Browse content similar to Part 3. Check below for episodes and series from the same categories and more!
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Welcome back to Children In Need 2011. Please welcome back your | :00:11. | :00:21. | |
:00:21. | :00:22. | ||
hosts, Fearne Cotton and Sir Terry Wogan! CHEERING AND APPLAUSE Thank | :00:22. | :00:26. | |
you all, great voice of the balls. It's been a stunning night already. | :00:26. | :00:30. | |
We've reached totals that we've never reached this early. Because | :00:30. | :00:33. | |
you have been so magnificent, we're going to spoil you, an extra | :00:33. | :00:35. | |
special treat for you. I know it's... | :00:35. | :00:41. | |
CHEERING Easy! Easy. I know it's thoord | :00:41. | :00:47. | |
imagine, four fellas more hand self--- handsome, dashing and | :00:47. | :00:52. | |
charming than I am. They do exist. I don't like them. But they do | :00:52. | :00:56. | |
exist. It seems an impossibility. Here they are, performing their | :00:56. | :01:06. | |
:01:06. | :01:11. | ||
song, Do You Feel What I Feel, go # There's a girl | :01:11. | :01:21. | |
:01:21. | :01:27. | ||
# The way she moves # There's a DJ | :01:27. | :01:37. | |
:01:37. | :01:42. | ||
# We've been drinking # Dancing with you | :01:43. | :01:50. | |
# I wanna kiss you cos I gotta know that tonight is real | :01:50. | :01:55. | |
# Do you feel what I feel? | :01:56. | :01:59. | |
# Do you feel what I feel? | :01:59. | :02:04. | |
# Do you feel what I feel? Just take this, get on the floor | :02:04. | :02:08. | |
# Do you feel what I feel? Two people falling in love | :02:08. | :02:13. | |
# Now the box is turning on the lights | :02:13. | :02:16. | |
# Do you see what I see? | :02:16. | :02:20. | |
# Got my car and it's waiting outside | :02:20. | :02:24. | |
# You should leave when I leave | :02:24. | :02:28. | |
# Dancing with you is so easy cos you're beautiful | :02:28. | :02:32. | |
# You make it hard for me, girl Every time we on the floor | :02:33. | :02:36. | |
# I wanna kiss you cos I gotta know that tonight is real | :02:36. | :02:42. | |
# Do you feel what I feel? | :02:42. | :02:45. | |
# Do you feel what I feel? | :02:45. | :02:53. | |
# Do you feel what I feel? Just take this, get on the floor | :02:53. | :02:56. | |
# Do you feel what I feel? Two people falling in love | :02:56. | :03:01. | |
# Can you feel the temperature rising? | :03:01. | :03:02. | |
# Can you feel the drink in your blood? | :03:03. | :03:04. | |
# Let me cast a beat and we'll ride it | :03:04. | :03:08. | |
# Go ahead and put your hands up | :03:08. | :03:10. | |
# Can you feel the temperature rising? | :03:10. | :03:12. | |
# Can you feel the drink in your blood? | :03:12. | :03:14. | |
# Let me cast a beat and we'll ride it | :03:14. | :03:16. | |
# Go ahead and put your hands up | :03:16. | :03:18. | |
# Put your hands in the air, baby Put your hands up | :03:18. | :03:24. | |
# Put your hands up Put your hands up | :03:24. | :03:28. | |
# Put your hands up Put your hands up | :03:28. | :03:30. | |
# Do you feel what I feel? Let's leave, let's get in the car | :03:30. | :03:34. | |
# Do you feel what I feel? Two people falling in love | :03:34. | :03:38. | |
# Do you feel what I feel? Let's leave, let's get in the car | :03:38. | :03:42. | |
# Do you feel what I feel? Two people falling in love | :03:42. | :03:46. | |
# Do you feel what I feel? Two people falling in love | :03:46. | :03:50. | |
# Two people falling in love Two people falling in love | :03:50. | :03:54. | |
# Two people falling in love Two people falling in love | :03:54. | :03:58. | |
# Two people falling in love Two people falling in love | :03:58. | :03:59. | |
# Do you feel what I feel? | :03:59. | :04:01. | |
# Do you feel what I feel? # | :04:01. | :04:03. | |
CHEERING AND APPLAUSE | :04:03. | :04:08. | |
# Do you feel what I feel? # | :04:08. | :04:18. | |
:04:18. | :04:22. | ||
CHEERING | :04:22. | :04:22. | |
CHEERING AND | :04:22. | :04:29. | |
CHEERING AND APPLAUSE | :04:29. | :04:35. | |
CHEERING AND APPLAUSE JLS! Thank you, lads. That was brilliant. | :04:35. | :04:38. | |
Thank you for everything you've done for Children In Need over the | :04:38. | :04:40. | |
years. They work very hard for Children In Need. Terrific | :04:40. | :04:49. | |
supporters, thank you. I'd say that was fab. Great Scott | :04:49. | :04:55. | |
heavens to Betsy. Those boys have got some moves. Like you. Puts me | :04:55. | :04:57. | |
in mind of some of the farmers discos back in Ireland. | :04:57. | :05:01. | |
LAUGHTER I'm sure. If you think that's all | :05:01. | :05:09. | |
we have to offer this evening, you're very much mistaken. I'm sure. | :05:09. | :05:19. | |
:05:19. | :05:19. | ||
Lady Gaga, Vic and Bob, Adele, the cast of Hollyoaks, Westlife and | :05:19. | :05:27. | |
Will Young. Don't forget, all of our acts | :05:27. | :05:30. | |
tonight are hoping that you'll watch them perform, enjoy it and | :05:30. | :05:33. | |
give what you can. This is a reminder of why we're all here | :05:33. | :05:43. | |
:05:43. | :06:18. | ||
# You won't let go # This is no time to be alone | :06:18. | :06:28. | |
:06:28. | :06:55. | ||
# You don't have to # You don't have to | :06:55. | :07:05. | |
:07:05. | :07:10. | ||
You can see what this is all about. It's about changing children's | :07:10. | :07:15. | |
lives for the better. Times are tough. That's why we need your help, | :07:15. | :07:20. | |
more than ever. We're really hopeful that you can help us | :07:20. | :07:24. | |
tonight. The easiest way to donate is to call this number, but there | :07:24. | :07:29. | |
are other ways to give. You can pay in your fundraising | :07:29. | :07:33. | |
money or donate to Children In Need in all major banks and building | :07:33. | :07:37. | |
societies or at the Post Office. You can visit the Children In Need | :07:37. | :07:40. | |
website and give using your credit or debit card or your PayPal | :07:40. | :07:45. | |
account. Send a cheque or postal account. Send a cheque or postal | :07:45. | :07:55. | |
:07:55. | :08:02. | ||
order to: Or phone to donate or order to: Or phone to donate or | :08:02. | :08:05. | |
tell us how much you've raised: We're constantly amazed by the | :08:05. | :08:08. | |
outstanding support we've received this year. Any of you who have been | :08:08. | :08:12. | |
watching The One Show will know there's one man who has gone the | :08:12. | :08:17. | |
extra mile for Children In Need this year. Should that be the extra | :08:17. | :08:22. | |
484 miles Matt Baker, taking on the task cycling all the way from | :08:22. | :08:28. | |
Edinburgh to London on a rickshaw. What a mad man! Totally mad. It's | :08:28. | :08:32. | |
been a massive struggle for Matt. He's been helped through the pain | :08:32. | :08:36. | |
by the support he's received along the way. Here's the moment he made | :08:36. | :08:40. | |
it back to Television Centre. # Because you're amazing, just the | :08:41. | :08:50. | |
:08:51. | :08:54. | ||
way you are # And when you smile, the whole | :08:54. | :08:58. | |
stops and stares for a while # Because you're amazing, just the | :08:58. | :09:08. | |
way you are # CHEERING | :09:08. | :09:10. | |
Here's the great man himself, Mr Matt Baker! | :09:10. | :09:18. | |
APPLAUSE Congratulations. You've lost weight. | :09:18. | :09:26. | |
Yeah, I have. I have lost all sorts, my mind and the lot. You've lost a | :09:26. | :09:29. | |
buttock. You don't want to know. heard from The One Show your | :09:29. | :09:39. | |
:09:39. | :09:41. | ||
efforts have raised �1 million. CHEERING AND APPLAUSE �1,263,000. | :09:41. | :09:46. | |
That's more incredible. It is unbelievable. Honestly, the support | :09:46. | :09:50. | |
we've had throughout Britain, it's just the people lining the streets, | :09:50. | :09:53. | |
I haven't cycled half a mile on my own. People have been out and | :09:53. | :09:58. | |
clapping and cheering and beeping and waving and everything. It's | :09:58. | :10:01. | |
been unbelievable. And drinks and food and everything. And handing | :10:01. | :10:04. | |
donation, to have the opportunity to see the connection with the | :10:04. | :10:10. | |
money coming in is unbelievable. terrific thing to do. You must be | :10:10. | :10:15. | |
absolutely... Yeah! Would you like a foot rub from Terry is what he's | :10:15. | :10:20. | |
getting to? Well, to be honest with you, Terry, usually at this time of | :10:20. | :10:23. | |
night, I'm sat in an ice bath, maybe if people donate enough, | :10:23. | :10:33. | |
:10:33. | :10:34. | ||
maybe we could... Give it up for Matt everyone! | :10:34. | :10:38. | |
APPLAUSE A wonderful thing to do. Thank you. | :10:38. | :10:43. | |
It's a stunning thing to do, really a wonderful contribution to | :10:43. | :10:47. | |
Children In Need and our thanks to the show. Now teen soap Hollyoaks, | :10:47. | :10:51. | |
best known for its sensitive treatment of controversial issues. | :10:51. | :10:55. | |
You're right. I do often tune in to admire the tight plots and strong | :10:55. | :11:01. | |
muscular acting. Particularly the muscular stuff. Uh-huh. But can | :11:01. | :11:06. | |
they sing? That's the acid test. We're about to find out. Welcome | :11:06. | :11:16. | |
:11:16. | :11:16. | ||
Apology for the loss of subtitles for 168 seconds | :11:16. | :14:05. | |
# Well CHEERING AND APPLAUSE Guys, my | :14:05. | :14:10. | |
goodness. I saw a lot of this going on. A lot of dancing. Was that | :14:10. | :14:15. | |
terrifying? Yeah. A little bit. We've not danced for years. Back | :14:15. | :14:20. | |
stage we were like this. Have we created a monster, is this going to | :14:20. | :14:29. | |
be a super group to release a single? Possibly. Yes. No! No! | :14:29. | :14:34. | |
only. That was brilliant. Give it up for the cast of Hollyoaks! Go | :14:34. | :14:41. | |
and rest. OK, now let's thank some more people whilst we recover from | :14:41. | :14:51. | |
:14:51. | :14:57. | ||
Every girl Boots are selling | :14:57. | :15:02. | |
as well as loads of other Hi! And thanks to the hard-working | :15:02. | :15:11. | |
Children across the UK like these Brownies in Ashford, | :15:11. | :15:14. | |
What goes up must come down, but not like that! | :15:14. | :15:17. | |
That's better! | :15:17. | :15:22. | |
If you've been on a motorway recently, | :15:22. | :15:24. | |
you might have seen the Pudsey fundraising bus | :15:24. | :15:26. | |
and the Welcome Break team, hard at work, collecting donations. | :15:26. | :15:27. | |
Children In Need. Please donate! | :15:27. | :15:30. | |
Everyone got involved on the fundraising trail. | :15:30. | :15:34. | |
THEY CHEER | :15:34. | :15:44. | |
:15:44. | :15:48. | ||
Extraordinary. | :15:48. | :15:49. | |
Extraordinary. We | :15:49. | :15:49. | |
Extraordinary. We can't | :15:49. | :15:51. | |
Extraordinary. We can't thank everyone enough for raising such | :15:51. | :15:54. | |
incredible amounts. There are people here in the audience and in | :15:54. | :15:58. | |
the earlier audience with cheques for thousands of pounds. I hope | :15:58. | :16:01. | |
they'll leave them with us for the Children In Need, because it's such | :16:01. | :16:07. | |
a busy evening. We haven't got all the time we need. Time's awasting | :16:07. | :16:11. | |
here. We've heard from people across the country who are doing | :16:11. | :16:15. | |
their bit, though. Amy from Basingstoke swam for Children In | :16:15. | :16:19. | |
Need raising �600. Well done Amy. Thank you. | :16:19. | :16:27. | |
APPLAUSE It's these contributions, it's the | :16:28. | :16:30. | |
small amounts that make the difference to our amount for | :16:30. | :16:34. | |
Children In Need. Earlier tonight we showed you a film about a little | :16:34. | :16:39. | |
boy called Elliot. We've been overwhelmed by your response. So we | :16:39. | :16:41. | |
thought we should show it to you again. | :16:41. | :16:46. | |
As I said earlier, it's a very tough film to watch, but I think | :16:46. | :16:56. | |
:16:56. | :17:00. | ||
Being air parent is one of the most joyful things in the world but also | :17:00. | :17:03. | |
one of the most painful. The thought of losing a child is | :17:03. | :17:06. | |
unbearable. I'd like to introduce to you a family and they're going | :17:07. | :17:12. | |
to tell you about Elliot, a lovely little boy and a great Big Brother. | :17:12. | :17:15. | |
They also want to tell you about the special place that supported | :17:15. | :17:25. | |
:17:25. | :17:28. | ||
Well, two weeks to go, Elliot was born | :17:28. | :17:33. | |
And then we had Findlay three and a half years later. | :17:33. | :17:38. | |
I thought we had it all - perfect family, nice home, two lovely boys. | :17:39. | :17:46. | |
And then... | :17:46. | :17:49. | |
bang, all our world came tumbling down. | :17:49. | :17:54. | |
These were Elliot's books. And these are mine now. | :17:54. | :17:57. | |
Findlay's big brother Elliot | :17:57. | :17:59. | |
was seven years old when he was diagnosed with leukaemia. | :17:59. | :18:03. | |
Elliot was dead handsome, he was really gorgeous, | :18:03. | :18:07. | |
he had his white blonde hair, he always had it gelled, spiky. | :18:07. | :18:13. | |
He was always a really good little boy. | :18:13. | :18:17. | |
Always had a ball in his hand. He just loved football. | :18:17. | :18:20. | |
This was Elliot's. | :18:20. | :18:23. | |
It had his bed in it, we took the bed down. | :18:24. | :18:27. | |
Despite intense chemotherapy, Elliot's cancer kept coming back. | :18:27. | :18:29. | |
His only option was a bone marrow transplant | :18:29. | :18:32. | |
and a donor was eventually found in January this year. | :18:32. | :18:35. | |
We were all geared up to transplant, | :18:35. | :18:39. | |
and then, two days before we were due to go to transplant, | :18:39. | :18:42. | |
um, the overseas donor had to pull out because of a medical condition. | :18:42. | :18:45. | |
So two days before transplant, it was all off. | :18:45. | :18:52. | |
And we just couldn't believe it. | :18:52. | :18:56. | |
And Elliot said, "Oh, well, that's OK. | :18:56. | :19:03. | |
"I can go to school tomorrow now." That's kids for you though. | :19:03. | :19:06. | |
He had the right outlook, Elliot, really, you know, | :19:06. | :19:08. | |
he never let anything get him down. | :19:08. | :19:10. | |
They did find another donor, but this time it was too late. | :19:10. | :19:12. | |
Elliot's cancer was now so aggressive | :19:12. | :19:15. | |
he only had a few weeks left. | :19:15. | :19:17. | |
That's when they made the decision to come to Claire House. | :19:17. | :19:22. | |
Claire House is a children's hospice | :19:22. | :19:25. | |
which offers care and support to children | :19:25. | :19:28. | |
with life-limiting illnesses. | :19:29. | :19:31. | |
It also provides much-needed respite for their families. | :19:31. | :19:35. | |
It's a place where children can still be children. | :19:35. | :19:37. | |
No matter how ill they are. | :19:38. | :19:41. | |
But sadly, for some, Claire House does mean the end of their journey. | :19:41. | :19:48. | |
Thanks to your generosity, Children In Need | :19:48. | :19:52. | |
is able to fund a team of nurses | :19:52. | :19:55. | |
dedicated to supporting others like Jackie | :19:55. | :19:57. | |
through the final days of their child's life. | :19:57. | :20:00. | |
Hospice to home team came to build a relationship with Elliot | :20:00. | :20:02. | |
and us as a family. | :20:02. | :20:04. | |
And that relationship had to be built very quickly, | :20:04. | :20:06. | |
because end of life was pretty near. | :20:06. | :20:10. | |
Um, you know, it was two to three weeks. | :20:10. | :20:12. | |
We then started to come up here with Elliot | :20:13. | :20:17. | |
and walked in the gardens and things and, you know, | :20:17. | :20:19. | |
he did become quite poorly quite quickly then. | :20:19. | :20:25. | |
he did become quite poorly quite quickly then. | :20:25. | :20:28. | |
In March this year, Elliot Wild lost his battle with leukaemia. | :20:28. | :20:30. | |
He was nine years old. | :20:30. | :20:34. | |
Elliot rested here for over a week and we stayed here with him. | :20:34. | :20:36. | |
It was like an extended family, really. | :20:36. | :20:40. | |
They helped us do the death certificate, | :20:40. | :20:42. | |
they helped do some handprints of Elliot afterwards | :20:42. | :20:48. | |
and things like that, that now months on, | :20:48. | :20:50. | |
are really comforting. | :20:50. | :20:54. | |
That was my dad's and that was my mum's. | :20:54. | :20:57. | |
They sended the picture to heaven | :20:58. | :21:01. | |
so that Elliot could have his done and that was mine. | :21:01. | :21:05. | |
Claire House were so supportive that week | :21:05. | :21:08. | |
that I just don't know what we'd have done without their expert care. | :21:08. | :21:13. | |
We miss him terribly. | :21:13. | :21:18. | |
We miss him terribly. | :21:18. | :21:21. | |
Elliot would never want us to be sad, never. | :21:21. | :21:23. | |
He was always saying, "Stop crying." | :21:23. | :21:25. | |
So we're getting there, getting there. Slowly but surely, you know. | :21:25. | :21:30. | |
Claire House supported Jackie and her family | :21:30. | :21:32. | |
through the worst time of their lives | :21:32. | :21:34. | |
and there are many more families they could help. | :21:34. | :21:37. | |
But right now two of their ten beds are empty | :21:38. | :21:39. | |
because they can't afford to run them. | :21:39. | :21:42. | |
There are many special places like Claire House in the UK today | :21:42. | :21:45. | |
doing incredibly important work and helping families like Elliot's. | :21:45. | :21:55. | |
:21:55. | :21:55. | ||
Apology for the loss of subtitles for 168 seconds | :21:55. | :24:51. | |
You raised | :24:51. | :24:51. | |
You raised me | :24:52. | :24:52. | |
You raised me up. | :24:52. | :25:02. | |
:25:02. | :25:06. | ||
You raised me up. So I can walk on mountains. You raised me up to walk | :25:06. | :25:16. | |
:25:16. | :25:20. | ||
on stormy seas. I am strong when I am on your shoulders. You raised me | :25:20. | :25:30. | |
:25:30. | :25:34. | ||
up to more than I can be. You raised me up so I can stand on | :25:34. | :25:42. | |
mountains. You raised me are to walk on stormy | :25:42. | :25:47. | |
seas. I am strong when I am on your | :25:47. | :25:57. | |
shoulders. You raised me up to more than I can | :25:57. | :26:07. | |
:26:07. | :26:08. | ||
You raised me up so I can stand on mountains. | :26:08. | :26:16. | |
You raised me are to walk on stormy seas. | :26:17. | :26:24. | |
I am strong when I am on your shoulders. | :26:24. | :26:34. | |
:26:34. | :26:54. | ||
You raised me up to more than I can Thank you. Thank you Westlife. | :26:54. | :26:58. | |
You've still got it fellas. Fantastic. Wonderful supporters of | :26:58. | :27:01. | |
Children In Need. They've helped us for years. Westlife! | :27:01. | :27:08. | |
CHEERING . Now, I feel the need for a total. | :27:08. | :27:12. | |
Can you stand it, standing here, while the fireworks go off. We'd | :27:12. | :27:18. | |
love to know. Here we go. We've been doing | :27:18. | :27:21. | |
fantastically this year, in view of the economic disaster the country | :27:21. | :27:26. | |
has been suffering, it's been an extraordinary response by the | :27:26. | :27:30. | |
British public. Let's see how we're doing so far. Let's see if it's a | :27:30. | :27:40. | |
:27:40. | :27:41. | ||
big one. �19,555,068. | :27:41. | :27:51. | |
:27:51. | :27:51. | ||
CHEERING Fellas, I have to tell you all, | :27:51. | :27:55. | |
that's what we made last year by the end of the evening. | :27:55. | :27:59. | |
