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This flamboyant 18th-century Gothic revival building | 0:00:08 | 0:00:12 | |
is Strawberry Hill House in West London. | 0:00:12 | 0:00:15 | |
It's one of the jewels in the crown of Britain's architectural heritage, | 0:00:15 | 0:00:19 | |
and was created by Horace Walpole, | 0:00:19 | 0:00:21 | |
the son of Britain's first Prime Minister. | 0:00:21 | 0:00:24 | |
He was a renowned collector, amassing thousands of objects, | 0:00:24 | 0:00:28 | |
which were all sold off in one sale of the century. | 0:00:28 | 0:00:31 | |
Now, that auction went on to make huge profits, | 0:00:31 | 0:00:34 | |
which is exactly what we're looking for today. | 0:00:34 | 0:00:37 | |
So, if you're ready, let's go bargain hunting. | 0:00:37 | 0:00:40 | |
It's just a short journey from Strawberry Hill House in Twickenham | 0:01:01 | 0:01:05 | |
to the Kingston Antiques Centre, where our teams are shopping today. | 0:01:05 | 0:01:09 | |
Luckily, our Reds and Blues won't be taking thousands of items | 0:01:09 | 0:01:12 | |
to the auction, just the three. | 0:01:12 | 0:01:14 | |
But there will be a strict budget of only £300 | 0:01:14 | 0:01:17 | |
and only one hour on the clock in which to find them. | 0:01:17 | 0:01:20 | |
So, before all that, let's have a look at what's coming up. | 0:01:20 | 0:01:23 | |
The Reds have conflicting tastes. | 0:01:25 | 0:01:27 | |
-Would you wear that? -I'd wear it, yeah. | 0:01:27 | 0:01:30 | |
-What about you, Maggie? -There's no way I would wear that. | 0:01:30 | 0:01:33 | |
The Blues reminisce. | 0:01:33 | 0:01:35 | |
-No, no, no. -OK. They always remind me of school. | 0:01:35 | 0:01:39 | |
Those blooming awful running races with a stopwatch. No. | 0:01:39 | 0:01:41 | |
But who gets top marks at the auction? | 0:01:41 | 0:01:44 | |
-The Reds or the Blues? -Yes! | 0:01:44 | 0:01:47 | |
But that's all coming up a little later. | 0:01:49 | 0:01:51 | |
First, it's time to meet today's teams. | 0:01:51 | 0:01:54 | |
For the Reds, we have mother and daughter, Maggie and Katie, | 0:01:54 | 0:01:56 | |
and for the Blues, friends, Chris and Peter. | 0:01:56 | 0:01:59 | |
-Hello, everyone. -Hello! -That's the spirit. | 0:01:59 | 0:02:02 | |
Right, Reds, I'm coming straight to you. | 0:02:02 | 0:02:04 | |
Maggie, tell me, what made you apply to come on Bargain Hunt? | 0:02:04 | 0:02:07 | |
Well, I was watching Bargain Hunt one lunchtime and at the end, | 0:02:07 | 0:02:11 | |
there was a clip and it said, | 0:02:11 | 0:02:12 | |
"We're looking for contestants in London and the south-east. | 0:02:12 | 0:02:16 | |
"If you think this will be fun, why don't you apply?" | 0:02:16 | 0:02:19 | |
So I thought, "Why don't I apply? It will be fun!" | 0:02:19 | 0:02:22 | |
-And I knew just the person to ask. -She roped me in! | 0:02:22 | 0:02:25 | |
Right, so, Maggie, tell me about your career as a maths teacher. | 0:02:25 | 0:02:28 | |
I've been teaching maths in various schools and colleges in south-west London. | 0:02:28 | 0:02:33 | |
I don't teach in a school any more but I teach at home. | 0:02:33 | 0:02:38 | |
I do home tuition. | 0:02:38 | 0:02:39 | |
OK, but hopefully it's not all work in your retirement. | 0:02:39 | 0:02:42 | |
No, I have lots of fun. | 0:02:42 | 0:02:44 | |
I do Pilates, I play tennis, but my passion in life is dance. | 0:02:44 | 0:02:49 | |
Now, Katie, you sound pretty envious of this retirement | 0:02:49 | 0:02:52 | |
but you're a way off from it, so what do you do for a living? | 0:02:52 | 0:02:55 | |
So I work in digital marketing for a beauty company, | 0:02:55 | 0:02:59 | |
but it's basically managing all online marketing | 0:02:59 | 0:03:03 | |
and it's always evolving, so it's always keeping me on my toes. | 0:03:03 | 0:03:06 | |
So you know beauty products in and out, | 0:03:06 | 0:03:09 | |
but what about antiques and collectables? | 0:03:09 | 0:03:11 | |
-How's your knowledge there? -So it's not great, | 0:03:11 | 0:03:14 | |
but I love anything for interiors | 0:03:14 | 0:03:17 | |
and I've got a really good eye for things that kind of stand out. | 0:03:17 | 0:03:20 | |
Do you have the same taste? | 0:03:20 | 0:03:22 | |
Not really, do we? | 0:03:22 | 0:03:24 | |
We... No. | 0:03:24 | 0:03:26 | |
I mean... We sort of... | 0:03:26 | 0:03:28 | |
We agree towards the end, I would say. | 0:03:28 | 0:03:30 | |
One of us always wins out. | 0:03:30 | 0:03:31 | |
Or we come to the same conclusion at the end. | 0:03:31 | 0:03:35 | |
-After much discussion. -Yeah. | 0:03:36 | 0:03:37 | |
Well, thank you, Reds, it's time to turn to the competition, | 0:03:37 | 0:03:40 | |
the Blues, Chris and Peter. | 0:03:40 | 0:03:42 | |
-Hello. -Feeling good? -Yes. Thank you. A little bit nervous. | 0:03:42 | 0:03:45 | |
-Oh, don't be nervous. -Excited as well, though. | 0:03:45 | 0:03:47 | |
Good, I'm glad to hear it. So before we get into the competition, | 0:03:47 | 0:03:50 | |
first of all, Chris, tell me, how did you and Peter become such good friends? | 0:03:50 | 0:03:54 | |
Well, we met when my daughter started going out with his son. | 0:03:54 | 0:03:57 | |
-OK. -So, he's my daughter's father-in-law, | 0:03:57 | 0:04:00 | |
-I'm his son's mother-in-law. -The mother-in-law from hell. | 0:04:00 | 0:04:03 | |
I don't believe it for a second. | 0:04:03 | 0:04:05 | |
I'm the best mother-in-law his son's ever had. | 0:04:05 | 0:04:08 | |
-He's only got one. -Chris, tell me about your career. | 0:04:08 | 0:04:11 | |
-You're retired now, is that right? -I am retired, yes. | 0:04:11 | 0:04:14 | |
I've been retired about seven years now. | 0:04:14 | 0:04:16 | |
But when I was working full-time, | 0:04:16 | 0:04:18 | |
I worked in a centre for disabled people, a day centre. | 0:04:18 | 0:04:21 | |
And, Peter, you're still really busy, tell me about your career. | 0:04:21 | 0:04:24 | |
-Yes. -I'm now a driving instructor. | 0:04:24 | 0:04:26 | |
Before that, I was in photography. | 0:04:26 | 0:04:28 | |
Specialising in black and white printing and things like that. | 0:04:28 | 0:04:31 | |
Of course, digital photography came along and I was suddenly out of work. | 0:04:31 | 0:04:35 | |
And a friend of mine said, you talk too much, you can drive, | 0:04:35 | 0:04:38 | |
become a driving instructor. | 0:04:38 | 0:04:39 | |
-And that's how it happened. -Tell me, I'm sure you're after profits, | 0:04:39 | 0:04:42 | |
and of course that will be your tactic, but what about specifics? | 0:04:42 | 0:04:45 | |
Are you buying low, trying to sell high, or are you | 0:04:45 | 0:04:48 | |
spending all the money? What are you thinking? | 0:04:48 | 0:04:50 | |
I don't want to buy anything I like. | 0:04:50 | 0:04:52 | |
OK. Tell me more about that. | 0:04:52 | 0:04:54 | |
Because I'm a hoarder. So if I bought something I like, | 0:04:54 | 0:04:57 | |
I'd be so upset if we had to sell it. | 0:04:57 | 0:04:59 | |
So, might obviously buy something for a profit, | 0:04:59 | 0:05:01 | |
but something I don't really like. | 0:05:01 | 0:05:03 | |
Now, listen, you have a budget of £300. | 0:05:03 | 0:05:05 | |
Quite a lot. And I want you to spend it wisely. | 0:05:05 | 0:05:07 | |
So, Reds, £300 for you. | 0:05:07 | 0:05:10 | |
Exciting. Blues, £300 for you two. | 0:05:10 | 0:05:12 | |
-Oh! Thank you very much. -That's the last you'll see of Chris. | 0:05:12 | 0:05:15 | |
We have lovely experts waiting to meet you, | 0:05:15 | 0:05:17 | |
so I'll invite you to do just that. | 0:05:17 | 0:05:19 | |
Off you go. And find out who they are. | 0:05:19 | 0:05:22 | |
-Thanks very much. -Well, it's all happy families for now. | 0:05:22 | 0:05:25 | |
Let's see how that pans out. | 0:05:25 | 0:05:27 | |
So, introducing today's experts... | 0:05:27 | 0:05:30 | |
