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I am at a top-secret Cold War bunker in rural Cheshire. | 0:00:03 | 0:00:08 | |
It was a vast underground defence complex in the event of nuclear war. | 0:00:08 | 0:00:13 | |
Thankfully, it was never put to use. | 0:00:13 | 0:00:16 | |
I'll be back here later. | 0:00:16 | 0:00:18 | |
But in the meantime, I've got an antiques fair to visit down the road | 0:00:18 | 0:00:22 | |
in Oswestry, so what are we waiting for? | 0:00:22 | 0:00:25 | |
Let's go bargain hunting! | 0:00:27 | 0:00:29 | |
Welcome to the Oswestry Antique and Collectors Fair. | 0:00:56 | 0:01:00 | |
Armed with £300, | 0:01:00 | 0:01:02 | |
our teams have 60 minutes in which to find three items that hopefully | 0:01:02 | 0:01:06 | |
they can sell on at auction for a profit. | 0:01:06 | 0:01:09 | |
Let's have a look what's coming up. | 0:01:09 | 0:01:11 | |
The Reds are in need of refreshment. | 0:01:14 | 0:01:17 | |
-Have a cup of tea. -And I like plenty, so it's strong. | 0:01:17 | 0:01:19 | |
And the Blues turn into Mad Hatters. | 0:01:21 | 0:01:24 | |
Oh, gosh, take him away! | 0:01:26 | 0:01:28 | |
At auction, the Reds are excitable. | 0:01:31 | 0:01:33 | |
Yay! | 0:01:33 | 0:01:35 | |
And the Blues are ecstatic. | 0:01:35 | 0:01:37 | |
Yes, yes. | 0:01:37 | 0:01:38 | |
Well, that's all for later, so let's meet today's teams. | 0:01:39 | 0:01:44 | |
And for the Reds we've got good friends Simon and Trevor. | 0:01:44 | 0:01:46 | |
And for the Blues we've got a married couple in Graham and Jane. | 0:01:46 | 0:01:50 | |
So, welcome and hello. | 0:01:50 | 0:01:51 | |
-ALL: -Hello. -So, turning my attention to the Reds, | 0:01:51 | 0:01:55 | |
how long have you gentlemen known each other? | 0:01:55 | 0:01:57 | |
We've known each other 16... 16 long years. | 0:01:57 | 0:02:00 | |
We're good friends, | 0:02:00 | 0:02:02 | |
we were in different barristers' chambers in Birmingham, | 0:02:02 | 0:02:05 | |
but now we're in the same chambers, in fact sharing the same room. | 0:02:05 | 0:02:08 | |
So you're a barrister, Simon. | 0:02:08 | 0:02:09 | |
I mean, it must be something of a stressful job. | 0:02:09 | 0:02:12 | |
It has its moments, yes. | 0:02:12 | 0:02:14 | |
It's a job I love and it's a unique job. | 0:02:14 | 0:02:17 | |
It takes me the length and breadth of the West Midlands and | 0:02:17 | 0:02:20 | |
occasionally beyond to Oxford and to Croydon, | 0:02:20 | 0:02:23 | |
where I was for five months a couple of years ago. | 0:02:23 | 0:02:26 | |
What do you do to relax? | 0:02:26 | 0:02:28 | |
I like to support Norwich City and that helps me relax. | 0:02:28 | 0:02:32 | |
A real football team. | 0:02:32 | 0:02:33 | |
A real football team who needs support so I'm glad to offer mine. | 0:02:33 | 0:02:38 | |
And other than that, read books, | 0:02:38 | 0:02:40 | |
go for walks with the dog and my two young children. | 0:02:40 | 0:02:43 | |
All right. So, Trevor, you've always been a barrister as well? | 0:02:43 | 0:02:46 | |
I have, yeah. I've been a barrister for 16 years now, Eric, | 0:02:46 | 0:02:49 | |
and working in Birmingham. | 0:02:49 | 0:02:51 | |
Anything from theft of a banana, Eric, to murder and terrorism, | 0:02:51 | 0:02:55 | |
and all in between. | 0:02:55 | 0:02:56 | |
-Really? -But it doesn't pay. | 0:02:56 | 0:02:58 | |
No, I've always been acquitted on all 18 counts, | 0:02:58 | 0:03:00 | |
so don't worry about that. I've been doing my homework on you, Trevor. | 0:03:00 | 0:03:03 | |
-Oh, yeah. -Tell me about your romantic proposal. | 0:03:03 | 0:03:06 | |
I proposed to my wife in New York. | 0:03:06 | 0:03:09 | |
I had an engagement ring, of course. | 0:03:09 | 0:03:12 | |
Smuggled it out of the country in my favourite pair of Y-fronts, | 0:03:12 | 0:03:17 | |
knowing of course that my wife would never, ever look there. | 0:03:17 | 0:03:20 | |
And then, up at the top of the Empire State Building, | 0:03:20 | 0:03:24 | |
I took out the Y-fronts, | 0:03:24 | 0:03:25 | |
I took out the engagement ring, and I made my proposal there, | 0:03:25 | 0:03:30 | |
and of course, thankfully, she said the yes. | 0:03:30 | 0:03:33 | |
Graham, is it me, but I'm feeling totally inadequate here. | 0:03:33 | 0:03:36 | |
How do I follow that? I've got no chance! | 0:03:36 | 0:03:38 | |
So, back to today, | 0:03:38 | 0:03:40 | |
I realise you're probably both very well rehearsed in the courtroom, | 0:03:40 | 0:03:43 | |
but what do you like when it comes to tactics in an antique fair? | 0:03:43 | 0:03:46 | |
That's a bit more problematic. | 0:03:46 | 0:03:48 | |
We've had a good discussion about this. | 0:03:48 | 0:03:50 | |
-Yeah. -And we decided on a tactic of buying cheap and selling high. | 0:03:50 | 0:03:54 | |
We really think it's the way to approach this show. | 0:03:54 | 0:03:57 | |
That's a fantastic theory. | 0:03:57 | 0:03:59 | |
Well, good luck, Reds. | 0:03:59 | 0:04:00 | |
But turning my attention now to the Blue team. | 0:04:00 | 0:04:02 | |
So, Graham and Jane, how did you two get together? | 0:04:02 | 0:04:05 | |
A love of horses, I think. | 0:04:05 | 0:04:07 | |
It was, without any doubt. | 0:04:07 | 0:04:09 | |
I was a jockey. | 0:04:09 | 0:04:11 | |
And I was a friend of the family who visited the stable yard and met him | 0:04:11 | 0:04:14 | |
-and that was it. -And that was it. | 0:04:14 | 0:04:16 | |
-Over 35 years ago. -And three children later. | 0:04:16 | 0:04:18 | |
Right. Graham, you've been working in the horse racing industry. | 0:04:18 | 0:04:23 | |
Well, I started my apprenticeship when I was 16, | 0:04:23 | 0:04:26 | |
and I was six and a half stone in those days, | 0:04:26 | 0:04:29 | |
and I really had to struggle because I was quite tall for a flat jockey. | 0:04:29 | 0:04:33 | |
And I did that till I was 21. But when I was on the flat, | 0:04:33 | 0:04:36 | |
I rode against some of the best jockeys in the country. | 0:04:36 | 0:04:38 | |
Top jockeys, your Lester Piggotts, | 0:04:38 | 0:04:41 | |
your Scobie Breasleys, all the top jockeys. | 0:04:41 | 0:04:44 | |
I've been involved with horses over 50 years, and it's just a way of life. | 0:04:44 | 0:04:49 | |
Jane, I know you share a passion for horses, but you're a hard worker | 0:04:49 | 0:04:52 | |
as well because you've got two businesses to run. | 0:04:52 | 0:04:54 | |
Yes, I have indeed. I have a shop in Oswestry | 0:04:54 | 0:04:56 | |
and a shop in Welshpool, which is not very far away. | 0:04:56 | 0:04:59 | |
Family-run business, | 0:04:59 | 0:05:00 | |
we do furniture and beds and lamps and clocks and nice things for the | 0:05:00 | 0:05:05 | |
home. And yes, that's again, if you run your own business, | 0:05:05 | 0:05:08 | |
it's very much a full-time job and you never switch off. | 0:05:08 | 0:05:11 | |
So I can see that you're good at teamwork, you two, after all | 0:05:11 | 0:05:15 | |
these years, but what about your tactics today? | 0:05:15 | 0:05:17 | |
We're going to choose one item each, | 0:05:17 | 0:05:20 | |
and then we'll try not to squabble over the third and allow our expert | 0:05:20 | 0:05:23 | |
to guide us on that one, I think very much so. | 0:05:23 | 0:05:25 | |
-Correct. -But you know a good piece of furniture, though. | 0:05:25 | 0:05:28 | |
I do know a good piece of furniture if I see it, so yeah, | 0:05:28 | 0:05:31 | |
