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Today's Bargain Hunt comes from Nottinghamshire. | 0:00:04 | 0:00:06 | |
I'm here at Notts County Football Club, | 0:00:06 | 0:00:08 | |
and I'll wager that you didn't know | 0:00:08 | 0:00:10 | |
this is the oldest football league club in the world. | 0:00:10 | 0:00:13 | |
Another thing you might not know | 0:00:13 | 0:00:15 | |
is that I'm pretty handy with a football. | 0:00:15 | 0:00:17 | |
Well, I hope that our teams are focused on the goal | 0:00:33 | 0:00:36 | |
of making a profit at auction, | 0:00:36 | 0:00:37 | |
and with that in mind, let's go Bargain Hunting. | 0:00:37 | 0:00:40 | |
Today, our teams will be shopping | 0:01:05 | 0:01:07 | |
in Newark-on-Trent, a former Civil War town. | 0:01:07 | 0:01:10 | |
They each have £300, just one hour, | 0:01:10 | 0:01:13 | |
and they have to buy three antiques | 0:01:13 | 0:01:16 | |
that they hope will make a profit for them at the auction. | 0:01:16 | 0:01:19 | |
Let's have a look at what's coming up. | 0:01:19 | 0:01:22 | |
The Reds are out shopping for themselves... | 0:01:22 | 0:01:24 | |
-That would do for me, wouldn't it? -It would. -No! | 0:01:24 | 0:01:28 | |
..and the Blues are up for a laugh. | 0:01:28 | 0:01:30 | |
-Thanks for bearing with me, guys. -THEY LAUGH | 0:01:30 | 0:01:34 | |
There's plenty of excitement at the auction. | 0:01:34 | 0:01:36 | |
And I find out more about the man who founded the Salvation Army. | 0:01:39 | 0:01:43 | |
But before all that, now is the time to meet our teams. | 0:01:46 | 0:01:49 | |
It's a happy show today. | 0:01:49 | 0:01:50 | |
For the Reds, we have married couple Julie and John, | 0:01:50 | 0:01:53 | |
and for the Blues, we have friends - best of friends - Kerry and Rich. | 0:01:53 | 0:01:56 | |
-Welcome, everyone, hello. ALL: -Hello! | 0:01:56 | 0:01:58 | |
Thank you for joining us. We're going to start with the Reds. | 0:01:58 | 0:02:00 | |
Straight to you, Julie. | 0:02:00 | 0:02:02 | |
-Tell us, straight to the point, if you'll forgive the gag... -I will. | 0:02:02 | 0:02:05 | |
-You met fencing, didn't you? What a great story. -We did. | 0:02:05 | 0:02:09 | |
We went to the Lake District for a fencing competition. | 0:02:09 | 0:02:11 | |
I saw John in a coach and I thought, "Wow, he looks good." | 0:02:11 | 0:02:16 | |
Very smart and stylish. | 0:02:16 | 0:02:18 | |
He thought the same about me, and it was love at first sight. | 0:02:18 | 0:02:21 | |
-And how did the competition go? Who won? -I think I came second. | 0:02:21 | 0:02:24 | |
John is a very good fencer. | 0:02:24 | 0:02:26 | |
I did quite well cos I was a good fencer, as well. | 0:02:26 | 0:02:28 | |
You came second, John, but of course, you really won first prize. | 0:02:28 | 0:02:31 | |
-Exactly. -Shall we say? -Yeah. | 0:02:31 | 0:02:33 | |
Julie, tell me, you're retired now, but what did you do in your career? | 0:02:33 | 0:02:35 | |
I am. I was trained as a nursery nurse | 0:02:35 | 0:02:38 | |
and I looked after babies - | 0:02:38 | 0:02:40 | |
premature babies, sick babies - in hospitals, maternity units. | 0:02:40 | 0:02:44 | |
And then, later on, I worked with children with lots of disabilities, | 0:02:44 | 0:02:50 | |
various disabilities. | 0:02:50 | 0:02:52 | |
-So, a very varied and rewarding career. -Very. | 0:02:52 | 0:02:54 | |
So, what about you, John? | 0:02:54 | 0:02:55 | |
You're also retired, but what was your career? | 0:02:55 | 0:02:58 | |
I trained as an artist, a commercial artist. | 0:02:58 | 0:03:00 | |
Oh, wow! | 0:03:00 | 0:03:02 | |
Then I left to join the environmental services in Hull. | 0:03:02 | 0:03:05 | |
OK, so, when you trained as a commercial artist at the beginning, | 0:03:05 | 0:03:08 | |
were these huge commercial installations, | 0:03:08 | 0:03:10 | |
were these big murals or was it small pieces? | 0:03:10 | 0:03:12 | |
I can see you up a ladder. | 0:03:12 | 0:03:14 | |
No, no, very tiny stuff, very tiny stuff. | 0:03:14 | 0:03:17 | |
The skill was being able to draw extremely accurately. | 0:03:17 | 0:03:19 | |
Now, what about tactics? | 0:03:19 | 0:03:21 | |
Are you going to spend the lot, keep some for your expert? | 0:03:21 | 0:03:24 | |
I think the idea is to try and spend a lot, | 0:03:24 | 0:03:27 | |
but buy things of interest, which will make a profit. | 0:03:27 | 0:03:30 | |
-OK, well... -That's the tactic. -It sounds like a good plan. | 0:03:30 | 0:03:33 | |
-We'll see how that pans out. -We'll see, we'll see. | 0:03:33 | 0:03:35 | |
Well, thank you for chatting to me. | 0:03:35 | 0:03:37 | |
Let's turn to our Blue team today, great friends, Kerry and Rich. | 0:03:37 | 0:03:40 | |
-Hello to you. -Hello. | 0:03:40 | 0:03:41 | |
Tell me, how did you two meet? Cos you're great friends. | 0:03:41 | 0:03:44 | |
Yes, my best friend Rachel had started dating a guy from work, | 0:03:44 | 0:03:48 | |
so she asked me to come down and vet him and see what I thought, | 0:03:48 | 0:03:51 | |
and whether she should carry on seeing him. | 0:03:51 | 0:03:54 | |
-I think I've passed the test. -Yeah, no pressure there, Rich! | 0:03:54 | 0:03:57 | |
-That's terrifying! -And all these years later, | 0:03:57 | 0:03:59 | |
they're engaged and getting married soon. | 0:03:59 | 0:04:01 | |
-Oh, congratulations. -With a baby on the way. | 0:04:01 | 0:04:03 | |
-Yeah, as well. -No! How exciting! That's lovely. | 0:04:03 | 0:04:07 | |
So, Kerry, tell me, what do you do for work? | 0:04:07 | 0:04:09 | |
I'm a community dietician, so I work in an area called Solihull | 0:04:09 | 0:04:13 | |
and I lead a team of dieticians who try to prevent | 0:04:13 | 0:04:15 | |
and treat malnutrition in the community. | 0:04:15 | 0:04:17 | |
Absolutely wonderfully rewarding career. | 0:04:17 | 0:04:19 | |
Great stuff. Now, Rich, what about you? | 0:04:19 | 0:04:21 | |
What's your story? Where do you work? | 0:04:21 | 0:04:23 | |
So, I'm the deputy creative director | 0:04:23 | 0:04:24 | |
at an advertising agency in Birmingham. | 0:04:24 | 0:04:26 | |
-Wow. -And I'm responsible for writing the adverts | 0:04:26 | 0:04:30 | |
for a number of British brands. | 0:04:30 | 0:04:31 | |
So, YOU'RE the guy that comes up with all those witty tag lines | 0:04:31 | 0:04:35 | |
and everyone thinks, "Oh, I wish I'd thought of that?" | 0:04:35 | 0:04:37 | |
I am, yes. And the odd pun, as well. | 0:04:37 | 0:04:39 | |
Now, what about your spare time? How do you relax? | 0:04:39 | 0:04:42 | |
I visit a number of car-boot sales and flea markets. | 0:04:42 | 0:04:45 | |
-So, you're a real collector? -Yeah, I think what I like to do | 0:04:45 | 0:04:48 | |
is sort of go through old antiques books, | 0:04:48 | 0:04:50 | |
find out what's on trend, | 0:04:50 | 0:04:52 | |
and then go to the car-boot sales and find some odd pieces. | 0:04:52 | 0:04:57 | |
Well, why not? Why not? | 0:04:57 | 0:04:58 | |
Now, you've got to go to the shops today | 0:04:58 | 0:05:00 | |
and in order to spend some money, | 0:05:00 | 0:05:02 | |
I'm going to have to give you some money. | 0:05:02 | 0:05:03 | |
So, Julie, for the Reds, £300. | 0:05:03 | 0:05:07 | |
And, Kerry, for the Blues, £300. | 0:05:07 | 0:05:10 | |
Your experts are so excited to meet you, | 0:05:10 | 0:05:12 | |
so go find them and get to those shops. | 0:05:12 | 0:05:14 | |
-Good luck, everybody! -Thank you. Let's go. | 0:05:14 | 0:05:17 | |
Well, they'll be rifling for bargains today | 0:05:17 | 0:05:19 | |
