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Today, Bargain Hunt has pulled up in Peterborough. | 0:00:04 | 0:00:07 | |
Now, behind the scenes it takes a big team to put this show together. | 0:00:09 | 0:00:14 | |
It's time for a roll call. | 0:00:14 | 0:00:16 | |
Three runners. | 0:00:16 | 0:00:18 | |
One researcher. | 0:00:18 | 0:00:20 | |
One coordinator. | 0:00:20 | 0:00:24 | |
Three directors. | 0:00:24 | 0:00:26 | |
The camera and sound crew. | 0:00:26 | 0:00:27 | |
Not forgetting four contestants. | 0:00:27 | 0:00:30 | |
Two experts. | 0:00:30 | 0:00:32 | |
Oh, and one presenter. | 0:00:32 | 0:00:34 | |
That's me. Right, gang. | 0:00:34 | 0:00:36 | |
All present and correct, so let's go Bargain Hunting! | 0:00:36 | 0:00:39 | |
Well, our two teams have got a lot of ground to cover today. | 0:01:06 | 0:01:10 | |
There are so many stalls and this fair is ginormous. | 0:01:10 | 0:01:14 | |
So, no time to dilly-dally. | 0:01:14 | 0:01:16 | |
Let's see what's coming up. | 0:01:16 | 0:01:17 | |
The Reds shimmy and shake their way to a deal. | 0:01:20 | 0:01:22 | |
Maybe go and ask for a bit of discount. | 0:01:22 | 0:01:25 | |
-Absolutely. -Good luck. | 0:01:25 | 0:01:26 | |
The Blues swap flowers for umbrellas. | 0:01:28 | 0:01:30 | |
I mean, you could put umbrellas in that. | 0:01:30 | 0:01:32 | |
-Oh, no! -No? -Oh, my God. No. | 0:01:32 | 0:01:34 | |
-Don't sound happy with that. -They're actually pieces of art. | 0:01:34 | 0:01:37 | |
'The Reds are all loved up at the auction.' | 0:01:39 | 0:01:41 | |
-Either way... -We love you, Charlie, you know that. -Thank you, Lana. | 0:01:41 | 0:01:44 | |
'And it's all or nothing for the Blues.' | 0:01:44 | 0:01:46 | |
What have you got to lose? | 0:01:46 | 0:01:48 | |
But all that is coming up later. | 0:01:50 | 0:01:52 | |
So let's meet today's teams. | 0:01:52 | 0:01:54 | |
For the Reds we've got Lana and Richard, and for the Blues | 0:01:54 | 0:01:58 | |
we've got Rick and Ivan. | 0:01:58 | 0:01:59 | |
-Hello! ALL: -Hello. | 0:01:59 | 0:02:01 | |
Hello. So, Richard, tell me, how did you, you lovely couple meet? | 0:02:01 | 0:02:05 | |
Well, we met on a yoga retreat in Goa | 0:02:05 | 0:02:09 | |
about a year ago | 0:02:09 | 0:02:11 | |
and it turned out that we actually lived in the same city. | 0:02:11 | 0:02:15 | |
Not only that, but we lived about a mile away from each other. | 0:02:15 | 0:02:19 | |
-No! -Yeah, so... | 0:02:19 | 0:02:20 | |
-Well, that's fate, isn't it? -Yes, could be... -It is fate. | 0:02:20 | 0:02:23 | |
So what do you do in your spare time? | 0:02:23 | 0:02:25 | |
Do a little bit of gardening, do some cycling. | 0:02:25 | 0:02:27 | |
I'm a sort of an amateur artist, as well. | 0:02:27 | 0:02:31 | |
I like to go to art class and pretend to be an artist for a day. | 0:02:31 | 0:02:34 | |
Excellent. So, Lana, what do you do for a living? | 0:02:34 | 0:02:37 | |
I'm a social programme manager. | 0:02:37 | 0:02:39 | |
I work for an international language school in Oxford and I look after | 0:02:39 | 0:02:43 | |
students who come to Oxford to improve their English. | 0:02:43 | 0:02:45 | |
And I organise a lot of exciting activities for them. | 0:02:45 | 0:02:48 | |
Such as? | 0:02:48 | 0:02:50 | |
Erm... Skydiving? | 0:02:50 | 0:02:51 | |
-Skydiving?! -Yeah. -I'm sure skydiving can be fun to some people. | 0:02:51 | 0:02:55 | |
But, I mean, you've done it yourself... | 0:02:55 | 0:02:57 | |
Yeah, I've done it myself. It's really good fun. | 0:02:57 | 0:02:59 | |
I'd like to do it again. | 0:02:59 | 0:03:01 | |
And when it comes to your spare time, what do you do with it? | 0:03:01 | 0:03:05 | |
I like walking, I like kayaking, I like Morris dancing. | 0:03:05 | 0:03:09 | |
All things sporty. | 0:03:09 | 0:03:11 | |
And Morris dancing, it's very British. | 0:03:11 | 0:03:13 | |
-I mean... -It is, isn't it? -I mean you're originally from... | 0:03:13 | 0:03:16 | |
the Ukraine, yes? | 0:03:16 | 0:03:18 | |
So do you have Morris dancing in the Ukraine? | 0:03:18 | 0:03:20 | |
I don't think we do. We have some traditional Ukrainian dancing, | 0:03:20 | 0:03:23 | |
but Morris dancing is so much fun. | 0:03:23 | 0:03:25 | |
You meet amazing people, it keeps you fit and absolutely love it. | 0:03:25 | 0:03:28 | |
It's one of the best things I've done in England. | 0:03:28 | 0:03:31 | |
Excellent. So how do you think you're going to get on today and | 0:03:31 | 0:03:34 | |
what is going to be your tactics? | 0:03:34 | 0:03:35 | |
I think we should be looking to try and identify collectable items, | 0:03:35 | 0:03:40 | |
something that nobody else really has picked up on | 0:03:40 | 0:03:45 | |
and maybe something local to the area would be good. | 0:03:45 | 0:03:48 | |
But you've got other ideas, haven't you? | 0:03:48 | 0:03:50 | |
I just find something quirky, haggle to death, sell it at a profit, | 0:03:50 | 0:03:54 | |
retire with the profits. | 0:03:54 | 0:03:56 | |
Oh... Simple as that, eh? | 0:03:56 | 0:03:58 | |
-Easy. -Easy-peasy. | 0:03:58 | 0:04:01 | |
Well, good luck, Reds. But turning my attention to the Blue team... | 0:04:01 | 0:04:04 | |
So, Ivan, tell me how you and Rick met. | 0:04:04 | 0:04:07 | |
We met 20 years ago in a bar in Amsterdam. | 0:04:07 | 0:04:11 | |
And we've been travelling ever since. Here, there and everywhere. | 0:04:11 | 0:04:16 | |
-And... -We tend to forget some flights. | 0:04:16 | 0:04:19 | |
We have missed the occasional flight. | 0:04:19 | 0:04:22 | |
-How many flights have you missed? -We've missed three. -Three? | 0:04:22 | 0:04:25 | |
-Yeah. -Now that must be a little bit embarrassing for somebody like | 0:04:25 | 0:04:28 | |
yourself, bearing in mind where you work and what you do for a living. | 0:04:28 | 0:04:33 | |
Yes, I do work at an airport. | 0:04:33 | 0:04:34 | |
-Yes? -Yes. -So you should know better, shouldn't you? | 0:04:34 | 0:04:37 | |
I should know better, yes. | 0:04:37 | 0:04:39 | |
I feel that it's more Rick's fault that we've missed the flight. | 0:04:39 | 0:04:43 | |
Oh, right. OK. | 0:04:43 | 0:04:45 | |
I'm not always that accurate with the times that are on the tickets, so... | 0:04:45 | 0:04:49 | |
OK. Well, we're looking for solidarity here. | 0:04:49 | 0:04:52 | |
And Rick, you do something completely different, don't you? | 0:04:52 | 0:04:55 | |
Yeah, I'm a primary school teacher. | 0:04:55 | 0:04:57 | |
-But originally you hail from Holland. -I am from the Netherlands. | 0:04:57 | 0:05:00 | |
-Yeah. -Where I used to be head of a primary school. | 0:05:00 | 0:05:03 | |
And when I came to this country, | 0:05:03 | 0:05:05 | |
I thought I would never go back into teaching, | 0:05:05 | 0:05:08 | |
but after two years being here, | 0:05:08 | 0:05:09 | |
it started itching and I'm back to teaching and still doing it. | 0:05:09 | 0:05:13 | |
And you've got a passion for antiques that goes back to your, | 0:05:13 | 0:05:16 | |
-almost your childhood. -Yeah, I absolutely love antiques. | 0:05:16 | 0:05:19 | |
And I've been very lucky, | 0:05:19 | 0:05:21 | |
I've been handed down some great cabinets through the family, | 0:05:21 | 0:05:25 | |
and I'm a fifth generation now looking after them, | 0:05:25 | 0:05:27 | |
so I can hand them over to the sixth generation. | 0:05:27 | 0:05:30 | |
Fantastic. So, how are you going to work today when it comes to buying? | 0:05:30 | 0:05:33 | |
What are your tactics? | 0:05:33 | 0:05:35 | |
Well... Spend big. | 0:05:35 | 0:05:37 | |