Banging the drum for the Reds, it's Nick Hall. | 0:05:30 | 0:05:32 | |
And putting on the Ritz for the Blues, it's Caroline Hawley. | 0:05:34 | 0:05:37 | |
Now, ladies, I feel like a thorn between two roses today. | 0:05:39 | 0:05:43 | |
-What are we shopping for, Maggie? -Art Deco. | 0:05:43 | 0:05:46 | |
I'm looking for glass, china and anything that catches my eye. | 0:05:46 | 0:05:50 | |
Anything ornate, so pieces of furniture or mirrors | 0:05:50 | 0:05:53 | |
or anything beautiful for the house. | 0:05:53 | 0:05:55 | |
I'd like to find some jewellery, | 0:05:55 | 0:05:57 | |
and maybe some silver. | 0:05:57 | 0:05:59 | |
Excellent. | 0:05:59 | 0:06:00 | |
Time to snap up a bargain, teams, your time starts now. | 0:06:01 | 0:06:04 | |
-Let's go and find some, come on. -All right. | 0:06:04 | 0:06:07 | |
-Let's go shopping. -Can't wait. | 0:06:07 | 0:06:09 | |
Best of luck, teams. | 0:06:10 | 0:06:11 | |
Rocking horses sell quite well, don't they? | 0:06:14 | 0:06:17 | |
They do. They are always sought after for collectors, | 0:06:17 | 0:06:20 | |
for people who are just having babies, for grandchildren... | 0:06:20 | 0:06:23 | |
It just boils down to the price. There's always a market for them. | 0:06:23 | 0:06:26 | |
-It's quite expensive. -Is it? -Yeah, £175. | 0:06:26 | 0:06:29 | |
It's not a rare antique one. | 0:06:29 | 0:06:32 | |
It is just a usable one. | 0:06:32 | 0:06:33 | |
That's maybe a little strong for us. | 0:06:33 | 0:06:36 | |
-Yes. -I think the auction estimate would be around about 100, £150. | 0:06:36 | 0:06:39 | |
-OK. -I don't think that's special enough for us. | 0:06:39 | 0:06:41 | |
-Right, OK. -Not good enough for us. -No. | 0:06:41 | 0:06:43 | |
Come on, fell at the first hurdle. Come on, you two. | 0:06:43 | 0:06:46 | |
Trot on, then, Reds. | 0:06:46 | 0:06:48 | |
Meanwhile, the Blues have already spotted some silver | 0:06:48 | 0:06:51 | |
-that was on Chris's shopping list. -They're nice, actually, those. | 0:06:51 | 0:06:53 | |
Now, I can see from here, the salts are Chester 1900. | 0:06:53 | 0:06:58 | |
The spoons are Birmingham 1972. | 0:06:58 | 0:07:00 | |
So what that suggests to me is that they've lost the original spoons | 0:07:00 | 0:07:04 | |
and they've had some made to replace them. | 0:07:04 | 0:07:07 | |
-Right, OK. -Which is not... -A match. -Yeah, which is not brilliant. | 0:07:07 | 0:07:11 | |
And the original salt spoons would often be gilded. | 0:07:11 | 0:07:14 | |
In the bowl, with gold leaf, to protect the silver | 0:07:14 | 0:07:18 | |
-from the corrosion of the salt. -Oh, the salt! | 0:07:18 | 0:07:20 | |
Shall we move on and look at something else? | 0:07:20 | 0:07:23 | |
Sadly, not quite the silver item Chris was after | 0:07:23 | 0:07:26 | |
but these should be right up Katie's street. | 0:07:26 | 0:07:29 | |
These are kind of cool as well. | 0:07:29 | 0:07:31 | |
Oh, they're nice! | 0:07:31 | 0:07:33 | |
I mean, they are such a nice design. | 0:07:33 | 0:07:35 | |
They've got that almost sort of | 0:07:35 | 0:07:37 | |
St Tropez, south of France, retro look about them. | 0:07:37 | 0:07:40 | |
They're modern copies, | 0:07:40 | 0:07:42 | |
but they're in that really cool style, aren't they? | 0:07:42 | 0:07:44 | |
Do you think they'd get much at auction? | 0:07:44 | 0:07:46 | |
I think so. I'd bid on them, would you? | 0:07:46 | 0:07:49 | |
I would. I like those. | 0:07:49 | 0:07:50 | |
-£90. -And you're hard to please and you like those. | 0:07:50 | 0:07:54 | |
-I do like those. -Yeah. | 0:07:54 | 0:07:56 | |
I guess they've got those nice sort of angular lines that you like | 0:07:56 | 0:07:59 | |
-with the Art Deco. -Yeah. Yeah. | 0:07:59 | 0:08:00 | |
-They're almost reminiscent of that, aren't they? -Yeah. Nice and simple. | 0:08:00 | 0:08:03 | |
-Can't go wrong. -So, these... | 0:08:03 | 0:08:05 | |
-They are solid though. -Solid wood bases. | 0:08:05 | 0:08:07 | |
-They're a little bit damaged. -Yeah, | 0:08:07 | 0:08:08 | |
just needs a little bit of spit and polish, that's all. | 0:08:08 | 0:08:11 | |
-It's fine. -But they're original '70s? | 0:08:11 | 0:08:13 | |
Well, I'm not sure if they're original '70s | 0:08:13 | 0:08:15 | |
or they're modern retro | 0:08:15 | 0:08:16 | |
in the '70s style. But the all-important thing is - you'll know | 0:08:16 | 0:08:19 | |
this cos you like interior design - is they've got the look. | 0:08:19 | 0:08:22 | |
How much do you think we should...? | 0:08:22 | 0:08:24 | |
Well, that's going to be down to your negotiating skills. | 0:08:24 | 0:08:26 | |
-You've got to go and haggle hard now. -OK. | 0:08:26 | 0:08:29 | |
Do you want to do it? | 0:08:29 | 0:08:31 | |
-You do it. -Why don't you both go? | 0:08:31 | 0:08:33 | |
-We'll both go, yes. -OK. -Find the dealer, see what you can do, | 0:08:33 | 0:08:37 | |
and if you can get them down to £70, £80, | 0:08:37 | 0:08:40 | |
I think there's still a margin left in it. | 0:08:40 | 0:08:42 | |
-Do you like them enough to go and do that? -Yeah, definitely. | 0:08:42 | 0:08:45 | |
-Do you think? -Yeah, for 70, 80, let's give it a go. | 0:08:45 | 0:08:48 | |
Time to test your negotiating skills, Reds. | 0:08:48 | 0:08:51 | |
Blues, is anything jumping out yet? | 0:08:51 | 0:08:53 | |
I love those frogs. | 0:08:53 | 0:08:55 | |
What do you like about frogs? | 0:08:55 | 0:08:57 | |
I just love them. I've got frogs everywhere in my garden. | 0:08:57 | 0:09:00 | |
-Have you? -Ornaments and hanging feeders. | 0:09:00 | 0:09:02 | |
Ornaments in the kitchen. | 0:09:02 | 0:09:04 | |
But they're rather expensive. | 0:09:04 | 0:09:06 | |
-Yes. -How much? -225. | 0:09:06 | 0:09:08 | |
Too much, isn't it? | 0:09:08 | 0:09:10 | |
Well, you can afford them, you've got the money. | 0:09:10 | 0:09:12 | |
That's putting all your money in... | 0:09:12 | 0:09:14 | |
-Into two frogs. -Yeah, two frogs. You know... -Too much... | 0:09:14 | 0:09:17 | |
-Too much. -..at the beginning, isn't it? | 0:09:17 | 0:09:19 | |
-Got to leave some money. -OK, then. | 0:09:19 | 0:09:20 | |
Right, you go ahead and find somewhere. | 0:09:20 | 0:09:22 | |
Hop on. So a cautious start for the Blues, but have the Reds managed | 0:09:22 | 0:09:26 | |
to get a better deal than £90 on the pair of lamps? | 0:09:26 | 0:09:29 | |
-We've got them. -You bought them? | 0:09:29 | 0:09:32 | |
-Yes. -We bought them. -And... How much for? -£78. | 0:09:32 | 0:09:34 | |
-Fantastic. Well done. Good price. -Do you think it's a good deal? | 0:09:34 | 0:09:37 | |
I think you've done really well. | 0:09:37 | 0:09:39 | |
I think they will light up the saleroom. | 0:09:39 | 0:09:41 | |
And only eight minutes in. You two are absolutely on fire. | 0:09:41 | 0:09:44 | |
Woohoo! | 0:09:44 | 0:09:45 | |
A united start for the Reds and their first buy within ten minutes. | 0:09:45 | 0:09:49 | |
Blues, will these dogs cut it? | 0:09:49 | 0:09:51 | |
-People love dogs. -Yes. | 0:09:51 | 0:09:54 | |
-Knife rests, aren't they? -Are they? I don't know. -They could be. | 0:09:54 | 0:09:57 | |
Yes, I like those. | 0:09:57 | 0:09:58 | |
-They're knife rests and people like dogs. -Yes, they do. | 0:09:58 | 0:10:01 | |
-Little dachshunds. -Yes. -And they're different. | 0:10:01 | 0:10:04 | |
Yeah. I like that. | 0:10:04 | 0:10:05 | |
-Right. -Right. -That's very decisive, Peter. | 0:10:05 | 0:10:07 | |
-I am positive. -I like your style. | 0:10:07 | 0:10:09 | |
-Yes. Dogs. -Dogs. Yes. | 0:10:09 | 0:10:11 | |
The whole, what you call, pack of them. Pack of hounds. | 0:10:11 | 0:10:15 | |
They're really sweet. | 0:10:15 | 0:10:17 | |
-Well, they're plastic. -Are they plastic? -Yes. | 0:10:17 | 0:10:19 | |
You thought they were glass. | 0:10:19 | 0:10:20 | |
-I'd say they're plastic. -Yeah, they're plastic. | 0:10:20 | 0:10:23 | |
