Browse content similar to Southwell 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Reading railway timetables can be tricky at the best of times. | 0:00:04 | 0:00:08 | |
But in the 19th century, | 0:00:08 | 0:00:10 | |
local time differences across Britain | 0:00:10 | 0:00:13 | |
caused no end of problems when using public transport. | 0:00:13 | 0:00:16 | |
But more of that later. | 0:00:16 | 0:00:18 | |
First, it's time to go bargain hunting. | 0:00:18 | 0:00:21 | |
We're in Nottinghamshire at the Southwell Racecourse antiques fair. | 0:00:42 | 0:00:46 | |
Armed with £300 and 60 minutes on the clock, | 0:00:46 | 0:00:50 | |
our two teams have to buy three items | 0:00:50 | 0:00:52 | |
that hopefully will give them a profit when they sell at auction. | 0:00:52 | 0:00:55 | |
Let's have a glimpse at what's coming up. | 0:00:55 | 0:00:58 | |
The Reds are put to the test. | 0:00:58 | 0:01:00 | |
-Where do you think it was made? -Er, abroad, because it says foreign. | 0:01:00 | 0:01:03 | |
Foreign, yes. | 0:01:03 | 0:01:04 | |
And the Blues practise their bartering skills. | 0:01:04 | 0:01:07 | |
-I'd be thinking probably more about 30. -What about 40? | 0:01:07 | 0:01:11 | |
-BOTH: -35? | 0:01:11 | 0:01:13 | |
While over at the auction, there's joy... | 0:01:13 | 0:01:16 | |
Get in. Wahey! | 0:01:16 | 0:01:18 | |
..and disappointment. | 0:01:18 | 0:01:19 | |
Come on! | 0:01:19 | 0:01:21 | |
OK, but all that is coming up later, so let's meet today's teams. | 0:01:21 | 0:01:25 | |
And for the Reds we've got friends Zach and Fraser, | 0:01:25 | 0:01:28 | |
and for the Blues we've got married couple Hugh and Rita. | 0:01:28 | 0:01:32 | |
-Hello. ALL: -Hello! | 0:01:32 | 0:01:34 | |
So, where's home for you two fellas? | 0:01:34 | 0:01:36 | |
We both live together in Sheffield, but I'm originally from Dover. | 0:01:36 | 0:01:39 | |
-And I'm originally from Scunthorpe. -Tell me how you two met. | 0:01:39 | 0:01:42 | |
We actually met at university. | 0:01:42 | 0:01:44 | |
We lived across the hall from each other | 0:01:44 | 0:01:46 | |
and my first day I got a big knock on the front door, | 0:01:46 | 0:01:48 | |
and there was little shy Fraser there, kicking his feet, saying, | 0:01:48 | 0:01:51 | |
"Can we be best friends, please?" | 0:01:51 | 0:01:53 | |
-Are you serious? -Yeah. -You're forgetting | 0:01:53 | 0:01:55 | |
the four cans of lager that I was holding. | 0:01:55 | 0:01:57 | |
-He had some cheap beer as a present for me. -Oh, I see. Oh, right. | 0:01:57 | 0:02:00 | |
OK. And I see you've got a love of drama and film. | 0:02:00 | 0:02:03 | |
Yeah. I studied drama at university | 0:02:03 | 0:02:05 | |
but decided it wouldn't be a career for me. | 0:02:05 | 0:02:07 | |
But we're big fans of the cinema. | 0:02:07 | 0:02:09 | |
We go to the cinema two, three times a week. | 0:02:09 | 0:02:11 | |
I'd probably say my favourite film is Quadrophenia, actually, yeah. | 0:02:11 | 0:02:14 | |
My dad introduced me to it at a really young age | 0:02:14 | 0:02:16 | |
and it's just kind of stuck with me. | 0:02:16 | 0:02:17 | |
Fraser, I believe you share your birthday with a celebrity. | 0:02:17 | 0:02:20 | |
I have the exact same birthday as Justin Bieber, | 0:02:20 | 0:02:22 | |
so it's always kind of figuring out where I'm at in my life | 0:02:22 | 0:02:25 | |
in comparison to him. | 0:02:25 | 0:02:26 | |
I remember my 21st birthday - my mum organised a nice meal for me | 0:02:26 | 0:02:29 | |
and everything, but then I saw on the news next day | 0:02:29 | 0:02:32 | |
that he got a Lamborghini. | 0:02:32 | 0:02:33 | |
At the end of the day, he might have a Lamborghini | 0:02:33 | 0:02:35 | |
-but I'm on Bargain Hunt. -Exactly. | 0:02:35 | 0:02:37 | |
And if you're watching, Justin, | 0:02:37 | 0:02:39 | |
you've got to apply like anybody else. | 0:02:39 | 0:02:42 | |
OK. So, when it comes to the tactics... | 0:02:42 | 0:02:45 | |
Stay away from metals. We don't really know much about them. | 0:02:45 | 0:02:48 | |
-No. -And probably go for the weirder items. | 0:02:48 | 0:02:51 | |
Good luck, boys. I'm turning my attention to the Blues. | 0:02:51 | 0:02:54 | |
Rita and Hugh. What part of the country do you two come from? | 0:02:54 | 0:02:56 | |
We're from Melton Mowbray, where the pork pies and Stilton come from. | 0:02:56 | 0:02:59 | |
-Oh, yes, famous. -And they only can come from Stilton or Melton. | 0:02:59 | 0:03:03 | |
Hugh, tell me, how did you meet Rita? | 0:03:03 | 0:03:06 | |
Well, we met on a Michael Caine film. | 0:03:06 | 0:03:08 | |
Noticing Rita was rubbing her back, I thought I might be able to help | 0:03:08 | 0:03:11 | |
as I used to be a reflexologist | 0:03:11 | 0:03:12 | |
so that was how I managed to get talking to her. | 0:03:12 | 0:03:15 | |
What do you do on these films? What are you working as? | 0:03:15 | 0:03:18 | |
Normally I'm a body double and a stand-in for some major actors. | 0:03:18 | 0:03:21 | |
You probably can't mention them or could you? | 0:03:21 | 0:03:24 | |
Well, I could say I was the body double | 0:03:24 | 0:03:26 | |
for the late Robin Williams on Night At The Museum, | 0:03:26 | 0:03:29 | |
which was a really nice gig to get, dressed as Teddy Roosevelt. | 0:03:29 | 0:03:32 | |
Oh, right. So, I'm assuming when you met | 0:03:32 | 0:03:34 | |
it was a leap year because I believe, | 0:03:34 | 0:03:36 | |
Rita, you did the proposing. | 0:03:36 | 0:03:39 | |
I got a shop to put a big love heart in their window | 0:03:39 | 0:03:43 | |
asking Hugh to marry me. | 0:03:43 | 0:03:45 | |
-Absolutely lost for words. -Yeah. -Yeah. | 0:03:45 | 0:03:48 | |
Well, you weren't quite lost for words, because you said no. | 0:03:48 | 0:03:50 | |
LAUGHTER | 0:03:50 | 0:03:52 | |
You said no? | 0:03:52 | 0:03:53 | |
I actually wanted to ask Rita myself. | 0:03:53 | 0:03:56 | |
So what about today? Is there a plan? | 0:03:56 | 0:03:59 | |
We're probably just going to look for something | 0:03:59 | 0:04:01 | |
that we think's going to sell. | 0:04:01 | 0:04:02 | |
Something with animals on. Maybe a duck-billed platypus. | 0:04:02 | 0:04:06 | |
I've been around quite a few markets, | 0:04:06 | 0:04:08 | |
and when it comes to duck-billed platypuses, | 0:04:08 | 0:04:10 | |
in 45 years I've never come across one | 0:04:10 | 0:04:12 | |
so you might be asking a lot today. | 0:04:12 | 0:04:14 | |
I know, but we've got to get it in there. | 0:04:14 | 0:04:16 | |
OK, but before either of you can do any buying, | 0:04:16 | 0:04:18 | |
you're going to need some money. | 0:04:18 | 0:04:20 | |
-Yes? -Yes, we are. -Yes. -So, £300 for the Reds. | 0:04:20 | 0:04:23 | |
Blues, there's your £300. | 0:04:23 | 0:04:25 | |
-And off you go to meet your respective experts. -Thank you. | 0:04:25 | 0:04:28 | |
Well, we could be in for a bit of drama today. | 0:04:28 | 0:04:32 | |
Shining a spotlight on the best antiques to buy | 0:04:32 | 0:04:35 | |
are two knowledgeable experts. | 0:04:35 | 0:04:37 | |
Giving direction for the Reds, it's David Harper. | 0:04:37 | 0:04:40 | |
And uncovering the best buys for the Blues, it's Gary Pe. | 0:04:42 | 0:04:45 | |
So what would your dream purchase be? | 0:04:47 | 0:04:49 | |
One of those old, like, 1950s toy, like, cars | 0:04:49 | 0:04:52 | |
that children used to have. | 0:04:52 | 0:04:54 | |
I think something for the garden would be really good. | 0:04:54 | 0:04:56 | |
My grandad was a rabbit breeder so I've got to find something to do | 0:04:56 | 0:04:58 | |
-with that. That would be quite interesting. -OK, yeah. | 0:04:58 | 0:05:00 | |
You're a strange team, you two, aren't you? | 0:05:00 | 0:05:02 | |
-Something silver. Maybe something practical. -Glittery? | 0:05:02 | 0:05:06 | |
-Yes. -Yes. | 0:05:06 | 0:05:07 | |
Teams, your time starts now. | 0:05:07 | 0:05:09 | |
-Let's go. -Let's go. | 0:05:10 | 0:05:11 | |
-Get set, go. -Go! | 0:05:11 | 0:05:13 | |
And they're off, and it's not long before the Reds spot something. | 0:05:13 | 0:05:17 | |
