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Today, Bargain Hunt's in Exeter, | 0:00:07 | 0:00:09 | |
and this magnificent clock hangs here, | 0:00:09 | 0:00:12 | |
in the city's cathedral. | 0:00:12 | 0:00:14 | |
It's actually said to be the inspiration for the classic rhyme | 0:00:14 | 0:00:17 | |
Hickory Dickory Dock. | 0:00:17 | 0:00:19 | |
The clock's ropes were greased in fat which, of course, | 0:00:19 | 0:00:22 | |
attracted rodents, hence the rhyme, | 0:00:22 | 0:00:25 | |
"Hickory dickory dock, the mouse ran up the clock." | 0:00:25 | 0:00:28 | |
So, before the clock strikes one, | 0:00:28 | 0:00:30 | |
it's time to run off to Exeter's Westpoint Arena. | 0:00:30 | 0:00:33 | |
So, come on, let's go Bargain Hunting. | 0:00:33 | 0:00:36 | |
Well, our teams have 60 minutes and £300 each to find three items that | 0:01:03 | 0:01:08 | |
will, hopefully, make a profit at auction. | 0:01:08 | 0:01:10 | |
They say time waits for no man so, on that note, | 0:01:10 | 0:01:13 | |
let's get cracking and see what's in store today. | 0:01:13 | 0:01:17 | |
The Reds are feeling the pressure. | 0:01:17 | 0:01:19 | |
But what is this? I can't believe it. | 0:01:19 | 0:01:21 | |
We're missing out on... We haven't got it. | 0:01:21 | 0:01:24 | |
For the Blues, there doesn't seem to be any pressure. | 0:01:24 | 0:01:27 | |
-Better move on. -How are we doing for time, anyway? | 0:01:27 | 0:01:29 | |
We've got hours and hours. | 0:01:29 | 0:01:31 | |
By the auction, the Reds are hedging their bets. | 0:01:31 | 0:01:34 | |
Could go one way or the other. | 0:01:34 | 0:01:36 | |
And the Blues, well, they're taking it all in their stride. | 0:01:36 | 0:01:39 | |
Ever hopeful. What could go wrong? | 0:01:39 | 0:01:42 | |
Before all that, let's meet today's teams of married couples. | 0:01:42 | 0:01:46 | |
The Reds are Martin and Jenny and the Blues are John and Caroline. | 0:01:46 | 0:01:50 | |
-How are you? -Hello. -Very well, thank you. | 0:01:50 | 0:01:52 | |
-Excited? -Yes, absolutely. | 0:01:52 | 0:01:54 | |
We'll come to the Blues in a moment, but for the Reds, Jenny, | 0:01:54 | 0:01:58 | |
tell me where you met Martin. | 0:01:58 | 0:02:00 | |
I met Martin many years ago in Gibraltar, when I was in the RAF. | 0:02:00 | 0:02:04 | |
-Really? -Yes. Well, we were both in the RAF. | 0:02:04 | 0:02:07 | |
-Both in the RAF? -Yes. | 0:02:07 | 0:02:08 | |
Many moons ago. How long have you been married, then? | 0:02:08 | 0:02:10 | |
40 years. | 0:02:10 | 0:02:12 | |
-My respect goes out to you. -Thank you. | 0:02:12 | 0:02:15 | |
Well done and congratulations! | 0:02:15 | 0:02:16 | |
Thank you. | 0:02:16 | 0:02:17 | |
So what did you do in the RAF? | 0:02:17 | 0:02:19 | |
I was a nurse - Princess Mary's Royal Air Force Nursing Service. | 0:02:19 | 0:02:23 | |
Now, Martin, what branch of the RAF did you serve in? | 0:02:23 | 0:02:26 | |
I was a communications engineer. | 0:02:26 | 0:02:28 | |
Technician, originally - when I joined, when I was 19 - | 0:02:28 | 0:02:31 | |
and then served 35 years and retired as a Wing Commander. | 0:02:31 | 0:02:34 | |
Now where, precisely, did you meet Jenny? | 0:02:34 | 0:02:37 | |
Gibraltar. I arrived in September and the first person I saw, | 0:02:37 | 0:02:41 | |
as I came out in my brand-new uniform, | 0:02:41 | 0:02:44 | |
was Jenny going to work in her nice, white nurse's uniform, | 0:02:44 | 0:02:49 | |
sun-bronzed and I looked like a moon. | 0:02:49 | 0:02:51 | |
-PAUL LAUGHS -Lily-white. | 0:02:51 | 0:02:53 | |
I mean, it's a cliche but love at first sight? | 0:02:53 | 0:02:55 | |
Very much so. First person I spoke to. | 0:02:55 | 0:02:57 | |
I thought, "Cor. She's nice." | 0:02:57 | 0:02:59 | |
That's no' far off a wee fairytale, that one. | 0:02:59 | 0:03:02 | |
Clearly, you've got your skills, | 0:03:02 | 0:03:04 | |
but what do you know about antiques, tell me? | 0:03:04 | 0:03:08 | |
-Well... -Much? -We've been to a few auctions, and... | 0:03:08 | 0:03:10 | |
-OK. -I tend to like bronzes, that sort of thing. -I see. | 0:03:10 | 0:03:14 | |
-Love them. -Similar tastes? | 0:03:14 | 0:03:15 | |
Similar sort of things. We'll see how we go on the day. | 0:03:15 | 0:03:17 | |
OK. Jenny, Martin, ex-RAF types, do you have a military strategy today? | 0:03:17 | 0:03:23 | |
Well, working on the principle that | 0:03:23 | 0:03:25 | |
no plan survives contact with the enemy, | 0:03:25 | 0:03:27 | |
I think we're going to be relying a lot on our expert and, erm... | 0:03:27 | 0:03:32 | |
and, basically, just try and spend as much as we possibly can. | 0:03:32 | 0:03:35 | |
Good luck. Well, that's the Reds. | 0:03:35 | 0:03:37 | |
Over to the Blues - John and Caroline. | 0:03:37 | 0:03:39 | |
You still doing all right? | 0:03:39 | 0:03:41 | |
-Yes. Hi, Paul. -Yes, thank you. | 0:03:41 | 0:03:43 | |
Now, step forward, PC Woodfield. | 0:03:43 | 0:03:45 | |
Right... | 0:03:45 | 0:03:46 | |
Back in line. | 0:03:47 | 0:03:49 | |
So, clearly, both had careers in the police force? | 0:03:49 | 0:03:52 | |
Yes, that's right. Yes. We're both retired now. | 0:03:52 | 0:03:54 | |
So did you meet in the police? | 0:03:54 | 0:03:56 | |
No. No, no, we actually met at a running club, | 0:03:56 | 0:03:58 | |
so it's called Hash House Harriers. | 0:03:58 | 0:04:00 | |
-So... -Hash House? | 0:04:00 | 0:04:01 | |
Yes. The idea is that somebody goes out in the woods | 0:04:01 | 0:04:04 | |
-and lays a trail with flour... -OK. | 0:04:04 | 0:04:06 | |
..and the idea is that you then run and try and follow that trail. | 0:04:06 | 0:04:09 | |
There's different ways you split off, and the faster runners | 0:04:09 | 0:04:11 | |
go off and try and find the right trail. | 0:04:11 | 0:04:13 | |
-And end up where? -And you end up back at a pub, normally. | 0:04:13 | 0:04:16 | |
-Of course you do. -And that's where I met Caroline. | 0:04:16 | 0:04:18 | |
I believe you cycle as well. | 0:04:18 | 0:04:20 | |
Tandem cycling. | 0:04:20 | 0:04:21 | |
We do a lot, yes. | 0:04:21 | 0:04:22 | |
OK. You're very tied to your partner. | 0:04:22 | 0:04:24 | |
Is this a good thing? Does it work? | 0:04:24 | 0:04:26 | |
It's a very good thing, cos otherwise he'd just be off | 0:04:26 | 0:04:28 | |
in the distance and I'd never see him. | 0:04:28 | 0:04:30 | |
Whereas now, he can't get away from me | 0:04:30 | 0:04:32 | |
and I can chatter in his ear all day, | 0:04:32 | 0:04:33 | |
cos I sit on the back and look around | 0:04:33 | 0:04:35 | |
and he has to do all the hard work, steering | 0:04:35 | 0:04:37 | |
and working out where we're going. | 0:04:37 | 0:04:39 | |
Now, clearly, you're an effective team out on your tandem. | 0:04:39 | 0:04:43 | |
What are you going to be like as a pair of Bargain Hunters, tell me? | 0:04:43 | 0:04:46 | |
We've got very little experience. | 0:04:46 | 0:04:47 | |
Probably, Caroline's a bit better than me, | 0:04:47 | 0:04:49 | |
but I've got no knowledge at all, so | 0:04:49 | 0:04:51 | |
I think our plan is going to be opposite to the Reds | 0:04:51 | 0:04:53 | |
and we're going to try and spend as little as possible, and... | 0:04:53 | 0:04:56 | |
damage limitation... | 0:04:56 | 0:04:57 | |
Well, I wish you both good luck, | 0:04:57 | 0:04:59 | |
but there's something you're going to need to get you going, | 0:04:59 | 0:05:01 | |
and that's all of £300. | 0:05:01 | 0:05:04 | |
-Wow, thank you. -Bring nothing back. | 0:05:04 | 0:05:07 | |
-And you... -Wow. | 0:05:08 | 0:05:09 | |
-Thank you, Paul. -..bring back as much as possible. | 0:05:09 | 0:05:11 | |
Off you go. Meet your experts, and good luck to you. | 0:05:11 | 0:05:14 | |
-Thank you. -Thank you very much. | 0:05:14 | 0:05:16 | |
What do you think of that? | 0:05:16 | 0:05:17 | |
Well, will the Reds reach for the sky and come out on top, | 0:05:17 | 0:05:21 | |
or will it be a fair cop for the Blues? | 0:05:21 | 0:05:24 | |
So, let's meet today's experts. | 0:05:26 | 0:05:29 | |
The Reds will be hoping to make some serious dough | 0:05:29 | 0:05:31 | |
with the help of Richard Madley. | 0:05:31 | 0:05:33 | |
And, hoping to clean up for the Blues, it's Charlie Ross. | 0:05:34 | 0:05:38 | |
Martin, Jenny, we've got 60 minutes and £300. | 0:05:38 | 0:05:41 | |
