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Well, you know me, | 0:00:15 | 0:00:16 | |
I'm not one to make a song and dance about anything, | 0:00:16 | 0:00:19 | |
but I couldn't resist the urge to shake my pompoms. | 0:00:19 | 0:00:24 | |
We are here at the East of England Showground in Peterborough. | 0:00:24 | 0:00:28 | |
We are ready, the teams are ready, so let's go Bargain Hunting. | 0:00:28 | 0:00:33 | |
CHEERING | 0:00:33 | 0:00:34 | |
Armed with £300 and one hour in which to buy three items, | 0:01:00 | 0:01:04 | |
our Red and Blue teams then hope to sell on for a profit when sold | 0:01:04 | 0:01:08 | |
at auction. But before we meet our teams, | 0:01:08 | 0:01:10 | |
let's find out what's coming up. | 0:01:10 | 0:01:12 | |
Charles is all fingers and thumbs with the Reds. | 0:01:14 | 0:01:18 | |
It's completely original... | 0:01:18 | 0:01:20 | |
-Oops. -God, Charlie. | 0:01:20 | 0:01:21 | |
Sorry about that. | 0:01:21 | 0:01:22 | |
The Blues brave the elements. | 0:01:22 | 0:01:24 | |
We shall be as rusty as these pots. | 0:01:26 | 0:01:27 | |
I know, I know. | 0:01:27 | 0:01:29 | |
At the auction, the Reds get a gallop on. | 0:01:30 | 0:01:32 | |
220. | 0:01:35 | 0:01:36 | |
And the Blues are pumped up. | 0:01:36 | 0:01:38 | |
Yes. | 0:01:38 | 0:01:40 | |
Well, all that is coming up later, but let's meet today's teams. | 0:01:40 | 0:01:43 | |
For the Reds, we've got friends Sharon and Dawn. | 0:01:43 | 0:01:46 | |
And for the Blues, | 0:01:46 | 0:01:47 | |
we've got the father and daughter combo of Roger and Gemma. | 0:01:47 | 0:01:51 | |
-Hello. ALL: -Hello. | 0:01:51 | 0:01:53 | |
So if I can start with you, Sharon, | 0:01:53 | 0:01:55 | |
tell me a little bit about how you girls met. | 0:01:55 | 0:01:57 | |
We actually met at my wedding. | 0:01:57 | 0:01:58 | |
Dawn's partner and my husband are brothers, | 0:01:58 | 0:02:01 | |
and we've been friends ever since, | 0:02:01 | 0:02:03 | |
-that's 22 years ago. -So what do you do for a living? | 0:02:03 | 0:02:06 | |
I'm actually retired these days. | 0:02:06 | 0:02:08 | |
I was a midwife. | 0:02:08 | 0:02:10 | |
But I've just spent the last few years doing up our house, walking my dog, | 0:02:10 | 0:02:14 | |
and I've got a little room where I do painting and reading and drawing. | 0:02:14 | 0:02:19 | |
So you are a multitasker, aren't you? | 0:02:19 | 0:02:21 | |
I like to tell my husband that, yes. | 0:02:21 | 0:02:23 | |
Women like you are in demand, I can assure you. | 0:02:25 | 0:02:27 | |
Well, I don't seem to have a spare moment. | 0:02:27 | 0:02:30 | |
So, Dawn, what do you do for a living? | 0:02:30 | 0:02:31 | |
I'm a nurse and I work in child and adolescent mental health. | 0:02:31 | 0:02:34 | |
It can be stressful, but very rewarding. | 0:02:34 | 0:02:37 | |
In my spare time I do pottery, I'm a bit of a part-time artist. | 0:02:37 | 0:02:41 | |
You are being very modest, because I know for a fact you are an award-winning artist. | 0:02:41 | 0:02:46 | |
Yes, I won the People's Choice in an exhibition two years ago, | 0:02:46 | 0:02:49 | |
which was amazing. | 0:02:49 | 0:02:50 | |
I also do amateur dramatics. | 0:02:50 | 0:02:53 | |
-Do you? -Yes. | 0:02:53 | 0:02:54 | |
My favourite thing to do is play the baddie. | 0:02:54 | 0:02:57 | |
And I have been told I've got a really wicked laugh. | 0:02:57 | 0:03:00 | |
Would you like to just give us a taster of your wicked laugh? | 0:03:00 | 0:03:04 | |
OK. We are going to win lots and lots of money! | 0:03:04 | 0:03:07 | |
SHE CACKLES DRAMATICALLY | 0:03:07 | 0:03:09 | |
Right, well, if you can do that again and come out of your shell, | 0:03:12 | 0:03:14 | |
that would be really good. | 0:03:14 | 0:03:16 | |
That's scary. Have you thought about your tactics? | 0:03:16 | 0:03:18 | |
Oh, definitely, yes. We are going to go for a cheap, a cheerful | 0:03:18 | 0:03:22 | |
-and we are going to go a bit... -Indulgent. -Indulgent. | 0:03:22 | 0:03:24 | |
-Good luck. -Thank you. | 0:03:24 | 0:03:26 | |
Turning my attention to the Blue team. | 0:03:26 | 0:03:28 | |
And, Roger, I believe you are retired, | 0:03:28 | 0:03:30 | |
but tell me a little bit more about what you get up to and what you've | 0:03:30 | 0:03:33 | |
-been doing in the past. -At the moment, | 0:03:33 | 0:03:35 | |
I'm in the middle of decorating my daughter's house, | 0:03:35 | 0:03:37 | |
cos she's moving into a little cottage. | 0:03:37 | 0:03:39 | |
I'm busy doing shop fitting through the nights for a company. | 0:03:39 | 0:03:42 | |
Landscape gardening, interior decorating. | 0:03:42 | 0:03:45 | |
So retirement is really nice. | 0:03:45 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:48 | |
You are an odd-job man, aren't you? | 0:03:48 | 0:03:50 | |
-Yes. -You've lived an interesting life, | 0:03:50 | 0:03:53 | |
and I think the words "adrenaline junkie" come into the equation. | 0:03:53 | 0:03:58 | |
Yes, I decided to do a water-sport business in north Cyprus. | 0:03:58 | 0:04:02 | |
I've done rallycross driving with a world champion, | 0:04:02 | 0:04:04 | |
I've done powerboat racing with another world champion. | 0:04:04 | 0:04:08 | |
A few bits and bobs, really. | 0:04:08 | 0:04:09 | |
This is boys' dreams, isn't it? | 0:04:10 | 0:04:12 | |
-Oh, it was good. -You've lived the dream. | 0:04:12 | 0:04:14 | |
Well, still trying, actually. I'm trying to get wing-walking at the minute, but... | 0:04:14 | 0:04:17 | |
-You mean...? -Yes, to stand on a plane. | 0:04:17 | 0:04:20 | |
On the wings. That's the one I want to do before I finally retire. | 0:04:20 | 0:04:23 | |
Right, OK. All right, well, in the meantime, Gemma, I mean, | 0:04:23 | 0:04:27 | |
-how do you follow that? -I don't, I'm not really an adrenaline junkie. | 0:04:27 | 0:04:30 | |
No. So tell me, what do you do for a living? | 0:04:30 | 0:04:32 | |
I'm a drama teacher and I recently took up the post as head of year nine as well. | 0:04:32 | 0:04:36 | |
-All right. Exciting stuff. -Yes, very exciting. | 0:04:36 | 0:04:39 | |
Very satisfying, yes? | 0:04:39 | 0:04:40 | |
-Yes. -But what do you do for hobbies and spare time? | 0:04:40 | 0:04:43 | |
So I love to go and see any types of musicals. | 0:04:43 | 0:04:45 | |
-Favourite musical? -If I was going for a classic, | 0:04:45 | 0:04:48 | |
I would say Les Miserables. | 0:04:48 | 0:04:50 | |
If I was going for more modern, | 0:04:50 | 0:04:51 | |
I would probably say between Wicked or Billy Elliot. | 0:04:51 | 0:04:55 | |
All right, OK. Interesting choices. | 0:04:55 | 0:04:58 | |
Yes, very different. | 0:04:58 | 0:05:00 | |
You've talked about your tactics and what you've come up with? | 0:05:00 | 0:05:02 | |
-We've tried to. -But we don't agree. | 0:05:02 | 0:05:05 | |
-No. All right. -So it should be good fun, really. | 0:05:05 | 0:05:07 | |
Dad tried to say that he will pick two of the items and I'll pick one, | 0:05:07 | 0:05:10 | |
but that's not going to happen. | 0:05:10 | 0:05:12 | |
She's very good at bartering and I'm not so good. | 0:05:12 | 0:05:15 | |
-Oh, you are good? -I'd like to think so, yes. | 0:05:15 | 0:05:18 | |
Well, before you can do any bartering, you've got to have some money, haven't you? | 0:05:18 | 0:05:21 | |
-Exactly, yes. -So, hands out, because I'm going to give you £300. | 0:05:21 | 0:05:24 | |
-Thank you very much. -And don't worry, | 0:05:24 | 0:05:26 | |
we're not going to leave you out, Reds. There you go. | 0:05:26 | 0:05:29 | |