How much are they? They're not expensive. | 0:10:23 | 0:10:26 | |
£26. | 0:10:26 | 0:10:27 | |
What would be the best on that? | 0:10:27 | 0:10:30 | |
-If we do 23? -Could you do 18? | 0:10:30 | 0:10:34 | |
I think I'd have to check with her, just to make sure she's happy with that but we can try. | 0:10:34 | 0:10:39 | |
-Yes? -If they were glass, definitely. | 0:10:39 | 0:10:41 | |
But plastic... | 0:10:41 | 0:10:42 | |
-Yeah, 18, I'd be interested. -18? -Put that back. | 0:10:42 | 0:10:45 | |
18? | 0:10:45 | 0:10:46 | |
-That's £3 each, if we get them for 18. -Yes. -Yes. | 0:10:46 | 0:10:49 | |
-It's not a lot of money, is it? -I like those. -They look great. | 0:10:49 | 0:10:52 | |
While Michael phones the dealer to negotiate on the knife rests, | 0:10:52 | 0:10:56 | |
could the Reds' united front be about to crumble in the face of these? | 0:10:56 | 0:11:00 | |
So what about these heads over here? | 0:11:00 | 0:11:03 | |
What have you spotted? They're quite creepy, aren't they? | 0:11:03 | 0:11:05 | |
I quite like anything kind of... for the home that's quite white | 0:11:05 | 0:11:09 | |
because you can sort of put it on a white wall and it all blends in, | 0:11:09 | 0:11:12 | |
and then you kind of notice them, | 0:11:12 | 0:11:14 | |
and they're really quirky. | 0:11:14 | 0:11:16 | |
-Yeah. -I don't like the way they stick out from the wall, | 0:11:16 | 0:11:19 | |
and then they're severed at the neck. | 0:11:19 | 0:11:22 | |
You're painting such a wonderful picture of them. | 0:11:23 | 0:11:25 | |
How could I resist?! | 0:11:25 | 0:11:27 | |
They are just unusual, quirky, decorative objects. | 0:11:27 | 0:11:29 | |
-OK. -And how much are they? | 0:11:29 | 0:11:32 | |
120 for the pair. | 0:11:32 | 0:11:33 | |
A bit steep for two severed heads, what do you think, Maggie? | 0:11:35 | 0:11:38 | |
I think they are a bit steep, yeah. | 0:11:38 | 0:11:40 | |
Nick and Maggie aren't convinced. | 0:11:40 | 0:11:42 | |
Now, what news on the six plastic knife rests? | 0:11:42 | 0:11:45 | |
Spoke to the dealer and she would be delighted to accept | 0:11:45 | 0:11:48 | |
-your offer of 18. -Oh! -Lovely. -Brilliant. | 0:11:48 | 0:11:50 | |
-One down, two to go. -Excellent! Brilliant. | 0:11:50 | 0:11:53 | |
Thank you so much. | 0:11:53 | 0:11:54 | |
-Thank you. -Thank you. | 0:11:54 | 0:11:56 | |
Well done, Blues. That makes it 1-1 with 20 minutes on the clock. | 0:11:56 | 0:12:00 | |
Now, what's caught Maggie's eye? | 0:12:00 | 0:12:02 | |
So what is it you like about it? | 0:12:02 | 0:12:04 | |
Well, I liked the top, that's what drew me to it. | 0:12:04 | 0:12:06 | |
-The carving. -The carving, yes. It's so ornate. | 0:12:06 | 0:12:09 | |
-A lot of work has gone into it. A lot of effort. -Yes. | 0:12:09 | 0:12:12 | |
It is early to mid-20th century, | 0:12:12 | 0:12:15 | |
carved as a part of a mass production, | 0:12:15 | 0:12:18 | |
making Asian objects for the Western market. | 0:12:18 | 0:12:21 | |
-Oh, right. -The one thing that this one stands out amongst the others, | 0:12:21 | 0:12:24 | |
I think, is the depth of carving and the gauge of the timber. | 0:12:24 | 0:12:28 | |
And if you look, that's quite a thick piece of timber. | 0:12:28 | 0:12:31 | |
That's carved from a single block, | 0:12:31 | 0:12:34 | |
and then pierced, so it's decorative, rather than being rare. | 0:12:34 | 0:12:38 | |
Right. So it's not worth an awful lot, then. | 0:12:38 | 0:12:42 | |
Well, it's got a value as a decorative, useful box | 0:12:42 | 0:12:45 | |
for jewellery... How much is it, by the way? | 0:12:45 | 0:12:47 | |
38. Oh, it's got its key! | 0:12:47 | 0:12:49 | |
OK. Well, that's a bonus. | 0:12:49 | 0:12:51 | |
-Yes. -I'm not sure about it. | 0:12:51 | 0:12:53 | |
I think it just feels like... I've seen this sell quite | 0:12:53 | 0:12:56 | |
a lot before and I'm not sure how popular it is now. | 0:12:56 | 0:12:59 | |
There's a margin of profit, if you like it enough, to have a go. | 0:12:59 | 0:13:03 | |
But if you don't like it, then there's no point paying for it, | 0:13:03 | 0:13:06 | |
-I guess, really, is there? -Shall we put it on stand-by? | 0:13:06 | 0:13:09 | |
Yeah, let's put it on stand-by. | 0:13:09 | 0:13:11 | |
Cos I like that but we haven't been round and seen an awful lot yet. | 0:13:11 | 0:13:14 | |
Sure. So we're not going to dismiss it completely. | 0:13:14 | 0:13:17 | |
-Yeah. -Yeah. -We're going to put it down as a... -As a maybe. -Yeah. | 0:13:17 | 0:13:20 | |
So, one for the back burner. | 0:13:20 | 0:13:22 | |
And after a positive start, | 0:13:22 | 0:13:23 | |
the ladies' diverse tastes are beginning to show. | 0:13:23 | 0:13:26 | |
Now, will the silver-loving Blues have better luck with | 0:13:26 | 0:13:29 | |
this piece of jewellery? | 0:13:29 | 0:13:30 | |
I quite like that silver bangle. | 0:13:30 | 0:13:32 | |
Now, those were very popular in the late sort of '40s, '50s, '60s, | 0:13:32 | 0:13:37 | |
up until the '70s, really. | 0:13:37 | 0:13:39 | |
And they're all really back in fashion now. | 0:13:39 | 0:13:41 | |
Silver and white gold as opposed to yellow gold. | 0:13:41 | 0:13:44 | |
-That's right. -That's what the young ones want. | 0:13:44 | 0:13:46 | |
-So, shall we ask if we can... -Would you like to look at it? | 0:13:46 | 0:13:49 | |
-Yes. I would. -There he is. | 0:13:49 | 0:13:51 | |
Hello. Can we just ask you to have a look at this bangle in here, please? | 0:13:51 | 0:13:55 | |
Now, let's have a look. | 0:13:56 | 0:13:58 | |
-It's simple. -That's really nice. | 0:13:58 | 0:14:01 | |
Look for the dents. | 0:14:01 | 0:14:03 | |
Very often, they're hollow, bangles, | 0:14:03 | 0:14:05 | |
so they're sort of rounded but hollow inside. | 0:14:05 | 0:14:09 | |
And those are the ones that are more easily bashed. | 0:14:09 | 0:14:11 | |
-OK. -This is solid. | 0:14:11 | 0:14:13 | |
Been bent round and the fastening is like this. How it works... | 0:14:13 | 0:14:17 | |
Do you see what I mean? It goes like that, so you can make it bigger. | 0:14:17 | 0:14:20 | |
-You can make it bigger. -Or smaller. -Yes. | 0:14:20 | 0:14:22 | |
Now, you've got £40. | 0:14:22 | 0:14:24 | |
-Oh, £40. -1947. | 0:14:24 | 0:14:27 | |
And we've got the full hallmark here. | 0:14:27 | 0:14:30 | |
So we've got the lion, we've got the leopard's head for London, | 0:14:30 | 0:14:34 | |
and the K figure there. What do I think it will make at auction? | 0:14:34 | 0:14:39 | |
It might make £35. | 0:14:39 | 0:14:42 | |
Do you think they would accept 25? | 0:14:42 | 0:14:44 | |
Really, you'd be looking at 35. | 0:14:44 | 0:14:46 | |
-I'd like to take a chance on it. -Would you? -35. | 0:14:46 | 0:14:50 | |
-Would you? -Mm. -Yes. | 0:14:50 | 0:14:52 | |
-Would you, Peter? -Yeah, I'm happy with that. | 0:14:52 | 0:14:55 | |
And that makes it 2-1 to the Blues, with 35 minutes gone. | 0:14:55 | 0:14:58 | |
Whilst the teams carry on shopping, | 0:15:04 | 0:15:05 | |
I've been finding out how restoration work on one of | 0:15:05 | 0:15:08 | |
England's architectural gems has been given a modern twist. | 0:15:08 | 0:15:12 | |
This is Strawberry Hill House in Twickenham, | 0:15:19 | 0:15:23 | |
built from 1747 and arguably one of | 0:15:23 | 0:15:26 | |
the finest examples of Gothic Revival architecture in the UK. | 0:15:26 | 0:15:31 | |
It was a method of design that was unusual for homes in the 18th century. | 0:15:31 | 0:15:35 | |
It drew its inspiration from the architecture of medieval castles | 0:15:35 | 0:15:39 | |
and cathedrals, with their arches, finials, and asymmetrical style. | 0:15:39 | 0:15:44 | |
Well, this building now stands as an elegant example of that period. | 0:15:44 | 0:15:48 | |
It hasn't always been so. | 0:15:48 | 0:15:50 | |
Strawberry Hill House was the brainchild of Horace Walpole, | 0:15:50 | 0:15:54 | |