Yeah, we're willing to spend most of it. | 0:05:37 | 0:05:39 | |
-Big profit. -We leave some for our expert, | 0:05:39 | 0:05:41 | |
but if we see something that's really great, then we're, yeah, | 0:05:41 | 0:05:44 | |
prepared to spend a lot of money. | 0:05:44 | 0:05:46 | |
OK. Well, that brings me very nicely to the issue of money. | 0:05:46 | 0:05:50 | |
So this is where I dish the dosh. | 0:05:50 | 0:05:54 | |
£300 to the Reds. | 0:05:54 | 0:05:57 | |
And £300 to you Blues. | 0:05:57 | 0:05:59 | |
Spend it wisely and off you go to meet your experts. | 0:05:59 | 0:06:03 | |
Thank you. | 0:06:03 | 0:06:05 | |
I think spending money is going to be second nature to both our teams today. | 0:06:05 | 0:06:09 | |
And of course, our competing couples need some competitive companions. | 0:06:12 | 0:06:16 | |
For the Reds, who you gonna call? | 0:06:16 | 0:06:18 | |
It's Charles Hanson. | 0:06:18 | 0:06:20 | |
And wheeling and dealing with the Blues, it's Tim Weeks. | 0:06:21 | 0:06:25 | |
-What kind of things are you after today? -Well, ideally I'd like to | 0:06:25 | 0:06:30 | |
find a bronze cockerel embellished with precious stones! | 0:06:30 | 0:06:34 | |
That's very precise. | 0:06:34 | 0:06:35 | |
-What have we got our eyes on today? -Well, I'm going to be looking out for something retro. | 0:06:35 | 0:06:39 | |
-I want something that's funky, got some colour in it... -Nice. | 0:06:39 | 0:06:43 | |
-Richard? -I'm going for some vintage toys of some sort. | 0:06:43 | 0:06:45 | |
Glassware. Silver enamel pillboxes... | 0:06:45 | 0:06:49 | |
-OK. -Perhaps some travel art. -Oh, wow. | 0:06:49 | 0:06:52 | |
OK, teams. Let's get things rolling. | 0:06:53 | 0:06:56 | |
Your time starts now. | 0:06:56 | 0:06:58 | |
Follow me. Come on. | 0:06:58 | 0:06:59 | |
-We've got to get on with it. Let's go shopping. -OK. -OK. -Come on. | 0:06:59 | 0:07:03 | |
That's a pair of substantial shopping lists, but remember, | 0:07:05 | 0:07:09 | |
that hour flies by. Good luck. | 0:07:09 | 0:07:11 | |
Has anyone seen my cockerel? | 0:07:11 | 0:07:13 | |
Whilst Lana is looking for a specific item, what about the Blues? | 0:07:13 | 0:07:16 | |
I quite like that rack there. | 0:07:18 | 0:07:19 | |
I think that's awful. | 0:07:19 | 0:07:22 | |
-I hate it. -Oh, some difference of opinion with these boys. | 0:07:22 | 0:07:25 | |
This could be an interesting shop. | 0:07:25 | 0:07:28 | |
-Let's go over here. -What have the Reds spotted? | 0:07:28 | 0:07:30 | |
Well, I used to live in Japan and this is quite oriental, | 0:07:31 | 0:07:34 | |
Japanese-looking thing. | 0:07:34 | 0:07:36 | |
It's what you'd call a garden seat, really. | 0:07:36 | 0:07:38 | |
If it was painted, I would love it, | 0:07:38 | 0:07:41 | |
because it would be a work of art, | 0:07:41 | 0:07:43 | |
but in fact, Richard, it's transferred print. | 0:07:43 | 0:07:48 | |
-OK, OK. -So actually, it's not very old. | 0:07:48 | 0:07:50 | |
It may be as old as you are. | 0:07:50 | 0:07:52 | |
Uh-oh! Guessing a lady's age. Dodgy ground, Charles. | 0:07:52 | 0:07:55 | |
Maybe it's about 25 years old. | 0:07:55 | 0:07:58 | |
Oh, I'm 19 so...! | 0:07:58 | 0:08:01 | |
Very, very nice. But I would say you want to try and buy the real McCoy. | 0:08:01 | 0:08:05 | |
-OK. -OK. -Come on. -Fair enough. | 0:08:05 | 0:08:07 | |
Panic not, still plenty of time, guys. | 0:08:10 | 0:08:12 | |
-Anything you fancy? -Those tins over there, they're quite cool. | 0:08:14 | 0:08:17 | |
-Bread bin, the flour bin? The enamel ones? -Yeah. -Go and have a look. | 0:08:17 | 0:08:20 | |
-They're huge. -Yeah, you'd get a few loafs in there, wouldn't you? | 0:08:20 | 0:08:23 | |
So, what's the price on those? | 0:08:23 | 0:08:25 | |
£35. | 0:08:26 | 0:08:28 | |
OK. If you're interested, we'd need to do a little bit on that | 0:08:28 | 0:08:31 | |
if you want to make some profit off it. | 0:08:31 | 0:08:33 | |
Do you know what's interesting about that one is the colour, | 0:08:33 | 0:08:35 | |
-the green enamel's always popular compared to the white. -Yeah. | 0:08:35 | 0:08:38 | |
They're a bit harder to find, the green ones. | 0:08:38 | 0:08:40 | |
£35? | 0:08:40 | 0:08:41 | |
If we get it to 30? | 0:08:41 | 0:08:43 | |
-25? -I'd want it less than that. | 0:08:43 | 0:08:45 | |
-Less... -I mean, in an auction room I'd want them guided at around £20. | 0:08:45 | 0:08:49 | |
-OK. -You're going to have to get the hard negotiation skills out. | 0:08:49 | 0:08:52 | |
-Who's the best negotiator? -Ivan. | 0:08:52 | 0:08:54 | |
-Rick. -I think both of you. | 0:08:54 | 0:08:56 | |
-Go and ask him. -Excuse me, sir, | 0:08:56 | 0:08:59 | |
your green bread tin... | 0:08:59 | 0:09:01 | |
-Yes? -What would be your best price on that one? | 0:09:01 | 0:09:03 | |
-I'd have to look, see what's on it at the moment. -It says £35. | 0:09:03 | 0:09:07 | |
I think that can be £30. | 0:09:10 | 0:09:13 | |
Do you think it could be around 20? | 0:09:13 | 0:09:16 | |
It's less than I paid for it, so it couldn't be that low. | 0:09:16 | 0:09:19 | |
25, perhaps? | 0:09:20 | 0:09:21 | |
You're not treating me very generously, are you? | 0:09:22 | 0:09:25 | |
A fiver? Well, I'll split the difference, do 28. | 0:09:25 | 0:09:29 | |
OK, so what are you thinking? Remember, it's early in the day. | 0:09:29 | 0:09:32 | |
£28, you can't go wrong. | 0:09:32 | 0:09:34 | |
You happy? Go with the gut then. If you want it, let's do it. | 0:09:34 | 0:09:36 | |
-Let's shake hands. £28. Thank you. -Number one in the bag. | 0:09:36 | 0:09:39 | |
It's a big moment. The next two are going to be easy, | 0:09:39 | 0:09:42 | |
-well done. -Yes. -Brilliant. | 0:09:42 | 0:09:44 | |
Shall we crack on? | 0:09:44 | 0:09:46 | |
-Brilliant, well done, guys. -Thank you very much. -Thank you. | 0:09:46 | 0:09:49 | |
Nice work, chaps. Ten minutes in and the first item purchased. | 0:09:51 | 0:09:54 | |
The, Reds, however, are hot on your heels. | 0:09:56 | 0:09:58 | |
There's some lovely early pottery in here. | 0:09:58 | 0:10:00 | |
How about this clog? | 0:10:01 | 0:10:03 | |
Now, why has that appealed to you? | 0:10:04 | 0:10:06 | |
-It looks a bit quirky, doesn't it? -It's quite garish, isn't it? | 0:10:06 | 0:10:08 | |
-Yes. -I suppose in many respects you could have it on your dressing table. | 0:10:08 | 0:10:12 | |
It could be a little planter. | 0:10:12 | 0:10:14 | |
Yes. Cheap. Feel it. | 0:10:14 | 0:10:16 | |
This is lovely, because this is the actual kiln marks, | 0:10:18 | 0:10:21 | |
and it probably dates to around 1900. | 0:10:21 | 0:10:25 | |
Is it marked at all, Lana? Can you see a name on there? | 0:10:25 | 0:10:28 | |
That's true, yes. It doesn't look like it, does it. | 0:10:28 | 0:10:30 | |
Think about it. I like it. | 0:10:30 | 0:10:32 | |
But remember, team, will it make a profit once it's resold at action? | 0:10:32 | 0:10:36 | |
And what about... it's not quite a cockerel. | 0:10:36 | 0:10:39 | |
Oh, crikey. It's cockerel talk. | 0:10:39 | 0:10:42 | |
She's persistent, Charles, I'll give her that. | 0:10:42 | 0:10:44 | |
It's green and it's pretty, and it's a parrot. | 0:10:44 | 0:10:48 | |
It's a parrot. It is a parrot. | 0:10:48 | 0:10:50 | |
-Oh, no, it's a bit damaged. -Can that qualify as a cockerel, though? | 0:10:50 | 0:10:53 | |
-No, it can't. It's awful, isn't it? -Put it back. | 0:10:53 | 0:10:56 | |
We've seen your nice, green glazed shoe. | 0:10:56 | 0:11:00 | |