CHEERING We've got another three hours to go. | :27:59. | :28:05. | |
What can the total be by the time we get to 2am? This is brilliant. | :28:05. | :28:08. | |
Fantastic. Let's make it �30 million. | :28:08. | :28:14. | |
APPLAUSE Let's have a look at what else is | :28:14. | :28:21. | |
to come this evening. In the next hour: Vic and Bob and | :28:21. | :28:27. | |
magician dynamo. Yorkshire street magic. Performances from Olly Murs, | :28:27. | :28:37. | |
:28:37. | :28:39. | ||
Steps and The Saturdays, plus We're jam packed full of fun | :28:39. | :28:44. | |
tonight I can tell you. Over the years, it's fair to say we've had | :28:44. | :28:48. | |
some surreal moments on Children In Need. A couple of years ago, they | :28:48. | :28:52. | |
nearly killed me with a load of iron. I'm not sure it wasn't | :28:52. | :28:56. | |
deliberate. I'm fairly sure none of them will come close to this, look, | :28:56. | :29:06. | |
:29:06. | :29:19. | ||
Who's that, I know it's Dynamo. He's a sleek magician. But we're | :29:19. | :29:22. | |
the original Yorkshire street magicians. This is what we think of | :29:22. | :29:32. | |
:29:32. | :29:37. | ||
There. What do you think of him? I'll show you what I think of him | :29:37. | :29:47. | |
using Yorkshire street magic! look at that. So come and join us | :29:47. | :29:57. | |
:29:57. | :30:00. | ||
as we perform street magic on the What's your name? I'm Dylan. Dylan, | :30:00. | :30:06. | |
a few questions for you before we proceed. Are you asthmatic? No. | :30:06. | :30:14. | |
you a Polish national? No. Is he diabetic? Are you diabetic? | :30:14. | :30:18. | |
Have you suffered a recent bereavement? No. It's safe to | :30:18. | :30:28. | |
:30:28. | :30:35. | ||
Street magic. Look at him over there. What a chump he is. He's got | :30:35. | :30:42. | |
a bonnet on. It looks like he's gone on holiday to Bridlington, | :30:42. | :30:47. | |
something like that let's approach the chump. He's not even dressed up. | :30:47. | :30:53. | |
Look at us compared to that. Grab him. Excuse me. Would you be | :30:53. | :30:57. | |
interested in receiving some Yorkshire street magic? We're from | :30:57. | :31:07. | |
:31:07. | :31:07. | ||
Yorkshire. I see you're wearing training shoes! Take them off. | :31:07. | :31:15. | |
got a carrier bag. Put them in. I'll pop it in there. | :31:15. | :31:23. | |
Gone! You'll have to get yourself a new shoe. We're outside the shoe | :31:23. | :31:28. | |
shop, so have a look in there. Look. What's that will? Have a look. | :31:28. | :31:38. | |
:31:38. | :31:47. | ||
Give me your hand. Watch. Rubbish! Who's got 20p on them, | :31:47. | :31:53. | |
20p? I have. Right, son. What's your name? Sean. Write your | :31:53. | :31:59. | |
initials on there, Sean. Sean what? Williams. SW, thank you. I'll take | :31:59. | :32:05. | |
that back. Where's that gone? It's disappeared but where can it have | :32:05. | :32:12. | |
gone, Sean? I don't know. Lay an egg for me chick-chick-chick-chick- | :32:12. | :32:22. | |
:32:22. | :32:32. | ||
chicken. Oh, dear. What's in there? try something with you. Of course | :32:32. | :32:41. | |
you can. I'm slight-of-handio, by the way. Magic John. I'm dynamo. | :32:41. | :32:46. | |
Mix the cards up. Of course I will. I'm a lot faster than you. That's | :32:46. | :32:50. | |
pretty quick. It's very good, took a few years. | :32:50. | :32:55. | |
And you. That's all I need to do. Take one out. Don't let anybody see | :32:55. | :32:59. | |
it. Don't even look at it yourself. It's the three of hearts. Show | :32:59. | :33:04. | |
everybody. Three of hearts. That is an old one. | :33:04. | :33:06. | |
Three of hearts, everyone. APPLAUSE | :33:06. | :33:15. | |
Three of hearts. So what. that's street magic. That's the | :33:15. | :33:19. | |
three, yeah? Yeah. I'll put it a about halfway down. That is the | :33:19. | :33:29. | |
:33:29. | :33:42. | ||
middle, right? Happy with that? three of hearts. | :33:42. | :33:47. | |
APPLAUSE You need an assistant, someone to | :33:47. | :33:53. | |
help you out. What about him? me and you together, like. Where | :33:53. | :33:57. | |
are you going somewhere do you think you're going? He's going off | :33:57. | :34:02. | |
with Dynamo, what a pair of creeps. It's just me, Magic John, on my own | :34:02. | :34:09. | |
now. Hey, do you want to see my carrot? Ooh! Look at that. What was | :34:09. | :34:19. | |
:34:19. | :34:28. | ||
Vic and Bob! You haven't entered a parallel universe. That's just Vic | :34:28. | :34:32. | |
and Bob showing their support for Pudsey in their own different way. | :34:32. | :34:38. | |
Now, as we hope you know, every single penny you donate to Children | :34:38. | :34:41. | |
In Need is spent supporting children who live right here in the | :34:41. | :34:49. | |
UK. Right now Children In Need supports 2,a 12 projects across the | :34:49. | :34:52. | |
-- 2,512 projects across the country. Next, a project which | :34:52. | :34:57. | |
helps children who have been betrayed in the very worst way by | :34:57. | :35:01. | |
adults. Here's Jessie J. Number film you're about to see, we have | :35:01. | :35:04. | |
changed people's names and used the voice of an actor. We have done | :35:04. | :35:08. | |
this because we need to protect the identity of the brave young girl | :35:08. | :35:13. | |
who has agreed to tell us her story. Like many teenagers, she's had some | :35:13. | :35:18. | |
issues - family rows, feeling isolated and struggling at school. | :35:18. | :35:22. | |
All this made her vulnerable. Then she met an older man who she | :35:22. | :35:26. | |
thought might help her. She could not have been anymore wrong. This | :35:26. | :35:32. | |
isn't an easy story to watch, but her story needs to be told. Things | :35:32. | :35:37. | |
were always pretty chaotic at home, you know? Arguments and fighting. I | :35:37. | :35:41. | |
was never really happy, then when I got to school, it got bad when some | :35:41. | :35:45. | |
of the older girls started bullying me. That's when I first met him. He | :35:45. | :35:50. | |
was a friend of a friend, and I got talking to him at a party. He spent | :35:50. | :35:55. | |
the whole night listening to me. After that I saw him loads. He used | :35:55. | :35:59. | |
to wait for me after school sometimes to check I was OK and | :35:59. | :36:03. | |
everything. He even gave me presents. I felt really special. I | :36:03. | :36:10. | |
started to see less and less of my friends because I was hanging out | :36:10. | :36:20. | |
:36:20. | :36:30. | ||
with him. It was exciting. One night it all went wrong. We | :36:30. | :36:37. | |
were at a house party. He said how great I looked. He said to wait and | :36:37. | :36:41. | |
went to get me a drink. He locked the door, which was weird. When I | :36:41. | :36:44. | |
came back, I could hear other voices too. Then he came in with | :36:44. | :36:48. | |
his mates. When I asked what was happening, he just pushed me back | :36:48. | :36:53. | |
on the bed. He hurt me a lot. They all did. I've never felt more | :36:53. | :37:00. | |
frightened. I thought he loved me. I kept thinking I'd done something | :37:00. | :37:04. | |
wrong. When they left, they didn't lock the door properly, so I | :37:04. | :37:08. | |
managed to get out and go to the police station. That's when I met | :37:08. | :37:13. | |
Debbie from the project for the first time. I didn't really know I | :37:13. | :37:17. | |
had been raped because I was his girlfriend, wasn't I? But she told | :37:17. | :37:23. | |
me what he did was wrong. The project supports victims of sexual | :37:23. | :37:27. | |
abuse. Survivors, Debbie calls us. She's helped me so much. She looked | :37:27. | :37:31. | |
after me during the trial, and even though it's over now and he has | :37:31. | :37:36. | |
been locked up for a long time, I still stay in contact with her. She | :37:36. | :37:39. | |
says the door is always open. I am getting on much better with mum. | :37:40. | :37:43. | |
And I'm going back to school. I'll never forget what happened, though. | :37:43. | :37:46. | |
Debbie says it's like I've put it in a box, and you never know when | :37:46. | :37:56. | |
:37:56. | :37:57. | ||
the lid will open, but for now, I'm She's such a brave girl, and it's | :37:57. | :38:02. | |
great to hear she's doing well for now, but I'm sorry to say her story | :38:02. | :38:06. | |
is not unique. The truth is that case of sexual exploitation like | :38:06. | :38:09. | |
hers are on the rise in the UK. What happened to her from the | :38:09. | :38:13. | |
moment she met him was wrong. She was robbed of her childhood. We | :38:13. | :38:17. | |
can't change the past, but with the right help, we can try to help | :38:17. | :38:27. | |
:38:27. | :38:31. | ||
people like her rebuild their Stories like that make you feel a | :38:31. | :38:35. | |
real mixture of emotions. You feel angry, upset and helpless, but | :38:35. | :38:41. | |
you're not helpless because, as you have heard, we can with your money | :38:41. | :38:47. | |
make a difference. �40 pace for one-to-one support sessions to help | :38:47. | :38:50. | |
a sexually exploited child cope with their trauma. It really does | :38:50. | :38:54. | |
make a huge difference, and it's so important. So please call 03457 33 | :38:54. | :39:04. | |
22 33. You can always, of course, give online. Thank you. | :39:04. | :39:09. | |
Thank you, Fearne. Coming up very soon, we have Olly Murs and - | :39:09. | :39:12. | |
APPLAUSE Don't start all that with me. The | :39:12. | :39:16. | |
Rizzle Kicks on stage performing live. | :39:16. | :39:19. | |
APPLAUSE But first, it's time to give you | :39:19. | :39:28. | |
The Celebrity Style Challenge Chipmunk, Kevin Pietersen | :39:28. | :39:30. | |
design clothes to be sold onthe high street for Children In Need. | :39:30. | :39:32. | |
I've never done anything like this before in my life. | :39:32. | :39:36. | |
From the initial sketching, the stars were hands-on throughout the process. | :39:36. | :39:41. | |
With some taking to the task in hand better than others. | :39:41. | :39:44. | |
It's a question of taste. | :39:44. | :39:47. | |
The final pieces were paraded in a bespoke fashion show | :39:47. | :39:49. | |
under the close scrutiny of a very appreciative crowd. | :39:49. | :39:53. | |
Before a live window display on Oxford Street launched the final pieces to the public. | :39:53. | :40:00. | |
As the new designs fly off the rails,we'd like to say a massive thank you | :40:00. | :40:02. | |
to all the stars involved in the Celebrity Style Challenge, | :40:02. | :40:04. | |
and the staff and customers of Debenhams. | :40:04. | :40:14. | |
:40:14. | :40:20. | ||
Together, | :40:20. | :40:21. | |
Together, you | :40:21. | :40:21. | |
Together, you have | :40:21. | :40:23. | |
Together, you have raised �200,000 for Children In Need. | :40:23. | :40:29. | |
APPLAUSE Well, that's terrific. Well done. | :40:29. | :40:33. | |
Great to see so many famous faces getting involved there, and thank | :40:33. | :40:37. | |
you, all of you who contributed in whatever way you could for Children | :40:37. | :40:40. | |
In Need. Now, do let us know what you're up to on Facebook, by the | :40:40. | :40:45. | |
way, or Twitter. I am sure we're massively trending at the moment. | :40:45. | :40:51. | |
We're trendy kind of people. We're trending away. Next, on stage is | :40:51. | :40:55. | |
someone who has an uncanny ability to make teenagers, mums and grans | :40:55. | :41:01. | |
fall in love with him. Terry, I'm afraid it's not you. What? It's the | :41:01. | :41:06. | |
brilliant singer performing with the cheeky grin. It's the Riz | :41:06. | :41:16. | |
:41:16. | :41:33. | ||
# My heart skips, skips, skips # So put another record on | :41:33. | :41:42. | |
# Listen to the same sad song Playing on repeat | :41:42. | :41:46. | |
# Cos every time we come this close My heart skips, skips a beat | :41:46. | :41:52. | |
# So come on, spin me around Now I don't wanna go home | :41:52. | :41:56. | |
# Cos when you hold me like this | :41:56. | :42:01. | |
# You know my heart skips, skips a beat | :42:01. | :42:03. | |
# I know I should But I can't leave it alone | :42:03. | :42:06. | |
# And when you hold me like this | :42:06. | :42:07. | |
# That's when my heart skips, skips a beat | :42:07. | :42:11. | |
Oh, oh-oh, oh, oh-oh Oh, oh-oh, oh, oh-oh, oh, oh-oh | :42:11. | :42:19. | |
# So hung up | :42:19. | :42:23. | |
# We can't let go | :42:23. | :42:26. | |
# If you really have to leave | :42:26. | :42:32. | |
# One more time just move me slow | :42:32. | :42:36. | |
# So put another record on Playing on repeat | :42:36. | :42:41. | |
# Nothing really matters when we're dancing | :42:41. | :42:45. | |
# Cos all you ever need to know is what you do to me | :42:45. | :42:48. | |
# And every time you hold me close my heart skips, skips a beat | :42:48. | :42:52. | |
# So come on, spin me around Now I don't wanna go home | :42:52. | :42:58. | |
# Cos when you hold me like this | :42:58. | :43:01. | |
# You know my heart skips, skips a beat | :43:01. | :43:05. | |
# I know I should But I can't leave it alone | :43:05. | :43:08. | |
# And when you hold me like this | :43:08. | :43:10. | |
# That's when my heart skips, skips a beat | :43:10. | :43:14. | |
# Oh, oh-oh, oh, oh-oh Oh, oh-oh, oh, oh-oh, oh, oh-oh | :43:14. | :43:20. | |
RAPS: # Rizzle Kicks, yeah | :43:20. | :43:22. | |
# At the start of the night I was like, what? | :43:22. | :43:24. | |
RAPS: # Let's have a team talk | :43:24. | :43:26. | |
# Playing with this lady isn't something I'd agree for | :43:26. | :43:28. | |
# Vibes keep going up and down like a see-saw | :43:28. | :43:30. | |
# Should have just taken her to the cinema to see Saw | :43:30. | :43:31. | |
# Ooh, she let me sleep with her | :43:31. | :43:33. | |
# I figured her figure's a sure, sure winner | :43:33. | :43:35. | |
# Plus, I've got to leave from the back, I'm a skipper | :43:35. | :43:36. | |
# You make my heart skip, skip Skip, skip, skip Skip a beat. | :43:36. | :43:42. | |
# So come on, spin me around Now I don't wanna go home | :43:42. | :43:42. | |
# So come on, spin me around Now I don't wanna go home | :43:42. | :43:46. | |
# Cos when you hold me like this | :43:47. | :43:47. | |
# Cos when you hold me like this | :43:47. | :43:50. | |
# You know my heart skips, skips a beat | :43:50. | :43:54. | |
# I know I should But I can't leave it alone | :43:54. | :43:58. | |
# So when you hold me like this | :43:58. | :44:01. | |
# That's when my heart skips, skips a beat | :44:01. | :44:04. | |
# Oh, oh-oh, oh, oh-oh Oh, oh-oh, oh, oh-oh, oh, oh-oh | :44:04. | :44:08. | |
# Heart skips, skips a beat | :44:08. | :44:11. | |
# Oh, oh-oh, oh, oh-oh Oh, oh-oh, oh, oh-oh, oh, oh-oh | :44:11. | :44:18. | |
# My heart skips, skips a beat. # | :44:18. | :44:28. | |
:44:28. | :44:29. | ||
Thank | :44:29. | :44:29. | |
Thank you, | :44:29. | :44:30. | |
Thank you, UK! | :44:30. | :44:34. | |
APPLAUSE | :44:34. | :44:38. | |
APPLAUSE CHEERING | :44:38. | :44:38. | |
CHEERING AND | :44:38. | :44:38. | |
CHEERING AND APPLAUSE | :44:38. | :44:40. | |
CHEERING AND APPLAUSE Olly | :44:40. | :44:45. | |
Olly Murs | :44:45. | :44:45. | |
Olly Murs - | :44:45. | :44:46. | |
Olly Murs - I've | :44:46. | :44:52. | |
Olly Murs - I've always loved to say that - Olly Murs! Thank you, | :44:52. | :44:56. | |
Olly, terrific support, terrific. A host of music performances coming | :44:56. | :45:04. | |
up, but first David Tenant has the kind of news that make your | :45:04. | :45:07. | |
donations possible. Children with Asperger's Syndrome | :45:07. | :45:11. | |
can find the world a very difficult, lonely place. If you can't make eye | :45:11. | :45:17. | |
contact or start a conversation, making friends is pretty hard. If | :45:17. | :45:21. | |
you're thrown by a routine and change can be daunting, I'd like to | :45:21. | :45:26. | |
introduce you to a young man called Nathan. He's 16, and he's going to | :45:26. | :45:36. | |
:45:36. | :45:38. | ||
You're sort of like detached from the world in a way. You can't | :45:38. | :45:45. | |
really make connections with people as easily as other people can. All | :45:45. | :45:49. | |
the signs were there when you look back about how he had obsessions | :45:49. | :45:55. | |
and the things that he did - yeah, it just made sense. He's very | :45:55. | :46:02. | |
logical, likes things to have a set outcome, things like that. It's not | :46:02. | :46:06. | |
contagious. It's just a mental difference, really, a difference in | :46:06. | :46:13. | |
how the brain works. Like many children with Asperger's, Nathan | :46:13. | :46:19. | |
found life at school very tough. was quite lonely and quite | :46:19. | :46:24. | |
alienated and a bit of hostility towards me as well. I was very | :46:24. | :46:28. | |
anxious, struggling to handle all the workload as well. His mum and | :46:28. | :46:30. | |
dad eventually decided to remove him from school, but things went | :46:30. | :46:37. | |
from bad to worse. He began to lose weight. His confidence went really | :46:37. | :46:42. | |
down. His self-esteem was at rock bottom. He'd given up on everything, | :46:42. | :46:52. | |
and started becoming suicidal, like. Nathan and his family felt like | :46:52. | :46:58. | |
they'd reached a dead end. But then they found the Autistic Society for | :46:58. | :47:01. | |
the Greater Manchester area. Here, trained staff like Paul are able to | :47:02. | :47:06. | |
support and build confidence in kids with Asperger's. They also run | :47:06. | :47:11. | |
a programme funded by Children In Need, which specifically helps them | :47:11. | :47:19. | |
cope with the challenges they face. In 2000 we started a project called | :47:19. | :47:24. | |
Aspirations. People with Asperger's don't quite fill in in school. The | :47:24. | :47:28. | |
idea with social groups was to get them to make friends and have a | :47:28. | :47:34. | |
better quality of life. Once we get them here, amazing changes we see | :47:34. | :47:40. | |
in just their well-being and self- esteem. Nathan has come on tenfold | :47:40. | :47:43. | |
in probably just over a year I have been working with him from not | :47:43. | :47:48. | |
really wanting to go out of the house. It's fantastic. He's come on | :47:48. | :47:51. | |
in leaps and bounds. It is great because it's got people to relate | :47:51. | :47:57. | |
to, to talk to, to keep him happy. I don't really know what stage we'd | :47:57. | :48:02. | |
be at if it wasn't for them. With Paul's help, Nathan is about to | :48:02. | :48:06. | |
take a massive step. See you later. On to college we must go. He's | :48:06. | :48:11. | |
starting at a new school. It's fantastic knew, but also daunting | :48:11. | :48:15. | |
because everyday tasks we take for granted can be tough for Nathan, | :48:15. | :48:20. | |
like the journey to school. There is a lot of unpredictability with | :48:20. | :48:26. | |
things like that. So I try and make things as easy and planned as | :48:26. | :48:31. | |
possible. You don't want to make eye contact with anybody, you can | :48:31. | :48:36. | |
always bring a book out with us. has helped get him back on his feet, | :48:36. | :48:40. | |
but they have weight list of 40 children who are in desperate need | :48:40. | :48:44. | |
of specialist care and support. With the right help, these children | :48:44. | :48:50. | |
could turn their lives around too. He didn't really have a future. At | :48:50. | :48:54. | |
this time 18 months ago, I wouldn't have thought we'd be looking at | :48:54. | :48:59. | |
college and him thinking he could do it. It's very different in a | :48:59. | :49:03. | |
