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Ladies and gentlemen, boys and girls, welcome to Television Centre | :00:09. | :00:19. | |
:00:19. | :00:23. | ||
and Children in Need 2011. We're One Direction and welcome to our | :00:23. | :00:31. | |
look back. Pudsey was in the house and so were JLS, Lord Sugar and the | :00:31. | :00:41. | |
:00:41. | :01:09. | ||
Dragons, the The Muppets and # Never better them! And they'll | :01:09. | :01:19. | |
:01:19. | :01:27. | ||
Thank you for being generous. But it is not too late. To give �10 | :01:27. | :01:37. | |
:01:37. | :01:45. | ||
The BBC news reader never let us down and this time they took to the | :01:45. | :01:51. | |
dance floor for a rocket-fuelled cha-cha-cha! From Television Centre, | :01:51. | :01:57. | |
this is the Strictly Come Dancing Children in Need special. Please | :01:57. | :02:07. | |
:02:07. | :02:19. | ||
welcome your hosts Sir Bruce Hello I got you. I love that. Any | :02:19. | :02:24. | |
way good evening, welcome to Children in Need Strictly Come | :02:24. | :02:30. | |
Dancing. It is nice to see you... Nice! And we have an audience made | :02:30. | :02:35. | |
up of mostly children. Aren't you going to start the show with a | :02:35. | :02:45. | |
joke? Yes but I need seem help -- some help. Knock knock. Who's | :02:45. | :02:51. | |
there? Bruce. Bruce who? You see I have been in show business 70 years | :02:51. | :02:58. | |
and they don't even know who I am. Charlieing! Well the top story | :02:58. | :03:03. | |
tonight is that four of BBC's female news readers have left the | :03:03. | :03:09. | |
safety of their desks for this dance floor. How kind of them. Well | :03:09. | :03:15. | |
we better get on with it. It is time to meet the news reading stars | :03:15. | :03:25. | |
:03:25. | :03:58. | ||
Well there they all are. Four of our top news reader. You all look | :03:58. | :04:04. | |
so glamorous. But I still can't work out which one is Huw Edwards! | :04:04. | :04:12. | |
Whoever it is, you have scrubbed up well. Instead of storing, our | :04:12. | :04:17. | |
judges will decide who their favourite couple is and they will | :04:17. | :04:21. | |
be crowned Strictly Come Dancing Children in Need champions 2011. | :04:21. | :04:25. | |
Now everyone is dancing to help change the lives of disadvantaged | :04:25. | :04:30. | |
children. We thank you all so very much. Now, on with the show and | :04:30. | :04:35. | |
let's have a look at our four news readers and their partners in | :04:35. | :04:45. | |
:04:45. | :04:45. | ||
training. This is the most nerve racking thing I have done. I have | :04:45. | :04:51. | |
been doing news for 25 years. In some ways this is the biggest | :04:51. | :04:58. | |
challenge we have done for Children in Need. Good. I thought dancing | :04:58. | :05:03. | |
was just doing a bit of this and it turns out it's not. The nightmare | :05:03. | :05:10. | |
is trying to remember the steps. Travel, lift, sunshine, banana. | :05:10. | :05:18. | |
you lose one thing, then you have lost the routine. Walk round | :05:18. | :05:27. | |
partner, end walk roubd. -- round. One two, the first thing I noticed | :05:27. | :05:32. | |
is Susannah has natural hip action. So there is something good there. | :05:32. | :05:39. | |
My trousers split. He has been brilliant. Even when I el lowed -- | :05:39. | :05:47. | |
el woe bowed -- elbowed him in the face twice. My mum is pleased I'm | :05:47. | :05:57. | |
dancing. You're a natural dancer. am so not. He is a wonderful | :05:57. | :06:02. | |
partner. Enjoying the dance is more important than anything. Is it? | :06:03. | :06:08. | |
The judges. I just put them out of my mind. When I think about Craig | :06:08. | :06:17. | |
and the wiftering glare. -- withering glare. Be mercyful. It is | :06:17. | :06:21. | |
for children. Is good we are dancing together. Whatever happens | :06:21. | :06:28. | |
it will be fun. Dancing a special cha-cha-cha, the BBC news readers | :06:28. | :06:34. | |
and their professional partners. Some breaking news. More news | :06:34. | :06:38. | |
reader have been persuaded to dance for Children in Need and they're | :06:38. | :06:48. | |
:06:48. | :06:56. | ||
asking for your money. If they # You're like a plastic bag | :06:56. | :07:06. | |
:07:06. | :07:09. | ||
drifting through the wind # Wanting to start again # Do you ever feel | :07:09. | :07:16. | |
to start again # Do you ever feel already very deep # Don't you know | :07:16. | :07:26. | |
:07:26. | :07:26. | ||
there's no chance for you # There is a spark in you # And let it | :07:26. | :07:36. | |
:07:36. | :08:08. | ||
Baby you're a firework # You have got to save a falling star # Boom, | :08:08. | :08:18. | |
:08:18. | :08:22. | ||
boom, boom # You're brighter than the moon # Babe yoi you're a | :08:22. | :08:32. | |
:08:32. | :09:03. | ||
firework had been come into my CHEERING AND APPLAUSE. That was | :09:03. | :09:09. | |
marvellous. Absolutely fantastic. You Angela as well, a special thank | :09:09. | :09:15. | |
you to you. You were brilliant and like me, you have still got lovely | :09:15. | :09:23. | |
legs. Weren't they fantastic. What a team! They were wonderful. Thank | :09:23. | :09:30. | |
you for being with us. She is such a lovely lady. Right now then, the | :09:30. | :09:38. | |
easy part's over! Because you now have to face the judges. Oh! But | :09:38. | :09:44. | |
I'm here, don't worry, I'm here to protect you. It's my job. Let's | :09:44. | :09:54. | |
:09:54. | :09:55. | ||
welcome our judges. Len, what did you think? May I say first, that I | :09:55. | :09:59. | |
admire all of you for putting yourselves through this. You're all | :09:59. | :10:07. | |
winners. To do this for Children in Need, I congratulate you. Sian, | :10:07. | :10:17. | |
:10:17. | :10:17. | ||
sharp like a Pippin. Susannah, tooty fruity, what a booty. And | :10:17. | :10:27. | |
:10:27. | :10:28. | ||
Angela Rippon at the end. Wonderful. Now Alesha, from a woman's point of | :10:28. | :10:38. | |
:10:38. | :10:40. | ||
view. George us -- gorgeous women. And that was wonderful. Craig, | :10:40. | :10:46. | |
remember it is Children in Need OK. Sian and Vincent I thought the | :10:46. | :10:52. | |