the son of Sir Robert Walpole, Britain's first Prime Minister. | 0:15:54 | 0:15:57 | |
He spent 40 years turning two semidetached houses | 0:15:57 | 0:16:01 | |
into his dream Gothic Revival home. | 0:16:01 | 0:16:03 | |
Of course, time takes its toll, and over the centuries | 0:16:05 | 0:16:08 | |
this building has been altered frequently, | 0:16:08 | 0:16:11 | |
finally becoming a teacher training college in 1923. | 0:16:11 | 0:16:15 | |
Now, £9 million has been spent, bringing this building back | 0:16:15 | 0:16:19 | |
up to scratch and the restoration continues apace. | 0:16:19 | 0:16:23 | |
I'm here to meet Nick Dolan, who'll tell me more. | 0:16:23 | 0:16:25 | |
-Nick, wow! Hi. -Hello, Natasha. -This is wonderful. | 0:16:30 | 0:16:33 | |
I was promised Gothic. That's exactly what we have here. | 0:16:33 | 0:16:36 | |
-And I'm focusing on that staircase. -The staircase itself, | 0:16:36 | 0:16:39 | |
it was based actually on the library staircase at Rouen Cathedral. | 0:16:39 | 0:16:42 | |
So talk me through this wallpaper. It's a real trick of the eye. | 0:16:42 | 0:16:46 | |
It's an extraordinary recreation. | 0:16:46 | 0:16:48 | |
It's actually based on the design of Worcester Cathedral. | 0:16:48 | 0:16:52 | |
But it's deliberately there to fool the eye, | 0:16:52 | 0:16:57 | |
and give that recreation of a Gothic interior. | 0:16:57 | 0:17:02 | |
And of course, it's got some of the original 18th-century wall covering revealed. | 0:17:02 | 0:17:07 | |
Now, it's an unbelievable resource to have the original wallpaper. | 0:17:07 | 0:17:11 | |
-Yes. -But it's not the sole resource, is it? -Some of the extraordinary | 0:17:11 | 0:17:14 | |
watercolours that Horace Walpole himself commissioned | 0:17:14 | 0:17:17 | |
but actually they show how literally the re-creation has been. | 0:17:17 | 0:17:22 | |
It looks like we're standing in that painting. | 0:17:22 | 0:17:25 | |
-It's beautifully reconstructed, amazingly done. -Yes. | 0:17:25 | 0:17:27 | |
So, I must see more of Strawberry Hill because I want to compare it | 0:17:27 | 0:17:31 | |
-to other drawings. -There's plenty to see. -I'm here to inspect. | 0:17:31 | 0:17:35 | |
All of Walpole's showrooms and private rooms have been restored. | 0:17:36 | 0:17:40 | |
But what's still missing are the contents. | 0:17:40 | 0:17:42 | |
Horace Walpole was one of the 18th century's greatest art collectors, | 0:17:42 | 0:17:47 | |
but in 1842, 45 years after his death, his collection of paintings, | 0:17:47 | 0:17:52 | |
ceramics, coins, miniatures, sculptures and furniture | 0:17:52 | 0:17:55 | |
was sold off, some ending up in America. | 0:17:55 | 0:17:58 | |
The auction was dubbed "the sale of the century". | 0:17:58 | 0:18:02 | |
Now, curators here at Strawberry Hill are using modern technology | 0:18:02 | 0:18:06 | |
to try and recreate Walpole's collection. | 0:18:06 | 0:18:08 | |
So we know there was a great auction but it must have left | 0:18:10 | 0:18:13 | |
lots of gaps in the collection. How are you trying to fill them? | 0:18:13 | 0:18:16 | |
So, now, we try to find them and get them back in loans, | 0:18:16 | 0:18:21 | |
bequests, and where we can't get the items back, | 0:18:21 | 0:18:25 | |
then actually, we have re-creations, based on the original, | 0:18:25 | 0:18:30 | |
for example this wonderful piece, | 0:18:30 | 0:18:33 | |
a double portrait of Horace Walpole's mother and father, Robert | 0:18:33 | 0:18:37 | |
and Catherine, with their country seat, Houghton Hall, Norfolk. | 0:18:37 | 0:18:42 | |
Commissioned by Walpole for this room by Eckardt. | 0:18:42 | 0:18:45 | |
But the original is too fragile to travel from America, | 0:18:45 | 0:18:49 | |
and they've kindly given us permission to use the technology | 0:18:49 | 0:18:53 | |
which is three-dimensional printing. | 0:18:53 | 0:18:56 | |
Layers and layers of photographs in different lights to create, | 0:18:56 | 0:19:03 | |
if you like, the landscape of the painting in three-dimensional form. | 0:19:03 | 0:19:07 | |
And then transposed into a three-dimensional model | 0:19:07 | 0:19:11 | |
that is printed out and then the colourways are layered | 0:19:11 | 0:19:16 | |
-and layered on top of that. -Everything about it looks authentic. | 0:19:16 | 0:19:20 | |
If I move around and allow the light to go over the oil, | 0:19:20 | 0:19:24 | |
I can see cracks in the painting. | 0:19:24 | 0:19:27 | |
I can see bumps in the canvas. | 0:19:27 | 0:19:28 | |
I can see brushstrokes, texture. | 0:19:28 | 0:19:31 | |
Really, genuinely, this is 21st century? | 0:19:31 | 0:19:34 | |
-Really. -How good is that! | 0:19:34 | 0:19:36 | |
Well, I'm going to enjoy exploring Strawberry Hill. | 0:19:36 | 0:19:39 | |
-Nick, thank you so much for telling me about it. -Pleasure. | 0:19:39 | 0:19:41 | |
In the meantime, it's time to get back to Kingston Antiques Centre | 0:19:41 | 0:19:44 | |
to see how our teams are getting on with the shopping. | 0:19:44 | 0:19:47 | |
The Blues currently have two items, the Reds only one, | 0:19:53 | 0:19:56 | |
and with just 15 minutes left, Nick's feeling the pressure. | 0:19:56 | 0:19:59 | |
I thought it was going to be a breeze. Here we are, 45 minutes on, | 0:19:59 | 0:20:02 | |
we've got to get these last two things bought. | 0:20:02 | 0:20:04 | |
It's going to be a disaster. | 0:20:04 | 0:20:07 | |
Stay positive, Nick, things could be looking up. | 0:20:07 | 0:20:09 | |
-We really like this area. -Oh, right. The whole area. | 0:20:09 | 0:20:13 | |
-The whole area. -You're going to buy the whole lot? | 0:20:13 | 0:20:15 | |
-I quite like this sort of dark china. -That bowl. | 0:20:15 | 0:20:18 | |
So these kind of vases, the bowl, there's a planter. | 0:20:18 | 0:20:22 | |
OK. They are all decorative and they are all Chinese. | 0:20:22 | 0:20:25 | |
They are all very modern reproductions. | 0:20:25 | 0:20:29 | |
-Ah, OK. -The Chinese box we looked at earlier | 0:20:29 | 0:20:32 | |
was early to mid-20th century, | 0:20:32 | 0:20:34 | |
so it had a bit of a vintage thing going on, but these are quite new. | 0:20:34 | 0:20:39 | |
-OK. -And I think these will be a hard sell. | 0:20:39 | 0:20:42 | |
-OK. -They are very much retail pieces, rather than auction pieces. | 0:20:42 | 0:20:46 | |
-OK. We've got to hunt down some real antiques. -I think move on. | 0:20:46 | 0:20:49 | |
-Yeah. -Yeah? -Move on. -Happy with that? -Yeah. -Come on, then. | 0:20:49 | 0:20:53 | |
Chop, chop, Reds. Time's running out. | 0:20:53 | 0:20:55 | |
The Blues are also clock watching. | 0:20:55 | 0:20:57 | |
-What about stopwatches? -Stopwatches? -Are they... | 0:20:57 | 0:21:01 | |
-What about them? -Do they go at auction? | 0:21:01 | 0:21:04 | |
No, I don't think so. | 0:21:04 | 0:21:05 | |
-No? -Look at the face. | 0:21:05 | 0:21:07 | |
-No. No. -OK, then. -They always remind me of school. | 0:21:07 | 0:21:10 | |
Those blooming awful running races with the stopwatch. No. | 0:21:10 | 0:21:13 | |
Well, both teams could do with some sprinting, especially you, | 0:21:13 | 0:21:16 | |
Reds, with two items still to find and only ten minutes left. | 0:21:16 | 0:21:20 | |
See that necklace hanging at the back there with the red beads | 0:21:20 | 0:21:22 | |
and the tiny black beads? | 0:21:22 | 0:21:25 | |
That red is what we call Chinese cinnabar lacquer, | 0:21:25 | 0:21:28 | |
a very complex technique of lacquer work | 0:21:28 | 0:21:31 | |
that gives that wonderful orangey red, that buyers of | 0:21:31 | 0:21:35 | |
Chinese lacquer work and works of art collectables love. | 0:21:35 | 0:21:38 | |
It's on a 1930s Art Deco design piece of jewellery. | 0:21:38 | 0:21:42 | |
So it's ticking that Deco collector. | 0:21:42 | 0:21:44 | |
-You like it? -No, I don't like them. | 0:21:44 | 0:21:46 | |