-Yes. -We've just admired your parrot, are they worthy of a second handle, | 0:11:00 | 0:11:05 | |
to talk to the stallholder and ask on price? | 0:11:05 | 0:11:07 | |
Yes, I'll ask the price for the clog, yes. | 0:11:07 | 0:11:10 | |
-For the clog. -The clog, I like the clog. -How much was it? -22. | 0:11:10 | 0:11:14 | |
-Yeah. -It isn't a lot of money really, and it could be a fairly safe buy. | 0:11:14 | 0:11:18 | |
15 quid will do it for me. | 0:11:18 | 0:11:19 | |
Yeah, why don't you and your wonderful alluring Ukrainian accent, | 0:11:19 | 0:11:24 | |
with love from Ukraine, maybe go and ask for a bit of discount. | 0:11:24 | 0:11:28 | |
-Absolutely. -Good luck, go on. -Let's go. | 0:11:28 | 0:11:30 | |
Good luck, Lana, although I don't think she'll need it. | 0:11:30 | 0:11:33 | |
Let's check in with the Blues. | 0:11:33 | 0:11:37 | |
Let's just have a quick look at this lamp over here. | 0:11:37 | 0:11:39 | |
Yeah, OK. The price is my fear straight away. | 0:11:39 | 0:11:43 | |
-Yeah. -I think it's one that before we fall in love with it too much, | 0:11:43 | 0:11:45 | |
we might just want to get an idea of price. | 0:11:45 | 0:11:48 | |
-OK. -Try and find him. | 0:11:48 | 0:11:50 | |
-Hello. -Hi. We're just interested in the lamp. | 0:11:50 | 0:11:54 | |
The yellow one is a 1930s airport landing light. | 0:11:54 | 0:11:59 | |
'I guess you see plenty of these at work, then, Ivan.' | 0:11:59 | 0:12:02 | |
Hit us with the price on that one. | 0:12:02 | 0:12:04 | |
-270. -What do you think, guys? | 0:12:04 | 0:12:08 | |
You've spotted quality. | 0:12:08 | 0:12:09 | |
We've spotted quality, but it's a bit out of our price range. | 0:12:09 | 0:12:12 | |
-This is your time, this one. -Yeah. | 0:12:12 | 0:12:15 | |
I'll always listen to an offer. | 0:12:15 | 0:12:17 | |
-Let's have a good look at it. Can we have...please? -Certainly. | 0:12:17 | 0:12:20 | |
What are you thinking? | 0:12:20 | 0:12:23 | |
Well, I wanted to make sure it's not broken, for that sort of money. | 0:12:23 | 0:12:28 | |
It's a dangerous thing to take to auction when you're spending that | 0:12:28 | 0:12:31 | |
sort of figure, because we're trying to make a profit. | 0:12:31 | 0:12:33 | |
-Exactly. -Yeah. -It's not a piece of tat. | 0:12:33 | 0:12:36 | |
No, no, no. | 0:12:36 | 0:12:37 | |
It is something that would look fantastic, in the right environment. | 0:12:37 | 0:12:41 | |
'Like an airport, you mean, Ivan?' | 0:12:42 | 0:12:44 | |
We have to buy another item and there needs to be some money left | 0:12:44 | 0:12:47 | |
-for Tim. -But we're only going to leave Tim a pound, aren't we? | 0:12:47 | 0:12:50 | |
Yeah, that's all we need. | 0:12:50 | 0:12:51 | |
Do you want do the negotiations on it? | 0:12:51 | 0:12:54 | |
-No! -'Nice try, Ivan.' | 0:12:54 | 0:12:57 | |
This is your one. Go and have a quiet word with him. | 0:12:57 | 0:12:59 | |
OK. | 0:12:59 | 0:13:01 | |
Whilst Ivan has a word with the stallholder, | 0:13:01 | 0:13:03 | |
let's see how the Reds are getting on with that ceramic clog. | 0:13:03 | 0:13:06 | |
So I've just spoken to the lovely gentleman and he agreed to sell it for £15. | 0:13:06 | 0:13:11 | |
So you have acquired a £7 discount. | 0:13:11 | 0:13:14 | |
That's very good. Is it a goer, Richard, at £15? | 0:13:14 | 0:13:17 | |
-I do like it. -Richard like it, let's go for it. | 0:13:17 | 0:13:19 | |
-Let's do it. -All right. | 0:13:19 | 0:13:21 | |
-Come on, then, let's go and buy it. -Yay! Ta-da! | 0:13:21 | 0:13:23 | |
Nice one, Reds, that's your first item in the bag. | 0:13:23 | 0:13:26 | |
You're coming up to halfway in to your shop. | 0:13:26 | 0:13:29 | |
No time to hot-foot it, on to your next. | 0:13:29 | 0:13:31 | |
The asking price for the landing light was £270, | 0:13:32 | 0:13:36 | |
how did the negotiations go, Ivan? | 0:13:36 | 0:13:38 | |
Well, the best he's going to do it for is £200. | 0:13:38 | 0:13:42 | |
-Do you think there is any profit in that? -I'd be worried. | 0:13:42 | 0:13:45 | |
I'd want that estimated at 80-120 at an auction house, | 0:13:45 | 0:13:48 | |
so if we're still running around and we're struggling, | 0:13:48 | 0:13:51 | |
we can always come back if we've got money left, and try it again, | 0:13:51 | 0:13:54 | |
-I think it'll still be there. -OK. | 0:13:54 | 0:13:55 | |
Good advice, Tim. Certainly something to think about. | 0:13:57 | 0:14:00 | |
Let's leave the teams shopping, as I show you an item which is really close to my heart. | 0:14:00 | 0:14:05 | |
Well, everybody knows that I love pots, | 0:14:13 | 0:14:15 | |
and this is a pot for which I've got a great affection. | 0:14:15 | 0:14:19 | |
I have an affinity also, in so far as that I'm a Lancastrian, | 0:14:19 | 0:14:24 | |
and my pot is a Lancastrian, because this was made by Pilkingtons, | 0:14:24 | 0:14:28 | |
which was located near a place called Swinton Junction, | 0:14:28 | 0:14:32 | |
in between Bolton and Manchester. | 0:14:32 | 0:14:35 | |
The story starts all in the 1880s, | 0:14:35 | 0:14:37 | |
when a local coal company was sinking mineshafts, | 0:14:37 | 0:14:41 | |
and they came across a layer of clay, | 0:14:41 | 0:14:44 | |
so they sent samples off. | 0:14:44 | 0:14:46 | |
The results came back, saying it was ideal for tile making, | 0:14:46 | 0:14:50 | |
so rather than build a coal mine, they built a tile factory. | 0:14:50 | 0:14:54 | |
And I can tell you now, in later years, Pilkington tiles adorned | 0:14:54 | 0:14:58 | |
the bathrooms of the Titanic, no less. | 0:14:58 | 0:15:01 | |
Let's have a look at the actual design, | 0:15:01 | 0:15:04 | |
because it harks back to sort of medieval England, | 0:15:04 | 0:15:09 | |
in so far as you've got these wonderful passant lions, | 0:15:09 | 0:15:13 | |
and then the underside here is composed of little roses - | 0:15:13 | 0:15:17 | |
those are Lancastrian roses - | 0:15:17 | 0:15:20 | |
interspaced with heart motifs. | 0:15:20 | 0:15:23 | |
So if we turn it upside down, | 0:15:23 | 0:15:25 | |
the artist responsible for painting this pot, his initials are there. | 0:15:25 | 0:15:29 | |
WSM - William Salter Mycock. | 0:15:29 | 0:15:33 | |
He stayed with Pilkingtons for the best part | 0:15:33 | 0:15:36 | |
of 30 years or more. | 0:15:36 | 0:15:38 | |
He was a very loyal servant and a very well-respected artist. | 0:15:38 | 0:15:42 | |
You've got an X. X stands for ten, | 0:15:42 | 0:15:46 | |
so I know this pot was painted in 1910. | 0:15:46 | 0:15:51 | |
Doesn't get much better than that, does it, really? | 0:15:51 | 0:15:53 | |
I can tell you now that I was lucky because I bought this pot for £20. | 0:15:53 | 0:15:57 | |
You may be wondering why so cheap? | 0:15:57 | 0:15:59 | |
Well, because it did have quite a bit of damage, | 0:15:59 | 0:16:03 | |
which I have actually gone and done a repair on myself. | 0:16:03 | 0:16:07 | |
If this piece had been in perfect condition, | 0:16:07 | 0:16:10 | |
I would have had to pay at least £800-1,000 for it. | 0:16:10 | 0:16:15 | |
So, what is it worth today? | 0:16:15 | 0:16:17 | |
If it was to turn up in an auction, | 0:16:17 | 0:16:19 | |
it would probably carry a pre-sale estimate of £200-300, | 0:16:19 | 0:16:26 | |
but I can tell you now that this owner is not for selling. | 0:16:26 | 0:16:30 | |
Back to the shop, 20 minutes remaining and it's one item apiece. | 0:16:37 | 0:16:41 | |
Team, shall we go this way or that way? | 0:16:41 | 0:16:44 | |
-Just want to have a quick look up here. -I'll follow you. | 0:16:44 | 0:16:46 | |