What are we going to buy? | 0:05:41 | 0:05:43 | |
We're going to look for Art Deco, Art Nouveau, | 0:05:43 | 0:05:45 | |
agricultural things for the garden, maybe. | 0:05:45 | 0:05:49 | |
What are you going to be looking for, John? | 0:05:49 | 0:05:51 | |
Well, I quite fancy something industrial, | 0:05:51 | 0:05:52 | |
but I guess I'll know when I see it. | 0:05:52 | 0:05:54 | |
You won't be looking for industrial, will you, Caroline? | 0:05:54 | 0:05:56 | |
-Definitely not. -What will you be going for? | 0:05:56 | 0:05:58 | |
I'm going more countrified, something animal-y... | 0:05:58 | 0:06:00 | |
Animal. Animal and industrial. | 0:06:00 | 0:06:02 | |
-Martin? -Oh, militaria, probably. | 0:06:02 | 0:06:05 | |
Wooden, you know - treen, that sort of thing. | 0:06:05 | 0:06:07 | |
Right, teams - your 60 minutes start now. BELL RINGS | 0:06:07 | 0:06:10 | |
I think I know where we can get started. | 0:06:10 | 0:06:12 | |
-Yeah. -Follow me. -Right, OK. | 0:06:12 | 0:06:13 | |
Well, let's go hunting. Come on. | 0:06:13 | 0:06:15 | |
Are you as excited as I am about this? | 0:06:18 | 0:06:21 | |
-Very excited. -Are you? | 0:06:21 | 0:06:22 | |
-Very excited. -That's the spirit, Blues. | 0:06:22 | 0:06:24 | |
And straight away, Jenny has spotted something right up her street. | 0:06:24 | 0:06:28 | |
I know that you have got a little bit of interest in bronzes, so, | 0:06:28 | 0:06:31 | |
-from this... -Yes. -..from this distance here, | 0:06:31 | 0:06:33 | |
what I will say, from the outset, is that the chances of us finding... | 0:06:33 | 0:06:37 | |
erm... | 0:06:37 | 0:06:38 | |
-a decent bronze... -Never say die. | 0:06:38 | 0:06:40 | |
I'm... I like your spirit. | 0:06:40 | 0:06:42 | |
I do like your spirit. | 0:06:42 | 0:06:43 | |
Remember, you've only £300. | 0:06:43 | 0:06:45 | |
Well, I like your champagne taste with regards to bronzes, | 0:06:45 | 0:06:49 | |
but I would think that our budget is probably nearer to | 0:06:49 | 0:06:52 | |
-house red or... -Yes. | 0:06:52 | 0:06:54 | |
I'll drink to that, Richard. | 0:06:54 | 0:06:56 | |
Spending as little as possible was the Blues' game plan. | 0:06:56 | 0:06:59 | |
So are they moving in the right direction? | 0:06:59 | 0:07:01 | |
Well, the thing that's jumped out... | 0:07:01 | 0:07:02 | |
-This, erm, little compass, here. -That's really fascinating. | 0:07:02 | 0:07:06 | |
What do you think that's made of? | 0:07:06 | 0:07:07 | |
That's steel and a... | 0:07:07 | 0:07:09 | |
brass base, I think. | 0:07:09 | 0:07:11 | |
But it's got age. | 0:07:11 | 0:07:12 | |
And it's not just a compass, is it? | 0:07:12 | 0:07:14 | |
-It's a sundial. -A sundial as well. | 0:07:14 | 0:07:16 | |
-It's a sundial. -And then that raises up. Yes, that's... | 0:07:16 | 0:07:18 | |
I've never seen anything quite like that. | 0:07:18 | 0:07:21 | |
That's an interesting object. | 0:07:21 | 0:07:23 | |
I love it. I love your taste. | 0:07:23 | 0:07:24 | |
-Thank you. -But I think your taste is going to be a bit too big... | 0:07:24 | 0:07:27 | |
-Really? -..for your pocket. | 0:07:27 | 0:07:28 | |
-OK. -Hold your breath. | 0:07:28 | 0:07:30 | |
I'm not sure holding your breath is going to help, | 0:07:30 | 0:07:33 | |
but go and find out the price, Charlie. | 0:07:33 | 0:07:35 | |
-Little frog thing. -Can you see the little frog on the... | 0:07:35 | 0:07:38 | |
Bad news, team. We're into a couple of thousand pounds for that, | 0:07:38 | 0:07:41 | |
and I'm not surprised. It's a very... | 0:07:41 | 0:07:43 | |
What an amazing eye you have. | 0:07:43 | 0:07:44 | |
I'd love for you to buy that, but we'd need to take a nought off. | 0:07:44 | 0:07:47 | |
-OK. -Come on. -You certainly will, Blues. | 0:07:47 | 0:07:50 | |
So, Reds - has anything caught your eye? | 0:07:50 | 0:07:53 | |
Dental surgeon box, there. | 0:07:53 | 0:07:54 | |
-Yeah, I saw that. -Yeah. | 0:07:54 | 0:07:56 | |
-Yeah, I love things like that. -It's actually quite fun, isn't it? | 0:07:56 | 0:07:59 | |
-Well, it's got a price tag down there. -Yes. Shall I have a look? | 0:07:59 | 0:08:01 | |
Go on. Let's have a look. | 0:08:01 | 0:08:03 | |
We've got to find out, haven't we? | 0:08:03 | 0:08:05 | |
Oh...champagne taste. | 0:08:07 | 0:08:09 | |
-And? -240. | 0:08:12 | 0:08:14 | |
-240. -Yes. | 0:08:14 | 0:08:16 | |
That's going to make everything difficult, isn't it? | 0:08:16 | 0:08:18 | |
-It is. -I think so, sadly. -Yes. | 0:08:18 | 0:08:21 | |
I think it will, Reds. | 0:08:21 | 0:08:22 | |
Crikey, our teams have expensive tastes today. | 0:08:22 | 0:08:26 | |
Now, are our bobbies about to find their first item? | 0:08:26 | 0:08:29 | |
You're a man with a bit of swagger, Charles. | 0:08:29 | 0:08:31 | |
Now, what have you got to look for here? | 0:08:33 | 0:08:35 | |
Length is the first thing cos, quite often, they're worn away. | 0:08:35 | 0:08:38 | |
That's got a good length. You feel? That's a proper... | 0:08:38 | 0:08:41 | |
-Nice. -..proper length walking cane. | 0:08:41 | 0:08:43 | |
Sometimes they're bashed at the bottom. | 0:08:43 | 0:08:45 | |
Somebody's actually put a modern rubber ferrule on there, | 0:08:45 | 0:08:49 | |
to stop it getting damaged at the bottom. | 0:08:49 | 0:08:51 | |
You need to check the condition of it, which is, | 0:08:51 | 0:08:54 | |
generally, pretty good. | 0:08:54 | 0:08:56 | |
It's cane and it's lacquered. | 0:08:56 | 0:08:58 | |
It's really rather lovely. | 0:08:58 | 0:09:00 | |
It's tactile. | 0:09:00 | 0:09:01 | |
It's got a ferrule here and here, | 0:09:02 | 0:09:05 | |
and here we are - we've got the hallmark. | 0:09:05 | 0:09:08 | |
It's got a Birmingham hallmark, an anchor, and a date letter. | 0:09:08 | 0:09:12 | |
I would imagine it's about 1910-20. | 0:09:12 | 0:09:16 | |
What do you think that's worth? | 0:09:16 | 0:09:17 | |
I'm the auctioneer. Going, going, gone. How much did it sell for? | 0:09:17 | 0:09:21 | |
-45. -45. | 0:09:21 | 0:09:23 | |
Erm... | 0:09:23 | 0:09:24 | |
-35. -35. | 0:09:24 | 0:09:27 | |
Price... | 0:09:27 | 0:09:28 | |
-25! -Wow. -Look at that. | 0:09:29 | 0:09:31 | |
Do you know, and this nice stallholder might even give you | 0:09:31 | 0:09:34 | |
a little shave off. Go on, John - do your best. | 0:09:34 | 0:09:36 | |
So, Mr Davison, what's your best price on that, do you think? | 0:09:36 | 0:09:38 | |
I agree with you that an auction price is somewhere between | 0:09:38 | 0:09:41 | |
-30 and 45... -Yeah. | 0:09:41 | 0:09:43 | |
So, to give you a chance, I'll do that for 20. | 0:09:43 | 0:09:45 | |
20? Would you go to 18? | 0:09:45 | 0:09:47 | |
I couldn't at 18, but I could do 20. | 0:09:47 | 0:09:50 | |
I think we should say, "£20 - thank you very much indeed." | 0:09:50 | 0:09:53 | |
-OK. -Thank you. -Right, thank you, sir. I'll... | 0:09:53 | 0:09:55 | |
Shake your hand, if we don't break it. | 0:09:55 | 0:09:57 | |
And that's another 400 for the breakages. | 0:09:57 | 0:09:59 | |
Steady on, Blues. | 0:09:59 | 0:10:00 | |
But, well done - first buy with 15 minutes on the clock. | 0:10:00 | 0:10:04 | |
Now, it seems like the Reds are sticking to the team colours. | 0:10:04 | 0:10:08 | |
That price of £65 is looking more like it. | 0:10:08 | 0:10:11 | |
I absolutely love this. | 0:10:11 | 0:10:13 | |
-I love it. -What do you think? -What do you think? | 0:10:13 | 0:10:16 | |
-Edgy. -I like the style. | 0:10:16 | 0:10:18 | |
I like the style. It's got a sort of Deco-y sort of look about it. | 0:10:18 | 0:10:22 | |
-Yes, it has, hasn't it? -Yeah. -Has Martin tested it for comfort? | 0:10:22 | 0:10:24 | |
-Yeah, I think you ought to, Martin. -Yes, I'll go and try that. | 0:10:24 | 0:10:27 | |
Let's have a look. What do you think there? | 0:10:27 | 0:10:29 | |
Oh... | 0:10:29 | 0:10:30 | |
-Yes. -Yeah? -Definitely. | 0:10:30 | 0:10:32 | |
-Good length. -Lovely. -Good length on the legs. | 0:10:32 | 0:10:34 | |
-It's working, indeed. -Really nice. | 0:10:34 | 0:10:36 | |
Right, well, if it's comfortable... | 0:10:36 | 0:10:38 | |
-Very comfortable. -How much is it? -Well, it's got a price tag on it. | 0:10:38 | 0:10:41 | |
Do you think it's one we should try and find out if we could... | 0:10:41 | 0:10:43 | |
I think so, yup. | 0:10:43 | 0:10:44 | |
