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Today we're in Exeter, and this is Gandy Street. | 0:00:05 | 0:00:08 | |
Its narrow passages and cobbled pavement was the inspiration for | 0:00:11 | 0:00:15 | |
JK Rowling's Diagon Alley in her Harry Potter novels. | 0:00:15 | 0:00:18 | |
A shopping street for young wizards and witches where they can buy magic | 0:00:18 | 0:00:23 | |
wands, Quidditch game accessories, | 0:00:23 | 0:00:25 | |
weird and wonderful creatures and of course, magical robes. | 0:00:25 | 0:00:28 | |
But today I'm looking for magic of a different kind. | 0:00:30 | 0:00:33 | |
There is an antiques fair just up the road, so let's go Bargain Hunting. | 0:00:33 | 0:00:37 | |
Whoa! | 0:01:04 | 0:01:05 | |
Just like that, magic. | 0:01:05 | 0:01:07 | |
Right, down to business. | 0:01:07 | 0:01:09 | |
We're here at Westpoint Arena in Exeter to see if our two teams | 0:01:09 | 0:01:13 | |
can buy three profit-making items | 0:01:13 | 0:01:16 | |
with their ?300. | 0:01:16 | 0:01:17 | |
So, let's have a look at what's coming up. | 0:01:17 | 0:01:19 | |
The Reds have a clear game plan. | 0:01:21 | 0:01:23 | |
We pretty much know what we want, we've just got to find it. | 0:01:23 | 0:01:25 | |
And the Blues know what they DON'T want. | 0:01:28 | 0:01:30 | |
It's vile. It's horrible. | 0:01:30 | 0:01:32 | |
I don't really like it. Move on. Move on. Move on. | 0:01:32 | 0:01:35 | |
But at auction, the Reds get needy. | 0:01:35 | 0:01:37 | |
Come on! A bit of profit. We need more than that, though. | 0:01:37 | 0:01:40 | |
And the Blues get cheeky. | 0:01:42 | 0:01:43 | |
Give us 45 and I'll give you a kiss. | 0:01:43 | 0:01:45 | |
Come on! | 0:01:45 | 0:01:47 | |
But that's all coming up later. | 0:01:47 | 0:01:48 | |
First, it's time to meet our teams, and today it's a family affair on | 0:01:48 | 0:01:53 | |
Bargain Hunt. For the Reds, | 0:01:53 | 0:01:54 | |
we have sisters Cindy and Chrissy and for the Blues, mother and son | 0:01:54 | 0:01:58 | |
Katie and Josh. Welcome everyone, hello. | 0:01:58 | 0:02:00 | |
ALL: Hello! | 0:02:00 | 0:02:01 | |
So, Chrissy, let's start with you. | 0:02:01 | 0:02:03 | |
Tell me, you are quite literally a high flyer, aren't you? | 0:02:03 | 0:02:06 | |
I am cabin crew, yes, so yes, I'm in the sky a lot. | 0:02:06 | 0:02:10 | |
We don't stay away, we always come back to base, but I do lots of flights. | 0:02:10 | 0:02:15 | |
I've been doing it for about 30 years. | 0:02:15 | 0:02:16 | |
30 years? Yes. Oh, wow. | 0:02:16 | 0:02:18 | |
I started from Luton and now I'm at Manchester. | 0:02:18 | 0:02:21 | |
What do you do when you're not up in the air, | 0:02:21 | 0:02:23 | |
how do you spend your spare time? | 0:02:23 | 0:02:24 | |
I like gardening and I'm obsessed with crosswords. | 0:02:24 | 0:02:27 | |
I do about ten a day. | 0:02:27 | 0:02:28 | |
Ten a day? I go online and go back, so I'm about 1996 now. | 0:02:28 | 0:02:32 | |
So, how's your vocabulary? | 0:02:32 | 0:02:34 | |
Just unbelievable? | 0:02:34 | 0:02:35 | |
Yes, fabulous. | 0:02:35 | 0:02:36 | |
Now, Cindy, what about yourself? | 0:02:36 | 0:02:38 | |
You're not up in the air, but you're on terra firma, | 0:02:38 | 0:02:41 | |
so what's your career? Well, I'm retired actually, | 0:02:41 | 0:02:44 | |
but I used to work at a GP practice years ago for about 26 years. | 0:02:44 | 0:02:48 | |
For the same practice? Yeah. | 0:02:48 | 0:02:49 | |
A lot of the patients used to come into me and say, | 0:02:49 | 0:02:52 | |
"I've got this wrong, but I daren't tell the doctor." | 0:02:52 | 0:02:55 | |
So I used to go into the doctor and he'd be like this, "What now?" | 0:02:55 | 0:02:59 | |
And I used to sort of, "Could you just suggest this to the patient because he might be too shy | 0:02:59 | 0:03:04 | |
"to mention it?" It was quite cute actually. | 0:03:04 | 0:03:07 | |
I loved it, I really loved my job. | 0:03:07 | 0:03:08 | |
So they obviously put a lot of trust in you. | 0:03:08 | 0:03:10 | |
I do miss it but getting old so I just wanted to get my hiking boots on | 0:03:10 | 0:03:14 | |
and get out there walking on the cliffs. | 0:03:14 | 0:03:16 | |
Tell me about antiques, | 0:03:16 | 0:03:18 | |
what's your knowledge of them? | 0:03:18 | 0:03:19 | |
Do you have a collection at home? | 0:03:19 | 0:03:21 | |
I've got a tiny little collection of Lalique that my husband has bought me | 0:03:21 | 0:03:24 | |
over the years. Tiny little pieces. | 0:03:24 | 0:03:26 | |
How tiny is the collection? | 0:03:26 | 0:03:28 | |
Three! Chrissy, you used to live in Barcelona, didn't you? | 0:03:28 | 0:03:30 | |
I did. When you were there, did you ever go out hunting for bargains? | 0:03:30 | 0:03:33 | |
Always, yeah. | 0:03:33 | 0:03:34 | |
Always. Picked up a few lamps, actually, which I love. | 0:03:34 | 0:03:38 | |
Oh, cool. I like lots of different things, to be honest. | 0:03:38 | 0:03:41 | |
A bit eclectic. How do you reckon you're going to work as a team together? | 0:03:41 | 0:03:44 | |
Sisters, there's a good bond there. | 0:03:44 | 0:03:46 | |
Do you think you'll be a brilliant team? | 0:03:46 | 0:03:47 | |
Good teamwork. | 0:03:47 | 0:03:48 | |
We do like the same things so hopefully we'll find something together. | 0:03:48 | 0:03:51 | |
You'll get on a treat? We will. Yeah, we will, hopefully. | 0:03:51 | 0:03:54 | |
Yes, famous last words! Now, let's move on to the Blues. | 0:03:55 | 0:03:59 | |
So, Katie, starting with you, tell me, how do you spend every day? | 0:03:59 | 0:04:03 | |
I currently work for EDP which is a substance misuse charity, and I'm based | 0:04:03 | 0:04:07 | |
in a local prison. Right, OK. | 0:04:07 | 0:04:09 | |
So, I'm admin lead so I have to do monthly reports and things like that. | 0:04:09 | 0:04:13 | |
I really enjoy it, | 0:04:13 | 0:04:15 | |
it's just nice being part of someone's recovery journey and making a difference to someone. | 0:04:15 | 0:04:18 | |
Absolutely. How did you get into that because it's quite niche? | 0:04:18 | 0:04:21 | |
I've always had a thing for prisons, and when I saw the job advertised, | 0:04:21 | 0:04:24 | |
I thought, "That'll be interesting," so I applied and I've been there nearly three-and-a half years. | 0:04:24 | 0:04:28 | |
When you're not playing this important role in the prison, what you do in your spare time? | 0:04:28 | 0:04:32 | |
Back at the end of May we were out on Dartmoor, and I saw some people horse riding and I thought, | 0:04:32 | 0:04:36 | |
"Oh, that looks really good. "Really easy as well," I thought, "I'm going to book a lesson," | 0:04:36 | 0:04:39 | |
so I did and it's the hardest thing I've ever, ever done. | 0:04:39 | 0:04:42 | |
Hardest thing you've ever done? But a little birdie tells me you're setting yourself a challenge? | 0:04:42 | 0:04:46 | |
I'm going to be in Tokyo 2020! | 0:04:46 | 0:04:49 | |
Is that a guarantee? No. | 0:04:49 | 0:04:51 | |
No, probably 3020, maybe! | 0:04:51 | 0:04:54 | |
Now Josh, we hear clearly that Mum loves animals, so tell me, | 0:04:54 | 0:04:57 | |
you and your siblings, you're not the only children in your mum's lives? | 0:04:57 | 0:05:00 | |
No, she has three dogs that she calls her special children, | 0:05:00 | 0:05:03 | |
which she probably treats better than us. | 0:05:03 | 0:05:06 | |
They're pretty special names? | 0:05:06 | 0:05:07 | |
Well, we have two Bichon Frises. | 0:05:07 | 0:05:09 | |
One is called Fifi Fluff Puff. | 0:05:09 | 0:05:11 | |
The other is called Soap McTavish. And then we have a Yorkie-poo who's | 0:05:11 | 0:05:14 | |
called Nelson. He doesn't have a surname? | 0:05:14 | 0:05:17 | |
Nelsy Noo. Oh, Nelsy Noo, of course, sure, sure. | 0:05:17 | 0:05:20 | |
So, tell me, you're quite a numbers man. | 0:05:20 | 0:05:23 | |
Tell me how you got into that. | 0:05:23 | 0:05:25 | |
I started accountancy when I was 14... | 0:05:25 | 0:05:28 | |
Really? ..with a week's work experience and kind of never left since. | 0:05:28 | 0:05:31 | |
So you're going to have no trouble when you're at the fair with the ?300. You're in charge of the money? | 0:05:31 | 0:05:36 | |
Yeah. Or else Mum would just spend it all! | 0:05:36 | 0:05:38 | |
So, how do you think you're going to be as a team? | 0:05:39 | 0:05:41 | |
We're quite competitive, aren't we? | 0:05:41 | 0:05:43 | |
Yes, and impulsive as well. Yeah. | 0:05:43 | 0:05:45 | |
