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Hello and welcome to a rather windy York. | 0:00:02 | 0:00:04 | |
The building behind me is York Minster and it's massive. | 0:00:04 | 0:00:09 | |
Size clearly mattered when building this Gothic cathedral. | 0:00:09 | 0:00:12 | |
It's an impressive 160 metres long | 0:00:12 | 0:00:15 | |
and 76 metres wide, | 0:00:15 | 0:00:16 | |
and there's 275 steps to climb to get to the top of the lantern tower, | 0:00:16 | 0:00:21 | |
the highest spot in York. | 0:00:21 | 0:00:23 | |
No wonder it took over 250 years to build, but now | 0:00:23 | 0:00:26 | |
for some sightseeing of a different kind as we track down today's | 0:00:26 | 0:00:30 | |
teams who are going to be exploring the antiques centres of York, | 0:00:30 | 0:00:35 | |
so let's go Bargain Hunting. | 0:00:35 | 0:00:38 | |
Armed with £300 and plenty to choose from, | 0:01:01 | 0:01:04 | |
our teams have got one hour to buy three items that | 0:01:04 | 0:01:07 | |
hopefully will give them a profit when they take them to auction. | 0:01:07 | 0:01:10 | |
So let's see what's coming up. | 0:01:10 | 0:01:13 | |
The Reds need a steady nerve. | 0:01:13 | 0:01:15 | |
All breakages must be paid for. | 0:01:15 | 0:01:18 | |
No pressure. | 0:01:18 | 0:01:20 | |
Oh! | 0:01:20 | 0:01:21 | |
Oh, my God! | 0:01:21 | 0:01:22 | |
Jonathan has jitters about the time. | 0:01:22 | 0:01:25 | |
-It's your choice. -No, not necessarily. | 0:01:25 | 0:01:28 | |
And will the tension be at fever pitch at the auction for the Reds? | 0:01:28 | 0:01:34 | |
-And for the Blues? -Yes! | 0:01:34 | 0:01:36 | |
Well, all that is coming up later, but let's meet today's teams. | 0:01:37 | 0:01:41 | |
Today we're keeping it in the family. | 0:01:41 | 0:01:44 | |
For the Reds we've got Igraine and her daughter Mary | 0:01:44 | 0:01:48 | |
and for the Blues we've got Pamela and her son Simon. | 0:01:48 | 0:01:51 | |
-Hello. ALL: -Hello. | 0:01:51 | 0:01:53 | |
Tell me, Igraine, why did you choose Mary to be your partner today? | 0:01:53 | 0:01:57 | |
Well, originally I wanted to come on with my husband | 0:01:57 | 0:02:01 | |
-and he said, "I'm not going on." -Cold feet? -Yes. | 0:02:01 | 0:02:04 | |
-Yeah. -So, I thought, who can I think of? | 0:02:04 | 0:02:06 | |
So I thought Mary might be up for the challenge. | 0:02:06 | 0:02:09 | |
-Because she's your daughter. -Yes. -I don't mind being second choice. | 0:02:09 | 0:02:12 | |
-No. -We've got completely different tastes so it will work better. | 0:02:12 | 0:02:15 | |
Good. Excellent. Well, you've got lots of friends | 0:02:15 | 0:02:18 | |
-but a significant number of them are feathered friends. -Yes. | 0:02:18 | 0:02:22 | |
You keep ravens. | 0:02:22 | 0:02:23 | |
Well, I'm Her Majesty's keeper of ravens at Knaresborough Castle. | 0:02:23 | 0:02:26 | |
But you're one up, aren't you, on the keeper of ravens | 0:02:26 | 0:02:29 | |
-at the Tower of London? -We've got more than him at the moment. | 0:02:29 | 0:02:32 | |
So when you're not looking after the ravens, | 0:02:32 | 0:02:34 | |
-what do you do to unwind? -I'm a blacksmith. | 0:02:34 | 0:02:37 | |
-You're a blacksmith? -Yeah, my father was a blacksmith, | 0:02:37 | 0:02:40 | |
so when I'm not with the ravens | 0:02:40 | 0:02:42 | |
I make wine racks and that kind of thing. | 0:02:42 | 0:02:44 | |
There you are. Tell me, Mary, you've got quite a responsible job | 0:02:44 | 0:02:47 | |
insofar as you work for the NHS, but before then I believe you were | 0:02:47 | 0:02:50 | |
-in fashion. -I've got a degree in fashion marketing and promotion, | 0:02:50 | 0:02:54 | |
so that gave me the ability to do quite a lot of internships. | 0:02:54 | 0:02:56 | |
-For example, I did one at Vivienne Westwood. -Have you met the great lady? | 0:02:56 | 0:02:59 | |
-I have, yes. -Have you? | 0:02:59 | 0:03:01 | |
I've been to Paris to go on her Gold Label show. | 0:03:01 | 0:03:03 | |
It was quite an honour. | 0:03:03 | 0:03:05 | |
What do you two know about the world of antiques and collectables? | 0:03:05 | 0:03:09 | |
Well, I like Moorcroft, silver, | 0:03:09 | 0:03:13 | |
I collect coins, but only crowns. | 0:03:13 | 0:03:15 | |
She's more actually a hoarder, so she likes to hoard things | 0:03:15 | 0:03:19 | |
that she thinks are going to be antiques one day. | 0:03:19 | 0:03:21 | |
So, Mary, do you collect anything yourself? | 0:03:21 | 0:03:23 | |
I used to collect Vogue magazines from 1999-2009. | 0:03:23 | 0:03:29 | |
I had every edition, but when I went to uni I thought it would be | 0:03:29 | 0:03:32 | |
a good idea to cut them all up. There's not even one I've got left. | 0:03:32 | 0:03:36 | |
When it comes to the tactics today, who's going to be in charge? | 0:03:36 | 0:03:39 | |
-Me. -You? | 0:03:39 | 0:03:41 | |
Well, she likes to think she will be. | 0:03:41 | 0:03:43 | |
-Yes. -I have to cut in when she's being ridiculous. | 0:03:43 | 0:03:46 | |
OK. All right, well, listen, all the best of luck. | 0:03:46 | 0:03:49 | |
Turning my attention to the Blues. | 0:03:49 | 0:03:51 | |
So, Pamela, why did you choose your team-mate today? | 0:03:51 | 0:03:54 | |
-He was actually my first choice. -Was he? -He was. | 0:03:54 | 0:03:57 | |
Don't feel upset, Mary. | 0:03:57 | 0:03:59 | |
OK, excellent. | 0:03:59 | 0:04:01 | |
I know that you're retired, but you've had quite a busy career. | 0:04:01 | 0:04:05 | |
Tell me a little bit about that. | 0:04:05 | 0:04:07 | |
Well, I trained as a journalist in London and then I went into | 0:04:07 | 0:04:11 | |
marketing and PR and advertising | 0:04:11 | 0:04:12 | |
and then I came back and ended up in Leeds, actually. | 0:04:12 | 0:04:15 | |
Leeds and Harrogate and York sort of area. | 0:04:15 | 0:04:18 | |
Again in the leisure and hotel industry, | 0:04:18 | 0:04:21 | |
-but in a PR and marketing capacity. -Simon, you are into your music. | 0:04:21 | 0:04:25 | |
I am indeed. I have been in lots of different bands as a front singer | 0:04:25 | 0:04:29 | |
and I play a bit of guitar myself. | 0:04:29 | 0:04:32 | |
-You're a bit of an actor. -Yeah, I do mainly stage and theatrical. | 0:04:32 | 0:04:36 | |
So, have you both got a knowledge of antiques? | 0:04:36 | 0:04:39 | |
My parents were very interested in antiques and Simon has sort of grown | 0:04:39 | 0:04:42 | |
-up with antiques. -Yeah. | 0:04:42 | 0:04:43 | |
There is something aesthetically special about them cos | 0:04:43 | 0:04:46 | |
I have this sense of history with them and who has used them before. | 0:04:46 | 0:04:49 | |
I'm feeling electricity here. | 0:04:49 | 0:04:52 | |
-That's my way of thinking. -They speak to me, actually. | 0:04:52 | 0:04:54 | |
-They do. -I have a great affection for them, and we enjoy | 0:04:54 | 0:04:57 | |
watching some of the antique programmes on the television. | 0:04:57 | 0:05:00 | |
I like going round car boots, maybe charity shops. | 0:05:00 | 0:05:03 | |
I only buy what I like. I'm not going to buy something I don't like. | 0:05:03 | 0:05:06 | |
-Yeah. -Cos if I don't make money on it and I have to keep it, | 0:05:06 | 0:05:09 | |
at least I'll like it. | 0:05:09 | 0:05:10 | |
All right, Blues, what about your tactics today? | 0:05:10 | 0:05:12 | |
We'll work as a team primarily. | 0:05:12 | 0:05:14 | |
I think we will. What we thought is maybe Simon choose one thing, | 0:05:14 | 0:05:17 | |
I choose another and then we jointly choose a third. | 0:05:17 | 0:05:19 | |
-Yeah, that's it. -Well, I can see you're both keen to do some spending | 0:05:19 | 0:05:23 | |
but, before you do that, you're going to need some money. | 0:05:23 | 0:05:26 | |
So there we go. Igraine, there's £300. | 0:05:26 | 0:05:29 | |
Pamela, £300. | 0:05:29 | 0:05:32 | |
This is the part where you then go off to meet your respected experts, | 0:05:32 | 0:05:36 | |
-so I'll see you later, OK. -OK. -Bye. | 0:05:36 | 0:05:38 | |
I think that we're in for something of a very interesting competition. | 0:05:38 | 0:05:42 | |
All our teams need now are their experts. | 0:05:44 | 0:05:46 | |
Sliding into action for the Reds, it's Nick Hall. | 0:05:48 | 0:05:51 | |