But you told me you liked Art Deco. | 0:21:46 | 0:21:48 | |
I think jewellery is... | 0:21:48 | 0:21:51 | |
..a gamble to buy. | 0:21:51 | 0:21:53 | |
Does sell well at auction. | 0:21:53 | 0:21:54 | |
Traditionally, jewellery does very well. | 0:21:54 | 0:21:57 | |
It's going to boil down to the price, then, really, isn't it? | 0:21:57 | 0:22:00 | |
-Mm-hmm. -OK, there you go. -Thank you very much. | 0:22:00 | 0:22:02 | |
OK. So... There's the necklace. | 0:22:05 | 0:22:08 | |
There's those beads. | 0:22:08 | 0:22:10 | |
-It's beautiful. -There's the ticket. | 0:22:10 | 0:22:12 | |
£38, that's not a bad price. | 0:22:12 | 0:22:14 | |
It's got a pretty little clasp as well. It is not gold, | 0:22:14 | 0:22:17 | |
it's gilded base metal, but it's all pierced, look. | 0:22:17 | 0:22:20 | |
A beautiful thing. Nice quality. | 0:22:20 | 0:22:22 | |
What are your thoughts? Come on. Come on, tell me. | 0:22:23 | 0:22:25 | |
-I like that. -Would you wear that? -I'd wear it, yeah. | 0:22:25 | 0:22:28 | |
-What about you, Maggie? -There's no way I would wear that. | 0:22:28 | 0:22:32 | |
I still prefer my box. | 0:22:32 | 0:22:34 | |
-Well, you could still buy the box. -We can get the box and that. | 0:22:34 | 0:22:38 | |
With time running out, that sounds like a good compromise to me. | 0:22:38 | 0:22:41 | |
You've chosen one thing each, that's fair then, isn't it? | 0:22:41 | 0:22:44 | |
-OK. -Do you think? Yeah? | 0:22:44 | 0:22:46 | |
-Yeah. -Right. -We just need to negotiate the price down. | 0:22:46 | 0:22:48 | |
For that, we need Leslie. Hello, Leslie. | 0:22:48 | 0:22:50 | |
Now, look, we think we'd like to buy this. | 0:22:50 | 0:22:53 | |
-What's the best price on that? -34. | 0:22:53 | 0:22:55 | |
32 is a nice round number, threes and twos. | 0:22:55 | 0:22:58 | |
It goes with your tops, doesn't it, girls? | 0:22:58 | 0:23:00 | |
-Yeah. -Go on. -£32. -Yes. -Right, shake Leslie's hand. | 0:23:00 | 0:23:04 | |
-Brilliant. -Finally, their second buy! | 0:23:04 | 0:23:06 | |
Thank you very, very much. | 0:23:06 | 0:23:08 | |
Right. We now need to go and see if that box is still there | 0:23:08 | 0:23:10 | |
and do the same thing again, negotiate that price down. | 0:23:10 | 0:23:13 | |
-OK. -Come on. | 0:23:13 | 0:23:15 | |
Teams, you now have less than five minutes to buy your final item. | 0:23:15 | 0:23:18 | |
See, we've been down there, haven't we? | 0:23:18 | 0:23:20 | |
-We've done all that area... -What about the mirror? | 0:23:20 | 0:23:23 | |
Oh, my goodness! That looks to me like it's in a cafe area. | 0:23:23 | 0:23:28 | |
That's probably part of the fixtures and fittings. | 0:23:28 | 0:23:31 | |
-They won't miss it, will they? -Do you think they might sell it? | 0:23:31 | 0:23:34 | |
It does look a stonking great thing. | 0:23:34 | 0:23:37 | |
It's very, very modern, I'm sure. | 0:23:37 | 0:23:39 | |
-Yeah. -And I think that would look fabulous on a big white wall. | 0:23:39 | 0:23:44 | |
Imagine that in a big, modern apartment. | 0:23:44 | 0:23:46 | |
-Yeah, that would look lovely. -It really would. -Yes. | 0:23:46 | 0:23:49 | |
Oh, look. Hello! | 0:23:49 | 0:23:51 | |
I feel like Juliet. | 0:23:51 | 0:23:54 | |
Hello, Romeo. | 0:23:54 | 0:23:56 | |
Could you, pray, tell me the price of your heart? | 0:23:57 | 0:24:00 | |
-On the wall? -It's really not for sale... | 0:24:00 | 0:24:03 | |
-Oh, right, OK. -But they will actually let it go for £100. | 0:24:03 | 0:24:06 | |
-What do you think? -I think... | 0:24:06 | 0:24:08 | |
We haven't spent much up until this point. | 0:24:08 | 0:24:12 | |
-That is nice. -That is. | 0:24:12 | 0:24:14 | |
For £100, you want it. | 0:24:14 | 0:24:16 | |
-Yes. -Are we sure? -£100, Yes. | 0:24:16 | 0:24:18 | |
Romeo, yes, please. | 0:24:18 | 0:24:20 | |
Brilliant. I am delighted. | 0:24:21 | 0:24:24 | |
-Wow! -All three. -All within the closing moments. | 0:24:24 | 0:24:27 | |
All done. Come on. | 0:24:27 | 0:24:29 | |
-Well done. -Wonderful. | 0:24:29 | 0:24:30 | |
Well done indeed. | 0:24:30 | 0:24:32 | |
Job done, Blues. | 0:24:32 | 0:24:33 | |
Reds, you just have minutes left. | 0:24:33 | 0:24:35 | |
It's still here. | 0:24:35 | 0:24:37 | |
Good. Grab it. Let's go and grab Leslie, see what price we can get. | 0:24:37 | 0:24:40 | |
Right. | 0:24:40 | 0:24:42 | |
-Leslie... Hi. -Hello. | 0:24:45 | 0:24:47 | |
Now, we're running very short of time... | 0:24:47 | 0:24:49 | |
-Right, OK. -..and would like to know what price this can be, please. | 0:24:49 | 0:24:52 | |
Right, it's very pretty. | 0:24:52 | 0:24:54 | |
Let's see. Lovely jewellery box, with the key. | 0:24:54 | 0:24:56 | |
-Yeah. -Which is always a good thing. -35. | 0:24:56 | 0:24:59 | |
It's not much of a discount. | 0:24:59 | 0:25:01 | |
-We were thinking more around... -She's got trade three on there. | 0:25:01 | 0:25:04 | |
-I'll do 34. -I think that's the best you're going to get. | 0:25:04 | 0:25:07 | |
-It is, yeah. -You've got to buy it or not. | 0:25:07 | 0:25:09 | |
-It is lovely. -It's £34. | 0:25:09 | 0:25:10 | |
-It is nicely lined, actually. It's got the original key. -Yeah. | 0:25:10 | 0:25:14 | |
Time is against us, ladies. | 0:25:14 | 0:25:16 | |
£34, yes or no? | 0:25:16 | 0:25:17 | |
-Yes. -One minute. We've got one minute. -Yes. | 0:25:17 | 0:25:20 | |
-Are you sure? Yes? -OK. -Grudgingly, yes. | 0:25:20 | 0:25:23 | |
-Yes. -Do it. -We've got a deal. -Right, done. -OK. -Thank you. | 0:25:23 | 0:25:26 | |
Oh, that was tight! | 0:25:26 | 0:25:27 | |
Right then, teams, the time's up. | 0:25:27 | 0:25:31 | |
Let's go and have a lie down in a dark room, come on. | 0:25:31 | 0:25:34 | |
Let's remind ourselves what the Red team bought. | 0:25:35 | 0:25:38 | |
First up, they're hoping these lamps will light up the auction. | 0:25:39 | 0:25:42 | |
£78 paid. | 0:25:42 | 0:25:44 | |
Their second item was a compromise. | 0:25:44 | 0:25:47 | |
Katie liked this necklace, bought for £32... | 0:25:47 | 0:25:49 | |
..and Maggie chose their third buy and spent £34 on this wooden box. | 0:25:51 | 0:25:55 | |
Reds, you had me on the edge of my seat. | 0:25:56 | 0:25:59 | |
One minute left. | 0:25:59 | 0:26:00 | |
Cutting it fine. Nick, you must have been a bit worried. | 0:26:00 | 0:26:02 | |
Yes, I was having kittens. | 0:26:02 | 0:26:04 | |
That's one way of putting it. | 0:26:04 | 0:26:06 | |
-One minute left. -We got there in the end. | 0:26:06 | 0:26:08 | |
-We got there in the end. -And there is some real variety. | 0:26:08 | 0:26:11 | |
So which, then, of the three items, Katie, is your favourite? | 0:26:11 | 0:26:14 | |
So I really like the necklace. | 0:26:14 | 0:26:16 | |
And that's the one I fought hardest for cos you weren't... | 0:26:16 | 0:26:18 | |
-I wasn't so keen, no. -..particularly keen. | 0:26:18 | 0:26:21 | |
OK. So is it going to bring the biggest profit, that's the question? | 0:26:21 | 0:26:24 | |
I actually think the lamps are going to bring the biggest profit. | 0:26:24 | 0:26:27 | |
I think they're just more of a sure bet. | 0:26:27 | 0:26:30 | |
So, Maggie, tell me, do you agree? Which is your favourite item? | 0:26:30 | 0:26:33 | |
-The lamps, yes. -The lamps! OK. | 0:26:33 | 0:26:34 | |
And I think they will bring the most profit. | 0:26:34 | 0:26:37 | |
OK, so, tell me how much you spent in total. | 0:26:37 | 0:26:39 | |
-144. -144, which leaves 156, | 0:26:39 | 0:26:42 | |
which quite clearly you've got there, Katie. | 0:26:42 | 0:26:44 | |
Nick, it doesn't stay with me for long. | 0:26:44 | 0:26:46 | |
-It doesn't. -Over to you. -It won't stay with me long either. | 0:26:46 | 0:26:48 | |
So your work's not quite done. | 0:26:48 | 0:26:50 | |
It's not, no. I'm going to, in homage to my team here, | 0:26:50 | 0:26:53 | |
