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Today, Bargain Hunt comes from Newmarket Racecourse, | 0:00:02 | 0:00:05 | |
and here we have a statue of Charles II, keen horseman, | 0:00:05 | 0:00:09 | |
who helped establish Newmarket at the centre of horse racing over 350 | 0:00:09 | 0:00:13 | |
years ago. And from here, horse racing spread throughout the world. | 0:00:13 | 0:00:18 | |
Horse racing might well be known as the sport of kings, | 0:00:20 | 0:00:23 | |
but will our teams turn in a right royal profit today? | 0:00:23 | 0:00:27 | |
Well, place your bets and let's go Bargain Hunting. | 0:00:27 | 0:00:31 | |
Well, there's no shortage of stalls here, | 0:00:58 | 0:01:00 | |
selling antiques and collectables, both inside and out. | 0:01:00 | 0:01:04 | |
And remember, our teams have £300 and just one hour in which to buy | 0:01:04 | 0:01:09 | |
three items to take off to auction, and hopefully make a profit. | 0:01:09 | 0:01:13 | |
Let's have a look at what's coming up. | 0:01:13 | 0:01:15 | |
The Reds feel their odds are good. | 0:01:15 | 0:01:18 | |
-Yes! -Yay! | 0:01:18 | 0:01:19 | |
-Do you like that? -Oh, my God! | 0:01:19 | 0:01:20 | |
The Blues are at odds with each other. | 0:01:23 | 0:01:25 | |
Emmeline's in the driving seat now, you see. | 0:01:25 | 0:01:27 | |
Yeah, you pick yours, I'll pick mine now. | 0:01:27 | 0:01:30 | |
But at the auction will it be the Reds... | 0:01:30 | 0:01:32 | |
..or the Blues... | 0:01:34 | 0:01:35 | |
..who romp home? | 0:01:37 | 0:01:38 | |
Well, that's all for later. Now let's meet today's teams. | 0:01:41 | 0:01:43 | |
For the Red team today, we have good friends Lucille and Liz and | 0:01:43 | 0:01:47 | |
for the Blues, we have mum and daughter Anne and Emmeline. | 0:01:47 | 0:01:50 | |
-Hello, everyone. ALL: -Hello. | 0:01:50 | 0:01:52 | |
Oh, that's a good, hearty start to the day. | 0:01:52 | 0:01:55 | |
Now, girls, how did you two meet? | 0:01:55 | 0:01:57 | |
I met Elizabeth in the pub. | 0:01:57 | 0:01:59 | |
It was her 40th birthday. | 0:01:59 | 0:02:00 | |
-Yeah. -I was taken across by my... | 0:02:00 | 0:02:02 | |
-You can't be! -I'm more than that now. | 0:02:02 | 0:02:05 | |
No! Carry on. | 0:02:05 | 0:02:07 | |
-And saw her in the pub... -Yeah. -..with all of her colleagues | 0:02:07 | 0:02:10 | |
and she was wearing a pair of rabbit ears, | 0:02:10 | 0:02:13 | |
a rabbit's tail and a pair of purple tie-on pants. | 0:02:13 | 0:02:16 | |
And trousers. | 0:02:16 | 0:02:17 | |
Oh, yes, of course, there were trousers, as well. Sorry! | 0:02:17 | 0:02:20 | |
I'm pleased about the last bit! | 0:02:20 | 0:02:22 | |
Introduced to each other | 0:02:22 | 0:02:23 | |
and have been very, very good friends ever since. | 0:02:23 | 0:02:25 | |
Oh, wonderful. How long ago was that? | 0:02:25 | 0:02:27 | |
11 years this year. | 0:02:27 | 0:02:28 | |
-It is 11! Good grief. -Is it? | 0:02:28 | 0:02:30 | |
-Yes. -Have you ever tried that costume again? | 0:02:30 | 0:02:32 | |
I was thinking of wearing it today, | 0:02:32 | 0:02:34 | |
but I thought it'd be too much of a clash, so, no. No. | 0:02:34 | 0:02:37 | |
What about antiques, girls? | 0:02:37 | 0:02:38 | |
Do you know anything about antiques? | 0:02:38 | 0:02:40 | |
A little, from my extensive research of Bargain Hunt... | 0:02:40 | 0:02:44 | |
-Yes. -..Antiques Road Show, those sorts of things. -Yeah. | 0:02:44 | 0:02:46 | |
And I have a few little bits of antique at home, | 0:02:46 | 0:02:49 | |
-so things that have been bought for me. -Right. | 0:02:49 | 0:02:51 | |
Do you have a particular period you like or objects that you like? | 0:02:51 | 0:02:54 | |
Well, my partner said to me do not say this, | 0:02:54 | 0:02:56 | |
but I do actually like Art Deco and Art Nouveau. | 0:02:56 | 0:02:58 | |
I know everybody says that, | 0:02:58 | 0:03:00 | |
-but that's what I've got. -There's a reason, isn't there? | 0:03:00 | 0:03:02 | |
-Yeah, there is. I love it. -The best Art Nouveau and Art Deco is just | 0:03:02 | 0:03:05 | |
-wonderful. -Yeah. -And Lucille, what about you? | 0:03:05 | 0:03:07 | |
I don't know very much about antiques, | 0:03:07 | 0:03:09 | |
but I do enjoy having a good nose around... | 0:03:09 | 0:03:11 | |
-Yeah. -See what's here. -Yeah. | 0:03:11 | 0:03:13 | |
Eye caught by some pretty things and we'll have an expert today. | 0:03:13 | 0:03:15 | |
-You certainly will. -Who'll hopefully | 0:03:15 | 0:03:17 | |
-be able to teach us a few things. -You'll be leaning on the expert. | 0:03:17 | 0:03:20 | |
-Absolutely. -We will. -And what about tactics? | 0:03:20 | 0:03:22 | |
I'm going to be quite stern and say, | 0:03:22 | 0:03:24 | |
"You are going to reduce your price," and if they don't... | 0:03:24 | 0:03:28 | |
Please! Please, please! | 0:03:28 | 0:03:30 | |
Oh, how could they possibly resist? | 0:03:30 | 0:03:32 | |
-Give it a good go. -Have a fantastic time, enjoy rummaging around, | 0:03:33 | 0:03:38 | |
spend plenty of money... | 0:03:38 | 0:03:39 | |
-We shall. -Absolutely. -Now, Blues, Anne and Emmeline, | 0:03:39 | 0:03:42 | |
you've been waiting a long time for this, haven't you, Mum? | 0:03:42 | 0:03:45 | |
We applied three years ago... | 0:03:45 | 0:03:46 | |
-Yeah. -..and got a call twice every summer, | 0:03:46 | 0:03:49 | |
but Emmeline was working | 0:03:49 | 0:03:50 | |
at the Edinburgh Comedy Festival leafleting. | 0:03:50 | 0:03:52 | |
And you weren't going to do it without Emmeline? | 0:03:52 | 0:03:54 | |
No, I was waiting for Emmeline, so when the call came through | 0:03:54 | 0:03:57 | |
for a third time, I thought, "Well, we better take it, really." | 0:03:57 | 0:04:00 | |
-Fantastic. -So, yes. -I was like, "Oh, go on, then." | 0:04:00 | 0:04:02 | |
It's a bit of an honour, though, isn't it? | 0:04:04 | 0:04:06 | |
To be fair, I am really excited. | 0:04:06 | 0:04:08 | |
-It'll be really, really good, yeah. -You're absolutely grinning. | 0:04:08 | 0:04:11 | |
I'm so excited to be here! | 0:04:11 | 0:04:12 | |
I've never seen anybody so excited to be on Bargain Hunt. | 0:04:12 | 0:04:15 | |
I've been telling her for the past few weeks, | 0:04:15 | 0:04:17 | |
-"You need to calm down," but now I'm here... -Yeah. -..I'm the one. | 0:04:17 | 0:04:20 | |
I'm like, "Yeah, bring it on!" | 0:04:20 | 0:04:22 | |
And what about antiques? | 0:04:22 | 0:04:24 | |
I go to antiques fairs and I do like to have a rummage around car-boot | 0:04:24 | 0:04:29 | |
sales and I watch Bargain Hunt every lunchtime. | 0:04:29 | 0:04:32 | |
-Every lunchtime? -Every lunchtime. | 0:04:32 | 0:04:34 | |
It's an unwritten rule in our house that | 0:04:34 | 0:04:36 | |
-if you're out and about and you want to ring Mum... -Yes? | 0:04:36 | 0:04:40 | |
..you cannot ring between quarter past twelve and one... | 0:04:40 | 0:04:42 | |
-Well, you can ring. -..cos she's watching Bargain Hunt. | 0:04:42 | 0:04:45 | |
-But you won't answer the phone. -I don't answer the phone. | 0:04:45 | 0:04:47 | |
I just don't answer the phone, no. | 0:04:47 | 0:04:48 | |
-It's my moment. -I've rang before, like, "Mum, please answer," | 0:04:48 | 0:04:52 | |
-and she's like, "No, Bargain Hunt's on." -Wonderful! | 0:04:52 | 0:04:54 | |
Are you competitive by nature? | 0:04:54 | 0:04:56 | |
Yes, I am competitive. | 0:04:56 | 0:04:58 | |
I can't deny it, I am competitive. | 0:04:58 | 0:05:00 | |
Very competitive? | 0:05:00 | 0:05:01 | |
-Yes. -Yes. | 0:05:01 | 0:05:03 | |
Yes, very competitive, yes. | 0:05:03 | 0:05:04 | |
You spending big, spending small? | 0:05:04 | 0:05:06 | |
-Going to, yes, spend big. -Yeah, we're going to go... | 0:05:06 | 0:05:09 | |
-Well, we don't know, it depends what catches... -Go hard or go home. | 0:05:09 | 0:05:12 | |
Now, what you all need, of course, is a bit of money. | 0:05:12 | 0:05:14 | |
-Oh, yes, please. -300 for you. | 0:05:14 | 0:05:17 | |
-Thank you. -Don't panic, girls, here it comes. | 0:05:17 | 0:05:21 | |
-300 for you. -I'll have that. -Off you go, have a great shop. | 0:05:21 | 0:05:23 | |
-Thank you. -I think they're going to have a wonderful time, | 0:05:23 | 0:05:27 | |
but who will win? | 0:05:27 | 0:05:28 | |
Friends versus family. | 0:05:28 | 0:05:30 | |
We will see. | 0:05:30 | 0:05:31 | |