And hats off for the Blues, it's Jonathan Pratt. | 0:05:54 | 0:05:57 | |
So, teams, what's the plan? | 0:05:59 | 0:06:01 | |
Now, Mary, what are you looking for today? | 0:06:01 | 0:06:03 | |
I'm really interested in something Art Deco. | 0:06:03 | 0:06:06 | |
Good thinking, cos it's bang on trend. | 0:06:06 | 0:06:08 | |
Well, something perhaps a little quirky and different. | 0:06:08 | 0:06:11 | |
-Arts and Crafts. -Fantastic. Again, really on trend. | 0:06:11 | 0:06:14 | |
I'll probably try to look for something Parisian-style, | 0:06:14 | 0:06:16 | |
-maybe shabby chic and potentially a little bit of silver. -OK. | 0:06:16 | 0:06:20 | |
Right, teams, your time starts now. | 0:06:20 | 0:06:22 | |
Well, let's go and get some shopping done. Come on. | 0:06:23 | 0:06:26 | |
-Let's go and have a look. -Yeah. | 0:06:26 | 0:06:27 | |
It looks like the teams have gone their separate ways. | 0:06:27 | 0:06:30 | |
The Reds are starting in the Red House Antiques Centre... | 0:06:30 | 0:06:32 | |
We should get stuck straight in. Come on, after you two. | 0:06:32 | 0:06:35 | |
..and the Blues the Antiques Centre of York. | 0:06:35 | 0:06:38 | |
The danger is you just can't see anything because there's so much. | 0:06:41 | 0:06:44 | |
-You just have to really focus in. -Home in. -Absolutely right, home in. | 0:06:44 | 0:06:47 | |
Good advice, Nick. | 0:06:47 | 0:06:49 | |
These places have lots and lots of things in, almost too much. | 0:06:49 | 0:06:53 | |
Yes, almost too much. | 0:06:53 | 0:06:54 | |
Remain focused and you'll be fine, teams. | 0:06:54 | 0:06:57 | |
Wow, look at all that silver glittering. | 0:06:57 | 0:06:59 | |
You like your silver, you two? | 0:06:59 | 0:07:00 | |
It's a case of finding nice, little unusual small bits of silver. | 0:07:00 | 0:07:03 | |
-And hallmarks as well, that is the key. -Yes. | 0:07:03 | 0:07:06 | |
Keep looking, girls, get those eyes peeled. | 0:07:06 | 0:07:08 | |
That's the spirit. | 0:07:08 | 0:07:10 | |
Pamela, anything taken your fancy? | 0:07:10 | 0:07:13 | |
I quite like that. | 0:07:13 | 0:07:14 | |
-The little box with the miniature in? -Yes. | 0:07:14 | 0:07:17 | |
It's nicely painted, | 0:07:17 | 0:07:19 | |
and it could be a painting of the lady who once owned it, you know. | 0:07:19 | 0:07:22 | |
-How much is it? 125? -You've got to remember we've only got 300. | 0:07:22 | 0:07:25 | |
We need to get it for 85. | 0:07:25 | 0:07:26 | |
Sounds like Pamela might be a negotiator. | 0:07:26 | 0:07:29 | |
Reds, have you spotted something off your shopping list? | 0:07:29 | 0:07:32 | |
I think you mentioned earlier, Mary, that you like Art Deco. | 0:07:32 | 0:07:35 | |
-There's nothing more Art Deco than Clarice Cliff. -Right. | 0:07:35 | 0:07:39 | |
One of the great ceramic designers of the 20th century. | 0:07:39 | 0:07:42 | |
-Very collectable as well. -£178. -It is. | 0:07:42 | 0:07:45 | |
-I do like it. -It's a lot of money, isn't it, really? | 0:07:45 | 0:07:47 | |
I've also noticed there's little bits of chips to the paintwork | 0:07:47 | 0:07:51 | |
around the rim as well, | 0:07:51 | 0:07:52 | |
which to a collector might be a little bit off-putting. | 0:07:52 | 0:07:55 | |
I just don't think there's any profit left in it, | 0:07:55 | 0:07:57 | |
-and that's the key today, really, isn't it? -Yeah. | 0:07:57 | 0:07:59 | |
Certainly is. Simon, are you having better luck? | 0:07:59 | 0:08:02 | |
What do you think of that? | 0:08:02 | 0:08:04 | |
-The box? -Yeah. -Well, you've gone with a French-style thing. | 0:08:04 | 0:08:06 | |
The style of it is sort of Louis XV, you know, | 0:08:06 | 0:08:08 | |
-that mid-18th century, Rococo... -I think it is very decorative. | 0:08:08 | 0:08:12 | |
-It's unusual. -It is marked WMF, | 0:08:12 | 0:08:14 | |
which is the metalwork factory in Austria, circa 1900. | 0:08:14 | 0:08:18 | |
So it's obviously not silver, then? | 0:08:18 | 0:08:19 | |
Exactly, it's a spelter, silver-plated spelter. | 0:08:19 | 0:08:22 | |
It's got a fairly weighty price tag on it. | 0:08:22 | 0:08:24 | |
You know, it's a usable object, its decorative. It's possible, then? | 0:08:24 | 0:08:28 | |
Possible, yeah. | 0:08:28 | 0:08:29 | |
One for consideration, Blues. | 0:08:29 | 0:08:31 | |
Ten minutes in. Reds, are you starting to hone in on anything? | 0:08:31 | 0:08:34 | |
What will it be? Is it a pill box or... | 0:08:34 | 0:08:36 | |
-Well... -..something you'd have on your dressing table? | 0:08:36 | 0:08:40 | |
It would be a little lady's probably little pill box. | 0:08:40 | 0:08:43 | |
It's just a sweet, little thing. | 0:08:43 | 0:08:45 | |
I've noticed the price on it says £58. | 0:08:45 | 0:08:47 | |
If it's only £58 and there's a bit of a discount | 0:08:47 | 0:08:50 | |
and it is 18th-century | 0:08:50 | 0:08:52 | |
then there might be a little bit of profit left on that. | 0:08:52 | 0:08:54 | |
I think we'll have to get it out of the cabinet and check it out. | 0:08:54 | 0:08:57 | |
So the Reds are getting into the groove. | 0:08:57 | 0:09:00 | |
Has this ashtray come up trumps for the Blues? | 0:09:00 | 0:09:02 | |
I think this is quite fun. Obviously it's smoking, which | 0:09:02 | 0:09:04 | |
maybe is not so fashionable, but there are still people who smoke. | 0:09:04 | 0:09:07 | |
-There are. -It's got these sort of printed different cards | 0:09:07 | 0:09:10 | |
on either side. I think it's quite a cool thing cos Carlton Ware | 0:09:10 | 0:09:12 | |
-is quite a well-known name. -Yes. -Indeed. | 0:09:12 | 0:09:14 | |
You sort of associate it with porcelain | 0:09:14 | 0:09:16 | |
from the early part of the 20th century. | 0:09:16 | 0:09:18 | |
It's cards so it's quite nice for different collectors. | 0:09:18 | 0:09:20 | |
-I like playing cards. -I think if we could get it for about 18. 15 or 18. | 0:09:20 | 0:09:23 | |
I'd say 15 if we can. | 0:09:23 | 0:09:25 | |
-The price tag is only £28. -I think we should look at it. | 0:09:25 | 0:09:28 | |
I think you should look at it. | 0:09:28 | 0:09:29 | |
Go and track down the shop owner, Jonathan. | 0:09:29 | 0:09:32 | |
Nick, have you managed to get a key for the cabinet? | 0:09:32 | 0:09:35 | |
So, now, there it is. How pretty is that? | 0:09:35 | 0:09:38 | |
This is all hand-painted on here and all around the front. | 0:09:38 | 0:09:40 | |
There we go. It's French. | 0:09:42 | 0:09:43 | |
This is the Sevres porcelain factory mark, but this isn't an early piece. | 0:09:43 | 0:09:49 | |
That dates to maybe sort of 1900. | 0:09:49 | 0:09:51 | |
-I was hoping it was going to be 18th century. -Oh, right, yeah. | 0:09:51 | 0:09:54 | |
What do they want for it? It was £58. | 0:09:54 | 0:09:56 | |
It's going to be still 50-something pounds, isn't it? | 0:09:56 | 0:09:59 | |
I think of that period... | 0:09:59 | 0:10:01 | |
-Probably not. -It's maybe 30-50, auctioneer's estimate, | 0:10:01 | 0:10:05 | |
so you've got to really get to the top end of the auction estimate | 0:10:05 | 0:10:08 | |
to even get your money back. That might be a bit of a struggle. | 0:10:08 | 0:10:11 | |
Bad luck, Reds. Keep persevering. | 0:10:11 | 0:10:13 | |
It seems the Blues are taking a closer look at the ashtray. | 0:10:15 | 0:10:18 | |
-Any damage? -No. -Not really. | 0:10:18 | 0:10:20 | |
Think of this, it's made of porcelain, which is very | 0:10:20 | 0:10:22 | |
highly fired, so you want to check there's no cracks or chips. | 0:10:22 | 0:10:24 | |
-It's in good condition. -There is just a tiny little bit of a scratch | 0:10:24 | 0:10:27 | |
but there is no visible major damage. | 0:10:27 | 0:10:29 | |
You don't want wear, you don't want chip in colour. | 0:10:29 | 0:10:31 | |
-So it looks fairly crisp. -Yeah, it does. | 0:10:31 | 0:10:33 | |
For the right price, we should go for it, yeah. | 0:10:33 | 0:10:35 | |
-What could be your best price on this? -I'll have to call the dealer. | 0:10:35 | 0:10:38 | |
-OK. -OK. -I personally... What would you say? | 0:10:38 | 0:10:40 | |
-Well, if I was here on my own... -I'm thinking £18. | 0:10:40 | 0:10:42 | |
-Yeah, about 18 quid. -Say £18 and see what he comes back with. -Yeah. | 0:10:44 | 0:10:48 | |