acting in that was excellent and actually I do like you on breakfast | :10:52. | :10:57. | |
television darling. Susannah and Robin, fabulous booty shape, but | :10:57. | :11:04. | |
the rest left a bit to be desired. Sophie and Ian, fantastic backbend, | :11:04. | :11:10. | |
but stick to your day job, darling. I thought it was confident, but you | :11:11. | :11:20. | |
:11:21. | :11:22. | ||
need to sort out your walks. Come on. Boo! That is over. For goodness | :11:22. | :11:30. | |
sake. Bruno. Oh girls have I got news for you. You really are hot. | :11:30. | :11:33. | |
You should present the news like this every day. The ratings are | :11:33. | :11:39. | |
going to go through the roof. You all did very well. They certainly | :11:39. | :11:49. | |
did. Didn't they do well Brucie? They certainly did. Great comments | :11:49. | :11:56. | |
from the judges. Sian Williams I know you're a Strictly fan. What | :11:56. | :12:01. | |
does I it feel like. It was terrifying, I have a new respect | :12:01. | :12:07. | |
for everyone who does it. Did you enjoy it? Yes I want to do it again. | :12:07. | :12:12. | |
Sophie, what you ever consider a series? I'm still recovering from | :12:12. | :12:17. | |
the shock of this. It has been wonderful. I would love to learn to | :12:17. | :12:24. | |
dance, but not in fronts of 10 million people. It takes a lot of | :12:24. | :12:29. | |
guts. Your boys are in tonight. Did they enjoy mum dancing? I hope they | :12:29. | :12:34. | |
are still here. I thought they may have been so embarrassed but they | :12:34. | :12:40. | |
my harshest critics. I hope they were impressed. I'm sure they loved | :12:40. | :12:45. | |
you. Emily, if we said do it again. What would you do? I would do it. | :12:45. | :12:51. | |
You have got the taste for it. thought they were all wonderful. | :12:51. | :13:01. | |
:13:01. | :13:01. | ||
Well done girls. Remember there noise phone vote. But our news | :13:01. | :13:07. | |
readers want you to call to help raise as much as possible. Who is | :13:07. | :13:11. | |
taking home the trophy? Each judge will vote for their favourite | :13:11. | :13:17. | |
couple and by the way, you're all my favourites. And in the events of | :13:17. | :13:22. | |
a tie of course head judge, Len, will have the deciding vote. | :13:22. | :13:32. | |
:13:32. | :13:40. | ||
results are in. Alesha who gets your vote? Susannah and Robin. | :13:40. | :13:50. | |
:13:50. | :13:56. | ||
Bruno? Saucy and slinky. Susannah and Robin. Craig? Sian and Vincent. | :13:56. | :14:06. | |
:14:06. | :14:08. | ||
All right Len. It is down to you. Susannah and Robin. We have our | :14:08. | :14:15. | |
winners. Come and join me. Come on guys. Well done you. Come on over. | :14:15. | :14:25. | |
:14:25. | :14:30. | ||
Congratulations. What about me? That is fantastic. Thank you so | :14:30. | :14:36. | |
much. She is overwelled. We all had such a brilliant time. It was | :14:36. | :14:44. | |
fantastic. Well done and you all did it without autocue! You are the | :14:44. | :14:54. | |
:14:54. | :15:00. | ||
Children in Need Strictly Come Well done everybody. Hold that up | :15:00. | :15:04. | |
high. Thank you to the wonderful couples and to you at home for | :15:04. | :15:13. | |
watching and donating. Here is our boys to tell you how your money can | :15:13. | :15:22. | |
make a difference. Keep dancing -- It is seven in the morning and all | :15:22. | :15:30. | |
over families are starting their day. You take it for granted, get | :15:30. | :15:34. | |
the kids dressed. Do the school run, but it is not like that for | :15:34. | :15:38. | |
everyone. One in five families in the UK are living in poverty. Sadly, | :15:38. | :15:45. | |
some of the kids in those families are going without breakfast. I have | :15:45. | :15:49. | |
come to Littlehampton in Sussex to visit a project called Launch Pad. | :15:50. | :15:52. | |
They believe it is vital children start the day with food in their | :15:52. | :16:02. | |
:16:02. | :16:02. | ||
tummys. Come and join the table. What is your name. It is free and | :16:02. | :16:07. | |
open every morning during term time. It is really feeded here. You have | :16:07. | :16:11. | |
the estate up the road which is social housing. A lot of families | :16:11. | :16:16. | |
are on low income. The schools give us napes of children an also Social | :16:16. | :16:21. | |
Services, so we get referrals from all different people. What do you | :16:21. | :16:30. | |
have when you come? Toast. Toast. Apple. Right. And grapes. It fills | :16:30. | :16:34. | |
up your tummy for the day you can work hard at school. Can you wash | :16:34. | :16:39. | |
your hands. It offers so much more than cereal. It helps kids in need | :16:39. | :16:45. | |
of nutrition and it helps kids in need of support. They follow a | :16:45. | :16:48. | |
routine, something that is not possible at home. We have children | :16:48. | :16:52. | |
come this who haven't really spoken or don't want to join in, and after | :16:52. | :16:56. | |
a few weeks they will be taking part and wanting to share their | :16:56. | :17:00. | |
news and thing, so as well as feeding them we are trying to feed | :17:00. | :17:09. | |
them emotionally. It is just a little thing isn't it, giving kids | :17:09. | :17:12. | |
breakfast but it makes a big difference to their health and | :17:12. | :17:18. | |
happiness, and it helps them concentrate at school. Everybody in | :17:18. | :17:23. | |
the photo. Children In Need! Your money is giving these kids a better | :17:23. | :17:27. | |
start. But there are only 30 of them here today and Launch Pad has | :17:27. | :17:30. | |
a long waiting list. It is simple really. To feed more kids, they | :17:31. | :17:35. | |
need more staff. Which they can't afford. Projects like this need our | :17:35. | :17:39. | |
help more than ever, because like it or not, without them, some | :17:39. | :17:49. | |
:17:49. | :17:54. | ||
children right here in Britain And that is why every pen wri you | :17:54. | :17:58. | |
give means so much of we will perform or number one in a moment, | :17:58. | :18:02. | |
but before that it is a kind of Walford magic and the Walford | :18:02. | :18:12. | |
:18:12. | :18:22. | ||
regulars swap one Queen for # With a way down low. Ain't no | :18:22. | :18:26. | |
