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Today we're in Derbyshire, where they have the unusual tradition | 0:00:02 | 0:00:04 | |
of decorating old wells with flowers, called well dressing. | 0:00:04 | 0:00:08 | |
And it's supposed to bring the villagers good luck. | 0:00:08 | 0:00:12 | |
I just wonder if it will work for Bargain Hunt because all I need is a bunch of flowers... | 0:00:12 | 0:00:16 | |
..and some willing well dressers from Curzon School in Quarndon. | 0:00:18 | 0:00:23 | |
Blooming marvellous! | 0:00:25 | 0:00:28 | |
Well, let's see if our well-dressed well | 0:00:28 | 0:00:31 | |
will bring plenty of luck to both our teams today. | 0:00:31 | 0:00:33 | |
So without any further ado... | 0:00:33 | 0:00:36 | |
-ALL: -Let's go Bargain Hunting! | 0:00:36 | 0:00:40 | |
Our fair is in the grounds of Kedleston Hall. | 0:01:01 | 0:01:04 | |
Built in the 18th century, | 0:01:04 | 0:01:06 | |
it was designed to house beautiful treasures. | 0:01:06 | 0:01:09 | |
Our red and blue teams hope to uncover a few treasures of their own. | 0:01:09 | 0:01:13 | |
Armed with £300 each, | 0:01:13 | 0:01:16 | |
they have to find three items in 60 minutes that hopefully are going | 0:01:16 | 0:01:20 | |
to return them a profit when sold at auction. | 0:01:20 | 0:01:23 | |
Let's take a glimpse of what's coming up. | 0:01:23 | 0:01:25 | |
It's a red card warning for the Reds... | 0:01:26 | 0:01:29 | |
Just got to be a bit careful. It seems like you're taking over here, Adam. | 0:01:29 | 0:01:33 | |
And it's all about the blue for the Blues. | 0:01:33 | 0:01:36 | |
I always like the blue and white mixture. | 0:01:36 | 0:01:39 | |
And at auction for the Reds, it gets exciting. | 0:01:39 | 0:01:41 | |
45, the bid seated, looking for 50. | 0:01:41 | 0:01:44 | |
And the Blues go international. | 0:01:44 | 0:01:46 | |
We're in Russia. 60. Five. | 0:01:46 | 0:01:48 | |
But all that is coming up later, | 0:01:50 | 0:01:52 | |
so let's meet today's married couple teams. | 0:01:52 | 0:01:55 | |
For the Reds, we've got Adam and Emma, | 0:01:55 | 0:01:57 | |
and for the Blues we've got Justin and Jane, so hello. | 0:01:57 | 0:02:00 | |
-ALL: -Hello. -So tell me, Emma, what do you do for a living? | 0:02:00 | 0:02:05 | |
-I'm a commercial property solicitor. -It sounds very heavy going, that. | 0:02:05 | 0:02:09 | |
-Is it? -Well, it is. | 0:02:09 | 0:02:11 | |
It's quite a stressful job but I basically buy and sell | 0:02:11 | 0:02:15 | |
commercial property for clients, negotiate leases, things like that. | 0:02:15 | 0:02:18 | |
-A shrewd negotiator, a smooth operator, would you say? -Smooth operator, I think. | 0:02:18 | 0:02:23 | |
I like to make sure the other party feels that they're getting a good deal, I suppose. | 0:02:23 | 0:02:26 | |
Well, that's very nice to know, but I believe you tread the boards. | 0:02:26 | 0:02:32 | |
Yes. I'm...we're part of a musical theatre society. | 0:02:32 | 0:02:35 | |
We have done quite a lot of productions together. | 0:02:35 | 0:02:38 | |
We did Sister Act last year, where I was an Irish nun | 0:02:38 | 0:02:41 | |
and this year we're doing 9 To 5, which we're both in. | 0:02:41 | 0:02:44 | |
-But I believe you've played Bill Sykes. -I did, in Oliver, yes. | 0:02:44 | 0:02:48 | |
It was quite an experience, that one. | 0:02:48 | 0:02:50 | |
But I believe you had a bit of a mishap on that one occasion. | 0:02:50 | 0:02:54 | |
There was a slight mishap, yes. | 0:02:54 | 0:02:56 | |
We had... We had a little Staffordshire bull terrier, kind of, | 0:02:56 | 0:03:00 | |
with a little black eye, Bullseye, and he came out from a different way... | 0:03:00 | 0:03:04 | |
-On the stage. -On the stage, | 0:03:04 | 0:03:06 | |
and he kind of missed his step and fell into the orchestra pit. | 0:03:06 | 0:03:10 | |
-He broke a French horn. -Right, but he didn't break a leg, anything like that? | 0:03:10 | 0:03:13 | |
-No. Thank goodness. -Adam, there's more to you than meets the eye, | 0:03:13 | 0:03:17 | |
insofar as you are a prison officer. | 0:03:17 | 0:03:20 | |
I am, that is my day job. I'm a prison officer, yes. | 0:03:20 | 0:03:23 | |
But you do a little bit more than that, don't you? | 0:03:23 | 0:03:25 | |
Insofar as from a physical point of view... | 0:03:25 | 0:03:28 | |
I do, yes, I do martial arts. | 0:03:28 | 0:03:30 | |
I've been doing martial arts since the age of five, | 0:03:30 | 0:03:32 | |
just doing different styles and yes, I really enjoy it. | 0:03:32 | 0:03:36 | |
You've obviously had a bit of time to think about your strategy. | 0:03:36 | 0:03:39 | |
How are you going to approach the day? | 0:03:39 | 0:03:41 | |
I think just keep an open mind, see what's out there | 0:03:41 | 0:03:43 | |
and if we come across something that we like, we discuss it. | 0:03:43 | 0:03:46 | |
-Something quirky. -Yeah, something quirky. You're quirky. | 0:03:46 | 0:03:49 | |
-OK, quirky's good. -Quirky is good! | 0:03:49 | 0:03:52 | |
Now, turning my attention to the Blue team, Jane, | 0:03:52 | 0:03:55 | |
you run a business together, I believe. | 0:03:55 | 0:03:57 | |
Yeah, we do. We run a narrow boat business. | 0:03:57 | 0:04:00 | |
We've got four hire boats. | 0:04:00 | 0:04:02 | |
They're all luxury 5-star narrow boats that we let out | 0:04:02 | 0:04:04 | |
for holiday rental and we also build bespoke boats, | 0:04:04 | 0:04:07 | |
so people come with their specifications | 0:04:07 | 0:04:09 | |
and we'll build exactly your dream boat, whatever you want. | 0:04:09 | 0:04:12 | |
You've got another business idea, an app I've been reading about. | 0:04:12 | 0:04:15 | |
Yeah, it's kind of a hobby, really, isn't it? | 0:04:15 | 0:04:18 | |
-Yeah. -We started waterfall walks. | 0:04:18 | 0:04:20 | |
We've actually got lots of beautiful waterfalls right across the UK, | 0:04:20 | 0:04:24 | |
really unknown, there's hardly any information out there, | 0:04:24 | 0:04:27 | |
I've really had to research and find out all the different places | 0:04:27 | 0:04:29 | |
that have got waterfalls and then we're going to put an app together and a website | 0:04:29 | 0:04:33 | |
so everybody can just enjoy all these beautiful waterfalls. | 0:04:33 | 0:04:35 | |
And let's face it, no shortage of beautiful waterfalls here in beautiful Derbyshire. | 0:04:35 | 0:04:40 | |
-Indeed, yeah. -Justin, | 0:04:40 | 0:04:42 | |
you're a multitasker, aren't you? Multi-skiller? | 0:04:42 | 0:04:45 | |
Because I know for a fact that you have gardening skills on a big scale. | 0:04:45 | 0:04:48 | |
Well, my previous career before we had our own business was a garden designer, yeah, | 0:04:48 | 0:04:52 | |
so I've done quite a lot of work on the garden design front. | 0:04:52 | 0:04:55 | |
So what is it about a gardener that has him taking up juggling | 0:04:55 | 0:05:01 | |
as a pastime? | 0:05:01 | 0:05:03 | |
Well, it was a Christmas present, I had some juggling balls | 0:05:03 | 0:05:06 | |
and I tasked myself over the Christmas period to start juggling | 0:05:06 | 0:05:09 | |
and by the end of the two weeks I was just about there. | 0:05:09 | 0:05:11 | |
-Yeah. -To be frank with you, I'm more interested, actually, | 0:05:11 | 0:05:13 | |
in your skill with antiques. | 0:05:13 | 0:05:15 | |
-Where do you think you're going to fare there? -I think we're just going to enjoy the day. | 0:05:15 | 0:05:19 | |
-Definitely. -I think we're just going to spend, aren't we? | 0:05:19 | 0:05:21 | |