Perhaps we could call the owner. Sir? | 0:10:44 | 0:10:47 | |
Could we ask you about your...? | 0:10:47 | 0:10:49 | |
-Yes. -Your red chair. -..your chair. -It's too cheap - | 0:10:49 | 0:10:51 | |
-you want to give me extra? -No! -Too cheap! -It's lovely, isn't it? | 0:10:51 | 0:10:55 | |
Now, it's got a price on it... | 0:10:55 | 0:10:56 | |
-Yes. -And we're wondering how much more friendly you could be | 0:10:56 | 0:10:59 | |
to us today. | 0:10:59 | 0:11:00 | |
If I'm really pushed, | 0:11:00 | 0:11:01 | |
it can be 50 quid. | 0:11:01 | 0:11:02 | |
-Shall we go for it? -Yeah, we'll go for it. -OK, thank you very much. | 0:11:02 | 0:11:05 | |
Thank you. | 0:11:05 | 0:11:07 | |
Sold for £50! | 0:11:07 | 0:11:09 | |
First purchase for the Reds with 18 minutes on the clock. | 0:11:09 | 0:11:13 | |
Let's hope their champagne budget ideas are | 0:11:13 | 0:11:15 | |
finally out of their system. | 0:11:15 | 0:11:18 | |
The Blues are still at the same stall, | 0:11:18 | 0:11:20 | |
but they seem to be pushing along nicely. | 0:11:20 | 0:11:23 | |
Aren't they sweet? Real Arts and Crafts period, aren't they? | 0:11:23 | 0:11:26 | |
-Mmm. -Lovely. -Do you think they are...? -They're...table condiments. | 0:11:26 | 0:11:29 | |
Table cruets - just what I was going to say. | 0:11:29 | 0:11:31 | |
-I'm sure they are. -Ah... -Salt and pepper? | 0:11:31 | 0:11:32 | |
-Yeah, could be. -Or possibly mustard and salt? | 0:11:32 | 0:11:34 | |
Don't know. How old would they be, do you think? | 0:11:34 | 0:11:36 | |
1900 or thereabouts, | 0:11:36 | 0:11:40 | |
you know? Give or take a decade, we'd be about right, wouldn't we? | 0:11:40 | 0:11:43 | |
-I would have thought so. -Yeah. | 0:11:43 | 0:11:44 | |
It's just so nice to have the pair stay together. | 0:11:44 | 0:11:46 | |
I think they're super. | 0:11:46 | 0:11:47 | |
-Yes. -Now, I'm going to do the test again cos, John, | 0:11:47 | 0:11:49 | |
-you haven't seen the price... -I have seen it, unfortunately. | 0:11:49 | 0:11:52 | |
-Have you seen it, Caroline? -I haven't seen the price. | 0:11:52 | 0:11:54 | |
What would you pay for those? | 0:11:54 | 0:11:55 | |
-Well, I've no real idea. -I know, it's very unfair, isn't it? | 0:11:55 | 0:11:58 | |
-Wheelbarrows are not my speciality, but... -Do you do a bit of gardening? | 0:11:58 | 0:12:01 | |
-..£15-£20? -£15-£20. | 0:12:01 | 0:12:03 | |
-Would that be anywhere near it? -She's a good valuer, isn't she? | 0:12:03 | 0:12:05 | |
The price on here is £22. | 0:12:05 | 0:12:08 | |
What would be your best price on those little devils? | 0:12:08 | 0:12:12 | |
-What about 18? -Any chance of 15? | 0:12:13 | 0:12:16 | |
-JOHN: -What you think that would go for in auction? | 0:12:16 | 0:12:18 | |
They're going to be narrow in terms | 0:12:18 | 0:12:19 | |
-of market as to who's going to want them... -Mmm. | 0:12:19 | 0:12:21 | |
The average person would not want these on their table. | 0:12:21 | 0:12:24 | |
I, as a rather quirky antique lover, | 0:12:24 | 0:12:27 | |
would love to put those on my dining table. | 0:12:27 | 0:12:30 | |
-I don't know. -I'm leaving it entirely up to you. | 0:12:30 | 0:12:32 | |
-Shall we go for 16? -It's your game. It's not mine. | 0:12:32 | 0:12:34 | |
I was at 18, you're at 15 - I would go to 16. | 0:12:34 | 0:12:36 | |
16? 16, yeah? | 0:12:36 | 0:12:37 | |
-Shall we go with 16? -Are we going to have them? | 0:12:37 | 0:12:39 | |
-Yes, I think so. -Let's do it. | 0:12:39 | 0:12:41 | |
-Let's do it. -Thank you very much again. | 0:12:41 | 0:12:44 | |
Impressive haggling skills, Blues. | 0:12:44 | 0:12:46 | |
So that's item number two, with nearly 20 minutes on the clock. | 0:12:46 | 0:12:49 | |
-Come on, team. -Where to now? | 0:12:49 | 0:12:52 | |
Well, if we can buy a third thing here... | 0:12:52 | 0:12:54 | |
-We'd better move on. -How are we doing for time, anyway? | 0:12:54 | 0:12:56 | |
We've got hours and hours... | 0:12:56 | 0:12:57 | |
Just 40 minutes left, so back on the beat, Blues. | 0:12:57 | 0:13:01 | |
Meanwhile, the Reds have moved back to the dentist's box, | 0:13:01 | 0:13:05 | |
but they'll need to get the price down from £240. | 0:13:05 | 0:13:08 | |
-Shall we ask the owner? -Yes, that would be lovely. | 0:13:08 | 0:13:10 | |
Come over here and help us a little bit on the price. | 0:13:10 | 0:13:14 | |
-SELLER: -Well, it's come from house clearance. | 0:13:14 | 0:13:16 | |
I could probably do it for 130. | 0:13:16 | 0:13:17 | |
-MARTIN: -That's, that's... -Quite pleasant. | 0:13:17 | 0:13:19 | |
What about 110? | 0:13:19 | 0:13:21 | |
-SELLER: -No. -So 130 is your final figure? | 0:13:21 | 0:13:23 | |
Now, that is... That's the gentleman's final figure. | 0:13:23 | 0:13:26 | |
-Yeah, that's within... -We don't wish to insult you at all. | 0:13:26 | 0:13:29 | |
If there was a chance at 120, I think we'd shake your hand now. | 0:13:29 | 0:13:32 | |
-MARTIN: -Go in the middle... -SELLER: -I'll do 125, and that's it. | 0:13:32 | 0:13:35 | |
-I think that's fair. -There you are. | 0:13:35 | 0:13:37 | |
-There come the handshakes. -Thank you. -Well, thank you. | 0:13:37 | 0:13:39 | |
You've come down from 240 to 125 | 0:13:39 | 0:13:41 | |
which I think is a very generous gesture. | 0:13:41 | 0:13:43 | |
-Thank you very much indeed. Reds, are we happy? -Yes. | 0:13:43 | 0:13:46 | |
-We are indeed. -You're happy? Great, then. Let's move on then. | 0:13:46 | 0:13:48 | |
Hats off to you, Reds. Box ticked. | 0:13:48 | 0:13:51 | |
Our RAF couple are flying along nicely with two items in the bag. | 0:13:51 | 0:13:55 | |
So, we're approaching the halfway mark. | 0:13:56 | 0:13:58 | |
How do you feel it's going, Richard? | 0:13:58 | 0:14:01 | |
They're doing really well. | 0:14:01 | 0:14:02 | |
They started a little bit slowly, but they soon picked up and then, | 0:14:02 | 0:14:06 | |
when we got into it, they made two purchases in about five minutes. | 0:14:06 | 0:14:12 | |
And the Blues, Mr Ross? | 0:14:12 | 0:14:13 | |
I've done a lot of Bargain Hunts but, frankly, | 0:14:13 | 0:14:15 | |
these are two of the most positive people I've ever met, | 0:14:15 | 0:14:19 | |
and they've got a good eye. | 0:14:19 | 0:14:20 | |
In my opinion, they are two thirds of the way to a golden gavel. | 0:14:20 | 0:14:24 | |
Now I've lost them. | 0:14:24 | 0:14:25 | |
I'm sure our bobbies will track you down, Charlie. | 0:14:25 | 0:14:28 | |
But there's no rest for the wicked, so back to the shopping. | 0:14:28 | 0:14:31 | |
-Look at that! -Charlie! | 0:14:31 | 0:14:33 | |
There you are! Stop running off! | 0:14:33 | 0:14:34 | |
-Sorry. -What have you found? | 0:14:34 | 0:14:36 | |
Well, I've found a ceramic sieve. | 0:14:36 | 0:14:38 | |
I'm not suggesting we buy it, but isn't it magnificent? | 0:14:38 | 0:14:40 | |
-It is. -Feel the weight of that. | 0:14:40 | 0:14:42 | |
What would they sieve in it? So many things it could be for. | 0:14:42 | 0:14:44 | |
Do you think milk? | 0:14:44 | 0:14:45 | |
Could be for cheese, where they do the curd stuff... | 0:14:45 | 0:14:48 | |
Anyway, but it's singularly useless. | 0:14:48 | 0:14:50 | |
-We found a nice phone. Come and have a look at this. -Right. | 0:14:50 | 0:14:54 | |
They're at it. | 0:14:54 | 0:14:55 | |
-Couple of things over here. -Yeah. | 0:14:56 | 0:14:57 | |
-I love these. -I'll tell you what I like about this - it's got the... | 0:14:57 | 0:15:00 | |
Kipling 7655. | 0:15:00 | 0:15:02 | |
And, for the police dial 999. | 0:15:02 | 0:15:04 | |
I can remember my parents having a phone like this. | 0:15:04 | 0:15:07 | |
Well, it's marked up at 125... | 0:15:07 | 0:15:09 | |
-It's tight. -What sort of thing would you make that...? | 0:15:10 | 0:15:12 | |
-If it went to auction, it might make £100. -OK. | 0:15:12 | 0:15:15 | |
-So shall we carry on? -I think that's a good idea. | 0:15:15 | 0:15:17 | |
We'll remember where this is... | 0:15:17 | 0:15:19 | |
Yup. We can always phone them up. | 0:15:19 | 0:15:21 | |
Keep the phone on hold then, Blues. | 0:15:21 | 0:15:23 | |
You can call on it in an emergency. | 0:15:23 | 0:15:25 | |
Now, Reds, where are you up to? | 0:15:25 | 0:15:27 | |
You've stopped in your tracks already. | 0:15:27 | 0:15:28 | |
I've just been looking at... Is it a screen? | 0:15:28 | 0:15:31 | |