Focus, Reds. | 0:16:46 | 0:16:47 | |
'Lana, what were you looking for again?' | 0:16:49 | 0:16:51 | |
-I'm looking for a cockerel. -A cockerel! | 0:16:51 | 0:16:54 | |
-'Oh, yes, that was it.' -I honestly haven't seen a cockerel yet, Lana. | 0:16:54 | 0:16:57 | |
I cannot see... | 0:16:57 | 0:16:58 | |
While the Reds try and find a cockerel, the Blues go inside. | 0:16:58 | 0:17:02 | |
A bit of porcelain, men after my own heart. | 0:17:04 | 0:17:07 | |
Is there any that take your fancy in particular? | 0:17:08 | 0:17:10 | |
I do really like the orangey-red one with the flowers on. | 0:17:10 | 0:17:14 | |
Some West German fat lava, I believe. Ticket price £70. | 0:17:14 | 0:17:18 | |
-Why that one? -I think it's very '70s. | 0:17:18 | 0:17:21 | |
-Good design. -Yes. | 0:17:21 | 0:17:22 | |
Vibrant, funky, which is what we were looking for, wasn't it? | 0:17:22 | 0:17:25 | |
-Yes. -DEALER: It's a sunflower, have a look. | 0:17:25 | 0:17:28 | |
And each piece is individual, you never get one piece the same. | 0:17:28 | 0:17:31 | |
So what would be your very best price on this one? | 0:17:31 | 0:17:34 | |
Christine, what's our best price on that? | 0:17:34 | 0:17:37 | |
I'm afraid we couldn't go under 55. | 0:17:37 | 0:17:39 | |
Hold it. Feel how heavy it is. | 0:17:39 | 0:17:41 | |
I mean, you can put umbrellas in that. | 0:17:43 | 0:17:46 | |
-DEALER: -Oh, no! God, no! | 0:17:46 | 0:17:48 | |
'Oops, maybe not the best idea, Ivan.' | 0:17:50 | 0:17:52 | |
They are actually pieces of artwork. | 0:17:52 | 0:17:55 | |
It's a one-off. You won't find a second one. | 0:17:55 | 0:17:58 | |
You can't knock another £5 off? | 0:17:58 | 0:18:00 | |
Not really. No. | 0:18:01 | 0:18:03 | |
If you could get that fiver, it would probably do it, wouldn't it? | 0:18:03 | 0:18:06 | |
The boss has to make his mind up. | 0:18:06 | 0:18:08 | |
50's just a nice number, isn't it? | 0:18:08 | 0:18:09 | |
-It's easy cash. -50 and we shake hands. | 0:18:09 | 0:18:12 | |
-Come on, 50. -50, shall we do it? | 0:18:12 | 0:18:13 | |
Let's do it. Are you happy with that? | 0:18:13 | 0:18:16 | |
-Yeah. -That's nice, isn't it? | 0:18:16 | 0:18:17 | |
-That's a fantastic buy. -You said you liked decorative art, 20th century. | 0:18:17 | 0:18:22 | |
-Let's keep looking, shall we? -OK. | 0:18:22 | 0:18:23 | |
Some tough negotiating there, fellas. | 0:18:23 | 0:18:25 | |
However, that's item two for you. | 0:18:25 | 0:18:28 | |
Meanwhile, the Reds still have only one item to their name. | 0:18:28 | 0:18:32 | |
Time to have a word, I think, Mr Hanson. | 0:18:32 | 0:18:34 | |
-I truly think with what, 20 minutes to go... -Yeah. | 0:18:34 | 0:18:37 | |
..we're just stop-starting, | 0:18:37 | 0:18:39 | |
and I think we've now...put on our big show caps and go indoors, | 0:18:39 | 0:18:45 | |
and try and find some serious stuff. | 0:18:45 | 0:18:48 | |
-Don't you agree? -I do, yeah. -Come on. | 0:18:48 | 0:18:50 | |
Or in other words - focus, team. | 0:18:50 | 0:18:53 | |
Right, Tim, how are the Blues getting on? | 0:18:54 | 0:18:56 | |
Definitely got different tastes. | 0:18:56 | 0:18:59 | |
They can't quite agree, | 0:18:59 | 0:19:01 | |
but they're having fun. I think they should get what they want | 0:19:01 | 0:19:03 | |
and they're definitely doing that. | 0:19:03 | 0:19:05 | |
Do I think we've got two guaranteed profits so far? | 0:19:05 | 0:19:08 | |
No. Do I think we're going to buy something later that's going to make | 0:19:08 | 0:19:11 | |
another slight loss? | 0:19:11 | 0:19:12 | |
Perhaps. But they're going with their gut, | 0:19:12 | 0:19:14 | |
they're seeing it and they're buying it. | 0:19:14 | 0:19:16 | |
Why listen to me? | 0:19:16 | 0:19:18 | |
And Reds? You're looking a bit stressed, Charles. | 0:19:18 | 0:19:22 | |
I cannot believe we've only have six minutes left, with £230 to spend, | 0:19:22 | 0:19:26 | |
and I'm nervous, because at the moment, it's Lana's way. | 0:19:26 | 0:19:29 | |
I'm hoping Richard might just come into his own now and really take it | 0:19:29 | 0:19:32 | |
-over the line. -I think we need to just get a move on, | 0:19:32 | 0:19:35 | |
we need to find something big, bold, maybe expensive. | 0:19:35 | 0:19:38 | |
Let's spend some of this money. | 0:19:38 | 0:19:39 | |
It needs to be done quick. We need to get on with it. | 0:19:39 | 0:19:42 | |
I'll do whatever he says. As always. | 0:19:42 | 0:19:44 | |
Yeah, yeah, Lana, we believe you. | 0:19:44 | 0:19:46 | |
Now stop monkeying around and start buying. | 0:19:46 | 0:19:49 | |
OK, Blues, something seems to be on your mind. | 0:19:50 | 0:19:53 | |
-I'm not shaking the lamp off. -Come on, talk to me about it. | 0:19:53 | 0:19:55 | |
-If we can get that lamp for 190... -OK. | 0:19:55 | 0:19:59 | |
So let's see if he's still there. | 0:19:59 | 0:20:00 | |
-Was it up this...? -That way. | 0:20:00 | 0:20:03 | |
-Oh, no! -Is it the next one? -No, it was here. | 0:20:03 | 0:20:06 | |
-I think it was up here. -I think it's up here. | 0:20:06 | 0:20:08 | |
Is it up there? | 0:20:08 | 0:20:09 | |
Well, you track down that lamp, whilst we track down the Reds. | 0:20:12 | 0:20:16 | |
Guys, let's walk down here. | 0:20:16 | 0:20:18 | |
Right, you have ten minutes to buy two items. | 0:20:18 | 0:20:21 | |
No pressure. Charles, time to take charge. | 0:20:21 | 0:20:24 | |
There is some lovely jewellery, and particularly in this cabinet here, | 0:20:24 | 0:20:29 | |
there's a real celebration of life, | 0:20:29 | 0:20:31 | |
and this is obviously memorial jewellery. | 0:20:31 | 0:20:33 | |
What I quite like in here, it's that pendant there. | 0:20:33 | 0:20:35 | |
-Can you see it? -Yeah. | 0:20:35 | 0:20:37 | |
That lovely rich ruby eye. | 0:20:37 | 0:20:39 | |
-Like it? -Yeah. I like it. | 0:20:39 | 0:20:41 | |
-It's a pretty piece. -Absolutely, Richard, | 0:20:41 | 0:20:44 | |
because if you look at that charming pendant head, | 0:20:44 | 0:20:48 | |
you've got this beautiful almost three-leaf clover with this really | 0:20:48 | 0:20:52 | |
beautiful oval ruby. | 0:20:52 | 0:20:54 | |
Are you a diamond girl, Lana, a ruby girl, emerald? | 0:20:54 | 0:20:56 | |
-Absolutely. -Are you? | 0:20:56 | 0:20:57 | |
-Sapphire? -Anything. | 0:20:57 | 0:20:59 | |
So that piece there is late Victorian by its manner, | 0:20:59 | 0:21:04 | |
so it's almost forever ageless. | 0:21:04 | 0:21:07 | |
Forever ageless, like me. | 0:21:07 | 0:21:09 | |
The big question is, what's your asking price on it? | 0:21:10 | 0:21:13 | |
-70. -70. | 0:21:13 | 0:21:14 | |
-Oh, that's not bad. -Well, you need to come down a little bit, | 0:21:14 | 0:21:18 | |
because we're trying to make some profit. Would you want us to win? | 0:21:18 | 0:21:22 | |
The best I can do on it is 60. | 0:21:22 | 0:21:24 | |
Its market auction guide would be between £50 and £80, | 0:21:24 | 0:21:28 | |
just for the gold content alone. | 0:21:28 | 0:21:30 | |
I do like it, yes. For the right price, definitely. | 0:21:30 | 0:21:32 | |
Would you be able to do 55 for it? And I think you might... | 0:21:32 | 0:21:36 | |
Yes, I can. | 0:21:36 | 0:21:37 | |
..find that you've got a deal. | 0:21:37 | 0:21:39 | |
-Shall we go with it? -Yeah. | 0:21:39 | 0:21:40 | |
-Let's do it. -At last, we've bought something and it isn't that cockerel. | 0:21:40 | 0:21:44 | |
Thank goodness for that. | 0:21:44 | 0:21:45 | |
Thank you very much. Right guys, that is two down. | 0:21:45 | 0:21:48 | |
