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Today, Bargain Hunt is at London's Spitalfields Market | 0:00:02 | 0:00:04 | |
for a Children In Need fundraising extravaganza. | 0:00:04 | 0:00:08 | |
But, first, some breaking news. | 0:00:08 | 0:00:10 | |
Bargain Hunt brings you a special programme packed with celebrities | 0:00:10 | 0:00:13 | |
from the world of radio. | 0:00:13 | 0:00:14 | |
Pudsey goes walkabout... | 0:00:14 | 0:00:16 | |
But, first, here's that all-important weather. | 0:00:17 | 0:00:20 | |
It looks like there's going to be a deluge of profits. | 0:00:20 | 0:00:23 | |
But before that, we need to get over to the fair. | 0:00:23 | 0:00:26 | |
Pudsey, where are you? Pudsey! | 0:00:26 | 0:00:28 | |
Look who's here! Pudsey. | 0:00:30 | 0:00:32 | |
Shouldn't you be at the antiques fair? | 0:00:32 | 0:00:34 | |
Pudsey, come on! Pudsey... | 0:00:34 | 0:00:37 | |
Oh, there you are, Pudsey. I thought I'd lost you. | 0:00:37 | 0:00:40 | |
Right, we'd better get moving | 0:00:40 | 0:00:41 | |
because it's time to go Bargain Hunting! | 0:00:41 | 0:00:44 | |
Today's special Children In Need | 0:01:08 | 0:01:10 | |
Bargain Hunt comes from here, | 0:01:10 | 0:01:12 | |
Spitalfields Market in east London. | 0:01:12 | 0:01:15 | |
It's jam-packed with antique stalls | 0:01:15 | 0:01:17 | |
and we've got quite the cast | 0:01:17 | 0:01:18 | |
of celebrities lined up, haven't we, Pudsey? | 0:01:18 | 0:01:21 | |
Now, what's the link? Here's a clue. | 0:01:21 | 0:01:22 | |
They're all connected to BBC Radio... | 0:01:22 | 0:01:25 | |
which is celebrating its 50th anniversary. | 0:01:25 | 0:01:28 | |
So, here's the line-up, pop pickers. | 0:01:28 | 0:01:30 | |
For the Reds, it's former Weekend Breakfast show presenter Nihal | 0:01:30 | 0:01:34 | |
and Belfast-born Colin Murray. | 0:01:34 | 0:01:36 | |
And for the Blues, Scottish DJ Edith Bowman | 0:01:39 | 0:01:43 | |
and Radio 1Xtra's Dotty. | 0:01:43 | 0:01:45 | |
They may be celebrities, but they won't be getting | 0:01:48 | 0:01:50 | |
any special treatment. The usual rules will apply. | 0:01:50 | 0:01:53 | |
They'll have £300 to find three items | 0:01:53 | 0:01:58 | |
and they'll only have 60 minutes in which to do it. | 0:01:58 | 0:02:01 | |
But any profits will go straight to Children In Need, | 0:02:01 | 0:02:03 | |
so Pudsey and I are hoping that they'll make lots of money. | 0:02:03 | 0:02:06 | |
Here's a rundown of what's coming up. | 0:02:06 | 0:02:09 | |
The Reds have a row... | 0:02:09 | 0:02:11 | |
We said we wanted to make history today and you may have just bought | 0:02:11 | 0:02:13 | |
the worst item in the history of Bargain Hunt! | 0:02:13 | 0:02:15 | |
That is not true! | 0:02:15 | 0:02:17 | |
..but the Blues are in agreement. | 0:02:17 | 0:02:19 | |
-Look, he's got four! -Four copies there. | 0:02:19 | 0:02:21 | |
Well, you'll have to buy all four, then there'll be none left. | 0:02:21 | 0:02:25 | |
And at the Children In Need auction, the Blues are apprehensive... | 0:02:25 | 0:02:28 | |
-I feel a bit sick. -We'll be all right. We'll claw it back... | 0:02:28 | 0:02:32 | |
..and the Reds are ecstatic. | 0:02:32 | 0:02:34 | |
-We've done... -It's 100 with me... | 0:02:34 | 0:02:38 | |
So, here are radio DJs ready to Bargain Hunt | 0:02:38 | 0:02:41 | |
for Children In Need today. | 0:02:41 | 0:02:42 | |
-Hello, everyone. ALL: -Hello! | 0:02:42 | 0:02:44 | |
-You ready for this? -More than ready. -Yeah! -Born ready. | 0:02:44 | 0:02:48 | |
-Born ready. -Right, I'm coming to you first, Reds. | 0:02:48 | 0:02:50 | |
Nihal, tell me, we know you're all linked by Radio 1, | 0:02:50 | 0:02:53 | |
but where did it start for you? | 0:02:53 | 0:02:54 | |
Actually, my first full-time radio gig was Radio 1, | 0:02:54 | 0:02:59 | |
which is not a bad place to start a career in radio. | 0:02:59 | 0:03:03 | |
I had no aspirations to work in radio, really, before that. | 0:03:03 | 0:03:06 | |
And then I got that job and it completely changed my life. | 0:03:06 | 0:03:09 | |
Let's hand over to your fellow Radio 1 family member, then, Colin Murray. | 0:03:09 | 0:03:13 | |
Genuinely, I was the same. | 0:03:13 | 0:03:15 | |
I was a print journalist and I didn't even want to go to | 0:03:15 | 0:03:17 | |
the audition for Radio 1 and eventually I went | 0:03:17 | 0:03:19 | |
to the second lot, and that was my first radio job, as well. | 0:03:19 | 0:03:22 | |
And he's right, it just sets you off on a path. | 0:03:22 | 0:03:25 | |
What about antiques and collectables? | 0:03:25 | 0:03:27 | |
That's what you're here to buy. | 0:03:27 | 0:03:28 | |
-How is your knowledge? -We have literally no expertise. | 0:03:28 | 0:03:31 | |
-So, no antiques at home? -No. -No, I like art... | 0:03:31 | 0:03:34 | |
-You're joking? -I mean, I buy prints and I'll buy paintings, | 0:03:34 | 0:03:37 | |
so I do love art, but in terms of antiques... | 0:03:37 | 0:03:41 | |
You know, I consider myself to be a bit of GCSE Indiana Jones, | 0:03:41 | 0:03:43 | |
-if I'm honest. Yeah. -What's the tactic? | 0:03:43 | 0:03:46 | |
-Eccentricity will win. -Yes! | 0:03:46 | 0:03:47 | |
Being unusual and just trying to find things that we love and enjoy | 0:03:47 | 0:03:51 | |
because we know that we're hopefully raising a lot of money | 0:03:51 | 0:03:54 | |
for Children In Need. That's what we're doing it for. | 0:03:54 | 0:03:57 | |
-Now, back to Colin. -We ain't buying no spoons. -Yeah. | 0:03:57 | 0:03:59 | |
-OK? -"We ain't buying no spoons!" is the motto of today... | 0:03:59 | 0:04:05 | |
Well, on that note - on the note of your lack of antiques knowledge, | 0:04:05 | 0:04:07 | |
I'm going to turn to the Blues. | 0:04:07 | 0:04:09 | |
Dotty, tell me first of all, you started out in the music industry | 0:04:09 | 0:04:12 | |
as an artist and then you moved into radio presenting. | 0:04:12 | 0:04:14 | |
So, how did that come about? | 0:04:14 | 0:04:16 | |
My break actually happened when I went on to the station that I now | 0:04:16 | 0:04:19 | |
work for, BBC Radio 1Xtra, and I was on there as an artist. | 0:04:19 | 0:04:22 | |
Trevor Nelson, who was interviewing me, when the mics were down, said, | 0:04:22 | 0:04:26 | |
"This isn't an interview. we're co-hosting." | 0:04:26 | 0:04:28 | |
And then before I knew it, I was offered my own show there. | 0:04:28 | 0:04:31 | |
It literally happened overnight. | 0:04:31 | 0:04:33 | |
-That's so cool. -My first interview on Radio 1Xtra was Mary J Blige. | 0:04:33 | 0:04:38 | |
Ellen Degeneres... Halle Berry, I interviewed just last week. | 0:04:38 | 0:04:41 | |
It's been just getting to meet all my idols! | 0:04:41 | 0:04:44 | |
Now, Edith, you were on Radio 1 for most of the Noughties, really, weren't you? | 0:04:44 | 0:04:47 | |
Yeah, it was brilliant, actually. | 0:04:47 | 0:04:49 | |
It was one of those things where I grew up listening to Radio 1, | 0:04:49 | 0:04:52 | |
various kind of specific DJs at different times. | 0:04:52 | 0:04:55 | |
The chart on a Sunday was a given, you know? | 0:04:55 | 0:04:57 | |
And to suddenly be part of that world was kind of mind-blowing, | 0:04:57 | 0:05:01 | |
-to be honest. -So, how did you get into radio work? | 0:05:01 | 0:05:04 | |
I started doing radio when I was at uni in Edinburgh. | 0:05:04 | 0:05:06 | |
I kind of borderline stalked my local programme controller | 0:05:06 | 0:05:09 | |
at the local station and was like, "Let me come and do work experience, | 0:05:09 | 0:05:13 | |
"I want to do work experience." He was, "Oh, my God, get her in, | 0:05:13 | 0:05:15 | |
"she just won't stop phoning!" | 0:05:15 | 0:05:18 | |
Yeah, it just felt like a real kind of natural route to take, really. | 0:05:18 | 0:05:21 | |
So, antiques and collectables - | 0:05:21 | 0:05:23 | |
do you have a familiarity with this world? | 0:05:23 | 0:05:25 | |
Apart from Royal Doulton figurines which my mum collected, | 0:05:25 | 0:05:29 | |
that's the only kind of antique I'm familiar with. | 0:05:29 | 0:05:32 | |
And have you shown any interest in antiques and collectables? | 0:05:32 | 0:05:34 | |
My knowledge of antiques is limited. | 0:05:34 | 0:05:37 | |