-What about this selection of spoons? -Tell me why you like them. | 0:05:17 | 0:05:21 | |
They're in a nice neat matching box | 0:05:21 | 0:05:22 | |
that looks in relatively good condition, | 0:05:22 | 0:05:24 | |
-so I presume that maybe it could be worth something. -To be honest, | 0:05:24 | 0:05:26 | |
I don't think there's much quality there, so I'm going to veto that. | 0:05:26 | 0:05:29 | |
I'm going to second that veto. | 0:05:29 | 0:05:31 | |
Well, there's no messing with these boys. | 0:05:31 | 0:05:33 | |
Could decisiveness be the name of the game here? | 0:05:33 | 0:05:36 | |
What period rocks your boat? | 0:05:36 | 0:05:38 | |
Deco and nouveau. | 0:05:38 | 0:05:40 | |
-What about modern? -Not particularly. | 0:05:40 | 0:05:42 | |
Poole Pottery, English. | 0:05:42 | 0:05:44 | |
It's functional because it's a clock. | 0:05:44 | 0:05:46 | |
-It's doesn't kind of leap out. -No. OK, right. | 0:05:46 | 0:05:50 | |
Nice try, Gary. Now, how are the strong-minded Reds doing? | 0:05:50 | 0:05:54 | |
I think they look quite different. | 0:05:54 | 0:05:56 | |
I quite like them, to be honest. | 0:05:56 | 0:05:58 | |
They've got that kind of '50s deco look to them. | 0:05:58 | 0:06:01 | |
They're individual, though, aren't they? They don't come as a set. | 0:06:01 | 0:06:04 | |
We could possibly ask for them as a set. | 0:06:04 | 0:06:05 | |
Now, the thing with decanters is you always check to see | 0:06:05 | 0:06:08 | |
-if the stopper is original to the bottle itself. -Right. | 0:06:08 | 0:06:10 | |
Now you can tell with these two, they are absolutely original. | 0:06:10 | 0:06:14 | |
-Matches up. -Yeah, they're matching. | 0:06:14 | 0:06:16 | |
And that one looks right as well. | 0:06:16 | 0:06:18 | |
The other one... | 0:06:18 | 0:06:19 | |
Little nibble. Can you see? | 0:06:19 | 0:06:21 | |
-Yeah. -So, look, if you turn that upside down now. | 0:06:21 | 0:06:24 | |
Are you ready? | 0:06:24 | 0:06:26 | |
You'd better be good at catching this. | 0:06:26 | 0:06:27 | |
I was on the cricket team school, let's try it. | 0:06:27 | 0:06:30 | |
-OK. -Ah, oof... -No, no, no. | 0:06:30 | 0:06:32 | |
That's fine. Now we need to lock it. | 0:06:32 | 0:06:35 | |
One...two and a half. | 0:06:35 | 0:06:37 | |
-No. -Yes. -Really? I didn't know that. | 0:06:37 | 0:06:40 | |
-Perfect. -Great tip, there, David. | 0:06:41 | 0:06:43 | |
Number one has passed the test. Apart from a couple of nibbles. | 0:06:43 | 0:06:46 | |
Number two... | 0:06:46 | 0:06:47 | |
Similar sort of age. | 0:06:48 | 0:06:50 | |
Nibble there. | 0:06:50 | 0:06:51 | |
So they're all very well nibbled, are they? | 0:06:51 | 0:06:54 | |
It's not fantastic quality. | 0:06:54 | 0:06:55 | |
Number three. | 0:06:55 | 0:06:56 | |
Hmm... It's a bit dicky, but they've got the look. | 0:07:00 | 0:07:03 | |
I'd want the three for 20 quid as a chancy lot. | 0:07:03 | 0:07:06 | |
-Good afternoon, sir. -Hello, there. | 0:07:06 | 0:07:08 | |
I don't know whether this is worth dragging you in for this. | 0:07:08 | 0:07:10 | |
-Right. -You might be very disappointed. | 0:07:10 | 0:07:12 | |
-How much do we want to pay him? -About £20. | 0:07:12 | 0:07:14 | |
Well, they cost me 30 for the three. | 0:07:14 | 0:07:17 | |
I'm quite happy to sell them to you for £31 | 0:07:17 | 0:07:20 | |
and then I make a pound. | 0:07:20 | 0:07:21 | |
If it's all right with Fraser, I'd like to accept that. | 0:07:21 | 0:07:24 | |
-Yes? -Fraser? -Yeah, let's do it. | 0:07:24 | 0:07:26 | |
Well done. Shake the man's hand. | 0:07:26 | 0:07:28 | |
Well done, boys. That's your first item bagged. | 0:07:28 | 0:07:31 | |
Meanwhile, Gary is still trying to impress Rita. | 0:07:31 | 0:07:34 | |
-I spotted something there. -Uh-huh? | 0:07:34 | 0:07:36 | |
-Very sculptural. -Nice. -Yeah? | 0:07:36 | 0:07:38 | |
-Very white. -Yeah? -It's a torso. | 0:07:38 | 0:07:40 | |
-I like that, actually. -Male version of the Venus de Milo. -Yes. | 0:07:40 | 0:07:43 | |
I wonder how much it is, though. Is there a price on it? | 0:07:43 | 0:07:47 | |
I think we have to ask, don't you think? | 0:07:47 | 0:07:49 | |
Hi. What can I help you with? | 0:07:49 | 0:07:50 | |
We're just really interested in this piece. | 0:07:50 | 0:07:52 | |
Can you tell us a little bit about it? | 0:07:52 | 0:07:54 | |
My sister bought it from a vintage fair | 0:07:54 | 0:07:56 | |
probably about 20 years ago and she's had it ever since, | 0:07:56 | 0:07:59 | |
but she's just literally decided to part with it. | 0:07:59 | 0:08:02 | |
-It's plaster, isn't it? -Yeah. -Now, dare we ask, how much that is? | 0:08:02 | 0:08:06 | |
We had £50 on it. | 0:08:06 | 0:08:08 | |
-Oh. -I'd be thinking probably more about 30. | 0:08:08 | 0:08:11 | |
We could... | 0:08:11 | 0:08:12 | |
What about 40? | 0:08:12 | 0:08:14 | |
-BOTH: -35? | 0:08:14 | 0:08:15 | |
That would be really good for us. No, 34. | 0:08:15 | 0:08:18 | |
34, because if they go up in fives... | 0:08:18 | 0:08:21 | |
And it's Rita's age. | 0:08:21 | 0:08:22 | |
-Right, OK... -THEY LAUGH | 0:08:22 | 0:08:24 | |
Do you know what? Go on, then, we can do it for 34. | 0:08:24 | 0:08:26 | |
-Thank you. -That's lovely. | 0:08:26 | 0:08:27 | |
-Beautiful, that's great. -Thank you very much. | 0:08:27 | 0:08:30 | |
One torso in the bag, and a nice bit of haggling, Blues. | 0:08:30 | 0:08:33 | |
Well done. Both teams have secured one item each, | 0:08:33 | 0:08:36 | |
and all within the first ten minutes. | 0:08:36 | 0:08:38 | |
Now, it is back to the boys who have found some Eastern promise. | 0:08:38 | 0:08:42 | |
-That looks quite different. -OK. | 0:08:42 | 0:08:45 | |
What is it about that that you like? The teapot? | 0:08:45 | 0:08:47 | |
-All of the gold outline. -It's really, like, intricate and pretty. | 0:08:47 | 0:08:50 | |
-Quite detailed, isn't it? -OK. OK. | 0:08:50 | 0:08:53 | |
Well, there you go. There's one cup. Talk to me about that. | 0:08:53 | 0:08:55 | |
-It's very small. -It is very small. | 0:08:55 | 0:08:58 | |
Where do you think it was made? | 0:08:58 | 0:08:59 | |
-Erm, abroad, because it says foreign. -Foreign, yes. | 0:08:59 | 0:09:03 | |
It's a tourist piece, | 0:09:03 | 0:09:05 | |
but more likely something that might be brought back | 0:09:05 | 0:09:07 | |
after the Second World War so after '45, there were bases in Japan, | 0:09:07 | 0:09:11 | |
you know, for Allied troops. | 0:09:11 | 0:09:13 | |
And when they were coming back home, | 0:09:13 | 0:09:15 | |
they were all bringing back tea sets for girlfriends, for relatives. | 0:09:15 | 0:09:19 | |
And I think it falls into that sort of category. | 0:09:19 | 0:09:21 | |
-So you're saying there's quite a lot of it out there. -There's a lot of it | 0:09:21 | 0:09:24 | |
out there so I would say it's a no. | 0:09:24 | 0:09:25 | |
The Reds know exactly what they want. | 0:09:25 | 0:09:27 | |
The Blues, however, are still finding their bearings. | 0:09:27 | 0:09:30 | |
-Right, which way? -Shall we turn...right? -Turn right? -Right, OK. | 0:09:30 | 0:09:35 | |
Ooh. Guys, I quite like this. | 0:09:35 | 0:09:39 | |
Now, I know you were looking for a duck-billed platypus. | 0:09:39 | 0:09:44 | |
I've found you a duck. | 0:09:44 | 0:09:46 | |
-Is that a wine decanter? -It is a decanter, yes. | 0:09:47 | 0:09:52 | |
-Probably for oil because of the stopper in there. -Yeah, I would say. | 0:09:52 | 0:09:55 | |
-I would say oil. -This is probably from the 1940s. | 0:09:55 | 0:10:00 | |
-Right. -OK. -But it's very much | 0:10:00 | 0:10:02 | |
in the style of a very famous ceramic designer, Sandoz. | 0:10:02 | 0:10:08 | |
Edouard-Marcel Sandoz was an Art Deco artist | 0:10:08 | 0:10:11 | |
who created figural and animal sculptures | 0:10:11 | 0:10:14 | |
using bronze, ceramic and stone. | 0:10:14 | 0:10:16 | |
So, while this isn't one of his, it does mimic his work. | 0:10:16 | 0:10:19 | |
The more I look at it, the more it's growing on me. | 0:10:19 | 0:10:21 | |