-One to go. -We have got, literally, six or so minutes. | 0:21:48 | 0:21:52 | |
Come on, team. Thanks a lot. | 0:21:52 | 0:21:54 | |
Come on, follow me. | 0:21:54 | 0:21:55 | |
Charles is on a charge. | 0:21:57 | 0:21:59 | |
That's two items each, teams. | 0:21:59 | 0:22:01 | |
Six minutes left on the clock and you're going to have to | 0:22:01 | 0:22:03 | |
pull something out of the bag soon. | 0:22:03 | 0:22:05 | |
I don't think it's this one. | 0:22:07 | 0:22:08 | |
I think it's the other one, the next one. | 0:22:08 | 0:22:09 | |
Oh, no! The Blues are still looking for that lamp. | 0:22:09 | 0:22:13 | |
There he is, guys. Look. | 0:22:13 | 0:22:15 | |
Ah, good spot, Ivan. Right, time to get that deal sealed. | 0:22:16 | 0:22:19 | |
-You might need a little bit of luck with this one. -Yes. | 0:22:19 | 0:22:22 | |
Ivan, it's over to you. | 0:22:22 | 0:22:24 | |
-Good afternoon. -Good afternoon again. | 0:22:24 | 0:22:26 | |
-It's late. -It is. | 0:22:26 | 0:22:28 | |
It's very late. I expect you want to go home? | 0:22:28 | 0:22:30 | |
Oh, no, I'm here tomorrow as well. | 0:22:30 | 0:22:32 | |
-Oh, right. -Going well, Ivan(!) | 0:22:32 | 0:22:34 | |
How about...190? | 0:22:34 | 0:22:37 | |
All right. | 0:22:38 | 0:22:39 | |
Thank you! Thank you. | 0:22:39 | 0:22:42 | |
-He got it. -Yeah. | 0:22:42 | 0:22:44 | |
-Three! Yes. -Yes, the magic number. -Three items. | 0:22:44 | 0:22:49 | |
I'm really scared that you've bought it, but you bought what you wanted. | 0:22:49 | 0:22:52 | |
You went big today, you said you would. | 0:22:52 | 0:22:53 | |
Three in the bag, let's put our feet up, shall we? | 0:22:53 | 0:22:56 | |
Let's go and relax. Come on, this way. | 0:22:56 | 0:22:58 | |
Well, I'm not sure Tim is totally sold on the lamp, | 0:22:58 | 0:23:01 | |
but sometimes you have to go with your heart, Ivan. | 0:23:01 | 0:23:04 | |
Well done, Blues, that's you done and dusted with two minutes to spare. | 0:23:04 | 0:23:08 | |
That's right, Reds, I said two minutes! | 0:23:08 | 0:23:11 | |
The pressure's on. | 0:23:11 | 0:23:13 | |
How are you, mate? We're desperate. | 0:23:13 | 0:23:15 | |
-Have you got anything? -What's your budget? | 0:23:15 | 0:23:17 | |
We've got quite a big budget. | 0:23:17 | 0:23:18 | |
Oh, you've got a big budget. Four spoons. | 0:23:18 | 0:23:21 | |
Gilded, enamelled. | 0:23:21 | 0:23:23 | |
Team, look, we have literally - dare I say it - about 40 seconds. | 0:23:23 | 0:23:27 | |
These are good silver, gilded, blue enamel stem spoons. | 0:23:27 | 0:23:32 | |
They're Danish, they're probably, what, 1960s? | 0:23:32 | 0:23:34 | |
-Yeah. -20 seconds left. | 0:23:34 | 0:23:36 | |
-How much? -£20. | 0:23:36 | 0:23:39 | |
And you will make a profit on that. | 0:23:39 | 0:23:40 | |
So they are a good set of Danish silver gilded, | 0:23:40 | 0:23:43 | |
blue enamel inset coffee spoons | 0:23:43 | 0:23:46 | |
and you're saying £20 for the whole lot. | 0:23:46 | 0:23:48 | |
-£20. £5 each. -Guys... -Let's do it. | 0:23:48 | 0:23:51 | |
-£15? £15? -Go on, then. -£15. -Shake his hand. -Come on, let's do it. | 0:23:51 | 0:23:56 | |
Time's up, teams. | 0:23:56 | 0:23:57 | |
-That's been the hardest hour in my career. -Oh, my God! | 0:23:57 | 0:24:01 | |
Let's go and sit down and have a coffee. Black for me, please. | 0:24:01 | 0:24:05 | |
-And strong. -Let's do it. -Come on. | 0:24:05 | 0:24:07 | |
Let's check out what the Reds bought. | 0:24:08 | 0:24:10 | |
First up was the 20th century pottery shoe. | 0:24:12 | 0:24:14 | |
Price paid - £15. | 0:24:14 | 0:24:16 | |
Next, after perusing over the pendant, it was purchased for £55. | 0:24:18 | 0:24:22 | |
And finally, they settled on the set of enamelled spoons for £15. | 0:24:25 | 0:24:29 | |
Charlie, let's be frank, tough call, tough call. | 0:24:31 | 0:24:33 | |
It was, it was an amazingly exciting hour | 0:24:33 | 0:24:36 | |
and it was up and down and round and round, but we got there in the end. | 0:24:36 | 0:24:39 | |
You did get there in the end. | 0:24:39 | 0:24:40 | |
So, Lana, what's your favourite item? | 0:24:40 | 0:24:43 | |
I really liked the piece of golden jewellery that we bought, | 0:24:43 | 0:24:46 | |
with the ruby inside. I think it's really pretty | 0:24:46 | 0:24:48 | |
and I think we got a really good price on it. | 0:24:48 | 0:24:49 | |
And so do you think that might be giving you the biggest profit, | 0:24:49 | 0:24:52 | |
-or is that something else? -I think so, I think the jewellery will make the biggest profit. | 0:24:52 | 0:24:56 | |
So, Richard, favourite object? | 0:24:56 | 0:24:58 | |
I like the green boot. | 0:24:58 | 0:25:00 | |
It got a really good feel to it and the colour was vibrant, and that was my favourite, | 0:25:00 | 0:25:04 | |
but I think maybe the one that would give us the most profit, possibly, | 0:25:04 | 0:25:09 | |
are the spoons, I would say. | 0:25:09 | 0:25:11 | |
The spoons? Interesting. So how much did you spend? | 0:25:11 | 0:25:14 | |
We spent £85. | 0:25:14 | 0:25:17 | |
OK, so that means that somebody is going to give me... | 0:25:17 | 0:25:20 | |
I have £215 to give to you. | 0:25:20 | 0:25:23 | |
That's the amount that I was looking for. | 0:25:23 | 0:25:25 | |
It's with me for a brief moment in time. | 0:25:25 | 0:25:28 | |
It goes to Mr Hanson there for the bonus buy. | 0:25:28 | 0:25:30 | |
Yes, exactly, if ever the escape is on, this is it, | 0:25:30 | 0:25:33 | |
and I intend to blow the whole lot and really do a good job. | 0:25:33 | 0:25:36 | |
Excellent. Good luck. | 0:25:36 | 0:25:38 | |
But, meanwhile, let's find out what the Blue team have bought. | 0:25:38 | 0:25:41 | |
Their first item was the enamel bread bin. | 0:25:43 | 0:25:45 | |
Price paid - £28. | 0:25:45 | 0:25:47 | |
Next was the German fat lava vase. | 0:25:49 | 0:25:52 | |
They paid £50. | 0:25:52 | 0:25:54 | |
And, finally, an airport light. | 0:25:56 | 0:25:58 | |
But will it land them a profit at auction? | 0:25:58 | 0:26:00 | |
They settled on £190. | 0:26:00 | 0:26:03 | |
So, Tim, how was it for you? | 0:26:03 | 0:26:04 | |
It was great. Scary, at times, | 0:26:04 | 0:26:06 | |
because they spent a lot of money today. | 0:26:06 | 0:26:08 | |
-Yeah. -But they really went out for it. | 0:26:08 | 0:26:10 | |
They said they were going to spend big and it's exactly what they did, so good for them. | 0:26:10 | 0:26:14 | |
You did, I mean, all that money on the lamp, you know? | 0:26:14 | 0:26:17 | |
-Yeah. -But you liked it, you wanted it? | 0:26:17 | 0:26:19 | |
Yeah, definitely, yeah. | 0:26:19 | 0:26:21 | |
So, Ivan, what's your favourite buy? | 0:26:21 | 0:26:23 | |
It's definitely the lamp, | 0:26:23 | 0:26:24 | |
because I was the one that was the most passionate about the lamp, | 0:26:24 | 0:26:27 | |
but I really think that's going to bring us in the biggest profit. | 0:26:27 | 0:26:30 | |
-OK. -Yep. -Now, Rick, what do you think is the best buy? | 0:26:30 | 0:26:35 | |
The German vase. | 0:26:35 | 0:26:37 | |
The German vase, OK. Oh, right, | 0:26:37 | 0:26:39 | |
and what do you think is going to give you the biggest profit? | 0:26:39 | 0:26:42 | |
Probably the bread tin. | 0:26:42 | 0:26:43 | |
Probably the bread tin! OK. | 0:26:43 | 0:26:47 | |
So what was your total spend? | 0:26:47 | 0:26:49 | |
£268. | 0:26:49 | 0:26:51 | |
£268, so how much are you going to give me back? | 0:26:51 | 0:26:55 | |
-£32. -£32. | 0:26:55 | 0:26:58 | |
-There we are. -It's not a lot for the bonus buy, | 0:26:58 | 0:27:01 | |