something beautifully made. | 0:05:31 | 0:05:33 | |
Well, to do the best you can you're going to need some money. | 0:05:33 | 0:05:36 | |
There is £300 for you, Blue team. | 0:05:36 | 0:05:39 | |
Not to be outdone, there you go, Reds. | 0:05:39 | 0:05:41 | |
£300 for the Red team. | 0:05:41 | 0:05:44 | |
So this is where we say goodbye and you go and meet your respective | 0:05:44 | 0:05:47 | |
experts, so on your way. | 0:05:47 | 0:05:50 | |
-Thank you. -So it's the barristers versus the horse lovers, | 0:05:50 | 0:05:54 | |
but who's going to be first past the post? | 0:05:54 | 0:05:57 | |
Our experts today are a couple of veteran bargain hunters. | 0:05:58 | 0:06:01 | |
Hoping to hit the target for the Reds, it's Charles Hansen. | 0:06:03 | 0:06:06 | |
And digging up profit for the Blues, it's Kate Bliss. | 0:06:08 | 0:06:11 | |
-What's our plan, Trevor? -Silver, toys. | 0:06:13 | 0:06:16 | |
Yes. Bit of interest. | 0:06:16 | 0:06:17 | |
Something to make a profit, something sporty. | 0:06:17 | 0:06:19 | |
-Your plan? -Buy cheap, sell high. | 0:06:19 | 0:06:21 | |
-I like your style. -I'd like to find something silver. | 0:06:21 | 0:06:24 | |
Something we see that really takes our fancy. | 0:06:24 | 0:06:27 | |
That sounds great. | 0:06:27 | 0:06:28 | |
Teams, you need to be on a roll today. | 0:06:30 | 0:06:32 | |
Your time starts now. | 0:06:32 | 0:06:34 | |
Come on, then. Quality, lads. | 0:06:34 | 0:06:36 | |
-Let's get started. -Let's do it. | 0:06:36 | 0:06:39 | |
But as their shopping hour starts, the heavens open. | 0:06:40 | 0:06:44 | |
Yeah, let's get inside. | 0:06:44 | 0:06:46 | |
-OK, thank you. -Let's go left around the corner, I think. | 0:06:46 | 0:06:49 | |
Pouring. | 0:06:49 | 0:06:50 | |
There's loads in here, so let's take our time. | 0:06:50 | 0:06:52 | |
-Go this way first. -Right. | 0:06:52 | 0:06:54 | |
There's plenty to see, Kate, but don't take too much time - | 0:06:54 | 0:06:57 | |
that hour soon disappears. | 0:06:57 | 0:06:59 | |
-There we are. -Oh, yeah. | 0:07:01 | 0:07:03 | |
Oh, gosh, take him away! | 0:07:03 | 0:07:05 | |
Once a jockey, always a jockey. | 0:07:05 | 0:07:07 | |
Now stop horsing around. | 0:07:07 | 0:07:09 | |
Where are those Reds? | 0:07:09 | 0:07:11 | |
If you think it's of no use at all, but that lampshade... | 0:07:11 | 0:07:14 | |
The lampshade? Is that really your style? | 0:07:14 | 0:07:16 | |
It's functional - people's conservatories, greenhouses, | 0:07:16 | 0:07:19 | |
hallways, have these kind of lampshades hanging in them and I | 0:07:19 | 0:07:23 | |
think it'll draw people's attention. | 0:07:23 | 0:07:25 | |
You see, my heart doesn't go with it, but I think you've got a point. | 0:07:25 | 0:07:29 | |
There'd be a market there. | 0:07:29 | 0:07:30 | |
-There would be a market. -And importantly, it's in good condition. | 0:07:30 | 0:07:34 | |
Is it iconic of the age for style? | 0:07:34 | 0:07:38 | |
-I suppose it's space-age. -Space-age, yeah. | 0:07:38 | 0:07:40 | |
But I agree, it's not amazing for a lot of reasons, | 0:07:40 | 0:07:44 | |
but it's good for a few reasons, and it might be affordable. | 0:07:44 | 0:07:47 | |
Yeah, exactly. Shall we give them a quick shout? | 0:07:47 | 0:07:50 | |
-Yeah. -Hello, how much is on this, please? | 0:07:50 | 0:07:53 | |
30 on this, but you can have it for £18, sir. | 0:07:53 | 0:07:56 | |
-£18? -What if we were to offer you 15? | 0:07:56 | 0:07:59 | |
Just because we are on a very tight budget. | 0:07:59 | 0:08:01 | |
Tight budget? You've got £300! | 0:08:01 | 0:08:05 | |
-Barristers, eh? -15. | 0:08:05 | 0:08:07 | |
-How much? -15. | 0:08:07 | 0:08:08 | |
You've actually secured it at half-price. | 0:08:08 | 0:08:10 | |
-Yeah. -And that's no mean feat. | 0:08:10 | 0:08:13 | |
I like your style, guys. | 0:08:13 | 0:08:14 | |
High fives. You know what? | 0:08:14 | 0:08:17 | |
You're hard negotiators. Come on, let's go. | 0:08:17 | 0:08:20 | |
-It's a bright start. -Onwards and upwards, Charles. | 0:08:21 | 0:08:25 | |
The Reds have their first item in the bag, and in under ten minutes. | 0:08:25 | 0:08:29 | |
Are the Blues any closer to finding theirs? | 0:08:29 | 0:08:31 | |
Oh, look at the working on that, that's rather lovely. It is very intricate, isn't it? | 0:08:31 | 0:08:35 | |
It is. It's known as filigree work and actually, | 0:08:35 | 0:08:39 | |
the Continental silversmiths are very good at filigree work. | 0:08:39 | 0:08:42 | |
Europeans, and in the Far East, actually. | 0:08:42 | 0:08:45 | |
But this is Danish and if we take it out, | 0:08:45 | 0:08:49 | |
it's from that lovely Art Deco period. | 0:08:49 | 0:08:52 | |
It's the amount of work that's gone into it that I like. | 0:08:52 | 0:08:54 | |
And you'd wear that, wouldn't you? | 0:08:54 | 0:08:56 | |
I would actually, yes, I would wear something like that. | 0:08:56 | 0:09:00 | |
What a nice gift for somebody, you see. | 0:09:00 | 0:09:02 | |
A lucky four-leaf clover, as well. | 0:09:02 | 0:09:04 | |
Lucky four-leaf clover! It's got to be good, hasn't it? | 0:09:04 | 0:09:07 | |
-It has. -Let me just see if there's any marks on it. | 0:09:07 | 0:09:10 | |
Because it would be really nice if we've got... | 0:09:10 | 0:09:13 | |
Yeah, there we go, that's what we're looking for. | 0:09:13 | 0:09:15 | |
So, this is what collectors really like to see. | 0:09:15 | 0:09:18 | |
In the middle there, you can see sterling, Denmark, and then the initials, | 0:09:18 | 0:09:22 | |
H and then GR, for Hugo Grun. | 0:09:22 | 0:09:26 | |
So he's the designer working in Copenhagen in the really early part | 0:09:26 | 0:09:30 | |
of the 20th-century. So looking at about the 1920s here. | 0:09:30 | 0:09:34 | |
-It's very nice, isn't it? -I like that. Yeah. | 0:09:34 | 0:09:36 | |
Do you think you ought to strike while the iron is hot | 0:09:36 | 0:09:38 | |
-if you like it? -I think so. | 0:09:38 | 0:09:40 | |
What could you do on that for us? | 0:09:40 | 0:09:43 | |
-It's 36 on that. -36. | 0:09:43 | 0:09:45 | |
I can go down to 25 for you. | 0:09:45 | 0:09:47 | |
I think you've got a fighting chance at that. | 0:09:47 | 0:09:49 | |
What is going to do the business is that name. | 0:09:49 | 0:09:52 | |
-The name on it. -Absolutely. | 0:09:52 | 0:09:53 | |
-Shake the lady's hand. -Thank you very much. | 0:09:53 | 0:09:56 | |
15 minutes in, that's buy number one for the Blues. | 0:09:56 | 0:10:00 | |
-Thank you. -Now the Reds are going to brave the weather to find their | 0:10:00 | 0:10:03 | |
-second item. -Look at this! | 0:10:03 | 0:10:06 | |
The sun is shining again. Let's have a look at what's out here. | 0:10:06 | 0:10:09 | |
Exactly right. Follow me. | 0:10:09 | 0:10:11 | |
Meanwhile, back inside, the Blues have lost a team-mate. | 0:10:11 | 0:10:15 | |
-Where has Graham gone? -Oh. | 0:10:15 | 0:10:16 | |
-Have we lost him? -We've lost him already. | 0:10:16 | 0:10:18 | |
-It doesn't take long. -Oh, there he is, the Lone Ranger, | 0:10:18 | 0:10:22 | |
just without his horse. | 0:10:22 | 0:10:24 | |
-Quick. -He's there. | 0:10:24 | 0:10:25 | |
But he has found something. | 0:10:25 | 0:10:27 | |
See that there? | 0:10:27 | 0:10:29 | |
That to me is something old. | 0:10:29 | 0:10:31 | |
-Yes. -And I love things like that. | 0:10:31 | 0:10:33 | |
And treasured. Somebody's used that. | 0:10:33 | 0:10:36 | |