-I mean, you know... -Or say 15 and see if he says 18! | 0:10:48 | 0:10:51 | |
That's what I'd do. Just ask. | 0:10:51 | 0:10:53 | |
He may have picked it up for 50p from a jumble sale, you don't know. | 0:10:53 | 0:10:56 | |
No pressure, then. Meanwhile, the Reds haven't moved. | 0:10:56 | 0:10:59 | |
Maybe this might bring you a profit at auction. | 0:10:59 | 0:11:02 | |
Now, we're moving into the Art Nouveau period here. | 0:11:02 | 0:11:06 | |
-Yes. -Cos you've got this sort of sinuous, flowing lines, | 0:11:06 | 0:11:11 | |
and this body is sort of what we call Majolica Ware. | 0:11:11 | 0:11:14 | |
Majolica is a general term for pottery that's covered | 0:11:14 | 0:11:17 | |
with an opaque glaze that conceals the colour of the clay body. | 0:11:17 | 0:11:21 | |
-What do you like about it? -I like the colours - | 0:11:21 | 0:11:24 | |
the background in against the green, the design of the flowers. | 0:11:24 | 0:11:28 | |
-Well, the muted hues. -Yes. It just... | 0:11:28 | 0:11:31 | |
It's just one of those things that sort of jumps out at you. | 0:11:31 | 0:11:35 | |
-Yeah. What about you, Mary? -I do like it. I agree with Mum there. | 0:11:35 | 0:11:38 | |
Well, you can see it's got £48 written on there. | 0:11:38 | 0:11:41 | |
-We know we can get 10% off that. -Yeah. -So... | 0:11:41 | 0:11:43 | |
I mean, what do you think it would do in auction? | 0:11:43 | 0:11:45 | |
Well, it's probably worth about 40, 50, 60 quid, something like that. | 0:11:45 | 0:11:48 | |
-That would be our first buy. -Buy it, buy it. | 0:11:48 | 0:11:50 | |
Do you? That's quite decisive. | 0:11:50 | 0:11:52 | |
I think the best thing then is if you can get at least that 10%, | 0:11:52 | 0:11:55 | |
if there's any more you can get of it... | 0:11:55 | 0:11:57 | |
-Yeah. -Put in a cheeky little bid, maybe try 35 quid and come up to 40. | 0:11:57 | 0:12:01 | |
-Yeah. -It's worth a go. | 0:12:01 | 0:12:02 | |
Go on, you go and keep an eye on her, someone's got to. Good luck. | 0:12:02 | 0:12:06 | |
Yes, keep Mum in check, Mary! And it looks like Simon | 0:12:06 | 0:12:09 | |
is keeping Becky from the antique centre in check. | 0:12:09 | 0:12:12 | |
I've spoken to the dealer and he says 20 on that one. | 0:12:12 | 0:12:14 | |
20? OK. | 0:12:14 | 0:12:16 | |
Well, if that's his best I think it's a fair deal. It's £8 off. | 0:12:16 | 0:12:20 | |
We may make it back at auction. | 0:12:20 | 0:12:22 | |
Yeah, I think we'll go for that. | 0:12:22 | 0:12:24 | |
-I've got it for £20. -Yeah, that's fine. -Which is, I suppose, it's | 0:12:24 | 0:12:29 | |
-not a bad price. -In between. -We've got £8 off so... -OK. | 0:12:29 | 0:12:31 | |
A good choice by you, I think. | 0:12:31 | 0:12:33 | |
It fills the role of quirky that we talked about. | 0:12:33 | 0:12:35 | |
-Yes. -There we are. So now it's over to you two. | 0:12:35 | 0:12:37 | |
Come on, let's go upstairs. | 0:12:37 | 0:12:39 | |
I'm not sure how much negotiating you did there, Simon, | 0:12:39 | 0:12:42 | |
but that's the first buy for the Blues in just under 20 minutes. | 0:12:42 | 0:12:46 | |
Reds, how are your negotiations going with Steve? | 0:12:46 | 0:12:49 | |
43, yes. | 0:12:49 | 0:12:51 | |
OK, thanks very much, thank you. | 0:12:51 | 0:12:54 | |
They'll go to £40 on that. | 0:12:54 | 0:12:56 | |
40? Oh, yes, I would... | 0:12:56 | 0:12:58 | |
-Happy? -Yes. Happy, yes. | 0:12:58 | 0:13:00 | |
-NICK: -Well done. | 0:13:00 | 0:13:02 | |
Well, we were going to ask you but you weren't here, | 0:13:02 | 0:13:04 | |
-so we took an executive decision. -No, I was waiting for you. | 0:13:04 | 0:13:07 | |
I'm glad to hear someone has. | 0:13:07 | 0:13:08 | |
-So, that's it, first item bought. -Yes. -Well done. | 0:13:08 | 0:13:11 | |
-Are you pleased with it? -Oh, yes. | 0:13:11 | 0:13:13 | |
The more I look at it the more I love it. | 0:13:13 | 0:13:15 | |
We have to stop messing around now cos time is ticking. | 0:13:15 | 0:13:18 | |
-Yes. -And we've got two more things to buy. | 0:13:18 | 0:13:20 | |
So, whilst the teams carry on with the shopping, I'm taking | 0:13:20 | 0:13:23 | |
a step back in time and popping down the road to the York Castle Museum. | 0:13:23 | 0:13:28 | |
Well, I've been joined by Katie, who is an assistant curator | 0:13:42 | 0:13:45 | |
here at the museum, and it's rather appropriate that | 0:13:45 | 0:13:48 | |
we're in the classroom because I'm here to learn that little bit more | 0:13:48 | 0:13:52 | |
about the consummate collector who was responsible | 0:13:52 | 0:13:56 | |
for founding this very museum. So, Katie, tell me a little bit more. | 0:13:56 | 0:13:59 | |
It was founded by doctor John Kirk who was a doctor in Pickering | 0:13:59 | 0:14:02 | |
in North Yorkshire in the late 19th and early 20th century | 0:14:02 | 0:14:05 | |
and he had a real great passion for collecting. | 0:14:05 | 0:14:08 | |
He collected quite actively from about the 1890s onwards, | 0:14:08 | 0:14:11 | |
and by 1920 his collection had outgrown his home | 0:14:11 | 0:14:14 | |
and it was on display in Pickering Memorial Hall, | 0:14:14 | 0:14:17 | |
but he wasn't hugely happy with the conditions of the building so he | 0:14:17 | 0:14:19 | |
started to look for somewhere else to display the items, but it had to | 0:14:19 | 0:14:23 | |
be under his terms because he was very specific about what he wanted. | 0:14:23 | 0:14:26 | |
And obviously the city of York accepted these conditions? | 0:14:26 | 0:14:29 | |
They did and they agreed to house his collection here in this former | 0:14:29 | 0:14:32 | |
female prison building, which they converted into a museum in 1938. | 0:14:32 | 0:14:36 | |
Well, it certainly doesn't look like a prison today, does it? | 0:14:36 | 0:14:39 | |
No, it went on quite a transformation. | 0:14:39 | 0:14:41 | |
The public, at this point, would have been used to museums being | 0:14:41 | 0:14:44 | |
quite stuffy places with everything in glass cases, | 0:14:44 | 0:14:46 | |
but Doctor Kirk used revolutionary ideas of the day to create | 0:14:46 | 0:14:50 | |
open, period room displays, and this Victorian street here, | 0:14:50 | 0:14:53 | |
within the prison building. | 0:14:53 | 0:14:55 | |
I've picked you four very special objects from our collections. | 0:14:55 | 0:14:58 | |
This first one here is a tipstaff, | 0:14:58 | 0:15:00 | |
and it's from the late 18th or early 19th century. | 0:15:00 | 0:15:03 | |
Now, the name tipstaff derives from early law enforcement officers | 0:15:03 | 0:15:06 | |
who, when they went out to arrest someone, apprehend them, would, | 0:15:06 | 0:15:10 | |
if necessary, use a tipstaff or a stave to carry out their duty. | 0:15:10 | 0:15:14 | |
So these tipstaffs here would be used to carry an arrest warrant, | 0:15:14 | 0:15:18 | |
which would be revealed by unscrewing the crown top head here. | 0:15:18 | 0:15:21 | |
Sometimes as well, they were also used for protection, | 0:15:21 | 0:15:24 | |
and they eventually evolved into modern policemen's truncheons. | 0:15:24 | 0:15:27 | |
Now, this is quite an interesting item. | 0:15:27 | 0:15:30 | |
-Very glitzy. -Yes, this is a fire mark from the 19th century. | 0:15:30 | 0:15:34 | |
Fire insurance companies were set up in the late 17th century | 0:15:34 | 0:15:37 | |
and they generally had their own Fire Brigades. | 0:15:37 | 0:15:39 | |
Each company had its own distinctive mark which they used to place | 0:15:39 | 0:15:42 | |
on the front of the building, so that the companies knew, | 0:15:42 | 0:15:44 | |
in the event of a fire, which was theirs to deal with. | 0:15:44 | 0:15:47 | |
By the late 19th century fire marks had all but disappeared | 0:15:47 | 0:15:49 | |
because local authorities had taken over firefighting. And, obviously, | 0:15:49 | 0:15:53 | |
with Doctor Kirk being so keen to acquire items that | 0:15:53 | 0:15:57 | |
represented ways of life that were dying out, | 0:15:57 | 0:15:59 | |
he actually collected hundreds of these, | 0:15:59 | 0:16:02 | |
so we have around about 300 in the collection. | 0:16:02 | 0:16:05 | |
I mean, despite the fact that here was a man that's passionate about | 0:16:05 | 0:16:08 | |
