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RHYTHMIC BEATING | 0:00:02 | 0:00:03 | |
Today, we're in West Yorkshire at Marston Moor, | 0:00:03 | 0:00:08 | |
the site of an historic English Civil War battleground. | 0:00:08 | 0:00:13 | |
CRIES OF AGGRESSION | 0:00:13 | 0:00:14 | |
On the 2nd of July 1644, | 0:00:14 | 0:00:16 | |
the Parliamentarians, led by Oliver Cromwell, | 0:00:16 | 0:00:20 | |
advanced on the Royalist army in a surprise attack. | 0:00:20 | 0:00:23 | |
Cromwell's men were victorious within a couple of hours | 0:00:23 | 0:00:27 | |
and took control of the north of England. | 0:00:27 | 0:00:30 | |
We're off to a battle of a different kind. | 0:00:30 | 0:00:33 | |
So, let's go Bargain Hunting! | 0:00:33 | 0:00:36 | |
Welcome to the Great Wetherby Racecourse Antiques Fair. | 0:01:01 | 0:01:05 | |
With stalls both inside and out, there's plenty to choose from. | 0:01:05 | 0:01:09 | |
But, with both our teams jockeying for position, who'll be the winner? | 0:01:09 | 0:01:14 | |
Let's take a peek at what's coming up. | 0:01:14 | 0:01:17 | |
This mirror divides opinion. The Reds aren't keen. | 0:01:17 | 0:01:20 | |
-What don't you like about it? -It's too old-fashioned. | 0:01:20 | 0:01:23 | |
Well, it's an antique! | 0:01:23 | 0:01:24 | |
THEY LAUGH | 0:01:24 | 0:01:26 | |
But the Blues have a different view. | 0:01:26 | 0:01:28 | |
-You really like it. Do you like it? -I've got my doubts. | 0:01:28 | 0:01:31 | |
At the auction, which team will be looking at a profit? The Reds? | 0:01:32 | 0:01:36 | |
THEY GIGGLE | 0:01:36 | 0:01:38 | |
Or the Blues? | 0:01:38 | 0:01:40 | |
-50. -Break even. | 0:01:40 | 0:01:42 | |
And I visit the world's oldest sweet shop. | 0:01:42 | 0:01:44 | |
DOOR BELL | 0:01:44 | 0:01:46 | |
Well, all that is coming up later, but let's meet today's teams. | 0:01:48 | 0:01:51 | |
For the Reds, we have got sisters Rowanne and Rachel. | 0:01:51 | 0:01:55 | |
And, for the Blues, we've got married couple Jane and Stu. | 0:01:55 | 0:01:58 | |
-So, hello. ALL: -Hello! | 0:01:58 | 0:02:00 | |
Turning my attention to you, Rachel, | 0:02:00 | 0:02:03 | |
why was it that you chose Rowanne to be your partner today? | 0:02:03 | 0:02:06 | |
Well, she's my sister and she's my best friend | 0:02:06 | 0:02:09 | |
and Rowanne loves antiques. She collects a lot of stuff. | 0:02:09 | 0:02:12 | |
She also likes dragging me out early in the morning | 0:02:12 | 0:02:14 | |
to go to car-boot sales to sell some of the junk that she's collected. | 0:02:14 | 0:02:18 | |
Now, I believe you work in a primary school but, on top of that, | 0:02:18 | 0:02:21 | |
-I'm told you have this penchant for dressing up. -I do, yeah. | 0:02:21 | 0:02:26 | |
The primary school setting's perfect for it, anyway, | 0:02:26 | 0:02:29 | |
we're always having charity events, things like that. | 0:02:29 | 0:02:31 | |
But, yeah, you can quite often see me dressed as a clown, | 0:02:31 | 0:02:33 | |
or Olaf from Frozen. | 0:02:33 | 0:02:35 | |
Just recently, we did World Book Day | 0:02:35 | 0:02:37 | |
and I was Gangsta Granny. The kids absolutely love it. | 0:02:37 | 0:02:40 | |
So, Rowanne, I believe you're a pensions officer. | 0:02:40 | 0:02:43 | |
What does all that entail? | 0:02:43 | 0:02:45 | |
Yeah, I'm a pensions officer at the West Yorkshire Pension Fund. | 0:02:45 | 0:02:48 | |
I've worked there since I was 16. | 0:02:48 | 0:02:51 | |
I know people might think it's a bit like accountancy, | 0:02:51 | 0:02:53 | |
but I really enjoy it. I love the work. | 0:02:53 | 0:02:57 | |
-According to your sister here, you collect junk. -No! | 0:02:57 | 0:03:00 | |
OK. But what do you like collecting more than anything else? | 0:03:00 | 0:03:04 | |
Oh, I'd just like the unusual pieces. | 0:03:04 | 0:03:07 | |
Glassware, and things made of stone, or anything unusual. | 0:03:07 | 0:03:12 | |
-Tactile things, touchy-feely things? -Yeah, things I like the look of. | 0:03:12 | 0:03:17 | |
So, how do you two intend to play the game today? | 0:03:17 | 0:03:19 | |
Spend big. Spend as much money as we can, | 0:03:19 | 0:03:21 | |
hopefully to make the bigger profit. | 0:03:21 | 0:03:23 | |
-Right. -We might not leave very much for our expert, though. | 0:03:23 | 0:03:25 | |
No. No, we're not intending to. | 0:03:25 | 0:03:27 | |
Right, OK, well, on that note, I'll turn | 0:03:27 | 0:03:30 | |
to the opposition and say, hello, Blues. | 0:03:30 | 0:03:32 | |
-BOTH: -Hello. | 0:03:32 | 0:03:34 | |
Stu, let me ask you, apparently you've had a varied career. Explain. | 0:03:34 | 0:03:39 | |
I started out as a mechanic, | 0:03:39 | 0:03:41 | |
and I've done plumbing and working on a farm, the retail trade. | 0:03:41 | 0:03:44 | |
But now I work with my wife Jane in the buying department. | 0:03:44 | 0:03:50 | |
It says here, Jane, that you're in charge of your family business? | 0:03:50 | 0:03:53 | |
-Yeah. -So you're the MD? -Yep. | 0:03:53 | 0:03:56 | |
-I mean, you're responsible for how many people? -125. | 0:03:56 | 0:03:59 | |
-Including him. -Right. | 0:03:59 | 0:04:01 | |
So, you like collecting, Jane? What sort of things? | 0:04:01 | 0:04:03 | |
Military vehicles, mainly. World War II. | 0:04:03 | 0:04:07 | |
You think big here, don't you? What's your biggest? | 0:04:07 | 0:04:09 | |
The biggest has been a GMC seven-tonner troop carrier. | 0:04:09 | 0:04:14 | |
So, I used to drive that around and take it to the shops and stuff. | 0:04:14 | 0:04:17 | |
-STU LAUGHS -Dressed in the uniform. | 0:04:17 | 0:04:20 | |
-Oh, you had the uniform, as well? -I still have. | 0:04:20 | 0:04:22 | |
-I can't get into it any more! -What is it about Yorkshire people | 0:04:22 | 0:04:24 | |
wanting to dress up all the time? | 0:04:24 | 0:04:27 | |
-GI Jane. -GI Jane? -Of course, of course, yeah. -Right, OK. | 0:04:27 | 0:04:31 | |
So, this could be a tricky one for you two because, Jane, | 0:04:31 | 0:04:33 | |
I mean you're used to being in charge of the business. | 0:04:33 | 0:04:37 | |
-Absolutely. -How's it going to work today? | 0:04:37 | 0:04:40 | |
-Are you in charge? -Yeah. -OK. All right. | 0:04:40 | 0:04:42 | |
-That's... -That's told me! | 0:04:42 | 0:04:44 | |
So, it's the money moment. | 0:04:45 | 0:04:47 | |
OK, so, Reds, there's your £300. | 0:04:47 | 0:04:51 | |
Blues, there, your £300. | 0:04:51 | 0:04:53 | |
So, off you go and meet your experts. | 0:04:53 | 0:04:55 | |
Well, with two sets of keen collectors, | 0:04:55 | 0:04:58 | |
I think we're in for a bit of a treat today. | 0:04:58 | 0:05:02 | |
All the teams need now are their experts. | 0:05:02 | 0:05:06 | |
Hoping to churn a profit with the Reds, it's Nick Hall. | 0:05:06 | 0:05:09 | |
And hoping to ring in a profit with the Blues, it's Jonathan Pratt. | 0:05:11 | 0:05:15 | |
Now, Rachel, what's on your shopping list? | 0:05:15 | 0:05:18 | |
Something really big and heavy. Some sort of heavy metal. | 0:05:18 | 0:05:21 | |
Something interesting and animal-orientated. | 0:05:21 | 0:05:23 | |
Animal-orientated? | 0:05:23 | 0:05:24 | |
I'd like a nice, dainty piece of furniture, if we can find one. | 0:05:24 | 0:05:28 | |
Art Deco. Something that jumps out at me. | 0:05:28 | 0:05:30 | |
Reds and Blues, | 0:05:30 | 0:05:32 | |
your time starts now. KLAXON BLARES | 0:05:32 | 0:05:34 | |
-Well, come on, then, ladies, let's shop. -Yes! | 0:05:34 | 0:05:36 | |
Let's go and have a look. Come on. | 0:05:36 | 0:05:38 | |
Good luck, teams. Straight down to business. | 0:05:38 | 0:05:40 | |
Reds, does this tick a few boxes? | 0:05:40 | 0:05:43 | |
METALLIC TAPPING | 0:05:43 | 0:05:44 | |
-What about this, that's big and metal? -It's really nice. | 0:05:44 | 0:05:46 | |
It's a bit of furniture. It's not very dainty, though. | 0:05:46 | 0:05:49 | |
Yeah, but it's spot on. It's on trend. It's industrial furniture. | 0:05:49 | 0:05:53 | |
-It is lovely. -And it's been upcycled. How much is it? | 0:05:53 | 0:05:56 | |
Ooh, 250. | 0:05:56 | 0:05:58 | |
Right, OK. I mean, that's fair enough for a retail price. | 0:05:58 | 0:06:00 | |
-There's nothing left in it for us for profit. -No. | 0:06:00 | 0:06:03 | |
