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Hello. Today's show comes from the Nottinghamshire town of Southwell, | 0:00:02 | 0:00:05 | |
or does it? | 0:00:05 | 0:00:07 | |
The pronunciation of the town's name has caused | 0:00:07 | 0:00:09 | |
a centuries-long argument, often dividing visitors and locals alike. | 0:00:09 | 0:00:14 | |
Well, there's only one way to find out. | 0:00:14 | 0:00:17 | |
-Question - South-WELL or Southwell? -Southwell. -South-WELL. | 0:00:17 | 0:00:20 | |
-Southwell. -You're both... Are you local? | 0:00:20 | 0:00:23 | |
-Yeah. -South-WELL. -Southwell. -Oh, South-WELL, without a doubt. | 0:00:23 | 0:00:26 | |
Well, that's as clear as mud. | 0:00:26 | 0:00:29 | |
But whatever way you say it, | 0:00:29 | 0:00:31 | |
we're here, and we're going bargain-hunting. | 0:00:31 | 0:00:34 | |
The Southwell Racecourse is hosting today's antiques fair, | 0:00:55 | 0:00:58 | |
and with up to 150 stands, | 0:00:58 | 0:01:01 | |
our teams are going to be spoilt for choice on which three items to spend | 0:01:01 | 0:01:06 | |
up to £300, and with 60 minutes on the clock. | 0:01:06 | 0:01:09 | |
Let's have a look at what's coming up. | 0:01:09 | 0:01:12 | |
The Reds drive a hard bargain... | 0:01:12 | 0:01:15 | |
I was thinking 15. | 0:01:15 | 0:01:18 | |
Oh, my Lord! Even I'm shocked and horrified! | 0:01:18 | 0:01:21 | |
The Blues have expensive tastes... | 0:01:21 | 0:01:23 | |
-£350? -Ooh! -And at the auction, the Reds are dumbfounded... | 0:01:23 | 0:01:28 | |
-ALL: -O-o-o-o-oh! | 0:01:28 | 0:01:30 | |
..while the Blues stay hopeful. | 0:01:30 | 0:01:32 | |
Bit more. Bit more, bit more. | 0:01:32 | 0:01:35 | |
Well, all that is coming up later, so let's meet today's teams, | 0:01:35 | 0:01:39 | |
who are all sets of friends and who all hail from Nottingham. | 0:01:39 | 0:01:43 | |
For the Reds, we've got Liz and Tracey, and for the Blues, | 0:01:43 | 0:01:45 | |
-we've got Nick and Harry. So, hello. TEAMS: -Hello! | 0:01:45 | 0:01:49 | |
So, Liz, tell me, how did you two meet? | 0:01:49 | 0:01:51 | |
Well, we met about 26 years ago, | 0:01:51 | 0:01:53 | |
and Tracey moved into a flat above the one I was living in at the time. | 0:01:53 | 0:01:57 | |
-Mm-hm. -And it had a very narrow, winding staircase. | 0:01:57 | 0:02:01 | |
-Yes? -And I heard all this commotion outside, | 0:02:01 | 0:02:03 | |
and there was Tracey with her husband, trying to push a settee | 0:02:03 | 0:02:06 | |
up these stairs. So I went to help them and it was just hilarious, | 0:02:06 | 0:02:10 | |
and we just got on straightaway. | 0:02:10 | 0:02:12 | |
Tell me, you work for Citizens Advice? | 0:02:12 | 0:02:15 | |
-I do, yes, yes. -I believe you also do a little bit of moonlighting in | 0:02:15 | 0:02:19 | |
-the guise of another job. -I do, yes, | 0:02:19 | 0:02:21 | |
I'm also a registrar in the summer, and I marry people. | 0:02:21 | 0:02:25 | |
So I get to go to some beautiful venues on people's big day, | 0:02:25 | 0:02:28 | |
which is an absolute privilege, really. | 0:02:28 | 0:02:31 | |
So, Tracey, tell me a little bit more about your job. | 0:02:31 | 0:02:34 | |
Well, I'm a community midwife in the centre of Nottingham. | 0:02:34 | 0:02:37 | |
I delivered Liz's baby when I was newly qualified. | 0:02:37 | 0:02:40 | |
-So that baby is very special. -Yeah, and how old is that baby now? | 0:02:40 | 0:02:44 | |
-Can I ask? -She turned 20 last week. | 0:02:44 | 0:02:46 | |
Isn't that terrible? How dare they grow up? How dare they grow up! | 0:02:46 | 0:02:50 | |
Now, I believe that you've got a few connections in the antique world. | 0:02:50 | 0:02:54 | |
Well, my mum's an antiques dealer, and she had a shop, | 0:02:54 | 0:02:57 | |
and I used to mind it as soon as I was old enough. | 0:02:57 | 0:03:01 | |
No pressure, fellas, OK? | 0:03:01 | 0:03:04 | |
No pressure. So, tactics today, ladies. | 0:03:04 | 0:03:06 | |
-What's it going to be? -Well, I think we're going to go out there | 0:03:06 | 0:03:09 | |
-and try and buy the first thing quickly. -Pressure off. | 0:03:09 | 0:03:12 | |
-Yeah. -Yeah, good thinking. All right, well, good luck. -Thank you. | 0:03:12 | 0:03:15 | |
So, turning to the Blues, Nick and Harry. | 0:03:15 | 0:03:17 | |
So, Nick, tell me, how did you two meet? | 0:03:17 | 0:03:19 | |
We met at school, we went to school in Southwell, just down the road. | 0:03:19 | 0:03:22 | |
Harry always says, whenever we meet new people, he's always like, | 0:03:22 | 0:03:25 | |
"Oh, yeah, Nick used to bully me on the school bus." | 0:03:25 | 0:03:27 | |
-I'll just get that out there now - I didn't bully him. -No. -At all. Six years later, | 0:03:27 | 0:03:31 | |
then we met through a mutual friend on a night out and we've been best | 0:03:31 | 0:03:34 | |
-mates ever since. -Excellent. So, what do you do for a living? | 0:03:34 | 0:03:37 | |
I'm in the military and I teach armoured vehicle tactics. | 0:03:37 | 0:03:39 | |
-Do you? -Yeah. The trained troops come to us, | 0:03:39 | 0:03:42 | |
driver, commander, and then we just teach them how to employ the | 0:03:42 | 0:03:45 | |
-vehicles tactically. -So, Harry, what do you do for a living? | 0:03:45 | 0:03:48 | |
I'm a senior architectural technician for a leading housing | 0:03:48 | 0:03:51 | |
-developer in the UK. -He lives in one of the houses he's designed, so... | 0:03:51 | 0:03:54 | |
-Which explains one of the many design flaws of the house. -LAUGHTER | 0:03:54 | 0:03:58 | |
Goodness me! That's quite something, isn't it | 0:03:58 | 0:04:01 | |
to be in the house you have designed, you know? | 0:04:01 | 0:04:03 | |
It's nice, it's a nice feeling to have designed something, yeah, definitely. | 0:04:03 | 0:04:07 | |
What about antiques? What's your knowledge like on antiques? | 0:04:07 | 0:04:10 | |
-Nothing. -But that's not going to deter us from winning today... -No, no. -..because obviously we're going | 0:04:10 | 0:04:14 | |
-to smash it. -Exactly. So, have you got any form of tactics? | 0:04:14 | 0:04:17 | |
We're going to go with an unorthodox tactic and go with buy low, | 0:04:17 | 0:04:21 | |
-sell high. -That is a great formula, isn't it? | 0:04:21 | 0:04:24 | |
We're going to listen to our expert and we're going to go with the gut, | 0:04:24 | 0:04:27 | |
-though. Go with the gut, always listen to the gut. -Before we do any | 0:04:27 | 0:04:30 | |
of that, you're going to need some money, aren't you? | 0:04:30 | 0:04:33 | |
£300 for the Reds, and £300 for the Blues. | 0:04:33 | 0:04:37 | |
And this is where I say cheerio to you as you go off to meet your | 0:04:37 | 0:04:40 | |
respective experts. | 0:04:40 | 0:04:42 | |
So, will our teams still be friends at the end of the day? | 0:04:42 | 0:04:45 | |
To keep them focused on antiques, they'll need some help. | 0:04:47 | 0:04:51 | |
So, stepping out in style with the Reds, it's David Harper. | 0:04:51 | 0:04:55 | |
And directing the action for the Blues, it's Gary Pe. | 0:04:57 | 0:05:01 | |
What are we going to be looking for? | 0:05:01 | 0:05:03 | |
Well, I like silver Scandinavian jewellery, Art Deco... | 0:05:03 | 0:05:06 | |
I'm thinking more going down the military route, maybe. | 0:05:06 | 0:05:09 | |
I think we should look for either really practical things or anything | 0:05:09 | 0:05:13 | |
-really beautiful. -I was thinking maybe some timepieces. | 0:05:13 | 0:05:16 | |
Basically, toys for boys? | 0:05:16 | 0:05:18 | |
-Yep. -It's all about weighing up your options. | 0:05:18 | 0:05:21 | |
Teams, your 60 minutes start now. BELL RINGS | 0:05:21 | 0:05:25 | |
-Yeah, let's do it! -Let's do it. -Let's get to it. -Do it. | 0:05:25 | 0:05:28 | |
Liz is in. What are you doing, Liz? | 0:05:28 | 0:05:30 | |
The Reds start by eyeing up some pretty things... | 0:05:30 | 0:05:32 | |
-Maybe a case for a small lady's pocket watch. -Oh. Yeah. | 0:05:32 | 0:05:36 | |
-Yeah. -..while the boys head straight for the toys. | 0:05:36 | 0:05:39 | |