find something chic and elegant. | 0:26:53 | 0:26:54 | |
-Oh! -OK. Sounds promising. | 0:26:54 | 0:26:56 | |
So, while Nick goes to buy a bonus for the ladies, | 0:26:56 | 0:26:59 | |
let's remind ourselves what the Blue team bought. | 0:26:59 | 0:27:02 | |
First up, they forked out £18 on these knife rests. | 0:27:02 | 0:27:06 | |
Next, Chris wanted some silver, and paid £35 for this bangle. | 0:27:07 | 0:27:11 | |
And finally, it wasn't actually for sale | 0:27:12 | 0:27:14 | |
but they bought this mirror from the cafe for £100. | 0:27:14 | 0:27:18 | |
OK, Peter, Chris, Caroline, the hour's up, | 0:27:18 | 0:27:21 | |
you can breathe a sigh of relief. | 0:27:21 | 0:27:25 | |
Which, Peter, is your favourite of the three? | 0:27:25 | 0:27:28 | |
Difficult one, but I think the mirror is my favourite, | 0:27:28 | 0:27:31 | |
but the dogs will make the most money. | 0:27:31 | 0:27:33 | |
-So you think they'll bring the biggest profit. -Yes, not much. | 0:27:33 | 0:27:37 | |
Chris, are you in agreement with your great friend here? | 0:27:37 | 0:27:39 | |
-Is the mirror your favourite. -No, it's not. | 0:27:39 | 0:27:41 | |
My favourite is the silver bangle. I really like that. | 0:27:41 | 0:27:45 | |
I do agree with Peter on this, the dogs will make the most profit. | 0:27:45 | 0:27:49 | |
OK. So, finally, you're in agreement about something. | 0:27:49 | 0:27:52 | |
Yes. For once in our lives. | 0:27:52 | 0:27:54 | |
So, 153 spent means 147 is left over. | 0:27:54 | 0:27:59 | |
-Who's got it? -I have. | 0:27:59 | 0:28:01 | |
OK, Peter, hand it over. | 0:28:01 | 0:28:03 | |
-I know it hurts. -It hurts, it hurts, yes. | 0:28:03 | 0:28:05 | |
But it's going straight to your expert, Caroline Hawley. | 0:28:05 | 0:28:07 | |
-Thank you very much. -Who has...any ideas? | 0:28:07 | 0:28:10 | |
I have a few ideas. | 0:28:10 | 0:28:12 | |
Yes. But nothing definite. | 0:28:12 | 0:28:15 | |
Well, best of luck, Caroline, trying to find a bonus buy. | 0:28:15 | 0:28:17 | |
It's time now for us to head to the auction. | 0:28:17 | 0:28:20 | |
And, of course, I'm joined by Catherine Southon herself. | 0:28:26 | 0:28:29 | |
Thank you so much for having us along. | 0:28:29 | 0:28:31 | |
It's lovely to have you, Natasha. | 0:28:31 | 0:28:32 | |
We'll start with the Reds, Maggie and Katie. | 0:28:32 | 0:28:34 | |
We're starting with these very retro lamps. | 0:28:34 | 0:28:38 | |
-I love them. Catherine? -I adore them. -Cool! | 0:28:38 | 0:28:40 | |
They are just so wicked. I'd have them today. | 0:28:40 | 0:28:44 | |
I would buy them, happily take them home. | 0:28:44 | 0:28:47 | |
1970s, lovely stepped design there. | 0:28:47 | 0:28:49 | |
There's not a huge amount to them. And I love the olive shade there. | 0:28:49 | 0:28:53 | |
They are quite simple, but they just scream style. | 0:28:53 | 0:28:56 | |
What do you think your buyers will be willing to pay? | 0:28:56 | 0:28:59 | |
Easily pay 50-70. | 0:28:59 | 0:29:01 | |
-They paid 78. -Yeah, I think they did good. | 0:29:01 | 0:29:04 | |
And then we move onto something that isn't quite as authentic | 0:29:04 | 0:29:07 | |
-as our lamps. -Mm. -Reproduction, we think, this lacquer necklace. | 0:29:07 | 0:29:10 | |
But do you think, although repro, it's pretty stylish? | 0:29:10 | 0:29:13 | |
The thing is, Natasha, so many of these are produced and they've got | 0:29:13 | 0:29:16 | |
these sort of black bead spacers | 0:29:16 | 0:29:18 | |
in the middle of this sort of Cinnabar Chinese bead | 0:29:18 | 0:29:21 | |
and people want really to buy the real authentic. | 0:29:21 | 0:29:24 | |
I've only put £10-£20 on. | 0:29:24 | 0:29:26 | |
-They were happy to pay £32. -Right, well, I hope I'm proved wrong. | 0:29:26 | 0:29:30 | |
And then we move onto another modern item. | 0:29:30 | 0:29:32 | |
Again, East Asian its style, but very much a different item. | 0:29:32 | 0:29:36 | |
-It's a box. -It's quite nicely lined inside. | 0:29:36 | 0:29:39 | |
And it's quite well carved, | 0:29:39 | 0:29:40 | |
in high relief of these dragons sweeping around. | 0:29:40 | 0:29:44 | |
But it's essentially... brand-new, I'm afraid. | 0:29:44 | 0:29:47 | |
Purely because of that, £10-£20. | 0:29:47 | 0:29:50 | |
OK. Well, once again, the team paid £34 this time... | 0:29:50 | 0:29:53 | |
-Yeah. -..for this item. So... | 0:29:53 | 0:29:56 | |
..it looks like they might need to lean on their bonus buy, doesn't it? | 0:29:56 | 0:29:59 | |
They might. But I'm hoping that that will win it for them. | 0:29:59 | 0:30:03 | |
OK. Well, just in case the lamps don't do as well as we think | 0:30:03 | 0:30:06 | |
they will, let's see what Nick bought as a bonus buy. | 0:30:06 | 0:30:08 | |
OK. Chic and elegant. | 0:30:10 | 0:30:12 | |
-Oh! -Fits the bill. | 0:30:14 | 0:30:16 | |
-I... -Yeah, I like it. | 0:30:16 | 0:30:18 | |
-Do you? -Oh! Well, it's definitely you. | 0:30:18 | 0:30:21 | |
-What... Is that... Is that marble? -It is, yeah. | 0:30:21 | 0:30:23 | |
-OK, yeah. -What we've got here is a classic French bedside cabinet. | 0:30:23 | 0:30:27 | |
-Oh, yeah? -Marble top. | 0:30:27 | 0:30:28 | |
You've got quartered fruit wood veneers, | 0:30:28 | 0:30:32 | |
carved, elegant, chic and elegant, I thought. | 0:30:32 | 0:30:36 | |
-How much did you pay? -Ah! I paid a measly £60. | 0:30:36 | 0:30:40 | |
-OK. -Oh! | 0:30:40 | 0:30:41 | |
-Yeah. -My worry is it looks like one of a pair. | 0:30:41 | 0:30:45 | |
You can buy them in pairs, you can also buy them singly. | 0:30:45 | 0:30:47 | |
With a nice lamp on as a side cabinet, | 0:30:47 | 0:30:49 | |
don't have to be a bedside table. | 0:30:49 | 0:30:51 | |
-OK. -I was hoping it was a little bit of ooh-la-la. | 0:30:51 | 0:30:54 | |
And how much do you think someone will be willing to pay for that? | 0:30:54 | 0:30:58 | |
Well, in the past, I've sold these and I've got nearly £100 for them. | 0:30:58 | 0:31:02 | |
-Oh, right. -So I'm hoping there's profit left in it. | 0:31:02 | 0:31:05 | |
-Sounds good. -Yeah, yeah. | 0:31:05 | 0:31:06 | |
OK, ladies, well, I think Nick is slowly but surely selling it to you. | 0:31:06 | 0:31:10 | |
-Yes. -Remember, you don't make your minds up just yet. | 0:31:10 | 0:31:13 | |
So it's time for us to find out what Catherine, our auctioneer, | 0:31:13 | 0:31:16 | |
thinks of Nick's chic and elegant bonus buy. | 0:31:16 | 0:31:19 | |
So Nick's choice is an interesting one. | 0:31:19 | 0:31:21 | |
He's gone for a bit of furniture. | 0:31:21 | 0:31:23 | |
-Mmm. -It's a bedside cabinet. | 0:31:23 | 0:31:24 | |
Be nice if we had a pair, again, either side of the bed... | 0:31:24 | 0:31:27 | |
And I have had interest. People have been phoning up about this. | 0:31:27 | 0:31:31 | |
£40-£60. | 0:31:31 | 0:31:33 | |
Nick will be pleased to see some interest in it | 0:31:33 | 0:31:35 | |
because he paid £60 for it. OK, so, let's turn to the Blues. | 0:31:35 | 0:31:39 | |
Friends Chris and Peter. | 0:31:39 | 0:31:41 | |
Now, first up is the set of knife rests. | 0:31:41 | 0:31:43 | |
What do you think of these dachshunds? | 0:31:43 | 0:31:46 | |
I think they're lovely. I think they're really quite charming | 0:31:46 | 0:31:48 | |
and people do like these little dachshunds. | 0:31:48 | 0:31:51 | |
I sometimes call them little sausage dogs but whatever they are, | 0:31:51 | 0:31:53 | |
they look lovely. Nice to have six there. | 0:31:53 | 0:31:56 | |
The thing is they are knife rests. | 0:31:56 | 0:31:58 | |
-They're made from Perspex. -What do you think they going to make? | 0:31:58 | 0:32:02 | |
I've put £10-£20 on, but they'll make more than that. | 0:32:02 | 0:32:05 | |
They will, won't they? Yeah. | 0:32:05 | 0:32:06 | |
The team paid £18, | 0:32:06 | 0:32:08 | |
so hopefully they'll be pleased with the overall result. | 0:32:08 | 0:32:11 | |