Helping our teams jockey for position are our two experts. | 0:05:35 | 0:05:39 | |
With his eye on the prize for the Reds, it's Colin Young. | 0:05:40 | 0:05:42 | |
And, in the saddle, it's Jonathan Pratt for the Blues. | 0:05:45 | 0:05:48 | |
-Here we are in Newmarket, then, Liz and Lucille. -Oh. | 0:05:50 | 0:05:53 | |
-Oh. -What are we looking for? | 0:05:53 | 0:05:56 | |
Jewellery or clocks, I think. | 0:05:56 | 0:05:57 | |
And do you know what you want to buy today? | 0:05:57 | 0:05:59 | |
I would like to buy something cute, something quirky, | 0:05:59 | 0:06:02 | |
maybe some little animals, some little trinkets. | 0:06:02 | 0:06:05 | |
-Your shopping list? -Crockery, maybe a nice piece of furniture. | 0:06:05 | 0:06:09 | |
Yeah, I wouldn't like to buy anything small and quirky like a | 0:06:09 | 0:06:12 | |
-little animal. -Excellent. -I'd like glass, I like things that are blue, | 0:06:12 | 0:06:16 | |
-as well, so yeah. -OK, blue and glass. -Yeah, yeah. | 0:06:16 | 0:06:18 | |
But open-minded and let's see what we get, really. | 0:06:18 | 0:06:21 | |
Right, teams, your time starts now. | 0:06:21 | 0:06:24 | |
I think we ought to go Bargain Hunting. | 0:06:24 | 0:06:26 | |
-I think we certainly should. -Let's go. -Let's do just that. | 0:06:26 | 0:06:29 | |
I think it's odds-on for a cracking show today. | 0:06:29 | 0:06:32 | |
Overwhelming, isn't it, when you see it? | 0:06:32 | 0:06:34 | |
You'll find it's overwhelming, this whole thing, | 0:06:34 | 0:06:36 | |
because there's just loads of stuff to see. | 0:06:36 | 0:06:39 | |
Among the outside stalls, something has immediately caught the Reds' | 0:06:39 | 0:06:42 | |
eye and it's a book press. | 0:06:42 | 0:06:44 | |
-Is it a book press? -Yeah. -I like that. | 0:06:44 | 0:06:46 | |
Yep, late Georgian, beautiful colour. | 0:06:46 | 0:06:48 | |
I'm going to hazard a guess, we're not going to be able to afford it. | 0:06:48 | 0:06:51 | |
-OK. -Why is there a drawer in there? | 0:06:51 | 0:06:53 | |
Why is there a drawer? Well, | 0:06:53 | 0:06:54 | |
you'd be able to keep anything that needs pressing. | 0:06:54 | 0:06:57 | |
What's the very, very bestest that you'd be looking for? | 0:06:57 | 0:07:00 | |
350 on the tab, 260 would buy it. | 0:07:00 | 0:07:03 | |
260 would buy? Right. | 0:07:03 | 0:07:04 | |
-That would leave us with not very much, though. -Yeah. | 0:07:04 | 0:07:07 | |
-No, I know... -Is there any more wriggle room on that? | 0:07:07 | 0:07:09 | |
I could go one more tenner to 250 and that would be the definite. | 0:07:09 | 0:07:12 | |
-250. -Again, I like it. | 0:07:12 | 0:07:14 | |
I think it's great. Could just see that slight "hmm" | 0:07:14 | 0:07:18 | |
when you were looking at it, so... | 0:07:18 | 0:07:20 | |
£250 would be a substantial chunk of their £300 budget. | 0:07:20 | 0:07:25 | |
Now, how are mum and daughter getting on? | 0:07:25 | 0:07:26 | |
I actually like the "prepare to meet thy God", as well. | 0:07:26 | 0:07:30 | |
-Well, those things. -Lustreware. | 0:07:30 | 0:07:31 | |
Yeah, this is Sunderland lustre. | 0:07:31 | 0:07:33 | |
-And how old is it? -1870, 1880. | 0:07:33 | 0:07:36 | |
-Oh, wow, yes. -Typically Victorian, industrial. | 0:07:36 | 0:07:39 | |
You know, this is collectable. People go for this copper. | 0:07:39 | 0:07:41 | |
They do go for it, don't they? | 0:07:41 | 0:07:43 | |
-Yeah. -"In thee, O Lord, do I put my trust. | 0:07:43 | 0:07:46 | |
"Let me never be confounded". | 0:07:46 | 0:07:49 | |
-Ah, well, there we are. -It's like being on this show, isn't it? | 0:07:49 | 0:07:52 | |
THEY LAUGH | 0:07:52 | 0:07:54 | |
-Prepare to meet thy bargain! -Yeah. | 0:07:54 | 0:07:56 | |
-It's old. -Yeah. | 0:07:56 | 0:07:57 | |
It's in nice condition. | 0:07:57 | 0:07:59 | |
It's got some story about it... | 0:07:59 | 0:08:00 | |
-Yeah. -..and it's not very expensive. | 0:08:00 | 0:08:02 | |
Yeah, it's only £75. | 0:08:02 | 0:08:03 | |
-Oh, is it? -What would your negotiation be, then? | 0:08:03 | 0:08:07 | |
Well, I had it on for 75 but I could do it for 60. | 0:08:07 | 0:08:10 | |
-Sorry... -Not even, like, 58, 57? -I'm rea... Oh. | 0:08:10 | 0:08:13 | |
58 if it helps you, yeah. | 0:08:13 | 0:08:15 | |
-58? -58 if it helps, yeah. -It's worth a punt. | 0:08:15 | 0:08:17 | |
I quite like it and... | 0:08:17 | 0:08:18 | |
-Go on, then. -Yeah, yeah. -There you are, go on, then. | 0:08:18 | 0:08:21 | |
-It's sold. -£58, then, yeah? | 0:08:21 | 0:08:23 | |
-59, we said, didn't we?! -No! | 0:08:23 | 0:08:25 | |
Oh, that's a good start, they've both agreed on their first buy. | 0:08:25 | 0:08:29 | |
One down in just seven minutes. | 0:08:29 | 0:08:31 | |
The race is on, Reds. | 0:08:31 | 0:08:33 | |
-So, what's this? -It's what's known as an alphanumeric sampler... -OK. | 0:08:33 | 0:08:36 | |
..because you can see that the person who made this was learning | 0:08:36 | 0:08:40 | |
all the different types of stitch. | 0:08:40 | 0:08:42 | |
And bearing in mind this was actually worked by somebody that was | 0:08:42 | 0:08:45 | |
-14 years old... -Yeah, that's lovely. -..you know, | 0:08:45 | 0:08:47 | |
an enormous amount of time invested in this. | 0:08:47 | 0:08:49 | |
And the date's there, of 1902. | 0:08:49 | 0:08:52 | |
Wow. | 0:08:52 | 0:08:53 | |
-I really like that. -It's lovely. Yeah. | 0:08:53 | 0:08:55 | |
The positives and the negatives - | 0:08:55 | 0:08:57 | |
it tends to be the Georgian ones that command the bigger value, | 0:08:57 | 0:09:00 | |
cos obviously the older the more interesting, | 0:09:00 | 0:09:02 | |
but, nevertheless, that is a really good clean example of a sampler. | 0:09:02 | 0:09:07 | |
Sale-wise, we're going to be a long way from where retail is, | 0:09:07 | 0:09:10 | |
-is my gut feeling. -OK. -What's the sort of very best that you'd be | 0:09:10 | 0:09:14 | |
looking at on...? | 0:09:14 | 0:09:15 | |
95 would be the death. | 0:09:15 | 0:09:17 | |
Death on that. Yeah, yeah. | 0:09:17 | 0:09:19 | |
Do you think it's worth it? | 0:09:19 | 0:09:20 | |
Worth every penny of it is the honest answer. | 0:09:20 | 0:09:22 | |
Yeah, but at auction it's... | 0:09:22 | 0:09:23 | |
Is it going to happen? | 0:09:23 | 0:09:25 | |
It is going to be a gamble. | 0:09:25 | 0:09:26 | |
Is it something we could come back to? | 0:09:26 | 0:09:28 | |
-Definitely... -One for consideration, Reds, | 0:09:28 | 0:09:31 | |
but you might need to work on the price. | 0:09:31 | 0:09:33 | |
Blues, will you agree over item number two? | 0:09:33 | 0:09:36 | |
So, what do you think about those? | 0:09:36 | 0:09:39 | |
-What, the millstones? -Yeah. | 0:09:39 | 0:09:41 | |
I'd buy a millstone every day of the week. | 0:09:41 | 0:09:43 | |
-Would you? -Yeah, yeah. Yeah. | 0:09:43 | 0:09:45 | |
Would you say a hundred for the two is too much? | 0:09:45 | 0:09:47 | |
-Yeah, for me, personally. -No, I wouldn't. No, I wouldn't. | 0:09:47 | 0:09:50 | |
-Would you buy them for 100 quid? -Yes. | 0:09:50 | 0:09:52 | |
It doesn't set my heart on fire, really. | 0:09:52 | 0:09:55 | |
How much are your millstones? | 0:09:55 | 0:09:58 | |
100 for the big one and 80 for the small. | 0:09:58 | 0:10:00 | |
Well, how much for two millstones? | 0:10:00 | 0:10:02 | |
Two millstones? | 0:10:02 | 0:10:03 | |
-150. -OK, and how much is this one on its own? -85. | 0:10:03 | 0:10:08 | |
I think we can still have a look around. | 0:10:08 | 0:10:10 | |
-We have got time, haven't we, to go and...? -80 for that. | 0:10:10 | 0:10:13 | |
-80? -80. -We'll come back, then. If she doesn't want it, | 0:10:13 | 0:10:16 | |
-we'll come back. -Yeah. -All right, OK. -"If she doesn't want it...!" | 0:10:16 | 0:10:19 | |
Oh, dear, their conflicting tastes are beginning to show. | 0:10:19 | 0:10:22 | |
Will it be Anne or Emmeline who gets their way? | 0:10:22 | 0:10:25 | |
Ah, the Reds are still looking at the £120 sampler. | 0:10:25 | 0:10:29 | |
Earlier they'd got the price down to £95. | 0:10:29 | 0:10:32 | |
So, ladies, what's happening? | 0:10:32 | 0:10:33 | |
-Had a chat with the lovely gentleman... -Oh, right. | 0:10:33 | 0:10:35 | |
..and he has agreed to drop the price to £90, | 0:10:35 | 0:10:39 | |
which we think is good. | 0:10:39 | 0:10:41 | |