Is it a screen? That is, that is a screen. | 0:15:31 | 0:15:34 | |
-A scream? -And I would say this - | 0:15:34 | 0:15:36 | |
if you could buy it for what you've got left in your kitty... | 0:15:36 | 0:15:38 | |
-Can I? -You are a magician. -Yes, thank you. | 0:15:38 | 0:15:40 | |
-It would be... It's going to be way out of our price range. -Yeah. | 0:15:40 | 0:15:44 | |
I think you could be right, Richard. | 0:15:44 | 0:15:46 | |
That Tibetan painted door is going to be over your budget. | 0:15:46 | 0:15:49 | |
I'd move on, Reds. | 0:15:49 | 0:15:51 | |
So, Blues, are you still trotting along nicely? | 0:15:51 | 0:15:54 | |
-Caroline, have you seen these? -I haven't. -Come and have a look. | 0:15:54 | 0:15:57 | |
I was just looking at the lovely crops he's got. | 0:15:57 | 0:15:59 | |
They're farriers' bags for a...for a motorcycle. | 0:15:59 | 0:16:01 | |
-Oh, they're nice... -Aren't they beautiful? | 0:16:01 | 0:16:03 | |
-..with the horseshoes. -Farriers' bags. | 0:16:03 | 0:16:05 | |
Can you imagine what it would cost to make something like that? | 0:16:05 | 0:16:08 | |
And that really finishes them off... | 0:16:08 | 0:16:10 | |
-I like the little horseshoes. -..cos that tells you what they are. | 0:16:10 | 0:16:12 | |
-And the stitching is amazing... -The stitching's wonderful | 0:16:12 | 0:16:15 | |
-and the straps haven't been broken. -But there's no price on them. | 0:16:15 | 0:16:18 | |
I have to say, don't ask me to value those because I haven't got a clue. | 0:16:18 | 0:16:22 | |
-SELLER: -140. -140. -140. -CAROLINE: -Yeah, it's a lot of money. | 0:16:22 | 0:16:25 | |
I like them. But we've still got time, | 0:16:25 | 0:16:27 | |
-so I think we should keep looking. -Yeah. | 0:16:27 | 0:16:29 | |
So it's a no for the farrier bags from the Blues. | 0:16:29 | 0:16:32 | |
And the Reds are still admiring the painted door. | 0:16:32 | 0:16:35 | |
But just how expensive is it? | 0:16:35 | 0:16:37 | |
There's no price on it, is there? | 0:16:38 | 0:16:41 | |
So it's going to be expensive, isn't it? | 0:16:41 | 0:16:44 | |
Oh, no, there isn't a price on it. It's my husband's. | 0:16:44 | 0:16:46 | |
We don't want to take it back on the van, so... | 0:16:46 | 0:16:49 | |
I don't know. 175? | 0:16:49 | 0:16:50 | |
-I actually can't afford that. -Right. -You knew I was going to say... | 0:16:52 | 0:16:55 | |
-I haven't. -Yeah. -This is the last item.... -Right. | 0:16:55 | 0:16:57 | |
But I absolutely adore it. | 0:16:57 | 0:16:59 | |
OK, what's your best offer? | 0:16:59 | 0:17:01 | |
How much money have I got, Martin? | 0:17:01 | 0:17:03 | |
You have 125 left. | 0:17:03 | 0:17:06 | |
And I've got to save something for Richard... | 0:17:06 | 0:17:08 | |
We've got to leave a pound for Richard... | 0:17:08 | 0:17:09 | |
..so I can only offer you 120. | 0:17:09 | 0:17:11 | |
No, I don't think we can let it go for that. Thank you. | 0:17:11 | 0:17:13 | |
Oh, dear. What a shame. If only we'd come here first. | 0:17:13 | 0:17:17 | |
-But you know the rules. -That's life. Yes. | 0:17:17 | 0:17:20 | |
Champagne tastes strike again then, Reds. | 0:17:20 | 0:17:23 | |
Move on. | 0:17:23 | 0:17:24 | |
So, with less than 20 minutes left, go and find your final items. | 0:17:24 | 0:17:28 | |
Blues, what's on the menu now? | 0:17:29 | 0:17:31 | |
Do you know, I don't think I've seen such intricate menu card holders. | 0:17:33 | 0:17:37 | |
They are absolutely lovely. How much are they, my dear? | 0:17:37 | 0:17:40 | |
-SELLER: -65. -JOHN: -65, for the pair. | 0:17:40 | 0:17:42 | |
Not a great deal of money. | 0:17:42 | 0:17:43 | |
-Do you think that's... -May I look at one? | 0:17:43 | 0:17:45 | |
-SELLER: -It's a bargain. -That's what were hunting for. | 0:17:45 | 0:17:49 | |
-They're very pretty, aren't they? -Beautifully made. | 0:17:49 | 0:17:51 | |
-Are they hallmarked, at all? -They are. -They are. Fully marked. | 0:17:51 | 0:17:55 | |
Stuart Clifford, London, 1901. | 0:17:55 | 0:17:58 | |
Stuart Clifford was one of the world's great menu holder makers. | 0:17:58 | 0:18:01 | |
The only thing is the price. Erm... | 0:18:02 | 0:18:05 | |
What would you think at auction? | 0:18:05 | 0:18:06 | |
Well, I'll tell you what I think they would make at auction. | 0:18:06 | 0:18:09 | |
£40-£60. | 0:18:09 | 0:18:10 | |
So, on the money there. | 0:18:10 | 0:18:11 | |
Well, it depends on whether the lady's got any movement or not | 0:18:11 | 0:18:16 | |
and how she values them. Whether she thinks that she is chancing it or... | 0:18:16 | 0:18:21 | |
Isn't that right, madam? Have a look at your stock and see. | 0:18:21 | 0:18:24 | |
How about 50? | 0:18:24 | 0:18:26 | |
Would you, by any chance, do 45 for them? | 0:18:26 | 0:18:28 | |
Tell you what, I'll go 45 then. | 0:18:28 | 0:18:30 | |
Well, they're not my favourite but, Caroline, if you like them, | 0:18:30 | 0:18:34 | |
-I'm happy to go with that. -Caroline, you are the decider then. | 0:18:34 | 0:18:37 | |
Is that for me then? Is this for me then? Yes, I'd love to. | 0:18:37 | 0:18:40 | |
If you want then you have my... Ooh, she's done it. | 0:18:40 | 0:18:42 | |
-She's done it, John. -I've done it. I'm on it. | 0:18:42 | 0:18:44 | |
-Thank you very much indeed. -Thank you very much. | 0:18:44 | 0:18:46 | |
Well done, Caroline | 0:18:46 | 0:18:48 | |
That's job done for the Blues. | 0:18:48 | 0:18:51 | |
So it's down to the Reds. | 0:18:51 | 0:18:52 | |
Now, do you remember Jenny wanted to find a statue? | 0:18:52 | 0:18:55 | |
Well, with 50 minutes left, it looks like she's found one. | 0:18:55 | 0:18:58 | |
But with only £125 in their pocket, | 0:18:58 | 0:19:01 | |
can they afford it? | 0:19:01 | 0:19:03 | |
-Well, it's way again beyond what money I have, but... -Typical. | 0:19:04 | 0:19:08 | |
-..I'm quite interested in this. -That is you. -Yes. | 0:19:08 | 0:19:10 | |
That is exactly what you would go for, and I do like that. | 0:19:10 | 0:19:14 | |
It's a charming group. | 0:19:14 | 0:19:15 | |
Continental, maybe Belgian or French, circa 1930. | 0:19:15 | 0:19:19 | |
But we got to make two assumptions. | 0:19:19 | 0:19:21 | |
One, that we can get the price down | 0:19:21 | 0:19:23 | |
-from 165 down to 124. -Yes. | 0:19:23 | 0:19:28 | |
Some haggling skills are needed here then, Reds. | 0:19:28 | 0:19:31 | |
Now, we've seen the price on it... | 0:19:32 | 0:19:34 | |
-SELLER: -Yes. -And is there...the friendliest price | 0:19:34 | 0:19:37 | |
without insulting you? | 0:19:37 | 0:19:38 | |
Well, you tell me what you've got left. | 0:19:38 | 0:19:40 | |
124. | 0:19:40 | 0:19:42 | |
124 you've got left? | 0:19:42 | 0:19:44 | |
-Yes. -So, you've really got 125 then? | 0:19:44 | 0:19:46 | |
-Yes. -Er, yes. -MARTIN: -But he needs a pound. | 0:19:46 | 0:19:48 | |
-I get the pound. -Yes, but that is the price that we can... | 0:19:48 | 0:19:52 | |
Well, if you can go another five... | 0:19:52 | 0:19:54 | |
-If you can find another five somewhere... -That's all we've got. | 0:19:54 | 0:19:57 | |
130 I would take. | 0:19:57 | 0:19:59 | |
But what is this? I can't believe it. | 0:19:59 | 0:20:01 | |
We're missing out on... We haven't got it. | 0:20:01 | 0:20:03 | |
-MARTIN: -That's the second time now. -1-2-4... | 0:20:03 | 0:20:06 | |
I think the Reds are finally feeling the pressure. | 0:20:06 | 0:20:09 | |
-SELLER: -Considering that it is quite big for me to carry round... | 0:20:09 | 0:20:12 | |
-Yes, yes. -..we'll say OK. | 0:20:12 | 0:20:15 | |
-All right? -MARTIN: -Excellent. -Thank you, madam. | 0:20:15 | 0:20:17 | |
-SELLER: -Cos you've got a nice face. -Thank you. So have you. | 0:20:17 | 0:20:20 | |
-I'd like to shake your hand. -Thank you very much indeed. | 0:20:20 | 0:20:22 | |
-I haven't had your money yet! -I know, I know! | 0:20:22 | 0:20:25 | |
Well! | 0:20:25 | 0:20:27 | |
-Thank you! -I didn't see that coming. | 0:20:27 | 0:20:30 | |
-I did! -You did. | 0:20:30 | 0:20:32 | |
Hats off to you, Reds - you're all done! | 0:20:32 | 0:20:35 | |
That's it - time's up! | 0:20:37 | 0:20:39 | |
So, are you OK with the quid then? | 0:20:39 | 0:20:41 | |
Give me the pound - where is it? Where is it? | 0:20:41 | 0:20:44 | |
Let's remind ourselves what the Red team bought. | 0:20:44 | 0:20:47 | |