-But it's a cracking thing. -It's nice. -It is nice. -Yeah. | 0:06:03 | 0:06:07 | |
If you could get it for £50, that would be really good. | 0:06:07 | 0:06:09 | |
"If", yeah. | 0:06:09 | 0:06:10 | |
That's the general theme of things. Let's go find something like it. | 0:06:10 | 0:06:13 | |
Fingers crossed it's out there, Reds. | 0:06:13 | 0:06:15 | |
And will Jane find anything animal-related? | 0:06:15 | 0:06:19 | |
Perhaps a bit of art. | 0:06:19 | 0:06:20 | |
Or something a bit different than the run-of-the-mill. | 0:06:20 | 0:06:23 | |
-Something different. -Why animal? -Because I've got dogs. | 0:06:23 | 0:06:25 | |
What breeds do you have? | 0:06:25 | 0:06:27 | |
German Shepherds, Shih Tzus, lurchers, Jack Russell. | 0:06:27 | 0:06:30 | |
-How many have you got? Lots of S's on the end of those. -Quite a lot! | 0:06:30 | 0:06:33 | |
THEY LAUGH | 0:06:33 | 0:06:34 | |
Quite a few, quite a few. | 0:06:34 | 0:06:36 | |
What's quite a few, ten? Five? | 0:06:36 | 0:06:38 | |
No way! How many dogs have you got? | 0:06:39 | 0:06:42 | |
-13. -13! | 0:06:42 | 0:06:45 | |
Well, that must keep you busy, Blues. | 0:06:45 | 0:06:47 | |
But now it's time to focus on antiques. How's it going, Rachel? | 0:06:47 | 0:06:51 | |
It's harder than it looks, this, isn't it? | 0:06:51 | 0:06:53 | |
-We've only just started! Don't panic. -OK. | 0:06:53 | 0:06:56 | |
Now, that's nice. Do you like that, girls? | 0:06:56 | 0:06:58 | |
-No. -I quite like it. -Yeah? -I don't like it. -No? | 0:06:58 | 0:07:01 | |
-What don't you like about it? -It is too old-fashioned. | 0:07:01 | 0:07:05 | |
Well, it's an antique! It wasn't made in the last week, you know. | 0:07:05 | 0:07:10 | |
-You can't see yourself in it. -SHE LAUGHS | 0:07:10 | 0:07:12 | |
No. Rowanne doesn't like it, Nick. We need to move on. | 0:07:12 | 0:07:16 | |
But what you say about that is what we call pitting, on there, | 0:07:16 | 0:07:19 | |
that, actually is a good thing. | 0:07:19 | 0:07:20 | |
-Does it clean off? -No, don't ever clean it off, you devalue it. | 0:07:20 | 0:07:24 | |
That is nearly 200 years of patination and wear and tear | 0:07:24 | 0:07:28 | |
that adds to the kudos and the age of the object. | 0:07:28 | 0:07:32 | |
-I can't see myself in it, I'm sorry. -No, it's no good. | 0:07:32 | 0:07:35 | |
I'm wasting my time here, aren't I? | 0:07:35 | 0:07:37 | |
I don't think any sales pitch was going to convince Rowanne. | 0:07:37 | 0:07:41 | |
Keeping your eye on the time, Blues? | 0:07:41 | 0:07:43 | |
These clocks don't look animal-related! | 0:07:43 | 0:07:45 | |
-That's an old school clock. -It's a Smiths clock. | 0:07:45 | 0:07:47 | |
It's an English company. | 0:07:47 | 0:07:49 | |
The obvious thing is the dial is mottled | 0:07:49 | 0:07:51 | |
and it's all in the face with things like this, | 0:07:51 | 0:07:53 | |
-because that's what you're looking at, isn't it? -Of course. | 0:07:53 | 0:07:55 | |
The case looks nice. It has this sort of wood effect, doesn't it? | 0:07:55 | 0:07:59 | |
-I'd say no on that. -Right. Yeah, you're right. | 0:07:59 | 0:08:01 | |
-I'm inclined to agree. -Yeah, yeah. | 0:08:01 | 0:08:03 | |
That's another one, there. | 0:08:03 | 0:08:04 | |
That's better, isn't it? A bit more industrial. | 0:08:04 | 0:08:06 | |
They're asking the money for it, aren't they? | 0:08:06 | 0:08:09 | |
-I was going to say, it's expensive. -Yeah. | 0:08:09 | 0:08:10 | |
-That's far too much. -It's expensive. | 0:08:10 | 0:08:12 | |
It's a metal case. | 0:08:12 | 0:08:13 | |
I just want to see what they've got on the back there. | 0:08:13 | 0:08:16 | |
It's the original mechanism on the back. | 0:08:16 | 0:08:18 | |
What do you think? Do you think somebody would buy that? | 0:08:18 | 0:08:21 | |
Again, if you look at the dial, the dial has an even fading | 0:08:21 | 0:08:25 | |
and an even colour. | 0:08:25 | 0:08:27 | |
But it is quite a lot of money. | 0:08:27 | 0:08:29 | |
Can you see that making more than that? No? | 0:08:29 | 0:08:32 | |
You're turned off by it? OK. | 0:08:32 | 0:08:33 | |
So, ten minutes in, and the Blues don't have time or money for clocks. | 0:08:33 | 0:08:37 | |
Reds, maybe it's time to sew up your first buy. | 0:08:37 | 0:08:40 | |
Wow, what about that? Do you like that? | 0:08:40 | 0:08:43 | |
It's old? | 0:08:43 | 0:08:45 | |
-1830. -February 27th, 1830. -There's a clue there, isn't there? | 0:08:45 | 0:08:48 | |
-A bit of a clue that, Row! -Now, it's what you might call a tapestry. | 0:08:48 | 0:08:51 | |
-What we in the trade call a sampler. -Right. | 0:08:51 | 0:08:53 | |
They were made by young girls, | 0:08:53 | 0:08:55 | |
part of that rites of passage of growing up. | 0:08:55 | 0:08:57 | |
-They were taught needlework and all these other crafts. -Right. | 0:08:57 | 0:09:00 | |
Produced by Ellen Pillings. There is a market for them. | 0:09:00 | 0:09:03 | |
They're quite saleable. | 0:09:03 | 0:09:05 | |
-But, as with everything, it's down to price. -Yeah. | 0:09:05 | 0:09:08 | |
Shall I have a chat with the stallholder, | 0:09:08 | 0:09:10 | |
see what sort of money it is? | 0:09:10 | 0:09:11 | |
-You have a close look at it and let me know what you think. -OK. | 0:09:11 | 0:09:14 | |
-Right. -Thank you. | 0:09:14 | 0:09:16 | |
It looks really manky. | 0:09:16 | 0:09:18 | |
Do you know, if I had that at home, I'd put it in the bin! | 0:09:18 | 0:09:21 | |
Never mind sell it. | 0:09:21 | 0:09:23 | |
OK, so, what are you thinking? | 0:09:23 | 0:09:25 | |
-Are you ready for this? -Am I ready? I need to be ready. | 0:09:25 | 0:09:28 | |
-Should I brace myself? What's happening? -We don't like it. | 0:09:28 | 0:09:31 | |
-We think it's awful. -You don't like it. OK. | 0:09:31 | 0:09:33 | |
-You won't like the fact that it's 100 quid, either, then? -No. | 0:09:33 | 0:09:36 | |
-If you don't like it, don't want it... -Shall we leave it for now | 0:09:36 | 0:09:38 | |
-and perhaps come back? -..we can move on. | 0:09:38 | 0:09:41 | |
-We're not short of time or money. -OK. -Just press on. | 0:09:41 | 0:09:43 | |
Do you know why we're not short of money? | 0:09:43 | 0:09:45 | |
-We haven't spent anything! -Yeah! | 0:09:45 | 0:09:47 | |
Well, try and spend some, Reds. | 0:09:47 | 0:09:49 | |
Stuart, are you in a mood for spending? | 0:09:49 | 0:09:52 | |
-Sort of industrial lamps, that type of thing. -Yeah, cool. | 0:09:52 | 0:09:55 | |
-Because I've seen one. -Have you, where? | 0:09:55 | 0:09:57 | |
-Um, over here. -Oh, yeah. | 0:09:57 | 0:09:59 | |
-It's just a bog-standard thing. -OK, yeah. | 0:09:59 | 0:10:03 | |
The bracket shows it would have hung on a wall, wouldn't it? | 0:10:03 | 0:10:06 | |
Do you know, I was thinking... | 0:10:06 | 0:10:09 | |
-It's aluminium. -Yes. -What does it say, Stuart, down its...? | 0:10:09 | 0:10:13 | |
-It was made in Glasgow. -It was made in Glasgow, yeah. | 0:10:13 | 0:10:15 | |
-I think that's quite interesting. -It is. It's an aluminium casting, | 0:10:15 | 0:10:18 | |
but it's got that sort of feel, post-war, '60s or '70s. | 0:10:18 | 0:10:21 | |
What's it got on it? £65. | 0:10:21 | 0:10:24 | |
-Have you any idea how old this is? -I would say it's late '50s, latest. | 0:10:24 | 0:10:28 | |
-Yeah, the late '50s. -Right. | 0:10:28 | 0:10:30 | |
I'm going to be really cheeky. Would you take 28 for it? | 0:10:30 | 0:10:33 | |
The best I can do, I'll be honest with you, will be 50, | 0:10:33 | 0:10:36 | |
-because I've paid up. I've had to have it burnished. -Right. | 0:10:36 | 0:10:38 | |
-Ah, yes, you've had it cleaned, haven't you? -Yeah, yeah. | 0:10:38 | 0:10:41 | |
-It's ready to rock. -Got my doubts about it, | 0:10:41 | 0:10:43 | |
but, please, would you do it for 40? | 0:10:43 | 0:10:46 | |
I'll do it for 45. And that leaves me very little. | 0:10:46 | 0:10:49 | |
Very, very little. | 0:10:49 | 0:10:51 | |
All right then, OK. | 0:10:51 | 0:10:52 | |
Number one! | 0:10:52 | 0:10:54 | |
Yes, well done, that's your first item, with 20 minutes on the clock. | 0:10:54 | 0:10:57 | |
Reds, does this fit with the heavy metal criteria? | 0:10:57 | 0:11:01 | |