preserving the past, I mean, he had his eye very much on today, | 0:16:08 | 0:16:11 | |
and the future, because he was a car man as well, I believe? | 0:16:11 | 0:16:14 | |
He was indeed. | 0:16:14 | 0:16:15 | |
Alongside collecting, his other great passion in life was cars. | 0:16:15 | 0:16:18 | |
He took part in speed trials and races all across the country. | 0:16:18 | 0:16:21 | |
We actually have him and his Talbot car here, | 0:16:21 | 0:16:25 | |
on the front of The Car magazine in 1910. | 0:16:25 | 0:16:28 | |
This is him climbing the hill at Ironbridge. | 0:16:28 | 0:16:30 | |
As well as this, we also have lots of his trophies and medals | 0:16:30 | 0:16:33 | |
in our collection. We're lucky to have those, including this one here, | 0:16:33 | 0:16:37 | |
which is from a speed trial at Pendine Sands in Wales in 1909. | 0:16:37 | 0:16:42 | |
And Doctor Kirk was awarded this for coming first in one of the events. | 0:16:42 | 0:16:46 | |
Thank you so much, Katie, for showing me these things. | 0:16:46 | 0:16:49 | |
It's sort of begs the question, how would Doctor Kirk get on today | 0:16:49 | 0:16:52 | |
if he was in the Blue team or the Red team? | 0:16:52 | 0:16:55 | |
He's certainly got a good knowledge on collectables, | 0:16:55 | 0:16:57 | |
and he has a need for speed. | 0:16:57 | 0:16:59 | |
Speed indeed is needed from both our teams. | 0:17:05 | 0:17:07 | |
They only have 25 minutes left, and still have two items each to find. | 0:17:07 | 0:17:12 | |
Blues, what have you found? | 0:17:12 | 0:17:14 | |
I'll tell you what has caught my eye, that corkscrew. | 0:17:14 | 0:17:17 | |
-I just think it's... -It's because she likes wine. -Oh, well, that's a bearing. | 0:17:17 | 0:17:20 | |
Can you see how much it says? | 0:17:20 | 0:17:22 | |
-It says £135. -Oh, no. That's far too much. -It has this side ratchet. | 0:17:22 | 0:17:25 | |
There is a real collectors market for corkscrews. | 0:17:25 | 0:17:27 | |
I know, I know. Maybe we should have a quick look at it. | 0:17:27 | 0:17:29 | |
Get looking, then, Blues! | 0:17:29 | 0:17:31 | |
Back with the Reds, they've found some more silver. | 0:17:31 | 0:17:34 | |
I like the look of that. It's metalwork. | 0:17:34 | 0:17:36 | |
It's crafted. And, of course, Mary, you'll like that, | 0:17:36 | 0:17:39 | |
because its wine-related. You are like a tipple or three, don't you? | 0:17:39 | 0:17:43 | |
I do, but it looks like something that would be on, like, a port bottle. | 0:17:43 | 0:17:47 | |
There's a theme emerging here. | 0:17:47 | 0:17:49 | |
Well, I mean, you put it round a sherry bottle, | 0:17:49 | 0:17:52 | |
rather than a port bottle. The clue was in the name! | 0:17:52 | 0:17:55 | |
-Yeah, yeah. -Now, people collect decanter labels. | 0:17:55 | 0:17:57 | |
Particularly chaps that have got a good cellar of wine, and they | 0:17:57 | 0:18:00 | |
collect fine wines, they will have a collection of those quite often. | 0:18:00 | 0:18:03 | |
There was a label attached to it. | 0:18:03 | 0:18:05 | |
This is interesting, cos it says, "Silver wine label, commemorating | 0:18:05 | 0:18:09 | |
"550 years of the Vintner Company, designed by Sarah Jones." | 0:18:09 | 0:18:13 | |
And it's only £58. | 0:18:13 | 0:18:15 | |
That's the sort of thing that would stand out in an auction. | 0:18:15 | 0:18:18 | |
-What do you think? -I like it. | 0:18:18 | 0:18:21 | |
Do you two like it enough to want to go and put an offer in on it? | 0:18:21 | 0:18:24 | |
-Yes. -Go and work your magic on Steve, and see what you can do. | 0:18:24 | 0:18:28 | |
With some encouragement from Nick, I think the Reds are finding their feet. | 0:18:28 | 0:18:32 | |
Blues, what's the verdict on the corkscrew? | 0:18:32 | 0:18:35 | |
My opinion is that it will end up | 0:18:35 | 0:18:37 | |
-on someone's dresser as clutter. -An ornament! Well, it will. | 0:18:37 | 0:18:40 | |
-It's not a very attractive piece. -OK. | 0:18:40 | 0:18:44 | |
But, but, you... | 0:18:44 | 0:18:45 | |
It's a lot of money. I wouldn't pay more than £100 for that. | 0:18:45 | 0:18:47 | |
It's your choice, anyway. | 0:18:47 | 0:18:49 | |
Not necessarily, not necessarily. | 0:18:49 | 0:18:51 | |
Got your eye on the time, JP? | 0:18:51 | 0:18:53 | |
Reds, have you bought the decanter label? | 0:18:53 | 0:18:56 | |
We've got it down to £52. | 0:18:56 | 0:18:59 | |
-Right, you can't shave its down to 50? -No. -Sadly, he's not answered | 0:18:59 | 0:19:03 | |
the telephone, so there's nothing we can do. | 0:19:03 | 0:19:06 | |
-OK. -Well, what are your thoughts? | 0:19:06 | 0:19:07 | |
Well, I'd still like to go for it. | 0:19:07 | 0:19:09 | |
We had this discussion that if, while he was trying to get through, | 0:19:09 | 0:19:12 | |
-that we'd probably still go for it. -Because it's so unusual. | 0:19:12 | 0:19:15 | |
Right, we're going to buy it. £52. | 0:19:15 | 0:19:17 | |
-Thank you. -That's two out of three things bought. | 0:19:17 | 0:19:20 | |
So we've only got... So it's your... Your... | 0:19:20 | 0:19:22 | |
-Is it? -Yes, choice now. -Is it? | 0:19:22 | 0:19:25 | |
It's all down to you, then, Mary. | 0:19:25 | 0:19:27 | |
Jonathan, you might want to give the Blues an nudge. | 0:19:27 | 0:19:30 | |
-We've had half an hour. -Oh, the glass! -You've had half an hour. | 0:19:30 | 0:19:33 | |
Oh, yeah, this is the last thing to look at, then. | 0:19:33 | 0:19:35 | |
We just need to. Oh, gosh! | 0:19:35 | 0:19:37 | |
That's been to the races then, hasn't it? | 0:19:37 | 0:19:39 | |
-Thank you. You see I think that's rather nice. -It's been to France. | 0:19:39 | 0:19:43 | |
-Has it? How do you know? -Nice, 1950s. | 0:19:43 | 0:19:45 | |
You know, it's two hip flasks, | 0:19:45 | 0:19:47 | |
clasped in leather, it has the feel for that sort of... | 0:19:47 | 0:19:50 | |
I like that. I think 50 quid. | 0:19:50 | 0:19:51 | |
-How much is it on? -70. | 0:19:51 | 0:19:54 | |
-I wouldn't pay 70 for that. -It's been reduced already. | 0:19:54 | 0:19:56 | |
-Actually, I think it says "nice 1950s flask", not Nice! -Oh, OK. | 0:19:56 | 0:20:01 | |
I don't know, it still could be, let's just pretend it's French, OK. | 0:20:01 | 0:20:04 | |
I quite like that. | 0:20:04 | 0:20:06 | |
-Well, it's your choice. -I like going to the races, and I like picnics. | 0:20:06 | 0:20:09 | |
Go on, then. Can we find out how much they'll take for it? | 0:20:09 | 0:20:12 | |
-Of course, I will contact the dealer. -Can you offer 50, | 0:20:12 | 0:20:15 | |
cos they've been trying to sell it before, look, and | 0:20:15 | 0:20:17 | |
-crossed that out, so maybe 50 quid will swing it? -I'll try. -Thank you. | 0:20:17 | 0:20:21 | |
Nice item, but can you get it for a nice price? | 0:20:21 | 0:20:24 | |
Mary, how's your search for the Red's final item going? | 0:20:26 | 0:20:28 | |
I found it, what I want. | 0:20:28 | 0:20:31 | |
-This. -Oh, the little deco lamp? | 0:20:31 | 0:20:33 | |
Now, why that particularly? | 0:20:33 | 0:20:35 | |
It looks really unusual. | 0:20:35 | 0:20:37 | |
-Yeah, OK. -How would it turn on? | 0:20:37 | 0:20:39 | |
-Look, it needs rewiring. -It needs to be PAT tested, wouldn't it? | 0:20:39 | 0:20:42 | |
I mean, in principle, an Art Deco lamp would be a very saleable thing, | 0:20:42 | 0:20:45 | |
but not one that's not been rewired - you're going to put a lot | 0:20:45 | 0:20:48 | |
of private punters off, and that's how you get your price up, | 0:20:48 | 0:20:50 | |
get the private people interested. | 0:20:50 | 0:20:52 | |
Bad lack, Mary. So, Blues, what's the price news for the hip flasks? | 0:20:52 | 0:20:57 | |
Hello! I've spoken to the dealer, and he said 50 would be the best on that one. | 0:20:57 | 0:21:01 | |
OK, well, that was what I originally said. | 0:21:01 | 0:21:03 | |
It is. I was being cheeky at 45, so it's £20 knocked off. | 0:21:03 | 0:21:06 | |
-Let's take a punt on it. -Fine, OK. | 0:21:06 | 0:21:10 | |
And if I go wrong you can both slap my hands. | 0:21:10 | 0:21:13 | |
-OK. -We've got two more lots to try, we can get it back on! | 0:21:13 | 0:21:16 | |
Yeah, we have. I think we'll take a punt on it. | 0:21:16 | 0:21:19 | |