Fairly run of the mill, nothing exceptional about it. | 0:05:39 | 0:05:43 | |
-So, what do you think? Shall we go inside? -Yeah, let's go inside. -All right, let's do that. | 0:05:43 | 0:05:46 | |
Indoors, the Reds are working through their shopping list. | 0:05:46 | 0:05:49 | |
Could this be the beautiful item they want? | 0:05:49 | 0:05:52 | |
So, Liz, tell us why you like it. | 0:05:52 | 0:05:54 | |
-Just got a little bit of... -Well, it's quite pretty, it's practical. | 0:05:54 | 0:05:57 | |
-Yeah. -It looks quite old, with the silk. | 0:05:57 | 0:06:00 | |
-It's still there, isn't it? -What age do you think it is? | 0:06:00 | 0:06:03 | |
-'30s. -1900, or something? -Yeah, I think it's a bit earlier. | 0:06:03 | 0:06:06 | |
-Do you? -I think it's more 1880. -Oh, really? -Particularly with that colour, that very deep purple. | 0:06:06 | 0:06:10 | |
-It's very Victorian. -Oh! Hmm, what would it have been? | 0:06:10 | 0:06:13 | |
-Probably a jewellery box of some sort. -Yeah? -It's missing an awful lot of stuff. | 0:06:13 | 0:06:17 | |
-It is, isn't it? -Yeah. -It's just a box. -Yeah, I think we're going to struggle with that. | 0:06:17 | 0:06:21 | |
-Yeah, I'd rather something a bit meatier. -Yeah, yeah. | 0:06:21 | 0:06:24 | |
Keep looking, Reds. Blues, have you found anything from YOUR wish list? | 0:06:24 | 0:06:27 | |
-Is that a timepiece? What's that there, Gary? -Oh, OK. | 0:06:27 | 0:06:31 | |
Right, it's a pocket watch. | 0:06:34 | 0:06:37 | |
1920s, 1930s. | 0:06:37 | 0:06:39 | |
Silver, a good starting price of 38. | 0:06:39 | 0:06:43 | |
Normally, with pocket watches, you know how they were used originally. | 0:06:43 | 0:06:48 | |
-Yeah, yeah... -You'd have them in chains or something, just hanging around the pockets, | 0:06:48 | 0:06:53 | |
or with leather straps, which they call fobs, which they... | 0:06:53 | 0:06:56 | |
-Then flip out... -..hang around, exactly, yeah, yeah. | 0:06:56 | 0:06:59 | |
But it looks like a good, clean piece. | 0:06:59 | 0:07:02 | |
The enamelling is in good condition, so I'm quite happy with that. | 0:07:03 | 0:07:07 | |
-There's no breaks of the glass. So... -Solid piece. | 0:07:07 | 0:07:11 | |
It's a solid piece. | 0:07:11 | 0:07:13 | |
You've got your normal engine turn decoration in there. | 0:07:13 | 0:07:17 | |
One good thing is, it is devoid of any inscriptions. | 0:07:17 | 0:07:21 | |
So, that's what people like. How do you feel about it? | 0:07:21 | 0:07:24 | |
I'm happy to go with that one. | 0:07:24 | 0:07:26 | |
To begin with, I'd like you to be able to get this | 0:07:26 | 0:07:29 | |
for something like 25. | 0:07:29 | 0:07:33 | |
-We're in with a chance. -On at 38. -It's 38. | 0:07:33 | 0:07:36 | |
-Start at 20. Let's go cheaply. -So... -Cheaply. | 0:07:36 | 0:07:39 | |
-Go for it. -So, we're thinking 20. | 0:07:39 | 0:07:42 | |
I can't do 20, unfortunately, no. The best I'd do would be 30. | 0:07:42 | 0:07:45 | |
30? What if we meet at 28? | 0:07:45 | 0:07:49 | |
-28 will be fine. -Happy with that? -I'm happy with that. Is Gary happy with that? | 0:07:49 | 0:07:53 | |
-What do you think, Gary? -I like it, it's a good piece, clean, | 0:07:53 | 0:07:56 | |
-silver. -Let's go for it, then. -Go 28? -Why not? -Yeah, 28. | 0:07:56 | 0:08:00 | |
-28. -Bosh. -Thank you. | 0:08:00 | 0:08:02 | |
-Thank you very much. -Thank you. -Cheers, thank you. | 0:08:02 | 0:08:05 | |
Well, well. The first toy for the boys. The Cheeky Boys. | 0:08:05 | 0:08:09 | |
With the cheeky Blues buying their first item in just | 0:08:09 | 0:08:12 | |
eight minutes, the Reds are now playing catch-up. | 0:08:12 | 0:08:15 | |
Anything shouting out? | 0:08:15 | 0:08:17 | |
Images of dogs. Anything to do with dogs is always very good news. | 0:08:17 | 0:08:20 | |
Yeah, I can imagine someone who likes little terriers liking those, | 0:08:20 | 0:08:23 | |
-can't you? -Yeah, absolutely. So, the cufflinks, crystal... | 0:08:23 | 0:08:26 | |
-They're not any kind of metal, are they? -No. -They're just a bit of... | 0:08:26 | 0:08:29 | |
-Base metal, isn't it? -..white metal, or whatever you call it. | 0:08:29 | 0:08:32 | |
Yeah. If they were nine-carat gold, they'd be very desirable. | 0:08:32 | 0:08:34 | |
-Yeah, they would, wouldn't they? -But they're lovely things. | 0:08:34 | 0:08:37 | |
-Yeah, just... -But cufflinks aren't... | 0:08:37 | 0:08:39 | |
-What's your best price you can do on that? -Oh, she's in! | 0:08:39 | 0:08:42 | |
-I can do them for 30. -I was thinking 15. | 0:08:42 | 0:08:46 | |
Oh, my Lord! Even I'm shocked and horrified! | 0:08:46 | 0:08:50 | |
25 would be the rock bottom on that. | 0:08:50 | 0:08:52 | |
-What do you think? -Shall we try? -Yeah. -Let's do it. | 0:08:52 | 0:08:55 | |
-Go on, let's get them. Let's get them. -Don't ask my opinion at all. | 0:08:55 | 0:08:58 | |
You said you liked them! | 0:08:58 | 0:08:59 | |
Never mind, David, at least they're decisive. | 0:08:59 | 0:09:01 | |
Right, well done. Well, first purchase, I think well done. | 0:09:01 | 0:09:04 | |
Over with the Blues, Gary is being put to the test. | 0:09:04 | 0:09:07 | |
-Military? -Yeah. -Maybe, yeah. | 0:09:07 | 0:09:11 | |
I have to tell you now, they're not my speciality. | 0:09:11 | 0:09:15 | |
-They're not mine either. I just... -You just like them? -Yeah. | 0:09:15 | 0:09:18 | |
-Right. -The first medal issued by the British Government to soldiers with | 0:09:18 | 0:09:21 | |
combat experience, regardless of rank, was the Waterloo Medal in | 0:09:21 | 0:09:25 | |
1815. Some can fetch thousands at auction. | 0:09:25 | 0:09:29 | |
These examples are more recent. | 0:09:29 | 0:09:31 | |
-I mean, we can pretty much date them, because... -They carry the | 0:09:31 | 0:09:34 | |
-heads of... -King George VI. | 0:09:34 | 0:09:37 | |
That was awarded for Palestine. | 0:09:37 | 0:09:40 | |
And the other bits, I don't know. | 0:09:41 | 0:09:43 | |
So I think we need to sort of ask the dealer. | 0:09:43 | 0:09:46 | |
OK, well, the Palestine medal is a pre-Second World War medal. | 0:09:46 | 0:09:50 | |
-Right. -Then you've got the '39-'45 for the Second World War, | 0:09:50 | 0:09:55 | |
the African next to that, | 0:09:55 | 0:09:57 | |
the Defence next to that, and the War Medal. | 0:09:57 | 0:09:59 | |
The only medal that's named is the Palestine medal. | 0:09:59 | 0:10:02 | |
-Were these awarded to the same person? -They were awarded to the same person. | 0:10:02 | 0:10:05 | |
-All right. What are we talking about, price wise? -£350. | 0:10:05 | 0:10:09 | |
Oh! | 0:10:09 | 0:10:11 | |
Way out of your price range, Blues. | 0:10:11 | 0:10:13 | |
Meanwhile, the Reds' animal instincts are being tested. | 0:10:13 | 0:10:17 | |
-Let's get to grips with what he is. -Any ideas, ladies? | 0:10:17 | 0:10:20 | |
-An elephant. -Well done, Liz! | 0:10:21 | 0:10:25 | |
Isn't she clever? Is he an Asian elephant or an African elephant? | 0:10:25 | 0:10:29 | |
-Well, he's got small ears. -Good. Meaning what? | 0:10:29 | 0:10:32 | |
-Not sure. -Does mean something, doesn't it? -It does mean something. | 0:10:32 | 0:10:35 | |
-Indian, I think. -Indian. -Indian elephant. | 0:10:35 | 0:10:37 | |
-So he's probably made in India, do you think? -Absolutely, I do, I think so. | 0:10:37 | 0:10:40 | |
-It's brass. Lovely little green eyes, they'll just be... -Yeah. | 0:10:40 | 0:10:43 | |
-They will be glass, won't they? They're not going to be emeralds. -Is it for putting matches in? | 0:10:43 | 0:10:47 | |
-Yeah. -Is there a striker on it, though? -Yes, there... How...? | 0:10:47 | 0:10:51 | |
-Where is all this information coming from? -I've been there before, you see, so when in here, it's in here. | 0:10:51 | 0:10:55 | |
-Is this all new to you? -Whether I like it or not. | 0:10:55 | 0:10:58 | |
-There's your striker. -Oh, that's where you do it? -Yeah. -On his neck. And how old? | 0:10:58 | 0:11:01 | |