We're going to spend quite a lot of money and we're looking for really beautiful items, you know, | 0:05:21 | 0:05:25 | |
because we do narrow boats and we like them to be beautiful, | 0:05:25 | 0:05:27 | |
good quality, and that's what we're going to bring to the show. | 0:05:27 | 0:05:30 | |
-Craftsmanship. -We want beautiful things, good quality things. That's what we're looking for. | 0:05:30 | 0:05:34 | |
Well, you're going to need some money to do this business, yes? | 0:05:34 | 0:05:36 | |
-£300 for you. -Thank you. | 0:05:36 | 0:05:38 | |
£300 for the Reds. | 0:05:38 | 0:05:40 | |
-Thank you. -And I bid you farewell and ask you to go off and find your experts. ALL: -Thank you. | 0:05:40 | 0:05:45 | |
So, a juggler versus martial arts. | 0:05:45 | 0:05:49 | |
This competition could get very interesting. | 0:05:49 | 0:05:52 | |
Now to our experts - finding the best catch for the Reds, | 0:05:53 | 0:05:57 | |
it's Danny Sebastian. | 0:05:57 | 0:06:00 | |
And ringing the changes for the Blues, it's Jonathan Pratt. | 0:06:00 | 0:06:03 | |
-OK, guys, what are we looking for today? -Well, I like pretty things, | 0:06:08 | 0:06:11 | |
so maybe if I can find a nice little brooch or something. | 0:06:11 | 0:06:14 | |
Well, I quite like blue and white sort of porcelain or Delftware, that type of thing. | 0:06:14 | 0:06:17 | |
-OK. -Something in the auction room, something you can go, "That's nice for my house, that is." | 0:06:17 | 0:06:21 | |
Well, there's plenty of that here. | 0:06:21 | 0:06:23 | |
Decanters, some really nice glassware, or even I'd quite like a watch. | 0:06:23 | 0:06:27 | |
-So, a bit different. -Possibly. | 0:06:27 | 0:06:29 | |
Snap to it, teams. Your time starts now. | 0:06:29 | 0:06:32 | |
Let's go and see if we can find something. | 0:06:32 | 0:06:34 | |
Let's go. | 0:06:34 | 0:06:37 | |
-What about a nice big mirror? Mirrors always sell well, don't they? -Yeah. | 0:06:37 | 0:06:41 | |
So Bohemia Crystal, have you heard of that before? | 0:06:41 | 0:06:43 | |
Not really. You really want vintage glass. | 0:06:43 | 0:06:46 | |
-This is quite modern glass, to be honest. -It is, yes. | 0:06:46 | 0:06:48 | |
And don't forget, guys, you've got a lot of money to spend, you know, | 0:06:48 | 0:06:52 | |
so I mean, you're going to be leaving me with a lot of money if you start buying items at £8. | 0:06:52 | 0:06:55 | |
Hop to it, Reds. There's plenty more at the fair. | 0:06:55 | 0:06:58 | |
Look at this old telephone. Do you remember? | 0:06:58 | 0:07:01 | |
Trip down memory lane, Blues? | 0:07:01 | 0:07:03 | |
-Took you ages to dial out. -Ages. -My dad always used to put a lock on it. | 0:07:03 | 0:07:07 | |
Yes, I can imagine that! | 0:07:07 | 0:07:09 | |
Happy days, Blues, but get to it. There's work to be done. | 0:07:09 | 0:07:12 | |
The Reds seem to be having a light bulb moment. | 0:07:13 | 0:07:17 | |
What have we got? It's a bit of a light bulb. | 0:07:17 | 0:07:19 | |
I don't think it's going to get sold. | 0:07:19 | 0:07:21 | |
You can buy something cheap and it can still be commercial, | 0:07:21 | 0:07:24 | |
you can still make a lot of money with it, but... | 0:07:24 | 0:07:27 | |
It's got to be something a little bit striking. | 0:07:27 | 0:07:30 | |
-OK. -What we've got there is, you know, a light bulb. | 0:07:30 | 0:07:33 | |
Unless it's the very first one made, | 0:07:33 | 0:07:36 | |
then people aren't really going to be sort of thinking, | 0:07:36 | 0:07:39 | |
"Oh, that's a fabulous thing, I want that, I want to own it." | 0:07:39 | 0:07:42 | |
And that's what we want, we want something that people are going to want to own. | 0:07:42 | 0:07:45 | |
-Yeah. -Yeah. -So let's keep going. -Let's keep going. | 0:07:45 | 0:07:49 | |
A resounding no to the light bulb, then. | 0:07:49 | 0:07:51 | |
Nice little array. | 0:07:57 | 0:07:59 | |
The Blues set out for some china and here's a whole stall of it. | 0:07:59 | 0:08:03 | |
What would immediately jump out at you here? | 0:08:03 | 0:08:05 | |
-This little one here, this is nice. -What do you like about it? | 0:08:05 | 0:08:09 | |
Well, I like the shape and I like the fact this one is quite unusual. | 0:08:09 | 0:08:12 | |
I've always liked the blue and white mixture on the porcelain. | 0:08:12 | 0:08:15 | |
Well, this is sort of following the Meissen tradition, | 0:08:15 | 0:08:18 | |
the German tradition where, I mean, | 0:08:18 | 0:08:20 | |
you get this sort of pattern more or less in the 18th century. | 0:08:20 | 0:08:23 | |
So this would be, what? About early 20th? | 0:08:23 | 0:08:26 | |
-Yeah, about 1910, 1915. -OK, what could we say for that? | 0:08:26 | 0:08:29 | |
-I'd do it at 60. -That's the death on it. | 0:08:29 | 0:08:32 | |
It's a big piece of Dresden porcelain. It's about right. | 0:08:32 | 0:08:35 | |
Would you be able to even just get a bit off? | 0:08:35 | 0:08:37 | |
-Couple of quid. -You've already hammered me to the floor. | 0:08:37 | 0:08:40 | |
If you want to get one under the belt... | 0:08:40 | 0:08:42 | |
-I think we'll get one under the belt. -Let's get the first one done. | 0:08:42 | 0:08:44 | |
-Thanks ever so much. -Cheers. | 0:08:44 | 0:08:47 | |
Excellent, first item bought, Blues, and you're only 16 minutes in. | 0:08:47 | 0:08:51 | |
-Now, how are the Reds doing? -Shall we have a look at this clock? | 0:08:51 | 0:08:54 | |
By all means, let's have a peep. | 0:08:54 | 0:08:56 | |
-Hi. -Hello there, you all right? -Interested in the clock, yes? | 0:08:57 | 0:09:00 | |
Yes. Yes, it's very interesting. | 0:09:00 | 0:09:02 | |
American, made by the Ansonia Clock Company. | 0:09:02 | 0:09:04 | |
Sometimes known as a gingerbread clock. | 0:09:04 | 0:09:06 | |
I noticed something on the back. Is it taped on the back? | 0:09:06 | 0:09:09 | |
Yeah, it's a label to the rear. | 0:09:09 | 0:09:12 | |
I think it's probably the people that actually sold it originally, | 0:09:12 | 0:09:15 | |
so it would be like a store label. | 0:09:15 | 0:09:17 | |
That label is a nice bit of provenance, Reds. | 0:09:17 | 0:09:20 | |
It tells us this clock is dated to the late 19th century. | 0:09:20 | 0:09:23 | |
-Have you got the key? -The key's in the bottom there, yeah. | 0:09:23 | 0:09:27 | |
Just open that up, just in the corner there. | 0:09:27 | 0:09:29 | |
-What sort of price are we talking? -I've got 70 on it. | 0:09:29 | 0:09:33 | |
-Do you like it? -I've got a... -I quite like it, actually, yes. | 0:09:33 | 0:09:36 | |
It's got bits on it that I quite like. | 0:09:36 | 0:09:39 | |
What would be the absolute best that we could probably... | 0:09:39 | 0:09:42 | |
-I mean, it's got to go to auction. -I understand that. | 0:09:42 | 0:09:44 | |
I can't really go below 60, to be fair with you. | 0:09:44 | 0:09:46 | |
You know, there's probably a profit there. | 0:09:46 | 0:09:49 | |
-Yeah. -Hopefully, with people being at the auction. | 0:09:49 | 0:09:51 | |
-If you've got someone with a period property... -Yes. | 0:09:51 | 0:09:53 | |
..then obviously it's the right sort of thing to have, isn't it? | 0:09:53 | 0:09:57 | |
Could you push it to 55 just for us? | 0:09:57 | 0:09:59 | |
Come on, don't be hard on them! | 0:10:02 | 0:10:04 | |
-OK. -Brilliant, thank you very much. | 0:10:04 | 0:10:07 | |
Brilliant! First purchase completed. Time to move on, Reds. | 0:10:07 | 0:10:11 | |
Well, that's 20 minutes gone and we've bought our first item. | 0:10:11 | 0:10:14 | |
-Are you pleased with it? -It's certainly quirky. | 0:10:14 | 0:10:15 | |
-Yes, I like it. -Oh, fantastic. | 0:10:15 | 0:10:17 | |