-They have. -That's what I like, something like that. | 0:10:36 | 0:10:39 | |
Old, wooden, plain. | 0:10:39 | 0:10:41 | |
-Yeah. -I can't really add anything to that. | 0:10:41 | 0:10:44 | |
No, you can't, can you? I can leave it. | 0:10:44 | 0:10:46 | |
Leave it. I'm not sure about it. | 0:10:46 | 0:10:47 | |
But you've had your choice. | 0:10:47 | 0:10:49 | |
-I have had my choice. -That's the sort of thing which I really like, | 0:10:49 | 0:10:53 | |
which is old, like myself, it's old, but as I say, | 0:10:53 | 0:10:57 | |
which I think I can imagine my father using, my grandfather using, | 0:10:57 | 0:11:00 | |
and that sort of thing. That's my emergency. | 0:11:00 | 0:11:02 | |
-Do you want to keep it as an emergency? -That's the emergency. | 0:11:02 | 0:11:05 | |
I love the fact that you are drawn so much to this. | 0:11:05 | 0:11:07 | |
These things which I do, anything old. | 0:11:07 | 0:11:09 | |
Let's keep looking. Come on, then. | 0:11:09 | 0:11:12 | |
So, Graham's looking for an antiquity. | 0:11:12 | 0:11:15 | |
Is this a change of strategy? | 0:11:15 | 0:11:16 | |
What happened to that sports item? | 0:11:16 | 0:11:18 | |
Now, how are the Reds shaping up? | 0:11:18 | 0:11:20 | |
This stand looks quite interesting. | 0:11:20 | 0:11:22 | |
Let's have a look. | 0:11:22 | 0:11:24 | |
What's this? You hold that one there for me. | 0:11:24 | 0:11:26 | |
-Let's have a look at that. -That's heavier than I thought it would be. | 0:11:26 | 0:11:29 | |
Now, gents, I think I recognise... Who's that? | 0:11:29 | 0:11:32 | |
That is Noddy. | 0:11:32 | 0:11:34 | |
Exactly. And actually, the reason I'm drawn to this pottery mould, | 0:11:34 | 0:11:39 | |
I think probably mid-20th century, 1950s, golden age... | 0:11:39 | 0:11:44 | |
-Of Noddy. -..for toy production. | 0:11:44 | 0:11:46 | |
But also, look at what's inscribed there. | 0:11:46 | 0:11:49 | |
-Chad Valley. -Yeah, exactly. | 0:11:49 | 0:11:51 | |
Chad Valley was one of the most important toy manufacturers in the | 0:11:51 | 0:11:55 | |
mid-20th century. | 0:11:55 | 0:11:56 | |
-Yeah, in the Midlands. -What's nice about this is one wonders how many | 0:11:56 | 0:12:00 | |
Noddys came out of this mould, probably in plastic... | 0:12:00 | 0:12:03 | |
-Thousands. -..all those years ago. | 0:12:03 | 0:12:06 | |
What use will it be put to other than decorative? | 0:12:06 | 0:12:09 | |
You're not going to make more Noddys. | 0:12:09 | 0:12:11 | |
No, you're not, but actually, to a toy collector, | 0:12:11 | 0:12:14 | |
it's the birth of Noddy... | 0:12:14 | 0:12:16 | |
-True. -..from an iconic time. | 0:12:16 | 0:12:17 | |
Impressed with your mould? | 0:12:17 | 0:12:19 | |
I'm very impressed with my mould. | 0:12:19 | 0:12:21 | |
-I really like it. -Yeah. | 0:12:21 | 0:12:23 | |
The really important question we are asking now is, what's the provenance? | 0:12:23 | 0:12:27 | |
It came from the Chad Valley factory in Wellington when it closed down. | 0:12:27 | 0:12:30 | |
What sort of figure are we looking at? | 0:12:30 | 0:12:32 | |
I've got 45 on that one. | 0:12:32 | 0:12:34 | |
What would be your best on it? | 0:12:34 | 0:12:35 | |
-I'll do 30. -30, right. -That's your bottom line. | 0:12:35 | 0:12:38 | |
-That's a good price. -Do you know what? Definitely. | 0:12:38 | 0:12:41 | |
It almost belongs in a museum, this, | 0:12:41 | 0:12:42 | |
and if a museum locks horns with a serious toy enthusiast who loves | 0:12:42 | 0:12:47 | |
Chad Valley, it could move. | 0:12:47 | 0:12:49 | |
It's got the name, it's got the provenance. | 0:12:49 | 0:12:52 | |
I might say going... | 0:12:52 | 0:12:55 | |
-Going... -Gone. | 0:12:55 | 0:12:56 | |
Gone! Sold. Thank you. | 0:12:56 | 0:12:58 | |
Shake his hand. | 0:12:58 | 0:12:59 | |
The Reds have both nodded in agreement. | 0:12:59 | 0:13:02 | |
We're almost flying quite high here. | 0:13:02 | 0:13:04 | |
I think we've got to look for the big one now. | 0:13:04 | 0:13:06 | |
The piece, the statement piece. | 0:13:06 | 0:13:09 | |
-Exactly. -So, it's second item in the bag after 20 minutes. | 0:13:09 | 0:13:14 | |
Back inside, and have the Blues found their second item? | 0:13:14 | 0:13:18 | |
Now, that's just a proper hat and coat stand, isn't it? | 0:13:19 | 0:13:22 | |
It is, isn't it? You said you wanted something practical. | 0:13:22 | 0:13:25 | |
Something useful. That's useful. | 0:13:25 | 0:13:28 | |
So, there is a little backplate that I guess fitted like that. | 0:13:28 | 0:13:33 | |
Now, it's unfortunate there is a bad split in that, | 0:13:33 | 0:13:36 | |
but it's an old thing. | 0:13:36 | 0:13:38 | |
I would say, typically, that's Edwardian. | 0:13:38 | 0:13:40 | |
-Yes, I thought... -Looking at the moulding on it. -That's £18. | 0:13:40 | 0:13:44 | |
Well, hey, let's not hang about. Shall we go and ask? | 0:13:44 | 0:13:47 | |
Why not? Here you go, Jane, you take it. | 0:13:47 | 0:13:49 | |
12. | 0:13:49 | 0:13:51 | |
Would you go for ten? | 0:13:51 | 0:13:52 | |
Seeing as there's a split on the... | 0:13:52 | 0:13:54 | |
-11, and that's the deal. -11 would be the best. | 0:13:54 | 0:13:57 | |
-I'd have it in my house. -I'd pay for that, I would, too. | 0:13:57 | 0:14:00 | |
-Shall we go for it? -Your eyes are shining, Jane, you love this. | 0:14:00 | 0:14:04 | |
I do, I love it, I love it. | 0:14:04 | 0:14:06 | |
-Yes. Let's do it. -Let's do it. -We'll do it, thank you very much. | 0:14:06 | 0:14:09 | |
Yes, please. Super, thank you. | 0:14:09 | 0:14:12 | |
The Blues have hooked their second purchase. | 0:14:12 | 0:14:14 | |
-Not bad. -I know. -You don't hang about. | 0:14:14 | 0:14:17 | |
No, no. | 0:14:17 | 0:14:18 | |
25 minutes in, they're racing along. | 0:14:18 | 0:14:21 | |
But where are the Reds? | 0:14:21 | 0:14:23 | |
What about these? | 0:14:23 | 0:14:25 | |
Simon, what's that? | 0:14:25 | 0:14:26 | |
Yes, I can see why you'd like them, Trevor. | 0:14:26 | 0:14:28 | |
Well, I'm a tea merchant and I like tea. | 0:14:28 | 0:14:31 | |
And I like coffee as well. | 0:14:31 | 0:14:33 | |
Potentially as a pair. | 0:14:33 | 0:14:35 | |
Though it is striking, what I love is more the hot water jug or perhaps | 0:14:35 | 0:14:38 | |
-the coffee pot. -Yeah. | 0:14:38 | 0:14:40 | |
In that, look at the handle, it's so angular, it's so Art Deco. | 0:14:40 | 0:14:44 | |
The form is nice, | 0:14:44 | 0:14:46 | |
the almost domed shape represents those emerging skyscrapers of the | 0:14:46 | 0:14:51 | |
-early 20th century as well. -It's Bakelite handle. | 0:14:51 | 0:14:53 | |
Chrome plate. Have a cup of tea, there you go. | 0:14:53 | 0:14:57 | |
-Have a cup of tea. -I might need something stronger, Charles. | 0:14:57 | 0:15:00 | |
-What do you think? -I'm not crazy about it. | 0:15:00 | 0:15:02 | |
-You're not? -I don't know. | 0:15:02 | 0:15:03 | |
-You're not crazy in love. -I'm not crazy in love. | 0:15:03 | 0:15:06 | |
-No. -What do you think at auction? | 0:15:06 | 0:15:08 | |
They are both priced at £43. | 0:15:08 | 0:15:11 | |
You'll want to buy both of them, I feel. | 0:15:11 | 0:15:14 | |
-Yeah. -I mean, I've got £86 on the pair. | 0:15:14 | 0:15:17 | |
I could do 65, would that be acceptable? | 0:15:17 | 0:15:20 | |
-Too much, yeah. -We'll leave them for now. | 0:15:20 | 0:15:21 | |
-Thank you for your time. -Thank you. | 0:15:21 | 0:15:24 | |
-I wish you well. -Thank you. | 0:15:24 | 0:15:25 | |