A lump of metal there, that's a chair. | 0:11:01 | 0:11:03 | |
Right, the fact that I could go and sit down in it, | 0:11:03 | 0:11:05 | |
which is quite appealing at the moment. | 0:11:05 | 0:11:06 | |
-Do you think it'll be too expensive? -Let's go have a look at it. | 0:11:06 | 0:11:09 | |
-More than we've got, but go and have a look. Come on. -350. | 0:11:09 | 0:11:12 | |
-Go on, guess. -I reckon it's going to be £200 or £300, probably. | 0:11:12 | 0:11:15 | |
-No, no. -Oh, I'm having this! | 0:11:15 | 0:11:17 | |
-Really? -Yeah, I love this. -Are you sure? Why? Come on. | 0:11:17 | 0:11:20 | |
-Because I like it. -Because you like it. And how much is it? | 0:11:20 | 0:11:23 | |
£100 or very near offer. OK. | 0:11:23 | 0:11:27 | |
It's a modern reproduction. It's got this mock verdigris finish, | 0:11:27 | 0:11:33 | |
a pseudo-patination to make it look Victorian. | 0:11:33 | 0:11:36 | |
But, you know, if it's not expensive, it's the sort of thing | 0:11:36 | 0:11:39 | |
that someone at an auction could easily spend a couple of hundred on. | 0:11:39 | 0:11:43 | |
-I like it. I think it's really nice. -Nice cushion. -Yeah. | 0:11:43 | 0:11:46 | |
Nice cushion. I like that. | 0:11:46 | 0:11:48 | |
-Sir, could you come over and join us? -Aye? | 0:11:48 | 0:11:50 | |
So, you were in the background then. | 0:11:50 | 0:11:52 | |
I think I heard you say it could be cheap enough. | 0:11:52 | 0:11:54 | |
-My ears pricked up on that word "cheap". -They always do, mate! | 0:11:54 | 0:11:57 | |
It's an auctioneer's twitch. I can't help myself. | 0:11:57 | 0:12:01 | |
-So, when you say cheap... -50. | 0:12:01 | 0:12:03 | |
-If we put a 50... 50 quid? -Yeah. | 0:12:03 | 0:12:05 | |
-What about 35? -No, no, no. It's got to be 45. | 0:12:05 | 0:12:08 | |
-40? -45. | 0:12:08 | 0:12:10 | |
-42. -43. | 0:12:10 | 0:12:12 | |
Go on, then. Hang on, before we shake your hand, | 0:12:12 | 0:12:15 | |
-you two have got to agree. -No, I'm happy with that. -We like it. | 0:12:15 | 0:12:18 | |
-£43...for all that metal. -We like it. | 0:12:18 | 0:12:20 | |
And you'll deliver it to Darlington! | 0:12:20 | 0:12:22 | |
THEY LAUGH | 0:12:22 | 0:12:23 | |
-43 quid. -Bearing in mind you thought it was £300. | 0:12:23 | 0:12:26 | |
-Are we there? -Yeah, yeah, go on. | 0:12:26 | 0:12:28 | |
We've bought it. Too late, we've bought it. There's no going back. | 0:12:28 | 0:12:31 | |
That was a great buy, Reds. | 0:12:31 | 0:12:33 | |
Blues, it still doesn't look like you've seen anything animal-related. | 0:12:33 | 0:12:36 | |
-I quite like these old chairs. -Yes, I like them, they're all worn. | 0:12:36 | 0:12:39 | |
They've got a saddle seat, you know. And they're really comfy still. | 0:12:39 | 0:12:42 | |
It looks all sort of country, doesn't it? | 0:12:42 | 0:12:46 | |
Elm seat, ash spindles, it's what you'd expect, you know. | 0:12:46 | 0:12:50 | |
Is it something that sells well? | 0:12:50 | 0:12:51 | |
It's the kitchen chair. As long as the legs haven't been cut down. | 0:12:51 | 0:12:54 | |
The thing is, it's the height to the kitchen table. | 0:12:54 | 0:12:58 | |
If it doesn't get the height to the kitchen table, | 0:12:58 | 0:13:00 | |
then you can only use it as an occasional chair. | 0:13:00 | 0:13:03 | |
-I think it might be a little on the short side, actually. -I can't... | 0:13:03 | 0:13:06 | |
-Yeah, you're quite low-down. -It's so comfy, though. | 0:13:08 | 0:13:12 | |
Don't get too comfy, JP. | 0:13:12 | 0:13:14 | |
How are we doing for time, Nick? | 0:13:14 | 0:13:16 | |
25 minutes in, one item bought. | 0:13:16 | 0:13:19 | |
-You're a bit cold, are you? -Yes! | 0:13:19 | 0:13:21 | |
-How about we go indoors? -Yes. -See if we can find our next item | 0:13:21 | 0:13:24 | |
and warm up at the same time? | 0:13:24 | 0:13:26 | |
Sounds like a plan. | 0:13:26 | 0:13:27 | |
-Come on, you two, let's get in. -Yes. -Thank you. | 0:13:27 | 0:13:29 | |
-Let's get buying and let's get warm. -Yay! | 0:13:29 | 0:13:31 | |
Blues, is it time to stir things up a bit? | 0:13:32 | 0:13:35 | |
I can see that in a Victorian kitchen. | 0:13:35 | 0:13:37 | |
-They're making these things in France. -Are they? | 0:13:37 | 0:13:40 | |
I'm not suggesting that is, but there are so many reproductions | 0:13:40 | 0:13:44 | |
that it kind of kills the market slightly. | 0:13:44 | 0:13:46 | |
Best to avoid those, then, Blues. | 0:13:46 | 0:13:48 | |
Reds, do you like Moorcroft? | 0:13:48 | 0:13:49 | |
-You like Moorcroft, don't you? -Yeah, I do like Moorcroft. | 0:13:49 | 0:13:52 | |
-Do you like it, Nick? -I love Moorcroft. | 0:13:52 | 0:13:55 | |
-Yeah. -It's a little bit out of our price range. | 0:13:55 | 0:13:57 | |
-Yeah. -Can you date it by the pattern? | 0:13:57 | 0:13:59 | |
Yeah, some of the patterns were produced very, very early | 0:13:59 | 0:14:02 | |
and they went out of circulation. | 0:14:02 | 0:14:04 | |
Some of them they did revive, | 0:14:04 | 0:14:06 | |
like, there's two versions of the carp pattern, which is very popular. | 0:14:06 | 0:14:09 | |
The early one makes a lot of money. Four figures. | 0:14:09 | 0:14:13 | |
-They reintroduced it back in the '90s. -Right, OK. | 0:14:13 | 0:14:15 | |
Still saleable, but for a fraction of the earlier ones. | 0:14:15 | 0:14:18 | |
So, you've got to be a little bit careful. | 0:14:18 | 0:14:20 | |
And this is always popular. This is the pomegranate pattern | 0:14:20 | 0:14:23 | |
on a miniature vase, and that is... | 0:14:23 | 0:14:25 | |
See, that's £295. | 0:14:25 | 0:14:27 | |
The pattern is key to these. A very popular pattern. | 0:14:27 | 0:14:30 | |
Out of your price range. | 0:14:30 | 0:14:32 | |
You only have £257 left. | 0:14:32 | 0:14:34 | |
Now, Blues, the Reds have already looked at this mirror. | 0:14:34 | 0:14:37 | |
They weren't so keen. | 0:14:37 | 0:14:39 | |
It's a pretty impressive one, I will say. | 0:14:39 | 0:14:41 | |
-It's got quite a lot of presence. -I like that. -Hi, there. | 0:14:41 | 0:14:44 | |
-Hello, there. -How are you doing? -I'm not so bad, thank you. | 0:14:44 | 0:14:46 | |
-Jane really likes the mirror. -Oh, yeah, it's a really nice mirror. | 0:14:46 | 0:14:49 | |
-Nice colours on it, I think. -It is, it's a good Victorian one. | 0:14:49 | 0:14:52 | |
-It's got a drawer there. -It has got a drawer. Oh, yeah. | 0:14:52 | 0:14:55 | |
-Isn't it cute? It's a hidden drawer, really, isn't it? -Yeah. | 0:14:55 | 0:14:59 | |
-Fitted in with the moulding on there. -So, all this, | 0:14:59 | 0:15:01 | |
-what would you do with...? -You'd do nothing with that. | 0:15:01 | 0:15:05 | |
Unless it polishes off. Yeah, there's a few things like that. | 0:15:05 | 0:15:07 | |
You just wax it and wax it, and it just becomes part of the colour | 0:15:07 | 0:15:10 | |
and pattern of the whole thing. | 0:15:10 | 0:15:12 | |
I mean, it's a really nice cut of mahogany and, all the way up here, | 0:15:12 | 0:15:16 | |
the turning on these are very good. | 0:15:16 | 0:15:18 | |
It's a really good quality one with re-entrant corners. | 0:15:18 | 0:15:21 | |
This sort of, where the glass has become frosted, you know, | 0:15:21 | 0:15:26 | |
-that's actually very fashionable, this sort of antique glass. -Right. | 0:15:26 | 0:15:29 | |
You really like it. Do you like it? | 0:15:29 | 0:15:31 | |
I've got my doubts about whether it'll make much at auction. | 0:15:31 | 0:15:34 | |
How much have you got on it? | 0:15:34 | 0:15:35 | |
I've got 95 on it. | 0:15:35 | 0:15:36 | |
Would you...? | 0:15:36 | 0:15:38 | |
I can move a little bit on it. | 0:15:38 | 0:15:39 | |
What's the lowest? | 0:15:39 | 0:15:41 | |
80. | 0:15:41 | 0:15:42 | |
70? You wouldn't go to 70? | 0:15:43 | 0:15:45 | |
I'll split the difference with you, 75. | 0:15:45 | 0:15:47 | |
-Not a lot for what it is, do you think? -It's a nice thing. | 0:15:47 | 0:15:49 | |
It's nice thing. It's a nice, quality thing. | 0:15:49 | 0:15:51 | |
-Go on, Jane! Go for it, go for it! -I think so, we'll go for that. | 0:15:51 | 0:15:54 | |
-Go for it. -75, I think, yeah, that's it. | 0:15:54 | 0:15:56 | |
They'll take it, thank you very much. | 0:15:56 | 0:15:58 | |