Well, the rain's starting to come down. Let's go inside. | 0:10:17 | 0:10:21 | |
Looks like the Blues have the same idea, | 0:10:27 | 0:10:30 | |
and they've gone straight for another vase. | 0:10:30 | 0:10:32 | |
What is it, orange, whether orange goes in people's houses? | 0:10:32 | 0:10:35 | |
-That's quite good in a modern setting. -Unusual piece. | 0:10:35 | 0:10:37 | |
-Poole pottery, by the looks of it. -It is Poole, is it? Right. | 0:10:37 | 0:10:40 | |
There you go, "Poole, England". | 0:10:40 | 0:10:42 | |
-OK. -Style-wise it's sort of '60s or '70s. -Yeah. | 0:10:42 | 0:10:44 | |
You could put that quite easily in a modern setting, couldn't you? | 0:10:44 | 0:10:47 | |
Well, yeah. A lot of these people, you go to a lot of stands, | 0:10:47 | 0:10:50 | |
there's Ercol and there's all sorts and there's one of these on a sideboard. | 0:10:50 | 0:10:53 | |
Next to it with Ercol furniture, yeah. | 0:10:53 | 0:10:55 | |
I suppose you still could put flowers in it. | 0:10:55 | 0:10:57 | |
-Oh, hi, is this your stall? -Hello, how are you? | 0:10:57 | 0:11:00 | |
There's no price on this... That piece. | 0:11:00 | 0:11:01 | |
Could you let us know how much it would be? | 0:11:01 | 0:11:03 | |
Very best on it, 85. | 0:11:03 | 0:11:05 | |
-85. -85. -85. That's quite a lot of money. | 0:11:05 | 0:11:10 | |
-What do you think, Jonathan? -It's about taste, isn't it? -Yeah. | 0:11:10 | 0:11:14 | |
I really like it but I'm not sure... | 0:11:14 | 0:11:16 | |
But then if you really like it and then there's... | 0:11:16 | 0:11:18 | |
It should be about something we like cos if we like it, | 0:11:18 | 0:11:20 | |
I think other people are going to like it too. | 0:11:20 | 0:11:22 | |
Well, we've established we all like it, but enough to buy it, Blues? | 0:11:22 | 0:11:27 | |
-I'll go with you. -I really like it. | 0:11:27 | 0:11:29 | |
-Really like it? -If we can get it for 80, just say 80. | 0:11:29 | 0:11:31 | |
-80? -Yeah. -Can we do a deal, then? -We can do a deal. -Excellent. | 0:11:31 | 0:11:35 | |
Cheers, thank you. | 0:11:35 | 0:11:37 | |
Great, that's two items you've liked enough to buy and still 30 minutes to go. | 0:11:37 | 0:11:41 | |
-But what are the Reds up to? -What about that statue at the back? | 0:11:41 | 0:11:45 | |
Just got to be a bit careful. It seems like you're taking over here, Adam. | 0:11:45 | 0:11:49 | |
-I know. -Is Emma going to get a chance? | 0:11:49 | 0:11:52 | |
-What do you think of it? -I'm not overly keen on it. | 0:11:52 | 0:11:56 | |
With a nice bronze piece like that, really you're looking for a maker on it, | 0:11:58 | 0:12:01 | |
Goldschneider or somebody really brilliant. | 0:12:01 | 0:12:03 | |
-I don't think that is a Goldschneider. -Anything on the back? | 0:12:03 | 0:12:06 | |
-Any stamps? -No. But quite decorative, I mean... | 0:12:06 | 0:12:09 | |
I could move on the price, Danny. | 0:12:11 | 0:12:13 | |
The vendor is telling us there's movement. | 0:12:13 | 0:12:15 | |
Don't forget we've got to go into auction with it. | 0:12:15 | 0:12:17 | |
I think we might need, you know, he's going to have to be very generous to us. | 0:12:17 | 0:12:21 | |
But you know, it's a nice piece, it's that kind of dancing lady. | 0:12:21 | 0:12:24 | |
Yes, Danny, you're right. The Art Deco look is always popular, | 0:12:24 | 0:12:28 | |
even with modern copies like this, so, Reds, | 0:12:28 | 0:12:31 | |
can you do a good deal on it? | 0:12:31 | 0:12:32 | |
What movement on the price? | 0:12:32 | 0:12:34 | |
-What have we got on that? -It's got 165 on there. | 0:12:34 | 0:12:36 | |
What about 120? | 0:12:36 | 0:12:38 | |
Really, I think for us to stand any chance in auction, | 0:12:40 | 0:12:43 | |
it has to be under £100. | 0:12:43 | 0:12:45 | |
-It has, hasn't it? -It does have to be, yes. | 0:12:45 | 0:12:47 | |
Is there any movement under? | 0:12:47 | 0:12:48 | |
-What's the absolute... -95. 95 is the death on it. | 0:12:48 | 0:12:51 | |
What are you thinking, Emma? Emma, you're not speaking. | 0:12:51 | 0:12:54 | |
-I... -There's a lot going on here and you're not saying a lot. | 0:12:54 | 0:12:57 | |
It's fine because if he likes it and he thinks it can make it, then I'm fine. | 0:12:57 | 0:13:01 | |
-I'm fine, you know. -We want you involved in this as well. | 0:13:01 | 0:13:05 | |
-I could get the third one. -As you well know, we're going to auction. | 0:13:05 | 0:13:10 | |
I mean, I think we may stand a chance of selling it | 0:13:10 | 0:13:13 | |
between 80 and 100 if we could get it for about £80. | 0:13:13 | 0:13:17 | |
-Just... -85. 85, that's it done. | 0:13:17 | 0:13:19 | |
-Shake the man's hand quickly. -Yeah, I think we should. | 0:13:19 | 0:13:21 | |
-I think we're nearly there. -They seem a lovely couple as well. | 0:13:21 | 0:13:24 | |
They've been so nice. Thank you so much, sir. And to you. | 0:13:24 | 0:13:26 | |
Seem like a lovely couple? They are a lovely couple! | 0:13:26 | 0:13:28 | |
-They are. -I mean, I think it's a lovely decorative piece. | 0:13:28 | 0:13:31 | |
Let's just hope there's going to be a couple of people at the auction | 0:13:31 | 0:13:33 | |
that's going to fight over it and take it away. | 0:13:33 | 0:13:36 | |
-Oh, yeah. -Come on! -Let's go and get the next one. | 0:13:36 | 0:13:38 | |
Well done, 2-2! | 0:13:38 | 0:13:40 | |
While the teams continue shopping, | 0:13:40 | 0:13:42 | |
I'm off to find out about a unique collection | 0:13:42 | 0:13:45 | |
which commemorates one of Britain's most famous 19th-century women. | 0:13:45 | 0:13:49 | |
Florence Nightingale was the nurse who bravely treated soldiers | 0:13:58 | 0:14:02 | |
during the Crimean War in the mid-19th century, | 0:14:02 | 0:14:05 | |
but during her childhood she lived not far from here | 0:14:05 | 0:14:08 | |
at Lea Hurst in the village of Holloway | 0:14:08 | 0:14:10 | |
and today it's Peter Kay's home. | 0:14:10 | 0:14:13 | |
When I bought the house I became inspired to learn more about | 0:14:13 | 0:14:16 | |
Nightingale and her achievements, | 0:14:16 | 0:14:18 | |
not just the Crimea stuff, which we sort of are familiar with, | 0:14:18 | 0:14:22 | |
but also her work after the Crimea, which was prodigious, really. | 0:14:22 | 0:14:26 | |
In addition to setting up the first nursing school, | 0:14:26 | 0:14:29 | |
St Thomas's Hospital, in 1860, | 0:14:29 | 0:14:32 | |
she worked to improve sanitary conditions for the British Army, | 0:14:32 | 0:14:36 | |
she helped in hospital design, | 0:14:36 | 0:14:38 | |
including at the Derby Royal Infirmary, | 0:14:38 | 0:14:40 | |
and it was clear from Florence's writings that she held the house | 0:14:40 | 0:14:43 | |
and the area very dear to her heart. | 0:14:43 | 0:14:46 | |
In fact, she was happiest spending time in the village, | 0:14:46 | 0:14:49 | |
visiting the poor and the sick of Holloway. | 0:14:49 | 0:14:52 | |
And since then, it goes without saying, | 0:14:52 | 0:14:55 | |
you're living in the same property and it seems quite natural, | 0:14:55 | 0:14:57 | |
doesn't it, that you start collecting Nightingale memorabilia? | 0:14:57 | 0:15:01 | |
-Absolutely. Yes. -So you've brought along a sculpture that I have seen | 0:15:01 | 0:15:06 | |
before, but in much grander size, so tell me about this. | 0:15:06 | 0:15:10 | |
Yes, so this is one of three statuettes that were made | 0:15:10 | 0:15:13 | |
effectively as a model for the Crimean War Memorial | 0:15:13 | 0:15:17 | |
at Waterloo Place in London, which is where you might have seen it. | 0:15:17 | 0:15:20 | |