-Do you think he was a little tourist thing? -Could be a tourist thing. | 0:11:01 | 0:11:05 | |
-He could date from the Raj... -Yeah. -..late 18th, 1800s, | 0:11:05 | 0:11:08 | |
-early 1900s, that sort of period. It's quite unusual. -It is nice. | 0:11:08 | 0:11:12 | |
-It's quite sweet. -It's a lot of money as well. -It is, 85. -Hmm. | 0:11:12 | 0:11:15 | |
-That's too much money. -I think it's 30 to 50 in auction. -Yeah, yeah. -As a novelty thing. | 0:11:15 | 0:11:19 | |
-But we know it's there. -OK, does that mean, "Put it back in"? | 0:11:19 | 0:11:23 | |
-Yeah, I think so. -All right, OK. | 0:11:23 | 0:11:25 | |
-Lovely, thank you for that. -And from one miniature to another. | 0:11:25 | 0:11:29 | |
What about this spy camera? | 0:11:29 | 0:11:31 | |
-It's quite cool, isn't it? -Quite like that. -Wow! -So, nice little piece, isn't it? | 0:11:31 | 0:11:35 | |
-I'm liking that. -Wow. -GARY LAUGHS | 0:11:35 | 0:11:38 | |
Mycro cameras like this one were made in Tokyo, in Japan, | 0:11:38 | 0:11:42 | |
and first went on the market in 1939. | 0:11:42 | 0:11:45 | |
Second World War, obviously. | 0:11:45 | 0:11:48 | |
But 1,100... | 0:11:48 | 0:11:50 | |
-I don't... -Slightly too high? -No, well... -No, no, it's not 1,100. | 0:11:50 | 0:11:54 | |
-No? What is it, then? -100. -It's 100. | 0:11:54 | 0:11:57 | |
Oh! Oh, well. | 0:11:57 | 0:12:00 | |
-This changes the game. -Well, absolutely. | 0:12:00 | 0:12:03 | |
Also, if you look down there, | 0:12:03 | 0:12:05 | |
there's a box of film for it as well. | 0:12:05 | 0:12:07 | |
-Mycro, can you see? -This one, OK. | 0:12:07 | 0:12:10 | |
I think there's only one film in it, though. | 0:12:10 | 0:12:12 | |
-Is that still classed as one item, is it? -Yes, yes, absolutely. | 0:12:12 | 0:12:15 | |
And it has the proper label. | 0:12:15 | 0:12:19 | |
-Now, that changes the game, guys. -Yeah. I'm liking this game. I'm | 0:12:19 | 0:12:23 | |
-liking it a lot. -I mean, that's good enough, but with this | 0:12:23 | 0:12:27 | |
-and the box... -And the film. -..and a spare film. | 0:12:27 | 0:12:31 | |
-I'm liking that, yeah. -I like that a lot. -I like it a lot. | 0:12:31 | 0:12:35 | |
What do you think, price wise? | 0:12:37 | 0:12:39 | |
Oh... What is the absolute death, sir? | 0:12:39 | 0:12:42 | |
-I'll make it 65, how's that? -65? I... | 0:12:42 | 0:12:45 | |
Yeah, I like it, I'm happy, I like that. | 0:12:45 | 0:12:47 | |
Yeah, shall we do the deal? | 0:12:47 | 0:12:49 | |
-Let's do it. -Sir, that was very generous. | 0:12:49 | 0:12:53 | |
-Thank you very much indeed. -At nearly half the purchase price, | 0:12:53 | 0:12:55 | |
that's the Blues' second item | 0:12:55 | 0:12:57 | |
snapped up within the first 17 minutes. | 0:12:57 | 0:12:59 | |
The Reds, though, have two more items to buy. | 0:12:59 | 0:13:02 | |
So, while the shopping steps up a pace, I'm off to show you that | 0:13:02 | 0:13:05 | |
detective work is often the key to unlocking the story | 0:13:05 | 0:13:09 | |
behind an antique. | 0:13:09 | 0:13:11 | |
Recently, I found this unusual black glaze presentation mug at an | 0:13:18 | 0:13:22 | |
antiques fair, and a few things about it immediately puzzled me. | 0:13:22 | 0:13:27 | |
So the first thing you do with any pot, you want to know who the | 0:13:27 | 0:13:30 | |
maker might be. | 0:13:30 | 0:13:32 | |
But in this case, as you can see, there is no mark whatsoever. | 0:13:32 | 0:13:36 | |
When you talk about black glaze, | 0:13:38 | 0:13:40 | |
you tend to be talking about the factory of Jackfield - | 0:13:40 | 0:13:42 | |
late-18th-century and early-19th-century | 0:13:42 | 0:13:45 | |
black glaze pottery that was made in Shropshire. | 0:13:45 | 0:13:48 | |
The very fact that this is a mid-19th-century shape, | 0:13:48 | 0:13:51 | |
based on a silver mug with a handle, | 0:13:51 | 0:13:54 | |
with a kick and a double spur that you tend to associate from somewhere | 0:13:54 | 0:13:59 | |
round about 1840, | 0:13:59 | 0:14:01 | |
dismisses Jackfield as being the area from which it originated. | 0:14:01 | 0:14:06 | |
So it wasn't from the Shropshire factory, | 0:14:06 | 0:14:09 | |
but there were a few other clues that suggested its pedigree. | 0:14:09 | 0:14:12 | |
Looking at the decoration, you'll see the gilding is exquisite. | 0:14:12 | 0:14:18 | |
Not only have you got this beautiful flat gilding, | 0:14:18 | 0:14:21 | |
but you've got raised gilding. | 0:14:21 | 0:14:23 | |
That is basically white enamel that's been laid on and then it's | 0:14:23 | 0:14:27 | |
been covered over with gilt. | 0:14:27 | 0:14:29 | |
That just makes it so very, very special. | 0:14:29 | 0:14:32 | |
This is Stoke-on-Trent at its best. | 0:14:32 | 0:14:35 | |
Make no mistake about it. | 0:14:35 | 0:14:37 | |
But when I look at good quality pots of this period that are not marked, | 0:14:37 | 0:14:41 | |
and black glaze pots, I think of one factory. | 0:14:41 | 0:14:45 | |
I think of the Dudson factory. | 0:14:45 | 0:14:48 | |
They didn't really mark their wares until well after 1860. | 0:14:48 | 0:14:52 | |
This is dated 1853 - it's already a contender. | 0:14:52 | 0:14:55 | |
I've had it looked at also by the Dudson Museum. | 0:14:55 | 0:15:00 | |
They love it, they think that it is Dudson. | 0:15:00 | 0:15:03 | |
So, we now know it's a Staffordshire mug, reputedly made by the oldest | 0:15:03 | 0:15:08 | |
surviving manufacturers of tableware in the country. | 0:15:08 | 0:15:11 | |
But who was it presented to? | 0:15:11 | 0:15:13 | |
You can see that this was presented to a certain J Sinzininesc. | 0:15:13 | 0:15:17 | |
Yes, it's a bit of a mouthful, isn't it? Not only does it have the | 0:15:17 | 0:15:21 | |
name, but underneath that, I'm reading the name Jean, | 0:15:21 | 0:15:24 | |
so I'm thinking that this must be somebody of Continental origin. | 0:15:24 | 0:15:29 | |
I then get in touch with a couple of my friends who were genealogists. | 0:15:29 | 0:15:33 | |
My friends were able to tell me that a certain Augustus Sinzininesc came | 0:15:33 | 0:15:39 | |
over from Poland in the late 18th century. | 0:15:39 | 0:15:43 | |
His son James was born in 1817 and died in 1884. | 0:15:43 | 0:15:49 | |
They were able to establish that James was in actual fact | 0:15:49 | 0:15:53 | |
a schoolmaster working in the Cheadle area, | 0:15:53 | 0:15:58 | |
and he was working at a place called Tean, | 0:15:58 | 0:16:01 | |
which basically means that I have misinterpreted the name Jean when I | 0:16:01 | 0:16:06 | |
should have been looking at Tean - T-E-A-N. | 0:16:06 | 0:16:11 | |
But it just goes to show that, with a little bit of detective work, | 0:16:11 | 0:16:14 | |
an ordinary antique can become something rather special. | 0:16:14 | 0:16:17 | |
Back at the fair, and with nearly 20 minutes gone, | 0:16:25 | 0:16:27 | |
the Reds still need two items and the Blues just one. | 0:16:27 | 0:16:31 | |
And already, Gary has something in his sights. | 0:16:31 | 0:16:33 | |
-Boys, what do you think of this? -What, the big silver thing? -It looks German to me. | 0:16:33 | 0:16:37 | |
I mean, it's got the element of hunting. | 0:16:37 | 0:16:40 | |
It's in the Art Nouveau style. | 0:16:40 | 0:16:43 | |
Art Nouveau was an ornamental style popular between 1890 and 1910. | 0:16:43 | 0:16:48 | |
It's got this embossed decoration right in the middle, | 0:16:49 | 0:16:53 | |
of a hunting scene. | 0:16:53 | 0:16:55 | |
Anything with dogs, anything to do with hunting, | 0:16:55 | 0:16:57 | |
and the Art Nouveau style. | 0:16:57 | 0:17:00 | |
So it's got three things going for it. | 0:17:00 | 0:17:02 | |
-I like it. -Mm-hm. -How much is the...? | 0:17:02 | 0:17:05 | |
-95? How do you feel about this? -It's doesn't really stand out to me. | 0:17:05 | 0:17:08 | |
-What do you think, Nick? -It's not massively appealing to me either, Gary. | 0:17:08 | 0:17:11 | |
-No? Well, look, we've got the time. -Keep it on the back burner? -Yeah. | 0:17:11 | 0:17:15 | |
