Browse content similar to Portobello/Kingston 15. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we're in London, down by the Thames. | 0:00:05 | 0:00:08 | |
So before we get ready to rummage, | 0:00:08 | 0:00:11 | |
let's have a quick tour of the river they call liquid history. | 0:00:11 | 0:00:15 | |
Upstream, we have Henry VIII's Hampton Court | 0:00:15 | 0:00:19 | |
and also Runnymede, where they signed the Magna Carta. | 0:00:19 | 0:00:22 | |
And downstream, we have the Houses of Parliament. | 0:00:23 | 0:00:26 | |
Remember the Gunpowder Plot? | 0:00:26 | 0:00:28 | |
And also St Paul's Cathedral surviving the Blitz. | 0:00:28 | 0:00:31 | |
And over there, we have the Kingston Antiques Centre, | 0:00:31 | 0:00:34 | |
where we are going today. | 0:00:34 | 0:00:35 | |
So let's go Bargain Hunting! | 0:00:35 | 0:00:37 | |
A short stroll from the river is Kingston Antiques Centre, | 0:01:00 | 0:01:04 | |
where the Reds and the Blues will be battling it out for bargains. | 0:01:04 | 0:01:08 | |
Our teams have got £300 | 0:01:08 | 0:01:10 | |
and just one hour in which to spend it. | 0:01:10 | 0:01:13 | |
Will history be made? | 0:01:13 | 0:01:15 | |
Yes, if our hard-working experts have anything to do with it. | 0:01:16 | 0:01:19 | |
Here I am, on my knees for you. | 0:01:19 | 0:01:21 | |
THEY LAUGH | 0:01:21 | 0:01:24 | |
Not that they are always listened to, of course. | 0:01:24 | 0:01:26 | |
I'm never buying anything antique again. | 0:01:26 | 0:01:28 | |
I'm going modern from now on. | 0:01:28 | 0:01:31 | |
Never mind that. | 0:01:31 | 0:01:33 | |
What about the money? | 0:01:33 | 0:01:34 | |
Yeah! | 0:01:34 | 0:01:36 | |
-Are we in profit? -Yes! | 0:01:36 | 0:01:39 | |
But that's all for later. | 0:01:39 | 0:01:40 | |
Let's meet the teams. | 0:01:42 | 0:01:43 | |
Today, for the Red team, we have father and daughter David and Liz. | 0:01:43 | 0:01:48 | |
And for the Blues, we have good chums Matthew and Bruno. | 0:01:48 | 0:01:51 | |
-Hello, everyone. ALL: -Hello! | 0:01:51 | 0:01:52 | |
-Lovely to see you. -And you. | 0:01:52 | 0:01:54 | |
-You look as if you are really ready to bargain hunt. -We are ready. | 0:01:54 | 0:01:57 | |
-Absolutely. -Fantastic. Now, Liz, you trained in musical theatre, | 0:01:57 | 0:02:00 | |
-is that right? -That's right, yeah. I've just recently graduated | 0:02:00 | 0:02:03 | |
from GSA, which is the Guilford School of Acting. | 0:02:03 | 0:02:05 | |
-Oh, wonderful, well done. -Thank you. -Have you had a role recently? | 0:02:05 | 0:02:09 | |
Yes, I've just have done A Christmas Carol, | 0:02:09 | 0:02:10 | |
which was at the opera house in Blackpool. | 0:02:10 | 0:02:13 | |
Oh, that sounds exciting. What were you playing? | 0:02:13 | 0:02:15 | |
I played Scrooge's mum. | 0:02:15 | 0:02:17 | |
Scrooge's mum? You must have a very good make-up artist. Scrooge's mum! | 0:02:17 | 0:02:22 | |
Do you have a dream role? | 0:02:22 | 0:02:24 | |
-Probably Glinda in Wicked... -Glinda in Wicked. -..is a dream role, yeah. | 0:02:24 | 0:02:27 | |
-David, you're not trained in musical theatre? -No, sadly not, no. | 0:02:27 | 0:02:30 | |
You wouldn't want to hear me sing, that's for sure. | 0:02:30 | 0:02:33 | |
-He's lying. -I won't ask. But you've got a little experience of your own, | 0:02:33 | 0:02:37 | |
-haven't you? A little moment? -Yes, I have. Yes, yes. | 0:02:37 | 0:02:40 | |
We once went to a local theatre | 0:02:40 | 0:02:41 | |
and we unfortunately got sat in the front row of the theatre, | 0:02:41 | 0:02:45 | |
and I think that is always a mistake. | 0:02:45 | 0:02:46 | |
I got picked on to go on to the stage | 0:02:46 | 0:02:49 | |
-and I had to dress as Snow White. -You had to dress as Snow White? | 0:02:49 | 0:02:53 | |
Yes, absolutely. And I was given the kiss of life by Mr Blobby. | 0:02:53 | 0:02:57 | |
That's a bit disappointing, isn't it? | 0:02:57 | 0:02:59 | |
So that's my one claim to fame, I was once kissed by Mr Blobby. | 0:02:59 | 0:03:03 | |
Now, your other main love, really, lies a bit northeast of here. | 0:03:03 | 0:03:06 | |
That's right, yes. | 0:03:06 | 0:03:07 | |
-I think you are referring to the Norwich City Football Club. -I am. | 0:03:07 | 0:03:10 | |
-I am a season ticket holder. -Are you? -For my sins, yes. -Many of you? | 0:03:10 | 0:03:15 | |
About three, yes. We wander around and pretend we're a crowd. | 0:03:15 | 0:03:19 | |
So what will you be looking for while you are shopping? | 0:03:19 | 0:03:22 | |
I think we will be looking for items of quality, if we can. | 0:03:22 | 0:03:25 | |
-Quality, yeah. -Absolutely. -Buy quality. -Yes. | 0:03:25 | 0:03:28 | |
-Keep that in mind. -I am. -Now, Matthew and Bruno, how did you meet? | 0:03:28 | 0:03:31 | |
-We met through work, didn't we? -Yeah, that's right. | 0:03:31 | 0:03:34 | |
We've known each other for a couple of years. | 0:03:34 | 0:03:36 | |
-Now, you are a creative technologist. -I am. | 0:03:36 | 0:03:38 | |
-And I haven't got a clue what that is. -Don't worry, most people don't. | 0:03:38 | 0:03:42 | |
Explain in very simple terms for me. | 0:03:42 | 0:03:44 | |
I get to go out and work with a lot of children, | 0:03:44 | 0:03:47 | |
hundreds of children from around the world, and I teach them | 0:03:47 | 0:03:49 | |
-how to programme, how to learn to code. -Wonderful. | 0:03:49 | 0:03:52 | |
All over the world? Where have you been? | 0:03:52 | 0:03:54 | |
I've been to Sierra Leone, Kenya, Israel. | 0:03:54 | 0:03:58 | |
Next week, I'm going out to New York to go | 0:03:58 | 0:04:01 | |
-and teach more schools over there. -Crikey. | 0:04:01 | 0:04:03 | |
-Marvellous. -It's an amazing job. | 0:04:03 | 0:04:05 | |
-Bruno, you're an industrial designer. -That's right, yeah. | 0:04:05 | 0:04:07 | |
-What do you like designing? Anything? -Everything and anything. | 0:04:07 | 0:04:11 | |
Unfortunately for the people I live with, | 0:04:11 | 0:04:13 | |
I tend to make an enormous mess on a regular basis, | 0:04:13 | 0:04:16 | |
building all sorts of sculptures and all sorts of stuff. | 0:04:16 | 0:04:18 | |
-Large sculptures, small? -Very large, very large. They take up... | 0:04:18 | 0:04:21 | |
-What, life-size? -Well, yeah. Metres high. -My goodness me! | 0:04:21 | 0:04:24 | |
They take up the whole of my lounge at the moment. | 0:04:24 | 0:04:26 | |
-Really? -Yeah. | 0:04:26 | 0:04:27 | |
-You must be a delight to live with(!) -Sorry, guys. Yeah. | 0:04:27 | 0:04:30 | |
-You also like broken objects, don't you? -Yes. Yes, indeed. | 0:04:30 | 0:04:33 | |
I'm told that you like photographing something rather strange. | 0:04:33 | 0:04:36 | |
-It's a sort of odd hobby of mine. -Tell me what it is. | 0:04:36 | 0:04:38 | |
I do like to collect photographs of broken umbrellas. | 0:04:38 | 0:04:41 | |
-Broken umbrellas? -Yeah, that's right. -Do you break them yourself? | 0:04:41 | 0:04:44 | |
No, absolutely not, that would defeat the whole point. | 0:04:44 | 0:04:46 | |
-You have to find them broken? -Yes, course. In the street, | 0:04:46 | 0:04:49 | |
when it rains, people leave them out, don't throw them away. | 0:04:49 | 0:04:51 | |
-I might have something for you. -Oh, goodness, what? | 0:04:51 | 0:04:54 | |
-Hold on a moment. -Oh, my Lord! Where did you find this? | 0:04:54 | 0:04:57 | |
-I have for you a broken umbrella. -Thank you so much! | 0:04:57 | 0:05:02 | |
Are you excited by that one? | 0:05:02 | 0:05:03 | |
-Incredibly. -It's got colour, it's got prongs. | 0:05:03 | 0:05:05 | |
-Incredibly exciting. -This is like... -It's a fine specimen. | 0:05:05 | 0:05:08 | |
I just ask one thing, when you photograph it, | 0:05:08 | 0:05:10 | |
-send me a photograph of it. -I absolutely will. Yeah, yeah. | 0:05:10 | 0:05:13 | |
I'd love a photograph. | 0:05:13 | 0:05:14 | |
-Sign it for me. -It took me hours to break that umbrella. | 0:05:14 | 0:05:18 | |
-Now, what will you need to go shopping? -Money. -Money! Yes, in one. | 0:05:18 | 0:05:23 | |
-£300 we're going to give you. -Wonderful. | 0:05:23 | 0:05:25 | |