Thank you! Come on, gents. | 0:15:25 | 0:15:27 | |
Hopefully, something else will perk up the Reds. | 0:15:29 | 0:15:33 | |
How come you get to wear a nice suit? | 0:15:33 | 0:15:35 | |
Good question, Simon. | 0:15:35 | 0:15:36 | |
Inside, Kate's found something that might tip the balance for the Blues. | 0:15:36 | 0:15:40 | |
I know you wanted something useful, | 0:15:40 | 0:15:42 | |
and I don't know whether this will appeal to you, Graham, | 0:15:42 | 0:15:45 | |
but think about that set of scales there. | 0:15:45 | 0:15:48 | |
Oh, I look at that and I see cleaning. | 0:15:48 | 0:15:51 | |
-Cleaning! -She does. | 0:15:51 | 0:15:53 | |
-I look at that and think, somebody's going to have to clean that. -What sort of price is on that? | 0:15:53 | 0:15:56 | |
I think she said about 90 or... | 0:15:56 | 0:15:59 | |
It is quite a nice quality one. | 0:15:59 | 0:16:00 | |
-I can see you're not sold on that. -I'm not. -No, no. | 0:16:02 | 0:16:05 | |
OK. Come on, then. | 0:16:05 | 0:16:07 | |
Thank you. | 0:16:07 | 0:16:08 | |
Nice try, Kate. I wonder how Charles is getting on with the Red team. | 0:16:09 | 0:16:12 | |
It's fairly plain sailing at the moment. | 0:16:14 | 0:16:16 | |
They believe in me. | 0:16:16 | 0:16:17 | |
But come the auction, the joy might be out. | 0:16:17 | 0:16:19 | |
But we are doing very well. | 0:16:19 | 0:16:21 | |
I predict a profit so far, but we need that big, inspired last buy. | 0:16:21 | 0:16:25 | |
Gents, come on, let's go on. | 0:16:25 | 0:16:27 | |
40 minutes gone now and Kate might have found something that will | 0:16:29 | 0:16:33 | |
appeal to former jockey Graham. | 0:16:33 | 0:16:35 | |
There's a little something in here. | 0:16:35 | 0:16:37 | |
Do you see that little brooch in here with the horse's head on it? | 0:16:37 | 0:16:40 | |
-I do. -Is that your sort of thing, Graham? -It is. | 0:16:40 | 0:16:43 | |
It's actually a little... Yeah, it's a little brooch. | 0:16:43 | 0:16:45 | |
Right, let's ask the stallholder to release the stable door. | 0:16:45 | 0:16:50 | |
-That is sweet, isn't it? -That's brilliant. -It is. | 0:16:50 | 0:16:52 | |
It's the sort of thing you would buy as a present for someone. | 0:16:52 | 0:16:55 | |
I mean, irrespective of your interests, Graham, | 0:16:55 | 0:16:58 | |
there are a lot of horsey people out there. | 0:16:58 | 0:16:59 | |
-Of course there are. -And that's a really lovely, neat design. | 0:16:59 | 0:17:02 | |
Kate, that is super. | 0:17:02 | 0:17:04 | |
Could this be their second silver brooch? | 0:17:04 | 0:17:06 | |
This has been cast in a mould where they've poured the silver in and | 0:17:06 | 0:17:11 | |
then they've cast it. It's got the hallmark there. | 0:17:11 | 0:17:13 | |
Birmingham, 48. | 0:17:13 | 0:17:14 | |
-What could you do? -Because we're on our last item, we are. | 0:17:14 | 0:17:16 | |
-We desperately need this. -I've got 38 on it. I'd do 30. | 0:17:16 | 0:17:20 | |
How about 25? | 0:17:20 | 0:17:22 | |
28, but that really is it. | 0:17:22 | 0:17:25 | |
It's quality and we've been looking for something this afternoon like | 0:17:25 | 0:17:28 | |
that and we've got it. Can we shake your hand on that? | 0:17:28 | 0:17:32 | |
-Happy? -Yes. -You happy? -Yes. -There we go. Thank you. | 0:17:32 | 0:17:34 | |
-That's lovely. -Thank you very much. | 0:17:34 | 0:17:36 | |
The Blues have galloped ahead and finished with 15 minutes left on the clock. | 0:17:36 | 0:17:40 | |
-Well done. Come on, this way. -Cup of tea time, isn't it? | 0:17:40 | 0:17:43 | |
-A cup of tea! -Thank you. -I'm gasping. | 0:17:43 | 0:17:45 | |
They've flown through the shop. | 0:17:45 | 0:17:46 | |
Now, are the Reds ready to do the same? | 0:17:46 | 0:17:49 | |
We're in RAF territory round here, RAF Cosford down the road. | 0:17:49 | 0:17:53 | |
-Of course we are. -What's it made out of? | 0:17:53 | 0:17:55 | |
-Is it brass? -It is brass. | 0:17:55 | 0:17:57 | |
Now, what plane is that? | 0:17:58 | 0:17:59 | |
-Mosquito. -Is it? | 0:17:59 | 0:18:01 | |
Now, I'd have that on my desk. | 0:18:02 | 0:18:04 | |
It is quite crudely cast, the detail isn't overly clever, | 0:18:04 | 0:18:08 | |
but it's all there. I'd have thought it's probably 1960s, 1970s. | 0:18:08 | 0:18:14 | |
-OK. -How much is it? | 0:18:14 | 0:18:16 | |
-18 on it. -£18 on the ticket. | 0:18:16 | 0:18:18 | |
Right. I mean, you might fly high with it. | 0:18:18 | 0:18:21 | |
Simon, what do you think about it? | 0:18:21 | 0:18:23 | |
I like it. It's honest, it looks good from a discreet distance. | 0:18:23 | 0:18:27 | |
It does, actually. And also, don't forget, | 0:18:27 | 0:18:30 | |
there's many old gentlemen out there who remember flying these. | 0:18:30 | 0:18:32 | |
What would you put it in your saleroom for? | 0:18:32 | 0:18:35 | |
Between £20-30. | 0:18:35 | 0:18:36 | |
So if we get it for between five and ten, at the end of the day... | 0:18:36 | 0:18:40 | |
-More towards five. -Shall we make an offer on it? | 0:18:40 | 0:18:43 | |
Yeah. Well, we have got ten minutes left. | 0:18:43 | 0:18:45 | |
-We could have a word. -Let's see what the stallholder's got to say. | 0:18:45 | 0:18:49 | |
Aircraft with propellers, what's the best on that? | 0:18:49 | 0:18:52 | |
Well, the very lowest would be 15 quid. | 0:18:52 | 0:18:56 | |
Oh, we would be looking at ten at the most. | 0:18:56 | 0:18:58 | |
-No. -What if we bought the other one, too? | 0:18:58 | 0:19:01 | |
I could do the two for 20 quid. | 0:19:01 | 0:19:03 | |
Two for 20 - Charles, what do you think about that? | 0:19:03 | 0:19:06 | |
-What's that? -There's another one. | 0:19:06 | 0:19:08 | |
It's not identical, it's not matching by any degree, | 0:19:08 | 0:19:10 | |
but it's another similar... | 0:19:10 | 0:19:12 | |
-And for the two together? -20 quid. -£20. | 0:19:12 | 0:19:15 | |
So, that's an £8 drop on the combined price for both aeroplanes. | 0:19:15 | 0:19:20 | |
I think, when you go online and use search words like Mosquito and | 0:19:20 | 0:19:24 | |
Spitfire, you'll bring in a huge array of buyers. | 0:19:24 | 0:19:28 | |
And I would say, for £20, it's not a lot. | 0:19:28 | 0:19:31 | |
-Shake his hand. -All right. £20 for them both. | 0:19:31 | 0:19:34 | |
Great, gentlemen, | 0:19:36 | 0:19:37 | |
a two-for-one deal completes the Reds' shop with ten minutes spare. | 0:19:37 | 0:19:41 | |
With both teams now bought up, I am calling time. | 0:19:41 | 0:19:43 | |
BELL RINGS | 0:19:43 | 0:19:45 | |
-Well done. -Thank you. | 0:19:45 | 0:19:46 | |
-Chocks away. -Chocks away. -Squadron leader. -Exactly. | 0:19:46 | 0:19:49 | |
Now it's time for refreshments. | 0:19:49 | 0:19:51 | |
Come on, cup of tea. | 0:19:51 | 0:19:53 | |
Let's remind ourselves what the Red team bought. | 0:19:53 | 0:19:55 | |
Firstly, they are hoping this star pendant will light up the profit. | 0:19:57 | 0:20:01 | |
£15 paid. | 0:20:01 | 0:20:02 | |
Next, they gave this Noddy mould the nod for £30. | 0:20:04 | 0:20:07 | |
And, finally, will these two mid-20th century warplanes | 0:20:10 | 0:20:13 | |
fly at auction? £20 paid for both. | 0:20:13 | 0:20:17 | |
So, gentlemen, I think there was some measured spending here today, yes? | 0:20:17 | 0:20:22 | |
-Pretty measured. -I think we kept it under control, didn't we, Trevor? | 0:20:22 | 0:20:25 | |
Let me ask you, Simon, your favourite item? | 0:20:25 | 0:20:27 | |