We're in it to win it, though. | 0:05:45 | 0:05:47 | |
Golden Gavel in our sights. | 0:05:47 | 0:05:48 | |
Golden Gavel for sure. So as well as a gold medal, you're after a Gold Gavel. | 0:05:48 | 0:05:51 | |
Yeah, there's a golden theme, isn't there? So, yeah. | 0:05:51 | 0:05:54 | |
OK, so in order to go shopping, you're going to need some money. | 0:05:54 | 0:05:57 | |
So, ?300 for you, Reds. | 0:05:57 | 0:05:59 | |
And ?300 for you, Blues. | 0:05:59 | 0:06:02 | |
Your experts can't wait to meet you and the fair is open so off you go and | 0:06:02 | 0:06:05 | |
have great fun. | 0:06:05 | 0:06:07 | |
Well, it's a family affair today. | 0:06:07 | 0:06:09 | |
Let's hope they're all talking to one another after the shop. | 0:06:09 | 0:06:12 | |
Time to meet our experts today. | 0:06:13 | 0:06:15 | |
He's putting his thinking cap on. | 0:06:16 | 0:06:18 | |
Danny Sebastian joins the Reds. | 0:06:18 | 0:06:19 | |
Around the world in 60 minutes with the Blues, it's Gary Pe. | 0:06:21 | 0:06:25 | |
What are you looking for today, Cindy? | 0:06:26 | 0:06:28 | |
I'd like to look for perfume bottles. | 0:06:28 | 0:06:30 | |
Lovely glass cylinders with a bit of silver on it. | 0:06:30 | 0:06:33 | |
I think we're just going to wing it. | 0:06:33 | 0:06:35 | |
We'd quite like something that's hideous. | 0:06:35 | 0:06:38 | |
I like glassware. Obviously Lalique. | 0:06:38 | 0:06:41 | |
Maybe something classy. There you go, I like that. | 0:06:42 | 0:06:44 | |
We'd quite like to blow the budget. | 0:06:44 | 0:06:46 | |
Oh, that's even better. | 0:06:46 | 0:06:47 | |
WHISTLE | 0:06:47 | 0:06:49 | |
Your 60 minutes start now. | 0:06:49 | 0:06:50 | |
Let's go! Let's go. | 0:06:50 | 0:06:52 | |
Let's go and see what we can find. | 0:06:52 | 0:06:53 | |
Off you go then, teams. | 0:06:53 | 0:06:55 | |
Best of luck. | 0:06:55 | 0:06:56 | |
Keep your eyes open. | 0:06:56 | 0:06:57 | |
There's plenty here. | 0:06:57 | 0:06:58 | |
See if there's anything that sticks out. | 0:06:58 | 0:07:00 | |
Within a minute, | 0:07:01 | 0:07:02 | |
Gary is already shaking things up with some miniature silver. | 0:07:02 | 0:07:05 | |
What is it? They're pepper shakers. | 0:07:06 | 0:07:08 | |
They are quite pretty. | 0:07:08 | 0:07:11 | |
They're tiny. I suspect they're a picnic set. | 0:07:11 | 0:07:14 | |
Sterling. That, at least guarantees a 925 out of 1,000 content of silver. | 0:07:14 | 0:07:20 | |
OK. They're not hallmarked so that means they're probably American. | 0:07:20 | 0:07:24 | |
They're in the original case. | 0:07:25 | 0:07:27 | |
I like them. Do you like them? | 0:07:29 | 0:07:30 | |
?65. 65. | 0:07:30 | 0:07:32 | |
Think of this, six of you on a warm summer's day in a nice field and you | 0:07:32 | 0:07:38 | |
take these out of your picnic basket. | 0:07:38 | 0:07:40 | |
I'm not posh enough. Well, your friends would think you are, | 0:07:40 | 0:07:44 | |
if you brought these out! | 0:07:44 | 0:07:46 | |
So if they went to auction, how much do you think they would get? | 0:07:46 | 0:07:50 | |
I'd like to think that they would make ?60 to ?80. | 0:07:50 | 0:07:54 | |
OK, so we'd need to get the price down a little bit. | 0:07:54 | 0:07:57 | |
A little bit. We could do that. You say they're in the original box. Yes. | 0:07:57 | 0:08:00 | |
It's a bit tatty, is that going to hurt? | 0:08:00 | 0:08:01 | |
That means they're old. | 0:08:01 | 0:08:03 | |
Do I look tatty then? | 0:08:03 | 0:08:05 | |
THEY LAUGH | 0:08:05 | 0:08:06 | |
Oh, careful, Gary! | 0:08:06 | 0:08:07 | |
So they've hardly been used, almost good as new. | 0:08:09 | 0:08:11 | |
Is it something someone is likely to buy? | 0:08:11 | 0:08:13 | |
Are they collectable? I think we should have a go. OK. | 0:08:13 | 0:08:15 | |
Right, ready to negotiate, Blues? | 0:08:15 | 0:08:18 | |
Josh, you're the numbers guy, so do your best. | 0:08:18 | 0:08:22 | |
We see they're marked up at ?65 but we were thinking maybe more | 0:08:22 | 0:08:25 | |
30. We're going to try our best. | 0:08:25 | 0:08:29 | |
I wasn't thinking 30. | 0:08:29 | 0:08:31 | |
I've got them marked at 65. | 0:08:32 | 0:08:34 | |
I'd be thinking closer to 50. 45. | 0:08:34 | 0:08:37 | |
What about 48? And then if it makes... | 0:08:40 | 0:08:42 | |
46. | 0:08:42 | 0:08:43 | |
You're pushing on that. OK, 46. | 0:08:45 | 0:08:47 | |
OK, you've got yourself a deal. | 0:08:47 | 0:08:48 | |
We'll shake on it. OK. Thank you very much. Thank you. | 0:08:48 | 0:08:51 | |
Great teamwork, Blues, and so quick, too. | 0:08:51 | 0:08:54 | |
A first buy in under five minutes. | 0:08:54 | 0:08:56 | |
Six silver pepperpots for ?46. | 0:08:56 | 0:09:00 | |
I think we've found our classy item. | 0:09:00 | 0:09:01 | |
Yeah. Now for the second requirement, | 0:09:01 | 0:09:04 | |
I think we'll go for the hideous one. | 0:09:04 | 0:09:06 | |
While the Blues continue their search, | 0:09:06 | 0:09:08 | |
the Reds are focused on their wish list, too. | 0:09:08 | 0:09:10 | |
All right, they... I don't actually... | 0:09:10 | 0:09:12 | |
I don't really know much about Austrian. | 0:09:12 | 0:09:15 | |
Well, Austrian's great. It's very respected in the antique world. | 0:09:15 | 0:09:18 | |
Is it? A bit more for, sort of, in the bronze, | 0:09:18 | 0:09:20 | |
but these are nice pieces, circa 1900. OK. | 0:09:20 | 0:09:24 | |
Do you like the colour of the glass as well? | 0:09:24 | 0:09:26 | |
I like all of it, yeah. | 0:09:26 | 0:09:27 | |
Which shall we have? I like both. | 0:09:27 | 0:09:29 | |
Obviously that's less money. Yes. | 0:09:29 | 0:09:32 | |
This one is about ?50 more, | 0:09:32 | 0:09:34 | |
but there seems to be a lot more going on. | 0:09:34 | 0:09:36 | |
I'm sure he'll be able to knock off a little bit. | 0:09:36 | 0:09:38 | |
Shall we ask him the best prices on there? Best price on there? | 0:09:38 | 0:09:41 | |
The vendor's here. Oh, hi. Let's have a chat with him. | 0:09:41 | 0:09:44 | |
Just wondered if you could tell us the best price | 0:09:44 | 0:09:46 | |
on this vase here, please? | 0:09:46 | 0:09:48 | |
We don't know an awful lot about it, apart from | 0:09:51 | 0:09:53 | |
the fact that it is Austrian. | 0:09:53 | 0:09:54 | |
It's overlaid, and then it has these wonderful glass cabochons | 0:09:54 | 0:09:58 | |
around the edge there, and if you look through that, | 0:09:58 | 0:10:00 | |
it's a beautiful piece. That is a beautiful piece. | 0:10:00 | 0:10:02 | |
There's no make on it at all. | 0:10:02 | 0:10:05 | |
It's been smoothed out. | 0:10:05 | 0:10:06 | |
The pontil mark, that's been... Oh, I see, smoothed out. | 0:10:06 | 0:10:09 | |
It's a little bit later because it's been actually ground out. | 0:10:09 | 0:10:12 | |
Right, OK, and the other ones are quite pretty. Yeah. | 0:10:12 | 0:10:14 | |
But you like this one and I think it's lovely. I like both, actually. | 0:10:14 | 0:10:17 | |
So your best price? That'll be 150. | 0:10:17 | 0:10:20 | |
That one, I'd do that for 100. | 0:10:20 | 0:10:22 | |
And they're in perfect condition? They're in perfect condition. | 0:10:23 | 0:10:25 | |
We have fallen in love with them, Chris, haven't we? | 0:10:25 | 0:10:28 | |
If it was you, which one would you go for? | 0:10:28 | 0:10:30 | |
I probably would go for the grander piece, the bigger piece. Yes. | 0:10:30 | 0:10:33 | |
It's got some stones in it. It's just a bit bigger. | 0:10:33 | 0:10:35 | |
It's a bit more decorative. | 0:10:35 | 0:10:37 | |
Chris, shall we go for that, darling, then, | 0:10:37 | 0:10:39 | |
just, and go for the...? | 0:10:39 | 0:10:40 | |
It is stunning. 150, you say? | 0:10:40 | 0:10:42 | |
Yeah, I'll do it for 150. Yes? We'll go for that that? | 0:10:42 | 0:10:45 | |
Shake the man's hand. Yeah. Yay. | 0:10:45 | 0:10:46 | |
Thank you very much. OK, pleasure. | 0:10:46 | 0:10:48 | |
Thank you. I'll have one as well. | 0:10:48 | 0:10:50 | |
Yup. No problem. | 0:10:50 | 0:10:52 | |
Decisive Cindy. | 0:10:52 | 0:10:53 | |
Well done, Reds. | 0:10:53 | 0:10:54 | |
?150 for your first buy | 0:10:54 | 0:10:56 | |
and the glass item can now be ticked off your list. | 0:10:56 | 0:10:59 | |
Ten minutes and we've bought our first buy. I know! | 0:10:59 | 0:11:02 | |
That's precisely how I like it - | 0:11:02 | 0:11:03 | |
women that know what they want and go for it. | 0:11:03 | 0:11:06 | |
The Blues, in the meantime, | 0:11:06 | 0:11:08 | |
are on the hunt for the hideous, apparently. | 0:11:08 | 0:11:10 | |