Brilliant, OK, so that's a definite purchase. | 0:21:19 | 0:21:20 | |
Thank you very much, Becky. One more to buy. We need to get a move on. | 0:21:20 | 0:21:23 | |
-We do, we do. -Let's get out of here. -Thank you very much. -Bye-bye. | 0:21:23 | 0:21:26 | |
You certainly do. | 0:21:26 | 0:21:27 | |
Just 15 minutes left, teams, and one more item to find. | 0:21:27 | 0:21:30 | |
Reds, what's this, a vase or a lamp? | 0:21:30 | 0:21:34 | |
-What about that? -It's a lamp. | 0:21:34 | 0:21:36 | |
-It's got birds on it. -I like a bit of a lamp. -Do you? | 0:21:36 | 0:21:40 | |
Let's have a closer look at it, shall we? If I open that... | 0:21:40 | 0:21:43 | |
-Can you very gently reach in and grab it? -Are you serious? | 0:21:43 | 0:21:46 | |
-OK. -Just move this little chappy to the side. | 0:21:46 | 0:21:50 | |
All breakages must be paid for. | 0:21:50 | 0:21:52 | |
No pressure. | 0:21:52 | 0:21:54 | |
-Careful, Mary! -Oh, my God! -Oh, my God! | 0:21:54 | 0:21:57 | |
So let's have a look at what we've got. | 0:21:57 | 0:22:00 | |
Now, yes, as we thought, it's Japanese. | 0:22:00 | 0:22:03 | |
It's bronze. Datewise - 1900, 1920, that sort of era. | 0:22:03 | 0:22:08 | |
Now, it's got a little bit of damage. | 0:22:08 | 0:22:11 | |
It's obviously been drilled here, | 0:22:11 | 0:22:13 | |
where someone's put a flex through it. | 0:22:13 | 0:22:15 | |
Also I noticed in the base, there is another hole there. | 0:22:15 | 0:22:19 | |
There's a little bit of damage where it's been clunked down | 0:22:19 | 0:22:22 | |
-on the top a bit heavy. -How can you tell that it's a real Japanese vase? | 0:22:22 | 0:22:27 | |
Now, there's a million-dollar question. | 0:22:27 | 0:22:30 | |
The simple answer is, you spend 30 years studying them! | 0:22:30 | 0:22:33 | |
There's no quick solution. But things to look for are patination. | 0:22:33 | 0:22:37 | |
So the answer is to go and study genuine pieces, provenance pieces, | 0:22:37 | 0:22:41 | |
in auction houses, in antique dealer's shops, | 0:22:41 | 0:22:44 | |
in centres, in museums, and just go and look. | 0:22:44 | 0:22:47 | |
I'll go and find Steve and see if there's a best price on it, | 0:22:47 | 0:22:51 | |
-and then we can make a decision on that. -Yeah? | 0:22:51 | 0:22:53 | |
I'll go and find him. | 0:22:53 | 0:22:55 | |
So it is a vase, then. | 0:22:55 | 0:22:56 | |
Blues, are you happy with how it's going? | 0:22:56 | 0:22:59 | |
I think we need to go and get something really special now. | 0:22:59 | 0:23:02 | |
-Yeah, go and spend a bit of cash. -Not be afraid of spending. | 0:23:02 | 0:23:04 | |
-I think we should go and make it... Big item. -Blow the lot, really! | 0:23:04 | 0:23:07 | |
Interesting tactics, Blues. With ten minutes left, | 0:23:07 | 0:23:10 | |
it looks like they're on the move to join the Reds at the other antique centre. | 0:23:10 | 0:23:14 | |
It's an old safe box. | 0:23:14 | 0:23:16 | |
-I rather like that. -Metal bound. | 0:23:16 | 0:23:18 | |
-Yeah, not a bad price. -How much is it, sorry? | 0:23:18 | 0:23:20 | |
120. So you could probably get maybe 75, for it, 80. | 0:23:20 | 0:23:24 | |
I mean, it's got... You can see it's been used. | 0:23:24 | 0:23:27 | |
There's that chap, and also, you've got these Chinese nest of tables. | 0:23:27 | 0:23:30 | |
-Yes. -Yes, they're lovely. -It's kind of, again, people like that | 0:23:30 | 0:23:33 | |
-sort of thing right now. -Very nice. -They are expensive. They're £295, | 0:23:33 | 0:23:36 | |
-so you'd have to push them down a fair... -We'd have to negotiate. | 0:23:36 | 0:23:39 | |
That box needs to come down a lot, | 0:23:39 | 0:23:41 | |
and bearing in mind there's only five minutes left. | 0:23:41 | 0:23:45 | |
Shall we get the shopkeeper up here? | 0:23:45 | 0:23:47 | |
-Yes, I think we need to. -Because we really haven't got time to... | 0:23:47 | 0:23:50 | |
to, you know... | 0:23:50 | 0:23:51 | |
Dilly-dally, Pamela? | 0:23:51 | 0:23:52 | |
You haven't. And I think Jonathan's feeling the pressure. | 0:23:52 | 0:23:55 | |
So, Nick, what's the best price for the vase? | 0:23:55 | 0:23:58 | |
That could be yours, here and now today - | 0:23:58 | 0:24:01 | |
Japanese, Meiji period, bronze - | 0:24:01 | 0:24:04 | |
-50 quid. -Wow. | 0:24:04 | 0:24:07 | |
So, the question is, is this going to be our final and third purchase? | 0:24:07 | 0:24:10 | |
-Yes or no? -Yes. | 0:24:10 | 0:24:12 | |
-Yes. -A definite yes? -Absolutely. -I think will go with... -Yay! -50 quid. | 0:24:12 | 0:24:15 | |
-Yeah. -So that's it, we're done. We've shopped out. All things done. | 0:24:15 | 0:24:19 | |
Fabulous! | 0:24:19 | 0:24:21 | |
Job done, Reds. Blues, just a couple of minutes left, | 0:24:21 | 0:24:25 | |
have you tracked down Steve? | 0:24:25 | 0:24:26 | |
This was one thing that struck them. | 0:24:26 | 0:24:28 | |
It's priced at £120, a sort of safe box. | 0:24:28 | 0:24:31 | |
We can see it's got some age. What can you do on that? | 0:24:31 | 0:24:34 | |
-£90. -OK. £90. | 0:24:34 | 0:24:36 | |
There's an option there £90. | 0:24:36 | 0:24:38 | |
What was the other thing? The nest of tables are 295. | 0:24:38 | 0:24:41 | |
-Could you do them for two? -No, we'd do them for 250. | 0:24:41 | 0:24:45 | |
250, fine. | 0:24:45 | 0:24:46 | |
-We've not got quite enough. -OK. -Go another £10 on the box. | 0:24:46 | 0:24:49 | |
-You'll go to 80 on the box? -£80. -Shall go for the box, then? | 0:24:49 | 0:24:52 | |
78. Final deal? | 0:24:52 | 0:24:53 | |
-No! -£80. £80. | 0:24:53 | 0:24:57 | |
-There we go. Shake the man's hand. -I think £80 is a good offer. | 0:24:57 | 0:25:01 | |
-Thank you. -Thank you for your patience. | 0:25:01 | 0:25:03 | |
Right, teams, your time's up. | 0:25:03 | 0:25:05 | |
We really deserve, I think, a rest now. | 0:25:05 | 0:25:07 | |
-Come on, let's go. -Definitely. | 0:25:07 | 0:25:08 | |
-Let's go get a cup of tea or something. -Definitely. | 0:25:08 | 0:25:10 | |
Let's check out what the Red team bought. | 0:25:10 | 0:25:13 | |
The Reds are serving this plate up as their first item, | 0:25:14 | 0:25:18 | |
bought for £40. | 0:25:18 | 0:25:19 | |
Next, they wanted some silver | 0:25:21 | 0:25:22 | |
and they bought this sherry decanter label for £52. | 0:25:22 | 0:25:26 | |
And the third item was Mary's choice | 0:25:27 | 0:25:30 | |
and she paid £50 for this Japanese vase. | 0:25:30 | 0:25:32 | |
What's your favourite item? | 0:25:34 | 0:25:35 | |
Without doubt it's got to be the solid silver decanter label, | 0:25:35 | 0:25:39 | |
because of the history of it. | 0:25:39 | 0:25:42 | |
OK. Mary, what about you? | 0:25:42 | 0:25:43 | |
I've got to admit, I do like the plate. | 0:25:43 | 0:25:46 | |
It's just it's very beautiful, and it's quite unique. | 0:25:46 | 0:25:49 | |
Now, which of the three items | 0:25:49 | 0:25:51 | |
is going to give you the biggest profit? What do you think? | 0:25:51 | 0:25:54 | |
Oh, I think, without doubt, the label, the wine label. | 0:25:54 | 0:25:58 | |
I like this forthright stuff. Mary, what about you? | 0:25:58 | 0:26:01 | |
-I actually think the vase is going to make the most. -Oh, do you? -Yeah. | 0:26:01 | 0:26:04 | |
Interesting. OK. | 0:26:04 | 0:26:06 | |
Well, time will tell, but how much money did you spend? | 0:26:06 | 0:26:09 | |
We spent £142. | 0:26:09 | 0:26:11 | |
£142, which means that you should be giving me £158. | 0:26:11 | 0:26:17 | |
-155... -OK. Oh, yes. It all adds up. | 0:26:17 | 0:26:22 | |
-There you go, Nick. -I shall be checking this, as well. -Do that. | 0:26:22 | 0:26:25 | |
So, Nick, have you got your eye on anything in particular? | 0:26:25 | 0:26:28 | |
Something svelte, something beautiful, like my team. | 0:26:28 | 0:26:31 | |
-Oh! -Oh! -OK. | 0:26:31 | 0:26:33 | |
Well, as Nick the flatterer goes off to buy the bonus buy, | 0:26:33 | 0:26:37 | |
let's remind ourselves what the Blue team bought. | 0:26:37 | 0:26:40 | |
First up, have the Blues aced it with this Carlton Ware ashtray? | 0:26:40 | 0:26:44 | |
£20 paid. | 0:26:44 | 0:26:46 | |
Next, after some deliberation, | 0:26:48 | 0:26:49 | |
they paid £50 for these two vintage hip flasks. | 0:26:49 | 0:26:53 | |