sound but the sound of his feet # Machine guns ready to go | :18:26. | :18:29. | |
# Are you ready, are you ready for this | :18:29. | :18:31. | |
# Are you hanging on the end of your seat | :18:31. | :18:36. | |
# Out of the door way the bullets # To the sound of the beat. | :18:36. | :18:45. | |
# Another one bites the dust # And another one gone and another | :18:45. | :18:49. | |
one gone # Another one bites the dust | :18:49. | :18:53. | |
# Hey I'm gonna get you too, another one bites the dust | :18:53. | :18:56. | |
# How do you think I'm going to get along | :18:56. | :18:59. | |
# Without you, # You took me for everything I had | :18:59. | :19:03. | |
# And kicks me out on my own # Are you happy, are you satisfyed | :19:03. | :19:10. | |
# How long can you standing the heat | :19:10. | :19:20. | |
:19:20. | :19:22. | ||
# Another one bites the dust # And another one gone and another | :19:22. | :19:25. | |
one gone hust hey, I'm gonna get you too | :19:25. | :19:32. | |
# Another one bites the dust # I see a little silhouette of a | :19:32. | :19:42. | |
:19:42. | :19:43. | ||
# Scar ra muesh # Will you do the fandango | :19:43. | :19:48. | |
# Galle low Figaro # I'm just a poor boy | :19:48. | :19:56. | |
# Nobody loves me # Spare him his life from this | :19:56. | :19:58. | |
Monday trosty # Easy come easy go | :19:58. | :20:03. | |
# Will you let me go # We will not let you go | :20:03. | :20:08. | |
# Let him go # We will not let you go | :20:08. | :20:11. | |
# Let me go # Will not let you go | :20:11. | :20:17. | |
# Let me go, go, go # No, no, no | :20:17. | :20:24. | |
# Mama Mia let me go # Beelzebub has the devil put aside | :20:24. | :20:28. | |
for me # For me | :20:28. | :20:38. | |
:20:38. | :21:03. | ||
# I want to break free # I want to break free from your | :21:03. | :21:06. | |
lies # Your self satisfied I don't node | :21:06. | :21:13. | |
# I've got to break free # God knows | :21:13. | :21:22. | |
# God knows I want to break free # I've fallen in love | :21:22. | :21:26. | |
# I've fallen in love for the first time | :21:26. | :21:32. | |
# And this time I know it's for real | :21:32. | :21:37. | |
# I've fallen in love # Yeah? | :21:37. | :21:46. | |
# God knows # God knows I've fallen in love | :21:46. | :21:50. | |
# It's strange but it's true # Yeah | :21:50. | :21:53. | |
# I can't get over the way you love me like you do | :21:53. | :21:59. | |
# But I have to be sure # When I walk out that door | :21:59. | :22:02. | |
# Oh how I want to be free # Baby | :22:02. | :22:12. | |
:22:12. | :22:41. | ||
# Oh how I want to be free # I sit alone | :22:41. | :22:45. | |
# And watch your light # My only friend | :22:45. | :22:49. | |
# Through teenage nights # And every thing | :22:49. | :22:57. | |
# I had to know # I heard it on my radio | :22:57. | :23:01. | |
# Radio # So don't be calm | :23:01. | :23:04. | |
# Some back ground noise # A backdrop for | :23:04. | :23:07. | |
# The girls and boys # Who just don't know | :23:07. | :23:12. | |
# Or just don't care # And just complain | :23:12. | :23:16. | |
# When you're not there # You had your time | :23:16. | :23:23. | |
# You had the power # You're yet to have your finest | :23:23. | :23:24. | |
hour # Radio | :23:24. | :23:33. | |
# All we need hear is radio ga-ga # Radio goo-goo | :23:33. | :23:40. | |
# Radio ga-ga # All we hear is radio ga-ga | :23:40. | :23:47. | |
# Radio ga-ga # Radio, what's new? | :23:47. | :23:57. | |
:23:57. | :23:59. | ||
# Radio, someone still loves you # All we hear is radio ga-ga | :23:59. | :24:03. | |
# Radio goo-goo # Radio ga-ga | :24:03. | :24:08. | |
# All we hear is radio ga-ga # Radio goo-goo | :24:08. | :24:15. | |
# Radio ga-ga # All we hear is radio ga-ga | :24:15. | :24:20. | |
# Radio ga-ga # Radio, what's new? | :24:20. | :24:30. | |
:24:30. | :24:56. | ||
# You're insecure # Don't know what for | :24:56. | :25:00. | |
# You're turning heads when you walk through the door | :25:00. | :25:03. | |
# Don't node make up # To cover up | :25:03. | :25:08. | |
# Being the way that you are is enough | :25:08. | :25:15. | |
# Even else in the room can see it # Even else but you | :25:15. | :25:18. | |
# Baby you light up my world like nobody else | :25:18. | :25:22. | |
# The way that you flip your hair gets me overwhelmed | :25:22. | :25:28. | |
# But when you smile at the ground it ain't hard to tell | :25:28. | :25:30. | |
# You don't know # Oh, | :25:30. | :25:35. | |
# You don't know you're beautiful hrf if only you saw what I can see | :25:35. | :25:38. | |
# You'll understand why I want you so desperately | :25:38. | :25:42. | |
# Right now I'm looking at you and I can't believe | :25:42. | :25:45. | |
# You don't know # Oh | :25:45. | :25:48. | |
# You don't know you're beautiful # Oh | :25:48. | :25:54. | |
# But that's what makes you beautiful | :25:54. | :25:57. | |
# So come on # You got it wrong | :25:57. | :26:01. | |
# To prove I'm right # I put it in a song | :26:01. | :26:05. | |
# I don't know why # You're being shy | :26:05. | :26:09. | |
# And turn away when I look into your eyes | :26:10. | :26:16. | |
# Even else in the room can see it # Everyone else but you | :26:17. | :26:19. | |
# Baby you light up my world like nobody else | :26:19. | :26:23. | |
# The way that you flip your hair gets me overwhelmed | :26:23. | :26:28. | |
# But when you smile at the ground at ain't hard to tell | :26:28. | :26:30. | |
# You don't know # Oh | :26:30. | :26:36. | |
# You don't know you're beautiful # If only you saw what I can see | :26:36. | :26:39. | |
# You'll understand why I want you so desperately | :26:39. | :26:43. | |
# Right now I'm looking at you and I can't believe | :26:43. | :26:46. | |
# You don't know # Oh | :26:46. | :26:50. | |
# You don't know you're beautiful # Oh | :26:50. | :26:54. | |
# But that's what makes you beautiful | :26:54. | :27:04. | |
:27:04. | :27:09. | ||
# That, that, that, Baby you light up my world like | :27:09. | :27:13. | |
nobody else # The way that you flip your hair | :27:13. | :27:16. | |
gets me overwhelmed # But when you smile at the ground | :27:16. | :27:20. | |
it ain't hard to tell # You don't know | :27:20. | :27:23. | |