HMS Bunnykins! | 0:11:10 | 0:11:13 | |
What is that? | 0:11:13 | 0:11:15 | |
That does look like something you would find | 0:11:15 | 0:11:17 | |
on somebody's mantelpiece. | 0:11:17 | 0:11:18 | |
I think that fulfils the requirement. | 0:11:18 | 0:11:20 | |
Are they collectable? Immensely. | 0:11:21 | 0:11:24 | |
OK... | 0:11:24 | 0:11:25 | |
HE LAUGHS | 0:11:25 | 0:11:26 | |
These animals, bunnies... | 0:11:26 | 0:11:30 | |
Yeah. ..are produced by the Royal Doulton factory, | 0:11:30 | 0:11:34 | |
and they were produced, I think, from the 1970s until today, | 0:11:34 | 0:11:38 | |
and they look fantastic as a set. | 0:11:38 | 0:11:41 | |
And if you could buy them with that ship, | 0:11:41 | 0:11:46 | |
then I think there's a chance of a profit, | 0:11:46 | 0:11:49 | |
if the price is right. | 0:11:49 | 0:11:51 | |
Shall we find out what the price is? | 0:11:51 | 0:11:53 | |
Yes? Go on, then. | 0:11:53 | 0:11:55 | |
If bought individually, they total ?120, but Gary has other ideas. | 0:11:55 | 0:12:01 | |
What would you offer for the whole set? | 0:12:01 | 0:12:05 | |
I'd have to confer. | 0:12:05 | 0:12:08 | |
Because I think, I mean, they have to go as a set, don't they? | 0:12:08 | 0:12:11 | |
Yeah... | 0:12:11 | 0:12:13 | |
The ship provides the stage and the setting for this. That's right. | 0:12:13 | 0:12:16 | |
While the lady figures out a total price for the ship and crew, | 0:12:16 | 0:12:20 | |
the Blues are growing more attached to the little family. | 0:12:20 | 0:12:23 | |
We've got Mr Bunnykins, Mrs Bunnykins, Brother Bunnykins, | 0:12:23 | 0:12:27 | |
Sister Bunnykins, Uncle Bunnykins and Auntie Bunnykins. | 0:12:27 | 0:12:30 | |
And if we don't get it, I'll be hopping mad! | 0:12:30 | 0:12:32 | |
Well, don't go hopping off too soon - | 0:12:34 | 0:12:36 | |
the stallholder is back. | 0:12:36 | 0:12:38 | |
70 for the lot. | 0:12:38 | 0:12:40 | |
70 for the lot. ?70 for everything. | 0:12:40 | 0:12:42 | |
I think that is a very fair price. | 0:12:42 | 0:12:44 | |
Do you think? I think so. | 0:12:44 | 0:12:45 | |
Can you come any lower? 65? | 0:12:45 | 0:12:48 | |
I don't think I can, I'm sorry. | 0:12:48 | 0:12:50 | |
69? Just in case it, sort of... | 0:12:50 | 0:12:53 | |
69. | 0:12:53 | 0:12:54 | |
69, shall we have a deal, Josh? | 0:12:54 | 0:12:56 | |
69, I think we've got a deal. We'll go for that. | 0:12:56 | 0:12:58 | |
We've done it. Thank you. Thank you very much. | 0:12:58 | 0:13:00 | |
A second item ticked off their list in 15 minutes. | 0:13:00 | 0:13:04 | |
You're doing well, Blues. | 0:13:04 | 0:13:05 | |
?69 for a set of Royal Doulton Bunnykins. | 0:13:05 | 0:13:09 | |
Now, while the teams carry on with their shopping, | 0:13:09 | 0:13:11 | |
I've hopped off to hear more about a local collection that might have | 0:13:11 | 0:13:14 | |
cost an arm and a leg. | 0:13:14 | 0:13:16 | |
These are all creations of a local Victorian pioneer, James Gillingham, | 0:13:23 | 0:13:28 | |
and they all form part of an exhibit on display just down the road at | 0:13:28 | 0:13:31 | |
Chard Museum. Now, joining me, | 0:13:31 | 0:13:33 | |
representing the museum is local district Councillor Amanda Broom. | 0:13:33 | 0:13:37 | |
Amanda, thank you for joining us here at Westpoint. | 0:13:37 | 0:13:40 | |
So, tell me more about this local pioneer. | 0:13:40 | 0:13:42 | |
James Gillingham was a local bootmaker in Chard | 0:13:42 | 0:13:45 | |
and his career took a very unusual path | 0:13:45 | 0:13:48 | |
when a gentleman called Will Singleton called on his shop, | 0:13:48 | 0:13:51 | |
the Golden Boot. | 0:13:51 | 0:13:52 | |
Three years earlier in 1863, | 0:13:52 | 0:13:54 | |
Will Singleton was priming a cannon when it accidentally exploded. | 0:13:54 | 0:13:59 | |
The result of that was that his right arm was completely shattered, | 0:13:59 | 0:14:02 | |
and surgeons had no choice but to remove the whole of his arm, | 0:14:02 | 0:14:05 | |
right up to the shoulder. | 0:14:05 | 0:14:07 | |
Now, of course, technology back then, | 0:14:07 | 0:14:09 | |
with the wooden prosthetic limbs, | 0:14:09 | 0:14:11 | |
meant they couldn't fit anything to his arm, so he went into the shop | 0:14:11 | 0:14:15 | |
and he had this conversation with James Gillingham. | 0:14:15 | 0:14:17 | |
Now, what James did, because he was a bootmaker, | 0:14:17 | 0:14:19 | |
he used a moulded leather prosthetic arm, and he fitted it with a strap | 0:14:19 | 0:14:23 | |
right across Will's arm. | 0:14:23 | 0:14:26 | |
Now, it was a complete and utter success. | 0:14:26 | 0:14:28 | |
He was a groundskeeper, so with all of this work that James did, | 0:14:28 | 0:14:31 | |
it meant that he could return and continue with his job. | 0:14:31 | 0:14:33 | |
Wow, so let's have a closer look at some of these prosthetics. | 0:14:33 | 0:14:36 | |
What was so special about how they were actually made? | 0:14:36 | 0:14:39 | |
He did a new technique which involved moulding the leather, | 0:14:39 | 0:14:43 | |
so he would mould the leather to the client's limb itself | 0:14:43 | 0:14:46 | |
before hardening it. | 0:14:46 | 0:14:47 | |
He always said the fit of the limb was just as important | 0:14:47 | 0:14:50 | |
as the limb was itself. | 0:14:50 | 0:14:52 | |
He didn't just stop at limbs. | 0:14:52 | 0:14:53 | |
I mean, we've got these attachments, too. | 0:14:53 | 0:14:55 | |
Really looking at things from the patient's point of view. Absolutely. | 0:14:55 | 0:14:58 | |
He would try and ensure that not only the limb fitted best so | 0:14:58 | 0:15:00 | |
they could carry on with the career that they had, | 0:15:00 | 0:15:02 | |
but, also, he would do things like have attachments, | 0:15:02 | 0:15:05 | |
have jointed fingers so they could carry on with their occupations. | 0:15:05 | 0:15:08 | |
How many patients in total did he help? | 0:15:08 | 0:15:11 | |
By 1903, Gillingham had treated in total over 7,000 patients. Wow. | 0:15:11 | 0:15:15 | |
And this was children as well as men and women of all ages. | 0:15:15 | 0:15:19 | |
It seems that there's no challenge that he wouldn't take on. | 0:15:19 | 0:15:22 | |
I mean, he was known for his limbs, | 0:15:22 | 0:15:23 | |
but here he is making beautiful eyes, | 0:15:23 | 0:15:26 | |
obviously, out of glass, | 0:15:26 | 0:15:28 | |
and, really, they are so intricate and delicate, | 0:15:28 | 0:15:32 | |
even right down to the very veins that | 0:15:32 | 0:15:34 | |
you would see on the whites of the eyes. | 0:15:34 | 0:15:36 | |
They're really beautiful. | 0:15:36 | 0:15:37 | |
I think the thing that's most commendable about James Gillingham | 0:15:37 | 0:15:40 | |
was that he didn't refuse anybody, | 0:15:40 | 0:15:42 | |
he did all of this work to make their lives | 0:15:42 | 0:15:44 | |
just that little bit better. | 0:15:44 | 0:15:46 | |
Gillingham died in 1924. | 0:15:46 | 0:15:48 | |
His son, Sidney, and then later on his grandson, Jeffrey, | 0:15:48 | 0:15:51 | |
took over the business and the business continued in this format | 0:15:51 | 0:15:54 | |
until the 1950s, where it then passed into other hands. | 0:15:54 | 0:15:57 | |
Well, Chard must be very proud because, clearly, | 0:15:57 | 0:15:59 | |
James Gillingham was an incredible man, | 0:15:59 | 0:16:01 | |
a world leader in artificial limbs | 0:16:01 | 0:16:03 | |
and the prosthetics that we have today, | 0:16:03 | 0:16:05 | |
the robotics and bionics are really all descendants | 0:16:05 | 0:16:09 | |
so it is a wonderful tale. | 0:16:09 | 0:16:10 | |
Amanda, thank you so much for joining us here at Westpoint. | 0:16:10 | 0:16:13 | |
Thank you. It's been an incredible story. | 0:16:13 | 0:16:15 | |
Back to the shopping, and the teams are halfway through. | 0:16:21 | 0:16:24 | |
The Blues have shaken hands on two items already, | 0:16:24 | 0:16:27 | |
but the Reds only have one in the bag. | 0:16:27 | 0:16:29 | |
We're doing great. Good. Yeah, we're really doing great. | 0:16:29 | 0:16:32 | |
30 minutes for the last item. | 0:16:32 | 0:16:35 | |
Confident? Yep. | 0:16:35 | 0:16:36 | |
Danny is trying to persuade the ladies of the benefits | 0:16:37 | 0:16:40 | |
of buying reproductions. | 0:16:40 | 0:16:42 | |
It's kind of like your modern antiques, really, | 0:16:42 | 0:16:44 | |
which is getting quite desirable. Right. OK. | 0:16:44 | 0:16:47 | |