word. I feel like a different person than I was two or three | :49:03. | :49:13. | |
:49:13. | :49:13. | ||
years ago, more open, more friendly. More able to talk to people. This | :49:13. | :49:18. | |
is a project that is changing lives. With your help, we can provide a | :49:18. | :49:24. | |
brighter future for other kids just like Nathan. Please give as much as | :49:24. | :49:33. | |
you can. The number to call is 03457 33 22 33. | :49:33. | :49:38. | |
Thank you. Nathan, you're fantastic. We salute you. Hope college is | :49:38. | :49:42. | |
going brilliantly. �15 pays for a one-to-one travel support session | :49:42. | :49:46. | |
like the one you've just seen, and that support means Nathan can go to | :49:46. | :49:50. | |
college and change his life. You can change lives too simply by | :49:50. | :50:00. | |
:50:00. | :50:01. | ||
picking up the phone. Just call us - 03457 33 22 33. Hello, sir Terry. | :50:01. | :50:04. | |
You're itching, aren't you? I am itching. I would love to know | :50:04. | :50:08. | |
what's coming up on the show, actually. Um, I have no idea. | :50:08. | :50:11. | |
have a look. LAUGHTER | :50:11. | :50:17. | |
Coming up in the next 60 minutes, The Saturdays take to the stage, | :50:17. | :50:27. | |
:50:27. | :50:28. | ||
Adele and the cast of the West End Now, Fearne... Yes. Pay attention, | :50:29. | :50:35. | |
Fearne, I'm talking to you. You know what they say about some bands | :50:35. | :50:39. | |
- they're better - best forgotten, aren't they? That is true, Terry. | :50:39. | :50:44. | |
But I am a great believer in better the devil you know. Indeed. But we | :50:44. | :50:50. | |
don't want tonight to turn into some kind of "tragedy". Do you | :50:50. | :50:54. | |
follow? I follow. That, Terry, though, is the last thing on my | :50:54. | :51:00. | |
mind. Sorry. Without further adieu, five, six, seven, eight - take it | :51:00. | :51:10. | |
:51:10. | :51:12. | ||
away, Steps. # I wanted your love | :51:12. | :51:22. | |
:51:22. | :51:31. | ||
# All the laughter that we shared # I cannot count | :51:31. | :51:41. | |
:51:41. | :51:42. | ||
# And do you ever think of me # Oh, I know | :51:42. | :51:45. | |
# And loving someone else no doubt | :51:45. | :51:52. | |
# Well, I'm one for sorrow | :51:52. | :51:56. | |
# Ain't it too, too bad? | :51:56. | :52:00. | |
# Are you breaking someone else's heart | :52:00. | :52:04. | |
# Cos you're taking my love where you are? | :52:04. | :52:08. | |
# Well, I'm one for sorrow | :52:08. | :52:11. | |
# Ain't it too, too bad about us? # | :52:11. | :52:21. | |
:52:21. | :52:26. | ||
# Into each life some rain must fall | :52:26. | :52:31. | |
# I didn't know I would catch it all | :52:31. | :52:34. | |
# The clear skies have gone and you with them too | :52:34. | :52:38. | |
# It's not the same now without you | :52:38. | :52:42. | |
# I used to say you're so beautiful | :52:42. | :52:46. | |
# But it didn't change a thing at all | :52:46. | :52:49. | |
# There's nowhere to run Got nowhere to hide | :52:49. | :52:53. | |
# I can't forget you and I've tried | :52:53. | :52:56. | |
# But I'm a deeper shade of blue | :52:56. | :53:01. | |
# And there's nothing I can do | :53:01. | :53:05. | |
# You're so far, far away | :53:05. | :53:11. | |
# Yeah, I'm a darker shade of me | :53:11. | :53:16. | |
# And I just can't be free | :53:16. | :53:20. | |
# You're so far, far away You're so far away | :53:20. | :53:25. | |
# You're so far away Hey-ay... # | :53:25. | :53:35. | |
:53:35. | :53:49. | ||
# Here at night In a lost and lonely part of town | :53:49. | :53:56. | |
# Held in timeIn a world of tears I slowly drown | :53:56. | :54:04. | |
# Going home I just can't make it | :54:04. | :54:08. | |
# All alone, I really should be holding you, holding you | :54:09. | :54:16. | |
# Loving you, loving you | :54:17. | :54:22. | |
# Tragedy, when the feeling's gone And you can't go on | :54:22. | :54:26. | |
# It's tragedy, when the morning cries and you don't know why | :54:26. | :54:30. | |
# It's hard to bear | :54:30. | :54:32. | |
# With no-one to love you You're going nowhere | :54:32. | :54:34. | |
# Tragedy, when you lose control And you got no soul | :54:34. | :54:41. | |
# It's tragedy, when the morning cries and you don't know why | :54:41. | :54:43. | |
# It's hard to bear | :54:43. | :54:47. | |
# With no-one beside you You're going nowhere... # | :54:47. | :54:57. | |
:54:57. | :55:21. | ||
APPLAUSE | :55:21. | :55:26. | |
APPLAUSE Steps, | :55:26. | :55:27. | |
Steps, thank | :55:27. | :55:27. | |
Steps, thank you. | :55:27. | :55:27. | |
Steps, thank you. Steps! | :55:27. | :55:34. | |
Steps, thank you. Steps! Thank you so much, guys. Welcome back. Terry | :55:34. | :55:38. | |
was dancing during that. I was moving. I was moving. It's terrific | :55:38. | :55:43. | |
to see you back. Well done. there. You're sounding as good as | :55:43. | :55:46. | |
ever. Terrific to have you with us, and thank you for joining us for | :55:46. | :55:50. | |
Children In Need. Ladies and gentlemen, give it up for Steps one | :55:50. | :55:56. | |
more time. Thanks, guys. Great job. Thank you, guys. That was | :55:56. | :55:58. | |
absolutely brilliant. That was brilliant. Please do keep calling. | :55:58. | :56:04. | |
The number again is 03457 33 22 33. Thank you. Now, we've loved hearing | :56:04. | :56:07. | |
all about the Children In Need fund-raising going on all over the | :56:07. | :56:17. | |
:56:17. | :56:17. | ||
Apology for the loss of subtitles for 168 seconds | :56:17. | :59:02. | |
UK. Here's just a taster of what # La, da, da, da, da | :59:02. | :59:12. | |
:59:12. | :59:29. | ||
# La, da, da, da, da, da, da # Et. Keep holding on | :59:29. | :59:34. | |
# Because you'll make it through # Make it through | :59:34. | :59:39. | |
# Just stay strong # Because you know I'm here for you | :59:39. | :59:42. | |
# I'm here for you # Nothing you can say | :59:42. | :59:47. | |
# Nothing you can do # MUSIC | :59:47. | :59:55. | |
# Keep holding on # Because you'll make it through | :59:55. | :00:05. | |
:00:05. | :00:06. | ||
# Make it through # Keep holding on | :00:06. | :00:16. | |
:00:16. | :00:21. | ||
Good works. Now an important and occasionally | :00:21. | :00:25. | |
controversial programme like this with a motor mouth presenter like | :00:25. | :00:28. | |
Terry is bound to attract the occasional complaint and we have | :00:28. | :00:33. | |
had a few! Yes! | :00:33. | :00:37. | |
The controller of programmes shouldn't be up at this time of | :00:37. | :00:41. | |
night. No, this was complaints from dads. | :00:41. | :00:46. | |
Mums were delighted, JLS and One Direction, but dads want something | :00:46. | :00:53. | |
special for them. Well, I have used my considerable | :00:53. | :01:00. | |
sway in these parts, I know, I know, I'm fooling myself. To provide you | :01:00. | :01:09. | |
with the most gorgeous girls around. They stand before you, The | :01:09. | :01:18. | |
# What's it gonna be? Are you # What it's gonna take? | :01:18. | :01:25. | |
# Where you gonna go? Tell me doyou know when is your heart in need? | :01:25. | :01:33. | |
# Cos if you leave Baby, then leave | :01:34. | :01:37. | |
# Make up your mind before you shut the door | :01:37. | :01:43. | |
# Cos if there's a chance We might've missed | :01:43. | :01:46. | |
# And if there's a ray of light in this | :01:46. | :01:51. | |
# Baby, you should know that this is- where my heart takes over, over | :01:51. | :02:01. | |
:02:01. | :02:02. | ||
# Going back in time you know wehave tried too hard to let this fade | :02:02. | :02:10. | |
# Almost disappeared Still we made it here, baby | :02:10. | :02:20. | |
# And look me in the eye Promise I won't cry | :02:20. | :02:24. | |
# This is your choice to make | :02:24. | :02:28. | |
# Cos if you go Baby, then go | :02:28. | :02:33. | |
# You change your mind I won't be here no more | :02:33. | :02:37. | |
# Cos if there's a chance We might've missed | :02:37. | :02:42. | |
# And if there's a ray of light in this | :02:42. | :02:46. | |
# Baby, you should know that thisis where my heart takes over, over | :02:46. | :02:56. | |
# And if there's a small piece left of us | :02:56. | :03:00. | |
# Somewhere in the battles we have lost | :03:00. | :03:04. | |
# Baby, look at me cos thisis where my heart takes over, over | :03:04. | :03:14. | |
:03:14. | :03:16. | ||
# Over, this is where my heart takes over, over | :03:16. | :03:20. | |
# This is where my heart takes over, over | :03:20. | :03:24. | |
# This is where my heart takes over, over | :03:24. | :03:29. | |
# This is where my heart takes over, over | :03:29. | :03:34. | |
# What's it gonna be? Are you really walking away from this? | :03:34. | :03:42. | |
# Cos if there's a chance We might've missed | :03:42. | :03:46. | |
# And if there's a ray of light in this | :03:46. | :03:51. | |
# Baby, you should know that thisis where my heart takes over, over | :03:51. | :04:01. | |
:04:01. | :04:01. | ||
# And if there's a small piece left of us | :04:01. | :04:04. | |
# Somewhere in the battles we have lost | :04:04. | :04:09. | |
# Baby, look at me cos this is where my heart takes over, over | :04:09. | :04:19. | |
:04:19. | :04:19. | ||
# Over, this is where my heart takes over, over | :04:19. | :04:28. | |
# This is where my heart takes over, over | :04:28. | :04:31. | |
# This is where my heart takes over, over | :04:31. | :04:34. | |
# This is where my heart takes over, over. # | :04:34. | :04:40. | |
CHEERING AND APPLAUSE | :04:40. | :04:50. | |
:04:50. | :04:55. | ||
Gorgeous | :04:55. | :04:55. | |
Gorgeous ladies. | :04:55. | :04:57. | |
Gorgeous ladies. I | :04:57. | :04:58. | |
I shall | :04:58. | :04:58. | |
I shall move | :04:58. | :04:58. | |
I shall move across. | :04:58. | :05:02. | |
I shall move across. Hi ya. look gorgeous. | :05:02. | :05:07. | |
I'm all the better for seeing you. There have been far too many young | :05:07. | :05:12. | |
fellas on. You have got some razzle-dazzle, | :05:12. | :05:18. | |
ladies. Like yourself. | :05:18. | :05:21. | |
Nice glittery hair. Thank you very much. | :05:21. | :05:27. | |
Frankie has got a fan up there. Thank you Saturdays. Thank you, | :05:27. | :05:33. | |
ladies. That's really lovely. Terry... Don't start shouting at me. | :05:33. | :05:38. | |
Sir Terry Wogan. You are a newcomer here so have a bit of respect. | :05:38. | :05:46. | |
Terry, you watch BBC Three, don't you? Ah yes, Fern, I like to keep | :05:46. | :05:50. | |
up-to-date with the nation's youth. You will be a fan of Russell | :05:50. | :05:55. | |
Howard's work, right? I watch little else! | :05:55. | :06:00. | |
OK. You will be pleased to hear what we have drafted Russell in to | :06:00. | :06:10. | |
:06:10. | :06:13. | ||
keep us up-to-dated. Hello. Hello. Hello. Welcome to a | :06:13. | :06:16. | |
special Children In Need edition of Good News. I want to share with you | :06:17. | :06:19. | |
some of my favourite stories. I hope you enjoy. | :06:19. | :06:25. | |
Probably the biggest story of the summer, Eamonn Holmes can make | :06:25. | :06:29. | |
women organism just by saying their name. | :06:29. | :06:36. | |
Go on. LAUGHTER | :06:36. | :06:38. | |
Now, if you're planning to interrupt someone on the news, this | :06:38. | :06:46. | |
is how you do it. I'm not hearing that. | :06:46. | :06:53. | |
Oh. Sorry. A human who makes an animal noise. | :06:53. | :06:58. | |
If only there was an animal who makes human noises. Perhaps a cat | :06:58. | :07:02. | |
that could say no. No. No. No. No. | :07:02. | :07:07. | |
Finally, if you report from a windy pier, you get what you deserve. | :07:07. | :07:14. | |
There is a big wave and I'm going to step out slightly. | :07:14. | :07:18. | |
In Royal news The Queen has been on a trip down under. | :07:18. | :07:22. | |
The Queen and Prince Philip arrived in Australia for a ten-day visit. | :07:22. | :07:27. | |
They will be based from Canberra. Did you see the Australian media | :07:27. | :07:34. | |
coverage? Was it me, or were their reports a little bit more bid? | :07:34. | :07:40. | |
Queen will arrive in Canberra tonight for possibly her last visit | :07:40. | :07:44. | |
to Australia. On what may ever be her last trip. | :07:44. | :07:51. | |
Probably her very last time. I hate to use the word "die" so I | :07:51. | :07:55. | |
won't. It is a wonder they didn't follow | :07:55. | :07:59. | |
her around dressed as death. This reporter was was having a upon | :07:59. | :08:03. | |
at how Liz smells. The Queen touched down in Perth | :08:03. | :08:09. | |
last night. It is like a ding ding o. | :08:09. | :08:14. | |
This guy has to win the award for saying what you see. | :08:14. | :08:20. | |
The Queen wore lilac and had fresh flowers had her hat. The Duke of | :08:20. | :08:27. | |
Edinburgh didn't. LAUGHTER | :08:27. | :08:31. | |
Later on, she will be waving using her hand! | :08:31. | :08:32. | |
LAUGHTER This has to be the saddest story of | :08:32. | :08:38. | |
the week. The veteran Radio DJ and television presenter, Sir Jimmy | :08:38. | :08:42. | |
Savile has died.. You don't get people like him on on | :08:42. | :08:50. | |
TV anymore. He looked amazing. Look at that. He is like a cross tween | :08:50. | :08:56. | |
Boris Johnson and Vicky Pollard. Check this out. | :08:56. | :09:03. | |
Welcome to Jim' ll Fix It. He was the man who made dreams come | :09:03. | :09:09. | |
true. He did. Kids used to write to him and ask him to make their | :09:09. | :09:15. | |
dreams come true and back then their dreams were insane. | :09:15. | :09:21. | |
"dear Jim Jim please could you fix it for me to become a suitcase.". | :09:21. | :09:31. | |
:09:31. | :09:41. | ||
That's children's tvr. Children's - - TV. Forget Dick and Dom. | :09:41. | :09:44. | |
APPLAUSE The suitcase. This is amazing. | :09:45. | :09:51. | |
Someone should have asked Jim to play football at Wembley. | :09:51. | :09:54. | |
Jimmy Savile is such a big part of my childhood, without him I would | :09:54. | :09:58. | |
never had that moment when I watched chubby scouts eat their | :09:58. | :10:08. | |
:10:08. | :10:24. | ||
dinner on a rollercoaster. LAUGHTER | :10:24. | :10:28. | |
Thanks, Jim. The only criticism I have of Jimmy, he never answered my | :10:28. | :10:37. | |
my letter. "dear Jim, can you fix it for me to look less like Harry | :10:37. | :10:42. | |
Potter?" Mind you, those glasses got me a lot of ladies. Dinner | :10:42. | :10:52. | |
:10:52. | :10:54. | ||
This story is about Will and the wonderful support and Children In | :10:54. | :10:57. | |
Need. Prior to the accident Will was a happy ten-year-old. He loved | :10:57. | :11:03. | |
to get his knees dirty and doing all the things that boys do. | :11:03. | :11:06. | |
In In February 2004, Will was hit by a car on the way home from | :11:06. | :11:10. | |
school. It left him permanently brain damaged. | :11:10. | :11:15. | |
As a baby, I learned who he was. I knew his personality what makes him | :11:15. | :11:21. | |
tick and suddenly you have got a child coming home ten years of you | :11:21. | :11:24. | |
have got got a clue who they are. Since the accident Will requires | :11:24. | :11:28. | |
round the clock care which means it is hard for him to spend time with | :11:28. | :11:33. | |
other young people. Now, he goes to Splash, a play | :11:33. | :11:36. | |
centre funded by Children In Need which offers activities in the | :11:36. | :11:40. | |
school holidays for children with a wide range of disabilities. | :11:40. | :11:45. | |
It made such a difference to his life. It is fantastic. | :11:45. | :11:54. | |
Please help us to support special projects like Splash. Please call: | :11:54. | :11:58. | |
Thank you. I hope you enjoyed the show. Please | :11:58. | :12:01. | |
remember every penny that's raised on Children In Need is spent on | :12:01. | :12:11. | |
:12:11. | :12:19. | ||
projects in the UK. The number to Thank you, Russell Howard. | :12:19. | :12:27. | |
You are a big fan, aren't you of his now? Don't start leaving me. | :12:27. | :12:32. | |
Carry on. We need to thank some of you you | :12:32. | :12:35. | |
people out there who made this year's appeal extra special. | :12:35. | :12:43. | |
Here. Here. We. We know him as the big friendly bear, but for the rest | :12:43. | :12:46. | |
of the year, Pudsey is hard at work. And here he took the opportunity to | :12:46. | :12:50. | |
say thanks to the staff and customers of the Post Office and | :12:50. | :12:54. | |
Royal Mail for all their fund- raising efforts before renewing his | :12:54. | :12:58. | |
passport photo and I'm not sure they'll accept that, Pudsey! | :12:58. | :13:08. | |
:13:08. | :13:16. | ||
Down in Portsmouth, it wasn't business as usual. | :13:16. | :13:22. | |
Short, bab and sides, madam, a big thanks to the sports sports clubs | :13:22. | :13:27. | |
throughout the UK. They have been tackling the streets | :13:27. | :13:37. | |
:13:37. | :13:38. | ||
with their collection buckets. Good work, team! | :13:38. | :13:43. | |
Wow, I mean what a fantastic job. Amazing work from you guys. | :13:43. | :13:47. | |
Everybody out there is making such an incredible effort this year and | :13:47. | :13:52. | |
we really appreciate it. Thank you. We have heard from some of Pudsey's | :13:52. | :14:00. | |
pals, Olivia and and friends aged 12 raised �275 at their bake sale | :14:00. | :14:02. | |
in North Yorkshire, thank you, ladies. | :14:02. | :14:08. | |
Yes, indeed. I see Helen O'Grady Academy has a cheque for �15,000. | :14:08. | :14:14. | |
Lovely. The money you all give really, it | :14:14. | :14:20. | |
creates such a difference. Next if you are a child living with cancer, | :14:20. | :14:24. | |
life can be pretty grim. It is not just about hospital treatment | :14:24. | :14:29. | |
either, the illness can reach out well beyond the ward ward and have | :14:29. | :14:35. | |
a big effect on life at home which brings its own set of challenges. | :14:35. | :14:41. | |
Here is Dr Karen Gillen to tell you about a boy called today. | :14:41. | :14:46. | |
Today has been living with a brain tumour. Like most boys his age, | :14:46. | :14:48. | |
today likes football and playing outside with his friends. | :14:48. | :14:55. | |
Unfortunately a lot of that isn't possible anymore. The wee scar goes | :14:55. | :15:00. | |
up around there and near me heart. He used to do loads of other things. | :15:00. | :15:04. | |
He loved his football. He He loved his bike and he loved his | :15:04. | :15:11. | |
skateboard. To get that taken away from him was very, very hard. | :15:11. | :15:15. | |
Today is often unable to leave the house because he can't risk | :15:15. | :15:25. | |
:15:25. | :15:30. | ||
infection. What age is Toddy Two. | :15:30. | :15:36. | |
The hardest thing about the disease is the isolation. The playground is | :15:36. | :15:40. | |
just 100 yards away. When he is feeling down, it can be like a sad | :15:40. | :15:48. | |
thing. The worst part of staying at home | :15:48. | :15:51. | |
for Todd is missing his school friends. | :15:51. | :15:56. | |
I might have a cold and like if they give me a cold or I get an | :15:56. | :16:00. | |
infection and get into hospital and get all this stuff done to me that | :16:00. | :16:04. | |
I don't want done to me. For Ellen and the family family | :16:04. | :16:14. | |
:16:14. | :16:15. | ||
coping with with Todd's illness is a 24/7 job,, job, but there is help | :16:16. | :16:20. | |
at hand. The Northern Ireland Cancer Fund for children provide a | :16:20. | :16:24. | |
weekly visit from a family support visitor. | :16:24. | :16:28. | |
My role is to come in and do activities with the children. The | :16:28. | :16:32. | |