-And we're also going to give you £300. -Thank you. | 0:05:25 | 0:05:27 | |
Off you go. Have a great time. | 0:05:27 | 0:05:30 | |
And while they're shopping, let's hope it doesn't rain. | 0:05:30 | 0:05:33 | |
Now for the experts helping our teams today. | 0:05:33 | 0:05:36 | |
On call for the Reds, it's Thomas Plant. | 0:05:36 | 0:05:39 | |
Starring for the Blues, we have Natasha Raskin. | 0:05:41 | 0:05:44 | |
What are we going to buy? | 0:05:46 | 0:05:48 | |
I'm going to be looking for novelty bits of silver, | 0:05:48 | 0:05:50 | |
-possibly. -Novelty bits of silver. What about you, Liz? | 0:05:50 | 0:05:53 | |
I don't know, maybe if I can find something theatre-related. | 0:05:53 | 0:05:55 | |
Matthew and I love chairs. | 0:05:55 | 0:05:57 | |
If we can get a nice little chair in there, that'd be fantastic. | 0:05:57 | 0:06:00 | |
I think something industrial, maybe a nice lamp. | 0:06:00 | 0:06:02 | |
OK, I like being surrounded by men with a plan. | 0:06:02 | 0:06:04 | |
All right, teams, your 60 minutes starts now. | 0:06:04 | 0:06:08 | |
-WHISTLE BLOWS -Here we go, guys. -OK. | 0:06:08 | 0:06:11 | |
Let's get in here. Because one hour is on the clock. | 0:06:11 | 0:06:15 | |
-Believe me, it's going to go quickly. -I know! | 0:06:15 | 0:06:18 | |
If only they knew that their rivals have already spotted something. | 0:06:18 | 0:06:22 | |
I saw a box that took my eye when I came round here. | 0:06:22 | 0:06:25 | |
-Yeah, let's have a little look. -See, I think that is really cute. | 0:06:25 | 0:06:28 | |
-So what do you think it is? -It's got fabric on the inside. -Fabric and... | 0:06:28 | 0:06:32 | |
-Like a kind of sewing... -Exactly. | 0:06:32 | 0:06:34 | |
-It's a work box. -Yeah. -A sewing box. It's quite plain. | 0:06:34 | 0:06:38 | |
-It's only £48. -It's a £20 to £30 lot, maybe £10 at auction. -Is it? | 0:06:38 | 0:06:43 | |
-100%, yeah. -Oh! | 0:06:43 | 0:06:44 | |
-I like it, but it's not really what you're looking for. -OK. -Yeah? -Yeah. | 0:06:44 | 0:06:49 | |
-Sorry. -No, that's all right. | 0:06:49 | 0:06:50 | |
I've sort of put the mockers on, haven't I? | 0:06:50 | 0:06:52 | |
-SHE LAUGHS -No, don't worry. | 0:06:52 | 0:06:54 | |
Sound advice, Thomas. Now, do we have a possible Blues buy? | 0:06:54 | 0:06:58 | |
Yeah, I love that. See, it looks like a guard's lamp? | 0:06:58 | 0:07:01 | |
Well, I think it says... | 0:07:01 | 0:07:02 | |
Do you know, I could say to you, "I think it is a real..." | 0:07:02 | 0:07:05 | |
It tells you on the side here. It's £72. | 0:07:05 | 0:07:10 | |
At auction, they probably don't want to pay much more than 35, 40. | 0:07:10 | 0:07:13 | |
-Let's keep it in mind, I like that one. -Definitely. -Keep going? | 0:07:13 | 0:07:15 | |
Yeah, definitely. | 0:07:15 | 0:07:17 | |
Just one thing as well. I love these wee place name holders. | 0:07:17 | 0:07:20 | |
They are so cute. And this even comes with wee name places there. | 0:07:20 | 0:07:24 | |
M for monsieur. | 0:07:24 | 0:07:25 | |
So you could actually have monsieur or madame and then the name. | 0:07:25 | 0:07:28 | |
-That's kind of cute, isn't it? -It's really sweet. | 0:07:28 | 0:07:30 | |
I think that they are something, the kind of thing... | 0:07:30 | 0:07:33 | |
-Maybe not your cup of tea. -Probably not, I'd say. | 0:07:33 | 0:07:35 | |
You don't seem to be too excited. | 0:07:35 | 0:07:36 | |
-It's interesting. -If we come across a stallholder, | 0:07:36 | 0:07:39 | |
-we might ask. -Yeah, absolutely, let's do that. -Let's move on. | 0:07:39 | 0:07:41 | |
-Early days. -A lot to see. I want to follow you. | 0:07:41 | 0:07:43 | |
-Brilliant, all right. -I think you guys know what you're doing. | 0:07:43 | 0:07:46 | |
Know what they want, certainly. | 0:07:46 | 0:07:49 | |
And what will Thomas make of the Reds' latest discovery? | 0:07:49 | 0:07:52 | |
-So, you found a little box. -Yeah! | 0:07:52 | 0:07:55 | |
Not a lot. | 0:07:55 | 0:07:58 | |
-Right. -Not keen, I can tell, Thomas, by the expression. | 0:07:58 | 0:08:01 | |
It's a lot of money! | 0:08:01 | 0:08:02 | |
-It is £58. -Yeah, it is a lot of money. | 0:08:02 | 0:08:04 | |
-I have to say, I like your style, but it is too much. -Yeah, £20. | 0:08:04 | 0:08:09 | |
Well, it's not even a fiver. | 0:08:09 | 0:08:11 | |
-Isn't it? -Oh! -Yeah, I'm sorry. -No. | 0:08:11 | 0:08:13 | |
Oh, dear. Elsewhere, the Blues may just have found something | 0:08:13 | 0:08:17 | |
that fits their bill. | 0:08:17 | 0:08:18 | |
This really stands out for me. | 0:08:18 | 0:08:20 | |
Oh, wow, yeah, this is interesting. | 0:08:20 | 0:08:22 | |
OK, that is seriously slick, isn't it? | 0:08:22 | 0:08:25 | |
Well, I did say lamp and I did say industrial. | 0:08:25 | 0:08:27 | |
I have to say, it is sort of a storm trooper | 0:08:27 | 0:08:29 | |
-of the lamp world. -Yeah! | 0:08:29 | 0:08:31 | |
And then a big red button. It is like a nuclear button, isn't it? | 0:08:31 | 0:08:34 | |
-It's a bit serious, isn't it? -It's nice. -I know. | 0:08:34 | 0:08:36 | |
You can feel like the prime minister and press the red button. | 0:08:36 | 0:08:39 | |
And hopefully, the auction room will erupt... | 0:08:39 | 0:08:42 | |
-And not the lamp. -..with bids. Yeah! | 0:08:42 | 0:08:44 | |
Yes, but what about the money? | 0:08:44 | 0:08:46 | |
Now, Matthew's holding all the cards here | 0:08:46 | 0:08:48 | |
cos he's standing on the right side of the price tag. | 0:08:48 | 0:08:51 | |
-Shall I have a guess? -Why don't you have a guess? | 0:08:51 | 0:08:53 | |
Go on, what do you think it is? | 0:08:53 | 0:08:54 | |
What do you reckon someone is asking for that? | 0:08:54 | 0:08:56 | |
-I'm going to say maybe 200? -I think you're not far off. | 0:08:56 | 0:08:59 | |
-I think it might be more. -You're both going to | 0:08:59 | 0:09:01 | |
-have a nice surprise. It's £145. -Is it? -145, OK. | 0:09:01 | 0:09:05 | |
How do you feel about that, Natasha? | 0:09:05 | 0:09:06 | |
I feel wonderful. I feel ecstatic. My goodness. | 0:09:06 | 0:09:10 | |
I think that's exactly the kind of thing that buyers | 0:09:10 | 0:09:13 | |
-love at the moment. -I think we should go for the cheeky offer. | 0:09:13 | 0:09:16 | |
-Cheeky offer, let's do it. -Shall we say £80? | 0:09:16 | 0:09:18 | |
-Feeling confident. -Let's do £80. Let's see if they'll do 80. -£80? | 0:09:18 | 0:09:21 | |
-And go from there. -What is your technique like? | 0:09:21 | 0:09:23 | |
-Are you going to go softly-softly? -No, straight in. | 0:09:23 | 0:09:26 | |
-Low. -Straight in? -Low, low, low. The worst... | 0:09:26 | 0:09:28 | |
As my dad would say, the worst they can say is no. | 0:09:28 | 0:09:31 | |
-Exactly. -We want them to say yes! | 0:09:31 | 0:09:33 | |
She's right. Thomas finally seems a bit more enthusiastic | 0:09:34 | 0:09:38 | |
about a Reds' find, however. | 0:09:38 | 0:09:40 | |
Look at these cameras at the back, Dad. | 0:09:40 | 0:09:42 | |
-Cameras are dead popular. -Yeah? -Cameras are really popular things. | 0:09:42 | 0:09:45 | |
And these here are quarter plates, | 0:09:45 | 0:09:47 | |
so these are plates to be putting in the back of the cameras. | 0:09:47 | 0:09:50 | |
-I like the look of that. Can we look at it? -The mahogany. | 0:09:50 | 0:09:53 | |
-The mahogany ones, the mahogany and brass quarter plates. -Yeah. | 0:09:53 | 0:09:56 | |
-Yeah, you like those, do you? -Yeah. Can we? -Yeah. | 0:09:56 | 0:09:58 | |
Could we have a look in this cabinet, please? | 0:09:58 | 0:10:01 | |
Promising. Now, cheeky offer time. | 0:10:01 | 0:10:05 | |
Matthew, your namesake, has an idea. | 0:10:05 | 0:10:08 | |
Yeah, so we think this is something... | 0:10:08 | 0:10:11 | |
You know, it's in a sale, you want to maybe get rid of it. | 0:10:11 | 0:10:14 | |
Right. We'll take it away. | 0:10:14 | 0:10:16 | |
We're thinking maybe around the £80 mark, though. | 0:10:16 | 0:10:19 | |
It's probably a little bit tight for us on that. | 0:10:20 | 0:10:23 | |
We could maybe do it for 90. | 0:10:23 | 0:10:25 | |
-Meet me in the middle, 85. -85? | 0:10:25 | 0:10:28 | |
-Um, yes, OK. -Wonderful. -Excellent, thank you. -Thanks so much. | 0:10:28 | 0:10:31 | |
