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Today we're in Dorking. | 0:00:02 | 0:00:03 | |
Home of Mayflower Pilgrim William Mullins. | 0:00:03 | 0:00:06 | |
And this is where he lived with his family which is thought to be | 0:00:06 | 0:00:11 | |
the only home of a pilgrim father still intact. | 0:00:11 | 0:00:14 | |
And this impressive building dates from the late 1500s. | 0:00:14 | 0:00:20 | |
Most pilgrims were seeking religious freedom, | 0:00:20 | 0:00:24 | |
but not William Mullins. | 0:00:24 | 0:00:25 | |
A successful shoemaker, | 0:00:25 | 0:00:27 | |
it is thought that he wanted to start one of the first shoe shops | 0:00:27 | 0:00:32 | |
in the new colony. But will our teams be as plucky as the pilgrims | 0:00:32 | 0:00:37 | |
as they venture into the world of antiques? | 0:00:37 | 0:00:39 | |
Let's find out. | 0:00:39 | 0:00:41 | |
Let's go Bargain Hunting. | 0:00:41 | 0:00:43 | |
Today our teams are in Dorking town centre | 0:01:08 | 0:01:11 | |
and there are loads of antique shops to choose from. | 0:01:11 | 0:01:13 | |
Our teams have £300 to buy three items in just one hour | 0:01:13 | 0:01:17 | |
but which of our teams will choose wisely to make profit at auction? | 0:01:17 | 0:01:22 | |
Let's have a peek at what's coming up. | 0:01:22 | 0:01:24 | |
The Reds get into a row. | 0:01:25 | 0:01:28 | |
-I'll let you have the final item. -You're not arguing, are you? | 0:01:28 | 0:01:31 | |
We're having a little discussion. | 0:01:31 | 0:01:33 | |
The Blues receive incredible news. | 0:01:33 | 0:01:36 | |
Oh! | 0:01:36 | 0:01:37 | |
I can't believe it, you're a hero. | 0:01:37 | 0:01:40 | |
And at the auction, there's highs... | 0:01:42 | 0:01:45 | |
-Oh! -Straight in! | 0:01:45 | 0:01:47 | |
..and lows. | 0:01:47 | 0:01:48 | |
But that's all for later, first let's meet today's teams. | 0:01:50 | 0:01:54 | |
We have got sets of friends. | 0:01:54 | 0:01:56 | |
For the Reds, we have good chums Matthew and Luke. | 0:01:56 | 0:02:01 | |
And for the Blues, we have friends Sylvia and Caroline. | 0:02:01 | 0:02:05 | |
Welcome, everyone, hello. | 0:02:05 | 0:02:07 | |
-ALL: -Hello. | 0:02:07 | 0:02:09 | |
That is lovely, to have you along. | 0:02:09 | 0:02:11 | |
So, Matthew, how did you two meet? | 0:02:11 | 0:02:14 | |
We met at uni. | 0:02:14 | 0:02:15 | |
I was a first-year and Luke was an elderly second year. | 0:02:15 | 0:02:18 | |
I wanted to see the blockbuster Jurassic World, | 0:02:18 | 0:02:21 | |
unfortunately none of my friends share the same passion as I do | 0:02:21 | 0:02:24 | |
so Luke took pity on me and we went together | 0:02:24 | 0:02:27 | |
and thus a great friendship was born. | 0:02:27 | 0:02:30 | |
Great pals, you've been pals ever since. | 0:02:30 | 0:02:32 | |
-Yeah. -Now you're studying at uni, what do you do? | 0:02:32 | 0:02:35 | |
I do history at uni, currently in my final year and it's going well. | 0:02:35 | 0:02:41 | |
Very serious subject, are you a serious young man? | 0:02:41 | 0:02:44 | |
I like to think I'm serious for serious issues. | 0:02:46 | 0:02:49 | |
Right. This boy should go far. | 0:02:49 | 0:02:53 | |
Now Luke, tell me about you, what do you do at uni? | 0:02:54 | 0:02:57 | |
I'm studying classics, so Ancient Greece and Rome, language, archaeology, | 0:02:57 | 0:03:02 | |
history and stuff. I'm in my final year as well. | 0:03:02 | 0:03:04 | |
Do you think those subjects will help you out there in the antiques world? | 0:03:04 | 0:03:08 | |
I'm hoping so. I might find a little something related to Greece or Rome | 0:03:08 | 0:03:12 | |
that I know something about, but I don't know. | 0:03:12 | 0:03:13 | |
Now you are a bit of an adrenaline junkie. Tell us all about that. | 0:03:13 | 0:03:19 | |
Luke, your pal's laughing. | 0:03:19 | 0:03:21 | |
My family have always been big into our skiing, | 0:03:23 | 0:03:25 | |
snowboarding and then mountaineering as well so a couple of years ago, | 0:03:25 | 0:03:28 | |
a friend from school, we did an unguided ascent of Mont Blanc | 0:03:28 | 0:03:31 | |
to the summit, mountaineering. It was terrifying. | 0:03:31 | 0:03:33 | |
Was it? You were scared? | 0:03:33 | 0:03:35 | |
Parts of it were pretty rocky. | 0:03:35 | 0:03:37 | |
-It didn't put you off? -We completed it, it was great. | 0:03:37 | 0:03:39 | |
-Wouldn't do it again. -Now boys, | 0:03:39 | 0:03:40 | |
you're great chums but how are you going to get on as a team? | 0:03:40 | 0:03:45 | |
We're going to be impulsive, listen to our guts as well. | 0:03:45 | 0:03:50 | |
And probably spend most of our money. | 0:03:50 | 0:03:52 | |
Well done, anyway. | 0:03:52 | 0:03:53 | |
Well, that's it for the Reds, let's have a talk to the girls. | 0:03:53 | 0:03:57 | |
Sylvia, you are a professional singer. | 0:03:57 | 0:04:00 | |
Tell me a little bit about your career. | 0:04:00 | 0:04:03 | |
My first recollection of singing was at the age of three. | 0:04:03 | 0:04:06 | |
So then I just continued singing and went to opera school, | 0:04:06 | 0:04:10 | |
then I went around Australia. I was with the Opera Australia | 0:04:10 | 0:04:14 | |
and then I came to the UK and I've been travelling around the UK | 0:04:14 | 0:04:18 | |
and France and America. | 0:04:18 | 0:04:19 | |
Tell me how you two girls met up. | 0:04:19 | 0:04:22 | |
Well we were both on a tour of America in 2008 | 0:04:22 | 0:04:26 | |
on a Gilbert and Sullivan tour of the Mercado, | 0:04:26 | 0:04:29 | |
and I played Katisha and Buttercup respectively | 0:04:29 | 0:04:33 | |
and Caroline was my cover. | 0:04:33 | 0:04:35 | |
-She never got on. -I never got on. | 0:04:35 | 0:04:38 | |
Now, Caroline, | 0:04:39 | 0:04:41 | |
you're a singer as well but you've moved on to do other things. | 0:04:41 | 0:04:46 | |
Tell me a bit about that? | 0:04:46 | 0:04:47 | |
Yes, I retrained as an acupuncturist and moxibustion specialist. | 0:04:47 | 0:04:54 | |
What is that? | 0:04:54 | 0:04:57 | |
-I thought she might ask. -Do you know, boys? | 0:04:57 | 0:04:59 | |
-BOTH: -No! -And they go to Oxford. | 0:04:59 | 0:05:01 | |
Well, it's kind of a narrow band of knowledge, | 0:05:03 | 0:05:05 | |
it's a very ancient form of curative process. | 0:05:05 | 0:05:11 | |
It's using the herb Mugwort and it's very, very good for pain. | 0:05:11 | 0:05:18 | |
That's absolutely fascinating. | 0:05:18 | 0:05:20 | |
Now, you're obviously good friends, | 0:05:20 | 0:05:22 | |
but how are you going to get on shopping together? | 0:05:22 | 0:05:27 | |
-I'm a bit impulsive. -Oh, right. | 0:05:27 | 0:05:30 | |
An impulsive bargainer? | 0:05:30 | 0:05:32 | |
But I'm kind of more careful. | 0:05:32 | 0:05:34 | |
And what will the tactics be? | 0:05:34 | 0:05:36 | |
To buy not too cheap because I think if a thing is cheap, it stays cheap. | 0:05:36 | 0:05:41 | |
You want quality? | 0:05:41 | 0:05:43 | |
-Yeah. -Yes. We want quality. | 0:05:43 | 0:05:44 | |
-You want quality? -But at a good price. | 0:05:44 | 0:05:47 | |
-Tricky. -Does that sound like a good idea? | 0:05:47 | 0:05:49 | |
Sounds like a great idea. | 0:05:49 | 0:05:50 | |
Now for the money moment. | 0:05:52 | 0:05:54 | |
£300 for you boys. | 0:05:54 | 0:05:56 | |
That's a lot of dosh for two boys. | 0:05:56 | 0:05:59 | |
And £300 for the ladies. | 0:05:59 | 0:06:01 | |
Your experts await, so off you go. | 0:06:01 | 0:06:04 | |
I sense theatrics in the air today. | 0:06:05 | 0:06:08 | |
'All our teams need now are their experts.' | 0:06:10 | 0:06:12 | |
'Looking out for the Reds, it's Danny Sebastian.' | 0:06:15 | 0:06:18 | |
'And supplying some worldly wisdom for the Blues, it's David Harper.' | 0:06:20 | 0:06:25 | |
OK, guys, what are we looking for today? Matt? | 0:06:27 | 0:06:29 | |
We're looking to spend early and we're not going to be afraid | 0:06:29 | 0:06:32 | |