You know, like suitcases that are making drawers or upcycled repro. | 0:16:47 | 0:16:51 | |
If you just want the image because you've got, | 0:16:51 | 0:16:53 | |
like, a period property... Yeah. | 0:16:53 | 0:16:55 | |
Of course. Yeah. ..but you can't afford the original, | 0:16:55 | 0:16:57 | |
then you get a repro and it's still giving the same kind of effect. | 0:16:57 | 0:17:00 | |
I like this lamp, Chrissy. | 0:17:00 | 0:17:02 | |
Is that a reproduction, would you say? | 0:17:02 | 0:17:03 | |
Yeah, it's marked up at ?66, so you've got this, you know... | 0:17:03 | 0:17:07 | |
This Art Deco has got all these elegant ladies, dancing ladies, | 0:17:07 | 0:17:10 | |
very flamboyant. | 0:17:10 | 0:17:11 | |
Yeah, yes, yeah. And that's exactly what we've got here - | 0:17:11 | 0:17:14 | |
the real original piece, a lot of money. Right, a lot of money. | 0:17:14 | 0:17:17 | |
This one here looks quite the same. | 0:17:17 | 0:17:19 | |
It looks quite tasteful, doesn't it? It is very tasteful. | 0:17:19 | 0:17:21 | |
I mean, the streamlined figure and the base, the black base. | 0:17:21 | 0:17:24 | |
You've got it. And the lamp is pretty. | 0:17:24 | 0:17:26 | |
Lamps are great. | 0:17:26 | 0:17:27 | |
Lighting makes a home. Yeah, yes. | 0:17:27 | 0:17:28 | |
So, you've got the figurine and, on top of that, | 0:17:28 | 0:17:31 | |
you've got lighting as well. I think it's beautiful. | 0:17:31 | 0:17:34 | |
Can we come back to that? Of course we can. Something in the bag, | 0:17:34 | 0:17:36 | |
if need be. That'll be really nice. I quite like that. | 0:17:36 | 0:17:38 | |
One that might light up later, then. | 0:17:38 | 0:17:40 | |
Meanwhile, the Blues are searching for that third item to | 0:17:42 | 0:17:44 | |
blow their budget. | 0:17:44 | 0:17:46 | |
Oh, I like that. | 0:17:46 | 0:17:47 | |
I do actually quite like that. | 0:17:47 | 0:17:48 | |
Do you? What do you think of it? Well, it's very impressive. | 0:17:48 | 0:17:52 | |
It's a 1900s silver-plated wine cooler. | 0:17:52 | 0:17:55 | |
When we go on our picnic, we can take that with our pepper shakers. | 0:17:55 | 0:17:58 | |
Pepper, yeah. It's priced at ?130. | 0:17:58 | 0:18:02 | |
I see that at between 60 to 90. | 0:18:02 | 0:18:07 | |
SHE BREATHES SHARPLY So, if they can move on it, | 0:18:07 | 0:18:09 | |
that would be good. | 0:18:09 | 0:18:11 | |
We'll give you 60 quid for it. | 0:18:11 | 0:18:12 | |
Nice try, Katie. | 0:18:13 | 0:18:15 | |
Don't fret. We have all the time in the world. Yeah. | 0:18:15 | 0:18:17 | |
We can put that on the back burner. Yeah. | 0:18:17 | 0:18:20 | |
The celebrations are on hold, then. | 0:18:20 | 0:18:22 | |
Right, Reds, what have you found? | 0:18:22 | 0:18:24 | |
What's this? What would that be? That would be a little card case. | 0:18:24 | 0:18:27 | |
Like, a pocket card case, you know... | 0:18:27 | 0:18:29 | |
It's got no, sort of, initials on it. | 0:18:29 | 0:18:31 | |
You could personalise that, I suppose, couldn't you? | 0:18:31 | 0:18:33 | |
You've got it. It might have been better with decoration, | 0:18:33 | 0:18:36 | |
whereas that one's, you know... Too simple. ..just too simple. OK. | 0:18:36 | 0:18:40 | |
Move on, then, ladies. | 0:18:40 | 0:18:42 | |
Cindy, however, has had a change of heart. | 0:18:42 | 0:18:44 | |
I think I'd like to go for the lamp. You'd like...? | 0:18:44 | 0:18:46 | |
Hold on a minute, what's going on? I need to get a good price. | 0:18:46 | 0:18:49 | |
I thought you were against it, Christine - | 0:18:49 | 0:18:51 | |
what are you thinking now? Tell me your thoughts. | 0:18:51 | 0:18:53 | |
I don't like it cos it's a reproduction. | 0:18:53 | 0:18:54 | |
I can understand how elegant it is and, like you said earlier, | 0:18:54 | 0:18:58 | |
it would fit in with a period property. | 0:18:58 | 0:19:02 | |
Do you want to go and get it? Yes, please. | 0:19:02 | 0:19:03 | |
At the right price. At the right price. | 0:19:03 | 0:19:05 | |
Shall we see what we can do? We shall. | 0:19:05 | 0:19:07 | |
Come on. | 0:19:07 | 0:19:09 | |
The question is, will the lady still be there? | 0:19:09 | 0:19:12 | |
Yes, still standing. | 0:19:12 | 0:19:14 | |
That is nice. | 0:19:15 | 0:19:16 | |
It's quite heavy as well. Quite heavy. | 0:19:16 | 0:19:18 | |
Yeah, that's nice. A nice piece of stylish Art Deco there. | 0:19:18 | 0:19:21 | |
I think it's beautiful. What's your best price on this, please? | 0:19:21 | 0:19:25 | |
Best price on the lamp? Erm... | 0:19:25 | 0:19:27 | |
Say 40, that would be good. | 0:19:27 | 0:19:29 | |
How about 45? | 0:19:29 | 0:19:31 | |
45, do you think? | 0:19:31 | 0:19:33 | |
Yes, that'll be wonderful. Yeah. | 0:19:33 | 0:19:35 | |
Are you sure? Thank you. That's cool! | 0:19:35 | 0:19:37 | |
You're welcome. 45. I'm happy with 45. | 0:19:37 | 0:19:39 | |
Thank you very much. Let's hope you make some profit. | 0:19:39 | 0:19:41 | |
Happy? Yeah? Yeah. Well, it's done now. | 0:19:41 | 0:19:44 | |
You've shook her hand, the deal's been done! | 0:19:44 | 0:19:46 | |
Well, Cindy definitely knows what she wants. | 0:19:46 | 0:19:49 | |
She clinched the Reds' second buy for ?45 | 0:19:49 | 0:19:52 | |
with 25 minutes left on the clock. | 0:19:52 | 0:19:54 | |
The teams are now 2-2. | 0:19:54 | 0:19:56 | |
Have the Blues found that big purchase? | 0:19:56 | 0:19:59 | |
Some sort of wheelchair, isn't it? | 0:19:59 | 0:20:01 | |
That's quite cool, the little... | 0:20:01 | 0:20:02 | |
Yeah, well, that's cute. Yeah, I like this. | 0:20:02 | 0:20:04 | |
They're sort of big, in a way. | 0:20:04 | 0:20:06 | |
120. It's, sort of, early 20th century. | 0:20:06 | 0:20:09 | |
It's well-worn. | 0:20:09 | 0:20:11 | |
I was about to say, is the condition going to have an effect? Well-used. | 0:20:11 | 0:20:14 | |
It looks like a big loss, if I'm honest. | 0:20:14 | 0:20:16 | |
I'm just seeing loss, loss, loss all over it. | 0:20:16 | 0:20:19 | |
Well, what about this? | 0:20:19 | 0:20:21 | |
Fold-up chair? It's a decorator's piece. | 0:20:21 | 0:20:24 | |
You could put a plant in there. | 0:20:24 | 0:20:27 | |
They're not convinced, Gary. | 0:20:27 | 0:20:29 | |
Yeah, that's about all I'd put in it. | 0:20:29 | 0:20:32 | |
I don't think I would trust anything in it. | 0:20:32 | 0:20:34 | |
The price is 38 to start off with. | 0:20:34 | 0:20:36 | |
Hmm, I'm not really... | 0:20:36 | 0:20:39 | |
I'm not feeling it. Not feeling it? | 0:20:39 | 0:20:40 | |
Not feeling the love? I'm not feeling it, no. OK. | 0:20:40 | 0:20:42 | |
Fine, push on, then. | 0:20:42 | 0:20:44 | |
The Reds are on the scent of a possible third item. | 0:20:44 | 0:20:47 | |
There's some lovely pieces here. There's some beautiful glass. | 0:20:47 | 0:20:50 | |
There are, yes. That's nice, that scent bottle there. | 0:20:50 | 0:20:53 | |
Go on, then, have a look. | 0:20:53 | 0:20:54 | |
But do you think it's wiser to get coloured glass? | 0:20:54 | 0:20:57 | |
I think coloured glass is always more beautiful, | 0:20:57 | 0:21:02 | |
but, I mean, that's quite nice with the silver top. | 0:21:02 | 0:21:05 | |
You've got 35 on it, is that your best price? | 0:21:05 | 0:21:08 | |
30. You could probably move to 30. | 0:21:09 | 0:21:11 | |
VENDOR: 30. Shall we think about that? | 0:21:11 | 0:21:13 | |
Yeah, well, we know it's there. All right, then. | 0:21:13 | 0:21:16 | |
We've got a bit of time, so we're in a good position, really. OK. | 0:21:16 | 0:21:19 | |
You think about it, but, remember, you've only got 15 minutes left. | 0:21:19 | 0:21:23 | |
The Blues, in the meantime, are still on the hunt for big. | 0:21:23 | 0:21:27 | |
Big in size... | 0:21:27 | 0:21:28 | |
That's big. It's vile. It's horrible. | 0:21:28 | 0:21:31 | |
..or big in price. | 0:21:31 | 0:21:33 | |
What about this? Oh, I think it's a little bit over budget, though. | 0:21:33 | 0:21:36 | |
Just a bit. It's a good job because I don't really like it. | 0:21:36 | 0:21:39 | |
Move on? Move on. Move on. | 0:21:39 | 0:21:40 | |
Oh, dear, Gary's suggestions aren't going down well. | 0:21:40 | 0:21:43 | |
One last chance, then. | 0:21:43 | 0:21:45 | |
What about a big book? | 0:21:45 | 0:21:46 | |
It's kind of cool, to be fair. I quite like this. | 0:21:46 | 0:21:49 | |
What is it a book of? | 0:21:49 | 0:21:50 | |
It's a Bible - the King James edition. | 0:21:50 | 0:21:53 | |
It is massive, isn't it? | 0:21:53 | 0:21:54 | |
It's huge. Yes. | 0:21:54 | 0:21:56 | |