That was brilliant. Thank you very much. | 0:10:31 | 0:10:33 | |
Shaking all around, I think, because that's a good price, | 0:10:33 | 0:10:36 | |
isn't it? | 0:10:36 | 0:10:38 | |
Almost half! Cheeky pays for the Blues. | 0:10:38 | 0:10:40 | |
Well, that was amazing. | 0:10:40 | 0:10:42 | |
-Full steam ahead - 11 minutes. -Yeah, not too bad. | 0:10:42 | 0:10:45 | |
Let's keep going at this pace and before you know it, | 0:10:45 | 0:10:47 | |
we'll have half an hour to just mill around. | 0:10:47 | 0:10:50 | |
-To browse. -While those Reds are stressed out, I'm sure. -Exactly. | 0:10:50 | 0:10:55 | |
Learning the rudiments of early photography, actually. | 0:10:55 | 0:10:58 | |
What, so these would slip in the back of the cameras? | 0:10:58 | 0:11:00 | |
In the back, and then you've got one exposure, bang, | 0:11:00 | 0:11:03 | |
turn it over, and another exposure. | 0:11:03 | 0:11:06 | |
-Right. -Do you get that? -Yeah. -The old mahogany bellows. | 0:11:06 | 0:11:09 | |
-And they put them in the back. -In it goes, yeah. Out it comes. | 0:11:09 | 0:11:12 | |
You can imagine he's looking in, says, "Smile." | 0:11:12 | 0:11:14 | |
That's why everyone looks so miserable in their photographs. | 0:11:14 | 0:11:17 | |
-They had to wait forever. -Forever! | 0:11:17 | 0:11:19 | |
You've got different sizes of plates, haven't you? | 0:11:19 | 0:11:21 | |
So it's for different sizes of cameras. | 0:11:21 | 0:11:23 | |
So what would people use these for these days, then? | 0:11:23 | 0:11:26 | |
-Well, they are collectors' pieces. -Yeah, just as collectibles? | 0:11:26 | 0:11:29 | |
-Just to collect, yeah. -And how much have they got on each of those? | 0:11:29 | 0:11:32 | |
Well, they are 12. | 0:11:32 | 0:11:34 | |
-That one is eight. -Eight. -And that one is 12. | 0:11:34 | 0:11:38 | |
24, plus that, makes 32. | 0:11:38 | 0:11:41 | |
-32. -Yeah. -And you know, you've got little numbers here. | 0:11:41 | 0:11:45 | |
-Three and four. -Thornton and Pickard. -They were a good maker? | 0:11:45 | 0:11:49 | |
-They were a really good maker. -Yeah? -Let's do it. | 0:11:49 | 0:11:52 | |
-Yep. -You like them? -I like them, yeah. | 0:11:52 | 0:11:55 | |
If we could get the three for £20... | 0:11:55 | 0:11:57 | |
-I mean, I think that £20 is where you want to be, really. -BOTH: -Yeah. | 0:11:57 | 0:12:01 | |
Bit of history, and photography is dead popular. | 0:12:01 | 0:12:03 | |
Love it. It's good to go. | 0:12:03 | 0:12:05 | |
Do you want to ask? Yep, let's go and ask. | 0:12:05 | 0:12:06 | |
Time to talk to Marianne. | 0:12:06 | 0:12:08 | |
There's three here. These come to £32. | 0:12:08 | 0:12:10 | |
What is the best on these? | 0:12:10 | 0:12:12 | |
-25, really, I think. -Hm. | 0:12:12 | 0:12:13 | |
Well, that's a good offer. We were hoping for 20. | 0:12:13 | 0:12:16 | |
22. | 0:12:16 | 0:12:17 | |
-22... -That's... -You couldn't do 20 for me? | 0:12:18 | 0:12:22 | |
Go on, 20 for us. | 0:12:22 | 0:12:23 | |
-Go on then, 20. -Yes? -Yeah! | 0:12:23 | 0:12:25 | |
-Yes? -I think we'll have them. -Thank you. Yeah, let's do it. Thank you. | 0:12:25 | 0:12:29 | |
-Marianne. -Thank you. -Thank you, Marianne. | 0:12:29 | 0:12:32 | |
One each, nicely balanced. | 0:12:32 | 0:12:34 | |
I really like this. What do you think of this? | 0:12:34 | 0:12:37 | |
Wow, yeah. That's really curious. | 0:12:37 | 0:12:39 | |
Early vintage postal scales, brass with ceramic. | 0:12:39 | 0:12:41 | |
I've never really seen a scale like that before. | 0:12:41 | 0:12:43 | |
It's an interesting object, isn't it? | 0:12:43 | 0:12:45 | |
I tell you what, it's an interesting bit of design. | 0:12:45 | 0:12:48 | |
-It's stylish. It's £48. -£48, OK. | 0:12:48 | 0:12:51 | |
-I think at auction it's £20 to £40. -OK. | 0:12:51 | 0:12:53 | |
But, you know, scales for some reason are still quite popular. | 0:12:53 | 0:12:57 | |
We were pretty good with our pricing last time. | 0:12:57 | 0:12:59 | |
If we keep going the way you've been...setting the example so far. | 0:12:59 | 0:13:02 | |
Yeah, we're quite hard-nosed. | 0:13:02 | 0:13:03 | |
-Shall we go and find Matthew? Shall we go for that? -Sure. -OK. | 0:13:03 | 0:13:06 | |
There he is. A-ha. | 0:13:06 | 0:13:07 | |
-Oh. -I think Matthew is going to be following us around, | 0:13:07 | 0:13:10 | |
thinking, "Are they going to spend some money?" | 0:13:10 | 0:13:12 | |
The boys really like these scales. | 0:13:12 | 0:13:14 | |
I can certainly speak to the dealer for you. | 0:13:14 | 0:13:16 | |
I mean, maybe the dealer would be happy to keep his box | 0:13:16 | 0:13:19 | |
and we could say, for the scales, we'll offer you... | 0:13:19 | 0:13:22 | |
-20 quid? -£20? -£20, yeah. | 0:13:22 | 0:13:24 | |
OK, we'll see what we can do. | 0:13:24 | 0:13:25 | |
-That would be lovely. Thank you so much. -Thanks. | 0:13:25 | 0:13:28 | |
So, while Matthew has a word with the dealer, the Blues steam on. | 0:13:28 | 0:13:32 | |
We are still on the clock. | 0:13:32 | 0:13:33 | |
OK, I'm going to follow you because you guys have a great eye. | 0:13:33 | 0:13:35 | |
I love this. | 0:13:35 | 0:13:37 | |
I sort of feel like we are not, you know, consulting you enough. | 0:13:37 | 0:13:40 | |
Not at all. I've decided I'm never buying anything antique again. | 0:13:40 | 0:13:43 | |
I'm going modern from now on. | 0:13:43 | 0:13:45 | |
Hopefully, Matthew can deliver on those scales | 0:13:45 | 0:13:49 | |
and the Reds can pick up a sweet deal of their own. | 0:13:49 | 0:13:53 | |
What about these? | 0:13:53 | 0:13:54 | |
These are Georgian sugar tongs. They are silver. | 0:13:54 | 0:13:57 | |
Quite nice, the sugar tongs, with acorn finials there. | 0:13:57 | 0:14:00 | |
And this decoration we call bright-cut. | 0:14:00 | 0:14:04 | |
-They are probably 1780s, about 200 years old. -Oh! | 0:14:04 | 0:14:06 | |
You know, for your sugar. Are they nips or tongs? | 0:14:06 | 0:14:08 | |
-I would call them nips. -Yeah, they look more like nips. | 0:14:08 | 0:14:11 | |
-They called them tongs. -Right. | 0:14:11 | 0:14:12 | |
And I've got a funny feeling that these are tongs, | 0:14:12 | 0:14:15 | |
and I think nips are hinged. | 0:14:15 | 0:14:16 | |
-Is that right? -Like scissors. | 0:14:16 | 0:14:19 | |
Well, that's cleared that up. | 0:14:19 | 0:14:20 | |
They're not hallmarked, so to speak. | 0:14:20 | 0:14:22 | |
They have got a lion passant, | 0:14:22 | 0:14:24 | |
but they haven't got a date letter or assay mark. £38. | 0:14:24 | 0:14:27 | |
-If we can get it down to 20... -I think if we can get it to 20, | 0:14:27 | 0:14:30 | |
25, we've got a good chance with those. | 0:14:30 | 0:14:31 | |
-Shall we send your dad off? -Yeah, go on, Dad. | 0:14:31 | 0:14:33 | |
-Is he all right? -Yeah, he'll do it. | 0:14:33 | 0:14:35 | |
-Are you good at this? -He's good, yeah. -I'll try. | 0:14:35 | 0:14:37 | |
-We'll go look at something else. -Use the charm. | 0:14:37 | 0:14:40 | |
So while David heads off, the Blues have some news. | 0:14:40 | 0:14:43 | |
He can do the scales with the box for £30 for you. | 0:14:43 | 0:14:46 | |
-Oh, wow, OK. -£30? OK. -What do you think? | 0:14:46 | 0:14:49 | |
I think it's definitely one to keep it on the to watch list. | 0:14:49 | 0:14:52 | |
-On the cards. -Yeah, definitely. | 0:14:52 | 0:14:53 | |
If we're running out of time, you know, round the end, maybe we can... | 0:14:53 | 0:14:56 | |
-Bear it in mind, I think. -OK. -We'll keep it in my mind. | 0:14:56 | 0:14:58 | |
-Would you mind terribly keeping it aside for us? -Thank you. | 0:14:58 | 0:15:01 | |
That's absolutely lovely. Thank you so much. | 0:15:01 | 0:15:03 | |
They may well be back for those. | 0:15:03 | 0:15:06 | |
CRASH | 0:15:06 | 0:15:07 | |
Well, there's another thing I've broken. | 0:15:07 | 0:15:09 | |
Oh, steady on, Thomas. | 0:15:09 | 0:15:11 | |
But while those two have fun, David has got work to do. | 0:15:11 | 0:15:13 | |
-Well, we really like these Georgian sugar nips. -Right. | 0:15:13 | 0:15:16 | |
Or tongs. | 0:15:16 | 0:15:18 | |