-It's actually a nice piece. -I see it's got £10 on it. | 0:10:21 | 0:10:24 | |
-What's your best price you can do that on that? -Eight. | 0:10:24 | 0:10:26 | |
-I think... Do you like it? -Yeah, OK. Go for that. | 0:10:26 | 0:10:30 | |
Yeah, I think eight is really good. | 0:10:30 | 0:10:32 | |
Thank you very much. | 0:10:32 | 0:10:33 | |
It certainly is a bargain, Blues, well done. | 0:10:34 | 0:10:37 | |
That's your second item in the bag after 16 minutes. | 0:10:37 | 0:10:39 | |
As time continues to count down for our teams, | 0:10:41 | 0:10:44 | |
I'm off to find out about a Nottinghamshire man's mission | 0:10:44 | 0:10:47 | |
to save one very special clock. | 0:10:47 | 0:10:49 | |
In the 1970s, | 0:10:56 | 0:10:58 | |
a Nottinghamshire railway worker called Roland Hoggard | 0:10:58 | 0:11:02 | |
put a massive 18-foot clock on the side of his barn wall. | 0:11:02 | 0:11:07 | |
He'd spent years renovating it after buying it | 0:11:07 | 0:11:10 | |
as a broken collection of pieces for just £25. | 0:11:10 | 0:11:14 | |
So why am I telling you all this? | 0:11:14 | 0:11:16 | |
Well, that clock was the very one | 0:11:16 | 0:11:18 | |
that overlooked the platforms at St Pancras Station | 0:11:18 | 0:11:21 | |
ever since it opened in 1868. | 0:11:21 | 0:11:24 | |
Roland's clock represented the importance of time | 0:11:26 | 0:11:28 | |
for the railway network. | 0:11:28 | 0:11:30 | |
It's easy to forget that in the early 1800s, | 0:11:30 | 0:11:34 | |
there was no such thing as one standard time in Britain. | 0:11:34 | 0:11:37 | |
Towns across the country kept their own local times, | 0:11:37 | 0:11:40 | |
often with as much as 20 minutes' difference between them. | 0:11:40 | 0:11:44 | |
The need to synchronise time became imperative. | 0:11:44 | 0:11:47 | |
So, in the 1840s, the railways adopted Greenwich Mean Time, | 0:11:47 | 0:11:52 | |
a common time for all stations. | 0:11:52 | 0:11:54 | |
To help passengers, | 0:11:54 | 0:11:56 | |
huge clocks hung above all main-line station platforms | 0:11:56 | 0:11:59 | |
and London St Pancras was no exception. | 0:11:59 | 0:12:02 | |
For more than a century, it towered over the platforms, | 0:12:02 | 0:12:06 | |
but by the 1970s, its future was uncertain. | 0:12:06 | 0:12:09 | |
I'm meeting Alan Midleton from the British Horological Institute | 0:12:09 | 0:12:13 | |
to learn more about its fate. | 0:12:13 | 0:12:15 | |
Well, St Pancras station was in great disrepair at that time. | 0:12:15 | 0:12:19 | |
British Railways had planned, I think, to pull the whole place down. | 0:12:19 | 0:12:22 | |
It has fortunately been saved, | 0:12:22 | 0:12:23 | |
but what wasn't saved was the station clock, this large dial, | 0:12:23 | 0:12:27 | |
which was planned to be sold to an American. | 0:12:27 | 0:12:30 | |
But as they took the dial off the wall, | 0:12:30 | 0:12:32 | |
it was dropped and, of course, it's made largely of stone and slate, | 0:12:32 | 0:12:36 | |
so that was the end of that dial, really. | 0:12:36 | 0:12:39 | |
So that's when the dial was bought by Roland. | 0:12:39 | 0:12:42 | |
So unusual was Roland's purchase that he made the news. | 0:12:42 | 0:12:46 | |
The idea of not only preservation, | 0:12:46 | 0:12:48 | |
it's to make something which would have been scrap | 0:12:48 | 0:12:51 | |
and bring it back to working order again. | 0:12:51 | 0:12:54 | |
Roland Hoggard was a retired railwayman | 0:12:54 | 0:12:57 | |
who'd started work aged just 14. | 0:12:57 | 0:13:00 | |
Not just passionate about railways, | 0:13:00 | 0:13:01 | |
Roland was also a keen clock collector, | 0:13:01 | 0:13:04 | |
so the chance to buy the broken St Pancras clock was unmissable. | 0:13:04 | 0:13:09 | |
They said to him in the office, | 0:13:09 | 0:13:10 | |
"Well, how on earth are you going to get all this home?" | 0:13:10 | 0:13:12 | |
And he said, "I'm a railwayman. By the time I get downstairs, | 0:13:12 | 0:13:15 | |
"it'll all be loaded into the back of train," and it was. | 0:13:15 | 0:13:18 | |
They'd loaded the whole lot into the train, | 0:13:18 | 0:13:20 | |
off it went to Nottingham and then got back to his home, | 0:13:20 | 0:13:22 | |
which is quite close to here. | 0:13:22 | 0:13:24 | |
Fantastic. | 0:13:24 | 0:13:26 | |
Roland pieced the huge broken clock back together, | 0:13:26 | 0:13:28 | |
fixed it to his barn wall and got it working again using a car battery. | 0:13:28 | 0:13:33 | |
So how difficult was this for Roland to restore? | 0:13:34 | 0:13:37 | |
The main part is the dial. | 0:13:37 | 0:13:38 | |
A dial of that size, all of which was in pieces, | 0:13:38 | 0:13:41 | |
much of which has been lost, he had to rebuild it. | 0:13:41 | 0:13:44 | |
So up went the scaffolding at the end of his barn | 0:13:44 | 0:13:47 | |
and he spent something like 18 months or so | 0:13:47 | 0:13:49 | |
actually rebuilding this dial | 0:13:49 | 0:13:51 | |
and then fixing the hands, | 0:13:51 | 0:13:53 | |
getting it all attached to the clock mechanism and away it went. | 0:13:53 | 0:13:57 | |
When Roland passed away in 2014, | 0:13:57 | 0:13:59 | |
the British Horological Institute inherited the clock. | 0:13:59 | 0:14:02 | |
Although they're currently restoring the dial, | 0:14:02 | 0:14:05 | |
the 15-foot long hands are on display. | 0:14:05 | 0:14:08 | |
-They are enormous! -They are quite large, yes. | 0:14:08 | 0:14:10 | |
They're the largest pair of hands we have in this building, yes. | 0:14:10 | 0:14:13 | |
They're in remarkable condition. | 0:14:13 | 0:14:15 | |
We actually re-gold leafed them. Now they really look brand-new. | 0:14:15 | 0:14:18 | |
And it's not just the visitors here that benefit from Roland's foresight | 0:14:18 | 0:14:22 | |
to rescue one of our best-known industrial relics. | 0:14:22 | 0:14:25 | |
When St Pancras underwent a massive refurbishment in the early 2000s, | 0:14:25 | 0:14:31 | |
the craftsmen used the original clock to make a replica, | 0:14:31 | 0:14:36 | |
which is now in St Pancras Station. | 0:14:36 | 0:14:39 | |
What a great story. | 0:14:39 | 0:14:40 | |
Back at the fair and, 20 minutes in, | 0:14:47 | 0:14:48 | |
the Blues are looking for their final item, | 0:14:48 | 0:14:51 | |
while the Reds still need two more. | 0:14:51 | 0:14:53 | |
Now, could this be the toy the boys are looking for? | 0:14:53 | 0:14:56 | |
-I think it might be. I think if might be. -OK. | 0:14:56 | 0:14:59 | |
It depends though. How old is it? | 0:14:59 | 0:15:01 | |
OK. Well, what...? | 0:15:01 | 0:15:02 | |
No idea still! | 0:15:02 | 0:15:04 | |
I mean, it is - it does look a bit old. It's got a bit of rust to it. | 0:15:04 | 0:15:07 | |
But it might have been left outside for a while. | 0:15:07 | 0:15:10 | |
But its style - what style is it? | 0:15:10 | 0:15:12 | |
I want to say, like, 1930s maybe. I don't know. | 0:15:12 | 0:15:15 | |
Bit later than that. With that red and cream, it's '50s or '60s. | 0:15:15 | 0:15:18 | |
It's not in very good condition, though, is it? | 0:15:18 | 0:15:20 | |
-No, no. -It's got a lot of marks and paint and stuff like that. | 0:15:20 | 0:15:23 | |
Yeah, but it will definitely appeal to toy collectors. | 0:15:23 | 0:15:28 | |
What have you got on the little fire engine? | 0:15:28 | 0:15:30 | |
The absolute low I can do is 25. | 0:15:30 | 0:15:32 | |
25 quid. | 0:15:32 | 0:15:33 | |
-I think it's a bargain. -Very happy with what he said, to be honest. | 0:15:33 | 0:15:36 | |
-Yeah. -Would you have it? -Yeah, I'd definitely have it. | 0:15:36 | 0:15:39 | |
-Let's have it. -Let's do it, yeah. -Lovely, we'll have that, thank you. | 0:15:39 | 0:15:41 | |
-MAN: -OK, brilliant. -We'll call back later. | 0:15:41 | 0:15:43 | |
-Thanks a lot. Well done, boys. -Awesome. | 0:15:43 | 0:15:46 | |
Object two. You're on fire! | 0:15:48 | 0:15:50 | |
Ah, Very good, David, | 0:15:50 | 0:15:52 | |
and it's exactly what was on Zach's wish list. | 0:15:52 | 0:15:55 | |
That's now two items for the Reds. | 0:15:55 | 0:15:57 | |