So, £300 - this is the part where I send you off to meet your experts, | 0:05:29 | 0:05:34 | |
and I will see you later. | 0:05:34 | 0:05:36 | |
-OK. -Lovely, thank you. -Thank you. | 0:05:36 | 0:05:38 | |
Multitaskers, each and every one. | 0:05:38 | 0:05:41 | |
Watch out, fair. | 0:05:41 | 0:05:43 | |
And of course our two tremendous teams need two terrific experts. | 0:05:44 | 0:05:49 | |
Teeing off with the Reds, it's Charles Hanson. | 0:05:50 | 0:05:53 | |
And topping it off for the Blues, it's Caroline Hawley. | 0:05:54 | 0:05:58 | |
Right, then, teams, what are your thoughts? | 0:06:00 | 0:06:03 | |
-It's quite daunting. -It is daunting, it's enormous. | 0:06:03 | 0:06:07 | |
This is nice. | 0:06:07 | 0:06:09 | |
OK, teams, 60 minutes on the clock, your time starts now. | 0:06:09 | 0:06:14 | |
-BELL RINGS -Right or left? | 0:06:14 | 0:06:16 | |
-Left. Let's go left. -Let's go right, then. | 0:06:16 | 0:06:19 | |
Oh, dear, you're going to have your hands full today, Caroline. | 0:06:19 | 0:06:22 | |
There are plenty of pickings out there in the antiques fair today - | 0:06:22 | 0:06:25 | |
just keep an eye out for those potential profit makers. | 0:06:25 | 0:06:28 | |
So do you often shop together, you two? | 0:06:28 | 0:06:32 | |
When I've got a year spare. | 0:06:32 | 0:06:33 | |
It does take me quite a while. | 0:06:35 | 0:06:37 | |
Right, well, you've got an hour. | 0:06:37 | 0:06:39 | |
You tell them, Caroline, and don't forget, that hour flies by. | 0:06:39 | 0:06:42 | |
This looks promising, though. What have the Blues spotted? | 0:06:42 | 0:06:45 | |
A tiny vinaigrette there. | 0:06:45 | 0:06:47 | |
-Yes, small, isn't it? -Samuel Pemberton, I think. | 0:06:47 | 0:06:50 | |
How much is your vinaigrette? | 0:06:50 | 0:06:52 | |
-Sorry? -How much is your vinaigrette? | 0:06:52 | 0:06:55 | |
-The little tiny one. -Yes, the little... | 0:06:55 | 0:06:57 | |
-260. -260? | 0:06:58 | 0:07:00 | |
Oh, right, 260. | 0:07:00 | 0:07:02 | |
-A bit out our budget. -It's a gorgeous little thing. | 0:07:02 | 0:07:04 | |
Samuel Pemberton, great maker. | 0:07:04 | 0:07:07 | |
Look at the silver-gilt grille. | 0:07:07 | 0:07:08 | |
And there will be a little sponge impregnated in there for the scent, | 0:07:08 | 0:07:13 | |
-and the lady would hold it under her nose to stop the foul smells of the street. -That's a cute idea. | 0:07:13 | 0:07:17 | |
What would be the best price you could do on it for us? | 0:07:17 | 0:07:20 | |
The boss says 180. | 0:07:20 | 0:07:21 | |
Oh. | 0:07:21 | 0:07:23 | |
Oh, that's tempting, team. | 0:07:23 | 0:07:25 | |
Gemma's eyes are lighting up, the boss has said 180. | 0:07:25 | 0:07:30 | |
Gemma is grinning. | 0:07:30 | 0:07:31 | |
-What do you think? -150 to 200 maybe at auction. | 0:07:31 | 0:07:36 | |
It's too risky. Put it down, put it down. | 0:07:36 | 0:07:38 | |
-Put it down, Dad. -I don't think it is. | 0:07:38 | 0:07:40 | |
I think that's really unique. | 0:07:40 | 0:07:42 | |
I think we should go for it. | 0:07:42 | 0:07:44 | |
No. | 0:07:44 | 0:07:46 | |
Oh, dear. I will not come between dad and daughter. | 0:07:46 | 0:07:49 | |
-I think we'll have to remember where it is and come back. -Yes, I agree. OK, let's agree with that. | 0:07:49 | 0:07:53 | |
I like that. | 0:07:53 | 0:07:55 | |
OK, can we just leave it for now and then we'll... | 0:07:55 | 0:07:57 | |
hopefully we'll come back to you? | 0:07:57 | 0:07:59 | |
You could have trouble here, Caroline. | 0:07:59 | 0:08:01 | |
So a firm favourite for Roger, | 0:08:01 | 0:08:03 | |
but Gemma is showing early signs of restraint. | 0:08:03 | 0:08:06 | |
Hold your horses, Charlie, | 0:08:09 | 0:08:10 | |
Dawn has spotted a pair of modern cast-iron horse busts. | 0:08:10 | 0:08:14 | |
What are they worth? I will go and find out. | 0:08:15 | 0:08:17 | |
OK. | 0:08:17 | 0:08:18 | |
What do you think, then? | 0:08:20 | 0:08:21 | |
I can just imagine them sort of on a plinth or next to a big front door. | 0:08:21 | 0:08:25 | |
They could look the part. | 0:08:25 | 0:08:27 | |
Yes. I love the patina and colour. | 0:08:27 | 0:08:30 | |
This could be our extravagant piece. | 0:08:30 | 0:08:32 | |
It's definitely going to be the extravagant piece. | 0:08:32 | 0:08:35 | |
Oh, Charlie is back. | 0:08:35 | 0:08:37 | |
-Guess how much? -Oh, go on. | 0:08:37 | 0:08:38 | |
-He normally retails for 240. -Right. | 0:08:38 | 0:08:41 | |
He said he's quite happy to go at 160. | 0:08:41 | 0:08:46 | |
-What, for the pair? -For the pair, that's £80 each, basically. | 0:08:46 | 0:08:49 | |
-OK. -Do you think you could try and get a little more off? | 0:08:49 | 0:08:52 | |
-I can try. -Go on, girls, crack the whip. | 0:08:52 | 0:08:55 | |
They might fall at the first hurdle. | 0:08:55 | 0:08:57 | |
You don't think they're going to gallop? | 0:08:57 | 0:08:59 | |
-But if you like them... Back in a minute. -OK. | 0:08:59 | 0:09:01 | |
Good luck, Charlie, see if you can work your magic on the price. | 0:09:04 | 0:09:08 | |
Meanwhile, the Blues continue with the animal theme. | 0:09:08 | 0:09:11 | |
It's a wild boar, isn't it? | 0:09:11 | 0:09:14 | |
-What do you think? -Is it going to resell again at auction? | 0:09:14 | 0:09:17 | |
Not at that price, I don't think. | 0:09:17 | 0:09:18 | |
Is it something you think you'd like to buy? | 0:09:18 | 0:09:22 | |
-I think it's more a joke present rather than a real... -There's nothing wrong with a joke. | 0:09:22 | 0:09:25 | |
Yes, this is true. What's your lowest price that you would take on this? | 0:09:25 | 0:09:29 | |
£50. | 0:09:29 | 0:09:31 | |
Oh, no, see, I'm thinking more £20. | 0:09:31 | 0:09:35 | |
-No. -No, then. | 0:09:35 | 0:09:36 | |
It's a no. No, it's a no, sorry. | 0:09:36 | 0:09:38 | |
That's some ruthless haggling, Gemma. | 0:09:40 | 0:09:43 | |
Now, has Charlie managed to do a deal on those horses? | 0:09:43 | 0:09:46 | |
OK, so what did you do for us? | 0:09:46 | 0:09:48 | |
-I worked my hardest. -Yeah? | 0:09:48 | 0:09:50 | |
Right, best price - 150. | 0:09:50 | 0:09:52 | |
-Oh. -OK. -Too much, isn't it? | 0:09:52 | 0:09:55 | |
-Hmm... No. -Excuse me? | 0:09:56 | 0:09:59 | |
-Is it? -When it comes to financial gain, I would say au revoir, | 0:09:59 | 0:10:03 | |
let's leave them, but if you're keen... | 0:10:03 | 0:10:05 | |
I think it's worth a gamble. | 0:10:05 | 0:10:08 | |
If you've got faith in them, why not? | 0:10:08 | 0:10:11 | |
Do you think we could get them to have a gallop? | 0:10:11 | 0:10:13 | |
-A slow trot if you are lucky. -I tell you what, at work, | 0:10:13 | 0:10:17 | |
I am known for my galloping skills. | 0:10:17 | 0:10:20 | |
-Oh, look out. -Really, can you show me a little gallop? -I can show you a little gallop, are you ready? | 0:10:20 | 0:10:23 | |
-Do you want to gallop with me, Charles? -No, I will watch you first. | 0:10:23 | 0:10:26 | |
OK. | 0:10:26 | 0:10:28 | |
And she's off. | 0:10:28 | 0:10:29 | |
SHE WHINNIES | 0:10:30 | 0:10:32 | |
She's unbelievable. | 0:10:32 | 0:10:33 | |
-Crikey. -Well, you have galloping skills, Dawn. | 0:10:33 | 0:10:36 | |
But do you have the gambling skills? | 0:10:36 | 0:10:38 | |
-You are happy? -I am. | 0:10:38 | 0:10:40 | |
-Despite the gamble? -Despite the gamble. | 0:10:40 | 0:10:41 | |
-And that gallop? -Yes. | 0:10:41 | 0:10:43 | |
So, £150. | 0:10:43 | 0:10:45 | |
-Yes. -That's half our budget. -Yes. | 0:10:45 | 0:10:49 | |
The man is over there, and we are going to say, "Going, going, gone." | 0:10:49 | 0:10:52 | |
-Definitely. -Sold? -Yes. | 0:10:52 | 0:10:54 | |