-Thank you very much, appreciate it. -Thank you, it's lovely. | 0:15:58 | 0:16:01 | |
Well, the Blues were more impressed with it than the Reds. | 0:16:01 | 0:16:03 | |
We'll find out which team made the right decision at the auction. | 0:16:03 | 0:16:07 | |
Rachel, do you like statues? | 0:16:07 | 0:16:09 | |
I love statues. | 0:16:09 | 0:16:11 | |
Do you like this, Rachel? | 0:16:11 | 0:16:13 | |
-Oh, it's really heavy. -Is it? -I do like that, actually. | 0:16:13 | 0:16:17 | |
-What is it? -What is it? | 0:16:17 | 0:16:19 | |
-BOTH: -Card tray? | 0:16:19 | 0:16:21 | |
-What's that, then? What's one of those? -I don't know. | 0:16:21 | 0:16:23 | |
What sort of cards would you put on this? | 0:16:23 | 0:16:26 | |
Well, it's called a card tray and it's a signed one, | 0:16:26 | 0:16:28 | |
which is a Milo piece, and I can do that to £70. | 0:16:28 | 0:16:32 | |
Nick! Nick! | 0:16:32 | 0:16:34 | |
-What do you think to this? -What have you found? -We really like it. | 0:16:34 | 0:16:37 | |
-Hello, there. -Hi. -So, what have we got? Tell me about it? | 0:16:37 | 0:16:41 | |
-It's a card tray. -How old is it? -Don't know. -It's modern. -OK. | 0:16:41 | 0:16:44 | |
So, it's in that sort of classic Art Nouveau style. | 0:16:44 | 0:16:47 | |
-It's a modern version of that. -People still like it, don't they? | 0:16:47 | 0:16:49 | |
They do. Art Nouveau collectors, of course, will buy the original ones. | 0:16:49 | 0:16:54 | |
The modern versions of those, at auction, | 0:16:54 | 0:16:56 | |
-you've got to be a little bit careful of. -Right, OK. | 0:16:56 | 0:16:59 | |
-I'm doing that at £70. -At £70, OK. | 0:16:59 | 0:17:02 | |
I mean, I do sell these in our general sales. | 0:17:02 | 0:17:05 | |
Yeah? | 0:17:05 | 0:17:06 | |
And they make 40, 50 quid. | 0:17:06 | 0:17:09 | |
How much had you had your hearts set on it? | 0:17:09 | 0:17:11 | |
What's the best, absolute best you could do on it? | 0:17:11 | 0:17:14 | |
55 would be the absolute best. | 0:17:14 | 0:17:17 | |
If you want it, you buy it. | 0:17:17 | 0:17:19 | |
-Yes. -You like it, don't you? -I like it. | 0:17:19 | 0:17:21 | |
-And 55, your very best? -55? It is. -OK. -It is, yes. | 0:17:21 | 0:17:25 | |
-I know that because that's what I bought it at! -Oh. | 0:17:25 | 0:17:28 | |
-You can't say no. -We can't say no. -No. | 0:17:28 | 0:17:30 | |
We're going to say yes. | 0:17:30 | 0:17:32 | |
-That's very generous of you, thank you. -Thank you. | 0:17:32 | 0:17:34 | |
-We really like it, thank you. -Great stuff. | 0:17:34 | 0:17:36 | |
You should make a bob or two on that. | 0:17:36 | 0:17:38 | |
Here's hoping, Reds. You have £202 left to spend on your final item. | 0:17:38 | 0:17:43 | |
Blues, you've £180. | 0:17:43 | 0:17:45 | |
Nearly there, one more to buy. | 0:17:45 | 0:17:47 | |
-Have we seen the bell? -Is that a Yorkshire doorbell? | 0:17:47 | 0:17:49 | |
-It says Liberty bell. -Well, it's just a bell. | 0:17:49 | 0:17:51 | |
It's the sort of thing that would be in a chapel, isn't it? | 0:17:51 | 0:17:54 | |
Let's see. Has it got a knocker? | 0:17:54 | 0:17:56 | |
BELL RINGS | 0:17:56 | 0:17:58 | |
It's not cracked. | 0:17:58 | 0:18:00 | |
It's a Victorian bell. | 0:18:00 | 0:18:02 | |
-It's a lot. -£125. | 0:18:02 | 0:18:05 | |
-It's a lot of money. -Yeah. -A lot of money. | 0:18:05 | 0:18:08 | |
What's the history behind the bell? | 0:18:08 | 0:18:10 | |
To be honest, I haven't got a lot of history to it. | 0:18:10 | 0:18:14 | |
I bought it from another dealer. | 0:18:14 | 0:18:17 | |
Would you take 75 for it? | 0:18:17 | 0:18:19 | |
I'm just thinking what I can make, that's all, | 0:18:19 | 0:18:23 | |
-what it might bring at auction. -I'll be honest, | 0:18:23 | 0:18:25 | |
I paid more than that for it, so the least I would take for it is 110. | 0:18:25 | 0:18:29 | |
Would you go under 100? Would you take 95 for it? | 0:18:29 | 0:18:32 | |
I've got to get 110 for it. Sorry. | 0:18:32 | 0:18:34 | |
Bad luck, Blues. | 0:18:34 | 0:18:36 | |
Teams, just under 20 minutes left to find your final item. | 0:18:36 | 0:18:41 | |
Nick, have you spotted some bling? | 0:18:41 | 0:18:44 | |
Now, my little red-hot chilli peppers! | 0:18:45 | 0:18:47 | |
-I have been browsing on your behalf. -Oh? -Have you! | 0:18:47 | 0:18:50 | |
-And I have found something I think you might like. -Oh, brilliant. -Wow. | 0:18:50 | 0:18:53 | |
-Come and have a look? -Yeah. -Let's do it. | 0:18:53 | 0:18:56 | |
-It is... -Is it jewellery? | 0:18:56 | 0:18:58 | |
Well, it's kind of bling-ish. | 0:18:58 | 0:19:00 | |
Bling-ish? | 0:19:00 | 0:19:02 | |
-And it's red. -Oh! -And it's this. | 0:19:02 | 0:19:05 | |
-It's a scent bottle. It's Victorian. -Really? -Around about 1870 to 1880. | 0:19:05 | 0:19:09 | |
Victorian cranberry glass, facet-cut. | 0:19:09 | 0:19:12 | |
-This will be silver plate with a gilt edging on it. -Right, OK. | 0:19:12 | 0:19:17 | |
So, a double-ended scent bottle. A different scent either end. | 0:19:17 | 0:19:20 | |
-Oh, I see. -This one here, you pop that button, it springs open... | 0:19:20 | 0:19:25 | |
-How cute is that? -There you go on there. | 0:19:25 | 0:19:27 | |
The other one you open up and that has a screw cap on the end. | 0:19:27 | 0:19:32 | |
-I really like this. -Yes, I do. | 0:19:32 | 0:19:34 | |
And that's on there. | 0:19:34 | 0:19:36 | |
So, I had a quick chat with the stallholder, as well. | 0:19:36 | 0:19:39 | |
They're asking £95 for it, but it could be £70. | 0:19:39 | 0:19:43 | |
-OK. -Really collectable. | 0:19:43 | 0:19:44 | |
Do you think it will make a profit, Nick? | 0:19:44 | 0:19:47 | |
I would hope it would squeeze up towards three figures. | 0:19:47 | 0:19:51 | |
I haven't seen, not a double-ended one. | 0:19:51 | 0:19:53 | |
So, the question is, is it going to be our third, our final buy? | 0:19:53 | 0:19:57 | |
-A red for the Reds? -A red for the Reds. -Absolutely. | 0:19:57 | 0:19:59 | |
-Yeah, that's great. -Really? -I think you've done a really good job there. | 0:19:59 | 0:20:02 | |
-I'm glad we brought you. -That, then, ladies, is it. | 0:20:02 | 0:20:05 | |
All shopped out. All done. | 0:20:05 | 0:20:07 | |
I'm just going to pay for this now | 0:20:07 | 0:20:08 | |
and, hopefully, with the scent bottle, | 0:20:08 | 0:20:10 | |
we'll come up smelling of roses. | 0:20:10 | 0:20:12 | |
-I think we will. -Well done. | 0:20:12 | 0:20:13 | |
Well done, ladies. Blues, anything calling out to you? | 0:20:13 | 0:20:16 | |
-I like that phone. -Do you? | 0:20:16 | 0:20:18 | |
-Yeah. -It's not terribly old. | 0:20:18 | 0:20:20 | |
-Right. -Right, guys. | 0:20:20 | 0:20:22 | |
I don't want to shock you, we've had 49 minutes. | 0:20:22 | 0:20:25 | |
-We've got 11 minutes left. -Right. We'd better get moving. | 0:20:25 | 0:20:27 | |
Shall I see if I can get a fiver off that bell? | 0:20:27 | 0:20:30 | |
-Get it for 100? -Oh, do you reckon? | 0:20:30 | 0:20:33 | |
-For 100. -The poor chap. -100. | 0:20:33 | 0:20:36 | |
Go on. | 0:20:37 | 0:20:38 | |
He's been told. | 0:20:40 | 0:20:41 | |
He certainly has. | 0:20:41 | 0:20:43 | |
Good luck with that, Stuart. | 0:20:43 | 0:20:45 | |
-Would you go for 100? -I can't. | 0:20:45 | 0:20:47 | |
I don't hold out much hope. | 0:20:47 | 0:20:48 | |
I mean, he was sticking his heels in at £110. | 0:20:48 | 0:20:50 | |
I don't think he's going to shift from 110. | 0:20:50 | 0:20:53 | |
He seemed really adamant on that, don't you think? | 0:20:53 | 0:20:55 | |
-OK. -Yeah? -You've got yourself a deal. | 0:20:55 | 0:20:58 | |
Well, he's shaken on it, but at what price? | 0:20:58 | 0:21:01 | |
100, perhaps, not more. | 0:21:01 | 0:21:04 | |
Here he is. Fill us in, go on. | 0:21:04 | 0:21:06 | |
He split the difference. 105. | 0:21:06 | 0:21:09 | |
-Well done. -Are you all right with that? | 0:21:09 | 0:21:11 | |
-Well, you've shaken on it now. -I certainly have. -Well done. | 0:21:11 | 0:21:13 | |
All items bought and £225 spent. | 0:21:13 | 0:21:18 | |
PHONE RINGS | 0:21:18 | 0:21:19 | |
What? What's that? | 0:21:19 | 0:21:20 | |
Teams, your time's up. | 0:21:21 | 0:21:22 | |
Let's go and ring the bells then, shall we? | 0:21:22 | 0:21:24 | |
