Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
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10.00pm - that's amazing. What are we going to do before we have | :00:15. | :00:19. | |
finished? Come with me. Come down here. Something very special is | :00:19. | :00:23. | |
happening right now. Welcome to Children In Need on both channels, | :00:23. | :00:28. | |
simultaneously. This is a first for us, Terry. How exciting is this? | :00:28. | :00:33. | |
Well, I don't know if I can cope anymore, Tess. It's almost too much, | :00:33. | :00:37. | |
isn't it, similar you would casting. I know. It has been an incredible | :00:37. | :00:42. | |
night so far. Be brave. On Children In Need, there is more. We have JB | :00:42. | :00:51. | |
Sports. We have Vic and Bob and Matt Hardle. The lovely Saturdays | :00:51. | :00:58. | |
and not to forget Steps. Much, much more, and we're on BBC Two. | :00:58. | :01:06. | |
Never Mint the Buzzcocks. The stars of Hollyoaks perform live. Magical | :01:06. | :01:10. | |
mayhem with Vic and Bob and performances from JB Sports, Steps | :01:10. | :01:20. | |
:01:20. | :01:22. | ||
You might get sick of me saying this - we really do need your help. | :01:22. | :01:32. | |
:01:32. | :01:33. | ||
Remember, that number to call - emboss it on the fleshy tablets of | :01:33. | :01:39. | |
your memory - 03457 33 22 33. Remember, every penny goes to | :01:39. | :01:41. | |
disadvantaged children living here in the United Kingdom. They'll | :01:41. | :01:44. | |
never shout me down. Get ready because we're about to take things | :01:44. | :01:50. | |
up a notch. For the dads watching at home, it might be time to put | :01:50. | :01:56. | |
the kettle on. It's the band that made teens scream. Never. And mums | :01:56. | :01:58. | |
go, "I'm confused." It's One Direction. | :01:58. | :02:06. | |
# Cos I'm the foolish one that you anointed with your heart | :02:06. | :02:10. | |
# I tore it apart | :02:10. | :02:13. | |
# And, girl, what a mess I made upon your innocence | :02:13. | :02:16. | |
# And no woman in the world deserves this | :02:16. | :02:19. | |
# But here I am asking you for one more chance | :02:19. | :02:24. | |
# Can we fall, one more time? | :02:24. | :02:29. | |
# Stop the tape and rewind | :02:29. | :02:34. | |
# Oh, and if you walk away I know I'll fade | :02:34. | :02:40. | |
# Cos there is nobody else | :02:40. | :02:45. | |
# It's gotta be you | :02:46. | :02:51. | |
# Only you | :02:51. | :02:57. | |
# It's got to be you | :02:57. | :03:02. | |
# Only you | :03:03. | :03:10. | |
# Now, girl, I hear it in your voice- and how it trembles | :03:10. | :03:13. | |
# When you speak to me I don't resemble | :03:13. | :03:15. | |
# Who I was You've almost had enough | :03:15. | :03:20. | |
# And your actions speak louder than words | :03:20. | :03:24. | |
# And you're about to break from all you've heard | :03:24. | :03:27. | |
# But don't be scared I ain't going no where | :03:27. | :03:31. | |
# I'll be here, by your side | :03:31. | :03:37. | |
# No more fears, no more crying | :03:37. | :03:42. | |
# But if you walk away I know I'll fade | :03:42. | :03:48. | |
# Cos there is nobody else | :03:48. | :03:53. | |
# It's gotta be you | :03:53. | :03:59. | |
# Only you | :03:59. | :04:04. | |
# It's got to be you | :04:04. | :04:10. | |
# Only you | :04:10. | :04:16. | |
# Oh, girl, can we try one more One more time? | :04:16. | :04:20. | |
# One more, one more Can we try | :04:20. | :04:23. | |
# One more, one more time? I'll make it better | :04:23. | :04:28. | |
# One more, one more, can we try? | :04:28. | :04:31. | |
# One more, one more, can we try? | :04:31. | :04:34. | |
# Can we try one more time to make it all better? | :04:34. | :04:39. | |
# Cos it's gotta be you | :04:39. | :04:44. | |
# It's gotta be you | :04:44. | :04:49. | |
# It's gotta be you | :04:49. | :04:56. | |
# Only you | :04:56. | :05:01. | |
# It's gotta be you | :05:01. | :05:06. | |
# Only you | :05:06. | :05:13. | |
# It's gotta be you | :05:13. | :05:23. | |
:05:23. | :05:31. | ||
CHEERING AND APPLAUSE | :05:31. | :05:41. | |
:05:41. | :05:46. | ||
Hello. | :05:46. | :05:46. | |
Hello. They | :05:46. | :05:46. | |
Hello. They seem | :05:47. | :05:51. | |
Hello. They seem to like you. They seem to think that was OK for us. | :05:51. | :05:55. | |
Well done. One Direction - absolutely. | :05:55. | :05:57. | |
CHEERING AND APPLAUSE Wasn't that great? | :05:57. | :06:05. | |
CHEERING AND APPLAUSE They loved it. They loved it. | :06:05. | :06:10. | |
a difference a year makes. How are you coping with all the screaming | :06:10. | :06:15. | |
girls and all of the attention? Do you love it? We love it. We're | :06:15. | :06:20. | |
teenaged lads, so we enjoy it. guys are amazing. That was | :06:20. | :06:23. | |
absolutely brilliant. One more time, give it up for One Direction. | :06:23. | :06:28. | |
you for joining us. Thank you, lads. Thanks, fellas. | :06:28. | :06:38. | |
Come on. We're over here. Can't hear myself think. That's | :06:38. | :06:42. | |
terrific - if we can make ourselves heard over this, you have an | :06:42. | :06:45. | |