Sir, we will take your very fine recast horse heads. | 0:10:54 | 0:10:59 | |
-Goodness me. -Thank you. | 0:10:59 | 0:11:00 | |
It's a bold move, Reds. | 0:11:00 | 0:11:02 | |
You've blown a big hole in your budget. | 0:11:02 | 0:11:04 | |
One down, two to go. | 0:11:04 | 0:11:07 | |
I think if I follow you with a gallop, I will go the slow trot. | 0:11:07 | 0:11:11 | |
-OK. -Come on, then, I will follow you. | 0:11:11 | 0:11:13 | |
Giddy-up, then, team. | 0:11:13 | 0:11:14 | |
That's one item down for the Reds. | 0:11:16 | 0:11:18 | |
What's the plan, Caroline? | 0:11:18 | 0:11:20 | |
So we've had 20 minutes already. | 0:11:21 | 0:11:24 | |
I think we should go outside to look at some more... | 0:11:24 | 0:11:26 | |
I think we get that first - one in the bag. | 0:11:26 | 0:11:28 | |
No, I don't think we do that. | 0:11:28 | 0:11:29 | |
Oh, not again. | 0:11:29 | 0:11:31 | |
I think we go outside to look at some outside stuff. | 0:11:31 | 0:11:33 | |
And then we can always run back. | 0:11:33 | 0:11:35 | |
-Right. -Have you got your running shoes on? -Yes. | 0:11:35 | 0:11:37 | |
-OK. -Right, OK, outside. | 0:11:37 | 0:11:39 | |
So while the Blues venture outside for their first item, | 0:11:39 | 0:11:42 | |
the Reds are already scouting out for their second. | 0:11:42 | 0:11:45 | |
Oh, the cocktail sticks. | 0:11:45 | 0:11:47 | |
Yes, they are quite sweet. | 0:11:47 | 0:11:48 | |
A bit retro, a bit fun? | 0:11:48 | 0:11:50 | |
Do you know...? Yes, it's retro, it's quite funky. | 0:11:50 | 0:11:54 | |
May we look at the little cocktail sticks in the case? | 0:11:54 | 0:11:56 | |
There we go. | 0:11:59 | 0:12:00 | |
Well, do you know what, when I say kitsch, you've got style, | 0:12:03 | 0:12:07 | |
I'll give you that. | 0:12:07 | 0:12:10 | |
So why does it appeal to you? | 0:12:10 | 0:12:11 | |
-Come on. -I spotted it out the corner of my eye, | 0:12:11 | 0:12:13 | |
I was kind of looking for something a little bit shiny. | 0:12:13 | 0:12:15 | |
But maybe it is a bit too modern. | 0:12:15 | 0:12:18 | |
It's got a certain kitsch feel about it. | 0:12:18 | 0:12:20 | |
I like the shape, this almost pear-shape little container. | 0:12:20 | 0:12:23 | |
Just turn it upside down for me. What's on the bottom? | 0:12:23 | 0:12:26 | |
So it's almost... The body is like a chrome plate. | 0:12:26 | 0:12:29 | |
It's not silver, it's not a quality silver plate. | 0:12:29 | 0:12:33 | |
But what I quite like are these fairly novel terminals | 0:12:33 | 0:12:36 | |
on the end of these sticks. | 0:12:36 | 0:12:38 | |
You've got a pineapple, you've got a pear. | 0:12:38 | 0:12:40 | |
You've got maybe a raspberry there. | 0:12:40 | 0:12:43 | |
It has got style. | 0:12:43 | 0:12:45 | |
I don't think it's overly old. | 0:12:45 | 0:12:47 | |
-I don't think it's overly expensive. -We're not very good spotting old... | 0:12:47 | 0:12:50 | |
-How much is it? -15. | 0:12:50 | 0:12:51 | |
-It's not... -Any room on it? -12. | 0:12:52 | 0:12:55 | |
12. | 0:12:55 | 0:12:56 | |
Can we think about it? Is it OK if we have a think about it? | 0:12:59 | 0:13:01 | |
-Thank you. -Thanks a lot. Come on, let's go. | 0:13:01 | 0:13:04 | |
Right, we're halfway through the shop, teams, | 0:13:06 | 0:13:08 | |
and the Blues are facing the elements in the name of profit. | 0:13:08 | 0:13:12 | |
Gemma, this is the chair you like. | 0:13:14 | 0:13:15 | |
I just thought it was quite cute. | 0:13:15 | 0:13:17 | |
-It is quite nice. -You know it doesn't have any age to it, don't you? -No. | 0:13:17 | 0:13:20 | |
It's made to look like an early sort of, well, 17th-century period chair. | 0:13:20 | 0:13:26 | |
It's a good furnishing piece. | 0:13:26 | 0:13:27 | |
-It depends on how much it is. -Exactly. Well, time is ticking. | 0:13:27 | 0:13:31 | |
-OK. -Rain is pouring. | 0:13:31 | 0:13:32 | |
-Yes, I know. -Shall we find someone to ask? | 0:13:32 | 0:13:34 | |
-Yes. -Look, there is a young man over here. | 0:13:34 | 0:13:37 | |
Hello. Hello. | 0:13:37 | 0:13:39 | |
Our friend here is interested in your chair. | 0:13:40 | 0:13:43 | |
-It's a nice one. -We need a good price on it. | 0:13:43 | 0:13:45 | |
We've got 55 on the chair. | 0:13:45 | 0:13:47 | |
We were thinking more kind of £30. | 0:13:47 | 0:13:49 | |
30. I can drop down to 45, but that would be the bottom end. | 0:13:49 | 0:13:53 | |
Can you not squeeze it down? | 0:13:53 | 0:13:55 | |
-35. -Meet you in the middle at 40. | 0:13:55 | 0:13:58 | |
-It's up to you. -No, I don't think we are going to get that back. Caroline, what do you think? | 0:13:58 | 0:14:01 | |
I think it's entirely up to you, at the risk of passing the buck. | 0:14:01 | 0:14:06 | |
It would have been better at 35, I think. | 0:14:06 | 0:14:08 | |
-But if you... -35 for us? | 0:14:08 | 0:14:11 | |
-Yes, can do. -35. | 0:14:11 | 0:14:13 | |
-We've got our first buy. -Yes! -Thanks a lot. | 0:14:13 | 0:14:16 | |
Thank you. Thank you very much. | 0:14:16 | 0:14:18 | |
-Thank you. -Thank you. | 0:14:18 | 0:14:20 | |
-Good. -Well, well done. | 0:14:20 | 0:14:23 | |
You made your minds up. | 0:14:23 | 0:14:24 | |
-Yes, we did. -ERIC: Thank goodness for that. | 0:14:24 | 0:14:26 | |
Right, shall we go and get a second one? | 0:14:26 | 0:14:28 | |
-Yes. -My hair's getting wet. | 0:14:28 | 0:14:30 | |
As a team. Right, come on. | 0:14:30 | 0:14:31 | |
-We shall be as rusty as these pots in a minute. -I know. | 0:14:31 | 0:14:35 | |
Finally, one item in the bag. | 0:14:36 | 0:14:38 | |
Right, teams, that's two items each to find. | 0:14:38 | 0:14:41 | |
What have you spotted, Charlie? | 0:14:41 | 0:14:42 | |
There's a lovely little condiment jar down here, | 0:14:42 | 0:14:45 | |
with a hammered lid, which is hinged in a lovely swing handle. | 0:14:45 | 0:14:50 | |
-That's lovely. -That is gorgeous. -That's really attractive. | 0:14:52 | 0:14:55 | |
It's a preserve or honey jar. | 0:14:55 | 0:14:58 | |
Yes, I love the fact that handle reflects this design. | 0:14:58 | 0:15:01 | |
It hasn't been overly polished. | 0:15:01 | 0:15:03 | |
If you clean pewter, they can become almost like silver. | 0:15:03 | 0:15:07 | |
And this hammered finish is almost a return to craftsmanship, | 0:15:07 | 0:15:10 | |
malleability and just working the metal into a certain type. | 0:15:10 | 0:15:14 | |
And I also like the faceting of the glass as well. | 0:15:14 | 0:15:16 | |
So come on, then, end of the day, what could you do? | 0:15:16 | 0:15:20 | |
65 on it at the moment. | 0:15:20 | 0:15:22 | |
I'm just wondering if we find something else in the cabinet. | 0:15:22 | 0:15:25 | |
Then we could almost just maybe do a deal. | 0:15:25 | 0:15:29 | |
I do like that. | 0:15:29 | 0:15:31 | |
Turquoise. I like turquoise. | 0:15:31 | 0:15:33 | |
Careful of the spike on it. I've put a cork through there. | 0:15:33 | 0:15:36 | |
-What do you think, Charlie? -Arts and Crafts style, silver and cabochon stone hatpin. It is silver. | 0:15:36 | 0:15:42 | |
But at £28, will it make a profit at auction? | 0:15:42 | 0:15:46 | |
It's a shame it's not marked. | 0:15:46 | 0:15:48 | |
But the quality is superb, I love the gilt brass back. | 0:15:48 | 0:15:52 | |
It's completely original. | 0:15:52 | 0:15:53 | |
-Oops. -God, Charlie. -Sorry about that. | 0:15:53 | 0:15:56 | |
-Is it OK? -Oops, you can say that again, Charlie. | 0:15:56 | 0:15:59 | |
-It's OK. -Heart attack. -It's OK. | 0:15:59 | 0:16:02 | |
-No, it's OK. -Catch me. | 0:16:02 | 0:16:04 | |
-Charlie, just behave. -I'm sorry about that. I think it... | 0:16:04 | 0:16:08 | |