-Yes. -It was made by Arthur George Walker, | 0:15:20 | 0:15:23 | |
who was a painter and sculptor working in the late 18th and early 19th centuries. | 0:15:23 | 0:15:26 | |
There are only three of these. | 0:15:26 | 0:15:28 | |
One of the other ones is at 10 Downing Street in the art collection there, so it's an interesting thing. | 0:15:28 | 0:15:33 | |
It certainly is, and you've got other items as well. | 0:15:33 | 0:15:36 | |
-Is that a Bible? -This is a lovely little thing. | 0:15:36 | 0:15:39 | |
This is a Common Prayer hymns book... | 0:15:39 | 0:15:41 | |
..which has a beautiful inscription. I might read it to you. | 0:15:42 | 0:15:45 | |
"Frances Elizabeth Groundsell, with Florence Nightingale's love and earnest prayer | 0:15:46 | 0:15:50 | |
"that we may both take the Christmas message of peace and goodwill. | 0:15:50 | 0:15:53 | |
"Love is your gold, your service a gem. | 0:15:53 | 0:15:55 | |
"Bring these to the babe of Bethlehem." | 0:15:55 | 0:15:57 | |
This was a gift from Florence to her housemate in their London home, | 0:15:57 | 0:16:01 | |
Frances Groundsell. | 0:16:01 | 0:16:03 | |
What makes it special is that you are communicating | 0:16:03 | 0:16:06 | |
almost with the past, aren't you? | 0:16:06 | 0:16:08 | |
There is a communion there and that Florence would have obviously held that. | 0:16:08 | 0:16:13 | |
That's lovely. What else have we got over here? | 0:16:13 | 0:16:15 | |
This is a painting on glass. | 0:16:15 | 0:16:17 | |
This was found in the house of Sydney Howard Gay, | 0:16:17 | 0:16:20 | |
who was an abolitionist, lived in Massachusetts in the 19th century, | 0:16:20 | 0:16:25 | |
and he counted Florence Nightingale amongst his professional friends. | 0:16:25 | 0:16:30 | |
And this is interesting, I think, | 0:16:30 | 0:16:32 | |
because it shows the international appeal and reputation | 0:16:32 | 0:16:35 | |
of Florence Nightingale, even in the 19th century. | 0:16:35 | 0:16:38 | |
Well, Peter, you are without question my very first Florence Nightingale collector | 0:16:38 | 0:16:42 | |
and I find it very illuminating what you have to tell me, | 0:16:42 | 0:16:45 | |
and all I can do is wish you every success | 0:16:45 | 0:16:49 | |
-in adding more to your collection. -Thank you. | 0:16:49 | 0:16:52 | |
It's back to the shopping, where it's 2-2 with less than half an hour to go. | 0:17:00 | 0:17:05 | |
Adam's chosen the first two items, and it looks like he spotted something else. | 0:17:05 | 0:17:09 | |
Press that button and I think the suitcase opens. | 0:17:09 | 0:17:13 | |
This is what we're looking for. Great, great, great eyes, really. | 0:17:15 | 0:17:18 | |
This is what we're looking for, something a little bit quirky, | 0:17:18 | 0:17:21 | |
something quite functional also. | 0:17:21 | 0:17:23 | |
Not to Emma's taste, then. So what's going on with the Reds, Danny? | 0:17:24 | 0:17:28 | |
With the third item I'd like really a bit more of... | 0:17:28 | 0:17:32 | |
A bit more of Emma being involved because I kind of feel that Adam's took over a little bit. | 0:17:32 | 0:17:38 | |
-Blinging... -I've said that I'd like something that's pretty, | 0:17:38 | 0:17:41 | |
maybe a brooch or something, so we'll have a look for some... | 0:17:41 | 0:17:44 | |
-Or a fob watch. -No, we're not going for watches at all, clocks. | 0:17:44 | 0:17:47 | |
Just something pretty. | 0:17:47 | 0:17:49 | |
Got that, Adam? A pretty brooch. | 0:17:49 | 0:17:52 | |
Over to the Blues, who already have two ceramic pieces under their belt, | 0:17:55 | 0:17:59 | |
and guess what they've found. | 0:17:59 | 0:18:01 | |
-I quite like, that's quite... -Royal Doulton. -It's a brooch? | 0:18:01 | 0:18:05 | |
Is it a brooch? It's a Bassett or a beagle. | 0:18:05 | 0:18:07 | |
It's a beagle, 1920s. | 0:18:07 | 0:18:09 | |
We come from Stoke-on-Trent and one went at Potteries Auctions | 0:18:09 | 0:18:12 | |
a couple of months ago and it fetched 90. | 0:18:12 | 0:18:15 | |
The very, very best I would take on that would be 48, | 0:18:15 | 0:18:18 | |
-and that would give you a shot. -That's quite an unusual item. | 0:18:18 | 0:18:21 | |
-Do you think that might be a good buy? -I tell you what, 45. | 0:18:21 | 0:18:25 | |
-OK. -And that will guarantee you to make profit. -Right. | 0:18:25 | 0:18:27 | |
My gut feeling is let's wander because we've probably still got 20 minutes left. | 0:18:27 | 0:18:33 | |
-Yeah, no problem. -Thank you very much for that. | 0:18:33 | 0:18:35 | |
And it's an easy run back here. That's the thing. | 0:18:35 | 0:18:38 | |
Dogs are a very popular subject, Blues, but don't leave it too long. | 0:18:38 | 0:18:42 | |
The rain is still coming down but the Reds are safely undercover | 0:18:44 | 0:18:47 | |
and Emma has finally found what she wanted. | 0:18:47 | 0:18:50 | |
-That's pretty. Very pretty. -Can you tell us a little bit about it? | 0:18:50 | 0:18:55 | |
Well, the amber will be from Russia... | 0:18:55 | 0:18:57 | |
-Right. OK. -So it's got the Russian export mark on it. | 0:18:57 | 0:19:02 | |
It's also stamped 925 and it's the nicest piece I've ever had that's a brooch. | 0:19:02 | 0:19:07 | |
You Reds go for the Art Deco lookalikes. | 0:19:07 | 0:19:10 | |
And a very nice modern piece this is. | 0:19:10 | 0:19:13 | |
Time to talk money. | 0:19:13 | 0:19:14 | |
-I've got 80 on it. -What is the wiggle room on this, then? | 0:19:14 | 0:19:17 | |
What would you say is the minimum you could do? | 0:19:17 | 0:19:20 | |
Well, I'm really looking for 70. | 0:19:20 | 0:19:22 | |
I think it's kind of at its money at £70. | 0:19:22 | 0:19:25 | |
I would have sort of... I would have valued it at about £50-70. | 0:19:25 | 0:19:30 | |
-I'll give you one last go at 65. -Do you like it? -I do like it. | 0:19:31 | 0:19:34 | |
-Yeah, I like it. -Yes, I do like it. | 0:19:34 | 0:19:37 | |
-You have said you wanted a brooch all along. -I did, yes. | 0:19:37 | 0:19:40 | |
What is the absolute best you can do? | 0:19:42 | 0:19:44 | |
I honestly think that it's worth probably between 50-70 at auction... | 0:19:44 | 0:19:47 | |
-Yeah, that would be it. -And I do appreciate you do this for a living, | 0:19:47 | 0:19:51 | |
you've got to make a little bit, you know, you've got to make something. | 0:19:51 | 0:19:54 | |
-I know what I paid. 62. -I think we can work with that. | 0:19:54 | 0:19:59 | |
-I really like it. -We're happy. -You really like it? -Yes. | 0:19:59 | 0:20:01 | |
-Shake the man's hand, quick. -Thank you very much. -Thank you very much, sir. | 0:20:01 | 0:20:04 | |
Fantastic, Reds. | 0:20:04 | 0:20:06 | |
Three items in the bag and Emma even got her brooch. | 0:20:06 | 0:20:09 | |
I'll tell you what, let's brave the rain and go and get ourselves a cup of tea. | 0:20:09 | 0:20:13 | |
-Good idea. -Brilliant. | 0:20:13 | 0:20:15 | |
While the Reds put their feet up, the Blues are having a planning meeting. | 0:20:15 | 0:20:18 | |
-Shall we have a quick wander and then head back? -Unless we can bring the dog brooch right down... | 0:20:18 | 0:20:22 | |
-Yeah. -OK. Let's go. -Let's go. -Back for the dog brooch, then. -Yay! | 0:20:22 | 0:20:27 | |
-OK... -Now, we need a chance at auction on this, so would you... | 0:20:30 | 0:20:33 | |
Well, I did say 45 would be my best. | 0:20:33 | 0:20:36 | |
Would we be able to crush you a little bit down to 35? | 0:20:36 | 0:20:38 | |
No chance. Honestly. | 0:20:38 | 0:20:41 | |
I mean, it's just not worth me selling it at 35. | 0:20:41 | 0:20:43 | |