important announcement to make. That's right. I am going to make | :06:45. | :06:50. | |
myself scarce now. I am going to love you and leave you, Terry. | :06:50. | :06:51. | |
is the very moving moment, ladies and gentlemen. | :06:51. | :07:00. | |
APPLAUSE One Direction - I am off. Are you | :07:00. | :07:03. | |
following this group off? No, I promise I'm not. I'm going to | :07:03. | :07:08. | |
Wembley for Strictly for Children In Need tomorrow night. Excellent. | :07:08. | :07:12. | |
I wanted to thank Strictly for all the help they have given us. Before | :07:12. | :07:15. | |
you go, I can tell you the amount raised so far by the Strictly Come | :07:15. | :07:21. | |
Dancing team is a fantastic �94,000. That is terrific. Well done, | :07:21. | :07:28. | |
Strictly. Good luck to you, Tess and the Strictly team. Thank you | :07:28. | :07:35. | |
for joining us. Thank you, my darling. And remember - keep... | :07:35. | :07:44. | |
Keep! Giving! Giving! Thank you, Terry. See you at Wembley. | :07:44. | :07:48. | |
They come, and they go. And there's more. I'd like to talk to you about | :07:48. | :07:52. | |
child poverty. Look. I know we're having a wonderful time here, but | :07:52. | :07:56. | |
just take a moment out. It's a difficult subject because none of | :07:56. | :07:59. | |
us likes to think that children are going hungry in the United Kingdom. | :07:59. | :08:04. | |
The truth is, they are. Now, right now on this Friday night, there are | :08:04. | :08:09. | |
thousands of children going without the very basic provisions that all | :08:09. | :08:13. | |
of us here take for granted. Earlier this year the BBC showed a | :08:13. | :08:17. | |
very powerful documentary on this very subject. It was called Poor | :08:17. | :08:21. | |
Kids. In it a very brave group of young children talked openly about | :08:22. | :08:27. | |
living in extreme poverty, and the film makers have allowed us to use | :08:27. | :08:31. | |
an extract so if you can meet a young boy named Sam - he's going to | :08:31. | :08:41. | |
:08:41. | :08:41. | ||
tell you what life has been like My name's Sam, I'm 11 years old, | :08:41. | :08:45. | |
Sam lives with his dad and older sister. | :08:45. | :08:47. | |
His mum walked out on the family on Sam's second birthday. | :08:47. | :08:49. | |
I think I'm poor because we only get �420 a month. | :08:49. | :08:50. | |
And that goes on what we need... and not what we want. | :08:50. | :08:55. | |
We have to spend it on food and electric and gas. | :08:55. | :08:59. | |
The electric is put on a key which goes into a box | :08:59. | :09:05. | |
and Dad puts a fiver on it every so often. | :09:06. | :09:08. | |
And when we run out of electric, the whole house goes... | :09:08. | :09:11. | |
SNAPS FINGERS | :09:11. | :09:13. | |
Everything just shuts off. | :09:13. | :09:15. | |
Except for battery-powered stuff, and candles. | :09:15. | :09:19. | |
And the gas, when that runs out, the whole house is freezing. | :09:19. | :09:27. | |
With every penny accounted for, the family have no choice | :09:27. | :09:32. | |
but to rely on credit for many household items. | :09:32. | :09:35. | |
You're not actually paying for the TV. | :09:35. | :09:38. | |
You're paying for a household item,- say the fridge, | :09:38. | :09:42. | |
the cooker or the washing machine. | :09:42. | :09:44. | |
They'll give you a set amount to pay off each week, | :09:44. | :09:49. | |
two weeks, or month. | :09:49. | :09:52. | |
Ours is set round about �50 a month at the minute. | :09:52. | :09:57. | |
But like all credit, this form of payment incurs interest, | :09:57. | :10:03. | |
costing extra money Sam's family can ill-afford. | :10:03. | :10:07. | |
Oh, yeah! | :10:07. | :10:08. | |
Sam's dad is keen to find a job that might fit around childcare. | :10:08. | :10:18. | |
Computer said no. Computer said no. | :10:18. | :10:24. | |
It's not easy for people to look for jobs now, | :10:24. | :10:27. | |
because for every five people, there's one job. | :10:27. | :10:33. | |
Almost half the children in this part of Leicester live in families | :10:33. | :10:39. | |
without work, and Sam sometimes goes without meals as a result. | :10:39. | :10:42. | |
Until Dad has a job, we don't have any money. | :10:42. | :10:46. | |
And sometimes I don't even get lunch. | :10:46. | :10:49. | |
Dad is juggling money. | :10:49. | :10:54. | |
Going like that. | :10:54. | :10:56. | |
Going food-debt-food-debt- | :10:56. | :11:01. | |
food-debt-food-debt- food-debt-food-debt. | :11:01. | :11:04. | |
FIREWORKS | :11:04. | :11:07. | |
Angry and frustrated is how I feel. | :11:07. | :11:10. | |
It'll probably take years for my dad to get a job, | :11:10. | :11:14. | |
or maybe decades. | :11:14. | :11:16. | |
Or even, maybe...centuries. | :11:16. | :11:24. | |
Fizzing! Daddy! | :11:24. | :11:27. | |
It is fizzing. | :11:27. | :11:37. | |
:11:37. | :11:37. | ||
You get used to them. | :11:37. | :11:41. | |
Mine's going, mine's going... mine's gone. | :11:41. | :11:48. | |
The family's finances also affect Sam's school life. | :11:48. | :11:52. | |
I have to re-use my sister's shirts and then I get called a girl. | :11:52. | :11:57. | |