-Excellent. -An excellent deal and we'd quite like to get that because | 0:10:41 | 0:10:44 | |
-it's lovely. -Yeah. -You really like it, don't you? | 0:10:44 | 0:10:46 | |
-Yeah. -We do. We do. -Go for it! | 0:10:46 | 0:10:47 | |
-Yes? -Let's go for it. Yeah. -Marvellous. -OK. -Thank you very much. | 0:10:47 | 0:10:50 | |
-Purchase number one. -Thank you, sir. -No worries. -You're lovely. | 0:10:50 | 0:10:53 | |
The Reds love their first item. | 0:10:53 | 0:10:56 | |
Good stuff. | 0:10:56 | 0:10:57 | |
-THEY SIGH -We've done it. | 0:10:57 | 0:10:59 | |
-How does that feel? -It feels better, actually. | 0:10:59 | 0:11:01 | |
-Does it feel good? -Yeah. -Yes, you're over the first hurdle. | 0:11:01 | 0:11:04 | |
-Onwards and upwards. -So, that puts our teams neck and neck | 0:11:04 | 0:11:07 | |
and we're not even ten minutes in. | 0:11:07 | 0:11:10 | |
So, the millstones caused ruction between the Blues. | 0:11:10 | 0:11:13 | |
I wonder if they can agree on these butler's trays. | 0:11:13 | 0:11:16 | |
-Emmeline, do you like those? -No, I do like it, yeah. | 0:11:16 | 0:11:18 | |
I do like it. What do you mean, no? | 0:11:18 | 0:11:20 | |
It goes with the other one. You've got two of them there. | 0:11:20 | 0:11:22 | |
They're early 19th century and very typically... | 0:11:22 | 0:11:25 | |
If I had the choice, I'd buy the millstone rather than that. | 0:11:25 | 0:11:29 | |
You choose the next one and then she can berate that. | 0:11:29 | 0:11:31 | |
If we do this, then can we go inside and potentially look for cats? | 0:11:31 | 0:11:36 | |
-Yes, yeah. -Is that a compromise? | 0:11:36 | 0:11:38 | |
And Emmeline's just added cats to the shopping list. | 0:11:38 | 0:11:41 | |
Reds, is that another press? | 0:11:41 | 0:11:43 | |
It will have a block in there and you put your paper in there | 0:11:43 | 0:11:45 | |
and that'll give an impressed embossed mark on it. | 0:11:45 | 0:11:47 | |
-That'd have their name on it? -It's their name? | 0:11:47 | 0:11:49 | |
-It'll have their name, most likely, yeah. -And we'd have to stamp it | 0:11:49 | 0:11:52 | |
-to see whose name it is? -Yes. | 0:11:52 | 0:11:53 | |
-Ah, right. On we go. -The Reds don't seem overly impressed. | 0:11:53 | 0:11:57 | |
-What about this, Colin? -Will this fruit bowl make an impact? | 0:11:57 | 0:12:00 | |
It's a European design and this sort of fan is almost | 0:12:00 | 0:12:04 | |
a '30s Art Deco look, | 0:12:04 | 0:12:06 | |
but then you've got this more classical construction of the base. | 0:12:06 | 0:12:11 | |
It's very fragile, often damage on them. | 0:12:11 | 0:12:13 | |
-Is there any damage on that? -Let's have a look. | 0:12:13 | 0:12:15 | |
This is really where we're going to be looking for the pain | 0:12:15 | 0:12:17 | |
-and the gain. -Ooh, yeah. -But that's all right, isn't it? -Yes. | 0:12:17 | 0:12:20 | |
Rings very nicely. | 0:12:20 | 0:12:21 | |
And the facet design in there. | 0:12:21 | 0:12:24 | |
Yep. | 0:12:24 | 0:12:26 | |
-Quite nice, isn't it? -It is. | 0:12:26 | 0:12:27 | |
In good order. Who's going to hold that? | 0:12:27 | 0:12:29 | |
-I will. -OK. As long I can have it back in the same number of pieces, | 0:12:29 | 0:12:33 | |
-we'll be fine. -Yes. | 0:12:33 | 0:12:36 | |
So, look at that. That's... | 0:12:36 | 0:12:38 | |
-Again, condition is good. -Yeah. | 0:12:38 | 0:12:40 | |
Yeah, good-looking thing. | 0:12:40 | 0:12:42 | |
How much would you pay for it? | 0:12:42 | 0:12:44 | |
-£25. -£25. | 0:12:45 | 0:12:47 | |
30 at the most, I think. | 0:12:47 | 0:12:48 | |
-30? 30 at the most. -Yeah. | 0:12:48 | 0:12:50 | |
-Right, well, here's your tag. -What do you think? | 0:12:50 | 0:12:52 | |
It is priced at, as you can see, £45. | 0:12:53 | 0:12:56 | |
Oh! We'd need to get that down, wouldn't we? | 0:12:56 | 0:12:58 | |
-You would. -We would. -How much do you like it? | 0:12:58 | 0:13:00 | |
We like it but... | 0:13:01 | 0:13:03 | |
-At a price. -..we're only willing to pay 30 to 45... | 0:13:03 | 0:13:06 | |
Maybe if we can negotiate it down. | 0:13:06 | 0:13:09 | |
Who's head of negotiation, then? | 0:13:09 | 0:13:10 | |
-I did the last one. -That was quick. | 0:13:10 | 0:13:12 | |
-That's you, then. -I did the last one! -Good luck, Liz. | 0:13:12 | 0:13:15 | |
Despite having a substantial £210 left, | 0:13:15 | 0:13:19 | |
they're clearly looking for a bargain. | 0:13:19 | 0:13:21 | |
So, what's the best price? | 0:13:21 | 0:13:23 | |
-We did the deal. -You did. | 0:13:23 | 0:13:24 | |
We've got it for 30. | 0:13:24 | 0:13:26 | |
Got it for 30, well done. | 0:13:26 | 0:13:27 | |
-Thank you very much. -Two down and not too long on the clock. | 0:13:27 | 0:13:31 | |
-Very good. -Fantastic. -So that's an impressive start, isn't it? | 0:13:31 | 0:13:33 | |
-That is. -Now I'm really relaxed. | 0:13:33 | 0:13:35 | |
-Yes... -Don't relax too much! | 0:13:35 | 0:13:38 | |
The last item is often the hardest to find. | 0:13:38 | 0:13:40 | |
But, Colin, you must be pleased with how it's going. | 0:13:40 | 0:13:42 | |
Dream team. Two down, 16 minutes gone. | 0:13:43 | 0:13:47 | |
What a giggle they are. | 0:13:47 | 0:13:49 | |
They love looking at everything, they love delving. | 0:13:49 | 0:13:52 | |
It's making shopping an absolute delight. | 0:13:52 | 0:13:54 | |
Right, then, we're back at the millstones, | 0:13:55 | 0:13:58 | |
but will Anne get her way? | 0:13:58 | 0:13:59 | |
We were interested in the big one. | 0:14:00 | 0:14:01 | |
How much did you say for that? | 0:14:01 | 0:14:03 | |
80 was the best offer. | 0:14:03 | 0:14:04 | |
-80? -Yeah. -We are playing a bit of a strategy, | 0:14:04 | 0:14:07 | |
and we understand if you say no, | 0:14:07 | 0:14:09 | |
but if it was £79, then we'd make a profit. | 0:14:09 | 0:14:13 | |
With the best sense of amusement, yes. | 0:14:13 | 0:14:14 | |
-Thank you. -Thank you! -That's very generous. -Fabulous. -It's a result! | 0:14:14 | 0:14:18 | |
Today's teams are in full gallop, | 0:14:18 | 0:14:20 | |
with two items each in just 20 minutes. | 0:14:20 | 0:14:23 | |
Anne and Emmeline are full of energy and they know what they like | 0:14:23 | 0:14:29 | |
and I think they're buying stuff and with a good result, | 0:14:29 | 0:14:33 | |
potential result. I'm really quite pleased, actually. | 0:14:33 | 0:14:37 | |
With everything on track, I'm off to show you something which, | 0:14:37 | 0:14:40 | |
like this racecourse, has a right royal connection. | 0:14:40 | 0:14:43 | |
I'm sure I don't have to tell you what this is - | 0:14:52 | 0:14:54 | |
this is a fire bucket - but the more you look at this fire bucket, | 0:14:54 | 0:14:58 | |
the more unusual it is. | 0:14:58 | 0:14:59 | |
It's half the size you'd expect it to be. | 0:14:59 | 0:15:02 | |
So I don't think it was used in a house or a castle. | 0:15:02 | 0:15:04 | |
I say castle because, of course, | 0:15:04 | 0:15:06 | |
it's got a crown on it and we've got an E and an R. | 0:15:06 | 0:15:10 | |
Edward Rex VIII. | 0:15:10 | 0:15:13 | |
Edward VIII. | 0:15:13 | 0:15:15 | |
What about Edward VIII? | 0:15:15 | 0:15:16 | |
Was never crowned. | 0:15:16 | 0:15:18 | |
He actually was king from January to December 1936 but then he abdicated | 0:15:18 | 0:15:25 | |
for the woman that he loved, Wallis Simpson. | 0:15:25 | 0:15:28 | |
Did all these things have to be thrown away or even repainted? | 0:15:28 | 0:15:32 | |
So it's really a very rare object. | 0:15:32 | 0:15:34 | |
A huge number of teacups, coffee cups, tea services, | 0:15:34 | 0:15:39 | |
were made in anticipation of this person being crowned, | 0:15:39 | 0:15:43 | |
but I've never seen a fire bucket. | 0:15:43 | 0:15:46 | |
And I've never yet met anybody else that's seen a fire bucket. | 0:15:46 | 0:15:50 | |
Now, let's go back to its size. | 0:15:50 | 0:15:52 | |
What was it used for? | 0:15:52 | 0:15:53 | |
We think - and I say we because I've asked two or three people - | 0:15:53 | 0:15:56 | |
that it might well have been used on the royal train, | 0:15:56 | 0:15:59 | |
some sort of transport. | 0:15:59 | 0:16:01 | |
And perhaps, as it's sand and not water, it was used for a fuel fire. | 0:16:01 | 0:16:06 | |
So, perhaps coal or petrol, paraffin, something like that. | 0:16:06 | 0:16:10 | |
So it's an intriguing object and of course you could use it in a sitting | 0:16:10 | 0:16:13 | |
