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Good evening, and welcome to this extra special Children In Need night. | 0:00:02 | 0:00:05 | |
For the past 30 years, Children In Need has raised | 0:00:09 | 0:00:12 | |
a staggering £550 million for disadvantaged children in the UK. | 0:00:12 | 0:00:17 | |
The amount of money it raises for the kids is unbelievable. | 0:00:17 | 0:00:22 | |
I like the way it unites the whole country. | 0:00:22 | 0:00:24 | |
People pull together and want to help out. | 0:00:24 | 0:00:27 | |
Everyone is clubbing together for one cause. | 0:00:27 | 0:00:29 | |
It's a way of life in this country. | 0:00:29 | 0:00:31 | |
Over the next two shows, | 0:00:31 | 0:00:33 | |
we celebrate the weird, wacky, and wonderful ways | 0:00:33 | 0:00:36 | |
in which our most cherished celebrities | 0:00:36 | 0:00:39 | |
have gone above and beyond their duty, all in the name of charity. | 0:00:39 | 0:00:43 | |
Here at Children In Need, we've spent almost 200 hours | 0:01:05 | 0:01:08 | |
selecting our favourite clips from the show's 30-year history. | 0:01:08 | 0:01:14 | |
Tonight, as we enjoy this veritable smorgasbord | 0:01:14 | 0:01:17 | |
of Children In Need sketches... | 0:01:17 | 0:01:20 | |
Yeah, baby, it's time to get naked. | 0:01:20 | 0:01:21 | |
..songs... | 0:01:21 | 0:01:23 | |
# You would be there when I needed somebody... # | 0:01:23 | 0:01:25 | |
..and stand-out moments... | 0:01:25 | 0:01:27 | |
-That's, like, freaking me out. -That's, like, freaking me out! | 0:01:27 | 0:01:30 | |
..we'll be joined by some familiar faces keen to relive... | 0:01:30 | 0:01:34 | |
Children In Need is obviously the most important thing | 0:01:34 | 0:01:37 | |
in my professional life. | 0:01:37 | 0:01:39 | |
There wasn't a better platform | 0:01:39 | 0:01:40 | |
for us than Children In Need. It was amazing. | 0:01:40 | 0:01:42 | |
..or maybe forget... | 0:01:42 | 0:01:44 | |
Looking back, it is a bit embarrassing, yeah. | 0:01:44 | 0:01:46 | |
Why on Earth did I say yes? | 0:01:46 | 0:01:48 | |
..their time on Children In Need. | 0:01:48 | 0:01:50 | |
In this show, we count down from 50 to 21, | 0:01:50 | 0:01:54 | |
so let's take a look at our first clip. | 0:01:54 | 0:01:57 | |
We're back in 2007, | 0:01:59 | 0:02:02 | |
and it's the satisfying moment | 0:02:02 | 0:02:04 | |
when the hard-bitten Dragons of Dragons' Den | 0:02:04 | 0:02:07 | |
were brought down a peg or two by some brave young entrepreneurs. | 0:02:07 | 0:02:11 | |
If we had any thought at all of patronising those kids - | 0:02:11 | 0:02:16 | |
straight out the window as soon as they came up the stairs. | 0:02:16 | 0:02:18 | |
Hello, I'm Callum. | 0:02:18 | 0:02:19 | |
Last year, I noticed that my guinea pigs were getting bored | 0:02:19 | 0:02:22 | |
with nothing to do but eat grass, | 0:02:22 | 0:02:24 | |
so I designed a house and got my granddad to make it with me. | 0:02:24 | 0:02:28 | |
There was one little guy called Callum | 0:02:28 | 0:02:30 | |
who was absolutely cool as a cucumber, | 0:02:30 | 0:02:33 | |
very serious about his pitch, and quite rightly so. | 0:02:33 | 0:02:35 | |
I'd like £1,000 for heating in granddad's workshop, | 0:02:35 | 0:02:41 | |
so it doesn't get cold in the winter, | 0:02:41 | 0:02:43 | |
and also for some wood, instead of the other wood that we've got. | 0:02:43 | 0:02:48 | |
Well done, Callum. Excellent presentation. | 0:02:48 | 0:02:51 | |
Surely everybody's on board. | 0:02:51 | 0:02:53 | |
'Callum was pretty confident. I never would have thought' | 0:02:53 | 0:02:57 | |
I would have had a pitch given to me by a ten-year-old. | 0:02:57 | 0:02:59 | |
It looks like the hamster could escape, | 0:02:59 | 0:03:02 | |
-because you have holes coming out. -They're windows! | 0:03:02 | 0:03:06 | |
Ah. Some of these Dragons aren't as bright as they look. | 0:03:06 | 0:03:10 | |
They're windows? | 0:03:10 | 0:03:11 | |
Yes! | 0:03:11 | 0:03:12 | |
Yeah. | 0:03:12 | 0:03:14 | |
The hamster doesn't jump through windows? | 0:03:14 | 0:03:17 | |
Come on, Peter, keep up. | 0:03:17 | 0:03:18 | |
Well, they'd be a bit silly if they would. | 0:03:18 | 0:03:21 | |
I think we're wasting our time, Callum. | 0:03:21 | 0:03:23 | |
Every single retort was pretty strong. | 0:03:23 | 0:03:25 | |
In fact, that ten-year-old boy | 0:03:25 | 0:03:27 | |
was probably better than half the people we get in the Den for real. | 0:03:27 | 0:03:30 | |
It's better than just running around in an empty cage. | 0:03:30 | 0:03:33 | |
It's a lot better. | 0:03:33 | 0:03:34 | |
He made me feel about six years of age. | 0:03:34 | 0:03:36 | |
Confident pitch, fielded the questions well, | 0:03:36 | 0:03:40 | |
but what did the experts think? | 0:03:40 | 0:03:42 | |
You haven't really got an idea of how you're going to grow the business. | 0:03:42 | 0:03:47 | |
That's a bit harsh. | 0:03:47 | 0:03:48 | |
If that's the best you've done, you've done a very poor job. | 0:03:48 | 0:03:50 | |
Come on, guys, he's only 10. | 0:03:50 | 0:03:52 | |
I don't like the way you presented today. | 0:03:52 | 0:03:57 | |
I don't like your business plan. | 0:03:57 | 0:03:59 | |
That's the reason why I won't be investing. | 0:03:59 | 0:04:01 | |
Hold it there, we're only joking! | 0:04:01 | 0:04:03 | |
Let's rewind the tape and see how it really went down. | 0:04:03 | 0:04:07 | |
-It's better than just running around in an empty cage. -It's a lot better. | 0:04:07 | 0:04:11 | |
Callum, I like the idea that you care about the animals, | 0:04:11 | 0:04:16 | |
and I will give you the £1,000. | 0:04:16 | 0:04:17 | |
-Have we got a deal? -Yeah. | 0:04:17 | 0:04:19 | |
Let's shake hands. | 0:04:19 | 0:04:21 | |
Ahh, well done, Callum. | 0:04:21 | 0:04:23 | |
There we are, the spirit of Children In Need in action. | 0:04:23 | 0:04:26 | |
At number 49 is the first Children In Need charity single | 0:04:28 | 0:04:32 | |
to feature in our countdown, 2009's All You Need Is Love. | 0:04:32 | 0:04:37 | |
As with all the Children In Need singles, | 0:04:45 | 0:04:47 | |
a percentage of the sales went directly to the charity, | 0:04:47 | 0:04:51 | |
and this helped raise £40 million last year. | 0:04:51 | 0:04:55 | |
# All you need is love... # | 0:04:55 | 0:04:57 | |
Pretty good, huh? | 0:04:57 | 0:04:58 | |
And next on the countdown, it's time to say hello to an old favourite. | 0:04:58 | 0:05:05 | |
Back in the '80s, Sir Terry Wogan entertained millions of viewers | 0:05:05 | 0:05:10 | |
hosting Blankety Blank, a kind of "finish my...sentence" panel show. | 0:05:10 | 0:05:15 | |
Fast forward to Children In Need 2004, and the stage was set | 0:05:15 | 0:05:19 | |
for a triumphant return, | 0:05:19 | 0:05:21 | |
reuniting Blankety Blank and Sir Terry once again. | 0:05:21 | 0:05:26 | |
We were in for a treat. | 0:05:26 | 0:05:27 | |
Much may have changed in 21 years since I last held this microphone. | 0:05:27 | 0:05:30 | |
It's extraordinary what a feeling of power it gives you. | 0:05:30 | 0:05:33 | |
'I'm not a great one for preparation.' | 0:05:33 | 0:05:36 | |
I had, frankly, forgotten completely how to play Blankety Blank. | 0:05:36 | 0:05:40 | |
Oh, dear, and forgetting | 0:05:40 | 0:05:41 | |
how to play the game was only the start of Terry's problems. | 0:05:41 | 0:05:44 | |
First, there were the unruly contestants. | 0:05:44 | 0:05:47 | |
Don't do it now, put it back! | 0:05:47 | 0:05:48 | |
For heaven's sake! | 0:05:48 | 0:05:50 | |
Then the set went on strike. | 0:05:50 | 0:05:53 | |
The automatic...roundabout will take you away... | 0:05:53 | 0:05:58 | |
because it works like clockwork. | 0:05:58 | 0:06:01 | |
You got the sense of, "Still sat here! | 0:06:01 | 0:06:03 | |
"I think we should be moving!" | 0:06:03 | 0:06:04 | |
-Shall I just go and push it? -I would, yeah. | 0:06:04 | 0:06:07 | |
Shall we all pull together? | 0:06:09 | 0:06:11 | |
It's all going wrong! | 0:06:13 | 0:06:15 | |
Poor Terry. What else could possibly go wrong? | 0:06:15 | 0:06:19 | |
I hope we're not going to have a lot of trouble from you. | 0:06:22 | 0:06:25 | |
I understand you're a troublesome person. | 0:06:25 | 0:06:27 | |
I've never seen you on television myself. | 0:06:27 | 0:06:30 | |
When you end up on one of these things, you're thinking, "Why on earth did I say yes?" | 0:06:30 | 0:06:34 | |