They're marked up at £38. | 0:15:18 | 0:15:20 | |
We'd really look be looking to pay around the £20 mark for them, | 0:15:20 | 0:15:23 | |
-if we could. -Won't do £20, that's too low. -No? Is it? -Yeah. | 0:15:23 | 0:15:27 | |
I'll go to 25. | 0:15:27 | 0:15:29 | |
OK, I'll have a word with Liz and Thomas and see what we think. | 0:15:29 | 0:15:32 | |
-OK, thank you. -OK, thanks. | 0:15:32 | 0:15:33 | |
Now, pay attention, you lot. | 0:15:33 | 0:15:35 | |
Right... I've had a word with Marianne. | 0:15:35 | 0:15:37 | |
-Sorry. -That's all right. -We're playing. | 0:15:37 | 0:15:39 | |
-We weren't being serious. -Posing. | 0:15:39 | 0:15:42 | |
The best she will do for these at the moment is 25. | 0:15:42 | 0:15:45 | |
I did try to get them for 20, but she won't budge. | 0:15:45 | 0:15:48 | |
25 is the lowest she'll go. What do you think, Thomas? | 0:15:48 | 0:15:50 | |
-I think we should have them. -Yep. Let's go for it, shall we? | 0:15:50 | 0:15:53 | |
I don't know. I don't know whether they'll make any profit. | 0:15:53 | 0:15:56 | |
No, I'll tell you what, let's do it because I got the photography | 0:15:56 | 0:15:59 | |
thing, so if you get these, these will be your buy. | 0:15:59 | 0:16:01 | |
-Let's go for it. -Yeah, let's go for it. | 0:16:01 | 0:16:03 | |
-And then we'll go for one... -Final... -..final, big item. | 0:16:03 | 0:16:06 | |
-Bazinga. -Let's get something a bit more meaty. | 0:16:06 | 0:16:09 | |
Bazinga? Sounds good, whatever it is. | 0:16:09 | 0:16:12 | |
-Yeah! -Come on, let's go this way. -OK. | 0:16:12 | 0:16:14 | |
Second item down with just over 20 minutes gone. | 0:16:14 | 0:16:17 | |
Have the Blues found an antique? Ha! Not likely. | 0:16:17 | 0:16:21 | |
So what have we got here? | 0:16:21 | 0:16:22 | |
What do you think is going to be inside? It's got to be a typewriter. | 0:16:22 | 0:16:25 | |
-I thought it might be a typewriter, yeah. -It is. | 0:16:25 | 0:16:27 | |
-It is not just any, it's a Gabriele 2000. -Yes, of course. | 0:16:27 | 0:16:30 | |
Isn't that the kind of look that people go down now | 0:16:30 | 0:16:32 | |
-for kitchenware and things? -Ooh! -Oops! | 0:16:32 | 0:16:34 | |
You break, you buy, Matthew. | 0:16:34 | 0:16:36 | |
(Especially as the dealer is lurking close by.) | 0:16:36 | 0:16:39 | |
This is my typewriter. I've got £48 on it. I'd probably go down to 40. | 0:16:39 | 0:16:45 | |
40 is the best price on that. Right, OK. | 0:16:45 | 0:16:47 | |
-I don't know. Is that another one to think about? -Yeah, I'd say so. | 0:16:47 | 0:16:50 | |
I would potentially say that. | 0:16:50 | 0:16:52 | |
-Would you mind if we put it behind? -No. | 0:16:52 | 0:16:53 | |
-Then we can come back to you. -Absolutely. -Thank you very much. | 0:16:53 | 0:16:56 | |
Well, they're not short of possibilities. | 0:16:56 | 0:16:59 | |
But while our teams rummage on, I'm taking a tea break. | 0:16:59 | 0:17:03 | |
This is an interesting advertising sign | 0:17:10 | 0:17:13 | |
which I found in a boot fair some time ago. | 0:17:13 | 0:17:16 | |
It is enamel on metal. | 0:17:16 | 0:17:18 | |
And it is advertising Nectar Tea. | 0:17:18 | 0:17:22 | |
When did we start drinking tea? | 0:17:22 | 0:17:24 | |
Well, the story I particularly like is of the early Chinese | 0:17:24 | 0:17:28 | |
emperor sitting in the garden | 0:17:28 | 0:17:30 | |
and one of his servants comes out with a cup of boiling water. | 0:17:30 | 0:17:33 | |
And just before he sips it, a leaf blows off a tree and lands in it. | 0:17:33 | 0:17:38 | |
Then, when he takes the sip, "Ah!" It tasted of something. | 0:17:38 | 0:17:42 | |
And hey presto, it was the first cup of tea. | 0:17:42 | 0:17:45 | |
By 1750, it had become our national drink. | 0:17:45 | 0:17:49 | |
We have been drinking tea ever since. | 0:17:49 | 0:17:51 | |
This is enamelled. | 0:17:51 | 0:17:52 | |
Enamelling started with the ancient Greeks and the Romans. | 0:17:52 | 0:17:57 | |
It is basically applying molten glass onto metal. | 0:17:57 | 0:18:01 | |
This gives it a really strong finish. | 0:18:01 | 0:18:05 | |
If you chip it, of course, you expose the bare metal. | 0:18:05 | 0:18:08 | |
And then, of course, the elements can get to it. | 0:18:08 | 0:18:10 | |
You might get some rusting. | 0:18:10 | 0:18:12 | |
I love it because of its shape and I love it for what it depicts. | 0:18:12 | 0:18:16 | |
Rather than just a standard square sign, this is in the form of a cup. | 0:18:16 | 0:18:21 | |
And these signs become extremely collectible. | 0:18:21 | 0:18:24 | |
Some of them can make thousands of pounds. | 0:18:24 | 0:18:27 | |
And this, although it only cost me a few pounds, | 0:18:27 | 0:18:30 | |
I saw one sold the other day, and it made £300. | 0:18:30 | 0:18:33 | |
Not a bad return on a small capital outlay. I'll drink to that. | 0:18:33 | 0:18:38 | |
Now, with just 25 minutes to go, the search is hotting up. | 0:18:46 | 0:18:50 | |
Oh! What a mess. | 0:18:50 | 0:18:52 | |
-We're not here to shop. -No, not for ourselves, Liz. | 0:18:52 | 0:18:54 | |
Can't just buy clothes. | 0:18:54 | 0:18:56 | |
And Thomas is extending his vocabulary. | 0:18:56 | 0:18:59 | |
-What word did you use before? -Bazinga. -Bazinga, what is this? | 0:18:59 | 0:19:03 | |
Like, bazinga is when something happens, | 0:19:03 | 0:19:05 | |
like you have a breakthrough. | 0:19:05 | 0:19:07 | |
Well, it's about time we had a bazinga then. | 0:19:07 | 0:19:09 | |
And the Blues may well have found something else on their list. | 0:19:09 | 0:19:12 | |
Do you know what? At 22 quid, what you have there is an homage... | 0:19:12 | 0:19:16 | |
-It's obviously not a Thonet chair... -Sure, of course. | 0:19:16 | 0:19:19 | |
..but an homage to a very classic design. | 0:19:19 | 0:19:22 | |
But in such a nice, subtle... It's not in your face. | 0:19:22 | 0:19:25 | |
Something that might do well, you think? | 0:19:25 | 0:19:27 | |
I think that might do all right. | 0:19:27 | 0:19:29 | |
I much prefer the original non-painted one. | 0:19:29 | 0:19:31 | |
-How do you feel about that? -Yeah, absolutely. | 0:19:31 | 0:19:34 | |
-Fischel child's Bentwood chair, needing TLC. -What does that mean? | 0:19:34 | 0:19:37 | |
Needing TLC! So it might be a wee bit rickety. | 0:19:37 | 0:19:40 | |
-Rickety. And it might need... -Shall we have a look? | 0:19:40 | 0:19:42 | |
-A wee bit of a shoogle. -Ho-ho! It is rather... -It is very shoogly. | 0:19:42 | 0:19:45 | |
-'It certainly is.' -15 quid, something like that? | 0:19:45 | 0:19:47 | |
Let's try, then we've got money to buy something big after. | 0:19:47 | 0:19:50 | |
-Yeah, yeah. -Let's go for it. | 0:19:50 | 0:19:51 | |
-So, OK... Hello, Matthew. -Matthew, hi. | 0:19:51 | 0:19:54 | |
Poor Matthew, he's been put through his paces here. | 0:19:54 | 0:19:57 | |
We were hoping something straight down the middle, like a tenner. | 0:19:57 | 0:20:01 | |
-We could do 15 for you. -Let's do 12. | 0:20:01 | 0:20:04 | |
Cos I really think... You know, it's in quite bad nick. | 0:20:04 | 0:20:08 | |
-You couldn't sit on it. -I can't quite do 12. | 0:20:08 | 0:20:10 | |
We could take a little bit more off, say 14. | 0:20:10 | 0:20:13 | |
All right. You drive a hard bargain. | 0:20:13 | 0:20:15 | |
-Done. -Let's shake on it. All right. | 0:20:15 | 0:20:18 | |
-Done? -Done. -Happy with that? OK. | 0:20:18 | 0:20:20 | |
Well, we've about ten minutes to go. | 0:20:20 | 0:20:23 | |
Both teams are still an item short, so what's the plan? | 0:20:23 | 0:20:27 | |
Really hope this last item is their choice, | 0:20:27 | 0:20:30 | |
they've engaged with it and they go for it rather than me leading. | 0:20:30 | 0:20:35 | |
They've stuck with what they wanted, design classics, | 0:20:35 | 0:20:38 | |
a chair inspired by Thonet and a mid-century lamp. Just the job. | 0:20:38 | 0:20:43 | |
Maybe so, but it is all still to play for. | 0:20:43 | 0:20:46 | |
-So I think this next item... -Yeah. -..has got a be a what? | 0:20:46 | 0:20:49 | |
-A really good item. -What is it called? A gaz...? -A good one? | 0:20:49 | 0:20:54 | |