-OK. -What about 40? | 0:20:43 | 0:20:45 | |
-Just give us a bit of a chance at auction. -42. | 0:20:46 | 0:20:49 | |
I think there's a market for it. I think 42 is a... | 0:20:50 | 0:20:53 | |
-Yeah, go on, then. -Shake hands? -We'll do a 42. | 0:20:53 | 0:20:56 | |
-Thank you very much indeed. -Cheers. -Thank you. | 0:20:56 | 0:20:58 | |
-Thank you, kind sir. -You're welcome. | 0:20:58 | 0:21:00 | |
Let's have a dekko at the clock. It's telling me that time's up. | 0:21:00 | 0:21:04 | |
-All done. -All done. -Are you happy? | 0:21:04 | 0:21:06 | |
-Yeah. -Three good bits, I think you should be really pleased with yourself. | 0:21:06 | 0:21:09 | |
-Next stop, we find out what happens at the auction, won't we? -Yes. | 0:21:09 | 0:21:13 | |
Let's see what the Reds have bought today. | 0:21:13 | 0:21:16 | |
There's the ornate wooden clock, bought for £55. | 0:21:16 | 0:21:19 | |
Will the Art Deco inspired statue dance away at auction? | 0:21:21 | 0:21:24 | |
Price paid - £85. | 0:21:24 | 0:21:27 | |
And the contemporary amber brooch - ticket price £62. | 0:21:28 | 0:21:32 | |
You went in on a couple of lots pretty quick there, I see, Adam. | 0:21:35 | 0:21:39 | |
Yes, yes. Some things kind of jumped out at us, I'd say. | 0:21:39 | 0:21:42 | |
-At you, yes. -Well, to me. | 0:21:42 | 0:21:45 | |
Exactly. Well, this is what they call compromise. | 0:21:45 | 0:21:47 | |
-Absolutely. -Come on, Emma, you got your shiny thing at the end. | 0:21:47 | 0:21:50 | |
I did, yes, I got a lovely little brooch at the end, yes. | 0:21:50 | 0:21:53 | |
Excellent. Well, the first question, of course, | 0:21:53 | 0:21:56 | |
I'm going to ask you is what's your favourite object? | 0:21:56 | 0:21:59 | |
-The brooch. -I thought as much. -Yes, very pretty. | 0:21:59 | 0:22:03 | |
-You've got two to choose from here, haven't you? -I have indeed, yes. | 0:22:03 | 0:22:06 | |
I'd say my favourite is probably the clock. | 0:22:06 | 0:22:08 | |
It's something I would have myself. | 0:22:08 | 0:22:10 | |
The statue I wouldn't have myself but I can see that making a bit of money. | 0:22:10 | 0:22:13 | |
Which is going to give you the biggest profit? | 0:22:13 | 0:22:16 | |
-I think we both think the statue. -I think it's going to be... -No? | 0:22:16 | 0:22:18 | |
The statue? No! I'm saying it's the brooch! | 0:22:18 | 0:22:20 | |
-OK. How much did you spend? -£202. | 0:22:20 | 0:22:24 | |
-That means that you're going to give me £98. -I am, yes. | 0:22:24 | 0:22:28 | |
OK, now, I'm going to give that to Mr Sebastian. | 0:22:28 | 0:22:31 | |
-There you go, Danny. -Thank you, Eric. | 0:22:31 | 0:22:34 | |
-All right. -I've got something lined up for that money. | 0:22:34 | 0:22:36 | |
-All right, Danny, you go on your way and do your best. -I shall do. | 0:22:36 | 0:22:39 | |
Meanwhile, let's remind ourselves what the Blue team have bought. | 0:22:39 | 0:22:43 | |
They went for ceramics all the way. | 0:22:43 | 0:22:46 | |
First with the German porcelain vase, price £60, then another vase, | 0:22:46 | 0:22:51 | |
this time from Poole pottery. Cost - £80. | 0:22:51 | 0:22:55 | |
And finally, would the rare beagle brooch have some bite at the auction? | 0:22:55 | 0:22:59 | |
It cost them £42. | 0:22:59 | 0:23:02 | |
You spent a reasonable amount of money, you weren't mean, | 0:23:02 | 0:23:05 | |
you were quite calculating. | 0:23:05 | 0:23:07 | |
Having said all that, I'd like to know, first of all, Jane, your favourite object. | 0:23:07 | 0:23:13 | |
Well, I quite like the brooch and I think it's quite nice because, you know, | 0:23:14 | 0:23:19 | |
-it's a pet and they're always nice. -The brooch is your favourite. | 0:23:19 | 0:23:22 | |
-Yeah. -Justin, what about you? -Mine was the Poole vase. | 0:23:22 | 0:23:25 | |
The orange Poole vase. I thought that was quite funky. | 0:23:25 | 0:23:28 | |
But what about the item that's going to give you the biggest profit? | 0:23:28 | 0:23:31 | |
-I think we both agree with that one, don't we? -I think the brooch, I think. | 0:23:31 | 0:23:34 | |
-Yeah, I think... -Yeah, because pets... | 0:23:34 | 0:23:36 | |
-The Royal Doulton brooch. -Yeah, pets do well, I think. | 0:23:36 | 0:23:38 | |
You spent, I think it was £182. | 0:23:38 | 0:23:40 | |
-Yeah. -Yeah. -So you're going to place in my hand £118. -OK. | 0:23:40 | 0:23:44 | |
-There we go. -Which I'm going to give to Jonathan. | 0:23:44 | 0:23:49 | |
-All right. -Have you spotted anything that's going to tempt you? | 0:23:49 | 0:23:53 | |
I've seen many things and I know, funnily enough, I've got a very good idea of what they like. | 0:23:53 | 0:23:57 | |
OK, well, while you go off on your merry way, | 0:23:57 | 0:23:59 | |
we're going to go off to the auction. | 0:23:59 | 0:24:02 | |
We have travelled all the way to the emporium | 0:24:16 | 0:24:19 | |
that is Hansons auction house and we've got Mr Hanson himself. | 0:24:19 | 0:24:22 | |
-Hello, Eric. -Hello, Charles. -Good to see you. -Good to see you too. | 0:24:22 | 0:24:25 | |
Well, let's start with the Red team, Adam and Emma. | 0:24:25 | 0:24:28 | |
And the first of their buys is this somewhat imposing | 0:24:28 | 0:24:32 | |
wooden mantle clock by Ansonia, American. | 0:24:32 | 0:24:35 | |
Yes, it's quite flamboyant and it's what we call a gingerbread type, | 0:24:35 | 0:24:40 | |
which would date to around 1885, I suppose. | 0:24:40 | 0:24:44 | |
Of course, as an American company, | 0:24:44 | 0:24:46 | |
they formed in 1851 in Connecticut and then moved to New York in around | 0:24:46 | 0:24:50 | |
1878, so we know from the New York mark it's after 1878, | 0:24:50 | 0:24:55 | |
and it's a good looking clock. | 0:24:55 | 0:24:57 | |
It's got style but in many respects it's slightly now out of fashion. | 0:24:57 | 0:25:02 | |
-What's your estimate? -Between £30 and £50. | 0:25:02 | 0:25:04 | |
£30 and £50, they're in with a chance. They paid £55 for it. | 0:25:04 | 0:25:08 | |
-OK, good. -OK. -We're on the edge, hopefully. -We're on the edge. | 0:25:08 | 0:25:12 | |
Next is this Art Deco style bronze figure... | 0:25:12 | 0:25:16 | |
..and it is... It is bronze. | 0:25:17 | 0:25:19 | |
It's quite solid, it's on a nice sort of marble base. | 0:25:19 | 0:25:22 | |
Quality, you're quite right, is superb. | 0:25:22 | 0:25:24 | |
It has a lovely patination but I just wonder whether it's European | 0:25:24 | 0:25:28 | |
-or maybe from the Far East. -OK. | 0:25:28 | 0:25:30 | |
But you can't beat the quality when it comes to the deco look. | 0:25:30 | 0:25:34 | |
That girl has got it. | 0:25:34 | 0:25:36 | |
OK, she's got it but at a price, so what price have you put on her? | 0:25:36 | 0:25:40 | |
Well, I've put quite a wide guide price on to reflect her movement, | 0:25:40 | 0:25:43 | |
so I've gone quite wide with a guide price of between £60-100. | 0:25:43 | 0:25:47 | |
Well, they'll be happy with that because they paid £85, | 0:25:47 | 0:25:50 | |
which I think is very reasonable. | 0:25:50 | 0:25:52 | |
I think if two buyers get behind it, she could run. | 0:25:52 | 0:25:55 | |
So item number three is the silver and amber brooch. | 0:25:55 | 0:25:58 | |
It's got that sophisticated look about it, | 0:25:58 | 0:26:00 | |
maybe a bit of the Art Deco as well, but the marcasite style of ornamentation, | 0:26:00 | 0:26:04 | |
the silver, what I'm sure is silver banding, | 0:26:04 | 0:26:06 | |
and the amber is all nice quality. | 0:26:06 | 0:26:09 | |
-And the estimate is... -£10-15. -OK. | 0:26:09 | 0:26:13 | |