And then our second item, it's this strap bangle, | 0:32:11 | 0:32:15 | |
hallmarked for London, 1947. | 0:32:15 | 0:32:17 | |
It's got a nice, very simple geometric design around it. | 0:32:17 | 0:32:20 | |
It's quite current, quite fashionable. | 0:32:20 | 0:32:23 | |
-I think it will sell all day long. £20-£40, no problem. -OK. | 0:32:23 | 0:32:27 | |
Well, hopefully, we'll get towards the higher end of the estimate | 0:32:27 | 0:32:29 | |
because they did pay £35 for it. | 0:32:29 | 0:32:31 | |
And then we've got our mirror. | 0:32:31 | 0:32:33 | |
Our glorious heart-shaped mirror. | 0:32:33 | 0:32:36 | |
Yes. I think you can't walk past it and not look at it. | 0:32:36 | 0:32:39 | |
Or look at yourself in it. | 0:32:39 | 0:32:41 | |
It's not my taste, but people like it. | 0:32:41 | 0:32:44 | |
It's very modern, and I think in today's market, it will sell. | 0:32:44 | 0:32:48 | |
-So what do you think people will pay for it? -I think £50-£70. | 0:32:48 | 0:32:51 | |
-They spent 100 on it. -Right... -But stranger things have happened. | 0:32:51 | 0:32:55 | |
-Yes. -But you look a wee bit worried about it. | 0:32:55 | 0:32:58 | |
-I am quite worried about that, Natasha. -Well, if you're worried, | 0:32:58 | 0:33:01 | |
don't worry, because Caroline might come to the rescue. | 0:33:01 | 0:33:04 | |
Let's find out what she bought for the Blues as a bonus buy. | 0:33:04 | 0:33:07 | |
Well, there's only one person here who knows what's beneath | 0:33:07 | 0:33:10 | |
the blue cloth so, Caroline, let us all in on your secret. | 0:33:10 | 0:33:14 | |
-Are you ready? -Yes. -Yes. | 0:33:14 | 0:33:16 | |
-Oh! -Oh! | 0:33:16 | 0:33:17 | |
-Do you like it? -You've got Mettoy. | 0:33:19 | 0:33:20 | |
Can I...? | 0:33:20 | 0:33:22 | |
Isn't it gorgeous? | 0:33:22 | 0:33:23 | |
It's a Mettoy Supertype... | 0:33:23 | 0:33:26 | |
From the 1950s. | 0:33:26 | 0:33:28 | |
From the 1950s. Exactly. It's tin plate, it's in great condition. | 0:33:28 | 0:33:33 | |
-I just love it. -Oh, I love it. | 0:33:33 | 0:33:36 | |
Aw, that brings back memories. | 0:33:36 | 0:33:38 | |
-Right. -Does it really actually? -Yes, I did have one. | 0:33:38 | 0:33:40 | |
No! That's so cool. | 0:33:40 | 0:33:43 | |
So how does it work with the central dial, then? | 0:33:43 | 0:33:45 | |
Well, you just turn it to whichever... | 0:33:45 | 0:33:47 | |
-You choose your letter. -And then you go... | 0:33:47 | 0:33:50 | |
-..click, like that. -Nice. -It takes about an hour to do a sentence. | 0:33:50 | 0:33:54 | |
-Oh, does it? Never mind! -How much did you pay for it? | 0:33:54 | 0:33:57 | |
I paid 17 for it, | 0:33:57 | 0:34:00 | |
which I think is a good price. | 0:34:00 | 0:34:02 | |
And I think that's going to get certainly 30. | 0:34:02 | 0:34:04 | |
-Really? -Might get 40. -Yes. | 0:34:04 | 0:34:07 | |
OK. So, Blues, you're overall quite happy with that? | 0:34:07 | 0:34:09 | |
-Yes. -Very happy. -But you don't need to make your minds up just yet. | 0:34:09 | 0:34:12 | |
Right now it's time to find out what Catherine thinks of the typewriter. | 0:34:12 | 0:34:16 | |
So, here it is. Caroline's gone for a vintage toy. | 0:34:16 | 0:34:21 | |
And I'll bet you love it. | 0:34:21 | 0:34:23 | |
I adore that. | 0:34:23 | 0:34:24 | |
As soon as I saw it, I thought, yeah, this is a piece of class. | 0:34:24 | 0:34:27 | |
Love the colour. It screams just retro to me. | 0:34:27 | 0:34:31 | |
The condition is against it. | 0:34:31 | 0:34:33 | |
A bit of rust here and there and really £15-£20. | 0:34:33 | 0:34:37 | |
OK. Well, Caroline must have done a deal because she got it for | 0:34:37 | 0:34:39 | |
-the odd number £17. -Oh, yes. | 0:34:39 | 0:34:42 | |
I think I can say in summary that you're going to have your work | 0:34:42 | 0:34:45 | |
-cut out for both teams today. -Yes. | 0:34:45 | 0:34:46 | |
So, maybe good luck from the rostrum, Catherine? | 0:34:46 | 0:34:49 | |
-It's going to be a challenge. -I'm sure you'll rise to it. | 0:34:49 | 0:34:51 | |
You always do. | 0:34:51 | 0:34:53 | |
65. Can I say 70? | 0:34:53 | 0:34:55 | |
75, I've got now. Can I say 80? | 0:34:55 | 0:34:57 | |
Right, Katie, Maggie, look, | 0:34:58 | 0:35:00 | |
this is it, crunch time. | 0:35:00 | 0:35:02 | |
-Do I detect some nerves? -I think we are a bit nervous. | 0:35:02 | 0:35:06 | |
It's kind of thinking through the decisions we were making | 0:35:06 | 0:35:09 | |
-when we got everything. -Are you saying in hindsight you're going... | 0:35:09 | 0:35:13 | |
-"Why did we buy that?!" -Yes, indeed, yes. | 0:35:13 | 0:35:16 | |
The first lot is the pair of lamps. | 0:35:16 | 0:35:18 | |
-You paid £78 for them. Are you ready? -Yes. -Yes. | 0:35:18 | 0:35:21 | |
Here they come. | 0:35:21 | 0:35:22 | |
These are fantastic. | 0:35:22 | 0:35:24 | |
A really nice pair of vintage 1970s pine table lamp stands. | 0:35:24 | 0:35:30 | |
And I've got £55 here. | 0:35:30 | 0:35:33 | |
55 and looking for 60. | 0:35:33 | 0:35:35 | |
£55. | 0:35:35 | 0:35:37 | |
-Come on. -No, more! -55... | 0:35:37 | 0:35:39 | |
-Come on. -Come on, I'm looking for £60. | 0:35:39 | 0:35:43 | |
Are you all alive? | 0:35:43 | 0:35:44 | |
Thank you. £60. | 0:35:44 | 0:35:47 | |
I have on the internet £60. | 0:35:47 | 0:35:48 | |
Out of commission £60. | 0:35:48 | 0:35:51 | |
-Oh! -Oh! -Surprise loss. Wasn't expecting that. | 0:35:51 | 0:35:54 | |
It's a loss of 18. | 0:35:54 | 0:35:56 | |
Right, here we go. £32 you paid for the necklace. | 0:35:56 | 0:35:58 | |
-Are you ready? -Yes. -Here it comes. | 0:35:58 | 0:36:00 | |
Lot 305. | 0:36:00 | 0:36:01 | |
We have a reproduction Chinese red lacquer bead necklace. | 0:36:01 | 0:36:05 | |
And... £10? | 0:36:05 | 0:36:07 | |
£10. £10, I have. | 0:36:07 | 0:36:10 | |
-Oh! -15 anywhere? | 0:36:10 | 0:36:12 | |
15? No? | 0:36:12 | 0:36:13 | |
15? Ten, I'll sell, then. | 0:36:13 | 0:36:15 | |
-£10. -Sold at ten. | 0:36:15 | 0:36:18 | |
That was quick. That was cruel. | 0:36:18 | 0:36:20 | |
£10, that's another loss of 22. | 0:36:20 | 0:36:22 | |
Overall, we are minus 40, ladies. | 0:36:22 | 0:36:25 | |
Here we go. Ladies, are you with me? | 0:36:25 | 0:36:27 | |
Our third and final lot is the jewellery box. | 0:36:27 | 0:36:30 | |
-You paid £34. Are you ready? -Yeah. | 0:36:30 | 0:36:32 | |
Lot 306. A modern hardwood jewellery box. | 0:36:32 | 0:36:35 | |
And I've got £10 for this. I'm looking for 15. | 0:36:35 | 0:36:38 | |
£10, looking for 15. | 0:36:38 | 0:36:39 | |
15, I have. 20. | 0:36:39 | 0:36:41 | |
Five. 25, I have. | 0:36:41 | 0:36:43 | |
30 now. 35. | 0:36:43 | 0:36:45 | |
-35, looking for 40 now. 35, I have. -Oh! | 0:36:45 | 0:36:49 | |
35. Yours. | 0:36:49 | 0:36:51 | |
£35, fair warning. | 0:36:51 | 0:36:53 | |
-35 is a profit of £1. -Yay! | 0:36:53 | 0:36:57 | |
That takes you down to minus 39. | 0:36:58 | 0:37:01 | |
Do you want to go over the bonus buy? | 0:37:01 | 0:37:03 | |
It's one you have to consider carefully. | 0:37:03 | 0:37:05 | |
-Well, I think... -Why not? -Why not. | 0:37:05 | 0:37:08 | |
-Why not. -Why not? -Yeah. -Going to go for it? -Yes. -We trust you. | 0:37:08 | 0:37:11 | |
OK, Nick, the ladies are going for your French bedside cabinet. | 0:37:11 | 0:37:14 | |
-Yeah. -Here it comes. | 0:37:14 | 0:37:16 | |
Lot 310. | 0:37:16 | 0:37:18 | |
A French bedside cabinet, early 20th century. | 0:37:18 | 0:37:21 | |
£40, I've got on the internet to start this. | 0:37:21 | 0:37:24 | |
£40, is there 50? | 0:37:24 | 0:37:26 | |
£40. 50 is bid. | 0:37:26 | 0:37:28 | |
Thank you. £50. | 0:37:28 | 0:37:29 | |
-Come on. Come on. -60. -Yes. | 0:37:29 | 0:37:32 | |
60, lady's bid. Come on, internet. 65. | 0:37:32 | 0:37:35 | |
65, thank you. | 0:37:35 | 0:37:37 | |
-Yes! Yes. -65, do you want one more? | 0:37:37 | 0:37:40 | |