It gets me psyched up, and then I just want to punch them. | :11:57. | :12:01. | |
But then I get detention or sent to isolation. | :12:01. | :12:05. | |
It doesn't matter if you're wearing- a girl's shirt | :12:05. | :12:09. | |
or a girl's trousers or a girl's blazer. | :12:09. | :12:12. | |
Because you've got them... | :12:12. | :12:14. | |
It don't matter what you're wearing, it matters who you are. | :12:15. | :12:19. | |
People call me big girl's blouse as well, | :12:19. | :12:23. | |
because I'm wearing girl's blazers and shirts. | :12:23. | :12:27. | |
Look, this is a girl's shirt. | :12:27. | :12:30. | |
Cos girls have them little flecks, them little lines. | :12:30. | :12:36. | |
My sister donated this shirt to me cos I needed a shirt for school. | :12:36. | :12:43. | |
I worry about Sam all the time. | :12:43. | :12:46. | |
Once you're marked, you're marked for life. | :12:46. | :12:49. | |
The minute people find out you're poor, | :12:49. | :12:52. | |
they automatically assume, and then you lose that friend. | :12:52. | :12:56. | |
You have to be so careful what you say, | :12:56. | :12:58. | |
because you're automatically, in the back of your head | :12:58. | :13:02. | |
you're always going, "What if I say- something and they don't like it?", | :13:02. | :13:05. | |
or "What if I let something slip?" | :13:05. | :13:08. | |
You've always got the what-ifs going through your head. | :13:08. | :13:10. | |
You tend to just start merging into the background, | :13:10. | :13:13. | |
not wanting to join in. | :13:13. | :13:15. | |
Sometimes it does feel like you've got a big hefty secret | :13:15. | :13:18. | |
and you need to keep it hidden. | :13:18. | :13:28. | |
:13:28. | :13:34. | ||
for him. Since | :13:34. | :13:35. | |
for him. Since that | :13:35. | :13:35. | |
for him. Since that film | :13:35. | :13:38. | |
for him. Since that film Sam's family have moved to new | :13:38. | :13:43. | |
accommodation and things are looking up. We'd like to thank True | :13:43. | :13:48. | |
Vision for showing us that film. It's estimated there are 3.8 | :13:48. | :13:51. | |
million children living in poverty in the United Kingdom now. Children | :13:51. | :13:55. | |
In Need - I'm sure you are as well - are committed to helping them. | :13:55. | :14:02. | |
Please help us to help them. Call 03457 33 22 33. | :14:02. | :14:07. | |
Now it's time to lighten proceedings. Give a massive | :14:07. | :14:15. | |
Children In Need welcome to the fabulous Fearne Cotton. | :14:15. | :14:20. | |
# Who run the world? Girls # Who run the world? Girls # | :14:20. | :14:29. | |
Hello. Woo-hoo! Look at you. Wearing a frock and everything. | :14:29. | :14:33. | |
Muah! Give it up for Terry Wogan. What a wonderful show so far. It | :14:33. | :14:37. | |
has been brilliant. Yeah, fantastic. This is as well as we'd ever done, | :14:37. | :14:40. | |
and in the middle of a terrible economic recession, it's quite | :14:41. | :14:44. | |
unbelievable and a wonderful tribute to you, the British public. | :14:44. | :14:48. | |
Terry, I hope you'll be pleased to hear I'm sticking with you right | :14:48. | :14:53. | |
through until 2.00am. Is that OK? Can't get everything I ask for. | :14:53. | :14:58. | |
Life is tough. I am with you. It's going to fly by because there is so | :14:58. | :15:02. | |
much more left to come on Children In Need night. Have a look. | :15:02. | :15:08. | |
There is mad-capped mayhem with Vic and Bob, music from Adele, Olly | :15:08. | :15:12. | |
Murs, Westlife and JLS. CHEERING AND APPLAUSE | :15:12. | :15:15. | |
Plus, Russell Howard and his good fund-raising news. | :15:15. | :15:25. | |
:15:25. | :15:26. | ||
I tell you what - I cannot get over the buzz in this studio tonight. | :15:26. | :15:31. | |
What an incredible night so far and a lovely atmosphere. Now, any show | :15:31. | :15:35. | |
that once had Sir Terry Wogan as its guest host is going to be hip | :15:35. | :15:40. | |
and happening, especially if his hip was playing up on the night. | :15:40. | :15:43. | |
Now, Never Mind the Buzzcocks... Did you write that yourself? I did. | :15:43. | :15:45. | |
MUSIC: "Never Mind The Buzzcocks" No, I didn't. And here is a | :15:45. | :15:55. | |
:15:55. | :16:14. | ||
fantastic special edition. Have a Never Mind The Buzzcocks | :16:14. | :16:21. | |
And, frankly, it's just as well, cos I've seen Pudsey's record collection, | :16:21. | :16:23. | |
and unless you're into thrash metal, you would be lost! | :16:23. | :16:27. | |
He's an animal! | :16:27. | :16:28. | |
With team captain Noel Fielding... | :16:28. | :16:30. | |
# Romeo, Romeo... # | :16:30. | :16:32. | |
She became everyone's favourite member of Steps in 2001 | :16:32. | :16:36. | |
when she left and they disbanded. | :16:36. | :16:39. | |
Now very bravely reforming them, it's Claire Richards. | :16:39. | :16:43. | |
APPLAUSE | :16:43. | :16:45. | |
And he's best known as loveable Barry in EastEnders, | :16:45. | :16:48. | |
or loveable fool Barry in Extras, and now loveable Barry on Buzzcocks. | :16:48. | :16:51. | |
It's Shaun "Barry" Williamson. Hello! | :16:51. | :16:55. | |
APPLAUSE | :16:55. | :16:59. | |