-Am I being a bit harsh? -Well, I think maybe this is tactics. | 0:26:13 | 0:26:17 | |
Maybe this is a "come and get me" estimate but they paid £62 for it, | 0:26:17 | 0:26:22 | |
so they may be wise to consider their bonus buy. | 0:26:22 | 0:26:25 | |
Either way, let's have a look at it. | 0:26:25 | 0:26:27 | |
Well, Red team, Adam and Emma, | 0:26:29 | 0:26:31 | |
it's bonus buy time and you actually went out, you did a good spend, | 0:26:31 | 0:26:36 | |
£202, which left £98 for Danny to go out and buy with. | 0:26:36 | 0:26:41 | |
Danny, show the people what you bought. | 0:26:41 | 0:26:44 | |
What I've bought is... | 0:26:44 | 0:26:47 | |
..nice bit of trench art. | 0:26:49 | 0:26:50 | |
It's an old ammunition case and it's been sculptured to make into a vase. | 0:26:50 | 0:26:55 | |
I mean, it's brass, it's got the date on the bottom, 1942, | 0:26:55 | 0:26:59 | |
so we know it's from that period. | 0:26:59 | 0:27:01 | |
Very nice, I mean, there's a lot of sculpting gone into that, I think, | 0:27:01 | 0:27:03 | |
a lot of craftsmanship. I think it's quite nice. | 0:27:03 | 0:27:06 | |
It's quirky, it's a little bit different. | 0:27:06 | 0:27:08 | |
-I like the style around the... -Round the neck? -The crucial question is, how much did you pay for it? | 0:27:08 | 0:27:13 | |
What do you think I paid? | 0:27:13 | 0:27:16 | |
-30 quid? -I'll tell you what, he's good, this chap. | 0:27:16 | 0:27:18 | |
He's good, this chap. I actually paid 20. | 0:27:18 | 0:27:21 | |
Whoa! Yes. | 0:27:21 | 0:27:23 | |
OK. And how much do you think it will fetch? | 0:27:23 | 0:27:25 | |
I'd like to think that it could make between £40-50. | 0:27:25 | 0:27:29 | |
-I love it. -Also might find it's got a market as well for people who do like militaria, | 0:27:29 | 0:27:34 | |
so there's a lot of people who could have a lot of interest in it. | 0:27:34 | 0:27:38 | |
Well, let's find out if Charles also finds this to be an interesting piece. | 0:27:38 | 0:27:42 | |
So here is Danny's bonus buy, Charles. | 0:27:45 | 0:27:48 | |
Yes, thank you, Eric. | 0:27:48 | 0:27:50 | |
And I quite like it, it's obviously a nice, | 0:27:50 | 0:27:52 | |
almost squeezed piece of trench art. | 0:27:52 | 0:27:55 | |
It's got a certain style about it as well. | 0:27:55 | 0:27:58 | |
Importantly it's of military interest. | 0:27:58 | 0:28:00 | |
-Right, so estimate? -I'd put a guide price of between £20-30. | 0:28:00 | 0:28:05 | |
He paid £20 for it, so they're going to be pleased with that. | 0:28:05 | 0:28:07 | |
-Yeah. -Let's go onto the Blue team. | 0:28:07 | 0:28:09 | |
-This is Justin and Jane. -Yes. -Their first item is a Dresden jardiniere. | 0:28:09 | 0:28:15 | |
I've been trying to like it. I've been trying to get close to it, Eric, | 0:28:16 | 0:28:19 | |
and understand that it's highly pierced, it's very ornate, | 0:28:19 | 0:28:23 | |
it's well encrusted, but it's quite late Dresden. | 0:28:23 | 0:28:27 | |
I do like it, Eric, for what it represents as a work of art but I don't like it very much. | 0:28:27 | 0:28:31 | |
I'm just wondering if that might have influenced your estimate, | 0:28:31 | 0:28:34 | |
-which is...? -Yes, I've gone between £40-60. | 0:28:34 | 0:28:37 | |
Well, they paid £60, so they are well within the game, then. | 0:28:37 | 0:28:39 | |
-Good, good. -So item number two is the Poole Pottery vase. | 0:28:39 | 0:28:45 | |
-It's striking, isn't it? -It is striking. It's of a period, isn't it? | 0:28:45 | 0:28:48 | |
-Yes. -When I see that, I think of orange kitchen utensils in the 1970s! | 0:28:48 | 0:28:54 | |
Yes, yes. I think it makes such an impression. | 0:28:54 | 0:28:58 | |
It is so different to what went before in the china industry, | 0:28:58 | 0:29:03 | |
in ceramics generally, and it's, as you say, | 0:29:03 | 0:29:06 | |
so evocative of that wonderful psychedelic 1970s. | 0:29:06 | 0:29:09 | |
-So, estimate? -I've been a bit cruel on this one. | 0:29:09 | 0:29:12 | |
I've gone between £40-60 but I do feel it might move a bit. | 0:29:12 | 0:29:17 | |
OK, well, they went and paid £80 for it, so... | 0:29:17 | 0:29:20 | |
..let's hope that the market's on an upturn. | 0:29:21 | 0:29:24 | |
-OK? -Exactly, exactly. | 0:29:24 | 0:29:26 | |
So, item number three, which I'm intrigued with. | 0:29:26 | 0:29:28 | |
Yes. If the first two don't do so well, this, I think, will do very well. | 0:29:28 | 0:29:32 | |
I've never seen one before, this Royal Doulton brooch modelled as a beagle, | 0:29:32 | 0:29:38 | |
and it's such a lovely brooch. | 0:29:38 | 0:29:41 | |
Probably 1950s, could be a bit of a sleeper. | 0:29:41 | 0:29:44 | |
Tell me, what's the estimate? | 0:29:44 | 0:29:45 | |
Well, we have put a guide price on of between £60-100 and if two buyers really get behind it, | 0:29:45 | 0:29:52 | |
two dog lovers who have maybe deep pockets, | 0:29:52 | 0:29:55 | |
it could really bark. | 0:29:55 | 0:29:57 | |
Well, they paid £42 for it and they've both been a little prophetic | 0:29:57 | 0:30:01 | |
-insofar as they both think it's the one item that's going to give them the largest profit. -Good. | 0:30:01 | 0:30:06 | |
So you've given them a good reason to have high hopes. | 0:30:06 | 0:30:09 | |
-I hope so. -All right. | 0:30:09 | 0:30:11 | |
Well, whether or not they need it, let's find out what the bonus buy is. | 0:30:11 | 0:30:14 | |
Right, Blues, Justin and Jane, it's bonus buy time, | 0:30:16 | 0:30:19 | |
and you had quite a healthy spend. | 0:30:19 | 0:30:21 | |
We did, yes. We did quite well. We wanted to spend a lot, Eric, | 0:30:21 | 0:30:25 | |
we wanted to spend everything but we just couldn't find a big item we wanted. | 0:30:25 | 0:30:28 | |
Yes, you actually spent £182, | 0:30:28 | 0:30:30 | |
which meant that Jonathan had £118 to go out and find a bonus buy. | 0:30:30 | 0:30:34 | |
Jonathan, would you like to reveal, very carefully? | 0:30:34 | 0:30:39 | |
There we are. | 0:30:41 | 0:30:43 | |
A nice, Art Deco style decanter in this lovely sort of amber | 0:30:43 | 0:30:47 | |
flashing on it and engraved with flowers, | 0:30:47 | 0:30:50 | |
and it's sort of like little shot glasses, you know, | 0:30:50 | 0:30:52 | |
and I thought if you've got your friends around, that's quite fashionable at the moment, | 0:30:52 | 0:30:55 | |
this sort of style has been in fashion for some time, | 0:30:55 | 0:30:58 | |
obviously it's the origins of the style in the 1920s | 0:30:58 | 0:31:01 | |
-and I just thought it was a bit of class, really. -Yeah. | 0:31:01 | 0:31:04 | |
-Yeah. -Actually, I really like it. -I like it. We've got some decanters at home, haven't we? | 0:31:04 | 0:31:08 | |
We do, and we did want some glass and we couldn't find any glass. | 0:31:08 | 0:31:12 | |
-I like the colouring as well. -And we did like the Art Deco. | 0:31:12 | 0:31:15 | |
-We saw a few Art Deco things. -Yes, exactly. I knew all this as we were going along. I was making notes. | 0:31:15 | 0:31:20 | |
We do like it but how much did you pay for it? | 0:31:20 | 0:31:22 | |
-And is there any profit in it? -It cost me £116. | 0:31:22 | 0:31:27 | |
I would certainly say it's worth more than £100. | 0:31:27 | 0:31:29 | |
It has to be 120, thereabouts. | 0:31:29 | 0:31:31 | |
It may be a small profit, it may make a little bit more. | 0:31:31 | 0:31:34 | |
-OK, so that's... -Yeah. -Well, quality glassware. | 0:31:34 | 0:31:37 | |
Let's find out if Charles appreciates a certain amount of Art Deco style and elegance. | 0:31:37 | 0:31:44 | |