While the Blues play it safe, the Reds are feeling the pressure. | 0:17:15 | 0:17:18 | |
-What time are we on? Whereabouts are we? -25 minutes you've had. | 0:17:18 | 0:17:22 | |
-Really? -OK, so 35 to go. -Wow. -Yeah. | 0:17:22 | 0:17:25 | |
-So I'm not going to say panic just yet... -Yeah. -No. -..but I'm not far off it. | 0:17:25 | 0:17:29 | |
Right, OK. Get a bit of a speed on. | 0:17:29 | 0:17:32 | |
And the ladies waste no time. | 0:17:32 | 0:17:35 | |
-Liz, you like boxes, I think, don't you? -I do, I really like boxes. | 0:17:35 | 0:17:37 | |
-There's lots of boxes. -Yeah. -That, do you like that? | 0:17:37 | 0:17:40 | |
-I quite like that little Arts and Crafts box. -Yes, it's very lovely. | 0:17:40 | 0:17:43 | |
You see, listen to you as well, you're getting all the terminology. | 0:17:43 | 0:17:46 | |
-Look, it's made from a cigar box. -Oh! -Isn't that quite cute? | 0:17:46 | 0:17:49 | |
-It is. -It's very lovely, I love that. -Do you? -It's all made by a man in his shed. | 0:17:49 | 0:17:54 | |
I like it, I'd be really happy to have that on my mantelpiece. | 0:17:54 | 0:17:57 | |
How old is it? Come on, let's get to the bones of it. | 0:17:57 | 0:17:59 | |
-I think it is sort of 1920s to '30s. -I think it's a bit earlier. -Bit earlier, 1910? | 0:17:59 | 0:18:04 | |
Yeah, yeah, it might be even First World War period. | 0:18:04 | 0:18:08 | |
-Oh, right. -What do you think? -Yeah, let me have a look, let me have a hold. | 0:18:08 | 0:18:11 | |
-It's... They've made it around a cigar box. -Yeah. -Which is quite | 0:18:11 | 0:18:15 | |
-lovely. -It's very, very cute. | 0:18:15 | 0:18:18 | |
-What's it going to be? -22. -Yeah. -Hmm, at the most. | 0:18:18 | 0:18:22 | |
-Ladies? -At the moment, you've got... -35. | 0:18:22 | 0:18:26 | |
-Could maybe do it for 30? -Could it be any less? | 0:18:26 | 0:18:29 | |
-What about 22? -Could do 28. | 0:18:29 | 0:18:31 | |
In auction, it's 20 to 30 quid, probably. | 0:18:31 | 0:18:36 | |
-I like it. -I like it. | 0:18:36 | 0:18:38 | |
-27? -We'll do 27, then. But that's it. -You have done it. | 0:18:38 | 0:18:43 | |
You've done it. Thank you. | 0:18:43 | 0:18:44 | |
Nice negotiating, Reds. And you've ticked off something | 0:18:44 | 0:18:48 | |
beautiful and practical from your shopping list. | 0:18:48 | 0:18:50 | |
Now, back to the Blues, where Gary is waxing lyrical. | 0:18:50 | 0:18:54 | |
The candlestick. The reason I like it is because it reminds me of the | 0:18:54 | 0:18:59 | |
design of Christopher Dresser. | 0:18:59 | 0:19:01 | |
Christopher Dresser designed functional objects and is regarded | 0:19:03 | 0:19:05 | |
as one of the most talented British designers of the 19th century. | 0:19:05 | 0:19:09 | |
And anything that is Christopher Dresser, and can be attributed to | 0:19:09 | 0:19:14 | |
him, by him, makes very big money. | 0:19:14 | 0:19:18 | |
-Shall we have a look at it, then, shall we? -Shall we? -Yeah. -OK. | 0:19:18 | 0:19:21 | |
-Hmm... -It's got 38 quid on there. | 0:19:22 | 0:19:25 | |
38 quid. | 0:19:25 | 0:19:27 | |
It's in copper, there's a bit of brass in there, | 0:19:27 | 0:19:31 | |
and looks like steel of sorts. | 0:19:31 | 0:19:35 | |
He did a lot of copper work and brass work | 0:19:35 | 0:19:38 | |
for the firm of Benham & Froud, | 0:19:38 | 0:19:40 | |
about 1880s or so. | 0:19:40 | 0:19:43 | |
And even if it isn't an original Dresser, | 0:19:43 | 0:19:45 | |
it is inspired by a lot of his designs. | 0:19:45 | 0:19:48 | |
So that alone, you know, speaks volumes. | 0:19:48 | 0:19:53 | |
If we could get a good price for this... | 0:19:53 | 0:19:55 | |
Yeah, we're going to have to knock him down. | 0:19:55 | 0:19:57 | |
-Go on, then. -Shall we do it? -Shall we try it? | 0:19:57 | 0:19:59 | |
Your turn? | 0:19:59 | 0:20:02 | |
We're thinking £20. | 0:20:02 | 0:20:04 | |
I'll do 22. | 0:20:10 | 0:20:12 | |
-22? -Yeah, I'm happy with that. | 0:20:12 | 0:20:13 | |
-Are you happy, Gary? -Go for it. | 0:20:13 | 0:20:15 | |
-I'm dancing. -Thank you very much. -Fantastic, Blues. | 0:20:15 | 0:20:18 | |
That's your final item, you're all done and dusted, | 0:20:18 | 0:20:21 | |
and within 30 minutes. | 0:20:21 | 0:20:23 | |
The pressure is now on, Reds. | 0:20:23 | 0:20:24 | |
-What about the tray? -Yeah, shall we have a look? | 0:20:24 | 0:20:26 | |
Thank you. | 0:20:26 | 0:20:27 | |
OK, made from what? | 0:20:30 | 0:20:32 | |
-From Chinese lacquer. -But what is that? | 0:20:32 | 0:20:35 | |
Your mother's going to be so proud of you when she's watching this. | 0:20:35 | 0:20:37 | |
I do like Chinese lacquer, it's one of the things I really like. | 0:20:37 | 0:20:40 | |
Well, tell us about Chinese lacquer, then. | 0:20:40 | 0:20:42 | |
-It's wood with a bit of... It's a very, very cheap wood... -Yeah. | 0:20:42 | 0:20:45 | |
-..usually, that's been lacquered. -And how do they lacquer it, often? | 0:20:45 | 0:20:48 | |
-Oh, I've no idea. -Sap, tree sap. | 0:20:48 | 0:20:50 | |
-Effectively. -Tree sap? Is it? | 0:20:50 | 0:20:52 | |
That's the traditional form of lacquer. | 0:20:52 | 0:20:55 | |
I don't know whether this would fall into that category. | 0:20:55 | 0:20:57 | |
What age do you think it is? | 0:20:57 | 0:20:59 | |
I think it's probably 1920, something like that, | 0:20:59 | 0:21:02 | |
I would guess, '30s. | 0:21:02 | 0:21:04 | |
-Again, probably more like a tourist piece. -BOTH: -Yeah. | 0:21:04 | 0:21:07 | |
Interesting three-clawed dragon. | 0:21:07 | 0:21:10 | |
The five-clawed dragon is the highest-ranking dragon. | 0:21:10 | 0:21:12 | |
Oh, right, OK. | 0:21:12 | 0:21:14 | |
And there was a period in time in Chinese history | 0:21:14 | 0:21:17 | |
where only the Emperor or his immediate family | 0:21:17 | 0:21:19 | |
could own an object depicting a five-clawed dragon. | 0:21:19 | 0:21:22 | |
-So, we were not worthy? -No, you're not worthy. | 0:21:22 | 0:21:24 | |
-Basically, no. -You are definitely not worthy, | 0:21:24 | 0:21:26 | |
because he's got three claws. | 0:21:26 | 0:21:28 | |
-Right. -But an interesting one. -Yeah. | 0:21:28 | 0:21:29 | |
-Is it ours or not? -I don't think so. | 0:21:29 | 0:21:32 | |
-No? -I'm a bit worried about who's going to buy it. | 0:21:32 | 0:21:34 | |
OK, no problem, but it's very nice. ..Thank you. | 0:21:34 | 0:21:36 | |
It is lovely. | 0:21:36 | 0:21:38 | |
The Reds still need their final item, | 0:21:38 | 0:21:40 | |
and the clock is ticking. Come on, ladies. | 0:21:40 | 0:21:42 | |
The Blues, meanwhile, have time to relax. | 0:21:42 | 0:21:45 | |
You'll have to make do with coffee. | 0:21:45 | 0:21:47 | |
Tea? | 0:21:47 | 0:21:49 | |
-Cheers. -BOTH: -Cheers. | 0:21:49 | 0:21:51 | |
To winning Bargain Hunt. | 0:21:51 | 0:21:53 | |
Now, Reds, there's just 20 minutes left. | 0:21:53 | 0:21:55 | |
What about this piece of retro for your third item? | 0:21:55 | 0:21:58 | |
I'll just shout, save some time. | 0:21:59 | 0:22:01 | |
Hi, there. What sort of price have we got on the...? | 0:22:01 | 0:22:04 | |
Little TV stand, or whatever it is. | 0:22:04 | 0:22:06 | |
1960s. | 0:22:06 | 0:22:08 | |
I've got 58 on him. | 0:22:08 | 0:22:09 | |
-Do you want to have a look at it? -Let's have a little look. | 0:22:09 | 0:22:11 | |
-All right. -I like the little castors. | 0:22:11 | 0:22:13 | |
-I like that, it's got... -Turn it, let's have a look at the castors, | 0:22:13 | 0:22:16 | |
see if they are... Yeah, they're original. | 0:22:16 | 0:22:18 | |
It's got a good look to it, in general, hasn't it? | 0:22:18 | 0:22:21 | |
-It's very iconic, isn't it? -Yes, it is, it's got a good look to it. | 0:22:21 | 0:22:24 | |
Plywood, vintage, retro, falls into all of those things. | 0:22:24 | 0:22:27 | |
But the thing is, you'd be surprised how little they still make. | 0:22:27 | 0:22:31 | |
-Yeah. -Go into a London designer store, | 0:22:31 | 0:22:34 | |
and, yes, pay 300 or 400 quid for it. | 0:22:34 | 0:22:36 | |
Then you go to a provincial saleroom and they make 20 quid. | 0:22:36 | 0:22:40 | |