The starry, Sputniky lamp that we bought, our first purchase. | 0:20:27 | 0:20:31 | |
-Very happy with that. -Tell me, of the three items that you did purchase, | 0:20:31 | 0:20:34 | |
which is the one that you think may give you the biggest profit? | 0:20:34 | 0:20:37 | |
-I would say the lamp. -OK. | 0:20:37 | 0:20:39 | |
What about you, Trevor? Your favourite? | 0:20:39 | 0:20:40 | |
The aeroplanes, I think they'd look good on anybody's desk. | 0:20:40 | 0:20:44 | |
In a study or office, or at work. | 0:20:44 | 0:20:46 | |
Of the three, which do you think is going to give you the biggest profit? | 0:20:46 | 0:20:49 | |
I would say the lamp, financially. | 0:20:49 | 0:20:52 | |
-The lamp. -Well, financially, how much did you spend? | 0:20:52 | 0:20:55 | |
We spent £65, out of 300. | 0:20:55 | 0:20:59 | |
All I'm interested in is £235. | 0:20:59 | 0:21:02 | |
I am sorry, Father, we spend so little. | 0:21:02 | 0:21:06 | |
But my intentions are now to spend big, and go for the big object, | 0:21:06 | 0:21:09 | |
at the big price, to really impress you. | 0:21:09 | 0:21:11 | |
So, while Charles goes off for an impressive Bonus Buy, | 0:21:11 | 0:21:15 | |
let's remind ourselves what the Blue team bought. | 0:21:15 | 0:21:17 | |
First, they're hoping to strike it lucky | 0:21:19 | 0:21:21 | |
on this Danish four-leaf clover brooch. £25 paid. | 0:21:21 | 0:21:24 | |
Next, they spent £11 on this Edwardian hat and coat hook. | 0:21:26 | 0:21:30 | |
And finally, the horse lovers bagged this second themed brooch for £28. | 0:21:34 | 0:21:39 | |
Well, I was quite impressed with you, Blues, because, to a | 0:21:41 | 0:21:44 | |
large extent, you stuck very closely to what you set out to. | 0:21:44 | 0:21:46 | |
-We did. -Didn't you? -Yes. -Kate, from your point of view? | 0:21:46 | 0:21:50 | |
You can tell these two have been together for 35 years, | 0:21:50 | 0:21:52 | |
because they are quite a team. | 0:21:52 | 0:21:55 | |
Tell me, Jane, what's your favourite item? | 0:21:55 | 0:21:57 | |
Favourite item was the hat and coat hook. | 0:21:57 | 0:21:59 | |
It ticked the boxes, it was useful. | 0:21:59 | 0:22:01 | |
-I think it was also lovely. -Tell me, of the three, | 0:22:01 | 0:22:03 | |
which do you think is going to make the biggest profit? | 0:22:03 | 0:22:06 | |
-Hat and coat hook. -Oh, right. | 0:22:06 | 0:22:07 | |
OK. Graham, what about your favourite object? | 0:22:07 | 0:22:10 | |
My horse brooch. | 0:22:10 | 0:22:11 | |
-Very stylish. -Very stylish. | 0:22:11 | 0:22:13 | |
And is the sort of thing I would have bought anyway. | 0:22:13 | 0:22:15 | |
What of the three is going to give you the biggest profit? | 0:22:15 | 0:22:17 | |
Coat hanger. As I say, it's old and it's unique. | 0:22:17 | 0:22:22 | |
So, how much did you spend? | 0:22:22 | 0:22:23 | |
We spent £64 in the end. | 0:22:23 | 0:22:25 | |
Which means you're going to give me £236. | 0:22:25 | 0:22:32 | |
So, anything caught your eye, Kate? | 0:22:32 | 0:22:34 | |
Well, possibly. Something a little bit shiny, | 0:22:34 | 0:22:37 | |
but it's certainly of quality. | 0:22:37 | 0:22:39 | |
So, while Kate goes off to search for her Bonus Buy, | 0:22:39 | 0:22:42 | |
I'm going underground. | 0:22:42 | 0:22:44 | |
But that's all...top secret. | 0:22:44 | 0:22:46 | |
Deep in the heart of this Cheshire countryside is a military bunker | 0:22:52 | 0:22:56 | |
that stands out a reminder of one of the most perilous periods in recent | 0:22:56 | 0:23:00 | |
world history. | 0:23:00 | 0:23:01 | |
After the Second World War, tensions between the Soviet Union and America over nuclear weapons ran high. | 0:23:03 | 0:23:10 | |
It will not reduce our need for arms, or allies. | 0:23:10 | 0:23:13 | |
There was a real fear of this... | 0:23:15 | 0:23:16 | |
A nuclear attack. | 0:23:19 | 0:23:21 | |
As allies of America, Britain took urgent steps to protect itself. | 0:23:21 | 0:23:26 | |
In 1976, the Ministry of Defence | 0:23:26 | 0:23:28 | |
turned this World War II radar station into | 0:23:28 | 0:23:32 | |
a regional government headquarters, at a cost of £32 million. | 0:23:32 | 0:23:38 | |
40 years on, these rooms and corridors, set deep below ground, | 0:23:40 | 0:23:43 | |
are still a stark reminder of those dark days. | 0:23:43 | 0:23:47 | |
The Cold War bunker is now a museum, and I've come to meet Lucy Siebert, | 0:23:47 | 0:23:52 | |
whose parents bought it in 1995. | 0:23:52 | 0:23:55 | |
I'm intrigued to find out why your parents would want to buy | 0:23:56 | 0:24:00 | |
a nuclear bunker, of all things. | 0:24:00 | 0:24:02 | |
Well, Dad had an interest in nuclear defence, | 0:24:02 | 0:24:05 | |
and he collected military vehicles. | 0:24:05 | 0:24:07 | |
So he came across this and decided that bunkers were the thing for him. | 0:24:07 | 0:24:13 | |
He bought it and we moved in in '96, and we opened the museum in '98. | 0:24:13 | 0:24:18 | |
So, you actually lived in this place for a year? | 0:24:18 | 0:24:21 | |
We did, we lived here for a little time while we were trying to set it | 0:24:21 | 0:24:24 | |
up, because when the Ministry of Defence left, | 0:24:24 | 0:24:28 | |
they completely gutted it. | 0:24:28 | 0:24:29 | |
So, we had to put together an entire tourist attraction, a whole museum, | 0:24:29 | 0:24:34 | |
in order to open to the public. | 0:24:34 | 0:24:35 | |
So, how important was this bunker then, when it was actually in use? | 0:24:35 | 0:24:39 | |
It was absolutely vital to the defence of the nation. | 0:24:39 | 0:24:42 | |
In the eventuality of an attack or an emergency, | 0:24:42 | 0:24:45 | |
the Queen and Parliament would been dissolved of power and the running | 0:24:45 | 0:24:49 | |
of the country would have filtered down into the regional headquarters, | 0:24:49 | 0:24:52 | |
of which there were 12, | 0:24:52 | 0:24:54 | |
and we controlled a huge swathe of the north-west. | 0:24:54 | 0:24:57 | |
And we would have made sure the public survived. | 0:24:57 | 0:25:00 | |
While devastation and chaos would have taken hold outside, inside, | 0:25:02 | 0:25:06 | |
key decision-makers would be organising the rebuilding of the country - | 0:25:06 | 0:25:10 | |
its roads, water supply, food, shelter and medical aid. | 0:25:10 | 0:25:15 | |
There were enough resources for 161 people to survive down here for | 0:25:15 | 0:25:22 | |
three months. But, believe it or not, there were only 40 beds. | 0:25:22 | 0:25:27 | |
How does that work? | 0:25:27 | 0:25:28 | |
I'll give it a try. | 0:25:29 | 0:25:32 | |
Warning of an attack could come at any time. | 0:25:32 | 0:25:35 | |
ALARM ACTIVATES | 0:25:35 | 0:25:37 | |
So, imagine if there was a real nuclear attack. | 0:25:43 | 0:25:46 | |
What would have been the procedure? | 0:25:46 | 0:25:48 | |
First thing that would happen would be the primary war headquarters at | 0:25:48 | 0:25:51 | |
High Wycombe would see that a missile is incoming. | 0:25:51 | 0:25:55 | |
Then they have two minutes to decide what they're going to do - | 0:25:55 | 0:25:57 | |
to attack, or how they're going to defend. | 0:25:57 | 0:26:01 | |
They would have told the other 11 bunkers, | 0:26:01 | 0:26:02 | |
then we would have alerted our base here and then, from there, the public. | 0:26:02 | 0:26:07 | |
They have four minutes to get in their shelter and wait for an | 0:26:07 | 0:26:10 | |