So, here is Jonathan's bonus buy. | 0:31:45 | 0:31:48 | |
Quite a stylish decanter and six matching cups. | 0:31:48 | 0:31:52 | |
Amber flashed and very deco-looking, but what do you think? | 0:31:52 | 0:31:55 | |
I think when you say the word looking, | 0:31:55 | 0:31:58 | |
you're quite right and I would love to say it is 1930s, | 0:31:58 | 0:32:02 | |
it is the real McCoy, but I'm... | 0:32:02 | 0:32:04 | |
It's quite a hard set to date because it's still being manufactured, | 0:32:04 | 0:32:08 | |
it's still a great tourist export and I suppose I'm hoping it's 1960s. | 0:32:08 | 0:32:14 | |
-Yeah. -But it's complete, it's clean, I love the design, | 0:32:14 | 0:32:19 | |
it's striking and it's a good decorative art. | 0:32:19 | 0:32:24 | |
-So, estimate? -Well... I do like it, Eric. | 0:32:24 | 0:32:27 | |
I've put a guide price of between £100-150. | 0:32:27 | 0:32:31 | |
-Well, Jonathan went and paid £116 for that, so he's on the right side, yeah? -Yeah, I think he is, Eric, | 0:32:31 | 0:32:36 | |
-and I think there's a chance it might just run a bit. -OK. | 0:32:36 | 0:32:40 | |
So, over to the auction, | 0:32:43 | 0:32:44 | |
and today Charles's colleague Isabel Balmer is stepping up to the rostrum. | 0:32:44 | 0:32:49 | |
So, Adam and Emma, have you been to an auction before? | 0:32:49 | 0:32:52 | |
-No, this is our first time, this is. -Is it? Oh, right, well your first is always the best, isn't it? | 0:32:52 | 0:32:57 | |
I mean, no two ways about it. | 0:32:57 | 0:32:59 | |
Fortunately Danny has been to plenty of them so you've had some pretty good advice along the way. | 0:32:59 | 0:33:03 | |
-Are you feeling energised? -Yes, yes, we are, very excited. | 0:33:03 | 0:33:06 | |
Good, good, good. | 0:33:06 | 0:33:08 | |
Well, I'm just as excited as you are but either way your first lot is just about to come up. | 0:33:08 | 0:33:12 | |
Our 20th-century American oak wall clock. | 0:33:12 | 0:33:15 | |
Start me off at just £15. | 0:33:15 | 0:33:18 | |
£15. Start me at 15. | 0:33:18 | 0:33:20 | |
It's bid straight in, where's 18 now? | 0:33:20 | 0:33:22 | |
18 in the room. Would you like 20 now, internet? | 0:33:22 | 0:33:24 | |
20, and two, madam? | 0:33:24 | 0:33:26 | |
22, asking five now, net. | 0:33:26 | 0:33:28 | |
-25... -It's getting there, it's getting there. | 0:33:28 | 0:33:31 | |
28? Would you like 30? | 0:33:31 | 0:33:33 | |
30 on the internet, 32, madam? | 0:33:33 | 0:33:35 | |
32 is bid. Asking five now. | 0:33:36 | 0:33:39 | |
32, I have. Shall we try five now, net? | 0:33:39 | 0:33:41 | |
35, new place. 38? | 0:33:41 | 0:33:44 | |
At £35, I'll take eight. | 0:33:44 | 0:33:46 | |
All done, with you, sir. Fair warning, your bid. | 0:33:46 | 0:33:49 | |
Selling at 35. | 0:33:49 | 0:33:52 | |
Oh! What a shame. | 0:33:52 | 0:33:54 | |
-That's a little bit shoddy. -Never mind. -Never mind. | 0:33:54 | 0:33:57 | |
-That was a bit of a drop. -It is a bit. Minus 20. | 0:33:57 | 0:34:00 | |
It's all to play for, you know, let's go for it. | 0:34:00 | 0:34:02 | |
-We've still got some good lots to come. -Yes. | 0:34:02 | 0:34:04 | |
The next lot is the Art Deco style bronze, which is very stylish, | 0:34:04 | 0:34:08 | |
-isn't it? -Very decorative. -She's fabulous. | 0:34:08 | 0:34:10 | |
Very fluid, very graceful. | 0:34:10 | 0:34:12 | |
Have a good look at her and what shall we say? | 0:34:12 | 0:34:14 | |
Start me at just £20. | 0:34:14 | 0:34:16 | |
-Just £20. -It's that cheap. | 0:34:16 | 0:34:18 | |
Bid me 20. Bid me 20. Looking for £20. 20 is bid. | 0:34:18 | 0:34:21 | |
-Where's two now? -Come on, come on. -£20 at the back of the room. | 0:34:21 | 0:34:24 | |
Who would like two? 22, 25, 28, and 30. | 0:34:24 | 0:34:27 | |
And two. 35, 38. | 0:34:27 | 0:34:29 | |
35, at the back of the room, 38, new place. | 0:34:29 | 0:34:32 | |
-40. -You know it's worth it. -And five, and 50. | 0:34:32 | 0:34:35 | |
45 seated, asking 50 now. | 0:34:35 | 0:34:38 | |
-55. -There we go. -60. -Come on. | 0:34:38 | 0:34:41 | |
-Five. 70. -Come on! -70, sir. | 0:34:41 | 0:34:43 | |
-Come on, come on. -70. -Come on! | 0:34:43 | 0:34:45 | |
-Ssh! -65 here, asking 70 now. I've got 65. | 0:34:45 | 0:34:48 | |
It's on my far left. I will take 70 now. | 0:34:48 | 0:34:51 | |
Are you all sure? Fair warning. | 0:34:51 | 0:34:53 | |
My hammer's raised and I sell to you, madam. | 0:34:53 | 0:34:55 | |
All done, all sure, at £65. | 0:34:55 | 0:34:57 | |
Sold. | 0:34:57 | 0:34:59 | |
Oh, 65! We're another minus 20, which gives us minus 40. | 0:34:59 | 0:35:05 | |
OK, not to worry, not to worry. | 0:35:05 | 0:35:07 | |
Our next lot is the contemporary silver and amber brooch. | 0:35:07 | 0:35:10 | |
And that teardrop shape there, | 0:35:10 | 0:35:12 | |
and it's got the London import marks on it. | 0:35:12 | 0:35:14 | |
Very pretty brooch, this one. | 0:35:14 | 0:35:16 | |
We have quite a low estimate on it, so let's start it at just £10. | 0:35:16 | 0:35:20 | |
£10 to start. Ten is bid, straight in, 12, 15, 18, 20. | 0:35:20 | 0:35:24 | |
And two. 25, 28, and 30, and two. | 0:35:24 | 0:35:27 | |
35. 38, and 40. And five, 50. | 0:35:27 | 0:35:31 | |
45 is bid with you, sir. Have we got 50 now? | 0:35:32 | 0:35:35 | |
£45, bid me 50, bid 50. | 0:35:35 | 0:35:37 | |
I've got £45. Internet, you're quiet on this one. | 0:35:37 | 0:35:39 | |
Would you like 50? With you, sir, all done, all sure? | 0:35:39 | 0:35:42 | |
Congratulations, sir, selling at 45. | 0:35:42 | 0:35:46 | |
-Sold. -Right, OK, minus 17. | 0:35:46 | 0:35:50 | |
OK, well, we're minus 57. | 0:35:50 | 0:35:51 | |
It's... It may be down to the bonus buy. | 0:35:53 | 0:35:55 | |
-Million percent, got to do that. -OK. | 0:35:55 | 0:35:57 | |
Well, I don't think it can do a lot worse. | 0:35:57 | 0:36:00 | |
-So no pressure, Danny. -No. -Good lad, excellent. Here we go. | 0:36:00 | 0:36:03 | |
We have our trench art brass vase. | 0:36:03 | 0:36:06 | |
I like this one. We don't often see them shaped like this. | 0:36:06 | 0:36:09 | |
Unusual one, and it's military issue, 1942. | 0:36:09 | 0:36:14 | |
Who would like to start the bidding at £10? | 0:36:14 | 0:36:17 | |
£10, ten is bid, well worth a bid of ten. | 0:36:17 | 0:36:20 | |
Come on! Come on! | 0:36:20 | 0:36:22 | |
-You bid £10, bid 12 instead. -Come on! -Asking £12. | 0:36:23 | 0:36:26 | |
Who would like it? I can't believe it. Bid me 12. 12. | 0:36:26 | 0:36:29 | |
Hands everywhere. 12, 15, madam, 18, sir. | 0:36:29 | 0:36:32 | |
20, and two. | 0:36:32 | 0:36:34 | |
22? £20, lady's bid, looking for 22 now, | 0:36:34 | 0:36:36 | |
at £20 it's bid here with you, madam. | 0:36:36 | 0:36:39 | |
All done, you've fought them off and I sell at £20. | 0:36:39 | 0:36:43 | |
-£20! -No loss. -Well, we broke even. No loss, yeah. -Good find, though. | 0:36:43 | 0:36:47 | |
Yes, it was good to enjoy that moment. | 0:36:47 | 0:36:51 | |
-Yes. -But at the end of the day we're in a minus 57 position, OK? | 0:36:52 | 0:36:58 | |
-It could be a win. -It could be a win, there's no two ways about it. | 0:36:58 | 0:37:03 | |
OK, so not a word to the Blues, OK? | 0:37:03 | 0:37:06 | |
-Promise. -OK. | 0:37:06 | 0:37:08 | |
-Have you been to an auction before? -We have been to this auction before, yes. | 0:37:12 | 0:37:16 | |
-Oh, have you? -We live very local so we've been here before. -A couple of times. | 0:37:16 | 0:37:20 | |
Yeah, OK, so you really are batting on home turf, then. | 0:37:20 | 0:37:24 | |
-Yeah. -So does it put you in your comfort zone? | 0:37:24 | 0:37:27 | |