and hopefully they're successful. Let's see how it all pans out. | 0:05:19 | 0:05:22 | |
So, let's meet today's experts. She doesn't need | 0:05:24 | 0:05:27 | |
to blow her own trumpet. For the Reds, it's Kate Bliss. | 0:05:27 | 0:05:30 | |
And leading the Blue army, it's Gary Pe. | 0:05:31 | 0:05:34 | |
So, what are you going to be looking out for, you two? | 0:05:36 | 0:05:39 | |
-Militaria, even brown furniture. -OK. | 0:05:39 | 0:05:42 | |
We're going to look out for some really interesting items, | 0:05:42 | 0:05:44 | |
-maybe some mid-century modern. -Mid-century - just my style. | 0:05:44 | 0:05:48 | |
-Some exotic silver. -Yes. | 0:05:48 | 0:05:50 | |
-And maybe some very unusual jewellery. -Ooh! -Ooh! | 0:05:50 | 0:05:54 | |
Are we going to be safe or are we going to be bold? | 0:05:54 | 0:05:56 | |
I think we're going to go with our hearts, Gary. | 0:05:56 | 0:05:59 | |
We're going to buy something we like. | 0:05:59 | 0:06:01 | |
BELL RINGS Get ready, teams. | 0:06:01 | 0:06:03 | |
-Your time starts now. -Let's get shopping. -OK. -Come on. | 0:06:03 | 0:06:06 | |
Let's go Bargain Hunting! | 0:06:06 | 0:06:08 | |
So, our teams head straight to an antique centre, | 0:06:08 | 0:06:11 | |
and first to the Reds, | 0:06:11 | 0:06:12 | |
where something has immediately caught Kate's eye. | 0:06:12 | 0:06:15 | |
Oh, there's a nice Gladstone bag there. | 0:06:15 | 0:06:17 | |
These are starting to make quite good money. A bit of vintage. | 0:06:17 | 0:06:20 | |
They are, and it's a good size. | 0:06:20 | 0:06:22 | |
It is, isn't it? Yeah, it's not bad inside. | 0:06:22 | 0:06:25 | |
-Slightly tatty there. -Bit tatty. -But at least it's fairly clean. | 0:06:25 | 0:06:29 | |
-It is. -And that's what you've got to check for. | 0:06:29 | 0:06:31 | |
-That would do for me, wouldn't it, John? -It would. -No! | 0:06:31 | 0:06:34 | |
-We've got 85 on there. -Ooh! -Oh, gosh. | 0:06:34 | 0:06:37 | |
I have to say, at auction, though, | 0:06:37 | 0:06:40 | |
I would probably put a conservative estimate of 20-40. | 0:06:40 | 0:06:43 | |
Yeah, I was thinking that. | 0:06:43 | 0:06:45 | |
-So, we're quite a long way off that price, aren't we? -We are. | 0:06:45 | 0:06:47 | |
It's not for the Reds, | 0:06:47 | 0:06:49 | |
but are the Blues looking at their first item? | 0:06:49 | 0:06:51 | |
What about the plate with the lady's head on? | 0:06:51 | 0:06:54 | |
That looks like an English plate, probably by Foley. | 0:06:54 | 0:06:58 | |
It has that Art Nouveau feel about it, doesn't it? | 0:06:58 | 0:07:01 | |
Those sinuous forms in the face. | 0:07:01 | 0:07:04 | |
-What sort of period is that? -I would say about 1900s. | 0:07:04 | 0:07:08 | |
-It says £30 on it. -Oh, £30! | 0:07:08 | 0:07:11 | |
Thank you. | 0:07:12 | 0:07:14 | |
-It's very light. -It's not Foley. | 0:07:15 | 0:07:18 | |
-And how do you know that? -Just by the feel of it now. | 0:07:18 | 0:07:22 | |
Is it hand-done? | 0:07:22 | 0:07:24 | |
That is hand-painted, but I think that this was painted, | 0:07:24 | 0:07:27 | |
-basically, at home, on a porcelain blank. -Ah. | 0:07:27 | 0:07:30 | |
-Sadly. Quite expertly done. -Mm-hm. | 0:07:30 | 0:07:34 | |
And it's got the Vienna mark. | 0:07:34 | 0:07:37 | |
I would have liked if the back stamp said Foley, | 0:07:37 | 0:07:40 | |
an English potter or factory from Staffordshire. | 0:07:40 | 0:07:45 | |
Very collectable. | 0:07:45 | 0:07:46 | |
-It's lovely. -Yes. -Yeah, I like your style. | 0:07:46 | 0:07:48 | |
So, a no for the Blues. Come on, teams. | 0:07:49 | 0:07:53 | |
Who's going to break the Bargain Hunt ice | 0:07:53 | 0:07:54 | |
-with their first buy? -I quite like that. | 0:07:54 | 0:07:57 | |
-Ooh! -The jug at the back? | 0:07:57 | 0:07:59 | |
Do you know, John, I like that, too. | 0:07:59 | 0:08:01 | |
-That's rather nice, isn't it? -That is lovely. | 0:08:01 | 0:08:04 | |
-You like that? -I do. -Yeah. | 0:08:04 | 0:08:06 | |
Look at the design on the glass. | 0:08:06 | 0:08:08 | |
-Is that would you like about it, it's cut glass? -Yes, I think so. | 0:08:08 | 0:08:12 | |
That catches my eye. | 0:08:12 | 0:08:14 | |
-What have we got on there? -It's £80. | 0:08:14 | 0:08:17 | |
See, I think that is rather smart. | 0:08:17 | 0:08:19 | |
Well, I do, especially for the price. | 0:08:19 | 0:08:21 | |
I think that is a good buy. | 0:08:21 | 0:08:23 | |
I have to say, if it were silver, at auction, | 0:08:23 | 0:08:26 | |
it might make anything from 100-150, | 0:08:26 | 0:08:29 | |
maybe a little bit more. But it's not, it's plated. | 0:08:29 | 0:08:33 | |
I love this cut glass. | 0:08:33 | 0:08:35 | |
This is what's known as a serrated border there. | 0:08:35 | 0:08:39 | |
-I do. -And sometimes people call it hobnail cutting | 0:08:39 | 0:08:41 | |
cos it's a bit like a hobnail boot. | 0:08:41 | 0:08:43 | |
And a lovely what's known as a star-cut base, | 0:08:43 | 0:08:46 | |
is a really nice sign of quality. | 0:08:46 | 0:08:47 | |
-But also, age. -Yes. | 0:08:47 | 0:08:49 | |
And I would put this, probably, with the cutting, | 0:08:49 | 0:08:53 | |
at early 20th century. | 0:08:53 | 0:08:55 | |
-What do you think, price? -I would say, because it's plated, | 0:08:55 | 0:08:59 | |
at auction, being mean, | 0:08:59 | 0:09:02 | |
I would say, yeah, 30-50, maybe a little bit more. | 0:09:02 | 0:09:05 | |
-But it's a nice thing. -Right, time to start talking price. | 0:09:05 | 0:09:09 | |
I can do that for... | 0:09:09 | 0:09:12 | |
It's got 85. | 0:09:12 | 0:09:13 | |
-Yeah, I can do it for 65. -65? | 0:09:13 | 0:09:16 | |
-Yeah. -OK. -I can't go any lower, I'm afraid. -You can't? -No. | 0:09:16 | 0:09:19 | |
-That's the absolute death, is it? -It is, yeah. | 0:09:19 | 0:09:21 | |
Then I think we should go for it. Take a chance. | 0:09:21 | 0:09:24 | |
Do you know, I do like decisive contestants. | 0:09:24 | 0:09:27 | |
Good, you've got some. Right, thanks very much. | 0:09:27 | 0:09:29 | |
-Brilliant. -Thank you. | 0:09:29 | 0:09:30 | |
Well done, Reds. That's your first item. | 0:09:30 | 0:09:33 | |
First purchase. Pretty smoky, I would say. | 0:09:33 | 0:09:36 | |
With 15 minutes gone, the Blues are playing catch up. | 0:09:36 | 0:09:39 | |
-What do you think of those? -Nice. I like the colours. | 0:09:39 | 0:09:42 | |
-Are those German, Gary? -Two of them are probably German. | 0:09:42 | 0:09:46 | |
And one is certainly from the French region of Vallauris, | 0:09:46 | 0:09:50 | |
-that big one there. -The tall one. -Exactly. | 0:09:50 | 0:09:53 | |
Now, I can see from here that the blue one | 0:09:53 | 0:09:57 | |
is identified as being from Vallauris. | 0:09:57 | 0:10:00 | |
As far as I am concerned, it could also be West German. | 0:10:00 | 0:10:03 | |
There's a lot of similarities | 0:10:03 | 0:10:05 | |
between the pottery coming out of those two regions, | 0:10:05 | 0:10:08 | |
cos they operated at the same time during the '50s. | 0:10:08 | 0:10:11 | |
The very tall one in the centre | 0:10:11 | 0:10:13 | |
-does remind me of German fat lava. -Yes, exactly. | 0:10:13 | 0:10:16 | |
Lava - that's the operative word. Exactly. | 0:10:16 | 0:10:18 | |
-We can come back to it, OK? -Let's come back to it. | 0:10:18 | 0:10:20 | |
Another item left behind by the Blues. | 0:10:20 | 0:10:23 | |
But could Julie have found something from her wish list? | 0:10:23 | 0:10:26 | |
I just love the design. I think it's exotic. | 0:10:26 | 0:10:30 | |