room today. Use it as a waste-paper bin. | 0:16:13 | 0:16:16 | |
As regards to its value, | 0:16:16 | 0:16:17 | |
I bought it for a few pounds several years ago and it's been languishing | 0:16:17 | 0:16:21 | |
in the back of my garage, | 0:16:21 | 0:16:23 | |
and I've shown it to two or three valuers. They've been really | 0:16:23 | 0:16:26 | |
intrigued and nobody I've yet met has seen one of these. | 0:16:26 | 0:16:30 | |
How much? In their opinion, 100, probably 200, | 0:16:30 | 0:16:35 | |
possibly even more because of its rarity value. | 0:16:35 | 0:16:38 | |
So, there we have it, not bad for an old bucket. | 0:16:38 | 0:16:41 | |
Back to it. We're 25 minutes in and it's already 2-2. | 0:16:51 | 0:16:54 | |
Now, it looks like the Reds have been inspired | 0:16:54 | 0:16:57 | |
by my fabulous fire bucket. | 0:16:57 | 0:16:59 | |
That's a fireman nozzle. | 0:16:59 | 0:17:00 | |
Oh, now, I do like a fireman! | 0:17:00 | 0:17:03 | |
-Tell me more. -Well, | 0:17:03 | 0:17:05 | |
this is wartime and you've got a triptych of them there. | 0:17:05 | 0:17:08 | |
There are three. 1942, you know, Second World War examples. | 0:17:08 | 0:17:13 | |
Made in Wolverhampton. | 0:17:13 | 0:17:15 | |
Made out of a good, solid bronze. | 0:17:15 | 0:17:17 | |
-Very, very collectable. -Ooh... -We did want to get a bit of jewellery. | 0:17:17 | 0:17:20 | |
We wanted to get something... | 0:17:20 | 0:17:22 | |
-Not that this isn't... -We could make them into earrings, I suppose. | 0:17:22 | 0:17:26 | |
And a pendant, as well. There you go, you've got three pieces. | 0:17:26 | 0:17:28 | |
-Erm... -Oh, let's ask. -Should I ask the price of them? -Yes. | 0:17:30 | 0:17:32 | |
-We'll ask the price of it. -Let's do that. -OK. | 0:17:32 | 0:17:34 | |
120 on the whole set. | 0:17:34 | 0:17:36 | |
If they really want them, I'll do them for £80. | 0:17:36 | 0:17:39 | |
What do you think they'd go for at auction? | 0:17:39 | 0:17:41 | |
I think they're going to be there... | 0:17:41 | 0:17:43 | |
We've still got so much time to shop. | 0:17:43 | 0:17:45 | |
-Absolutely. -If we're five minutes from the end... | 0:17:45 | 0:17:48 | |
-We could have these. -You can always come back for these. | 0:17:48 | 0:17:50 | |
Yeah, I mean, it's good jewellery, isn't it? | 0:17:50 | 0:17:53 | |
-It is. -Yeah... -That would be a serious bit of bling. | 0:17:53 | 0:17:57 | |
Back with the Blues, Anne got her way with the last buy - | 0:17:57 | 0:18:00 | |
will Emmeline now get a look in? | 0:18:00 | 0:18:02 | |
I like those squirrels. | 0:18:02 | 0:18:04 | |
-Do you? -Oh, well, moving on... -Ah, | 0:18:04 | 0:18:05 | |
but she's allowed to. | 0:18:05 | 0:18:06 | |
-No, no, no, no, don't say "moving on", she's... -This is my thing! | 0:18:06 | 0:18:09 | |
-You've had your opinion. -Emmeline's in the driving seat now, you see? | 0:18:09 | 0:18:13 | |
Yeah, you've picked yours, I pick mine now. | 0:18:13 | 0:18:14 | |
-You can see the panic in Anne's face. -Yeah, that's right. | 0:18:14 | 0:18:17 | |
"Oh, no, I don't believe it!" | 0:18:17 | 0:18:18 | |
I don't believe we're going to look at squirrels! | 0:18:18 | 0:18:20 | |
Emmeline seems determined to find that quirky item from her wish list | 0:18:21 | 0:18:25 | |
and these squirrels could be in the running. | 0:18:25 | 0:18:27 | |
Ah, that's right, Emmeline also had cats on her shopping list. | 0:18:30 | 0:18:35 | |
Is there anything here that catches your eye? Because we have actually | 0:18:35 | 0:18:38 | |
been walking for probably about ten minutes now. | 0:18:38 | 0:18:40 | |
There's the cat there, erm... | 0:18:40 | 0:18:42 | |
I mean, is that something...? You're a cat person but you're not... | 0:18:42 | 0:18:45 | |
-You're not going on... -You're not going on about that cat. -No. | 0:18:45 | 0:18:47 | |
Not quite the purrfect feline for our girl. | 0:18:47 | 0:18:51 | |
-So, what, can we have a...? -We'll keep wandering, yeah. | 0:18:51 | 0:18:53 | |
-Shall we keep wandering? -So, from cats to a man's best friend | 0:18:53 | 0:18:56 | |
-for the Reds. -Is it an inkwell? -It's an inkwell. -Oh, my word. | 0:18:56 | 0:18:58 | |
When would that be made? | 0:18:58 | 0:19:00 | |
-Oh, my word! -Isn't it sweet? I would hazard a guess it's probably | 0:19:00 | 0:19:02 | |
Bavarian, Black Forest, I would guess. | 0:19:02 | 0:19:05 | |
I'll have a look on the bottom. | 0:19:05 | 0:19:07 | |
How much are you loving it for? | 0:19:07 | 0:19:08 | |
SHE SUCKS TEETH | 0:19:08 | 0:19:10 | |
-55? -Yeah, I'd go similar. | 0:19:10 | 0:19:12 | |
-50-55? -Yeah, I definitely would, as well. | 0:19:12 | 0:19:15 | |
-Let's see what the price tag is on it. Erm... -Oh! | 0:19:15 | 0:19:18 | |
-There you go. -75. | 0:19:18 | 0:19:20 | |
-Not bad, is it? -And it's Black Forest, yeah. | 0:19:20 | 0:19:22 | |
-And how old is it? -You certainly see these things from the sort of 1870s | 0:19:22 | 0:19:26 | |
-onwards. -Yeah. -It may be with those eyes in that gives it a clue that | 0:19:26 | 0:19:29 | |
it's 20th century, rather than 19th | 0:19:29 | 0:19:31 | |
-century. -I was going to say, what do you think they're made of? | 0:19:31 | 0:19:33 | |
Yeah, it's just a great-looking thing. | 0:19:33 | 0:19:35 | |
-So we all agree on valuation at 55. -Yeah. | 0:19:35 | 0:19:38 | |
-Yep. -Who's going to be chief negotiator, then? | 0:19:38 | 0:19:41 | |
-You are. -My turn? -You do the doggy tails. | 0:19:41 | 0:19:43 | |
-OK, then. -You're on it. So do you want to go and have a word with the | 0:19:43 | 0:19:46 | |
-stallholder and see if you can get it for 55? -Yeah. | 0:19:46 | 0:19:48 | |
-Absolutely. -I wonder if they'll be as fortunate as last time | 0:19:48 | 0:19:51 | |
now they're after another heavy discount. | 0:19:51 | 0:19:54 | |
-Is she back? -Hello. I'm back. -Do we have a...? | 0:19:54 | 0:19:56 | |
-How did you get on? -We have offered to buy it for £60. | 0:19:56 | 0:20:00 | |
-So I thought maybe... -Shall we have a holding on this one? | 0:20:00 | 0:20:03 | |
-Yeah, hold on that. -Hold on this one. -This and our fire hoses. -OK. | 0:20:03 | 0:20:06 | |
-Yeah. -And we'll see if we can find the pretty thing | 0:20:06 | 0:20:08 | |
that we're looking for, and if not we can... | 0:20:08 | 0:20:11 | |
We know we've got options. | 0:20:11 | 0:20:12 | |
-I think it will be fine going there. -Fabulous. | 0:20:12 | 0:20:14 | |
-Come on. -Let's have a bit more of a wander. -Let's carry on. | 0:20:14 | 0:20:17 | |
So, the Reds have options. | 0:20:17 | 0:20:19 | |
But are both teams holding out for that final bargain purchase? | 0:20:19 | 0:20:23 | |
Emmeline doesn't seem to want to let sleeping cats lie. | 0:20:23 | 0:20:26 | |
We really like your cat. | 0:20:27 | 0:20:29 | |
Can you tell us something about it? | 0:20:29 | 0:20:30 | |
It was made by a guy in the south of France. | 0:20:30 | 0:20:32 | |
He's got a little cottage industry. | 0:20:32 | 0:20:34 | |
-Oh, right. -And it's carrara marble from Italy and it's been moulded | 0:20:34 | 0:20:38 | |
and polished with real bronze. | 0:20:38 | 0:20:41 | |
What would be your best price? | 0:20:41 | 0:20:43 | |
Yeah, I think I've got 89 on that, haven't I? | 0:20:43 | 0:20:45 | |
-Yeah. -So if I was to say 50 to you... -50. | 0:20:45 | 0:20:50 | |
..then that's nearly half the money. | 0:20:50 | 0:20:53 | |
I mean, it's nice quality. You can see it's nice quality. | 0:20:53 | 0:20:55 | |
It's nicely made. You know, £50... | 0:20:55 | 0:20:57 | |
Would you do it just a little bit under 50, so we... | 0:20:57 | 0:21:00 | |
What would you like it to be? | 0:21:00 | 0:21:01 | |
-48... -29. -29! | 0:21:01 | 0:21:04 | |
Now who's being cheeky?! | 0:21:04 | 0:21:06 | |
-49? -Yeah, I'll do that for you. | 0:21:06 | 0:21:09 | |
-Shake the man's hand. Come on. -Yes. | 0:21:09 | 0:21:11 | |
CHARLIE: Yes, well done, Blues. | 0:21:11 | 0:21:13 | |
A considerable discount there. | 0:21:13 | 0:21:15 | |
Emmeline has her buy and after 40 minutes, | 0:21:15 | 0:21:17 | |
mother and daughter are first past the post. | 0:21:17 | 0:21:20 | |
Now, Reds, you're on the home straight. | 0:21:20 | 0:21:22 | |
You've just got one more item to find. | 0:21:22 | 0:21:24 | |