-A gazinga? -Bazinga! -Bazinga. | 0:20:54 | 0:20:57 | |
-Bazingo? -Bazinga. -There's some lovely jewellery down here. -OK. | 0:20:57 | 0:21:02 | |
Yeah, and there are some lovely bits of silver. | 0:21:02 | 0:21:04 | |
Here I am, on my knees for you. | 0:21:04 | 0:21:06 | |
THEY LAUGH | 0:21:06 | 0:21:09 | |
Hoping and praying you buy something amazing. | 0:21:09 | 0:21:12 | |
That's the spirit, Thomas! | 0:21:12 | 0:21:14 | |
Meanwhile, with five minutes left, | 0:21:14 | 0:21:16 | |
panic seems to have broken out elsewhere. | 0:21:16 | 0:21:18 | |
-Let's go. -OK, where shall we go? Which way? Which way? | 0:21:18 | 0:21:21 | |
Time's running out, so we need to be close by. | 0:21:21 | 0:21:24 | |
Time for Natasha to step in? | 0:21:24 | 0:21:26 | |
Do you know what, I might enquire about... | 0:21:26 | 0:21:28 | |
I don't know how you felt about them, but the wee name card holders. | 0:21:28 | 0:21:31 | |
Did you hate those? | 0:21:31 | 0:21:33 | |
-Back from the beginning. -If they were really cheap? | 0:21:33 | 0:21:35 | |
Enquire, see what we can get on that. | 0:21:35 | 0:21:37 | |
OK, you keep looking, I'll keep looking. | 0:21:37 | 0:21:39 | |
Not exactly a ringing endorsement, Natasha. | 0:21:39 | 0:21:42 | |
And what has David got his eye on? | 0:21:42 | 0:21:44 | |
I actually quite like those bookends. | 0:21:44 | 0:21:46 | |
They're quite cool, aren't they? | 0:21:46 | 0:21:47 | |
-Yeah. -They are nice. -There is something about them. | 0:21:47 | 0:21:49 | |
-Very different, yeah. -Well, he is a Canaries fan. | 0:21:49 | 0:21:52 | |
I think they're probably budgies, though. | 0:21:52 | 0:21:54 | |
-These are made out of alabaster. -What is alabaster? | 0:21:54 | 0:21:57 | |
Alabaster, it's a hard stone, | 0:21:57 | 0:21:58 | |
but it has that waxy appearance to it, doesn't it? | 0:21:58 | 0:22:01 | |
It is quite cold to touch. | 0:22:01 | 0:22:02 | |
-Yep. -And it is quite easy to carve. | 0:22:02 | 0:22:04 | |
And I suppose one would call it almost like a poor man's marble. | 0:22:04 | 0:22:07 | |
Yeah. | 0:22:07 | 0:22:09 | |
-But I love the birds on it, cos it's very Art Deco. -Mm. | 0:22:09 | 0:22:12 | |
So we're looking at the 1920s. | 0:22:12 | 0:22:14 | |
1920s, about 100 years old then, nearly. | 0:22:14 | 0:22:16 | |
-And they are small enough to be collectible. -Right. | 0:22:16 | 0:22:19 | |
-They are a lot of money. -Yeah, they are. | 0:22:19 | 0:22:22 | |
-There are a LOT of money! -165. -And they are too much money. -Yeah. | 0:22:22 | 0:22:25 | |
Do you want me to go and have a conversation | 0:22:25 | 0:22:27 | |
-and find out what we can get them for? -Yeah. | 0:22:27 | 0:22:29 | |
And at the other end of the spectrum... | 0:22:29 | 0:22:31 | |
They are a tenner! | 0:22:31 | 0:22:33 | |
-That is cheap. -They are cheap. I think it gives us two options. -Yeah. | 0:22:33 | 0:22:37 | |
Are you up for a bit of jeopardy with the scales? | 0:22:37 | 0:22:39 | |
I think Matthew has been sold on the scales from the very | 0:22:39 | 0:22:42 | |
-beginning. -You are keen on the scales? -I like them. | 0:22:42 | 0:22:44 | |
Well, I like the fact that you seem to really know what you like. | 0:22:44 | 0:22:47 | |
-No, I do like that. -I'm glad it comes across that way. | 0:22:47 | 0:22:50 | |
No, I do really like it. | 0:22:50 | 0:22:51 | |
And you are impressed by good design and quality, | 0:22:51 | 0:22:53 | |
-and that is a lovely thing. And it should sell itself. -We hope. | 0:22:53 | 0:22:57 | |
Shall we go for the scales? | 0:22:57 | 0:22:59 | |
-Let's do it. -OK, let's do it. -Let's do it. | 0:22:59 | 0:23:00 | |
So the scales for £30 instead of those apples for ten. | 0:23:00 | 0:23:04 | |
Let's hope they're right. So, what news on the budgies? | 0:23:04 | 0:23:07 | |
-Yeah, what did you get? -What do you think? | 0:23:07 | 0:23:11 | |
-120. -No! -Less? -Less. -95. -Less. | 0:23:11 | 0:23:15 | |
-SHE GASPS -They're £78 if we want them. -No! | 0:23:15 | 0:23:18 | |
-Yeah. -What do you think of that? -I think they're very good. | 0:23:18 | 0:23:21 | |
-I think we're going to go for the bookends. -£78. | 0:23:21 | 0:23:23 | |
-You're going to do those, are you? -Yeah. | 0:23:23 | 0:23:25 | |
-Promise? -Promise. -Yep. -That's it, done. | 0:23:25 | 0:23:27 | |
-Yeah? -Done, yeah. -100%, you're happy? -Yep, we're happy. -Yep. | 0:23:27 | 0:23:30 | |
-I think you've bought some really nice things. -OK. -Well done. | 0:23:30 | 0:23:33 | |
Bazinga! | 0:23:33 | 0:23:35 | |
So, with just one minute to go... | 0:23:35 | 0:23:37 | |
-Still there? -Still there. -As promised by Matthew. | 0:23:37 | 0:23:40 | |
I think we've got just enough time to meet Matthew... | 0:23:40 | 0:23:43 | |
Thank you so much for keeping those aside. ..and to do the deal. | 0:23:43 | 0:23:46 | |
Who wants to be the money man, Bruno? | 0:23:46 | 0:23:48 | |
-Can do, yeah, sure. How much did we agree was it again? -30. | 0:23:48 | 0:23:51 | |
-30. Not ten, you sure? -THEY LAUGH | 0:23:51 | 0:23:53 | |
-Good try. -ALARM CLOCK RINGS | 0:23:53 | 0:23:55 | |
Right, teams, your 3,600 seconds are up. | 0:23:55 | 0:24:00 | |
-Hopefully the scales will be tipped in our favour. -Hey! | 0:24:00 | 0:24:03 | |
Oh, my goodness. | 0:24:03 | 0:24:05 | |
So... Let's just see what the Red team have bought. | 0:24:05 | 0:24:10 | |
Some collectable mahogany photographic plates for £20. | 0:24:10 | 0:24:15 | |
The bright-cut Georgian sugar tongs for £25. | 0:24:15 | 0:24:19 | |
And those cool alabaster budgie bookends for £78. | 0:24:19 | 0:24:24 | |
David and Liz, was that easy? | 0:24:24 | 0:24:26 | |
-Not as easy as we thought, but it was real good fun. -Yeah. -Yeah? | 0:24:26 | 0:24:29 | |
-You enjoyed it? -Yes. -Did he look after you? | 0:24:29 | 0:24:31 | |
-He was so good. -He certainly did. It was good fun, yes. | 0:24:31 | 0:24:34 | |
Did he give you any advice? | 0:24:34 | 0:24:36 | |
Yes, he did. We didn't always take it, but he gave it. | 0:24:36 | 0:24:39 | |
What was your favourite item, David? | 0:24:39 | 0:24:42 | |
-I think the little alabaster bookends. -Yeah? You like those? | 0:24:42 | 0:24:45 | |
-Yes, I did. Yes. -Liz, your favourite lot? -Probably the sugar tongs. | 0:24:45 | 0:24:48 | |
-Oh, the sugar tongs! -Yeah, they've become my favourite. Yeah. | 0:24:48 | 0:24:51 | |
What is going to make the biggest profit, Liz? | 0:24:51 | 0:24:53 | |
(The sugar tongs.) | 0:24:53 | 0:24:55 | |
-The sugar tongs. David, what do you think? -Yes, I agree. | 0:24:55 | 0:24:58 | |
You agree? Are they right, Thomas? | 0:24:58 | 0:25:00 | |
Not to sound like a scratched record, but yes. | 0:25:00 | 0:25:04 | |
All in agreement, that's marvellous. | 0:25:04 | 0:25:07 | |
Now, you didn't spend a huge fortune, did you? | 0:25:07 | 0:25:10 | |
-No, only £123, unfortunately. -£123. That means... | 0:25:10 | 0:25:13 | |
-We tried to spend more. -..you've got 177 to give to me. -177, yes. | 0:25:13 | 0:25:18 | |
If my maths are right, Thomas. | 0:25:18 | 0:25:20 | |
Oh, this fills me with terror, giving this man so much money. | 0:25:20 | 0:25:25 | |
Thomas, good luck with it. What are you going to do with it? | 0:25:25 | 0:25:28 | |
-Well, I am a guardian for this sort of money. -Yeah. | 0:25:28 | 0:25:31 | |
-I hope to spend it...all. -We want you to spend the whole lot. | 0:25:31 | 0:25:36 | |
I'll try. | 0:25:36 | 0:25:37 | |
And in the meanwhile, let's see what the Blue team have bought. | 0:25:37 | 0:25:40 | |
That gigantic 1970s uplighter for £85. | 0:25:40 | 0:25:45 | |
Bruno's slightly shoogly chair for £14. | 0:25:45 | 0:25:49 | |
And Matthew's postage scales for £30. | 0:25:50 | 0:25:54 | |
Matthew and Bruno, have you enjoyed yourselves hugely? | 0:25:54 | 0:25:57 | |
-Definitely. -Absolutely. -Good. Was it easy? | 0:25:57 | 0:26:00 | |
-Not at all. -No. -You found it hard, did you? | 0:26:00 | 0:26:03 | |
-Under the pressure, you know. -Oh, dear. | 0:26:03 | 0:26:05 | |
Did you find them easy to manage? | 0:26:05 | 0:26:07 | |
I wouldn't say I managed you, you sort of told me what to do. | 0:26:07 | 0:26:09 | |