-to spend a bit of dough. -Great. | 0:06:32 | 0:06:34 | |
Something glass, like a beautiful goblet, you know, ceramics, | 0:06:34 | 0:06:39 | |
Oriental ceramics. | 0:06:39 | 0:06:41 | |
First 15 minutes I want to get £100 spent so we can calm down | 0:06:41 | 0:06:44 | |
and have a proper think afterwards. | 0:06:44 | 0:06:46 | |
I like silver and I like jewellery and anything else | 0:06:46 | 0:06:48 | |
that takes my fancy and anything that I think might make money. | 0:06:48 | 0:06:51 | |
That's what it's all about. | 0:06:51 | 0:06:53 | |
Clock's ticking, your time starts now. | 0:06:54 | 0:06:56 | |
Come on, let's go looking. | 0:06:56 | 0:06:58 | |
-Let's go make some money. -Too right! | 0:06:58 | 0:07:00 | |
'Both teams head to one of the antique centres | 0:07:00 | 0:07:02 | |
'in Dorking high street and dive straight in.' | 0:07:02 | 0:07:05 | |
-Get yourselves in there. -Lots of nice things. | 0:07:05 | 0:07:07 | |
Spend that money. | 0:07:07 | 0:07:08 | |
Art Deco bowls, that always sells quite well, doesn't it? | 0:07:10 | 0:07:12 | |
-Let's have a closer look. -Shall we have a look? | 0:07:12 | 0:07:15 | |
£44. | 0:07:15 | 0:07:17 | |
It's not very exciting, is it? | 0:07:17 | 0:07:18 | |
What are you thinking? | 0:07:18 | 0:07:20 | |
-Not that. -Don't like the look. | 0:07:20 | 0:07:21 | |
Shall we keep moving? The clock's running. | 0:07:21 | 0:07:24 | |
'A bit of a false start from the Reds but what about the Blues?' | 0:07:24 | 0:07:28 | |
I'm looking at that. | 0:07:28 | 0:07:29 | |
-What? -That globe. | 0:07:29 | 0:07:31 | |
-OK, OK. -But I'm saying it's all our money practically. | 0:07:31 | 0:07:34 | |
-Yes, exactly. -So I'm rejecting that immediately. | 0:07:34 | 0:07:37 | |
I like that, quick decision-making. | 0:07:37 | 0:07:39 | |
-Sylvia, come on. -I saw something up here. | 0:07:39 | 0:07:41 | |
This is going to be good. | 0:07:41 | 0:07:43 | |
'While David seems hopeful, | 0:07:43 | 0:07:45 | |
'the boys are interested in a piece of pottery full of character.' | 0:07:45 | 0:07:48 | |
So the Falstaff, | 0:07:48 | 0:07:49 | |
quite famous character, Dickens, well, Shakespeare actually, sorry. | 0:07:49 | 0:07:54 | |
I beg your pardon. People will be... | 0:07:54 | 0:07:56 | |
-Interested? -Yeah. | 0:07:56 | 0:07:57 | |
Is it something that you really like? What drew you to it? | 0:07:57 | 0:08:00 | |
I don't know, it looks good, it's a famous character. | 0:08:00 | 0:08:02 | |
I think we could really go for it. | 0:08:02 | 0:08:03 | |
I definitely think someone who likes the character, likes these, | 0:08:03 | 0:08:06 | |
will be perhaps willing to pay quite a lot for it if it catches their eye. | 0:08:06 | 0:08:09 | |
-It's quite a quirky design. -Not even a lot, over 20 quid. | 0:08:09 | 0:08:12 | |
Over 20 quid, you'd hope so. | 0:08:12 | 0:08:13 | |
And there may be even a chance we can get it for a little bit less | 0:08:13 | 0:08:16 | |
-than 20 quid. -Yeah, we can try. -Does there seem to be any damage on it, | 0:08:16 | 0:08:18 | |
-can you see? -Get in there, have a look. | 0:08:18 | 0:08:20 | |
You've got to look at items, you've got to get in there, | 0:08:20 | 0:08:22 | |
you've got to have a look, make sure it's 100%. | 0:08:22 | 0:08:25 | |
It looks all right to me. | 0:08:25 | 0:08:26 | |
A good way to find out whether there's any little cracks | 0:08:26 | 0:08:29 | |
is to just tap it. And when you tap it you can always hear, | 0:08:29 | 0:08:31 | |
if there's a crack in it, you can hear like a dull sound. | 0:08:31 | 0:08:33 | |
You'll know straightaway, oh, there's a crack somewhere on it. | 0:08:33 | 0:08:37 | |
And this one to me... | 0:08:37 | 0:08:38 | |
-Sounds good to you? -Sounds solid. | 0:08:38 | 0:08:40 | |
-Great. -You know, I think we're in for a chance with this to be honest. | 0:08:40 | 0:08:44 | |
-Yeah. -It's got a lovely stamp on the bottom that says Royal Doulton. | 0:08:44 | 0:08:46 | |
We know it's... | 0:08:46 | 0:08:48 | |
Shakespeare, Falstaff, yeah. | 0:08:48 | 0:08:50 | |
Sounds like a winning formula to me. | 0:08:50 | 0:08:51 | |
-Yeah, start spending. -Yeah, I think we'll go with you, Danny. | 0:08:51 | 0:08:54 | |
Shall we see what's the best price the manager can get for me? | 0:08:54 | 0:08:57 | |
-Yeah. -OK, thanks. | 0:08:57 | 0:08:59 | |
'So, as Danny goes off to find out, Sylvia's keen eye has come up trumps.' | 0:08:59 | 0:09:04 | |
I quite like the look of that. | 0:09:04 | 0:09:05 | |
-Let's see it. Let's see it. -Let's have a look at it. | 0:09:05 | 0:09:07 | |
Do you think those stones are turquoise? | 0:09:07 | 0:09:10 | |
-They look like it, don't they? -Or just plastic? | 0:09:10 | 0:09:12 | |
No, they look like real stones to me. | 0:09:12 | 0:09:14 | |
What does it say? Victorian. | 0:09:14 | 0:09:16 | |
-Yes, absolutely. -Victorian. Not too bad a price either - 68. | 0:09:16 | 0:09:20 | |
No, it's not. It's far too expensive. | 0:09:20 | 0:09:21 | |
-No, but it's... -And it's walnut. | 0:09:24 | 0:09:27 | |
It seems to be in reasonable condition. | 0:09:27 | 0:09:29 | |
Has it got its original lining? | 0:09:29 | 0:09:30 | |
-Yes. -No, it hasn't. -It hasn't? | 0:09:30 | 0:09:33 | |
It's missing something, isn't it? | 0:09:33 | 0:09:35 | |
Somebody's been using this as a sewing box. | 0:09:35 | 0:09:37 | |
Yeah. I think it probably did start life as a sewing box, | 0:09:37 | 0:09:39 | |
-it would have had compartments. -A divider. | 0:09:39 | 0:09:41 | |
Yeah, little compartments and maybe cushioned pads. | 0:09:41 | 0:09:44 | |
-Yes. -Oh, OK. -So that's missing. | 0:09:44 | 0:09:46 | |
-OK. -But good quality. | 0:09:46 | 0:09:48 | |
We are getting into your taste, what was it that drew you into it? | 0:09:48 | 0:09:54 | |
I liked the turquoise and I liked the brass work and the walnut. | 0:09:54 | 0:09:58 | |
-OK. -I just liked everything about it. | 0:09:58 | 0:10:00 | |
Good, well that's a good enough reason. | 0:10:00 | 0:10:03 | |
I think that's a good enough reason to get it, actually. | 0:10:03 | 0:10:05 | |
Look at this, this is decision-making, | 0:10:05 | 0:10:08 | |
you don't buy everything that you see! | 0:10:08 | 0:10:10 | |
Yeah, but I think... | 0:10:12 | 0:10:13 | |
-But I like this. -Yeah, you like it. | 0:10:13 | 0:10:15 | |
-I want to make an offer. -I'll go and get the shopkeeper. | 0:10:15 | 0:10:17 | |
-BOTH: -OK. | 0:10:17 | 0:10:19 | |
'A potential sale for the Blues but how are the Reds getting on with theirs?' | 0:10:20 | 0:10:24 | |
If you're willing to stick your neck out... | 0:10:24 | 0:10:26 | |
I think I will for this one, I'll let you have the final item... | 0:10:26 | 0:10:29 | |
You're not arguing, are you? | 0:10:29 | 0:10:30 | |
-Well, we're having a little tiff... -A little discussion. | 0:10:30 | 0:10:32 | |
-A little tiff, discussion? Well, let's discuss this. -OK. | 0:10:32 | 0:10:35 | |
Got a fantastic price. | 0:10:35 | 0:10:38 | |
-£12. -12, OK, great. | 0:10:38 | 0:10:40 | |
-We've got to go for that. -I think so. | 0:10:40 | 0:10:42 | |
I think we'll take it, brilliant. | 0:10:42 | 0:10:44 | |
We are not exactly, we're a lot short from this £100, | 0:10:44 | 0:10:47 | |
but I know the timing, you've done it in great timing and £12, | 0:10:47 | 0:10:51 | |
I think there's a good chance this will probably make £15-£20 | 0:10:51 | 0:10:56 | |
-at auction. -Excellent. | 0:10:56 | 0:10:57 | |
-That's great stuff. Let's take it. -Well done. | 0:10:57 | 0:10:59 | |
-Where are we going next? -Well, Luke has been looking at this barometer. | 0:10:59 | 0:11:03 | |
-I'm not so sure, but... -Different antiques, different prices, | 0:11:03 | 0:11:07 | |
-Let's go and take a look. -Let's have a look. | 0:11:08 | 0:11:10 | |
'Well done, boys, ten minutes gone and the first item in the bag. | 0:11:10 | 0:11:14 | |