Yeah. I can't do 20. | 0:22:40 | 0:22:43 | |
What can you do? | 0:22:43 | 0:22:44 | |
35, max. | 0:22:45 | 0:22:47 | |
Are we allowed to spin coins? | 0:22:47 | 0:22:48 | |
I haven't spun a coin for years. | 0:22:48 | 0:22:50 | |
30 or 35 on the spin of a coin. | 0:22:51 | 0:22:53 | |
Let's go back to medieval bartering. | 0:22:53 | 0:22:56 | |
-Go on, then. -OK. Don't worry about this. | 0:22:56 | 0:22:58 | |
I've got it sorted. | 0:22:58 | 0:22:59 | |
This could be risky. | 0:22:59 | 0:23:01 | |
You can call, ready? | 0:23:01 | 0:23:02 | |
Right, I'll go heads. | 0:23:02 | 0:23:05 | |
OK, don't worry. | 0:23:05 | 0:23:06 | |
-Everything is fine. Oh. -Yes! | 0:23:06 | 0:23:08 | |
SHE LAUGHS | 0:23:08 | 0:23:10 | |
-I got the wrong coin out. -Everything is fine. | 0:23:10 | 0:23:12 | |
Oh, well. | 0:23:12 | 0:23:13 | |
-35. -OK... | 0:23:13 | 0:23:15 | |
Oh, dear. I hope that doesn't make the difference | 0:23:15 | 0:23:17 | |
between winning and losing. | 0:23:17 | 0:23:19 | |
-It's a pleasure. -I bet it's a pleasure, thank you very much. | 0:23:19 | 0:23:23 | |
-But it's been good fun. -We've had a good day. | 0:23:23 | 0:23:25 | |
-Yeah, brilliant. -And we've got 15 minutes left. | 0:23:25 | 0:23:28 | |
With both teams finished, I'm going to call time. | 0:23:28 | 0:23:31 | |
Let's remind ourselves what the Red team bought. | 0:23:31 | 0:23:35 | |
First up were these terrier dog cufflinks. | 0:23:35 | 0:23:38 | |
Price paid, £25. | 0:23:38 | 0:23:40 | |
Next, the Arts and Crafts box set them back £27. | 0:23:41 | 0:23:46 | |
And finally, with the toss of a coin, | 0:23:46 | 0:23:48 | |
they won this retro TV console for £35. | 0:23:48 | 0:23:52 | |
So, ladies, you got off to a very prompt start there. | 0:23:53 | 0:23:56 | |
I mean, you said you were going to go in quick. | 0:23:56 | 0:23:58 | |
So quick that I don't think you knew what was happening, Dave. | 0:23:58 | 0:24:01 | |
Well, I was half sentence, really, | 0:24:01 | 0:24:02 | |
giving my expert opinion, and they'd bought it. | 0:24:02 | 0:24:05 | |
Right, OK. | 0:24:05 | 0:24:06 | |
-So, favourite item? -I think the little box, the Arts and Crafts box. | 0:24:06 | 0:24:10 | |
And the one that's going to give you the biggest profit? | 0:24:10 | 0:24:12 | |
-Probably the box. -The box, OK. Come on, tell me. | 0:24:12 | 0:24:16 | |
I like the cufflinks, | 0:24:16 | 0:24:17 | |
but I'm not sure they're going to bring us the biggest profit. | 0:24:17 | 0:24:19 | |
I want positive! | 0:24:19 | 0:24:21 | |
What's going to give you the biggest profit after all this, Tracey? | 0:24:21 | 0:24:24 | |
I think the box as well. | 0:24:24 | 0:24:26 | |
OK. So, ladies, how much did you spend in total? | 0:24:26 | 0:24:30 | |
£87. | 0:24:30 | 0:24:32 | |
We went wild in the aisles. | 0:24:32 | 0:24:34 | |
You went bonkers out there, didn't you? | 0:24:34 | 0:24:35 | |
Come on, give me the difference, which is... | 0:24:35 | 0:24:37 | |
£213. | 0:24:37 | 0:24:39 | |
That is good, by my reckoning. And yours too, David. | 0:24:39 | 0:24:42 | |
-Hmm. -You could do some serious buying with that, can't you? | 0:24:42 | 0:24:44 | |
You mentioned the word "bonkers". | 0:24:44 | 0:24:46 | |
I think I've got enough money here to really go bonkers. | 0:24:46 | 0:24:48 | |
So, that's where I'm going, Eric. | 0:24:48 | 0:24:50 | |
I'm going bonkers. | 0:24:50 | 0:24:52 | |
So, while David goes off on a bonkers mission, | 0:24:52 | 0:24:55 | |
let's remind ourselves what the Blue team bought. | 0:24:55 | 0:24:57 | |
Their first buy was the pocket watch at £28. | 0:24:59 | 0:25:02 | |
Next was the Mycro camera, snapped up for £65. | 0:25:05 | 0:25:09 | |
And finally, the candlestick holder, price paid, £22. | 0:25:10 | 0:25:14 | |
Well, an interesting shop, Gary. | 0:25:14 | 0:25:16 | |
I mean, these fellows, | 0:25:16 | 0:25:18 | |
they had a shopping list and they virtually went for it, | 0:25:18 | 0:25:20 | |
bang, bang, bang, didn't they? | 0:25:20 | 0:25:21 | |
Yes, no problem whatsoever. | 0:25:21 | 0:25:23 | |
The easiest buy I've ever had. | 0:25:23 | 0:25:25 | |
Well, we're very impressed. | 0:25:25 | 0:25:27 | |
So, Harry, tell me, your favourite item. | 0:25:27 | 0:25:29 | |
Favourite item of the day for me was the spy camera. | 0:25:29 | 0:25:31 | |
Came in a leather case and came in the original box | 0:25:31 | 0:25:34 | |
with a spare film in it. | 0:25:34 | 0:25:35 | |
Of the three items, | 0:25:35 | 0:25:36 | |
which is the one that's going to give you the biggest profit? | 0:25:36 | 0:25:39 | |
I think it's going to be the brass candlestick holder. | 0:25:39 | 0:25:41 | |
-Oh, do you? -Yeah, got it for £22, | 0:25:41 | 0:25:43 | |
so it's quite a good bargain, I think. | 0:25:43 | 0:25:45 | |
Hmm. And what about yourself, Nick? | 0:25:45 | 0:25:46 | |
I'd have to agree with Harry. | 0:25:46 | 0:25:48 | |
Yeah, I do like the miniature camera, | 0:25:48 | 0:25:50 | |
but I do think, because of our expert over here... | 0:25:50 | 0:25:53 | |
And the price we paid. | 0:25:53 | 0:25:55 | |
And the price we paid, 22 quid. | 0:25:55 | 0:25:56 | |
-Yeah. -Steal. -But having said that, how much did you spend? | 0:25:56 | 0:25:58 | |
-£115. -So, you're going to give me... | 0:25:58 | 0:26:01 | |
-185. -185. | 0:26:01 | 0:26:02 | |
There you go, Gary, you could do quite well with that, can't you? | 0:26:02 | 0:26:05 | |
I think I'll stick to the theme. | 0:26:05 | 0:26:07 | |
Toys for boys. | 0:26:07 | 0:26:08 | |
Toys for the boys. | 0:26:08 | 0:26:10 | |
Well, while Gary goes off looking for a toys-for-boys bonus buy, | 0:26:10 | 0:26:15 | |
we're going off to the auction. | 0:26:15 | 0:26:17 | |
Well, we've moved from South-WELL - | 0:26:25 | 0:26:27 | |
or is it Southwell? - | 0:26:27 | 0:26:29 | |
to Lincoln. | 0:26:29 | 0:26:30 | |
We're at the saleroom of Golding Young & Mawer. | 0:26:30 | 0:26:33 | |
And I'm joined by Colin Young. | 0:26:33 | 0:26:35 | |
An absolute delight to have you with us once more. | 0:26:35 | 0:26:37 | |
Thank you. Right, we're looking at the Red team. | 0:26:37 | 0:26:40 | |
This is Liz and Tracey. | 0:26:40 | 0:26:42 | |
They've bought a pair of Essex crystal cufflinks. | 0:26:42 | 0:26:46 | |
A nice lot. | 0:26:46 | 0:26:48 | |
I looked at it straight away. | 0:26:48 | 0:26:49 | |
I was always hoping that with that magical name of Essex for crystal, | 0:26:49 | 0:26:53 | |
they were perhaps going to be late 18th century, a bit more exotic. | 0:26:53 | 0:26:57 | |
But they're a bit newer. | 0:26:57 | 0:26:59 | |
-They are. -But nevertheless, they've got the look, haven't they? | 0:26:59 | 0:27:02 | |
And what I feel was a buoyant estimate of £40 to £60 on them. | 0:27:02 | 0:27:06 | |
That should be good news because they paid £25 for those. | 0:27:06 | 0:27:10 | |
That seems like a banker for starters, really, doesn't it? | 0:27:10 | 0:27:12 | |
A good start for the Reds. | 0:27:12 | 0:27:14 | |
Item number two is the 20th-century copper Arts and Crafts casket | 0:27:14 | 0:27:19 | |
over there. | 0:27:19 | 0:27:20 | |
It would be great if you got a stamp on there, maybe KSIA. | 0:27:20 | 0:27:23 | |
Keswick School of Industrial Arts. | 0:27:23 | 0:27:25 | |
-That's what it is, yes. -Something like that. | 0:27:25 | 0:27:27 | |
-You would want those type of names on there. -You would. | 0:27:27 | 0:27:29 | |
Take it away, it doesn't have that good feel about, | 0:27:29 | 0:27:32 | |
you know, the fine design, to be honest with you. | 0:27:32 | 0:27:34 | |
It is what it is. | 0:27:34 | 0:27:36 | |
Yeah. I was fairly basic with my estimate of £25 to £40. | 0:27:36 | 0:27:40 | |
OK. £27 paid. | 0:27:40 | 0:27:43 | |
Both Liz and Tracey think | 0:27:43 | 0:27:44 | |
-that's going to give them the biggest profit. -No pressure, then. | 0:27:44 | 0:27:47 | |
No pressure. None whatsoever. | 0:27:47 | 0:27:49 | |