Let's remind ourselves what the Red team bought. | 0:21:24 | 0:21:26 | |
First up, Rachel wanted some heavy metal | 0:21:28 | 0:21:30 | |
and she paid £43 for this garden arch. | 0:21:30 | 0:21:34 | |
Next, they bought this modern card tray for £55. | 0:21:36 | 0:21:39 | |
And, finally, Nick sniffed out this scent bottle. £70 paid. | 0:21:43 | 0:21:47 | |
Reds, you are, without doubt, impressive shoppers. | 0:21:50 | 0:21:54 | |
I have to say, Nick, these ladies stuck to their game plan, didn't they? | 0:21:54 | 0:21:57 | |
They were dogged, determined and didn't deviate once. | 0:21:57 | 0:22:00 | |
Right. Favourite item? | 0:22:00 | 0:22:01 | |
Oh, it's got to be my big piece of metal. | 0:22:01 | 0:22:04 | |
-My gazebo chair. -And what about you, Rowanne? | 0:22:04 | 0:22:06 | |
-The perfume bottle. -Very chic, isn't it? | 0:22:06 | 0:22:08 | |
-And it's red. -It is. | 0:22:08 | 0:22:10 | |
Which of the three items do you think is going to return you the biggest profit? | 0:22:10 | 0:22:13 | |
-Guess which, go on. -I'm not guessing anything. | 0:22:13 | 0:22:15 | |
The big piece of metal. | 0:22:15 | 0:22:17 | |
The big piece of metal, OK. | 0:22:17 | 0:22:18 | |
-Oh, yes. -Right. And, Rowanne, should I guess, as well? | 0:22:18 | 0:22:22 | |
-I think the big piece of metal, as well. -Oh, you do? | 0:22:22 | 0:22:24 | |
Sisters unified on this one. | 0:22:24 | 0:22:26 | |
-Yes. -So how much did you spend in total? | 0:22:26 | 0:22:29 | |
Was it 168? | 0:22:29 | 0:22:30 | |
So you're going to give me £132, or somebody is. | 0:22:30 | 0:22:34 | |
-Yes, I am. -There you go, Nick. -Thank you. | 0:22:34 | 0:22:36 | |
-You can do good things with that, can't you? -I hope to, yes. | 0:22:36 | 0:22:39 | |
I hope to live up to expectations and find something as bubbly and sparkly | 0:22:39 | 0:22:43 | |
-as these two. -We trust you. We trust you. -OK, lovely. | 0:22:43 | 0:22:46 | |
So, while Nick goes off to find something bubbly and sparkly, | 0:22:46 | 0:22:50 | |
let's remind ourselves what the Blue team bought. | 0:22:50 | 0:22:52 | |
First up, will this lamp light up the auction? £45 paid. | 0:22:54 | 0:23:00 | |
Next up, the Reds rejected this mirror, | 0:23:03 | 0:23:05 | |
but the Blues decided to take a punt and paid £75. | 0:23:05 | 0:23:09 | |
And, finally, with minutes left, | 0:23:11 | 0:23:13 | |
Stuart negotiated £105 for this bell. | 0:23:13 | 0:23:17 | |
Well, Blues, you set out with a plan, | 0:23:20 | 0:23:21 | |
-but you found it difficult to keep to it, didn't you? -We did. | 0:23:21 | 0:23:24 | |
But having said that, JP, I mean, | 0:23:24 | 0:23:26 | |
these two were pretty big spenders, weren't they? | 0:23:26 | 0:23:28 | |
They weren't afraid to splash the cash, no. | 0:23:28 | 0:23:30 | |
I sort of had to try to rein them in just to keep some, I think. | 0:23:30 | 0:23:33 | |
Is that a fact? Well, Jane, I'd like to know your favourite item. | 0:23:33 | 0:23:36 | |
-The mirror. -The mirror. | 0:23:36 | 0:23:38 | |
What about yourself, Stu? | 0:23:38 | 0:23:39 | |
Favourite item? The bell. | 0:23:39 | 0:23:41 | |
What about the item that's going to give you the biggest profit? | 0:23:41 | 0:23:43 | |
I think it's going to be the mirror. | 0:23:43 | 0:23:44 | |
-Stu, what about you? -I'm inclined to agree with Jane. | 0:23:44 | 0:23:47 | |
-I think it could be the mirror. -So what was the total spend today? | 0:23:47 | 0:23:50 | |
225. | 0:23:50 | 0:23:52 | |
So you're going to give me £75, or somebody is. | 0:23:52 | 0:23:54 | |
OK. So there you go, Jonathan. | 0:23:54 | 0:23:56 | |
You've worked wonders with less than that before today, haven't you? | 0:23:56 | 0:23:58 | |
-Yeah, yeah. -So, any thoughts? | 0:23:58 | 0:24:00 | |
Well, they had intentions of the Art Deco and animals and it was found in | 0:24:00 | 0:24:05 | |
nothing at all, so I'm going to find something that may include at least | 0:24:05 | 0:24:08 | |
-one of those things. -OK. | 0:24:08 | 0:24:10 | |
So, while Jonathan goes off to get his bonus buy, | 0:24:10 | 0:24:13 | |
I'm going off on an exciting excursion. | 0:24:13 | 0:24:16 | |
20 miles north-east of the Wetherby fair, | 0:24:21 | 0:24:23 | |
I've come to the picturesque village of Pateley Bridge in the heart of | 0:24:23 | 0:24:27 | |
the Yorkshire Dales. According to the Guinness Book of World Records, | 0:24:27 | 0:24:31 | |
this small market town is home to the oldest sweet shop in the world. | 0:24:31 | 0:24:36 | |
It first opened its doors in 1827 and has sold sweets ever since. | 0:24:36 | 0:24:41 | |
BELL RINGS | 0:24:41 | 0:24:42 | |
But our love of sweets dates back to prehistoric times, | 0:24:42 | 0:24:45 | |
when honey was used to sweeten foods. | 0:24:45 | 0:24:48 | |
By the 17th century, barley sugar and chocolate were on the scene. | 0:24:48 | 0:24:51 | |
Toffee, marshmallows and fudge came along in the 19th-century, | 0:24:51 | 0:24:56 | |
whilst the 20th century welcomed bubble gum, | 0:24:56 | 0:24:58 | |
lollipops and a whole host of chocolate brands. | 0:24:58 | 0:25:02 | |
Keith has been the shop's owner for over 20 years and is going to talk | 0:25:03 | 0:25:07 | |
sweetly to me. | 0:25:07 | 0:25:08 | |
So what is currently your bestselling sweet? | 0:25:08 | 0:25:11 | |
Well, currently, it's this one here, | 0:25:11 | 0:25:13 | |
which is the actual sour raspberry bonbon. | 0:25:13 | 0:25:16 | |
And people say, you know, they don't have a raspberry that colour. | 0:25:16 | 0:25:19 | |
-No, they don't. -There is actually, in America, | 0:25:19 | 0:25:21 | |
a raspberry which is that colour and it's called | 0:25:21 | 0:25:24 | |
the blue American raspberry, so it is a genuine colour sweet. | 0:25:24 | 0:25:27 | |
-Interesting. -Over the last three years, | 0:25:27 | 0:25:28 | |
that one is outselling most of the sweets. | 0:25:28 | 0:25:30 | |
That's not just in our shop, throughout the country. | 0:25:30 | 0:25:32 | |
-Right. -But, traditionally, | 0:25:32 | 0:25:33 | |
the bestseller has always been the rhubarb and custard. | 0:25:33 | 0:25:36 | |
The boiled sweets. | 0:25:36 | 0:25:37 | |
-I remember those. -And, of course, here in Yorkshire, | 0:25:37 | 0:25:41 | |
we're really close to the rhubarb triangle in West Yorkshire and it's | 0:25:41 | 0:25:45 | |
from the tradition of the stewed rhubarb, as a pudding, adding custard to it | 0:25:45 | 0:25:50 | |
and then, you add that and suddenly you want a sweet making the same. | 0:25:50 | 0:25:53 | |
There are all kinds of sweets in here, | 0:25:56 | 0:25:59 | |
but there's one that we've all heard of with a local connection. | 0:25:59 | 0:26:02 | |
I've been fascinated with Pontefract cakes ever since a boy because, | 0:26:02 | 0:26:06 | |
first of all, they're not a cake, | 0:26:06 | 0:26:08 | |
and I didn't know where Pontefract was, | 0:26:08 | 0:26:09 | |
but it's in Yorkshire, isn't it? | 0:26:09 | 0:26:11 | |
Not far from here - Pontefract in West Yorkshire. | 0:26:11 | 0:26:13 | |
In fact, here are the Pontefract cakes. | 0:26:13 | 0:26:16 | |
And they're stamped, as well. | 0:26:16 | 0:26:17 | |
Yes, I'll show you one of the... | 0:26:17 | 0:26:19 | |
Do you want to put those...? | 0:26:19 | 0:26:20 | |
Right, OK, I've got one, yeah. | 0:26:20 | 0:26:22 | |
The liquorice little disc, the patty. In 1816, in Pontefract alone, | 0:26:22 | 0:26:27 | |
there was 22 different makers of Pontefract cakes. | 0:26:27 | 0:26:30 | |
-No, really? -Yeah. The monks introduced the liquorice | 0:26:30 | 0:26:33 | |
around Pontefract, they started growing the liquorice root all round | 0:26:33 | 0:26:37 | |
the castle for medicinal herbal purposes. | 0:26:37 | 0:26:39 | |
And then, once sugar became more available through the trade routes, | 0:26:39 | 0:26:43 | |
the makers started making the liquorice product | 0:26:43 | 0:26:46 | |
and Pontefract started Pontefract cakes. | 0:26:46 | 0:26:48 | |
And this is a thumper, which the ladies, mainly, | 0:26:48 | 0:26:51 | |
used to work, cutting the liquorice slabs and thumping the disc | 0:26:51 | 0:26:56 | |
at the same time. The record, I understand, | 0:26:56 | 0:26:58 | |