'Meanwhile the ladies have a bit of haggling to do.' | 0:11:14 | 0:11:17 | |
-This is the lovely Charles. -Hello. -Hello, Charles. | 0:11:17 | 0:11:19 | |
-Sylvia and Caroline. -Hi. | 0:11:19 | 0:11:21 | |
We like this box very much. | 0:11:21 | 0:11:23 | |
-It's a lovely box. -Trouble is the insides are missing | 0:11:23 | 0:11:26 | |
and it has been... | 0:11:26 | 0:11:27 | |
-..repaired... -Little bit of a repair, yeah. | 0:11:29 | 0:11:31 | |
..at the back. And of course there's no key, so I'd like to offer £35. | 0:11:31 | 0:11:36 | |
I know for a fact, ladies, that the very, very best | 0:11:36 | 0:11:40 | |
the dealer will accept is £50 for this. | 0:11:40 | 0:11:42 | |
-That's their bottom line? -OK. | 0:11:42 | 0:11:45 | |
-How are you feeling? -Well, my feeling is if you like it, | 0:11:45 | 0:11:50 | |
somebody else will like it. | 0:11:50 | 0:11:52 | |
-All right. -Let's go for it. -For an extra five quid. | 0:11:52 | 0:11:54 | |
For an extra five quid. | 0:11:54 | 0:11:56 | |
-Are we going to have it, then? -Yes. | 0:11:56 | 0:11:58 | |
Yes. Decision! | 0:11:58 | 0:11:59 | |
Jolly good. Shake Charles' hand. | 0:11:59 | 0:12:01 | |
-All the best, all the best with it. -Thank you very much. | 0:12:01 | 0:12:04 | |
'Great job, Blues, and just a minute behind the Reds. | 0:12:04 | 0:12:07 | |
'It's 1-1. As the Blues go exploring, | 0:12:07 | 0:12:10 | |
'Luke has tracked down the barometer he saw earlier.' | 0:12:10 | 0:12:13 | |
-£85. -85 quid? | 0:12:13 | 0:12:14 | |
-I don't know. -I mean, we've got a lot of money. | 0:12:14 | 0:12:16 | |
-We have got a lot of money. -Do you think anybody's going to spend that | 0:12:16 | 0:12:19 | |
sort of money on a barometer? | 0:12:19 | 0:12:21 | |
That's relatively cheap. I mean, that's quite nice. | 0:12:21 | 0:12:23 | |
It's a hand-held one. | 0:12:23 | 0:12:24 | |
And with the instruction booklet as well, the box and everything. | 0:12:24 | 0:12:27 | |
It stands out to me. I haven't seen one like that before. | 0:12:27 | 0:12:30 | |
'The Aneroid Barometer was invented in 1844 by French scientist Lucien Vidie. | 0:12:30 | 0:12:35 | |
'These slowly replaced mercury barometers, | 0:12:35 | 0:12:38 | |
'being easier to use and much cheaper.' | 0:12:38 | 0:12:41 | |
Look, if you're willing to stick your neck out on this one... | 0:12:41 | 0:12:44 | |
I'll let you have the next one but I quite like this one. | 0:12:44 | 0:12:47 | |
If we can get it down to 60, you know, I reckon that would be a good deal. | 0:12:47 | 0:12:50 | |
But you haggled well last time, Danny, let's see if you can do it again. | 0:12:50 | 0:12:55 | |
Hold on a minute. | 0:12:55 | 0:12:56 | |
I thought you said earlier that you two guys have got great, well, | 0:12:56 | 0:12:59 | |
I know you're great characters, you've got great haggling skills? | 0:12:59 | 0:13:03 | |
-We do. -So who's the best out of the two? | 0:13:03 | 0:13:05 | |
I don't know, we do a bit of good cop, bad cop. | 0:13:05 | 0:13:07 | |
-It's a team thing. -It's a team thing? | 0:13:07 | 0:13:09 | |
One of us has to be the hard man. | 0:13:09 | 0:13:11 | |
-Shall I see if I can get the chap up? -Yeah. | 0:13:11 | 0:13:14 | |
And then the two of you can work your magic on him. | 0:13:14 | 0:13:16 | |
-Absolutely. -Yeah? | 0:13:16 | 0:13:17 | |
-Yeah. -Give us a minute. | 0:13:17 | 0:13:19 | |
'Meanwhile the Blues have spotted something unique.' | 0:13:19 | 0:13:23 | |
I was looking at that picture frame there. | 0:13:23 | 0:13:25 | |
I've never seen anything quite like that before. | 0:13:25 | 0:13:29 | |
I'm looking at the price of 130 and I'm thinking that is quite expensive. | 0:13:29 | 0:13:34 | |
But it's really unusual. | 0:13:34 | 0:13:37 | |
-Yes in fact... -Art Nouveau. -..Art Nouveau. | 0:13:37 | 0:13:39 | |
-That's exactly right. -Which it says, and it's French. | 0:13:39 | 0:13:41 | |
What do you think it's made of, copper? | 0:13:41 | 0:13:43 | |
I think-I think copper, yes, I do. | 0:13:43 | 0:13:45 | |
It's very, very good, Caroline. | 0:13:45 | 0:13:47 | |
It's very good. | 0:13:47 | 0:13:48 | |
It's also very good as in, bad price. | 0:13:48 | 0:13:52 | |
-Yes. -Yeah. | 0:13:52 | 0:13:54 | |
What do you think, at auction? | 0:13:54 | 0:13:56 | |
I think the auctioneer is going to go 50-70. | 0:13:56 | 0:13:59 | |
Safety. But it's worth substantially more. | 0:13:59 | 0:14:03 | |
-More. -Yes. Same old story. -Same old, isn't it? | 0:14:03 | 0:14:06 | |
Same old story. | 0:14:06 | 0:14:08 | |
Despite all the disadvantages over price, | 0:14:08 | 0:14:12 | |
I think it's a go for because it's so unusual. | 0:14:12 | 0:14:16 | |
-Sylvia, how do you feel? -I agree. -Yeah. OK. | 0:14:16 | 0:14:18 | |
Do you want me to go and get Charles and bring him back to you? | 0:14:18 | 0:14:21 | |
-Yes. -Yes. -Shall I do that? You chat away, I'll go find Charles. | 0:14:21 | 0:14:24 | |
It's your turn to do the bargaining this time. | 0:14:24 | 0:14:26 | |
'While David goes to find the manager, | 0:14:26 | 0:14:28 | |
'the Reds are hoping to prove their haggling skills.' | 0:14:28 | 0:14:31 | |
It is quite a striking piece, isn't it? We've got this booklet. | 0:14:31 | 0:14:35 | |
I mean... | 0:14:35 | 0:14:36 | |
We don't really want to pay 85. | 0:14:36 | 0:14:38 | |
What's the best price we can get on this? | 0:14:38 | 0:14:40 | |
-What do you think? -Can we get it down to, say, 60 or even lower than that? | 0:14:40 | 0:14:45 | |
Not quite, but the very, very best I'm sure the dealer will do | 0:14:45 | 0:14:48 | |
would be 65. | 0:14:48 | 0:14:50 | |
-Oh! -I'm happy with that, 65. | 0:14:50 | 0:14:52 | |
As I said, it's your neck on the line, mate. | 0:14:52 | 0:14:54 | |
Yeah, I'll put my neck on the line for this. | 0:14:54 | 0:14:56 | |
That's quite a good price, really, | 0:14:56 | 0:14:57 | |
cos generally, it's about 10%, what the centre sort of allows, | 0:14:57 | 0:15:01 | |
leverage, and he's pushed the boat out a little bit there for us, | 0:15:01 | 0:15:04 | |
-hasn't he? -Yeah, he has, Danny. | 0:15:04 | 0:15:06 | |
-Well, I'll stick with my partner in crime, Luke, here. -Thank you. | 0:15:06 | 0:15:08 | |
-I think we'll take it, great. -We'll risk it. | 0:15:08 | 0:15:11 | |
'I think Danny was impressed, boys. | 0:15:11 | 0:15:13 | |
'That's two items down for the Reds after just 15 minutes. | 0:15:13 | 0:15:16 | |
'Back upstairs with the Blues, David has some news.' | 0:15:16 | 0:15:20 | |
OK, I've spoken to the owner, | 0:15:20 | 0:15:22 | |
I've explained to him that we think it's going to be 30-50, | 0:15:22 | 0:15:25 | |
50-70 in auction. | 0:15:25 | 0:15:27 | |
And he said to me, "Give me the middle ground - 50." | 0:15:27 | 0:15:31 | |
Oh! | 0:15:31 | 0:15:32 | |
Oh, I can't believe it, you're a hero! | 0:15:32 | 0:15:37 | |
I can't... My heart is singing with that, because it's fabulous. | 0:15:37 | 0:15:43 | |
-That's good. -It's so... Well done! | 0:15:43 | 0:15:45 | |
I'm so excited about that. | 0:15:45 | 0:15:47 | |
So, are you saying you want it, then? | 0:15:47 | 0:15:48 | |
-Yes! -Oh, right, OK! | 0:15:48 | 0:15:50 | |
Oh, my God. Tell him before he changes his mind. | 0:15:50 | 0:15:53 | |
-I'll go and tell him, you chat away. -Immediately. -Oh, my goodness. | 0:15:53 | 0:15:55 | |
Oh, I can't believe that! | 0:15:55 | 0:15:57 | |
And you didn't have to bargain. | 0:15:57 | 0:15:59 | |
What an amazing bargain. | 0:15:59 | 0:16:01 | |
That has got to be the bargain of the year. | 0:16:01 | 0:16:03 | |
Right, it is a wonderful thing but we've got one more to buy. | 0:16:03 | 0:16:06 | |
-Yes! -Hurry up, come on. | 0:16:06 | 0:16:08 | |
-Right. -Off we go. -OK. | 0:16:08 | 0:16:10 | |
'The delighted Blues are again level pegging with the Reds. | 0:16:10 | 0:16:13 | |