Is someone likely to buy it, though? | 0:21:56 | 0:21:58 | |
Well, it's collectable and it looks good on, sort of, a table. | 0:21:58 | 0:22:01 | |
I mean, people wouldn't read them. | 0:22:01 | 0:22:04 | |
What do you think? | 0:22:04 | 0:22:06 | |
I don't know if anyone would buy it, that's my concern. I'm a bit... | 0:22:06 | 0:22:09 | |
The Reds are drawn to some big-ticket items, too. | 0:22:09 | 0:22:12 | |
A bit out of our price bracket, that one. Yeah, it is. | 0:22:12 | 0:22:15 | |
Move on, then, Reds. | 0:22:15 | 0:22:17 | |
We pretty much know what we want - we've just got to find it. | 0:22:17 | 0:22:19 | |
Yeah, we do. We've got to find it, haven't we? Yes, that is the plan! | 0:22:19 | 0:22:23 | |
Now, it seems the Blues might have come to a decision. | 0:22:23 | 0:22:26 | |
I'd rather go with the fold-up wheelchair, wouldn't you? | 0:22:26 | 0:22:28 | |
So, have we decided the fold-up wheelchair? | 0:22:28 | 0:22:31 | |
Shall we go for the fold-up wheelchair? | 0:22:31 | 0:22:33 | |
Yeah. Yeah, go on, let's go and find it. | 0:22:33 | 0:22:35 | |
Well, after all those no's, it's nice to have a yes at last. | 0:22:35 | 0:22:40 | |
Shall we do the deed? And the deal? | 0:22:40 | 0:22:43 | |
What do you reckon? | 0:22:43 | 0:22:45 | |
Do you reckon so? | 0:22:45 | 0:22:46 | |
What is your very, very, very, very best price? | 0:22:46 | 0:22:48 | |
The best I can do on that is ?28 for you. | 0:22:48 | 0:22:52 | |
What about 23? | 0:22:52 | 0:22:54 | |
Oh, can't do it, I'm afraid. | 0:22:54 | 0:22:56 | |
25? | 0:22:56 | 0:22:57 | |
Oh, that's really pushing it. | 0:22:57 | 0:22:59 | |
What happens if we meet you in the middle at ?27? | 0:22:59 | 0:23:02 | |
26. | 0:23:02 | 0:23:04 | |
26, go on, then. 26, yay! Yeah. We've got it. | 0:23:04 | 0:23:06 | |
OK. Thank you. Thank you very much. | 0:23:06 | 0:23:08 | |
At last, the Blues have their big third buy, | 0:23:08 | 0:23:11 | |
and with ten minutes to spare. | 0:23:11 | 0:23:13 | |
Yay! We've done it! | 0:23:13 | 0:23:15 | |
Let's go. We can relax now. | 0:23:15 | 0:23:17 | |
No relaxing for the Reds, though - | 0:23:17 | 0:23:19 | |
they're still searching for that item they know they'll want | 0:23:19 | 0:23:22 | |
when they see it. | 0:23:22 | 0:23:23 | |
A bit too modern. Yeah, it is. Yeah? | 0:23:23 | 0:23:25 | |
Yeah. Right, let's go. | 0:23:25 | 0:23:27 | |
We've always got that one round the corner | 0:23:27 | 0:23:30 | |
with the silver on for 30. | 0:23:30 | 0:23:31 | |
Yes. Do you want to go and get that? | 0:23:31 | 0:23:33 | |
Because we haven't got a lot of time. Come on. Yeah, let's go. | 0:23:33 | 0:23:36 | |
Good idea, Reds - better get cracking. | 0:23:36 | 0:23:38 | |
We looked at this earlier. | 0:23:38 | 0:23:40 | |
You've got ?35 on it. Did you? | 0:23:40 | 0:23:43 | |
Would you take 20? We're really short of cash. | 0:23:43 | 0:23:46 | |
This is our last buy. | 0:23:46 | 0:23:47 | |
I could do 25. | 0:23:47 | 0:23:48 | |
Could you? What do you think, Chris? 22. | 0:23:48 | 0:23:51 | |
Do you think 25, we were saying? Oh, go on, then. 22? | 0:23:51 | 0:23:54 | |
Yeah. Oh, brilliant. Do you want it for 22, yeah? | 0:23:54 | 0:23:57 | |
That sounds like a good price. Thank you for that. | 0:23:57 | 0:23:59 | |
Thank you so much. Thank you very much. | 0:23:59 | 0:24:02 | |
Well, that's it, we're finished. Yay! Brilliant. | 0:24:02 | 0:24:04 | |
Teams, your 60 minutes are now up. | 0:24:06 | 0:24:08 | |
Even got time for a cup of tea. | 0:24:08 | 0:24:10 | |
Fabulous. Come on, then. Come on. | 0:24:10 | 0:24:12 | |
Let's remind ourselves what the Red team bought. | 0:24:12 | 0:24:15 | |
First up, they fell in love with this Austrian glass vase for ?150. | 0:24:15 | 0:24:20 | |
They're hoping this Art Deco style lamp will light up at auction. | 0:24:21 | 0:24:25 | |
?45 was paid. | 0:24:25 | 0:24:26 | |
And, finally, will they smell success with this silver-collared | 0:24:27 | 0:24:31 | |
cut-glass scent bottle? They paid ?22. | 0:24:31 | 0:24:33 | |
So, which would you say, Cindy, was your favourite item? | 0:24:35 | 0:24:38 | |
My favourite was the Art Nouveau vase | 0:24:38 | 0:24:40 | |
with the glass and the pewter. The vase. Oh, beautiful. | 0:24:40 | 0:24:42 | |
Now, do you think, as it's your favourite, | 0:24:42 | 0:24:44 | |
it's going to bring the biggest profit? | 0:24:44 | 0:24:46 | |
Yeah, I'd like to say it was going to bring the biggest profit | 0:24:46 | 0:24:48 | |
cos it's beautiful, even though it's expensive. | 0:24:48 | 0:24:51 | |
OK, and Chrissy, seeing as you love lamps, | 0:24:51 | 0:24:53 | |
is the lamp your favourite item? | 0:24:53 | 0:24:54 | |
The vase, actually, is my favourite as well. Austra.... Austrian glass. | 0:24:54 | 0:24:59 | |
But will it bring the biggest profit? | 0:24:59 | 0:25:01 | |
I don't necessarily think it will. | 0:25:01 | 0:25:03 | |
I think the little scent bottle will bring the biggest profit. | 0:25:03 | 0:25:07 | |
Now, you weren't afraid to spend a bit of money, so you spent 217, | 0:25:07 | 0:25:11 | |
so who's got the balance? | 0:25:11 | 0:25:12 | |
I've got the balance. Oh, you've got it, Cindy. OK, so ?83. | 0:25:12 | 0:25:15 | |
?83, there we are. I'll take it. Thank you very much. | 0:25:15 | 0:25:18 | |
Danny, what are you thinking for the ladies? | 0:25:18 | 0:25:21 | |
Well, I think we've bought very much period pieces, so I'm going to go | 0:25:21 | 0:25:24 | |
for something totally out-of-the-box, | 0:25:24 | 0:25:26 | |
something totally different to what we've bought anyway... Right. | 0:25:26 | 0:25:29 | |
..and hopefully that'll make a nice profit for us. Great. | 0:25:29 | 0:25:31 | |
Well, fingers crossed. So, while Danny thinks outside the box, | 0:25:31 | 0:25:35 | |
let's remind ourselves what the Blue team bought. | 0:25:35 | 0:25:37 | |
First of all, they shook things up with the six silver pepper shakers. | 0:25:38 | 0:25:42 | |
?46 was paid. | 0:25:42 | 0:25:43 | |
They pushed the boat out with this set of | 0:25:45 | 0:25:47 | |
Royal Doulton Bunnykin figurines for ?69. | 0:25:47 | 0:25:50 | |
And, finally, they paid ?26 for a vintage pushchair. | 0:25:52 | 0:25:55 | |
That was quite cool, wasn't it? | 0:25:57 | 0:25:59 | |
So quick off the mark and then you just, kind of, took your time, | 0:25:59 | 0:26:02 | |
and thought about that last item very carefully, didn't you? | 0:26:02 | 0:26:04 | |
We did. It took us a little while to get our last item, didn't we? | 0:26:04 | 0:26:07 | |
Yeah. Yeah. | 0:26:07 | 0:26:08 | |
Now, which did you think was your favourite item, Josh, of the three? | 0:26:08 | 0:26:12 | |
Probably the Bunnykins. The Bunnykins? | 0:26:12 | 0:26:14 | |
It's quite cool, isn't it? They're just so horrendous. | 0:26:14 | 0:26:16 | |
Which do you think is going to bring the biggest profit? | 0:26:16 | 0:26:18 | |
Probably the silver pepperpots. | 0:26:18 | 0:26:20 | |
Katie, do you agree? | 0:26:20 | 0:26:21 | |
I do agree with Josh. That'll be the one. | 0:26:21 | 0:26:23 | |
If we make any money, it will be on them. | 0:26:23 | 0:26:25 | |
OK, and your favourite? | 0:26:25 | 0:26:26 | |
Bunnykins or the pushchair? | 0:26:26 | 0:26:29 | |
Well, yeah, I like the pushchair, wheelchair thing. | 0:26:29 | 0:26:31 | |
It's really good. Quirky does sell, so hopefully... | 0:26:31 | 0:26:34 | |
If not, you can use it for firewood, so dual purpose. | 0:26:34 | 0:26:36 | |
That's the spirit. Buy something and chop it up, | 0:26:36 | 0:26:38 | |
that's what it's all about. Yeah. | 0:26:38 | 0:26:40 | |
Now, you spent ?141. Yeah. | 0:26:40 | 0:26:43 | |
I did give you 300, so 159 left. | 0:26:43 | 0:26:46 | |
Thank you very much. | 0:26:46 | 0:26:47 | |
Gary, quite a hefty amount there. Yes. | 0:26:47 | 0:26:49 | |
Well, yes, good enough, isn't it? | 0:26:49 | 0:26:51 | |
What have you got in mind? Let's put it this way. | 0:26:51 | 0:26:53 | |
They wanted something ugly - we got that. | 0:26:53 | 0:26:56 | |
They wanted something classy - we got that. | 0:26:56 | 0:26:59 | |
They wanted something strange - we got that. | 0:26:59 | 0:27:01 | |
The one thing we didn't find was something big, | 0:27:01 | 0:27:04 | |
so I'm on the lookout for Mr Big. | 0:27:04 | 0:27:07 | |
So, while Gary goes up searching for his bonus buy, | 0:27:07 | 0:27:09 | |
it's time now for us to head to Honiton for the auction. | 0:27:09 | 0:27:12 | |