-You knew... -We were a bit stubborn, I think. | 0:26:09 | 0:26:11 | |
-What was your favourite lot? -Favourite lot, do you think? | 0:26:11 | 0:26:14 | |
-The lamp. -I think the lamp, yeah. -The lamp. | 0:26:14 | 0:26:16 | |
Is that going to make the biggest profit? | 0:26:16 | 0:26:18 | |
-I think it will. -To the right buyer. | 0:26:18 | 0:26:20 | |
Yeah, if the right buyer is in the room. | 0:26:20 | 0:26:21 | |
You love the lamp, it's... Are they right? | 0:26:21 | 0:26:24 | |
I don't know, it was so space-age. | 0:26:24 | 0:26:26 | |
If I were in the auction room, I'd be bidding someone up, | 0:26:26 | 0:26:29 | |
and I'd want to win it. | 0:26:29 | 0:26:30 | |
So if you spent 129, you must have £171 burning a hole in your pocket. | 0:26:30 | 0:26:35 | |
It's burning a hole right now. | 0:26:35 | 0:26:36 | |
-Let's have a look at it. -Hand it over to you. -Very good. | 0:26:36 | 0:26:39 | |
Somewhat reluctantly, I shall pass it over to this young girl, | 0:26:39 | 0:26:43 | |
who will have no trouble spending it all. | 0:26:43 | 0:26:45 | |
So while Natasha decides what on earth to do with her money, | 0:26:45 | 0:26:48 | |
we are off to the auction. | 0:26:48 | 0:26:50 | |
South of the capital at Selsdon, | 0:26:54 | 0:26:56 | |
we have come to Catherine Southon's salesroom. | 0:26:56 | 0:27:00 | |
Lurking in the middle of Surrey is one of Bargain Hunt's | 0:27:00 | 0:27:03 | |
favourite auctioneers. | 0:27:03 | 0:27:05 | |
Miss Catherine Southon. Hello. | 0:27:05 | 0:27:07 | |
-Hello. -How are you? | 0:27:07 | 0:27:09 | |
-Very good. Thank you for coming. -Wonderful to be here. | 0:27:09 | 0:27:12 | |
-Are you excited by our goods? -Very. | 0:27:12 | 0:27:15 | |
Well, Liz and David, ably assisted by Thomas Plant, | 0:27:15 | 0:27:18 | |
they went out to spend big, and here is the result. | 0:27:18 | 0:27:21 | |
Well, I will be interested to see if they actually spent big in the end. | 0:27:21 | 0:27:24 | |
Well, let's start with the camera plates. What do you think? | 0:27:24 | 0:27:27 | |
Lovely quality, nice mahogany | 0:27:27 | 0:27:29 | |
-and brass with those lovely little roundels there. -Yeah. | 0:27:29 | 0:27:32 | |
And we've got a great name on them. | 0:27:32 | 0:27:34 | |
-Thornton-Pickard. -Thornton-Pickard. Always good for the cameras. | 0:27:34 | 0:27:38 | |
I think they are going to excite people. | 0:27:38 | 0:27:40 | |
I mean, I have put quite a come-and-get-me estimate on them. | 0:27:40 | 0:27:43 | |
We'll see what happens. | 0:27:43 | 0:27:44 | |
-What's your come-and-get-me estimate? -It's 20 to 40. | 0:27:44 | 0:27:47 | |
Very reasonable. | 0:27:47 | 0:27:49 | |
-Cost 20. -OK, so they are not spending big at the moment. | 0:27:49 | 0:27:53 | |
No, they're not. Sugar tongs. | 0:27:53 | 0:27:55 | |
Yes, I mean, they are Georgian sugar tongs, George III, bright-cut. | 0:27:55 | 0:28:00 | |
They're at every fair. They're at every auction. | 0:28:00 | 0:28:02 | |
I've been rather mean. I've put £15 to £20. | 0:28:02 | 0:28:05 | |
They didn't pay far too much for them, in my opinion, | 0:28:05 | 0:28:08 | |
just at the sort of top-end. £25. | 0:28:08 | 0:28:10 | |
Well, that's OK. We might creep there. | 0:28:10 | 0:28:13 | |
What do you think of the bookends? | 0:28:13 | 0:28:15 | |
I think they're actually rather smart. | 0:28:15 | 0:28:17 | |
They are 1930s. People like their birds. | 0:28:17 | 0:28:19 | |
People like their 1930s. I think these will do well. | 0:28:19 | 0:28:23 | |
-Estimate? -40 to 60? | 0:28:23 | 0:28:26 | |
Hm. Paid a chunky 78. | 0:28:26 | 0:28:29 | |
Ah, that's where they spent their money. | 0:28:29 | 0:28:31 | |
-That's where they spent their money. -Right. We might get there. | 0:28:31 | 0:28:34 | |
But if those birds don't fly, they'll need their bonus buy. | 0:28:34 | 0:28:37 | |
-David, where is Liz? -She's got an audition this morning. -Exciting! | 0:28:39 | 0:28:43 | |
Yes, but she should be here for the auction. | 0:28:43 | 0:28:45 | |
She's getting a cab straight here, so she'll be here for the fun. | 0:28:45 | 0:28:48 | |
Fingers crossed. | 0:28:48 | 0:28:49 | |
-We'll keep our fingers crossed. -Yeah, absolutely. | 0:28:49 | 0:28:51 | |
-Did you enjoy the shop? -Yes, it was good fun, real good fun. | 0:28:51 | 0:28:54 | |
-Was it? -Yep. Thomas looked after us, so that was great. | 0:28:54 | 0:28:56 | |
-You spent £123... -Yes. -..which left him with quite a lot. -Yes. -177. | 0:28:56 | 0:29:01 | |
-I thought I would need to make you a profit. -Absolutely. | 0:29:01 | 0:29:05 | |
So I bought you a fabulous little Art Deco pin tray. | 0:29:05 | 0:29:10 | |
Cold-painted spelter figures of fawns, of little baby deer, | 0:29:10 | 0:29:13 | |
polished onyx. | 0:29:13 | 0:29:14 | |
It's something you have by the side of your bed or on the | 0:29:14 | 0:29:17 | |
mantelpiece as you walk in, put your rings, your watch in, etc. | 0:29:17 | 0:29:21 | |
But I don't think they are going to be bronze. | 0:29:21 | 0:29:23 | |
-Well, we'll find out with the price. -The price I paid, yes. | 0:29:23 | 0:29:26 | |
So how much did you pay for it, Thomas? | 0:29:26 | 0:29:28 | |
-All of £30. -Wow. | 0:29:28 | 0:29:30 | |
So that does seem a good price. | 0:29:30 | 0:29:32 | |
And what do you think it will make in auction, then? | 0:29:32 | 0:29:34 | |
I think you've got a chance of making £40 to £60 on it. | 0:29:34 | 0:29:37 | |
-HE GASPS -I think you're definitely going | 0:29:37 | 0:29:39 | |
to make a £10, £20 profit on that. | 0:29:39 | 0:29:41 | |
Yeah? That's fantastic. No, it seems a good buy. I like that. | 0:29:41 | 0:29:44 | |
I really like that. | 0:29:44 | 0:29:45 | |
-What is Liz going to think of it? -She'll love it, I think. | 0:29:45 | 0:29:48 | |
-Will she? -She will really enjoy it. -Good. -She will really like it, yeah. | 0:29:48 | 0:29:51 | |
Well, who knows, if Liz likes it, | 0:29:51 | 0:29:53 | |
Catherine Southon might like it as well. | 0:29:53 | 0:29:56 | |
-Right. Is this ticking your boxes? -Sort of yes and no. | 0:29:56 | 0:30:01 | |
-The good side is, yes, it is a pin tray. -Yeah. | 0:30:01 | 0:30:04 | |
Because you might look at that and think perhaps an ashtray or | 0:30:04 | 0:30:07 | |
something like that, but it is a bit twee. I'm just not sure. | 0:30:07 | 0:30:11 | |
What about an estimate? | 0:30:11 | 0:30:12 | |
-I've put £30 to £50 on that. -Yeah. | 0:30:12 | 0:30:15 | |
Well, that again fits in beautifully with their purchase at £30. | 0:30:15 | 0:30:19 | |
-That's good. -They're not going to do too badly, are they? I think. | 0:30:19 | 0:30:22 | |
-No. -And Matthew and Bruno. The uplighter. | 0:30:22 | 0:30:25 | |
Um... | 0:30:25 | 0:30:27 | |
-OK, let's be positive here. -Yes. | 0:30:27 | 0:30:29 | |
-Maybe in a cool, sort of trendy London home. -Yeah. | 0:30:29 | 0:30:32 | |
-This in the corner. -Would it look good in your sitting room... | 0:30:32 | 0:30:35 | |
-You're doing a bit of a groove. -..Miss Southon? | 0:30:35 | 0:30:37 | |
No, I don't think that would fit in. | 0:30:37 | 0:30:39 | |
But I think somewhere, in the right setting... I think | 0:30:39 | 0:30:43 | |
they've got imagination. It could have a good look. | 0:30:43 | 0:30:46 | |
Come on, let's have an estimate. | 0:30:46 | 0:30:47 | |
-I think I was a bit optimistic. -Mm-hm. | 0:30:47 | 0:30:50 | |
Because we said 40 to 60. | 0:30:50 | 0:30:53 | |
-Punchy. Paid 85. -Oh! | 0:30:53 | 0:30:56 | |
-You never know, though. -No. -What do you think about the Bentwood chair? | 0:30:56 | 0:30:59 | |
Rather nice. But I wouldn't put a child on it. | 0:30:59 | 0:31:02 | |
Well, you certainly wouldn't put an adult on it. Would you? | 0:31:02 | 0:31:05 | |
-SHE LAUGHS -I wouldn't put an adult on it, no. | 0:31:05 | 0:31:08 | |
-It has got a bit of a wobble on. -It has got a wobble on. | 0:31:08 | 0:31:10 | |
It is a little unstable. | 0:31:10 | 0:31:11 | |
-I think great for teddy bears. -Estimate? -20 to 30. | 0:31:11 | 0:31:14 | |
-Hm, well, they only paid £14. -They did better on that than that. | 0:31:14 | 0:31:19 | |