incoming attack. | 0:26:10 | 0:26:12 | |
The procedure for warning the public within those four minutes was simple - | 0:26:12 | 0:26:16 | |
operatives would arm the system and flick the switch to attack mode. | 0:26:16 | 0:26:21 | |
System powers up. | 0:26:21 | 0:26:22 | |
And then it would set off the sirens, | 0:26:24 | 0:26:26 | |
and everybody would hear them across the nation. | 0:26:26 | 0:26:29 | |
SIREN BLARES | 0:26:29 | 0:26:32 | |
Just how people would react to hearing that... | 0:26:32 | 0:26:35 | |
-Would be pretty terrifying. -Yeah, wouldn't it just. | 0:26:35 | 0:26:38 | |
-Scary stuff. -Very. | 0:26:39 | 0:26:41 | |
By 1993, the threat of nuclear attack had dissipated | 0:26:45 | 0:26:50 | |
and the bunker was declassified. | 0:26:50 | 0:26:53 | |
Today, it still serves as a reminder of how Britain prepared itself | 0:26:55 | 0:26:59 | |
for the worst possible outcome. | 0:26:59 | 0:27:01 | |
Now we're off to auction and today we've come to Whitchurch in Shropshire. | 0:27:09 | 0:27:14 | |
And with me is the auctioneer Christina Trevelyan. | 0:27:14 | 0:27:17 | |
-Lovely to see you. -Lovely to see you too, thanks for coming. | 0:27:17 | 0:27:20 | |
Pleasure. Let's start with our Red team. | 0:27:20 | 0:27:22 | |
Our Red team, Simon and Trevor. | 0:27:22 | 0:27:24 | |
Their first item is this sort of very fashionable and somewhat | 0:27:24 | 0:27:29 | |
contemporary star-shaped shade. | 0:27:29 | 0:27:32 | |
It's obviously got no real age, has it? | 0:27:32 | 0:27:34 | |
-Well, to be honest with you, if it still had a barcode on it, I wouldn't be surprised. -No. | 0:27:34 | 0:27:39 | |
-How subtle. -What do you want me to say? | 0:27:39 | 0:27:42 | |
I'm not really an expert in modern light fittings. | 0:27:42 | 0:27:45 | |
I've put £20 to £30 on it. | 0:27:45 | 0:27:47 | |
They paid £15 for it. | 0:27:47 | 0:27:49 | |
-Yeah. -So, item number two, their second purchase. | 0:27:49 | 0:27:52 | |
The mould for making as many Noddys as you would wish. | 0:27:52 | 0:27:58 | |
I think, to a toy collector or toy enthusiast, | 0:27:58 | 0:28:00 | |
I think it would be an interesting thing. | 0:28:00 | 0:28:03 | |
It's a talking point, isn't it? | 0:28:03 | 0:28:05 | |
-Conversation piece. -I mean, I've sort of said £20 to £30. | 0:28:05 | 0:28:08 | |
They paid £30 for it. | 0:28:08 | 0:28:10 | |
But, in all fairness, try and find me another. | 0:28:10 | 0:28:13 | |
Well, yes, this is true. | 0:28:13 | 0:28:14 | |
Who's to say? Their third purchase, these two aeroplanes. | 0:28:14 | 0:28:17 | |
Yes. Got this wonderful elliptical wing on the Spitfire, | 0:28:17 | 0:28:20 | |
which was just so evocative. | 0:28:20 | 0:28:22 | |
I think they're nice, they're great desk pieces. | 0:28:22 | 0:28:24 | |
I don't think they've got a particularly huge amount of age to them. | 0:28:24 | 0:28:27 | |
No. So, estimate? | 0:28:27 | 0:28:29 | |
£40 to £60. | 0:28:29 | 0:28:30 | |
OK. That's good news. They paid £20 for them. | 0:28:30 | 0:28:33 | |
-Oh, well, that's not bad. -OK. | 0:28:33 | 0:28:35 | |
So, whether they will need it or not, | 0:28:35 | 0:28:37 | |
let's have a look at their Bonus Buy. | 0:28:37 | 0:28:40 | |
So, Simon and Trevor, | 0:28:41 | 0:28:42 | |
you left our Charles here a stonking £235 to go out and play with. | 0:28:42 | 0:28:49 | |
Charles, reveal all. | 0:28:49 | 0:28:50 | |
I found this box. | 0:28:50 | 0:28:52 | |
You're intellectual men and you might fancy a game of...bridge. | 0:28:52 | 0:28:56 | |
-Ooh. -Do you play bridge? -No. -No. | 0:28:56 | 0:29:01 | |
-What's it made out of? -It's copper, | 0:29:01 | 0:29:03 | |
it's beautifully embossed and has this wonderful, rustic... | 0:29:03 | 0:29:08 | |
Evocative of a decade and period of around 1910. | 0:29:08 | 0:29:13 | |
Of course, to me, it's very striking and stylish. | 0:29:13 | 0:29:17 | |
-Like yourself. -Thank you. | 0:29:17 | 0:29:18 | |
What do you think? | 0:29:18 | 0:29:20 | |
I don't play bridge. | 0:29:20 | 0:29:22 | |
I don't know many people who do, these days. | 0:29:22 | 0:29:24 | |
It's a return to nature and a return to craftsmanship. | 0:29:24 | 0:29:27 | |
So, Simon, what do you think? | 0:29:27 | 0:29:30 | |
I think it's very attractive for those who are drawn to the arts | 0:29:30 | 0:29:33 | |
and crafts. Obviously quality. | 0:29:33 | 0:29:36 | |
It wasn't cheap. | 0:29:36 | 0:29:37 | |
-How much? -Well, it cost me 235. | 0:29:37 | 0:29:42 | |
Oof! | 0:29:42 | 0:29:43 | |
It's quite a rash buy. But, at the same time... | 0:29:44 | 0:29:47 | |
That's the encouragement we need, Charles. | 0:29:47 | 0:29:49 | |
It will either make 60 or make £400. | 0:29:49 | 0:29:53 | |
In the meantime, let's find out what the auctioneer had to say about | 0:29:53 | 0:29:57 | |
Charles's bridge box. | 0:29:57 | 0:29:59 | |
So, this is what Charles bought. | 0:30:01 | 0:30:04 | |
Good man, I love this. | 0:30:04 | 0:30:06 | |
Good-looking thing. | 0:30:06 | 0:30:07 | |
It's just so Art Nouveau, isn't it? | 0:30:07 | 0:30:11 | |
These wonderful, sinuous whiplash lines all over it. | 0:30:11 | 0:30:14 | |
It's beautiful. Absolutely beautiful. | 0:30:14 | 0:30:16 | |
I just can't fault it. | 0:30:16 | 0:30:18 | |
So, Christina, your estimate? | 0:30:18 | 0:30:19 | |
£80 to £120 on it. | 0:30:19 | 0:30:21 | |
I have to say, Charles spent £235. | 0:30:21 | 0:30:24 | |
-How much?! -Let's keep our fingers crossed for that one. | 0:30:24 | 0:30:28 | |
-Yeah. -Let's move on to our Blue team. | 0:30:28 | 0:30:31 | |
This is Jane and Graham. | 0:30:31 | 0:30:32 | |
Their first item is a silver four-leaf clover brooch. | 0:30:32 | 0:30:37 | |
All that little wire-work around the petals, the leaves of the clover, | 0:30:37 | 0:30:41 | |
the shamrock, you've got there, it's just exquisite. | 0:30:41 | 0:30:43 | |
It really is, really pretty. I like it an awful lot. | 0:30:43 | 0:30:47 | |
Danish, Scandinavian jewellery, | 0:30:47 | 0:30:49 | |
very, very popular at the moment, and we do have a good, | 0:30:49 | 0:30:51 | |
strong buyers' market for it. | 0:30:51 | 0:30:53 | |
I put an estimate of £30 to £50 on it. | 0:30:53 | 0:30:56 | |
Good start for the Blues, because they paid £25. | 0:30:56 | 0:31:00 | |
-Good one. -So, our second purchase is this rather interesting treen. | 0:31:00 | 0:31:05 | |
You're going to hang up a hat or maybe a coat. | 0:31:05 | 0:31:10 | |
Exactly. It's wonderfully evocative, isn't it, | 0:31:10 | 0:31:12 | |
of the time when you would come home from your office and you would put | 0:31:12 | 0:31:15 | |
your hat on one and your coat on the other. | 0:31:15 | 0:31:17 | |
The condition, unfortunately, does leave a lot to be desired. | 0:31:17 | 0:31:20 | |
We've got quite a bit of splitting here, unfortunately. | 0:31:20 | 0:31:23 | |
But nonetheless, very good-looking. | 0:31:23 | 0:31:25 | |
-Estimate? -I've put an estimate of £20 to £30 on it. | 0:31:25 | 0:31:27 | |
OK, again, a good buy at £11. | 0:31:27 | 0:31:30 | |
Oh, very good buy, yes. | 0:31:30 | 0:31:32 | |
Wow, the Blues are on fire. | 0:31:32 | 0:31:34 | |
Third item, another piece of silver jewellery, with two horses' heads. | 0:31:34 | 0:31:38 | |
Are we in horsey territory? | 0:31:38 | 0:31:40 | |
We are, very much so, yes. | 0:31:40 | 0:31:41 | |
We live in quite a rural little community and there is a lot of | 0:31:41 | 0:31:44 | |