Are you sure? 70. | 0:37:40 | 0:37:42 | |
-Yes! -75. 75, it is yours, madam. | 0:37:42 | 0:37:47 | |
That is good auctioneering. | 0:37:47 | 0:37:50 | |
Well done. | 0:37:50 | 0:37:53 | |
£75, a £15 profit. | 0:37:53 | 0:37:55 | |
That makes you minus 24 overall. | 0:37:55 | 0:37:58 | |
-That's better. -That's pretty good. | 0:37:58 | 0:37:59 | |
-That's better. -You've seen Bargain Hunt a million times, | 0:37:59 | 0:38:03 | |
you know that even though it's a loss, you could win overall. | 0:38:03 | 0:38:06 | |
Fingers crossed. | 0:38:06 | 0:38:07 | |
So keep it to yourselves, say nothing to the competition, OK? | 0:38:07 | 0:38:11 | |
Chris, Peter, Caroline, we are all here for one reason - | 0:38:15 | 0:38:19 | |
to try and make a profit. Do you think that's on the cards? | 0:38:19 | 0:38:22 | |
-Yes. -I think so. | 0:38:22 | 0:38:23 | |
-You do? -And the golden gavel. -Of course, two reasons, then. | 0:38:23 | 0:38:26 | |
Profits and golden gavel. | 0:38:26 | 0:38:28 | |
Our first lot is the item that you both thought was going to bring the | 0:38:28 | 0:38:32 | |
biggest profit. It's your set of six dachshunds. | 0:38:32 | 0:38:36 | |
-Here they come. -Lot 320 four. | 0:38:36 | 0:38:39 | |
We have a delightful set of... | 0:38:39 | 0:38:41 | |
Yes, they're plastic, | 0:38:41 | 0:38:42 | |
but they are knife rests, and they are in the form of dachshunds. | 0:38:42 | 0:38:47 | |
What shall we say? | 0:38:47 | 0:38:48 | |
-20. -OK. | 0:38:48 | 0:38:49 | |
20. Oh, she wants these. 30. | 0:38:49 | 0:38:51 | |
40? 40. | 0:38:51 | 0:38:53 | |
-40. -No! -50. | 0:38:53 | 0:38:55 | |
60. I'll take five, if it helps. | 0:38:55 | 0:38:57 | |
Any more at £60, then? | 0:38:57 | 0:39:00 | |
£60. | 0:39:00 | 0:39:02 | |
Well done, you two. | 0:39:03 | 0:39:05 | |
£60. Your family is going to be so chuffed. | 0:39:05 | 0:39:08 | |
That is a profit of £42. | 0:39:08 | 0:39:11 | |
Let's keep it going with this bangle. | 0:39:11 | 0:39:14 | |
-You paid 35. Here it comes. -Lot 325. | 0:39:14 | 0:39:17 | |
Mid-20th century silver strap bangle. | 0:39:17 | 0:39:20 | |
It's quite a nice design. | 0:39:20 | 0:39:21 | |
We like this. £20? | 0:39:21 | 0:39:23 | |
£20. Internet is five. | 0:39:23 | 0:39:25 | |
Would you like another, madam? | 0:39:25 | 0:39:27 | |
Thank you. £30. | 0:39:27 | 0:39:29 | |
Thank you. £30. | 0:39:29 | 0:39:31 | |
Lady's bid at £30. | 0:39:31 | 0:39:32 | |
Five now. 40, thank you. | 0:39:32 | 0:39:35 | |
45 now. | 0:39:36 | 0:39:38 | |
50, thank you. | 0:39:38 | 0:39:40 | |
£50. Against you, internet. | 0:39:40 | 0:39:41 | |
I've got 50, then. £50. | 0:39:41 | 0:39:44 | |
£50. | 0:39:44 | 0:39:45 | |
£50, well done! | 0:39:45 | 0:39:47 | |
OK. That's another £15. | 0:39:47 | 0:39:51 | |
So, where are we? We are at plus 57. | 0:39:51 | 0:39:54 | |
OK. Are you ready? This is the risk. | 0:39:54 | 0:39:57 | |
£100 paid for this mirror. I really hope you get a profit. | 0:39:57 | 0:39:59 | |
Lot 326. | 0:39:59 | 0:40:01 | |
The contemporary mirror in the form of a heart. | 0:40:01 | 0:40:04 | |
And you can put this in any room you wish. | 0:40:04 | 0:40:07 | |
£50, please. | 0:40:07 | 0:40:08 | |
£50 to start this. | 0:40:08 | 0:40:10 | |
50. Five. | 0:40:10 | 0:40:11 | |
60. Five. | 0:40:11 | 0:40:12 | |
70. Five. | 0:40:12 | 0:40:14 | |
80 behind. | 0:40:14 | 0:40:16 | |
Five, I've got. | 0:40:16 | 0:40:17 | |
90. 100 with me. | 0:40:17 | 0:40:19 | |
-110. -Yes! | 0:40:19 | 0:40:21 | |
We've done it! | 0:40:21 | 0:40:22 | |
130. 140. 145. 150 with me. | 0:40:22 | 0:40:27 | |
160. It's with you at 160, at the back of the room at 160. | 0:40:27 | 0:40:33 | |
£160. | 0:40:33 | 0:40:35 | |
£160. | 0:40:35 | 0:40:37 | |
That's brilliant. | 0:40:37 | 0:40:39 | |
That's another £60. | 0:40:40 | 0:40:43 | |
Add that to your total. | 0:40:43 | 0:40:44 | |
£117 profit. | 0:40:44 | 0:40:47 | |
But now Caroline comes into question because she bought you an | 0:40:47 | 0:40:51 | |
interesting '50s toy, spent £17 on it. Do you want to go with it? | 0:40:51 | 0:40:55 | |
-There's no doubt. -Yes. -No doubt whatsoever. | 0:40:55 | 0:40:58 | |
Utterly trust you. | 0:40:58 | 0:41:00 | |
Great. Here comes the bonus buy. | 0:41:00 | 0:41:02 | |
332. | 0:41:02 | 0:41:03 | |
This is a retro toy typewriter. | 0:41:03 | 0:41:07 | |
£15. | 0:41:07 | 0:41:09 | |
Thank you. £15. | 0:41:09 | 0:41:11 | |
I'm looking for 20. Come on, ladies and gents. | 0:41:11 | 0:41:14 | |
£20. £20, anyone? | 0:41:14 | 0:41:16 | |
-£20. -One more! | 0:41:16 | 0:41:17 | |
-Just one more! -Come on, £20. | 0:41:17 | 0:41:20 | |
Anyone? 20. | 0:41:20 | 0:41:21 | |
No? | 0:41:21 | 0:41:23 | |
SHE GRUNTS | 0:41:23 | 0:41:24 | |
Oh, gosh! | 0:41:25 | 0:41:27 | |
It's no big deal. | 0:41:27 | 0:41:28 | |
£15 is the end result. | 0:41:28 | 0:41:30 | |
Tiny loss of £2. | 0:41:30 | 0:41:32 | |
Takes you down to, overall, | 0:41:32 | 0:41:34 | |
a brilliant, brilliant profit of £115. | 0:41:34 | 0:41:37 | |
We couldn't have done it without you. | 0:41:37 | 0:41:39 | |
I'm not going to tell you how the Reds got on | 0:41:39 | 0:41:41 | |
-and don't you say a word to them. -No. | 0:41:41 | 0:41:43 | |
It's very difficult to keep a straight face. | 0:41:43 | 0:41:45 | |
-Very difficult. -Promise me you will. -Yeah. | 0:41:45 | 0:41:48 | |
We will. | 0:41:48 | 0:41:49 | |
One team ended in profit, one team ended in loss. | 0:41:54 | 0:41:58 | |
So our winners today are the Blues... | 0:41:58 | 0:42:00 | |
Well done. ..with a profit of £115, by the by. | 0:42:00 | 0:42:06 | |
We told you, we told you. | 0:42:06 | 0:42:08 | |
Unbelievable. | 0:42:08 | 0:42:09 | |
-What?! -How did you do that?! | 0:42:09 | 0:42:11 | |
Reds, a very noble effort, it was a loss, I'm afraid, of £24. | 0:42:11 | 0:42:15 | |
But it could have been worse. | 0:42:15 | 0:42:17 | |
Nick Hall got you out of a hole, actually. | 0:42:17 | 0:42:19 | |
-Yes. -But it wasn't all bad. | 0:42:19 | 0:42:21 | |
You had such a wonderful familial link and it's all been really cheery, hasn't it? | 0:42:21 | 0:42:25 | |
It's been really great fun, hasn't it? | 0:42:25 | 0:42:27 | |
-Really good fun. -But let's turn to the Blues. | 0:42:27 | 0:42:31 | |
I mean, seriously, Blues. | 0:42:31 | 0:42:32 | |
You sort of showed our viewers at home how it's done. | 0:42:32 | 0:42:36 | |
It was profit after profit after profit and, as we all know, | 0:42:36 | 0:42:40 | |
three profits on this programme... | 0:42:40 | 0:42:43 | |
Make a golden gavel. | 0:42:43 | 0:42:44 | |
Make a golden gavel! So before I give you the golden gavel, | 0:42:44 | 0:42:47 | |
let me first give you the money. | 0:42:47 | 0:42:49 | |
-Thank you. -£115. | 0:42:49 | 0:42:51 | |
Now, you've got a plan for it, don't you? | 0:42:51 | 0:42:53 | |
Yes. We'd like to donate it to charity. | 0:42:53 | 0:42:55 | |
Well, you are very noble winners | 0:42:55 | 0:42:57 | |
and... | 0:42:57 | 0:42:59 | |
..noble... | 0:42:59 | 0:43:01 | |
-That's what we came for. -Unbelievable. | 0:43:01 | 0:43:04 | |
You have now been inducted into a hall of fame of sorts. | 0:43:04 | 0:43:07 | |
-Thank you. -The golden gavel is yours. | 0:43:07 | 0:43:09 | |
Wear it on your fleeces with pride. That was brilliant to watch. | 0:43:09 | 0:43:12 | |
And of course it's just brought you two closer together, | 0:43:12 | 0:43:15 | |
-hasn't it? -Oh, of course. | 0:43:15 | 0:43:16 | |
Love him even more now. | 0:43:16 | 0:43:18 | |
-Aw! -What a lovely endorsement for the programme. | 0:43:18 | 0:43:21 | |
And if you want to join us, then apply to be on the programme. | 0:43:21 | 0:43:24 | |
All the details are on the screen. | 0:43:24 | 0:43:26 | |
Of course, join us again for some more bargain hunting. | 0:43:26 | 0:43:28 | |
-Yes? ALL: -Yes! | 0:43:28 | 0:43:30 |