But we've got tactic today which is old and gold. | 0:05:37 | 0:05:40 | |
-Old and gold. -Old and gold. | 0:05:40 | 0:05:42 | |
Yeah, of course you're here to make some money for Children In Need, | 0:05:42 | 0:05:44 | |
-we know why we're here. Pudsey, come on. -Yay! -Pudsey! | 0:05:44 | 0:05:47 | |
Pudsey's the man with the money. | 0:05:47 | 0:05:49 | |
So, £300 for the Reds and I'll take that from you, | 0:05:49 | 0:05:53 | |
Pudsey, and give £300 to the Blues. | 0:05:53 | 0:05:55 | |
You have got experts who are super-keen to meet you. | 0:05:55 | 0:05:58 | |
The market awaits. So, off you go and I wish you the best of luck. | 0:05:58 | 0:06:01 | |
Pudsey, if they make some money, | 0:06:01 | 0:06:02 | |
wouldn't you say it'd be Top Of The Pops? | 0:06:02 | 0:06:05 | |
And to help our DJs make loads of money for Children In Need | 0:06:05 | 0:06:08 | |
are our pop-picking experts. | 0:06:08 | 0:06:10 | |
It'll be music to her ears - it's Caroline Hawley for the Reds. | 0:06:11 | 0:06:15 | |
And pop-a-doodle-do, it's Nick Hall for the Blues. | 0:06:16 | 0:06:20 | |
-So, Nihal, Colin, excited? -Yes, ready to go. -Brilliant. | 0:06:21 | 0:06:25 | |
-What are you looking for? -Do know what? | 0:06:25 | 0:06:27 | |
I'm just going to look for things that have a wow factor straightaway, | 0:06:27 | 0:06:30 | |
because if they don't wow us with the first impression, | 0:06:30 | 0:06:32 | |
they're not going to do it at an auction. | 0:06:32 | 0:06:34 | |
I'm thinking something that's small, old and gold | 0:06:34 | 0:06:36 | |
that people can take away with them on the day. | 0:06:36 | 0:06:38 | |
My wife has said, "Look, whatever you really love, | 0:06:38 | 0:06:40 | |
"go complete opposite, because you're weird." | 0:06:40 | 0:06:42 | |
I'm looking for something that I've never seen before. | 0:06:42 | 0:06:44 | |
-Something rare. -Unique. -Unique. -I like that. -I like that. | 0:06:44 | 0:06:48 | |
Pudsey, you're giving these DJs a run for their money. | 0:06:48 | 0:06:51 | |
Teams, it's time to face the music. Your 60 minutes start now. | 0:06:51 | 0:06:54 | |
Go make some money! | 0:06:54 | 0:06:57 | |
Let's go do it! | 0:06:57 | 0:06:58 | |
Well, come on, then, let's get at it. | 0:06:58 | 0:07:01 | |
Good luck, teams. Your mission - to raise as much money as you can | 0:07:01 | 0:07:03 | |
for Children In Need. | 0:07:03 | 0:07:05 | |
Spotted a Bob Dylan album, are we getting anything for that? | 0:07:05 | 0:07:07 | |
No, no. This is not your personal shopping trip. | 0:07:07 | 0:07:09 | |
-It isn't your personal... -We're wasting time. -Right, let's go, let's go. | 0:07:09 | 0:07:12 | |
Good point, Nihal. You're buying to make a profit at the auction. | 0:07:12 | 0:07:15 | |
Now, what are the Blues focused on? | 0:07:15 | 0:07:17 | |
-Something like that, a super 8. -How old is that, would you say? | 0:07:17 | 0:07:21 | |
That, probably '60s, I'd have thought. They are collectable. | 0:07:21 | 0:07:24 | |
That's the right sort of era, it's got the right sort of look. | 0:07:24 | 0:07:26 | |
Name-wise, you want Leica. | 0:07:26 | 0:07:28 | |
-Those big names like that can make a lot of money. -All right. | 0:07:28 | 0:07:31 | |
So you've got to think about that a little bit. | 0:07:31 | 0:07:33 | |
We don't want to spend too soon. | 0:07:33 | 0:07:35 | |
A cautious start for the girls. | 0:07:35 | 0:07:37 | |
But could the Reds' search be about to take off? | 0:07:37 | 0:07:40 | |
An executive office toy from the 1930s. | 0:07:40 | 0:07:43 | |
People like military things? Do people like military things? | 0:07:43 | 0:07:46 | |
-Yeah, that is really cool. -And it's unusual. | 0:07:46 | 0:07:49 | |
You see, it has been an ashtray, but it doesn't need to be an ashtray. | 0:07:49 | 0:07:51 | |
-No, it doesn't... -It could be for paperclips, | 0:07:51 | 0:07:53 | |
it could be for everything. Stylish. | 0:07:53 | 0:07:55 | |
If there's a pilot at the auction, I think we'd be in here. | 0:07:55 | 0:07:58 | |
But we need to know the price. Have you asked the price, guys? | 0:07:58 | 0:08:00 | |
-Come on. -Your very best price. -Very best price! | 0:08:00 | 0:08:03 | |
Very, very best price. | 0:08:03 | 0:08:05 | |
-40, I think. -Can't do that, can we, Colin? | 0:08:05 | 0:08:07 | |
-That's a little bit above our budget. -40? -What were you thinking? | 0:08:07 | 0:08:10 | |
-30 quid, I think, is a shout. -OK, go on. -Brilliant. | 0:08:10 | 0:08:13 | |
-Can we just... -Top man. -Oh, he's bought it already! | 0:08:13 | 0:08:15 | |
-Top man. Shake on that! Bought it already. -Oh, my goodness! | 0:08:15 | 0:08:17 | |
-Wow! -Listen, we're all in it, right? We're all in it. | 0:08:17 | 0:08:20 | |
-And you said to me... -Are you serious?! | 0:08:20 | 0:08:21 | |
..if there was something I was really passionate about, | 0:08:21 | 0:08:23 | |
that I could buy it. £30. He's already taken 25% off it straightaway. | 0:08:23 | 0:08:28 | |
Hmm, oh, dear, Colin's not convinced. | 0:08:28 | 0:08:31 | |
Thanks to Nihal's excitement, they have one item in just five minutes. | 0:08:31 | 0:08:35 | |
Fingers crossed for sky-high profits, boys. | 0:08:35 | 0:08:38 | |
So, while the Reds dive in, the Blues stick with what they know. | 0:08:38 | 0:08:42 | |
Have you seen...? | 0:08:42 | 0:08:43 | |
And I remember these with great affection, The Cramps. | 0:08:43 | 0:08:46 | |
-But, look, he's got four! -Four copies there. | 0:08:46 | 0:08:49 | |
Well, you have to buy all four, then there'll be none left. | 0:08:49 | 0:08:53 | |
So, the DJs ditch the discs for not being rare enough. | 0:08:53 | 0:08:56 | |
And the Reds? Well, they're having a row over that ashtray. | 0:08:56 | 0:08:59 | |
-We said we wanted to make history today and you may have just bought the worst item... -Yeah. | 0:08:59 | 0:09:03 | |
-..in history of Bargain Hunt! -That is not true. -It's very... | 0:09:03 | 0:09:06 | |
-You've got no taste. -It's very, very... -Have you seen his tattoos? | 0:09:06 | 0:09:08 | |
I haven't seen his tattoos! | 0:09:08 | 0:09:10 | |
They're horrible. It's like a seven-year-old did them. | 0:09:10 | 0:09:13 | |
-I'm hoping not to see his tattoos. -Yes, quite. | 0:09:13 | 0:09:15 | |
Oh, I feel for you, Caroline, trying to control those boys! | 0:09:15 | 0:09:18 | |
Meanwhile, Dotty's on a charm offensive for the Blues. | 0:09:18 | 0:09:22 | |
What can we get for £100 and a hug? | 0:09:22 | 0:09:25 | |
I might have something. | 0:09:25 | 0:09:26 | |
A silver ring with a big citrine stone. | 0:09:26 | 0:09:29 | |
-I can do that for £100. -Can I have a look? | 0:09:29 | 0:09:31 | |
Right, we've got oxide silver. | 0:09:31 | 0:09:32 | |
Is this silver hallmark, or is it sterling? | 0:09:32 | 0:09:35 | |
-No, it's all hallmarked inside. -OK, cool. | 0:09:35 | 0:09:36 | |
And it's also by the designer, which is Bottega Veneta. | 0:09:36 | 0:09:39 | |
-I like it. -Is there any way we could get it under £100? | 0:09:39 | 0:09:43 | |
Give us a fighting chance at auction. We've got to win. | 0:09:43 | 0:09:45 | |
-90 would be the best. -What do you say? | 0:09:45 | 0:09:47 | |
-We said we want something bling. -Unique, you said. -And something we've never seen before. | 0:09:47 | 0:09:51 | |
-And this is both of it. Can we? -Let's do it. -Let's do it. | 0:09:51 | 0:09:53 | |
-Can we please have that? 90. -I think you've got a deal. | 0:09:53 | 0:09:56 | |
-Thank you very much. -Thank you. -Thank you. | 0:09:56 | 0:09:59 | |
-Well done. One down. -One down. Yes! -First thing bought. | 0:09:59 | 0:10:02 | |
Yeah! | 0:10:02 | 0:10:04 | |
Well done, Blues. | 0:10:04 | 0:10:05 | |
So, 20 minutes in and it's one item each. | 0:10:05 | 0:10:08 | |
Whilst the teams carry on with the shopping, | 0:10:09 | 0:10:11 | |
Nihal's been finding out how your donations to Children In Need have | 0:10:11 | 0:10:15 | |
helped some of Britain's young carers. | 0:10:15 | 0:10:17 | |
I'm Liam. | 0:10:22 | 0:10:23 | |
I'm 16. I look after my mum and I've been doing that | 0:10:23 | 0:10:26 | |
since the age of 11. | 0:10:26 | 0:10:27 | |