families are very isolated and the children love to see another face | :16:32. | :16:39. | |
coming. What does a dinosaur do? Raaar. | :16:39. | :16:43. | |
I am here for two hours every Friday. | :16:43. | :16:47. | |
We have grown to love Carol. Family support workers are there | :16:47. | :16:49. | |
for the children at every stage of their treatment. | :16:49. | :16:54. | |
When children are in hospital, we will stay with the children | :16:54. | :16:58. | |
children to sort of make it a fun place if that's possible. | :16:58. | :17:04. | |
If there was more funding available, I would love her some more. Another | :17:04. | :17:09. | |
hour would be tremendous. There is going to be an impact for | :17:09. | :17:13. | |
the rest of you are lives for Todd, even if the chemo does the trick, | :17:13. | :17:17. | |
it won't be removed so it will always be there. That's something | :17:18. | :17:25. | |
that we have to live with. But he is a fighter. He is not | :17:25. | :17:30. | |
going anywhere that boy, I can tell you. | :17:30. | :17:36. | |
Todd's journey is far from over, but the support provided has made a | :17:36. | :17:40. | |
difference and with more support they can provide more hours of help | :17:40. | :17:50. | |
to more families. Please call: Just just �40 could pay for a day's | :17:50. | :17:56. | |
emotional support for a family like Todd's. | :17:56. | :18:02. | |
Please call, 03457 33 22 33. Now, after everything that happened | :18:02. | :18:04. | |
already, it is hard to believe there is so much great stuff to | :18:04. | :18:09. | |
come, but it is true. It is a fact... You are not lying! | :18:09. | :18:11. | |
Starting with another live exclusive. | :18:11. | :18:15. | |
It is blinding. One of the great Children In Need traditions is | :18:15. | :18:19. | |
seeing the finest musical shows leaving their West End homes and | :18:19. | :18:25. | |
making the journey to Television Centre to perform for our studio | :18:25. | :18:30. | |
audience... Are you still there? CHEERING AND APPLAUSE | :18:31. | :18:38. | |
And of course, you at home. We are so excited to have them here for a | :18:38. | :18:48. | |
:18:48. | :18:54. | ||
toe-tapping extravaganza. Please # Days can be sunny | :18:54. | :18:56. | |
# Birds in the tree sing their day full of song | :18:56. | :18:56. | |
# Why shouldn't we sing along? | :18:56. | :18:58. | |
# I'm chipper all the day Happy with my lot | :18:58. | :19:03. | |
# How do I get that way? | :19:03. | :19:05. | |
# Look at what I've got | :19:05. | :19:13. | |
# I got rhythm, I got music | :19:13. | :19:18. | |
# I got my man Who can ask for anything more? | :19:18. | :19:22. | |
# I got daisies in green pastures | :19:22. | :19:27. | |
# I got my man Who can ask for anything more? | :19:27. | :19:31. | |
# Old man trouble, I don't mind him | :19:31. | :19:36. | |
# You won't find him round my door | :19:36. | :19:40. | |
# I got starlight, I got sweet dreams | :19:41. | :19:45. | |
# I got my man Who can ask for anything more? | :19:45. | :19:49. | |
# Who can ask for anything more? | :19:49. | :19:59. | |
:19:59. | :19:59. | ||
Apology for the loss of subtitles for 168 seconds | :19:59. | :20:48. | |
# I got rhythm, I got music | :20:48. | :20:52. | |
# I got rhythm, I got music | :20:52. | :20:56. | |
# I got rhythm, I got music | :20:56. | :21:06. | |
:21:06. | :21:06. | ||
Apology for the loss of subtitles for 168 seconds | :21:06. | :22:24. | |
# Who could ask for anything more?! # | :22:24. | :22:25. | |
CHEERING AND APPLAUSE | :22:25. | :22:35. | |
:22:35. | :22:36. | ||
Thank | :22:36. | :22:36. | |
Thank you, | :22:36. | :22:37. | |
Thank you, guys. | :22:37. | :22:40. | |
Thank you, guys. That was incredible. | :22:40. | :22:47. | |
Oh my goodness. I can't tap to save my life, but I was trying. You can | :22:47. | :22:52. | |
do high kicks. Not in these shoes and not in this dress. | :22:52. | :22:57. | |
Well done everybody and thank you. Terrific. Absolutely terrific. | :22:57. | :23:02. | |
There is is a lot of heavy breathing. Thank you for help us. | :23:02. | :23:05. | |
Thank you for having us. It has been brilliant. | :23:05. | :23:10. | |
I understand you have done a little bit of work on our behalf? | :23:10. | :23:13. | |
brilliant front of house staff have been working hard and we have got | :23:13. | :23:16. | |
�5,000 for you. Thank you. | :23:17. | :23:24. | |
CHEERING AND APPLAUSE Let's hear it for the cast of Crazy | :23:24. | :23:27. | |
For You, everyone. Let's see how that has added on to | :23:27. | :23:32. | |
the grand total so far. Had is our total, -- this is our | :23:32. | :23:36. | |
total, the last time we had it and we were making more money than we | :23:36. | :23:40. | |
made at the end of last year's programme. So what's it going to be | :23:40. | :23:49. | |
this time? Can we over the �20 million? It would be incredible. | :23:49. | :23:55. | |
Anybody see behind all the helmets there? Let's see what the total is. | :23:55. | :24:05. | |
:24:05. | :24:06. | ||
Here it comes. Wow! | :24:06. | :24:12. | |
That is fantastic. Great balls of fire! | :24:12. | :24:17. | |
That's amazing. Wow. I don't remember an evening like | :24:17. | :24:21. | |
this and we have got hours to go. We have got a couple of hours to go, | :24:21. | :24:24. | |
what's going to be our total. you. Thank you. | :24:24. | :24:28. | |
Well done, everyone. We're doing so well, but we still need your help. | :24:28. | :24:32. | |
We have got so much to do so keep watching and hopefully giving. This | :24:32. | :24:42. | |
:24:42. | :24:42. | ||
is what is in store. Lady Gaga. Adel. The Muppets. Will | :24:42. | :24:52. | |
:24:52. | :24:55. | ||
Young. And Matt Cardle. Now, the kids from Outnumbered, it | :24:55. | :25:00. | |
is all go, will be tucked up in bed now, probably tired out from the | :25:00. | :25:04. | |
special treat they gave us on Children In Need earlier. But we | :25:05. | :25:14. | |
:25:15. | :25:19. | ||
would like to see it again from ALL: # Here we come | :25:19. | :25:20. | |
# We get the funniest looks from # Here we come, walking down the | :25:21. | :25:22. | |
# Hey, hey, we're The Monkeys! And people say we monkey around | :25:22. | :25:22. | |
street # | :25:22. | :25:22. | |
# Hey, | :25:22. | :25:23. | |
# Hey, hey, | :25:23. | :25:24. | |
# Hey, hey, we're | :25:24. | :25:26. | |
# But we're too busy singin' # We're just tryin' to be friendly | :25:26. | :25:34. | |
# We're the young generation And we've got somethin' to say | :25:34. | :25:38. | |
# We go wherever we want to Do what we like to do | :25:38. | :25:43. | |
# We don't have time to get restless | :25:43. | :25:46. | |
# There's always something new | :25:46. | :25:48. | |
# Hey, hey, we're The Monkeys! And people say we monkey around | :25:48. | :25:53. | |
# But we're too busy singin' To put anybody down | :25:53. | :26:00. | |
# We're just tryin' to be friendly Come and watch us sing and play | :26:00. | :26:03. | |
# Hey, hey, we're the monkeys | :26:03. | :26:04. | |
# Hey, hey, we're the monkeys and | :26:04. | :26:04. | |
# Hey, hey, we're the monkeys and people. | :26:04. | :26:05. | |
# We're the young generation And we've got somethin' to say... # | :26:05. | :26:15. | |
:26:15. | :26:28. | ||
# Hey, hey, we're The Monkeys And people say we monkey around | :26:28. | :26:30. | |
# But we're too busy singin' To put anybody down | :26:30. | :26:36. | |
# We're just tryin' to be friendly Come and watch us sing and play | :26:36. | :26:42. | |
# We're the young generation And we've got somethin' to say. # | :26:42. | :26:49. | |
CHEERING AND APPLAUSE | :26:49. | :26:57. | |
people. Oh, | :26:57. | :26:57. | |
people. Oh, they | :26:57. | :26:58. | |
people. Oh, they are | :26:58. | :27:02. | |
people. Oh, they are the cutest kids in the world. | :27:02. | :27:06. | |
So many of you have taken this year's appeal to your hearts. We | :27:06. | :27:09. | |
have got a great crowd in the studio here. | :27:09. | :27:17. | |
CHEERING AND APPLAUSE There are more carrying cheques. | :27:17. | :27:22. | |
So what do you think will be coming next? Is it a big thank you? Do you | :27:22. | :27:30. | |
know, you're beginning to get the hang of this. Good. | :27:30. | :27:38. | |
Pudsey Pudsey went to pieces when he realise he wasn't the only bear | :27:38. | :27:48. | |
:27:48. | :27:55. | ||
Ever wanted to make all thanks to the UK's | :27:55. | :28:05. | |
:28:05. | :28:09. | ||
To the Lakeland store where staff have been putting | :28:09. | :28:13. | |
But hey! Why should the adults That's right, kids - get stuck in. | :28:13. | :28:23. | |
:28:23. | :28:29. | ||
I tell you what, it really is incredible seeing the amounts | :28:29. | :28:34. | |
everyone has managed to raise. Abigail cycled from Selby to York | :28:34. | :28:42. | |
with her dad and raised �152 last weekend! APPLAUSE Thank you so much. | :28:42. | :28:47. | |
Now, earlier, Gary Barlow introduced us to a young man called | :28:47. | :28:51. | |
Will who made a huge impression on him. It's made a big impression on | :28:51. | :29:00. | |
you at home, too, so we would like to show it to you again. Life can | :29:00. | :29:07. | |
change without any warning. You are about to hear from a family whose | :29:07. | :29:16. | |
lives were turned upside-down seven years ago, all in a split-second. | :29:17. | :29:21. | |
Prior to the accident, Will was a happy ten-year-old. If there was a | :29:21. | :29:26. | |
tree, he would climb it. He loved to get his knees dirty. All the | :29:26. | :29:32. | |
things that boys do. The 26th February, 2004, was the day that | :29:32. | :29:38. | |
everything changed. He was a bit late home. I did have a gut feeling | :29:38. | :29:44. | |
that something wasn't quite right. From my house I could see the | :29:45. | :29:48. | |
traffic building up and then an ambulance shooting down the road. I | :29:48. | :29:53. | |
knew that it was him. I don't know how I knew. Then the phone call | :29:53. | :29:59. | |
came to say that Will had been hit by a car. You don't know whether | :29:59. | :30:05. | |
he's been killed on the road. I had no idea. I ran down to the scene | :30:05. | :30:11. | |
and saw him. The impact was so severe it left Will permanently | :30:11. | :30:16. | |
brain damaged. As a baby, I learnt who he was, you know his | :30:16. | :30:21. | |
personality, you know his strengths, his weaknesses. You have a child | :30:22. | :30:26. | |
coming home, ten years of age, and you have not got a clue who they | :30:26. | :30:36. | |
:30:36. | :30:44. | ||
It affects him mentally. He's lost his speech. He can't walk. | :30:44. | :30:47. | |
Will's family, life after the accident presented a whole new | :30:47. | :30:53. | |
reality. He can't eat. He's fed through a tube in his tummy and is | :30:53. | :30:59. | |
fed a milk diet. So, really, it's taken away everything he could do | :30:59. | :31:04. | |
before. Now 17 and having regained the use of his right arm, Will | :31:04. | :31:07. | |
communicates using gestures and cards. He still requires round-the- | :31:07. | :31:14. | |
clock care in the family home. was the first one to make him smile. | :31:14. | :31:20. | |
He was in a ball pool. Will was in his wheelchair. I picked him up by | :31:20. | :31:28. | |
his feet and William burst out laughing. LAUGHTER That is the | :31:28. | :31:33. | |
first time that he actually showed us an awareness that there was | :31:33. | :31:38. | |
something more going on. After his accident, his friends from school | :31:38. | :31:43. | |
would come in and play. But they found it really difficult. I can | :31:43. | :31:46. | |
understand that. But suddenly it left him with no friends. These | :31:46. | :31:50. | |
were the people that he had grown up with and suddenly they weren't | :31:50. | :31:56. | |
visiting any more. There is one place where Will can have fun and | :31:56. | :32:03. | |
be an independent young man. Will! Have fun. Bye, mum. Splash is a | :32:03. | :32:06. | |
play centre funded by Children In Need which offers activities and | :32:06. | :32:10. | |
outings in the school holidays for children with a wide range of | :32:10. | :32:16. | |
additional needs. When he goes to Splash, everyone accepts him, the | :32:16. | :32:21. | |
staff don't talk down to him. makes everyone laugh. They go, | :32:21. | :32:28. | |
"Here comes trouble!" It's so important to him because he needs | :32:28. | :32:33. | |
that time to be a 17-year-old. Splash makes such a positive impact | :32:33. | :32:36. | |
on the children that go there, but funds are tight and there is a | :32:36. | :32:40. | |
waiting list which means there are others like Will who are missing | :32:40. | :32:47. | |
out. It's made such a difference to his life, actually. It's a | :32:47. | :32:51. | |
fantastic place. Please help us to support special projects like | :32:51. | :32:55. | |
Splash and help more young people like Will live life to the full. | :32:55. | :33:03. | |
Pick up the phone and call 03457 33 22 33. Thank you so much. | :33:03. | :33:07. | |
Thank you, Gary. Gary gave you the number there. Do what you can. That | :33:07. | :33:12. | |
is why you at home are donating. Keep digging deep. You are making a | :33:12. | :33:15. | |
huge difference. Now, she can't be with us tonight but Adele wanted to | :33:15. | :33:20. | |
do her bit so she's given us an exclusive performance and recording | :33:20. | :33:24. | |
of her at the Albert Hall earlier this year. It is back and enjoy but | :33:24. | :33:34. | |
:33:34. | :33:52. | ||
please do pick up the phone whilst # When the rain | :33:52. | :34:02. | |
:34:02. | :34:18. | ||
# And the whole world # When the evening shadows | :34:19. | :34:28. | |
:34:29. | :34:31. | ||
# Well, I will hold you for a million years | :34:31. | :34:37. | |
# To make you feel my love | :34:37. | :34:43. | |
# I know you haven't made your mind up yet | :34:43. | :34:49. | |
# But I will never do you wrong | :34:49. | :34:56. | |
# I've known it from the moment that we met | :34:56. | :35:01. | |
# No doubt in my mind where you belong | :35:02. | :35:09. | |
# I'd go hungry I'd go black and blue | :35:09. | :35:14. | |
# And I'd go crawling down the avenue | :35:14. | :35:21. | |
# No, there's nothing that I wouldn't do | :35:21. | :35:27. | |
# To make you feel my love, yeah... # | :35:27. | :35:37. | |
:35:37. | :36:01. | ||
# The storms are raging on the rolling sea | :36:01. | :36:06. | |
# And on that highway of regret | :36:06. | :36:13. | |
# Though winds of change are blowing wild and free | :36:13. | :36:19. | |
# You ain't seen nothing like me yet | :36:19. | :36:25. | |
# I could make you happy Make your dreams come true | :36:25. | :36:32. | |
# There's nothing that I wouldn't do | :36:32. | :36:39. | |
# Go to the ends of this Earth for you | :36:39. | :36:44. | |
# To make you feel my love | :36:44. | :36:51. | |
# To make you feel my love. # | :36:51. | :36:59. | |
CHEERING AND APPLAUSE | :36:59. | :37:07. | |
Ah! | :37:07. | :37:07. | |
Ah! That | :37:07. | :37:08. | |
Ah! That was | :37:08. | :37:12. | |
Ah! That was so beautiful. Thank you, Adele. Do get well soon. We | :37:12. | :37:16. | |
are sending our love. You will be able to watch that concert in full | :37:16. | :37:21. | |
on BBC One in the near future. have you been glued to the goings- | :37:21. | :37:31. | |
:37:31. | :37:33. | ||
on at Downton Abbey? Oh, yes. watch it personally for the | :37:33. | :37:42. | |
fashions! This hasn't stopped the Crawley family supporting good old | :37:42. | :37:52. | |
:37:52. | :37:56. | ||
Please don't forget the thousands of children who need your help | :37:56. | :38:01. | |
tonight. Pick up the phone or go online and give whatever you can. | :38:01. | :38:10. | |
Thank you. Have a fantastic night. APPLAUSE So, if his Lordship asks | :38:10. | :38:17. | |
you to help him out, it is probably best you do as he says. You know | :38:17. | :38:26. | |
the number by now. 03457 33 22 33. Give it a go! Go on. Earlier on, | :38:26. | :38:29. | |
four very brave BBC Newsreaders threw caution to the wind and | :38:29. | :38:39. | |
:38:39. | :38:40. | ||
danced like devils for Pudsey! This Hello. I've got you, I've got you. | :38:40. | :38:44. | |
Welcome to Children In Need's Strictly Come Dancing. | :38:44. | :38:47. | |
It's nice to see you, | :38:47. | :38:49. | |
to see you... | :38:49. | :38:50. | |
AUDIENCE: Nice! | :38:50. | :38:52. | |
Well, Brucie, the top story tonight | :38:52. | :38:54. | |
is that four of the BBC's female newsreaders have left the safety of their desks | :38:54. | :38:58. | |
for the danger of the dance floor. | :38:58. | :39:08. | |
:39:08. | :39:09. | ||
Sian Williams and her partner, Vincent Simone. | :39:09. | :39:12. | |
Susanna Reid and her partner, Robin Windsor. | :39:12. | :39:15. | |
Emily Maitlis and her partner, Pasha Kovalev. | :39:15. | :39:19. | |
And Sophie Raworth and her partner, Ian Waite. | :39:19. | :39:29. | |
:39:29. | :39:30. | ||
CHEERING AND APPLAUSE | :39:30. | :39:32. | |
And instead of scoring tonight, | :39:32. | :39:33. | |
our judges will decide who their favourite couple is, | :39:33. | :39:36. | |
and they will then be crowned Strictly Come Dancing Children In Need Champions 2011. | :39:36. | :39:42. | |
Everyone tonight is dancing to help change the lives | :39:42. | :39:45. | |
of disadvantaged children across the UK. | :39:45. | :39:48. | |
And we thank them all very, very much. That's right. | :39:48. | :39:51. | |
They're all hoping it will encourage you to pick up the phone | :39:51. | :39:53. | |
and donate to Children In Need. | :39:54. | :39:56. | |
The number to call is 03457 332233.- Thank you. | :39:56. | :40:05. | |
Dancing a very special cha-cha-cha, | :40:05. | :40:07. | |
the BBC newsreaders and their professional partners. | :40:07. | :40:12. | |
APPLAUSE | :40:12. | :40:13. | |
Good evening. Breaking news just in. | :40:13. | :40:15. | |
Four newsreaders have been persuaded to dance for Children In Need. | :40:15. | :40:17. | |
And they're asking for your money. | :40:17. | :40:20. | |
If they don't get it, there may be fireworks. | :40:20. | :40:30. | |
:40:30. | :40:30. | ||
# Do you ever feel | :40:30. | :40:32. | |
# Like a plastic bag | :40:32. | :40:34. | |
# Drifting through the wind | :40:34. | :40:36. | |
# Wanting to start again? | :40:36. | :40:38. | |
# Do you ever feel | :40:38. | :40:39. | |
# Feel so paper thin | :40:39. | :40:42. | |
# Like a house of cards | :40:42. | :40:43. | |
# One blow from caving in? | :40:43. | :40:45. | |
# Do you ever feel | :40:45. | :40:47. | |
# Already buried deep | :40:47. | :40:49. | |
# Six feet under screaming | :40:49. | :40:51. | |
# And no-one seems to hear a thing? | :40:51. | :40:53. | |
# Do you know | :40:53. | :40:55. | |
# That there's still a chance for you | :40:55. | :40:57. | |
# Cos there's a spark in you? | :40:57. | :40:59. | |
# You just gotta ignite the light | :40:59. | :41:04. | |
# And let it shine | :41:04. | :41:08. | |
# Just own the night | :41:08. | :41:12. | |
# Like the Fourth of July | :41:12. | :41:15. | |
# Cos, baby, you're a firework | :41:15. | :41:19. | |
# Come on, show 'em what you're worth | :41:19. | :41:23. | |
# Make 'em go | :41:23. | :41:25. | |
# Oh, oh, oh | :41:25. | :41:27. | |
# As you shoot across the sky-y-y | :41:27. | :41:31. | |
# Baby, you're a firework | :41:31. | :41:34. | |
# Come on, let your colours burst | :41:34. | :41:38. | |
# Make 'em go | :41:38. | :41:39. | |
# Oh, oh, oh | :41:39. | :41:42. | |
# You're gonna leave 'em all in | :41:42. | :41:44. | |
# Awe, awe, awe | :41:44. | :41:47. | |
# Boom, boom, boom | :41:47. | :41:50. | |
# Even brighter than the | :41:50. | :41:51. | |
# Moon, moon, moon | :41:51. | :41:53. | |
# It's always been inside of | :41:53. | :41:55. | |
# You, you, you | :41:55. | :41:57. | |
# And now it's time to let it | :41:57. | :41:58. | |
# Through-ough-ough | :41:58. | :42:01. | |
# Cos, baby, you're a firework | :42:01. | :42:05. | |
# Come on, show 'em | :42:05. | :42:07. | |
# What you're worth | :42:07. | :42:09. | |
# Make 'em go | :42:09. | :42:10. | |
# Oh, oh, oh | :42:10. | :42:13. | |
# As you shoot across the sky | :42:13. | :42:17. | |
# Baby, you're a firework | :42:17. | :42:21. | |
# Come on, let your colours burst | :42:21. | :42:24. | |
# Make 'em go | :42:24. | :42:25. | |
# Oh, oh, oh | :42:26. | :42:28. | |
# You're gonna leave 'em all in | :42:28. | :42:29. | |
# Awe, awe, awe. # | :42:29. | :42:34. | |
APPLAUSE AND CHEERING | :42:34. | :42:39. | |