I'm always going to make a complete idiot out of myself. | 0:06:34 | 0:06:36 | |
I understand you that have a tart way about you? | 0:06:36 | 0:06:39 | |
Occasionally, Terry. | 0:06:39 | 0:06:41 | |
He was provoking me with his silly microphone. | 0:06:41 | 0:06:43 | |
Stick that any closer... | 0:06:43 | 0:06:46 | |
'So I decided to break it!' | 0:06:48 | 0:06:50 | |
You're a brave man, Cowell, very brave. | 0:06:51 | 0:06:55 | |
He got a bit sulky. I don't think he was too happy about that. | 0:06:55 | 0:06:57 | |
Anybody got another one? | 0:06:57 | 0:07:00 | |
The thing didn't work. | 0:07:00 | 0:07:01 | |
Nothing really worked. | 0:07:01 | 0:07:03 | |
Except that it was fun to do. | 0:07:03 | 0:07:05 | |
That wasn't as slick as we were hoping! | 0:07:05 | 0:07:08 | |
Sir Terry there, doing what he does best, keeping cool under pressure. | 0:07:08 | 0:07:13 | |
And here at number 47 is another lot who know something about being cool. | 0:07:13 | 0:07:19 | |
In 2003, the cast of Coronation Street | 0:07:22 | 0:07:25 | |
gave us their expert rendition of Grease. | 0:07:25 | 0:07:29 | |
Casting for the male was easy. | 0:07:29 | 0:07:32 | |
Boyzone stud Keith Duffy assumed the lead role of Danny. | 0:07:32 | 0:07:36 | |
But the role of Sandy needed someone real special. | 0:07:36 | 0:07:40 | |
But, hey, there's over 35 ladies in this soap, | 0:07:40 | 0:07:43 | |
surely it can't be that hard. | 0:07:43 | 0:07:46 | |
I wasn't in Grease! | 0:07:46 | 0:07:47 | |
Sorry, Fiz, to play Sandy, you need a striking stage presence, | 0:07:47 | 0:07:53 | |
a fierce musical ability and years of dance lessons. | 0:07:53 | 0:07:58 | |
I don't know if I would have been Sandy. | 0:07:58 | 0:07:59 | |
# You better shape up... # | 0:07:59 | 0:08:02 | |
Oh, and looking good in leather doesn't hurt much either. | 0:08:02 | 0:08:05 | |
# And my heart is set on you | 0:08:05 | 0:08:08 | |
# You better shape up... # | 0:08:08 | 0:08:11 | |
There's pictures up on the wall in the green room | 0:08:11 | 0:08:14 | |
of Nikki Sanderson in some very tight leather trousers. | 0:08:14 | 0:08:20 | |
I wonder why that's still up in the green room. | 0:08:20 | 0:08:23 | |
# Ooh, ooh, ooh, honey... # | 0:08:23 | 0:08:24 | |
I watched it with a bit of a tinge of...hmmm! | 0:08:24 | 0:08:29 | |
# The one that I want... # | 0:08:29 | 0:08:30 | |
Fiz may not have been the one they wanted, | 0:08:30 | 0:08:33 | |
but Corrie's effort helped raise £15 million on the night, | 0:08:33 | 0:08:36 | |
and the cast had such a great time, | 0:08:36 | 0:08:39 | |
they like to keep a permanent reminder somewhere very special. | 0:08:39 | 0:08:42 | |
We have a photograph of that up | 0:08:42 | 0:08:44 | |
on the set behind the Rovers. | 0:08:44 | 0:08:47 | |
When Fiz goes to the toilet, | 0:08:47 | 0:08:50 | |
I go to the toilet and then that's where it is, | 0:08:50 | 0:08:52 | |
hanging, Coronation Street do Grease. | 0:08:52 | 0:08:54 | |
# You're the one that I want. # | 0:08:54 | 0:08:56 | |
OK, Corrie, we know you can sing and dance, but can you act? | 0:08:56 | 0:09:00 | |
Ooh! Fabulous bangers. | 0:09:00 | 0:09:03 | |
Pay attention, girlfriends, | 0:09:03 | 0:09:04 | |
it's time for some Children In Need Gok Shock. | 0:09:04 | 0:09:06 | |
Do you have any idea where I am? | 0:09:06 | 0:09:08 | |
-Yeah! You're on Coronation Street, cock. -No, it's Gok. | 0:09:08 | 0:09:12 | |
Oh, cock instead of Gok. | 0:09:12 | 0:09:13 | |
Cock meaning the northern colloquialism, | 0:09:13 | 0:09:17 | |
not the rude... We weren't calling him a rude word. | 0:09:17 | 0:09:22 | |
Right, glad we got that cleared up. Oh, yes, where were we? | 0:09:22 | 0:09:24 | |
In 2008, the Fairy Gokmother | 0:09:24 | 0:09:26 | |
really had his work cut out | 0:09:26 | 0:09:28 | |
making over the residents of Coronation Street. | 0:09:28 | 0:09:32 | |
-Yeah, baby, it's time to get naked. -Naked? | 0:09:32 | 0:09:35 | |
I know the other three said "Yes, I'll do it, as long as I don't have to be naked." | 0:09:35 | 0:09:39 | |
But for me, I'd already spent half my time naked, | 0:09:39 | 0:09:41 | |
practically, on that show anyway. | 0:09:41 | 0:09:43 | |
Blimey, must have missed that episode. | 0:09:43 | 0:09:46 | |
Listen, Auntie Gok's in town, and it's time to dress. | 0:09:46 | 0:09:49 | |
So to cut a long story short, | 0:09:49 | 0:09:50 | |
Auntie Gok strips them down putting on a Gok-tastic fashion show. | 0:09:50 | 0:09:54 | |
You go, girlfriend. | 0:09:54 | 0:09:55 | |
Shouting out some trademark catchphrases | 0:09:55 | 0:09:58 | |
before inexplicable smoke appears, | 0:09:58 | 0:10:00 | |
fireworks explode, confetti falls, | 0:10:00 | 0:10:02 | |
oh, and a big, butch, manly fight breaks out. | 0:10:02 | 0:10:04 | |
Gok, I'm going to make you ten years younger! | 0:10:04 | 0:10:07 | |
Actually, it was probably a normal day in that factory. | 0:10:07 | 0:10:09 | |
Then style icon Gok Wan shows just what a good sport he is | 0:10:09 | 0:10:13 | |
by modelling next season's new look... | 0:10:13 | 0:10:15 | |
The Haley Cropper! | 0:10:15 | 0:10:18 | |
We're counting down the top 50 moments from Children In Need, | 0:10:20 | 0:10:24 | |
and that was Gok Wan making over the cast of Corrie. | 0:10:24 | 0:10:27 | |
Let's see what's at number 45. | 0:10:27 | 0:10:31 | |
Right, you'd better wake up your mum and dad. This one's for the oldies. | 0:10:31 | 0:10:35 | |
Yes, Children In Need has the brilliant knack of getting | 0:10:35 | 0:10:38 | |
old comedians to step out of retirement | 0:10:38 | 0:10:41 | |
and back into the limelight. | 0:10:41 | 0:10:43 | |
This has never been demonstrated more clearly | 0:10:43 | 0:10:45 | |
than when Prunella Scales | 0:10:45 | 0:10:47 | |
returned as the nation's favourite hostess, Sybil Fawlty, | 0:10:47 | 0:10:51 | |
leading a merry band of comedy legends | 0:10:51 | 0:10:55 | |
in 2007's take on Hotel Babylon. | 0:10:55 | 0:10:57 | |
'I don't think anyone else could have pulled off a sketch like that, | 0:10:57 | 0:11:01 | |
'getting actors all together' | 0:11:01 | 0:11:03 | |
to do something of that scale for what is a couple of minutes of TV. | 0:11:03 | 0:11:07 | |
Like the best hotel mixologist's cocktail, | 0:11:09 | 0:11:12 | |
this sequence was a finely balanced blend of ingredients. | 0:11:12 | 0:11:16 | |
Start off with a couple of handfuls of Dorien from Birds of a Feather. | 0:11:16 | 0:11:20 | |
Next, take a sachet of Yvette from 'Allo 'Allo, | 0:11:20 | 0:11:23 | |
a subtle drizzle of Captain Peacock from Are You Being Served?, | 0:11:23 | 0:11:28 | |
a meaty slug of Ted Bovis from Hi-de-Hi!, | 0:11:28 | 0:11:30 | |
and a squeeze of June Whitfield. | 0:11:30 | 0:11:33 | |
Then shake it up with refined Adam Chance. | 0:11:33 | 0:11:37 | |
What do you get? | 0:11:37 | 0:11:39 | |
A Comedypolitan! | 0:11:39 | 0:11:41 | |
Sorry about that. Right, who's next on the list? | 0:11:41 | 0:11:44 | |
Power-slide, high kick, is this Tom Cruise? | 0:11:48 | 0:11:54 | |
No, it's Children In Need favourite, John Barrowman. | 0:11:54 | 0:11:59 | |
# Today's music ain't got the same soul | 0:11:59 | 0:12:03 | |
# I like that old time rock and roll | 0:12:03 | 0:12:07 | |
# Don't try and take me to a disco... # | 0:12:07 | 0:12:10 | |
When I was told I was going to be performing live in my underwear | 0:12:11 | 0:12:15 | |
in front of the nation, part of me went, "Oh, dear!" | 0:12:15 | 0:12:18 | |
And the other part went, "Yes!" | 0:12:18 | 0:12:19 | |
# Old time rock and roll... # | 0:12:19 | 0:12:22 | |
'I was doing this pastiche of Risky Business. | 0:12:22 | 0:12:26 | |
'Tom Cruise has got great legs. | 0:12:26 | 0:12:28 | |
'I kept thinking to myself,' | 0:12:28 | 0:12:30 | |
"When he's in briefs, it looks like two teacakes". You know, tight. | 0:12:30 | 0:12:35 | |
'And then I come out in boxers, which will look saggy.' | 0:12:35 | 0:12:40 | |
So I was nervous that people would think I had a saggy butt. | 0:12:40 | 0:12:43 | |
Now, I've been to Barrowman's house, | 0:12:45 | 0:12:47 | |
and what you're seeing there is pretty accurate - | 0:12:47 | 0:12:49 | |
the relentless singing, the resident dance troupe | 0:12:49 | 0:12:52 | |
and the unabashed prancing around in questionable boxer shorts. | 0:12:52 | 0:12:55 | |
# I've got to hear some blues or funky old soul... # | 0:12:55 | 0:12:58 | |
Personally, I'm a tidy whitey. | 0:12:58 | 0:13:01 | |