And, finally, will this bank box be a sound investment? | 0:26:54 | 0:26:57 | |
£80 paid. | 0:26:57 | 0:26:59 | |
-So, Pamela, what's your favourite item? -The 1950s flask set. | 0:27:01 | 0:27:04 | |
I think they'll sell. Whether they'll make a profit, of course, | 0:27:04 | 0:27:07 | |
is another matter, but I liked them. | 0:27:07 | 0:27:08 | |
-Good. -I was drawn to them and it was a bit of a punt. | 0:27:08 | 0:27:11 | |
And what about yourself, Simon? | 0:27:11 | 0:27:12 | |
I'm going to stick with the poker dice ashtray. | 0:27:12 | 0:27:14 | |
-Oh, yes, yes. -Really quirky, cheap to buy. | 0:27:14 | 0:27:17 | |
I think, you know, someone on the day might like that. | 0:27:17 | 0:27:20 | |
So, Pamela, which of the three items do you think | 0:27:20 | 0:27:23 | |
-is going to give you the biggest profit? -I think the poker ashtray. | 0:27:23 | 0:27:26 | |
Poker ashtray. Simon? | 0:27:26 | 0:27:27 | |
The poker ashtray, which you chose. | 0:27:27 | 0:27:31 | |
Well, it was a bit of a last-minute scenario, wasn't it? | 0:27:31 | 0:27:34 | |
-Minute being the operative word! -Yes, exactly. | 0:27:34 | 0:27:36 | |
-But, either way, how much did you spend? -150. | 0:27:36 | 0:27:39 | |
So you're going to give me £150, Pamela, | 0:27:39 | 0:27:42 | |
which I'm going to give to Jonathan. | 0:27:42 | 0:27:45 | |
So, JP, what are you going to spend all that money on? | 0:27:45 | 0:27:47 | |
Well, we had a lot of chat about various objects and I think I might | 0:27:47 | 0:27:51 | |
revisit one of them and see if I can settle an argument. | 0:27:51 | 0:27:54 | |
OK. So, while Jonathan goes off to "settle an argument", | 0:27:54 | 0:27:58 | |
I'm going off to the auction. | 0:27:58 | 0:28:00 | |
Well, you find us in the town of Darlington. | 0:28:06 | 0:28:09 | |
We've come to the auction house of Thomas Watson and I'm joined | 0:28:09 | 0:28:12 | |
by auctioneer David Elstob. Lovely to be here, David. | 0:28:12 | 0:28:16 | |
-Great to welcome you. -Thank you. | 0:28:16 | 0:28:18 | |
Right, let's get down to business. | 0:28:18 | 0:28:20 | |
Starting with our Red team, this is Igraine and Mary, her daughter. | 0:28:20 | 0:28:23 | |
First item up is this rather nice dish. | 0:28:23 | 0:28:26 | |
Villeroy and Boch. Good name, isn't it? | 0:28:26 | 0:28:29 | |
It's a very good name. It's a very pretty plate, actually. | 0:28:29 | 0:28:32 | |
Nice quality, nicely decorated with the tube linings. | 0:28:32 | 0:28:34 | |
It's bright. Very Art Nouveau. | 0:28:34 | 0:28:36 | |
-I think it has a lot going for it, really. -I agree with you. | 0:28:36 | 0:28:39 | |
-What's the estimate? -40 to 60. -Oh, that's OK, they paid £40 for it. | 0:28:39 | 0:28:42 | |
-I think they've done well there. -Yeah, I think they've done well, too. | 0:28:42 | 0:28:45 | |
Second item they came up with was the sherry decanter label. | 0:28:45 | 0:28:50 | |
It's a very attractive one. It's nicely cast in good condition. | 0:28:50 | 0:28:53 | |
-Right. -I think it will do well. -And how much is the estimate? | 0:28:53 | 0:28:56 | |
-30 to 50. -Well, they MAY be in with a bit of a chance there. | 0:28:56 | 0:29:00 | |
They paid 52 for it, so maybe a bit top-heavy, | 0:29:00 | 0:29:03 | |
-but we'll find out on the day. -Fingers crossed. -Fingers crossed. | 0:29:03 | 0:29:07 | |
Right, now, the third item is this Japanese bronze vase, | 0:29:07 | 0:29:11 | |
which Mary thinks is going to give them the biggest profit. | 0:29:11 | 0:29:14 | |
But that's what Mary thinks. | 0:29:14 | 0:29:16 | |
What does David think, that's what we need to know? | 0:29:16 | 0:29:18 | |
I like it very much. It's a very nice quality vase. | 0:29:18 | 0:29:21 | |
The only problem is it has been drilled in the neck. | 0:29:21 | 0:29:23 | |
It's obviously been used as a lamp base at some point, | 0:29:23 | 0:29:25 | |
which is a shame, cos it's a very nice quality piece. | 0:29:25 | 0:29:28 | |
Yeah. I can see that it's no longer going to be a collector's item, | 0:29:28 | 0:29:31 | |
-it's more of a decorator's item, isn't it? -I'd agree. | 0:29:31 | 0:29:34 | |
What's the market like for that sort of thing in this part of the world? | 0:29:34 | 0:29:37 | |
There are collectors around, but also, nowadays, | 0:29:37 | 0:29:39 | |
the internet plays such an important role in auctions. | 0:29:39 | 0:29:42 | |
-I'm sure there's someone out there for it. -OK. Estimate? | 0:29:42 | 0:29:45 | |
-50 to 70. -Oh, right. -Good. -Well, I think they could be quids in | 0:29:45 | 0:29:48 | |
again, because they paid £50 for it, | 0:29:48 | 0:29:51 | |
so the omens are looking good. | 0:29:51 | 0:29:53 | |
Well, they may or may not need their bonus buy, but, | 0:29:53 | 0:29:56 | |
in the meantime, let's find out what it is. | 0:29:56 | 0:29:59 | |
So, Nick, what did you manage to charm with your £158? | 0:30:01 | 0:30:04 | |
I managed to charm the dealer. | 0:30:04 | 0:30:06 | |
I got a good price, good discount. | 0:30:06 | 0:30:07 | |
And I hope you'll be charmed by this. | 0:30:07 | 0:30:10 | |
I think it's beautiful. | 0:30:10 | 0:30:11 | |
Oh, yes. | 0:30:12 | 0:30:14 | |
-You like that? -Oh, I think it's beautiful. | 0:30:14 | 0:30:16 | |
-Isn't it elegant? -Yes. -It is beautiful. | 0:30:16 | 0:30:18 | |
It's by someone quite important as well - Ernst Wahliss, | 0:30:18 | 0:30:21 | |
very well known for these Art Nouveau porcelain figures. | 0:30:21 | 0:30:24 | |
I just think it was absolutely captivating. | 0:30:24 | 0:30:27 | |
The craftsmanship on it reminds me of the kind of thing | 0:30:27 | 0:30:30 | |
that my grandmother used to have on her dressing table. | 0:30:30 | 0:30:33 | |
-Mary, what about yourself? -I'm not going to lie, I don't like it. | 0:30:33 | 0:30:36 | |
-You don't like it? -No. | 0:30:36 | 0:30:38 | |
It literally reminds me, like Mum said, of my grandma's house. | 0:30:38 | 0:30:43 | |
Those sorts of things in there. | 0:30:43 | 0:30:44 | |
God, I'd have liked to have done the house clearance on | 0:30:44 | 0:30:46 | |
your grandma's house if it was full of things like this, wow! | 0:30:46 | 0:30:49 | |
Obviously not to that standard. | 0:30:49 | 0:30:51 | |
-How much did it cost? -It's kind of important, I guess, isn't it? | 0:30:51 | 0:30:53 | |
-Yes. -I only spent £90 on this. | 0:30:53 | 0:30:56 | |
-Oh, right. -How much do you think it will make? | 0:30:56 | 0:30:59 | |
Well, if you've got Wahliss collectors in the room, | 0:30:59 | 0:31:02 | |
or even Art Nouveau enthusiasts in the room, | 0:31:02 | 0:31:05 | |
I would hope it would make three figures. | 0:31:05 | 0:31:06 | |
Remember, ladies, you don't have to make your minds up now. | 0:31:06 | 0:31:09 | |
Wait till you have sold your first three items | 0:31:09 | 0:31:11 | |
and then make your decision. But, meanwhile, let's go and find out | 0:31:11 | 0:31:14 | |
what the auctioneer had to say about this Ernst Wahliss figure. | 0:31:14 | 0:31:18 | |
So, here it is, David. | 0:31:19 | 0:31:20 | |
You've had a bit of time to look over that. | 0:31:20 | 0:31:23 | |
What do you think? It's very nice quality figure group, | 0:31:23 | 0:31:26 | |
very Art Nouveau in style, around 1900. | 0:31:26 | 0:31:29 | |
My problem is that there's quite a bit of restoration on the figure, | 0:31:29 | 0:31:33 | |
-which is a shame, because it's very attractive. -It is attractive, | 0:31:33 | 0:31:36 | |
and it's by a good man, it's by Ernst Wahliss, | 0:31:36 | 0:31:38 | |
and he's very good on detail is Wahliss, isn't he? | 0:31:38 | 0:31:41 | |
So, what valuation have you put on that, David? | 0:31:41 | 0:31:43 | |
-We've put 40 to 60. -They might come a cropper on that one | 0:31:43 | 0:31:46 | |
because the price paid was actually £90. | 0:31:46 | 0:31:49 | |
I think in all fairness, £90 would have been a good price | 0:31:49 | 0:31:52 | |
had it not be restored, wouldn't you agree? | 0:31:52 | 0:31:55 | |
I would agree. We do have some pre-sale interest. | 0:31:55 | 0:31:57 | |
-You do? -So it might well exceed our expectations. | 0:31:57 | 0:32:00 | |
OK, well, we'll see whether or not they go for it, but that's the Reds. | 0:32:00 | 0:32:05 | |