Sian, crisp and sharp like a pippin. Honestly. | :42:40. | :42:43. | |
Susanna...tutti frutti, what a booty! | :42:43. | :42:46. | |
Shaking and baking. | :42:46. | :42:48. | |
Gorgeous, gorgeous ladies. Every year I look forward to your Children In Need performance. | :42:48. | :42:52. | |
You are my favourite. | :42:52. | :42:54. | |
Sian and Vincent, I thought the acting in that was excellent. | :42:54. | :42:59. | |
Susanna and Robin, fabulous booty shake but the rest left a little bit to be desired. | :43:00. | :43:05. | |
Sophie and Ian, fantastic backbend, but stick, darling, to your day job. | :43:05. | :43:05. | |
Oh! Oh! Emily and Pasha I thought was a very, very confident performance, | :43:05. | :43:09. | |
Oh! Oh! Emily and Pasha I thought was a very, very confident performance, | :43:09. | :43:16. | |
but you need to sort out your walks. Come on, boo! | :43:16. | :43:21. | |
AUDIENCE BOOS | :43:21. | :43:24. | |
Oh, girls, have I got news for you?! | :43:24. | :43:28. | |
You really are hot! You should present the news like this every day. | :43:28. | :43:33. | |
The ratings are going to go through the roof. | :43:33. | :43:36. | |
And the results are in. | :43:36. | :43:39. | |
Susanna and Robin! | :43:39. | :43:41. | |
Susanna and Robin! | :43:41. | :43:44. | |
Sian and Vincent. | :43:44. | :43:47. | |
Susanna and Robin. | :43:47. | :43:49. | |
APPLAUSE AND CHEERS | :43:49. | :43:55. | |
Susanna and Robin, we have our winners - come and join me! | :43:55. | :43:59. | |
How happy are you two? | :43:59. | :44:01. | |
Thank you, it's fantastic! Thank you so much! | :44:01. | :44:04. | |
She's overwhelmed. | :44:04. | :44:05. | |
Yeah, well, it's fantastic. | :44:05. | :44:07. | |
We all had such a brilliant time - brilliant. It's fantastic. | :44:07. | :44:10. | |
Well, congratulations. | :44:10. | :44:11. | |
And you all did it without autocue! | :44:11. | :44:14. | |
LAUGHTER | :44:14. | :44:16. | |
You are the Children In Need Strictly Come Dancing Champions 2011! | :44:16. | :44:23. | |
APPLAUSE AND CHEERING | :44:23. | :44:25. | |
Well done, everybody! | :44:25. | :44:35. | |
:44:35. | :44:39. | ||
They | :44:39. | :44:40. | |
They did | :44:40. | :44:40. | |
They did it | :44:40. | :44:44. | |
They did it so well! Good moves. Terry, can you do the cha-cha-cha? | :44:44. | :44:50. | |
I can move like a dream! I'm born to dance. I thought as much! Let's | :44:50. | :44:55. | |
not risk losing viewers. Probably wise. Next up tonight is a gifted | :44:55. | :44:58. | |
musician whose voice is so beautiful it is like having your | :44:58. | :45:04. | |
ears nibbled by 1,000 angels. Steady! It is. It is reigning X | :45:04. | :45:14. | |
:45:14. | :45:18. | ||
# You need somebody # Who lives for life | :45:18. | :45:23. | |
# You need somebody to walk you back | :45:23. | :45:27. | |
# Someone who loves you too before you ask | :45:27. | :45:32. | |
# You're worth more You're worth more than this | :45:32. | :45:37. | |
# You can take a leap without the risk | :45:37. | :45:41. | |
# There's no time There's no time for this | :45:41. | :45:45. | |
# Take your love and start again | :45:45. | :45:52. | |
# So run for your life | :45:52. | :45:58. | |
# Run for your life | :45:58. | :46:03. | |
# If you leave me behind | :46:03. | :46:10. | |
# You'll get there in time | :46:10. | :46:17. | |
# You need someone who can stand alone | :46:17. | :46:22. | |
# Who finds their way instead of being shown | :46:22. | :46:26. | |
# Somebody with confidence | :46:26. | :46:30. | |
# Who's strong enough to be hit more than once | :46:30. | :46:36. | |
# You'll find more You'll find more than this | :46:36. | :46:40. | |
# Take the world that's at your fingertips | :46:40. | :46:44. | |
# Don't waste time Don't waste time with this | :46:44. | :46:49. | |
# Take your love and start again | :46:49. | :46:56. | |
# So run for your life | :46:56. | :47:02. | |
# Run for your life | :47:02. | :47:07. | |
# If you leave me behind | :47:07. | :47:13. | |
# You'll get there in time | :47:13. | :47:21. | |
# You'll get there in time | :47:21. | :47:23. | |
# Run, run And don't look back again | :47:23. | :47:28. | |
# Run, run One day you'll understand | :47:28. | :47:33. | |
# I'm not, no | :47:33. | :47:35. | |
# I'm not who you think I am... # | :47:35. | :47:45. | |
:47:45. | :47:49. | ||
# So run for your life | :47:49. | :47:53. | |
# Run, don't look back again Run, don't look back again | :47:53. | :47:57. | |
# Run for your life | :47:57. | :47:58. | |
# One day you'll understand One day you'll understand | :47:59. | :48:02. | |
# If you leave me behind You'll get there in time | :48:02. | :48:12. | |
:48:12. | :48:13. | ||
# Run for your life | :48:13. | :48:19. | |
# Run for your life | :48:19. | :48:24. | |
# If you leave me behind | :48:24. | :48:31. | |
# You'll get there in time. # | :48:31. | :48:39. | |
CHEERING AND APPLAUSE | :48:39. | :48:49. | |
:48:49. | :48:53. | ||
How | :48:53. | :48:53. | |
How lovely | :48:53. | :48:54. | |
How lovely was | :48:54. | :48:59. | |
How lovely was that! Ears definitely nibbled. I can see quite | :48:59. | :49:05. | |
a few of you were overcome by that. I'll be fine! I'll be OK, Matt. | :49:05. | :49:12. | |
Don't worry about me. Just have a moment. Now, earlier on, we saw a | :49:12. | :49:22. | |
film presented by Jessie J, Tulisa and Matt Cardle about poverty in | :49:22. | :49:32. | |
:49:32. | :49:37. | ||
this country. We would like to show This year | :49:37. | :49:42. | |
The bed doesn't just bring back the death of her sister | :49:42. | :49:51. | |
Their dad is not around. Their mum died of cancer. | :49:51. | :49:59. | |
James is studying and can't getthe financial support that he needs. | :49:59. | :50:03. | |
The rent is just about being managed now | :50:03. | :50:05. | |
but their washing machine has broken. | :50:05. | :50:07. | |
This brother and sister need support. | :50:07. | :50:11. | |
I want to tell you about Tyler, Natalie and Susie. | :50:11. | :50:14. | |
Their parents are suffering with severe depression. | :50:14. | :50:19. | |
Their house has a major problem. | :50:20. | :50:22. | |
It is really damp and there is mould everywhere. | :50:22. | :50:26. | |
They have no clean clothes to wear. | :50:26. | :50:27. | |
They are getting bullied at school. | :50:27. | :50:31. | |
Happy endings don't often happen for children like these. | :50:31. | :50:34. | |
With your help, we can make a difference. | :50:34. | :50:39. | |
Children In Need provides emergency grants | :50:39. | :50:43. | |
to families in the most desperate of circumstances. | :50:43. | :50:49. | |
Hayley has a brand-new bed | :50:49. | :50:51. | |
which means she will stand a chance of getting a good night's sleep. | :50:51. | :50:55. | |
James and Casey have a washing machine. | :50:55. | :50:58. | |
They have clean clothes to wear. | :50:58. | :51:01. | |
Tyler, Natalie and Susie have been given new school uniforms | :51:01. | :51:06. | |
and warm clothes and the bullying now might stop. | :51:06. | :51:11. | |
Thank you for your support. | :51:11. | :51:13. | |
Sadly, that is not the end of the story. | :51:13. | :51:16. | |
Every month, 1,000 applications arereceived from families who need help. | :51:16. | :51:22. | |
We do need to help them. | :51:22. | :51:24. | |
Please, pick up the phone and call 03457 33 22 33. | :51:24. | :51:33. | |
You will be making a huge difference. Thank you. | :51:33. | :51:40. | |
In | :51:40. | :51:40. | |
In such | :51:40. | :51:41. | |
In such tough | :51:41. | :51:44. | |
In such tough financial times, poverty is affecting so many of the | :51:44. | :51:47. | |
UK's children. With your help, we can make a difference to young | :51:47. | :51:52. | |
lives. You can give online at bbc.co.uk/pudsey or by calling | :51:52. | :52:01. | |
03457 33 22 33. Thank you. I have seen a cheque from Thomas Bolton | :52:01. | :52:10. | |
for �220. Thank you. APPLAUSE Thank you. So, what's that I hear you | :52:10. | :52:16. | |
cry? AUDIENCE: What's that? Thank you! | :52:16. | :52:22. | |
You are quick(!) We should have rehearsed! You would like to know | :52:22. | :52:28. | |
what is coming up? AUDIENCE: Yes! What's coming up?! | :52:28. | :52:36. | |
can't be bothered with this game. Let's have a look. Coming up: Music | :52:36. | :52:46. | |
:52:46. | :52:49. | ||
from Lady Gaga. Will Young. And Don't you dare miss any of that | :52:49. | :52:55. | |
lot! Now, Terry, I heard Justin Lee Collins was joining the cast of a | :52:55. | :53:03. | |
musical, I thought how will he take that hair, well he doesn't have to. | :53:03. | :53:08. | |
He is here with Shayne Ward and his fellow cast mates. It is time for | :53:08. | :53:18. | |
:53:18. | :53:39. | ||
# Hangin' on the promises # I ain't wasting | :53:39. | :53:49. | |
:53:49. | :54:00. | ||
# Though I keep searchin' # I never seem to find | :54:00. | :54:05. | |
# Oh, Lord, I pray Give me strength to carry on | :54:05. | :54:12. | |
# Cos I know what it means | :54:12. | :54:16. | |
# To walk along the lonely street of dreams | :54:16. | :54:21. | |
# Here I go again on my own | :54:21. | :54:25. | |
# Goin' down the only road I've ever known | :54:25. | :54:29. | |
# Like a drifter I was born to walk alone | :54:29. | :54:36. | |
# And I've made up my mind | :54:36. | :54:41. | |
# And I ain't wasting no more time | :54:41. | :54:46. | |
# I'm just another heart in need of rescue | :54:46. | :54:50. | |
# Waiting on love's sweet charity | :54:50. | :54:55. | |
# And I'm gonna hold on for the rest of my days | :54:55. | :55:00. | |
# Cos I know what it means | :55:00. | :55:05. | |
# To walk along the lonely street of dreams | :55:05. | :55:09. | |
# Here I go again on my own | :55:09. | :55:14. | |
# Goin' down the only road I've ever known | :55:14. | :55:19. | |
# Like a drifter I was born to walk alone | :55:19. | :55:25. | |
# And I've made up my mind | :55:25. | :55:30. | |
# I ain't wasting no more time | :55:30. | :55:38. | |
# Here I go again | :55:38. | :55:40. | |
# Here I go again | :55:40. | :55:42. | |
# Here I go, here I go Here I go again! | :55:42. | :55:46. | |
# Oh, yeah, here I go! | :55:46. | :55:54. | |
# Here I go again on my own | :55:54. | :55:58. | |
# Goin' down the only road I've ever known | :55:58. | :56:03. | |
# Like a drifter I was born to walk alone | :56:03. | :56:08. | |
# Well, I've made up my mind | :56:09. | :56:13. | |
# I ain't wastin' no more time | :56:13. | :56:18. | |
# Here I go again on my own | :56:18. | :56:23. | |
# Goin' down the only road I've ever known | :56:23. | :56:27. | |
# Like a drifter I was born to walk alone | :56:27. | :56:33. | |
# Cos I know what it means | :56:33. | :56:38. | |
# To walk along the lonely street of dreams, here I go again! # | :56:38. | :56:44. | |
CHEERING AND APPLAUSE | :56:44. | :56:54. | |
:56:54. | :57:10. | ||
You | :57:10. | :57:10. | |
You didn't | :57:10. | :57:10. | |
You didn't have | :57:10. | :57:14. | |
You didn't have that hair the last time I saw you. | :57:14. | :57:19. | |
I didn't. I have seen a pair of heels higher | :57:19. | :57:25. | |
than mine tonight worn by Justin! I love you best. That was | :57:25. | :57:27. | |
incredible. Thank you very much. | :57:27. | :57:35. | |
Seriously rocking out. It really is terrific. | :57:35. | :57:45. | |
:57:45. | :57:47. | ||
You guys have been raising money as well, right? �52,000 we raised. | :57:47. | :57:48. | |
APPLAUSE And we are still collecting. | :57:48. | :57:51. | |
That's wonderful. Thank you so much. | :57:52. | :57:55. | |
Terry... Hey, don't shout at me again! | :57:55. | :58:05. | |
:58:05. | :58:12. | ||
Thank you, Sir Terry Wogan, I hope you're all having | :58:12. | :58:14. | |
And now I'd like to introduce my friend, co-star... And so much more! | :58:14. | :58:16. | |
Ladies and gentlemen, the fabulous Miss Piggy! | :58:16. | :58:17. | |
Oh, thank you, thank you! | :58:17. | :58:18. | |
Kissy, kissy, everyone! | :58:18. | :58:19. | |
It's so wonderful to be here and be seen by all of vous. Thank you... | :58:19. | :58:21. | |
Piggy? Thank you... Piggy? Hmm? I'm sorry. Can I continue, please? | :58:21. | :58:25. | |
But I was just getting started. Yes, that's...that's what I was afraid of. | :58:25. | :58:28. | |
All right, go ahead. | :58:28. | :58:30. | |
And now a very special performance of a famous Muppet song, | :58:31. | :58:34. | |
especially for Children In Need. | :58:34. | :58:37. | |
Wait a minute - we're singing a song? Yes, we are. Cue the music! But... | :58:37. | :58:40. | |
You'll love it... I'm not prepared.- Sing along if you know it, folks. | :58:40. | :58:42. | |
I don't know the words! You'll be fine. Just move your mouth. | :58:42. | :58:45. | |
I'll start. Here we go. Move my mouth? You'll know it. | :58:45. | :58:48. | |
# Mah na mah na do do do-do-do | :58:48. | :58:50. | |
# Mah na mah na do do do do | :58:50. | :58:53. | |
What am I supposed to do? | :58:53. | :58:54. | |
# Mah na mah na do do do-do-do | :58:54. | :58:56. | |
# Do do do, do do do do do do do do do do do-do do. # | :58:56. | :58:59. | |
THEY SCAT | :58:59. | :59:05. | |
What is this song about, anyway? | :59:05. | :59:15. | |
# Mah na mah na do do do-do-do | :59:15. | :59:17. | |
# Mah na mah na do do do do | :59:17. | :59:18. | |
# Mah na mah na do do do do | :59:18. | :59:20. | |
# Do do do, do do do do do do do do do do do-do do. # | :59:20. | :59:30. | |
:59:30. | :59:31. | ||
THEY SCAT | :59:31. | :59:39. | |
# Mah na mah na do do do-do-do | :59:39. | :59:40. | |
# Mah na mah na do do do do | :59:40. | :59:42. | |
# Mah na mah na do do do-do-do | :59:42. | :59:44. | |
# Do do do, do do do do do do do do do do do-do do. # | :59:44. | :59:54. | |
:59:54. | :59:58. | ||
What is this song about, anyway? | :59:58. | :59:59. | |
About a minute 20. Here we go. | :59:59. | :00:01. | |
# Mah na mah na do do do-do-do | :00:01. | :00:03. | |
# Mah na mah na do do do do | :00:04. | :00:06. | |
# Mah na mah na do do do-do-do | :00:06. | :00:09. | |
# Do do do, do do do do do do do do do do do-do do. # | :00:09. | :00:19. | |
:00:19. | :00:19. | ||
What are you doing way over there? | :00:19. | :00:22. | |
Come over here so people can see you! | :00:22. | :00:27. | |
# Mah na mah na do do do-do-do | :00:27. | :00:29. | |
# Mah na mah na do do do do | :00:29. | :00:32. | |
# Mah na mah na do do do do | :00:32. | :00:35. | |
# Do do do, do do do do do do do do do do do-do do. # | :00:35. | :00:43. | |
Yeah! | :00:43. | :00:44. | |
Thank you! Yes, thank you. | :00:44. | :00:46. | |
And a special thanks to all of you who joined in on that song. | :00:46. | :00:48. | |
But I want to take a moment to remind you why we're here tonight. | :00:48. | :00:52. | |
To see moi! Actually, that's not it, Miss Piggy. | :00:52. | :00:55. | |
It's to raise as much money as possible for the thousands | :00:55. | :00:58. | |
of children in the UK who need your help and support. | :00:58. | :01:01. | |
Yes, of course! Listen to the frog. Pick up the phone and call now. | :01:01. | :01:05. | |
03457 33 22 33. | :01:06. | :01:09. | |
03457 33 22 33. | :01:09. | :01:12. | |
And please give what you can. Every penny is appreciated. Thank you all very much. | :01:12. | :01:22. | |
:01:22. | :01:29. | ||
What's | :01:29. | :01:29. | |
What's not | :01:29. | :01:29. | |
What's not to | :01:29. | :01:35. | |
What's not to like about The Muppets? | :01:35. | :01:40. | |
Mah na! We must stop now. Last night I was in Manchester for | :01:40. | :01:43. | |
Children In Need Rocks. What a night! I can't tell you how | :01:43. | :01:47. | |
brilliant it was. One of the highlights was a certain lady who | :01:47. | :01:51. | |
the crowd went Gaga for. She # There ain't a reason you and me | :01:51. | :01:53. | |
performed one extra song for you # Tonight, yeah, baby | :01:53. | :01:58. | |
tonight. Here she is with Edge Of # I got a reason that you-ooh | :01:58. | :02:08. | |
:02:08. | :02:11. | ||
# Tonight, yeah, baby Tonight, yeah, baby | :02:11. | :02:16. | |
# Right on the limits where we know we both belong tonight | :02:16. | :02:22. | |
# It's time to feel the rush To push the dangerous | :02:22. | :02:32. | |
:02:32. | :02:34. | ||
# I'm gonna run back to To the edge with you | :02:34. | :02:41. | |
# Where we can both fall in love | :02:41. | :02:45. | |
# I'm on the edge of glory | :02:45. | :02:50. | |
# And I'm hanging on a moment of truth | :02:50. | :02:53. | |
# Out on the edge of glory | :02:53. | :02:58. | |
# And I'm hanging on a moment with you | :02:58. | :03:01. | |
# I'm on the edge, the edge The edge, the edge | :03:01. | :03:05. | |
# The edge, the edge, the edge | :03:05. | :03:12. | |
# I'm on the edge of glory | :03:12. | :03:17. | |
# And I'm hanging on a moment with you | :03:17. | :03:22. | |
# I'm on the edge with you... # | :03:22. | :03:31. | |
# Another shot before we kiss the other side | :03:31. | :03:34. | |
# Tonight, yeah, baby Tonight, yeah, baby | :03:34. | :03:38. | |
# I'm on the edge of something final- we call life tonight | :03:38. | :03:42. | |
# All right, all right | :03:42. | :03:45. | |
# Put on your shades cos I'll be dancing in the flames | :03:45. | :03:49. | |
# Tonight, yeah, baby Tonight, yeah, baby | :03:49. | :03:53. | |
# It doesn't hurt cos everybody knows my name | :03:53. | :03:56. | |
# Tonight, all right, all right | :03:56. | :04:00. | |
# It's time to feel the rush To push the dangerous | :04:00. | :04:07. | |
# I'm gonna run back to To the edge with you | :04:07. | :04:11. | |
# Where we can both fall in love | :04:11. | :04:14. | |
# I'm on the edge of glory | :04:14. | :04:19. | |
# And I'm hanging on a moment of truth | :04:19. | :04:22. | |
# Out on the edge of glory | :04:22. | :04:26. | |
# And I'm hanging on a moment with you | :04:26. | :04:30. | |
# I'm on the edge, the edge The edge, the edge | :04:30. | :04:34. | |
# The edge, the edge, the edge | :04:34. | :04:37. | |
# I'm on the edge of glory | :04:37. | :04:41. | |
# And I'm hanging on a moment with you | :04:41. | :04:45. | |
# I'm on the edge with you... # | :04:45. | :04:55. | |
:04:55. | :04:55. | ||
# I'm on the edge with you... # | :04:55. | :05:02. | |
# I'm on the edge with you... # | :05:02. | :05:10. | |
# I'm on the edge of glory | :05:11. | :05:19. | |
# I'm on the edge of glory | :05:19. | :05:22. | |
# And I'm hanging on a moment of truth | :05:22. | :05:25. | |
# Out on the edge of glory | :05:25. | :05:30. | |
# And I'm hanging on a moment with you | :05:30. | :05:34. | |
# I'm on the edge, the edge The edge, the edge | :05:34. | :05:37. | |
# The edge, the edge, the edge | :05:37. | :05:40. | |
# I'm on the edge of glory | :05:40. | :05:44. | |
# And I'm hanging on a moment with you | :05:44. | :05:48. | |
# I'm on the edge with you With you, with you, with you | :05:48. | :05:55. | |
# I'm on the edge with you With you, with you, with you | :05:55. | :06:05. | |
:06:05. | :06:07. | ||