I'm a Y-fronts person. | 0:13:01 | 0:13:04 | |
Actually, I was meant to dance in tidy whities. | 0:13:04 | 0:13:09 | |
But I was pulled aside and told, "We can't do the tidy whities. | 0:13:09 | 0:13:12 | |
"You have to do boxer shorts. Tidy whities are a little too revealing." | 0:13:12 | 0:13:15 | |
# I like that old time rock and roll... # | 0:13:17 | 0:13:20 | |
Why do you want to know what happened to my underwear after the performance?! | 0:13:23 | 0:13:27 | |
After the show, my underwear went onto the Pudsey website. | 0:13:27 | 0:13:30 | |
I actually know who bought the pants. | 0:13:30 | 0:13:33 | |
Wow, lovely! | 0:13:33 | 0:13:36 | |
£3,000 for John Barrowman's sweaty boxer shorts! | 0:13:36 | 0:13:42 | |
I should be selling them. | 0:13:42 | 0:13:43 | |
I should have my own site to raise money for charities. | 0:13:43 | 0:13:47 | |
# That old time rock and roll! # | 0:13:47 | 0:13:51 | |
From bare legs to three legs. | 0:13:54 | 0:13:56 | |
In at number 43 is singer-songwriter, | 0:13:56 | 0:13:59 | |
painter and all-round entertainer, Rolf Harris. | 0:13:59 | 0:14:03 | |
Wow, what I wouldn't give to have a third leg. | 0:14:07 | 0:14:10 | |
How on earth do you do it, Rolf? | 0:14:10 | 0:14:13 | |
Good question. I'm not going to tell you. What's the matter with you? | 0:14:13 | 0:14:16 | |
# I'm Jake the Peg... # | 0:14:16 | 0:14:18 | |
Oh, go on, Rolf, please. | 0:14:18 | 0:14:21 | |
I'm not going to tell you. | 0:14:21 | 0:14:23 | |
Stop playing games! | 0:14:23 | 0:14:26 | |
There's got to be some kind of trick to it. | 0:14:26 | 0:14:28 | |
# Jake the Peg... # | 0:14:28 | 0:14:31 | |
I'll let you into the secret. There is a false leg involved! | 0:14:31 | 0:14:37 | |
What?! A false leg? Of course! | 0:14:38 | 0:14:42 | |
Oh, I feel such an idiot now. | 0:14:42 | 0:14:46 | |
It's that one, look. | 0:14:46 | 0:14:48 | |
No, hang on, it's the one in the middle. | 0:14:48 | 0:14:50 | |
Which one is it? Oh, I give up. | 0:14:50 | 0:14:53 | |
# And then they shout at me | 0:14:58 | 0:15:00 | |
# "Put your best foot forward" | 0:15:00 | 0:15:03 | |
# But which foot? | 0:15:03 | 0:15:05 | |
Rolf and his appendage helped to raise £17.2 million on the night. | 0:15:05 | 0:15:08 | |
# Got a choice of two | 0:15:08 | 0:15:12 | |
# But me, I'm Jake the Peg | 0:15:12 | 0:15:15 | |
# With his extra leg! # | 0:15:17 | 0:15:18 | |
I shouldn't have told you that. | 0:15:18 | 0:15:20 | |
One performer who certainly doesn't need an extra leg | 0:15:20 | 0:15:24 | |
is good ol' twinkle toes himself, Brucie, | 0:15:24 | 0:15:27 | |
seen here romancing Kaplinsky | 0:15:27 | 0:15:30 | |
before leading his gaggle of merry men on a right old song and dance. | 0:15:30 | 0:15:34 | |
Two, three, four! | 0:15:34 | 0:15:36 | |
It was so lovely to see Bruce and Sir Terry Wogan dancing together. | 0:15:40 | 0:15:44 | |
Bruce obviously takes the dancing side of things seriously, | 0:15:44 | 0:15:50 | |
so watching it, you could tell that Bruce was wanting to nail the steps, | 0:15:50 | 0:15:54 | |
and Terry was just having a blast. | 0:15:54 | 0:15:56 | |
'I'm pretty bad on rehearsal. | 0:15:56 | 0:15:59 | |
'I tend to make things up as I go along. | 0:15:59 | 0:16:02 | |
'That has its shortcomings, when you're expected to remember | 0:16:04 | 0:16:08 | |
'your steps, and remember what to do with your hat.' | 0:16:08 | 0:16:10 | |
And your cane! | 0:16:10 | 0:16:12 | |
Don't worry, Terry, | 0:16:12 | 0:16:13 | |
you weren't the only one struggling to find your rhythm. | 0:16:13 | 0:16:16 | |
Go on, John. Go on, John. | 0:16:16 | 0:16:17 | |
'As far as the public is concerned, John Humphrys has no legs. | 0:16:20 | 0:16:23 | |
'When he appeared to dance for us, the bottom half of his body' | 0:16:23 | 0:16:27 | |
is not all that well co-ordinated with the upper half. | 0:16:27 | 0:16:29 | |
He was dancing to a different song. | 0:16:29 | 0:16:32 | |
You might be on to something there, Fearne. | 0:16:32 | 0:16:34 | |
This is what was actually bouncing around in John's head. | 0:16:34 | 0:16:37 | |
DANCE MUSIC | 0:16:37 | 0:16:41 | |
Actually, we've traced John's footsteps throughout the sequence, | 0:16:45 | 0:16:50 | |
and this is what appeared. | 0:16:50 | 0:16:52 | |
Good sport John Humphrys | 0:16:52 | 0:16:53 | |
communicating through the medium of dance there. | 0:16:53 | 0:16:56 | |
Now, let's pause a minute. | 0:16:56 | 0:16:58 | |
When I say Children In Need, what do you think of? | 0:16:58 | 0:17:02 | |
Wogan? Pudsey? Generous audience members in silly costumes? | 0:17:02 | 0:17:06 | |
Well, I bet buttons to bottletops that this lot also spring to mind. | 0:17:06 | 0:17:11 | |
We interrupt this broadcast to bring you breaking news. | 0:17:11 | 0:17:14 | |
'The night of Children In Need, the first thing you think of,' | 0:17:17 | 0:17:20 | |
and everyone does it, is newsreaders doing silly dances. | 0:17:20 | 0:17:24 | |
Yes, it's the newsreaders. | 0:17:24 | 0:17:27 | |
'Every year, the newsreaders do something stupid.' | 0:17:27 | 0:17:30 | |
Newsreaders are so straight that anything they do is funny. | 0:17:30 | 0:17:32 | |
I do find myself going, "Oh, God." | 0:17:32 | 0:17:36 | |
It's like watching my dad. | 0:17:36 | 0:17:37 | |
'Everybody is prepared to go on live television' | 0:17:42 | 0:17:46 | |
and make a bit of a fool of themselves, | 0:17:46 | 0:17:48 | |
which will be on YouTube forever. | 0:17:48 | 0:17:50 | |
'But because it's Children In Need, | 0:17:50 | 0:17:53 | |
'they do it, and they're quite up for it.' | 0:17:53 | 0:17:55 | |
Yes, for one night of the year, | 0:17:59 | 0:18:01 | |
the formal faces of BBC News get to let their hair down. | 0:18:01 | 0:18:05 | |
It certainly puts the newsreaders in an unusual, potentially embarrassing situation. | 0:18:05 | 0:18:09 | |
'All year round, we're pretty buttoned up.' | 0:18:11 | 0:18:15 | |
It's nice to escape from that for a while. | 0:18:15 | 0:18:16 | |
Thanks, Bill, and back in the countdown, | 0:18:16 | 0:18:19 | |
here they are at number 41. | 0:18:19 | 0:18:21 | |
Wow, this is most certainly not the Nine O'Clock News. | 0:18:25 | 0:18:29 | |
# Goddess on the mountain top | 0:18:29 | 0:18:31 | |
# Burning like a silver flame... # | 0:18:33 | 0:18:35 | |
They must love it, because they're clearly not that serious in real life, | 0:18:35 | 0:18:39 | |
they just have to be serious when they're behind that desk. | 0:18:39 | 0:18:40 | |
# And Venus was her name... # | 0:18:40 | 0:18:42 | |
Could this one moment change a newsreader's life forever? | 0:18:42 | 0:18:45 | |
Probably not, Peter, but we won't forget it in a hurry, | 0:18:45 | 0:18:49 | |
especially as we didn't know | 0:18:49 | 0:18:51 | |
what was lurking at the back of the stage. | 0:18:51 | 0:18:54 | |
# Yeah, baby, she's got it... # | 0:18:54 | 0:18:57 | |
We'd be thinking, "What on Earth am I doing here?" | 0:18:57 | 0:19:02 | |
Well, Bill, since you ask, Wild Boys was based on a novel | 0:19:02 | 0:19:06 | |
by William Burroughs, and you're playing the part | 0:19:06 | 0:19:09 | |
of an adolescent humanoid ravaging the earth. | 0:19:09 | 0:19:13 | |
# The wild boys are calling | 0:19:13 | 0:19:15 | |
# On their way back from the fire... # | 0:19:15 | 0:19:19 | |
'That first moment they fit you up, you think,' | 0:19:22 | 0:19:25 | |
"No, no, I'm not wearing that!" | 0:19:25 | 0:19:30 | |
It wasn't so much the leather trousers, but the string vests. | 0:19:30 | 0:19:34 | |
There's not a whole lot going on under there, really. | 0:19:34 | 0:19:36 | |
They were wearing quite naughty outfits, really, | 0:19:38 | 0:19:42 | |
I think maybe naughtier than they realised. | 0:19:42 | 0:19:45 | |
# Oh, the secrets they could tell.... # | 0:19:45 | 0:19:49 | |
There's always fishnets. There's a bit of bondage. | 0:19:49 | 0:19:52 | |
There's a bit of leather. | 0:19:52 | 0:19:53 | |
# Looks like they'll try again | 0:19:53 | 0:19:58 | |
# Wild boys never lose it | 0:19:58 | 0:20:02 | |
# Wild boys never choose this way... # | 0:20:02 | 0:20:06 | |
'My recollections of Wild Boys - how can I put this? | 0:20:06 | 0:20:10 | |
How enthusiastically some of my colleagues | 0:20:10 | 0:20:12 | |
embraced the idea of bondage gear. | 0:20:12 | 0:20:14 | |