# Oh # You don't know you're beautiful | :27:23. | :27:26. | |
# Babely you light up my world like nobody else | :27:26. | :27:31. | |
# The way that you flip your hair gets me overwhelmed | :27:31. | :27:35. | |
# The way you smile at the ground it ain't hard to tell | :27:35. | :27:37. | |
# You don't know # Oh | :27:37. | :27:42. | |
# You don't know you're beautiful # If only you saw what I can see | :27:43. | :27:45. | |
# You'll understand why I want you so desperately | :27:46. | :27:49. | |
# Right now I'm looking at you and I can't believe | :27:49. | :27:52. | |
# You don't know # Oh | :27:52. | :27:55. | |
# You don't know you're beautiful # Oh | :27:55. | :27:59. | |
# You don't know you're beautiful # Oh | :27:59. | :28:09. | |
:28:09. | :28:12. | ||
# That's what makes you beautiful. . CHEERING AND APPLAUSE It wasn't | :28:12. | :28:18. | |
just us singing. Even joined in. Gareth Malone was in charge of the | :28:18. | :28:21. | |
Children In Need choir. Michael Crawford took us up the yellow | :28:21. | :28:26. | |
brick road and the kids from outnumbered were monkeying round. | :28:27. | :28:30. | |
# Here we come # Walking down the street | :28:30. | :28:36. | |
# We get the funniest looks from # Everyone we meet | :28:36. | :28:43. | |
# Hey, hey we're the monkey, people say we monkey round | :28:43. | :28:48. | |
# We too busy singing # To put anybody down | :28:48. | :28:54. | |
# We're just trying to be friendly # Come and watch us sing and play | :28:54. | :28:59. | |
# We're the young generation # And we've got something to say | :28:59. | :29:05. | |
# We go where ever we want to # To the do what we like to do | :29:05. | :29:09. | |
# We don't have time to get restless | :29:09. | :29:14. | |
# There's always something new # Hey, hey we're the Monkees, | :29:14. | :29:20. | |
# People say we monkey round # But we're too busy singing | :29:20. | :29:25. | |
# To put anybody down # We're just trying to be friendly | :29:25. | :29:31. | |
# Come and watch us sing and play # We're the young generation | :29:31. | :29:41. | |
:29:41. | :29:56. | ||
Haye we're The Monkees and people say we monkey around, but we're too | :29:56. | :30:04. | |
busy sinking to put anybody down # -- singing to put anybody down # | :30:04. | :30:09. | |
We're just trying to be friendly # Come and watch us sing and play # | :30:09. | :30:17. | |
We're the young generation and we've got something to say! Gareth | :30:17. | :30:24. | |
Malone is on a mission to bring the country together like never before, | :30:24. | :30:30. | |
creating a nationwide choir to sing together via satellite for Children | :30:31. | :30:34. | |
in Need. Hello Devon. We're looking for groups to join us. We wondered | :30:34. | :30:40. | |
if you would like to be part of that on the night? Can he pull this | :30:40. | :30:44. | |
off? This is far and away the biggest thing I have done. No | :30:44. | :30:52. | |
question. How do you feel? nervous. It can go wrong. But there | :30:52. | :31:02. | |
:31:02. | :31:09. | ||
# You're not alone # Together we stand # I'll be by your side # You | :31:09. | :31:15. | |
know I'll take your hand # When it feels like the end you know I will | :31:15. | :31:25. | |
:31:25. | :31:37. | ||
be there # I won't give up on you # Keep holding on # Just stay strong | :31:37. | :31:47. | |
:31:47. | :32:17. | ||
# And I'm here for you # Keep # With you by my side I will climb | :32:17. | :32:27. | |
:32:27. | :32:47. | ||
every one # Keep holding on # # Just stay strong # # Keep holding | :32:47. | :32:57. | |
:32:57. | :33:16. | ||
on # Keep holding on # Keep holding on # Keep holding on! CHEERING AND | :33:16. | :33:23. | |
APPLAUSE. Click your heels together, we're off to see the wizard, the | :33:23. | :33:33. | |
:33:33. | :33:49. | ||
# Somewhere over the rainbow # Way up high, there's a land that I have | :33:49. | :33:59. | |
heard of # Once in a lull abuy # Some day I'll wish upon a star and | :33:59. | :34:05. | |
wake up where the clouds are far behind me # Where troubles melt | :34:05. | :34:11. | |
like lemon drops, away above the chimney tops, that's where you'll | :34:11. | :34:21. | |
:34:21. | :34:24. | ||
find me # Somewhere over the rainbow # Way up high blue birds | :34:24. | :34:34. | |
:34:34. | :34:35. | ||
fly # There bird's fly over the rainbow, why can't, oh why can't I? | :34:35. | :34:44. | |
# If happy little blue birds fly, beyond the rainbow, why, oh why, | :34:44. | :34:54. | |
:34:54. | :35:08. | ||
Ha Ha Ho Ho that is how we laugh the day away in the merry old land | :35:08. | :35:16. | |
of Oz. We again up at 12 and start to work at 1 and then at two we're | :35:16. | :35:24. | |
done, very good fun # Ha Ha # That's how we laugh the day away in | :35:24. | :35:34. | |
:35:34. | :35:45. | ||
the merry old land, merry old land # I have spoken so you obey # Bring | :35:45. | :35:53. | |
me the bloom stick from the witch of the west # These are your orders | :35:53. | :36:03. | |
:36:03. | :36:16. | ||
# You think you're lost but that's not true # You simply lived a dream | :36:16. | :36:26. | |
:36:26. | :36:29. | ||
or two # Home is a place in your heart # Every swrourny leads you | :36:29. | :36:36. | |
back to where you -- journey leads you back to where you start # Close | :36:36. | :36:46. | |
:36:46. | :36:51. | ||
your eyes, it's very easy # You'll find you're already home! # Home is | :36:51. | :37:01. | |
:37:01. | :37:01. | ||
a place in your heart # Every journey leads you back to where you | :37:01. | :37:10. | |
start # Close your eyes, it's very easy # You'll find that you're | :37:10. | :37:20. | |
:37:20. | :37:36. | ||
already home! # Yes there's no Thank you so much for digging deep | :37:37. | :37:46. | |
:37:47. | :37:48. | ||
and raising an amazing total. can still give �10 by texting the | :37:48. | :37:56. | |
Here is how your money makes a difference. Life can change without | :37:56. | :38:00. | |
warning. One minute everything is fine and then nothing will ever be | :38:01. | :38:06. | |
the same again. You're about to hear from a family whose lives were | :38:06. | :38:16. | |
:38:16. | :38:16. | ||
turned upside down seven years ago. All in a split second. Prior to the | :38:16. | :38:22. | |
accident we were a happy ten-year- old. If there was a tree, he would | :38:22. | :38:29. | |