-I did say I wanted something a little bit exotic. -You did. | 0:10:30 | 0:10:33 | |
I think it's exotic cos I love the pattern. | 0:10:33 | 0:10:36 | |
-It's certainly very elaborate, isn't it? -It says it's Edwardian. | 0:10:36 | 0:10:39 | |
-It's £120. -Yeah, and it is, of course, it's a caster. | 0:10:39 | 0:10:44 | |
-It's a sugar caster. -Yes. | 0:10:44 | 0:10:45 | |
And I have to say, it's the mother of all sugar casters, isn't it? | 0:10:45 | 0:10:49 | |
-It is, isn't it? -It's a huge thing, really. | 0:10:49 | 0:10:51 | |
It's fairly light, though. | 0:10:51 | 0:10:53 | |
When we look at silver objects, we weigh them up, | 0:10:53 | 0:10:55 | |
we talk about the gauge of silver, actually how much silver is in it. | 0:10:55 | 0:10:58 | |
It's relatively light for a good-sized object. | 0:10:58 | 0:11:01 | |
-It is very light. -But I know what you're saying - | 0:11:01 | 0:11:03 | |
there's this lovely, embossed decoration | 0:11:03 | 0:11:04 | |
where the silver's been hammered from the reverse side | 0:11:04 | 0:11:07 | |
to push it outwards to give that lovely, three-dimensional effect. | 0:11:07 | 0:11:11 | |
Oh, it's Chester hallmarked, which is quite nice | 0:11:11 | 0:11:13 | |
-cos Chester's a little bit more unusual. -Yeah. | 0:11:13 | 0:11:17 | |
I think, because we've already got one nice object, | 0:11:17 | 0:11:20 | |
it's not silver, it's silver-plated, | 0:11:20 | 0:11:22 | |
perhaps we should have a bit of a look around before we decide. | 0:11:22 | 0:11:26 | |
-Before we decide, OK. -But I do think it's a nice thing. | 0:11:26 | 0:11:29 | |
-That's fine. Well, we can keep it in mind. -Yeah. | 0:11:29 | 0:11:32 | |
The sugar caster could be a sweet purchase for later. | 0:11:32 | 0:11:36 | |
With the Blues, it looks like Rich is sound as a hound. | 0:11:36 | 0:11:41 | |
What do you think of the pair of cast greyhounds? | 0:11:41 | 0:11:44 | |
Well, I can tell you, in terms of greyhounds, | 0:11:44 | 0:11:46 | |
-they're not period. -I was going to say I love those. | 0:11:46 | 0:11:50 | |
-Yeah, I quite like them. -Well, I like dogs, so... | 0:11:50 | 0:11:53 | |
-The price is 125 for the pair. -125 for the pair, so... | 0:11:53 | 0:11:57 | |
Which is basically a reproduction price. | 0:11:57 | 0:12:00 | |
They're nicely modelled. | 0:12:00 | 0:12:02 | |
Easy does it. | 0:12:02 | 0:12:04 | |
-They're very heavy. -Oh, excellent. | 0:12:04 | 0:12:06 | |
That's what... In which case, let's lay that down here. | 0:12:06 | 0:12:10 | |
These greyhounds need tender loving care. | 0:12:10 | 0:12:12 | |
Let's lay the other one so they're talking to each other. | 0:12:13 | 0:12:16 | |
-Aw, they are. -They're talking to me as well, Gary. | 0:12:16 | 0:12:19 | |
Oh, that's good! Look at that. Aw! | 0:12:19 | 0:12:23 | |
There you go. I mean, that looks even better, doesn't it? | 0:12:23 | 0:12:25 | |
I think they're really lovely. | 0:12:25 | 0:12:27 | |
I think they're great. I think they're well cast. | 0:12:27 | 0:12:29 | |
They're well cast, that's right. | 0:12:29 | 0:12:30 | |
There's something quite intriguing about their faces. | 0:12:30 | 0:12:33 | |
-They feel quite modern. -Exactly. | 0:12:33 | 0:12:35 | |
-I mean, they're not antique Deco pieces from the '30s. -No. | 0:12:35 | 0:12:38 | |
-What do you think they're made of? -They're cast iron. | 0:12:38 | 0:12:41 | |
What do you think, first item? | 0:12:41 | 0:12:43 | |
I think yes, if we can try and negotiate a price. | 0:12:43 | 0:12:46 | |
-Should you go and get the best price? -OK, Gary. -OK. | 0:12:46 | 0:12:51 | |
-Is she good at this? -She's very good at this. -Really? | 0:12:51 | 0:12:53 | |
-Yes, she's more of a haggler than I am. -Ah. | 0:12:53 | 0:12:55 | |
Ooh, 89! | 0:12:55 | 0:12:57 | |
-89! -He can do 89. -Great stuff. | 0:12:57 | 0:13:00 | |
-That's the best I can do. -All right, you love them, | 0:13:00 | 0:13:03 | |
I love that you love them. | 0:13:03 | 0:13:05 | |
-Let's go for it. -And you love them, too. | 0:13:05 | 0:13:07 | |
Yes, I do. I'm a dog lover. | 0:13:07 | 0:13:09 | |
Aw! | 0:13:09 | 0:13:11 | |
Well done, Kerry. You're now level with the Reds at one-all. | 0:13:11 | 0:13:15 | |
But could this item Julie spotted put them back into the lead? | 0:13:15 | 0:13:18 | |
-Ooh, it's ceramic. -What do you think? -Ceramic top. | 0:13:20 | 0:13:23 | |
Or do you think that's painted? | 0:13:23 | 0:13:25 | |
I'm just going to have a look with my glass, actually. | 0:13:25 | 0:13:28 | |
You wanted exotic, didn't you? | 0:13:28 | 0:13:30 | |
Yeah, well, I mean, to me, that stood out. | 0:13:30 | 0:13:33 | |
I think it's been enamelled, | 0:13:33 | 0:13:35 | |
so, basically, it's been painted on. | 0:13:35 | 0:13:39 | |
Yeah, it's definitely a painted scene there. | 0:13:39 | 0:13:41 | |
Date-wise, I would say, just looking at the inside, as well, | 0:13:41 | 0:13:44 | |
it's probably very early 20th century, maybe 1920s. | 0:13:44 | 0:13:48 | |
It's lovely that the mirror looks good. | 0:13:48 | 0:13:50 | |
I think that looks like the original one, too. | 0:13:50 | 0:13:54 | |
It's beautifully engine-turned. And it is nice, isn't it? | 0:13:54 | 0:13:56 | |
-It's very, very nice. -What do you think about that price, then? | 0:13:56 | 0:13:59 | |
Well, that's not too high, so if we could negotiate... | 0:13:59 | 0:14:04 | |
So, what's the best Simon can do on this one? | 0:14:04 | 0:14:07 | |
Would you consider 35? | 0:14:07 | 0:14:10 | |
I can't, I'm afraid. I'll do it for 50. | 0:14:10 | 0:14:13 | |
Ooh, we really would like a bit lower than that. | 0:14:13 | 0:14:17 | |
-Maybe 40. -I'll meet you in the middle, 45. | 0:14:17 | 0:14:20 | |
-Would you? -45? | 0:14:20 | 0:14:22 | |
-Good, I... That appeals to me. -All right, lovely. | 0:14:22 | 0:14:26 | |
-Thank you very much indeed. -Thank you. | 0:14:26 | 0:14:28 | |
-That is lovely. -Great, well done. | 0:14:28 | 0:14:30 | |
-Lovely! And I can tell you really like that. -I do. | 0:14:30 | 0:14:34 | |
Well done, Reds! | 0:14:34 | 0:14:35 | |
Whilst the Blues are looking for item number two | 0:14:35 | 0:14:38 | |
with half their time already gone, they have to get busy shopping. | 0:14:38 | 0:14:41 | |
But it looks like Kerry's interested in the bear necessities. | 0:14:41 | 0:14:45 | |
-Aw, what about this teddy? -Aw! | 0:14:45 | 0:14:48 | |
-It's very cute, isn't it? -It's got an eaten ear. | 0:14:48 | 0:14:51 | |
-Yes. -Full of character. -Of course. What do you know about teddy bears? | 0:14:51 | 0:14:54 | |
Do you know anything about teddy bears? | 0:14:54 | 0:14:57 | |
I know the Steiff bears. | 0:14:57 | 0:14:58 | |
-Yes, they're the ones that sell. -They're expensive. | 0:14:58 | 0:15:00 | |
-But I know that people love bears. -Absolutely. | 0:15:00 | 0:15:03 | |
-And look at that expression. -Yeah, he's got a lovely little face. | 0:15:03 | 0:15:07 | |
What do you think? He's £60. | 0:15:07 | 0:15:09 | |
He's worn. But that means well loved. | 0:15:09 | 0:15:12 | |
He could not be on auction and not be so old. | 0:15:12 | 0:15:14 | |
Absolutely. That's a plus for teddy bears. | 0:15:14 | 0:15:16 | |
-I don't really want to sell him. -THEY LAUGH | 0:15:16 | 0:15:19 | |
Shall we have a look? Come on, let's pick him up. | 0:15:19 | 0:15:22 | |
He's got a little bit more fur on his back. | 0:15:22 | 0:15:24 | |
-Aw! -Aw! -Aw! | 0:15:24 | 0:15:26 | |
-Are you going to be able to part with this, Kerry? -No! | 0:15:26 | 0:15:28 | |