First up, Martin and Jenny are | 0:20:48 | 0:20:50 | |
hoping for a comfy profit, with this | 0:20:50 | 0:20:52 | |
red chair, bought for £50. | 0:20:52 | 0:20:54 | |
Next, they are hoping this wooden | 0:20:54 | 0:20:56 | |
chest will be filled with profit, | 0:20:56 | 0:20:58 | |
bought for £125. | 0:20:58 | 0:20:59 | |
And, finally, they continued to | 0:21:01 | 0:21:03 | |
splash the cash - this time, | 0:21:03 | 0:21:04 | |
£124 for this bronze statue. | 0:21:04 | 0:21:07 | |
Well, Jenny and Martin, you said you were going to do it and you did, | 0:21:08 | 0:21:12 | |
you spent big! | 0:21:12 | 0:21:14 | |
You couldn't have spent any bigger! | 0:21:14 | 0:21:18 | |
And you bought some big objects. | 0:21:18 | 0:21:19 | |
-We did. -A chair, a chest... | 0:21:19 | 0:21:21 | |
-No regrets? -No regrets. | 0:21:21 | 0:21:23 | |
-None? -None at all. -A teensy-weensy? -Yet! | 0:21:23 | 0:21:25 | |
Jenny, what's your favourite out of that interesting trio? | 0:21:26 | 0:21:29 | |
I quite liked the oak box. | 0:21:29 | 0:21:32 | |
-Yes. -So whether it'll make any profit, I don't know. | 0:21:32 | 0:21:36 | |
Well, if it doesn't make profit, what will? | 0:21:36 | 0:21:39 | |
Most probably the chair. | 0:21:39 | 0:21:41 | |
Martin, are you as confident about your chair? | 0:21:41 | 0:21:43 | |
What's your favourite lot? | 0:21:43 | 0:21:44 | |
-The chair, definitely. -Is it? -Yeah. | 0:21:44 | 0:21:46 | |
It sort of sang to me when I saw it. | 0:21:46 | 0:21:48 | |
-Is that your most profitable lot? -I think so, yes. | 0:21:48 | 0:21:50 | |
Well, we know how much you've got left. | 0:21:50 | 0:21:53 | |
Who's got the pound? | 0:21:53 | 0:21:54 | |
Richard, a one pound coin. | 0:21:55 | 0:21:57 | |
Now, that could terrify you or it could liberate you. | 0:21:57 | 0:22:00 | |
There's only so much you can do with a pound. | 0:22:00 | 0:22:01 | |
I'm going to have to go down on bended knee | 0:22:01 | 0:22:04 | |
around these kind stallholders and ask, | 0:22:04 | 0:22:06 | |
"Will anybody sell me something for a pound?" | 0:22:06 | 0:22:09 | |
Well, good luck. Put your pleading face on. | 0:22:09 | 0:22:12 | |
Whatever it takes! | 0:22:12 | 0:22:13 | |
I'll do my best. | 0:22:13 | 0:22:15 | |
While Richard's off saying his prayers and hoping for good fortune, | 0:22:15 | 0:22:18 | |
let's go see what the Blues have bought. | 0:22:18 | 0:22:21 | |
First up, the Blues paid £20 | 0:22:21 | 0:22:23 | |
for this walking stick, | 0:22:23 | 0:22:25 | |
but will it stand up at auction? | 0:22:25 | 0:22:26 | |
Next, they wheeled out these | 0:22:28 | 0:22:29 | |
table condiments, bought for £16. | 0:22:29 | 0:22:31 | |
And finally, these menu cardholders | 0:22:33 | 0:22:35 | |
were bought for £45. | 0:22:35 | 0:22:38 | |
-John, Caroline - what was that like? -Oh, a lot of fun, lot of fun. | 0:22:38 | 0:22:40 | |
-Yeah? -Yeah. -Tell me your favourite purchase. | 0:22:40 | 0:22:43 | |
Well, I like the wheelbarrows, myself - | 0:22:43 | 0:22:45 | |
the little Arts and Crafts wheelbarrows condiment set. | 0:22:45 | 0:22:47 | |
Are they going to make the most profit? | 0:22:47 | 0:22:49 | |
-I'm not sure. Perhaps the cane - that was a bargain. -OK. | 0:22:49 | 0:22:52 | |
So, Caroline - you're going | 0:22:52 | 0:22:53 | |
to disagree on favourite lot, aren't you? | 0:22:53 | 0:22:55 | |
Well, my favourite is the little hunting scene. | 0:22:55 | 0:22:58 | |
-Sweet. -Being a horsey person, I like them. | 0:22:58 | 0:23:01 | |
Ticked that box! | 0:23:01 | 0:23:03 | |
-Is that where the profit lies? -Well, I don't know. | 0:23:03 | 0:23:05 | |
It was our most expensive item at 45, so... | 0:23:05 | 0:23:08 | |
I like to think it's in a good, horsey area. | 0:23:08 | 0:23:11 | |
Someone will love them as well. | 0:23:11 | 0:23:13 | |
So by my reckoning, you've got £219 worth of change for me? | 0:23:13 | 0:23:18 | |
There you go, that's the folding stuff and four gold ones together. | 0:23:18 | 0:23:22 | |
Wowee. Mr Ross! | 0:23:22 | 0:23:24 | |
-Now, we're watching you... -Oh... | 0:23:24 | 0:23:26 | |
Are you going to stick with the planned strategy | 0:23:26 | 0:23:29 | |
of spend no money, take no chances? | 0:23:29 | 0:23:32 | |
How can I divert from that? | 0:23:32 | 0:23:35 | |
I shall be frugal... | 0:23:35 | 0:23:36 | |
..and give them a fourth profit. | 0:23:37 | 0:23:39 | |
Well, Mr Ross forecasts a profit! | 0:23:39 | 0:23:43 | |
We'll see at the auction. In the meantime, | 0:23:43 | 0:23:45 | |
I'll go and see what the forecast is like down at the Met Office. | 0:23:45 | 0:23:48 | |
Well, as we're in Exeter, in the midst of some real weather, | 0:23:52 | 0:23:56 | |
I thought I'd pop down to the Met Office, | 0:23:56 | 0:23:59 | |
the UK's National Weather Service, who moved to the city in 2003. | 0:23:59 | 0:24:04 | |
The service was set up in 1854, | 0:24:04 | 0:24:07 | |
and 20 years later | 0:24:07 | 0:24:08 | |
it issued its first forecast to the Brits. | 0:24:08 | 0:24:11 | |
It was there that the British love affair with the weather | 0:24:11 | 0:24:13 | |
really found a focus. | 0:24:13 | 0:24:14 | |
The archive library here holds one of the most comprehensive | 0:24:16 | 0:24:20 | |
collections in the world, and Katharine Ross, the archivist, | 0:24:20 | 0:24:23 | |
is going to tell me more about the history of forecasting. | 0:24:23 | 0:24:27 | |
The Met Office was founded in 1854 by Rear Admiral Robert FitzRoy. | 0:24:27 | 0:24:31 | |
-OK. -And it wasn't founded in order to forecast, | 0:24:31 | 0:24:34 | |
it was actually founded in order to understand more about | 0:24:34 | 0:24:36 | |
the weather at sea, | 0:24:36 | 0:24:37 | |
in order to protect life and property. | 0:24:37 | 0:24:39 | |
And what was FitzRoy's role in the forecasting? | 0:24:39 | 0:24:43 | |
He'd been an illustrious seaman and then coming to the Met Office, | 0:24:43 | 0:24:47 | |
he collected all this information together and started to feel that | 0:24:47 | 0:24:51 | |
he could forecast, | 0:24:51 | 0:24:52 | |
but he couldn't persuade anybody else that this was possible, | 0:24:52 | 0:24:55 | |
and then in 1859, there was a major storm called | 0:24:55 | 0:24:58 | |
the Royal Charter Storm, | 0:24:58 | 0:24:59 | |
in which 450 lives were lost on the Royal Charter alone, | 0:24:59 | 0:25:02 | |
and FitzRoy was then able to persuade Parliament to allow him | 0:25:02 | 0:25:06 | |
to start a Storm Warning Forecast and it still exists today, | 0:25:06 | 0:25:09 | |
obviously not quite in the same format - | 0:25:09 | 0:25:11 | |
it's now known as the Shipping Forecast, | 0:25:11 | 0:25:13 | |
and it's believed to be the longest forecasting service in the world. | 0:25:13 | 0:25:16 | |
-RADIO ANNOUNCER: -'The Met Office issued the following gale warning to shipping...' | 0:25:16 | 0:25:19 | |
The development of the electric telegraph in the 1870s | 0:25:19 | 0:25:22 | |
and the increasing number of observation stations meant | 0:25:22 | 0:25:25 | |
more detailed analysis could be created on synoptic charts, | 0:25:25 | 0:25:28 | |
like these weather charts we recognise today. | 0:25:28 | 0:25:31 | |
Of course, it's not all about forecasting bad weather, is it? | 0:25:32 | 0:25:35 | |
What most of us wants to know is, when's the sun going to shine? | 0:25:35 | 0:25:38 | |
I seem to recall from my uni days, that instrument measures sunshine, | 0:25:39 | 0:25:42 | |
-does it not? -Yes, it does. | 0:25:42 | 0:25:44 | |
This is a Campbell-Stokes sunshine recorder, | 0:25:44 | 0:25:47 | |
and you can probably tell why we nickname it "the crystal ball". | 0:25:47 | 0:25:50 | |
The sun focuses through this glass sphere and creates a point of light | 0:25:50 | 0:25:54 | |
and it burns onto a card like this. | 0:25:54 | 0:25:57 | |
You've got your hours marked out during the day, and then it burns | 0:25:57 | 0:26:01 | |
a very clear line when the sun is shining and you can see when it | 0:26:01 | 0:26:05 | |
gets cloudy, because there's then a break in the hole. | 0:26:05 | 0:26:08 | |
In this case, there's just over 11 hours of sunshine, | 0:26:08 | 0:26:10 | |
so this was a particularly sunny day. | 0:26:10 | 0:26:12 | |