Back with the Blues and they still have £258 to splash. | 0:15:57 | 0:16:01 | |
The toy money boxes. | 0:16:02 | 0:16:04 | |
I think from here they're not that old, as you can see. | 0:16:04 | 0:16:07 | |
-You can see. -The paint is too new. | 0:16:07 | 0:16:11 | |
-So, no. I don't think so. -No. | 0:16:11 | 0:16:15 | |
Moving swiftly on, and the Reds think they're on to a winner. | 0:16:15 | 0:16:18 | |
I like the look of this. | 0:16:18 | 0:16:19 | |
-You like the look of that? -Yes. -Why do you like the look of that? | 0:16:21 | 0:16:23 | |
Well, I did have a little tip-off about these kinds of items and brass | 0:16:23 | 0:16:27 | |
and I heard how someone bought it for £5 and it sold for over £60. | 0:16:27 | 0:16:31 | |
-Do you know what it is? -No idea. -It's for putting hot pans on. | 0:16:31 | 0:16:35 | |
Yes, or a hot kettle. | 0:16:35 | 0:16:36 | |
-A hot kettle. -Oh. -It's called a trivet. | 0:16:36 | 0:16:38 | |
But the thing is, there are trivets and there are TRIVETS. | 0:16:38 | 0:16:41 | |
That is quite an ordinary trivet. | 0:16:41 | 0:16:44 | |
But do you recognise the coat-of-arms? | 0:16:44 | 0:16:46 | |
-It's British, isn't it? -It's British. | 0:16:46 | 0:16:48 | |
Yeah, it's the royal coat-of-arms. | 0:16:48 | 0:16:50 | |
It's British. So if that's the case, this is a 19th-century piece, | 0:16:50 | 0:16:54 | |
probably the latter part of the 19th century, | 0:16:54 | 0:16:57 | |
screaming Queen Victoria, | 0:16:57 | 0:16:59 | |
1887, the celebration of 50 years on the throne, | 0:16:59 | 0:17:03 | |
or 1897, 60 years on the throne. | 0:17:03 | 0:17:06 | |
A lot of these things were made in commemoration. | 0:17:06 | 0:17:09 | |
-Have you just said they made lots of these? -Of course they did. | 0:17:09 | 0:17:12 | |
-Yeah. -That is may be why it's got £12 on the tag. -It's cheap enough. | 0:17:12 | 0:17:15 | |
Is it going to sell for much more than that, do you think? | 0:17:15 | 0:17:18 | |
It might make its £10 or £20 worth in auction. | 0:17:18 | 0:17:22 | |
I think if we were at a different point in the day, | 0:17:22 | 0:17:24 | |
when we didn't only have one item left to select, | 0:17:24 | 0:17:26 | |
-I think we would go for this. -Yes. | 0:17:26 | 0:17:27 | |
Because we've got a fair bit of time. | 0:17:27 | 0:17:29 | |
-We have actually. -We've only got to make one more selection, | 0:17:29 | 0:17:31 | |
I think we should probably move on and maybe come back to it. | 0:17:31 | 0:17:34 | |
OK. Listen, I don't think it's going to go anywhere, is it? | 0:17:34 | 0:17:37 | |
Come on! | 0:17:37 | 0:17:38 | |
-Is that us being cool? -Yeah. | 0:17:40 | 0:17:41 | |
No, definitely not, actually! | 0:17:41 | 0:17:43 | |
While the Reds work on their cool credentials, | 0:17:43 | 0:17:45 | |
the Blues have found something shiny. | 0:17:45 | 0:17:47 | |
This should please Rita. | 0:17:47 | 0:17:49 | |
-A Georgian tea strainer. -Georgian. Hmm... I wonder if it is. | 0:17:49 | 0:17:52 | |
It looks silver or is it silver gilt? | 0:17:52 | 0:17:55 | |
-Obviously it's silver. -Let's have a look at it. -Shall I get it out? | 0:17:55 | 0:17:58 | |
Let's take it out. | 0:17:58 | 0:17:59 | |
It is gilded in the interior. Now there's a purpose for that, | 0:18:05 | 0:18:08 | |
because silver and acid don't interact well. | 0:18:08 | 0:18:12 | |
-No. -So obviously a coating of gold is ideal | 0:18:12 | 0:18:16 | |
so that, you know, it retains its look. | 0:18:16 | 0:18:19 | |
Now, if it's silver, there should be hallmarks... | 0:18:19 | 0:18:21 | |
-There you go. -Yes, there you go. | 0:18:21 | 0:18:23 | |
I think you're quite right, I think it is Georgian. | 0:18:23 | 0:18:26 | |
Why has it got a squeezy bit there? | 0:18:26 | 0:18:27 | |
Because it's not for tea bags, obviously. | 0:18:27 | 0:18:31 | |
If I take that teapot... | 0:18:31 | 0:18:32 | |
Yeah. | 0:18:32 | 0:18:34 | |
-See that spout? -Yeah. | 0:18:34 | 0:18:36 | |
What if I insert that...? | 0:18:36 | 0:18:37 | |
Oh, and you pour the boiling water on to the tea. | 0:18:37 | 0:18:40 | |
In there, and by the action of... | 0:18:40 | 0:18:43 | |
And that catches any leaves that come out instead of... Yeah, OK. | 0:18:43 | 0:18:47 | |
-Is there a price on it? -There's no price. -Shall I go and ask? | 0:18:47 | 0:18:51 | |
-I think we should. -OK, I'll go and ask. | 0:18:51 | 0:18:53 | |
Rita's off to consult the dealer, who's a bit camera shy. | 0:18:53 | 0:18:56 | |
-MAN: -You'll never find another one, they're as rare as hen's teeth. | 0:18:56 | 0:18:59 | |
-OK. -Right, I've had a word with the dealer. | 0:18:59 | 0:19:02 | |
He says that these are very rare. | 0:19:02 | 0:19:04 | |
He wants 150 for it, | 0:19:04 | 0:19:06 | |
but I've got him down to 110. | 0:19:06 | 0:19:08 | |
But personally, I still feel that that's too much of a chance. | 0:19:08 | 0:19:12 | |
So the Blues play it safe. | 0:19:12 | 0:19:13 | |
Zach, on the other hand, wants to pull something out of the hat. | 0:19:13 | 0:19:16 | |
-Rabbits! -Oh, my... | 0:19:16 | 0:19:19 | |
-I don't particularly like them, but they are... -They are rabbits. | 0:19:19 | 0:19:22 | |
-They are rabbits. -Not the response Zach was looking for. | 0:19:22 | 0:19:25 | |
So, moving on. | 0:19:25 | 0:19:26 | |
Do we like a bit of Clarice, Clarice Cliff? | 0:19:26 | 0:19:28 | |
-Yeah, yeah. -1920s, '30s Art Deco kind of thing, yeah. | 0:19:28 | 0:19:31 | |
The earlier period. OK, what do you think? | 0:19:31 | 0:19:34 | |
I think she's one of my all-time heroes of the 20th century. | 0:19:34 | 0:19:37 | |
She was born in the late 19th or early 20th century | 0:19:37 | 0:19:40 | |
but at the age of about 11 went into the potteries in Stoke-on-Trent | 0:19:40 | 0:19:44 | |
and worked her way through different departments | 0:19:44 | 0:19:47 | |
-so she could learn new skills. -Wow. | 0:19:47 | 0:19:48 | |
And she became so good that the salesmen took her designs | 0:19:48 | 0:19:53 | |
and they showed them to the retailers. The retailers loved them, | 0:19:53 | 0:19:56 | |
came back to the factory and said, "We want to stock this range." | 0:19:56 | 0:20:00 | |
It's a lovely thing, but this is the bottom range. | 0:20:00 | 0:20:04 | |
It's not the hundreds of pounds, it's the low tens of pounds. | 0:20:04 | 0:20:07 | |
So what kind of margins do you think we're going to make on that, then? | 0:20:07 | 0:20:09 | |
Well, she's got £22.50 on it, 22 quid, so we'll get for 20 quid. | 0:20:09 | 0:20:15 | |
It'll probably make £30. | 0:20:15 | 0:20:17 | |
-I don't know if we want to aim higher. I don't know. -Yeah. | 0:20:18 | 0:20:22 | |
Yeah, we can achieve more. | 0:20:22 | 0:20:24 | |
Decisiveness yet again, Reds, but, with 50 minutes left, | 0:20:24 | 0:20:27 | |
they'll need to find something soon. | 0:20:27 | 0:20:29 | |
So will you, Blues. | 0:20:29 | 0:20:30 | |
-Right. -These. -Oh, OK. | 0:20:30 | 0:20:33 | |
They're majolica tiles. They look to be possibly English. | 0:20:33 | 0:20:38 | |
-Early 20th century. -Or late, late 19th century. | 0:20:38 | 0:20:42 | |
Yeah. | 0:20:42 | 0:20:43 | |
-So would they be on the fireplace? -Yes, it's one of the uses. | 0:20:43 | 0:20:46 | |
So, obviously the panels have been framed to hang on a wall. | 0:20:46 | 0:20:51 | |
Let's have a look. Shall we put this on top of this chair here, | 0:20:51 | 0:20:56 | |
so we can have a better and proper look? | 0:20:56 | 0:20:59 | |
-Some of the glazing's very, very slightly cracked on that tile. -OK. | 0:20:59 | 0:21:04 | |
It's not a crack, it's what you would call a craze. | 0:21:04 | 0:21:06 | |
-Oh, right, OK. -Unfortunately, there's a backing here. | 0:21:06 | 0:21:10 | |
-I think we need to call in the dealer. -OK. -Can we? -OK. | 0:21:10 | 0:21:13 | |
-Hi. -Hello. -Could you tell us more about this? | 0:21:13 | 0:21:17 | |
Yes, that's been labelled up wrong somehow. | 0:21:17 | 0:21:20 | |
They're Art Nouveau. They're from a fireplace and they are Minton. | 0:21:20 | 0:21:24 | |