-That's going to be a problem, is it? -No. | 0:15:28 | 0:15:30 | |
-How old do you think he might be? -Oh, certainly before 1950s. | 0:15:30 | 0:15:34 | |
-He's had a lot of cuddles, that's for sure. -Absolutely. | 0:15:34 | 0:15:36 | |
I like the articulated legs and arms, | 0:15:36 | 0:15:41 | |
and that elongated nose. And look at that expression. | 0:15:41 | 0:15:44 | |
Shall we see what the best price is the dealer will do? | 0:15:44 | 0:15:47 | |
-Yeah, you do your best, Rich. -So you do it this time? -Yes. -OK. | 0:15:47 | 0:15:50 | |
So, is Rich going to get a good price on that bear? | 0:15:50 | 0:15:54 | |
-Thanks for bearing with me, guys. -THEY LAUGH | 0:15:54 | 0:15:58 | |
-I've spoken to the dealer. -Right. | 0:15:58 | 0:16:00 | |
And we've managed to get the price down from £60... | 0:16:00 | 0:16:03 | |
-To...? -£30! -Yes! -30? That's amazing! -There you go. | 0:16:03 | 0:16:07 | |
That's a cute price on a cute bear. | 0:16:07 | 0:16:10 | |
Well done, team. Number two, let's go. | 0:16:10 | 0:16:13 | |
-Let's go. -Yeah? -Yeah. -Good. | 0:16:13 | 0:16:14 | |
Now level with the Reds, what's Julie picked up? | 0:16:14 | 0:16:17 | |
This is just something we think could be brass, | 0:16:19 | 0:16:22 | |
but this, again, the design caught my eye. | 0:16:22 | 0:16:25 | |
-Yeah. -But it's just unusual, we thought. -Yeah, it is. | 0:16:25 | 0:16:29 | |
Gosh, it's heavier than I thought, actually. | 0:16:29 | 0:16:31 | |
I think, if you do that and you look at that, | 0:16:31 | 0:16:35 | |
it's beautifully cast | 0:16:35 | 0:16:36 | |
and there are elements of Art Nouveau, I would say, | 0:16:36 | 0:16:39 | |
almost sort of what's known as whiplash motifs, | 0:16:39 | 0:16:41 | |
which Art Nouveau is very well known for. | 0:16:41 | 0:16:44 | |
Turn it over, there's been a few goings-on on the back here. | 0:16:44 | 0:16:47 | |
You've got a repair or something going on here. | 0:16:47 | 0:16:49 | |
What sort of price are we talking about? | 0:16:49 | 0:16:51 | |
Not very much, £60. | 0:16:51 | 0:16:53 | |
But the reason I've done that is, | 0:16:53 | 0:16:55 | |
as soon as you do that, she just looks so grumpy. | 0:16:55 | 0:16:59 | |
-Don't you think? -She does a little bit. | 0:16:59 | 0:17:01 | |
And for me, that actually puts me off, | 0:17:01 | 0:17:04 | |
that doesn't appeal to me. | 0:17:04 | 0:17:05 | |
So, it's a no to the grumpy face, | 0:17:05 | 0:17:08 | |
but how can the Blues say no to this smiling face? | 0:17:08 | 0:17:11 | |
-Oh, this is great, isn't it? -It's a bunny wabbit. | 0:17:11 | 0:17:14 | |
-THEY LAUGH -Oh, it's got plenty of character. | 0:17:14 | 0:17:17 | |
-Oh, he does. -Carry on with the animalia theme? | 0:17:17 | 0:17:21 | |
-Oh, yes. -This looks like something that's come out of a fair, | 0:17:21 | 0:17:26 | |
one of these merry-go-rounds. | 0:17:26 | 0:17:28 | |
It looks absolutely original. | 0:17:28 | 0:17:30 | |
Most of these items, actually, came from Czechoslovakia, Eastern Europe. | 0:17:30 | 0:17:34 | |
The problem is, we need to know the price. | 0:17:34 | 0:17:38 | |
Fairground figure - 395. | 0:17:38 | 0:17:41 | |
A little bit out of our budget. | 0:17:41 | 0:17:43 | |
Let's go and find something else, shall we? | 0:17:43 | 0:17:46 | |
One more item. Go on! | 0:17:46 | 0:17:48 | |
There's no point rabbiting on at that price. | 0:17:48 | 0:17:50 | |
How are the Reds doing? | 0:17:50 | 0:17:52 | |
So, we've got a pair of mustard pots. | 0:17:52 | 0:17:55 | |
What do you think? Do you want to have one each? | 0:17:55 | 0:17:58 | |
-We like, we like. -Oh, look at this. -You like? -Oh, we do. | 0:17:58 | 0:18:02 | |
-Oh, and a liner, too. -You've got the blue glass liners. | 0:18:02 | 0:18:04 | |
The original liners, as well. The blue glass liners. | 0:18:04 | 0:18:07 | |
Very desirable. We could even put our initial on there, look, John. | 0:18:07 | 0:18:11 | |
You could. You've got what's known as a vacant cartouche | 0:18:11 | 0:18:13 | |
-which could be engraved. -Somebody could put their initial on there. | 0:18:13 | 0:18:16 | |
John, straight in to the ticket price. | 0:18:16 | 0:18:18 | |
-95. -95. Now, they are Victorian, just. | 0:18:18 | 0:18:22 | |
The hallmarks are lovely and crisp on the bottom. | 0:18:22 | 0:18:25 | |
The best thing is, though, that they are dated for 1899, | 0:18:25 | 0:18:31 | |
but the hallmarks match. | 0:18:31 | 0:18:32 | |
They are absolutely a pair, | 0:18:32 | 0:18:35 | |
which is really nice to have, actually. | 0:18:35 | 0:18:38 | |
The condition, as far as I can see, is lovely. | 0:18:38 | 0:18:40 | |
-It is, isn't it? -You've got this lovely embossed work | 0:18:40 | 0:18:42 | |
-which I thought you would like. -Yeah. -I do. | 0:18:42 | 0:18:44 | |
But I've had a little chat to the owner here. | 0:18:44 | 0:18:47 | |
I was just going to ask you. That was my next question. | 0:18:47 | 0:18:49 | |
And the best price - although there's no negotiation, | 0:18:49 | 0:18:51 | |
he said this is absolutely the death - | 0:18:51 | 0:18:54 | |
the best price is 75. | 0:18:54 | 0:18:56 | |
-Oh! -Oh, definitely. -Now, bearing in mind you've got a pair, | 0:18:56 | 0:19:00 | |
I don't think that's too bad. | 0:19:00 | 0:19:01 | |
-I don't, for what they are. -I think that's good. -Yeah? | 0:19:01 | 0:19:03 | |
-I think that's excellent. -Good choice. | 0:19:03 | 0:19:06 | |
I think we should go for these. | 0:19:06 | 0:19:08 | |
-Do you? -Definitely. -100% happy? -Yes. -Oh, very happy. | 0:19:08 | 0:19:12 | |
We're all done, then. All three pieces. | 0:19:12 | 0:19:14 | |
-Ooh, we are! -Right. Which means coffee time? | 0:19:14 | 0:19:16 | |
It does, John, it does. Come on. Well done! | 0:19:16 | 0:19:19 | |
Fantastic job, with 15 minutes to spare. | 0:19:19 | 0:19:23 | |
But the Blues have one more item to find. | 0:19:23 | 0:19:25 | |
-Found this bust. -I can see! -HE LAUGHS | 0:19:25 | 0:19:28 | |
-Yes. -We quite like it. | 0:19:28 | 0:19:30 | |
We feel there's a great sense that it's been worked by the sculptor. | 0:19:30 | 0:19:33 | |
Well, it certainly has. What else do you like about it? | 0:19:33 | 0:19:36 | |
-I like his expression on his face. -Right. It's a bit of ceramics. | 0:19:36 | 0:19:40 | |
Certainly qualifies as a mid-century piece, | 0:19:40 | 0:19:43 | |
-and I see that it's got an initial here - JM or MJ. -Yeah. | 0:19:43 | 0:19:49 | |
The first question is, how much is it? | 0:19:49 | 0:19:52 | |
So, the price is 230. | 0:19:52 | 0:19:55 | |
We've got £181 left. | 0:19:55 | 0:19:58 | |
-Well, you really like this, right? We love it. -Yes, it's striking. | 0:19:58 | 0:20:02 | |
Well, in which case, I've got no say in this because this is your game. | 0:20:02 | 0:20:07 | |
You really like it, somebody else probably will. | 0:20:07 | 0:20:10 | |
-I'm sure, yeah. -So, who's going to do it? | 0:20:10 | 0:20:12 | |
-I'm going. -I think Kerry should. -Kerry, go and find the price. | 0:20:12 | 0:20:16 | |
The pressure's on, Kerry. So, can you get the price down? | 0:20:16 | 0:20:20 | |
It's good news, I think. | 0:20:20 | 0:20:23 | |
-170. -Great stuff. | 0:20:23 | 0:20:25 | |
-So, it's within budget. -I think we're very happy with it. | 0:20:25 | 0:20:28 | |
-Go for it? -Yeah, I reckon go for it. 170. -Gary, are you on board? | 0:20:28 | 0:20:31 | |
I defer to you. It's your game. You love it, then I love it, too. | 0:20:31 | 0:20:36 | |
Yes. Third item done! | 0:20:36 | 0:20:39 | |