is about 52,000 in a day for a lady to actually do. | 0:26:58 | 0:27:02 | |
Well, I see this has been stamped with a building, | 0:27:02 | 0:27:04 | |
but do all Pontefract cakes have the same symbol on them? | 0:27:04 | 0:27:08 | |
Makers tended to have their own stamps. | 0:27:08 | 0:27:10 | |
So some different makers would have their own mark to stamp down | 0:27:10 | 0:27:15 | |
and a lot show the actual factory where they were being made. | 0:27:15 | 0:27:18 | |
Not only do they sell sweets here, they also make their own, | 0:27:19 | 0:27:23 | |
so I'm going to have a go. | 0:27:23 | 0:27:24 | |
First of all, you need really hot sugar. | 0:27:26 | 0:27:28 | |
Molten sugar at 310 degrees is poured onto a marble slab. | 0:27:28 | 0:27:33 | |
Flavouring and colouring is added. | 0:27:35 | 0:27:38 | |
The sugar is cut and worked into a sausage shape. | 0:27:38 | 0:27:41 | |
Well, I don't want to be a wimp, but this is really hot. | 0:27:41 | 0:27:44 | |
That's why if you're a confectioner, you've got strong hands eventually. | 0:27:44 | 0:27:47 | |
-Right. OK. -So what we'll do is, once we've got this right... | 0:27:47 | 0:27:51 | |
This is the old-fashioned way, which would be to cut it. | 0:27:51 | 0:27:56 | |
-Yeah. -Turn it 90 degrees. | 0:27:56 | 0:27:58 | |
Yeah. Oh, I see. | 0:27:58 | 0:28:01 | |
-That's a humbug! -Correct. -Well, thank you very much, Keith, | 0:28:01 | 0:28:04 | |
for showing me the art of sweet making here in Yorkshire. | 0:28:04 | 0:28:07 | |
But let's find out if it's all sweetness and light at the auction house. | 0:28:07 | 0:28:12 | |
Today, we're at Thomas Watson's auction house here in Darlington | 0:28:21 | 0:28:26 | |
and I'm joined by auctioneer David Elstob. | 0:28:26 | 0:28:28 | |
-Hi, Eric. -Good to see you. -And you. | 0:28:28 | 0:28:30 | |
So, let's start with the Reds. | 0:28:30 | 0:28:32 | |
These are two sisters, it's Rachel and Rowanne. | 0:28:32 | 0:28:36 | |
And the first item they've got, believe it or not, is right behind me. | 0:28:36 | 0:28:39 | |
-Yes. -A wrought iron garden seat. | 0:28:39 | 0:28:42 | |
-It's a good lot. -Yeah. | 0:28:42 | 0:28:43 | |
I like it. I think it will do well. | 0:28:43 | 0:28:44 | |
It's very architectural looking. | 0:28:44 | 0:28:46 | |
Obviously not hugely old, but it looks the part. | 0:28:46 | 0:28:49 | |
-So what do you reckon? -Between 100 and 150. | 0:28:49 | 0:28:53 | |
Oh, they paid £43. | 0:28:53 | 0:28:55 | |
Wow, they've done very well. | 0:28:55 | 0:28:56 | |
Hopefully that's going to be a very good start. | 0:28:56 | 0:28:58 | |
-I think so. -Item number two is the Art Nouveau-style bronze card tray. | 0:28:58 | 0:29:06 | |
It is very much in the style, I'm afraid to say. | 0:29:06 | 0:29:08 | |
It's not particularly old, but it's got a good Art Nouveau look to it. | 0:29:08 | 0:29:11 | |
What about your estimate? | 0:29:11 | 0:29:13 | |
A wide-ranging 40 to 80. | 0:29:13 | 0:29:15 | |
They paid 55 for it, which is not bad as a reproduction price, | 0:29:15 | 0:29:19 | |
but as we both know, had it been right, what, 300 to 400? | 0:29:19 | 0:29:23 | |
-Easily. Yeah. -The third item is the double-ended scent bottle. | 0:29:23 | 0:29:27 | |
Nice object. Probably from the 1860s or 1870s. | 0:29:27 | 0:29:30 | |
Nice quality. The engraving's nice on the caps. | 0:29:30 | 0:29:33 | |
Unfortunately, not silver hallmarked ends on it. | 0:29:33 | 0:29:36 | |
-It makes a big difference. -It does make a big difference. | 0:29:36 | 0:29:38 | |
-What about the estimate? -60 to 90. | 0:29:38 | 0:29:40 | |
They paid 70 for it, | 0:29:40 | 0:29:42 | |
so your estimate is giving them something in the way of hope. | 0:29:42 | 0:29:45 | |
Yes, I think they'll be somewhere near again. | 0:29:45 | 0:29:47 | |
Well, the question is will they or will they not need their bonus buy? | 0:29:47 | 0:29:52 | |
So, let's find out what it is. | 0:29:52 | 0:29:55 | |
I have to say, Red team, that the faces are, if I could capture them, | 0:29:56 | 0:30:01 | |
it would be great expectations, it really would. | 0:30:01 | 0:30:04 | |
We're a bit worried, | 0:30:04 | 0:30:05 | |
because it doesn't look like a bottle of prosecco. | 0:30:05 | 0:30:07 | |
You did say that you were looking | 0:30:07 | 0:30:09 | |
for something rather bubbly and sparkly. | 0:30:09 | 0:30:11 | |
Well, hopefully we can buy something bubbly afterwards to celebrate. | 0:30:11 | 0:30:14 | |
Either way, I've got to remind you that you left him £132 with which | 0:30:14 | 0:30:18 | |
-to go and play. -We did. -Now, I spent 110 of it | 0:30:18 | 0:30:22 | |
on not one, two, not three, | 0:30:22 | 0:30:24 | |
but four things. | 0:30:24 | 0:30:27 | |
Oh. | 0:30:27 | 0:30:28 | |
Oh. Now... | 0:30:28 | 0:30:30 | |
-Interesting. -What are they, I think you mean. | 0:30:30 | 0:30:32 | |
-Yeah. -Right, OK, let's start. | 0:30:32 | 0:30:34 | |
The first thing you've got here is an agate-mounted, | 0:30:34 | 0:30:37 | |
silver-plated bookmark, OK? | 0:30:37 | 0:30:39 | |
So you just put that on your page, right? | 0:30:39 | 0:30:41 | |
Item one. Item two is a propelling pencil for the gentlemen or the lady | 0:30:41 | 0:30:46 | |
that plays golf, because it's in the shape of a tee, but it's silver. | 0:30:46 | 0:30:49 | |
And if you just twizzle the end... | 0:30:49 | 0:30:51 | |
-Oh. -Exciting. | 0:30:51 | 0:30:52 | |
..it comes out. Item three, 1930s Art Deco. | 0:30:52 | 0:30:57 | |
Well, it's cocktails, isn't it? | 0:30:57 | 0:30:58 | |
And what do you need for cocktails? You need a swizzle stick. | 0:30:58 | 0:31:01 | |
Oh, wow. | 0:31:01 | 0:31:02 | |
And that again is silver. | 0:31:02 | 0:31:04 | |
And the fourth and final thing is again 1930s, Art Deco, silver. | 0:31:04 | 0:31:08 | |
What you need for etiquette is a little toothpick. | 0:31:08 | 0:31:11 | |
-I really like them, I do. -Yes, I do, as well. | 0:31:11 | 0:31:14 | |
So, do you think these will do well at auction? | 0:31:14 | 0:31:16 | |
Should do. I mean, you've got a good mix of potential buyers there. | 0:31:16 | 0:31:19 | |
The sort of thing that private collectors love, but also the trade, | 0:31:19 | 0:31:22 | |
the antique dealer, great stock for fairs, for shops, that sort of thing, | 0:31:22 | 0:31:25 | |
-so hopefully, yes. -It goes without saying, ladies, | 0:31:25 | 0:31:28 | |
you don't have to make your minds up now. | 0:31:28 | 0:31:29 | |
Wait until you've sold your first three items | 0:31:29 | 0:31:31 | |
and then either give it a go, or give it a no. But, in the meantime, | 0:31:31 | 0:31:34 | |
let's find out what our auctioneer had to say | 0:31:34 | 0:31:37 | |
about Nick's four silver accoutrements. | 0:31:37 | 0:31:40 | |
And this is what the bonus buy consists of. | 0:31:41 | 0:31:44 | |
It's a nice little lot. A lovely little dagger-form clip there | 0:31:44 | 0:31:49 | |
with a bit of agate, and a propelling pencil which looks a bit like a golf tee. | 0:31:49 | 0:31:52 | |
-It does, doesn't it? -A nice little lot. | 0:31:52 | 0:31:54 | |
-And the estimate? -50 to 80. | 0:31:54 | 0:31:56 | |
Nick went and paid £110. | 0:31:56 | 0:31:59 | |
It's a nice lot, but I think it's a bit strong. | 0:31:59 | 0:32:01 | |
All right. Well, that's the Reds done and dusted. | 0:32:01 | 0:32:04 | |
Now for the Blues. This is married couple Stu and Jane. | 0:32:04 | 0:32:08 | |
The first item is this pendant lamp. | 0:32:08 | 0:32:11 | |
Coughtrie of Glasgow, I believe, the maker there. | 0:32:11 | 0:32:14 | |
Industrial brutal I think the term is. | 0:32:14 | 0:32:18 | |
Industrial salvage, perhaps. | 0:32:18 | 0:32:19 | |
That's even worse. OK. | 0:32:19 | 0:32:21 | |
Either way, tell me about this market. | 0:32:21 | 0:32:23 | |
-It's a bit of an unknown. -Is it? | 0:32:23 | 0:32:25 | |
I don't know how it'll fare in the auction, to be honest. | 0:32:25 | 0:32:28 | |
It's in good condition, that's one thing I will say. | 0:32:28 | 0:32:30 | |
-Yes. -But we just hope we might find someone doing up an apartment | 0:32:30 | 0:32:34 | |
or something like that in a very industrial style. | 0:32:34 | 0:32:37 | |