# I'm on the edge with you With you, with you, with you. # | :06:07. | :06:08. | |
CHEERING AND APPLAUSE | :06:08. | :06:18. | |
:06:18. | :06:30. | ||
Ah, | :06:30. | :06:34. | |
Ah, Gaga, | :06:34. | :06:34. | |
Ah, Gaga, I | :06:35. | :06:38. | |
Ah, Gaga, I love her. There will be more Manchester highlights for you | :06:38. | :06:45. | |
soon. If you had to choose between | :06:45. | :06:49. | |
keeping your children's food fresh or giving them a hot meal, which | :06:49. | :06:55. | |
one would it be? Fridge, cooker, it is not a good | :06:55. | :07:00. | |
choice, is it?, but it is a choice that thousands of United Kingdom's | :07:00. | :07:04. | |
poorest families had to make because if you have been living in | :07:04. | :07:08. | |
furnished accommodation and are moved to somewhere unfurnished | :07:08. | :07:14. | |
there could often be nothing there and I mean nothing. No beds. No | :07:14. | :07:21. | |
carpets. An empty kitchen, nothing. And when money is really tight it | :07:21. | :07:26. | |
is impossible to find the hundreds of pounds it finds to buy a cooker | :07:26. | :07:36. | |
:07:36. | :07:47. | ||
But thanks to your generosity, to support Buttle UK, who fund | :07:47. | :07:49. | |
like cookers and fridges for some of this country's poorest families. | :07:49. | :07:51. | |
Over the last year,they've helped thousands of children | :07:51. | :07:53. | |
by making sure their homes have a fridge or a cooker. | :07:53. | :07:55. | |
But here's the bad news. | :07:55. | :07:57. | |
They had to turn down 4,000 families- who were also in desperate need. | :07:57. | :08:00. | |
So the situation is grim, but, with your help, | :08:00. | :08:02. | |
we can try to make it better. | :08:02. | :08:04. | |
So please call 03457 332233. And thank you! | :08:04. | :08:10. | |
It | :08:10. | :08:11. | |
It is | :08:11. | :08:11. | |
It is the | :08:11. | :08:14. | |
It is the little things we take for granted. It is still time for you | :08:14. | :08:18. | |
to help tonight. Your money does make a real difference. | :08:18. | :08:22. | |
Now, we are still looking forward to a live performance from Mr Will | :08:23. | :08:30. | |
Young, everyone. CHEERING AND APPLAUSE | :08:30. | :08:32. | |
The highlights from Children In Need Rocks. Professor Green will | :08:32. | :08:35. | |
also be in the studio. It will be lovely. | :08:35. | :08:39. | |
I thought you were taking over the show completely. The Fern Cotton | :08:39. | :08:45. | |
show. Earlier we saw the East Enders cast | :08:45. | :08:54. | |
go crazy for Queen. It was so good, MUSIC: "Another One Bites The Dust" | :08:54. | :09:01. | |
# Ain't no sound but the sound of his feet, machine guns ready to go | :09:01. | :09:05. | |
# Are you ready? Are you ready for this? | :09:05. | :09:08. | |
# Are you hanging on the edge of your seat? | :09:08. | :09:10. | |
# Out of the doorway the bullets rip | :09:10. | :09:12. | |
# To the sound of the beat Yeah | :09:12. | :09:15. | |
# Another one bites the dust | :09:15. | :09:19. | |
# Another one bites the dust | :09:19. | :09:24. | |
# And another one gone And another one gone | :09:24. | :09:26. | |
# Another one bites the dust, hey | :09:26. | :09:28. | |
# Hey, I'm gonna get you too | :09:28. | :09:30. | |
# Another one bites the dust | :09:30. | :09:32. | |
# How do you think I'm going to get along | :09:32. | :09:34. | |
# Without you, when you're gone? | :09:34. | :09:36. | |
# You took me for everything that I had | :09:36. | :09:39. | |
# And kicked me out in the street | :09:39. | :09:42. | |
# Are you happy? Are you satisfied? | :09:42. | :09:43. | |
# How long can you stand the heat? | :09:43. | :09:45. | |
# Out of the doorway the bullets rip | :09:45. | :09:47. | |
# To the sound of the beat | :09:47. | :09:49. | |
ALL: # Another one bites the dust | :09:50. | :09:56. | |
# Another one bites the dust | :09:56. | :09:58. | |
# And another one gone And another one gone | :09:58. | :10:01. | |
# Another one bites the dust | :10:01. | :10:04. | |
# Hey, I'm gonna get you too | :10:04. | :10:05. | |
# Another one bites the dust. # | :10:05. | :10:07. | |
MUSIC: "Bohemian Rhapsody" by Queen | :10:07. | :10:10. | |
# I see a little silhouetto of a man | :10:10. | :10:11. | |
# Scaramouch! Scaramouch! | :10:12. | :10:13. | |
# Will you do the fandango? | :10:13. | :10:15. | |
ALL: # Thunderbolts and lightning | :10:15. | :10:17. | |
# Very, very frightening me | :10:17. | :10:18. | |
# Galileo Galileo | :10:19. | :10:20. | |
# Galileo Galileo | :10:20. | :10:22. | |
# Galileo Figaro | :10:22. | :10:23. | |
# Magnifico-o-o-o | :10:23. | :10:25. | |
# I'm just a poor boy | :10:25. | :10:27. | |
# Nobody loves me | :10:27. | :10:28. | |
# He's just a poor boy | :10:28. | :10:30. | |
# From a poor family | :10:30. | :10:31. | |
# Spare him his life | :10:31. | :10:33. | |
# From this monstrosity | :10:33. | :10:36. | |
# Easy come, easy go | :10:36. | :10:38. | |
# Will you let me go? | :10:38. | :10:40. | |
# Bismillah! | :10:40. | :10:41. | |
# No, we will not let you go | :10:41. | :10:42. | |
# Let him go! Bismillah! | :10:42. | :10:44. | |
# We will not let you go | :10:44. | :10:46. | |
# Let him go! Bismillah! | :10:46. | :10:47. | |
# We will not let you go | :10:47. | :10:49. | |
# Let me go Will not let you go | :10:49. | :10:50. | |
# Let me go Will not let you go | :10:50. | :10:52. | |
# Let me go-o-o-o | :10:52. | :10:54. | |
# No, no, no, no, no, no | :10:54. | :10:56. | |
# Oh, Mama Mia, Mama Mia | :10:56. | :10:58. | |
# Mama Mia, let me go | :10:58. | :11:00. | |
# Beelzebub | :11:00. | :11:01. | |
# Has a devil put aside for me-e-e | :11:01. | :11:04. | |
# For me-e-e | :11:04. | :11:06. | |
# For me... # | :11:06. | :11:16. | |
:11:16. | :11:23. | ||
MUSIC: "I Want To Break Free"by Queen | :11:23. | :11:29. | |
# I want to break free | :11:29. | :11:33. | |
# I want to break free | :11:33. | :11:37. | |
# I want to break free from your lies | :11:38. | :11:41. | |
# You're so self-satisfied I don't need you | :11:41. | :11:44. | |
# I've got to break free | :11:45. | :11:51. | |
# God knows | :11:51. | :11:54. | |
# God knows I want to break free | :11:54. | :11:59. | |
# I've fallen in love | :11:59. | :12:03. | |
# I've fallen in love for the first time | :12:03. | :12:06. | |
# And this time I know it's for real | :12:06. | :12:11. | |
# I've fallen in love, yeah | :12:11. | :12:16. | |
# God knows | :12:16. | :12:19. | |
# God knows I've fallen in love | :12:19. | :12:26. | |
# It's strange but it's true | :12:26. | :12:29. | |
# I can't get over the way you love me like you do | :12:29. | :12:33. | |
# But I have to be sure When I walk out that door | :12:33. | :12:38. | |
ALL: # Oh, how I want to be free, yeah, yeah | :12:38. | :12:42. | |
# Oh, how I want to be free | :12:42. | :12:46. | |
# Oh, how I want to break free | :12:46. | :12:52. | |
MUSIC: "Radio Ga Ga" by Queen | :12:52. | :13:02. | |
:13:02. | :13:20. | ||
# I'd sit alone and watch your light | :13:20. | :13:23. | |
# My only friend through teenage nights | :13:23. | :13:27. | |
# And everything I had to know | :13:27. | :13:31. | |
# I heard it on my radio | :13:31. | :13:36. | |
# Radio | :13:36. | :13:38. | |
# So don't become some background noise | :13:38. | :13:41. | |
# A backdrop for the girls and boys | :13:41. | :13:45. | |
# Who just don't know or just don't care | :13:45. | :13:49. | |
# And just complain when you're not there | :13:49. | :13:53. | |
# You had your time you had the power | :13:53. | :13:57. | |
# You've yet to have your finest hour | :13:57. | :14:01. | |
# Radio, radio | :14:01. | :14:05. | |
# All we hear is radio ga ga | :14:06. | :14:09. | |
# Radio goo goo Radio ga ga | :14:09. | :14:13. | |
# All we hear is radio ga ga | :14:14. | :14:17. | |
# Radio blah blah | :14:17. | :14:19. | |
# Radio, what's new? | :14:19. | :14:23. | |
# Radio, someone still loves you | :14:23. | :14:33. | |
:14:33. | :14:34. | ||
# All we hear is radio ga ga | :14:34. | :14:37. | |
# Radio goo goo | :14:37. | :14:39. | |
# Radio ga ga | :14:39. | :14:42. | |
# All we hear is radio ga ga | :14:42. | :14:45. | |
# Radio goo goo | :14:45. | :14:47. | |
# Radio ga ga | :14:47. | :14:49. | |
# All we hear is radio ga ga | :14:50. | :14:53. | |
# Radio blah blah | :14:53. | :14:55. | |
# Radio, what's new? | :14:55. | :14:59. | |
# Radio | :14:59. | :15:01. | |
# Someone still loves you | :15:01. | :15:09. | |
# Loves you! # | :15:09. | :15:19. | |
:15:19. | :15:29. | ||
I | :15:29. | :15:29. | |
I loved | :15:29. | :15:29. | |
I loved that | :15:29. | :15:34. | |
I loved that a lot. The EastEnders cast there. A historic moment, I | :15:34. | :15:40. | |
think you will agree. People ask "where were you when you first saw | :15:40. | :15:49. | |
Ian Beale in a leather skirt?". I open me eyes yet? | :15:49. | :15:55. | |
Another EastEnders actor came here to tell us about the work being | :15:55. | :16:05. | |
:16:05. | :16:06. | ||
done by the charity Steps. We would I'm a mum. | :16:06. | :16:09. | |
But I'm a long way from Walford today. | :16:09. | :16:11. | |
I'm here in Ashby de la Zouch and I've come to meet another mum, Sam, | :16:11. | :16:12. | |
who along with her husband Alistair | :16:12. | :16:14. | |
have three-and-a-half-year old twins, Luke and Harry. | :16:14. | :16:15. | |
They're identical twins. | :16:15. | :16:17. | |
But in reality, they couldn't be more different. | :16:17. | :16:19. | |
Is that your brother?! Is he coming? There he is! | :16:19. | :16:20. | |
'Life's always been a struggle for little Harry. | :16:20. | :16:21. | |
'He was born much smaller and weaker than his twin brother, Luke.' | :16:21. | :16:24. | |
You show Jo how we sign "good morning". You do it, look. | :16:24. | :16:28. | |
Good morning! Oh, good morning - like this, across my tummy? | :16:28. | :16:31. | |
And then you say "Harry", don't you? Harry. | :16:31. | :16:33. | |
Harry's head was about that big. He was just so tiny. | :16:33. | :16:38. | |
He looked like a baby bird that had fallen out of its nest. | :16:38. | :16:40. | |
'Harry only weighed one pound six when he was born | :16:41. | :16:43. | |
'and didn't leave the neonatal unit for five months.' | :16:43. | :16:46. | |
This is my favourite picture - the first day home from hospital. | :16:46. | :16:49. | |
JO GASPS Look at little and large! | :16:49. | :16:51. | |
Five months old, and Harrywas 4 pound 11, on permanent oxygen, | :16:51. | :16:55. | |
and Luke was 12 pounds. | :16:55. | :16:58. | |
Harry's health problems were compounded | :16:58. | :16:59. | |
when he was diagnosed with cerebral palsy, | :17:00. | :17:02. | |
a neurological condition that severely limits muscle control and coordination. | :17:02. | :17:06. | |
He's got no core stability. | :17:06. | :17:09. | |
Still got an extremely weak, floppy neck. | :17:09. | :17:13. | |
He can't stand or walk. | :17:13. | :17:16. | |
I've never, ever called them the twins or feel like I've got twins, | :17:16. | :17:18. | |
because they're just worlds apart. | :17:18. | :17:22. | |
Harry is always going to develop at a very different rate to his brother, | :17:22. | :17:25. | |
but there is one special place which is helping him reach his full potential. | :17:25. | :17:28. | |
Hello, Harry! Hiya, Sam! | :17:28. | :17:34. | |
Steps is an education centre in Shepshed, near Loughborough, | :17:34. | :17:38. | |
which offers free specialist care and support to young children with motor disorders. | :17:38. | :17:42. | |
Are you all ready? Can you find Harry? | :17:42. | :17:46. | |
# Hello Harry, hello Harry Where are you? Where are you? # | :17:46. | :17:53. | |
They do different exercises and stretches and sing songs. | :17:53. | :17:58. | |
Good boy! | :17:58. | :18:00. | |
'Harry gets so much joy out of it. | :18:00. | :18:03. | |
'He's so extrovert and really happy to have all the attention.' | :18:03. | :18:06. | |
Are we at Steps with your friends?! | :18:06. | :18:11. | |
Look! A rabbit! | :18:11. | :18:15. | |
Bee-bo! | :18:15. | :18:17. | |
Your donations to Children In Need | :18:17. | :18:19. | |
have funded the salaries of four specially trained staff here. | :18:19. | :18:21. | |
# ..Little star, how I wonder... # | :18:21. | :18:25. | |
But class sizes are limited and they have a waiting list. | :18:26. | :18:28. | |
A list which two-year-old Jude has been on for six months. | :18:28. | :18:33. | |
He's here on a trial day today. | :18:33. | :18:35. | |
So, would it mean a lot to you to get in? Oh, absolutely. | :18:35. | :18:37. | |
There's very little like Steps | :18:37. | :18:40. | |
that are around that we can go as a family | :18:40. | :18:42. | |
and for him to enjoy himself as well. | :18:42. | :18:45. | |
So, we are quite desperate to get in. | :18:45. | :18:47. | |
Jude's mum knows it's crucial | :18:47. | :18:49. | |
for her little boy to start coming to Steps as soon as possible, | :18:49. | :18:52. | |
to benefit from the incredible care and support | :18:52. | :18:54. | |
that's helped Harry so much. | :18:54. | :18:56. | |
But for now he'll have to keep waiting, | :18:56. | :18:59. | |
because Steps don't have the funds for any more staff. | :18:59. | :19:01. | |
It costs �200,000 to run Steps every year. | :19:01. | :19:06. | |
We need this vital service to continue, because you can see today, | :19:06. | :19:10. | |
everybody's having such a brilliant time. | :19:10. | :19:14. | |
Bye-bye, Harry! | :19:14. | :19:16. | |
Aww! | :19:16. | :19:19. | |
It's been a real privilege to come here today | :19:19. | :19:20. | |
and meet Sam and Alistair and the boys, Harry and Luke. | :19:20. | :19:23. | |
The carers here, they are just phenomenal. | :19:23. | :19:26. | |
They just give 100%. | :19:26. | :19:27. | |
It's just shocking to think there's a waiting list for anybody | :19:27. | :19:30. | |
and that this isn't available to every child that needs it. | :19:30. | :19:34. | |
So, give what you can, please. Pick up the phone and ring: | :19:34. | :19:37. | |
Thank you. | :19:37. | :19:47. | |
:19:47. | :19:54. | ||
�50 | :19:54. | :19:55. | |
�50 pays | :19:55. | :19:55. | |
�50 pays for | :19:55. | :19:58. | |
�50 pays for a child to enji a day at Steps and it really does work. | :19:58. | :20:03. | |
You can help Children in Need help places like Steps. Just pick up | :20:03. | :20:06. | |
your phone. We can do this together, come on: | :20:06. | :20:10. | |
03457 33 22 33 Thank you. | :20:10. | :20:16. | |
This next young man has been a true friend of Children In Need, | :20:16. | :20:23. | |
although no longer young! He rushed here from his gig in Cambridge to | :20:23. | :20:31. | |
sing for you tonight. Look at him. Yes, there is still beads of | :20:31. | :20:41. | |
:20:41. | :20:44. | ||
perspiration on his manly brow. The # Walk away | :20:44. | :20:50. | |
# You're caught in a corner with nowhere to hide you're eyes | :20:50. | :20:57. | |
# Do you think you wanna say goodbye? | :20:57. | :21:03. | |
# Hey always the last to say | :21:03. | :21:09. | |
# Everything makes you feel like a walking away | :21:09. | :21:14. | |
# Come on, come on Come on, come on | :21:14. | :21:18. | |
# Hey always the last to say | :21:18. | :21:23. | |
# Everything makes you feel like a walking away | :21:23. | :21:28. | |
# Come on, come on Come on, come on | :21:28. | :21:33. | |
# There's a bit of me that will always be with you | :21:33. | :21:41. | |
# And something tells me this is love due | :21:41. | :21:46. | |
# Hey always the last to say | :21:46. | :21:52. | |
# Everything makes you feel like a walking away | :21:52. | :21:57. | |
# Come on, come on Come on, come on | :21:57. | :22:01. | |
# Hey always the last to say | :22:01. | :22:05. | |
# Everything makes you feel like a walking away | :22:06. | :22:12. | |
# Come on, come on Come on, come on | :22:12. | :22:15. | |
# Come on, come on, Come on, come on | :22:15. | :22:19. | |
# Come on, come on, come on | :22:19. | :22:23. | |
# Come on, come on Come on, come on | :22:23. | :22:26. | |
# Come on, come on, come on... # | :22:26. | :22:36. | |
:22:36. | :22:37. | ||
# Like a dream The sky is falling | :22:37. | :22:41. | |
# Is it you who's talking? | :22:41. | :22:45. | |
# Can I take these words away? Hey-ay-ay... # | :22:45. | :22:53. | |
# Hey Always the last to say | :22:53. | :22:57. | |
# Everything makes you feel like a walking away | :22:57. | :23:03. | |
# Come on, come on Come on, come on | :23:03. | :23:06. | |
# Like a dream The sky is falling | :23:06. | :23:10. | |
# Is it you who's talking? | :23:10. | :23:14. | |
# Can I take these words away? | :23:14. | :23:21. | |
# Like a dream The sky is falling | :23:21. | :23:24. | |
# Is it you who's talking? | :23:24. | :23:28. | |
# Can I take these words away? # | :23:28. | :23:36. | |
CHEERING AND APPLAUSE | :23:36. | :23:46. | |
:23:46. | :23:55. | ||
Will | :23:55. | :23:55. | |
Will Young, | :23:55. | :23:55. | |
Will Young, you | :23:55. | :23:59. | |
Will Young, you have even worn a suit for Sir Terry. | :23:59. | :24:05. | |
And for you. Give it up for Will Young. | :24:05. | :24:15. | |
:24:15. | :24:15. | ||
CHEERING AND APPLAUSE Now, you are such a great supporter | :24:15. | :24:17. | |
of of Children in Need, I can't thank you enough. | :24:17. | :24:22. | |
I ran all the way from Cambridge, I won't pretend. Oh, I'm tired! | :24:22. | :24:26. | |
There is a bit of sweat. It is a bit moist. | :24:26. | :24:32. | |
I know. I suspect your armpits are not something to talk about. | :24:32. | :24:39. | |
As I get get older, they get worse. Will, you are a great fella and we | :24:39. | :24:43. | |
are thrilled to have you with us and you're going to be standing | :24:43. | :24:49. | |
here because we are now going to have a new total. | :24:49. | :24:53. | |
Let me not anticipate the delights that lie ahead, but a couple of | :24:53. | :24:58. | |
hours ago, we passed last year's total. So heaven knows how much we | :24:58. | :25:02. | |
have made this year because it has been absolutely stunning and we've | :25:02. | :25:06. | |
still got an hour to go. More than an hour to go so I'm going to be | :25:06. | :25:11. | |
relying on you to really push it. We're going to rely on you because | :25:11. | :25:21. | |
:25:21. | :25:34. | ||
it is for the children. Let's have CHEERING AND APPLAUSE | :25:34. | :25:39. | |
That's incredible. And every single penny of that is | :25:39. | :25:42. | |
going to go to this country's under privileged children. | :25:43. | :25:48. | |
In an hour's time, who knows what can happen. This is incredible. | :25:48. | :25:51. | |
Come on, let's not stop there. Thank you so much. Now, earlier | :25:51. | :25:57. | |
this evening we saw Lord Sugar face the Dragons on their home turf. | :25:57. | :26:05. | |
and facing who says he has a proven | :26:05. | :26:09. | |
As we know, it's hard to charm the Dragons | :26:09. | :26:11. | |
and even harder to get them to part with their cash. | :26:11. | :26:13. | |
Four flights of bleedin' stairs in a warehouse?! Get a bleedin' lift in! | :26:13. | :26:23. | |
:26:23. | :26:27. | ||
If I wanted to get fitI'd have gone to one of your gyms. | :26:27. | :26:31. | |
State-of-the-art health clubs, actually. | :26:31. | :26:33. | |
Yeah. I'm only joking, I wouldn't set foot in one of them. | :26:33. | :26:36. | |
Right, eyes front, wipe them gormless looks off your face | :26:36. | :26:40. | |
and get your chequebooks out. | :26:40. | :26:42. | |
It's a confident start from the former East End barrow boy, | :26:42. | :26:47. | |
but these multimillionaires are hard to please. | :26:47. | :26:51. | |
What have you dragged me out here for anyway? | :26:51. | :26:54. | |