climb it. Loved to get his knees dirty. All the things that boys do. | :38:29. | :38:33. | |
February 2004 was the day everything changed. He was a bit | :38:33. | :38:38. | |
late home. But I did have a gut feeling that something wasn't right. | :38:38. | :38:44. | |
From my house I could see the traffic building up. And then an | :38:44. | :38:48. | |
ambulance shooting down the road. I just knew that it was him. I don't | :38:48. | :38:54. | |
know how I knew. And then the phone call came to say that Will had been | :38:54. | :38:58. | |
hit by a car. You don't know whether he has been killed on the | :38:58. | :39:05. | |
road. I had no idea. And I ran down to the scene and saw him. | :39:05. | :39:10. | |
impact was so severe it left Will permanently brain-damaged. As a | :39:10. | :39:14. | |
baby, I learned who he was. You know his personality and his | :39:14. | :39:18. | |
strengths and weaknesses. What makes him tick. And suddenly you | :39:18. | :39:24. | |
have a child coming home, ten years of age and you have not got a clue | :39:24. | :39:34. | |
:39:34. | :39:45. | ||
It affected him mentally. He has lost his speech. He can't walk. | :39:45. | :39:49. | |
Life after the accident presented a new real ti. He can't eat. He is | :39:50. | :39:56. | |
fed through a tube and he is fed a milk diet. So it is -- it's taken | :39:56. | :40:02. | |
away everything he could do. Now 17 and having regained the use of his | :40:02. | :40:08. | |
arm, Will communicates with gestures and cards. But he requires | :40:08. | :40:12. | |
round-the-clock care. In hospital I was the first to make him smile. | :40:13. | :40:20. | |
was in a ball pool and Will was in his chair and then William burst | :40:20. | :40:30. | |
out laughing. And that is the first time that he actually showed us an | :40:30. | :40:35. | |
awareness that there was something more going on. After his accident, | :40:35. | :40:39. | |
his friends from school would come and play. But they found it | :40:39. | :40:45. | |
difficult. I can understand that. But is suddenly it left him with no | :40:45. | :40:50. | |
friends. Because these were people he had grown up with and they were | :40:50. | :40:55. | |
not visiting. But there is one place he can have fun away from his | :40:55. | :41:01. | |
family and be an independent young man. Have fun. Goodbye mum. This | :41:01. | :41:05. | |
play centre is funded by Children in Need and it offers activities | :41:05. | :41:14. | |
for children with a wide range of additional needs. When he goes to | :41:14. | :41:19. | |
Splash, everyone accepts him. The staff don't talk him down him. | :41:19. | :41:23. | |
makes everyone laugh. They say, here comes trouble. It is important | :41:23. | :41:30. | |
to him, because he needs that time to be a 17-year-old. It makes such | :41:30. | :41:36. | |
a positive impact on the children that go through -- go there, but | :41:36. | :41:40. | |
funds are tight and there is a waiting list. It has made such a | :41:40. | :41:46. | |
difference to his life. And you know, it's a fantastic place. | :41:46. | :41:51. | |
us to support special projects like Splash and help more young people | :41:51. | :42:01. | |
:42:01. | :42:05. | ||
like Will live life to the full. There is a lot still to come. | :42:05. | :42:10. | |
Sugar faces The Dragons and Gok Wan brings us a touch of his own razzle | :42:10. | :42:18. | |
dazzle. But first the return of Kermit and Continental -- Co it is | :42:18. | :42:22. | |
the muppets. Good evening and now I would like to vo deuce my friends, | :42:22. | :42:28. | |
co-star And so much more. fabulous Miss Piggy. Thank you, | :42:29. | :42:35. | |
kissy, kissy. So wonderful to be here and to be seen. Piggy. Sorry | :42:35. | :42:41. | |
can I continue? I was just getting started. That is what I was afraid | :42:41. | :42:47. | |
of. Go ahead. Now, a very special performance of a famous muppet song | :42:47. | :42:56. | |
for Children in Need. We're singing a song. Yes. Sing along if you know | :42:56. | :43:02. | |
it. I don't know the words. Just open your mouth. Mah Na Mah Na. | :43:02. | :43:09. | |
Your part. Mah Na Mah Na. What shall I do? Mah Na Mah Na. Do do do | :43:09. | :43:19. | |
:43:19. | :43:21. | ||
do-do. Mah Na Mah Na. Mah Na Mah Na. How is that voice coming out of | :43:21. | :43:31. | |
:43:31. | :43:42. | ||
your voice? Mah Na Mah Na. Do do do do-do. Mah Na Mah Na Do do do do-do. | :43:42. | :43:52. | |
:43:52. | :43:55. | ||
Maa -- Mah Na Mah Na. Mah Na Mah Na. Here we go. Mah Na Mah Na Do do do | :43:55. | :44:05. | |
:44:05. | :44:08. | ||
do-do Mah Na Mah Na. Do do do do-do. Mah Na Mah Na. What is this song | :44:08. | :44:17. | |
about? About a minute 20! Here we go. Mah Na Mah Na. Do do do do-do. | :44:17. | :44:27. | |
:44:27. | :44:29. | ||
Mah Na Mah Na. Do do do do-do. Mah Na Mah Na. What are you doing over | :44:29. | :44:39. | |
:44:39. | :44:41. | ||
there? Come over here so people can see you. Mah Na Mah Na. Do do do | :44:41. | :44:51. | |
:44:51. | :45:04. | ||
CHEERING AND APPLAUSE Children with Asperger's syndrome with find the | :45:04. | :45:08. | |
world a difficult place. If you can't make eye contact or start a | :45:08. | :45:12. | |
conversation making friends is pretty hard. If you are thrown by | :45:12. | :45:16. | |
the slightest change in routine and living life can be daunting, I | :45:16. | :45:20. | |
would like to introduce grow a young man called Nathan. He is 16. | :45:20. | :45:30. | |
:45:30. | :45:33. | ||
And he is going to tell you how it It is like sort of detached from | :45:33. | :45:38. | |
the world in a way. You can't really make kebg un-- connections | :45:38. | :45:44. | |
with people as easily as other people can. All the swierns there | :45:44. | :45:49. | |
when you look back. He had obsessions and the things he did. | :45:49. | :45:56. | |
It made sense. He is very longical. Likes thing to have a set outcome. | :45:56. | :46:02. | |
Things like that. It is not contagious. It is just a mental | :46:03. | :46:12. | |
difference, really. A difference in how the brain works. Like many | :46:12. | :46:17. | |
children with Asperger's Nathan found life at school tough. I was | :46:17. | :46:23. | |