interest in equestrian items. | 0:31:44 | 0:31:46 | |
Not particularly old, but, again, it's really quite wearable. | 0:31:46 | 0:31:50 | |
What is your estimate on this? | 0:31:50 | 0:31:51 | |
I think we're looking at £20 to £30. | 0:31:51 | 0:31:53 | |
OK, well, they paid 28. | 0:31:53 | 0:31:55 | |
So, they're in with a chance. | 0:31:55 | 0:31:57 | |
-I'd say so. -So, it strikes me that the Blues have bought quite well today. | 0:31:57 | 0:32:01 | |
Having said that, | 0:32:01 | 0:32:02 | |
I think it's as well that we have a look at their Bonus Buy. | 0:32:02 | 0:32:05 | |
So, Jane and Graham, you left Kate £236. | 0:32:07 | 0:32:11 | |
Kate, you were talking shiny, you were talking quality. | 0:32:11 | 0:32:14 | |
-Would you like to reveal? -I will. | 0:32:14 | 0:32:16 | |
And it's all those things. Look at that. | 0:32:16 | 0:32:19 | |
-Ooh. Pretty and shiny. -That's nice, isn't it? | 0:32:19 | 0:32:21 | |
Yes, it is. | 0:32:21 | 0:32:22 | |
-You like? -That is very nice. | 0:32:22 | 0:32:25 | |
So, it is a little silver jug, but it has a few features | 0:32:25 | 0:32:28 | |
I think just make it a little bit more special. | 0:32:28 | 0:32:31 | |
It's got a bit of character to it. | 0:32:31 | 0:32:32 | |
It has indeed. | 0:32:32 | 0:32:34 | |
It's a period decorative thing, it's late Victorian in date. | 0:32:34 | 0:32:37 | |
We can see exactly when it was made, | 0:32:37 | 0:32:39 | |
because we've got clear hallmarks here and the maker here. | 0:32:39 | 0:32:42 | |
It's Atkin Brothers, based in Sheffield in the late 19th century. | 0:32:42 | 0:32:47 | |
It's a jolly good weight, too. | 0:32:47 | 0:32:49 | |
-Feel the weight of that. -Is it a cream jug? | 0:32:49 | 0:32:51 | |
-Yes. -So, how much did you pay for it? | 0:32:51 | 0:32:53 | |
So, I paid £70. | 0:32:53 | 0:32:56 | |
-Right. -I think, at auction, I would say certainly 50 to 70, | 0:32:56 | 0:33:04 | |
but I do think it's got a chance of making a profit. | 0:33:04 | 0:33:06 | |
It's not your average little cream jug. | 0:33:06 | 0:33:09 | |
Yeah, I'm dead chuffed with that. Well done. | 0:33:09 | 0:33:11 | |
That's a really good choice. | 0:33:11 | 0:33:13 | |
In the meantime, let's find out what the auctioneer has to say about | 0:33:13 | 0:33:16 | |
Kate's pretty silver jug. | 0:33:16 | 0:33:18 | |
So, here's Kate's Bonus Buy. | 0:33:20 | 0:33:22 | |
Christina, how do you rate that? | 0:33:23 | 0:33:24 | |
Isn't it sweet? Obviously from the great silversmithing town of Sheffield, | 0:33:24 | 0:33:28 | |
very high Victorian with these wonderful garland swags here. | 0:33:28 | 0:33:31 | |
I've been quite modest at £30 to £50. | 0:33:31 | 0:33:34 | |
Kate went and paid £70 for it. | 0:33:34 | 0:33:36 | |
I'm probably being very mean. | 0:33:36 | 0:33:37 | |
I think it will probably go top end of that. It's a good looking thing. | 0:33:37 | 0:33:40 | |
OK, who's going to be taking the auction? | 0:33:40 | 0:33:42 | |
-Me! -Excellent. -Yeah. | 0:33:42 | 0:33:44 | |
At 75? 75 I have. | 0:33:46 | 0:33:47 | |
Thank you, at £75. | 0:33:47 | 0:33:50 | |
So, how are we feeling, boys? | 0:33:50 | 0:33:51 | |
-A bit apprehensive. -Quietly confident. | 0:33:51 | 0:33:55 | |
We've bought quality, I think. | 0:33:55 | 0:33:57 | |
With Charles's help. | 0:33:57 | 0:33:59 | |
Some might think this is another day in court for you two. | 0:33:59 | 0:34:01 | |
I feel like I'm in court, like I'm being judged. | 0:34:01 | 0:34:05 | |
-This is the verdict coming now. -It is. | 0:34:05 | 0:34:06 | |
So, your first item's about to come up. | 0:34:06 | 0:34:08 | |
You paid £15 for this. | 0:34:08 | 0:34:11 | |
Fingers crossed, we're just about to find out. | 0:34:11 | 0:34:13 | |
The contemporary star form glass light fitting. | 0:34:13 | 0:34:16 | |
Bid me £20 for it? | 0:34:16 | 0:34:19 | |
£20? | 0:34:19 | 0:34:20 | |
How much are they in the department stores? | 0:34:20 | 0:34:23 | |
Give me 15, then? Let's go for £15. | 0:34:23 | 0:34:25 | |
Give me 15, surely somebody needs a star like that? | 0:34:25 | 0:34:27 | |
Ten, then? Thank you for £10. | 0:34:28 | 0:34:31 | |
-£10, come on. -I'm looking for 12, but I will take ten. | 0:34:31 | 0:34:35 | |
We're all done at £10. | 0:34:37 | 0:34:39 | |
That was yours. | 0:34:39 | 0:34:40 | |
That's your fault. | 0:34:40 | 0:34:42 | |
Guilty! Guilty! | 0:34:42 | 0:34:44 | |
15, sold for ten, minus £5. | 0:34:44 | 0:34:46 | |
Not the end of the world. | 0:34:46 | 0:34:49 | |
OK. So, your next items coming up is your Chad Valley Noddy mould. | 0:34:49 | 0:34:54 | |
You paid £30 for it. | 0:34:54 | 0:34:55 | |
The really rather unusual Chad Valley Noddy mould. | 0:34:57 | 0:35:00 | |
Bid me £20 for it? | 0:35:00 | 0:35:03 | |
£20 for this. | 0:35:03 | 0:35:04 | |
25 I have already online. | 0:35:04 | 0:35:06 | |
-You watch this move. -At £25 I have. | 0:35:06 | 0:35:10 | |
And 30 with you, sir, thank you. | 0:35:10 | 0:35:11 | |
At £30 I have. | 0:35:11 | 0:35:12 | |
Where's five? Five at 30, 35. | 0:35:12 | 0:35:15 | |
Thank you. 40, sir? | 0:35:15 | 0:35:16 | |
Go on. Yes, back at £40. | 0:35:17 | 0:35:21 | |
At £40 I have. | 0:35:21 | 0:35:23 | |
45, sir, against you. | 0:35:23 | 0:35:24 | |
45, thank you. | 0:35:24 | 0:35:25 | |
50, sir? | 0:35:25 | 0:35:26 | |
At £45, if we're all done, at 45. | 0:35:27 | 0:35:30 | |
Well done, boys. | 0:35:33 | 0:35:34 | |
OK, you paid 30, done plus 15. | 0:35:34 | 0:35:37 | |
You were minus 5, so you're now in plus £10. | 0:35:37 | 0:35:42 | |
OK, well done. Here's your third lot. | 0:35:42 | 0:35:44 | |
It's the two brass model aeroplanes. | 0:35:44 | 0:35:46 | |
You paid £20 for them. Let's see if they'll fly. | 0:35:46 | 0:35:49 | |
Good-looking lot here, two of them here in the lot for £30 only, | 0:35:49 | 0:35:52 | |
bid me 30. At 30? | 0:35:52 | 0:35:53 | |
30 I have. 35? | 0:35:53 | 0:35:55 | |
40? 40 I have, thank you. | 0:35:55 | 0:35:57 | |
At £40 standing, at 40, where's five? | 0:35:57 | 0:36:00 | |
At £40 I have in the room, looking for 45 now. | 0:36:00 | 0:36:04 | |
At £40, if we are all done, then, selling to you, sir, at £40. | 0:36:04 | 0:36:09 | |
-Brilliant. -OK, happy with that. | 0:36:09 | 0:36:12 | |
Well done, boys. | 0:36:12 | 0:36:14 | |
£20 spent, £40 received, £20 profit. | 0:36:14 | 0:36:17 | |
-That's good news. -It leaves you now in a positive £30, OK? | 0:36:17 | 0:36:22 | |
-Taking home money. -But we haven't finished yet, | 0:36:22 | 0:36:25 | |
because we have the option of the Bonus Buy, | 0:36:25 | 0:36:29 | |
which is the Art Nouveau copper bridge box. | 0:36:29 | 0:36:31 | |
Now, Charles did pay £235 for this. | 0:36:31 | 0:36:35 | |
-Toppy. -Toppy. | 0:36:35 | 0:36:37 | |
Top heavy. | 0:36:37 | 0:36:39 | |
We need a decision. Yes or no? | 0:36:39 | 0:36:41 | |
Come on. | 0:36:41 | 0:36:42 | |
-No. -No. | 0:36:42 | 0:36:44 | |
-No. -Thank you anyway, Charles. | 0:36:44 | 0:36:46 | |
-Thank you very much! -All right. | 0:36:46 | 0:36:47 | |
Christina's valuation was £80 to £120. | 0:36:47 | 0:36:53 | |
But auctioneers don't always get it right. | 0:36:53 | 0:36:56 | |
Let's just watch and see exactly where this one goes to. | 0:36:56 | 0:36:59 | |
Now is the absolutely super looking Art Nouveau copper bridge box, | 0:36:59 | 0:37:04 | |
absolutely gorgeous. | 0:37:04 | 0:37:05 | |