Who has a business meeting in a knackered old warehouse, | :26:54. | :26:58. | |
chains everywhere... Get a grip, this is not The Long Good Friday. | :26:58. | :27:01. | |
Can you crack on? We've still got a lot of people to shout at. | :27:01. | :27:04. | |
All right, Lofty, keep your hair on. | :27:04. | :27:06. | |
I mean, you're all supposed to be successful business people, | :27:06. | :27:10. | |
what you doing sharing an office anyway? | :27:10. | :27:15. | |
It's our Den. You know, Dragons' Den? | :27:15. | :27:17. | |
Grow up, love, last time I had a den- I was nine years old. | :27:17. | :27:20. | |
Why don't you get a boardroom each like proper grown-ups? | :27:20. | :27:23. | |
Like you, you mean? | :27:23. | :27:25. | |
Big Brother, all live in a house and do tasks? Shut it, Theo. | :27:25. | :27:28. | |
Alan seems to be losing the confidence of the investors. | :27:28. | :27:34. | |
Oi! Evan! You can shut it an' all. | :27:34. | :27:37. | |
At least we've got real secretaries. | :27:37. | :27:38. | |
You haven't got a massive table though, have you? | :27:38. | :27:40. | |
You haven't even got matching chairs. | :27:40. | :27:42. | |
I mean, where d'you get this lot from, a fire sale at Staples? | :27:42. | :27:45. | |
Look, have you got an idea to pitch or not? | :27:45. | :27:48. | |
Listen, James, I like you. Mind you, the new look, | :27:48. | :27:52. | |
I'm not sure it's working for you at the moment. | :27:52. | :27:55. | |
Do you know how I decide whether or not to employ someone? No. | :27:55. | :27:58. | |
I interview them. You know how long it takes? | :27:58. | :28:00. | |
20 minutes, not 13 bloody weeks, what's wrong with you? | :28:00. | :28:04. | |
Well, listen, at least I don't have | :28:04. | :28:06. | |
to big myself up with piles of pretend money. | :28:06. | :28:09. | |
I'm willing to bet they're just photocopies | :28:09. | :28:12. | |
on the back of compliment slipsfrom some of your failed businesses. | :28:12. | :28:16. | |
A somewhat tetchy opening exchange | :28:16. | :28:19. | |
and not the start Alan would've hoped for. | :28:19. | :28:22. | |
Can Deborah Meaden offer him any respite? | :28:22. | :28:25. | |
OK, what's your idea? | :28:25. | :28:27. | |
Right, hold on a minute, this is me in my element. | :28:27. | :28:31. | |
I'm now about to give you a masterclass in presentation, | :28:31. | :28:36. | |
so stand by, listen and learn. This is it. | :28:36. | :28:39. | |
Wow, black cloth? I like it, I'm in. | :28:39. | :28:44. | |
Very droll. This is not it, you numpty. I knew that! | :28:44. | :28:49. | |
Right, hold on. Presenting...Amsbear. | :28:49. | :28:56. | |
That's Pudsey. No, Amsbear. Pudsey. Amsbear. | :28:57. | :29:00. | |
You can't just put "Ams" in front of something | :29:00. | :29:02. | |
and pretend you've thought them up. | :29:02. | :29:04. | |
Oh, look! I'm sitting in an Ams-chair. | :29:04. | :29:07. | |
No, no, no. Amsbear is the first fully-integrated, | :29:07. | :29:11. | |
wireless-communication bear in the market. It's got the lot - | :29:11. | :29:15. | |
GPS, G4, G3, satellite communication. | :29:15. | :29:19. | |
You're having a laugh. I never laugh, James. | :29:19. | :29:22. | |
THE APPRENTICE THEME PLAYS | :29:22. | :29:28. | |
Excuse me a minute. Hello? No. No,it's not going very well at all... | :29:28. | :29:34. | |
Dragons don't take kindly to interruptions in the Den | :29:34. | :29:39. | |
as Alan takes a call from his soon-to-be-fired apprentice. | :29:39. | :29:43. | |
No, they think it's Pudsey. All right, I'll see you later. | :29:43. | :29:47. | |
So who's in charge here then? ALL: Me! | :29:47. | :29:52. | |
So what you got to say for yourself? | :29:52. | :29:54. | |
IN A VERY SCOTTISH ACCENT: I don't understand your product, | :29:54. | :29:55. | |
I don't understand who your customers are, | :29:55. | :29:57. | |
I don't understand your business plan. | :29:57. | :29:59. | |
Never mind about that, I don't understand a word you're saying. | :29:59. | :30:02. | |
It's decision time, will Theo Paphitis | :30:02. | :30:05. | |
say that thing about HIS Children In Need? | :30:05. | :30:08. | |
Listen, sunshine, I've got no intention | :30:08. | :30:11. | |
of investing MY children's inheritance | :30:11. | :30:13. | |
in a teddy bear with a SIM card stuck up its... | :30:13. | :30:16. | |
I don't need your investment, son. | :30:16. | :30:18. | |
What you doing here then? Well, to tell you the truth, | :30:18. | :30:21. | |
I just want you to buy some of the bloody things. | :30:21. | :30:24. | |
I'm out. Sorry, but I'm out. | :30:24. | :30:26. | |
What about you, Braveheart? Not for me, I'm out. | :30:26. | :30:30. | |
Three Dragons out in quick succession, but Peter Jones | :30:30. | :30:34. | |
will probably say he has experience in this sector. | :30:34. | :30:38. | |
I have a lot of experience in this sector... | :30:38. | :30:41. | |
and this is ridiculous, I'm out. | :30:41. | :30:44. | |
Well, James? It's Hilary. | :30:44. | :30:48. | |
And as it happens I do need a present for my nephew | :30:48. | :30:51. | |
and I've not got time to go to the garage and get one, | :30:51. | :30:55. | |
so I'll give you a fiver for one, OK? | :30:55. | :30:56. | |
Right, lady over there, one Amsbear sold. ALL: Pudsey! | :30:57. | :31:02. | |
Shut it. Congratulations, James. | :31:02. | :31:04. | |
And the rest of you just go away | :31:04. | :31:06. | |
and go and decide amongst yourselves | :31:06. | :31:08. | |
who's responsible for this mess. Go on, off you go. | :31:08. | :31:18. | |
:31:18. | :31:32. | ||
CHEERING | :31:32. | :31:32. | |
CHEERING AND | :31:33. | :31:33. | |
CHEERING AND APPLAUSE | :31:33. | :31:35. | |
CHEERING AND APPLAUSE That | :31:35. | :31:37. | |
That was | :31:37. | :31:37. | |
That was fun. | :31:37. | :31:38. | |
That was fun. I | :31:38. | :31:44. | |
That was fun. I was always taught never to give sugar to a dragon! A | :31:44. | :31:50. | |
big thank you to Lord Sugar and the Dragons. Next tonight, he is a | :31:50. | :31:54. | |
doctorate in dancing and a PhD in putting it down! From what | :31:54. | :31:58. | |
university? Just roll with it. Featuring Emeli Sande, please make | :31:58. | :32:08. | |
:32:08. | :32:10. | ||
some noise for the Godfather of # I wanna scream | :32:10. | :32:16. | |
# They can read all about it Read all about it, oh... # | :32:16. | :32:25. | |
Nothing to hide Stuff I tried to smother | :32:25. | :32:27. | |
Suffered and cried Strife made me tougher | :32:27. | :32:29. | |
Never lower your stride The trouble, I rise above all | :32:29. | :32:31. | |
Expectations to get rep Ain't never begged yet | :32:31. | :32:34. | |
When I wanted to get pence, hustle | :32:34. | :32:36. | |
To be, I'm exactly what my neck says | :32:36. | :32:38. | |
Saying I tried to cash in on my dad's death | :32:38. | :32:41. | |
I wanted to vent Instead I said nothing at all | :32:41. | :32:43. | |
After all you were never kin to me | :32:43. | :32:45. | |
Family is something that you never been to me | :32:45. | :32:48. | |
In fact making it harder for me to see my father | :32:48. | :32:50. | |
Was the only thing that you ever did for me... | :32:50. | :32:53. | |
# I wanna sing, I wanna shout | :32:53. | :32:56. | |
# I wanna scream till the words dry out | :32:56. | :33:01. | |
# So put it in all of the papers I'm not afraid | :33:01. | :33:06. | |
# They can read all about it Read all about it, oh... # | :33:06. | :33:16. | |
:33:16. | :33:22. | ||
As a kid I looked up to you | :33:22. | :33:23. | |
Only thing was I never saw enough of you | :33:23. | :33:25. | |
Last thing I said to you was I hated you | :33:25. | :33:27. | |
I loved you but now it's too late to say to you | :33:27. | :33:31. | |
Just didn't know what to do and how to deal with it | :33:31. | :33:33. | |
Even now deep down I still live it | :33:33. | :33:35. | |
To think I used to blame me | :33:35. | :33:37. | |
I wonder what I did to you to make you hate me | :33:37. | :33:40. | |
I wasn't even five | :33:40. | :33:41. | |
Life's a journey and mine wasn't an easy ride | :33:41. | :33:43. | |
You never even got to see me rap | :33:43. | :33:45. | |
I just wish you woulda reached out | :33:45. | :33:47. | |
I wish you woulda been round when I been down | :33:47. | :33:50. | |
I wish that you could see me now | :33:50. | :33:52. | |
Wherever you are I really hope you find peace | :33:52. | :33:54. | |
But know that if I ever have kids | :33:54. | :33:56. | |
Unlike you, I'll never let them be without me... | :33:56. | :33:59. | |
# I wanna sing, I wanna shout | :33:59. | :34:02. | |
# I wanna scream till the words dry out | :34:03. | :34:07. | |
# So put it in all of the papers I'm not afraid | :34:07. | :34:13. | |
# They can read all about it Read all about it, oh... # | :34:13. | :34:17. | |
I write songs I can't listen to | :34:17. | :34:22. | |
Everything I have I give to you | :34:22. | :34:24. | |
In every one of these lines I sing to you | :34:24. | :34:26. | |
My job's more like public service | :34:26. | :34:29. | |
My life just became yours to read and interpret | :34:30. | :34:32. | |
If you heard it it'd come across a lot different at times | :34:32. | :34:35. | |
I throw fits when I read how they word things | :34:35. | :34:37. | |
You see me smile now you're gonna have to see me hurtin' | :34:37. | :34:42. | |
Cos pretending everything is all right | :34:42. | :34:44. | |
When it ain't Really isn't working... | :34:44. | :34:46. | |
# I wanna sing, I wanna shout | :34:47. | :34:49. | |
# I wanna scream till the words dry out | :34:49. | :34:54. | |
# So put it in all of the papers I'm not afraid | :34:54. | :35:00. | |
# They can read all about it Read all about it, oh... # | :35:00. | :35:10. | |
CHEERING AND APPLAUSE | :35:10. | :35:20. | |
:35:20. | :35:20. | ||
That | :35:20. | :35:22. | |
That was | :35:22. | :35:22. | |
That was terrific. | :35:22. | :35:28. | |
That was terrific. Thank you. A huge thank you to Professor Green | :35:28. | :35:33. | |
and Emeli Sande. The reaction says it all. It was brilliant. I hope | :35:34. | :35:40. | |
you at home enjoyed it, too! It was terrific. Thank you. Now, earlier | :35:40. | :35:49. | |
on, we saw a good friend of mine perform. When he asked if he | :35:49. | :35:56. | |
thought he should make a fool of himself for Children In Need - I | :35:56. | :36:06. | |
:36:06. | :36:10. | ||
said yes. Here is how your pal Gok He's the fashion guru. Hello | :36:10. | :36:19. | |
Southampton! For one night only Gok Wan. I dress women for a living. I | :36:19. | :36:29. | |
don't dance or sing. Stop, stop. that right? That was wrong. Apart | :36:29. | :36:36. | |
from that, it is mostly OK. There are some very, very accomplished | :36:36. | :36:42. | |
and talented dancers. Did you learn that this morning? You did not! I | :36:42. | :36:47. | |
have known I'm doing this for two weeks and I haven't nailed it yet. | :36:47. | :36:51. | |
I'm sitting on the steps whilst they all get it right and I will | :36:51. | :36:58. | |
get it wrong! The most scariest thing I have ever done in my life. | :36:58. | :37:08. | |
:37:08. | :37:09. | ||
Go away. Moving your feet in that direction eight times - you | :37:09. | :37:13. | |
wouldn't think it would be that difficult. I'm better with breasts | :37:13. | :37:20. | |
than I am with feet! I'm going home. I can't believe I'm doing this. | :37:20. | :37:25. | |
What an idiot! I'm forgetting the words again. You will lose money by | :37:25. | :37:35. | |
putting me on the stage. Don't show Of course we did! I have been | :37:35. | :37:39. | |
getting daily phone calls from Gok about this. He has been petrified. | :37:39. | :37:43. | |
He's been a terrific supporter of Children In Need. Such a highlight, | :37:43. | :37:53. | |
:37:53. | :37:58. | ||
# Give 'em the old razzle dazzle # Give 'em an act | :37:58. | :38:03. | |
# And the reaction will be passionate | :38:03. | :38:07. | |
# Give 'em the old hocus pocus Bead and feather 'em | :38:07. | :38:13. | |
# How can they see with sequins in their eyes? | :38:13. | :38:23. | |
# What if your hinges all are rusting? | :38:23. | :38:26. | |
# What if, in fact You're just disgusting? | :38:26. | :38:30. | |
# Razzle dazzle 'em And they'll never catch wise... # | :38:30. | :38:40. | |
:38:40. | :38:42. | ||
# Give 'em the old razzle dazzle Razzle dazzle 'em | :38:43. | :38:50. | |
# Back since the days of old Methuselah | :38:50. | :38:53. | |
# Everyone loves the big bambooz-a-ler | :38:53. | :38:59. | |
# Give 'em the old three-ring circus, stun and stagger 'em | :38:59. | :39:05. | |
# When you're in trouble go into your dance | :39:05. | :39:12. | |
# Though you are stiffer than a girder | :39:12. | :39:16. | |
# They let you get away with murder | :39:16. | :39:20. | |
# Razzle dazzle 'em and you've got a romance... # | :39:20. | :39:29. | |
# Give 'em the old razzle dazzle Razzle dazzle 'em | :39:29. | :39:39. | |
# Give 'em a show that's so splendiferous | :39:39. | :39:40. | |
# Row after row will grow vociferous | :39:40. | :39:45. | |
# Give 'em the old double whammy Daze and dizzy 'em | :39:45. | :39:48. | |
# Back since the days of old Methuselah | :39:48. | :39:55. | |
# Everyone loves the big bambooz-a-ler | :39:55. | :40:01. | |
# Long as you keep 'em way off balance | :40:01. | :40:02. | |
# How can they spot you got no talents? | :40:02. | :40:05. | |
# Razzle dazzle 'em | :40:05. | :40:08. | |
# Razzle dazzle 'em... # | :40:08. | :40:10. | |
# And they'll make you a star! # | :40:10. | :40:18. | |
CHEERING AND APPLAUSE | :40:18. | :40:27. | |
Well | :40:27. | :40:27. | |
Well done, | :40:27. | :40:28. | |
Well done, Gok! | :40:28. | :40:34. | |
Well done, Gok! That was great. have seen a cheque here from | :40:34. | :40:40. | |
Frankie and Benny's for �100,000 for Children In Need. Wow! Thank | :40:40. | :40:45. | |
you. The money keeps rolling in. We haven't got much time left. If you | :40:45. | :40:51. | |
are going to make your donation, you have 43 minutes left. Earlier | :40:51. | :40:54. | |
on tonight, Gareth Malone pulled off one of the most amazing moments | :40:54. | :40:58. | |
we have ever had on Children In Need when he and a choir of | :40:58. | :41:06. | |
thousands of children around the country sang Keep Holding On. It | :41:06. | :41:10. | |
was tremendous! It was. It's what tonight is all about so here it is | :41:10. | :41:14. | |
again. If you can show your support by picking up the phone, we will be | :41:14. | :41:24. | |
:41:24. | :41:27. | ||
# You're not alone # I'll be by your side | :41:27. | :41:28. | |
# When it gets cold and it feels like the end | :41:28. | :41:31. | |
# There's no place to go You know I won't give in | :41:31. | :41:36. | |
# No, I won't give in | :41:36. | :41:41. | |
# Keep holding on | :41:41. | :41:49. | |
# Cos you know we'll make it through, we'll make it through | :41:49. | :41:53. | |
# Just stay strong | :41:53. | :41:57. | |
# Cos you know I'm here for you, I'm here for you | :41:57. | :41:59. | |
# There's nothing you could say Nothing you could do | :42:00. | :42:03. | |
# There's no other way when it comes to the truth | :42:03. | :42:07. | |
# So keep holding on | :42:07. | :42:13. | |
# Cos you know we'll make it through, we'll make it through | :42:13. | :42:16. | |
# So far away I wish you were here | :42:16. | :42:20. | |
# Before it's too late This could all disappear | :42:20. | :42:24. | |
# Before the doors close and it comes to an end | :42:24. | :42:28. | |
# With you by my side I will fight and defend | :42:28. | :42:33. | |
# I'll fight and defend Yeah, yeah! | :42:33. | :42:39. | |
# Keep holding on | :42:39. | :42:44. | |
# Cos you know we'll make it through, we'll make it through | :42:45. | :42:47. | |
# Just stay strong | :42:47. | :42:53. | |
# Cos you know I'm here for you, I'm here for you | :42:53. | :42:56. | |
# There's nothing you could say Nothing you could do | :42:56. | :42:59. | |
# There's no other way when it comes to the truth | :42:59. | :43:03. | |
# So keep holding on | :43:03. | :43:08. | |
# Cos you know we'll make it through, we'll make it through | :43:09. | :43:12. | |
# Hear me when I say When I say I believe | :43:12. | :43:15. | |
# Nothing's gonna change Nothing's gonna change destiny | :43:15. | :43:19. | |
# Whatever's meant to be will work out perfectly | :43:19. | :43:23. | |
# Yeah, yeah, yeah, yeah! | :43:23. | :43:28. | |
# La, da-da, da La, da-da, da | :43:28. | :43:32. | |
# La, da-da, da-da Da-da, da-da, da | :43:32. | :43:38. | |
# La, da-da, da-da Da-da, da-da, da | :43:39. | :43:42. | |
# La, da-da, da-da Da-da, da-da, da | :43:42. | :43:52. | |
:43:52. | :44:04. | ||
# Keep holding on | :44:04. | :44:08. | |
# Cos you know we'll make it through, we'll make it through | :44:08. | :44:11. | |
# Just stay strong | :44:11. | :44:16. | |
# Cos you know I'm here for you, I'm here for you | :44:16. | :44:20. | |
# There's nothing you could say Nothing you could do | :44:20. | :44:23. | |
# There's no other way when it comes to the truth | :44:23. | :44:27. | |
# So keep holding on | :44:27. | :44:32. | |
# Cos you know we'll make it through, we'll make it through... # | :44:32. | :44:35. | |
# Keep holding on... # | :44:35. | :44:40. | |
# Keep holding on | :44:40. | :44:45. | |
# Keep holding on | :44:45. | :44:51. | |
CHEERING AND APPLAUSE | :44:51. | :45:01. | |
Well | :45:01. | :45:01. | |
Well done, | :45:01. | :45:01. | |
Well done, Gareth. | :45:01. | :45:07. | |
Well done, Gareth. Well done all those children. The high spot of | :45:07. | :45:12. | |
the night. We might be able to top that. Last night, I was in | :45:12. | :45:18. | |
Manchester for an amazing party organised by Captain Gary Barlow. | :45:18. | :45:21. | |
CHEERING It was brilliant. Loud music, leggy women, sweaty dancing | :45:22. | :45:28. | |
- you would have loved it! never asked to anything any more. | :45:28. | :45:34. | |
AUDIENCE: Ah! Shut up! LAUGHTER you think you could stand the | :45:34. | :45:40. | |
excitement of watching it again? AUDIENCE: No! The answer is "yes". | :45:40. | :45:44. | |
I'll watch it. Good. It's a risk I am prepared to take. Keep calling | :45:44. | :45:50. | |
while you watch because we are not finished yet. If you fancy, you can | :45:51. | :46:00. | |
:46:01. | :46:04. | ||
also give �5 to Children In Need by texting the word "donate". Text to | :46:04. | :46:10. | |
70705. Texts cost �5 plus your standard network rate. �5 will go | :46:10. | :46:14. | |
to Children In Need. For full terms and conditions go to | :46:14. | :46:18. | |
bbc.co.uk/pudsey. You must be over 16 and ask the bill payer's | :46:18. | :46:28. | |
permission. It's a fan it is a -- it was a fantastic night. It | :46:28. | :46:38. | |
:46:38. | :46:44. | ||
started off with Lady Gaga. Do you Manchester, are you ready? Please | :46:44. | :46:47. | |
welcome the biggest popstar on Planet Earth performing for | :46:47. | :46:57. | |
:46:57. | :47:04. | ||
Children In Need Rocks. Raise the # It doesn't matter | :47:04. | :47:14. | |
:47:14. | :47:41. | ||