You cannot take an expert anywhere. | 0:16:08 | 0:16:11 | |
No. That's a first. | 0:16:11 | 0:16:12 | |
The cabochon is in good condition. | 0:16:12 | 0:16:15 | |
I can't see any chip on there at all. | 0:16:15 | 0:16:17 | |
It's in good condition. It's been in great condition for 100 years. | 0:16:17 | 0:16:20 | |
No thanks to you, Charles. | 0:16:20 | 0:16:21 | |
Right, Reds, you need to make your minds up. | 0:16:23 | 0:16:25 | |
Meanwhile, the Blues have taken shelter from the rain. | 0:16:25 | 0:16:28 | |
Gemma, Roger. | 0:16:29 | 0:16:30 | |
I found this little thing. | 0:16:31 | 0:16:34 | |
Do you have any idea what this might be for? | 0:16:34 | 0:16:36 | |
-A salt pot. -A salt pot? | 0:16:38 | 0:16:40 | |
Where does the salt come out? | 0:16:40 | 0:16:42 | |
I think it might be a smelling vessel of sorts. | 0:16:42 | 0:16:44 | |
It is a smelling vessel. | 0:16:44 | 0:16:46 | |
-There's the silver mark. -Yes. -Take that off. | 0:16:46 | 0:16:49 | |
Silver-gilt inside. | 0:16:49 | 0:16:50 | |
And the little stopper would come out | 0:16:50 | 0:16:52 | |
and the smelling salts would be there | 0:16:52 | 0:16:55 | |
-to bring you back... -OK. | 0:16:55 | 0:16:57 | |
..when you are on the point of fainting. | 0:16:57 | 0:16:59 | |
-I quite like that. -Do you like it? | 0:16:59 | 0:17:02 | |
What sort of price do you think it might be? | 0:17:02 | 0:17:04 | |
£30. | 0:17:04 | 0:17:06 | |
28. | 0:17:06 | 0:17:07 | |
-Not bad. I mean, is that something...? -How much | 0:17:07 | 0:17:09 | |
do you think we could get it for? | 0:17:09 | 0:17:11 | |
-Well... -20 maybe? | 0:17:11 | 0:17:13 | |
-12. -12?! | 0:17:13 | 0:17:14 | |
-12. -I don't think we'll get it for 12. | 0:17:14 | 0:17:17 | |
-At 18... -Do people still use them? | 0:17:17 | 0:17:20 | |
Well, I would have done if I knew you were buying that chair. | 0:17:20 | 0:17:23 | |
Yes. | 0:17:23 | 0:17:25 | |
Go and ask them and see if you can get 18, | 0:17:25 | 0:17:27 | |
cos you've got a bigger smile than me. | 0:17:27 | 0:17:29 | |
OK. What would be your best price? | 0:17:29 | 0:17:32 | |
-20. -Would you go to 15? | 0:17:33 | 0:17:36 | |
No. | 0:17:36 | 0:17:37 | |
-18, how's that? -17. | 0:17:38 | 0:17:42 | |
-OK, 17. -17. | 0:17:42 | 0:17:43 | |
-Well done, Gemma. -Thank you very much. | 0:17:43 | 0:17:47 | |
Nice work, Gemma. Despite the weather, | 0:17:47 | 0:17:49 | |
the Blues have come up smelling of roses. | 0:17:49 | 0:17:51 | |
Second item bought. | 0:17:51 | 0:17:53 | |
25 minutes to go, you are doing brilliantly. | 0:17:53 | 0:17:56 | |
We've got loads of time! | 0:17:56 | 0:17:58 | |
So where do you want to go? | 0:17:58 | 0:18:01 | |
-Back inside. -I think because the sun is so hot, | 0:18:01 | 0:18:03 | |
we'll go inside for shade. | 0:18:03 | 0:18:05 | |
Inside. I'm so glad you said that, Roger. | 0:18:05 | 0:18:07 | |
I am delighted you said that. | 0:18:07 | 0:18:09 | |
Come on, get your brolly up, and let's go. | 0:18:09 | 0:18:12 | |
It's for the best, Blues, time to go inside and dry off, | 0:18:12 | 0:18:16 | |
whilst I head away to learn more about a local collection. | 0:18:16 | 0:18:19 | |
In 1793, France declared war on Britain, | 0:18:28 | 0:18:31 | |
and the resulting conflict engulfed Europe for the following 22 years, | 0:18:31 | 0:18:36 | |
known as the Napoleonic Wars. | 0:18:36 | 0:18:38 | |
Thousands of soldiers and sailors captured in battle by the British | 0:18:39 | 0:18:43 | |
were imprisoned at the Norman Cross Depot, | 0:18:43 | 0:18:45 | |
a prisoner-of-war camp not far from today's fair. | 0:18:45 | 0:18:48 | |
Peterborough Museum's collection of Napoleonic prisoner-of-war artefacts | 0:18:50 | 0:18:55 | |
is probably the finest on display anywhere. | 0:18:55 | 0:18:58 | |
And I've been joined by Glenys Foss from the museum, and, Glenys, | 0:18:58 | 0:19:02 | |
tell us a little bit more about the collection. | 0:19:02 | 0:19:05 | |
The collection itself has been made by prisoners of war from Norman Cross. | 0:19:05 | 0:19:08 | |
They are a mix of items made of either bone or straw largely. | 0:19:08 | 0:19:13 | |
And they were made in the prisoners' spare time. | 0:19:13 | 0:19:16 | |
They could then go and sell at the local markets, | 0:19:16 | 0:19:19 | |
which was just outside of the depot itself, on the Eastgate. | 0:19:19 | 0:19:23 | |
Just talk me through what you have brought along. | 0:19:23 | 0:19:25 | |
The one on the end is an automata, | 0:19:25 | 0:19:27 | |
an example of a few we have in the collection that are made from bone. | 0:19:27 | 0:19:32 | |
Norman Cross was opened during the height of the Industrial Revolution, | 0:19:32 | 0:19:36 | |
where people were interested very much in machinery. | 0:19:36 | 0:19:39 | |
The one here is an example of what they call a spinning jenny, | 0:19:39 | 0:19:42 | |
which was some of the machinery that was invented during that time. | 0:19:42 | 0:19:45 | |
Tell me more about the box. | 0:19:45 | 0:19:46 | |
I don't want to be unkind, but from the outside, | 0:19:46 | 0:19:49 | |
it does look a little bit tired. | 0:19:49 | 0:19:50 | |
The detail of the picture itself is wonderful, | 0:19:50 | 0:19:53 | |
but the colours are quite muted when you look at them. | 0:19:53 | 0:19:56 | |
-So let's have a look inside. -Right, here we are. | 0:19:56 | 0:19:59 | |
Wow. So we've got a little desk set there, have we not? | 0:20:00 | 0:20:06 | |
Would I be right in thinking that that's an internal tray that lifts out? | 0:20:06 | 0:20:10 | |
It is indeed. | 0:20:10 | 0:20:11 | |
A lot of them have these little compartments they can use, | 0:20:11 | 0:20:14 | |
either for sewing or writing. | 0:20:14 | 0:20:16 | |
And as you can see, the colours there, | 0:20:16 | 0:20:18 | |
even better when you take another layer off | 0:20:18 | 0:20:22 | |
to show underneath. | 0:20:22 | 0:20:24 | |
I mean, it's almost jewel-like. | 0:20:24 | 0:20:26 | |
Look at those colours. | 0:20:26 | 0:20:27 | |
It kind of gives you a hint of what the box itself would have | 0:20:27 | 0:20:31 | |
looked like when it was originally made. | 0:20:31 | 0:20:33 | |
Now, I've heard it said that when these prisoners were released | 0:20:33 | 0:20:38 | |
after the war, that some of them walked away quite wealthy men. | 0:20:38 | 0:20:42 | |
Indeed. I mean, it is said in some sources that they might have made up | 0:20:42 | 0:20:45 | |
to £1,000 to take back, which would have been a lot in that time. | 0:20:45 | 0:20:49 | |
Thank you so much, Glenys, for bringing these items in for us. | 0:20:49 | 0:20:53 | |
But meanwhile, let's check in with our two teams to find out | 0:20:53 | 0:20:56 | |
how they've been getting on with their shopping. | 0:20:56 | 0:20:58 | |
With just 23 minutes left, | 0:21:07 | 0:21:09 | |
the Reds have only bagged themselves one item. | 0:21:09 | 0:21:11 | |
The Blues, however, are sitting pretty with two. | 0:21:11 | 0:21:15 | |
Right, Reds, decision time. | 0:21:15 | 0:21:17 | |
The heavens have opened out there. | 0:21:17 | 0:21:20 | |
So you like the Tudric? | 0:21:20 | 0:21:21 | |
I love the Tudric. | 0:21:21 | 0:21:23 | |
-OK. -And I like... | 0:21:23 | 0:21:24 | |
The hatpin in the Charles Horner style. | 0:21:24 | 0:21:27 | |
So what can we do? | 0:21:27 | 0:21:28 | |
-OK. -What have we got? | 0:21:28 | 0:21:30 | |
-Shall we start with this one? -Yes. | 0:21:30 | 0:21:31 | |
So we have a ticket price of 65. | 0:21:32 | 0:21:35 | |