You've got to watch these people. | 0:20:17 | 0:20:18 | |
The newsreaders there with a memorable performance | 0:20:23 | 0:20:26 | |
to tie up the first ten in our countdown | 0:20:26 | 0:20:29 | |
to the Children In Need 50 Greatest Moments. | 0:20:29 | 0:20:32 | |
So, what's at number 40? OZ-enders. | 0:20:32 | 0:20:35 | |
Dot Cotton describes the action. | 0:20:35 | 0:20:38 | |
I don't remember! | 0:20:38 | 0:20:40 | |
To be fair, the story was a little baffling, | 0:20:40 | 0:20:44 | |
so pay attention. | 0:20:44 | 0:20:46 | |
This is what happened. | 0:20:46 | 0:20:48 | |
Dorothy Cotton falls asleep, and wakes up | 0:20:48 | 0:20:50 | |
in an alternate Wizard of Oz reality set in Albert Square. | 0:20:50 | 0:20:54 | |
There's something a bit queer going on. | 0:20:54 | 0:20:55 | |
She is immediately confronted | 0:20:55 | 0:20:57 | |
by two characters from Casualty, and Well'ard wearing sunglasses. | 0:20:57 | 0:21:00 | |
Oh! Me head! | 0:21:00 | 0:21:02 | |
Got all of that? Good. Meanwhile, Garry Hobbs has swapped jobs | 0:21:02 | 0:21:05 | |
and is now serving in the Queen Vic whilst fiddling with a car battery. | 0:21:05 | 0:21:08 | |
I'm a mechanic, not a barman. | 0:21:08 | 0:21:10 | |
Upset by characters from other shows invading Albert Square, | 0:21:10 | 0:21:12 | |
Dot is advised by Patrick Trueman to go and see the Wizard of Oz. | 0:21:12 | 0:21:15 | |
Little does she know that all of this mayhem is being caused | 0:21:15 | 0:21:19 | |
by evil Ian Beale who mixed up the BBC drama scripts | 0:21:19 | 0:21:23 | |
before throwing darts at pictures of Phil Mitchell. | 0:21:23 | 0:21:25 | |
Hello, princess. | 0:21:25 | 0:21:26 | |
What? The action returns to Holby City's Mubbs Hussein, | 0:21:26 | 0:21:29 | |
who discovers he doesn't have a heart. | 0:21:29 | 0:21:30 | |
Could someone get me to a hospital? | 0:21:30 | 0:21:32 | |
Oh, and did I mention that Garry has no brain? | 0:21:32 | 0:21:34 | |
Sometimes wonder if I've got a brain at all. | 0:21:34 | 0:21:36 | |
And this other dude is a coward? | 0:21:36 | 0:21:37 | |
I'm such a coward. | 0:21:37 | 0:21:39 | |
Told you. Like in The Wizard of Oz. | 0:21:39 | 0:21:41 | |
Anyway, moving on. Several characters play noughts and crosses on a patient's chest, | 0:21:41 | 0:21:44 | |
while Garry, Mubbs, the other dude, and Dorothy | 0:21:44 | 0:21:47 | |
decide to burst out of the hospital to go and see the wizard. | 0:21:47 | 0:21:50 | |
We'll all go together. | 0:21:50 | 0:21:51 | |
They're advised by Merseybeat's Inspector Superintendent Jim Oulton to... | 0:21:51 | 0:21:56 | |
Follow the yellow big bear! | 0:21:56 | 0:21:58 | |
Oh, and Elvis pops up too! | 0:21:58 | 0:21:59 | |
Together they dance off down the street before arriving at the Children In Need studio. | 0:21:59 | 0:22:04 | |
Suddenly, Ian Beale appears from behind a poorly timed smoke explosion | 0:22:04 | 0:22:08 | |
and Jon Culshaw dressed as Ozzy Osbourne addresses the gang. | 0:22:08 | 0:22:12 | |
I am Oz. | 0:22:12 | 0:22:13 | |
The loose ends are all tied up with the Wizard of Oz - Ozzy Osbourne - | 0:22:13 | 0:22:17 | |
banishing the evil Ian Beale to TV purgatory, and the scene finishes with a good old sing-song. | 0:22:17 | 0:22:22 | |
# Some day I'll wish upon a star... # | 0:22:22 | 0:22:25 | |
But what does the star of the show, Dot Cotton, think? | 0:22:25 | 0:22:28 | |
It was silly and simple and I thought it was rather lovely. | 0:22:28 | 0:22:31 | |
So did we, Dot. | 0:22:31 | 0:22:33 | |
Oh, my God, they look hideous! | 0:22:36 | 0:22:38 | |
Was something often said by Trinny and Susannah | 0:22:38 | 0:22:41 | |
on their makeover show What Not To Wear. | 0:22:41 | 0:22:44 | |
Here, however, they're looking very stylish | 0:22:44 | 0:22:47 | |
in their interpretation of Madonna's Vogue. | 0:22:47 | 0:22:50 | |
# Come on, Vogue # | 0:22:50 | 0:22:51 | |
# Vogue | 0:22:51 | 0:22:53 | |
# Let your body groove to the music... # | 0:22:53 | 0:22:56 | |
The soft lighting, monochrome colourwash | 0:22:56 | 0:22:58 | |
and precise choreography was a valiant effort, | 0:22:58 | 0:23:01 | |
but there's no substitute for the real thing | 0:23:01 | 0:23:04 | |
and, thankfully, two years later, Pudsey's prayers were answered | 0:23:04 | 0:23:08 | |
as the queen of pop agreed to appear live on stage. | 0:23:08 | 0:23:12 | |
There was a huge buzz of excitement in the building all day. | 0:23:13 | 0:23:18 | |
It was an extraordinary breakthrough to have Madonna open the show for us. | 0:23:18 | 0:23:22 | |
At one point her and about a thousand people in her entourage | 0:23:24 | 0:23:28 | |
briskly walked past me. | 0:23:28 | 0:23:29 | |
It's so weird seeing her in real life, because she's on of the most iconic famous people in the world. | 0:23:29 | 0:23:34 | |
She was probably the biggest thing in show business at the time. | 0:23:34 | 0:23:37 | |
So, without further ado, here she is, Madonna! | 0:23:37 | 0:23:43 | |
# Those who run seem to have all the fun | 0:23:43 | 0:23:46 | |
# I'm caught up... # | 0:23:46 | 0:23:48 | |
Wait, wait a minute, what the hell's wrong with the clip? | 0:23:48 | 0:23:51 | |
Ah, that's better. | 0:23:51 | 0:23:53 | |
Her performance was on the night was spectacular. | 0:23:55 | 0:23:58 | |
-Audience just went mad. | 0:24:00 | 0:24:03 | |
# I don't know what to do | 0:24:03 | 0:24:07 | |
# Every little thing | 0:24:07 | 0:24:08 | |
# That you say or do | 0:24:08 | 0:24:10 | |
# I'm hung up... # | 0:24:10 | 0:24:13 | |
You want that first performance to be huge, | 0:24:13 | 0:24:17 | |
to set the pace of the show and Madonna did more than that. | 0:24:17 | 0:24:20 | |
# Every little thing Every little thing | 0:24:20 | 0:24:25 | |
# I'm hung up, I'm hanging up on you | 0:24:25 | 0:24:29 | |
# Waiting for your call, waiting for your call... # | 0:24:29 | 0:24:32 | |
Over nine million viewers tuned in, and the fun wasn't over | 0:24:32 | 0:24:37 | |
as Sir Terry took to the stage to throw some shapes with Madge herself. | 0:24:37 | 0:24:40 | |
Oh, Lord, did he? | 0:24:40 | 0:24:41 | |
I was born to dance. | 0:24:47 | 0:24:48 | |
Madonna there, opening the show in 2005. | 0:24:48 | 0:24:52 | |
Now let's see who had the honour in 2007. | 0:24:52 | 0:24:56 | |
Bless! | 0:25:00 | 0:25:01 | |
All went wrong and the whole country were watching. | 0:25:06 | 0:25:09 | |
I did have to laugh! | 0:25:12 | 0:25:13 | |
I think I weed myself a little bit, I laughed so much. | 0:25:13 | 0:25:16 | |
It's a shame for Lee, but people watch it for that kind of thing. | 0:25:23 | 0:25:26 | |
There's a little girl to my left, | 0:25:26 | 0:25:29 | |
I remember seeing her face thinking, "We're on telly." | 0:25:29 | 0:25:32 | |
I was like, "I know!" | 0:25:32 | 0:25:34 | |
Singer's worst nightmare - not being heard. | 0:25:36 | 0:25:39 | |
It's all a bit of a blur, to be honest. It all happened so quick. | 0:25:42 | 0:25:45 | |
But looking back, it is a bit embarrassing. | 0:25:45 | 0:25:47 | |
Oh, come on, Lee, it wasn't that bad. So your microphone packed up. | 0:25:47 | 0:25:52 | |
We were all singing along with you. | 0:25:52 | 0:25:54 | |
And for anyone who missed it here's the karaoke version. | 0:25:54 | 0:25:58 | |
VOCALS DROP | 0:26:10 | 0:26:13 | |
His microphone was dead. | 0:26:32 | 0:26:34 | |
There was at the side of the stage trying to get to him, | 0:26:34 | 0:26:37 | |
but it would have literally | 0:26:37 | 0:26:38 | |
been a case of jumping on top of five year olds. | 0:26:38 | 0:26:40 | |
# A crash of drums... # | 0:26:45 | 0:26:47 | |
'It is not until you finish' | 0:26:47 | 0:26:49 | |
that you realise most of the country was watching the performance. | 0:26:49 | 0:26:53 | |
It is one to look back on, I guess. | 0:26:53 | 0:26:56 | |
# Any dream will do | 0:26:58 | 0:27:00 | |
# Give me my coloured coat... # | 0:27:01 | 0:27:06 | |
Ahh, it all worked out in the end, | 0:27:06 | 0:27:07 | |
and the odd mishap is what Children In Need is all about. | 0:27:07 | 0:27:11 | |
Sometimes you just need to step back and have a laugh at yourself. | 0:27:11 | 0:27:15 | |
Which is exactly what these next three did. | 0:27:17 | 0:27:21 | |
Ever wondered what Dot Cotton, Pat Butcher and Vera Duckworth | 0:27:21 | 0:27:25 | |
look like as saucy schoolgirls? | 0:27:25 | 0:27:27 | |
Well, we're about to find out, | 0:27:27 | 0:27:29 | |