Yes, I think you're absolutely right. | 0:31:19 | 0:31:21 | |
-Let's move swiftly on to the scales, the parcel scales. -Yes. | 0:31:21 | 0:31:25 | |
I like parcel scales. Something like this, I think, is rather nice. | 0:31:25 | 0:31:28 | |
It's pretty good quality. | 0:31:28 | 0:31:30 | |
I don't think that it started life in this box. | 0:31:30 | 0:31:33 | |
-No. -It doesn't fit in the box very well. | 0:31:33 | 0:31:34 | |
And I think they're just of different eras. | 0:31:34 | 0:31:37 | |
It's pretty simple, it's got a lovely scale. | 0:31:37 | 0:31:39 | |
-The scale is nice quality. It's a good piece. -What about an estimate? | 0:31:39 | 0:31:43 | |
-30 to 50. -That's OK. Paid 30. | 0:31:43 | 0:31:45 | |
They might be doing all right on the table here. | 0:31:45 | 0:31:47 | |
But with the uplighter, | 0:31:47 | 0:31:49 | |
it is just possible that they will need their bonus buy. | 0:31:49 | 0:31:52 | |
-You gave her £171 to spend. -Yeah, a heck of a lot. | 0:31:54 | 0:31:58 | |
-Yeah. -How did you get on? | 0:31:58 | 0:32:00 | |
Ever hear the expression, "How do you like them apples?" | 0:32:00 | 0:32:03 | |
-BLUES: -Ah! -SHE LAUGHS | 0:32:03 | 0:32:05 | |
Look at you. Look at them. | 0:32:05 | 0:32:08 | |
I couldn't convince you in the shop, But I want to try, | 0:32:09 | 0:32:13 | |
because, Charlie, gents, | 0:32:13 | 0:32:15 | |
there are six of these name placeholders, and how lovely | 0:32:15 | 0:32:18 | |
to have the original packaging, which Charlie obviously hates. | 0:32:18 | 0:32:21 | |
I'm not sure about the original packaging. | 0:32:21 | 0:32:24 | |
It does give you a little clue as to the age. Sorry, lack of age. | 0:32:24 | 0:32:27 | |
They're not terribly old, but they're novel, they're fun. | 0:32:27 | 0:32:31 | |
-And how much were they, ten quid? -Yeah. -That's a buy. | 0:32:31 | 0:32:34 | |
And what did I spend on them? | 0:32:34 | 0:32:35 | |
I got an extra pound off. | 0:32:35 | 0:32:37 | |
-You got a pound off! -THEY LAUGH | 0:32:37 | 0:32:39 | |
I think they've got to make money, and they've just... They're fun. | 0:32:39 | 0:32:42 | |
-You hate them, right? -No. Well, no. | 0:32:42 | 0:32:44 | |
Are you convinced they'll make some money, then? If you... | 0:32:44 | 0:32:47 | |
Do you know, at £9, they've got to. Right? I would have thought. | 0:32:47 | 0:32:50 | |
-With the right taste. -Well, there's not a lot of risk there, is there? | 0:32:50 | 0:32:55 | |
Does the auctioneer think there is much risk attached to these? | 0:32:55 | 0:33:00 | |
Well, Matthew and Bruno left Natasha with a fair chunk of money. | 0:33:00 | 0:33:04 | |
And this is what she spent it on. | 0:33:04 | 0:33:06 | |
I quite like these. | 0:33:06 | 0:33:08 | |
The downside is they are really modern. | 0:33:08 | 0:33:11 | |
But how cute to have these little menu holders in the form of apples. | 0:33:11 | 0:33:15 | |
-Yeah. -They are pretty heavy, pretty weighty. -Yeah. | 0:33:15 | 0:33:17 | |
-There's no precious metal there. -No. | 0:33:17 | 0:33:19 | |
-You've got your little place cards there as well. -What are they worth? | 0:33:19 | 0:33:23 | |
-I think £30 to £50. -Oh! | 0:33:23 | 0:33:26 | |
To the right person. | 0:33:26 | 0:33:28 | |
-Natasha has done it again! -What has she done? | 0:33:28 | 0:33:30 | |
Paid £9! | 0:33:30 | 0:33:33 | |
Bring it on. She did well. | 0:33:33 | 0:33:34 | |
-She's a shrewd buyer, that girl. -She is. | 0:33:34 | 0:33:37 | |
Now, let's see if the punters at the auction like the price. | 0:33:37 | 0:33:41 | |
Phone at £50. Thank you. 5. | 0:33:41 | 0:33:43 | |
90. Selling then. | 0:33:43 | 0:33:45 | |
All done at 600. | 0:33:45 | 0:33:47 | |
Well, you two. And I am saying two because you're back with us, Liz. | 0:33:47 | 0:33:52 | |
-Yeah! -She's very excited. How was the audition? -Very good, thank you. | 0:33:52 | 0:33:56 | |
Marvellous. I just hope that the auction is going to be | 0:33:56 | 0:33:58 | |
-as good as the audition. -So -do we. If not even better. -Yeah. | 0:33:58 | 0:34:02 | |
-Are you happy with your purchases, Liz? -I think so. -I think so. | 0:34:02 | 0:34:04 | |
We're just a little bit concerned, | 0:34:04 | 0:34:06 | |
possibly, about the bookends, but we'll see. | 0:34:06 | 0:34:08 | |
Well, we don't start with the bookends, so let's get these | 0:34:08 | 0:34:11 | |
camera plates out of the way. | 0:34:11 | 0:34:12 | |
You paid just 20. And here they come. | 0:34:12 | 0:34:16 | |
Three in the lot. And £20, please. | 0:34:16 | 0:34:18 | |
£20. £10, then. Thank you. | 0:34:18 | 0:34:21 | |
-'£10.' -In the front row. -'£10.' | 0:34:21 | 0:34:23 | |
Come on! £10. You're all sitting | 0:34:25 | 0:34:27 | |
'on your hands. £10.' | 0:34:27 | 0:34:29 | |
I will sell these for £10. | 0:34:29 | 0:34:30 | |
-This is a bit of a struggle, isn't it? -It's a struggle. -'£10 then.' | 0:34:30 | 0:34:33 | |
Selling then. £10. | 0:34:33 | 0:34:35 | |
THEY GROAN | 0:34:35 | 0:34:36 | |
-Gosh! -Oh, gosh! | 0:34:36 | 0:34:38 | |
-You're only down a tenner. -Off to a good start(!) | 0:34:38 | 0:34:41 | |
I have to say, Liz, you'd have been better off at the audition. | 0:34:41 | 0:34:43 | |
THEY LAUGH | 0:34:43 | 0:34:46 | |
Anyway, never mind. Sugar tongs. | 0:34:46 | 0:34:48 | |
£10 for these, please. £10. | 0:34:48 | 0:34:50 | |
'Bright-cut tong.' | 0:34:50 | 0:34:52 | |
Thank you. £10 is bid. 12. | 0:34:52 | 0:34:55 | |
15. 18. | 0:34:55 | 0:34:57 | |
'20.' | 0:34:57 | 0:34:58 | |
5. Are you sure? 25. | 0:34:58 | 0:35:01 | |
-At £25. -'Lady's bid' | 0:35:01 | 0:35:03 | |
at £25. | 0:35:03 | 0:35:04 | |
-That's exactly what you paid. -That is, yes. | 0:35:04 | 0:35:07 | |
Any more at 25? Go on. | 0:35:07 | 0:35:09 | |
-Coin the phrase... -Come on. | 0:35:09 | 0:35:11 | |
'All done then. No more.' | 0:35:11 | 0:35:13 | |
-Washing their face. -25... | 0:35:13 | 0:35:16 | |
-Well... -You know... | 0:35:16 | 0:35:20 | |
Plus/minus nothing. | 0:35:20 | 0:35:22 | |
-You've got your bookends. -Oh, God! | 0:35:22 | 0:35:23 | |
So you are only down a tenner. | 0:35:23 | 0:35:25 | |
-Come on, bookends. -Come on! | 0:35:25 | 0:35:27 | |
Who's going to give me £40 for these? | 0:35:27 | 0:35:29 | |
They are good quality bookends. | 0:35:29 | 0:35:30 | |
£40, they're lovely. | 0:35:30 | 0:35:32 | |
And they are sturdy. Thank you, sir. £40. | 0:35:32 | 0:35:34 | |
-It's already at 40, that's a good start. -Straight in. | 0:35:34 | 0:35:37 | |
£40. Any more at £40? | 0:35:37 | 0:35:39 | |
Come on. They're struggling again. | 0:35:39 | 0:35:41 | |
-One of these things where... -£40. No? | 0:35:41 | 0:35:43 | |
-One person bids. Oh, no. -It's struggling. | 0:35:43 | 0:35:45 | |
40. 5. 50. 5, yes. | 0:35:45 | 0:35:48 | |
-60. -Oh, yes! | 0:35:48 | 0:35:50 | |
-Yes! -Yes, come on. | 0:35:50 | 0:35:52 | |
70. 5. Sure? One more. | 0:35:52 | 0:35:56 | |
Go on, one more, you won't regret it. 80. | 0:35:56 | 0:35:59 | |
-Yes! -'Well, thank you, sir.' | 0:35:59 | 0:36:02 | |
85. No more? | 0:36:02 | 0:36:04 | |
85, back of the room. | 0:36:04 | 0:36:05 | |
'£85.' | 0:36:05 | 0:36:07 | |
Are you sure? 85. | 0:36:07 | 0:36:08 | |
-Surely. One more. -85 then. | 0:36:08 | 0:36:10 | |
I will sell. 85. | 0:36:10 | 0:36:11 | |
-LIZ SQUEALS -Yes! | 0:36:12 | 0:36:14 | |
-So we're even. -I always said they were good. | 0:36:14 | 0:36:16 | |
Do you know, you made £7. | 0:36:16 | 0:36:18 | |
You were down ten, so you are only down | 0:36:18 | 0:36:20 | |
£3. | 0:36:20 | 0:36:22 | |
So, now the dilemma. | 0:36:22 | 0:36:25 | |
The great man has done this presentation of the pin tray. | 0:36:25 | 0:36:29 | |
I haven't seen it. So I'm going to let you decide | 0:36:29 | 0:36:32 | |
cos I haven't seen them. | 0:36:32 | 0:36:34 | |
-It's quality. -Yep. OK, no, I trust you. | 0:36:34 | 0:36:36 | |
-I paid £30 for them. -Yeah, let's go for it. -Yeah, let's go for it. | 0:36:36 | 0:36:40 | |
-We like them. -No pressure, Thomas. | 0:36:40 | 0:36:41 | |
Here they come. | 0:36:41 | 0:36:42 | |
Who's going to give me £30 for this cute little piece? | 0:36:42 | 0:36:45 | |