-Estimate? -40 to 60. | 0:32:37 | 0:32:38 | |
All right, well, they paid £45, | 0:32:38 | 0:32:40 | |
so there could be something of an earner in that one. | 0:32:40 | 0:32:43 | |
And the next item is the table mirror. | 0:32:43 | 0:32:47 | |
It's a very handsome Victorian mirror. | 0:32:47 | 0:32:50 | |
I like it, I'm a traditionalist, | 0:32:50 | 0:32:52 | |
but they're not an easy sell nowadays, as you know. | 0:32:52 | 0:32:54 | |
-No. -It has a lot going for it. It's good quality. -What's your estimate? | 0:32:54 | 0:32:58 | |
-60 to 100. -They paid £75 for it and both of them think | 0:32:58 | 0:33:01 | |
-it's going to give them the biggest profit. -Bit of wind behind it. | 0:33:01 | 0:33:04 | |
OK. So, item number three is the bell. | 0:33:04 | 0:33:08 | |
I like this. I think it's one of my favourites. | 0:33:08 | 0:33:11 | |
It's dated 1776. | 0:33:11 | 0:33:13 | |
-Make of that what you will. -Yeah. -I'm not sure if it's of that date. | 0:33:13 | 0:33:18 | |
So what's your estimate, David? | 0:33:18 | 0:33:19 | |
80 to 120. | 0:33:19 | 0:33:21 | |
They actually paid £105 for it. | 0:33:21 | 0:33:24 | |
It could go either way on that one. | 0:33:24 | 0:33:26 | |
So they might need their bonus buy. | 0:33:26 | 0:33:29 | |
Either way, let's take a look at it. | 0:33:29 | 0:33:30 | |
-So, Stu and Jane, how are we feeling? -Excited. -Great. | 0:33:32 | 0:33:34 | |
Excellent. Well, you gave JP £75 to go and spend on your behalf. | 0:33:34 | 0:33:39 | |
JP, what did you find out there? | 0:33:39 | 0:33:41 | |
I searched high and low to find something I thought you might approve of | 0:33:41 | 0:33:44 | |
and you have to take time to judge this one, OK? | 0:33:44 | 0:33:46 | |
-Look. -Oh, I like it. | 0:33:46 | 0:33:49 | |
-OK, good. -That's nice. | 0:33:49 | 0:33:50 | |
-I love that. -So, it is a gentleman's ink stand, | 0:33:50 | 0:33:52 | |
but knowing you're dog lovers, | 0:33:52 | 0:33:54 | |
a nice sort of pair of hounds there on the sides like that. | 0:33:54 | 0:33:57 | |
Very typically late 19th century, | 0:33:57 | 0:33:59 | |
Victorian sort of neoclassical revival with your little inkwells. | 0:33:59 | 0:34:03 | |
Typically sort of high Victorian, really. Have you got one of those | 0:34:03 | 0:34:06 | |
-in your collection? -No, no. Not yet. -Not yet, no. | 0:34:06 | 0:34:09 | |
No, not yet. It's solid brass, is it? | 0:34:09 | 0:34:11 | |
Solid brass. Well, have a feel. There you are. | 0:34:11 | 0:34:13 | |
As you can tell, my arm was starting to shake actually there. | 0:34:13 | 0:34:16 | |
That's lovely. | 0:34:16 | 0:34:18 | |
How much did you pay for it? | 0:34:18 | 0:34:19 | |
50 quid. | 0:34:19 | 0:34:21 | |
-It's OK. -So, is that English, do you think? | 0:34:21 | 0:34:23 | |
It actually French. It's got a mark on the base that says, "Depose". | 0:34:23 | 0:34:26 | |
-It's like a registered mark, isn't it? -Copyright. -Yeah, copyright. | 0:34:26 | 0:34:29 | |
You think it's got a good market? | 0:34:29 | 0:34:31 | |
If we're going to make a profit, it's going to be a small profit. | 0:34:31 | 0:34:34 | |
You don't have to make your minds up now. | 0:34:34 | 0:34:36 | |
wait till you've sold your first three items and then make your decision. | 0:34:36 | 0:34:39 | |
In the meantime, let's find out what the auctioneer had to say about Jonathan's brass ink stand. | 0:34:39 | 0:34:44 | |
Well, there is one bonus buy. | 0:34:46 | 0:34:49 | |
Now, what do you make of that, David? | 0:34:49 | 0:34:51 | |
-Well, I like it. -Yeah. -I think it's nice quality. | 0:34:51 | 0:34:54 | |
Very decorative. It's got hounds, it's got swags, it's got urns, | 0:34:54 | 0:34:57 | |
-it's got everything. -I noticed it's even got its original little liners. | 0:34:57 | 0:35:01 | |
It's always nice to find those in there, isn't it? | 0:35:01 | 0:35:04 | |
The liners are in there. It's French, late 19th century. | 0:35:04 | 0:35:07 | |
Yeah, I think it's a good buy. | 0:35:07 | 0:35:09 | |
-So, what do you call a good estimate on that? -Well, I've put 60 to 80. | 0:35:09 | 0:35:12 | |
Oh, then it was a good buy because Jonathan paid £50 for that. | 0:35:12 | 0:35:16 | |
-Very shrewd. -Could be an earner. | 0:35:16 | 0:35:17 | |
-I think so. -Let's hope so. Who's taking the auction today? | 0:35:17 | 0:35:20 | |
-I am. -You are? | 0:35:20 | 0:35:22 | |
So, it's good to know we're in a safe pair of hands. | 0:35:22 | 0:35:25 | |
At £100, 110? | 0:35:25 | 0:35:27 | |
110 bid. | 0:35:27 | 0:35:28 | |
At 110. | 0:35:28 | 0:35:30 | |
-Well, how are we, ladies? How are we feeling? -Really excited. | 0:35:30 | 0:35:33 | |
-Yes? -Yes. Confident as well, confident. | 0:35:33 | 0:35:36 | |
-We like to hear this, Nick, don't we? -Absolutely. Full of confidence. -We do, yeah. | 0:35:36 | 0:35:39 | |
First item coming up is your wrought iron arbour garden seat. | 0:35:39 | 0:35:43 | |
You paid £43 for it. | 0:35:43 | 0:35:46 | |
You think this is going to be the biggest profit, don't you? | 0:35:46 | 0:35:48 | |
-Yeah. -We're just about to find out. Here it is. | 0:35:48 | 0:35:50 | |
393 is a wrought iron arbour garden seat. | 0:35:50 | 0:35:53 | |
Very handsome, classical-looking arbour. | 0:35:53 | 0:35:55 | |
I'll start you with interest, straight in on the book at £100. | 0:35:55 | 0:35:58 | |
100 I'm bid. 100 I'm bid on commission. | 0:35:58 | 0:36:01 | |
110. 120 on the internet. | 0:36:01 | 0:36:03 | |
130. 130 bid. | 0:36:03 | 0:36:05 | |
140, 150... No? | 0:36:05 | 0:36:07 | |
It's 140 on the internet. | 0:36:07 | 0:36:09 | |
At 140 bid online. | 0:36:09 | 0:36:10 | |
This is fantastic. | 0:36:10 | 0:36:11 | |
Fair warning. At 140, all done? | 0:36:11 | 0:36:15 | |
140. | 0:36:15 | 0:36:17 | |
£140, ladies. | 0:36:17 | 0:36:20 | |
That is giving you plus £97. | 0:36:20 | 0:36:24 | |
Nice start. | 0:36:24 | 0:36:26 | |
Your second lot is the Art Nouveau-style bronze card tray. | 0:36:26 | 0:36:29 | |
You paid £55 for it and it's coming up now. | 0:36:29 | 0:36:34 | |
396, the Art Nouveau-style bronze card tray. | 0:36:34 | 0:36:37 | |
Not particularly old this, but a very nice look to it. | 0:36:37 | 0:36:39 | |
I'll start you with interest at £40. | 0:36:39 | 0:36:41 | |
40 I'm bid on commission. | 0:36:41 | 0:36:43 | |
£40. I'll take 45. | 0:36:43 | 0:36:45 | |
-Come on. -£40 it is on the book. | 0:36:45 | 0:36:46 | |
Do I see five anywhere? | 0:36:46 | 0:36:48 | |
45, sir, with you. | 0:36:48 | 0:36:49 | |
My book's out. At £45, it is in the room. | 0:36:49 | 0:36:52 | |
At 45, then, fair warning. | 0:36:52 | 0:36:54 | |
At £45. | 0:36:54 | 0:36:57 | |
45. | 0:36:57 | 0:36:58 | |
You lost a tenner. | 0:36:58 | 0:37:00 | |
Still gives you plus 87. | 0:37:00 | 0:37:02 | |
Next item is your Victorian ruby lustre double-ended scent bottle. | 0:37:02 | 0:37:06 | |
-Yeah. -For which you paid £70. | 0:37:06 | 0:37:08 | |
And here it is. | 0:37:08 | 0:37:09 | |
399 is a Victorian ruby glass double-ended scent bottle | 0:37:09 | 0:37:12 | |
and I'll start you at £35. | 0:37:12 | 0:37:15 | |
-35 I'm bid. -A bit low. -35 I'm bid for it. | 0:37:15 | 0:37:18 | |
35. 40 I'll take. | 0:37:18 | 0:37:20 | |
40 bid. 45 bid. | 0:37:20 | 0:37:21 | |
45 with me. | 0:37:21 | 0:37:23 | |
Oh, it's worth more than that! | 0:37:23 | 0:37:25 | |
At 45 bid. 50 bid. 55? | 0:37:25 | 0:37:29 | |
55 it is with me. | 0:37:29 | 0:37:31 | |
At 55 bid, the internet's out. | 0:37:31 | 0:37:32 | |
-Keep going. -The bid's against the internet at £55. | 0:37:32 | 0:37:35 | |
Do I see 60? At £55 then, fair warning, I'm selling. | 0:37:35 | 0:37:39 | |
At £55, all done? | 0:37:39 | 0:37:41 | |
55. | 0:37:41 | 0:37:44 | |
Well, I mean, £70 spent, 55... | 0:37:44 | 0:37:47 | |
-Minus £15. -I thought that would've done better than that. | 0:37:47 | 0:37:49 | |
So...it's taken your rolling total down to 72. | 0:37:49 | 0:37:52 | |
-Still reasonable. -Still. | 0:37:52 | 0:37:54 | |
So, would you like to go for your bonus buy? | 0:37:54 | 0:37:56 | |
-I don't think we're going to. -No. -No, we're quite happy with that profit. | 0:37:56 | 0:37:59 | |