but I'm sure you can make that go a long way, Tim. | 0:27:01 | 0:27:04 | |
-I'm going to try. -Have you got your eye on anything? | 0:27:04 | 0:27:06 | |
Well, not as yet, but I'm going to try and get something at least we're | 0:27:06 | 0:27:10 | |
going to agree on and both like, that's my challenge. | 0:27:10 | 0:27:12 | |
That's a big challenge. | 0:27:12 | 0:27:14 | |
Well, while Tim goes off for the bonus buy, | 0:27:14 | 0:27:17 | |
we are going off to the auction. | 0:27:17 | 0:27:20 | |
Well, we're now in Lincolnshire | 0:27:27 | 0:27:29 | |
and we've come up to the brand-new saleroom | 0:27:29 | 0:27:32 | |
of Golding, Young & Mawer, | 0:27:32 | 0:27:34 | |
and I'm joined by Kirsty Young today. | 0:27:34 | 0:27:37 | |
Thank you very much for coming. | 0:27:37 | 0:27:38 | |
Well, we're delighted to be here, Kirsty. | 0:27:38 | 0:27:40 | |
Let's start with our Red team. | 0:27:40 | 0:27:42 | |
The first item we're going to talk about | 0:27:42 | 0:27:44 | |
is the 20th century pottery shoe. | 0:27:44 | 0:27:47 | |
-What are your thoughts? -They are sort of mass-produced for the mass | 0:27:47 | 0:27:50 | |
market, so you do see quite a few of them about. | 0:27:50 | 0:27:52 | |
We've put an auction estimate of £10 to £20 on it. | 0:27:52 | 0:27:55 | |
That's good, they paid £15 for it. | 0:27:55 | 0:27:57 | |
This is Richard's favourite, so he thinks that it's going to do well. | 0:27:57 | 0:28:01 | |
The second item is the mid-Victorian mourning pendant. | 0:28:01 | 0:28:06 | |
It looks very chic, doesn't it? | 0:28:06 | 0:28:08 | |
It does. Very pretty piece, one of my favourite subjects, jewellery. | 0:28:08 | 0:28:12 | |
The mourning pendant on the back of it, you can tell the age from that, | 0:28:12 | 0:28:16 | |
the way that the wear's on there | 0:28:16 | 0:28:18 | |
from, obviously, the user wearing it. | 0:28:18 | 0:28:20 | |
We've put an auction estimate of £60 to £80 on it. | 0:28:20 | 0:28:23 | |
It's very popular at the moment, mourning jewellery, | 0:28:23 | 0:28:26 | |
so that should be its achievement. | 0:28:26 | 0:28:28 | |
Well, it's looking good for these two, because they paid £55, | 0:28:28 | 0:28:31 | |
so a profit beckons there. | 0:28:31 | 0:28:34 | |
-Absolutely. -And the third item, very stylish, aren't they? | 0:28:34 | 0:28:37 | |
Those four Scandinavian part-enamel spoons. | 0:28:37 | 0:28:41 | |
Now, Richard thinks that this is going to give them the biggest profit. | 0:28:41 | 0:28:44 | |
-What do you think? -The Scandinavian market is a popular one at the moment, | 0:28:44 | 0:28:47 | |
so I would say £25 to £40 is the best bet for them. | 0:28:47 | 0:28:51 | |
It's all looking good for this couple, because they spent £15, | 0:28:51 | 0:28:54 | |
so whether they're going to need their bonus buy, well, | 0:28:54 | 0:28:58 | |
we're going to have to wait and see, but in the meantime, | 0:28:58 | 0:29:00 | |
let's go and have a look at what it is. | 0:29:00 | 0:29:02 | |
Well, Reds, you left Charles a staggering £215 to go and play with, | 0:29:03 | 0:29:10 | |
-and play with it you did, Charlie. -Yeah, I did, and sometimes, Eric, | 0:29:10 | 0:29:13 | |
you've got to just go for the unusual, | 0:29:13 | 0:29:16 | |
-so I found this. -Oh, my goodness! | 0:29:16 | 0:29:18 | |
Look at that, Richard. Richard, just look at this object. | 0:29:18 | 0:29:21 | |
It's a real work of art, and what's lovely is it's dated, | 0:29:21 | 0:29:26 | |
there, look, 1776, | 0:29:26 | 0:29:28 | |
and we're talking 13 years before the French revolution. | 0:29:28 | 0:29:31 | |
If it could talk, what could it tell us? | 0:29:31 | 0:29:34 | |
Well, essentially, it's a mangle. | 0:29:34 | 0:29:35 | |
-How much did you pay for it? -Just feel it. | 0:29:35 | 0:29:37 | |
-For this piece of joy? -THEY LAUGH | 0:29:37 | 0:29:40 | |
Just feel the tactile qualities. | 0:29:40 | 0:29:42 | |
-Richard, do you like it? -Yeah, I mean, it's interesting, that's for sure, | 0:29:42 | 0:29:46 | |
-with all this decorative... -Yes. -How much did you pay for it again? | 0:29:46 | 0:29:49 | |
-Well, just feel the history... -Charlie, Charlie, Charlie, just get to the point, | 0:29:49 | 0:29:53 | |
tell the lady how much you paid for it. | 0:29:53 | 0:29:55 | |
-Do you like it, Eric? -I like it, but that's beside the point, | 0:29:55 | 0:29:58 | |
-how much did you pay for it? -It cost... | 0:29:58 | 0:30:02 | |
It's all about speculating to really accumulate... | 0:30:02 | 0:30:04 | |
How much? How much? | 0:30:04 | 0:30:05 | |
£215. 215. | 0:30:05 | 0:30:07 | |
-£215?! -Yes, yes. -Let me have another feel of this. | 0:30:07 | 0:30:10 | |
-Wow. -And don't wallop me on the head with it! | 0:30:10 | 0:30:13 | |
Give it back to Charlie and get our money back! | 0:30:13 | 0:30:15 | |
THEY LAUGH | 0:30:15 | 0:30:16 | |
It's something which, again, could make £100, who knows? | 0:30:16 | 0:30:20 | |
It could make £400. | 0:30:20 | 0:30:21 | |
OK, well, remember, you two, | 0:30:21 | 0:30:23 | |
you don't have to make that decision until your first three items have | 0:30:23 | 0:30:26 | |
been sold, but meanwhile, | 0:30:26 | 0:30:28 | |
let's go and find out what our auctioneer has to say about | 0:30:28 | 0:30:32 | |
Charles's historic bonus buy. | 0:30:32 | 0:30:34 | |
So here it is, there can't be many to the square mile in Lincolnshire, | 0:30:36 | 0:30:40 | |
but one mangle board. | 0:30:40 | 0:30:41 | |
We have erred on the side of caution with it, | 0:30:41 | 0:30:44 | |
because they do make a lot of copies of these, | 0:30:44 | 0:30:46 | |
so they're not always what they seem. | 0:30:46 | 0:30:49 | |
No, sometimes they can be earlier, | 0:30:49 | 0:30:51 | |
but then, somebody puts the date on at a later date, don't they? | 0:30:51 | 0:30:55 | |
-That's it, yes. -Yeah. | 0:30:55 | 0:30:56 | |
But it does look to be of the period, there's plenty of wear there, | 0:30:56 | 0:31:00 | |
there is a bit of woodworm, as you'd expect, | 0:31:00 | 0:31:02 | |
so I'd say £80 to £120 and they should be good with that. | 0:31:02 | 0:31:06 | |
OK. £215 was spent on that item. | 0:31:06 | 0:31:10 | |
If they do go for it, it's in the balance, isn't it? | 0:31:10 | 0:31:12 | |
That's it, it is in the balance, but there may well be somebody out there | 0:31:12 | 0:31:15 | |
wanting to take the risk on it. | 0:31:15 | 0:31:17 | |
So, that's the Reds, now for the Blues. | 0:31:17 | 0:31:20 | |
And the first item is the mid-20th century enamel bread bin. | 0:31:20 | 0:31:24 | |
I can tell you this is the one that Rick thinks is going to give them | 0:31:24 | 0:31:28 | |
the biggest profit, but what do you think, Kirsty? | 0:31:28 | 0:31:31 | |
It's a nice 20th century one there. | 0:31:31 | 0:31:33 | |
Obviously, it still has a purpose, people still use bread bins. | 0:31:33 | 0:31:36 | |
It is a nice example of that one. | 0:31:36 | 0:31:38 | |
We've given it an auction estimate of £20 to £30, | 0:31:38 | 0:31:41 | |
which I think is definitely doable for them. | 0:31:41 | 0:31:43 | |
OK, well, they paid £28 for it, so that could be a goer. | 0:31:43 | 0:31:47 | |
Item number two is the West German fat lava vase. | 0:31:47 | 0:31:53 | |
It's big, it's bright and it's reasonable, isn't it? | 0:31:53 | 0:31:56 | |
It is reasonable. Obviously, | 0:31:56 | 0:31:58 | |
the fat lava is the phrase that everybody looks for, | 0:31:58 | 0:32:00 | |
so we've given it an auction estimate of £10 to £30, | 0:32:00 | 0:32:04 | |