And then I think an interesting piece of late-20th-century design | 0:27:49 | 0:27:54 | |
is this little table. | 0:27:54 | 0:27:56 | |
Obviously in Bentwood. | 0:27:56 | 0:27:57 | |
I'm struggling really to know exactly where to sort of date it | 0:27:57 | 0:28:00 | |
because, you know, obviously, it's a design | 0:28:00 | 0:28:03 | |
that would have come out of the '60s | 0:28:03 | 0:28:05 | |
that would have continued production thereafter, | 0:28:05 | 0:28:07 | |
and, of course, you can still buy the stuff today. | 0:28:07 | 0:28:10 | |
So, yeah, the date is a ponderable. | 0:28:10 | 0:28:12 | |
But what's your estimate? | 0:28:12 | 0:28:14 | |
£25 to £40. | 0:28:14 | 0:28:16 | |
Well, they paid a midway estimate on there. | 0:28:16 | 0:28:19 | |
They paid £35 for it. | 0:28:19 | 0:28:21 | |
-Ah, right. -Well, methinks they may well need their bonus buy. | 0:28:21 | 0:28:24 | |
So let's find out what it is. | 0:28:24 | 0:28:26 | |
I'm looking at your faces - | 0:28:27 | 0:28:28 | |
it's like two small girls on Christmas morning. | 0:28:28 | 0:28:30 | |
-I mean, great expectations, or what? Are you bubbling? -Yeah. | 0:28:30 | 0:28:34 | |
Yeah, you are? Excellent. | 0:28:34 | 0:28:35 | |
-Can't wait. -Well, you gave David £213 to go and spend. | 0:28:35 | 0:28:38 | |
-I know. -Show the girls what you bought. | 0:28:38 | 0:28:40 | |
-OK, here we go. -OK. | 0:28:40 | 0:28:41 | |
-Oh! -Oh! | 0:28:42 | 0:28:44 | |
Is that a good "oh" or not? | 0:28:44 | 0:28:46 | |
-Well, you did say bonkers. -What is it? -I did say bonkers. | 0:28:46 | 0:28:48 | |
It does get better, David. Turn it round. | 0:28:48 | 0:28:50 | |
It does get better. There you go. There's the better side. | 0:28:50 | 0:28:53 | |
-Do you know what it is? -A bell hose? | 0:28:53 | 0:28:55 | |
-It's like a horn. -It has an attachment. | 0:28:55 | 0:28:57 | |
Yes! So, get ready... | 0:28:57 | 0:28:59 | |
-I'm ready. -It's 12 o'clock at night, you're out at sea, it's a bit foggy, | 0:28:59 | 0:29:05 | |
it's pre electric lighting, | 0:29:05 | 0:29:07 | |
you're a little concerned there are other boats nearby, | 0:29:07 | 0:29:09 | |
so what do you do every now and again? | 0:29:09 | 0:29:12 | |
HORN BLARES | 0:29:12 | 0:29:14 | |
THEY LAUGH | 0:29:14 | 0:29:16 | |
It's a Triton foghorn. | 0:29:16 | 0:29:18 | |
-So it's a patented foghorn. -Oh, wow. | 0:29:18 | 0:29:20 | |
And how much do you expect that to achieve? | 0:29:20 | 0:29:22 | |
Well, how much do you think I paid for it? | 0:29:22 | 0:29:24 | |
A tenner? | 0:29:24 | 0:29:25 | |
Come on, you can do better. | 0:29:25 | 0:29:27 | |
120. | 0:29:27 | 0:29:29 | |
That's more like it. I'd like it to make that. | 0:29:29 | 0:29:31 | |
I think it was a steal. | 0:29:31 | 0:29:33 | |
-40 quid. -Marvellous. | 0:29:33 | 0:29:34 | |
-Marvellous. -Give it a blow. | 0:29:34 | 0:29:36 | |
HORN HOOTS SOFTLY | 0:29:36 | 0:29:38 | |
THEY LAUGH | 0:29:38 | 0:29:40 | |
You're such a natural! | 0:29:40 | 0:29:42 | |
And now, listen, ladies, | 0:29:42 | 0:29:43 | |
you know full well you don't have to make your minds up now. | 0:29:43 | 0:29:45 | |
Wait till you've sold your first three items, | 0:29:45 | 0:29:48 | |
and that's when you make that big decision. | 0:29:48 | 0:29:50 | |
But in the meantime, | 0:29:50 | 0:29:52 | |
let's find out what the auctioneer has to say | 0:29:52 | 0:29:55 | |
about David's Triton foghorn. | 0:29:55 | 0:29:57 | |
So here it is, Colin. It's a Triton foghorn. | 0:29:59 | 0:30:02 | |
I mean, every home should have one. | 0:30:02 | 0:30:04 | |
It's one of those amazing lots that comes into a sale, isn't it, | 0:30:04 | 0:30:07 | |
that you think, what the heck is that?! | 0:30:07 | 0:30:10 | |
Yeah, you think you've seen it all before. | 0:30:10 | 0:30:11 | |
You do. And then something like this comes along. | 0:30:11 | 0:30:14 | |
Let's just hope that the expert knows his onions. | 0:30:14 | 0:30:16 | |
Our estimate is 25 to 40. | 0:30:16 | 0:30:18 | |
David went out and paid £40 for it. | 0:30:18 | 0:30:20 | |
So all is not lost. | 0:30:20 | 0:30:23 | |
-Yet. -Oh, ye of little faith! | 0:30:23 | 0:30:25 | |
But having said all that, let's turn our attention to the Blue team. | 0:30:25 | 0:30:29 | |
This is Nick and Harry. | 0:30:29 | 0:30:31 | |
The first item they came up with is the fob watch. | 0:30:31 | 0:30:33 | |
We see a lot through the sale. | 0:30:33 | 0:30:34 | |
So that's probably the only negative that you're going to say. | 0:30:34 | 0:30:37 | |
It doesn't have an individual character about it. | 0:30:37 | 0:30:40 | |
We've placed it at quite a... | 0:30:40 | 0:30:42 | |
A good estimate on it at 40 to 60. | 0:30:42 | 0:30:44 | |
Well, that should please them, they paid £28 for that one. | 0:30:44 | 0:30:47 | |
-OK. -So that could be a real goer. | 0:30:47 | 0:30:49 | |
Second item is this miniature camera. | 0:30:49 | 0:30:52 | |
Not quite a spy camera, which makes a lot of difference. | 0:30:52 | 0:30:55 | |
That makes an enormous difference. | 0:30:55 | 0:30:56 | |
The spy cameras have got that sort of | 0:30:56 | 0:30:59 | |
evocative feel for them, and makes the market get really excited. | 0:30:59 | 0:31:02 | |
They are what are known as subminiature cameras, | 0:31:02 | 0:31:05 | |
as opposed to being the spy, just the next grade up. | 0:31:05 | 0:31:08 | |
The Mycros were first produced in Japan in 1939. | 0:31:08 | 0:31:11 | |
This looks like... The 3A is the later model, | 0:31:11 | 0:31:14 | |
probably as late as maybe 1950, 1953. | 0:31:14 | 0:31:17 | |
They do come on the market fairly regularly. | 0:31:17 | 0:31:19 | |
So I was fairly accurate with my estimate... | 0:31:19 | 0:31:21 | |
-Which is? -25 to 40. | 0:31:21 | 0:31:23 | |
They actually paid £65 for it. | 0:31:23 | 0:31:26 | |
That was a bit of a punt, wouldn't you say? | 0:31:26 | 0:31:29 | |
-Yeah. -But in the meantime, let's go on to item number three, | 0:31:29 | 0:31:34 | |
which they got all excited about. | 0:31:34 | 0:31:36 | |
-With good reason. -Yeah, that magical name of Dr Christopher Dresser. | 0:31:36 | 0:31:41 | |
Design iconology from the 19th century. | 0:31:41 | 0:31:44 | |
But that design has to then transform into | 0:31:44 | 0:31:48 | |
the mechanics of the object. | 0:31:48 | 0:31:50 | |
-And the maker? -Yes. | 0:31:50 | 0:31:52 | |
And there's no maker on that. | 0:31:52 | 0:31:53 | |
There's no maker. To me, the quality really, really isn't there. | 0:31:53 | 0:31:58 | |
-What's it going to make? -I've ended up with an estimate of £40 to £60. | 0:31:58 | 0:32:02 | |
They paid a very modest £22. | 0:32:02 | 0:32:05 | |
I'd be reasonably excited at that price. | 0:32:05 | 0:32:07 | |
Yeah. Something of a mixed bag there, Colin. | 0:32:07 | 0:32:09 | |
Will they need their bonus buy? | 0:32:09 | 0:32:11 | |
Well, let's find out what it is. | 0:32:11 | 0:32:13 | |
Nick, I mean, you're standing there, we're obviously a man down. | 0:32:15 | 0:32:19 | |
I believe that Harry is under work pressure. | 0:32:19 | 0:32:21 | |
Yeah, it's all got too much for him... | 0:32:21 | 0:32:23 | |
-Stress. -..and he won't be able to make it today. | 0:32:23 | 0:32:25 | |
-Stress related, yeah. -Is it? | 0:32:25 | 0:32:27 | |
So you're the last man standing, aren't you? | 0:32:27 | 0:32:29 | |
Last man standing, yeah, | 0:32:29 | 0:32:30 | |
but I'm here to fly the flag for the Blue team. | 0:32:30 | 0:32:32 | |
OK. Well, you two lads, you gave Gary £185. | 0:32:32 | 0:32:35 | |
What did you come up with? Go on. | 0:32:35 | 0:32:37 | |
-A toy for the boy. -Right. Elephant. | 0:32:39 | 0:32:41 | |
Elephant. Yeah, good powers of observation. | 0:32:41 | 0:32:43 | |
-Leather elephant. -There's an elephant in the room. | 0:32:43 | 0:32:45 | |
You see that lock? | 0:32:45 | 0:32:47 | |
-Yeah. -That opens up this. | 0:32:47 | 0:32:49 | |
-It's a money box. -All right. | 0:32:51 | 0:32:53 | |
Hand crafted in leather... | 0:32:53 | 0:32:54 | |