Between the end of the 19th century and the outbreak of World War II, | 0:26:12 | 0:26:16 | |
the Met Office greatly expanded. | 0:26:16 | 0:26:18 | |
Forecasting was becoming more detailed and there was an increasing | 0:26:18 | 0:26:22 | |
appetite for forecasts from the general public. | 0:26:22 | 0:26:24 | |
-RADIO ANNOUNCER: -'Here, with the weather forecast, is Bert Ford.' | 0:26:24 | 0:26:27 | |
The first televised forecasts were on our screens in 1936 | 0:26:27 | 0:26:31 | |
and, of course, the information was provided by the Met Office. | 0:26:31 | 0:26:35 | |
By 1954, George Cowling became the first forecaster to be in vision, | 0:26:35 | 0:26:40 | |
standing in front of a map. | 0:26:40 | 0:26:42 | |
Well, we can clearly see how presentation styles | 0:26:42 | 0:26:44 | |
have changed over the years. | 0:26:44 | 0:26:46 | |
But I want to know how forecasting has become more sophisticated, | 0:26:46 | 0:26:50 | |
so I've popped upstairs to meet chief operational meteorologist | 0:26:50 | 0:26:53 | |
Andy Page to find out. | 0:26:53 | 0:26:55 | |
I'm dazzled by this thing behind us. What's it telling us? | 0:26:55 | 0:26:58 | |
Now, this is showing us a satellite that's above the equator, | 0:26:58 | 0:27:01 | |
cos it's a geo-stationary satellite, so the white bits are the cloud | 0:27:01 | 0:27:04 | |
and, also, we've got radar. | 0:27:04 | 0:27:07 | |
So radar's land-based, picking up where we've got the areas of... | 0:27:07 | 0:27:13 | |
I'll say precipitation, because it's not just rain today. | 0:27:13 | 0:27:16 | |
So, colour's radar, the black-and-white's the satellite? | 0:27:16 | 0:27:19 | |
-That's right. -But what're these crosses? | 0:27:19 | 0:27:21 | |
Well, that's picking up | 0:27:21 | 0:27:22 | |
where there's been lightning strikes over the last hour. | 0:27:22 | 0:27:25 | |
The red ones are the most recent. | 0:27:25 | 0:27:26 | |
So we then need to see how that's | 0:27:26 | 0:27:28 | |
going to change as we go into the future, | 0:27:28 | 0:27:30 | |
and this is where our computer models come in. | 0:27:30 | 0:27:32 | |
-Right. -So we need to know what it's doing now, | 0:27:32 | 0:27:35 | |
we need to assess are the computer models | 0:27:35 | 0:27:38 | |
handling that situation correctly? | 0:27:38 | 0:27:40 | |
Yeah. So, I've got to ask the burning question... | 0:27:40 | 0:27:43 | |
Tell me how accurate your forecasts are. | 0:27:43 | 0:27:45 | |
Our forecasts today... | 0:27:45 | 0:27:48 | |
for four days ahead | 0:27:48 | 0:27:50 | |
are as accurate as our one-day forecast was 30 years ago. | 0:27:50 | 0:27:54 | |
Fantastic. | 0:27:54 | 0:27:55 | |
Now, I shall hotfoot over to the auction room, | 0:27:55 | 0:27:59 | |
where I'm forecasting a period of high pressure. | 0:27:59 | 0:28:02 | |
Well, today, we're at Ottery Auction Rooms with auctioneer David Sumner. | 0:28:14 | 0:28:17 | |
-How are you, David? -Very well, thank you. -Good, good. | 0:28:17 | 0:28:20 | |
Well, look at this for an offering. | 0:28:20 | 0:28:21 | |
The Reds, | 0:28:21 | 0:28:23 | |
they have waded in deep and they've bought a very diverse offering, | 0:28:23 | 0:28:26 | |
kicking off with this rather funky red armchair. | 0:28:26 | 0:28:28 | |
-What do you think of that? -You've hit the nail on the head. | 0:28:28 | 0:28:30 | |
It's funky, retro. It's got it all going on. | 0:28:30 | 0:28:32 | |
The type of lot that sells very well at the moment. | 0:28:32 | 0:28:34 | |
OK. Condition's all right? | 0:28:34 | 0:28:36 | |
Condition's very good. It's very comfortable as well. | 0:28:36 | 0:28:38 | |
PAUL LAUGHS What's your estimate on that? | 0:28:38 | 0:28:40 | |
A cautious 30-50, but it could well exceed that. | 0:28:40 | 0:28:43 | |
Well, fingers crossed. | 0:28:43 | 0:28:44 | |
They have paid the higher end of your estimate, at £50 | 0:28:44 | 0:28:47 | |
but they could be right, | 0:28:47 | 0:28:48 | |
-it could be the one that makes them the profit. -I think so. | 0:28:48 | 0:28:51 | |
Now, the antidote to our funky red leather is our 19th-century oak box. | 0:28:51 | 0:28:56 | |
-What do you make of this interesting plaque? -Well, it's a mishmash - | 0:28:56 | 0:28:59 | |
it's a 19th-century oak box | 0:28:59 | 0:29:02 | |
with a sort of 1930s/1940s dental practice plaque being popped on it. | 0:29:02 | 0:29:07 | |
-OK, something off the practice front door? -Yeah, exactly. -I see. | 0:29:07 | 0:29:10 | |
-Exactly. -So a question for you. | 0:29:10 | 0:29:13 | |
The dentist's plaque - | 0:29:13 | 0:29:14 | |
do you think it helps or hinders the box? | 0:29:14 | 0:29:17 | |
Honestly, I think it hinders a little bit. | 0:29:17 | 0:29:19 | |
What's your estimate, then, given all of the above? | 0:29:19 | 0:29:21 | |
About 50-80. | 0:29:21 | 0:29:23 | |
We'd need to double that, to be honest with you, | 0:29:23 | 0:29:25 | |
because they stumped up £125, so that's looking like a problem. | 0:29:25 | 0:29:29 | |
It is quite... It is... | 0:29:29 | 0:29:32 | |
It is quite a bit. You never know, two people might...be here, | 0:29:32 | 0:29:36 | |
one of them may be called Shepherd. | 0:29:36 | 0:29:38 | |
-And a dentist at that! -And a dentist. | 0:29:38 | 0:29:41 | |
Well, we'll cross everything, shall we? | 0:29:41 | 0:29:43 | |
And then we go to rather a smart-looking sculpture, there. | 0:29:43 | 0:29:47 | |
-Do you like? -I do. I do. | 0:29:47 | 0:29:49 | |
It's quite traditional, but it's a statement piece. | 0:29:49 | 0:29:52 | |
I like the size of it. | 0:29:52 | 0:29:53 | |
Unfortunately, it's not bronze. It is only painted spelter. | 0:29:53 | 0:29:56 | |
However, it's a statement piece. | 0:29:56 | 0:29:58 | |
I've, again, cautiously estimated it at 60-80. | 0:29:58 | 0:30:01 | |
It wouldn't surprise me if it topped that. | 0:30:01 | 0:30:03 | |
They paid £124. | 0:30:03 | 0:30:05 | |
I think there may be a small loss looming. | 0:30:05 | 0:30:07 | |
Okey dokey. | 0:30:07 | 0:30:08 | |
Well, I suggested earlier on that Martin and Jenny had waded in deep. | 0:30:08 | 0:30:12 | |
They spent £299 of their £300 budget. | 0:30:12 | 0:30:16 | |
They may need a bonus buy. | 0:30:16 | 0:30:18 | |
Let's see how much Richard's managed to pull out the hat | 0:30:18 | 0:30:21 | |
with just one pound. | 0:30:21 | 0:30:23 | |
Well, for a pound it doesn't go a long way, but I went a long way. | 0:30:25 | 0:30:29 | |
Probably 5,000 or 6,000 miles... | 0:30:29 | 0:30:32 | |
..to find you this. | 0:30:33 | 0:30:34 | |
-Oh... -Oh... -Ooh... | 0:30:34 | 0:30:36 | |
For a pound, that's amazing. | 0:30:36 | 0:30:38 | |
You like it? Well, I think it's... | 0:30:38 | 0:30:39 | |
It's probably from south-east Asia. | 0:30:39 | 0:30:41 | |
I mean, possibly Indian... | 0:30:41 | 0:30:43 | |
-Yes. -..and it's a decorative panel. | 0:30:43 | 0:30:46 | |
What it was made for, I don't know. | 0:30:46 | 0:30:48 | |
Too small for a piano. Maybe a tabletop, a table throw... | 0:30:48 | 0:30:51 | |
For a pound coin, we can't go wrong. | 0:30:51 | 0:30:53 | |
-You can't go wrong. -Do you think there's any profit in it? | 0:30:53 | 0:30:55 | |
Well, I hope the auctioneer's going to open the bidding | 0:30:55 | 0:30:57 | |
at least at five pounds, at five... | 0:30:57 | 0:30:59 | |
maybe go to six or even seven. | 0:30:59 | 0:31:01 | |
So there could be a 500, 600 or 700% profit in this. | 0:31:01 | 0:31:05 | |
-Well done. -Thank you. | 0:31:05 | 0:31:06 | |
Thank you. | 0:31:06 | 0:31:08 | |
Well, let's go see what the auctioneer thinks of Richard's | 0:31:08 | 0:31:11 | |
one pound purchase. | 0:31:11 | 0:31:12 | |
What do you make of that? | 0:31:14 | 0:31:16 | |
Well, I think he's in money. | 0:31:16 | 0:31:18 | |
I really like this thing. | 0:31:18 | 0:31:19 | |
It's very pretty - silk work, and for a pound... | 0:31:19 | 0:31:23 | |
Bargain. | 0:31:23 | 0:31:24 | |
How big a bargain is it? What's your estimate? | 0:31:24 | 0:31:27 | |
I think it could do about 20 to 30. | 0:31:27 | 0:31:29 | |
Well, that's one serious margin, is it not? | 0:31:29 | 0:31:32 | |
£30 from a pound. | 0:31:32 | 0:31:33 | |
My hat would be off and it sounds reasonable enough to me. | 0:31:33 | 0:31:37 | |
Right, it's going to be an interesting one for the Reds. | 0:31:37 | 0:31:39 | |