Now for the Blues. This is Pamela and her son Simon. | 0:32:05 | 0:32:09 | |
The first item that we're going to look at | 0:32:09 | 0:32:11 | |
is the Carlton Ware dice ashtray. | 0:32:11 | 0:32:15 | |
It's an unusual thing. It's in nice condition. | 0:32:15 | 0:32:17 | |
I don't see it making a huge amount, but I think there will be | 0:32:17 | 0:32:20 | |
people out there who will buy it at a certain price level. | 0:32:20 | 0:32:23 | |
So what do you think that price level is then, David? | 0:32:23 | 0:32:25 | |
Our estimate's 30 to 50. | 0:32:25 | 0:32:27 | |
Well, that's a good start, because they only paid £20 for it. | 0:32:27 | 0:32:30 | |
-Well, they've done well. -Yeah. Now, the hip flask. | 0:32:30 | 0:32:33 | |
Pamela went out on a limb and bought these. | 0:32:33 | 0:32:36 | |
She thought they would be great to take to the races, | 0:32:36 | 0:32:39 | |
and they've got a retro look about them, haven't they? | 0:32:39 | 0:32:41 | |
They have, they're very retro-looking. Quite original. | 0:32:41 | 0:32:44 | |
The leather's a nice colour. | 0:32:44 | 0:32:46 | |
Still got the original tag on. | 0:32:46 | 0:32:48 | |
So there's a lot going for them. | 0:32:48 | 0:32:49 | |
But what about going for them from a commercial point of view? | 0:32:49 | 0:32:53 | |
Our estimate's 25 to 35. | 0:32:53 | 0:32:55 | |
Well, she paid £50 there. | 0:32:55 | 0:32:57 | |
I can see the money in it to a certain degree, | 0:32:57 | 0:32:59 | |
if you've got the right people in the room, yeah? | 0:32:59 | 0:33:01 | |
-Yes. -Well, let's keep our fingers crossed for Pamela on that one. | 0:33:01 | 0:33:04 | |
-Yes. -As for their third item, a bit of a joint buy here, mother and son. | 0:33:04 | 0:33:08 | |
A strong box. The Commercial Bank of Scotland, no less. | 0:33:08 | 0:33:12 | |
-What you reckon to that? -I really like it. -Oh, do you? | 0:33:12 | 0:33:15 | |
It's one of my favourite lots. Very nice box, | 0:33:15 | 0:33:18 | |
nice ironwork on it, very sturdy. Lovely original labels inside. | 0:33:18 | 0:33:22 | |
Some other paraphernalia inside. I think it's great. | 0:33:22 | 0:33:26 | |
Good. So, estimate? | 0:33:26 | 0:33:28 | |
-60 to 80. -60 to 80, and they actually paid £80 for it. | 0:33:28 | 0:33:32 | |
-I think they stand a chance of a profit. -You do? -I do. | 0:33:32 | 0:33:35 | |
So whether or not they're going to need their bonus buy remains to be seen. | 0:33:35 | 0:33:39 | |
In the meantime, let's have a look at it. | 0:33:39 | 0:33:41 | |
Pamela and Simon, you did leave Jonathan here £150 to go out | 0:33:43 | 0:33:46 | |
and spend on your behalf. So, Jonathan, how did you spend it? | 0:33:46 | 0:33:50 | |
Wisely, of course. I went for... | 0:33:50 | 0:33:53 | |
It's a nice, stylish, 1970s hallmarked silver bangle | 0:33:53 | 0:33:58 | |
with this lovely, textured, sort of bark finish. | 0:33:58 | 0:34:01 | |
-You still haven't sold it to me. -Mum doesn't like it. | 0:34:01 | 0:34:03 | |
-I don't think she realises its weight. -It's nice and solid. | 0:34:03 | 0:34:08 | |
-To be fair, it is. -It's nice and solid. | 0:34:08 | 0:34:09 | |
It's typical decoration for that sort of period and, | 0:34:09 | 0:34:12 | |
actually, it's very wearable and, because it's silver, | 0:34:12 | 0:34:15 | |
-it's quite an affordable piece of jewellery. -Sure. | 0:34:15 | 0:34:18 | |
There should be a wide audience for it because of its period charm. | 0:34:18 | 0:34:21 | |
Like me! | 0:34:21 | 0:34:23 | |
And I've sold small pieces of silver jewellery and seen it make | 0:34:23 | 0:34:26 | |
far in excess of what it's worth... | 0:34:26 | 0:34:28 | |
Are we allowed to ask how much of the hundred and odd pounds you spent on it? | 0:34:28 | 0:34:31 | |
I spent 25. | 0:34:31 | 0:34:33 | |
-Oh, OK. -Oh, right, that's good. -25! | 0:34:33 | 0:34:37 | |
And what do you think it's going to make at auction? | 0:34:37 | 0:34:40 | |
I think the auctioneer is probably going to put £25 to £35 | 0:34:40 | 0:34:43 | |
and I wouldn't be surprised if it made 35 or 40. | 0:34:43 | 0:34:45 | |
-OK. -Yes. -Well, you don't have to make your minds up now. | 0:34:45 | 0:34:47 | |
I mean, wait till you've sold your first three items, | 0:34:47 | 0:34:50 | |
then you either give it a go, or whatever. | 0:34:50 | 0:34:52 | |
But in the meantime, let's find out what the auctioneer had to say | 0:34:52 | 0:34:54 | |
about JP's silver bangle. | 0:34:54 | 0:34:56 | |
So here's their bonus buy. | 0:34:57 | 0:34:59 | |
-What do you think of it? -I like it very much. -You do? | 0:34:59 | 0:35:02 | |
Yeah. It's a nice bangle, nice gauge to the silver. | 0:35:02 | 0:35:06 | |
-It's a Birmingham hallmark from 1971. -Right. | 0:35:06 | 0:35:09 | |
It's a really contemporary piece, which I think's very wearable now. | 0:35:09 | 0:35:12 | |
Yeah. Well, it's so contemporary, it's now retro, isn't it? | 0:35:12 | 0:35:15 | |
-It is. Very fashionable. -So what's the estimate? | 0:35:15 | 0:35:18 | |
-20 to 30. -OK. | 0:35:18 | 0:35:19 | |
Well, our Jonathan went out and paid £25 for it, | 0:35:19 | 0:35:24 | |
so you're both, I think, on the mark there, aren't you? | 0:35:24 | 0:35:27 | |
-I think he's done well. -You think he's done well. OK. | 0:35:27 | 0:35:29 | |
-Are you taking the auction today? -I am indeed. -OK. | 0:35:29 | 0:35:32 | |
Go and grab your gavel then, David. | 0:35:33 | 0:35:35 | |
So here we are, ladies, we're in the arena itself. | 0:35:38 | 0:35:41 | |
-How are we feeling? -Yeah, we're very excited. | 0:35:41 | 0:35:44 | |
-Excited. -Yeah, yeah. | 0:35:44 | 0:35:46 | |
First item coming up, a Villeroy & Boch secessionist plate. | 0:35:46 | 0:35:49 | |
You paid £40 for it and it's coming up now. | 0:35:49 | 0:35:52 | |
Lots 225, a very pretty Villeroy & Boch plate. | 0:35:52 | 0:35:56 | |
I'll start you at 25 on the book. | 0:35:56 | 0:35:58 | |
25 I'm bid. | 0:35:58 | 0:36:00 | |
25. 30. 5. 40 bid. | 0:36:00 | 0:36:03 | |
40 bid in the room. | 0:36:03 | 0:36:04 | |
40. Do I see 45 online? | 0:36:04 | 0:36:06 | |
50, Sir? Bid's online at £45. | 0:36:06 | 0:36:09 | |
50 anywhere? | 0:36:09 | 0:36:11 | |
It's on the internet, then, at £45. | 0:36:11 | 0:36:13 | |
Fair warning, at 45. | 0:36:13 | 0:36:15 | |
Yay! | 0:36:15 | 0:36:17 | |
£45. | 0:36:17 | 0:36:19 | |
Well, we're in profit, that's all that matters. | 0:36:19 | 0:36:22 | |
Here comes the next lot, it's your silver sherry label. | 0:36:22 | 0:36:25 | |
You paid £52 for it and here it is coming up now. | 0:36:25 | 0:36:29 | |
228 is a silver sherry decanter label in the form of a crest. | 0:36:29 | 0:36:33 | |
Very nice. A modern hallmark on it, but nice quality. | 0:36:33 | 0:36:36 | |
I'll start you with interest at £25. | 0:36:36 | 0:36:39 | |
25 I'm bid. 25 I'm bid, with me. | 0:36:39 | 0:36:41 | |
I'll take 30 for it. | 0:36:41 | 0:36:43 | |
25. 30 on the gallery. | 0:36:43 | 0:36:45 | |
It's 30 bid up on the gallery, then. | 0:36:45 | 0:36:47 | |
I'm going to sell, in the room, at £30, then. | 0:36:47 | 0:36:50 | |
All done at 30? | 0:36:50 | 0:36:52 | |
Oh... | 0:36:52 | 0:36:53 | |
We're not going to get the golden gavel, then, are we? | 0:36:53 | 0:36:55 | |
That was a cheap round. | 0:36:55 | 0:36:57 | |
That was minus 22, I'm afraid. | 0:36:57 | 0:37:00 | |
Not a disaster. Sherry labels are not big here in Darlington. | 0:37:00 | 0:37:04 | |
-It was an interesting one, though, wasn't it? -It was an interesting one. Right, third lot. | 0:37:04 | 0:37:08 | |
It's your Japanese bronze vase, or is it a table lamp? | 0:37:08 | 0:37:11 | |
We're not sure at this stage. Either way, what did you pay for it? | 0:37:11 | 0:37:13 | |
£50? Let's see if we've got a profit coming up now. | 0:37:13 | 0:37:16 | |
231 is a large Japanese patinated bronze lamp-based vase, circa 1900. | 0:37:16 | 0:37:22 | |
Nice quality, I'll start you... | 0:37:22 | 0:37:24 | |
£35. 35 I'm bid. | 0:37:24 | 0:37:27 | |
35. 40. Five. 50. | 0:37:27 | 0:37:29 | |
50 the room. | 0:37:29 | 0:37:31 | |
-Come on, let's have five. -£50 bid in the room. | 0:37:31 | 0:37:33 | |
I'll take 55 next. | 0:37:33 | 0:37:34 | |