We're here at Whittons Auction House, with Edward Whitton. | 0:27:21 | 0:27:24 | |
Thank you, Edward, for having us along. Thank you for coming. | 0:27:24 | 0:27:26 | |
Now, we're going to start off with the Red team, as always. | 0:27:26 | 0:27:28 | |
Cindy and Chrissy, sisters, who went gaga for this vase. | 0:27:28 | 0:27:33 | |
They absolutely loved it. Tell me what you know about it. | 0:27:33 | 0:27:35 | |
It's an unusual vase. | 0:27:35 | 0:27:37 | |
It's quite crudely decorated with pewter, but it's nice with the | 0:27:37 | 0:27:40 | |
semiprecious stones around it. | 0:27:40 | 0:27:42 | |
But an acquired taste, in my opinion. | 0:27:42 | 0:27:45 | |
It is. I don't think I've ever seen the two materials | 0:27:45 | 0:27:47 | |
pieced together like this. | 0:27:47 | 0:27:48 | |
1960s I'd probably say, something like that. | 0:27:48 | 0:27:51 | |
OK, so sort of in the style of that Arts and Crafts era... Yeah. | 0:27:51 | 0:27:54 | |
..but a little bit later. | 0:27:54 | 0:27:55 | |
So you don't think it's got a huge amount of age, | 0:27:55 | 0:27:58 | |
but it's got some style, so what do you reckon it's worth? Yeah. | 0:27:58 | 0:28:00 | |
I've put 30 to 50, but I think it could go quite well, to be honest. | 0:28:00 | 0:28:04 | |
OK, the ladies paid ?150. | 0:28:04 | 0:28:06 | |
Oh, that's... Well, there we go, then. Not too far out, were we? | 0:28:06 | 0:28:10 | |
Well, we'll all see what happens when the auction comes round. | 0:28:10 | 0:28:12 | |
Worry not. So we'll move on to another bit of glass, | 0:28:12 | 0:28:16 | |
this time in the form of a shade, and on top of this lamp, | 0:28:16 | 0:28:19 | |
but although she looks old, she's not really, is she? | 0:28:19 | 0:28:22 | |
No, I think it's brand-new. Mmm. | 0:28:22 | 0:28:24 | |
Yeah, a copy of a very famous style. | 0:28:24 | 0:28:27 | |
The sort of thing that in a shop would cost you, you know, ?60-?80, | 0:28:27 | 0:28:30 | |
but I think in an auction it's... I've put 30 to 50. | 0:28:30 | 0:28:33 | |
OK, well, the ladies spent ?45 on it, | 0:28:33 | 0:28:36 | |
so hopefully your bidders will be able to pay the retail price, | 0:28:36 | 0:28:40 | |
and profit all round. Yeah. | 0:28:40 | 0:28:41 | |
And then we move on to another very girlie item, | 0:28:41 | 0:28:44 | |
this scent bottle here with its lovely cut-glass stopper. | 0:28:44 | 0:28:48 | |
Tell me, do you like this shape, this shouldered form? | 0:28:48 | 0:28:51 | |
It is quite a slender and attractive hobnail-cut glass. | 0:28:51 | 0:28:54 | |
It's been well cut. | 0:28:54 | 0:28:55 | |
The stopper, the mount is silver but the marks are quite worn. Mm-hm. | 0:28:55 | 0:28:59 | |
There's a chip on the body, I'm afraid, | 0:28:59 | 0:29:01 | |
and a chip on the stopper, I'm afraid, | 0:29:01 | 0:29:04 | |
hence I've put 20 to 30. | 0:29:04 | 0:29:05 | |
OK, well, don't worry, the ladies paid ?22 for it. | 0:29:05 | 0:29:09 | |
Well, that's OK, then. | 0:29:09 | 0:29:10 | |
So it could be a case of ups and downs, | 0:29:10 | 0:29:13 | |
so, in case they need it, let's find out what Danny bought as a bonus. | 0:29:13 | 0:29:16 | |
Cindy, Chrissy, as a team, you were all about glass. | 0:29:18 | 0:29:21 | |
Everything had a bit of glass in your shop. Yes. | 0:29:21 | 0:29:23 | |
Actually, it did. It did, yeah! | 0:29:23 | 0:29:25 | |
So, Danny, with your ?83, did you buy glass? | 0:29:25 | 0:29:28 | |
No, I never, Natasha. | 0:29:28 | 0:29:30 | |
I bought something a little bit bling, just like you two. Oh, nice. | 0:29:30 | 0:29:34 | |
Nice. Lovely. A lovely little bit of silver. | 0:29:34 | 0:29:36 | |
It's a little Bryant May matchbox holder. | 0:29:36 | 0:29:38 | |
Nice decoration on the top. | 0:29:38 | 0:29:40 | |
Around about 1920s, 1930s, I would have said. | 0:29:40 | 0:29:44 | |
And, as a sweetener, a little sugar bowl. That is pretty. | 0:29:44 | 0:29:47 | |
It's only silver-plated, but it was thrown in, | 0:29:47 | 0:29:50 | |
as I was trying to get a really good price for you. Oh, that's great. | 0:29:50 | 0:29:53 | |
Are there any matches in there? They've been used up? | 0:29:53 | 0:29:55 | |
They've all been used up. OK. Very pretty. | 0:29:55 | 0:29:58 | |
At auction, it's perhaps going to make ?40 or ?50. | 0:29:58 | 0:30:02 | |
There's profit in here. Brilliant. How much did you pay? | 0:30:02 | 0:30:04 | |
How much did I pay? Yeah. Yeah. ?30 for the pair. | 0:30:04 | 0:30:08 | |
That's good. But we're not going to make a decision just yet. | 0:30:08 | 0:30:11 | |
No, we'll see. | 0:30:11 | 0:30:12 | |
Oh... | 0:30:12 | 0:30:13 | |
Sounds like you're backtracking there. We'll see. | 0:30:13 | 0:30:16 | |
Yes, the ladies don't need to make the minds up just yet, | 0:30:16 | 0:30:18 | |
but, in the meantime, let's find out what Ed, our auctioneer, thinks. | 0:30:18 | 0:30:23 | |
So here is Danny's bonus buy. | 0:30:23 | 0:30:25 | |
Do you think this little bit of hallmarked silver | 0:30:25 | 0:30:28 | |
is strengthened with the bit of silver plate? | 0:30:28 | 0:30:30 | |
To be honest, no. | 0:30:30 | 0:30:32 | |
The matchbox would sell a lot better on its own | 0:30:32 | 0:30:35 | |
without the sugar bowl. | 0:30:35 | 0:30:36 | |
The sugar bowl, basically, is probably worthless. | 0:30:36 | 0:30:39 | |
OK, is it just sort of two for the price of one? | 0:30:39 | 0:30:41 | |
That's exactly what it is. OK and at what sort of price? | 0:30:41 | 0:30:43 | |
?15-?20. ?15-?20? | 0:30:43 | 0:30:45 | |
Well, Danny paid ?30 for the two, | 0:30:45 | 0:30:47 | |
so we'll have to hope that he doubles your estimate. | 0:30:47 | 0:30:50 | |
Well, we'll have to hope so, won't we? | 0:30:50 | 0:30:52 | |
Right, let's move on to the Blue team, | 0:30:52 | 0:30:55 | |
Katie and Josh, who are a lovely mother and son, | 0:30:55 | 0:30:58 | |
and the first thing that they bought was also a bit of silver. | 0:30:58 | 0:31:00 | |
Continental silver in fact. | 0:31:00 | 0:31:02 | |
Yeah. These pots, what do you reckon? | 0:31:02 | 0:31:04 | |
Nice to have them in their box. | 0:31:04 | 0:31:06 | |
The box is in disrepair. | 0:31:06 | 0:31:08 | |
And what about the pots themselves? Yeah, they are slightly damaged. | 0:31:08 | 0:31:11 | |
To be fair, there's a couple of holes in the bases. | 0:31:11 | 0:31:14 | |
Not much use when you've got grains of salt. Which isn't much use... | 0:31:14 | 0:31:17 | |
Which isn't much use for a cruet, really. | 0:31:17 | 0:31:20 | |
But this is a nice decorator's set. | 0:31:20 | 0:31:21 | |
And what sort of age do you reckon? | 0:31:21 | 0:31:23 | |
1960s, 1970s, something like that. | 0:31:23 | 0:31:25 | |
So, not hugely old, a little bit plain - | 0:31:25 | 0:31:28 | |
what kind of estimate? | 0:31:28 | 0:31:29 | |
25 to 35. | 0:31:29 | 0:31:30 | |
OK, well, our mother and son paid 46. | 0:31:30 | 0:31:33 | |
Right. So, everything should be OK, I think, | 0:31:33 | 0:31:36 | |
but we might have to pin our hopes on HMS Bunnykins. | 0:31:36 | 0:31:42 | |
Have you ever seen the likes? | 0:31:42 | 0:31:43 | |
In fact, have you? Have you sold this before at Whitton? | 0:31:43 | 0:31:46 | |
I have sold lots of Bunnykins in the past. | 0:31:46 | 0:31:48 | |
Never seen the stand, to be fair. | 0:31:48 | 0:31:50 | |
Decorator's lot again, but there is damage to them. | 0:31:51 | 0:31:54 | |
One of the ears has come off... Oh, no! | 0:31:54 | 0:31:56 | |
..and been re-glued, so, when buying porcelain and china, | 0:31:56 | 0:31:59 | |
always buy and beware. | 0:31:59 | 0:32:00 | |
OK, so the big question is, is HMS Bunnykins going to sink or swim? | 0:32:00 | 0:32:04 | |
I think it'll swim, but I don't know how far. | 0:32:04 | 0:32:08 | |
OK, what sort of estimate? 50 to 80. | 0:32:08 | 0:32:10 | |
50 to 80? OK, well, the team paid ?69. | 0:32:10 | 0:32:13 | |
That's not catastrophic. | 0:32:13 | 0:32:14 | |
Yeah, OK, I think they've managed to pick up their life-saver there. | 0:32:14 | 0:32:18 | |
And then we move on to a, kind of, a weird item - | 0:32:18 | 0:32:21 | |
this child's chair with wheels. | 0:32:21 | 0:32:24 | |
Is it a wheelchair? Is it a pushchair? What are your thoughts? | 0:32:24 | 0:32:27 | |
Well, it's like a junior wheelchair, isn't it? It's got a bit of age. | 0:32:27 | 0:32:30 | |
It's got to be 50 years old or something, doesn't it? Yeah, absolutely. | 0:32:30 | 0:32:34 | |