Your very, very best, please. | 0:21:38 | 0:21:40 | |
-I will give you one price. -OK. -For the two together. | 0:21:40 | 0:21:44 | |
£60 for the two. | 0:21:44 | 0:21:45 | |
So, basically, I was thinking 20 and 40. | 0:21:45 | 0:21:49 | |
-20 and 40. -I was thinking 40. That's marvellous. | 0:21:49 | 0:21:52 | |
Really, that in a saleroom ought to be guided 20-30, 15-25. | 0:21:52 | 0:21:58 | |
That in a saleroom, truly ought to fetch... | 0:21:58 | 0:22:01 | |
..40-60, 30-50 on a bad day. | 0:22:03 | 0:22:06 | |
So really, I think you are pretty much on the money as well, | 0:22:06 | 0:22:09 | |
so are we going to say it's a sale? | 0:22:09 | 0:22:13 | |
-BOTH: Yes, we are. -£60. | 0:22:13 | 0:22:15 | |
-Definitely. -Yes, there we are. | 0:22:15 | 0:22:17 | |
Shaking hands, we are going in. | 0:22:17 | 0:22:19 | |
-Bite the man that fed you, quite right. -Thank you so much. | 0:22:19 | 0:22:21 | |
Thank you, appreciate it. Thanks a lot. Wow. That's it, then. | 0:22:21 | 0:22:25 | |
So we've done it, what shall we do? | 0:22:25 | 0:22:28 | |
-A nice sit down. -I think so. | 0:22:28 | 0:22:29 | |
-Ice cream? -Brolly? | 0:22:29 | 0:22:31 | |
-I've left my brolly. -Well, follow me, I'll be your shelter. | 0:22:31 | 0:22:33 | |
-Come on. -Oh, bless you. | 0:22:33 | 0:22:35 | |
Well, that was slick work, Reds. | 0:22:36 | 0:22:38 | |
That's all three of your items with bags of time remaining. | 0:22:38 | 0:22:41 | |
Right, Caroline, your team have 20 minutes left. | 0:22:41 | 0:22:44 | |
-How are they getting on? -I'm sure Gemma and Roger love each other | 0:22:44 | 0:22:47 | |
to bits, but they don't always see eye to eye. | 0:22:47 | 0:22:50 | |
So I am getting increasingly worried that the last buy might be a bit | 0:22:50 | 0:22:55 | |
problematic. Roger definitely wants to buy this little vinaigrette, | 0:22:55 | 0:22:59 | |
Gemma definitely doesn't want to buy it. | 0:22:59 | 0:23:02 | |
But fingers crossed, it's going to be fine. | 0:23:02 | 0:23:05 | |
Sounds like trouble, Caroline. | 0:23:05 | 0:23:07 | |
I think you may have to intervene. | 0:23:07 | 0:23:09 | |
Right, team, what's the plan? | 0:23:09 | 0:23:11 | |
I don't think we are doing too bad, are we? | 0:23:11 | 0:23:13 | |
No, not too bad, but we've only got 15 minutes left. | 0:23:13 | 0:23:15 | |
Yes, we've got plenty of time. We've got a backup option from earlier. | 0:23:15 | 0:23:18 | |
-What, the vinaigrette? -Yes. | 0:23:18 | 0:23:20 | |
Yes, but we need to look and get something in the next ten minutes. | 0:23:20 | 0:23:23 | |
And then give ourselves five minutes if we can't find anything at the end? | 0:23:23 | 0:23:26 | |
Yes, and I will make the decision. | 0:23:26 | 0:23:28 | |
-I'll make the decision. -No. | 0:23:28 | 0:23:30 | |
-OK, let's go. -OK, team, that's enough. | 0:23:30 | 0:23:33 | |
So it's all getting slightly fraught with the Blues. | 0:23:33 | 0:23:36 | |
The Reds, however... | 0:23:36 | 0:23:38 | |
Cheers, team. Good health and, dare I say it, to the Reds. | 0:23:38 | 0:23:41 | |
BOTH: To the Reds. | 0:23:41 | 0:23:43 | |
I really wonder, actually, how the Blues are getting on. | 0:23:43 | 0:23:47 | |
I bet they are having a right stressful time. | 0:23:47 | 0:23:50 | |
Here's us chillaxing. | 0:23:50 | 0:23:51 | |
You are not wrong there, team. | 0:23:51 | 0:23:53 | |
As the fair closing time approaches, | 0:23:53 | 0:23:55 | |
some stallholders are thinking about packing up. | 0:23:55 | 0:23:59 | |
-Oh, no. -Right, Blues, time to get a move on. | 0:23:59 | 0:24:01 | |
Was it here? It was here. | 0:24:01 | 0:24:04 | |
It looks like they are heading back to the silver vinaigrette, | 0:24:04 | 0:24:06 | |
five minutes left. | 0:24:06 | 0:24:08 | |
It was in this one. | 0:24:08 | 0:24:10 | |
Oh. | 0:24:10 | 0:24:11 | |
How near the end of the fair is this? | 0:24:13 | 0:24:15 | |
-Just about. -How worrying would this have been? | 0:24:15 | 0:24:18 | |
-Yes, I know. -What did you say you could do it for, 170? | 0:24:18 | 0:24:21 | |
-160. -160. | 0:24:21 | 0:24:23 | |
Could we do it for 150 and shake your hand? | 0:24:23 | 0:24:25 | |
-It's 160. -155, in between. | 0:24:25 | 0:24:29 | |
-Sorry. -158? | 0:24:29 | 0:24:31 | |
If it was a less-known silversmith, I might agree, but it isn't. | 0:24:31 | 0:24:35 | |
-159. -No, I'm sorry. | 0:24:35 | 0:24:38 | |
-Pemberton is a good name. -Pemberton is a good name. -It is. | 0:24:38 | 0:24:42 | |
-I'm happy, Gemma. -How long have we got left? | 0:24:42 | 0:24:45 | |
-About three minutes. -OK. -I think we should go for it. | 0:24:45 | 0:24:48 | |
160. Shake the man's hand. | 0:24:48 | 0:24:51 | |
-We have a deal. Thank you very much. -Yes! -Phew, well done, Blues. | 0:24:51 | 0:24:54 | |
ALARM RINGS | 0:24:54 | 0:24:56 | |
Time is up, teams. | 0:24:56 | 0:24:58 | |
Wow. That is amazing. | 0:24:58 | 0:25:00 | |
Job done. | 0:25:00 | 0:25:02 | |
At last. | 0:25:02 | 0:25:03 | |
The fair is nearly done, and we are certainly done. | 0:25:03 | 0:25:06 | |
-Yes, we are. -Shall we go and have a cup of tea? | 0:25:06 | 0:25:09 | |
Let's check out what the Reds bought. | 0:25:09 | 0:25:12 | |
First up, the pair of cast-iron horses set them back £150. | 0:25:12 | 0:25:18 | |
Next, the pewter and glass preserve pot cost them £40. | 0:25:18 | 0:25:22 | |
And finally, it was the Arts and Crafts silver hatpin. | 0:25:25 | 0:25:28 | |
Price paid, £20. | 0:25:28 | 0:25:31 | |
Well, Reds, I think it's fair to say that you were very focused today. | 0:25:31 | 0:25:35 | |
I mean, you set off with your own iron will. | 0:25:35 | 0:25:39 | |
I mean, a jolly time was had by all. | 0:25:39 | 0:25:42 | |
You were having fun out there, weren't you? | 0:25:42 | 0:25:44 | |
-Yes, definitely. -You were. So, Dawn, what was your favourite item? | 0:25:44 | 0:25:47 | |
-The hatpin. -The hatpin. | 0:25:47 | 0:25:48 | |
-But what do you think is going to give you the biggest profit? -I'd say the Tudric piece. | 0:25:48 | 0:25:53 | |
OK. So, Sharon, favourite object? | 0:25:53 | 0:25:56 | |
I think my favourite object is the Tudric preserve jar. | 0:25:56 | 0:25:59 | |
But I'm going to have to stand by my horses' heads and say that they are | 0:25:59 | 0:26:02 | |
going to make the biggest profit. | 0:26:02 | 0:26:04 | |
Make the biggest profit? OK. So, what was your total spend? | 0:26:04 | 0:26:07 | |
-210. -210. | 0:26:07 | 0:26:09 | |
So leftover lolly? | 0:26:09 | 0:26:11 | |
-BOTH: -£90. | 0:26:11 | 0:26:13 | |
Which is going to find its way over there to Charles. | 0:26:13 | 0:26:15 | |
-Thank you, Eric. -Got your eye on anything in particular? | 0:26:15 | 0:26:18 | |
I'm quietly nervous, cos these girls are quite difficult to impress. | 0:26:18 | 0:26:22 | |
I'm going to go with a big A for antique. | 0:26:22 | 0:26:25 | |
Well, while Charles goes off to find an impressive bonus buy, | 0:26:25 | 0:26:29 | |
let's find out what the Blue team bought. | 0:26:29 | 0:26:31 | |
Their first purchase was the reproduction Charles chair. | 0:26:32 | 0:26:35 | |
Price paid, £35. | 0:26:35 | 0:26:38 | |
Next, the silver-top smelling salts bottle set them back £17. | 0:26:39 | 0:26:43 | |
And finally, the Samuel Pemberton vinaigrette cost them £160. | 0:26:45 | 0:26:52 | |
Well, that was quite a shop. | 0:26:52 | 0:26:53 | |
I have to say, there wasn't a lot of harmony there. | 0:26:53 | 0:26:56 | |
Now, don't take that the wrong way. | 0:26:56 | 0:26:59 | |
You did run to the wire, didn't you? | 0:26:59 | 0:27:00 | |