Liam's man has multiple medical conditions including | 0:10:27 | 0:10:31 | |
fibromyalgia, a painful muscle condition | 0:10:31 | 0:10:33 | |
that often leaves her bedridden. | 0:10:33 | 0:10:36 | |
It falls to 16-year-old Liam to care for her. | 0:10:36 | 0:10:39 | |
I normally help with the cooking, cleaning, | 0:10:39 | 0:10:43 | |
washing up and I have to help her with tablets, making sure she eats, | 0:10:43 | 0:10:48 | |
making sure she's getting from where she needs to be | 0:10:48 | 0:10:51 | |
and if she needs any help with getting up or moving around. | 0:10:51 | 0:10:57 | |
Liam hasn't had the easiest time himself. | 0:10:57 | 0:10:59 | |
As a toddler, he was diagnosed with cancer | 0:10:59 | 0:11:02 | |
and only received the all-clear aged ten. | 0:11:02 | 0:11:04 | |
By 11, he was caring for his mum. | 0:11:07 | 0:11:09 | |
Liam's a remarkable young man. | 0:11:09 | 0:11:12 | |
I'm rather accident prone, | 0:11:12 | 0:11:13 | |
I fall a lot, so he has learnt how to help get me | 0:11:13 | 0:11:17 | |
up off the floor without hurting himself and without hurting me. | 0:11:17 | 0:11:21 | |
I do feel like I'm missing out on a lot of things. | 0:11:23 | 0:11:25 | |
I've not really gone to any birthday parties, | 0:11:25 | 0:11:27 | |
I'm rarely out on the weekends, | 0:11:27 | 0:11:30 | |
I've not had a lot of time with my friends. | 0:11:30 | 0:11:32 | |
He is at home a lot and helping me and... | 0:11:32 | 0:11:36 | |
As any mum, it's hard to take. | 0:11:38 | 0:11:41 | |
But luckily for children like Liam, help is out there. | 0:11:46 | 0:11:49 | |
This two-day Kent festival is organised by Imago Young Carers | 0:11:51 | 0:11:55 | |
and funded by BBC Children In Need | 0:11:55 | 0:11:57 | |
to bring together all the young carers and give | 0:11:57 | 0:12:00 | |
them a chance to be children again. | 0:12:00 | 0:12:02 | |
Kids get such great benefits from events like this. | 0:12:02 | 0:12:05 | |
It's a chance to have a break from home, | 0:12:05 | 0:12:07 | |
a break from their caring role, | 0:12:07 | 0:12:09 | |
experience meeting other young carers like themselves. | 0:12:09 | 0:12:11 | |
And actually there's lots of them out there | 0:12:11 | 0:12:14 | |
and getting them together really reduces their isolation. | 0:12:14 | 0:12:17 | |
And I think the main thing is just to have some fun, | 0:12:17 | 0:12:19 | |
be a kid, be a child. | 0:12:19 | 0:12:21 | |
Kent-based Imago helps to support 8,000 young carers like Liam | 0:12:21 | 0:12:25 | |
and thanks to money you donate to BBC Children In Need, | 0:12:25 | 0:12:29 | |
these youngsters can have a fun weekend, | 0:12:29 | 0:12:32 | |
free from their caring duties. | 0:12:32 | 0:12:34 | |
This support is quite important to me because it allows me to have a | 0:12:34 | 0:12:38 | |
life of my own when I'm not with my family, | 0:12:38 | 0:12:41 | |
so I'd be very upset if it was pulled away from me. | 0:12:41 | 0:12:45 | |
It's coming to the end of a fun-packed day | 0:12:45 | 0:12:47 | |
and importantly these young carers have had the chance | 0:12:47 | 0:12:50 | |
to be children again. | 0:12:50 | 0:12:52 | |
The donations from BBC Children In Need are absolutely vital. | 0:12:52 | 0:12:56 | |
There are so many young carers out there that need our support and this | 0:12:56 | 0:12:59 | |
allows us to identify those hidden young carers | 0:12:59 | 0:13:01 | |
and give them the support that they need. | 0:13:01 | 0:13:04 | |
Without your donations to BBC Children In Need, | 0:13:04 | 0:13:07 | |
this vital support for young carers would not be possible. | 0:13:07 | 0:13:11 | |
-ALL: -Yay! | 0:13:11 | 0:13:13 | |
Back to the fair and it's one item each, | 0:13:16 | 0:13:19 | |
but can the Reds make it number two? | 0:13:19 | 0:13:21 | |
You see, I don't know whether it's worth anything. | 0:13:21 | 0:13:24 | |
-Is that silver? -Yeah, it's sort of Roman, perhaps. | 0:13:24 | 0:13:26 | |
No, I like that. That is stylish. | 0:13:26 | 0:13:29 | |
-It's not marked anywhere. -Anywhere. | 0:13:29 | 0:13:31 | |
It's silver and this is gold plating on top. | 0:13:31 | 0:13:36 | |
-Can you put it on? -Yeah, you would open it... -Yeah? | 0:13:36 | 0:13:38 | |
-You would open it up... -It's a cuff. -..and it is a cuff. | 0:13:38 | 0:13:42 | |
The problem with it is that it's not hallmarked | 0:13:42 | 0:13:45 | |
so you wouldn't say it was silver, | 0:13:45 | 0:13:47 | |
you would say white metal marked 925. | 0:13:47 | 0:13:51 | |
925 means 925 parts of 1,000 silver. | 0:13:51 | 0:13:56 | |
-Oh, OK. -OK. Is there any way we can get closer to 30 on this? | 0:13:56 | 0:14:00 | |
How about I throw these two bangles in to go with it | 0:14:00 | 0:14:03 | |
-and you give me £50? -Oh. | 0:14:03 | 0:14:05 | |
OK, OK. Us fools would say that would be a great deal. | 0:14:05 | 0:14:07 | |
-That is a good deal. -As long as these are silver. | 0:14:07 | 0:14:09 | |
That's the best one. These will be silver. | 0:14:09 | 0:14:11 | |
-This is 925 as well from Mexico. -Yep, 925, as well. | 0:14:11 | 0:14:14 | |
So these are silver, so they're always worth something | 0:14:14 | 0:14:16 | |
whether you want to wear them or scrap them. | 0:14:16 | 0:14:18 | |
But that is the best piece. That's a nice piece. | 0:14:18 | 0:14:21 | |
And that'll just get us an extra five, ten quid, I reckon. | 0:14:21 | 0:14:24 | |
-Right, 50, let's go. -I think 50's good. -We're running out of time. | 0:14:24 | 0:14:27 | |
Shall we do it? It's a yes. Thank you, sir. | 0:14:27 | 0:14:29 | |
-Wonderful, thank you. -Good man. You did well. | 0:14:29 | 0:14:32 | |
So, £50 for the three bangles means the Reds clinch their second buy | 0:14:32 | 0:14:36 | |
for Children In Need. | 0:14:36 | 0:14:38 | |
But with only 25 minutes left on the clock, | 0:14:38 | 0:14:40 | |
the Blues need to get their skates on. | 0:14:40 | 0:14:42 | |
So, you've got a beautiful 1930s Art Deco three-piece tea set there. | 0:14:42 | 0:14:47 | |
Very angular, OK? Very of the moment. | 0:14:47 | 0:14:50 | |
-Very Poirot. Do you like that? -Who would buy that, though? | 0:14:50 | 0:14:52 | |
It is very angular. I'm not feeling the angular vibes. | 0:14:52 | 0:14:55 | |
Collectors of Art Deco love things like that. | 0:14:55 | 0:14:58 | |
Just down to money, really. | 0:14:58 | 0:15:00 | |
-Hello, sir. -The best scenario on the Art Deco set, | 0:15:00 | 0:15:02 | |
-could that be 50? -55, really, I need. | 0:15:02 | 0:15:05 | |
If that was 50, I'd be like, "done". | 0:15:05 | 0:15:07 | |
-It's very stylish. -Yeah. -Could it be 50? -50? | 0:15:07 | 0:15:11 | |
Go on, I'll do it for 50. | 0:15:11 | 0:15:13 | |
-Yeah! -All right, sold. Done. -You've got a deal, my friend. | 0:15:13 | 0:15:15 | |
-Thank you so much. -Thank you so much. | 0:15:15 | 0:15:17 | |
Well done, I like it. | 0:15:17 | 0:15:19 | |
Weren't you looking for old and gold, girls? | 0:15:19 | 0:15:21 | |
Now, boys, something that's right up your street. | 0:15:21 | 0:15:25 | |
I have seen, as a DJ, two DJs, two turntables. | 0:15:25 | 0:15:29 | |
Not one, but two turntables. Yes! | 0:15:29 | 0:15:32 | |
-Classic label. -And vinyl is right back. -It is. | 0:15:32 | 0:15:35 | |
-It's going up all the time. -It is, yeah. | 0:15:35 | 0:15:37 | |
I want these in my living room straightaway. | 0:15:37 | 0:15:40 | |
Now, when people say put the needle on the record, there is the needle. | 0:15:40 | 0:15:44 | |
That is the biggest needle I have ever seen on a turntable. | 0:15:44 | 0:15:46 | |
You don't see needle that big any more. | 0:15:46 | 0:15:48 | |
Look, there are the needle boxes, can you see? | 0:15:48 | 0:15:50 | |
-"His Master's Voice." -Look at that! -How lovely is that? | 0:15:50 | 0:15:53 | |
They're both cool. I can see you both love them. You adore them. | 0:15:53 | 0:15:57 | |
But we've got to take into account that they're going to auction, | 0:15:57 | 0:16:00 | |
we need to sell them for a profit. | 0:16:00 | 0:16:02 | |
We want to make some profit for Children In Need so... | 0:16:02 | 0:16:06 | |
Yeah, absolutely. | 0:16:06 | 0:16:07 | |
..so it cannot be just an indulgent whim. | 0:16:07 | 0:16:10 | |