lonely, alienated. A bit of hostility towards me as well. I was | :46:23. | :46:26. | |
very anxious, struggling to handle the workload. Nathan's mum and dad | :46:26. | :46:30. | |
decided to remove him from school but things went from bad to worse. | :46:30. | :46:36. | |
He began to lose weight, his confidence went really down, his | :46:36. | :46:42. | |
self-esteem was at rock bottom. had given up on everything, and | :46:42. | :46:48. | |
started to become suicidal like. So, it's not nice. Nathan and his | :46:48. | :46:57. | |
family felt like they had reached a dead end. But then they found ASMA. | :46:57. | :47:02. | |
Here, trained staff like Paul are able to support and build | :47:02. | :47:06. | |
confidence in kids with Asperger's. They also run a programme, funded | :47:06. | :47:09. | |
by Children In Need, which specifically helps them cope with | :47:09. | :47:14. | |
the challenges they face. In 2000 we start add project called | :47:14. | :47:17. | |
Aspirations to help the younger people. Most of them are isolated. | :47:17. | :47:21. | |
They don't quite fit in at school. The idea of the social groups was | :47:21. | :47:25. | |
to get them to learn together, to make friends, and have a better | :47:25. | :47:31. | |
quality of life. Once we get them here amazing changes we see. | :47:31. | :47:36. | |
isn't just their wellbeing, their self-esteem. Nathan has come on | :47:36. | :47:38. | |
tenfold, in probably just over a year I have been working with him, | :47:38. | :47:42. | |
from not really wanting to go out the house, he has been fantastic, | :47:42. | :47:49. | |
come on leaps and bounds. It has been great, for the fact it he has | :47:49. | :47:54. | |
people to relate to, keep h him happy. I don't know what stage we | :47:54. | :47:57. | |
would be at at this point if it wasn't for them. With Paul's help | :47:57. | :48:05. | |
Nathan is about to take a massive step. Off to college we must go. | :48:05. | :48:08. | |
starting a new school. It is fantastic but daunting, because | :48:08. | :48:13. | |
every day tasks can be very tough for Nathan. Like the journey to | :48:13. | :48:19. | |
school. There is a lot of unpredictability with things like | :48:19. | :48:26. | |
that. So trying to make things as easy and planned as possible. | :48:26. | :48:31. | |
you don't want to make eye contact you can bring a book. It has helped | :48:31. | :48:34. | |
Nathan get back on his feet. But they have a waiting list of 40 | :48:34. | :48:37. | |
children who are in desperate need of the specialist care and support | :48:38. | :48:42. | |
they offer. With the right help, these children could turn their | :48:42. | :48:47. | |
lives round too. To him, he didn't have a future. This time, 1 months | :48:47. | :48:51. | |
ago, I wouldn't have thought we would be looking at college, you | :48:51. | :48:58. | |
know, and him thinking he could do it. It is very different. In a word. | :48:58. | :49:05. | |
I feel like a different person than I was two or three years ago. More | :49:05. | :49:12. | |
open. More friendly. More able to talk to people. H is a project that | :49:12. | :49:16. | |
is changing lives. With your help we can provide a brighter future | :49:16. | :49:26. | |
:49:26. | :49:27. | ||
for other kids like Nathan. Please, We are not the only boy band | :49:27. | :49:35. | |
performing tonight. It is our old mates JLS. | :49:35. | :49:45. | |
:49:45. | :49:46. | ||
# Put your hands in the air. It is # Do you see what I see | :49:46. | :49:52. | |
# The way she moves I just had to stop and stare? | :49:52. | :49:58. | |
# Do you see what I see # There's a DJ playing all our | :49:58. | :50:02. | |
favourite songs # Do you hear what I hear | :50:02. | :50:06. | |
# We've been drinking so we ought to singalong | :50:06. | :50:14. | |
# Do you hear what I hear? # Dancing with you so easy because | :50:14. | :50:18. | |
you're beautiful # You make it hard for me | :50:18. | :50:23. | |
# I want to kiss you cos I got to know | :50:23. | :50:32. | |
# Do you feel what I feel? # Do you feel what I feel? Do you | :50:32. | :50:42. | |
feel what I feel? # Two people falling in love | :50:42. | :50:44. | |
# No the bartender's turning on the lights | :50:44. | :50:51. | |
# Do you see what I see? # Got my car and it's waiting | :50:51. | :50:57. | |
outside # You should leave when I leave | :50:57. | :51:01. | |
# Dancing with you is so easy because you're beautiful | :51:01. | :51:08. | |
# You make it hard for me # I want to kiss youz because I got | :51:08. | :51:13. | |
to know # Do you feel what I feel | :51:14. | :51:23. | |
:51:24. | :51:26. | ||
# Do you feel what I feel? # Do you feel what I feel? Two | :51:26. | :51:32. | |
people falling in love # You feel the temperature rising | :51:32. | :51:37. | |
# You can feel it # Go ahead and put your hand up | :51:38. | :51:44. | |
# You feel the temperature rising # Go ahead and put your hand up | :51:44. | :51:50. | |
# Put your hand in the air baby # It's JLS | :51:50. | :51:54. | |
# Put your hand up # Put your hands up | :51:54. | :52:02. | |
# Put your hand up # Do you feel what I feel | :52:02. | :52:10. | |
# Two people falling in love # Do you feel what I feel | :52:10. | :52:14. | |
# Oh # Two people falling in love | :52:14. | :52:24. | |
:52:24. | :52:55. | ||
# Do you feel what I feel Hello. I'm the doctor. Now, a lot | :52:55. | :53:00. | |
of people have asked me how I manage to look so cool. Well, not | :53:00. | :53:06. | |
actually a lot of people. And they didn't use the word cool because | :53:06. | :53:11. | |
no-one has asked me that. If nay had I would have answered with one | :53:11. | :53:15. | |
word. My clothes. Especially the bow tie and a fez sometimes, but | :53:15. | :53:21. | |
that is because I am excited. Excited. Today, for Children In | :53:21. | :53:31. | |
:53:31. | :53:31. | ||
Need, I am giving the clothes off my back! My jacket. Unique in the | :53:32. | :53:36. | |
universe. Made of infinity Tweed. If this jacket is hit by a bullet | :53:36. | :53:42. | |
or laser beam or even a Ninja star it would be ruined, so please be | :53:42. | :53:50. | |
careful with it. My bow tie. Bow ties are and always will be cool. | :53:50. | :53:54. | |