'Both teams are on the home straight now, looking for their final item.' | 0:16:13 | 0:16:17 | |
-What about this, Danny? -What have we found? | 0:16:17 | 0:16:20 | |
We've got six handcart crystal champagne. | 0:16:20 | 0:16:24 | |
Crystal champagne flutes. | 0:16:24 | 0:16:26 | |
£68, six flutes. | 0:16:26 | 0:16:28 | |
Quite nice, crystal cut, it says. | 0:16:28 | 0:16:30 | |
Does it say crystal cut? It is, it's quite nice. | 0:16:30 | 0:16:33 | |
-No damage. -No damage! -They're quite new, I assume. | 0:16:33 | 0:16:37 | |
-This is the thing. -They're more than £10 each. | 0:16:37 | 0:16:39 | |
Let's get something a bit more antiquey. | 0:16:39 | 0:16:41 | |
-Yeah. -I think you want something a bit more antiquey. | 0:16:41 | 0:16:43 | |
-After that last item. -I think you also want something that's... | 0:16:43 | 0:16:46 | |
They're just six plain champagne saucers. | 0:16:46 | 0:16:48 | |
I think we've got a lot of money left. | 0:16:48 | 0:16:50 | |
You know, let's get something big, let's get something glamorous. | 0:16:50 | 0:16:53 | |
And you know, let's go out with a bang. | 0:16:53 | 0:16:55 | |
'Danny wants the boys to spend big but it's the ladies | 0:16:55 | 0:16:58 | |
'who've found an expensive item.' | 0:16:58 | 0:17:00 | |
What are you looking at there? With the bronze? | 0:17:00 | 0:17:02 | |
-Yes. -This one? -With the violin. | 0:17:02 | 0:17:04 | |
-This one? -Yes. | 0:17:04 | 0:17:05 | |
It's quite a modern one. It's quite a cool... | 0:17:05 | 0:17:09 | |
It's quite a cool thing. | 0:17:09 | 0:17:11 | |
-But at 200... -200! | 0:17:11 | 0:17:13 | |
'Too pricey for the Blues, but with only 15 minutes left, | 0:17:13 | 0:17:16 | |
'both teams still need to buy their final items | 0:17:16 | 0:17:19 | |
'and the Reds have spotted a Victorian hat stretcher | 0:17:19 | 0:17:23 | |
'priced at £135.' | 0:17:23 | 0:17:25 | |
Quite nice, quite a nice decorator's piece, that. | 0:17:25 | 0:17:28 | |
-135? -And you know, it's got a lot of history to it. | 0:17:28 | 0:17:31 | |
You know, sort of late Victorian. | 0:17:31 | 0:17:33 | |
It's just a piece that you probably won't see a lot. | 0:17:33 | 0:17:35 | |
A real antique! | 0:17:35 | 0:17:36 | |
-What do you think of that? -It's a good sort of price range | 0:17:36 | 0:17:39 | |
for something at £135. | 0:17:39 | 0:17:40 | |
So, what would something like this that was sort of in better condition | 0:17:40 | 0:17:44 | |
-go for, if you don't mind? -Well, I think it's in good condition. | 0:17:44 | 0:17:47 | |
You might look at the base and you see a little crack. | 0:17:47 | 0:17:50 | |
But you know, it's a working tool. | 0:17:50 | 0:17:52 | |
This has been worked and used for years while it's making hats, | 0:17:52 | 0:17:56 | |
you know, in a milliners shop. | 0:17:56 | 0:17:58 | |
And people do like a bit of wear and tear and a little crack | 0:17:58 | 0:18:03 | |
and a split here, because it just kind of shows its authenticity | 0:18:03 | 0:18:06 | |
-and its age. -Yeah. -So, I think that price is... | 0:18:06 | 0:18:09 | |
You know, it's not bad, to be honest, | 0:18:09 | 0:18:11 | |
but if we can just get some more chipped off, | 0:18:11 | 0:18:13 | |
then it's more profit we can make at auction. | 0:18:13 | 0:18:16 | |
Perhaps if you go, Matt, and see the best price the vendor can give us. | 0:18:16 | 0:18:20 | |
Absolutely, I'll try and work my magic! | 0:18:20 | 0:18:22 | |
-You do your best. -Do your best! | 0:18:22 | 0:18:24 | |
'Back with the Blues, who have found a cabinet full of potential.' | 0:18:25 | 0:18:29 | |
There's some quite interesting little things here. | 0:18:29 | 0:18:33 | |
Perhaps something little? | 0:18:33 | 0:18:34 | |
-Little? -Something little and nice. | 0:18:34 | 0:18:36 | |
Little, nice and shiny. | 0:18:36 | 0:18:38 | |
Little, nice and shiny! | 0:18:38 | 0:18:39 | |
-Could we look at the scent bottle? -Charles is on his way. | 0:18:39 | 0:18:43 | |
'While the Blues wait for the key to the cabinet, | 0:18:43 | 0:18:45 | |
'Matt has returned with some news.' | 0:18:45 | 0:18:47 | |
I tried my hardest, I worked my charm. | 0:18:47 | 0:18:49 | |
I managed to get it down to 90 quid. | 0:18:49 | 0:18:51 | |
-90 quid? 90, that's brilliant. -That's not too bad, is it? | 0:18:51 | 0:18:54 | |
-90 quid is excellent. -See, I told you I could haggle. | 0:18:54 | 0:18:56 | |
90 quid is excellent. I thought it might be over 100. | 0:18:56 | 0:18:59 | |
If you get it down to 90, we are really in with a... | 0:18:59 | 0:19:02 | |
-A sure buy! -Yes! | 0:19:02 | 0:19:03 | |
-I definitely think so. -We'll take it at 90, well done. | 0:19:03 | 0:19:06 | |
Tell you what, I said we were going to end on a bang, didn't I? | 0:19:06 | 0:19:09 | |
-And we have done. Brilliant. -Excellent. -Well done. | 0:19:09 | 0:19:12 | |
'Fantastic negotiating, Matt. | 0:19:13 | 0:19:15 | |
'That's the Reds' final item with ten minutes to spare, | 0:19:15 | 0:19:19 | |
'while the Blues are having a closer look.' | 0:19:19 | 0:19:21 | |
-One scent bottle. -Lovely. OK. Good shape. | 0:19:21 | 0:19:24 | |
-Good size. -Yes! | 0:19:24 | 0:19:26 | |
Um, silver top. | 0:19:26 | 0:19:27 | |
Yes, I like the cutting on the glass. | 0:19:27 | 0:19:30 | |
-That's very pretty. -How do you open it? | 0:19:30 | 0:19:32 | |
-OK. -Ah! -There we go. -Oh, is that its original stopper? | 0:19:32 | 0:19:35 | |
And then it's got its stopper! | 0:19:35 | 0:19:37 | |
-That sweet, isn't it? -That's lovely. -Yes, very sweet. | 0:19:37 | 0:19:39 | |
-Almost like a marble there. -Yes! -It is, it's lovely. | 0:19:39 | 0:19:41 | |
-I like that. -Date-wise, you can see. | 0:19:41 | 0:19:44 | |
1923. | 0:19:44 | 0:19:45 | |
You saw the label, I was going to test you. | 0:19:45 | 0:19:48 | |
-Oh! -I was going to test you. -I know. -Because what's interesting | 0:19:48 | 0:19:50 | |
about this is it's very traditional. | 0:19:50 | 0:19:52 | |
-Yes! -In 1923, this is the time of geometric designs. | 0:19:52 | 0:19:56 | |
-Very true. -And the Art Deco movement is just picking up. | 0:19:56 | 0:19:58 | |
Yet the person that bought this didn't like that movement. | 0:19:58 | 0:20:02 | |
It was too modern, too horrid. | 0:20:02 | 0:20:05 | |
They liked the traditional world. | 0:20:05 | 0:20:06 | |
-Yes. -But I like the plain top, too. | 0:20:06 | 0:20:08 | |
And it hasn't been engraved. | 0:20:08 | 0:20:10 | |
Is it the kind of thing that you would use? | 0:20:10 | 0:20:12 | |
Would you use that today? | 0:20:12 | 0:20:14 | |
I would use it on my dressing table. | 0:20:14 | 0:20:16 | |
-Would you fill it? -Just as a decoration. | 0:20:16 | 0:20:18 | |
-Would you fill it with perfume? -No, I wouldn't. -Why? | 0:20:18 | 0:20:20 | |
I think it would be magnificent. | 0:20:20 | 0:20:22 | |
Imagine with a bright red or blue perfume, | 0:20:22 | 0:20:24 | |
with the light reflecting off the cut crystal. | 0:20:24 | 0:20:26 | |
-Fantastic. -That's why it was created like that. | 0:20:26 | 0:20:29 | |
-Yes, yes. -To put coloured liquids in there, | 0:20:29 | 0:20:32 | |
to look drop dead gorgeous on your dressing table. | 0:20:32 | 0:20:36 | |
-Well, I like it. -Yes! So do I. -I'd like to go for this. | 0:20:36 | 0:20:39 | |
Oh, you two! When you get your teeth into something... | 0:20:39 | 0:20:42 | |
-I know. -..there's nothing stopping you! | 0:20:42 | 0:20:44 | |
-And we're running out of time. -That's very true, very true. | 0:20:44 | 0:20:46 | |
And also, I like it not so much for the time but I actually like that | 0:20:46 | 0:20:50 | |
and if we had plenty of time, I'd still like it. | 0:20:50 | 0:20:52 | |
Yes, precisely, it's good. | 0:20:52 | 0:20:54 | |
You would? Right, couple of minutes left. | 0:20:54 | 0:20:55 | |
-Charles. -Charles. -Price-wise, come on in. | 0:20:55 | 0:20:58 | |