To whom do you see this selling? A doll collector maybe? | 0:32:34 | 0:32:36 | |
Yeah, could be. | 0:32:36 | 0:32:37 | |
Could go in a shop just as a decorator's item in a shop. | 0:32:37 | 0:32:41 | |
As quirky as it is, I mean, it's not in the best condition, is it? | 0:32:41 | 0:32:44 | |
It's not. It's got rust. The wood's split. Paint's come off. | 0:32:44 | 0:32:48 | |
It could do with a fair bit of TLC. | 0:32:48 | 0:32:50 | |
Yeah. Couldn't we all? | 0:32:50 | 0:32:52 | |
Well, absolutely. Now, how much of an estimate have you put on this? | 0:32:52 | 0:32:54 | |
I put 30 to 50. Not the easiest of things to sell, I don't think. | 0:32:54 | 0:32:57 | |
They've not paid too much, ?26. Oh, that's OK. | 0:32:57 | 0:33:00 | |
So, they should be all right. Yeah. | 0:33:00 | 0:33:02 | |
But, as eclectic as their collection is, | 0:33:02 | 0:33:05 | |
let's just see what Gary can add to it. | 0:33:05 | 0:33:07 | |
Katie and Josh, what brave people you are, leaving Gary Pe with ?159. | 0:33:09 | 0:33:14 | |
You must have been feeling bold. | 0:33:14 | 0:33:15 | |
We are at the minute. | 0:33:15 | 0:33:17 | |
Well, it does look like something big and bold is | 0:33:17 | 0:33:19 | |
underneath that cloth, Gary, so show us what you've got. | 0:33:19 | 0:33:21 | |
Yes, well, I promised that I would find, for you, Mr Big, | 0:33:21 | 0:33:26 | |
and it's a metal chest, | 0:33:26 | 0:33:30 | |
which has the air of the sea, the masculine, the military... | 0:33:30 | 0:33:35 | |
Now, we've got Mr Big and Mr Heavy. | 0:33:35 | 0:33:37 | |
Katie, is it Mr Gorgeous? | 0:33:37 | 0:33:38 | |
I don't think it would come into the Ford household | 0:33:38 | 0:33:40 | |
but someone might like it. | 0:33:40 | 0:33:42 | |
Well, yes, even decorators would love this sort of thing. | 0:33:42 | 0:33:45 | |
What, to put their paint inside? | 0:33:45 | 0:33:47 | |
Put a piece of glass on top of that... | 0:33:48 | 0:33:50 | |
OK. ..and you've got an instant coffee table. | 0:33:50 | 0:33:52 | |
That's thinking outside the box. Yeah. | 0:33:54 | 0:33:57 | |
But look at this construction. The rivets... | 0:33:57 | 0:33:59 | |
The Titanic had rivets and look what happened to that, though! | 0:33:59 | 0:34:01 | |
It sunk. THEY LAUGH | 0:34:01 | 0:34:03 | |
It is smart, isn't it? It is smart. | 0:34:03 | 0:34:05 | |
How old do you think it is? | 0:34:05 | 0:34:07 | |
Turn-of-the-century. So, how much did you pay for it? | 0:34:07 | 0:34:09 | |
?48. | 0:34:09 | 0:34:11 | |
And how much do you reckon you'll make? | 0:34:11 | 0:34:13 | |
I think there's a lot of room. | 0:34:13 | 0:34:15 | |
It could easily make 100, actually. | 0:34:15 | 0:34:17 | |
You reckon? I think so. | 0:34:17 | 0:34:19 | |
Well, Gary's hedging his bets, | 0:34:19 | 0:34:20 | |
so let's find out what our auctioneer thinks of this, I think, | 0:34:20 | 0:34:24 | |
classic ship's trunk. | 0:34:24 | 0:34:25 | |
You must sell oodles of these. | 0:34:26 | 0:34:28 | |
Yeah, sold hundreds of these over the years. | 0:34:28 | 0:34:30 | |
Very good condition, | 0:34:30 | 0:34:32 | |
got a nice brass lock to it and there's no damage to it. | 0:34:32 | 0:34:35 | |
OK, so it's got all its component parts. Yeah. | 0:34:35 | 0:34:38 | |
What do you reckon it's going to be? | 0:34:38 | 0:34:39 | |
I've put 30 to 50. 30 to 50. | 0:34:39 | 0:34:41 | |
OK, well, Gary almost paid top end, ?48. Right. | 0:34:41 | 0:34:46 | |
So, as long as you just keep convincing them, Edward, | 0:34:46 | 0:34:48 | |
I'm sure we can get towards the top end of your estimate. | 0:34:48 | 0:34:50 | |
Absolutely. Are you looking forward to taking the sale? | 0:34:50 | 0:34:53 | |
Yeah, very much so. Brilliant. | 0:34:53 | 0:34:54 | |
Well, in that case, Edward, take it away. | 0:34:54 | 0:34:56 | |
All smiles on your faces, now. | 0:35:01 | 0:35:03 | |
Are you nervous at all? | 0:35:03 | 0:35:04 | |
Very nervous, yeah. | 0:35:04 | 0:35:05 | |
Very nervous. Yeah. We're starting off with a bang. | 0:35:05 | 0:35:08 | |
?150 paid. Oh, yeah. | 0:35:08 | 0:35:09 | |
Unusual lustre glass vase is going under the hammer. | 0:35:09 | 0:35:12 | |
Are you ready? Yes. Definitely. Here it comes. | 0:35:12 | 0:35:13 | |
Lustre, here, a bit of interest in the lustre, actually. | 0:35:13 | 0:35:16 | |
And 35, 40 I'm bid. | 0:35:16 | 0:35:19 | |
Bit of a low start, but... It is. | 0:35:19 | 0:35:20 | |
40. He's still going up. | 0:35:20 | 0:35:22 | |
At 40. 42. | 0:35:22 | 0:35:23 | |
Come on, we need more interest than that. | 0:35:23 | 0:35:25 | |
We do need more interest. 50. | 0:35:25 | 0:35:26 | |
55. At 60. | 0:35:26 | 0:35:28 | |
65. At ?65 here. | 0:35:28 | 0:35:31 | |
70. Come on! | 0:35:31 | 0:35:32 | |
At 70. 75. | 0:35:32 | 0:35:35 | |
That's 75 | 0:35:35 | 0:35:36 | |
and I'm looking for another one. | 0:35:36 | 0:35:37 | |
At ?75. | 0:35:37 | 0:35:39 | |
Thank you, 75. | 0:35:39 | 0:35:40 | |
Oh, 75, ladies! | 0:35:40 | 0:35:41 | |
That is dire. It is. | 0:35:41 | 0:35:43 | |
That's a bad start, I think. What a shame. | 0:35:43 | 0:35:45 | |
It's made half of what you paid for it, so you've made a loss of 75. | 0:35:45 | 0:35:48 | |
But the stylish lamp could pull you through, so here it comes. | 0:35:48 | 0:35:51 | |
Slender lamp here, electrically tested. | 0:35:51 | 0:35:53 | |
Step-base. | 0:35:53 | 0:35:54 | |
30 again. | 0:35:55 | 0:35:57 | |
32, 35, 38, | 0:35:57 | 0:35:58 | |
40, 45. Come on, come on... | 0:35:58 | 0:36:00 | |
At ?40 here. Come on! | 0:36:00 | 0:36:02 | |
At 45, with bids here at 45. | 0:36:02 | 0:36:04 | |
We're up to 50, now. | 0:36:04 | 0:36:05 | |
Yes! A bit of profit. We'll need more than that, though. | 0:36:05 | 0:36:08 | |
?50, and five, I'll take? | 0:36:08 | 0:36:10 | |
At ?50, and it's here on the internet at ?50. | 0:36:10 | 0:36:13 | |
Oh, well. Hey, ?50. Take the profits when they come. | 0:36:13 | 0:36:17 | |
It's plus five and that means you're minus 70 overall. | 0:36:17 | 0:36:20 | |
Oh, no. So here comes the scent bottle. | 0:36:20 | 0:36:22 | |
It's cut-glass, it's silver and you only paid 22. | 0:36:22 | 0:36:25 | |
A hobnail-cut scent bottle here. | 0:36:25 | 0:36:27 | |
And, what, ?30 for the scent bottle? | 0:36:27 | 0:36:29 | |
20. 15, I'm bid. | 0:36:29 | 0:36:31 | |
Cut glass, here. | 0:36:31 | 0:36:32 | |
Silver-mounted stopper. Come on. | 0:36:32 | 0:36:34 | |
15, I'm bid. 18. | 0:36:34 | 0:36:35 | |
20. At 2. | 0:36:35 | 0:36:37 | |
22. Desirable piece of glass. | 0:36:37 | 0:36:40 | |
At 22 here. | 0:36:40 | 0:36:42 | |
Four, I'll take. Come on. At ?22... | 0:36:42 | 0:36:45 | |
Selling it at ?22, then. | 0:36:45 | 0:36:47 | |
Sold, 22. Oh, well. | 0:36:47 | 0:36:49 | |
You broke even. | 0:36:49 | 0:36:51 | |
So we lost, we profited, and we broke even. | 0:36:51 | 0:36:53 | |
You've got one of everything - what more could you ask for? | 0:36:53 | 0:36:55 | |
We did. Exactly, exactly. But you're still minus 70. | 0:36:55 | 0:36:59 | |
So the question is, are you going to go with the bonus buy? | 0:36:59 | 0:37:02 | |
Now, it's Danny's little silver matchbox, | 0:37:02 | 0:37:05 | |
accompanied by the silver-plated dish. | 0:37:05 | 0:37:07 | |
Yeah. What are you thinking? | 0:37:07 | 0:37:08 | |
Definitely go with it. Definitely go with it. | 0:37:08 | 0:37:10 | |
We do like it, it is... And we trust you. | 0:37:10 | 0:37:12 | |
And we trust you, Danny. | 0:37:12 | 0:37:14 | |
We've got to trust the buyers. You can't just trust in me! | 0:37:14 | 0:37:16 | |
You've got to trust the buyers at this point. | 0:37:16 | 0:37:18 | |
I really hope this brings back a little bit of profit for you. | 0:37:18 | 0:37:21 | |
Yes, hopefully. Here it comes. | 0:37:21 | 0:37:22 | |
The plated sugar bowl and the silver-mounted match case. | 0:37:22 | 0:37:25 | |
Not a bad match case, to be fair. | 0:37:25 | 0:37:27 | |
And ?20 for this. | 0:37:27 | 0:37:28 | |
15? 18? | 0:37:28 | 0:37:30 | |
20. Two. | 0:37:30 | 0:37:32 | |
Five. 25 we're at. Come on. | 0:37:32 | 0:37:34 | |
25, at ?22 here. Come on. | 0:37:34 | 0:37:36 | |
Oh, we need more. We do, we need more. | 0:37:36 | 0:37:38 | |
At ?22. 24. 26. | 0:37:38 | 0:37:41 | |
I'll take anywhere, 26. | 0:37:41 | 0:37:42 | |
It's worth double that in scrap! | 0:37:42 | 0:37:43 | |
At ?24 here. | 0:37:43 | 0:37:45 | |
6 I'll take. At 24. | 0:37:45 | 0:37:48 | |
It's gone. Oh, it's gone. | 0:37:48 | 0:37:50 | |