so that should achieve that. | 0:32:04 | 0:32:05 | |
OK, well, they paid £50 for it, | 0:32:05 | 0:32:09 | |
but you do get a lot of vase for your money, don't you? | 0:32:09 | 0:32:11 | |
-You do, yeah, and it is a large example, so there may well be. -It is. | 0:32:11 | 0:32:15 | |
So item number three is our metal-cased aeroplane light | 0:32:15 | 0:32:19 | |
and "industrial brutal" is the usual heading. | 0:32:19 | 0:32:24 | |
Big business in this part of the world? | 0:32:24 | 0:32:25 | |
Still popular, obviously it is a mismatch, | 0:32:25 | 0:32:27 | |
the base is most likely a surveyor's tripod | 0:32:27 | 0:32:30 | |
and they've added the later light on top. | 0:32:30 | 0:32:33 | |
Well, it's got a certain amount of decorative appeal, hasn't it? | 0:32:33 | 0:32:36 | |
-It has. -But you wouldn't want it in the corner of your house, would you? | 0:32:36 | 0:32:40 | |
I'm not sure actually, I think I probably would. | 0:32:40 | 0:32:42 | |
Oh, my goodness me! I forget how young you are and how old I am! | 0:32:42 | 0:32:46 | |
So, auction estimate-wise, we have given it £40 to £60, | 0:32:46 | 0:32:49 | |
but I wouldn't be surprised if it did just a little bit better than that. | 0:32:49 | 0:32:53 | |
But it's going to have to work very, very hard, | 0:32:53 | 0:32:54 | |
because they paid £190 for it, | 0:32:54 | 0:32:58 | |
so they could take it on the chin with that one, couldn't they? | 0:32:58 | 0:33:00 | |
They could. There might be a little loss on there, | 0:33:00 | 0:33:02 | |
but they shouldn't be too far away. | 0:33:02 | 0:33:05 | |
Well, it strikes me that our team may be in need of their bonus buy, | 0:33:05 | 0:33:09 | |
so let's take a look at it. | 0:33:09 | 0:33:11 | |
So, gentlemen, you left our Tim £32. | 0:33:13 | 0:33:16 | |
Tim, you said you were going out there to find something that would please both the Blues. | 0:33:16 | 0:33:22 | |
-Tough challenge. -Yes. | 0:33:22 | 0:33:25 | |
But I think I've done it. Would you like to see it? | 0:33:25 | 0:33:27 | |
-Yes. -Here we go. What do you think? | 0:33:27 | 0:33:31 | |
Oh, you look underwhelmed. | 0:33:31 | 0:33:33 | |
THEY LAUGH | 0:33:33 | 0:33:35 | |
-Is it an ashtray? -Well, I would call it a pin dish. | 0:33:35 | 0:33:38 | |
It reminds me a bit of the vase we bought. | 0:33:38 | 0:33:40 | |
Yes, yes, very true. | 0:33:40 | 0:33:41 | |
Retro, colourful, funky. | 0:33:41 | 0:33:43 | |
Do people use pins? | 0:33:43 | 0:33:45 | |
Well, what would you use it for? | 0:33:45 | 0:33:47 | |
-Perhaps a pot plant on there, or something? -Or even maybe would you just pop your keys, | 0:33:47 | 0:33:50 | |
or loose change at the end of the day, just by the door as you go out. | 0:33:50 | 0:33:53 | |
-Yeah. -No, no, you can't do that to a beautiful pot like that, | 0:33:53 | 0:33:59 | |
it's to be admired. | 0:33:59 | 0:34:00 | |
Look, that's a lovely piece and it's so period. | 0:34:00 | 0:34:03 | |
-It is. Well, who do you think it's by? -Well, it's probably German, but... | 0:34:03 | 0:34:06 | |
Well, it's actually British, one of my favourite studios, Poole Pottery. | 0:34:06 | 0:34:11 | |
-Have a feel of it. You will see the condition's great. -Mm-hm. | 0:34:11 | 0:34:14 | |
-Good quality. -It's heavier than I thought. | 0:34:14 | 0:34:16 | |
How much did you pay for that? | 0:34:16 | 0:34:17 | |
Well, I paid £15, which I don't think's bad, | 0:34:17 | 0:34:20 | |
because it's real quality. | 0:34:20 | 0:34:22 | |
There's a definite chance for a bit of profit in this, no doubt. | 0:34:22 | 0:34:24 | |
So how much do you think we could make on that then, Tim? | 0:34:24 | 0:34:27 | |
Well, look, it is a small piece, but I think we can maybe make a tenner. | 0:34:27 | 0:34:30 | |
The thing to remember, gentlemen, | 0:34:30 | 0:34:32 | |
is the fact that you don't have to make your minds up now, | 0:34:32 | 0:34:34 | |
but meanwhile, let's find out what our auctioneer has to say about | 0:34:34 | 0:34:38 | |
Tim's Poole Pottery dish. | 0:34:38 | 0:34:40 | |
One bonus buy, small but perfectly formed, you might say. | 0:34:41 | 0:34:46 | |
Absolutely. Nice Poole little pottery pin dish there, nice design. | 0:34:46 | 0:34:52 | |
I mean, it's got that retro look, hasn't it? | 0:34:52 | 0:34:54 | |
Sort of 1960s, '70s. | 0:34:54 | 0:34:56 | |
It has, typical of that sort of style. | 0:34:56 | 0:34:58 | |
Studio pottery again, so very popular. | 0:34:58 | 0:35:01 | |
We've put an auction estimate on it of £20 to £30, | 0:35:01 | 0:35:04 | |
which I would say it should easily achieve. | 0:35:04 | 0:35:06 | |
Yeah, good news really, in so far as Tim went out and paid £15 for it, | 0:35:06 | 0:35:11 | |
so £20 and £30 is very good news. | 0:35:11 | 0:35:14 | |
So what about the auction, who's taking it? | 0:35:14 | 0:35:16 | |
-That will be me. -Excellent. Well, in Kirsty we trust. | 0:35:16 | 0:35:21 | |
170, 180, 190, 200, 220? | 0:35:21 | 0:35:26 | |
So I need to know, are you regulars at auction houses? | 0:35:28 | 0:35:32 | |
Er, no, not really, I've been to a few, but generally car auctions actually. | 0:35:32 | 0:35:37 | |
-Oh, right. OK. Lana, what about you? -This is my first time ever, | 0:35:37 | 0:35:40 | |
-so I'm really, really, really excited. -Oh, good! Well, listen, | 0:35:40 | 0:35:42 | |
we've got your first lot coming up, | 0:35:42 | 0:35:44 | |
it's the early 20th century pottery shoe, it's coming up now. | 0:35:44 | 0:35:47 | |
And who will start me at £20? | 0:35:47 | 0:35:49 | |
-Come on. It's novelty. -Come on. | 0:35:49 | 0:35:51 | |
10? £10? | 0:35:51 | 0:35:54 | |
Five then, surely? | 0:35:54 | 0:35:55 | |
Five we have, and eight anywhere now? | 0:35:55 | 0:35:57 | |
-Come on. -Eight anywhere now? | 0:35:57 | 0:35:59 | |
Are we all sure, then? Is it going for five? | 0:35:59 | 0:36:02 | |
-Gavel's raised. -I don't believe it. | 0:36:02 | 0:36:04 | |
-Oh, no. -So you are minus 10 | 0:36:04 | 0:36:07 | |
to start, but anyway, the next item coming up | 0:36:07 | 0:36:11 | |
is the mid-Victorian pendant. | 0:36:11 | 0:36:12 | |
Here we go. Good luck, team. The comeback is on. | 0:36:12 | 0:36:15 | |
And I have got bids on the book | 0:36:15 | 0:36:16 | |
and we're starting with me at £40. | 0:36:16 | 0:36:19 | |
OK, come on! | 0:36:19 | 0:36:20 | |
42, 45, 48, | 0:36:20 | 0:36:22 | |
bid 50, five, 60, five, 70. | 0:36:22 | 0:36:25 | |
-We're in business! -We're on, we're on. -80. And five. | 0:36:25 | 0:36:28 | |
80 is with me, and Five anywhere now? | 0:36:28 | 0:36:31 | |
-Come on. -Five anywhere now? | 0:36:31 | 0:36:33 | |
Are we all sure then? We're on the selling on the commission bid at 80? | 0:36:33 | 0:36:36 | |
GAVEL BANGS | 0:36:36 | 0:36:38 | |
You've just made yourselves £25 of profit. | 0:36:38 | 0:36:40 | |
Takes us to a total of plus £15. | 0:36:40 | 0:36:44 | |
-That's good, we've come back. -OK? | 0:36:44 | 0:36:46 | |
So next item, the spoons. | 0:36:46 | 0:36:48 | |
-Here they come. -The set of Scandinavian spoons there, | 0:36:48 | 0:36:51 | |
and I have got £30 to start me. | 0:36:51 | 0:36:54 | |
£30! | 0:36:54 | 0:36:56 | |
-We've doubled up! -32, 35, 38 now? | 0:36:56 | 0:36:58 | |
-Here we go. Come on! -At 35 I have, 38 anywhere now? | 0:36:58 | 0:37:02 | |
35 I have, and 38 is on the net. | 0:37:02 | 0:37:04 | |
-40 anywhere now? -Yes! | 0:37:04 | 0:37:05 | |
At 38 is on the net. | 0:37:05 | 0:37:07 | |
And 40 anywhere now? | 0:37:07 | 0:37:08 | |