Do you like anything here? | 0:21:24 | 0:21:26 | |
-Is there anything... -No. | 0:21:26 | 0:21:28 | |
..nipping you in the backside? No? | 0:21:28 | 0:21:30 | |
-OK. -OK, we've got the chance to look upstairs. | 0:21:30 | 0:21:33 | |
-Have we? -Shall we quickly do that? | 0:21:33 | 0:21:35 | |
-OK. -Have a look upstairs? -Yes. | 0:21:35 | 0:21:36 | |
Best to leave no stone unturned, ladies. | 0:21:36 | 0:21:39 | |
Onwards and upwards! | 0:21:39 | 0:21:41 | |
Those... Those look tasty. | 0:21:41 | 0:21:43 | |
-There we are, that was very good, wasn't it? -It was fun. Yes, yes. | 0:21:43 | 0:21:46 | |
It beats running around like a headless chicken | 0:21:46 | 0:21:49 | |
-till the last minute. -Yeah. -I think this was the best idea we've had. | 0:21:49 | 0:21:52 | |
-Yeah. Well done. -And the best bargain! | 0:21:52 | 0:21:54 | |
-Did you haggle him? -Did you haggle over the price? | 0:21:56 | 0:21:59 | |
It cost £8.50! | 0:21:59 | 0:22:01 | |
And they certainly won't make a profit. | 0:22:01 | 0:22:03 | |
Reds, with ten minutes left, has anything caught your eye upstairs? | 0:22:03 | 0:22:06 | |
-It's fantastic, isn't it? -It's amazing. -A true statement piece. | 0:22:06 | 0:22:10 | |
-Yeah. -But the statement is, which piece would you choose? | 0:22:10 | 0:22:13 | |
-That one? -You'd go for that? | 0:22:13 | 0:22:15 | |
Straightaway. Straightaway you'd go in for that. | 0:22:15 | 0:22:18 | |
-Why? -It appeals to me. | 0:22:18 | 0:22:20 | |
OK. Erm... | 0:22:20 | 0:22:22 | |
Which one would you pick? | 0:22:22 | 0:22:23 | |
I don't know. That thing there and also that one. | 0:22:24 | 0:22:27 | |
-It reminds me of something else. -Were you thinking of Troika? | 0:22:27 | 0:22:30 | |
-Yes, yeah. -I'll be honest with you, I wouldn't know how to guide you | 0:22:30 | 0:22:33 | |
through this because you really would want to spend so much time | 0:22:33 | 0:22:37 | |
-and we've just got those few minutes left. -Yeah. | 0:22:37 | 0:22:40 | |
I think making a choice in haste just might be the wrong choice. | 0:22:40 | 0:22:45 | |
I think Colin might be right. | 0:22:45 | 0:22:46 | |
With five minutes left, it's decision time. | 0:22:46 | 0:22:49 | |
So, what's it going to be, ladies? | 0:22:49 | 0:22:50 | |
-Probably go with the dog. -Go with the dog? -I think... -Yeah. -Yeah. | 0:22:50 | 0:22:53 | |
Is that your final answer? | 0:22:53 | 0:22:54 | |
-It is indeed. -It is. -I didn't even have to phone a friend, she's here. | 0:22:54 | 0:22:57 | |
-Yeah. -Indeed. | 0:22:57 | 0:22:58 | |
That's a different show, Reds. | 0:22:58 | 0:23:00 | |
Let's just hope the dog's still there. | 0:23:00 | 0:23:03 | |
So what was the best you managed? | 0:23:04 | 0:23:05 | |
-60. -Let's see whether I've got an ounce of charm in my body | 0:23:05 | 0:23:09 | |
and see if I can actually manage to knock something out of it. | 0:23:09 | 0:23:12 | |
-I couldn't say no to you, Colin. -OK. | 0:23:12 | 0:23:14 | |
Just give me two minutes, I'll be back. | 0:23:14 | 0:23:16 | |
-OK. No worries. -Let's hope. | 0:23:16 | 0:23:18 | |
-Fingers crossed. -Fingers crossed. It's still staring at me. | 0:23:18 | 0:23:20 | |
-Yeah. -Woof! What do you think the eyes are made of? | 0:23:20 | 0:23:23 | |
-Plastic. -Sure? -Yes. -Not like resin or...? | 0:23:23 | 0:23:26 | |
24-carat plastic. | 0:23:26 | 0:23:28 | |
I'd definitely say they were plastic. | 0:23:28 | 0:23:31 | |
So, Colin, did you get a huge discount? | 0:23:31 | 0:23:33 | |
You're not going to be very impressed, it was a pound. | 0:23:33 | 0:23:35 | |
But that pound might just be the difference | 0:23:35 | 0:23:38 | |
between a victory and a loss. | 0:23:38 | 0:23:41 | |
-So you got it for 59, then? -£59. | 0:23:41 | 0:23:42 | |
-£59, very good. -I like the sound of that. | 0:23:42 | 0:23:45 | |
There's going to be fear in the eyes of the Blues. | 0:23:45 | 0:23:48 | |
-Definitely. -Bring it on. -Result. | 0:23:48 | 0:23:49 | |
Right, teams, your time is up. | 0:23:49 | 0:23:52 | |
-Yeah! -Yes! -And relax. | 0:23:52 | 0:23:54 | |
Now, let's check out what the Red team have bought. | 0:23:56 | 0:23:58 | |
First up, Liz and Lucille paid £90 for this sampler. | 0:24:00 | 0:24:03 | |
But will it be old enough to make them a profit at auction? | 0:24:03 | 0:24:06 | |
Next, with a trot and a canter, | 0:24:08 | 0:24:10 | |
they swiftly bought this early 20th-century fruit bowl for £30. | 0:24:10 | 0:24:14 | |
And in the final furlong, they bagged this doggy ink well for £59. | 0:24:16 | 0:24:21 | |
That was a bit close, Lucille and Liz, wasn't it? | 0:24:22 | 0:24:24 | |
Just a little. | 0:24:24 | 0:24:26 | |
-Have you had a good time? -Oh, fantastic. -Absolutely brilliant. | 0:24:26 | 0:24:28 | |
-Was it good? -Really fun. -You spent quite a lot of money, didn't you? | 0:24:28 | 0:24:31 | |
-We did. -£179. | 0:24:31 | 0:24:33 | |
-Absolutely. -Are you pleased with what you've bought? | 0:24:33 | 0:24:36 | |
Yes, we are, very pleased. | 0:24:36 | 0:24:37 | |
You are? What's your favourite? | 0:24:37 | 0:24:38 | |
Mine is the Black Forest dog inkwell. Yeah | 0:24:38 | 0:24:41 | |
-It's lovely. -It normally sells well, Black Forest. | 0:24:41 | 0:24:44 | |
-And your favourite? -I like the sampler. | 0:24:44 | 0:24:46 | |
-Yes. -Very pretty. | 0:24:46 | 0:24:47 | |
I love samplers. | 0:24:47 | 0:24:48 | |
Yeah. A bit of history. | 0:24:48 | 0:24:50 | |
Yeah, I just hope they'll make as much money as they used to make... | 0:24:50 | 0:24:53 | |
..in my day! | 0:24:53 | 0:24:54 | |
What's going to make the biggest profit? | 0:24:54 | 0:24:57 | |
-We think it might be the dog. -Yes, I agree. -You both agree with that. | 0:24:57 | 0:25:00 | |
Now, Colin, what do you think? | 0:25:00 | 0:25:02 | |
Out of all three, I think it's going to be one of them. | 0:25:02 | 0:25:04 | |
So after that lavish spend, girls, you should have £121 left over. | 0:25:07 | 0:25:12 | |
-We do. -Hand it over. | 0:25:12 | 0:25:14 | |
-Right. -All of it? -All of it! | 0:25:14 | 0:25:16 | |
Yes, all of it. Colin, there you are. | 0:25:16 | 0:25:18 | |
-Thank you very much. -Right, Colin, what are you going to do with that? | 0:25:18 | 0:25:21 | |
I'm going to spend as much as possible but just so you know | 0:25:21 | 0:25:25 | |
what I'm going to be buying, it's going to be absolute clarity for you | 0:25:25 | 0:25:29 | |
that the answer is going to be completely opaque. | 0:25:29 | 0:25:32 | |
-Marvellous. -Marvellous. -That all sounds a bit of a riddle from Colin. | 0:25:32 | 0:25:36 | |
So while he goes off to buy something opaque, | 0:25:36 | 0:25:39 | |
let's check out what the Blue team have bought. | 0:25:39 | 0:25:41 | |
Although the ladies had conflicting tastes, | 0:25:42 | 0:25:44 | |
they actually agreed on their first item - | 0:25:44 | 0:25:46 | |
this Victorian Sunderland lustre plate, bought for £58. | 0:25:46 | 0:25:50 | |
Next up, Anne loved this millstone and settled on paying £79 for it. | 0:25:51 | 0:25:55 | |
And, finally, Emmeline chose this cast resin cat for £49. | 0:25:57 | 0:26:02 | |
Anne and Emmeline, you're supposed to go shopping on Bargain Hunt, | 0:26:05 | 0:26:08 | |
-not just eat ice creams. -They were yummy. -They were delicious, though. | 0:26:08 | 0:26:11 | |
Delicious. I love a flake on a sunny afternoon. | 0:26:11 | 0:26:13 | |
Do you? You did well, you spent £186. | 0:26:13 | 0:26:16 | |
-Yes, we did. -Pleased with that. -You bought rather an eclectic mix. | 0:26:16 | 0:26:19 | |
-Yes. -Yes. -It got a bit tense, didn't it, round the old millstone? | 0:26:19 | 0:26:23 | |
Yes, it did get tense, yes. | 0:26:23 | 0:26:25 | |
-Slightly, yeah. -I got my way in the end... | 0:26:25 | 0:26:28 | |
-As always. -..and Emmeline agreed. | 0:26:28 | 0:26:29 | |
-So what was your favourite lot? -I like the plate. | 0:26:29 | 0:26:32 | |
-You like the plate? -Yeah. | 0:26:32 | 0:26:34 | |
The wall plate, the lustre plate? | 0:26:34 | 0:26:35 | |
-And your favourite lot? -I like the plate as well | 0:26:35 | 0:26:38 | |
but I'm actually quite keen to see how the millstone gets on. | 0:26:38 | 0:26:42 | |
-I'm sure you are. -Yes, yes. -What's going to make the biggest profit? | 0:26:42 | 0:26:45 | |
I hate to say it but I think the millstone. | 0:26:45 | 0:26:47 | |