Now, over to the Blues. | 0:31:39 | 0:31:41 | |
Caroline and John, they were more frugal in their purchasing. | 0:31:41 | 0:31:46 | |
They've got these three items here. Kicking off with the cane - | 0:31:46 | 0:31:49 | |
how good an example is that, David? | 0:31:49 | 0:31:51 | |
What I like about the cane is it's a tall cane | 0:31:51 | 0:31:55 | |
-so it's usable. -Oh, I see. | 0:31:55 | 0:31:57 | |
A lot of earlier canes, especially Victorian ones, | 0:31:57 | 0:32:00 | |
are quite short cos they were much shorter. | 0:32:00 | 0:32:02 | |
And this one's quite high so even someone of my height, | 0:32:02 | 0:32:05 | |
five foot nine, could use it. | 0:32:05 | 0:32:06 | |
Estimate on that, about 15 to 25. | 0:32:06 | 0:32:09 | |
Well, that's good news because they paid £20 for it. | 0:32:09 | 0:32:12 | |
So, bang in the middle of your estimate, | 0:32:12 | 0:32:14 | |
and you said you're cautious, so it bodes well. | 0:32:14 | 0:32:16 | |
But from there we go to John's favourite lot, | 0:32:16 | 0:32:19 | |
these rather unusual little brass wheelbarrows. | 0:32:19 | 0:32:21 | |
What you think of those? | 0:32:21 | 0:32:23 | |
I really like them. Very unusual. | 0:32:23 | 0:32:24 | |
Quirky. We like quirky. | 0:32:24 | 0:32:25 | |
Quirky's good. | 0:32:25 | 0:32:27 | |
-W&P. Did some research on W&P. Couldn't come up with anything. -OK. | 0:32:27 | 0:32:32 | |
I'm not 100% sure of the function for them, actually. | 0:32:32 | 0:32:35 | |
We've put them down as table condiments, | 0:32:35 | 0:32:37 | |
but you could use them for anything. | 0:32:37 | 0:32:39 | |
I can't imagine they paid an awful lot for them, | 0:32:39 | 0:32:41 | |
but I think they'll do quite well. | 0:32:41 | 0:32:43 | |
What's your estimate? | 0:32:43 | 0:32:44 | |
About 15 to 20. | 0:32:44 | 0:32:46 | |
Music to the Blues' ears, I have no doubt. | 0:32:46 | 0:32:49 | |
They paid £16. | 0:32:49 | 0:32:50 | |
Well, from John's favourite lot to Caroline's and, indeed, | 0:32:50 | 0:32:53 | |
the one that she thinks will make the most profit - | 0:32:53 | 0:32:56 | |
the silver cardholders. | 0:32:56 | 0:32:59 | |
I love these. | 0:32:59 | 0:33:00 | |
I love these. Given the area - West Country, country pursuits - | 0:33:00 | 0:33:04 | |
I've got buyers lined up for these already. | 0:33:04 | 0:33:06 | |
When they came out the box, fantastic. | 0:33:06 | 0:33:08 | |
I just... Yeah. | 0:33:08 | 0:33:10 | |
I, I... | 0:33:10 | 0:33:11 | |
I'm struggling to find words. | 0:33:11 | 0:33:13 | |
It's a shame it's not a set of six. | 0:33:13 | 0:33:14 | |
That's the only downside. | 0:33:14 | 0:33:15 | |
Well, tell me the estimate. | 0:33:15 | 0:33:17 | |
Again, very, very cautious. | 0:33:17 | 0:33:18 | |
40 to 60. It wouldn't surprise me if they raced away to, potentially, | 0:33:18 | 0:33:23 | |
a lot, lot more than that. | 0:33:23 | 0:33:24 | |
Well, John and Caroline will be happy enough at that. They paid £45. | 0:33:24 | 0:33:27 | |
So, I'll tell you what, a lovely trend developing there. | 0:33:27 | 0:33:30 | |
It is all looking positive for the Blues. | 0:33:30 | 0:33:34 | |
They may not need the bonus buy, but let's go and take a look regardless. | 0:33:34 | 0:33:39 | |
Charlie, put us out of our misery. | 0:33:40 | 0:33:42 | |
What on earth did you spend the money on? | 0:33:42 | 0:33:45 | |
-I've spent quite a lot of money... -OK. | 0:33:45 | 0:33:47 | |
But I've gone for quality, and I've gone for age, | 0:33:47 | 0:33:49 | |
and I've gone for that! | 0:33:49 | 0:33:51 | |
Da-da-dah! It's a hip flask. | 0:33:51 | 0:33:53 | |
Well done! | 0:33:53 | 0:33:54 | |
Go to the top of the class! | 0:33:54 | 0:33:55 | |
Not only a hip flask, but it's Victorian. | 0:33:55 | 0:33:57 | |
It's 1876. | 0:33:57 | 0:33:59 | |
Ever heard of the name Asprey's? | 0:33:59 | 0:34:01 | |
-No. -I have. -Well, there you go. -That's a London... | 0:34:01 | 0:34:04 | |
No, it wasn't the answer I was looking for, that, was it? | 0:34:04 | 0:34:07 | |
Wonderful, high-quality, | 0:34:07 | 0:34:10 | |
West End jewellers and objets d'art of the very finest quality, | 0:34:10 | 0:34:15 | |
and they are highly collectable items, | 0:34:15 | 0:34:18 | |
and I normally see them for quite a lot of money, | 0:34:18 | 0:34:21 | |
and I bought this because I thought it was worth the money. | 0:34:21 | 0:34:24 | |
Go on, then, Charlie - how much did you pay? | 0:34:24 | 0:34:26 | |
OK, I paid £110 for it. | 0:34:26 | 0:34:27 | |
-110. -Oh, I was going to say a couple of hundred! | 0:34:27 | 0:34:29 | |
You were going to say a couple of hundred? | 0:34:29 | 0:34:32 | |
I wish you'd said that before I said 110. | 0:34:32 | 0:34:34 | |
-I think that is worth a profit. -OK. | 0:34:34 | 0:34:36 | |
But we don't choose now, do we? | 0:34:36 | 0:34:38 | |
-You don't. -No, OK. -It's a gamble, it is a gamble. | 0:34:38 | 0:34:41 | |
And you don't need to make your decision now. | 0:34:41 | 0:34:43 | |
Leave that until the sale of your three items at the auction | 0:34:43 | 0:34:46 | |
and, in the meantime, let's go see if the auctioneer thinks Charlie's | 0:34:46 | 0:34:49 | |
hip flask will bring SPIRITED bidding at the saleroom. | 0:34:49 | 0:34:53 | |
How much do you like our | 0:34:55 | 0:34:56 | |
Asprey silver hip flask? | 0:34:56 | 0:34:59 | |
It just gets better, doesn't it? | 0:34:59 | 0:35:01 | |
The condition is pretty good, it's got a couple of little dings, | 0:35:01 | 0:35:05 | |
but I don't think that will make any difference at all. | 0:35:05 | 0:35:08 | |
What's it going to make? What's your estimate? | 0:35:08 | 0:35:10 | |
I've put about 150 to 200 but, potentially, | 0:35:10 | 0:35:14 | |
with that Asprey's tag on it, | 0:35:14 | 0:35:15 | |
it could run a bit more. | 0:35:15 | 0:35:17 | |
Charlie's rather cleverly purchased that for £110. | 0:35:17 | 0:35:21 | |
He's a canny, canny fellow. | 0:35:21 | 0:35:23 | |
Are you taking the auction, David? | 0:35:24 | 0:35:26 | |
-I am. -Are you looking forward to this lot? -I am, definitely. | 0:35:26 | 0:35:29 | |
I can see that. | 0:35:29 | 0:35:30 | |
And I am too. | 0:35:30 | 0:35:32 | |
Can't wait. | 0:35:32 | 0:35:33 | |
I've got to ask, how are the nerves? | 0:35:37 | 0:35:39 | |
Come on, you have put it all on black, as it were. | 0:35:39 | 0:35:42 | |
Well, yes, but it could go one way or the other... | 0:35:42 | 0:35:47 | |
No two ways about that. | 0:35:47 | 0:35:48 | |
First up is the red armchair. | 0:35:48 | 0:35:50 | |
-So here goes. Good luck. -Exciting. | 0:35:50 | 0:35:52 | |
Retro red leather easy chair, terminating on stainless steel legs. | 0:35:52 | 0:35:56 | |
Can start with me at £40. | 0:35:56 | 0:35:58 | |
42, will you? | 0:35:58 | 0:36:00 | |
-42. 42. -Yes, yes... | 0:36:00 | 0:36:02 | |
Very good. | 0:36:02 | 0:36:04 | |
£60 for this lot. | 0:36:04 | 0:36:05 | |
Seems like a cheap lot at £60. | 0:36:05 | 0:36:07 | |
£60. 60. 62. 65. | 0:36:07 | 0:36:10 | |
That's his commission. | 0:36:10 | 0:36:11 | |
On the internet, 65. | 0:36:11 | 0:36:12 | |
68. Any interest in the room, | 0:36:12 | 0:36:14 | |
at £68? | 0:36:14 | 0:36:16 | |
£68? | 0:36:16 | 0:36:17 | |
Internet, it's your bid. | 0:36:17 | 0:36:18 | |
God bless the internet. £68. | 0:36:18 | 0:36:20 | |
That's a profit of £18. | 0:36:20 | 0:36:23 | |
Now it's the dental box. | 0:36:23 | 0:36:25 | |
19th-century oak blanket box, | 0:36:25 | 0:36:28 | |
with a later-applied bronze plaque. | 0:36:28 | 0:36:30 | |
I can start with me at £50. | 0:36:30 | 0:36:32 | |
55, will you? | 0:36:32 | 0:36:33 | |
55, anywhere in the room? | 0:36:33 | 0:36:35 | |
55, 60, 65... | 0:36:35 | 0:36:37 | |
I'm looking for £65 for this lot. | 0:36:37 | 0:36:39 | |
65, anywhere? | 0:36:39 | 0:36:40 | |
Yes, lovely. | 0:36:41 | 0:36:43 | |
Don't want to lose it, do they? | 0:36:43 | 0:36:45 | |
£75. Make no mistake, | 0:36:45 | 0:36:47 | |
I'm selling at £75... | 0:36:47 | 0:36:50 | |
-£75. -Yeah. | 0:36:50 | 0:36:51 | |
Sadly, that's a loss of £50, | 0:36:51 | 0:36:53 | |
bringing your running total to | 0:36:53 | 0:36:55 | |
a loss of £32. | 0:36:55 | 0:36:56 | |
-Right, OK. -So... | 0:36:56 | 0:36:58 | |
The sculpture he likes, here it comes now. | 0:36:58 | 0:37:01 | |
Spelter figure of a boy singing | 0:37:01 | 0:37:03 | |