The Minton mark on these tiles is hidden on the back. | 0:21:24 | 0:21:27 | |
Consequently, it's impossible to confirm conclusively | 0:21:27 | 0:21:30 | |
that these tiles are late Victorian and not later productions. | 0:21:30 | 0:21:35 | |
-They are Minton, you've seen the mark? -Yes. | 0:21:35 | 0:21:37 | |
-So did you have these framed yourself? -Yes, we have. Yes. -Oh, OK. | 0:21:37 | 0:21:39 | |
Right. They're English. | 0:21:39 | 0:21:41 | |
-Right. -Obviously, English majolica. | 0:21:41 | 0:21:44 | |
That would be from 1890 to about early 1905. | 0:21:44 | 0:21:47 | |
-Yeah. -Priced at £95. | 0:21:47 | 0:21:50 | |
-That's a bit too much for me. -Yeah. | 0:21:50 | 0:21:55 | |
I would still be thinking maybe £45 the pair for those. | 0:21:55 | 0:22:00 | |
I could do £50 for the pair. | 0:22:00 | 0:22:02 | |
Can you just drop it a bit? | 0:22:02 | 0:22:04 | |
Just £1 because they go up in £5 increments. | 0:22:04 | 0:22:07 | |
-49? -Could you do 49? | 0:22:07 | 0:22:09 | |
-Yeah, I'll do 49. -Do you think we could make a profit with that? | 0:22:09 | 0:22:12 | |
That's close to 50%, so that rocks my boat. | 0:22:12 | 0:22:15 | |
-Fantastic. -Excellent. -We like them. -Yeah. -We like them. | 0:22:15 | 0:22:19 | |
Another decorative item bought and our final item. | 0:22:19 | 0:22:22 | |
So that's it. | 0:22:22 | 0:22:23 | |
It is, Hugh. Well done, Blues. | 0:22:23 | 0:22:24 | |
You're all done and dusted and with ten minutes to spare. | 0:22:24 | 0:22:28 | |
It's down to you now, Reds. | 0:22:28 | 0:22:29 | |
-That's different. -Oh, wow, that's really cool. | 0:22:29 | 0:22:32 | |
-It's a walking stick, isn't it? -It's a walking stick, yeah. | 0:22:32 | 0:22:35 | |
Made from what, then, Fraser? | 0:22:35 | 0:22:36 | |
Well, that's definitely the antler of a... | 0:22:36 | 0:22:39 | |
-A deer. -I've no kind of what kind of wood it is, though. | 0:22:39 | 0:22:41 | |
It's probably a root, isn't it? | 0:22:41 | 0:22:43 | |
It looks a bit like a root, unless it has been twisted. | 0:22:43 | 0:22:46 | |
-Quite a cool thing. -It's really cool, yeah. It's very different. | 0:22:46 | 0:22:49 | |
I think this is in line with what we've been talking about all day. | 0:22:49 | 0:22:51 | |
Being a bit weird and out there, taking chances on it. | 0:22:51 | 0:22:54 | |
I think it's a particularly nice one. | 0:22:54 | 0:22:56 | |
I don't know whether it's got a great deal of age to it. | 0:22:56 | 0:22:58 | |
-How much is it? -WOMAN: -£35. | 0:22:58 | 0:23:00 | |
Knock a tenner off for us, £25? | 0:23:00 | 0:23:02 | |
I'll do 28. | 0:23:02 | 0:23:04 | |
28. | 0:23:04 | 0:23:05 | |
Well, you know what? | 0:23:05 | 0:23:07 | |
Where will you find another one for £28? | 0:23:07 | 0:23:10 | |
There's nothing like this anywhere else, is there? | 0:23:10 | 0:23:13 | |
I think £28 is a good deal. | 0:23:13 | 0:23:14 | |
It's fine, and it's our third purchase, yeah? | 0:23:14 | 0:23:17 | |
Three distinctly different things. | 0:23:17 | 0:23:18 | |
-Yeah. -Are you sure? No Clarice Cliff, no trivet. | 0:23:18 | 0:23:21 | |
Er... | 0:23:21 | 0:23:23 | |
Yeah! | 0:23:23 | 0:23:25 | |
You've got seven minutes to run and get the trivet if you want it | 0:23:25 | 0:23:28 | |
-or you buy that. -Let's get this. | 0:23:28 | 0:23:30 | |
I'm not into running, let's go get that. | 0:23:30 | 0:23:32 | |
We'll have it, thank you. Thank you very much. Well done, chaps. | 0:23:32 | 0:23:35 | |
Well done, Reds. That's your third and final item and. | 0:23:35 | 0:23:38 | |
with seven minutes to spare, I'm going to call time early. | 0:23:38 | 0:23:41 | |
Let's remind ourselves what the Red team bought. | 0:23:44 | 0:23:46 | |
First up, they got this set of three Art Deco-style decanters for £31. | 0:23:47 | 0:23:53 | |
Next, it was this retro-style fire truck. Price paid - £25. | 0:23:54 | 0:23:58 | |
Finally, this rustic walking stick set them back £28. | 0:24:00 | 0:24:04 | |
Well, David, I think a case of two cool dudes go shopping. | 0:24:05 | 0:24:10 | |
-Er, three, Eric. Please include me in this. -Oh, OK. | 0:24:10 | 0:24:12 | |
Yes, of course. So, Fraser, favourite item? | 0:24:12 | 0:24:15 | |
It's going to have to be the shepherd's crook, I think. Yeah. | 0:24:15 | 0:24:17 | |
It's just odd. I quite like that. | 0:24:17 | 0:24:19 | |
But of the three items, | 0:24:19 | 0:24:20 | |
which is going to give you the biggest return? | 0:24:20 | 0:24:22 | |
The toy car, maybe. You sounded quite confident about that one. | 0:24:22 | 0:24:26 | |
-Yeah. -Zach, what about yourself? Just tell me your favourite item. | 0:24:26 | 0:24:29 | |
It's going to have to be the toy car. It's what I was looking for | 0:24:29 | 0:24:32 | |
and I also think it's going to bring the most amount of profit. | 0:24:32 | 0:24:35 | |
So not a massive spend, lads, was it? | 0:24:35 | 0:24:36 | |
-£84. -So you're going to give me £216, is that right, Fraser? | 0:24:36 | 0:24:40 | |
I should do, yeah. There's one. | 0:24:40 | 0:24:41 | |
OK, splash the cash, come on. | 0:24:41 | 0:24:43 | |
Straight across there. | 0:24:43 | 0:24:45 | |
Mr Harper, is there something out there that's caught your eye? | 0:24:45 | 0:24:48 | |
Yeah, there is, a few things. | 0:24:48 | 0:24:50 | |
These are a couple of butch, kind of manly young men. | 0:24:50 | 0:24:52 | |
Exactly, see the way they plume themselves up? | 0:24:52 | 0:24:55 | |
I've got something in mind. | 0:24:55 | 0:24:56 | |
-Something a bit butch and manly. -Oh, you are a cool dude. | 0:24:56 | 0:24:59 | |
So, while David goes off to find something rather manly, | 0:25:00 | 0:25:03 | |
let's remind ourselves what the Blue team bought. | 0:25:03 | 0:25:05 | |
First up, the male plaster torso seduced them at £34. | 0:25:07 | 0:25:11 | |
Next, was the porcelain duck decanter, billed at £8. | 0:25:13 | 0:25:17 | |
And finally, this pair of Art Nouveau-style tile panels for £49. | 0:25:17 | 0:25:23 | |
Well, Gary, I thought that was | 0:25:23 | 0:25:24 | |
something of a steady shop - would you agree? | 0:25:24 | 0:25:27 | |
Very focused. They knew what they wanted. | 0:25:27 | 0:25:30 | |
So, Hugh, tell me your favourite item. | 0:25:30 | 0:25:32 | |
My favourite item was the torso. | 0:25:32 | 0:25:34 | |
I think that's a really lovely decorative item. | 0:25:34 | 0:25:36 | |
Which is the one that's going to give you two the biggest profit? | 0:25:36 | 0:25:39 | |
I think it's going to be that one | 0:25:39 | 0:25:40 | |
because I think if a couple of people like it, | 0:25:40 | 0:25:42 | |
they're going to pay lots of money for it. | 0:25:42 | 0:25:44 | |
OK, Rita, what about yourself? What's your favourite item? | 0:25:44 | 0:25:47 | |
The Art Nouveau tiles. | 0:25:47 | 0:25:49 | |
It ticked all the right boxes, as far as I was concerned. | 0:25:49 | 0:25:51 | |
Which of the three is going to give you the biggest profit? | 0:25:51 | 0:25:54 | |
I think there's a good chance | 0:25:54 | 0:25:56 | |
that that might be the duck jug that Gary picked out. | 0:25:56 | 0:25:59 | |
-Total spend was? -£91. | 0:25:59 | 0:26:02 | |
So who's going to give me £209? | 0:26:02 | 0:26:05 | |
There we go. | 0:26:05 | 0:26:07 | |
Thank you. So, Gary. | 0:26:07 | 0:26:09 | |
-Thank you, sir. -So, £209. You could do an awful lot of good with that, | 0:26:09 | 0:26:14 | |
-couldn't you? -I think so. | 0:26:14 | 0:26:16 | |
I think I'm going to go for something dramatic. | 0:26:16 | 0:26:19 | |
So while Gary goes off for a dramatic bonus buy, | 0:26:19 | 0:26:23 | |
we're going off to the auction. | 0:26:23 | 0:26:25 | |
Well, we've headed east and we're in the city of Lincoln | 0:26:33 | 0:26:36 | |
and we've come to the saleroom of Golding, Young and Mawer | 0:26:36 | 0:26:40 | |
and I'm joined by Colin Young. | 0:26:40 | 0:26:42 | |
Well, welcome, Eric, back to the fine county of Lincolnshire. | 0:26:42 | 0:26:44 | |
Thank you. Let's get on with the business, let's talk Red team. | 0:26:44 | 0:26:47 | |