My shirt. Look like an ordinary shirt. Feels like an ordinary shirt, | :53:54. | :54:02. | |
is in fact an ordinary shirt. My trousers. Not just any old trousers, | :54:02. | :54:07. | |
hyper trousers. Very similar to normal trousers but the word hyper | :54:07. | :54:17. | |
:54:17. | :54:17. | ||
in front. My boots. One. Two. Three. Oh time Lords, we are full of | :54:17. | :54:26. | |
surprises! Now, if any of you would like to bid for these unique items | :54:26. | :54:29. | |
of clothing, the address is on the screen. No, don't worry, these | :54:29. | :54:33. | |
aren't my real clothes. These are hologram, don't touch the red | :54:34. | :54:43. | |
:54:44. | :54:46. | ||
button on your remote or they might disappear. No, stop that. Stop it! | :54:46. | :54:50. | |
OK guy, I am going to need a diversion. Run the trailer! Run the | :54:50. | :55:00. | |
:55:00. | :55:06. | ||
England, 1941. And there is a war on. It is haunted? I am called the | :55:06. | :55:12. | |
doctor or the caretaker. That man is ridiculous. I know. Stay away | :55:12. | :55:19. | |
from him. Why have you got a phone box? It is not a phone box. It is | :55:19. | :55:27. | |
my wardrobe. Your brother, where is he?. Y are we? The forest in a box | :55:27. | :55:32. | |
in a sitting room. What do they teach you in schools these days. | :55:32. | :55:35. | |
There is something very wrong in this forest and your brother is | :55:35. | :55:45. | |
:55:45. | :55:58. | ||
. Breast Christmas ever. I know. -- It is still not to late to donate | :55:58. | :56:08. | |
:56:08. | :56:17. | ||
and it easy, you can give �10 by Now, as promised, Lord Sugar takes | :56:17. | :56:27. | |
:56:27. | :56:28. | ||
Welcome to the Dragon's Den. And facing our multi-millionaires today, | :56:28. | :56:31. | |
we have an entrepreneur who says he has a proven track record in | :56:31. | :56:35. | |
business. But is keen to secure investment in his latest idea. As | :56:35. | :56:39. | |
we know, it is hard to charm the Dragons and harder to get hem to | :56:39. | :56:49. | |
:56:49. | :56:55. | ||
Four flights of bleeding stairs in a warehouse. Get a bleeding lift in. | :56:55. | :57:02. | |
If I wanted to get fit I would have gone to your of your Egyptians.. | :57:02. | :57:10. | |
State-of-the-art health clubs joking I wouldn't step foot in them. | :57:10. | :57:17. | |
Eyes front, get your cheque books out. It is a former start from the | :57:17. | :57:21. | |
formerer East End barrow boy but they are hard to please. What have | :57:21. | :57:25. | |
you dragged me out here for, who has a business meeting in a | :57:25. | :57:29. | |
knackered old warehouse, chains everywhere. Get a grip. This is not | :57:29. | :57:33. | |
the long Good Friday. Can you crack on, we have a lot of people to | :57:33. | :57:39. | |
shout at. All right, keep your hair on. You are supposeed to be | :57:39. | :57:46. | |
successful business people what are you doing sharing an office. It is | :57:46. | :57:51. | |
our den, Dragon's Den. Grow p up, the last time I had a den I was | :57:51. | :57:58. | |
nine. Why don't you get a boardroom. Like you, big brother, do tasks? | :57:58. | :58:03. | |
Shut it Theo. He seems to be losing the confidence of the investors. | :58:03. | :58:07. | |
You can shut it as well. At least we have real secretaries. | :58:07. | :58:11. | |
haven't got a massive table. You haven't even got matching chairs. | :58:11. | :58:18. | |
Where did you get this from, a fire sale at Staples. You got an idea to | :58:18. | :58:27. | |
pitch. I like you, the new look, I am not sure it is working for you. | :58:27. | :58:33. | |
You know how long it takes to interview someone? 10 minutes. Not | :58:33. | :58:36. | |
13 weeks. At least I don't have to big myself up with piles of pretend | :58:36. | :58:42. | |
money. I am willing to bet they are photocopies on the back of old | :58:42. | :58:46. | |
compliments slips from some of your failed businesses. A tetchy opening | :58:46. | :58:52. | |
exchange, and not the start Alan would have hoped for. Can Deborah | :58:52. | :58:58. | |
offer him any respite? What is your idea? Hold on a minute this is me | :58:58. | :59:04. | |
in my element. I am now about to give you a Masterclass in | :59:04. | :59:11. | |
presentation. So stand by, listen, and learn. This is it. Wow. Black | :59:11. | :59:20. | |
cloth. I'm in. Very drol! This is not it. I knew that. Right. Hold on. | :59:21. | :59:30. | |
Presenting... Alan's bear. That's Pudsey. You can't put that in front | :59:30. | :59:37. | |
of things and pretend you have thought them up. Look, I am sitting | :59:37. | :59:43. | |
in an Am's chair. It is the first wireless bear in the market. It has | :59:43. | :59:51. | |
the lot. GPS. G4. Satellite communication,... You are having a | :59:51. | :00:01. | |
:00:01. | :00:04. | ||
Excuse me, no, no it's not going very well. I have invested a | :00:04. | :00:12. | |
quarter of a million pounds. Dragons don't take kindly to | :00:12. | :00:16. | |
interrup shuns. They they it's Pudsey. I will see you later. So | :00:16. | :00:24. | |
who is in charge here then? Me. What do you say. I don't understand | :00:24. | :00:29. | |
your product, or who your customers are. Never mind that, I don't | :00:29. | :00:35. | |
understand a word you're saying. is decision time, will Theo say | :00:35. | :00:40. | |
that thing about his Children in Need. I have no intention of | :00:40. | :00:47. | |
investing my children's money in a Teddy bear with a SIM card stuck | :00:47. | :00:53. | |
up... I don't need your Vinestment I just want you to -- investment. I | :00:53. | :00:59. | |
just want you to buy some of things. I'm out. I'm out. What about you | :00:59. | :01:04. | |
brave heart? I'm out. Three dragons out, but Peter Jones will probably | :01:04. | :01:10. | |
say he has experience in this sector. I have a lot of experience | :01:10. | :01:16. | |
in this sector and this is ridiculous. I'm out. Well James? | :01:16. | :01:21. | |
is Hilary and as it happens I do need a present for my nephew and I | :01:21. | :01:30. | |
will give you a fiver for one. Right, lady over there. One Am's | :01:30. | :01:35. | |
Bear sold. Pudsey. Shut it. Well done. The rest of you go away and | :01:35. | :01:39. | |