Caroline makes a good point, Reds. | 0:16:10 | 0:16:13 | |
-Do you want me to go and see if I can find a price? -You go off and find a price. | 0:16:13 | 0:16:16 | |
-And you just stay and worship... -Exactly! -We will. | 0:16:16 | 0:16:19 | |
Whilst Caroline tracks down the dealer, | 0:16:19 | 0:16:21 | |
Edith's been finding out how your donations to Children In Need have | 0:16:21 | 0:16:25 | |
been a lifeline for some young dancers | 0:16:25 | 0:16:27 | |
with physical and learning difficulties. | 0:16:27 | 0:16:29 | |
All the teenagers in this room absolutely love to dance. | 0:16:37 | 0:16:42 | |
They're part of Stopgap's Farnham Youth Company - | 0:16:46 | 0:16:49 | |
a contemporary dance company | 0:16:49 | 0:16:50 | |
where young people with a variety of disabilities work very closely with | 0:16:50 | 0:16:55 | |
non-disabled dancers. | 0:16:55 | 0:16:57 | |
Just look how much fun they're having. | 0:16:57 | 0:17:00 | |
17-year-old Nicole has Down's syndrome | 0:17:00 | 0:17:03 | |
which makes dancing difficult. | 0:17:03 | 0:17:05 | |
For years, she was excluded from other dance classes | 0:17:05 | 0:17:08 | |
until she found Stopgap. | 0:17:08 | 0:17:10 | |
What do you love about dancing? | 0:17:10 | 0:17:12 | |
I love dancing so much right now! | 0:17:12 | 0:17:15 | |
For people like me, it is very good. | 0:17:17 | 0:17:22 | |
I get really a bit angry sometimes. | 0:17:22 | 0:17:24 | |
Now I've come here, I'm a bit calmer | 0:17:24 | 0:17:27 | |
and a bit really happy doing this dance. | 0:17:27 | 0:17:32 | |
Charlie, I feel like we're kind of spying on them because you're not | 0:17:34 | 0:17:37 | |
-normally allowed to watch Nicole. -No, not normally allowed. | 0:17:37 | 0:17:39 | |
You're Nicole's mum. | 0:17:39 | 0:17:41 | |
What was it like before Nicole joined Stopgap? | 0:17:41 | 0:17:43 | |
She started dancing as a baby and that was lovely. | 0:17:43 | 0:17:47 | |
She was at the same sort of age group as the others | 0:17:47 | 0:17:49 | |
and it was all cute and she got to put on her little frilly dresses. | 0:17:49 | 0:17:54 | |
As they grew up and her abilities didn't grow with her, | 0:17:54 | 0:17:58 | |
she started to be excluded, | 0:17:58 | 0:18:00 | |
we were asked to leave one dance company | 0:18:00 | 0:18:02 | |
because she wasn't pointing her toes enough. | 0:18:02 | 0:18:04 | |
So, after school, she wasn't doing anything. | 0:18:04 | 0:18:07 | |
She wasn't involved in any social activity, | 0:18:07 | 0:18:09 | |
she wasn't involved in any group, | 0:18:09 | 0:18:11 | |
and then, a leaflet came through the school for this. | 0:18:11 | 0:18:14 | |
We tried it, four years later, we haven't looked back. | 0:18:14 | 0:18:17 | |
Money donated by Children In Need goes to fund | 0:18:19 | 0:18:23 | |
an inclusive dance teacher. | 0:18:23 | 0:18:25 | |
It's a safe place. Whatever happens outside stays outside, | 0:18:25 | 0:18:28 | |
whatever that may be, you know, bullying or a bad day in school. | 0:18:28 | 0:18:32 | |
And we talk about it and we leave those | 0:18:32 | 0:18:35 | |
thoughts and we dance together. | 0:18:35 | 0:18:37 | |
We create together. It's just really nice. | 0:18:37 | 0:18:41 | |
Has it given you more confidence, do you think? | 0:18:41 | 0:18:44 | |
I think it's more confidence for me. Yeah, I think so. | 0:18:44 | 0:18:48 | |
Without the donations from Children In Need, | 0:18:48 | 0:18:51 | |
Nicole would not be independent, confident or creative. | 0:18:51 | 0:18:55 | |
Here she gets to shine and as her mum, | 0:18:55 | 0:18:57 | |
I can't ask for anything else. | 0:18:57 | 0:18:59 | |
You're part of this wonderful group | 0:18:59 | 0:19:02 | |
and it just feels like you all look after each other | 0:19:02 | 0:19:05 | |
and you all encourage each other. Would you agree? | 0:19:05 | 0:19:08 | |
I agree about that one. | 0:19:08 | 0:19:11 | |
As a parent, all you really want for your child is to find the thing that | 0:19:12 | 0:19:16 | |
allows them to express themselves, | 0:19:16 | 0:19:19 | |
to be happy and to feel safe, and this does all of that. | 0:19:19 | 0:19:22 | |
Without the support from BBC Children In Need, | 0:19:24 | 0:19:26 | |
teenagers like Nicole won't get the chance to fulfil their dreams. | 0:19:26 | 0:19:31 | |
Stopgap gives every child the chance to shine | 0:19:31 | 0:19:34 | |
and as a parent, that's all you can ask for. | 0:19:34 | 0:19:37 | |
Back at the fair, the teams have 20 minutes left | 0:19:42 | 0:19:46 | |
and one more item to buy. | 0:19:46 | 0:19:47 | |
And the Reds are rocking over these 1930s Decca turntables. | 0:19:47 | 0:19:52 | |
-I have some news. -OK. | 0:19:52 | 0:19:54 | |
-I've got a price for one... -OK. -..with a needle tin. | 0:19:54 | 0:19:58 | |
135. | 0:19:58 | 0:20:00 | |
We've seen two other things we like | 0:20:00 | 0:20:02 | |
that are a bit different again, so I think let's go look at them. | 0:20:02 | 0:20:06 | |
So, one for the back burner. | 0:20:06 | 0:20:08 | |
Finding that final item seems to be a struggle for both teams. | 0:20:08 | 0:20:12 | |
That is a super cool lamp, isn't it? | 0:20:12 | 0:20:14 | |
I don't really like it, but if it will sell... | 0:20:14 | 0:20:16 | |
It isn't what I was going to show you but it's worth | 0:20:16 | 0:20:18 | |
-stopping and looking at. -What era? What era are we talking? | 0:20:18 | 0:20:21 | |
-It looks '50s to me. -Art Deco-y, isn't it? | 0:20:21 | 0:20:23 | |
-There's no price tag on it. -It feels like it needs a clean-up. | 0:20:23 | 0:20:27 | |
-No! -We can buff it up before auction. -I'd leave it like that. | 0:20:27 | 0:20:29 | |
It's got that lovely patination, that takes years to build up. | 0:20:29 | 0:20:33 | |
You don't want to get rid of that. It looks too new if you do that. | 0:20:33 | 0:20:36 | |
-It's not blowing me away. -OK, well, why don't we go and look | 0:20:36 | 0:20:39 | |
-at the vase I spotted? -Yeah... -I like that, though. I do like that. | 0:20:39 | 0:20:42 | |
It is not for you, Nick! It's for the kids. | 0:20:42 | 0:20:45 | |
Quite right, Edith. Reds, can you shed any light on your next buy? | 0:20:45 | 0:20:49 | |
Think about the Batman movies when you want to find Batman wherever he | 0:20:49 | 0:20:52 | |
-is across the city... -Yeah? | 0:20:52 | 0:20:53 | |
..the sign goes up with a big light right up into the sky, | 0:20:53 | 0:20:56 | |
-you see the bat. -Yeah. -This is what they used. | 0:20:56 | 0:20:59 | |
-Oh, wow! -They just took bat off it. | 0:20:59 | 0:21:01 | |
-All right, all right. -Wow! -What do you think of this? | 0:21:01 | 0:21:03 | |
I think it's great. | 0:21:03 | 0:21:04 | |
What would this originally be from, or is this a piece of furniture? | 0:21:04 | 0:21:07 | |
It's off a ship. That would be off a big ship at night. | 0:21:07 | 0:21:10 | |
-We've just put a trendy light bulb. -Yeah. | 0:21:10 | 0:21:12 | |
-So, that's an LED light, as well? -Yeah, that's an LED light. -What price is it? | 0:21:12 | 0:21:15 | |
-350 quid to you. ALL: -What?! | 0:21:15 | 0:21:18 | |
-Pause for the break. Oh, no, we don't have breaks! It's OK. -OK! | 0:21:19 | 0:21:23 | |
-That would be a great break moment. -Back away, sir. | 0:21:23 | 0:21:25 | |
-Sir, back away from the light, sir. -So, that is a no! | 0:21:25 | 0:21:28 | |
So, right, you two, the light's gone out on this deal. | 0:21:28 | 0:21:31 | |
-It will be taken back to music, I think. -OK. | 0:21:31 | 0:21:33 | |
-The turntable. -So the plan is to turn around. | 0:21:33 | 0:21:36 | |
The plan is to put a needle on it. | 0:21:36 | 0:21:39 | |
The turntable it is. | 0:21:39 | 0:21:40 | |
Blues, you need to up the ante. | 0:21:40 | 0:21:42 | |
Now, ladies... Ladies, ladies, we've got 15 minutes left, OK? | 0:21:42 | 0:21:45 | |
Now, I don't want to put any pressure on you | 0:21:45 | 0:21:47 | |
but you know how competitive those pesky Reds are. | 0:21:47 | 0:21:50 | |
Yeah, they're probably still chatting. | 0:21:50 | 0:21:51 | |
Yeah, but they might be buying. | 0:21:51 | 0:21:53 | |
Hopefully, it's this turntable, Nick, | 0:21:53 | 0:21:55 | |