Their first items are these decanters | 0:26:47 | 0:26:50 | |
which strike me as probably 1950s. | 0:26:50 | 0:26:53 | |
Yeah, absolutely. Very much of the period. | 0:26:53 | 0:26:55 | |
I suppose now it comes under that market of retro, really, doesn't it? | 0:26:55 | 0:26:58 | |
Described as sugar-glass decanters. | 0:26:58 | 0:27:01 | |
I suppose that's this granular texture, isn't it? | 0:27:01 | 0:27:04 | |
It is, yeah. It's the finish that has been applied to it. | 0:27:04 | 0:27:07 | |
-Very pretty things. Estimate? -£25-40 for all three. | 0:27:07 | 0:27:10 | |
They paid £31. I think that was a pretty good buy, don't you? | 0:27:10 | 0:27:13 | |
-Yeah. They're decorative at £10 each, aren't they? -They are as well. | 0:27:13 | 0:27:16 | |
Second item that they purchased | 0:27:16 | 0:27:18 | |
was this retro-style fire engine of sorts. | 0:27:18 | 0:27:22 | |
Difficult to date really - '60s, '70s, '80s. | 0:27:22 | 0:27:25 | |
I suppose it could even be modern-day. | 0:27:25 | 0:27:26 | |
It could. I mean, it's got a little bit of rust on it | 0:27:26 | 0:27:29 | |
which would intimate that it has got some age about it. | 0:27:29 | 0:27:32 | |
As for estimate, we've put £25-40 on it. | 0:27:32 | 0:27:35 | |
OK, they'll live with that, the two boys, | 0:27:35 | 0:27:37 | |
especially because they consider this their best buy | 0:27:37 | 0:27:40 | |
and they paid £25 for it. | 0:27:40 | 0:27:42 | |
-OK. -So we'll watch and see. | 0:27:42 | 0:27:44 | |
And item number three is this very rustic-looking walking stick. | 0:27:44 | 0:27:50 | |
I mean, there can't be another one out there, can there? | 0:27:50 | 0:27:53 | |
Not quite the same, it has to be said. | 0:27:53 | 0:27:55 | |
No! Look at that, it's the weird and wonderful, it really is. | 0:27:55 | 0:27:58 | |
I don't think it's going to excite walking stick collectors, | 0:27:58 | 0:28:02 | |
but it's got to be worth £25-40. | 0:28:02 | 0:28:04 | |
They paid £28 for that. | 0:28:04 | 0:28:07 | |
-OK. -So three reasonable buys. | 0:28:07 | 0:28:10 | |
They may not need their bonus buy, | 0:28:10 | 0:28:12 | |
but let's find out what it is anyway. | 0:28:12 | 0:28:14 | |
-Feeling the tension, boys? -Yep. -A sense of excitement? | 0:28:15 | 0:28:18 | |
-Yeah. -Oh, yeah. -Good. We want you buzzing, don't we? | 0:28:18 | 0:28:20 | |
-Oh, buzzing, buzzing. -David, these boys gave you £216 to go and spend. | 0:28:20 | 0:28:25 | |
-I know, I know. -So would you like to reveal your bonus buy? | 0:28:25 | 0:28:27 | |
They're looking very worried, they are. | 0:28:27 | 0:28:30 | |
-Oh. -It's a trunk. | 0:28:31 | 0:28:33 | |
It is a trunk and it contains manly tools. | 0:28:33 | 0:28:37 | |
Wow! | 0:28:37 | 0:28:39 | |
You've got trays and trays of old tools, | 0:28:39 | 0:28:41 | |
but I think you've got a double whammy here. | 0:28:41 | 0:28:43 | |
You've got somebody who might be interested in tools, | 0:28:43 | 0:28:46 | |
old ones and then you've got the trunk itself. | 0:28:46 | 0:28:50 | |
Late 19th, early 20th century. | 0:28:50 | 0:28:52 | |
It's pine, it's been ebonised, | 0:28:52 | 0:28:54 | |
but it's got that wonderful beat-up look. | 0:28:54 | 0:28:56 | |
-I like it. -I agree. I like it as well. -What would you use it for? | 0:28:56 | 0:29:00 | |
Maybe convert into some sort of wine container, | 0:29:00 | 0:29:02 | |
so it would be a bit edgy and cool. | 0:29:02 | 0:29:04 | |
It's got multipurposes, hasn't it? | 0:29:04 | 0:29:06 | |
That's what I was hoping in the auction. | 0:29:06 | 0:29:08 | |
It's not just going to be sold to a bloke who wants it in his shed. | 0:29:08 | 0:29:11 | |
-So what do you think I paid for it, Zach? -I'd say 150. | 0:29:11 | 0:29:14 | |
-Good, you're the kind of guy I like. 65. -Oh, right, OK. Nice. | 0:29:14 | 0:29:17 | |
How much do you think it's going to fetch at auction then? | 0:29:17 | 0:29:20 | |
I'd love it to make 100 quid. | 0:29:20 | 0:29:22 | |
I see no reason why it couldn't touch three figures. | 0:29:22 | 0:29:25 | |
Remember, you don't have to make your mind up now. | 0:29:25 | 0:29:27 | |
Wait till you've sold your first three items | 0:29:27 | 0:29:29 | |
and then you make your decision. | 0:29:29 | 0:29:31 | |
But, meanwhile, let's find out what the auctioneer has to say | 0:29:31 | 0:29:35 | |
about David's box of tricks. | 0:29:35 | 0:29:37 | |
So here it is. | 0:29:39 | 0:29:40 | |
It's a painted pine tool chest with a good number of tools. | 0:29:40 | 0:29:44 | |
Classic combination of a good tool chest | 0:29:44 | 0:29:47 | |
that's got a selection of tools, | 0:29:47 | 0:29:49 | |
of which none of them are of any real value, | 0:29:49 | 0:29:51 | |
but they do make the lot look good, don't they? | 0:29:51 | 0:29:54 | |
Yeah. How do you reckon it? | 0:29:54 | 0:29:55 | |
40-60, based on there's got to be £30-40 worth of box there | 0:29:55 | 0:29:59 | |
and there's just a little bit in the chisels | 0:29:59 | 0:30:02 | |
and bits of kit that's in there. | 0:30:02 | 0:30:03 | |
David went out. He paid £65 for that little ensemble. | 0:30:03 | 0:30:09 | |
It's got possibilities, yes? | 0:30:09 | 0:30:10 | |
Yeah, fingers crossed. Might be the extra bid or two. | 0:30:10 | 0:30:13 | |
Well, let's see if the Reds go for it. | 0:30:13 | 0:30:15 | |
But let's move our attention to the Blue team. | 0:30:15 | 0:30:18 | |
This is Hugh and Rita and their first item is the torso. | 0:30:18 | 0:30:23 | |
-What do you think? -There's going to be a lot of people | 0:30:23 | 0:30:27 | |
looking for this type of interior | 0:30:27 | 0:30:28 | |
and I think the traditional antiquity collector would | 0:30:28 | 0:30:32 | |
-certainly spend at least £50 on something like this. -Oh, yeah. | 0:30:32 | 0:30:35 | |
So in terms of estimate we'll go for £50-80. | 0:30:35 | 0:30:39 | |
Paid £34, which I thought was quite a good buy. | 0:30:39 | 0:30:41 | |
-That's quite a good buy. -Yeah, I think so too. | 0:30:41 | 0:30:43 | |
So the second item is this white porcelain decanter. | 0:30:43 | 0:30:47 | |
I think Gary wielded a certain amount of influence | 0:30:47 | 0:30:50 | |
in this purchase. | 0:30:50 | 0:30:51 | |
He could see it possibly being by a man called Sandoz | 0:30:51 | 0:30:55 | |
but it's not marked. | 0:30:55 | 0:30:56 | |
No. That's where my big concern comes in that it's not very old | 0:30:56 | 0:31:02 | |
and that's very clear, which means mass production and, | 0:31:02 | 0:31:06 | |
yeah, might be sort of £5-15. | 0:31:06 | 0:31:09 | |
-He only paid £8 for it. -That's perfect, then, isn't it? | 0:31:09 | 0:31:12 | |
Well, there you go. So hopefully it will turn up trumps for them. | 0:31:12 | 0:31:16 | |
But the third buy was this pair of tile panels. | 0:31:16 | 0:31:21 | |
Art Nouveau style. | 0:31:21 | 0:31:24 | |
Yes. I think that's as close as we can get in terms of dating them. | 0:31:24 | 0:31:30 | |
I mean, it's really strong colours, nice and vibrant. | 0:31:30 | 0:31:33 | |
The sort of thing you would expect | 0:31:33 | 0:31:35 | |
in a late Victorian cast-iron fireplace. | 0:31:35 | 0:31:39 | |
Have these been taken out of that and reframed? | 0:31:39 | 0:31:42 | |
I think it's the other way round. | 0:31:42 | 0:31:43 | |
I think they're modern ones that have just been framed up. | 0:31:43 | 0:31:47 | |
-Estimate? -£25-40. | 0:31:47 | 0:31:49 | |
Yeah, paid £49 for them. | 0:31:49 | 0:31:51 | |
Well, all things considered, | 0:31:51 | 0:31:53 | |
I think it's going to be well worth considering the bonus buy | 0:31:53 | 0:31:57 | |
so let's find out what it is. | 0:31:57 | 0:31:58 | |
Rita and Hugh, you gave Gary £209 to go out and find a bonus buy. | 0:32:00 | 0:32:06 | |
Gary, we'd like to know what you spent it on. | 0:32:06 | 0:32:09 | |
Well, remember that torso you got so excited about? | 0:32:10 | 0:32:14 | |
-Yeah. -Well, I thought this provided the perfect combination. | 0:32:14 | 0:32:19 | |
And something dramatic. | 0:32:20 | 0:32:23 | |