And across the way, with captain Phill Jupitus... | :16:59. | :17:03. | |
You've got big dreams, you want fame... | :17:03. | :17:06. | |
She's been on Buzzcocks twice already. | :17:06. | :17:10. | |
Once more and she gets to keep it. | :17:10. | :17:12. | |
It's Arlene Phillips. APPLAUSE | :17:12. | :17:18. | |
And as the drummer in McFly, he's currently storming Strictly | :17:18. | :17:20. | |
and shocking everyone by having a sense of rhythm! | :17:20. | :17:20. | |
Ed | :17:20. | :17:20. | |
Ed article | :17:20. | :17:22. | |
It's Harry Judd. APPLAUSE | :17:22. | :17:27. | |
So, we'll kick off with the Intros Round. | :17:27. | :17:29. | |
Noel and Claire, here are yours for Shaun. | :17:29. | :17:32. | |
And remember, it's the title of the song we're after. | :17:32. | :17:35. | |
I'm up with some of the new bands - Kaiser Monkeys I like, and... | :17:35. | :17:40. | |
He's so loveable, isn't he?! | :17:40. | :17:43. | |
I'm just glad to be out of the house, Katy, to be honest! | :17:43. | :17:46. | |
It's a night out for me! | :17:46. | :17:49. | |
Go for it! | :17:49. | :17:50. | |
# Dun dun dun dun daddle-da-daow! | :17:50. | :17:52. | |
# Dun dun dun dun daddle-da-daow! | :17:52. | :17:55. | |
# Daddle-da-daow, da-da-daa | :17:55. | :17:58. | |
# Duun dun-dun-dun | :17:58. | :18:00. | |
# Duddle-duh-duh-dun. # | :18:00. | :18:02. | |
It-It-It-It is, er, the, um...LAUGHTER | :18:02. | :18:05. | |
Fun Lovin' Criminals, Scooby Snacks. | :18:05. | :18:08. | |
Oh! Close? | :18:08. | :18:11. | |
As I look there at Claire and Noel, | :18:11. | :18:13. | |
I think they'd be a really good band called 12 Steps. | :18:13. | :18:17. | |
I look like evil and you look like good! From a children's story! | :18:17. | :18:22. | |
If you could get either side of Barry, on his shoulders, | :18:22. | :18:25. | |
you could advise him morally through the day. | :18:25. | :18:29. | |
Barry, have you ever actually...? | :18:29. | :18:31. | |
Your name isn't even Barry, is it? LAUGHTER | :18:31. | :18:33. | |
What's going on there?! | :18:33. | :18:36. | |
My name isn't Barry, but it'll be on my gravestone, | :18:36. | :18:37. | |
so I've just got to get on with it, really. | :18:38. | :18:41. | |
Does anybody want to see loveable Barry dance? | :18:41. | :18:43. | |
- Saturday Night Fever. - Saturday Night Fever! | :18:43. | :18:46. | |
You ready? | :18:46. | :18:47. | |
# Bam bam bam bam ba-ba-ba-baa! | :18:47. | :18:49. | |
# Bam bam bam bam ba-ba-ba-baa! # | :18:49. | :18:52. | |
CHEERING AND APPLAUSE | :18:52. | :18:56. | |
I'm going to pass it over to Phill. | :18:56. | :18:58. | |
You know what it was? No idea. It goes... | :18:58. | :19:00. | |
# Dun dun dun dun daddle-da-daow! | :19:00. | :19:02. | |
# Dun dun dun dun daddle-da-daow! | :19:02. | :19:05. | |
# Waaow waaow... # I know that! But what was it? | :19:05. | :19:09. | |
# Duh-buh duh-buh dubba-duh-duh. # | :19:09. | :19:11. | |
EastEnders! No, no, no, cos what... | :19:11. | :19:14. | |
Duh-duh-duh... No, that's not how it works. OK. | :19:14. | :19:17. | |
If we get Shaun... Say something incredibly tragic. | :19:17. | :19:20. | |
I love you, Janine! Don't push me! No-o-o-o! | :19:20. | :19:22. | |
Duff duff duff-duff duff-duff-duff. | :19:22. | :19:26. | |
Arlene, I enjoyed your clip earlier that was shown in your intro, | :19:26. | :19:29. | |
where you choreographed Fame!, didn't you, for Children In Need? | :19:29. | :19:31. | |
I did, yes! Starring Christine Bleakley and Adrian Chiles. | :19:31. | :19:36. | |
Absolutely. And I made Adrian Chiles smile. Right. | :19:36. | :19:39. | |
Not a lot of people have done that. | :19:39. | :19:41. | |
I just banged my stick... Yup, I saw that. ..and smiled... | :19:41. | :19:44. | |
Like Gandalf. Yep. Absolutely! | :19:44. | :19:47. | |
..and hoped that my stick-banging would raise a lot of money. | :19:47. | :19:51. | |
Well, good. I have absolutely no idea what's going on! | :19:51. | :19:54. | |
Literally none! | :19:54. | :19:58. | |
I think it's about time somebody answered this question. | :19:58. | :20:00. | |
It's Sergeant Pepper's Lonely Hearts Club Band by the Beatles. | :20:00. | :20:03. | |
Yes, it is. You're absolutely right. Here's how it should have sounded. | :20:03. | :20:10. | |
MUSIC: "Sergeant Pepper'sLonely Hearts Club" | :20:10. | :20:18. | |
# It was 20 years ago today | :20:18. | :20:20. | |
# Sergeant Pepper taught the band to play | :20:20. | :20:22. | |
# They've been going in and out of style | :20:22. | :20:25. | |
# But they're guaranteed to raise a smile | :20:25. | :20:26. | |
# So may I introduce to you | :20:26. | :20:29. | |
# The act you've known for all these years | :20:29. | :20:31. | |
# It's Sergeant Pepper's Lonely Hearts Club Band | :20:31. | :20:35. | |
# We're Sergeant Pepper's Lonely Hearts Club Band | :20:35. | :20:40. | |
# We hope you will enjoy the show | :20:40. | :20:44. | |
# We're Sergeant Pepper's Lonely Hearts Club Band | :20:44. | :20:48. | |
# Sit back and let the evening go... # | :20:48. | :20:51. | |
APPLAUSE | :20:51. | :20:56. | |
So, that was the EastEnders cast singing the Beatles' Sergeant Pepper's Lonely Hearts Club Band. | :20:56. | :21:01. | |