if the dealer agrees to their demands. | 0:21:55 | 0:21:57 | |
OK, we're going to have it. £135. | 0:21:57 | 0:22:00 | |
Can we get five pieces of Shellac? | 0:22:00 | 0:22:03 | |
-Yes, you can have five. -Yes! | 0:22:03 | 0:22:05 | |
Perfect. Thank you so much. | 0:22:05 | 0:22:07 | |
-135. -135. -Deal, yes! | 0:22:07 | 0:22:10 | |
So, with five records and a tin of needles thrown in, | 0:22:10 | 0:22:13 | |
the Reds are over the line. | 0:22:13 | 0:22:14 | |
Three done, all finished, five minutes to go. | 0:22:14 | 0:22:18 | |
And you've some money left. | 0:22:18 | 0:22:19 | |
I have some money left. | 0:22:19 | 0:22:20 | |
Well done, Reds. | 0:22:20 | 0:22:22 | |
And hopefully it'll also spin a record profit at auction | 0:22:22 | 0:22:25 | |
for Children In Need. | 0:22:25 | 0:22:26 | |
Now, with just five minutes left, | 0:22:27 | 0:22:29 | |
the pressure's on, Blues, for that final item. | 0:22:29 | 0:22:31 | |
-That's nice. -Yes. | 0:22:32 | 0:22:33 | |
Now, classical 18th-century shape. | 0:22:33 | 0:22:36 | |
Yeah. Is it real? | 0:22:36 | 0:22:38 | |
But it's a 19th-century version of an 18th-century... | 0:22:38 | 0:22:40 | |
-It's 150 years old trying to be 250 years old. -OK. | 0:22:40 | 0:22:44 | |
I just noticed there is some unfortunate damage here. | 0:22:44 | 0:22:49 | |
I like it. Will the base snap off before auction, | 0:22:49 | 0:22:51 | |
-or are we all right until then? -No. It'll last at least that long. | 0:22:51 | 0:22:55 | |
-'Scuse me, sir. -Hello. | 0:22:55 | 0:22:56 | |
How much is the vase, please? | 0:22:56 | 0:22:58 | |
It was 60. | 0:22:58 | 0:22:59 | |
It WAS 60? | 0:22:59 | 0:23:01 | |
And then...? | 0:23:01 | 0:23:02 | |
I know, I know... | 0:23:02 | 0:23:03 | |
-What about 50? -Look at the panels, look at the quality of the painting. | 0:23:03 | 0:23:07 | |
But the cracks also, how much do we get knocked off for the cracks? | 0:23:07 | 0:23:13 | |
-I tell you what. -50? -I give you for 45. | 0:23:13 | 0:23:15 | |
£40, we have got a deal. | 0:23:15 | 0:23:18 | |
Thank you, sir. £40, well done. | 0:23:18 | 0:23:20 | |
All right, all right, good job. | 0:23:20 | 0:23:21 | |
Good work, Blues. | 0:23:21 | 0:23:23 | |
And with a couple of minutes left, I'm calling time. | 0:23:23 | 0:23:25 | |
RECORD SCRATCHES, HORN TOOTS | 0:23:25 | 0:23:26 | |
Right, pop pickers, your time's up. | 0:23:26 | 0:23:28 | |
You have been a great team. Come on, let's go and celebrate. | 0:23:28 | 0:23:30 | |
Pudsey, shall we remind ourselves what the Red team bought? | 0:23:30 | 0:23:33 | |
Let's do just that. | 0:23:33 | 0:23:34 | |
First up, could this jet ashtray be | 0:23:35 | 0:23:37 | |
today's highest climber for Nihal and Colin? | 0:23:37 | 0:23:39 | |
£30. | 0:23:39 | 0:23:40 | |
Another entry for the Reds, | 0:23:42 | 0:23:43 | |
the silver cuff bracelet and bangles, at £50. | 0:23:43 | 0:23:45 | |
And at number three, | 0:23:46 | 0:23:48 | |
have they hit the right note with this gramophone? | 0:23:48 | 0:23:50 | |
Snapped up for £135. | 0:23:50 | 0:23:52 | |
Reds, you did it with five minutes to spare. | 0:23:53 | 0:23:55 | |
I was a wee bit worried. | 0:23:55 | 0:23:56 | |
You were so quick off the mark. | 0:23:56 | 0:23:57 | |
Yes, I was a bit impetuous. | 0:23:57 | 0:24:00 | |
-We were. -Thank you, Colin. | 0:24:00 | 0:24:01 | |
I'm glad he has changed because he was in the first ten minutes | 0:24:01 | 0:24:04 | |
just going, "You idiot." | 0:24:04 | 0:24:05 | |
I'm going to ask you which is your favourite item | 0:24:05 | 0:24:07 | |
but I think I already know. It has got to be your final item. | 0:24:07 | 0:24:10 | |
-That gramophone. -Yes, we want it, we want the Shellac, | 0:24:10 | 0:24:12 | |
we want the gramophone, | 0:24:12 | 0:24:13 | |
we want the extra needles, we want it in our living room. | 0:24:13 | 0:24:16 | |
But which, Nihal, is going to bring the biggest profit? | 0:24:16 | 0:24:18 | |
I would like to think if there is someone at that auction | 0:24:18 | 0:24:21 | |
who's really into music, just looks at that and goes, | 0:24:21 | 0:24:24 | |
I don't care where this goes, | 0:24:24 | 0:24:26 | |
I am going to keep bidding. | 0:24:26 | 0:24:27 | |
So, do you agree, is the gramophone likely to bring the biggest profit? | 0:24:27 | 0:24:30 | |
Definitely the aeroplane ashtray! | 0:24:30 | 0:24:32 | |
No, I am so sure we're going to make really good money | 0:24:32 | 0:24:35 | |
-on that record player. -How much money did you spend again? | 0:24:35 | 0:24:38 | |
-Remind me. -£215. | 0:24:38 | 0:24:40 | |
215, so 85. | 0:24:40 | 0:24:41 | |
-Who has it? -I have it, actually, yes. | 0:24:41 | 0:24:43 | |
-I'll take that from you, Nihal, thank you so much. -There you go. | 0:24:43 | 0:24:46 | |
£85, Caroline. | 0:24:46 | 0:24:48 | |
It's going to be you on your own, so do you have anything in mind? | 0:24:48 | 0:24:50 | |
On my own! | 0:24:50 | 0:24:51 | |
I haven't had chance to have a good look around yet | 0:24:51 | 0:24:54 | |
but I am going to scurry off and spend this very wisely. | 0:24:54 | 0:24:57 | |
Well, Caroline has her orders then, | 0:24:57 | 0:24:59 | |
no ashtrays when it comes to the bonus buy. | 0:24:59 | 0:25:01 | |
Som we'll send you off. | 0:25:01 | 0:25:02 | |
And we'll remind ourselves what the Blue team bought. | 0:25:02 | 0:25:04 | |
First entry for the Blues is this bling Italian ring at £90. | 0:25:05 | 0:25:09 | |
Then came this Art Deco tea set, bought for £50. | 0:25:12 | 0:25:15 | |
And at number three, | 0:25:17 | 0:25:18 | |
will this 19th-century urn be the Pick Of The Pops at £40? | 0:25:18 | 0:25:22 | |
Blues, two minutes to spare, what are you doing to us? | 0:25:23 | 0:25:26 | |
By the skin of our teeth! | 0:25:26 | 0:25:27 | |
So, the items you bought, which is your favourite, Edith? | 0:25:27 | 0:25:29 | |
-Probably the ring. -Love the ring. | 0:25:29 | 0:25:31 | |
-Yeah. -We both fell in love with the ring. | 0:25:31 | 0:25:33 | |
So different, I can see Angelina Jolie wearing it. | 0:25:33 | 0:25:36 | |
-Same. -So, you both agree it's your favourite item. | 0:25:36 | 0:25:38 | |
Edith, do you think it's going to bring the biggest profit? | 0:25:38 | 0:25:41 | |
-I hope so. -I think it might. | 0:25:41 | 0:25:42 | |
I think it might. We got a good price for it. | 0:25:42 | 0:25:45 | |
-It is couture. -Yep. | 0:25:45 | 0:25:47 | |
-OK. -Sure it will. -I think you've got a fighting chance | 0:25:47 | 0:25:49 | |
because you didn't spend all the money, you only spent 180. | 0:25:49 | 0:25:52 | |
So who's got 120 of left-over money? | 0:25:52 | 0:25:54 | |
Dotty, I'll take it from you. | 0:25:54 | 0:25:56 | |
Thank you very much. | 0:25:56 | 0:25:57 | |
Nick, this is your time to shine. | 0:25:57 | 0:25:59 | |
-Come on, Nick. -You have got to find something in this market. | 0:25:59 | 0:26:01 | |
-Do you have a plan? -Old and gold. | 0:26:01 | 0:26:03 | |
Old and gold. | 0:26:03 | 0:26:04 | |
You are going to bring in the old and gold! | 0:26:04 | 0:26:06 | |
-I think I've got my instructions loud and clear. -Amazing. | 0:26:06 | 0:26:09 | |
Well, Nick knows what he's got to do, old and gold. | 0:26:09 | 0:26:12 | |
Off you go to find the bonus buy. | 0:26:12 | 0:26:14 | |
Time for us to head for the auction. | 0:26:14 | 0:26:16 | |
For our special Children In Need sale, | 0:26:22 | 0:26:25 | |
we have headed to Catherine Southern auctions in Surrey. | 0:26:25 | 0:26:28 | |
Catherine, you look great in your ears. | 0:26:28 | 0:26:31 | |
In my little Pudsey ears! | 0:26:31 | 0:26:32 | |
We're getting into the spirit of it here. | 0:26:32 | 0:26:34 | |
And our team's very much got into the spirit of things | 0:26:34 | 0:26:37 | |
at Spitalfields. We had Colin Murray and Nihal for the Reds. | 0:26:37 | 0:26:41 | |
What do you think of their Eichholtz ashtray to start us off? | 0:26:41 | 0:26:45 | |
It's got really good design. | 0:26:45 | 0:26:47 | |
It is manufactured by a company, Eichholtz, as you said, | 0:26:47 | 0:26:50 | |
they're Dutch, they're very much now dealing in the luxury brands. | 0:26:50 | 0:26:54 | |