-Beautiful. -That's really nice. | 0:32:23 | 0:32:24 | |
A male nude and an angel. | 0:32:24 | 0:32:27 | |
Has it got any age to it? | 0:32:27 | 0:32:28 | |
Yes, this would be sort of late 19th century, early 20th century. | 0:32:28 | 0:32:33 | |
Is it a limited edition type thing? Do you know how many there were? | 0:32:33 | 0:32:37 | |
I don't know. I don't know. There's a title to it. | 0:32:37 | 0:32:39 | |
-It says Hope. -Hope. | 0:32:39 | 0:32:41 | |
-Oh, right! -Ooh! -That's very apt. | 0:32:41 | 0:32:43 | |
How much did you pay for it? | 0:32:43 | 0:32:45 | |
-30. -Wow, bargain. | 0:32:45 | 0:32:48 | |
How much do you think this is going to fetch at auction, if we're lucky? | 0:32:48 | 0:32:51 | |
-Double. -Double. OK, I can live with that. | 0:32:53 | 0:32:55 | |
Remember, you two, you don't have to make your decision now. | 0:32:57 | 0:33:00 | |
Wait till you've sold your first three items | 0:33:00 | 0:33:02 | |
and that's when you decide. | 0:33:02 | 0:33:04 | |
But in the meantime, | 0:33:04 | 0:33:05 | |
let's find out what the auctioneer has to say | 0:33:05 | 0:33:08 | |
about Gary's dramatic print. | 0:33:08 | 0:33:10 | |
Well, here it is, Colin. | 0:33:12 | 0:33:14 | |
A little bit eerie for me, I have to admit. | 0:33:15 | 0:33:17 | |
It's entitled Hope. | 0:33:17 | 0:33:18 | |
A monochrome print, copyrighted from 1894, | 0:33:18 | 0:33:22 | |
very much of that sort of period. | 0:33:22 | 0:33:25 | |
And I suppose, really, a difficult seller in today's market. | 0:33:25 | 0:33:28 | |
-What do you reckon it? -Well, £25-40. | 0:33:28 | 0:33:31 | |
Generally, they make next to nothing, but it's big, it's bold. | 0:33:31 | 0:33:34 | |
It's got a good strong frame on it, | 0:33:34 | 0:33:36 | |
it should be worth that as a wall filler. | 0:33:36 | 0:33:38 | |
Gary spent £30 on it. | 0:33:38 | 0:33:40 | |
OK. Just don't see much of a profit for him. | 0:33:40 | 0:33:43 | |
All right. Well, let's see whether they go for it. | 0:33:43 | 0:33:46 | |
But in the meantime, who's going to be the auctioneer today? | 0:33:46 | 0:33:48 | |
Well, it's my favourite part of the job, | 0:33:48 | 0:33:50 | |
so you're going to be landed with me. | 0:33:50 | 0:33:53 | |
This is could be interesting. | 0:33:53 | 0:33:55 | |
40 bid. 5, 50. 5. | 0:33:56 | 0:33:57 | |
60. 5. 70. 5. Sold. | 0:33:57 | 0:34:01 | |
Gentleman, how are we? | 0:34:01 | 0:34:03 | |
-Good, thank you. -Yeah, really good. -Ever been to an auction before? | 0:34:03 | 0:34:06 | |
-No. No. -That's why they're smiling, Eric. | 0:34:06 | 0:34:09 | |
Well, you're just about to find out what you're in for. | 0:34:11 | 0:34:13 | |
But either way, it is an exciting place to be. | 0:34:13 | 0:34:16 | |
We think so and we've been doing it for donkey's years, haven't we? | 0:34:16 | 0:34:18 | |
-Absolutely. -OK. So your first item's coming up. | 0:34:18 | 0:34:21 | |
It's the three Art Deco-style decanters. | 0:34:21 | 0:34:25 | |
Paid 31. Coming up now. | 0:34:25 | 0:34:27 | |
Lot 260, three Art Deco continental sugar-glass decanters. | 0:34:27 | 0:34:31 | |
Who's going to start me, then? £50 for the lot. | 0:34:31 | 0:34:33 | |
£50, anybody? 50, 40, 30. | 0:34:33 | 0:34:35 | |
-It's only £10 each. -Go on. | 0:34:35 | 0:34:37 | |
£30? 20 to go, then. 20? Look at what we're selling here. | 0:34:37 | 0:34:40 | |
£20, anyone? 20, and 10. | 0:34:40 | 0:34:41 | |
£10. 10 to go, then. | 0:34:41 | 0:34:42 | |
10 bid. At 12, 15, 15, 18, no? 15 but a bid. 18 now, surely. | 0:34:42 | 0:34:45 | |
-That's it. Keep it rolling. -18? 18, 20 bid, 2 bid, at 2, and 5. | 0:34:45 | 0:34:49 | |
-This is what we like. -Go on! | 0:34:49 | 0:34:51 | |
-Come on. -On my left here, then. | 0:34:51 | 0:34:53 | |
The net's out. Sells in the room at £25. | 0:34:53 | 0:34:56 | |
Oh, £25. | 0:34:56 | 0:34:59 | |
They deserved to do better, boys, | 0:34:59 | 0:35:02 | |
but, hey-ho, they're in at minus £6. | 0:35:02 | 0:35:04 | |
The next lot that's coming up | 0:35:04 | 0:35:06 | |
is your retro-style Hook And Ladder fire chief push-along toy. | 0:35:06 | 0:35:10 | |
You paid £25 for it. | 0:35:10 | 0:35:12 | |
Coming up now. | 0:35:12 | 0:35:13 | |
Lot 262 is a retro-style Hook And Ladder fire chief car. | 0:35:13 | 0:35:18 | |
Who's going to start me at £40 for it? | 0:35:18 | 0:35:20 | |
£40, anybody? 40? | 0:35:20 | 0:35:21 | |
30 to go, then. 30? £20, £20, and 10 to go, then. | 0:35:21 | 0:35:24 | |
-10. -Oh, come on! | 0:35:24 | 0:35:25 | |
10 bid, 10. 12 now, do I see it? | 0:35:25 | 0:35:27 | |
12 bid, 15 bid, 18 bid, 20 bid, 2 now? | 0:35:27 | 0:35:30 | |
At £20 bid, 2 for anybody else now. | 0:35:30 | 0:35:32 | |
-The dream purchase! -Come on! | 0:35:32 | 0:35:35 | |
28 bid, quickly. | 0:35:35 | 0:35:36 | |
28 bid. 30. | 0:35:36 | 0:35:38 | |
-Go on! -LAUGHTER | 0:35:38 | 0:35:40 | |
-30. 2 now, do I see? -Yes! | 0:35:40 | 0:35:42 | |
30 there. 2 from either of you now? | 0:35:42 | 0:35:44 | |
32 on the net. 35. | 0:35:44 | 0:35:46 | |
-Yes! -35 back in the room, then. | 0:35:46 | 0:35:48 | |
Any more bids? Last call for everybody. | 0:35:48 | 0:35:49 | |
Selling in the centre of the room at £35. | 0:35:49 | 0:35:53 | |
Get in! | 0:35:53 | 0:35:55 | |
Well done, boys. | 0:35:55 | 0:35:57 | |
Plus 10, which gets your rolling total to, wait for this, plus £4. | 0:35:57 | 0:36:02 | |
-Yes! -Great. -£4! -So, we've moved out of the minus. | 0:36:02 | 0:36:05 | |
You're into the positive. | 0:36:05 | 0:36:07 | |
We've got your third item coming up. | 0:36:07 | 0:36:08 | |
You paid £28 for it. Let's see what the walking stick market | 0:36:08 | 0:36:11 | |
is like in this part of the world. | 0:36:11 | 0:36:13 | |
Lot number 264 is the rustic walking stick with horn handle. | 0:36:13 | 0:36:17 | |
Who's going to start me at £30? | 0:36:17 | 0:36:19 | |
30? 20 to go then, surely. | 0:36:19 | 0:36:21 | |
£20, anybody, 20? 10? | 0:36:21 | 0:36:23 | |
-Oh, come on. -£10, thank you, sir. | 0:36:23 | 0:36:25 | |
10 bid. 12, 15, 18? Nope. | 0:36:25 | 0:36:28 | |
15 bid. 18 for anybody else now? | 0:36:28 | 0:36:30 | |
-£15 bid, last call. -Oh, come on! | 0:36:30 | 0:36:32 | |
At £15, are we all done? | 0:36:32 | 0:36:33 | |
We sell, then, at £15. | 0:36:33 | 0:36:36 | |
Lost our profit. | 0:36:36 | 0:36:38 | |
-Boo! -OK, 15... | 0:36:38 | 0:36:40 | |
So that's minus 13, | 0:36:41 | 0:36:44 | |
so we're at minus £9. | 0:36:44 | 0:36:46 | |
-Single figures. -The question is, are you going to go with your bonus buy? | 0:36:46 | 0:36:49 | |
I think so. I want to. | 0:36:50 | 0:36:52 | |
I do have faith. | 0:36:52 | 0:36:53 | |
It's your tool chest with all those tools. | 0:36:53 | 0:36:56 | |
David paid 65 for it. | 0:36:56 | 0:36:57 | |
It can work. | 0:36:57 | 0:36:59 | |
OK. Off you go. | 0:36:59 | 0:37:00 | |
Lot number 269, 19th or early 20th century | 0:37:00 | 0:37:04 | |
ebonised pine tool chest this time. | 0:37:04 | 0:37:06 | |
Shall we say £80 for it? | 0:37:06 | 0:37:07 | |
-Let's say more. -£80. £50. Anybody? | 0:37:07 | 0:37:10 | |
50? 40? | 0:37:10 | 0:37:11 | |
-Oh! -£30 to go, then, surely? | 0:37:11 | 0:37:12 | |
£30, anybody? 30, quickly now for the tool chest. | 0:37:12 | 0:37:14 | |
£30, Victorian tool chest. | 0:37:14 | 0:37:16 | |
30 is bid. At 30, bid 2. | 0:37:16 | 0:37:17 | |
Making it 2. 2 bid. At 2. 5? 5 bid. At 5. 38 now? | 0:37:17 | 0:37:21 | |
-Come on. -At £35. Are we all done? 8, now, surely? | 0:37:21 | 0:37:24 | |
£35, we're on the market. | 0:37:24 | 0:37:25 | |
38 on the net. 38 bid, 40 now? | 0:37:25 | 0:37:28 | |
£38, net bidder has it. At £38, 40? | 0:37:28 | 0:37:30 | |
Last call for the room, then. | 0:37:30 | 0:37:31 | |
On the net, then. Selling on the net at £38. | 0:37:31 | 0:37:34 | |
Done at 38. | 0:37:34 | 0:37:35 | |
38. Ouch. | 0:37:35 | 0:37:37 | |
Erm, either way, it gives you a minus 27 on that. | 0:37:37 | 0:37:42 | |
We're now at minus 36. | 0:37:42 | 0:37:43 | |