-Yes, we did. -I mean, they were unpacking stuff for you to buy, for goodness' sake. -Yes, they were. | 0:27:00 | 0:27:05 | |
OK. So, Gemma, tell me, what's your favourite item? | 0:27:05 | 0:27:07 | |
It's probably - I know you won't agree - but I like the chair, | 0:27:07 | 0:27:10 | |
-I think it's really cute. -OK. And what do you think is going to give you the biggest profit? | 0:27:10 | 0:27:13 | |
I think the smelling salts. | 0:27:13 | 0:27:15 | |
Roger, what's your favourite item? | 0:27:15 | 0:27:17 | |
It was the little silver vinaigrette. | 0:27:17 | 0:27:19 | |
Right, OK. Good maker, as you know. | 0:27:19 | 0:27:21 | |
Yes, very good maker, Samuel Pemberton. | 0:27:21 | 0:27:23 | |
And what is going to be the object that's going to give you the biggest profit? | 0:27:23 | 0:27:27 | |
I think possibly that. | 0:27:27 | 0:27:28 | |
-So you went out and you spent big. How much did you spend? -£212. | 0:27:28 | 0:27:32 | |
-£212, which means that you've got £88 left over. -Yep. | 0:27:32 | 0:27:37 | |
-So who's the keeper of the money? -I am, here we go. -£88 it is, | 0:27:37 | 0:27:42 | |
which is going straight over to Caroline. | 0:27:42 | 0:27:45 | |
-Got your eye on anything? -I've got a few ideas, Eric. | 0:27:45 | 0:27:48 | |
-Put it that way. -So while Caroline goes off for a few ideas, | 0:27:48 | 0:27:53 | |
we are going off to the auction. | 0:27:53 | 0:27:55 | |
We are in the cathedral city of Lincoln, | 0:28:03 | 0:28:05 | |
and I'm at the new saleroom of Goulding, Young & Mawer. | 0:28:05 | 0:28:09 | |
And I'm joined by Kirsty Young. | 0:28:09 | 0:28:11 | |
-Welcome, Eric. -Thank you very much, lovely to be here. | 0:28:11 | 0:28:14 | |
Down to business. First items for the Red team. | 0:28:14 | 0:28:17 | |
A pair of cast-iron horse busts. | 0:28:17 | 0:28:20 | |
Sharon actually thinks that these are going to give them the biggest | 0:28:20 | 0:28:24 | |
-profit. -They are often used on gateposts at the entrance to | 0:28:24 | 0:28:27 | |
people's driveways, things like that. | 0:28:27 | 0:28:29 | |
They look fairly modern in their castings to us. | 0:28:29 | 0:28:32 | |
We've put an auction estimate of £25-£40 on them. | 0:28:32 | 0:28:35 | |
They paid, wait for this, £150. | 0:28:35 | 0:28:38 | |
Could be wishful thinking. | 0:28:38 | 0:28:40 | |
It could be, I'm afraid. | 0:28:40 | 0:28:41 | |
All right. Let's go on to item number two. | 0:28:41 | 0:28:44 | |
Early 20th-century | 0:28:44 | 0:28:46 | |
glass-and-pewter Arts and Crafts preserve jar and cover. | 0:28:46 | 0:28:49 | |
It's Sharon's favourite. | 0:28:49 | 0:28:51 | |
Dawn thinks it's going to give them the biggest profit. | 0:28:51 | 0:28:54 | |
But it's a nice-quality item. | 0:28:54 | 0:28:56 | |
It is, very nice-quality one there. | 0:28:56 | 0:28:58 | |
Stamped for English pewter. | 0:28:58 | 0:28:59 | |
Nice finish on it. And I'd say £30-£50. | 0:28:59 | 0:29:02 | |
All right, well, that's good news, insofar as they paid £40 for it. | 0:29:02 | 0:29:05 | |
So, they are in the right sort of area. | 0:29:05 | 0:29:08 | |
So, the third item is the hatpin, | 0:29:08 | 0:29:10 | |
which has been inset with either a semiprecious stone or is it just | 0:29:10 | 0:29:14 | |
-simply glass? -I would say it's most likely to be glass. | 0:29:14 | 0:29:17 | |
Looking at it under the loop, | 0:29:17 | 0:29:19 | |
it looks more man-made than to be a natural stone. | 0:29:19 | 0:29:22 | |
20th century, all the same, nice design. | 0:29:22 | 0:29:25 | |
We've put £10-£20 on it. | 0:29:25 | 0:29:27 | |
Yes, they paid £20 for it. | 0:29:27 | 0:29:28 | |
It's got a fighting chance there, but having said that, | 0:29:28 | 0:29:31 | |
I think it's fair to say that they are going to need their bonus buy, | 0:29:31 | 0:29:34 | |
so let's go and take a look at it. | 0:29:34 | 0:29:37 | |
Ladies, you left Charles £90 to go out and spend. | 0:29:38 | 0:29:42 | |
Charles, you did say you were out to impress these ladies. | 0:29:42 | 0:29:45 | |
Yes, I know, and sometimes I can be a bit academic without giving you | 0:29:45 | 0:29:48 | |
the real commercials. But look at this. | 0:29:48 | 0:29:50 | |
Look at that for a dish. | 0:29:51 | 0:29:52 | |
LAUGHTER | 0:29:52 | 0:29:54 | |
I know it's quite small, but they say small is beautiful. | 0:29:54 | 0:29:57 | |
-OK. -It's quite rare. | 0:29:57 | 0:30:00 | |
It's what we call a spoon tray. | 0:30:00 | 0:30:01 | |
If I said to you it probably dates to around 1780... | 0:30:01 | 0:30:05 | |
Made by a factory in Shropshire. | 0:30:05 | 0:30:08 | |
So we are going from west to east. | 0:30:08 | 0:30:10 | |
And made at the Caughley factory. | 0:30:10 | 0:30:12 | |
So it's a beautiful what we call temple pattern. | 0:30:12 | 0:30:15 | |
Based on the great Chinese fashion in the 1780s. | 0:30:15 | 0:30:19 | |
Nicely gilded. Have a handle. | 0:30:19 | 0:30:21 | |
If you were polite society, | 0:30:21 | 0:30:23 | |
you would have put your little teaspoon in that tray, | 0:30:23 | 0:30:26 | |
maybe during your tea ceremony | 0:30:26 | 0:30:29 | |
in that great period of history. | 0:30:29 | 0:30:31 | |
-Not convinced, yet. -But when you hold it, does it take you back to 1780? | 0:30:31 | 0:30:35 | |
And mad King George III was king of England at this time as well. | 0:30:35 | 0:30:39 | |
And I just like it. | 0:30:39 | 0:30:41 | |
What's it worth to you? What would you pay for it if you saw it at the | 0:30:41 | 0:30:44 | |
-antique fair? -£30. | 0:30:44 | 0:30:46 | |
Yeah. You may have bought a third-share in it. | 0:30:46 | 0:30:49 | |
LAUGHTER | 0:30:49 | 0:30:51 | |
It cost... Yes, I spent the whole lot. | 0:30:51 | 0:30:53 | |
£90. | 0:30:53 | 0:30:54 | |
And the shape is rare, its form is unusual. | 0:30:54 | 0:30:57 | |
And if it was in my saleroom, I would guide it between 80 and 120. | 0:30:57 | 0:31:03 | |
And hopefully it's got legs to brew. | 0:31:03 | 0:31:05 | |
-OK. -OK. -Wait until you've sold your first three items and then decide | 0:31:05 | 0:31:10 | |
whether or not to take a punt. | 0:31:10 | 0:31:12 | |
In the meantime, let's find out what our auctioneer has to say about | 0:31:12 | 0:31:16 | |
Charles's Caughley spoon tray. | 0:31:16 | 0:31:18 | |
There we go, a little bit of 18th-century English porcelain. | 0:31:19 | 0:31:23 | |
Very nice item. A Caughley spoon tray there. | 0:31:23 | 0:31:26 | |
A little bit of wear to the gilding. | 0:31:26 | 0:31:28 | |
We put an auction estimate of £40-£60 on it. | 0:31:28 | 0:31:31 | |
Paid £90 for it. | 0:31:31 | 0:31:33 | |
You know, I'm just casting my mind back 20 years ago, | 0:31:33 | 0:31:35 | |
you would probably have had to pay at least £200 for it. | 0:31:35 | 0:31:38 | |
-You would have. -We live in different times, do we not, Kirsty? | 0:31:38 | 0:31:41 | |
-We do. -OK, well, that's the Reds. | 0:31:41 | 0:31:43 | |
Moving on to the Blues. The first item up is an oak child's chair in | 0:31:43 | 0:31:47 | |
the 17th-century style. | 0:31:47 | 0:31:49 | |
Now, this is Gemma's favourite. | 0:31:49 | 0:31:51 | |
But what do you think of it, Kirsty? | 0:31:51 | 0:31:52 | |
A nice piece. | 0:31:52 | 0:31:54 | |
Done in 17th-century style. | 0:31:54 | 0:31:56 | |
It's obviously in the style, due to the dowels. | 0:31:56 | 0:31:58 | |
You can see it's a bit too modern to be 17th-century there. | 0:31:58 | 0:32:02 | |
We've put an auction estimate of £40-£60 on it. | 0:32:02 | 0:32:04 | |
40 to 60. They paid 35. | 0:32:04 | 0:32:06 | |
So, quite a good buy. | 0:32:06 | 0:32:08 | |