go and decide among yourselves who is responsible for this mess. Go on. | :01:39. | :01:49. | |
:01:49. | :02:07. | ||
I'd like to tell you about haily. This year her sister died sudden | :02:08. | :02:14. | |
Liverpool Hailey and her sister would share that bed. And that bed | :02:14. | :02:18. | |
doesn't just bring back sad memories, it is flea ridden and | :02:18. | :02:23. | |
full of bed bugs. How can Hailey get over the death of her sister | :02:23. | :02:29. | |
when she's dealing with that. want to tell you about 18-year-old | :02:29. | :02:32. | |
James and 10-year-old Casey. Their mum died 06 cancer and their dad is | :02:33. | :02:36. | |
not around. They want to stay together in their family home. But | :02:36. | :02:41. | |
James is studying and can't get the financial support he needs. The | :02:41. | :02:45. | |
rents us is just about being managed, but their washing machine | :02:45. | :02:54. | |
is broken. This brother and sister desperately need support. Want to | :02:54. | :02:57. | |
tell you about these children whose parents are struggling with | :02:57. | :03:03. | |
depression. Their house has a major problem. It is damp and this mould. | :03:03. | :03:06. | |
These children have no clean clothes to wear and because of this, | :03:06. | :03:12. | |
they are getting bullied at school. Happy endings don't often happen | :03:12. | :03:16. | |
for children like these. Their lives are tough. But with your help | :03:16. | :03:23. | |
we can make a difference. Children in Need supports an organisation | :03:23. | :03:28. | |
providing emergency grants to families. Thanks to your donation, | :03:28. | :03:34. | |
Hailey has a new bed and she can get a good night's sleep. James and | :03:34. | :03:39. | |
Katie have a washing machine. At least now they have got clean | :03:39. | :03:44. | |
clothes. Thanks to you, Tyler, Natalie and Susie have been given | :03:44. | :03:49. | |
new school uniform and warm clothes and now the bullying might stop. | :03:49. | :03:53. | |
Thank you for your support. But sadly that is not the end of the | :03:53. | :03:58. | |
story. Every month the organisation receives applications from a | :03:58. | :04:02. | |
thousand more families who need help. We need to help them. Thank | :04:02. | :04:12. | |
:04:12. | :04:13. | ||
you. Thank you. Thank you. That is why your monies is important. | :04:13. | :04:23. | |
:04:23. | :04:28. | ||
Last night the Children in Need studio sparkled with See Quins. Gok | :04:28. | :04:33. | |
Wan had his moment. He has dressed thousands of women and he is the | :04:33. | :04:43. | |
:04:43. | :04:45. | ||
fashion guru. For one night only... Gok Wan! I dress women for a living. | :04:45. | :04:55. | |
I don't dance or sing. Stop, stop, stop. Stop. Is that right? | :04:55. | :05:00. | |
wrong. Apart from that it is mostly OK, apart from the second bit. | :05:00. | :05:05. | |
There are some very accomplished dancers all working through routine. | :05:05. | :05:10. | |
Did you learn that this morn something You did not. I have been | :05:10. | :05:14. | |
doing this for two week and I haven't nailled it yet. So I'm on | :05:14. | :05:18. | |
the steps on my own while they get it right and I'm going to walk in | :05:18. | :05:23. | |
and get it wrong. The most scary thing I have ever done in my life. | :05:23. | :05:32. | |
I need to concentrate. Go away. One of the things that moving your feet | :05:32. | :05:36. | |
in that direction... Eight times would be that difficult. But I'm | :05:36. | :05:46. | |
better with breasts than I am with feet. I'm going home! I can't | :05:46. | :05:50. | |
believe I'm doing this. What an idiot. I'm forgetting the words | :05:50. | :05:55. | |
again. You're going to lose money by putting me on the stage. Don't | :05:55. | :06:00. | |
show that to anyone. And that was just the warm up. He was nervous | :06:00. | :06:10. | |
:06:10. | :06:19. | ||
and so we were. But wasn't he great. # Give them the old razzle dazzle # | :06:19. | :06:25. | |
Razzle dazzle them # Give them an act with lots of flash in it # And | :06:25. | :06:34. | |
the reaction will be passionate # Give up the old hocus pocus # Beat | :06:34. | :06:44. | |
:06:44. | :06:44. | ||
and feather them # How can they see with sequins in their eyes? What if | :06:44. | :06:52. | |
the hinges are all rusty, what if in fact you're just disgusting? | :06:52. | :07:02. | |
:07:02. | :07:03. | ||
Razzle dazzle them and they will get the romance # Give them the old | :07:03. | :07:13. | |
:07:13. | :07:15. | ||
razzle dazzle # Razzle dazzle them # Back since the days of old # | :07:15. | :07:24. | |
Everyone loves a big bamboozler # Give them the old Three Ring Circus | :07:24. | :07:34. | |
:07:34. | :07:35. | ||
# When your in trouble going to your dance # Though you are stiffer | :07:35. | :07:42. | |
than a girder, they will let them get away with murder # Razzle | :07:42. | :07:50. | |
dazzle them a and you get a romance! Give them the old razzle | :07:50. | :08:00. | |
dazzle # Razzle dazzle them # Give them an act that's unassailable # | :08:00. | :08:05. | |
They will wait a year until you're available # Give them the old | :08:05. | :08:15. | |
:08:15. | :08:21. | ||
double whammy # Show them the first rate one you are # Long as you keep | :08:21. | :08:28. | |
them way up # How can they stop, you're got no talent? # Razzle | :08:28. | :08:38. | |
:08:38. | :08:53. | ||
dazzle them # Razzle dazzle them # Before we say goodbye, please keep | :08:53. | :09:02. | |
giving. You can donate �10 by texting the word Donate. For full | :09:02. | :09:07. | |
terms and conditions, go to the web-site. It has been an amazing | :09:07. | :09:13. | |
nights. You dug deep to help change lives. A huge thanks to you all and | :09:14. | :09:23. | |
:09:24. | :09:31. | ||
all those involved in Children in # Keep holding on Thank you! # Just | :09:31. | :09:41. | |
:09:41. | :09:54. | ||
stay strong # Thank you. Thank you. # Keep holding on! # Keep giving! # | :09:54. | :09:59. | |
I'm out of touch, I'm out of luck, I'll pick you up when you're | :09:59. | :10:03. | |
getting down # After all these thing I have done # I think I love | :10:03. | :10:09. | |
you better now. Thank you. # I'm out of sight, I'm out of mind # I | :10:09. | :10:16. |