-Thanks, Christina. -Interest here with me at £80. | 0:37:05 | 0:37:09 | |
-Let's roll. -My commission bidder here, at £80. | 0:37:09 | 0:37:11 | |
Give me five. At 80, 85. | 0:37:11 | 0:37:14 | |
90 with my commission bidder, online at 90 here. | 0:37:14 | 0:37:16 | |
Where's five? At £90, 95, 100 I have online. | 0:37:16 | 0:37:20 | |
-At £100 I have. -Let's roll. | 0:37:20 | 0:37:22 | |
I'm still 135 down. | 0:37:22 | 0:37:23 | |
110 is bid. Give me 120. | 0:37:23 | 0:37:25 | |
At £110 I have. | 0:37:25 | 0:37:27 | |
120 is bid. Where is 130? | 0:37:27 | 0:37:29 | |
The internet, £120. | 0:37:29 | 0:37:32 | |
Online at £130 now. | 0:37:32 | 0:37:34 | |
-Not yet. -At 130, where's 140? | 0:37:34 | 0:37:36 | |
At 130. 140. | 0:37:36 | 0:37:38 | |
My goodness. Against you all at £140. | 0:37:38 | 0:37:42 | |
You've got to gamble sometimes. The gamble has not paid off. | 0:37:42 | 0:37:45 | |
You can hang me, OK? | 0:37:45 | 0:37:47 | |
Well, if you had have gone with it, you would have suffered a £95 loss. | 0:37:47 | 0:37:52 | |
So, the final total was plus £30. | 0:37:52 | 0:37:56 | |
Could be a winning score. Either way, not a word to those Blues. | 0:37:56 | 0:38:01 | |
Of course. | 0:38:01 | 0:38:02 | |
-How are we feeling? Come on, tell me. -Nervous. | 0:38:09 | 0:38:12 | |
-Confident. -That's a happy mix, isn't it, Kate? | 0:38:12 | 0:38:15 | |
Your first item is about to come up, that Danish silver brooch. | 0:38:15 | 0:38:18 | |
You paid £25 for it. | 0:38:18 | 0:38:20 | |
And it's coming up now. | 0:38:20 | 0:38:21 | |
I'm bid... What am I bid? | 0:38:21 | 0:38:22 | |
25, 30, £35 straightaway with me online at £35. | 0:38:22 | 0:38:26 | |
Looking for 40. And 40, and five. | 0:38:26 | 0:38:29 | |
45 and 50, and five, against you, sir. | 0:38:29 | 0:38:32 | |
Thank you, anyway, at £55. | 0:38:32 | 0:38:33 | |
65 online, £65. | 0:38:33 | 0:38:35 | |
70 with you, madam. | 0:38:35 | 0:38:37 | |
Room bidder. 80 online, madam. | 0:38:37 | 0:38:39 | |
Go five? 85. | 0:38:39 | 0:38:41 | |
And 90. And five. | 0:38:41 | 0:38:43 | |
I'm looking for 100, but I will sell to my room bidder at £95. | 0:38:43 | 0:38:48 | |
Yes! | 0:38:49 | 0:38:50 | |
You've just made yourself £70. | 0:38:52 | 0:38:54 | |
-Yes! -OK. | 0:38:54 | 0:38:55 | |
Your next item's coming up. | 0:38:55 | 0:38:57 | |
It's that interesting coat and hat hook stand, and it's coming up now. | 0:38:57 | 0:39:01 | |
Interest here with my commission bidder, | 0:39:01 | 0:39:03 | |
starting at £20 with my commission bidder, at £20. | 0:39:03 | 0:39:06 | |
Where's five? At £20 I have. | 0:39:06 | 0:39:08 | |
25, and 30. | 0:39:08 | 0:39:10 | |
And five, I'm out. | 0:39:10 | 0:39:11 | |
At £35 with the lady, 35, looking for 40 now. | 0:39:11 | 0:39:14 | |
At £35, with the lady seated at 35. | 0:39:14 | 0:39:18 | |
-Absolutely brilliant. -£35, and I will sell at 35. | 0:39:18 | 0:39:22 | |
35. | 0:39:22 | 0:39:23 | |
It's getting better, isn't it? | 0:39:25 | 0:39:27 | |
You paid 11, 35, so plus 24. | 0:39:27 | 0:39:31 | |
You are now in plus £94. | 0:39:31 | 0:39:35 | |
Your next lot is coming up, that's the silver double-head horse head | 0:39:35 | 0:39:39 | |
-brooch. -This is what I love. -Let's see what happens. | 0:39:39 | 0:39:41 | |
Smart looking thing for you there. Birmingham, 1948. | 0:39:41 | 0:39:44 | |
I've got £20 with me on commission here, at £20. | 0:39:44 | 0:39:47 | |
Where's two? At £20 I have, looking for a horsey person here. | 0:39:47 | 0:39:50 | |
22, 25, 28. | 0:39:50 | 0:39:53 | |
My commission bid is out at £28. | 0:39:53 | 0:39:55 | |
In the room at 28. Looking for 30 now. | 0:39:55 | 0:39:57 | |
30 is online. | 0:39:57 | 0:39:59 | |
35 in the room. | 0:39:59 | 0:40:00 | |
Where's 40? | 0:40:01 | 0:40:04 | |
40 online. 45 in the room. | 0:40:04 | 0:40:06 | |
At £45. | 0:40:06 | 0:40:07 | |
In the room, with the lady, at £45 looking for 50 now. | 0:40:07 | 0:40:11 | |
At £45, if you're all done, I will sell to my room bidder at 45. | 0:40:11 | 0:40:16 | |
Yes! | 0:40:16 | 0:40:17 | |
I just wish you'd come out of your shell a bit more. Oh, dear. OK. | 0:40:21 | 0:40:28 | |
So that tells me that you are £17 worth of profit on that one. | 0:40:28 | 0:40:32 | |
That gives us a total of £111. | 0:40:32 | 0:40:38 | |
-Brilliant. -That's brilliant. | 0:40:38 | 0:40:40 | |
Chuffed. Absolutely brilliant. | 0:40:40 | 0:40:43 | |
Listen, it's not entirely over, | 0:40:43 | 0:40:45 | |
because you've got the option of a Bonus Buy. | 0:40:45 | 0:40:47 | |
Kate paid £70 for that lovely silver jug. | 0:40:47 | 0:40:50 | |
It's a matter of whether or not you want to stick or whether | 0:40:50 | 0:40:53 | |
you want to gamble. | 0:40:53 | 0:40:55 | |
-We'll stick. -Either way, it's coming up now. | 0:40:55 | 0:40:59 | |
The Victorian silver jug. | 0:40:59 | 0:41:00 | |
Bid me £20 for it. | 0:41:00 | 0:41:02 | |
£20 for the silver jug? | 0:41:02 | 0:41:04 | |
20 I have. 25 here against you, internet. | 0:41:04 | 0:41:07 | |
30 I have. Thank you. | 0:41:07 | 0:41:08 | |
At £30, internet bidder at 30. | 0:41:08 | 0:41:10 | |
Where's five? 35 I have on this platform. | 0:41:10 | 0:41:13 | |
Against you, will you go 40? | 0:41:13 | 0:41:14 | |
I'm looking for £40. | 0:41:14 | 0:41:16 | |
I will sell, make no mistake, to my internet bidder at £35. | 0:41:16 | 0:41:21 | |
-That's a steal. -Wise discretion. | 0:41:22 | 0:41:25 | |
You said no, it was the right decision. | 0:41:27 | 0:41:29 | |
So you've ended up with a positive £111. | 0:41:29 | 0:41:32 | |
-We are absolutely chuffed. -Now, listen, not a word to anybody. | 0:41:32 | 0:41:36 | |
Well, teams, have we had a good time? | 0:41:45 | 0:41:48 | |
-We have. -And you've not been speaking to one another? | 0:41:48 | 0:41:51 | |
Of course not. | 0:41:51 | 0:41:52 | |
Good, good, good. | 0:41:52 | 0:41:54 | |
Well, there's good news all round, actually, | 0:41:54 | 0:41:56 | |
-because both teams have made a profit. -Oh... | 0:41:56 | 0:42:01 | |
OK? | 0:42:01 | 0:42:03 | |
But one team has made more of a profit than the other. | 0:42:03 | 0:42:07 | |
So, let me tell you that today's runners-up | 0:42:07 | 0:42:12 | |
-are the Red team. -Yes! | 0:42:12 | 0:42:15 | |
Listen, fellas, either way, you ended up with a £30 profit. | 0:42:17 | 0:42:22 | |
Thank you very much. | 0:42:22 | 0:42:24 | |
So, many a time that has been a winning score. | 0:42:24 | 0:42:28 | |
But turning to the Blue team, listen to this, Reds, | 0:42:28 | 0:42:32 | |
because the Blue team have made a storming £111. | 0:42:32 | 0:42:39 | |
Well done to this lady as well. | 0:42:39 | 0:42:40 | |
There we go. But the icing on the cake has to be the fact that you | 0:42:40 | 0:42:46 | |
made a profit on all your three purchases, | 0:42:46 | 0:42:48 | |
which means that you get the much-coveted Golden Gavel. | 0:42:48 | 0:42:53 | |
-Splendid. -Gosh, well done. | 0:42:53 | 0:42:56 | |
-Round of applause, everybody. -Well done you. -Thank you. | 0:42:56 | 0:43:00 | |
In the meantime, you can catch us on our website, | 0:43:00 | 0:43:03 | |
which is on your screen now. | 0:43:03 | 0:43:04 | |
Or there again, you can follow us on Twitter. | 0:43:04 | 0:43:07 | |
But better still, why don't you join us next time for some more | 0:43:07 | 0:43:10 | |
-Bargain Hunting, yes? ALL: -Yes! | 0:43:10 | 0:43:12 |