five, 50. | 0:37:41 | 0:37:43 | |
60, 60. | 0:37:43 | 0:37:44 | |
Seated at 60. | 0:37:44 | 0:37:45 | |
70 now. 80. | 0:37:45 | 0:37:47 | |
80 bid. One more, sir? | 0:37:47 | 0:37:49 | |
At £80 and done at 80, and done. | 0:37:49 | 0:37:52 | |
-Thank you. -Fantastic! | 0:37:52 | 0:37:55 | |
He's done it again. | 0:37:55 | 0:37:57 | |
£80. | 0:37:57 | 0:37:58 | |
Absolutely marvellous. | 0:37:58 | 0:38:00 | |
Bless you. | 0:38:00 | 0:38:02 | |
You made the right decision to trust Paul Laidlaw. | 0:38:02 | 0:38:05 | |
-Yeah, absolutely. -You had £25. | 0:38:05 | 0:38:07 | |
What have you got now after £50 profit? | 0:38:07 | 0:38:09 | |
£75! | 0:38:09 | 0:38:11 | |
And you're going home with that. | 0:38:11 | 0:38:13 | |
It's so good. You are a wonderful team, | 0:38:13 | 0:38:16 | |
but £75, as good as it is, | 0:38:16 | 0:38:19 | |
those Blues could make more, | 0:38:19 | 0:38:21 | |
so, sort of, bring yourselves back together, | 0:38:21 | 0:38:24 | |
straighten up those faces and mum's the word. | 0:38:24 | 0:38:26 | |
OK? Nothing to the Blues. | 0:38:26 | 0:38:27 | |
-No. -No. -Well done! | 0:38:27 | 0:38:29 | |
John and Steve, this is your moment in the sun, we hope. | 0:38:36 | 0:38:40 | |
Auction time has come around and how are you feeling? | 0:38:40 | 0:38:42 | |
Very relaxed, very relaxed. | 0:38:42 | 0:38:44 | |
Very relaxed? That's the right approach, isn't it? | 0:38:44 | 0:38:46 | |
I think we're going to do extremely well. | 0:38:46 | 0:38:48 | |
-Fighting talk. -And I'm feeling | 0:38:48 | 0:38:50 | |
like it's...impending doom! | 0:38:50 | 0:38:53 | |
You're in good hands, come on! It's all going to go brilliantly well. | 0:38:53 | 0:38:56 | |
Let's get underway with the first one, | 0:38:56 | 0:38:58 | |
the Royal Worcester blushed ivory pot. | 0:38:58 | 0:39:00 | |
So, fingers crossed, and here it goes. | 0:39:00 | 0:39:03 | |
The little Worcester blushed ivory pot, bid me for that. | 0:39:03 | 0:39:05 | |
30, I have at 30. | 0:39:05 | 0:39:06 | |
30 bid. £30. | 0:39:06 | 0:39:08 | |
Only at 30. At £30, bid. | 0:39:08 | 0:39:11 | |
40, five. | 0:39:11 | 0:39:12 | |
At 45, Internet bid. | 0:39:12 | 0:39:15 | |
Come on... | 0:39:15 | 0:39:16 | |
50 anywhere. | 0:39:16 | 0:39:18 | |
Go on! | 0:39:18 | 0:39:20 | |
At £45 on the net and done, then, | 0:39:20 | 0:39:23 | |
at 45 and done. Thank you. | 0:39:23 | 0:39:25 | |
OK, we started with a tiny, wee loss of minus five, | 0:39:25 | 0:39:30 | |
but don't worry about that, | 0:39:30 | 0:39:31 | |
because now, it's the enamel-covered bread bin! | 0:39:31 | 0:39:35 | |
Lot number 274, there we go, | 0:39:35 | 0:39:38 | |
the bread bin. | 0:39:38 | 0:39:40 | |
One of the best bread bins we've ever had | 0:39:40 | 0:39:42 | |
in one of our antique sales. | 0:39:42 | 0:39:43 | |
I'd go so far as to say it's the only bread bin we've ever had | 0:39:43 | 0:39:45 | |
in one of our antique sales. | 0:39:45 | 0:39:48 | |
I agree with him. | 0:39:48 | 0:39:50 | |
10 bid. £10. 15, 20, | 0:39:50 | 0:39:52 | |
and five, 25. | 0:39:52 | 0:39:54 | |
-Yes! -Well done. | 0:39:54 | 0:39:56 | |
At £25 in the room and done at 25 and done. | 0:39:56 | 0:40:00 | |
-Thank you. -Oh! -I take it all back. | 0:40:00 | 0:40:02 | |
25 quid! | 0:40:02 | 0:40:03 | |
We're still minus five, but now we're onto our | 0:40:03 | 0:40:07 | |
wee, half-pint size cocktail shaker. | 0:40:07 | 0:40:09 | |
Can he work his magic? | 0:40:09 | 0:40:11 | |
Bid me for this lot, the cocktail shaker. | 0:40:11 | 0:40:14 | |
Who's got £30 to start? | 0:40:14 | 0:40:16 | |