We have put £30 to £50 on it, | 0:26:54 | 0:26:56 | |
-and I cannot tell you how much interest we've had in it. -Really? | 0:26:56 | 0:27:01 | |
-Well, the team only paid £30 for it. -Ooh! | 0:27:01 | 0:27:03 | |
Neither of them said it was their favourite, | 0:27:03 | 0:27:06 | |
so if you think it is going to make plenty of profit, | 0:27:06 | 0:27:08 | |
-that would be fantastic. -Yeah! | 0:27:08 | 0:27:10 | |
OK, great. | 0:27:10 | 0:27:12 | |
And then we'll move on to our silver cuff bracelet | 0:27:12 | 0:27:15 | |
and it also came with two other silver bracelets. | 0:27:15 | 0:27:17 | |
A nice wee job lot. This was Colin's choice. | 0:27:17 | 0:27:19 | |
The design on that cuff bangle is sublime. | 0:27:19 | 0:27:23 | |
The two bangles that go with it are neither here nor there, | 0:27:23 | 0:27:26 | |
that is the piece, this large cuff bangle that's going to sell the lot. | 0:27:26 | 0:27:30 | |
So, what do you think the lot of three of going to make? | 0:27:30 | 0:27:33 | |
£40 to £60, at least. | 0:27:33 | 0:27:37 | |
OK, well, Colin led this one and was happy to pay £50, | 0:27:37 | 0:27:40 | |
and Nihal got behind him. | 0:27:40 | 0:27:42 | |
Another choice of Nihal's. | 0:27:42 | 0:27:43 | |
It is the gramophone that, of course, as DJs, | 0:27:43 | 0:27:46 | |
-they had to buy. -Yes. -They both say it is their favourite, | 0:27:46 | 0:27:49 | |
they both think it's going to make the biggest profit, | 0:27:49 | 0:27:51 | |
but you'll have seen loads of these, Catherine, not a rarity? | 0:27:51 | 0:27:54 | |
I have. Nice that we've got a lot of records in there. | 0:27:54 | 0:27:58 | |
It is 1930s in date, | 0:27:58 | 0:28:00 | |
and I think it's a great piece to have in a vintage home. | 0:28:00 | 0:28:03 | |
It is only £40 to £60. | 0:28:03 | 0:28:05 | |
They paid £135, and they were so happy to do it. | 0:28:05 | 0:28:09 | |
That is what it's all about. | 0:28:09 | 0:28:10 | |
Well, this could be their downfall, | 0:28:10 | 0:28:12 | |
so let's see what Caroline has bought the boys as a bonus buy. | 0:28:12 | 0:28:16 | |
What is behind the cloth, Caroline? | 0:28:17 | 0:28:20 | |
Let me show. | 0:28:20 | 0:28:21 | |
-Oh. -OK. | 0:28:22 | 0:28:24 | |
-This is actually 18th-century Delftware. -Oh. | 0:28:24 | 0:28:28 | |
It could well be English, | 0:28:28 | 0:28:30 | |
so it dates back to the mid-18th century, I'd think, 1750. | 0:28:30 | 0:28:35 | |
It's tin glaze which is notoriously bad for chipping, | 0:28:35 | 0:28:39 | |
but there's a tiny bit there, but really not much at all. | 0:28:39 | 0:28:43 | |
It is a beautiful thing. | 0:28:43 | 0:28:45 | |
What do you think I paid for it? | 0:28:45 | 0:28:47 | |
I think £80, you spent. | 0:28:47 | 0:28:48 | |
I paid £25. | 0:28:48 | 0:28:50 | |
-Oh, my goodness me. -That's a good buy. | 0:28:50 | 0:28:52 | |
It's going to double its money. | 0:28:52 | 0:28:54 | |
It is a no-brainer that it makes money. | 0:28:54 | 0:28:56 | |
But that's not all. | 0:28:56 | 0:28:58 | |
In my pocket I have something else. | 0:28:58 | 0:29:01 | |
When I was deciding what to get for my bonus buy, | 0:29:01 | 0:29:05 | |
I looked at this Victorian silver bangle, | 0:29:05 | 0:29:08 | |
and the stallholder came up to me and said, | 0:29:08 | 0:29:11 | |
as it's for Children In Need, | 0:29:11 | 0:29:12 | |
I would like to give you this, | 0:29:12 | 0:29:14 | |
no charge. You can have it. | 0:29:14 | 0:29:16 | |
We've accepted this and we're going to sell to separately. | 0:29:16 | 0:29:19 | |
What a nice gesture! | 0:29:19 | 0:29:20 | |
So, whatever happens, | 0:29:20 | 0:29:22 | |
we know the bangle is going to make money for Children In Need | 0:29:22 | 0:29:25 | |
but the important question is does Catherine, our auctioneer, agree? | 0:29:25 | 0:29:28 | |
OK, Catherine. Now, I don't know how often you deal in Delft, | 0:29:29 | 0:29:33 | |
but that's exactly what Caroline's bought for the boys. | 0:29:33 | 0:29:35 | |
It's quite nice, there's a few chips here and there, | 0:29:35 | 0:29:38 | |
but it doesn't excite me, I'm afraid. | 0:29:38 | 0:29:40 | |
It's not one of their best patterns. | 0:29:40 | 0:29:42 | |
50 to 80, that was very generous. | 0:29:42 | 0:29:44 | |
But that's what I put on it. | 0:29:44 | 0:29:45 | |
Well, amazingly, Caroline only paid £25 for it, | 0:29:45 | 0:29:49 | |
but if you think you've been generous, it could be borderline. | 0:29:49 | 0:29:52 | |
Caroline didn't break the rules, | 0:29:52 | 0:29:55 | |
she bent them, and brought in a second bonus buy. | 0:29:55 | 0:29:58 | |
It's a stiff bangle, | 0:29:58 | 0:30:00 | |
these are quite hard to get on your wrists, | 0:30:00 | 0:30:02 | |
so they're not the easiest things to sell, | 0:30:02 | 0:30:04 | |
but it is silver, and it is Victorian and people will buy it | 0:30:04 | 0:30:08 | |
because of that. Easily £10 to £20. | 0:30:08 | 0:30:10 | |
Well, it was free of charge so anything it makes | 0:30:10 | 0:30:13 | |
will go into the Children In Need pot. Let's head over to the Blues. | 0:30:13 | 0:30:17 | |
The ladies, Dottie and Edith. | 0:30:17 | 0:30:18 | |
We'll start with the item that they both say is their favourite | 0:30:18 | 0:30:22 | |
and both think is going to bring the biggest profit. | 0:30:22 | 0:30:24 | |
It is the ring. | 0:30:24 | 0:30:26 | |
It is designer, | 0:30:26 | 0:30:27 | |
it's oxidised silver, | 0:30:27 | 0:30:28 | |
and then it's got this sort of spinning bead at the end. | 0:30:28 | 0:30:32 | |
They are all the rage, apparently. | 0:30:32 | 0:30:35 | |
So what's the auction value? | 0:30:35 | 0:30:37 | |
£50 to £80. | 0:30:37 | 0:30:38 | |
OK, well, it sounds as though the ladies then nearly paid top dollar, | 0:30:38 | 0:30:41 | |
they got it for 90 at the fair. | 0:30:41 | 0:30:43 | |
But if people like it, who knows? | 0:30:43 | 0:30:44 | |
Who knows, indeed. | 0:30:44 | 0:30:46 | |
So, we'll move onto our next lot for the Blues. | 0:30:46 | 0:30:48 | |
It's Art Deco and it's a tea set. | 0:30:48 | 0:30:50 | |
We've got a pot, sugar, cream... | 0:30:50 | 0:30:52 | |
Does it take all the boxes for you? | 0:30:52 | 0:30:54 | |
It does tick all the boxes, | 0:30:54 | 0:30:56 | |
apart from the fact it's actually Art Deco style | 0:30:56 | 0:30:59 | |
and it's silver plate rather than solid silver. | 0:30:59 | 0:31:02 | |
Having said that, this is in really beautiful condition. | 0:31:02 | 0:31:06 | |
What do you think it will make? | 0:31:06 | 0:31:08 | |
I have put on it £50 to £70. | 0:31:08 | 0:31:10 | |
OK, well, £50 paid by our DJs... | 0:31:10 | 0:31:13 | |
-I think that's good. -..so that could be all right. | 0:31:13 | 0:31:15 | |
And then our last lot is this urn vase. | 0:31:15 | 0:31:18 | |
What do you think of it? It stands out on the table there. | 0:31:18 | 0:31:21 | |
-It does. -It's really nicely decorated, | 0:31:21 | 0:31:23 | |
there's so much going on. | 0:31:23 | 0:31:24 | |
It is undoubtedly Continental, we've got hunting scenes, | 0:31:24 | 0:31:28 | |
there's deers, there's so much going on, | 0:31:28 | 0:31:30 | |
but it's very much of a fashion, it's 19th century, | 0:31:30 | 0:31:33 | |
these kind of things are slightly going out of fashion | 0:31:33 | 0:31:36 | |
and the downside of this one is that it is restored. | 0:31:36 | 0:31:39 | |
I've put 20 to 30 on it. | 0:31:39 | 0:31:41 | |
Well, the ladies paid £40 for it, so it could do it? | 0:31:41 | 0:31:44 | |
Yeah, I think it could, actually. | 0:31:44 | 0:31:46 | |
Well, just in case it doesn't, let's see what Nick bought as a bonus buy. | 0:31:46 | 0:31:51 | |
Right, Edith, Dotty, this is a big moment. | 0:31:52 | 0:31:55 | |
Pudsey's here to remind us where trying to make money | 0:31:55 | 0:31:57 | |
for Children In Need, so no pressure! | 0:31:57 | 0:31:59 | |
Pudsey... | 0:31:59 | 0:32:00 | |
-Chandelier. -Wow. | 0:32:03 | 0:32:05 | |
It's a good-quality 20th-century replica of | 0:32:05 | 0:32:08 | |
-an 18th-century French chateau style chandelier. -Amazing. | 0:32:08 | 0:32:12 | |
Is it not elegant and beautiful? | 0:32:12 | 0:32:13 | |
Would you hang it up in yours, Edith? | 0:32:13 | 0:32:15 | |