-I think... -No. -A little bit. -A little bit. | 0:37:27 | 0:37:31 | |
OK, well, the first item that's coming up is your interesting porcelain twin handled jardiniere. | 0:37:31 | 0:37:36 | |
Beautiful thing, this one. Loving the decoration. | 0:37:36 | 0:37:40 | |
Start me off at just £20. £20. Bid me 20. | 0:37:40 | 0:37:43 | |
£20, £20, would make a fabulous table decoration. | 0:37:43 | 0:37:46 | |
Bid me 20. Hands up everywhere. Lady's first. 20, and two. | 0:37:46 | 0:37:49 | |
25, 28 and 30. | 0:37:49 | 0:37:50 | |
-And two. 35, 38. -This guy wants it. | 0:37:50 | 0:37:53 | |
50. 45, with you, sir, I'll take 50. | 0:37:53 | 0:37:56 | |
45, gentleman's bid. | 0:37:56 | 0:37:58 | |
Come on, madam, have a go at 50. | 0:37:58 | 0:38:00 | |
-One more. £50, one more, 55, sir. -Oh, go on. -One more! | 0:38:00 | 0:38:04 | |
At £50, lady's bid, looking for five, 55. | 0:38:04 | 0:38:07 | |
-New place. 60. -Yes, go on! | 0:38:07 | 0:38:09 | |
Lady's bid at the back of the room there, and I ask £60. | 0:38:09 | 0:38:13 | |
Who would like it? I'm looking for 60. I have your bid at 55. | 0:38:13 | 0:38:16 | |
-Let's go one more. 60. -THEY CHEER | 0:38:16 | 0:38:19 | |
-She couldn't stop him then. -At £60, gentleman's bid. | 0:38:19 | 0:38:22 | |
Looking for five now. | 0:38:22 | 0:38:24 | |
-Come on. -£60. I will take five, asking five. | 0:38:24 | 0:38:27 | |
Are we all done? Are we all quite sure? | 0:38:27 | 0:38:29 | |
We do not want to regret this one. | 0:38:29 | 0:38:31 | |
I've got you, sir, at £60, selling... | 0:38:31 | 0:38:33 | |
..fair warning, OK. | 0:38:35 | 0:38:37 | |
Well, neither here, neither there. | 0:38:37 | 0:38:40 | |
OK, well there's a start. | 0:38:40 | 0:38:42 | |
-Steady Eddie. -Anyway, next lot is the Poole Pottery vase. | 0:38:42 | 0:38:45 | |
Fabulous vase, really good size, this one. | 0:38:45 | 0:38:47 | |
Loving the colour ways there with the red and the orange tones, | 0:38:47 | 0:38:51 | |
and start me at £30 for it. | 0:38:51 | 0:38:54 | |
£30 for the Poole pottery. It is worth every penny. | 0:38:54 | 0:38:57 | |
Bid me 30. And five. Straight in on the internet is bid, asking 40. | 0:38:57 | 0:39:01 | |
-Go, internet. -35, 40 in the room, looking for five now. | 0:39:01 | 0:39:04 | |
45. 50, five. 60, sir. | 0:39:04 | 0:39:06 | |
60 is bid. Asking for five. | 0:39:06 | 0:39:08 | |
60. I have 60, internet, in the room. | 0:39:08 | 0:39:11 | |
I will take five. 65, 70, sir. | 0:39:11 | 0:39:13 | |
Are you quite sure, sir? | 0:39:13 | 0:39:15 | |
He is. 65 is bid on the internet. | 0:39:15 | 0:39:17 | |
-65. One more in the room, come on. -Have a bid at 70. | 0:39:17 | 0:39:20 | |
£65, let's make it 70. Make it 70. And I don't see it. | 0:39:20 | 0:39:24 | |
I sell today, with you, internet, thank you very much for your bid, selling... | 0:39:24 | 0:39:27 | |
-Sold. -Sold. OK. -Exciting bidding. | 0:39:27 | 0:39:31 | |
So... £65. | 0:39:31 | 0:39:34 | |
OK, so we're minus £15. | 0:39:34 | 0:39:37 | |
OK. | 0:39:37 | 0:39:38 | |
Listen, you've got it all to play for. | 0:39:38 | 0:39:41 | |
This is a good lot. It's the Doulton brooch. | 0:39:41 | 0:39:43 | |
Isn't he adorable? | 0:39:43 | 0:39:45 | |
Look at those eyes and those big droopy ears there. | 0:39:45 | 0:39:48 | |
And what shall we say? Start me at 30. | 0:39:48 | 0:39:51 | |
£30, £30, bid me 30. | 0:39:51 | 0:39:54 | |
And five, and 40, and five. | 0:39:54 | 0:39:56 | |
The internet is going. 50, five. | 0:39:56 | 0:39:58 | |
We're in Russia. 60. Five. 70. | 0:39:58 | 0:40:02 | |
Five. Still in Russia. | 0:40:02 | 0:40:04 | |
Have we got 80? | 0:40:04 | 0:40:06 | |
£75, Russian bid, and I look for an English bid now, with £80... | 0:40:06 | 0:40:11 | |
-Come on, England! -75 is bid. Come on, room, bid me 80. | 0:40:11 | 0:40:14 | |
Let's take on Russia. Bid me 80. Are you all sure? | 0:40:14 | 0:40:17 | |
Fair warning, hammer's raised, with me, then, with my internet bidder, | 0:40:17 | 0:40:21 | |
-selling... -Well done! -Yes! -Right, 75. | 0:40:21 | 0:40:24 | |
£33. | 0:40:24 | 0:40:25 | |
OK, we are now into a plus £18 situation. | 0:40:25 | 0:40:29 | |
OK? Plus £18, so we now have the option of going with the bonus buy. | 0:40:29 | 0:40:36 | |
-We're in a bonus buy... -What do you think, Jane? -I think I'm with Jonathan. | 0:40:37 | 0:40:40 | |
-I think we should go for it. We trust you, Jonathan. -Oh, gosh, OK. | 0:40:40 | 0:40:43 | |
-OK, yeah. You sure about that? -Yeah, let's go for it. | 0:40:43 | 0:40:46 | |
-OK. -Let's go for it. -Definitely. -All right. | 0:40:46 | 0:40:49 | |
We have our Art Deco cut glass decanter, | 0:40:49 | 0:40:53 | |
together with our six glasses | 0:40:53 | 0:40:56 | |
with the beautiful citrine coloured glass | 0:40:56 | 0:40:59 | |
etched with the flowers and the berries. | 0:40:59 | 0:41:01 | |
Gorgeous lot, this one. Start me at just £50. | 0:41:01 | 0:41:04 | |
£50 to start. 50 to get it going. Bid me 50. | 0:41:04 | 0:41:07 | |
50, 50 bid, straight in. Where's five now? 50, five, 60, sir. | 0:41:07 | 0:41:11 | |
-60 is bid. -Now we need a few more. | 0:41:11 | 0:41:12 | |
60 in the room, internet, I will take your bid at five. | 0:41:12 | 0:41:15 | |
In the room at 60, five, 70, sir. | 0:41:15 | 0:41:17 | |
70 is bid. Asking five now, creeping up. | 0:41:17 | 0:41:19 | |
75, 80, sir. | 0:41:19 | 0:41:21 | |
80 is bid, looking for five. | 0:41:21 | 0:41:23 | |
It's at 80, and five, and 90, sir. 90 is bid. Asking five. | 0:41:23 | 0:41:26 | |
Still in the room at 90, five on the net. 100, sir. | 0:41:26 | 0:41:29 | |
£100 is bid. OK, 100. I will take 110, 120, 120 bid, 130. | 0:41:29 | 0:41:35 | |
Asking 130 now. I've got 120 in the room here and I'm asking 130. | 0:41:35 | 0:41:40 | |
And I sell, for the first, second and third time. Selling at £120. | 0:41:40 | 0:41:46 | |
-Sold. -Wahey! -Yes! -A bit of a phew! | 0:41:46 | 0:41:50 | |
Well, let me tell you, skin of your teeth there because | 0:41:50 | 0:41:54 | |
with that bid of 120 you actually find yourself with plus £4, | 0:41:54 | 0:41:59 | |
so you're staying in the positive. | 0:41:59 | 0:42:00 | |
You have moved up to the heady heights of plus £22. | 0:42:00 | 0:42:05 | |
OK, now you know full well, lips are sealed, no talking to the Reds. | 0:42:05 | 0:42:09 | |
Well, teams, we do have a winner but we do not necessarily have a loser. | 0:42:15 | 0:42:20 | |
We have a runner-up. | 0:42:20 | 0:42:22 | |
And the runner-up in this particular game is our Red team. | 0:42:22 | 0:42:25 | |
I mean, it's just one of those days. | 0:42:25 | 0:42:27 | |
-You're not negative about having taken part. -No, absolutely not. -We've had a good time. | 0:42:27 | 0:42:31 | |
-We've had a perfectly good time. -Yeah. Great experience. | 0:42:31 | 0:42:34 | |
All right. So, turning to a triumphant Blues, | 0:42:34 | 0:42:38 | |
I've got a plus of £22. | 0:42:38 | 0:42:42 | |
It's not a massive plus, so don't spend it to quickly, and there is the two. | 0:42:42 | 0:42:46 | |
Your faces tell me everything. You've had a good time as well. | 0:42:46 | 0:42:49 | |
-Oh, we've had a fabulous time. -We've had a fantastic time. | 0:42:49 | 0:42:52 | |
-Really great. -So well done, Blues, worthy victors, but meanwhile, | 0:42:52 | 0:42:55 | |
you can keep in touch by checking out our website or by following us on Twitter, | 0:42:55 | 0:43:00 | |
but better still, catch us next time for more Bargain Hunting. | 0:43:00 | 0:43:03 | |
-Yes? ALL: -Yes! | 0:43:03 | 0:43:06 |