as we were treated to this fantasy in 1991. | 0:27:29 | 0:27:32 | |
# Three little new barmaids are we | 0:27:32 | 0:27:34 | |
# Pert as a schoolgirl as you see... # | 0:27:34 | 0:27:37 | |
Crikey! | 0:27:37 | 0:27:38 | |
# Three little spunky girls | 0:27:40 | 0:27:42 | |
# Pure and spotless virgins three | 0:27:42 | 0:27:44 | |
# All on the brink of puberty... # | 0:27:46 | 0:27:49 | |
It was dressing up as schoolgirls, and it was just fun. | 0:27:50 | 0:27:54 | |
You didn't worry about it. You had a nice time. | 0:27:54 | 0:27:56 | |
# Three pretty lucky girls | 0:27:56 | 0:27:59 | |
# Two little maidens from EastEnders | 0:28:02 | 0:28:05 | |
# Both want a bloke to love and tend us | 0:28:05 | 0:28:07 | |
# Both of them wearing silk suspenders | 0:28:07 | 0:28:11 | |
# Three pretty raunchy girls... # | 0:28:14 | 0:28:17 | |
Rumour has it these three are set to star alongside Gemma Arterton | 0:28:17 | 0:28:21 | |
in the next St Trinian's movie, | 0:28:21 | 0:28:24 | |
and whilst they'll have to wait a bit | 0:28:24 | 0:28:26 | |
to get their hands on Russell Brand's Flash Harry, | 0:28:26 | 0:28:29 | |
there's always someone they can flirt with. | 0:28:29 | 0:28:32 | |
We were really all after Sir Terry Wogan! | 0:28:33 | 0:28:35 | |
Ooh, Terry, you lucky man! | 0:28:39 | 0:28:42 | |
Did I land up sitting on Terry Wogan's lap? | 0:28:44 | 0:28:47 | |
Yes, I thought I might have done. | 0:28:47 | 0:28:49 | |
Like you can't remember, June. | 0:28:49 | 0:28:52 | |
I think I won there! | 0:28:52 | 0:28:54 | |
Frankly, if I wasn't a married man, | 0:28:56 | 0:28:58 | |
and it hadn't been in front of millions of people watching, | 0:28:58 | 0:29:01 | |
we could have run-off together. | 0:29:01 | 0:29:03 | |
Careful, Terry. | 0:29:03 | 0:29:05 | |
It's 2001, and this is Shaun Williamson and friends | 0:29:39 | 0:29:43 | |
with their version of a Queen classic. | 0:29:43 | 0:29:46 | |
# I want to break free... # | 0:29:46 | 0:29:48 | |
'When they came up with the idea, based on Queen's iconic video | 0:29:50 | 0:29:54 | |
'of that song, I thought,' | 0:29:54 | 0:29:56 | |
"What a laugh, which part do you want me to be?" | 0:29:56 | 0:29:58 | |
"The Freddie Mercury, stockings and suspenders, | 0:29:58 | 0:30:02 | |
"hoover, big wig." | 0:30:02 | 0:30:04 | |
Fine. OK. | 0:30:04 | 0:30:05 | |
And it was a real laugh. | 0:30:05 | 0:30:07 | |
As if one cross-dressing Freddy wasn't enough, we're treated to another. | 0:30:07 | 0:30:11 | |
Try and guess where he's hiding. | 0:30:11 | 0:30:14 | |
# I want to break free... # | 0:30:14 | 0:30:15 | |
# I'm falling in love... # | 0:30:17 | 0:30:20 | |
I thought, "This is going well. | 0:30:20 | 0:30:22 | |
"The whole nation loves me." | 0:30:22 | 0:30:24 | |
Then, of course, Greco jumps out of a wardrobe, and you forget about me. | 0:30:24 | 0:30:28 | |
# I'm falling in love | 0:30:31 | 0:30:33 | |
# God knows | 0:30:36 | 0:30:39 | |
# God knows I'm falling in love... # | 0:30:39 | 0:30:41 | |
Showing a bit of hairy leg live on television is not limited to just the soap stars. | 0:30:44 | 0:30:50 | |
Hello, everyone. | 0:30:52 | 0:30:54 | |
And welcome to our Children In Need swingometer. | 0:30:54 | 0:30:58 | |
There are some things in life that just belong together... | 0:30:58 | 0:31:03 | |
fish and chips, Posh and Becks, and Children In Need | 0:31:03 | 0:31:06 | |
and the newsreaders. | 0:31:06 | 0:31:08 | |
Let's go back to 1992 and see where it all began. | 0:31:08 | 0:31:12 | |
The king of the swingers! | 0:31:12 | 0:31:15 | |
The assumption is the newsreaders always were part and parcel | 0:31:15 | 0:31:19 | |
of dressing up, dancing and singing for us... | 0:31:19 | 0:31:22 | |
# I wanna be a man, man-cub... # | 0:31:22 | 0:31:23 | |
..but this was initiated by Peter Snow. | 0:31:23 | 0:31:28 | |
Peter Snow, in that leopard skin, | 0:31:30 | 0:31:32 | |
that really was showing you the way it was going. | 0:31:32 | 0:31:35 | |
And it was going very well indeed. | 0:31:35 | 0:31:39 | |
Peter made it respectable for people in the serious business of newsreading | 0:31:41 | 0:31:46 | |
to come out and for one night only make fools of themselves, | 0:31:46 | 0:31:50 | |
as we all do on behalf of Children In Need. | 0:31:50 | 0:31:53 | |
Well, John, what would you say | 0:31:53 | 0:31:54 | |
is the underlying political significance | 0:31:54 | 0:31:57 | |
of what we're seeing tonight? | 0:31:57 | 0:31:58 | |
Undoubtedly, Peter Snow is swinging towards megalomania! | 0:31:58 | 0:32:02 | |
I think they were very ambitious, really. | 0:32:02 | 0:32:04 | |
We're more mainstream showbiz these days. | 0:32:04 | 0:32:07 | |
# Oh, whoop-dee-doo I wanna be like you-oo-oo... # | 0:32:07 | 0:32:10 | |
I was just disappointed that he didn't swing off through the trees, going "Aaah-aah-aaah!" | 0:32:10 | 0:32:16 | |
# Someone like me-ee-ee... # | 0:32:16 | 0:32:19 | |
Peter Snow and the newsreaders there. | 0:32:19 | 0:32:22 | |
Now, what's at number 33? | 0:32:22 | 0:32:25 | |
Ozzy Osbourne's view of the world has always been somewhat different to the norm, | 0:32:25 | 0:32:29 | |
so just imagine the utter confusion he suffered | 0:32:29 | 0:32:33 | |
coming face to face with himself. | 0:32:33 | 0:32:35 | |
Who are you? The Prince of Darkness! | 0:32:35 | 0:32:38 | |
Who are you? The Prince of Darkness! | 0:32:38 | 0:32:41 | |
Who are you? The Prince of Darkness! | 0:32:41 | 0:32:43 | |
That guy's freaking me out! | 0:32:43 | 0:32:45 | |
This guy's freaking ME out! | 0:32:45 | 0:32:47 | |
You look like me! | 0:32:47 | 0:32:49 | |
This is, like, the best lookalike that I've ever seen. | 0:32:49 | 0:32:53 | |
That could have just gone anywhere. | 0:32:53 | 0:32:55 | |
That's your lookalike sorted, when's mine coming on? | 0:32:55 | 0:32:59 | |
Just get on with the interview. | 0:32:59 | 0:33:02 | |
Question one - what is your name? | 0:33:02 | 0:33:06 | |
The Prince of Darkness! | 0:33:06 | 0:33:07 | |
Very strong smell of aftershave, Ozzy has. | 0:33:07 | 0:33:10 | |
He must get his bottle of aftershave and... Loads of it on. | 0:33:10 | 0:33:13 | |
You can smell the aftershave 30 yards before Ozzy has reached you. | 0:33:13 | 0:33:19 | |
Next, the real Sharon Osbourne came out, | 0:33:19 | 0:33:22 | |
and if Ozzy wasn't baffled enough already, | 0:33:22 | 0:33:25 | |
the producers then introduced a lifelike mannequin of Simon Cowell. | 0:33:25 | 0:33:29 | |
Definitely looks like Simon to me. | 0:33:29 | 0:33:32 | |
It was just the image of Cowell before him brought out this real sense of genuine venom. | 0:33:32 | 0:33:37 | |
Yes, the sight of his wife's tormentor proved just too much, tipping Ozzy over the edge. | 0:33:37 | 0:33:43 | |
Punching with some serious intentions. | 0:33:43 | 0:33:45 | |
I sensed, he didn't like this image before him. | 0:33:45 | 0:33:49 | |
Perhaps he thought it was real. | 0:33:49 | 0:33:51 | |
-That's called getting the short straw. -The Prince of Darkness! | 0:33:51 | 0:33:54 | |
Ozzy Osbourne, just one of the many music legends to appear on Children In Need over the years. | 0:33:56 | 0:34:01 | |
Let's just pause the countdown for a moment | 0:34:01 | 0:34:04 | |
to look at some other classic performances. | 0:34:04 | 0:34:08 | |
Last year was the first time | 0:34:10 | 0:34:12 | |
we had been associated with Children In Need. | 0:34:12 | 0:34:14 | |
We performed Everybody In Love. | 0:34:14 | 0:34:16 | |
# Everybody in love | 0:34:16 | 0:34:18 | |
# Go put your hands up... # | 0:34:18 | 0:34:20 | |
There's always a buzz about it, and everyone's there clubbing together | 0:34:20 | 0:34:25 | |
for one cause - to raise as much money as possible to help children around the UK. | 0:34:25 | 0:34:30 | |
JLS appeared last year, and they're in great company. | 0:34:33 | 0:34:37 | |
# Stop right now Thank you very much | 0:34:37 | 0:34:40 | |
# I need somebody with a human touch... # | 0:34:40 | 0:34:44 | |
# Hold on tonight Whoa, whoa, whoa-oh-oh... # | 0:34:44 | 0:34:50 | |
# Here comes the girls Girl, girls, girls... # | 0:34:50 | 0:34:56 | |
# I'm spinning around Move out of my way | 0:34:56 | 0:35:00 | |
# I know you're feeling me cos you like it like this... # | 0:35:00 | 0:35:04 | |
# You're gonna make me Make me love you | 0:35:04 | 0:35:07 | |
# Nothing at all Nothing that I do... # | 0:35:07 | 0:35:10 | |
Some of the awesome pop stars who have done their bit. | 0:35:10 | 0:35:13 | |