Being honest? | 0:32:16 | 0:32:17 | |
Nah. | 0:32:17 | 0:32:18 | |
-It's quality. -What do you think? | 0:32:18 | 0:32:20 | |
Depends how much it cost. | 0:32:20 | 0:32:21 | |
£60 for a cut glass chandelier. | 0:32:21 | 0:32:24 | |
Has it got all its bits? | 0:32:24 | 0:32:25 | |
Yeah, all the bits are there, and in nice condition. | 0:32:25 | 0:32:28 | |
-Yeah, it's ready to go. -I'm not sold. -Not sold, yeah. | 0:32:28 | 0:32:31 | |
It's about making money, that's what we've got to do, | 0:32:31 | 0:32:34 | |
we want to make as much money for Children In Need. | 0:32:34 | 0:32:36 | |
You don't need to decide | 0:32:36 | 0:32:37 | |
-whether or not you're going to risk it right now. -Phew. | 0:32:37 | 0:32:39 | |
Your other items come first, and then we'll make up our minds | 0:32:39 | 0:32:41 | |
in the auction, OK? Let's see what Catherine thinks of the chandelier. | 0:32:41 | 0:32:45 | |
Now, Nick's bonus buy is impossible to put on the table so... | 0:32:45 | 0:32:49 | |
our special assistant, Pudsey Bear, | 0:32:49 | 0:32:51 | |
can you show us Nick's bonus buy? | 0:32:51 | 0:32:53 | |
Oh, Pudsey, you model it so well! | 0:32:53 | 0:32:56 | |
Catherine, does that add value to it, | 0:32:56 | 0:32:58 | |
the fact it's been touched by Pudsey? | 0:32:58 | 0:33:00 | |
Oh, I'd prefer to have Pudsey than the chandelier, | 0:33:00 | 0:33:03 | |
to be honest with you. | 0:33:03 | 0:33:04 | |
It's 19th-century style. | 0:33:05 | 0:33:07 | |
The problem is it's not terribly well made at all. | 0:33:07 | 0:33:09 | |
It's cheaply made... | 0:33:09 | 0:33:11 | |
£60 to £80. I think I've gone over the top on it. | 0:33:11 | 0:33:14 | |
OK, Pudsey, you can go and hang the chandelier back up. | 0:33:14 | 0:33:17 | |
Catherine, Nick paid £60 for it. | 0:33:17 | 0:33:20 | |
Yeah, I think he paid quite a bit, and I've put too much on it. | 0:33:20 | 0:33:24 | |
The perfect storm. THEY LAUGH | 0:33:24 | 0:33:27 | |
Well, we're here to make money for Children In Need, | 0:33:27 | 0:33:29 | |
do you think we're going to do it? | 0:33:29 | 0:33:31 | |
I am feeling the pressure beyond belief, but I do like a challenge. | 0:33:31 | 0:33:34 | |
170, 180, 190. | 0:33:35 | 0:33:37 | |
With me at 190, then. | 0:33:37 | 0:33:39 | |
I am looking for 210... | 0:33:39 | 0:33:40 | |
Reds, this is it. This is the auction. | 0:33:40 | 0:33:42 | |
Time to make some money for charity. | 0:33:42 | 0:33:44 | |
Nihal, you were learning about the Imago Kent Young Carers, | 0:33:44 | 0:33:46 | |
-weren't you? -Amazing, amazing charity | 0:33:46 | 0:33:49 | |
helping young people, of course, who are just having to take so much | 0:33:49 | 0:33:53 | |
on their young shoulders, and Liam was fantastic, | 0:33:53 | 0:33:55 | |
and I think that charity, it's just brilliant, what they do. | 0:33:55 | 0:33:58 | |
-So, obviously this charity has touched you. -Yeah. | 0:33:58 | 0:34:00 | |
So no pressure, you've got to make them some money. | 0:34:00 | 0:34:03 | |
We have got to make, make money! | 0:34:03 | 0:34:04 | |
Right, Reds, are you ready for this? We're starting with your ashtray. | 0:34:04 | 0:34:07 | |
This could be it. Come on, let's make some money for charity. | 0:34:07 | 0:34:10 | |
And we have interest here. | 0:34:10 | 0:34:12 | |
We have 45, 50, | 0:34:12 | 0:34:14 | |
£60. | 0:34:14 | 0:34:15 | |
With me at £60. | 0:34:15 | 0:34:17 | |
70, £80 with me now. | 0:34:17 | 0:34:19 | |
£80 I've got. | 0:34:19 | 0:34:21 | |
90. 100 with me now. | 0:34:21 | 0:34:22 | |
£100, it's with me, on commission, at 100. | 0:34:22 | 0:34:26 | |
And I'm looking for five. | 0:34:26 | 0:34:27 | |
Surely, someone in the room? | 0:34:27 | 0:34:29 | |
Come on, ladies and gentlemen. | 0:34:29 | 0:34:30 | |
This is all for Children In Need. | 0:34:30 | 0:34:32 | |
I have £100 and I'm looking for five. | 0:34:32 | 0:34:34 | |
ALL CHEER: Yes! | 0:34:34 | 0:34:36 | |
110, 115. | 0:34:36 | 0:34:38 | |
And I've got 120. | 0:34:38 | 0:34:39 | |
Come on, and another bid. You know you want it. | 0:34:39 | 0:34:41 | |
ALL: Yes! | 0:34:41 | 0:34:43 | |
130 now with me. | 0:34:43 | 0:34:45 | |
And another. Yay, fantastic. | 0:34:45 | 0:34:47 | |
And I've got 150. | 0:34:47 | 0:34:48 | |
CHEERING | 0:34:48 | 0:34:50 | |
155, and I've got 160. | 0:34:50 | 0:34:52 | |
With me at 160. | 0:34:52 | 0:34:54 | |
All done and sold! | 0:34:54 | 0:34:56 | |
CHEERING | 0:34:56 | 0:34:57 | |
Well done! | 0:35:00 | 0:35:01 | |
You've just made a profit of £130. | 0:35:01 | 0:35:05 | |
-Is that good? -It's pretty good! -Brilliant! | 0:35:05 | 0:35:07 | |
As we go into lot number two which is your cuff bracelet. | 0:35:07 | 0:35:10 | |
-I'm sweating. -Oh, and the two other bracelets, too. | 0:35:10 | 0:35:14 | |
Lot 2, we've got an attractive contemporary silver cuff bracelet, | 0:35:14 | 0:35:17 | |
and two others, there's three in a lot, here. | 0:35:17 | 0:35:19 | |
I've got £40 already bid. | 0:35:19 | 0:35:21 | |
£40 and looking for five. | 0:35:21 | 0:35:22 | |
This is a beautiful cuff bracelet. | 0:35:22 | 0:35:24 | |
Thank you, five, thank you. | 0:35:24 | 0:35:26 | |
45 in the room. | 0:35:26 | 0:35:27 | |
And looking for 50. | 0:35:27 | 0:35:28 | |
This is cheap. Thank you, £50. | 0:35:28 | 0:35:31 | |
I've 70 now. | 0:35:31 | 0:35:32 | |
75. Thank you. | 0:35:32 | 0:35:34 | |
75, I've got. | 0:35:34 | 0:35:35 | |
What did we pay for it?! | 0:35:35 | 0:35:36 | |
I'm looking for 80. I've got 80 now. | 0:35:36 | 0:35:39 | |
85. | 0:35:39 | 0:35:40 | |
# Make money, make money, money, money! # | 0:35:40 | 0:35:42 | |
-85 I have seated. -GAVEL BANGS | 0:35:42 | 0:35:43 | |
85! | 0:35:43 | 0:35:44 | |
It was your ashtray, but it made money. | 0:35:44 | 0:35:46 | |
That's another 35, so you're at £165 profit. | 0:35:46 | 0:35:51 | |
-Yes! -Right, but this is make or break. -This is your risk. | 0:35:51 | 0:35:53 | |
-This is make or break. -Lot 3, | 0:35:53 | 0:35:55 | |
we have a 1930s wind-up Decca salon gramophone, | 0:35:55 | 0:35:59 | |
and I have 25, 35. | 0:35:59 | 0:36:02 | |
40, thank you, 45. | 0:36:02 | 0:36:03 | |
50. Five. | 0:36:03 | 0:36:05 | |
60. Come on, Children In Need. | 0:36:05 | 0:36:07 | |
-I need another £5. -Come on! | 0:36:07 | 0:36:09 | |
Five, thank you. | 0:36:09 | 0:36:10 | |
£70, I have. | 0:36:10 | 0:36:12 | |
Another five? £70 then. | 0:36:12 | 0:36:14 | |
All done at 70? | 0:36:14 | 0:36:16 | |
GAVEL BANGS THEY GROAN | 0:36:16 | 0:36:17 | |
Sorry, Nihal, no golden gavel. | 0:36:17 | 0:36:19 | |
£70. | 0:36:19 | 0:36:20 | |
That's made a loss of 65, but you had so much in the bank, | 0:36:20 | 0:36:25 | |
you're still up £100. | 0:36:25 | 0:36:27 | |
The question is, are you going to go for this plate? | 0:36:27 | 0:36:32 | |
-Absolutely 100%. -Sure? -100%. | 0:36:32 | 0:36:36 | |
Catherine thinks this could make 50-80 so there's more money in it. | 0:36:36 | 0:36:39 | |
We are moving on now to lot 4, which is a tin glaze, | 0:36:39 | 0:36:43 | |
probably 18th-century Delft plate. | 0:36:43 | 0:36:46 | |
Who's going to give me £40 for this? | 0:36:46 | 0:36:47 | |
Thank you. £40. | 0:36:47 | 0:36:49 | |
Looking for five, please. | 0:36:49 | 0:36:50 | |
And five, thank you. | 0:36:50 | 0:36:51 | |
£50 now. 50 in the room, five now. | 0:36:51 | 0:36:54 | |
Thank you. £60. | 0:36:54 | 0:36:56 | |
65 now. | 0:36:56 | 0:36:58 | |
65, then, fair warning at 65. | 0:36:58 | 0:37:00 | |
-65! -We just missed out on our record! -Amazing. | 0:37:00 | 0:37:05 | |
Right, you're up to 140 now | 0:37:05 | 0:37:08 | |
and here comes the bonus bonus buy. | 0:37:08 | 0:37:11 | |
Gents, there is nothing to lose. | 0:37:11 | 0:37:13 | |
Do you think we should go with it? Yes, let's, because it is free. | 0:37:13 | 0:37:17 | |
Lot 5 is a Victorian silver hinged bangle | 0:37:17 | 0:37:19 | |
with a rather nice beaded design. | 0:37:19 | 0:37:21 | |
Who will give me £10 for this? | 0:37:21 | 0:37:23 | |
£10 is on the net. | 0:37:23 | 0:37:25 | |
And looking for five. | 0:37:25 | 0:37:26 | |
Five, I've got. | 0:37:26 | 0:37:27 | |
£20, lady in the glasses? | 0:37:27 | 0:37:29 | |