And a little bit of beeswax on that. | 0:32:08 | 0:32:10 | |
A few years of patination, it will look fantastic. | 0:32:10 | 0:32:13 | |
Item number two is the Edwardian green-glass and silver-mounted | 0:32:13 | 0:32:17 | |
-smelling salts. -Nice item. | 0:32:17 | 0:32:18 | |
Obviously still got the salts in there. | 0:32:18 | 0:32:20 | |
£25-£40 we've put on it. | 0:32:20 | 0:32:23 | |
It should achieve that. | 0:32:23 | 0:32:25 | |
Oh, cost 17, so, yes, so far, so good. | 0:32:25 | 0:32:28 | |
Item number three is the George III silver vinaigrette. | 0:32:28 | 0:32:33 | |
It's a very nice vinaigrette. | 0:32:33 | 0:32:34 | |
Obviously very small, as vinaigrettes are. | 0:32:34 | 0:32:37 | |
-Tiny. -Tiny, really. | 0:32:37 | 0:32:38 | |
With a buckle on the front as well. | 0:32:38 | 0:32:40 | |
We've given it an estimate of 80 to 120. | 0:32:40 | 0:32:43 | |
Well, they paid 160, which, I think, | 0:32:43 | 0:32:45 | |
might be considered to be a retail price. | 0:32:45 | 0:32:47 | |
But we only need a couple of collectors in here and we could be quids in. | 0:32:47 | 0:32:50 | |
You could be quids in, indeed. | 0:32:50 | 0:32:52 | |
But having said that, | 0:32:52 | 0:32:53 | |
I think it's fair to say that our | 0:32:53 | 0:32:55 | |
team are going to need their bonus buy. | 0:32:55 | 0:32:57 | |
So let's go and have a look at it. | 0:32:57 | 0:32:59 | |
So, Blues, you left our Caroline here £88 to go and buy a bonus buy. | 0:33:01 | 0:33:06 | |
Caroline, you said you had a few ideas, so what did you come up with? | 0:33:06 | 0:33:10 | |
Well, do you remember on our shop, | 0:33:10 | 0:33:13 | |
the one thing that was driving you on was to get a golden gavel? | 0:33:13 | 0:33:17 | |
-Yes, it was. -And is that still driving you on? | 0:33:17 | 0:33:20 | |
-Yes. -Not after all of her choices, no. | 0:33:20 | 0:33:22 | |
Well, I thought that might be the case, | 0:33:22 | 0:33:25 | |
so I've gone and bought you one. | 0:33:25 | 0:33:27 | |
-Oh. -Ah! | 0:33:27 | 0:33:29 | |
A golden gavel. | 0:33:29 | 0:33:31 | |
-Can you see? -Yes, it's fab. | 0:33:31 | 0:33:34 | |
And it's, I would say, mid-Victorian, it's gilt metal, | 0:33:34 | 0:33:39 | |
and it's an auctioneer's gavel. | 0:33:39 | 0:33:41 | |
With this wonderful bloodstone drop on it. | 0:33:41 | 0:33:44 | |
They are called bloodstone because the little flecks of red in the | 0:33:44 | 0:33:48 | |
greenstone represent blood or were said to look like blood. | 0:33:48 | 0:33:53 | |
And also it can have magical properties. | 0:33:53 | 0:33:55 | |
-That's brilliant. -How much did you pay for that? | 0:33:55 | 0:33:58 | |
You look worried. How much do you think I paid for it? | 0:33:58 | 0:34:01 | |
-Gilt metal? -Yeah. -Don't know. | 0:34:01 | 0:34:04 | |
Look at the detail. | 0:34:04 | 0:34:05 | |
It's amazing. | 0:34:05 | 0:34:08 | |
-55. -55? Any more? | 0:34:08 | 0:34:10 | |
-30. -30? | 0:34:10 | 0:34:11 | |
£18. | 0:34:11 | 0:34:13 | |
-Oh. -Brilliant. | 0:34:13 | 0:34:14 | |
And I love it. | 0:34:14 | 0:34:15 | |
I know you will make money on this. | 0:34:15 | 0:34:18 | |
I absolutely know you will. | 0:34:18 | 0:34:20 | |
-Brilliant. -I think it's gorgeous. | 0:34:20 | 0:34:22 | |
Meanwhile, let's find out what our auctioneer has to say about | 0:34:22 | 0:34:26 | |
Caroline's golden gavel. | 0:34:26 | 0:34:28 | |
So, here it is, in the form of a gavel with a bloodstone. | 0:34:29 | 0:34:33 | |
Absolutely. On point for the auctions, as you know, | 0:34:33 | 0:34:36 | |
all the auctioneers use the gavels. | 0:34:36 | 0:34:38 | |
Very nice item, obviously, it is gilt metal, not gold. | 0:34:38 | 0:34:41 | |
There would have been the gold value there if it was. | 0:34:41 | 0:34:43 | |
But I've still put a nice estimate on it of £30-£50, which I think, | 0:34:43 | 0:34:46 | |
nice collectable item, they should be able to achieve that. | 0:34:46 | 0:34:49 | |
I think Caroline did well there, she paid £18 for that. | 0:34:49 | 0:34:53 | |
So, are you taking the sale today? | 0:34:53 | 0:34:54 | |
-I will be. -Well, we are all looking forward to it. | 0:34:54 | 0:34:59 | |
170, 180, 190, 200, 220. | 0:34:59 | 0:35:02 | |
So, are you regulars to auction rooms, or what? | 0:35:05 | 0:35:07 | |
-Yes. -Yeah, yeah, so... | 0:35:07 | 0:35:10 | |
It's another day at the office for you. | 0:35:10 | 0:35:12 | |
There's that unique feeling, Eric, of being in an auction room, | 0:35:12 | 0:35:14 | |
-isn't there? -There is. You've got your first item coming up. | 0:35:14 | 0:35:17 | |
It's the pair of cast-iron horse busts. | 0:35:17 | 0:35:20 | |
Let's see how we get on, here they come. | 0:35:20 | 0:35:22 | |
Who will start me at £50 for these, surely? | 0:35:22 | 0:35:25 | |
-50. -They are worth it, they're worth it. | 0:35:25 | 0:35:27 | |
30 we have. 32 anywhere now? | 0:35:27 | 0:35:29 | |
30 we have. And 32. | 0:35:29 | 0:35:31 | |
-Here. -38. | 0:35:31 | 0:35:33 | |
Bid 40. And two. | 0:35:33 | 0:35:35 | |
45 now. | 0:35:35 | 0:35:36 | |
48. And 50 now, surely. | 0:35:36 | 0:35:38 | |
At 48 I have on the net. | 0:35:38 | 0:35:40 | |
And 50 anywhere in the room? | 0:35:40 | 0:35:41 | |
At 50 is bid. | 0:35:41 | 0:35:43 | |
-These might go. -At 50 I have in the room. | 0:35:43 | 0:35:45 | |
Five anywhere now? 50 I have, lady's bid. | 0:35:45 | 0:35:47 | |
Five anywhere now? | 0:35:47 | 0:35:48 | |
Are we all sure, then? We are selling in the room at 50. | 0:35:48 | 0:35:52 | |
It's such a shame. | 0:35:52 | 0:35:53 | |
They were so more deserving. | 0:35:53 | 0:35:55 | |
But you paid 150, so it is not the best of starts, ladies, at -100. | 0:35:55 | 0:36:01 | |
OK. Everything to play for. | 0:36:01 | 0:36:03 | |
-We have. -Everything to play for. | 0:36:03 | 0:36:05 | |
-Keep the faith. -So the next item is the early-20th-century | 0:36:05 | 0:36:09 | |
glass-and-pewter Arts and Crafts preserve jar and cover. | 0:36:09 | 0:36:12 | |
-Here we go. -And who will start me at £50 on this one? | 0:36:12 | 0:36:14 | |
50, surely. 30, then. | 0:36:14 | 0:36:17 | |
20. 20 to get us started, surely. | 0:36:17 | 0:36:20 | |
Very nice one, pewter top there. | 0:36:20 | 0:36:22 | |
£20. 10, then. | 0:36:22 | 0:36:24 | |
10 it will have to be. | 0:36:24 | 0:36:26 | |
10 we have. And 12 anywhere now? | 0:36:26 | 0:36:28 | |
At 10 we have. Surely this is where we are going to start and not where | 0:36:28 | 0:36:31 | |
-we are going to finish. -I don't believe it. | 0:36:31 | 0:36:33 | |
The auctioneer is trying, she is working hard. | 0:36:33 | 0:36:35 | |
Selling at 10. | 0:36:35 | 0:36:38 | |
Oh. | 0:36:38 | 0:36:39 | |
Shame, shame, shame. Either way, it is a £30 loss. | 0:36:39 | 0:36:44 | |
Which basically takes us into -130. | 0:36:44 | 0:36:48 | |
Listen, we've got a piece of jewellery coming up now. | 0:36:48 | 0:36:51 | |
-Here we go. -The early-20th-century hatpin there. | 0:36:51 | 0:36:54 | |
And who will start me at £20 for this one, surely? | 0:36:54 | 0:36:56 | |
£20 for the hatpin. | 0:36:56 | 0:36:58 | |
10, then. 10 we have. | 0:36:58 | 0:37:00 | |
-12 anywhere? -Come on, internet. | 0:37:00 | 0:37:02 | |
At 10 I have. And 12 anywhere now? | 0:37:02 | 0:37:03 | |
-Surely. -12 anywhere now? | 0:37:03 | 0:37:06 | |
Are we all sure, then? Are we selling at 10? | 0:37:06 | 0:37:10 | |
-Oh, team. -Oh, team. | 0:37:10 | 0:37:12 | |
You paid 20, sold for 10. | 0:37:12 | 0:37:14 | |
Made a £10 loss. | 0:37:14 | 0:37:16 | |
It has given you a spiffing total of -£140. | 0:37:16 | 0:37:21 | |