But back in the countdown there's one band who have given more | 0:35:13 | 0:35:17 | |
for Children In Need than any other. | 0:35:17 | 0:35:19 | |
We started back in '93, '94. '94 would have been | 0:35:20 | 0:35:23 | |
our first Children In Need performance, I think. | 0:35:23 | 0:35:25 | |
We did Children In Need every year. | 0:35:27 | 0:35:30 | |
Then we broke up, we went our own way. | 0:35:30 | 0:35:33 | |
To come back then, in 2007, | 0:35:35 | 0:35:37 | |
and for Children In Need still to want Boyzone... | 0:35:37 | 0:35:40 | |
Boyzone are back! | 0:35:40 | 0:35:42 | |
To have the opportunity to re-launch the band on Children In Need, it was such a buzz, such a great honour. | 0:35:42 | 0:35:48 | |
# You'll be there When I needed somebody... # | 0:35:48 | 0:35:52 | |
So, this is it, | 0:35:53 | 0:35:54 | |
the moment Children In Need brought Boyzone back together. | 0:35:54 | 0:36:00 | |
# I had a picture of you in my mind... # | 0:36:00 | 0:36:03 | |
It was seven years since we had performed together | 0:36:03 | 0:36:07 | |
and the first thing we're doing is on a live TV show. | 0:36:07 | 0:36:09 | |
That was nailbiting stuff. | 0:36:09 | 0:36:12 | |
It had been a long time since we had done any dance routines | 0:36:14 | 0:36:17 | |
or sang together, so there was a lot to take on. | 0:36:17 | 0:36:19 | |
But to do it on the biggest show in the country, it was just exciting. | 0:36:19 | 0:36:23 | |
# I had a picture of you in my mind | 0:36:25 | 0:36:30 | |
# Never knew it could be so wrong... # | 0:36:30 | 0:36:34 | |
We thought, "If we come back together, whether we decide to take it further, | 0:36:34 | 0:36:38 | |
"or we do this and do the shows and leave it at that, | 0:36:38 | 0:36:41 | |
"at least we've come back for the right reasons, to do a bit of good." | 0:36:41 | 0:36:45 | |
That kind of helped us come back, in a way. | 0:36:45 | 0:36:47 | |
We've a lot to thank Children In Need for. | 0:36:47 | 0:36:51 | |
# Why'd it take me so long just to find | 0:36:51 | 0:36:55 | |
# The friend that was there... # | 0:36:56 | 0:36:57 | |
9.6 million people saw the return of Boyzone, and here's another one for the ladies. | 0:36:57 | 0:37:04 | |
# And they called it puppy love... # | 0:37:05 | 0:37:10 | |
Children In Need is all about stars from different arenas joining forces | 0:37:13 | 0:37:17 | |
for the greater good, and that's why, in 2003, | 0:37:17 | 0:37:21 | |
Donny Osmond found himself on stage with the Kumars. | 0:37:21 | 0:37:25 | |
# And why I love her so... # | 0:37:25 | 0:37:31 | |
Meera Syal, who played the grandma, actually in real life | 0:37:35 | 0:37:40 | |
claims she's a bigger fan than I am of Donny Osmond - so wrong! | 0:37:40 | 0:37:43 | |
No, I am number one. | 0:37:43 | 0:37:45 | |
# My knees are killing me... # | 0:37:45 | 0:37:46 | |
You may think you're number one, Roslin, | 0:37:46 | 0:37:49 | |
but it looks like Granny Kumar prefers being underneath anyway. | 0:37:49 | 0:37:53 | |
# You'll be back in my arms... # | 0:37:58 | 0:38:00 | |
I remember, by the end, they were rolling around on the floor. | 0:38:00 | 0:38:05 | |
Will someone help me? | 0:38:06 | 0:38:08 | |
I probably wanted to be on the floor, but it was brilliant, I loved that sketch. | 0:38:08 | 0:38:12 | |
I loved the Kumars. They should still be on. Bring back the Kumars! | 0:38:12 | 0:38:15 | |
# Answer up above... # | 0:38:15 | 0:38:18 | |
And all this frolicking around helped raise over £15 million on the night. | 0:38:18 | 0:38:25 | |
Sanjeev, come and help me. | 0:38:25 | 0:38:27 | |
-# Who wants to be a millionaire? -I don't... # | 0:38:29 | 0:38:33 | |
The last place you expect to see some High Society is on Emmerdale Farm, | 0:38:33 | 0:38:38 | |
but that's exactly what those dirt magnets did in 2005 | 0:38:38 | 0:38:44 | |
for a very special Children In Need performance. | 0:38:44 | 0:38:46 | |
# I have heard among this clan... # | 0:38:47 | 0:38:50 | |
Even stumbling drunk Shadrach scrubbed up well. | 0:38:50 | 0:38:54 | |
# Is that what they're saying? Did you ever? | 0:38:54 | 0:38:56 | |
# What a swell party this is | 0:38:56 | 0:39:00 | |
# Have you heard, it's in the stars | 0:39:00 | 0:39:03 | |
# Next July we collide with Mars | 0:39:03 | 0:39:06 | |
# Well, did you ever? # | 0:39:06 | 0:39:09 | |
The Woolpack locals proving that a little dress and decorum can go a very long way. | 0:39:09 | 0:39:14 | |
It's just a shame the whole series budget was spent on a firework display! | 0:39:14 | 0:39:19 | |
Anything Emmerdale can do, EastEnders can do just as well. | 0:39:22 | 0:39:26 | |
History books will state that EastEnders was first conceived in the '80s. | 0:39:29 | 0:39:35 | |
However, what's not known | 0:39:35 | 0:39:36 | |
is that a decade earlier the BBC piloted EastEnders...The Musical. | 0:39:36 | 0:39:40 | |
# Calling out around the world... # | 0:39:43 | 0:39:46 | |
Ah! What could've been. | 0:39:46 | 0:39:48 | |
We're joking, of course. This is 2009's EastEnders Motown Medley. | 0:39:48 | 0:39:55 | |
Where it wasn't just the girls that got glammed up. | 0:39:55 | 0:39:59 | |
# And I'm bringing you a love that's true | 0:39:59 | 0:40:02 | |
# So get ready, so get ready Come, get ready... # | 0:40:02 | 0:40:07 | |
We were slick on the mics. We were pretty fly. | 0:40:07 | 0:40:11 | |
We had the nice suits, you know. | 0:40:11 | 0:40:13 | |
# You want to play hide-and-seek with love, let me remind you | 0:40:13 | 0:40:18 | |
# It's all right... # | 0:40:18 | 0:40:19 | |
Anything that involves giving me hair, I'm down! | 0:40:19 | 0:40:21 | |
# Missing the time it takes to find you... # | 0:40:21 | 0:40:24 | |
'To hit the high notes?' | 0:40:24 | 0:40:25 | |
It was partly due to the trousers they gave me. | 0:40:25 | 0:40:28 | |
I can't deny it, they were...snug. | 0:40:28 | 0:40:30 | |
-# Ain't no mountain high enough -No mountain high enough... # | 0:40:30 | 0:40:34 | |
'It is a nightmare for the director' | 0:40:34 | 0:40:36 | |
because television actors have the concentration span of fruit flies! | 0:40:36 | 0:40:41 | |
Yes, all the singing and dancing was just too much for some characters. | 0:40:41 | 0:40:45 | |
We're going, "Ooh, put the music up a bit louder this time!" | 0:40:45 | 0:40:48 | |
But even Heather got there in the end. | 0:40:48 | 0:40:51 | |
# Ah! # | 0:40:51 | 0:40:53 | |
It hits you that you're doing something | 0:40:53 | 0:40:55 | |
that is raising a lot of money and does every, every year | 0:40:55 | 0:41:00 | |
for absolutely brilliant, brilliant causes. | 0:41:00 | 0:41:03 | |
# Ain't no mountain high enough... # | 0:41:03 | 0:41:04 | |
Not half! This performance helped raise £40 million last year. | 0:41:04 | 0:41:10 | |
# Ain't no mountain high enough. # | 0:41:10 | 0:41:13 | |
Well, done, EastEnders. | 0:41:13 | 0:41:15 | |
# Ain't no mountain high enough... # | 0:41:15 | 0:41:17 | |
OK, Heather, we've done this one now. Heather! | 0:41:17 | 0:41:19 | |
# Ain't no valley keep me from you! # | 0:41:19 | 0:41:21 | |
Heather! Can someone get Heather's mate, Shirley? | 0:41:21 | 0:41:24 | |
Luckily, Children in Need always has a team of highly skilled medical professionals on hand. | 0:41:24 | 0:41:29 | |
Good job, too, because in 2009, disaster struck | 0:41:29 | 0:41:32 | |
and Children in Need's main man fell unexpectedly ill. | 0:41:32 | 0:41:37 | |
No, not Sir Terry. Pudsey! | 0:41:37 | 0:41:40 | |
Tess, call for a spiritometer. | 0:41:40 | 0:41:42 | |
Nice to see you again, Pudsey, old son... | 0:41:42 | 0:41:45 | |
Fortunately, the Casualty team were fully trained in bear resuscitation. | 0:41:45 | 0:41:49 | |
Ignoring the obvious physical injuries to his head, | 0:41:49 | 0:41:52 | |
the team went for a more economic approach to his recovery. | 0:41:52 | 0:41:56 | |
-His fluff count is way down. -We could try lotta letters-ology. | 0:41:56 | 0:41:59 | |
No, no, his spirits are too low. We'd risk tufftasayitis. | 0:41:59 | 0:42:03 | |
People, we've got to face facts here. This is a waiting game. | 0:42:03 | 0:42:07 | |
However, their patience reaped dividends | 0:42:09 | 0:42:11 | |
and the team finally unravelled | 0:42:11 | 0:42:13 | |
the connection between wealth and health. | 0:42:13 | 0:42:16 | |