Oh... It's only minus six, so... | 0:37:50 | 0:37:51 | |
your total balance now is -76. | 0:37:51 | 0:37:56 | |
Well, ladies, I've heard of worse. | 0:37:56 | 0:37:58 | |
Right. So don't worry. | 0:37:58 | 0:37:59 | |
No. You're quite happy? | 0:37:59 | 0:38:01 | |
Yeah. Yeah. That is the way. | 0:38:01 | 0:38:02 | |
Yes. Stay positive and also stay schtum. | 0:38:02 | 0:38:05 | |
Please don't say anything to the Blues. No, no. No. | 0:38:05 | 0:38:07 | |
OK? It's our secret. | 0:38:07 | 0:38:08 | |
OK. | 0:38:08 | 0:38:09 | |
CASH REGISTER CHIMES | 0:38:09 | 0:38:11 | |
Josh, Katie, how are you getting on? | 0:38:14 | 0:38:16 | |
Are you nervous? | 0:38:16 | 0:38:17 | |
I'm not nervous. Are you? | 0:38:17 | 0:38:19 | |
I'm quite excited, really. | 0:38:19 | 0:38:20 | |
We are starting with the continental silver pepperpots. | 0:38:20 | 0:38:23 | |
They're good. They're good. | 0:38:23 | 0:38:24 | |
But they wanted the good, the bad, and the ugly. | 0:38:24 | 0:38:26 | |
So at ?46 we should see a profit? | 0:38:26 | 0:38:29 | |
Well, if we don't, it's Gary's fault. | 0:38:29 | 0:38:30 | |
He told us to go for it! | 0:38:30 | 0:38:32 | |
We just won't be talking to him again, if it's a loss! | 0:38:32 | 0:38:35 | |
Well, hopefully we'll make a profit on our first lot, so get ready, | 0:38:35 | 0:38:38 | |
here it comes. Oh, my God, here we go. | 0:38:38 | 0:38:40 | |
Continental silver peppers, fitted card box. | 0:38:40 | 0:38:43 | |
20 for these. 20 I'm bid? | 0:38:43 | 0:38:45 | |
20? 22. | 0:38:45 | 0:38:46 | |
5. Come on. | 0:38:46 | 0:38:48 | |
8. 30. | 0:38:48 | 0:38:49 | |
?30 for the peppers, here. ?30. | 0:38:49 | 0:38:51 | |
It's an auction, bid! 32 on the internet here. | 0:38:51 | 0:38:53 | |
32. 35. Now 35. | 0:38:53 | 0:38:57 | |
At 35. 38. Five more. | 0:38:57 | 0:38:59 | |
At 38. | 0:38:59 | 0:39:00 | |
- Oh, they're listening! - Come on, come on! | 0:39:00 | 0:39:02 | |
With the peppers, with all the holes in them. | 0:39:02 | 0:39:04 | |
Come on! In the top and the bottom. | 0:39:04 | 0:39:06 | |
- Come on, Josh, get fierce! - Come on! Give us 40! | 0:39:06 | 0:39:08 | |
Oh, dear, we've got a right handful over there. | 0:39:08 | 0:39:10 | |
Give us 45 and I'll give you a kiss. At ?38. | 0:39:10 | 0:39:12 | |
That's as far as they going at the moment. | 0:39:12 | 0:39:14 | |
At ?38. At 38... | 0:39:14 | 0:39:16 | |
It's a loss! At ?38. It's a loss. | 0:39:16 | 0:39:19 | |
?8, you've made a loss, so... Not too much. | 0:39:19 | 0:39:22 | |
..it's all onto the ugly now. Bunnykins. | 0:39:22 | 0:39:24 | |
How much for the Bunnykins here? | 0:39:24 | 0:39:26 | |
On the stand, six figures, matching stand, ?50. | 0:39:26 | 0:39:29 | |
40. 40, I've got. 2. | 0:39:29 | 0:39:33 | |
42. Oh, come on! 5, now. | 0:39:33 | 0:39:34 | |
45 on the internet. | 0:39:34 | 0:39:36 | |
45. 50 for you, seated. | 0:39:36 | 0:39:39 | |
55. | 0:39:39 | 0:39:40 | |
55. We're above the estimate, though. | 0:39:40 | 0:39:42 | |
At 55 here. | 0:39:42 | 0:39:44 | |
And 60 I'll take. | 0:39:44 | 0:39:46 | |
At ?55. | 0:39:46 | 0:39:49 | |
55. Oh... | 0:39:49 | 0:39:50 | |
Gary, it's a loss. It's another wee loss. | 0:39:50 | 0:39:52 | |
It is minus 14 this time, which means overall you are minus 22. | 0:39:52 | 0:39:56 | |
It's not bad. Next up, this pushchair needs to make a profit. | 0:39:56 | 0:39:59 | |
Next is the metal-framed pushchair. | 0:39:59 | 0:40:01 | |
Wheelie good. Wheelie, wheelie good. | 0:40:01 | 0:40:04 | |
Wheelie, wheelie, wheelie good. | 0:40:04 | 0:40:06 | |
25, I'm bid. 28. | 0:40:06 | 0:40:07 | |
Yes! 30. 2. | 0:40:07 | 0:40:08 | |
- That's a profit! Yes! - Come on! | 0:40:08 | 0:40:10 | |
32. 32. Who's 34? 34. | 0:40:10 | 0:40:13 | |
36, I'll take? | 0:40:13 | 0:40:15 | |
At ?34. | 0:40:15 | 0:40:17 | |
Yay! We got a profit! One out of three. | 0:40:17 | 0:40:20 | |
That is a profit of ?8, which means that... | 0:40:20 | 0:40:24 | |
?8, so we're down back to... | 0:40:24 | 0:40:25 | |
..overall you are down back to minus 14. Yes. | 0:40:25 | 0:40:28 | |
Minus 14? That's not so bad, is it? | 0:40:28 | 0:40:29 | |
No. Pretty good. | 0:40:29 | 0:40:30 | |
That's not so bad. So now... Are we going to go with... | 0:40:30 | 0:40:33 | |
The big... Ooh... This is the big question... This is the big. | 0:40:33 | 0:40:36 | |
Are you going to go with the bonus buy, the ship's trunk? | 0:40:36 | 0:40:38 | |
We've made a loss anyway, so we're not going to lose any... | 0:40:38 | 0:40:41 | |
Yeah, we might as well go. | 0:40:41 | 0:40:42 | |
You paid ?48, and the auctioneer thinks 30-50. | 0:40:42 | 0:40:45 | |
Gary, it's fine, if we make a loss, you're going in that trunk. | 0:40:45 | 0:40:48 | |
Sorted! | 0:40:48 | 0:40:50 | |
OK, well, at least you've got a game plan. | 0:40:50 | 0:40:52 | |
Yeah. You're going with the bonus buy. | 0:40:52 | 0:40:53 | |
Right, here it comes. Here we go. | 0:40:53 | 0:40:55 | |
Here we go. Gary's life hangs in the balance. | 0:40:55 | 0:40:57 | |
Next is the good panelled ship's trunk. | 0:40:57 | 0:41:00 | |
30 for it. 30. | 0:41:00 | 0:41:02 | |
32, 35... Oh, bidder in the room. | 0:41:02 | 0:41:05 | |
38. 40. | 0:41:05 | 0:41:08 | |
2. 5, last bid be yours... | 0:41:08 | 0:41:11 | |
Come on. ..?45, we've got here. | 0:41:11 | 0:41:12 | |
Come on. Just a wee bit more. ?45 in the room. | 0:41:12 | 0:41:14 | |
45. 8 I'll take anywhere else. | 0:41:14 | 0:41:17 | |
At 48. And 50, sir? | 0:41:17 | 0:41:19 | |
Yes! Yay! | 0:41:19 | 0:41:21 | |
At ?50, then, at ?50... | 0:41:21 | 0:41:24 | |
Yay! | 0:41:24 | 0:41:26 | |
Well done, Gary, you're safe! | 0:41:26 | 0:41:28 | |
Gary lives to tell the tale. Oh, my God. | 0:41:29 | 0:41:31 | |
?50 means a ?2 profit. | 0:41:31 | 0:41:34 | |
So overall you are now slightly under, but only minus 12. | 0:41:34 | 0:41:39 | |
That's not too bad. Really good, isn't it? | 0:41:39 | 0:41:41 | |
Result. It's a result. Yes! | 0:41:41 | 0:41:42 | |
Now, remember, this is a competition, | 0:41:42 | 0:41:45 | |
so minus 12 could be a winning score, | 0:41:45 | 0:41:47 | |
you never know. So, please, just don't say anything to the Reds. | 0:41:47 | 0:41:50 | |
We won't. We won't. | 0:41:50 | 0:41:51 | |
Well, there's nothing better on Bargain Hunt than a family affair, | 0:41:57 | 0:42:00 | |
and, believe me, looking at today's results, | 0:42:00 | 0:42:03 | |
there is plenty to talk about. | 0:42:03 | 0:42:04 | |
Oh, no! In fact... | 0:42:04 | 0:42:07 | |
no-one is taking home a coin or note. | 0:42:07 | 0:42:10 | |
Oh, gosh. Hmm-hmm. No money made between you. | 0:42:10 | 0:42:13 | |
Oh, well. Come on, tell us! | 0:42:13 | 0:42:15 | |
So, the team with the smaller loss, and therefore today's winners... | 0:42:15 | 0:42:21 | |
..the Blues! Yay! CHEERING | 0:42:22 | 0:42:25 | |
Congratulations. Well done. | 0:42:25 | 0:42:27 | |
Well done. Congratulations. I'll tell you what... | 0:42:27 | 0:42:29 | |
Yay, well done. | 0:42:29 | 0:42:31 | |
What did you lose? You lost ?76, Reds. | 0:42:31 | 0:42:34 | |
We did. And Blues, a mere 12. | 0:42:34 | 0:42:35 | |
Ah... A mere 12. Well done. | 0:42:35 | 0:42:37 | |
But it's been really nice to have two such lovely sisters, | 0:42:37 | 0:42:40 | |
so I'm so pleased you made it along. Thank you. | 0:42:40 | 0:42:42 | |
And now you have an honorary member of the family in Danny. | 0:42:42 | 0:42:44 | |
Yeah. Yeah, haven't we? | 0:42:44 | 0:42:47 | |
So well done, Reds, but today's winners, the Blues. Yay! | 0:42:47 | 0:42:51 | |
Mother and son and Gary, ?12 was all that you lost, | 0:42:51 | 0:42:55 | |
so it must feel good to come out in front. | 0:42:55 | 0:42:57 | |
Yeah. Of course it does. We're winners, aren't we, Josh? | 0:42:57 | 0:43:00 | |
But it has been good fun, | 0:43:00 | 0:43:01 | |
and if you're sitting at home thinking, "That looks good fun," | 0:43:01 | 0:43:04 | |
then do visit our website, | 0:43:04 | 0:43:05 | |
because all the details you need to apply can be found just there, | 0:43:05 | 0:43:08 | |
and all of our chat is available to view on Twitter, @BBCBargainHunt. | 0:43:08 | 0:43:13 | |
But come on - will you join me again for some more Bargain Hunting? Yes? | 0:43:13 | 0:43:17 | |
ALL: Yes! | 0:43:17 | 0:43:18 | |
across the Sahara, over the Atlas Mountains... | 0:43:50 | 0:43:51 | |
Explorer Alice Morrison is taking an epic 2,000-mile trek | 0:43:51 | 0:43:55 |