Are we all sure then? Are we resting on the net at 38? | 0:37:08 | 0:37:12 | |
Good work. | 0:37:12 | 0:37:13 | |
38, OK, lovely jubbly. | 0:37:13 | 0:37:17 | |
So, you've just made yourselves there £23, | 0:37:17 | 0:37:20 | |
you're ahead of the game, all right? | 0:37:20 | 0:37:23 | |
You now have to make your decision about your bonus buy. | 0:37:23 | 0:37:26 | |
Have you been thinking about it? | 0:37:26 | 0:37:27 | |
We have been thinking about it. | 0:37:27 | 0:37:29 | |
-OK. And? -Thinking two minds about it. | 0:37:29 | 0:37:31 | |
And we love Charlie and we love the item and that's why it's a no. | 0:37:31 | 0:37:36 | |
-It's a no? -It's a no. It's a no. OK, well... | 0:37:36 | 0:37:40 | |
I can tell you, the auction estimate was 80-120. | 0:37:40 | 0:37:42 | |
Bearing in mind that Charlie paid 215, they may be very right, | 0:37:42 | 0:37:45 | |
they may be very wrong. We're just about to find out. | 0:37:45 | 0:37:48 | |
And I have got £50 to start me, Five anywhere now? | 0:37:48 | 0:37:52 | |
-Come on, let's go. -At 50, it's with me, and 55, bid 60, and five now? | 0:37:52 | 0:37:56 | |
At 60, I have. | 0:37:56 | 0:37:58 | |
It's probably the wrong market, that's my excuse. | 0:37:58 | 0:38:00 | |
I think it's probably... Come on! | 0:38:00 | 0:38:02 | |
We are all out then. We're on the book at 60... | 0:38:02 | 0:38:06 | |
-60. -Thankfully I wasn't paying! -Oh, well, I've got to say, Reds, | 0:38:06 | 0:38:10 | |
quite a canny decision on your part not to go with it, | 0:38:10 | 0:38:13 | |
-but either way... -We still love you, Charlie, you know that. | 0:38:13 | 0:38:16 | |
-Thank you, Lana. -The good news is that you're plus £38 ahead of the | 0:38:16 | 0:38:19 | |
game. That being said, | 0:38:19 | 0:38:21 | |
do not say another word to the Blues. | 0:38:21 | 0:38:23 | |
So, Blues, do you have any experience of auctions? | 0:38:35 | 0:38:37 | |
-No. No. -Is there a feeling of excitement here? | 0:38:37 | 0:38:41 | |
Oh, yes! | 0:38:41 | 0:38:42 | |
-Yes! -Yeah, it's good for the soul. | 0:38:42 | 0:38:44 | |
The first item coming up is the mid-20th century bread bin. | 0:38:44 | 0:38:48 | |
-It's coming up now. -Start me at £30 for this one. | 0:38:48 | 0:38:51 | |
£30? 20? | 0:38:51 | 0:38:53 | |
Come on, more than that. | 0:38:53 | 0:38:55 | |
10? | 0:38:55 | 0:38:56 | |
10, surely, for the kitchenalia. | 0:38:56 | 0:38:58 | |
£10? | 0:38:58 | 0:39:00 | |
Five I have at the back. | 0:39:00 | 0:39:01 | |
And eight bid. And 10? | 0:39:01 | 0:39:03 | |
10 bid. And 12? | 0:39:03 | 0:39:04 | |
12 is on the net. | 0:39:04 | 0:39:06 | |
15 now? No? | 0:39:06 | 0:39:07 | |
15 is on the net then. | 0:39:07 | 0:39:09 | |
Are we all sure then? Are we selling on the net at 15? | 0:39:09 | 0:39:13 | |
-Oh! -Oh, no! | 0:39:13 | 0:39:15 | |
That is a start of a minus 13, OK. | 0:39:15 | 0:39:19 | |
We've got your mid-20th century West German fat lava vase. | 0:39:19 | 0:39:23 | |
-Here it comes. -£15 to start me, 18 anywhere now? | 0:39:23 | 0:39:27 | |
15, I have. And 18 and 20, 22, 25, 28 now, 30 at the back of the room. | 0:39:27 | 0:39:35 | |
32, 35, 38, and 40 now, surely? | 0:39:35 | 0:39:39 | |
And 40, are you sure you don't want to go another one? | 0:39:39 | 0:39:41 | |
At 38 we have on the net. 40 anywhere now? | 0:39:41 | 0:39:43 | |
Are we all sure? Are we all finished on the internet | 0:39:43 | 0:39:45 | |
and in the room at 40? | 0:39:45 | 0:39:48 | |
£40. Well, you paid 50, | 0:39:48 | 0:39:51 | |
so a minus 10. | 0:39:51 | 0:39:53 | |
Right, so, the next item is your aeroplane light. | 0:39:53 | 0:39:55 | |
You paid £190 for it, Ivan. | 0:39:55 | 0:39:59 | |
-Did you not? -He did. -He did. | 0:39:59 | 0:40:02 | |
So, let's just wait and see. | 0:40:02 | 0:40:04 | |
-Here it is. -Who will start me at £80 for it, surely? | 0:40:04 | 0:40:07 | |
£80? | 0:40:07 | 0:40:08 | |
50? | 0:40:08 | 0:40:10 | |
-What? -40? | 0:40:10 | 0:40:12 | |
40, I have at the back of the room. And two anywhere now? | 0:40:12 | 0:40:15 | |
45. 48. Bid 50? | 0:40:15 | 0:40:18 | |
And five. Bid 60. | 0:40:18 | 0:40:20 | |
65. 70 bid. | 0:40:20 | 0:40:22 | |
75. And 80? | 0:40:22 | 0:40:25 | |
It's our highest selling item! | 0:40:25 | 0:40:27 | |
90 bid. 95. 100. | 0:40:27 | 0:40:29 | |
-Come on. -100, 110, 120, 130, 140, and 150, 160? | 0:40:29 | 0:40:36 | |
No. At 150, I have in the front. | 0:40:36 | 0:40:38 | |
160 anywhere now? | 0:40:38 | 0:40:40 | |
Are we all sure then? We're in the front at 150. | 0:40:40 | 0:40:45 | |
-Whoa! -Exciting, though, no? -150, it deserved better, didn't it? | 0:40:45 | 0:40:50 | |
It really did. | 0:40:50 | 0:40:51 | |
Minus £40, which gives us a total of minus £63. | 0:40:51 | 0:40:58 | |
So, we're now at the decision time when it comes to the bonus buy. | 0:40:58 | 0:41:02 | |
I don't want to influence you, but what have you got to lose? | 0:41:02 | 0:41:04 | |
THEY LAUGH | 0:41:04 | 0:41:06 | |
So, do I take that as a yay? | 0:41:06 | 0:41:07 | |
-Yes. -A yay! | 0:41:07 | 0:41:09 | |
Now, listen, Tim paid £15 for it. | 0:41:09 | 0:41:11 | |
-Yeah. -The auctioneer said £20 to £30. | 0:41:11 | 0:41:13 | |
-Ah! -So, let's just wait and see. | 0:41:13 | 0:41:16 | |
-Here it is. -Who will start me at £30 for this one, surely? | 0:41:16 | 0:41:19 | |
£30? £20 for the Poole pottery. | 0:41:19 | 0:41:22 | |
£20? | 0:41:22 | 0:41:23 | |
£10? At 10 we have. And 12 anywhere now? | 0:41:23 | 0:41:26 | |
12 bid. 15, 18? | 0:41:26 | 0:41:29 | |
No, 15 I have at the back of the room then. | 0:41:29 | 0:41:31 | |
18 anywhere now? | 0:41:31 | 0:41:32 | |
Are we all sure then? Are we selling at the back of the room at 15...? | 0:41:32 | 0:41:35 | |
15! | 0:41:36 | 0:41:38 | |
It doesn't make a jot of difference, | 0:41:38 | 0:41:40 | |
but it does give you a relatively | 0:41:40 | 0:41:43 | |
respectable minus 63. | 0:41:43 | 0:41:44 | |
-Yeah. -OK, anyway, not a word to the Reds, obviously. | 0:41:44 | 0:41:47 | |
-Of course not. -And I'll see you boys later. | 0:41:47 | 0:41:49 | |
Well, this is not a game of winners and losers, | 0:42:00 | 0:42:02 | |
it's a game of winners and runners-up. | 0:42:02 | 0:42:04 | |
And I have to tell you that today's runners-up are the Blue team! | 0:42:04 | 0:42:09 | |
-No! -Whoo! | 0:42:09 | 0:42:11 | |
The Blue team. I'm so sorry, boys, insofar as it was | 0:42:11 | 0:42:17 | |
a bit of a grim start, I'm afraid, it was minus £63. | 0:42:17 | 0:42:21 | |
But have you enjoyed yourselves? | 0:42:21 | 0:42:22 | |
-Yes. -Yeah! It's being here that matters. | 0:42:22 | 0:42:25 | |
So, Red team, what do we say? | 0:42:25 | 0:42:27 | |
-Woohoo! -I can tell you, you made yourselves a profit of £38. | 0:42:27 | 0:42:33 | |
I hate to say it, Charlie, but it could've been so different | 0:42:33 | 0:42:35 | |
if they'd gone with that bonus buy. | 0:42:35 | 0:42:37 | |
Indeed. I'll say no more. | 0:42:37 | 0:42:39 | |
OK. So, it gives me great pleasure to present you with £38, OK? | 0:42:39 | 0:42:46 | |
All right, don't spend it all at once. | 0:42:46 | 0:42:49 | |
-Whoo! -So, has everybody had a good time? | 0:42:49 | 0:42:51 | |
-ALL: -Yes. -That's what we need to know. | 0:42:51 | 0:42:53 | |
Well, that's it from us, but you can check out our website or follow us | 0:42:53 | 0:42:58 | |
on Twitter. But better still, | 0:42:58 | 0:42:59 | |
why not join us next time for some more Bargain Hunting? | 0:42:59 | 0:43:02 | |
-Yes? ALL: -Yes! | 0:43:02 | 0:43:04 |