So, the bonus buy. | 0:37:21 | 0:37:23 | |
Are you going to go with it, ladies? | 0:37:23 | 0:37:24 | |
-Yes! -Yes! -Yes. OK. | 0:37:24 | 0:37:26 | |
Just to remind you, it is the spoon tray. | 0:37:26 | 0:37:28 | |
The auctioneers think 40 to 60. | 0:37:28 | 0:37:30 | |
It is always good to over-deliver. | 0:37:30 | 0:37:33 | |
Either way, it's coming up now. | 0:37:33 | 0:37:35 | |
And who would like to start me at £60 for this one? | 0:37:35 | 0:37:38 | |
60. £30. 20? | 0:37:38 | 0:37:39 | |
-I don't believe it. -Oh, my mother will be watching this. | 0:37:41 | 0:37:44 | |
-She'll want to buy it. -10 bid to start. | 0:37:44 | 0:37:47 | |
No, no, no, no. | 0:37:47 | 0:37:49 | |
It is 10 we have. | 0:37:49 | 0:37:50 | |
12 anywhere now? | 0:37:50 | 0:37:51 | |
12 bid. 15, are we coming back? | 0:37:51 | 0:37:53 | |
At 15. And 18. | 0:37:53 | 0:37:55 | |
18 is bid. And 20 now. | 0:37:55 | 0:37:57 | |
At 18 is bid, and 20, 22. | 0:37:57 | 0:37:59 | |
22. 25 now. | 0:37:59 | 0:38:01 | |
-25. 28? No. -£25. | 0:38:01 | 0:38:04 | |
Eight anywhere now? | 0:38:04 | 0:38:06 | |
Are we all sure, then, at 25? | 0:38:06 | 0:38:08 | |
I failed, I'm sorry. | 0:38:10 | 0:38:12 | |
25. Gives you -65. | 0:38:12 | 0:38:16 | |
Add that on and you've got -£205. | 0:38:16 | 0:38:20 | |
Eric, I'm lost for words. | 0:38:20 | 0:38:21 | |
But if you're going to go down, go down in style. | 0:38:21 | 0:38:24 | |
If it's any consolation, | 0:38:24 | 0:38:26 | |
I really think that several of your lots there were far more deserving | 0:38:26 | 0:38:29 | |
than the bids you got. Well, with a heavy heart, | 0:38:29 | 0:38:32 | |
don't say a word to the Blues. | 0:38:32 | 0:38:34 | |
LAUGHTER | 0:38:34 | 0:38:36 | |
-How are we feeling, Blues? -Very good. -Yeah, positive. | 0:38:44 | 0:38:47 | |
-Positive. -Very positive. | 0:38:47 | 0:38:50 | |
Do you come to auctions all the time? | 0:38:50 | 0:38:52 | |
I've been to a few, you've been to a couple. | 0:38:52 | 0:38:55 | |
So, the excitement factor is in there. | 0:38:55 | 0:38:57 | |
-Yes. -So your first item is coming up. | 0:38:57 | 0:38:59 | |
It's the oak child's chair in the 17th-century style. | 0:38:59 | 0:39:02 | |
-It's coming up now. -And who will start me at £60 for this one? | 0:39:02 | 0:39:05 | |
60. 40, then. | 0:39:05 | 0:39:08 | |
-£20. -No, come on, more, more... | 0:39:08 | 0:39:09 | |
20 is on the net. | 0:39:09 | 0:39:11 | |
Two anywhere now? | 0:39:11 | 0:39:12 | |
22 in the room. | 0:39:12 | 0:39:14 | |
25 on the net now. | 0:39:14 | 0:39:15 | |
25 is bid. | 0:39:15 | 0:39:16 | |
28 now. At 28. | 0:39:16 | 0:39:18 | |
-Bid 30 now? -Come on. | 0:39:18 | 0:39:20 | |
At 28 is bid. | 0:39:20 | 0:39:21 | |
And 30. 32, no. | 0:39:21 | 0:39:23 | |
At 30 I have on the net. | 0:39:23 | 0:39:24 | |
And two anywhere now? | 0:39:24 | 0:39:25 | |
At 30 is on the net. | 0:39:25 | 0:39:27 | |
Are we all sure, then? Are we selling on the net at 30? | 0:39:27 | 0:39:30 | |
Spend your money. | 0:39:30 | 0:39:32 | |
30. | 0:39:32 | 0:39:34 | |
Paid 35, the hammer has come down at 30. | 0:39:34 | 0:39:37 | |
It's only -5. | 0:39:37 | 0:39:39 | |
-I did tell you. -No, no. | 0:39:39 | 0:39:41 | |
I mean, don't despair, OK, it's only -5. | 0:39:41 | 0:39:44 | |
-Don't fall out. -OK. | 0:39:44 | 0:39:46 | |
So, the next item is the Edwardian green-glass and silver-mounted | 0:39:46 | 0:39:50 | |
smelling salts jar. Let's see what the auction room thinks. Here it is. | 0:39:50 | 0:39:54 | |
And who will start me at £40 for this one? | 0:39:54 | 0:39:57 | |
20, surely, for the sweet smelling salts jar? | 0:39:57 | 0:39:59 | |
£20. 20 we have. | 0:39:59 | 0:40:01 | |
And two anywhere now? At 20 we have. | 0:40:01 | 0:40:03 | |
And two anywhere in the room? | 0:40:03 | 0:40:05 | |
Are we all sure, then? Selling on the commission at £20. | 0:40:05 | 0:40:09 | |
£20...hammer. | 0:40:09 | 0:40:11 | |
You are plus £3 there. | 0:40:11 | 0:40:14 | |
So we are chipping away at the minus. | 0:40:14 | 0:40:17 | |
So the next item is the George III silver vinaigrette. | 0:40:17 | 0:40:20 | |
Let's see what it makes. | 0:40:20 | 0:40:22 | |
I have got bids on the book, and we are starting with me at £80. | 0:40:22 | 0:40:25 | |
£80 with me. And five anywhere now? | 0:40:25 | 0:40:28 | |
At 80 is with me. | 0:40:28 | 0:40:29 | |
85. And 90. | 0:40:29 | 0:40:30 | |
Bid five now, surely. | 0:40:30 | 0:40:32 | |
90 is with me. 95 it is on the net. | 0:40:32 | 0:40:34 | |
100 anywhere now? | 0:40:34 | 0:40:36 | |
Come on, we want 100. | 0:40:36 | 0:40:37 | |
-We want 100. -Are we all sure, then? | 0:40:37 | 0:40:40 | |
Are we selling on the internet at £95? | 0:40:40 | 0:40:43 | |
95. | 0:40:45 | 0:40:47 | |
That is a loss of 65, which gives us a minus of £67. | 0:40:47 | 0:40:54 | |
But you know, you never know, because you've got the bonus buy. | 0:40:54 | 0:40:58 | |
-Yes, we have. -I've got a lot of faith in that bonus buy. | 0:40:58 | 0:41:00 | |
-I have. -Yes. | 0:41:00 | 0:41:02 | |
But I don't want to sway you. | 0:41:02 | 0:41:03 | |
-Are you going to go for it? -Yes. | 0:41:03 | 0:41:05 | |
-Definitely. -Caroline paid £18 for it. | 0:41:05 | 0:41:08 | |
The auctioneers are positive, | 0:41:08 | 0:41:10 | |
they've gone with 30 to 50 as their estimate. | 0:41:10 | 0:41:12 | |
Let's see. Here it comes. | 0:41:12 | 0:41:13 | |
So, who will start me at £50 for this one, surely? | 0:41:13 | 0:41:16 | |
30, then. £30. | 0:41:16 | 0:41:18 | |
20, then. | 0:41:18 | 0:41:20 | |
£20 for the brooch. | 0:41:20 | 0:41:23 | |
No. | 0:41:23 | 0:41:24 | |
20 we have. Two anywhere now? | 0:41:24 | 0:41:26 | |
At 20 we have. And two anywhere now? | 0:41:26 | 0:41:28 | |
At 20 is bid. | 0:41:28 | 0:41:30 | |
This is so cheap. | 0:41:30 | 0:41:31 | |
-Crazy. -25. 28 now? | 0:41:31 | 0:41:34 | |
No. At 25 I have. | 0:41:34 | 0:41:35 | |
Are we all sure, then? | 0:41:35 | 0:41:37 | |
We are selling, the gavel is raised, at £25. | 0:41:37 | 0:41:40 | |
25. | 0:41:41 | 0:41:43 | |
Well, you ended up with a positive of £7 there, | 0:41:43 | 0:41:47 | |
which has chiselled away at the minus and taken you from -67 to -60. | 0:41:47 | 0:41:53 | |
-OK. -It's a good loss. -But that can be a winning score. | 0:41:53 | 0:41:55 | |
Not a word to the Reds, OK? | 0:41:55 | 0:41:57 | |
-Yes, definitely. -Yep. | 0:41:57 | 0:41:58 | |
Well, that was something of a rocky ride for both teams, | 0:42:07 | 0:42:11 | |
I think it fair to say. | 0:42:11 | 0:42:13 | |
Both teams are not going to get any money today. | 0:42:13 | 0:42:15 | |
LAUGHTER | 0:42:15 | 0:42:18 | |
Because both teams were very much in the minus. | 0:42:18 | 0:42:21 | |
But some were more minus than others. | 0:42:21 | 0:42:24 | |
And at -£205, I'm afraid our runners-up are the Reds! | 0:42:24 | 0:42:28 | |
CHEERING | 0:42:28 | 0:42:30 | |
Yes. But you did it with such panache. | 0:42:30 | 0:42:34 | |
No two ways about it. | 0:42:34 | 0:42:36 | |
But turning our attention to the Blue team, who made a mere -£60. | 0:42:36 | 0:42:41 | |
-But have won. -Congratulations. | 0:42:41 | 0:42:44 | |
-Thank you. -We've had a great time, haven't we? | 0:42:44 | 0:42:47 | |
And let me tell you now that that's it from us. | 0:42:47 | 0:42:49 | |
But you can check out our website, or there again, | 0:42:49 | 0:42:52 | |
you can follow us on Twitter. | 0:42:52 | 0:42:54 | |
But better still, join us next time for some more Bargain Hunting, yes? | 0:42:54 | 0:42:57 | |
-ALL: -YES! | 0:42:57 | 0:42:59 |