-At £50 and fair warning. -Come on, come on. | 0:37:34 | 0:37:36 | |
At £50, all done. | 0:37:36 | 0:37:38 | |
THEY GROAN | 0:37:38 | 0:37:40 | |
-Anyway... -It wiped its face. | 0:37:40 | 0:37:42 | |
So that broke even, so you're still minus 17, OK? | 0:37:42 | 0:37:47 | |
You have got your bonus buy, so are we feeling lucky, | 0:37:47 | 0:37:50 | |
-that's what we want to know? -Let's do it. | 0:37:50 | 0:37:53 | |
Well, bearing in mind that Nick bought it for £90. | 0:37:53 | 0:37:55 | |
-OK. -It's a good object, Nick, isn't it? | 0:37:55 | 0:37:57 | |
-It's a lovely thing. -I mean, I love it. | 0:37:57 | 0:37:59 | |
-Deal? -Deal? Shake my hand. | 0:37:59 | 0:38:01 | |
You can kill me after. | 0:38:01 | 0:38:03 | |
-You're going with your bonus buy? -Yeah. -Good, because it's coming up now. | 0:38:03 | 0:38:07 | |
237 is an Ernst Wahliss figure group. | 0:38:07 | 0:38:09 | |
The model's the classical maiden. | 0:38:09 | 0:38:11 | |
About 1900 in date. A nice quality group. | 0:38:11 | 0:38:13 | |
I'll start you at £55. | 0:38:13 | 0:38:15 | |
55 I'm bid on commission. | 0:38:15 | 0:38:17 | |
At 55 bid, I'll take 60 next. | 0:38:17 | 0:38:19 | |
65 online. | 0:38:19 | 0:38:20 | |
70. 70 on the internet. | 0:38:20 | 0:38:22 | |
75. 80. 80 online. | 0:38:22 | 0:38:25 | |
-Come on, come on. -85. | 0:38:25 | 0:38:26 | |
-Come on. -90. -Don't stop. | 0:38:26 | 0:38:28 | |
90 on the internet. At 90 bid online. | 0:38:28 | 0:38:30 | |
-100 online. -NICK: -Oh! | 0:38:30 | 0:38:32 | |
-100. -You're up. -110. 120. | 0:38:32 | 0:38:34 | |
I've got two online bidders. | 0:38:34 | 0:38:35 | |
At 120 bid. Do I see 130? | 0:38:35 | 0:38:38 | |
At 120, then, fair warning. | 0:38:38 | 0:38:40 | |
GAVEL BANGS | 0:38:40 | 0:38:42 | |
Excelente. | 0:38:42 | 0:38:44 | |
That gave you a £30 profit. | 0:38:44 | 0:38:46 | |
So, in the final countdown, a profit of 13. | 0:38:46 | 0:38:50 | |
I mean, 13 might be unlucky for some, but, in your case, | 0:38:50 | 0:38:54 | |
I think it's definitely your lucky day. | 0:38:54 | 0:38:56 | |
But, it goes without saying, not a word to the Blue team. | 0:38:56 | 0:39:00 | |
Excitement factor? | 0:39:07 | 0:39:09 | |
-Well... -Well, I'm excited. -Oh, good. | 0:39:09 | 0:39:11 | |
Of course we are. | 0:39:11 | 0:39:12 | |
OK, first item coming up is your Carlton Ware dice ashtray. | 0:39:12 | 0:39:15 | |
You paid £20 for it. And it's coming up now. | 0:39:15 | 0:39:19 | |
Lot 253, an unusual, I would say, Carlton Ware dice form ashtray. | 0:39:19 | 0:39:23 | |
One for the collectors. I'll start you at 25. | 0:39:23 | 0:39:25 | |
25 I'm bid. 25 I'm bid on commission. | 0:39:25 | 0:39:28 | |
At 25. I'll take 30. | 0:39:28 | 0:39:30 | |
£25 bid with me. I'll take 30 for it. | 0:39:30 | 0:39:32 | |
-£30 bid. -Yes! -£30 bid I'm the room. | 0:39:32 | 0:39:35 | |
At £30. My book's out. | 0:39:35 | 0:39:36 | |
I'm selling, then at £30. | 0:39:36 | 0:39:38 | |
All done? | 0:39:38 | 0:39:40 | |
-Well, that's a good start, Blues, isn't it? -£10 up. -Yeah, £10 up. | 0:39:40 | 0:39:43 | |
Well done. OK. | 0:39:43 | 0:39:45 | |
That's always nice to kick off with a plus sign in front of everything. | 0:39:45 | 0:39:49 | |
-Let's hope we continue on that vein... -Well, let's... | 0:39:49 | 0:39:51 | |
Hey, we're not having any negativity here, Pamela. | 0:39:51 | 0:39:54 | |
We're in the world of positivity, OK? | 0:39:54 | 0:39:57 | |
-OK. -Right, next item, two vintage hip flasks in a leather case. | 0:39:57 | 0:40:01 | |
You paid £50 for this. And coming up now. | 0:40:01 | 0:40:05 | |
256, two vintage hip flasks in a nice leather case. | 0:40:05 | 0:40:08 | |
Still have the 1952 label on them. | 0:40:08 | 0:40:10 | |
I'll start you with interest. 15 I'm bid. | 0:40:10 | 0:40:12 | |
£15 bid for these. At 15. 20 on the gallery. | 0:40:12 | 0:40:16 | |
Lady's bid. At £20. Do I see 25? 25. 30. | 0:40:16 | 0:40:20 | |
Five? No. 30 on the gallery. | 0:40:20 | 0:40:22 | |
A lady's bid at £30. Are we all done and finished? | 0:40:22 | 0:40:25 | |
-At £30, are we sure? -We want more. | 0:40:25 | 0:40:27 | |
Lady's bid it is, then. At £30. | 0:40:27 | 0:40:29 | |
All done? | 0:40:29 | 0:40:30 | |
-30. -As expected, let's face it. -All right. -Clever clogs. | 0:40:30 | 0:40:34 | |
Hey, be careful. Not in front of your mother. | 0:40:34 | 0:40:36 | |
So, it's a minus 20. | 0:40:36 | 0:40:38 | |
So, all of a sudden, that's 10 becomes a minus 10. | 0:40:38 | 0:40:41 | |
Next item coming up is the Commercial Bank of Scotland strongbox. | 0:40:41 | 0:40:45 | |
-This is nice. -It's a good object, it's very now. | 0:40:45 | 0:40:47 | |
People want these things. | 0:40:47 | 0:40:48 | |
You paid £8 for it. Coming up now. | 0:40:48 | 0:40:51 | |
259, is a Commercial Bank of Scotland strong box. | 0:40:51 | 0:40:54 | |
It still has some paraphernalia inside. | 0:40:54 | 0:40:56 | |
I'll start you with a lot of interest at £80. | 0:40:56 | 0:40:59 | |
£80 I'm bid on the book. At 80. I'll take 85. | 0:40:59 | 0:41:02 | |
85 on the gallery. | 0:41:02 | 0:41:03 | |
I'm out. 90. 95, Sir. | 0:41:03 | 0:41:06 | |
100. 110. | 0:41:06 | 0:41:08 | |
It's a lovely box. 120? 110, it is. | 0:41:08 | 0:41:11 | |
On the gallery then, at 110. | 0:41:11 | 0:41:14 | |
Are we all done and finished at 110? | 0:41:14 | 0:41:15 | |
All done. | 0:41:15 | 0:41:17 | |
110. | 0:41:17 | 0:41:18 | |
-Are we back up again? -OK. | 0:41:18 | 0:41:20 | |
You are back up. You're actually plus £20. | 0:41:20 | 0:41:23 | |
OK, this is the point in the where you've got to make a decision | 0:41:23 | 0:41:27 | |
about your bonus buy. Have you given it some thought? | 0:41:27 | 0:41:29 | |
-I think, just for the hell of it, why not? -You may as well. -Why don't we just go for it, Nick? | 0:41:29 | 0:41:33 | |
-I can't imagine losing anything on it. -No, people like silver. | 0:41:33 | 0:41:36 | |
OK. Let's see how we get on, shall we? It's coming up now. | 0:41:36 | 0:41:39 | |
Bonus buy. | 0:41:39 | 0:41:41 | |
265, it's a silver bark effect bangle. Very contemporary. | 0:41:41 | 0:41:45 | |
I'll start you at £15. | 0:41:45 | 0:41:46 | |
15 I'm bid. £15, 20. 25. 30? | 0:41:46 | 0:41:50 | |
No? 25 the front row, then. | 0:41:50 | 0:41:52 | |
25 bid. I'll take 30. At £25. | 0:41:52 | 0:41:55 | |
£30 anywhere? | 0:41:55 | 0:41:56 | |
At 25, then, all done and finished? | 0:41:56 | 0:41:58 | |
At £25. Are we all done? | 0:41:58 | 0:41:59 | |
-Come on. -At 25. | 0:41:59 | 0:42:02 | |
-Oh! Never mind. -It wiped its face there. | 0:42:02 | 0:42:05 | |
So went for 25. | 0:42:05 | 0:42:06 | |
It basically broke even, didn't it? | 0:42:06 | 0:42:08 | |
Now, I can see these smiles of delight. | 0:42:08 | 0:42:11 | |
I want you to wipe your faces clean. | 0:42:11 | 0:42:13 | |
I want you to promise me not to say a word to the Reds, OK? | 0:42:13 | 0:42:17 | |
Well, Reds and Blues, it was a very near run thing. | 0:42:22 | 0:42:28 | |
If I tell you that there was only £7 in it. | 0:42:28 | 0:42:33 | |
The good news is that you're both in profit. | 0:42:33 | 0:42:37 | |
I have to say that there is always a first and there's always a second. | 0:42:37 | 0:42:41 | |
I have to tell you, Reds, that it was the Blue team. | 0:42:41 | 0:42:45 | |
What? | 0:42:45 | 0:42:46 | |
Oh, my goodness! | 0:42:46 | 0:42:48 | |
-Commiserations, guys. -Yes. | 0:42:48 | 0:42:49 | |
-I have to say... -A well-fought contest. | 0:42:49 | 0:42:52 | |
Ladies, you gave the Blues a run for their money | 0:42:52 | 0:42:56 | |
and you made a £13 profit, OK? | 0:42:56 | 0:42:59 | |
So there you are, Reds, that's your £13. | 0:42:59 | 0:43:03 | |
And, Blue team, yes, | 0:43:03 | 0:43:07 | |
-you get it in one £20 note. -Thank you. | 0:43:07 | 0:43:10 | |
So don't spend it all at once. Well, listen, have you had fun? | 0:43:10 | 0:43:13 | |
-Yes, absolutely. -OK. | 0:43:13 | 0:43:16 | |
But, in the meantime, you can check us out on our website, | 0:43:16 | 0:43:19 | |
or follow us on Twitter. But better still, | 0:43:19 | 0:43:22 | |
why not join us next time for some more Bargain Hunting? | 0:43:22 | 0:43:25 | |
-Yes? ALL: -Yes! | 0:43:25 | 0:43:27 |