-Yay! -Yay! -Yay! | 0:20:39 | 0:20:42 | |
And just like that, time is up. | 0:20:42 | 0:20:45 | |
Let's remind ourselves what the Red team bought. | 0:20:45 | 0:20:48 | |
They both loved this early 20th-century claret jug, | 0:20:48 | 0:20:51 | |
bought for £65. | 0:20:51 | 0:20:54 | |
This brass compact with a London view cost them £45. | 0:20:54 | 0:20:57 | |
And these Victorian silver mustard pots cost a spicy £75. | 0:20:59 | 0:21:03 | |
Well, John, Julie, what a cool, calm and considered shop. | 0:21:04 | 0:21:09 | |
-There was time to spare at the end. -I know. -How good is that? | 0:21:09 | 0:21:13 | |
It's very good. We are fantastic. | 0:21:13 | 0:21:15 | |
-THEY LAUGH -I agree. | 0:21:15 | 0:21:17 | |
Is there anything that you bought that you'd have liked to take home? | 0:21:17 | 0:21:20 | |
I would have liked the compact that I chose, I have to say. | 0:21:20 | 0:21:24 | |
I could have that in my handbag now. | 0:21:24 | 0:21:25 | |
And, John, you loved those mustard pots. | 0:21:25 | 0:21:27 | |
-I did, very much so. -So smart. | 0:21:27 | 0:21:29 | |
Yeah, they were our favourite, I think. | 0:21:29 | 0:21:32 | |
But which is going to bring the biggest profit? | 0:21:32 | 0:21:34 | |
What do you think, Julie? | 0:21:34 | 0:21:35 | |
Well, I think, for what Kate paid for them, | 0:21:35 | 0:21:38 | |
possibly the mustard pots. | 0:21:38 | 0:21:40 | |
-Oh, you've got real faith in these. -Well, they were quality items. | 0:21:40 | 0:21:44 | |
Solid silver. | 0:21:44 | 0:21:46 | |
Well, in the end, this team spent £185. | 0:21:46 | 0:21:50 | |
It leaves Kate £115, so if I could please take that from you, Julie... | 0:21:50 | 0:21:55 | |
-Thank you. Straight to Kate. -Thank you very much indeed. | 0:21:55 | 0:21:59 | |
And it seems to be mustard pots - deal of the day. | 0:21:59 | 0:22:01 | |
Are you going to buy a set of mustard pots with that? | 0:22:01 | 0:22:04 | |
Do you know, I've got my eye on a little gem, | 0:22:04 | 0:22:06 | |
-so I just hope it's still there. -Ooh. | 0:22:06 | 0:22:09 | |
Well, while Kate goes to find her little gem, | 0:22:09 | 0:22:11 | |
let's remind ourselves what the Blue team bought. | 0:22:11 | 0:22:14 | |
These bronze painted greyhounds | 0:22:14 | 0:22:16 | |
became Rich's new best friends at £89. | 0:22:16 | 0:22:19 | |
Kerry fell in love with this teddy bear and paid £30. | 0:22:20 | 0:22:24 | |
And could this sculpture, costing £170, | 0:22:24 | 0:22:27 | |
get them ahead at the auction? | 0:22:27 | 0:22:29 | |
That was quite good. | 0:22:29 | 0:22:30 | |
You only had about ten minutes to spare at the end. | 0:22:30 | 0:22:33 | |
-You weren't down to the wire. -It was a little bit intense. -Yeah? | 0:22:33 | 0:22:36 | |
Yeah, we were running round everywhere, | 0:22:36 | 0:22:38 | |
looking for our third item. | 0:22:38 | 0:22:39 | |
But in the end, we got there, three items. | 0:22:39 | 0:22:42 | |
Which, Rich, is your favourite? | 0:22:42 | 0:22:44 | |
The sculpted head - the hollow head - | 0:22:44 | 0:22:48 | |
that we paid £170 for. | 0:22:48 | 0:22:50 | |
Yes, Gary was so pleased about that, actually(!) | 0:22:50 | 0:22:52 | |
-Yes, absolutely(!) -SHE LAUGHS | 0:22:52 | 0:22:55 | |
But is he going to make you the biggest profit? | 0:22:55 | 0:22:58 | |
I think it could, yeah. | 0:22:58 | 0:23:00 | |
We've had a little chat afterwards and we definitely think... | 0:23:00 | 0:23:03 | |
-Optimism. -..there's some room for a little bit of profit. -Right. | 0:23:03 | 0:23:07 | |
And believe it or not, I gave you £300, | 0:23:07 | 0:23:09 | |
and you good people spent 289. | 0:23:09 | 0:23:12 | |
-I love your style. -We did. -We did. | 0:23:12 | 0:23:14 | |
Well, you have left Gary, your lovely expert, | 0:23:14 | 0:23:17 | |
your new best friend, £11, which I'll take from you, Kerry. | 0:23:17 | 0:23:21 | |
£11. I mean, Gary, I hope you don't have expensive taste | 0:23:21 | 0:23:25 | |
cos you're not going to get very far. | 0:23:25 | 0:23:27 | |
I've got my work cut out. | 0:23:27 | 0:23:29 | |
I mean, look at all these gorgeous things. | 0:23:29 | 0:23:31 | |
I'll have to ask the owner to keep this place open all night | 0:23:31 | 0:23:34 | |
to find something that's worth £11. | 0:23:34 | 0:23:36 | |
Well, while Gary does an all-nighter, | 0:23:36 | 0:23:38 | |
I'm off to Nottingham in search of salvation. | 0:23:38 | 0:23:41 | |
You may not instantly recognise this face, | 0:23:44 | 0:23:46 | |
but you're looking at William Booth, | 0:23:46 | 0:23:48 | |
and this man created one of the world's most recognisable | 0:23:48 | 0:23:52 | |
and iconic charities, The Salvation Army. | 0:23:52 | 0:23:55 | |
William was born in this very house on the 10th of April, 1829. | 0:23:59 | 0:24:04 | |
It's now known as the William Booth Birthplace Museum, | 0:24:04 | 0:24:08 | |
and I'm here to discover what led this great man to a life of charity. | 0:24:08 | 0:24:11 | |
I'm here to meet curator, Julie Obermeyer. | 0:24:14 | 0:24:17 | |
-Hello, you must be Julie. -Welcome. Please come in. | 0:24:17 | 0:24:19 | |
I will do. I'll follow you. | 0:24:19 | 0:24:21 | |
William was born right here in this bedroom, | 0:24:23 | 0:24:26 | |
and in what was a comfortable Georgian home. | 0:24:26 | 0:24:29 | |
Julie, I don't know how impressed I'm meant to be by this door, | 0:24:31 | 0:24:36 | |
-but I presume it's got massive significance. -It does. | 0:24:36 | 0:24:39 | |
This is the actual door to the pawnbroking shop | 0:24:39 | 0:24:43 | |
where William had to work when he was 13. | 0:24:43 | 0:24:46 | |
He ended up working here because his father basically went bankrupt | 0:24:46 | 0:24:50 | |
and they couldn't afford to keep him in school. | 0:24:50 | 0:24:53 | |
So, he was taken out of school | 0:24:53 | 0:24:55 | |
and apprenticed to Francis Eames, the pawnbroker. | 0:24:55 | 0:24:59 | |
I think it made a tremendous impact on his life | 0:24:59 | 0:25:01 | |
because up until this point, | 0:25:01 | 0:25:03 | |
he'd lived a middle-class life with his family, | 0:25:03 | 0:25:06 | |
and suddenly, he was thrust working amongst the people | 0:25:06 | 0:25:10 | |
who were the poorest and the most destitute of Nottingham. | 0:25:10 | 0:25:13 | |
And within a short time after starting here, his father died, | 0:25:13 | 0:25:18 | |
at which point, William became, really, the breadwinner | 0:25:18 | 0:25:21 | |
for his mother and his three sisters. | 0:25:21 | 0:25:24 | |
William converted to Methodism and began preaching to the poor | 0:25:24 | 0:25:28 | |
and the destitute on the streets of Nottingham. | 0:25:28 | 0:25:31 | |
But when his apprenticeship came to an end, | 0:25:31 | 0:25:33 | |
he struggled to find work and moved to London. | 0:25:33 | 0:25:36 | |
And whilst in London, William met the love of his life, Catherine. | 0:25:37 | 0:25:42 | |
They eventually married and helped form The Christian Mission, | 0:25:42 | 0:25:46 | |
helping the needy in London's East End. | 0:25:46 | 0:25:48 | |
So, when did the charity take on the name The Salvation Army? | 0:25:49 | 0:25:52 | |
The movement had been operating as The Christian Mission from 1865, | 0:25:52 | 0:25:58 | |
and 13 years later, in 1878, | 0:25:58 | 0:26:01 | |
William was writing an annual report | 0:26:01 | 0:26:03 | |
for The Christian Mission and had written, | 0:26:03 | 0:26:05 | |
"The Christian Mission is a volunteer army." | 0:26:05 | 0:26:08 | |