-Come on. 30? -Oh, come on. | 0:36:45 | 0:36:48 | |
Come on. Come on. | 0:36:48 | 0:36:49 | |
-30, thank you. £30. -In at 30. -5. | 0:36:49 | 0:36:53 | |
Yes! | 0:36:53 | 0:36:54 | |
40. One more? No? Shakes her head. £40. | 0:36:54 | 0:36:56 | |
Come on, one more. | 0:36:56 | 0:36:57 | |
£40. Any more for £40? No more? | 0:36:57 | 0:37:01 | |
'£40 then.' | 0:37:01 | 0:37:03 | |
Selling then, £40. | 0:37:03 | 0:37:06 | |
That's plus £10. | 0:37:07 | 0:37:09 | |
You're £7 up overall, Liz. | 0:37:09 | 0:37:11 | |
-It's all been worthwhile, hasn't it? -Yes! | 0:37:13 | 0:37:15 | |
-£7. -Yeah. -That could be the winning score. -It could be. | 0:37:15 | 0:37:19 | |
First things first, just don't mention it to the Blues. | 0:37:19 | 0:37:23 | |
Well, chaps, are you at home in the saleroom? | 0:37:28 | 0:37:30 | |
-No, feeling quite uncomfortable. -Uncomfortable?! | 0:37:30 | 0:37:34 | |
-He means nervous. -You've never been to a sale? -No, not really. | 0:37:34 | 0:37:37 | |
Ah! | 0:37:37 | 0:37:39 | |
-There's a lot of people here. I'm told... -Very discerning buyers. -Yes. | 0:37:39 | 0:37:42 | |
-A fair percentage of them are here for that uplighter. -Excellent. -Yes. | 0:37:42 | 0:37:47 | |
Here it comes. | 0:37:47 | 0:37:48 | |
How cool, how retro. | 0:37:48 | 0:37:50 | |
I'm sure you have all come here today to buy just this. | 0:37:50 | 0:37:53 | |
LAUGHTER | 0:37:53 | 0:37:56 | |
£40. Come on, £40. | 0:37:56 | 0:37:58 | |
-Oh, no! -Come on! | 0:37:58 | 0:38:00 | |
-30 then. -Yes. | 0:38:00 | 0:38:01 | |
THEY GROAN | 0:38:01 | 0:38:03 | |
'£30. I don't want to keep going down, but I will if I have to.' | 0:38:03 | 0:38:06 | |
£30. | 0:38:06 | 0:38:07 | |
-I'm biting my nails. -20 then. | 0:38:07 | 0:38:08 | |
-BLUES: -Oh! | 0:38:08 | 0:38:10 | |
£10. | 0:38:10 | 0:38:11 | |
'It's got to be sold.' | 0:38:11 | 0:38:12 | |
£10! Well found. | 0:38:12 | 0:38:15 | |
£13. I'm going up in pounds. | 0:38:15 | 0:38:18 | |
£13. Oh, come on. 14. | 0:38:18 | 0:38:20 | |
(We're getting there.) | 0:38:20 | 0:38:22 | |
16. | 0:38:22 | 0:38:24 | |
'Come on, sir, carry on.' | 0:38:24 | 0:38:26 | |
16. It is the lady's bid behind you at 16. 18. | 0:38:26 | 0:38:30 | |
-20. -20! | 0:38:32 | 0:38:33 | |
'£20. Lady's bid at £20.' | 0:38:33 | 0:38:36 | |
I will sell at £20. | 0:38:36 | 0:38:38 | |
'£20, £20.' | 0:38:38 | 0:38:41 | |
£20... | 0:38:41 | 0:38:43 | |
Bargain! Bargain! | 0:38:43 | 0:38:45 | |
-£65 loss. -Oh, no! | 0:38:45 | 0:38:47 | |
Right, the little Bentwood child's chair. | 0:38:48 | 0:38:51 | |
I'm looking for £20, madam. | 0:38:51 | 0:38:52 | |
Shall we say 20 on that? That's very cheap. | 0:38:52 | 0:38:55 | |
£20? | 0:38:55 | 0:38:56 | |
No? £20, | 0:38:56 | 0:38:58 | |
-'thank you.' -Yes! -20! | 0:38:58 | 0:38:59 | |
20. 22. | 0:38:59 | 0:39:02 | |
24. 26. | 0:39:02 | 0:39:04 | |
28. 30. | 0:39:04 | 0:39:06 | |
It's selling, yes! | 0:39:06 | 0:39:07 | |
Come on. Madam, don't shake your head. | 0:39:07 | 0:39:10 | |
£30. Back of the room. £30. | 0:39:10 | 0:39:13 | |
-Oh, that's a bargain. -'Do you want another?' | 0:39:13 | 0:39:15 | |
Why not. 35. | 0:39:15 | 0:39:17 | |
-Yeah! -'40 now. £40. | 0:39:17 | 0:39:19 | |
'Back of the room at £40.' | 0:39:19 | 0:39:21 | |
Any more at 40? | 0:39:21 | 0:39:22 | |
Now, this is a design classic, that's why. | 0:39:22 | 0:39:26 | |
At the back at £40. | 0:39:26 | 0:39:27 | |
I will sell at 40 then. | 0:39:27 | 0:39:29 | |
£40... | 0:39:29 | 0:39:31 | |
-Oh, fantastic. -That's plus £26! | 0:39:31 | 0:39:34 | |
-That's really nibbled into your £65 loss. -Oh, no. | 0:39:34 | 0:39:37 | |
You're only down £39. Here come those lovely scales. | 0:39:37 | 0:39:41 | |
Anyone? 30 is bid. Thank you, sir. | 0:39:42 | 0:39:45 | |
£30, straightaway. We have £30. | 0:39:45 | 0:39:47 | |
-Fantastic. -Pretty good. | 0:39:47 | 0:39:48 | |
Great condition. £30, any more? | 0:39:48 | 0:39:50 | |
'I will sell. 5.' | 0:39:50 | 0:39:52 | |
-New bidder. -40. -Yes! | 0:39:52 | 0:39:54 | |
Sure? At £40 then. | 0:39:54 | 0:39:56 | |
40, shakes his head. £40. Gentleman's bid at 40. | 0:39:56 | 0:40:00 | |
-£40. -40, so made a tenner. | 0:40:01 | 0:40:04 | |
You are only down £29. | 0:40:04 | 0:40:07 | |
So the big dilemma is, do you go for this particularly | 0:40:07 | 0:40:10 | |
deliciously packaged set of menu holders? | 0:40:10 | 0:40:15 | |
-I think it would be rude not to. -It's got to be done. | 0:40:15 | 0:40:18 | |
-Are you gambling? -Yeah, we're going to do it. | 0:40:18 | 0:40:20 | |
It's a hell of a gamble, isn't it? | 0:40:20 | 0:40:21 | |
Cos you paid over-the-top for these, didn't you? You paid £9. | 0:40:21 | 0:40:24 | |
-Right, here it comes. -Here it comes. | 0:40:24 | 0:40:26 | |
And I would like, please, £30. | 0:40:26 | 0:40:29 | |
-Yes, come on, let's see it. Yes! -'Thank you. | 0:40:29 | 0:40:31 | |
'£30 I have straightaway.' | 0:40:31 | 0:40:33 | |
We need more, though. We need more. | 0:40:33 | 0:40:35 | |
Anyone bidding around here? £30 I have. | 0:40:35 | 0:40:37 | |
-Come on. -Come on. | 0:40:37 | 0:40:39 | |
-35. 40. Against you, net, I've got 40 seated. -40. | 0:40:39 | 0:40:43 | |
-'5.' -I can't believe it. -'50.' | 0:40:43 | 0:40:45 | |
-£50! Are we in profit? -Yes! | 0:40:45 | 0:40:48 | |
I've got 50. 5. | 0:40:48 | 0:40:49 | |
60 now. | 0:40:49 | 0:40:51 | |
5. There are cute. 70. | 0:40:51 | 0:40:54 | |
-BLUES: -70! -'£70 seated.' | 0:40:54 | 0:40:56 | |
75. No more? Thank you anyway. | 0:40:56 | 0:41:00 | |
On the net at £75 then. | 0:41:00 | 0:41:02 | |
Thank goodness for the internet. | 0:41:02 | 0:41:04 | |
-That's absolutely amazing! -'75...' | 0:41:04 | 0:41:06 | |
-Yeah! -That's a profit of £66. 66. | 0:41:06 | 0:41:13 | |
-No-one saw it coming. No-one saw it coming. -Fantastic. | 0:41:13 | 0:41:16 | |
-Well done. -Frankly, guys, | 0:41:16 | 0:41:19 | |
is she the greatest thing that ever walked? | 0:41:19 | 0:41:22 | |
-She knows her stuff. -God! Well, you made a stunning profit of £37. | 0:41:22 | 0:41:28 | |
When you speak to the Reds, which of course surely you will not, but if | 0:41:28 | 0:41:32 | |
you do, don't brag about your £37, | 0:41:32 | 0:41:36 | |
because they may have made more. | 0:41:36 | 0:41:38 | |
Liz and David, Matthew and Bruno. | 0:41:43 | 0:41:45 | |
This has been like a really good tennis match | 0:41:45 | 0:41:49 | |
that goes right down to the last point. | 0:41:49 | 0:41:52 | |
-ALL: -Ooooh! -Oh, it was. | 0:41:52 | 0:41:54 | |
It was just incredible. | 0:41:54 | 0:41:56 | |
And I have to say that both teams have made a profit. | 0:41:56 | 0:41:59 | |
-Hey! -Isn't that fabulous? | 0:41:59 | 0:42:01 | |
However, the Red team have made a slightly smaller profit. | 0:42:01 | 0:42:06 | |
-REDS: -Aw! | 0:42:06 | 0:42:10 | |
You have made £7. THEY CHEER | 0:42:10 | 0:42:14 | |
-Many have done worse. -Absolutely. | 0:42:14 | 0:42:17 | |
There is a crumbled up old fiver and a crisp £2 there. | 0:42:17 | 0:42:22 | |
-Lovely. -Well done. -Thank you. -Well done. | 0:42:22 | 0:42:24 | |
You can be proud of yourselves. | 0:42:24 | 0:42:26 | |
But not as proud as the Blue team. | 0:42:26 | 0:42:28 | |
Take a bow. | 0:42:29 | 0:42:30 | |
But I have to say, it's not so much about the Blues, it's | 0:42:30 | 0:42:34 | |
-about your expert. -Definitely. | 0:42:34 | 0:42:36 | |
Because until that bonus buy, you were losing. By some margin. | 0:42:36 | 0:42:41 | |
-Oh, they were. Oh, they were. -Those apples... | 0:42:41 | 0:42:43 | |
It was Natasha's apples that brought home the day | 0:42:43 | 0:42:47 | |
because £9, let me remind you, | 0:42:47 | 0:42:50 | |
they sold for 75. | 0:42:50 | 0:42:52 | |
So well done, Natasha. | 0:42:54 | 0:42:55 | |
Because in my pocket here, I've got... | 0:42:55 | 0:42:58 | |
-Look, £35... -Look at that. | 0:42:58 | 0:43:01 | |
And two. | 0:43:01 | 0:43:02 | |
Don't forget to have a look at our website | 0:43:02 | 0:43:05 | |
and to follow us on Twitter. | 0:43:05 | 0:43:06 | |
-Meanwhile, join us for more Bargain Hunting, yes? ALL: -Yes! | 0:43:06 | 0:43:10 |