-Yes, the millstone. -From what people have told me, yeah. | 0:26:47 | 0:26:50 | |
Every good garden should have one. | 0:26:50 | 0:26:52 | |
£186 you spent, which means you've got 114. | 0:26:52 | 0:26:56 | |
-Yeah. -Thank you very much, indeed. | 0:26:56 | 0:26:59 | |
I'm just going to pass that straight over to JP... | 0:26:59 | 0:27:01 | |
-Fabulous. -..who is going to buy what? -Thank you very much. | 0:27:01 | 0:27:04 | |
Well, I've been listening to... You know, whilst they've been shopping, | 0:27:05 | 0:27:09 | |
and actually some words that were said at the very start. | 0:27:09 | 0:27:11 | |
-Ah. -It's very much in that vein is what I'm going to be buying. | 0:27:11 | 0:27:15 | |
Oh, I like that. | 0:27:15 | 0:27:16 | |
I think JP's bonus buy might be something to marvel at after that. | 0:27:16 | 0:27:19 | |
Meanwhile, we're off to the auction. | 0:27:19 | 0:27:21 | |
Well, I've come east to the Diss Auction Rooms | 0:27:30 | 0:27:33 | |
and who have I with me? | 0:27:33 | 0:27:35 | |
None other than the auctioneer Elizabeth Talbot. | 0:27:35 | 0:27:37 | |
Hello, Charlie. | 0:27:37 | 0:27:39 | |
-Lovely to be here. -Well, it's great to have you back. | 0:27:39 | 0:27:41 | |
Now, Lucille and Liz, good friends, start off with the sampler. | 0:27:41 | 0:27:45 | |
What can you tell us about that? | 0:27:45 | 0:27:47 | |
-Well, it's a late sampler. -Yes. | 0:27:47 | 0:27:48 | |
You can't get samplers much later than the Edwardian period, really. | 0:27:48 | 0:27:52 | |
So, from that point of view, it's not very collectable. | 0:27:52 | 0:27:54 | |
-And what about an estimate? -We put 40 to £60 on that. | 0:27:54 | 0:27:58 | |
Yeah, I mean, I think that's absolutely spot on, | 0:27:58 | 0:28:01 | |
but they paid £90. | 0:28:01 | 0:28:03 | |
-Yes. -I mean, they were motoring, weren't they? | 0:28:03 | 0:28:05 | |
That's strong, I think, for that, to be fair. | 0:28:05 | 0:28:07 | |
Yeah. Now, what about the centrepiece? | 0:28:07 | 0:28:10 | |
Well, that's a bit of bling. A bit of bling. | 0:28:10 | 0:28:13 | |
It's in an earlier style. | 0:28:13 | 0:28:14 | |
I don't believe it's quite as early as it's perhaps bought as. | 0:28:14 | 0:28:18 | |
-No. -We have seen early 20th century examples very similar. | 0:28:18 | 0:28:20 | |
-Yeah. -But it's a nice statement piece. | 0:28:20 | 0:28:23 | |
It's got this glass bowl, which is pretty. | 0:28:23 | 0:28:25 | |
It's all intact, etc, so, you know, it's there to impress | 0:28:25 | 0:28:27 | |
neighbours and friends, if you like that sort of thing. | 0:28:27 | 0:28:29 | |
-Yeah, I mean, the glass has got a really good Deco look to it... -Yes. | 0:28:29 | 0:28:33 | |
-..hasn't it? -Yes, it has. -How about money? | 0:28:33 | 0:28:35 | |
We've been very broad on this one. | 0:28:35 | 0:28:36 | |
-Have you? -Broad? | 0:28:36 | 0:28:38 | |
Yeah, broad. We've put 50 to £100 as an estimate. | 0:28:38 | 0:28:41 | |
-Have you? -Yes. -They will be thrilled. | 0:28:41 | 0:28:43 | |
-Lucille and Liz will like that because they paid £30. -All right. | 0:28:43 | 0:28:46 | |
OK. Well, hopefully we'll do a bit better than that. | 0:28:46 | 0:28:48 | |
Yes, yes, I'm sure you will. | 0:28:48 | 0:28:49 | |
I'm sure you will. Now, what about the Black Forest inkwell? | 0:28:49 | 0:28:53 | |
I just wish it was earlier. | 0:28:53 | 0:28:56 | |
It would be nice if it were. | 0:28:56 | 0:28:57 | |
I mean, it's a quality piece which digs deep into the traditions | 0:28:57 | 0:29:00 | |
of the Black Forest region, in terms of what it is, | 0:29:00 | 0:29:02 | |
-the way it's decorated and carved, and so on. -Yes. | 0:29:02 | 0:29:04 | |
It's ticking all the boxes but it's just too recent, really. | 0:29:04 | 0:29:07 | |
It's not a collector's piece. | 0:29:07 | 0:29:08 | |
However, there are people who love anything to do with dogs. | 0:29:08 | 0:29:11 | |
So, I mean, the theme is strong. | 0:29:11 | 0:29:13 | |
It's got its liner, it's big enough to be, again, | 0:29:13 | 0:29:16 | |
quite a nice statement piece. | 0:29:16 | 0:29:17 | |
Yeah, so what have we put on this? | 0:29:17 | 0:29:19 | |
-We've put 70 to £100. -Yeah. | 0:29:19 | 0:29:22 | |
They paid rather an odd figure, but a reasonable figure, I think, £59. | 0:29:22 | 0:29:25 | |
-£59?! -Strange, isn't it? | 0:29:25 | 0:29:28 | |
Well, whatever happens, they might need their bonus buy. | 0:29:28 | 0:29:31 | |
Now, let's have a look at it. | 0:29:31 | 0:29:32 | |
Now, Lucille and Liz, | 0:29:33 | 0:29:34 | |
you left this lovely man with £121, didn't you? | 0:29:34 | 0:29:38 | |
-Yes, we did. -Do you think he's done you proud? | 0:29:38 | 0:29:41 | |
-We think so. -I think so. | 0:29:41 | 0:29:42 | |
-Do you? -Yeah, yeah. -What have you got, Colin? | 0:29:42 | 0:29:44 | |
-THEY GASP -Yes! -Yay! | 0:29:46 | 0:29:47 | |
-You said you liked that? -Oh, my God. | 0:29:47 | 0:29:49 | |
-Yes, very good. -You like that, don't you? | 0:29:49 | 0:29:52 | |
-I spent £81 on it. -Wow. -Oh. -And Benjamin Chang | 0:29:52 | 0:29:57 | |
is not particularly well known within the market. | 0:29:57 | 0:30:01 | |
So it is an absolute gamble. | 0:30:01 | 0:30:04 | |
-It really is. -It's a statement piece. | 0:30:04 | 0:30:06 | |
Someone will love that. | 0:30:06 | 0:30:08 | |
-It's a statement gamble. -Whether you go for it will be exactly that. | 0:30:08 | 0:30:12 | |
It is a statement piece, but is it meant to be a bit of a state, | 0:30:12 | 0:30:15 | |
-who knows? -He's brave, isn't he? | 0:30:15 | 0:30:17 | |
-He is a bit. -He's very brave. | 0:30:17 | 0:30:19 | |
Anyway, girls, | 0:30:19 | 0:30:20 | |
I can tell by the way you were reacting you quite like that, | 0:30:20 | 0:30:23 | |
but you don't have to make up your mind now. | 0:30:23 | 0:30:25 | |
Let's see what the auctioneer thinks of Benjamin Chang. | 0:30:25 | 0:30:28 | |
This is very striking, this piece. | 0:30:30 | 0:30:31 | |
And, to be fair, would probably sell better in a modern design sale | 0:30:31 | 0:30:35 | |
of post-war artefacts. | 0:30:35 | 0:30:37 | |
-What about the stand? -I don't like that particularly. | 0:30:37 | 0:30:39 | |
-No. -I'm not sure... Presumably the artist Put that in that | 0:30:39 | 0:30:42 | |
but I don't think it does the artwork of the glass much justice. | 0:30:42 | 0:30:45 | |
No. What about the value? Difficult thing to value, isn't it? | 0:30:45 | 0:30:48 | |
It's very difficult. | 0:30:48 | 0:30:49 | |
We have not sold any of the artist's work before. | 0:30:49 | 0:30:51 | |
Benjamin Chang's work has not passed through here before | 0:30:51 | 0:30:54 | |
so we have no precedent that we can directly link to. | 0:30:54 | 0:30:56 | |
But we've put 30 to £40 on it. | 0:30:56 | 0:30:58 | |
-Right. Well, Colin went quite bullish and he paid £81 for it. -£81? | 0:30:58 | 0:31:02 | |
If one were to buy that from a gallery, | 0:31:02 | 0:31:04 | |
a studio or a specialist outlet, | 0:31:04 | 0:31:05 | |
that's not a lot for a piece of handcrafted artwork. | 0:31:05 | 0:31:08 | |
Well, only time will tell with the Reds. | 0:31:08 | 0:31:10 | |
Now, on to Anne and Emmeline, mother and daughter. | 0:31:10 | 0:31:13 | |
And they bought - what would I call it? - an old-fashioned antique. | 0:31:13 | 0:31:16 | |
-"Prepare to meet thy God." -Indeed. Well, when I was starting out, | 0:31:16 | 0:31:20 | |
I remember that sort of thing was very exciting when you saw a piece | 0:31:20 | 0:31:23 | |
of traditional Sunderland lustre come through. | 0:31:23 | 0:31:26 | |
The problem is it's the pious variety - dare I say it? | 0:31:26 | 0:31:29 | |
Had that been a portrait or a historical commemorative piece | 0:31:29 | 0:31:33 | |
or something with a bit more pizazz... | 0:31:33 | 0:31:35 | |
-A bit of Nelson, or something. -Yes. | 0:31:35 | 0:31:37 | |
-Yeah. -We'd have really got excited. -Yeah. | 0:31:37 | 0:31:39 | |
-What about a value? -Not high. | 0:31:39 | 0:31:41 | |
Not what they used to make. | 0:31:41 | 0:31:43 | |
No! 20 to £30. | 0:31:43 | 0:31:44 | |
Oh, crumbs. | 0:31:44 | 0:31:46 | |
They paid £58. | 0:31:46 | 0:31:47 | |
-Hmm. -Anyway, from the sublime to the ridiculous, onto the millstone. | 0:31:47 | 0:31:52 | |
Ah, yes, a piece of architectural reclamation, which we like here. | 0:31:52 | 0:31:57 | |