to his ducks, set on a marble base. | 0:37:03 | 0:37:05 | |
Who'll start me away at £100 for this lot? | 0:37:05 | 0:37:09 | |
£100. £100. | 0:37:09 | 0:37:10 | |
£50, then. £50, I've got. | 0:37:10 | 0:37:12 | |
55, will you? | 0:37:12 | 0:37:14 | |
55, 60. | 0:37:14 | 0:37:16 | |
65... | 0:37:16 | 0:37:17 | |
65, 70, 75... | 0:37:17 | 0:37:19 | |
75, anywhere? | 0:37:19 | 0:37:21 | |
Patrick, 75? | 0:37:21 | 0:37:22 | |
Make no mistake, I'm selling at £70. | 0:37:22 | 0:37:25 | |
-Ooh... -Oh... | 0:37:25 | 0:37:27 | |
Ouch! | 0:37:27 | 0:37:28 | |
Now that is a loss of £54, | 0:37:28 | 0:37:31 | |
bringing your total to a loss of | 0:37:31 | 0:37:33 | |
£86, by my reckoning. | 0:37:33 | 0:37:37 | |
Oh, what can I say? | 0:37:37 | 0:37:38 | |
Well, we tried. | 0:37:38 | 0:37:40 | |
It started well. | 0:37:40 | 0:37:41 | |
We predicted a good start with the chair, and then it slipped away. | 0:37:41 | 0:37:44 | |
Yeah. OK. | 0:37:44 | 0:37:45 | |
A world record now for an Indian textile. | 0:37:45 | 0:37:48 | |
Is there £100 in this? | 0:37:48 | 0:37:50 | |
It'd be a first. It would be a first. | 0:37:51 | 0:37:53 | |
-Excellent. -You never know. | 0:37:53 | 0:37:55 | |
I'm obliged to ask the question, | 0:37:57 | 0:37:59 | |
but I'll be surprised if I can't predict the answer. | 0:37:59 | 0:38:02 | |
Are you going to go with the one pound bonus buy? | 0:38:02 | 0:38:05 | |
-Of course we are! -We thought we might. | 0:38:05 | 0:38:08 | |
Here it comes, now. Bonus buy. Good luck. | 0:38:09 | 0:38:11 | |
Vintage Indian silk tapestry wall hanging, | 0:38:11 | 0:38:14 | |
with woven gold thread. | 0:38:14 | 0:38:15 | |
I've got conflicting bids. | 0:38:15 | 0:38:17 | |
I can start me away at £12. | 0:38:17 | 0:38:19 | |
15, will you? £15, £15. | 0:38:19 | 0:38:22 | |
Let's move to the room. £15 for this lot. | 0:38:22 | 0:38:24 | |
-Excellent. -DAVID: -15, anywhere? -MARTIN: -That's done well. | 0:38:24 | 0:38:26 | |
15, do I see 15? | 0:38:26 | 0:38:28 | |
Commission bid's going to buy it, | 0:38:28 | 0:38:30 | |
at £12. | 0:38:30 | 0:38:31 | |
Well done, that man. | 0:38:31 | 0:38:33 | |
£12 is a profit of 11 which takes | 0:38:33 | 0:38:35 | |
the sting out to the tune of £75. | 0:38:35 | 0:38:40 | |
So sorry! | 0:38:40 | 0:38:41 | |
As we all know, in Bargain Hunt land, that could be a winning score, | 0:38:41 | 0:38:45 | |
-could it not? -It could be. | 0:38:45 | 0:38:46 | |
So we're going to hold on to that hope, | 0:38:46 | 0:38:49 | |
and we're going to hold on to the numbers. | 0:38:49 | 0:38:50 | |
We're not going to tell anything to the opposition. | 0:38:50 | 0:38:53 | |
Keep mum. | 0:38:53 | 0:38:54 | |
Forgotten already. | 0:38:54 | 0:38:55 | |
You got lovely big smiles on your faces. | 0:39:03 | 0:39:07 | |
Does that belie a nervous condition or not? | 0:39:07 | 0:39:10 | |
-Bit nervous, yes. -Are you? | 0:39:10 | 0:39:11 | |
What could possibly go wrong, though? | 0:39:11 | 0:39:13 | |
First up is your walking cane, | 0:39:13 | 0:39:15 | |
and here it comes now. | 0:39:15 | 0:39:16 | |
Silver-banded rattan walking stick, | 0:39:16 | 0:39:19 | |
by Henry Howell and Co. | 0:39:19 | 0:39:20 | |
Who'll start me away at £20? | 0:39:20 | 0:39:23 | |
-JOHN: -Go on. -DAVID: -£20. | 0:39:23 | 0:39:24 | |
£10 I've got. Thank you. | 0:39:24 | 0:39:25 | |
12, will you? £12 for this lot. | 0:39:25 | 0:39:27 | |
12, 15, 18... | 0:39:27 | 0:39:29 | |
18, 20, 22... | 0:39:29 | 0:39:30 | |
Not at 22. | 0:39:30 | 0:39:31 | |
22, 25. | 0:39:31 | 0:39:33 | |
Not at 25. Selling at 22, then. | 0:39:33 | 0:39:35 | |
That's your bids. | 0:39:35 | 0:39:36 | |
-Number please, sir. -That was it. £22. | 0:39:36 | 0:39:39 | |
Plus two pounds after your first lot. | 0:39:39 | 0:39:41 | |
Now, next up the novelty wheelbarrows. | 0:39:41 | 0:39:44 | |
Here they come now. | 0:39:44 | 0:39:45 | |
Condiment set, | 0:39:45 | 0:39:46 | |
modelled as wheelbarrows, stamped W&P. | 0:39:46 | 0:39:49 | |
15, will you? | 0:39:49 | 0:39:50 | |
15. 15, 18, 20... | 0:39:50 | 0:39:52 | |
-Yes. Profit again! -20. Not at 20. | 0:39:52 | 0:39:55 | |
I'm looking for £20 for this lot. | 0:39:55 | 0:39:56 | |
£20, anywhere in the room? | 0:39:56 | 0:39:58 | |
It's with me for 18. | 0:39:58 | 0:40:00 | |
£18. | 0:40:00 | 0:40:01 | |
That's another two pounds. | 0:40:01 | 0:40:03 | |
Lastly, the menu holders | 0:40:03 | 0:40:05 | |
the auctioneer loves - maybe his favourite lot in this sale. | 0:40:05 | 0:40:08 | |
You paid 45. The estimate's 40 to 60, but he thinks they'll fly. | 0:40:08 | 0:40:12 | |
These tick all the boxes. | 0:40:12 | 0:40:13 | |
This is a really pretty lot. | 0:40:13 | 0:40:15 | |
I can start me away at... | 0:40:15 | 0:40:17 | |
£82 with me. | 0:40:17 | 0:40:18 | |
85, will you? | 0:40:18 | 0:40:20 | |
85? 88, I'm out. | 0:40:20 | 0:40:22 | |
I'm going to move to the room at 88. | 0:40:22 | 0:40:23 | |
£88, anywhere in the room? | 0:40:23 | 0:40:26 | |
£88... Let's move to the internet. | 0:40:26 | 0:40:29 | |
Got 90... | 0:40:29 | 0:40:30 | |
I feel a golden gavel coming on! | 0:40:30 | 0:40:32 | |
Make no mistake, I will sell to the internet at £90... | 0:40:32 | 0:40:36 | |
Well done, you. £90. | 0:40:37 | 0:40:39 | |
That's a profit of £45 on the holders. | 0:40:39 | 0:40:42 | |
£49 profit overall. | 0:40:42 | 0:40:45 | |
Are you going to risk this profit? | 0:40:45 | 0:40:47 | |
Shall we go risk averse here? | 0:40:47 | 0:40:49 | |
-I think we're in profit... -We're going to... | 0:40:49 | 0:40:52 | |
hold our profits. | 0:40:52 | 0:40:53 | |
-Are you? -Yes. Stick with it. | 0:40:53 | 0:40:55 | |
So we're not going with the bonus buy. | 0:40:55 | 0:40:56 | |
A silver and leather-bound | 0:40:56 | 0:40:58 | |
hip flask, by the known maker Charles Asprey. | 0:40:58 | 0:41:01 | |
I've got to tell you the auctioneer loves it. | 0:41:01 | 0:41:03 | |
He thinks £150-£200 and, I've got to say, | 0:41:03 | 0:41:06 | |
I hope he's wrong for your sake. | 0:41:06 | 0:41:07 | |
I can jump straight in at £80. | 0:41:07 | 0:41:10 | |
90, will you? | 0:41:10 | 0:41:11 | |
90, 100, 110... | 0:41:11 | 0:41:13 | |
£110. | 0:41:13 | 0:41:15 | |
(One more.) | 0:41:15 | 0:41:16 | |
110, 120, 130... | 0:41:16 | 0:41:18 | |
£130. | 0:41:20 | 0:41:21 | |
Hats off to Charlie. | 0:41:21 | 0:41:23 | |
A £20 profit. | 0:41:23 | 0:41:25 | |
Got to be happy, but you've got to give nothing away to the Reds. | 0:41:25 | 0:41:28 | |
So, solemn faces. Keep schtum, yeah? | 0:41:28 | 0:41:30 | |
Well, well, well. | 0:41:41 | 0:41:42 | |
What an interesting competition this was. | 0:41:42 | 0:41:46 | |
But I've got to say, sadly, | 0:41:46 | 0:41:48 | |
one team made the fatal mistake of not trusting their expert, | 0:41:48 | 0:41:53 | |
and not going with the bonus buy. | 0:41:53 | 0:41:56 | |
So, it's with regret that I inform the teams that | 0:41:56 | 0:42:00 | |
the runners up today are... | 0:42:00 | 0:42:02 | |
the Reds. | 0:42:02 | 0:42:04 | |
GASPS AND LAUGHTER | 0:42:04 | 0:42:05 | |
Quelle surprise. | 0:42:07 | 0:42:08 | |
Sadly, you waded in deep. | 0:42:09 | 0:42:11 | |
You committed the £299 and it didn't pay off. | 0:42:11 | 0:42:15 | |
But, I've got to say, the Blues... | 0:42:15 | 0:42:19 | |
My word, golden gavel-ers. | 0:42:19 | 0:42:21 | |
Look at this! It's got to feel good? | 0:42:21 | 0:42:24 | |
-It's good. -Yes? -It's amazing. | 0:42:24 | 0:42:26 | |
Happy days. Well, you'll want me to give you your | 0:42:26 | 0:42:28 | |
substantial £49 profit... | 0:42:28 | 0:42:30 | |
..and we'll give you the highly coveted and prestigious | 0:42:32 | 0:42:34 | |
-golden gavel. -Oh, amazing. | 0:42:34 | 0:42:37 | |
There you go, Caroline. Well done. | 0:42:37 | 0:42:38 | |
-Thank you kindly. -One for John. | 0:42:38 | 0:42:40 | |
Thank you. | 0:42:40 | 0:42:41 | |
Well, thank you all for being such good sports. | 0:42:41 | 0:42:45 | |
What a Bargain Hunt! | 0:42:45 | 0:42:46 | |
Do visit our website - | 0:42:46 | 0:42:48 | |
details appearing on the screen now, | 0:42:48 | 0:42:50 | |
and check us out on Twitter. | 0:42:50 | 0:42:52 | |
And certainly join us soon for some more Bargain Hunting. Yes? | 0:42:52 | 0:42:56 | |
-ALL: -Yes! | 0:42:56 | 0:42:57 |