With his pockets bulging for a good cause, | 0:42:20 | 0:42:22 | |
Pudsey soon skipped out of the ward and the show went ahead, | 0:42:22 | 0:42:26 | |
raising 20 million on the night. | 0:42:26 | 0:42:28 | |
Now what's at number 27 in our countdown? Let's take a look. | 0:42:28 | 0:42:33 | |
Or should I say, let's take a sniff. | 0:42:33 | 0:42:36 | |
The BBC was the first to bring television into your home, | 0:42:38 | 0:42:42 | |
the first to bring you colour pictures and widescreen TV, | 0:42:42 | 0:42:47 | |
and in 1995, Auntie Beeb provided us with technology that would blow our minds. | 0:42:47 | 0:42:53 | |
-I remember smelly-vision. -It's Smell-o-vision, Roslin. | 0:42:53 | 0:42:57 | |
I remember Smell-o-vision. | 0:42:57 | 0:42:59 | |
You could buy these little booklets to actually sniff while you were watching the television. | 0:43:01 | 0:43:07 | |
You'd rub something and you could smell... | 0:43:07 | 0:43:10 | |
-Noel Edmonds. -Ooh! | 0:43:10 | 0:43:12 | |
It's very bizarre because in the book, | 0:43:12 | 0:43:14 | |
you're sniffing Noel's armpit! | 0:43:14 | 0:43:16 | |
Mr Blobby. | 0:43:19 | 0:43:21 | |
-What's that smell? -Blobby-blobby! | 0:43:21 | 0:43:23 | |
You can imagine everyone doing it, going, "Oh, God, it smells like berries." But it didn't. | 0:43:25 | 0:43:30 | |
It just smelt like a book. | 0:43:30 | 0:43:32 | |
Television may not have stunk, | 0:43:32 | 0:43:35 | |
but thanks to the help of Blobby and friends, | 0:43:35 | 0:43:38 | |
a stinking £16.8 million was raised for Children in Need. | 0:43:38 | 0:43:43 | |
Right, what's next? Hmm. Can anyone smell cheese? | 0:43:43 | 0:43:46 | |
# I'm through with standing in line because I never get in, it's like the | 0:43:46 | 0:43:50 | |
# Bottom of a night that I'm never going to win | 0:43:50 | 0:43:53 | |
# This life hasn't turned out quite the way I want it to be... # | 0:43:53 | 0:43:58 | |
Talent shows have recently been criticised | 0:43:58 | 0:44:00 | |
for using pitch-correcting, auto-tune technology | 0:44:00 | 0:44:03 | |
to ensure singers sound in key. | 0:44:03 | 0:44:05 | |
# A room I can play baseball in | 0:44:05 | 0:44:06 | |
# And a kingsize tub big enough for ten plus me | 0:44:06 | 0:44:11 | |
# Is that what you need? # | 0:44:11 | 0:44:13 | |
Unfortunately, all of the auto-tune machines were in use on this day, so instead, here are our stars miming. | 0:44:13 | 0:44:20 | |
# Cos we all just want to be big rock stars | 0:44:20 | 0:44:23 | |
# And live in hilltop castles driving 15 cars... # | 0:44:23 | 0:44:26 | |
They do sound good, though. | 0:44:26 | 0:44:27 | |
# Digger's going to wind up there | 0:44:27 | 0:44:30 | |
# Every Playboy bunny with her bleach blonde hair | 0:44:30 | 0:44:34 | |
# Hey, hey, I want to be a rock star | 0:44:34 | 0:44:37 | |
# Hey, hey I want to be a rock star... # | 0:44:40 | 0:44:44 | |
Last summer, we said a tearful goodbye to an old friend. | 0:44:48 | 0:44:52 | |
Yes, after 27 years The Bill closed its doors to Sun Hill forever. | 0:44:52 | 0:44:58 | |
-# Spider Murphy played the tenor saxophone... # -Could this be the reason why? | 0:45:01 | 0:45:04 | |
-# On the slide trombone... # -We had PC Nate Roberts on drums, | 0:45:04 | 0:45:08 | |
Detective Constable Terry Perkins on bass, | 0:45:08 | 0:45:11 | |
and even Natalie from EastEnders busting some moves. | 0:45:11 | 0:45:14 | |
# Everybody on the whole cell block... # | 0:45:15 | 0:45:18 | |
Every one of them was in serious breach of police regulations. | 0:45:18 | 0:45:21 | |
-Twist! -No-one's going to jail here, though. | 0:45:24 | 0:45:27 | |
This is The Bill's 2008 Blues Brothers' Medley for Children in Need. | 0:45:27 | 0:45:31 | |
# And do the bird... # | 0:45:33 | 0:45:34 | |
# Bend over, let me see you shake your tail-feather | 0:45:37 | 0:45:40 | |
# Bend over, let me see you shake your tail-feather | 0:45:40 | 0:45:43 | |
# Come on and let me see you shake your tail-feather | 0:45:43 | 0:45:46 | |
# Come on and let me see you shake your tail-feather | 0:45:46 | 0:45:48 | |
# Aaaahhhh! # | 0:45:48 | 0:45:52 | |
A slick performance from The Bill there, but for one cast member | 0:45:52 | 0:45:55 | |
of Hollyoaks, things didn't quite go as planned. | 0:45:55 | 0:45:59 | |
MUSIC: Theme from "Psycho" by Bernard Herrmann. | 0:45:59 | 0:46:02 | |
You can rehearse as much as you like but when you're on stage, | 0:46:02 | 0:46:05 | |
you can hope that you get out the other side completely unscathed. | 0:46:05 | 0:46:07 | |
Unfortunately, that didn't happen to me. | 0:46:07 | 0:46:09 | |
We've seen it twice before in this countdown. | 0:46:11 | 0:46:14 | |
And now the hat-trick is complete. | 0:46:14 | 0:46:16 | |
Everybody says it'll be all right on the night, but I did have an out-of-body experience. | 0:46:16 | 0:46:21 | |
Yes, the curse of the Children in Need microphone mishap strikes again in 2009. | 0:46:21 | 0:46:27 | |
# We will, we will rock you. # | 0:46:28 | 0:46:32 | |
'Went on stage, live in front of all these millions of viewers,' | 0:46:34 | 0:46:39 | |
and everybody else sang their line and it got to mine and I started to sing. | 0:46:39 | 0:46:42 | |
HE MOUTHS | 0:46:42 | 0:46:44 | |
INAUDIBLE LYRICS | 0:46:45 | 0:46:47 | |
# You got mud on your face, you big disgrace... # | 0:46:50 | 0:46:55 | |
At the end of my second line singing, one of the runners came up and handed me a microphone. | 0:46:55 | 0:46:59 | |
So the next minute I had this microphone held in my hand | 0:46:59 | 0:47:02 | |
whilst trying to clap my hands above my head. | 0:47:02 | 0:47:05 | |
# We will, we will rock you. # | 0:47:06 | 0:47:08 | |
It just was the most stressful two and a half minutes of my life. | 0:47:08 | 0:47:12 | |
# We will, we will rock you. # | 0:47:12 | 0:47:16 | |
First person I meet walking off stage, Lee Mead, and he just laughs! | 0:47:16 | 0:47:19 | |
And says to me, "Mate, it happens to the best of us!" | 0:47:21 | 0:47:23 | |
You're not wrong, Gerard. No matter how much preparation you put in, it doesn't always go to plan. | 0:47:24 | 0:47:30 | |
Now, I bet your parents have banged on about this classic sketch, where comic legends | 0:47:32 | 0:47:37 | |
Morecambe and Wise demonstrate the art of physical comedy. | 0:47:37 | 0:47:41 | |
Children in Need decided to re-create this sketch in 2003, | 0:47:41 | 0:47:46 | |
but where would they find two clowns who could handle their food? | 0:47:46 | 0:47:49 | |
Step forward a couple of TV chefs. | 0:47:52 | 0:47:54 | |
MUSIC: "The Stripper" by David Rose. | 0:47:54 | 0:47:57 | |
Chefs, it's all about timing, | 0:47:57 | 0:47:58 | |
getting everything right at the right time. | 0:47:58 | 0:48:00 | |
So, this should be a doddle. | 0:48:00 | 0:48:02 | |
Yeah. Well, I think we did all right, actually. | 0:48:04 | 0:48:07 | |
Yeah, well, we'll be the judge of that because this isn't so much about cooking as the co-ordination. | 0:48:07 | 0:48:12 | |
Difficult. Really difficult. You walk out in front of ten million people watching, it's live! | 0:48:13 | 0:48:19 | |
So were we crapping ourselves? Yes, we were! | 0:48:20 | 0:48:23 | |
Well, with these two pros in the kitchen, it was bound to be a recipe for success, right? | 0:48:25 | 0:48:29 | |
'He's a great natural mover.' | 0:48:35 | 0:48:37 | |
He's got the rhythm and all that, and I sort of haven't. | 0:48:37 | 0:48:41 | |
Don't be too hard on yourself, Antony. | 0:48:41 | 0:48:44 | |
It seems to be going all right so far. | 0:48:44 | 0:48:47 | |
-The pancakes stuck. -The pancakes were supposed to fall out. | 0:48:48 | 0:48:50 | |
They didn't fall out quick enough, and we're going, "Come on". | 0:48:50 | 0:48:54 | |
Tossing pancakes can be quite tricky so let's try something simpler. | 0:48:54 | 0:48:58 | |
Then I had to catch the toast. | 0:49:00 | 0:49:02 | |
Toast. This should be easy. | 0:49:02 | 0:49:05 | |
No! | 0:49:05 | 0:49:07 | |
The set-builders had put the toaster in around the wrong way so | 0:49:07 | 0:49:11 | |
the toast went that way and I was waiting for it to go that way. | 0:49:11 | 0:49:14 | |
Ah, an easy mistake. But if all else fails, | 0:49:14 | 0:49:17 | |
just take off your clothes and pull out your sausage! | 0:49:17 | 0:49:21 | |
It was a great fun thing to do, and actually very privileged | 0:49:21 | 0:49:25 | |