And his son Bramwell stopped him and said, | 0:26:08 | 0:26:10 | |
"Dad, I'm not a volunteer, I'm a regular." | 0:26:10 | 0:26:13 | |
He didn't want to be considered a volunteer. | 0:26:13 | 0:26:15 | |
He was serious about this and it was his full-time work. | 0:26:15 | 0:26:18 | |
So, William crossed out volunteer and wrote in the word salvation, | 0:26:18 | 0:26:23 | |
and the name has stuck since then. | 0:26:23 | 0:26:26 | |
The Salvation Army became a huge success, | 0:26:26 | 0:26:29 | |
expanding to 58 countries in his lifetime. | 0:26:29 | 0:26:32 | |
His work helped people all over the world. | 0:26:32 | 0:26:36 | |
So, how did brass bands come to be associated with The Salvation Army? | 0:26:36 | 0:26:40 | |
Well, The Salvation Army took on a lot of military elements. | 0:26:40 | 0:26:45 | |
And brass bands developed | 0:26:45 | 0:26:47 | |
out of their reaching out to wider audiences on the street | 0:26:47 | 0:26:51 | |
and trying to go to areas | 0:26:51 | 0:26:53 | |
where people weren't comfortable in churches. | 0:26:53 | 0:26:55 | |
So, it was a way to reach people on the streets, | 0:26:55 | 0:26:59 | |
to attract their attention and draw them in. | 0:26:59 | 0:27:02 | |
William died in 1912, aged 83. | 0:27:02 | 0:27:06 | |
His funeral took place in London and was attended by many thousands. | 0:27:06 | 0:27:10 | |
It was a funeral fit for royalty. | 0:27:10 | 0:27:13 | |
William Booth lived a long life in difficult times. | 0:27:15 | 0:27:19 | |
Experiencing poverty as a young man, | 0:27:19 | 0:27:21 | |
he took it upon himself to change the lives of others, | 0:27:21 | 0:27:24 | |
not just here in Nottinghamshire, but across the world. | 0:27:24 | 0:27:27 | |
And today, The Salvation Army is still one of the world's | 0:27:27 | 0:27:31 | |
most recognisable charities, and it's all thanks to this man, | 0:27:31 | 0:27:34 | |
who died over 100 years ago. | 0:27:34 | 0:27:37 | |
But now it's time to head to the auction | 0:27:37 | 0:27:39 | |
where our Red and Blue armies do battle. | 0:27:39 | 0:27:42 | |
So, here we are in Nottingham now, at Mellors & Kirk auction house. | 0:27:52 | 0:27:55 | |
I'm with Nigel Kirk, auctioneer. | 0:27:55 | 0:27:57 | |
-Hi, Nigel. -Hello. -Thank you for having us along. | 0:27:57 | 0:27:59 | |
We're going to start off with the Red team. | 0:27:59 | 0:28:01 | |
We'll start off with the claret jug. | 0:28:01 | 0:28:03 | |
Nice plated top to it. What do you think? | 0:28:03 | 0:28:06 | |
It's very well made, isn't it? | 0:28:06 | 0:28:08 | |
I would have thought probably Edwardian period, | 0:28:08 | 0:28:10 | |
certainly before the First World War. | 0:28:10 | 0:28:12 | |
Electroplate, with a very high-quality, cut-glass body. | 0:28:12 | 0:28:16 | |
-And in good order. -What's it worth, Nigel? | 0:28:16 | 0:28:18 | |
-£40-£60. -OK, well, John paid £65 for the claret jug, | 0:28:18 | 0:28:23 | |
so perhaps you'll have to keep the hammer up a wee bit longer | 0:28:23 | 0:28:25 | |
than you were expecting, and try and make that mark. | 0:28:25 | 0:28:28 | |
So, we'll move on next to this lovely compact. | 0:28:28 | 0:28:31 | |
It's enamelled with a view of London. | 0:28:31 | 0:28:33 | |
-Quite touristy, would you say? -It is. | 0:28:33 | 0:28:35 | |
At first sight, one wants to sort of grab it and think, | 0:28:35 | 0:28:38 | |
"This is a really valuable thing." But it isn't. It's poor quality. | 0:28:38 | 0:28:43 | |
Although enamelled, gilded brass compact. | 0:28:43 | 0:28:46 | |
-What do you reckon it's worth? -Well, because of that, | 0:28:46 | 0:28:48 | |
I've estimated it at 30-50. | 0:28:48 | 0:28:50 | |
Well, at £45 paid, it sounds like a very fair estimate to me. | 0:28:50 | 0:28:53 | |
-Fair price, yeah. -So, then we'll move on | 0:28:53 | 0:28:55 | |
to these silver mustard pots, and the quality is there, isn't it? | 0:28:55 | 0:28:59 | |
It is, yes. And also, again, good condition, very well made. | 0:28:59 | 0:29:04 | |
And pre-1900, just. Late Victorian. Sheffield, 1899. | 0:29:04 | 0:29:09 | |
With the blue glass liners. | 0:29:09 | 0:29:12 | |
The only criticism, if there is one, with those, | 0:29:12 | 0:29:15 | |
is I think they would have been part of a condiment set. | 0:29:15 | 0:29:18 | |
But who knows? | 0:29:18 | 0:29:19 | |
They are a pair, they are attractive and they're eminently usable. | 0:29:19 | 0:29:23 | |
What do you think they're going to make, Nigel? | 0:29:23 | 0:29:25 | |
That's the all-important question. | 0:29:25 | 0:29:26 | |
I've given them an estimate of 70-90, | 0:29:26 | 0:29:29 | |
but it wouldn't surprise me to see them make just over 100. | 0:29:29 | 0:29:31 | |
Oh, well, that would be fantastic because they only paid £75. | 0:29:31 | 0:29:35 | |
-They must be professionals. -They must be! | 0:29:35 | 0:29:37 | |
But, do you know, for each item, they've pretty much paid | 0:29:37 | 0:29:40 | |
almost exactly what you think they're going to make, | 0:29:40 | 0:29:42 | |
so they might well need their bonus buy. | 0:29:42 | 0:29:44 | |
So, let's find out what Kate bought for the Reds. | 0:29:44 | 0:29:47 | |
Well, Julie and John, you were very brave and bold, | 0:29:47 | 0:29:51 | |
and dared to spend quite a lot of the money | 0:29:51 | 0:29:53 | |
-that we gave to you. -We tried. -You did try very well. | 0:29:53 | 0:29:57 | |
-However, you still left Kate £115. Go on, show us, Kate. -Are you ready? | 0:29:57 | 0:30:03 | |
Well, I had just a bit of a hunch that a piece of jewellery | 0:30:03 | 0:30:06 | |
might light your fire. | 0:30:06 | 0:30:08 | |
If we just have a closer look, you can see it's a lovely pendant. | 0:30:08 | 0:30:12 | |
It's what's known as a sort of openwork design, | 0:30:12 | 0:30:16 | |
which gives it a lovely, elegant feel to it. | 0:30:16 | 0:30:19 | |
It's probably Edwardian in date. | 0:30:19 | 0:30:22 | |
And then, in the centre, suspended here, | 0:30:22 | 0:30:24 | |
you've got what I think is probably an aquamarine. | 0:30:24 | 0:30:27 | |
Certainly aquamarine in colour. | 0:30:27 | 0:30:29 | |
It's on a nine carat gold fine chain. | 0:30:29 | 0:30:32 | |
Oh, it's very light, isn't it? Very delicate. | 0:30:32 | 0:30:35 | |
It is. It's very delicate. | 0:30:35 | 0:30:37 | |
How much did you pay for this? | 0:30:37 | 0:30:39 | |
-So, I paid £50. -Oh, that's good. | 0:30:39 | 0:30:42 | |
-That's good. -That is very good. | 0:30:42 | 0:30:44 | |
You don't need to make your mind up now, | 0:30:44 | 0:30:46 | |
but it seems the pendant is to everyone's personal taste. | 0:30:46 | 0:30:49 | |
It's time to find out if Nigel, our auctioneer, | 0:30:49 | 0:30:51 | |
thinks it's as good as gold. | 0:30:51 | 0:30:54 | |
Now, how big are your buyers on vintage jewellery, Nigel? | 0:30:54 | 0:30:57 | |
Tell me what you think of this necklace. | 0:30:57 | 0:31:01 | |
It always sells well because it's small | 0:31:01 | 0:31:03 | |
and in these days with internet bidding from all around the world, | 0:31:03 | 0:31:06 | |
it's easily posted, so I think this'll do quite well. | 0:31:06 | 0:31:10 | |
It's in reasonably good condition. | 0:31:10 | 0:31:12 | |
I think it's probably going to make £50, £60. | 0:31:12 | 0:31:15 | |
OK, well, fantastic. | 0:31:15 | 0:31:16 | |
-Kate paid £50 for it... -That's good. -..so she'll be very pleased. | 0:31:16 | 0:31:20 | |
Now, let's move on to Kerry and Rich. | 0:31:20 | 0:31:22 | |
Are you excited by his buys? | 0:31:22 | 0:31:25 | |