..and that trunk sticking up like that is also a sign of luck. | 0:32:55 | 0:32:59 | |
-So I thought, well... -It's a sign. | 0:32:59 | 0:33:02 | |
Made in England. Apart from that, which is marked India. | 0:33:02 | 0:33:06 | |
-I'm actually liking it. It's very... -Tactile. -..unique. | 0:33:08 | 0:33:10 | |
I've not seen anything like that before. So... | 0:33:10 | 0:33:12 | |
It's very reminiscent of a line of products | 0:33:12 | 0:33:16 | |
that were sold in Liberty's in the 1960s. | 0:33:16 | 0:33:19 | |
Very expensive things when they came out. | 0:33:19 | 0:33:22 | |
-I'm liking it. How much did you pay for it? -£25. | 0:33:22 | 0:33:25 | |
What do you think it will make at auction, then? | 0:33:25 | 0:33:27 | |
I'd be disappointed if it didn't make 40. 50 would be nice. | 0:33:27 | 0:33:31 | |
-Yeah. -Nick, you don't have to make your mind up now. | 0:33:31 | 0:33:33 | |
Wait till you've sold your first three items, | 0:33:33 | 0:33:36 | |
and then make your decision. | 0:33:36 | 0:33:38 | |
In the meantime, let's find out what the auctioneer has to say about | 0:33:38 | 0:33:42 | |
Gary's leather elephant money box. | 0:33:42 | 0:33:44 | |
Well, here is one bonus buy. | 0:33:46 | 0:33:48 | |
It's quite well made, isn't it? | 0:33:48 | 0:33:49 | |
-It is. -You could imagine a stamp on there saying Asprey. | 0:33:49 | 0:33:54 | |
Yeah, you certainly could. | 0:33:54 | 0:33:56 | |
I mean, it's got that look of that type of high-end retail market. | 0:33:56 | 0:34:00 | |
But a little bit sort of non-fashionable now, I think. | 0:34:00 | 0:34:03 | |
Yeah, true. | 0:34:03 | 0:34:05 | |
Well, anyway, estimate? | 0:34:05 | 0:34:06 | |
Let's go for £10 to £30. | 0:34:06 | 0:34:07 | |
Gary paid 25 for it. | 0:34:07 | 0:34:10 | |
He obviously has great faith in this particular elephant. | 0:34:10 | 0:34:13 | |
So who's taking the sale today? | 0:34:13 | 0:34:15 | |
Well, I have that privilege, Eric. | 0:34:15 | 0:34:18 | |
And we have the privilege | 0:34:18 | 0:34:19 | |
of watching a master auctioneer in action. | 0:34:19 | 0:34:22 | |
40, bid, five, 55, 65, 75... | 0:34:22 | 0:34:27 | |
-Sold. -OK, girls, how are we feeling today? | 0:34:27 | 0:34:29 | |
We've had a really good time so we're on a winner already. | 0:34:29 | 0:34:32 | |
We're with the dream team here. | 0:34:32 | 0:34:33 | |
No wonder they're feeling quite relaxed. | 0:34:33 | 0:34:35 | |
Every day is just a bonus, isn't it? | 0:34:35 | 0:34:37 | |
-Yeah, it is. -Well, your first item is coming up. | 0:34:37 | 0:34:40 | |
It's those lovely Essex crystal cufflinks. | 0:34:40 | 0:34:42 | |
I like these. You paid £25 for them. | 0:34:42 | 0:34:44 | |
Coming up now... | 0:34:44 | 0:34:45 | |
Lot number 160, a pair of Essex crystal cufflinks. | 0:34:45 | 0:34:49 | |
Who's going to start me at 50? | 0:34:49 | 0:34:50 | |
£50. £50. | 0:34:50 | 0:34:52 | |
All you need is a wallet. Just whip it out. | 0:34:52 | 0:34:53 | |
LAUGHTER | 0:34:53 | 0:34:55 | |
20 to go, then. Surely. Let's get on. 20. | 0:34:55 | 0:34:57 | |
I can't believe at £20. | 0:34:57 | 0:34:58 | |
-Where do you want to start? -Come on! -10. | 0:34:58 | 0:35:00 | |
£10. That's very disappointing. | 0:35:00 | 0:35:01 | |
He's looking for a bid, I'm looking for a pulse out there. | 0:35:01 | 0:35:04 | |
-I mean, where are...? -The only bid I have so far is the £1 bid. | 0:35:04 | 0:35:07 | |
-THEY GASP -£1 bid. | 0:35:07 | 0:35:09 | |
Two, three, everyone now. | 0:35:09 | 0:35:11 | |
Five, eight, ten, £12 bid. | 0:35:11 | 0:35:14 | |
Any more now, then? 12. | 0:35:14 | 0:35:15 | |
I'll offer you 13 because I'm really struggling. | 0:35:15 | 0:35:17 | |
13, 14, 15. | 0:35:17 | 0:35:20 | |
£14 bid. Lady's bid at £14. | 0:35:20 | 0:35:22 | |
-TRACEY: -Oh! For goodness' sake. | 0:35:22 | 0:35:24 | |
Lady's bid takes it at £14. | 0:35:24 | 0:35:26 | |
-Oh! -Never mind. -Oh, not to worry. They were pretty. | 0:35:26 | 0:35:30 | |
£14. | 0:35:30 | 0:35:31 | |
You're minus 11. | 0:35:31 | 0:35:32 | |
Here is your second item, ladies. | 0:35:32 | 0:35:34 | |
It's the early-20th-century Arts and Crafts style box. | 0:35:34 | 0:35:37 | |
Paid £27 for it. | 0:35:37 | 0:35:39 | |
-Come on, then. -Coming up now. | 0:35:39 | 0:35:41 | |
162, a really nice piece of Arts and Crafts copper here. | 0:35:41 | 0:35:44 | |
Who's going to start me at £40 for this? | 0:35:44 | 0:35:46 | |
£40. 40. 30 to go, then, surely. | 0:35:46 | 0:35:48 | |
£30, anyone? I'll offer you 20 to go? | 0:35:48 | 0:35:50 | |
20, anybody? 20 to have. | 0:35:50 | 0:35:51 | |
20 and 10... 10, the bid's on the net. | 0:35:51 | 0:35:53 | |
-At 10... 12. -Oh, come on! | 0:35:53 | 0:35:55 | |
15, 18, 20. | 0:35:55 | 0:35:57 | |
Two bid. No. | 0:35:57 | 0:35:58 | |
At 20 bid. Two for anyone else now. | 0:35:58 | 0:36:00 | |
-£20. Are we all done? -Come on! | 0:36:00 | 0:36:02 | |
Last call, then. Selling at £20. | 0:36:02 | 0:36:05 | |
20. | 0:36:05 | 0:36:06 | |
Oh, OK. Minus seven. | 0:36:06 | 0:36:08 | |
It gives us a rolling total of minus £18. | 0:36:08 | 0:36:11 | |
OK. The third item coming up - it's your late-20th-century coffee table. | 0:36:11 | 0:36:16 | |
You paid £35 for it. | 0:36:16 | 0:36:18 | |
Here you go, we're off. | 0:36:18 | 0:36:20 | |
164 is the 20th-century birch ply veneer coffee table. | 0:36:20 | 0:36:26 | |
Who's going to start me at £40 for it? | 0:36:26 | 0:36:27 | |
£40, anybody? 40. | 0:36:27 | 0:36:28 | |
-Go on. -£30 to go, then, surely. | 0:36:28 | 0:36:30 | |
£30? £20? | 0:36:30 | 0:36:32 | |
Ten to go, then, surely. | 0:36:32 | 0:36:33 | |
Ten to go. | 0:36:33 | 0:36:35 | |
-There he is. -12, 15 bid. | 0:36:35 | 0:36:37 | |
18 bid. 20 now. | 0:36:37 | 0:36:38 | |
-Better. -£20 bid, surely. | 0:36:38 | 0:36:39 | |
22 is bid now. | 0:36:39 | 0:36:42 | |
Go on! Squeeze it. | 0:36:42 | 0:36:44 | |
I'm at £22. Are we all done? | 0:36:44 | 0:36:45 | |
At 22. Last call. | 0:36:45 | 0:36:47 | |
Going, then, at £22. | 0:36:47 | 0:36:50 | |
Thank you. | 0:36:50 | 0:36:51 | |
Oh, 22! | 0:36:51 | 0:36:52 | |
It cost you 35. | 0:36:52 | 0:36:54 | |
Minus 13, I'm afraid, there. | 0:36:54 | 0:36:57 | |
It gives me a rolling total of minus £31. | 0:36:57 | 0:37:00 | |
We now come to... | 0:37:02 | 0:37:04 | |
Oh, what should we do? | 0:37:04 | 0:37:06 | |
-That moment of decision. -What do you think? | 0:37:06 | 0:37:08 | |
-I think we should get it. -I think so. | 0:37:08 | 0:37:10 | |
In for a penny. | 0:37:10 | 0:37:12 | |
-In for a penny. -Let's do it. | 0:37:12 | 0:37:13 | |
It's the Triton foghorn. | 0:37:13 | 0:37:15 | |
-You paid £40 for it, David, didn't you not? -Yes. | 0:37:15 | 0:37:17 | |
Let's see where we go. | 0:37:17 | 0:37:19 | |
Lot number 169. | 0:37:19 | 0:37:20 | |
It's the foghorn. Start me at £40 for it. £40, anyone? 40? 30? | 0:37:20 | 0:37:24 | |
£20, anybody? | 0:37:24 | 0:37:26 | |
20? Ten? | 0:37:26 | 0:37:28 | |
I've got a bid at ten. 12 bid. | 0:37:28 | 0:37:29 | |
15, 18, 20, 20 bid. | 0:37:29 | 0:37:31 | |
Two bid. Five bid. 28, 30. | 0:37:31 | 0:37:33 | |
At 30. 32. 35 on the net. | 0:37:33 | 0:37:36 | |
-At 35. -Come on. | 0:37:36 | 0:37:38 | |
Come on, Lincoln! Come on, pull your finger out. | 0:37:38 | 0:37:40 | |
Last call for everybody, then. | 0:37:40 | 0:37:42 | |
And we sell at £35. | 0:37:42 | 0:37:45 | |
-Oh! -35. | 0:37:45 | 0:37:48 | |
-No taste. -That was a minus £5 loss, | 0:37:48 | 0:37:51 | |
added to your minus 31 gives us minus 36. | 0:37:51 | 0:37:55 | |
Well done, you two. | 0:37:55 | 0:37:56 | |
It's brilliant, that. That's a result, isn't it? | 0:37:56 | 0:37:59 | |
-Yes. -Marvellous. | 0:37:59 | 0:38:00 | |
Many a Bargain Hunt has been won on a score | 0:38:00 | 0:38:04 | |
with a far bigger minus than that. So, take solace. | 0:38:04 | 0:38:07 | |
Take solace and take into account not a word to the Blue team, OK? | 0:38:07 | 0:38:11 | |
OK. | 0:38:11 | 0:38:12 | |
So, how are you doing, Nick? | 0:38:16 | 0:38:17 | |