-What can we do? -Right, OK. | 0:20:58 | 0:21:01 | |
Well, I can do... | 0:21:01 | 0:21:02 | |
Let me see. | 0:21:04 | 0:21:06 | |
77. That's what I'm authorised to do, but I can make a call, of course. | 0:21:06 | 0:21:10 | |
Would you mind, terribly? | 0:21:10 | 0:21:11 | |
-Yes! -Of course. -But Charles, would you also make it really quick? | 0:21:11 | 0:21:14 | |
-Yes, sure. -Thank you. | 0:21:14 | 0:21:16 | |
'It's all a bit tense as the Blues wait anxiously.' | 0:21:16 | 0:21:19 | |
-So, are we getting a bit tight for time? -Yeah, we are. | 0:21:19 | 0:21:22 | |
-Come on, Charles! -Coming. 70... | 0:21:22 | 0:21:25 | |
-Oh, good. -What did he say? -70. -Shouted 70, did he? | 0:21:25 | 0:21:28 | |
60! | 0:21:28 | 0:21:30 | |
-What was that? -No, no. | 0:21:30 | 0:21:32 | |
Charles? | 0:21:32 | 0:21:34 | |
-Right, David, ladies. -Yes? -Got hold of the dealer. | 0:21:34 | 0:21:36 | |
The very, very best she can do is £70. | 0:21:36 | 0:21:39 | |
-OK. -OK, we'll do it. -Excellent. Thank you, ladies. | 0:21:39 | 0:21:42 | |
-Good luck. -We have no other choice. | 0:21:42 | 0:21:44 | |
Thank you, Charles! | 0:21:44 | 0:21:46 | |
-Thank you, David. -But we like it as well. -Yes. | 0:21:46 | 0:21:48 | |
COCK CROWS That's it, teams. Time's up! | 0:21:48 | 0:21:52 | |
Well done, you two. | 0:21:52 | 0:21:53 | |
Let's remind ourselves what the Reds bought. | 0:21:53 | 0:21:55 | |
'First up, they both pored over this Royal Doulton Falstaff jug at £12.' | 0:21:57 | 0:22:01 | |
'They put the pressure on to get this 20th-century chrome barometer, | 0:22:03 | 0:22:07 | |
'£65 paid. | 0:22:07 | 0:22:10 | |
'And finally, this early 20th-century hat stretcher | 0:22:10 | 0:22:13 | |
'really stretched their budget at £90.' | 0:22:13 | 0:22:16 | |
Luke, tell me which item you like best. | 0:22:16 | 0:22:19 | |
I think the third item was my favourite, which was the milliner's block. | 0:22:19 | 0:22:22 | |
-Oh, right. -It's quite a distinctive piece, quite a lot of character. | 0:22:22 | 0:22:25 | |
So, we're hoping for a big win on that one. | 0:22:25 | 0:22:27 | |
Is it going to make the best profit? | 0:22:27 | 0:22:29 | |
I think so, we got it for a very good price. | 0:22:29 | 0:22:31 | |
Excellent, excellent. | 0:22:31 | 0:22:32 | |
Matthew, what was your favourite item? | 0:22:32 | 0:22:34 | |
Um, I have to agree with Luke. | 0:22:34 | 0:22:36 | |
My favourite item was the milliner's block, | 0:22:36 | 0:22:39 | |
and I'm pretty sure that's the best chance we have of making a profit. | 0:22:39 | 0:22:42 | |
Well, you spent £167. | 0:22:42 | 0:22:45 | |
Could I have £133, please? | 0:22:45 | 0:22:47 | |
-You can. There you go. -All right, OK. | 0:22:47 | 0:22:51 | |
Thank you, boys. I'll pass that right over to Danny. | 0:22:51 | 0:22:54 | |
-Thank you, Anita. -All right. | 0:22:54 | 0:22:56 | |
Now, Danny, have you any idea what you're going to buy for the boys? | 0:22:56 | 0:22:59 | |
Well, I think I'm going to go with the same strategy. | 0:22:59 | 0:23:02 | |
Something with a bit of risk. | 0:23:02 | 0:23:03 | |
While Danny goes off to take some risks, | 0:23:03 | 0:23:07 | |
Let's remind ourselves what the Blues bought. | 0:23:07 | 0:23:09 | |
'First up, Sylvia found a gem in this Victorian walnut and turquoise | 0:23:10 | 0:23:15 | |
'jewellery box at £50. | 0:23:15 | 0:23:18 | |
'Caroline thought this Art Nouveau photo frame was picture perfect | 0:23:18 | 0:23:22 | |
'for £50.' | 0:23:22 | 0:23:23 | |
'And finally, just in the nick of time, | 0:23:24 | 0:23:26 | |
'this early 20th century cut glass scent bottle cost £70.' | 0:23:26 | 0:23:32 | |
You loved all your items. | 0:23:32 | 0:23:34 | |
But what was your favourite one? | 0:23:34 | 0:23:35 | |
The walnut box with the turquoise and the brass, I loved that. | 0:23:35 | 0:23:40 | |
Ah, wonderful. Is that the item that's going to make the most | 0:23:40 | 0:23:43 | |
-profit, though? -No. | 0:23:43 | 0:23:45 | |
I think it will be the lovely Art Nouveau picture frame. | 0:23:45 | 0:23:49 | |
All right. Caroline, what was your favourite item? | 0:23:49 | 0:23:51 | |
It has to be the picture frame, I adored it. | 0:23:51 | 0:23:54 | |
-You loved it. -Yes! | 0:23:54 | 0:23:55 | |
Is it going to make the most profit? | 0:23:55 | 0:23:56 | |
You know, I think it will, because David got a fantastic price for it. | 0:23:56 | 0:24:00 | |
Wonderful, wonderful. So, you spent £170. | 0:24:00 | 0:24:05 | |
Could I have 130, please? | 0:24:05 | 0:24:08 | |
-There you are. -That's lovely. | 0:24:08 | 0:24:10 | |
I'll pass it straight over to David. | 0:24:10 | 0:24:11 | |
-What are you going to buy? -You know, Anita, I have no idea, | 0:24:11 | 0:24:14 | |
but whatever it is, I'm going to buy it with great energy, enthusiasm | 0:24:14 | 0:24:18 | |
and passion. | 0:24:18 | 0:24:19 | |
While David goes off to buy his bonus buy, | 0:24:19 | 0:24:22 | |
I'm going to travel 30 miles south to find out more | 0:24:22 | 0:24:27 | |
about an extraordinary discovery. | 0:24:27 | 0:24:29 | |
'The South Downs National Park is a picturesque setting, | 0:24:34 | 0:24:37 | |
'with rolling hills as far as the eye can see. | 0:24:37 | 0:24:40 | |
'But it also boasts the site of a phenomenal history, | 0:24:40 | 0:24:44 | |
'dating back to the Romans.' | 0:24:44 | 0:24:46 | |
It was here in 1811, local farmer George Tupper was ploughing | 0:24:46 | 0:24:51 | |
his field and hit on something hard underneath the soil. | 0:24:51 | 0:24:56 | |
'What he hit upon was the foundations of a large Roman villa. | 0:24:56 | 0:25:00 | |
'It was immediately excavated, | 0:25:00 | 0:25:02 | |
'where they then found numerous breathtaking Roman floor mosaics.' | 0:25:02 | 0:25:06 | |
'According to the experts, | 0:25:08 | 0:25:09 | |
'they are amongst the most magnificent in the entire Roman world.' | 0:25:09 | 0:25:14 | |
I've come to meet Lisa Tupper, | 0:25:15 | 0:25:17 | |
whose husband is a descendant of George Tupper. | 0:25:17 | 0:25:20 | |
So, this is the summer dining room. | 0:25:20 | 0:25:23 | |
Tell me about this mosaic. | 0:25:23 | 0:25:24 | |
So, here in this pictorial piece of the mosaic, we have Jupiter - | 0:25:24 | 0:25:28 | |
the King of the Gods. | 0:25:28 | 0:25:29 | |
Jupiter here is depicted as the eagle - | 0:25:29 | 0:25:31 | |
the King of the Roman Gods. | 0:25:31 | 0:25:33 | |
And he was flying across the top of Mount Ida when he spotted the boy | 0:25:33 | 0:25:37 | |
who he has in his talons now. | 0:25:37 | 0:25:39 | |
He was a shepherd boy. | 0:25:39 | 0:25:41 | |
His name was Ganymede, attending his flock of sheep. | 0:25:41 | 0:25:44 | |
Now, this is incredibly detailed. | 0:25:44 | 0:25:47 | |
What would that have told us about the family that lived here? | 0:25:47 | 0:25:50 | |
Well, we think it was a Roman gentleman who came to Britain, | 0:25:50 | 0:25:53 | |
married a British lady and started a small family here. | 0:25:53 | 0:25:56 | |
There would have been 70 family members living here | 0:25:56 | 0:25:58 | |
and they would have had between 300 and 400 slaves | 0:25:58 | 0:26:02 | |
to tend to the 2,000-acre farmland that they had. | 0:26:02 | 0:26:04 | |
And you've got something else that you found here? | 0:26:04 | 0:26:07 | |
Yes, we have the Roman ring here... | 0:26:07 | 0:26:10 | |
..which was found on the north corridor. | 0:26:11 | 0:26:13 | |
Not too far from where we're standing, in fact. | 0:26:13 | 0:26:16 | |
And that is a solid gold ring with a carnelian stone in the centre, | 0:26:16 | 0:26:20 | |
very similar to amber. | 0:26:20 | 0:26:22 | |
Engraved on that carnelian stone is the Goddess of Love and Beauty, | 0:26:22 | 0:26:25 | |
and that would be Venus. | 0:26:25 | 0:26:27 | |
Wow! | 0:26:27 | 0:26:28 | |
That is amazing. | 0:26:28 | 0:26:31 | |