Other buys have excited me more, shall I say. | 0:31:25 | 0:31:28 | |
Shall we start off with this sculptural pair of greyhounds? | 0:31:28 | 0:31:33 | |
These are made of cast iron, | 0:31:33 | 0:31:36 | |
which have been painted with a finish to resemble bronze. | 0:31:36 | 0:31:40 | |
But these are of so recent a period, | 0:31:40 | 0:31:44 | |
in my opinion, they still feel quite warm. | 0:31:44 | 0:31:47 | |
-Well, what's your estimate, first of all? -£40-£60. | 0:31:47 | 0:31:50 | |
-Kerry and Rich paid £89. -That does seem a lot. | 0:31:50 | 0:31:53 | |
But, you never know, it might all depend | 0:31:53 | 0:31:56 | |
on another animal in their collection, the teddy bear. | 0:31:56 | 0:32:00 | |
-What do you think of him? -Not a lot. | 0:32:00 | 0:32:02 | |
I had a feeling you were going to say that. | 0:32:02 | 0:32:05 | |
He's a little bit worn, shall we say? | 0:32:05 | 0:32:07 | |
-Well loved. -Well loved. | 0:32:07 | 0:32:09 | |
There's a fine line between destined for the bin | 0:32:09 | 0:32:12 | |
and attractively loved and play-worn, | 0:32:12 | 0:32:15 | |
and I'm not quite sure where on that line this poor bear sits, | 0:32:15 | 0:32:19 | |
so I've said £5-£10. | 0:32:19 | 0:32:21 | |
Well, they paid £30 for the teddy bear. | 0:32:21 | 0:32:25 | |
-I hope I'm wrong. -Yeah, so do I, | 0:32:25 | 0:32:27 | |
because it would be nice to see them make a profit on this wee lad. | 0:32:27 | 0:32:31 | |
And talking of wee lads, shall we move onto this big lad over here? | 0:32:31 | 0:32:34 | |
It's an incredible work of art, isn't it? | 0:32:34 | 0:32:36 | |
It's sculptured clay, larger than life-size. | 0:32:36 | 0:32:39 | |
I don't know if it's a head of a real person | 0:32:39 | 0:32:42 | |
or someone the sculptor has imagined. | 0:32:42 | 0:32:46 | |
It's in very good condition. | 0:32:46 | 0:32:48 | |
There is a monogram on the back - MJ. | 0:32:48 | 0:32:50 | |
And preliminary research leads me to think it might be the work | 0:32:50 | 0:32:54 | |
of a studio potter called Muriel Tudor Jones. | 0:32:54 | 0:32:59 | |
So, attributed to this artist. Excellent, quirky style. | 0:32:59 | 0:33:03 | |
At what sort of price? | 0:33:03 | 0:33:05 | |
Very difficult to predict. | 0:33:05 | 0:33:06 | |
£50 or £60, maybe, but could be more. | 0:33:06 | 0:33:09 | |
They haggled for him, and yet, they still paid £170. | 0:33:09 | 0:33:13 | |
It's a speculative purchase, and it might... | 0:33:13 | 0:33:16 | |
On the face of it, that does seem a lot, | 0:33:16 | 0:33:18 | |
but it's not impossible they will get their money back. | 0:33:18 | 0:33:22 | |
Perhaps they're going to need their bonus buy. | 0:33:22 | 0:33:25 | |
Let's see what Gary came up with for the Blues. | 0:33:25 | 0:33:27 | |
Well, Kerry, I think I have a sneaking suspicion | 0:33:29 | 0:33:31 | |
as to why you're on your own, but tell us, where's Rich? | 0:33:31 | 0:33:33 | |
So, last night, his fiancee Rachel gave birth to a beautiful baby girl. | 0:33:33 | 0:33:37 | |
-Do we have a name? -She's Edith Jean. -Aw, that is so cute! | 0:33:37 | 0:33:41 | |
And in true Bargain Hunt spirit, he says she's absolutely priceless. | 0:33:41 | 0:33:45 | |
That's so lovely! Well, please send him our regards. | 0:33:45 | 0:33:48 | |
-I will do, will do. -So, it's all on you, Kerry. | 0:33:48 | 0:33:50 | |
-It is today. -It's all on you. | 0:33:50 | 0:33:52 | |
-And you left £11 for Gary. -We did. | 0:33:52 | 0:33:56 | |
Well, it's not quite as priceless as the new baby girl... | 0:33:56 | 0:33:59 | |
-OK. -..but I was able to find this. | 0:33:59 | 0:34:03 | |
-OK. -It's a bookmark... -A bookmark, OK. | 0:34:03 | 0:34:06 | |
..in 830 silver. | 0:34:06 | 0:34:08 | |
It is by a Danish silversmith called Hugo Grun. | 0:34:08 | 0:34:13 | |
In Denmark, they called this kind of work skonvirke, | 0:34:13 | 0:34:18 | |
which means "beautiful work". | 0:34:18 | 0:34:20 | |
-And for £10, I was quite happy to have found this. -OK. | 0:34:20 | 0:34:24 | |
-For £10?! -£10. | 0:34:24 | 0:34:27 | |
And what do you think you could get for it at auction? | 0:34:27 | 0:34:29 | |
Times four. | 0:34:29 | 0:34:32 | |
-£40. -That would be good, wouldn't it? -Yeah. | 0:34:32 | 0:34:34 | |
Well, it's all on you today, Kerry, so don't make your mind up just now. | 0:34:34 | 0:34:38 | |
It's time to find out if Nigel | 0:34:38 | 0:34:39 | |
thinks that this is a Danish delight. | 0:34:39 | 0:34:42 | |
Now, we know that there are millions of lovers | 0:34:42 | 0:34:45 | |
-of Danish silver out there, Nigel. -Yes. | 0:34:45 | 0:34:47 | |
-How much do you love this? -I think it's great. | 0:34:47 | 0:34:50 | |
Although it's only a small piece, it's a collectors' item. | 0:34:50 | 0:34:54 | |
It's collectable because it's a bookmark. | 0:34:54 | 0:34:56 | |
And it's also going to be of interest | 0:34:56 | 0:34:58 | |
to people that like Arts and Crafts | 0:34:58 | 0:35:00 | |
and Scandinavian decorative arts of that period. | 0:35:00 | 0:35:02 | |
I particularly like the fact that it's not just plain silver. | 0:35:02 | 0:35:06 | |
It's studded with a cabochon, and the green cabochon is a chrysoprase. | 0:35:06 | 0:35:09 | |
It's a beautiful item, I totally agree. | 0:35:09 | 0:35:12 | |
That little dot of colour just lifts the whole thing. | 0:35:12 | 0:35:15 | |
But how much does it lift the estimate? | 0:35:15 | 0:35:17 | |
Probably £40-£60 is about it. | 0:35:17 | 0:35:20 | |
Well, I think Gary Pe must be the most genius man that's ever existed | 0:35:20 | 0:35:25 | |
because he somehow managed to pay £10... | 0:35:25 | 0:35:27 | |
-Amazing! -..for this little bookmark. | 0:35:27 | 0:35:29 | |
And in general, for the sale today, is it a positive outlook, Nigel? | 0:35:29 | 0:35:32 | |
Yes, it is, it is. The market's good. | 0:35:32 | 0:35:33 | |
Great. Well, let's keep that positive energy going | 0:35:33 | 0:35:36 | |
as we head to the auction. | 0:35:36 | 0:35:37 | |
Well, John and Julie, Kate, | 0:35:44 | 0:35:47 | |
as a team, you stand in front of the auctioneer. | 0:35:47 | 0:35:50 | |
Are you confident in the lots that you bought? | 0:35:50 | 0:35:52 | |
-Supremely. -We are. -I'm glad that you're laughing and giggling. | 0:35:52 | 0:35:56 | |
It means there's a wee bit of nervous excitement. | 0:35:56 | 0:35:58 | |
And it's time for your first lot to go under the hammer. | 0:35:58 | 0:36:00 | |
Lot 184. The EPNS-mounted, cut-glass claret jug. | 0:36:00 | 0:36:05 | |
£20, again, is bid at 20. | 0:36:05 | 0:36:07 | |
25. 30 for it. | 0:36:07 | 0:36:09 | |
30. 35. 40. | 0:36:09 | 0:36:11 | |
-45 for it. -Oh, come on. -£40. A room bidder. | 0:36:11 | 0:36:14 | |
Selling in the room at 40. | 0:36:14 | 0:36:17 | |
45. 50. | 0:36:17 | 0:36:19 | |
-No? £45 to you, madam. -GAVEL BANGS | 0:36:19 | 0:36:22 | |
Oh, 45! | 0:36:22 | 0:36:24 | |
We're starting on a tiny wee loss of £20, | 0:36:24 | 0:36:26 | |
but don't worry cos the compact's up next. | 0:36:26 | 0:36:28 | |
Lot 185. | 0:36:28 | 0:36:30 | |
Gilt brass compact with an enamelled view of London. | 0:36:30 | 0:36:34 | |
£30, I have for this on commission. | 0:36:34 | 0:36:37 | |
At 35. £40. | 0:36:37 | 0:36:38 | |
45. 50. 60. | 0:36:38 | 0:36:40 | |
-He's at £60! -60! -Profit! | 0:36:40 | 0:36:42 | |
-70. At £70, and I shall sell at 70. -GAVEL BANGS | 0:36:42 | 0:36:47 | |
-£70! -Well done! Well done! -What a team. £70. -Brilliant. | 0:36:47 | 0:36:52 | |