-Pleased with that, boys? -Can we borrow a fiver to get home? | 0:37:43 | 0:37:46 | |
Is that all right? | 0:37:46 | 0:37:48 | |
-Listen, boys, not a word to the Blues, OK? -Yep. | 0:37:48 | 0:37:51 | |
-So, Rita and Hill, how are you feeling? -Excited. Nervous. | 0:37:55 | 0:37:58 | |
-Very excited. -Yeah, you are. | 0:37:58 | 0:38:00 | |
There's a hint of trepidation here, Gary, isn't there? | 0:38:00 | 0:38:02 | |
More than a hint! | 0:38:02 | 0:38:03 | |
Have you been to an auction before? | 0:38:03 | 0:38:05 | |
-I have not. -Many years ago. I used to go with my dad. | 0:38:05 | 0:38:09 | |
Well, either way, your first item is about to come up. | 0:38:09 | 0:38:11 | |
It's that sculpture of a male torso. | 0:38:11 | 0:38:14 | |
You paid £34 for it. | 0:38:14 | 0:38:16 | |
Let's see. That is a stylish thing. | 0:38:16 | 0:38:18 | |
Lot number 285 is a modern simulated marble sculpture. | 0:38:18 | 0:38:22 | |
This time, the male torso there. | 0:38:22 | 0:38:24 | |
Start me at £80 for it. £80, anybody? | 0:38:24 | 0:38:26 | |
80? 50 to go, then, surely. | 0:38:26 | 0:38:27 | |
50? Who's first in? £50? | 0:38:27 | 0:38:29 | |
50? 30? £30, quickly now. | 0:38:29 | 0:38:31 | |
30 is bid, at £30 on the net. | 0:38:31 | 0:38:33 | |
At 30 bid. 32 now, do I see? | 0:38:33 | 0:38:35 | |
Come on. Oh, come on. £30 bid, 2 for anybody else now? | 0:38:35 | 0:38:38 | |
Maiden bid has it. Any more bids? | 0:38:38 | 0:38:39 | |
-No! -Come on. -Oh, come on! | 0:38:39 | 0:38:42 | |
-Come on, come on. -It's all action on the internet. At £30 bid. | 0:38:42 | 0:38:45 | |
-32 on the net. -Hooray! -32! | 0:38:45 | 0:38:47 | |
Last call, then, selling at £32. | 0:38:47 | 0:38:51 | |
-ALL: -Oh! | 0:38:51 | 0:38:53 | |
32. | 0:38:54 | 0:38:55 | |
Minus 2. | 0:38:55 | 0:38:57 | |
So, the next item is the continental porcelain decanter. £8. | 0:38:57 | 0:39:01 | |
-There's got to be a profit in this, Gary! -Got to, got to. | 0:39:01 | 0:39:04 | |
£30 do you have for me? | 0:39:04 | 0:39:05 | |
£30, anybody? £20. | 0:39:05 | 0:39:07 | |
£10, anybody? | 0:39:07 | 0:39:08 | |
Tenner. £5, anyone. | 0:39:08 | 0:39:10 | |
-£5. -Oh, come on. | 0:39:10 | 0:39:12 | |
Fiver. A couple of pounds. | 0:39:12 | 0:39:14 | |
Start with a pound. | 0:39:14 | 0:39:15 | |
1. At 1 bid. | 0:39:15 | 0:39:17 | |
We've broken a duck, at 1 bid. | 0:39:17 | 0:39:18 | |
-Oh... -3 bid, 4 bid, 5 now. | 0:39:18 | 0:39:20 | |
Do I see from anybody else? | 0:39:20 | 0:39:22 | |
5, front row. 6 bid, 7. 7 bid, 8? No. | 0:39:22 | 0:39:27 | |
At 7. It's lucky 7 in the front, then. | 0:39:27 | 0:39:29 | |
At £7, front row has it. Selling then at £7. | 0:39:29 | 0:39:33 | |
-Sold. -Oh, no! -Oh, minus one. | 0:39:34 | 0:39:35 | |
Minus one! | 0:39:35 | 0:39:37 | |
Minus one. Running total now, minus three, OK? | 0:39:37 | 0:39:41 | |
Right, here's your pair of Art Nouveau-style panels. | 0:39:41 | 0:39:44 | |
You paid £49 for them. | 0:39:44 | 0:39:46 | |
They're coming up now. | 0:39:46 | 0:39:47 | |
Lot number 289 | 0:39:47 | 0:39:49 | |
is the pair of Art Nouveau tile fields, this time. | 0:39:49 | 0:39:53 | |
£40, anyone? 40? 30? 20 to go, then? | 0:39:53 | 0:39:56 | |
10? | 0:39:56 | 0:39:58 | |
10 is bid. 12 now? 12 on the net. 15 in the room. 18, 20, 2. | 0:39:58 | 0:40:03 | |
Quickly now. Two fabulous-looking things. | 0:40:03 | 0:40:05 | |
22, 25, 28. | 0:40:05 | 0:40:07 | |
-Ooh, good. -Come on. -30 in the room. | 0:40:07 | 0:40:08 | |
32 now. 32, 35? 5 bid. | 0:40:08 | 0:40:12 | |
38? 38. 40? No. | 0:40:12 | 0:40:14 | |
-Go on, 40. Go on. -At £38. | 0:40:14 | 0:40:17 | |
Is there 40 from anywhere else, then? | 0:40:17 | 0:40:18 | |
At £38, last call for everybody. Sells on the net at £38. | 0:40:18 | 0:40:22 | |
Oh! | 0:40:22 | 0:40:23 | |
Minus 11. | 0:40:23 | 0:40:25 | |
So, you paid 49, sold for 38, minus 11. | 0:40:25 | 0:40:28 | |
Gives us a rolling total of minus 14. | 0:40:28 | 0:40:31 | |
Oh! | 0:40:31 | 0:40:33 | |
It is not the end of the world. | 0:40:33 | 0:40:35 | |
I know, I keep saying this to people, but, either way, | 0:40:35 | 0:40:39 | |
it does beg the question, are we going with the bonus buy? | 0:40:39 | 0:40:42 | |
-Yes. -Gary paid £30 for it. | 0:40:42 | 0:40:45 | |
You get a lot of print for your money, a lot of good frame. | 0:40:45 | 0:40:47 | |
-A lot of frame, yeah. -Yes, yes. -The auctioneer's got faith, | 0:40:47 | 0:40:49 | |
cos he thinks it should be worth 25-40. | 0:40:49 | 0:40:52 | |
Lot 294 is the monochrome print titled Hope. | 0:40:52 | 0:40:56 | |
Who's going to start me at £50 for it? 50? | 0:40:56 | 0:40:59 | |
Nearly the size of the rostrum, it is. £50. | 0:40:59 | 0:41:02 | |
-It is big. -It's a great piece. -It's gorgeous. | 0:41:02 | 0:41:05 | |
30? £20, anybody? | 0:41:05 | 0:41:07 | |
£20, do you have for me? 10? | 0:41:07 | 0:41:09 | |
£5? | 0:41:09 | 0:41:11 | |
No! | 0:41:11 | 0:41:12 | |
A pound is bid. | 0:41:12 | 0:41:14 | |
Wow. | 0:41:14 | 0:41:15 | |
What a bargain, that is. | 0:41:15 | 0:41:17 | |
£1 is all I'm bid. | 0:41:17 | 0:41:19 | |
£2 is bid on the internet. | 0:41:19 | 0:41:21 | |
£3 is bid. | 0:41:21 | 0:41:22 | |
The condition is very, very good on it, as well. | 0:41:22 | 0:41:25 | |
Selling then at £3. | 0:41:26 | 0:41:28 | |
All I can do is apologise, but say that's the market. | 0:41:28 | 0:41:32 | |
Oh, right. | 0:41:32 | 0:41:35 | |
-Sorry. -OK. | 0:41:35 | 0:41:36 | |
Minus 27. Now gives us a rolling total of minus £41. | 0:41:36 | 0:41:42 | |
Oh, well. It's OK. | 0:41:42 | 0:41:45 | |
OK. | 0:41:45 | 0:41:46 | |
Hey-ho. You win some, you lose some. | 0:41:46 | 0:41:49 | |
Erm, one final word - | 0:41:49 | 0:41:50 | |
not a word to the Reds. | 0:41:50 | 0:41:52 | |
-No. -No worries. -We're schtum. | 0:41:52 | 0:41:54 | |
So, are we still full of the happy factor? | 0:41:59 | 0:42:01 | |
That's what I'm saying. Yes, yes, yes? | 0:42:01 | 0:42:03 | |
It's been a very close competition between you. | 0:42:03 | 0:42:06 | |
Now, listen. No, don't get too excited... | 0:42:06 | 0:42:08 | |
..because nobody made a profit. | 0:42:09 | 0:42:11 | |
So, nobody's taking any money and I can tell you now, | 0:42:11 | 0:42:15 | |
that there's only £5 in it. | 0:42:15 | 0:42:17 | |
-No. -Ooh! | 0:42:17 | 0:42:19 | |
Yes! So, we do have a winner and we do have a runner-up, | 0:42:19 | 0:42:22 | |
and the winner on this occasion | 0:42:22 | 0:42:24 | |
are the Red team. | 0:42:24 | 0:42:25 | |
-Yes! -Oh, yes. -Well done. -What's happened to you? | 0:42:25 | 0:42:29 | |
Well, while they go over the top, OK... | 0:42:31 | 0:42:33 | |
-Over the top. -..you were let down big time... | 0:42:33 | 0:42:36 | |
-By the bonus buy. -..by the bonus buy. | 0:42:36 | 0:42:39 | |
-But it was beautiful. -But well done, Blues, anyway. | 0:42:39 | 0:42:42 | |
And what do we say? | 0:42:42 | 0:42:43 | |
Look at these faces on these lads, eh? | 0:42:43 | 0:42:45 | |
It looks like they've done the triple, don't they? | 0:42:45 | 0:42:48 | |
-It does. -I think it's more shock than anything else. | 0:42:48 | 0:42:51 | |
-Absolutely. -You did make one positive. | 0:42:51 | 0:42:53 | |
You did make a profit on the children's toy, didn't you? | 0:42:53 | 0:42:57 | |
Yeah, yeah. Well, I said, I said that was my dream item... | 0:42:57 | 0:42:59 | |
-Yeah, you did. -..and it pulled through. | 0:42:59 | 0:43:01 | |
Well, it did pull through, because it gave you minus 36 as a total. | 0:43:01 | 0:43:05 | |
So, as I say, £5 in it. | 0:43:05 | 0:43:08 | |
But, either way, have we enjoyed ourselves, everybody? | 0:43:08 | 0:43:11 | |
-Yes, yes. -That's what it's all about. | 0:43:11 | 0:43:14 | |
And we do hope that you've enjoyed watching at home. | 0:43:14 | 0:43:17 | |
In the meantime, you can catch us on our website, | 0:43:17 | 0:43:21 | |
or follow us on Twitter. | 0:43:21 | 0:43:23 | |
But better still, why not join us next time, | 0:43:23 | 0:43:25 | |
for some more bargain hunting. Yes? Yes! | 0:43:25 | 0:43:28 |