20. | 0:40:16 | 0:40:18 | |
Who's got a tenner? | 0:40:18 | 0:40:20 | |
Five?! At 10, I'm only bid at 10. | 0:40:20 | 0:40:23 | |
10 bid. Lady's bid. | 0:40:23 | 0:40:24 | |
- I told you not to buy it. | 0:40:24 | 0:40:26 | |
- Done, thank you. | 0:40:26 | 0:40:28 | |
OK, it sold for 10. | 0:40:28 | 0:40:30 | |
It means that lost £10 | 0:40:30 | 0:40:32 | |
and you're overall minus 15. | 0:40:32 | 0:40:35 | |
But this is not the end, because you could still go with the Bonus Buy. | 0:40:35 | 0:40:40 | |
-I think it's a no-brainer! -We're going for it. | 0:40:40 | 0:40:43 | |
It's similar to the bread bin, only that it's also blue and white. | 0:40:43 | 0:40:46 | |
Yes! And in good condition. | 0:40:46 | 0:40:48 | |
Lot number 279, | 0:40:48 | 0:40:51 | |
£10, I'm bid at 10. | 0:40:51 | 0:40:53 | |
15, 25, 30 | 0:40:53 | 0:40:54 | |
and five with me. At 35, 40, 40 bid. | 0:40:54 | 0:40:57 | |
At £40 only at 40, 40 bid. | 0:40:57 | 0:41:00 | |
Any more at all? At £40 and I sell, then, at 40 and... | 0:41:00 | 0:41:04 | |
Any more? And done, then, at 40, and done! | 0:41:04 | 0:41:07 | |
-OK, £40. -Fantastic! | 0:41:07 | 0:41:10 | |
Overall, 15 lost, 15 gained... | 0:41:10 | 0:41:12 | |
-Nothing! -Why did we come?! | 0:41:12 | 0:41:14 | |
You can say you did not make a loss and you know what that means? | 0:41:14 | 0:41:17 | |
If the Red team did, you will be our winners today, so please, | 0:41:17 | 0:41:20 | |
keep it mum. | 0:41:20 | 0:41:22 | |
Sort of...shake yourselves off, dust yourselves off. | 0:41:23 | 0:41:25 | |
Pretend that didn't happen. | 0:41:25 | 0:41:26 | |
Go back to those Reds and tell them nothing. | 0:41:26 | 0:41:29 | |
John and Steve, Arthur and Helen, well, | 0:41:39 | 0:41:42 | |
what an interesting set of results, | 0:41:42 | 0:41:46 | |
because our runners-up today, | 0:41:46 | 0:41:48 | |
the Blues, | 0:41:48 | 0:41:50 | |
came out with nothing, I can't believe it! But was it all worth it? | 0:41:50 | 0:41:53 | |
Yeah, we came with nothing and left with nothing! | 0:41:53 | 0:41:56 | |
Story of my life! | 0:41:56 | 0:41:58 | |
On that note, | 0:41:58 | 0:42:00 | |
I'm going to leave Kate giggling and I'm going to hand over to our Reds. | 0:42:00 | 0:42:04 | |
You started off with a wee loss... But then it was profit... | 0:42:04 | 0:42:07 | |
Then it was profit... | 0:42:07 | 0:42:08 | |
And then you said, Paul Laidlaw, are we going to put our trust in you? | 0:42:08 | 0:42:12 | |
Why not? Those glasses, he told you, | 0:42:12 | 0:42:15 | |
he said not just one, but four... | 0:42:15 | 0:42:17 | |
-They were brilliant, yeah. -Unbelievable. | 0:42:17 | 0:42:19 | |
Do you remember the profit they made? | 0:42:19 | 0:42:21 | |
£50, which means that overall, you go away with £75, | 0:42:21 | 0:42:27 | |
and I know who I'm handing it to - straight to Helen! | 0:42:27 | 0:42:29 | |
Well done! Tell me how you feel. | 0:42:29 | 0:42:32 | |
-Pretty chuffed? -Fantastic. | 0:42:32 | 0:42:34 | |
Absolutely wonderful, yeah, it's been a great time. | 0:42:34 | 0:42:36 | |
-Absolutely great. -Everyone's had a brilliant time and there are lots of | 0:42:36 | 0:42:40 | |
things to learn about Bargain Hunt. | 0:42:40 | 0:42:42 | |
Where? On our website and, of course, | 0:42:42 | 0:42:44 | |
you can follow us on Twitter these days, too. | 0:42:44 | 0:42:47 | |
It's all mod cons. But, for now, | 0:42:47 | 0:42:49 | |
let me ask you to join us again for some more Bargain Hunting. | 0:42:49 | 0:42:52 | |
-Yes? ALL: -Yes! | 0:42:52 | 0:42:54 |