This is what's called an intaglio ring, | 0:26:31 | 0:26:34 | |
where the stone is carved or incised to form a pattern. | 0:26:34 | 0:26:40 | |
And this centre stone in this intaglio part of it would be used as a seal. | 0:26:40 | 0:26:46 | |
-Right. -And these rings were used by important and wealthy Romans. | 0:26:46 | 0:26:53 | |
And these are greatly sought after. | 0:26:53 | 0:26:55 | |
I think that these rings from that period that are worth | 0:26:55 | 0:26:59 | |
many thousands of pounds. | 0:26:59 | 0:27:01 | |
But it really is part of the story of the villa and part of your family | 0:27:01 | 0:27:06 | |
-history as well. -It is. Thank you. | 0:27:06 | 0:27:08 | |
-So, I suppose you would be hanging onto it? -Definitely. | 0:27:08 | 0:27:12 | |
'The corridor where the ring was found is the second longest | 0:27:12 | 0:27:15 | |
'in the UK at 70 metres long, and it's a sight to behold.' | 0:27:15 | 0:27:19 | |
So, this is the north corridor. | 0:27:19 | 0:27:21 | |
This is a corridor that would have linked all of the rooms on the north | 0:27:21 | 0:27:24 | |
-wing together. -Tell me about it, how was this made? | 0:27:24 | 0:27:27 | |
This would have been laid directly onto the floor in situ, | 0:27:27 | 0:27:31 | |
with pre-cut tiles that your labourers would have cut for you. | 0:27:31 | 0:27:33 | |
And this would have taken four people about six weeks to lay. | 0:27:33 | 0:27:36 | |
So, six weeks for this floor! | 0:27:36 | 0:27:39 | |
But 18 months for Ganymede. | 0:27:39 | 0:27:41 | |
Yeah, a lot longer for the Ganymede because it's more intricate. | 0:27:41 | 0:27:45 | |
The Ganymede would have been laid in a workshop and you would make your | 0:27:45 | 0:27:49 | |
pattern, then you'd put a gluey substance, like rotten fish guts, | 0:27:49 | 0:27:51 | |
-for example... -Fish guts! | 0:27:51 | 0:27:53 | |
Nice! ..over the top. | 0:27:53 | 0:27:55 | |
lay down your linen, your material. | 0:27:55 | 0:27:57 | |
That then glues to the tiles and then you bring your mosaic to site | 0:27:57 | 0:28:01 | |
-and lay it in situ. -A bit messy, though? | 0:28:01 | 0:28:03 | |
Very! And a bit smelly! | 0:28:03 | 0:28:04 | |
This is fantastically beautiful. | 0:28:07 | 0:28:11 | |
Now, who is this? | 0:28:11 | 0:28:12 | |
This is Venus, the goddess of love and beauty, | 0:28:12 | 0:28:15 | |
depicted here with her nimbus, her crown. | 0:28:15 | 0:28:17 | |
This is one of the finest mosaics that we have at Bigner and probably | 0:28:17 | 0:28:21 | |
in the world. | 0:28:21 | 0:28:23 | |
Lisa, thank you so much for showing me these wonderful mosaics | 0:28:23 | 0:28:27 | |
and telling me about the grand Roman history of Bigner. | 0:28:27 | 0:28:31 | |
But now it's time to see if our teams can conquer the auction | 0:28:31 | 0:28:36 | |
and make profits that a Roman Emperor would be proud of. | 0:28:36 | 0:28:40 | |
I've travelled to Bellmans Auctioneers in West Sussex | 0:28:46 | 0:28:50 | |
to meet auctioneer Jonathan Pratt. Hello, Jonathan. | 0:28:50 | 0:28:53 | |
-Hi, Anita. -It's lovely to be here. | 0:28:53 | 0:28:55 | |
-Thank you, nice to see you, too. -Yeah. | 0:28:55 | 0:28:57 | |
Well, Reds first of all. | 0:28:57 | 0:28:59 | |
Luke and Matthew's first item was this Doulton character jug, Falstaff. | 0:28:59 | 0:29:05 | |
The market for the early character mugs, | 0:29:05 | 0:29:08 | |
they are the ones that make lots and lots of money. He's not a rarity. | 0:29:08 | 0:29:10 | |
No. What's your estimate? | 0:29:10 | 0:29:11 | |
-£20 to £40. -20 to 40. Well, they only paid £12. | 0:29:11 | 0:29:15 | |
-That seems fair enough to me. -So a possibility of a profit there. | 0:29:15 | 0:29:18 | |
-Yes. -Their second item was this rather attractive Alttmeter barometer. | 0:29:18 | 0:29:22 | |
What do you think of that? | 0:29:22 | 0:29:24 | |
Well, it's not terribly old, but it's something for a gentleman's desk, | 0:29:24 | 0:29:29 | |
and should be perfectly saleable. | 0:29:29 | 0:29:32 | |
At what price, Jonathan? | 0:29:32 | 0:29:34 | |
I've put £10 to £20 on it. | 0:29:34 | 0:29:35 | |
They paid £65. | 0:29:35 | 0:29:37 | |
If I get there I'll be really, really pleased. | 0:29:37 | 0:29:39 | |
-Yeah. -The pressure is on. | 0:29:39 | 0:29:41 | |
Their third item was this milliner's hat stretcher. | 0:29:41 | 0:29:45 | |
Tell me, what do you think of it? | 0:29:45 | 0:29:47 | |
Very tactile and you can see the age to it as well, | 0:29:47 | 0:29:50 | |
and it has a sculptural quality, and I think that's a really neat thing, | 0:29:50 | 0:29:53 | |
but it will have a limited appeal. | 0:29:53 | 0:29:56 | |
So, obviously I'll have to work hard on that one. | 0:29:56 | 0:29:59 | |
What's your estimate? | 0:29:59 | 0:30:00 | |
-£20 to £40. -20 to 40. | 0:30:00 | 0:30:02 | |
Well, Jonathan, you'll have to work really hard on that one, | 0:30:02 | 0:30:05 | |
because they've paid £90. | 0:30:05 | 0:30:08 | |
-OK, yeah. -It's a lot of money. | 0:30:08 | 0:30:09 | |
-It is, yeah. -It looks as if they might need their bonus buy. | 0:30:09 | 0:30:12 | |
So let's go and have a look at it. | 0:30:12 | 0:30:14 | |
Well, boys, you gave Danny 133. | 0:30:15 | 0:30:19 | |
Danny, did you spend it all? | 0:30:19 | 0:30:22 | |
I didn't spend it all, but I did take a risk. | 0:30:22 | 0:30:25 | |
-ANITA GASPS -I like a risk. | 0:30:25 | 0:30:27 | |
Let's see if you're going to risk this one. | 0:30:27 | 0:30:29 | |
Ah. | 0:30:29 | 0:30:31 | |
-Very nice. -What is it? | 0:30:31 | 0:30:32 | |
It is a 20th-century painted spice rack. | 0:30:32 | 0:30:38 | |
I just think the proportion was very well, | 0:30:38 | 0:30:40 | |
I think it can fit in anyone's room, fit in a nice kitchen. | 0:30:40 | 0:30:43 | |
-How much was it? -£35. | 0:30:43 | 0:30:45 | |
-OK, yeah. -Nice. | 0:30:45 | 0:30:47 | |
What do you think it could make at the auction, then? | 0:30:47 | 0:30:49 | |
£55, £75? | 0:30:49 | 0:30:51 | |
-OK, yeah. -I think there is definitely room for a profit. | 0:30:51 | 0:30:54 | |
-Yeah, I like it. -Practical. -You've done well, Danny. | 0:30:54 | 0:30:56 | |
They like it, Danny, they like it, | 0:30:56 | 0:30:58 | |
but you don't need to make up your mind just right now. | 0:30:58 | 0:31:01 | |
Wait until your first three items have been sold. | 0:31:01 | 0:31:03 | |
But in the meantime let's find out what the auctioneer | 0:31:03 | 0:31:07 | |
thinks of Danny's spice rack. | 0:31:07 | 0:31:09 | |
Danny bought this little spice drawer rack. | 0:31:10 | 0:31:14 | |
Actually it has quite a nice touch about it. | 0:31:14 | 0:31:16 | |
It is a bit contrived, this one, I think. | 0:31:16 | 0:31:18 | |
It looks like it has been rubbed down and whatnot, | 0:31:18 | 0:31:20 | |
but it's a nice colour and it's a nice finish and it's ready to go. | 0:31:20 | 0:31:23 | |
It's a perfectly functional item and it will sell very well. | 0:31:23 | 0:31:25 | |
-Estimate on that? -£50 to £80. -Well, they paid 35, so they could do well. | 0:31:25 | 0:31:30 | |
-Exactly. -Well, that's it for the Reds, and now onto the Blues. | 0:31:30 | 0:31:35 | |
The first item is this rather attractive walnut and gilt metal box. | 0:31:35 | 0:31:41 | |
What do you think of this, Jonathan? | 0:31:41 | 0:31:43 | |
This is a very typically late Victorian object with the sort of | 0:31:43 | 0:31:47 | |
cabochon to look like turquoise, and it's a nicely figured walnut, | 0:31:47 | 0:31:50 | |
and the metal mounts have still got gilt on them. | 0:31:50 | 0:31:52 | |
-It's all right, really, isn't it? -It's all right. Estimate on that? | 0:31:52 | 0:31:55 | |
-£50 to £80. -Well, they only paid £50. | 0:31:55 | 0:31:58 | |
-Yeah. -Their second item was the little Art Nouveau picture frame, | 0:31:58 | 0:32:02 | |
but there's not much to this little thing. | 0:32:02 | 0:32:04 | |