-With moss. -With moss. Adds... | 0:31:57 | 0:31:58 | |
We have dust on furniture, we have moss on millstones. | 0:31:58 | 0:32:01 | |
That's good. But it's not too big. | 0:32:01 | 0:32:04 | |
People do like them for garden features. | 0:32:04 | 0:32:06 | |
We put 50 to £80 on it. | 0:32:06 | 0:32:08 | |
Yep, yep. They paid - again, it's rather an odd figure - £79. | 0:32:08 | 0:32:11 | |
-Right, OK. -They think that this will yield their biggest profit. | 0:32:11 | 0:32:15 | |
-OK. -Now, what about the cat? | 0:32:15 | 0:32:17 | |
A whole cast bronze resin. | 0:32:17 | 0:32:19 | |
-Yes. -It seems very en vogue at the moment. | 0:32:19 | 0:32:21 | |
And I have to say, we do see a lot of it | 0:32:21 | 0:32:23 | |
through the saleroom in different forms. | 0:32:23 | 0:32:26 | |
Now, this actual example doesn't appeal to me particularly. | 0:32:26 | 0:32:29 | |
-Well, what about an estimate? -We put 60 to £100. | 0:32:29 | 0:32:32 | |
-60 to £100?! -Mm-hm. | 0:32:32 | 0:32:34 | |
-Splendid. -This could be their lucky lot. | 0:32:35 | 0:32:37 | |
Well, I thought they were going over the top. | 0:32:37 | 0:32:39 | |
They paid £49. | 0:32:39 | 0:32:40 | |
-Right. -People like cats. | 0:32:40 | 0:32:42 | |
-Yes, they do. -They do like cats. -Yes. | 0:32:42 | 0:32:44 | |
Well, whether they like cats or not, | 0:32:44 | 0:32:45 | |
they might need their bonus buy. | 0:32:45 | 0:32:47 | |
Now, let's have a look at it. | 0:32:47 | 0:32:49 | |
Now, Anne and Emmeline, | 0:32:49 | 0:32:50 | |
you spent pretty well, didn't you? | 0:32:50 | 0:32:52 | |
-I thought we did. -Yes. -You did very well. | 0:32:52 | 0:32:54 | |
-Yes. -You spent nearly £200... | 0:32:54 | 0:32:55 | |
-I know. -..leaving JP with 114, I believe. | 0:32:55 | 0:32:59 | |
-Just too kind. -Yes. | 0:32:59 | 0:33:02 | |
What have you done with it? | 0:33:02 | 0:33:03 | |
-Oh! -Oh, right, yes. -I like that! | 0:33:04 | 0:33:09 | |
-I was the one who said I liked blue glass. -You did. -Yeah. | 0:33:09 | 0:33:12 | |
-I don't like blue glass. -You don't like that, anyway? | 0:33:12 | 0:33:14 | |
-What? It's all over our house. -Tell us about it. | 0:33:14 | 0:33:17 | |
OK, well, look, what you have here is a late 19th-century | 0:33:17 | 0:33:21 | |
-blue flash glass decanter, a sort of bottle shape. -And how old is it? | 0:33:21 | 0:33:26 | |
It dates from about 1880, something like that. | 0:33:26 | 0:33:28 | |
How much did you spend on it, then? | 0:33:28 | 0:33:30 | |
It cost me £100. | 0:33:30 | 0:33:32 | |
-Right. -I think I'm about on the money. | 0:33:32 | 0:33:35 | |
I would say £80 to 120 might be a sensible estimate for it. | 0:33:35 | 0:33:38 | |
-I like blue glass, I collect... I do buy blue glass. -Do you not like it? | 0:33:38 | 0:33:42 | |
-I like it more than I did. -I can't work this out at all. | 0:33:42 | 0:33:46 | |
You don't like it, you do like it... | 0:33:46 | 0:33:49 | |
My initial reaction was it was something from the 1970s. | 0:33:49 | 0:33:52 | |
Yeah, I can understand that. Yes, I can understand that from here. | 0:33:52 | 0:33:55 | |
I do like it a lot more. | 0:33:55 | 0:33:57 | |
I don't know whether I would have spent £100 on it. | 0:33:57 | 0:33:59 | |
Well, you don't need to make up your mind now, girls. | 0:33:59 | 0:34:02 | |
-Yeah. -Think about it, cogitate, | 0:34:02 | 0:34:04 | |
and then I will ask you during the sale | 0:34:04 | 0:34:06 | |
whether or not you want to go with the decanter. | 0:34:06 | 0:34:08 | |
Meanwhile, let's see what the auctioneer thinks | 0:34:08 | 0:34:11 | |
of this rather splendid blue glass decanter. | 0:34:11 | 0:34:13 | |
-Very elegant. -Yep. | 0:34:15 | 0:34:16 | |
-A lovely colour. -Yep. | 0:34:16 | 0:34:18 | |
A little bit unstable. | 0:34:18 | 0:34:20 | |
It worries me. | 0:34:20 | 0:34:21 | |
I fear for something that's tall and elegant like that. | 0:34:21 | 0:34:24 | |
It needs lots of drink in it, doesn't it? | 0:34:24 | 0:34:26 | |
But it wouldn't survive with lots of drink in it. | 0:34:26 | 0:34:28 | |
It would soon be emptied here, that's the thing. | 0:34:28 | 0:34:30 | |
So the good news is, I like the shape, the colour, the condition, | 0:34:30 | 0:34:33 | |
it's all very nice. | 0:34:33 | 0:34:34 | |
The bad news is that there's more supply than demand. | 0:34:34 | 0:34:38 | |
-What about value? -We've put an estimate of 50 to £100 on it. | 0:34:38 | 0:34:41 | |
Yeah, well, Jonathan is at the top of your estimate. | 0:34:41 | 0:34:43 | |
-He paid 100. -Right, OK. | 0:34:43 | 0:34:45 | |
We might just squeak through, yeah. | 0:34:45 | 0:34:47 | |
Whack it on a bit more with your gavel. | 0:34:47 | 0:34:48 | |
-I'll try. -And you'll be taking the sale? -I shall, yes, indeed. | 0:34:48 | 0:34:51 | |
-Good. Looking forward to it. -Thank you very much. | 0:34:51 | 0:34:53 | |
I start this here at 22, a fine bowl there for 22... | 0:34:53 | 0:34:58 | |
Lots of people here. Lots of bidding. | 0:34:59 | 0:35:02 | |
-I want lots of arms up. -You want lots of arms up. -Lots of arms up. | 0:35:02 | 0:35:04 | |
-Have you been to a sale before? -Never. -No. -Never? | 0:35:04 | 0:35:07 | |
-Never ever. -This is our first. | 0:35:07 | 0:35:09 | |
A debut, what about that, Colin? | 0:35:09 | 0:35:10 | |
-Well, it's good. -Colin's our first. | 0:35:10 | 0:35:12 | |
-Colin's your first, is he? -He is. | 0:35:12 | 0:35:14 | |
The worry is it might be their last. | 0:35:14 | 0:35:16 | |
Anyway, what about the sampler? | 0:35:18 | 0:35:20 | |
-Good colours. -Very nice colours. | 0:35:20 | 0:35:22 | |
I think... Colin, possibly we'd like it to be a bit earlier. | 0:35:22 | 0:35:27 | |
The only weakness with it is the age. | 0:35:27 | 0:35:29 | |
Even though it's over 100 years old, | 0:35:29 | 0:35:31 | |
you really want an early Victorian or a Georgian one. | 0:35:31 | 0:35:34 | |
-Yes. -But strong colours. It is Edwardian. | 0:35:34 | 0:35:37 | |
Lot 107, the Edwardian sampler. | 0:35:37 | 0:35:39 | |
And I do start at £30. £30. | 0:35:39 | 0:35:41 | |
That's a start. You've got to start somewhere. | 0:35:41 | 0:35:45 | |
At 32, the lady. 35, I have. | 0:35:45 | 0:35:47 | |
35. The room is out. | 0:35:47 | 0:35:49 | |
That's a bargain. | 0:35:49 | 0:35:50 | |
-Oh, dear. -That was painful. | 0:35:51 | 0:35:53 | |
That was painful. Never mind. | 0:35:53 | 0:35:55 | |
What's 55 if you say it quickly? | 0:35:55 | 0:35:58 | |
Here comes your centrepiece. You might get it back on this. | 0:35:58 | 0:36:00 | |
A polished brass table centrepiece there with this nice glass lining, | 0:36:00 | 0:36:04 | |
beautifully cut. It's a showstopper for your table at £50. | 0:36:04 | 0:36:08 | |
-How much? -50. -50. | 0:36:08 | 0:36:09 | |
25, if you will. | 0:36:09 | 0:36:11 | |
20 to start. | 0:36:12 | 0:36:14 | |
20 bid. Well done. | 0:36:14 | 0:36:16 | |
I've seen a lady bid with a lovely smile. | 0:36:16 | 0:36:17 | |
25, the lady. | 0:36:17 | 0:36:18 | |
Middle at 25. | 0:36:18 | 0:36:20 | |
£25. | 0:36:20 | 0:36:22 | |
£25 with the lady in the middle at 25. | 0:36:22 | 0:36:24 | |
Oh, dear, that's another fiver down the drain. | 0:36:26 | 0:36:28 | |
You're now down 60. | 0:36:28 | 0:36:30 | |
Having said that, we've got the lot that you both think | 0:36:30 | 0:36:33 | |
-will make the biggest profit. -Yes. | 0:36:33 | 0:36:35 | |
The Black Forest inkwell. | 0:36:35 | 0:36:37 | |
Interest on the sheet with me. | 0:36:37 | 0:36:38 | |
I'm starting here at £32. | 0:36:38 | 0:36:41 | |
£32 is bid. | 0:36:41 | 0:36:42 | |
At 32. I'll take five now. | 0:36:42 | 0:36:44 | |
35. 38. 40. 2. | 0:36:44 | 0:36:46 | |
At 45. 48. 50. 5. 60 is now front row. | 0:36:46 | 0:36:51 | |
I'm out. 60, the front row. | 0:36:51 | 0:36:52 | |
-60? -60 in the front row. -We've got £1. | 0:36:52 | 0:36:55 | |
It's a profit of £1! | 0:36:58 | 0:36:59 | |
You've made £1. | 0:36:59 | 0:37:00 | |
Plus £1! | 0:37:01 | 0:37:03 | |
What about Benjamin Chang? | 0:37:03 | 0:37:05 | |
You're down £59. | 0:37:05 | 0:37:07 | |
The great man spent £81 on Benjamin Chang. | 0:37:07 | 0:37:10 | |
It's a gamble but in for a penny, in for a pound, so let's go for it. | 0:37:10 | 0:37:14 | |
-Yeah. -You're going to go for it? -Yes, we are. | 0:37:14 | 0:37:16 | |