They look good - I like the new costume designer. | :21:01. | :21:03. | |
It's not a very well known song, so don't worry about it(!) | :21:03. | :21:07. | |
Paul McCartney recently launched a campaign to introduce Meat Free Monday. | :21:07. | :21:11. | |
It's going to be followed by Trumping Tuesday. | :21:11. | :21:15. | |
Phill and Harry, here are yours for Arlene. | :21:15. | :21:17. | |
And remember, it's the title of the song we're after. | :21:17. | :21:20. | |
Can you make sure the tempo's right? | :21:20. | :21:22. | |
They were not singing Sergeant Pepper's... | :21:22. | :21:25. | |
You're a control freak, Phillips! | :21:25. | :21:27. | |
What would have happened if I'd have done that in your dance studio and I got sticked?! | :21:28. | :21:31. | |
Is that what you do in your dance classes - you have a big stick? | :21:31. | :21:34. | |
Actually, you're not allowed to now, but when I was teaching... | :21:34. | :21:38. | |
LAUGHTER | :21:38. | :21:41. | |
When I was teaching... | :21:41. | :21:43. | |
You say that with a hint of regret! Yeah, it's never left me! | :21:43. | :21:47. | |
# Waowa-wowwa wowwa-wowwa Waowa-wowwa waowa-wowwa | :21:47. | :21:50. | |
# Waowa-wowwa waowa-wowwa Uh-uhh-uh-uhh uhh-uhh uh uh | :21:50. | :21:52. | |
# Waowa-wowwa waowa-wowwa Uh-uhh-uh-uhh uhh-uhh uh uh | :21:52. | :21:54. | |
# Waowa-wowwa waowa-wowwa | :21:54. | :21:56. | |
# Wah-wah-wah-wah wuuh-wuuh-wuuh | :21:56. | :21:58. | |
# Wah-wah wah-wah wah-wah Wah-wah wah-wah wah-wah | :21:58. | :22:01. | |
# Whadda-whadda bum-cha... # PHILL STAMPS FLOOR IN TIME | :22:01. | :22:05. | |
# Ba-ba ba-ba badda-badda ba da-daa Da-da da-da dadda-dadda. # | :22:05. | :22:09. | |
Enough tempo for you?! LAUGHTER | :22:09. | :22:14. | |
When it started, I thought it was Take On Me. | :22:14. | :22:16. | |
There was a lot of guts in it, a lot of beating! Mm! | :22:16. | :22:20. | |
A lot of rhythm. Yeah! A lot of stamping! Ooh! | :22:20. | :22:22. | |
SHE SIGHS | :22:22. | :22:25. | |
I don't know. OK. Have you got any idea... | :22:25. | :22:27. | |
We know what it is. You know what it is. | :22:27. | :22:28. | |
I think Claire knows what it is. | :22:28. | :22:30. | |
I'm going to redeem myself for being so rubbish in ours! | :22:30. | :22:32. | |
No, you were good! | :22:32. | :22:33. | |
Poker Face, Lady Gaga. | :22:33. | :22:35. | |
That is absolutely right. Get in there! Come on! | :22:35. | :22:41. | |
And here's how it should have sounded. | :22:41. | :22:43. | |
# I wanna hold 'em like they do in Texas plays | :22:43. | :22:47. | |
# Fold 'em, let 'em Hit me, raise it | :22:47. | :22:50. | |
# Baby, stay with me I love it | :22:50. | :22:51. | |
# Love game, intuition Play the cards with spades to start | :22:51. | :22:54. | |
# And after he's been hooked | :22:54. | :22:57. | |
# I'll play the one that's on his heart | :22:57. | :22:59. | |
# Oh, oh-oh-oh, oh | :22:59. | :23:01. | |
# Oh, oh-woah-oh-oh | :23:01. | :23:03. | |
# I'll get him hot Show him what I've got | :23:03. | :23:07. | |
# Oh, oh-oh-oh, oh Woah-oh-oh | :23:07. | :23:11. | |
# I'll get him hot Show him what I've got | :23:11. | :23:16. | |
# Can't read my, can't read my | :23:16. | :23:18. | |
# No, he can't read my poker face | :23:18. | :23:21. | |
# She's got to love nobody... # | :23:21. | :23:23. | |
APPLAUSE | :23:23. | :23:26. | |
Never mind Take On Me - shame on me, cos I even know the choreography. | :23:26. | :23:30. | |
It's no good, is it, Arlene? Tragedy. Yeah, that's it... | :23:30. | :23:34. | |
Oh, sorry! It's just a natural reaction - I can't help it! | :23:34. | :23:37. | |
What's it like, doing the reunion tour? Come on. | :23:37. | :23:40. | |
We haven't started the tour yet, but it's really exciting. Sold out! | :23:40. | :23:42. | |
What you don't know is me and Phill bought all the tickets! | :23:42. | :23:45. | |
We're going to be front and centre every night! | :23:45. | :23:48. | |
So, there we saw newsreaders Fiona Bruce, Kate Silverton, | :23:48. | :23:53. | |
Susanna Reid and Sophie Raworth singing Lady Gaga's Poker Face. | :23:54. | :23:58. | |
Lady Gaga's infamous meat dress was both impractical and unpleasant. | :23:58. | :24:02. | |
But on the plus side, | :24:02. | :24:04. | |
put it on a hot wash with some veg and you've got a delicious stew! | :24:04. | :24:08. | |
OK, next up, it's the Identity Parade, and it's open to both teams. | :24:08. | :24:11. | |
Phill's team, if you could come and join Noel, Claire and Shaun. | :24:11. | :24:16. | |
I know it's a break from the norm. | :24:16. | :24:17. | |
ARLENE: Where am I? I think you can go there. | :24:17. | :24:21. | |
All right? LAUGHTER | :24:21. | :24:27. | |
Oh, Christ! Hello, Claire from Steps! Hello, Phill. | :24:27. | :24:29. | |
Did you get my letters? LAUGHTER | :24:29. | :24:32. | |
They're the ones written in orange ink. | :24:32. | :24:34. | |
Yeah, you know he's not allowed to be this close to me? Yeah. | :24:34. | :24:36. | |
Phill... LAUGHTER | :24:36. | :24:39. | |
Phill, I don't want you violating your restraining order, so swap with Harry, please. | :24:39. | :24:42. | |
You need to be in the middle. LAUGHTER | :24:42. | :24:46. | |