20. Five, I've got. | 0:37:29 | 0:37:31 | |
30. Five. 40. | 0:37:31 | 0:37:34 | |
Five. 50. Five. | 0:37:34 | 0:37:37 | |
60. 65. | 0:37:37 | 0:37:39 | |
70. | 0:37:39 | 0:37:41 | |
Five. Any more at 75, then? | 0:37:41 | 0:37:44 | |
£75 of pure profit. | 0:37:44 | 0:37:47 | |
So, gentlemen, overall... | 0:37:48 | 0:37:51 | |
I'll take that. ..£215 profit. | 0:37:51 | 0:37:55 | |
Unbelievable. | 0:37:55 | 0:37:56 | |
The ashtray was the cash tray and that's all I'm saying. | 0:37:56 | 0:37:59 | |
That was ash-tronomical! | 0:37:59 | 0:38:02 | |
Ladies, we've been talking about making money for charity | 0:38:08 | 0:38:10 | |
but this is it. Now it's action time. | 0:38:10 | 0:38:12 | |
-Are you nervous? -I am because I went down to Stopgap to see | 0:38:12 | 0:38:15 | |
the incredible work that's done down there and how important | 0:38:15 | 0:38:20 | |
it is for those kids. | 0:38:20 | 0:38:21 | |
Meeting Nicole and her mum and the rest of the team | 0:38:21 | 0:38:24 | |
was amazing so that's what it's all about - | 0:38:24 | 0:38:26 | |
it's about raising as much money from those items | 0:38:26 | 0:38:29 | |
today as possible. | 0:38:29 | 0:38:31 | |
Brace yourselves, ladies. | 0:38:31 | 0:38:32 | |
Your first item, which is your favourite, is the ring | 0:38:32 | 0:38:35 | |
and is coming up right now. | 0:38:35 | 0:38:36 | |
-Here we go. -So, lot 6, | 0:38:36 | 0:38:38 | |
we have here, a Bottega Veneta Italian ring | 0:38:38 | 0:38:41 | |
and where shall we start this? | 0:38:41 | 0:38:42 | |
I'm looking for £40, please. | 0:38:42 | 0:38:44 | |
-Surely 40. -Come on! | 0:38:44 | 0:38:46 | |
40. Five. | 0:38:46 | 0:38:48 | |
50. Five. | 0:38:48 | 0:38:50 | |
55, 60. | 0:38:50 | 0:38:51 | |
65. 65, I've got now. Any more, 65? | 0:38:51 | 0:38:56 | |
65, then, fair warning. | 0:38:56 | 0:38:59 | |
-All done, 65. -GAVEL BANGS | 0:38:59 | 0:39:02 | |
It's just made a wee loss of £25 but not to worry. | 0:39:02 | 0:39:05 | |
Let's claw it back with the silver-plated tea set. | 0:39:05 | 0:39:08 | |
-You only paid 50. I think we can do this. -We have three items in this. | 0:39:08 | 0:39:11 | |
I would like to start this at £40. | 0:39:11 | 0:39:13 | |
£40, come on, £40. | 0:39:13 | 0:39:15 | |
Where's the hands? | 0:39:15 | 0:39:17 | |
40, thank you. £40. | 0:39:17 | 0:39:18 | |
The lady's bid at 40 and I'm looking for five. | 0:39:18 | 0:39:21 | |
Five, thank you. | 0:39:21 | 0:39:22 | |
50 at the back. | 0:39:22 | 0:39:23 | |
You've broken even. | 0:39:23 | 0:39:25 | |
60 right at the back. 65. | 0:39:25 | 0:39:27 | |
Surely another! Yeah, 75. | 0:39:27 | 0:39:30 | |
Any more at 75? This is in lovely condition. | 0:39:30 | 0:39:33 | |
-75 and sold. -GAVEL BANGS | 0:39:33 | 0:39:35 | |
75. OK, you're back to zero. | 0:39:35 | 0:39:37 | |
Back where we started. | 0:39:37 | 0:39:38 | |
Back where you started which is a good position to be in. | 0:39:38 | 0:39:40 | |
-I feel a bit sick. -We'll claw it back with the vase. | 0:39:40 | 0:39:43 | |
Edith, don't be nervous. | 0:39:43 | 0:39:44 | |
This is your urn. £40 paid for it, are you ready for this? | 0:39:44 | 0:39:48 | |
This is your chance to make money. | 0:39:48 | 0:39:50 | |
Moving on to lot 8. | 0:39:50 | 0:39:51 | |
We have a late-19th-century | 0:39:51 | 0:39:53 | |
Continental twin-handled porcelain urn. | 0:39:53 | 0:39:57 | |
£20, come on. 25? | 0:39:57 | 0:39:58 | |
30, 35. | 0:39:58 | 0:40:00 | |
35, closest to me. | 0:40:00 | 0:40:02 | |
Behind at 40. | 0:40:02 | 0:40:04 | |
50, you are a star. | 0:40:04 | 0:40:05 | |
-You're in profit. -55 behind. | 0:40:05 | 0:40:08 | |
Look how pretty it is! | 0:40:08 | 0:40:10 | |
60, I have got. It is beautiful. | 0:40:10 | 0:40:12 | |
£60, then. | 0:40:12 | 0:40:14 | |
-Fair warning, £60. -GAVEL BANGS | 0:40:14 | 0:40:16 | |
Listen, ladies, £60 is a £20 profit. | 0:40:16 | 0:40:20 | |
Bit disappointed. | 0:40:20 | 0:40:21 | |
Don't be disappointed at all! | 0:40:21 | 0:40:23 | |
£20 going to charity is better than nothing, | 0:40:23 | 0:40:25 | |
so hold your heads high. | 0:40:25 | 0:40:26 | |
-No loss. -OK. | 0:40:26 | 0:40:27 | |
-No loss. -Are we taking the chandelier? | 0:40:27 | 0:40:29 | |
-Let's do it. -Yeah? -OK. | 0:40:29 | 0:40:31 | |
We have this delightful chandelier and £40 please, £40. | 0:40:31 | 0:40:37 | |
£40, thank you. | 0:40:37 | 0:40:39 | |
Come on, I'm looking for five now. | 0:40:39 | 0:40:41 | |
This is very cheap. | 0:40:41 | 0:40:42 | |
£40. | 0:40:42 | 0:40:44 | |
£40. | 0:40:44 | 0:40:46 | |
-Ladies! £40 is a £20 loss. -So cheap! | 0:40:46 | 0:40:50 | |
You have broken even. | 0:40:50 | 0:40:52 | |
As well as our usual items, we also have some extra special Bargain Hunt | 0:40:58 | 0:41:02 | |
lots that money can't buy, so here goes. | 0:41:02 | 0:41:05 | |
We have a large Pudsey teddy bear, | 0:41:06 | 0:41:08 | |
110, 120, | 0:41:08 | 0:41:09 | |
130, 140. | 0:41:09 | 0:41:11 | |
Going under the hammer are some legendary Bargain Hunt fleeces. | 0:41:12 | 0:41:16 | |
I will sell at 150, all done. | 0:41:16 | 0:41:19 | |
GAVEL BANGS | 0:41:19 | 0:41:20 | |
Items from our presenters and experts | 0:41:20 | 0:41:22 | |
plus some unique experiences. | 0:41:22 | 0:41:24 | |
A Bargain Hunt experience again with Philip Serrell. | 0:41:24 | 0:41:28 | |
Thank you, lot 23, behind the scenes at Radio 2 with Jeremy Vine. | 0:41:28 | 0:41:33 | |
We've seen how vital Children In Need support is to Kent Young Carers | 0:41:33 | 0:41:37 | |
and Stopgap dance company. | 0:41:37 | 0:41:39 | |
Fingers crossed we've made loads of money. | 0:41:41 | 0:41:44 | |
Time to announce the results. | 0:41:44 | 0:41:46 | |
550. | 0:41:46 | 0:41:47 | |
GAVEL BANGS | 0:41:47 | 0:41:48 | |
Well, teams, well done. You stepped away from the airwaves, | 0:41:50 | 0:41:53 | |
you entered our world of Bargain Hunt, you had Pudsey by your side | 0:41:53 | 0:41:57 | |
the whole time, and I think we can all hold our heads pretty high. | 0:41:57 | 0:42:01 | |
I have to say that only one team today could do it | 0:42:01 | 0:42:05 | |
with a profit of £215, our winners are the Reds. | 0:42:05 | 0:42:08 | |
THEY CHEER | 0:42:08 | 0:42:10 | |
Well done, gents. Didn't they do well, Pudsey? | 0:42:10 | 0:42:13 | |
Blues, you came away with nothing, | 0:42:14 | 0:42:17 | |
but you tried so hard and broke even | 0:42:17 | 0:42:20 | |
but you also brought to the attention of our viewers | 0:42:20 | 0:42:23 | |
-a great charity. -Exactly. -And that is what it's all about. | 0:42:23 | 0:42:26 | |
Amazing, congratulations, Reds. | 0:42:26 | 0:42:28 | |
Aww! | 0:42:28 | 0:42:29 | |
Pudsey is super proud of you Reds. | 0:42:29 | 0:42:31 | |
I do have £215 to give you. | 0:42:31 | 0:42:33 | |
Hold on to it for just a moment | 0:42:33 | 0:42:35 | |
because it's got to go into the bucket. | 0:42:35 | 0:42:37 | |
It's all going to Children In Need. | 0:42:37 | 0:42:39 | |
Now, you know we sold some extra lots for Children In Need, | 0:42:40 | 0:42:42 | |
as well, don't you? Overall, they made £3,690 - amazing. | 0:42:42 | 0:42:48 | |
So, let's put that 3,690 in the bucket, Pudsey, | 0:42:48 | 0:42:52 | |
and there were some buckets dotted around the auction house, too, | 0:42:52 | 0:42:56 | |
and, Dotty, I believe you've got the takings - | 0:42:56 | 0:42:59 | |
£122 - so pop it in the bucket. Amazing. | 0:42:59 | 0:43:01 | |
So, overall, ladies and gentlemen, | 0:43:01 | 0:43:03 | |
£4,027 going to Children In Need. | 0:43:03 | 0:43:07 | |
How good is that? | 0:43:07 | 0:43:09 | |
-It was a great day, wasn't it? -Yeah, awesome. | 0:43:10 | 0:43:13 | |
-Fantastic! -Well done, everyone, | 0:43:13 | 0:43:14 | |
and if you're sitting at home thinking, | 0:43:14 | 0:43:16 | |
"I fancy a bit of Bargain Hunt action," | 0:43:16 | 0:43:18 | |
then apply to be on the programme. | 0:43:18 | 0:43:19 | |
The details are on the screen right now. | 0:43:19 | 0:43:22 | |
But if you just love watching us on television, come on, | 0:43:22 | 0:43:24 | |
join us again for some more bargain hunting, yes? | 0:43:24 | 0:43:27 | |
-ALL: -Yes! | 0:43:27 | 0:43:28 |