Well, your bonus buy is on. | 0:37:16 | 0:37:18 | |
-Indeed. -Right, no pressure. | 0:37:18 | 0:37:20 | |
It cost £81. | 0:37:20 | 0:37:22 | |
You're only down 59. | 0:37:22 | 0:37:24 | |
What can go wrong...go wrong... go wrong...go wrong? | 0:37:24 | 0:37:28 | |
Start me at 30. | 0:37:28 | 0:37:30 | |
A good piece of modern art. | 0:37:30 | 0:37:32 | |
£30. | 0:37:32 | 0:37:35 | |
-Come on. -Hang on, someone's there. | 0:37:35 | 0:37:37 | |
-20. -Someone knows her Benjamin Chang. -Yes. | 0:37:37 | 0:37:40 | |
25. | 0:37:40 | 0:37:41 | |
28. | 0:37:41 | 0:37:42 | |
New bidder. 30. In the middle at 30. | 0:37:43 | 0:37:45 | |
Where's 2 this time? | 0:37:45 | 0:37:46 | |
It's a good vase for £30. A lot of glass. | 0:37:46 | 0:37:48 | |
It's an awful lot of glass. | 0:37:48 | 0:37:50 | |
Are you all done at 30? | 0:37:50 | 0:37:52 | |
-Oh, dear. -Is that a loss? | 0:37:53 | 0:37:55 | |
That's a loss of £51. | 0:37:55 | 0:37:58 | |
Never mind. £110 has in the past won Bargain Hunt. | 0:37:58 | 0:38:03 | |
Not often. | 0:38:04 | 0:38:05 | |
-We came to come second. -No, no. | 0:38:05 | 0:38:08 | |
It could well be a winner so no word to the Blue team and we'll find out | 0:38:08 | 0:38:11 | |
what happens later. | 0:38:11 | 0:38:12 | |
And 5. 25. And she's smiling. | 0:38:14 | 0:38:17 | |
Here comes the Sunderland lustre plate. | 0:38:22 | 0:38:24 | |
-It was a genuine antique. -Yes. | 0:38:24 | 0:38:26 | |
They make reproductions of these, don't they? | 0:38:26 | 0:38:28 | |
-This was genuine. -A genuine antique. | 0:38:28 | 0:38:30 | |
A proper Victorian item. | 0:38:30 | 0:38:31 | |
-I think this is a good buy. -You think this is good? | 0:38:31 | 0:38:34 | |
I think it's going to do well. | 0:38:34 | 0:38:36 | |
-Do you? -I like it, yeah. I can imagine it in a kitchen. | 0:38:36 | 0:38:38 | |
-Like, on the side. Would look lovely. -Yeah. | 0:38:38 | 0:38:41 | |
I like the caption on it, "Prepare to meet thy God". | 0:38:41 | 0:38:45 | |
I think we're about to. | 0:38:45 | 0:38:46 | |
I start at 10. | 0:38:48 | 0:38:50 | |
£10. | 0:38:50 | 0:38:51 | |
That's the price of a reproduction one. | 0:38:51 | 0:38:54 | |
20 new bidder. 22. | 0:38:54 | 0:38:55 | |
25. 28. 30. | 0:38:55 | 0:38:58 | |
2. 35. 38. | 0:38:58 | 0:39:00 | |
40. Yes? | 0:39:00 | 0:39:02 | |
-2. 45. -You can't stop. | 0:39:02 | 0:39:04 | |
Buyer to my left at 45. Where is the 8? | 0:39:04 | 0:39:07 | |
£45 to my left. | 0:39:07 | 0:39:09 | |
Bid at 45. All done? | 0:39:09 | 0:39:10 | |
-Oh! -That's quite awkward. | 0:39:12 | 0:39:14 | |
Minus £13. That's not bad. | 0:39:14 | 0:39:17 | |
-That's OK. -Here we go. | 0:39:17 | 0:39:18 | |
-Here comes the millstone. -Start me at £15 on the millstone. | 0:39:18 | 0:39:22 | |
Oh, you would, wouldn't you? | 0:39:22 | 0:39:24 | |
40 bid. | 0:39:24 | 0:39:25 | |
We've got 40 already. That's a good start. | 0:39:25 | 0:39:27 | |
At £40. | 0:39:29 | 0:39:30 | |
Where are you at 2? | 0:39:30 | 0:39:31 | |
At £40. | 0:39:31 | 0:39:33 | |
Come on, don't be put off by the weight. | 0:39:33 | 0:39:34 | |
-Come on! -I feel smug. | 0:39:34 | 0:39:36 | |
-I'm gutted. -Hang on. | 0:39:36 | 0:39:38 | |
At £40. | 0:39:38 | 0:39:39 | |
40. | 0:39:39 | 0:39:41 | |
He's really happy, look. | 0:39:41 | 0:39:43 | |
That's a £39 loss. | 0:39:43 | 0:39:46 | |
I am very smug about that. | 0:39:46 | 0:39:47 | |
-Are you? -Because I didn't want to buy that thing. | 0:39:47 | 0:39:50 | |
Did you know you're now down £52 with a cat to come? | 0:39:50 | 0:39:55 | |
-The good news about the cat is the auctioneer... -Here's the cat. | 0:39:55 | 0:39:57 | |
The auctioneer has estimated the cat at 60 to £100. | 0:39:57 | 0:40:03 | |
-My cat! -Come on, cold cast resin, always popular. | 0:40:03 | 0:40:06 | |
£50. 30, if you will. | 0:40:06 | 0:40:08 | |
Come on, where are the cat-lovers? | 0:40:08 | 0:40:10 | |
-It's a cute little cat. -Oh, we've got a plunging cat. -Yes. | 0:40:10 | 0:40:13 | |
20 to start. It's here to sell. | 0:40:13 | 0:40:17 | |
20 gallery. 22 below, 25. | 0:40:17 | 0:40:19 | |
Oh, go on, sir. It's a bit of fun. | 0:40:19 | 0:40:21 | |
28. 30 got. | 0:40:21 | 0:40:23 | |
-Yes. -A bit more. | 0:40:23 | 0:40:24 | |
In the gallery, where are you? | 0:40:24 | 0:40:26 | |
30, all done, with the gentleman. | 0:40:26 | 0:40:28 | |
Agh! | 0:40:29 | 0:40:30 | |
That made a rather catlike noise there. | 0:40:30 | 0:40:33 | |
That wasn't very pleasant. | 0:40:33 | 0:40:34 | |
Well, you've lost £19 on the cat. | 0:40:34 | 0:40:38 | |
So how much have we lost altogether? | 0:40:38 | 0:40:40 | |
According to me, you've lost £71. | 0:40:40 | 0:40:43 | |
Not bad going. | 0:40:43 | 0:40:45 | |
Anyway, never mind, you've got a rather splendid decanter to come. | 0:40:47 | 0:40:51 | |
-Yes. -Now, it cost £100. | 0:40:51 | 0:40:53 | |
What do you want to do with it? | 0:40:53 | 0:40:54 | |
-Well, I think we've got to go with it. -What? -Yeah, just go with it. | 0:40:54 | 0:40:57 | |
-Yes? -Well... -Yes. -Go low. | 0:40:57 | 0:40:59 | |
Lot 138, we have the mid-19th-century | 0:40:59 | 0:41:02 | |
bohemian blue cut-glass decanter. | 0:41:02 | 0:41:05 | |
Where may I say for this one? | 0:41:05 | 0:41:07 | |
Start me at 50. | 0:41:07 | 0:41:08 | |
-They've all gone quiet. -It's a lovely decanter. | 0:41:09 | 0:41:11 | |
-It does look very pretty, doesn't it? -And... | 0:41:11 | 0:41:13 | |
30 to start. | 0:41:13 | 0:41:15 | |
What did you spend on this, JP? | 0:41:15 | 0:41:17 | |
-Too much. -No, what? | 0:41:17 | 0:41:19 | |
£100. | 0:41:19 | 0:41:20 | |
22. 25. | 0:41:20 | 0:41:22 | |
28. 30 bid. | 0:41:22 | 0:41:25 | |
30 in the room. Commissions are out. | 0:41:25 | 0:41:27 | |
It's 30. Standing at 30. | 0:41:27 | 0:41:29 | |
Any advance? 32. | 0:41:29 | 0:41:30 | |
New bidder in the gallery. 35. | 0:41:30 | 0:41:31 | |
38. 40 bid. | 0:41:31 | 0:41:35 | |
40 and selling. | 0:41:35 | 0:41:37 | |
40. So, minus 60. | 0:41:39 | 0:41:42 | |
Yep, that's very good. | 0:41:42 | 0:41:43 | |
Right, Blues, £131 lost but not a word to the Reds. | 0:41:45 | 0:41:49 | |
-Our lips are sealed. -It could be a winning score. | 0:41:49 | 0:41:51 | |
It could be, it could be. | 0:41:51 | 0:41:53 | |
Has there ever been a closer competition? | 0:42:03 | 0:42:06 | |
It's been absolutely thrilling. | 0:42:06 | 0:42:08 | |
It's a nail-biter. | 0:42:08 | 0:42:10 | |
It's only a nail-biter cos you have both lost so much money, | 0:42:10 | 0:42:13 | |
it's almost unbelievable. | 0:42:13 | 0:42:15 | |
Losses to the left of me, losses to the right. | 0:42:17 | 0:42:20 | |
Here I am, stuck in the middle of you lot. | 0:42:20 | 0:42:23 | |
Oh, what can you do? | 0:42:23 | 0:42:25 | |
I mean, we don't have losers, though, of course. | 0:42:25 | 0:42:28 | |
Now, the runners-up this time are indeed the... | 0:42:28 | 0:42:31 | |
-..Blue team. -Oh! | 0:42:33 | 0:42:34 | |
Yes! | 0:42:35 | 0:42:37 | |
We're the best team. | 0:42:37 | 0:42:38 | |
They can't believe it, can they? | 0:42:38 | 0:42:41 | |
They were dreadful! | 0:42:41 | 0:42:42 | |
But they weren't quite as bad as you. | 0:42:42 | 0:42:45 | |
But never mind. | 0:42:45 | 0:42:47 | |
I don't know what you lot are looking smug about, frankly - | 0:42:47 | 0:42:49 | |
loss, loss, but your saving grace, you made £1 on your ink well. | 0:42:49 | 0:42:54 | |
One whole pound! In this pocket I have no money, | 0:42:54 | 0:42:57 | |
and in this pocket I have no money. | 0:42:57 | 0:43:00 | |
Have a look at the golden gavel | 0:43:00 | 0:43:01 | |
because you're only collectively about £250 from it. | 0:43:01 | 0:43:05 | |
But never mind. Have you had fun? | 0:43:05 | 0:43:07 | |
-We've had such fun. -Yes. -Good. | 0:43:07 | 0:43:08 | |
-Have you had fun? -It's been amazing, yeah. -Yes. | 0:43:08 | 0:43:10 | |
Well, it's been great fun losing so much money with you. | 0:43:10 | 0:43:14 | |
Couldn't have lost money with a nicer bunch of people. | 0:43:14 | 0:43:16 | |
-Thank you. -Thank you. -Anyway, don't forget to have a look at our website | 0:43:16 | 0:43:19 | |
and indeed to follow us on Twitter. | 0:43:19 | 0:43:21 | |
In the meantime, join us for more Bargain Hunting. | 0:43:21 | 0:43:23 | |
-Yes? ALL: -Yes! | 0:43:23 | 0:43:25 |