I love you, Claire from Steps! | :24:47. | :24:49. | |
Wait a minute! There's nothing wrong with his eye - look! | :24:49. | :24:53. | |
LAUGHTER AND APPLAUSE | :24:53. | :24:58. | |
Is he one of these welfare cheats?! He's a benefit cheat! | :24:58. | :25:01. | |
All right, I'm going to call a halt to this. | :25:01. | :25:04. | |
For the audience only, here are some of the Big Brother contestants giving their all. | :25:04. | :25:09. | |
# Go on now, go | :25:09. | :25:11. | |
# Walk out the door | :25:11. | :25:13. | |
# Just turn around now | :25:13. | :25:15. | |
# Cos you're not welcome any more | :25:15. | :25:18. | |
# Weren't you the one who tried to hurt me with goodbye? | :25:18. | :25:20. | |
# I will survive | :25:20. | :25:23. | |
# I will survive... | :25:23. | :25:25. | |
# I will survive! # | :25:25. | :25:30. | |
That was the cast of Big Brother performing I Will Survive. | :25:30. | :25:33. | |
But which one of our line-up is the hat-wearing, face-pulling Bubble? | :25:33. | :25:37. | |
Is it number one, Bubble? | :25:38. | :25:40. | |
Number one, Buble? | :25:40. | :25:43. | |
Number three, the Bubble's burst? | :25:43. | :25:47. | |
Number four, I'm forever blowing Bubble? | :25:47. | :25:51. | |
Or number five, Pudsey Bear? | :25:51. | :25:58. | |
Number five, we know about your eye. | :25:58. | :26:08. | |
:26:08. | :26:09. | ||
Claire, I'm going to ask you. | :26:09. | :26:10. | |
Have you got a gut feeling about any of them? | :26:10. | :26:12. | |
Well, I'm kind of wondering if it's a trick question. | :26:12. | :26:13. | |
In what sense? | :26:13. | :26:14. | |
The Big Brother people, one of them dressed up as Pudsey. | :26:14. | :26:17. | |
Well, no, cos it's number two, but I take your point! No... | :26:17. | :26:21. | |
I want to ask Harry, because I think this series of Big Brother went out before you were born. | :26:21. | :26:25. | |
I think... I know it's number two, actually. | :26:25. | :26:27. | |
You all know it's number two? | :26:27. | :26:30. | |
Am I the only person who DOESN'T know it's number two? | :26:30. | :26:32. | |
Wouldn't it be lovely if Pudsey could win? | :26:32. | :26:33. | |
How magical would that be? All right, it's number five. | :26:33. | :26:36. | |
OK, are we all going to go along with this? | :26:36. | :26:39. | |
You all think it's number five? Yeah. | :26:39. | :26:40. | |
I mean, number two's going to be gutted we've not recognised him! | :26:40. | :26:43. | |
Yeah, yeah! We think it's number five, Katy Brand. | :26:43. | :26:45. | |
Pudsey's much bigger in real life than I'd imagined he would be. | :26:45. | :26:47. | |
Yeah. Noel thought that this really was Pudsey. | :26:47. | :26:49. | |
I mean, what's happening here? | :26:49. | :26:51. | |
It's like Gulliver's Travels. Who's this?! | :26:51. | :26:52. | |
Aww! You can pick him up! | :26:53. | :26:57. | |
Oh, no! That's just... Oh, look! | :26:57. | :27:00. | |
I feel like I've been evil - I want to give Pudsey a cuddle. | :27:00. | :27:04. | |
He is very cuddlesome. Let's see what he's all about. Come on! | :27:04. | :27:10. | |
Noel, Noel. You're going to frighten children when you do this. | :27:10. | :27:13. | |
ALL: Aww! APPLAUSE | :27:13. | :27:20. | |
Right, I'm going to have to call some order to this now. | :27:20. | :27:22. | |
Bubble's a busy man(!) | :27:22. | :27:24. | |
LAUGHTER No, no. Sorry, that was cruel! | :27:24. | :27:28. | |
Would the real Bubble please step forward. | :27:28. | :27:31. | |
APPLAUSE | :27:31. | :27:35. | |
Now teaching drama. Bubble, ladies and gentlemen. | :27:35. | :27:38. | |
Right, would Phill's team like to go back and take their seats? | :27:38. | :27:44. | |
You all right there, Phill? | :27:44. | :27:50. | |
And that brings us to the final scores. | :27:50. | :27:52. | |
Noel's team have one. | :27:52. | :27:54. | |
But Phill's team have two. | :27:54. | :27:56. | |
APPLAUSE | :27:56. | :28:00. | |
Well done, Phill's team. | :28:00. | :28:01. | |
And well done to you at home if you've already donated. | :28:01. | :28:03. | |
If you haven't yet, there's still time. | :28:03. | :28:05. | |
Call: | :28:06. | :28:10. | |
Or go online to bbc.co.uk/pudsey. | :28:10. | :28:16. | |
I've been Katy Brand and this has been Never Mind The Buzzcocks for Children In Need. | :28:16. | :28:20. | |
Good night. | :28:20. | :28:22. | |
APPLAUSE | :28:22. | :28:32. | |
:28:32. | :28:39. | ||
I | :28:39. | :28:40. | |
I love | :28:40. | :28:40. | |
I love the | :28:40. | :28:43. | |
I love the Buzzcocks. CHEERING AND APPLAUSE | :28:44. | :28:50. | |
You know, I do enjoy the Buzzcocks because we have history, you know? | :28:50. | :28:57. | |
Yes, we know this, Terry. That Noel Fielding is a very attractive woman. | :28:57. | :29:02. | |
He's very pretty. I'll tell you what I'm in the mood for, Terry - a | :29:02. | :29:07. | |
nice, big thank you. Always a disappointment. Your wish is my | :29:07. | :29:15. | |
command, my lady. Thank you. CostCo's sedrot a great day's fund- | :29:15. | :29:18. | |
raising begins with a hearty breakfast. All proceeds to Children | :29:18. | :29:20. | |
In Need, of course. APPLAUSE | :29:20. | :29:25. | |