What it's got in it, it's got a lot of style, | 0:32:04 | 0:32:08 | |
and you can see the Art Nouveau in it and you can see the age in it, too, | 0:32:08 | 0:32:11 | |
but other than that, it's made with fairly low-cost metals. | 0:32:11 | 0:32:15 | |
-It's not terribly big, either. -OK. What's your estimate? | 0:32:15 | 0:32:18 | |
-£20 to £40. -Well, they paid £50 for it, | 0:32:18 | 0:32:20 | |
so they might struggle a wee bit with that. | 0:32:20 | 0:32:23 | |
Their third item - and Caroline loved this - | 0:32:23 | 0:32:25 | |
was the cut glass and silver topped scent bottle. | 0:32:25 | 0:32:29 | |
Tell me what you think about that particular one? | 0:32:29 | 0:32:31 | |
It's nicely cut, it's nice quality. | 0:32:31 | 0:32:33 | |
Actually the shape is really nice and if you've got some perfume | 0:32:33 | 0:32:36 | |
in there and the colour, it'd be quite a nice dressing table item. | 0:32:36 | 0:32:39 | |
I think we stand a chance of getting quite a good price for it. | 0:32:39 | 0:32:43 | |
Excellent. What's your estimate? | 0:32:43 | 0:32:45 | |
-£30 to £50. -30 to 50. Well, they paid £70. | 0:32:45 | 0:32:48 | |
If I got 70 for it I'd be delighted, but I'll work my best for it. | 0:32:48 | 0:32:51 | |
Yeah, yeah. They may need their bonus buy. | 0:32:51 | 0:32:54 | |
Let's go and have a look at it. | 0:32:54 | 0:32:56 | |
Sylvia, Caroline, you spent £170. | 0:32:57 | 0:33:01 | |
-Yes. -You gave David 130. | 0:33:01 | 0:33:04 | |
David, what did you buy? | 0:33:04 | 0:33:06 | |
-Are you ready, you two? -Yes. | 0:33:06 | 0:33:07 | |
-Oh! -That's lovely. -Isn't that pretty? | 0:33:09 | 0:33:12 | |
Do you know what it's made from? | 0:33:12 | 0:33:13 | |
-Onyx? -Onyx? | 0:33:13 | 0:33:15 | |
Yes, onyx. And the rim? | 0:33:15 | 0:33:17 | |
-Is it silver? -It is silver. -Oh, it is, it's real silver, too. | 0:33:17 | 0:33:21 | |
-Beautifully marked. -Marked. -And how old is it? | 0:33:21 | 0:33:23 | |
-1820? -Oh, right, now you're 100 years out. | 0:33:23 | 0:33:25 | |
1916. | 0:33:27 | 0:33:29 | |
How much did you spend? | 0:33:29 | 0:33:30 | |
Darling, forget the money side! | 0:33:30 | 0:33:32 | |
Oh good, we'll take it now! | 0:33:32 | 0:33:33 | |
-50 quid. -Oh, my goodness. | 0:33:34 | 0:33:37 | |
-That's good. -It's cheap enough, isn't it? | 0:33:37 | 0:33:39 | |
Oh, I think so. | 0:33:39 | 0:33:41 | |
-Cheap enough. -It's beautiful. So David, | 0:33:41 | 0:33:43 | |
how much do you think this will make at auction? | 0:33:43 | 0:33:45 | |
On a good day I don't see why somebody wouldn't pay £100 for it. | 0:33:45 | 0:33:48 | |
Girls, you don't need to make up your mind just right now. | 0:33:48 | 0:33:52 | |
Wait until your first three items have been sold, but in the meantime, | 0:33:52 | 0:33:55 | |
let's find out what the auctioneer thinks of David's onyx box. | 0:33:55 | 0:33:59 | |
So what do you think about David's bonus buy? | 0:34:00 | 0:34:03 | |
It's rather pretty, isn't it? | 0:34:03 | 0:34:05 | |
It is. You can see the striations of colour, | 0:34:05 | 0:34:08 | |
it's opaque but you can see through it a little bit, too. | 0:34:08 | 0:34:11 | |
It's a hard stone and I like that and it's silver mounted, dated 1916. | 0:34:11 | 0:34:14 | |
I think it's a really nice quality item, actually, | 0:34:14 | 0:34:17 | |
-and it would have been a very expensive object when it was first bought. -Yeah. | 0:34:17 | 0:34:20 | |
Can you tell me what's your estimate on that? | 0:34:20 | 0:34:22 | |
I'd certainly think £50 to £80. | 0:34:22 | 0:34:23 | |
Well, excellent, David only paid £50. | 0:34:23 | 0:34:26 | |
-Yeah. -Excellent. Are you our auctioneer today? | 0:34:26 | 0:34:28 | |
-I am indeed. -Oh, fantastic. | 0:34:28 | 0:34:30 | |
I can't wait. | 0:34:30 | 0:34:31 | |
Who's got five? | 0:34:36 | 0:34:37 | |
Luke, Matthew, auction day. | 0:34:38 | 0:34:41 | |
-How do you feel? -Great. | 0:34:41 | 0:34:43 | |
-You feel great? -Great. -A little bit nervous, but... -Ah. | 0:34:43 | 0:34:46 | |
Now, boys, your first item is the Royal Doulton character jug, | 0:34:46 | 0:34:50 | |
Falstaff. You only paid £12 for that, well done on that. | 0:34:50 | 0:34:54 | |
-Hopeful for that one. -Let's hope we can make a profit on it, | 0:34:54 | 0:34:57 | |
because it's coming up now. | 0:34:57 | 0:34:59 | |
Lot 321, the Royal Doulton character jug, Falstaff. | 0:34:59 | 0:35:04 | |
Start me £30 for it. | 0:35:04 | 0:35:06 | |
£20 then. 10, Oh, come on. | 0:35:06 | 0:35:09 | |
10 is bid, who's got 15? | 0:35:09 | 0:35:10 | |
Maiden bid. 12. | 0:35:10 | 0:35:13 | |
We are in. | 0:35:13 | 0:35:14 | |
-15. -Yes, we are into profit, boys. | 0:35:14 | 0:35:17 | |
£18 is bid. | 0:35:17 | 0:35:18 | |
20. Where's two? Come on. 20 here, where's two? | 0:35:18 | 0:35:20 | |
£20, any more at 20? | 0:35:20 | 0:35:22 | |
Fair warning. | 0:35:22 | 0:35:24 | |
-20. -Good start. -You're into profit, boys, that was a great start. | 0:35:24 | 0:35:29 | |
Plus £8, well done. | 0:35:29 | 0:35:31 | |
Your next item is the wonderful little scientific instrument. | 0:35:31 | 0:35:35 | |
It's the altimeter and barometer. | 0:35:35 | 0:35:38 | |
You paid £65 for that. | 0:35:38 | 0:35:40 | |
-We're doomed. -I'm a bit worried about that one. | 0:35:40 | 0:35:42 | |
-We're doomed. -Well, let's see what happens, | 0:35:42 | 0:35:44 | |
and it's coming up right now. | 0:35:44 | 0:35:46 | |
323, chrome on glass portable folding altimeter-barometer | 0:35:46 | 0:35:49 | |
by Dalvey. | 0:35:49 | 0:35:51 | |
Interest on the book, I've got £20 straightaway. | 0:35:51 | 0:35:53 | |
£20. 5, 30. 35. 35 in the red, where's 40? | 0:35:53 | 0:35:59 | |
40. £40 down here. | 0:35:59 | 0:36:00 | |
Anyone else, if you're interested, it's your last chance. | 0:36:00 | 0:36:03 | |
-Gentleman here, £40 and selling. -That's not too bad. | 0:36:03 | 0:36:05 | |
£40, hard luck, boys, I thought that would have done more. | 0:36:05 | 0:36:09 | |
So there was a minus of 25 on that, | 0:36:09 | 0:36:13 | |
which takes up you to minus 17. | 0:36:13 | 0:36:16 | |
-OK. -But, we have our third item coming up - | 0:36:16 | 0:36:19 | |
the marvellous hat stretcher. | 0:36:19 | 0:36:21 | |
-Yeah. -You paid £90 for that. | 0:36:21 | 0:36:24 | |
So good luck on that, boys. You could pull back. | 0:36:24 | 0:36:27 | |
-Let's hope so. -Here it is. | 0:36:27 | 0:36:29 | |
Lot 325, an early 20th century pine and steel table-top hat stretcher. | 0:36:29 | 0:36:36 | |
Commission on the books of £60. | 0:36:36 | 0:36:38 | |
Do want to go 5, madam? 65, 70 with me. | 0:36:38 | 0:36:40 | |
-Come on. -75, 80 with me. | 0:36:40 | 0:36:42 | |
85, 90 with me. | 0:36:42 | 0:36:43 | |
-Oh, yes. -95, 100 with me. | 0:36:43 | 0:36:45 | |
-Yes! -110. | 0:36:45 | 0:36:46 | |
And I'm out now, it's 110. On the left at £110. | 0:36:46 | 0:36:48 | |
110 with the lady standing. | 0:36:48 | 0:36:51 | |
Lady's bid fair warning, 110. | 0:36:51 | 0:36:53 | |
110, well done, that was brilliant, boys, that was brilliant. | 0:36:53 | 0:36:57 | |
That's plus 20. | 0:36:57 | 0:36:59 | |
So that's taking you back into profit. | 0:36:59 | 0:37:01 | |
You are now plus 3. | 0:37:01 | 0:37:04 | |
Are you going to take your bonus buy? | 0:37:04 | 0:37:06 | |
Danny paid £35 for the little spice cabinet. | 0:37:06 | 0:37:11 | |
-Are you going to take it, boys? -Yeah, definitely. | 0:37:11 | 0:37:13 | |
-Definitely. -We'll put our faith with Danny. | 0:37:13 | 0:37:15 | |
-We trust you, Danny. -He's guided us so far. | 0:37:15 | 0:37:17 | |
-You're the one. -Good luck, boys. | 0:37:17 | 0:37:19 | |
It's coming up now. | 0:37:19 | 0:37:21 | |
Lot 331, a blue-painted pine hanging nine-drawer cupboard-spice rack. | 0:37:21 | 0:37:27 | |
I've got £60 on commission. | 0:37:27 | 0:37:31 | |
60, where's 5 then? | 0:37:31 | 0:37:33 | |