I mean, is there excitement for two here, or what? | 0:38:17 | 0:38:20 | |
Yeah, I'm feeling the love from Harry at work at the minute. So... | 0:38:20 | 0:38:23 | |
-Oh, well... -I told him about the bonus buy. | 0:38:23 | 0:38:26 | |
You've told him about the bonus buy? | 0:38:26 | 0:38:28 | |
OK. And he's OK with that, is he? | 0:38:28 | 0:38:29 | |
-Yeah. -So your first item is about to come up. | 0:38:29 | 0:38:31 | |
It's that white-metal fob watch. | 0:38:31 | 0:38:33 | |
-Yep. -You paid £28 for it. | 0:38:33 | 0:38:35 | |
-Yep. -It's coming up now. | 0:38:35 | 0:38:36 | |
Lot number 185. | 0:38:36 | 0:38:37 | |
A continental, engine-turned, silver white-metal fob watch. | 0:38:37 | 0:38:40 | |
Stamped silver. Who's going to start me at £80 for it? | 0:38:40 | 0:38:42 | |
80. 50 to go, then. | 0:38:42 | 0:38:43 | |
50. £30 to go, then. | 0:38:43 | 0:38:44 | |
£30, anyone? Come on. 30, where do you want to be? | 0:38:44 | 0:38:46 | |
30. 30 on the net. | 0:38:46 | 0:38:48 | |
Yes. | 0:38:48 | 0:38:49 | |
30 bid. Two now, surely. | 0:38:49 | 0:38:50 | |
At £30, are we all done? £30 - are we all done? | 0:38:50 | 0:38:52 | |
No more bids from the room, then. | 0:38:52 | 0:38:54 | |
Selling on the net at £30. | 0:38:54 | 0:38:55 | |
Maiden bid takes it. | 0:38:55 | 0:38:57 | |
Well, it's a plus two. | 0:38:57 | 0:38:59 | |
It's a good start. It's a start. | 0:38:59 | 0:39:01 | |
It's a positive start, OK? | 0:39:01 | 0:39:04 | |
Coming up now is the camera. | 0:39:04 | 0:39:05 | |
You paid £65 for it. | 0:39:05 | 0:39:07 | |
Here it comes. | 0:39:07 | 0:39:09 | |
Lot number 187 is a Mycro 3A subminiature camera. | 0:39:09 | 0:39:12 | |
Who's going to start me at 80 for that? | 0:39:12 | 0:39:13 | |
80. 50 to go, then. | 0:39:13 | 0:39:14 | |
£50. 40. £40. 30, anyone? | 0:39:14 | 0:39:16 | |
-Where do you want to be? -A bit more, a bit more. | 0:39:16 | 0:39:19 | |
20 to go, then. £20 for the camera. | 0:39:19 | 0:39:20 | |
£20. Ten, then, anyone? | 0:39:20 | 0:39:22 | |
£10. | 0:39:22 | 0:39:23 | |
-Come on! -Shocking. | 0:39:23 | 0:39:24 | |
Quickly now. £10. | 0:39:24 | 0:39:26 | |
That's a surprise. 12, 15. | 0:39:26 | 0:39:27 | |
15 is here. 18 now, do I see? | 0:39:27 | 0:39:29 | |
15 is bid. 18, now, surely. | 0:39:29 | 0:39:31 | |
It's even got its case to go with it as well. | 0:39:31 | 0:39:33 | |
£15. Are we all done? No more now? | 0:39:33 | 0:39:34 | |
-Oh! -Oh, no. -£15 seems cheap, though, but going. | 0:39:34 | 0:39:37 | |
Make no mistake. In the room at £15. | 0:39:37 | 0:39:41 | |
Shame. Such a shame! | 0:39:41 | 0:39:43 | |
That was a shocker. | 0:39:43 | 0:39:45 | |
That's a minus £50. | 0:39:45 | 0:39:47 | |
A rolling total of minus £48. | 0:39:47 | 0:39:49 | |
Anyway, here's the next lot. | 0:39:49 | 0:39:50 | |
The Arts and Crafts copper and brass candlestick. | 0:39:50 | 0:39:53 | |
Paid 22 for it. | 0:39:53 | 0:39:54 | |
It's coming up now. | 0:39:54 | 0:39:56 | |
Lot 189 is a late-19th-century candlestick, | 0:39:56 | 0:39:59 | |
very much in the manner of Dr Christopher Dresser. | 0:39:59 | 0:40:01 | |
Where do you want to be for this? Start me at 80 for it. | 0:40:01 | 0:40:03 | |
£80, anybody? 80? | 0:40:03 | 0:40:04 | |
50 to go, then. 40, 30? | 0:40:04 | 0:40:07 | |
£30? £30? | 0:40:07 | 0:40:08 | |
Take me at 20, then. £20, anybody? | 0:40:08 | 0:40:10 | |
£10, anybody. 10. | 0:40:10 | 0:40:12 | |
Who's first? 10 is bid. | 0:40:12 | 0:40:14 | |
12 now, do I see? | 0:40:14 | 0:40:15 | |
-At £10. 12. -Come on, get it up there. | 0:40:15 | 0:40:18 | |
At £12. | 0:40:18 | 0:40:19 | |
At £12. | 0:40:20 | 0:40:21 | |
Last call, then, going at £12. | 0:40:21 | 0:40:24 | |
Oh, dear. | 0:40:24 | 0:40:26 | |
I don't believe that. | 0:40:26 | 0:40:28 | |
Minus £10 on that lot. And a rolling total of minus £58. | 0:40:28 | 0:40:32 | |
Let me ask you, Nick, | 0:40:32 | 0:40:33 | |
are you going to go with the bonus buy on this one? | 0:40:33 | 0:40:36 | |
I think it would be rude not to, wouldn't it? | 0:40:36 | 0:40:38 | |
Gary paid £25 for it. | 0:40:38 | 0:40:40 | |
Let's hope it is a lucky elephant. | 0:40:40 | 0:40:43 | |
We need a bit more luck, don't we? | 0:40:43 | 0:40:45 | |
Lot 194 is an unusual brown leather money box. | 0:40:45 | 0:40:49 | |
Who's going to start me at £30 for it? | 0:40:49 | 0:40:51 | |
£30, anybody? 20 to go, then. | 0:40:51 | 0:40:53 | |
Very good quality. £20? | 0:40:53 | 0:40:55 | |
£10? Surely 10? | 0:40:55 | 0:40:56 | |
You'd be a Nellie not to bid for it! | 0:40:56 | 0:40:58 | |
10? At 10 bid. | 0:40:58 | 0:40:59 | |
12. Is anybody else going to join in now? | 0:40:59 | 0:41:01 | |
12, 15, 18, 20, 22 now. | 0:41:01 | 0:41:05 | |
Yes! Come on! | 0:41:05 | 0:41:06 | |
22 bid. Two, five, five, sir? | 0:41:06 | 0:41:09 | |
23, if you like. | 0:41:09 | 0:41:10 | |
Let's keep going. 23. 24. 24. | 0:41:10 | 0:41:13 | |
You know the answer's yes. 25. | 0:41:13 | 0:41:14 | |
Let's keep going. 25. £26, madam? | 0:41:14 | 0:41:16 | |
26 for you again. | 0:41:16 | 0:41:18 | |
We're in profit, we're in profit. | 0:41:18 | 0:41:20 | |
I will sell at £26. | 0:41:20 | 0:41:23 | |
Oh! Hey, listen, that was a profit there. | 0:41:23 | 0:41:27 | |
£1 profit. | 0:41:27 | 0:41:30 | |
So, in total, minus £57. | 0:41:30 | 0:41:32 | |
How are we feeling? | 0:41:32 | 0:41:34 | |
A bit gutted, really. | 0:41:34 | 0:41:35 | |
I thought the chamber stick | 0:41:35 | 0:41:36 | |
would have done a little bit better myself. | 0:41:36 | 0:41:38 | |
-Oh, well, it wasn't to be today, was it? -We did hope. | 0:41:38 | 0:41:40 | |
Anyway, not a word to the Reds. | 0:41:40 | 0:41:42 | |
No. | 0:41:42 | 0:41:44 | |
Well, Reds, what do you say, good time? | 0:41:47 | 0:41:49 | |
-We've had a great time. -Come on. | 0:41:49 | 0:41:51 | |
What about Blues? | 0:41:51 | 0:41:52 | |
We had a great time, didn't we? | 0:41:52 | 0:41:53 | |
You're shouting for two. | 0:41:53 | 0:41:54 | |
I know, yeah. That's good. | 0:41:54 | 0:41:56 | |
What do you think, Harry? | 0:41:56 | 0:41:58 | |
Whatever. Whatever! | 0:41:58 | 0:41:59 | |
He's here in spirit, isn't he? | 0:41:59 | 0:42:01 | |
So the downside today is that nobody made a profit. | 0:42:01 | 0:42:06 | |
Oh! | 0:42:06 | 0:42:07 | |
OK. So there's no money. | 0:42:07 | 0:42:09 | |
In fact, there is a difference of £21 between the two teams. | 0:42:09 | 0:42:15 | |
-Ooh! -So, it is relatively close. | 0:42:15 | 0:42:18 | |
But we have a winner, | 0:42:18 | 0:42:20 | |
and the winner today... | 0:42:20 | 0:42:22 | |
..is the Red team. | 0:42:22 | 0:42:23 | |
-Oh, no! -Is the Red team. | 0:42:23 | 0:42:26 | |
We won by losing?! | 0:42:26 | 0:42:27 | |
It's a remarkable programme. | 0:42:27 | 0:42:29 | |
That's the story of my life! | 0:42:29 | 0:42:31 | |
The weird thing is, | 0:42:31 | 0:42:32 | |
I'll come back to it later, | 0:42:32 | 0:42:33 | |
but you didn't make a profit on anything. | 0:42:33 | 0:42:36 | |
In your defence, Nick - and Harry - you made two profits today. | 0:42:36 | 0:42:39 | |
-I know. -The one thing that let you down today | 0:42:39 | 0:42:41 | |
was the camera, wasn't it? | 0:42:41 | 0:42:42 | |
-Yeah. -Blame the guy who's not here today. | 0:42:42 | 0:42:44 | |
-OK. -Yeah, it's Harry's fault. -Yeah, exactly. But, Reds! | 0:42:44 | 0:42:48 | |
-Look at these... -Shambles. | 0:42:48 | 0:42:49 | |
These big eyes. | 0:42:49 | 0:42:51 | |
You didn't make a profit on anything. | 0:42:51 | 0:42:53 | |
Remarkable, that's what we are. | 0:42:53 | 0:42:55 | |
Well, the main thing is, have we enjoyed ourselves? | 0:42:55 | 0:42:59 | |
-Yes! -And we hope you've all enjoyed watching at home. | 0:42:59 | 0:43:02 | |
In the meantime, you can catch us on our website | 0:43:02 | 0:43:05 | |
or follow us on Twitter. | 0:43:05 | 0:43:06 | |
But better still, | 0:43:06 | 0:43:08 | |
why not join us next time for some more bargain-hunting? | 0:43:08 | 0:43:11 | |
-Yes? ALL: -Yes! | 0:43:11 | 0:43:12 |