Followed by thanking customers for their generous donations before | :29:25. | :29:31. | |
making sure everyone leaves with a smile on their face. Thank you. See | :29:31. | :29:39. | |
you. B&Q have been selling spotty goodies as well as hosting | :29:39. | :29:43. | |
community events. In Hampshire they invited pupils to do a spot of | :29:43. | :29:47. | |
colouring in before everyone went potty for the paint, bringing a | :29:47. | :29:53. | |
whole new meaning to DIY, decorate it yourself! A big thanks also to | :29:53. | :29:57. | |
the Rotary Club - throughout the UK - who have been hard at work with | :29:57. | :30:06. | |
their fund-raising activities. As have the Roundtablers, who have | :30:06. | :30:08. | |
been collecting since dawn today, with many still out there. | :30:08. | :30:17. | |
APPLAUSE I hope you noticed that I went into | :30:17. | :30:22. | |
a completely different outfit for you. This tie is spectacular. | :30:22. | :30:27. | |
a tie and a handkerchief. It was for you. Thank you. It's wonderful | :30:27. | :30:31. | |
to see such healthy-looking totals from our supporters across the | :30:31. | :30:36. | |
country. So many of you have got involved. We hear Carrick Youth | :30:36. | :30:42. | |
Club in Northern Ireland have raised �500 shake their stuff in a | :30:42. | :30:48. | |
disco for Pudsey. Well done! Well done. Now, being a teedge teenager | :30:48. | :30:54. | |
is an easy time of life. There's whole load of choices to be made, | :30:54. | :30:58. | |
and sadly, it's pretty easy to make the wrong ones. Alesha Dixon went | :30:58. | :31:03. | |
to a project funded by Children In Need which tries to get kids to | :31:03. | :31:12. | |
make the right choice instead of there's a little blue building | :31:12. | :31:18. | |
It was set up in memory of Brett was about 14 | :31:18. | :31:24. | |
Basically, it was cos there and it started | :31:24. | :31:29. | |
And then it just went into harder and bigger things. | :31:29. | :31:34. | |
It was really hard for us as a family. | :31:34. | :31:36. | |
My mother went downhill really bad,- cos that's all she lived for - | :31:36. | :31:39. | |
for me and my brother. | :31:39. | :31:42. | |
I can remember the day he died as if it happened yesterday. | :31:42. | :31:45. | |
He turned 18 in the March and he died in July. | :31:45. | :31:50. | |
Brett died when he was hit by a train. | :31:50. | :31:53. | |
His heart-broken mum, Helena, blamed the tragedy | :31:53. | :31:55. | |
on his problems with drink and drugs, | :31:55. | :31:57. | |
and wanted to prevent other kids following the same path. | :31:57. | :32:00. | |
Convinced they needed somewhere else- to go, she set up KPC Youth Centre. | :32:00. | :32:05. | |
I'm here to see the project in action. | :32:05. | :32:08. | |
It's obviously the area the kids all hang out. | :32:08. | :32:13. | |
LAUGHTER | :32:13. | :32:15. | |
When you're a teenager, you want to be with your mates, you know. | :32:15. | :32:17. | |
Teenagers don't want to besitting at home with their parents - | :32:17. | :32:19. | |
they want to be out, hanging around. | :32:19. | :32:22. | |
And I guess we have to find a way of managing that. | :32:22. | :32:24. | |
Otherwise, that hanging around turns- to destructive behaviour. | :32:24. | :32:27. | |
And that's where KPC comes in. | :32:27. | :32:32. | |
Every week, youth workers like Karen get out onto the streets | :32:32. | :32:35. | |
and talk to the kids, offering them an alternative. | :32:36. | :32:40. | |
We're from KPC over the road - we're a youth centre - | :32:40. | :32:42. | |
and we were just wondering what you're up to tonight. | :32:42. | :32:44. | |
Where have you been? Nothing. | :32:44. | :32:45. | |
Just sitting on the street doing nothing. Yeah? | :32:46. | :32:48. | |
Jay here is only 13. By encouraging him to join now, | :32:48. | :32:52. | |
there's a much better chance he'll stay out of trouble. | :32:52. | :32:56. | |
I think that's wicked, it's given you something to do. | :32:56. | :32:58. | |
I hope to see you there tomorrow. Yeah. | :32:58. | :33:00. | |
Going to come tomorrow? Yeah. | :33:00. | :33:09. | |
'This place not only offers kids a cool place to hang out...' | :33:09. | :33:11. | |
Afternoon, everyone! '..but also teaches them skills | :33:11. | :33:15. | |
'to help them get on in life.' | :33:15. | :33:18. | |
Careful, Jay! You all right, Jay? | :33:18. | :33:19. | |
I see that Jay showed up from last night. | :33:19. | :33:22. | |
Right, what happens in this room? | :33:22. | :33:26. | |
That's where we have all of the games. The games room. | :33:26. | :33:29. | |
Everyone wants to find a solution to the problem | :33:29. | :33:32. | |
of how to keep kids off the streets. | :33:32. | :33:34. | |
Oh, I love it in here! | :33:34. | :33:36. | |
Well, here's a solution. | :33:36. | :33:37. | |
You do drama as well? | :33:37. | :33:39. | |
Youth crime is down 60% in this area. That's incredible! | :33:39. | :33:42. | |
KPC absolutely works. So that's great, then. Problem solved. | :33:42. | :33:47. | |
Well, actually, no. | :33:47. | :33:53. | |
Like youth clubs all over the country, KPC is struggling. | :33:53. | :33:59. | |