Straight for the kitchen this, come on, £60, where's 5? | 0:37:33 | 0:37:36 | |
£60, it's not a lot of money, this. | 0:37:36 | 0:37:37 | |
£60, anyone else in the room? | 0:37:37 | 0:37:39 | |
You're all scared now, aren't you? £60. Any more at £60? | 0:37:39 | 0:37:42 | |
I'm going to sell it, then. | 0:37:42 | 0:37:43 | |
It's your last chance, 60, 60, 60's going, all done? | 0:37:43 | 0:37:46 | |
£60, you nearly doubled your money, Danny. | 0:37:47 | 0:37:51 | |
That's terrific. So that's a marvellous profit of £25 | 0:37:51 | 0:37:55 | |
on that lot, which takes you in total to plus 28. | 0:37:55 | 0:38:00 | |
Congratulations, boys. | 0:38:00 | 0:38:02 | |
-That's brilliant. -Congratulations. | 0:38:02 | 0:38:04 | |
-Oh, Danny. -Thank you, Danny. | 0:38:04 | 0:38:06 | |
That could be a winning score. | 0:38:06 | 0:38:09 | |
I sure hope so. | 0:38:09 | 0:38:11 | |
But don't say a word to the Blues. | 0:38:11 | 0:38:14 | |
Sylvia, Caroline, auction day, the room is packed, | 0:38:19 | 0:38:24 | |
the auctioneer is in fine voice. | 0:38:24 | 0:38:28 | |
Tell me how you girls feel. | 0:38:28 | 0:38:30 | |
Butterflies. | 0:38:30 | 0:38:31 | |
I'm looking forward to it. | 0:38:33 | 0:38:35 | |
-Great. -It will be great fun. | 0:38:35 | 0:38:36 | |
Your first item is that lovely Victorian box with the marvellous | 0:38:36 | 0:38:41 | |
turquoise-like cabochon stones. | 0:38:41 | 0:38:44 | |
You paid £50 for it. | 0:38:44 | 0:38:46 | |
Let's hope for profits because it's coming up right now. | 0:38:46 | 0:38:50 | |
Lot 347, a Victorian walnut and gilt metal-bound | 0:38:50 | 0:38:53 | |
domed topped jewellery box. | 0:38:53 | 0:38:56 | |
35 on the book straightaway. | 0:38:56 | 0:38:57 | |
35, 40 and 5. | 0:38:57 | 0:38:58 | |
50 and 5. 60 and 5. | 0:38:58 | 0:39:00 | |
70 and 5. | 0:39:00 | 0:39:01 | |
80, I'm out now. £80. | 0:39:01 | 0:39:03 | |
£80, where's 5? | 0:39:03 | 0:39:04 | |
On the right, £80, looking for 5. | 0:39:04 | 0:39:06 | |
At 80, I'll sell. No other bids in the room. | 0:39:06 | 0:39:08 | |
Selling to you, sir, at £80, fair warning. | 0:39:08 | 0:39:11 | |
-£80. -£80. -How good is that? -Wonderful. -Wonderful, girls. | 0:39:11 | 0:39:14 | |
That is wonderful! | 0:39:14 | 0:39:15 | |
Plus £30 on your first item. | 0:39:15 | 0:39:19 | |
Plus 30. | 0:39:19 | 0:39:21 | |
Second item is that lovely little Art Nouveau photograph frame. | 0:39:21 | 0:39:26 | |
Simple, yet elegant. | 0:39:26 | 0:39:28 | |
-Yes. -You paid £50 for it. | 0:39:28 | 0:39:30 | |
-Yeah. -Good luck, girls, because it's coming up now. | 0:39:30 | 0:39:34 | |
Lot 349, an Art Nouveau gilt metal framed photograph frame. | 0:39:34 | 0:39:38 | |
And with this, starting with me, I've got £25. | 0:39:38 | 0:39:42 | |
Come on. £25, come on. | 0:39:42 | 0:39:44 | |
-£30 anyone? -Come on. -Maiden bid of £25. | 0:39:44 | 0:39:47 | |
-Push it. -Not looking like it, it's £25, I have to sell it. | 0:39:47 | 0:39:51 | |
At £25, all done. | 0:39:51 | 0:39:52 | |
No. | 0:39:52 | 0:39:54 | |
Oh, hard luck, girls. | 0:39:54 | 0:39:56 | |
Get it in one hand and you lose it. | 0:39:56 | 0:39:58 | |
That's minus 25. But you're still in profit, girls, with £5. | 0:39:58 | 0:40:03 | |
Let's hope we can make profits on the third item. | 0:40:03 | 0:40:06 | |
It's the little scent bottle with the silver cap. | 0:40:06 | 0:40:11 | |
So good luck on this one. | 0:40:11 | 0:40:13 | |
Coming up now. | 0:40:13 | 0:40:14 | |
Lot 351, an early 20th century glass bottle with a Birmingham hallmark, | 0:40:14 | 0:40:19 | |
1923 mount and cover. | 0:40:19 | 0:40:20 | |
I've got on the book 25. | 0:40:20 | 0:40:22 | |
£30 to start. We're starting at £30, 35 and 40 with me. | 0:40:22 | 0:40:25 | |
-Come on. -45, I'm out now. | 0:40:25 | 0:40:26 | |
45 here. Looking for 50 now. | 0:40:26 | 0:40:28 | |
45, come on, ladies. | 0:40:28 | 0:40:30 | |
£45, no. | 0:40:30 | 0:40:31 | |
It's 45 down here. Selling at £45, gone quiet. | 0:40:31 | 0:40:33 | |
Your bid, sir, at 45 I shall sell. | 0:40:33 | 0:40:36 | |
It's going £45. | 0:40:36 | 0:40:38 | |
£45, girls, I really thought that would've gone further. | 0:40:38 | 0:40:42 | |
I thought so. Yeah, I would've thought so. | 0:40:42 | 0:40:44 | |
So hard luck on that one. | 0:40:44 | 0:40:46 | |
So that was a loss of £25 on that... | 0:40:46 | 0:40:50 | |
-Yeah. -..which takes you to an overall loss of minus 20. | 0:40:50 | 0:40:56 | |
Girls, at this point, you have to make up your mind. | 0:40:56 | 0:40:59 | |
Do you want to take David's bonus buy? | 0:40:59 | 0:41:02 | |
-Yes. -Absolutely yes. | 0:41:02 | 0:41:03 | |
Yes, yes, yes. | 0:41:03 | 0:41:05 | |
David paid £50. | 0:41:05 | 0:41:08 | |
You're going to take it, and it could pull you back into profit. | 0:41:08 | 0:41:12 | |
-It could, yes. -Good luck, girls. | 0:41:12 | 0:41:14 | |
It's coming up now. | 0:41:14 | 0:41:15 | |
Lot 357, an early 20th century onyx-lidded box of spherical form. | 0:41:15 | 0:41:20 | |
London 1916. | 0:41:20 | 0:41:21 | |
It's a really nice quality object, this. | 0:41:21 | 0:41:23 | |
Someone start me at £40. | 0:41:23 | 0:41:26 | |
£20. | 0:41:26 | 0:41:27 | |
-Wow. -Got to be £20. | 0:41:27 | 0:41:28 | |
£10 then. | 0:41:28 | 0:41:29 | |
-Oh. Oh. -£10 I'm bid. | 0:41:29 | 0:41:31 | |
-Silver mounted on its 1916 box. -I don't believe it! | 0:41:31 | 0:41:35 | |
I've got 25. 30. | 0:41:35 | 0:41:37 | |
£30 at the back, and selling at 30. | 0:41:37 | 0:41:40 | |
It's going at 30. | 0:41:40 | 0:41:41 | |
-Surprised and disappointed. £30. -GAVEL BANGS | 0:41:41 | 0:41:44 | |
£30, oh girls, I'm disappointed. | 0:41:44 | 0:41:48 | |
-I know. -We all had faith in it. | 0:41:48 | 0:41:50 | |
-Yeah, that's right. -So minus 20 on the little box, | 0:41:50 | 0:41:52 | |
which takes your overall score to minus 40. | 0:41:52 | 0:41:56 | |
-Oh, dear. -Oh, well. | 0:41:56 | 0:41:58 | |
-Oh, dear. I've known worse. -Oh, yes? | 0:41:58 | 0:41:59 | |
You've seen the programme before, then? | 0:41:59 | 0:42:01 | |
I've seen the programme before. | 0:42:01 | 0:42:03 | |
I've also known better. | 0:42:03 | 0:42:05 | |
-I've known better. -But girls, it could be a winning score. | 0:42:05 | 0:42:08 | |
It could, yeah, yeah. | 0:42:08 | 0:42:10 | |
So don't say a word to the Reds. | 0:42:10 | 0:42:11 | |
No, no, no, no. | 0:42:11 | 0:42:13 | |
Well, gals, guys, did we have a good time? | 0:42:19 | 0:42:24 | |
-ALL: -Yes! -It was great fun, wasn't it? | 0:42:24 | 0:42:26 | |
-It was terrific. -Well, in Bargain Hunt, we have winners | 0:42:26 | 0:42:29 | |
and we have runners-up. | 0:42:29 | 0:42:32 | |
And today's runners-up | 0:42:32 | 0:42:34 | |
are the Blues. | 0:42:34 | 0:42:36 | |
Girls, you bought beautiful, stylish items. | 0:42:37 | 0:42:42 | |
-Yep. -But it's just, unfortunately, two of them didn't make profits. | 0:42:42 | 0:42:47 | |
In the end, girls, you're minus 40. | 0:42:47 | 0:42:50 | |
Today's winners were the boys. | 0:42:50 | 0:42:53 | |
You spent a lot of money on that milliner's hat block. | 0:42:53 | 0:42:57 | |
You paid £90 for that. | 0:42:57 | 0:43:00 | |
Were you a wee bit worried about that just before it come up? | 0:43:00 | 0:43:03 | |
No, I was always confident it would make the profit deserved. | 0:43:03 | 0:43:05 | |
I don't believe it! | 0:43:05 | 0:43:06 | |
Yeah, well, it came good in the end. | 0:43:09 | 0:43:11 | |
You were plus 28. | 0:43:11 | 0:43:13 | |
Who will I give the money to? | 0:43:13 | 0:43:15 | |
-I'll keep that. -That's for both of you. | 0:43:15 | 0:43:19 | |
If you would like to find out more about Bargain Hunt, | 0:43:19 | 0:43:22 | |
check out our website or follow us on Twitter. | 0:43:22 | 0:43:25 | |
But best of all, join us soon for more Bargain Hunting! | 0:43:25 | 0:43:29 | |
-Yes? ALL: -Yes! | 0:43:29 | 0:43:31 |