# She rolled my hair # "There's nothin' wrong | :47:41. | :47:48. | |
# "So hold your head up, girl, and you'll go far" | :47:48. | :47:51. | |
# Listen to me when I say | :47:51. | :47:55. | |
# I'm beautiful in my way Cos God makes no mistakes | :47:55. | :47:59. | |
# I'm on the right track, baby I was born this way | :47:59. | :48:02. | |
# Don't hide yourself in regret Just love yourself and you're set | :48:03. | :48:06. | |
# I'm on the right track, baby I was born this way | :48:06. | :48:11. | |
# Ooh, there ain't no other way Baby, I was born this way | :48:11. | :48:15. | |
# Baby, I was born this way | :48:15. | :48:19. | |
# Ooh, there ain't no other way | :48:19. | :48:20. | |
# Baby, I was born this way | :48:20. | :48:23. | |
# I'm on the right track, baby I was born this way | :48:23. | :48:27. | |
# Don't be a drag, just be a queen Don't be a drag, just be a queen | :48:27. | :48:30. | |
# Don't be a drag, just be a queen | :48:30. | :48:32. | |
# Don't be | :48:32. | :48:35. | |
# Give yourself prudence And love your friends | :48:35. | :48:38. | |
# Subway kid, rejoice your truth | :48:38. | :48:43. | |
# In the religion of the insecure I must be myself, respect my youth | :48:43. | :48:50. | |
# A different lover is not a sin | :48:50. | :48:54. | |
# Believe capital H-I-M | :48:54. | :49:01. | |
# I love my life I love this record and | :49:02. | :49:03. | |
# Mi amore vole fe yah | :49:03. | :49:05. | |
# Love needs faith | :49:05. | :49:06. | |
# I'm beautiful in my way Cos god makes no mistakes | :49:06. | :49:09. | |
# I'm on the right track, baby I was born this way | :49:09. | :49:12. | |
# Don't hide yourself in regret Just love yourself and you're set | :49:12. | :49:16. | |
# I'm on the right track, baby I was born this way | :49:16. | :49:26. | |
:49:26. | :49:31. | ||
# Il nome suo nessun sapra! | :49:31. | :49:33. | |
# E noi dovrem, ahime, morir! | :49:33. | :49:37. | |
# Dilegua, o notte! Tramontate, stelle! | :49:37. | :49:47. | |
# Tramontate, stelle! | :49:47. | :49:52. | |
# All'alba vincero! | :49:52. | :50:00. | |
# Vincero | :50:00. | :50:05. | |
# Vincero! # | :50:05. | :50:15. | |
CHEERING AND APPLAUSE | :50:15. | :50:25. | |
:50:25. | :50:45. | ||
What | :50:45. | :50:45. | |
What a | :50:45. | :50:46. | |
What a truly | :50:46. | :50:49. | |
What a truly extraordinary night this is. This next film tells the | :50:49. | :50:58. | |
tale of one amazing little boy's life. Let's hear about Harley. | :50:58. | :51:03. | |
Harley was a normal fit, healthy three-year-old boy. One Sunday | :51:03. | :51:09. | |
afternoon, he became unwell. At first, just a high temperature and | :51:09. | :51:14. | |
flu-like symptoms. That night, he couldn't sleep. At 3.00, a deep | :51:14. | :51:24. | |
:51:24. | :51:25. | ||
purple rash appeared on the right Within hours, he was diagnosed | :51:25. | :51:35. | |
:51:35. | :51:37. | ||
The septicaemia attacked his circulation. | :51:37. | :51:39. | |
He turned black from head to toe. | :51:39. | :51:49. | |
:51:49. | :51:50. | ||
Harley! | :51:50. | :51:52. | |
That's a good smile! | :51:52. | :51:54. | |
That's a lovely smile. | :51:54. | :52:01. | |
Harley lost both arms and legs. | :52:01. | :52:03. | |
But he hasn't lost his love of life. | :52:03. | :52:06. | |
HARLEY LAUGHS | :52:06. | :52:09. | |
HARLEY SHOUTS | :52:09. | :52:14. | |
He now has artificial limbs and a special wheelchair | :52:14. | :52:17. | |
and has started school. | :52:17. | :52:19. | |
What do you think this one is? | :52:19. | :52:20. | |
Right, Harley, what's that one? Fish. | :52:21. | :52:24. | |
Once again, he can be a normal little boy. | :52:25. | :52:34. | |
:52:35. | :52:36. | ||
Please, | :52:36. | :52:36. | |
Please, please | :52:36. | :52:37. | |
Please, please text | :52:37. | :52:42. | |
Please, please text the word "donate" to 70705 and you can help | :52:42. | :52:48. | |
other children just like Harley! Text messages will cost �5 plus | :52:48. | :52:53. | |
your standard network charge and �5 will go to Children In Need, all of | :52:53. | :52:58. | |
it. You must be over 16 and ask the billpayer's permission. For full | :52:58. | :53:02. | |
terms and conditions visit bbc.co.uk/pudsey - you know you | :53:02. | :53:08. | |
want to! Ladies and gentlemen, give it up for Harley! | :53:08. | :53:18. | |
:53:18. | :53:18. | ||
Apology for the loss of subtitles for 168 seconds | :53:18. | :56:08. | |
# Direct me to the floor # And turn it up some more | :56:08. | :56:14. | |
# I'm get it on, on, on # She makes me wanna | :56:14. | :56:17. | |
# Oh, oh, oh, oh # Makes me wanna | :56:17. | :56:24. | |
# Oh, oh, oh, oh, oh # She makes me wanna | :56:24. | :56:34. | |
:56:34. | :57:11. | ||
# Treat the people I love # Cos now I'm the one | :57:11. | :57:21. | |
:57:21. | :57:59. | ||
# So don't tell me # But I swear that I'll never | :57:59. | :58:04. | |
# I'm not a saint, I'm not a saint # What I did, what I did | :58:04. | :58:06. | |
# But I swear that I'll never do that again to you | :58:06. | :58:10. | |
# Hey-ey-ey | :58:11. | :58:13. | |
# And I hate that I let you down | :58:13. | :58:16. | |
# And I feel so bad about it | :58:16. | :58:19. | |
# I guess karma comes back around | :58:19. | :58:22. | |
# Cos now I'm the one that's hurting, yes | :58:22. | :58:25. | |
# And I hate that I made you think | :58:25. | :58:28. | |
# The trust we had is broken | :58:28. | :58:31. | |
# So don't tell me you can't forgive me | :58:31. | :58:34. | |
# Cos nobody's perfect, no... # | :58:34. | :58:44. | |
:58:44. | :58:44. | ||
# No, no-no | :58:44. | :58:49. | |
# No, no-no | :58:49. | :58:59. | |
Dig | :58:59. | :58:59. | |
Dig deep | :58:59. | :59:00. | |
Dig deep and | :59:00. | :59:03. | |
Dig deep and give whatever you can afford to help disadvantaged | :59:03. | :59:13. | |
:59:13. | :59:17. | ||
children, just like this girl in and has a condition | :59:17. | :59:21. | |
Emily was born with a fractured skull, broken ribs, | :59:21. | :59:22. | |
broken arm, collar bone, and broken legs. | :59:22. | :59:23. | |
For months, she was carried around on a pillow just to protect her. | :59:24. | :59:26. | |
She was one year old | :59:26. | :59:27. | |
when her mother got to hold her for the very first time. | :59:27. | :59:30. | |
It just feels really sore,and sometimes I need to get medicine. | :59:30. | :59:36. | |
Like extra-strong medicine, | :59:36. | :59:40. | |
and it's got a horrible taste. Ew! | :59:40. | :59:40. | |
Just the simplest of things, | :59:40. | :59:46. | |
and it's got a horrible taste. Ew! | :59:46. | :59:48. | |
Just the simplest of things, | :59:48. | :59:50. | |
even lifting her legs to move off the sofa, can cause a break. | :59:50. | :59:52. | |
She's learned to live with her pain. | :59:52. | :59:54. | |
Sometimes I pretend nothing's happened, | :59:54. | :59:57. | |
and sometimes my mum and dad say, "Are you in any pain now? | :59:57. | :00:02. | |
"Are you hurt?" "Oh, no! Nothing's happened..." | :00:02. | :00:08. | |
Hello. Hi. Are you good? Uh-huh. | :00:08. | :00:11. | |
Give us a kiss. Mwah! | :00:11. | :00:13. | |
MUSIC PLAYS | :00:13. | :00:15. | |
Shall we dance? Yeah? | :00:15. | :00:16. | |
# Everybody in love Put your hands up... # | :00:16. | :00:20. | |
Your money means Emily gets the care she needs. | :00:20. | :00:23. | |
It helps to pay for a support worker who's there at the end of the phone | :00:23. | :00:25. | |
with practical help and advice, should her family need it. | :00:25. | :00:29. | |
That's how she got her specialist wheelchairs. | :00:29. | :00:31. | |
This one can drive by itself. | :00:32. | :00:34. | |
When I move the stick like this, it moves. | :00:34. | :00:38. | |
I hit the sofa, I hit the doors, | :00:38. | :00:40. | |
and whoa, sometimes there are little cracks | :00:41. | :00:44. | |
in the walls and doors. | :00:44. | :00:47. | |
What do your brother's feet smell like? Get away from the stinky feet! | :00:47. | :00:50. | |
That one smells. That one smells! | :00:50. | :00:52. | |
Slimy! Slimy?! | :00:52. | :00:56. | |
Emily is probably one of the most incredible people | :00:56. | :01:00. | |
I have ever met in my life. | :01:00. | :01:02. | |
She's seven years old, and you would never think that she's in any pain. | :01:02. | :01:04. | |
But she's suffered more than 20 broken bones. | :01:04. | :01:07. | |
She's always smiling | :01:07. | :01:09. | |
and always leaving a trail of smiles in her path. | :01:09. | :01:11. | |
Other children like Emily need your help, | :01:11. | :01:15. | |
so please call and donate now. Make a difference. | :01:15. | :01:25. | |
:01:25. | :01:27. | ||
CHEERING | :01:27. | :01:27. | |
CHEERING AND | :01:27. | :01:30. | |
CHEERING AND APPLAUSE | :01:30. | :01:30. | |
CHEERING AND APPLAUSE What | :01:30. | :01:31. | |
What an | :01:31. | :01:31. | |
What an amazing | :01:31. | :01:31. | |
What an amazing wee | :01:31. | :01:35. | |
What an amazing wee girl. Please give a fiver to Children In Need | :01:35. | :01:39. | |
just like Emily. Text messages will cost �5 plus | :01:40. | :01:44. | |
your standard network charge. You must be over 16 and ask the bill | :01:44. | :01:54. | |
:01:54. | :02:05. | ||
payer's permission. For full terms # This time is forever | :02:05. | :02:14. | |
# We'll be fighting and # Whatever I said | :02:14. | :02:24. | |
:02:24. | :02:26. | ||
# Want you back, want you back # Whenever I'm wrong just tell me | :02:26. | :02:36. | |
:02:36. | :02:42. | ||
# Want you back # I just want you back for good | :02:42. | :02:52. | |
:02:52. | :02:53. | ||
# I want you back, want you back I want you back for good | :02:53. | :03:03. | |
:03:03. | :03:15. | ||
Are | :03:15. | :03:16. | |
Are you | :03:16. | :03:16. | |
Are you ready | :03:16. | :03:22. | |
# Whatever I said # Want you back, want you back | :03:22. | :03:32. | |
:03:32. | :03:32. | ||
# Whenever I'm wrong just tell me # Want you back | :03:32. | :03:42. | |
:03:42. | :03:45. | ||
# I just want you back for good # I want you back for good | :03:46. | :03:55. | |
:03:56. | :03:57. | ||
# Whenever I'm wrong just tell me the song and I'll sing it | :03:57. | :03:58. | |
# You'll be right and understood | :03:58. | :03:59. | |
# Want you back | :03:59. | :04:09. | |
:04:09. | :04:10. | ||
OK. | :04:10. | :04:11. | |
OK. Have | :04:11. | :04:11. | |
OK. Have you | :04:11. | :04:16. | |
OK. Have you got time for one more song? | :04:16. | :04:26. | |
:04:26. | :04:26. | ||
Apology for the loss of subtitles for 168 seconds | :04:26. | :06:28. | |
Ready Will? # Oh, who would ever want to be | :06:28. | :06:38. | |
:06:38. | :06:38. | ||
Apology for the loss of subtitles for 168 seconds | :06:38. | :07:51. | |
# But that was # But that was when I | :07:51. | :08:01. | |
:08:01. | :08:10. | ||
Thank you so much for coming out. Thank you for supporting Children | :08:10. | :08:16. | |
In Need. Thank you for having us. CHEERING AND APPLAUSE | :08:16. | :08:18. | |
That was some night and you were there. | :08:18. | :08:21. | |
The atmosphere was amazing. Well done to everyone who took part. | :08:21. | :08:30. | |
We found out that everyone's efforts in Manchester raised an an | :08:30. | :08:33. | |
extraordinary �2 million. That is terrific. | :08:33. | :08:36. | |
Such good news. Our final live performance of the | :08:36. | :08:40. | |
night is a very special lady with her own unique style. You are going | :08:40. | :08:50. | |
:08:50. | :08:54. | ||
to like her a lot. Singing What A # You see the smoke start | :08:54. | :09:01. | |
# The stakes are getting higher You can feel it in your heart | :09:01. | :09:07. | |
# He calls your bluff | :09:07. | :09:08. | |
# He is the ace, you never thought he played that much | :09:09. | :09:12. | |
# And now it's more than all this cards you want to touch | :09:12. | :09:16. | |
# You never know if winning this could really be enough | :09:16. | :09:22. | |
# Take a look beyond the moon You'll see the stars | :09:22. | :09:30. | |
# And when you look around You know the room by heart | :09:30. | :09:38. | |
# I have never dreamed it | :09:38. | :09:39. | |
# Have you ever dreamed a night like this? | :09:39. | :09:45. | |
# I cannot believe it | :09:45. | :09:47. | |
# I may never see a night like this | :09:48. | :09:53. | |
# When everything you think is incomplete | :09:53. | :09:56. | |
# Starts happening when you are cheek to cheek | :09:56. | :10:00. | |
# Could you ever dream it? | :10:00. | :10:03. | |
# I have never dreamed Dreamed a night like this | :10:03. | :10:09. | |
# How many times have I been waiting by the door | :10:09. | :10:12. | |
# To hear these chimes | :10:12. | :10:15. | |
# To hear that someone debonair has just a arrived? | :10:15. | :10:18. | |
# And opened up to see my world before my eyes | :10:18. | :10:24. | |
# That silhouette creates an image and a night I can't forget | :10:24. | :10:30. | |
# It has the scentof something special, I can't rest | :10:30. | :10:35. | |
# If I resist temptation | :10:35. | :10:38. | |
# Oh, I know for sure that I will lose the bet | :10:38. | :10:40. | |
# I walk away and suddenly It seems I'm not alone | :10:40. | :10:47. | |
# In front of me he stands I stop before he goes | :10:48. | :10:54. | |
# I have never dreamed it | :10:54. | :10:56. | |
# Have you ever dreamed a night like this? | :10:56. | :11:02. | |
# I cannot believe it | :11:02. | :11:04. | |
# I may never see a night like this | :11:04. | :11:10. | |
# When everything you think is incomplete | :11:10. | :11:14. | |
# Starts happening when you are cheek to cheek | :11:14. | :11:17. | |
# Could you ever dream it? | :11:17. | :11:20. | |
# I have never dreamed Dreamed a night like this... # | :11:20. | :11:29. | |
CHEERING AND APPLAUSE | :11:29. | :11:39. | |
:11:39. | :11:42. | ||
Thank | :11:42. | :11:42. | |
Thank you, | :11:42. | :11:43. | |
Thank you, Caro | :11:43. | :11:49. | |
Thank you, Caro Emerald. A Night Like This. | :11:49. | :11:55. | |
That was lovely, thank you. It has been an amazing evening, Sir | :11:55. | :12:03. | |
Terry. What has been your favourite bit? That's a tough one, ask me | :12:03. | :12:06. | |
another one. Let's refresh our memories with a | :12:07. | :12:10. | |
look back at some of the lovely highlights from this evening. | :12:10. | :12:20. | |
:12:20. | :12:27. | ||
It's your host, Sir Terry Wogan. Get away from me, I'm a married man. | :12:27. | :12:30. | |
Good evening, United Kingdom. I hope you are having a fantastic | :12:30. | :12:40. | |
:12:40. | :13:05. | ||
# You have got no talent # That was the scariest thing I have | :13:05. | :13:10. | |
ever done! The newsreaders have been persuaded | :13:10. | :13:20. | |
:13:20. | :13:22. | ||
to dance for Children In Need. Every year I look forward to your | :13:22. | :13:27. | |
Children in Need performance. That was wonderful. | :13:27. | :13:33. | |
Fantastic, back-bend, but stick darling to your day job! | :13:33. | :13:43. | |
:13:43. | :13:47. | ||
You were brilliant and you have So thousands of children singing | :13:47. | :13:57. | |
:13:57. | :14:35. | ||
live, what could possibly go Mah-na. | :14:35. | :14:40. | |
Do-do. LAUGHTER | :14:40. | :14:41. | |
Mah-na. Yeah! | :14:41. | :14:44. | |
Yeah! # | :14:44. | :14:44. | |
# All | :14:44. | :14:44. | |
# All I | :14:44. | :14:45. | |
# All I ever | :14:45. | :14:53. | |
# All I ever wanted # All I ever needed was you | :14:53. | :15:00. | |
# In my arms # I will take that back. Where has | :15:00. | :15:08. | |
that gone? It has disappeared, but where can it have gone? Chick, | :15:08. | :15:17. | |
chick, chicken, lay us an egg. Give us a plate. What's that in there? | :15:17. | :15:23. | |
Keep giving! # I'm out-of-touch | :15:23. | :15:31. | |
# I'm out of love # I pick you up when you're getting | :15:31. | :15:35. | |
down # I think I love you better now | :15:35. | :15:40. | |
# I'm out of sight, I'm out of mind # I'll do it for you in time | :15:40. | :15:45. | |
# After all these things I've done # I think I love you better now # | :15:46. | :15:55. | |
:15:56. | :16:06. | ||
JLS. CHEERING AND APPLAUSE | :16:06. | :16:09. | |
# Do you feel what I feel # Do you feel the love # | :16:09. | :16:14. | |
Would you like a foot massage from Terry? | :16:14. | :16:24. | |
:16:24. | :16:27. | ||
# Some people falling in love # Do you feel what I feel # | :16:28. | :16:37. | |
:16:38. | :16:44. | ||
# This pain in my chest # I wish you the best | :16:44. | :16:54. | |
:16:54. | :17:01. | ||
# I want to break free I always thought of you as a rather | :17:01. | :17:09. | |
manly person. Just at the weekends, Terry. Just at the weekends. | :17:09. | :17:16. | |
# I got to break free # God knows, God knowsI want to | :17:16. | :17:26. | |
:17:26. | :17:26. | ||
# Spin me around, I don't want to go home | :17:26. | :17:34. | |
# My heart, skips, skips a beat # Hold it like this, that's when my | :17:34. | :17:44. | |
:17:44. | :17:58. | ||
# Tragedy Four flights of bleeding stairs in | :17:58. | :18:04. | |
a warehouse, get a bleeding lift in. Can you get on, we still have a lot | :18:05. | :18:10. | |
of people to shout at. Alan seems to be losing of | :18:10. | :18:17. | |
confidence of the investors. Evan, you can shut it and all! | :18:17. | :18:27. | |
:18:27. | :18:40. | ||
# Run for your life # Here I go again on my own | :18:40. | :18:45. | |
# Going down the only road I've ever known | :18:46. | :18:52. | |
# Like a drifter, I was born to walk alone | :18:52. | :18:58. | |
# And I know what it means # To walk alone a lonely street | :18:58. | :19:02. | |
again # Here I go again # | :19:02. | :19:09. | |
CHEERING AND APPLAUSE Some wonderful moments there. Ah, | :19:09. | :19:16. | |
it has been an an incredible night. We have enjoyed exclusive treats | :19:16. | :19:22. | |
from the finest entertainers. We have had Susan Boyle and Gareth | :19:23. | :19:28. | |
Malone and his 2,500 strong strong choir, the BBC News readers taking | :19:29. | :19:37. | |
on Strictly and JLS, yes, ladies, The Muppets, Westlife and the East | :19:37. | :19:42. | |
Enders cast doing Queen. We have seen the Saturdays, gok want and | :19:42. | :19:52. | |
the -- Gok Wan and Rizzle Kicks and the cast of Hollyoaks. | :19:52. | :20:00. | |
As well as the cast from Crazy For You, Professor Green and of course, | :20:00. | :20:06. | |
the official Children In Need single Tear Drop by the Collective. | :20:06. | :20:11. | |
That's impressive. Tomorrow at 5.45pm, One Direction | :20:11. | :20:14. | |
are hosting a special highlights show in case you missed any of | :20:14. | :20:17. | |
tonight's entertainment. Thank you to everyone involved tonight. | :20:17. | :20:20. | |
The biggest thank you has to go to you at home who have picked up the | :20:20. | :20:24. | |
phone and given us what you can. We can't thank you enough. You are the | :20:24. | :20:27. | |
ones who keep Children in Need going and changing lives for so | :20:27. | :20:32. | |
many of this country's young people. Don't forget, you can still keep | :20:32. | :20:36. | |
giving. If you have got an ounce of strength after the fun and | :20:36. | :20:41. | |
excitement we've had, please use it to go online or pick up the phone. | :20:41. | :20:49. | |
Terry, could it be time for our final look at the total? I think we | :20:49. | :20:53. | |
might. Shall we see it? I think we might | :20:53. | :20:58. | |
just eek it out. If you're ready or not, here we go, the final total of | :20:58. | :21:06. | |
this very night for Children In Need 2011: | :21:06. | :21:16. | |
:21:16. | :21:27. | ||
That is... Well, that's incredible. That's the greatest total and I | :21:27. | :21:31. | |
have been doing it since it started in 1980, that's the greatest single | :21:31. | :21:36. | |
total we made in one night. So thank you, thank you to the British | :21:36. | :21:41. | |
people in these tough times to come up with that kind of money on | :21:41. | :21:44. | |
behalf the Britain's children and every penny you have given will go | :21:44. | :21:48. | |
to those children. Thank you for all that you've done. Thank you to | :21:48. | :21:54. | |
our audiences. Thank you to all the stars. Thank you to you, Fern and | :21:54. | :22:00. | |
Alicia and Tess and our production team and everybody. We love you and | :22:00. | :22:06. | |
leave you. Who knows what the grand total will be, but tonight, �26 | :22:06. | :22:09. |