Six years ago, founder Helena passed away. | :33:59. | :34:02. | |
And since then, funds have been much- harder to come by. | :34:02. | :34:06. | |
KPC is facing closure. | :34:06. | :34:09. | |
They really, really need funding all the time. | :34:09. | :34:12. | |
It's like, my eldest, she's going to be eight in December | :34:12. | :34:15. | |
and she wants to come here, | :34:15. | :34:18. | |
but there's no guarantee it'll still be open. | :34:18. | :34:20. | |
So if Helena has grandkids, might not get to come to KPC. | :34:20. | :34:24. | |
So I find that really heartbreaking. | :34:24. | :34:29. | |
KPC needs your continued support more than ever. | :34:29. | :34:33. | |
Otherwise, everything that Helena worked so hard for will be lost. | :34:33. | :34:37. | |
ALL: KPC! | :34:37. | :34:40. | |
It would break my heart | :34:40. | :34:42. | |
to think this place could potentially close down | :34:42. | :34:45. | |
after all these children have found the best support structure | :34:45. | :34:49. | |
they could possibly have, to learn life skills, | :34:49. | :34:52. | |
give them ambition, keep them off the streets. | :34:52. | :34:54. | |
That this could go, that would feel like we're going backwards. | :34:54. | :34:57. | |
It makes no sense.And I don't want to see that happen. | :34:57. | :35:00. | |
But we can't do that without your help. | :35:00. | :35:02. | |
So please call 03457 33 22 33. Every penny counts. | :35:02. | :35:10. | |
Thank you so much. | :35:10. | :35:20. | |
:35:20. | :35:20. | ||
It | :35:21. | :35:21. | |
It costs | :35:21. | :35:21. | |
It costs �250 | :35:21. | :35:26. | |
It costs �250 to keep that place open for a night, and they're | :35:26. | :35:28. | |
obviously doing a great job. Children In Need funds hundreds of | :35:28. | :35:32. | |
projects like this around the UK, so please help us continue to | :35:32. | :35:37. | |
support them. It does make a huge difference, and it keeps those kids | :35:37. | :35:47. | |
:35:47. | :35:49. | ||
safe, so do call 03457 33 22 33. Yeah. Thanks, Fearne. We've got an | :35:49. | :35:59. | |
:35:59. | :35:59. | ||
Apology for the loss of subtitles for 42 seconds | :35:59. | :36:42. | |
entirely new crowd in. # When things go wrong | :36:42. | :36:52. | |
:36:52. | :36:55. | ||
# It's all for you Mmm | :36:55. | :37:00. | |
# And it's dark in a cold December But I've got you to keep me warm | :37:00. | :37:04. | |
# If you're broke I'll mend you And I'll keep you sheltered | :37:04. | :37:10. | |
# From the storm that's raging on | :37:10. | :37:13. | |
# I'm out of touch I'm out of luck | :37:13. | :37:16. | |
# I'll pick you up when you're getting down | :37:16. | :37:20. | |
# And out of all these things I've done | :37:20. | :37:23. | |
# I think I love you better now | :37:23. | :37:25. | |
# I'm out of sight I'm out of mind | :37:26. | :37:28. | |
# I'll do it all for you in time | :37:28. | :37:32. | |
# And out of all these things I've done | :37:32. | :37:35. | |
# I think I love you better now | :37:35. | :37:38. | |
# Now | :37:38. | :37:45. | |
# I'm gonna paint you by numbers And colour you in | :37:45. | :37:50. | |
# If things go right we can frame it | :37:50. | :37:54. | |
# And put you on a wall | :37:54. | :37:57. | |
# And it's so hard to say it But I've been here before | :37:57. | :38:03. | |
# Now I'll surrender up my heart And swap it for yours | :38:03. | :38:09. | |
# I'm out of touch I'm out of luck | :38:09. | :38:12. | |
# I'll pick you up when you're getting down | :38:12. | :38:15. | |
# And out of all these things I've done | :38:16. | :38:18. | |
# I think I love you better now | :38:18. | :38:21. | |
# I'm out of sight I'm out of mind | :38:21. | :38:24. | |
# I'll do it all for you in time | :38:24. | :38:27. | |
# And out of all these things I've done | :38:27. | :38:30. | |
# I think I love you better now | :38:30. | :38:33. | |
# Don't hold me down | :38:33. | :38:38. | |
# I think my braces are breaking | :38:38. | :38:41. | |
# And it's more than I can take | :38:41. | :38:45. | |
# And it's dark in a cold December | :38:46. | :38:47. | |
# But I've got you to keep me warm | :38:47. | :38:48. | |
# And if you're broke I'll mend you And I'll keep you sheltered | :38:48. | :38:54. | |
# From the storm that's raging on | :38:54. | :39:00. | |
# I'm out of touch I'm out of luck | :39:00. | :39:03. | |
# I'll pick you up when you're getting down | :39:03. | :39:06. | |
# And out of all these things I've done | :39:06. | :39:09. | |
# I think I love you better now | :39:09. | :39:12. | |
# I'm out of sight I'm out of mind | :39:12. | :39:15. | |
# I'll do it all for you in time | :39:15. | :39:19. | |
# And out of all these things I've done | :39:19. | :39:22. | |
# I think I love you better now | :39:22. | :39:25. | |
# I'm out of touch I'm out of luck | :39:25. | :39:28. | |
# I'll pick you up when you're getting down | :39:28. | :39:31. | |
# And out of all these things I've done | :39:31. | :39:35. | |
# I think I love you better now | :39:35. | :39:41. | |
CHEERING AND APPLAUSE | :39:41. | :39:51. | |
:39:51. | :39:55. | ||
APPLAUSE What | :39:55. | :39:56. | |
What a | :39:56. | :39:56. |