to be asked to do something like that for Children in Need. | 0:49:25 | 0:49:28 | |
Despite its flaws, it was a fair effort and another classic Children in Need moment. | 0:49:28 | 0:49:34 | |
Let's see what's being served up next. | 0:49:34 | 0:49:37 | |
CHEERING AND APPLAUSE | 0:49:37 | 0:49:39 | |
In 2008, Sir Terry Wogan was joined by co-host Tess Daly for a very special Strictly Come Dancing. | 0:49:41 | 0:49:49 | |
The bright idea was that Tess and I should have a competition. | 0:49:49 | 0:49:53 | |
Can you think of anything more ridiculous? | 0:49:53 | 0:49:55 | |
Tess and Terry have turned into dancefloor divas and are about | 0:49:55 | 0:50:00 | |
to let their feet do the talking to raise as much money as possible for Children In Need. | 0:50:00 | 0:50:04 | |
Tess was absolutely ...ing it! | 0:50:04 | 0:50:08 | |
-So, it's very, very simple. -It was tough for Terry, too. | 0:50:09 | 0:50:13 | |
I endured hours of rehearsals trying to remember steps. | 0:50:13 | 0:50:18 | |
# Let me show you... # | 0:50:18 | 0:50:19 | |
Ah, yes, the steps. | 0:50:21 | 0:50:23 | |
# The minute you walked in the joint | 0:50:23 | 0:50:25 | |
# I could see you were a man of distinction | 0:50:25 | 0:50:29 | |
# A real big spender Hey, big spender! # | 0:50:29 | 0:50:31 | |
Tess smashed it. She was amazing. | 0:50:31 | 0:50:33 | |
She had these long, gazelle-like, beautiful tanned legs that were flicking about everywhere. | 0:50:33 | 0:50:39 | |
She was beautiful out on that dancefloor. | 0:50:39 | 0:50:41 | |
Yes, on the night Tess tripped the light fantastic, | 0:50:44 | 0:50:46 | |
and as soon as Anton's back had recovered, | 0:50:46 | 0:50:48 | |
they had to face the toughest judges on television. | 0:50:48 | 0:50:51 | |
What I'm looking for in American Smooth is what I've just seen. | 0:50:53 | 0:50:57 | |
-I love you, Len! -Like spun gold! | 0:50:57 | 0:51:00 | |
It was fantastic. | 0:51:00 | 0:51:01 | |
That clumsy little duckling | 0:51:01 | 0:51:03 | |
has turned into a sexy swan and proved anyone can dance! | 0:51:03 | 0:51:09 | |
Yes, Arlene, anyone can dance. But Terry isn't just anyone. | 0:51:09 | 0:51:14 | |
Terry, oh, bless Terry. | 0:51:18 | 0:51:19 | |
He had this concentration face when he was going... | 0:51:19 | 0:51:22 | |
Hard work, preparation and hours of rehearsal can pay off. | 0:51:28 | 0:51:32 | |
Just look at the man go. | 0:51:33 | 0:51:35 | |
She's going to fall... He's got her! | 0:51:35 | 0:51:38 | |
And now for the big finale. | 0:51:38 | 0:51:41 | |
Yes, yes, he's walking in a circle! | 0:51:41 | 0:51:44 | |
But for all the spectacle, it just wasn't meant to be. | 0:51:44 | 0:51:48 | |
I was never in the running. | 0:51:50 | 0:51:52 | |
I know Tess flung herself into it most enthusiastically, | 0:51:52 | 0:51:56 | |
because when she won - which she was always going to - she went, "Yes!" | 0:51:56 | 0:52:02 | |
I thought, "Just a minute, I had no idea that you were taking it as seriously as this." | 0:52:03 | 0:52:08 | |
My advice to Terry is I wouldn't do too much dancing any more! | 0:52:12 | 0:52:16 | |
He does not like to lose! | 0:52:17 | 0:52:20 | |
Terry... you are not that good of a dancer! | 0:52:20 | 0:52:24 | |
Maybe not, Barrowman, but Terry's twinkle toes helped raise a record £21 million on the night. | 0:52:27 | 0:52:33 | |
We're nearing the end of the show. Have you all been paying attention? | 0:52:36 | 0:52:41 | |
Well, if not, here's a little reminder. | 0:52:41 | 0:52:43 | |
We've counted down from 50 to 22 and enjoyed 29 unmissable Children In Need moments. | 0:52:46 | 0:52:52 | |
It's been a blast... | 0:52:52 | 0:52:54 | |
..but there's one final moment to complete this show. | 0:52:55 | 0:52:58 | |
It's number 21. | 0:52:58 | 0:53:01 | |
# Now we're back together | 0:53:02 | 0:53:06 | |
# Together... # | 0:53:06 | 0:53:08 | |
In 1988, Neighbours' sweethearts Jason Donavon and Kylie Minogue | 0:53:08 | 0:53:13 | |
topped the charts with the unforgettable Especially For You. | 0:53:13 | 0:53:16 | |
Ten years later, another unforgettable version was released. | 0:53:19 | 0:53:23 | |
# Especially for you | 0:53:26 | 0:53:30 | |
# I want to let you know... # | 0:53:30 | 0:53:32 | |
'I'm a massive Denise fan. I thought she was phenomenal. | 0:53:32 | 0:53:36 | |
'That's when everybody realised she could sing.' | 0:53:36 | 0:53:38 | |
I know it was all tongue in cheek, and they did it quite tongue in cheek. | 0:53:38 | 0:53:42 | |
But if you've ever seen her on the West End stage, that girl can sing. | 0:53:42 | 0:53:45 | |
# ..I still feel the same... # | 0:53:46 | 0:53:49 | |
# Especially for you... # | 0:53:49 | 0:53:51 | |
A lot of viewers thought I was wearing a wig. But no. Always had a thick head of hair, always. | 0:53:51 | 0:53:56 | |
I'm one of TV's most celebrated blondes. | 0:53:56 | 0:53:58 | |
# If dreams were wings, you know I would have flown to you | 0:53:58 | 0:54:03 | |
# To be where you are... # | 0:54:03 | 0:54:06 | |
# No matter how far And now that I'm next to you... # | 0:54:06 | 0:54:11 | |
'You get in the zone, you feel the force of the Don. | 0:54:11 | 0:54:14 | |
'His spirit literally enters you ' | 0:54:14 | 0:54:16 | |
and you feel suddenly giddy and you can't help it. | 0:54:16 | 0:54:19 | |
You're in the Dono-zone. | 0:54:19 | 0:54:21 | |
# Now we're back together | 0:54:21 | 0:54:24 | |
# Together | 0:54:24 | 0:54:26 | |
# I want to show you | 0:54:26 | 0:54:29 | |
# My heart is oh, so true | 0:54:29 | 0:54:32 | |
# And all the love I have is especially for you... # | 0:54:32 | 0:54:39 | |
'He just made me laugh. Every single expression he pulled.' | 0:54:42 | 0:54:45 | |
He had on the cheesiest hair! | 0:54:45 | 0:54:48 | |
How Denise managed to keep a straight face, I'll never know. | 0:54:48 | 0:54:52 | |
Denise was really enthusiastic. She's got a really good voice. | 0:54:59 | 0:55:02 | |
I'm not so good. I can vaguely carry a tune. | 0:55:02 | 0:55:05 | |
# No more dreaming about tomorrow Forget the loneliness and the sorrow | 0:55:05 | 0:55:10 | |
# And I've got to say it's all because of you | 0:55:10 | 0:55:14 | |
# Now we're back together | 0:55:14 | 0:55:19 | |
# Together... # | 0:55:19 | 0:55:20 | |
It was amazing. At the time we walked out and we did get a big roar. | 0:55:20 | 0:55:23 | |
Suddenly it was a bit Johnny Pop Star. | 0:55:23 | 0:55:25 | |
Yeah, it was good. | 0:55:27 | 0:55:29 | |
Yes, the studio audience and viewers alike enjoyed the laugh, | 0:55:32 | 0:55:37 | |
and Johnny and Denise helped raise over £11 million on the night. | 0:55:37 | 0:55:41 | |
I leapt up on Terry. I don't know why I did that. You know what it was? Relief. | 0:55:46 | 0:55:49 | |
'Terry is one of Earth's most huggable humans. | 0:55:51 | 0:55:54 | |
'I felt like an elaborate network of trusses on his back.' | 0:55:54 | 0:55:58 | |
-I didn't. I'm lying. -Can I ask you something? | 0:55:59 | 0:56:01 | |
Sorry to do this to you live on air, I think, and I don't know if you all | 0:56:01 | 0:56:04 | |
agree with me, that that should be released as a Christmas single. | 0:56:04 | 0:56:07 | |
'The two of them at that time were so popular as a double act.' | 0:56:07 | 0:56:11 | |
They were taking it seriously. | 0:56:11 | 0:56:14 | |
They were going to go for this. | 0:56:14 | 0:56:16 | |
I thought the song would work again so we thought, "Yeah, we'll put it out as a record." | 0:56:16 | 0:56:20 | |
-You'll release it for Christmas? -Yes, we'd love to. | 0:56:20 | 0:56:23 | |
-Money to Children In Need. Fantastic! -We ended up appearing, lifelong ambition, | 0:56:23 | 0:56:28 | |
on Christmas Top Of The Pops, which was extraordinary. | 0:56:28 | 0:56:32 | |
Yes, Johnny, it just goes to show that Children In Need can make dreams come true, | 0:56:32 | 0:56:36 | |
So, there we have it. We've counted down from 50 to 21, | 0:56:40 | 0:56:43 | |
reliving some magical moments from the past 30 years. | 0:56:43 | 0:56:46 | |
Was your favourite there? If not, don't worry. | 0:56:48 | 0:56:51 | |
Join us next time for the all-important top 20, | 0:56:51 | 0:56:55 | |
where we'll complete our countdown | 0:56:55 | 0:56:57 | |
of the Children In Need Top 50 Moments. | 0:56:57 | 0:57:00 | |
Subtitles by Red Bee Media Ltd | 0:57:22 | 0:57:25 | |
E-mail [email protected] | 0:57:25 | 0:57:28 |