So, that's plus 25, | 0:36:52 | 0:36:54 | |
so all of a sudden, you're back in profit, plus five. | 0:36:54 | 0:36:57 | |
Now, £75 was paid for these mustard pots, so here we go. | 0:36:57 | 0:37:00 | |
Lot 186. | 0:37:00 | 0:37:02 | |
A pair of Victorian pierced silver cylindrical mustard pots. | 0:37:02 | 0:37:06 | |
£50, I am bid for the pair of these. | 0:37:06 | 0:37:08 | |
At 50. 60. 70. 80. | 0:37:08 | 0:37:11 | |
-80! Yes, profit! -90, 100. | 0:37:11 | 0:37:13 | |
-£100, I am bid. 110 for them? -Come on! | 0:37:13 | 0:37:16 | |
-At £100, selling. -GAVEL BANGS | 0:37:16 | 0:37:19 | |
-Yes! -Terrific. -£100. -Excellent. | 0:37:19 | 0:37:22 | |
That's another 25, so all of a sudden, | 0:37:22 | 0:37:24 | |
you have ended up plus 30. | 0:37:24 | 0:37:27 | |
Now, bonus buy. | 0:37:27 | 0:37:28 | |
-I think we'll go. -I think we'll go. -We'll definitely go. | 0:37:28 | 0:37:31 | |
-It's lovely. -Yes, we have faith. | 0:37:31 | 0:37:34 | |
Right, Reds, here comes your blue pendant. | 0:37:34 | 0:37:37 | |
Lot 192, it's the pierced gold pendant. | 0:37:37 | 0:37:40 | |
And £30, I am bid for this. At 35. £40. 45. | 0:37:40 | 0:37:44 | |
-40, I'm bid. 45 for it? -Oh, come on. | 0:37:44 | 0:37:48 | |
Over here at £45 | 0:37:48 | 0:37:49 | |
-in the room, and I sell. -GAVEL BANGS | 0:37:49 | 0:37:51 | |
-Oh, no! -Just out. -Oh, no. | 0:37:51 | 0:37:54 | |
-I'm really sorry, guys. -That was surprising. | 0:37:54 | 0:37:56 | |
So, it's made a tiny loss of £5, | 0:37:56 | 0:37:58 | |
which dents your profit ever so slightly. | 0:37:58 | 0:38:01 | |
£25 is what you've ended up with. | 0:38:01 | 0:38:03 | |
We can go home with a big smile on our faces. | 0:38:03 | 0:38:05 | |
Yes, and our heads held high. | 0:38:05 | 0:38:08 | |
But what to do now is not have too big a smile on your face, | 0:38:08 | 0:38:10 | |
-cos you don't want those Blues to know how you've done. -No. | 0:38:10 | 0:38:13 | |
So, it's keeping a straight face, don't say a word to them, | 0:38:13 | 0:38:16 | |
and you never know, £25 could be a winning score. | 0:38:16 | 0:38:19 | |
Right, Kerry, you are the solo representative for the Blues. | 0:38:26 | 0:38:29 | |
It's all on you, but Gary is here to lend you some support. | 0:38:29 | 0:38:32 | |
-So, here we go, the first one. -Courage. -The greyhounds. | 0:38:32 | 0:38:36 | |
Lot 208. | 0:38:36 | 0:38:37 | |
A pair of bronze painted iron sculptures of greyhounds. | 0:38:37 | 0:38:41 | |
£20 for them? | 0:38:41 | 0:38:43 | |
-£20? -20! -20, I'm bid. 25. | 0:38:43 | 0:38:45 | |
30? 30? 35. | 0:38:45 | 0:38:48 | |
35. 40. | 0:38:48 | 0:38:50 | |
-35. I sell at £35. -GAVEL BANGS | 0:38:50 | 0:38:54 | |
Do we have to tell Rich? Can we just keep that to ourselves? | 0:38:54 | 0:38:57 | |
£35. It's a loss of £54. | 0:38:57 | 0:39:04 | |
Our next lot is our wee teddy bear. | 0:39:04 | 0:39:06 | |
Oh, my goodness, he's seen better days, but he's so cute. | 0:39:06 | 0:39:09 | |
You paid £30. Let's see. | 0:39:09 | 0:39:11 | |
Lot 209. Vintage gold plush teddy bear. | 0:39:11 | 0:39:16 | |
£10 for it? 10, I'm bid. | 0:39:16 | 0:39:18 | |
15. 20. | 0:39:18 | 0:39:20 | |
20. 25. 30. | 0:39:20 | 0:39:23 | |
35. 40. 45. | 0:39:23 | 0:39:26 | |
Yes! | 0:39:26 | 0:39:27 | |
-On my right at £45. -GAVEL BANGS | 0:39:27 | 0:39:31 | |
OK, well done! 45. | 0:39:31 | 0:39:33 | |
So, that's £15. | 0:39:33 | 0:39:35 | |
OK, you're now minus 39, | 0:39:35 | 0:39:38 | |
-so this is your jeopardy lot. -Here's the big one. -The sculpture head. | 0:39:38 | 0:39:42 | |
Lot 210. Studio pottery sculpture of a head. | 0:39:42 | 0:39:46 | |
£20, I'm bid for this. At 20. 25 anywhere? | 0:39:46 | 0:39:50 | |
-25. -25. 30. | 0:39:50 | 0:39:52 | |
35. 40. 45. | 0:39:52 | 0:39:56 | |
£45. 50 for it? | 0:39:56 | 0:39:59 | |
-At £45, I shall sell. -GAVEL BANGS | 0:39:59 | 0:40:03 | |
-Oh, my goodness. £45 sold. -Oh, no! -But Rich loved it. | 0:40:04 | 0:40:08 | |
That's a loss of 125, which means, overall, | 0:40:08 | 0:40:11 | |
you have lost £164. | 0:40:11 | 0:40:14 | |
But there's still a chance, Gary. | 0:40:14 | 0:40:16 | |
Kerry, the bonus buy, lest we forget. | 0:40:16 | 0:40:18 | |
-I think we've got nothing to lose. -You're going to go for it? | 0:40:18 | 0:40:21 | |
-I think so. -THEY LAUGH | 0:40:21 | 0:40:24 | |
Lot 216, Danish Arts and Crafts silver bookmark. | 0:40:24 | 0:40:29 | |
£20, I am bid. At 20. | 0:40:29 | 0:40:30 | |
-Profits! -25. £30. 35. 40? | 0:40:30 | 0:40:33 | |
40. 45? 45. 50? | 0:40:33 | 0:40:36 | |
50 on the internet. | 0:40:36 | 0:40:37 | |
£50, I am bid, and I shall sell | 0:40:37 | 0:40:39 | |
-to the internet bidder at £50. -GAVEL BANGS | 0:40:39 | 0:40:43 | |
Good work, Gary! | 0:40:43 | 0:40:45 | |
Good work! £50. | 0:40:45 | 0:40:49 | |
So, Gary made you £40, | 0:40:49 | 0:40:52 | |
so you come in at minus 124. | 0:40:52 | 0:40:56 | |
-Things have been worse. -Yeah. -Stranger things have happened. | 0:40:56 | 0:41:01 | |
This could be a winning score. You never know. | 0:41:01 | 0:41:03 | |
Teams, here we are. It's one man down today | 0:41:09 | 0:41:13 | |
because we don't have Rich, who's become a dad in the last 24 hours. | 0:41:13 | 0:41:17 | |
Back to business now. | 0:41:17 | 0:41:19 | |
What matters now is whether one team is more rich than the other. | 0:41:19 | 0:41:25 | |
Which means that, today, our runners-up... | 0:41:25 | 0:41:28 | |
it's Kerry for the Blues, | 0:41:28 | 0:41:30 | |
the sole representative for the Blues. | 0:41:30 | 0:41:33 | |
And our winners today are the Reds. Well done. | 0:41:33 | 0:41:35 | |
-Yes! -We'll come to you in a moment. -Well done. | 0:41:35 | 0:41:39 | |
But let's just talk about how wonderful | 0:41:39 | 0:41:41 | |
-that auction was for you, Kerry. -Dreadful! | 0:41:41 | 0:41:44 | |
Do you know what, you've got to be in it to win it, | 0:41:44 | 0:41:46 | |
and you put all in on that head and it didn't work out. | 0:41:46 | 0:41:49 | |
-No, backfired on us. -But it could have been worse. | 0:41:49 | 0:41:51 | |
Gary clawed back quite a nice chunk, actually, with his bonus buy. | 0:41:51 | 0:41:56 | |
So, well done, Gary. And well done, you, Kerry, for standing here alone, | 0:41:56 | 0:41:59 | |
cos that is no mean feat. | 0:41:59 | 0:42:01 | |
But let's head today to our winners, John and Julie, the Red team. | 0:42:01 | 0:42:04 | |
-How good is that? -Wonderful. -You have won today | 0:42:04 | 0:42:08 | |
with a profit of £25. | 0:42:08 | 0:42:10 | |
Wow! 25! | 0:42:10 | 0:42:13 | |
I am going to give you £25, because guess what? | 0:42:13 | 0:42:15 | |
You earned it. You did so well. | 0:42:15 | 0:42:18 | |
-How good does it feel? -It feels absolutely wonderful. | 0:42:18 | 0:42:21 | |
Of course, my object made a good profit. | 0:42:21 | 0:42:24 | |
You made a good profit. Well done. | 0:42:24 | 0:42:27 | |
I'm so pleased you had fun, | 0:42:27 | 0:42:28 | |
and once again, well done, Kerry, for standing here alone. | 0:42:28 | 0:42:31 | |
It's been a great show today, and if you want to find out more | 0:42:31 | 0:42:34 | |
about the other great Bargain Hunt episodes, | 0:42:34 | 0:42:36 | |
then go onto our website. The details are in front of me now. | 0:42:36 | 0:42:39 | |
And, of course, you can see what we're up to on Twitter. We are... | 0:42:39 | 0:42:42 | |
But we do hope that you'll join us again for some more bargain-hunting. | 0:42:44 | 0:42:47 | |
-Will you? Yes? ALL: -Yes! | 0:42:47 | 0:42:50 |