Well, you might be interested to know that the auctioneer valued | 0:37:59 | 0:38:02 | |
that lot at £50 to £80. | 0:38:02 | 0:38:04 | |
Oh! That's low. | 0:38:04 | 0:38:05 | |
-And here it is. -405, | 0:38:05 | 0:38:08 | |
lovely little lot of small silver. | 0:38:08 | 0:38:10 | |
Very nice little lot. I'll start you with interest at £50. | 0:38:10 | 0:38:13 | |
£50 I'm bid on the book. | 0:38:13 | 0:38:15 | |
At 50, I'll take 55. | 0:38:15 | 0:38:16 | |
£50 with me, it is. | 0:38:16 | 0:38:18 | |
55 anywhere? | 0:38:18 | 0:38:20 | |
55 online. | 0:38:20 | 0:38:21 | |
My book's out. It is an internet bid at £55 then. | 0:38:21 | 0:38:24 | |
Fair warning. At 55. | 0:38:24 | 0:38:26 | |
-55. -That was cheap. Someone got a good buy there, I think. | 0:38:26 | 0:38:31 | |
Good decision on your part. Well, well done, ladies. | 0:38:31 | 0:38:34 | |
But it goes without saying, I see you're pleased, poker faces. | 0:38:34 | 0:38:37 | |
-In you go, not a word to the Blue team. -No, no way. | 0:38:37 | 0:38:40 | |
And it's all a big build-up, isn't it? | 0:38:45 | 0:38:46 | |
-So, how are we feeling? How are we feeling? -Excited. -Excited. -Yes. | 0:38:46 | 0:38:49 | |
That's what we want to hear, isn't it, JP? | 0:38:49 | 0:38:51 | |
-Oh, yes, absolutely. -Yeah. Have you been to auctions before, by the way? | 0:38:51 | 0:38:54 | |
-Yes. -No. -Oh, a first time for you, Jane. | 0:38:54 | 0:38:56 | |
-Yeah. -OK, well, enjoy the moment. | 0:38:56 | 0:38:58 | |
-I'm going to. -Enjoy the moment. | 0:38:58 | 0:38:59 | |
Yeah. Anyway, first item coming up. | 0:38:59 | 0:39:01 | |
It's the lamp. You paid £55 for it and it's coming up now. | 0:39:01 | 0:39:05 | |
421, Coughtrie of Glasgow. | 0:39:05 | 0:39:08 | |
It's a wall-mounted corner lamp. | 0:39:08 | 0:39:09 | |
A bit of salvage this, I like it. | 0:39:09 | 0:39:11 | |
I'll start you at £40. | 0:39:11 | 0:39:13 | |
40 I'm bid on the book. | 0:39:13 | 0:39:14 | |
40, I'll take 45. | 0:39:14 | 0:39:16 | |
£40 it is with me on commission. 45 anywhere? | 0:39:16 | 0:39:19 | |
-Come on. Go up one more. -45, a lady's bid. | 0:39:19 | 0:39:21 | |
45 in the room. | 0:39:21 | 0:39:22 | |
I'll take 50 next. | 0:39:22 | 0:39:23 | |
At £45, then, fair warning. | 0:39:23 | 0:39:25 | |
I'm going to sell at £45. | 0:39:25 | 0:39:27 | |
All done and finished at 45. | 0:39:27 | 0:39:29 | |
-Damn! -Oh! £45. | 0:39:29 | 0:39:35 | |
You broke even with a £45 spend. | 0:39:35 | 0:39:37 | |
Next item coming up is your favourite, isn't it? | 0:39:37 | 0:39:39 | |
It's the mirror for which you paid £75. | 0:39:39 | 0:39:42 | |
And it's coming up now. | 0:39:42 | 0:39:43 | |
424 is a large mid-Victorian mahogany toilet mirror. | 0:39:43 | 0:39:46 | |
A really handsome mirror this. | 0:39:46 | 0:39:48 | |
I'll start you with interest at £35. | 0:39:48 | 0:39:51 | |
35 I'm bid. £40 I'll take. | 0:39:51 | 0:39:54 | |
At £35, any interest at £40? | 0:39:54 | 0:39:57 | |
-Come on! -40 online. I've got one bid online at £40. | 0:39:57 | 0:40:00 | |
Do I see 45? | 0:40:00 | 0:40:01 | |
One bid on the internet then. I'm going to sell. No interest? | 0:40:01 | 0:40:04 | |
It's a cheap mirror. Lovely Victorian mirror. | 0:40:04 | 0:40:06 | |
It's on the internet, then. I'm going to sell at £40. | 0:40:06 | 0:40:10 | |
Ouch, ouch, ouch, ouch! | 0:40:10 | 0:40:12 | |
Oh, that is bad. | 0:40:12 | 0:40:13 | |
It's a sign of the times, I'm afraid. | 0:40:13 | 0:40:15 | |
Oh, well. Minus £35. | 0:40:15 | 0:40:18 | |
-Not the end of the world. -It is. -No, it's not! Trust me, it's not. | 0:40:18 | 0:40:21 | |
It's not the end of the world. | 0:40:21 | 0:40:22 | |
Next item coming up, your favourite, Stu - the Liberty Bell. | 0:40:22 | 0:40:25 | |
You paid £105 for this. | 0:40:25 | 0:40:28 | |
Let's see if it rings true with our buyers today. | 0:40:28 | 0:40:30 | |
427. | 0:40:30 | 0:40:32 | |
Large cast iron Liberty Bell. | 0:40:32 | 0:40:34 | |
It is cast "Independence 1776". | 0:40:34 | 0:40:37 | |
-With a great bracket... -Now, this is going to be it. | 0:40:37 | 0:40:39 | |
-This is going to be the one. -And I'll start you at £55. | 0:40:39 | 0:40:42 | |
At 55. I'll take 60 for it. | 0:40:42 | 0:40:43 | |
55. 60 bid in the room. | 0:40:43 | 0:40:46 | |
60 bid the room. At 60. | 0:40:46 | 0:40:47 | |
I'll take 65. | 0:40:47 | 0:40:49 | |
At £60 then, in the room. | 0:40:49 | 0:40:50 | |
I'm going to sell at £60. | 0:40:50 | 0:40:52 | |
All done at 60. | 0:40:52 | 0:40:54 | |
Oh! Ouch! OK. | 0:40:54 | 0:40:57 | |
Gives you minus 45, which takes us | 0:40:57 | 0:41:01 | |
to a total of minus 80. | 0:41:01 | 0:41:05 | |
-Are you going to go for the bonus buy? -Well, I like it. | 0:41:05 | 0:41:07 | |
-I think we should go with it. -All right, let's go for it. | 0:41:07 | 0:41:09 | |
-Live dangerously. Come on, Jane! -We'll go for it, let's go for it. | 0:41:09 | 0:41:13 | |
-We're going for it. -Jonathan, you paid £50 for it. | 0:41:13 | 0:41:16 | |
-Got to be a good buy, hasn't it? -Yes, I think so. | 0:41:16 | 0:41:18 | |
We're about to find out, coming up now. | 0:41:18 | 0:41:20 | |
433 is a handsome French cast brass ink stand. | 0:41:20 | 0:41:24 | |
Late 19th century. | 0:41:24 | 0:41:26 | |
I'll start you with interest at £35. | 0:41:26 | 0:41:29 | |
35 I'm bid the ink well. | 0:41:29 | 0:41:31 | |
35. I'll take 40. | 0:41:31 | 0:41:33 | |
At £35. | 0:41:33 | 0:41:34 | |
£40 I'll take for it. | 0:41:34 | 0:41:35 | |
-Any interest at 40 for the ink well? -Come on! -At 35 bid. | 0:41:35 | 0:41:39 | |
40. 45 online. | 0:41:39 | 0:41:41 | |
45 online. | 0:41:41 | 0:41:42 | |
I'll take 50. At 45, it is on the internet, then. | 0:41:42 | 0:41:45 | |
Are we all done and finished? I'm going to sell. | 0:41:45 | 0:41:46 | |
It is an online bidder. | 0:41:46 | 0:41:48 | |
-50 in the room. -50! | 0:41:48 | 0:41:49 | |
£50 in the room. | 0:41:49 | 0:41:51 | |
Come back if you want on the internet. | 0:41:51 | 0:41:52 | |
It's a nice thing, this. It's £50 in the room, then. | 0:41:52 | 0:41:55 | |
Fair warning, I'm going to sell at £50. | 0:41:55 | 0:41:59 | |
£50. | 0:41:59 | 0:42:01 | |
You're breaking even. | 0:42:01 | 0:42:02 | |
It still leaves you with minus 80, | 0:42:02 | 0:42:04 | |
but I think you were absolutely right to go with that lot. | 0:42:04 | 0:42:07 | |
-You didn't lose, we did. -Yeah. -Thanks for that, thanks for that(!) | 0:42:07 | 0:42:11 | |
You can tell we're in Yorkshire, can't you? | 0:42:13 | 0:42:14 | |
I love you lot! | 0:42:14 | 0:42:16 | |
Anyway, that being said, you know, | 0:42:16 | 0:42:18 | |
we don't want you to say a word to the Reds, OK? | 0:42:18 | 0:42:21 | |
So, teams, the question is, have you had fun? | 0:42:27 | 0:42:29 | |
Yes. Absolutely. | 0:42:29 | 0:42:30 | |
That's all we want to hear, boys, isn't it? | 0:42:30 | 0:42:32 | |
But when it comes to the result, | 0:42:32 | 0:42:35 | |
today's runners up with minus 80 are the Blues. | 0:42:35 | 0:42:40 | |
Yes. It could have been far worse. | 0:42:40 | 0:42:43 | |
-No! -Not a lot. | 0:42:43 | 0:42:45 | |
The gods were not smiling today, were they? | 0:42:45 | 0:42:47 | |
Well, the dogs won't be fed tonight now, that's it. | 0:42:47 | 0:42:50 | |
Oh! We'll have that on our conscience. | 0:42:50 | 0:42:52 | |
But with plus £72, ladies. | 0:42:52 | 0:42:55 | |
I mean, you got off to a cracking start, didn't you, | 0:42:55 | 0:42:57 | |
with that arbour. Gave you a profit of how much? | 0:42:57 | 0:43:00 | |
-97. -£97. | 0:43:00 | 0:43:02 | |
-Heavy metal. -It really was a formidable start. | 0:43:02 | 0:43:06 | |
-It was. -So I'm in a situation | 0:43:06 | 0:43:08 | |
where I have to pay you your final profit of £72. | 0:43:08 | 0:43:13 | |
-Thank you very much. -Well, | 0:43:13 | 0:43:15 | |
I think it fair to say that we've all had a lovely time, | 0:43:15 | 0:43:18 | |
but that's it from us. In the meantime, | 0:43:18 | 0:43:20 | |
you can catch us on our website or follow us on Twitter. | 0:43:20 | 0:43:24 | |
But better still, why not join us next time | 0:43:24 | 0:43:27 | |
-for some more Bargain Hunting? Yes? ALL: -Yes! | 0:43:27 | 0:43:29 |