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Shall we get the party started? | 0:00:02 | 0:00:04 | |
Where can you see the best British comedy talent? | 0:00:04 | 0:00:07 | |
Am I bovvered? | 0:00:07 | 0:00:08 | |
It's a very good cause, John. Ah-ha-ha-ha. | 0:00:08 | 0:00:11 | |
The world's biggest pop stars? | 0:00:11 | 0:00:13 | |
-One killer performance. -Oh, gives me little chills. -This'll be amazing. | 0:00:13 | 0:00:17 | |
And Simon Cowell get sawn in half? | 0:00:17 | 0:00:21 | |
I was a bit nervous. | 0:00:21 | 0:00:22 | |
Right here, that's where, because this is Children In Need's 50 Greatest Moments. | 0:00:22 | 0:00:28 | |
Tonight, we reveal the top 20, counting down to that all important number one. | 0:00:29 | 0:00:35 | |
Tonight, Pudsey's countdown continues, looking back over 30 years | 0:00:56 | 0:01:01 | |
of celebrities dancing, singing and humiliating themselves, all for Children In Need. | 0:01:01 | 0:01:05 | |
So far we've seen 50 to 21. | 0:01:05 | 0:01:08 | |
If you thought that was good, just wait until you see what we've got in store for you tonight. | 0:01:08 | 0:01:14 | |
It's not the best feeling in the world. | 0:01:14 | 0:01:16 | |
It was always going to be immense. | 0:01:16 | 0:01:18 | |
-Those are the moments we all sit and wait for. -No, they, no... -Give it up. | 0:01:18 | 0:01:23 | |
Who is this little toe rag? | 0:01:23 | 0:01:24 | |
So, without further ado, let's find out what's at number 20. | 0:01:26 | 0:01:31 | |
It's a hamster driving an Audi Quattro. | 0:01:31 | 0:01:34 | |
Not a real hamster, of course, that would be ridiculous and quite dangerous. | 0:01:34 | 0:01:39 | |
I don't know how the idea | 0:01:39 | 0:01:40 | |
of Ashes To Ashes and Top Gear getting together came about. | 0:01:40 | 0:01:44 | |
Somebody bigger and cleverer than me would have thought of it. | 0:01:44 | 0:01:47 | |
Well, bigger, definitely. | 0:01:47 | 0:01:50 | |
Yes, in 2008, two award-winning shows came together | 0:01:50 | 0:01:53 | |
for this three-minute piece of funniness. | 0:01:53 | 0:01:55 | |
-Oi. -Sorry. | 0:01:55 | 0:01:57 | |
Get away from that motor and put your hands in the air. | 0:01:57 | 0:01:59 | |
Philip was heroically abusive of me. | 0:01:59 | 0:02:01 | |
Why should I let a miniature scrotum like you anywhere near my car? | 0:02:01 | 0:02:05 | |
What else is he going to do? He gets the small one off Top Gear to play with. | 0:02:05 | 0:02:09 | |
You seriously think I'd let a man who looks like a gerbil drive my car? | 0:02:09 | 0:02:13 | |
I don't know what I was thinking about. | 0:02:13 | 0:02:16 | |
The Audi Quattro was an important car, but let's be honest, | 0:02:16 | 0:02:19 | |
it's an old car, which means it's rubbish. | 0:02:19 | 0:02:21 | |
Sorry, Audi Quattro. | 0:02:23 | 0:02:24 | |
These are brilliant. Shame it's wasted on him. | 0:02:29 | 0:02:31 | |
Producers decided it would be wise to use a stuntman for the high-speed manoeuvres. | 0:02:31 | 0:02:37 | |
I don't know why, with my reputation. | 0:02:37 | 0:02:39 | |
-Yeah, I know why. -But it's not all fun and games. | 0:02:44 | 0:02:47 | |
There was an important lesson to be learned. | 0:02:47 | 0:02:51 | |
How do you fancy meeting The Stig? | 0:02:51 | 0:02:53 | |
I thought you'd never ask. | 0:02:53 | 0:02:55 | |
In my experience, a chap's ability to execute a handbrake turn has | 0:02:55 | 0:03:00 | |
a direct correlation with his ability to persuade young ladies to get jiggy. | 0:03:00 | 0:03:05 | |
Handbrake turn, girls, jiggy, got it. | 0:03:05 | 0:03:11 | |
Of course, if that doesn't work, you can always try hypnotism. | 0:03:11 | 0:03:14 | |
We're all going off on an exciting journey into the imagination. | 0:03:14 | 0:03:17 | |
Don't adjust your screens. What you're about to see isn't a trick. | 0:03:19 | 0:03:23 | |
These are real celebrities risking real careers. | 0:03:23 | 0:03:27 | |
We're going off down the farmyard and there's a lot of milking to be done. | 0:03:27 | 0:03:30 | |
Yes, at number 19, it's hypnotist Paul McKenna, famous for helping | 0:03:30 | 0:03:34 | |
Olympic athletes win medals, or smokers quit their habit. | 0:03:34 | 0:03:38 | |
Back in 1996, he's doing what he does best - making celebrities look like idiots. | 0:03:38 | 0:03:43 | |
HE TALKS GIBBERISH | 0:03:43 | 0:03:46 | |
I didn't understand what I'd have to do, | 0:03:46 | 0:03:49 | |
so I just agreed to do it. | 0:03:49 | 0:03:51 | |
-Do you feel hypnotised? -No way. -No, no, sleep, sleep. | 0:03:51 | 0:03:54 | |
What are we actually doing here? | 0:03:54 | 0:03:55 | |
When you wake up in the next few moments, whenever you hear this piece of music, | 0:03:55 | 0:03:59 | |
for the rest of this evening, | 0:03:59 | 0:04:00 | |
you'll become a world champion goal-scoring footballer. | 0:04:00 | 0:04:03 | |
I know that it wasn't fake because my acting's not that good! | 0:04:03 | 0:04:08 | |
He shoots, he scores! | 0:04:08 | 0:04:10 | |
It's a goal! It's a goal! It's a goal! | 0:04:10 | 0:04:14 | |
Dean, Dean, what are you doing out of your seat? | 0:04:14 | 0:04:19 | |
The most embarrassing thing for me, watching back on my hypnotism... | 0:04:19 | 0:04:22 | |
-Acting like a fish? -It was just awful. | 0:04:22 | 0:04:25 | |
Talking like an alien? | 0:04:25 | 0:04:28 | |
-Oh, yeah, right. -I'm horrified for what I was wearing. | 0:04:28 | 0:04:31 | |
Yeah, fair point. | 0:04:31 | 0:04:33 | |
I don't think there's been any lasting effects from being hypnotised or anything like that. | 0:04:33 | 0:04:38 | |
MATCH OF THE DAY THEME MUSIC | 0:04:38 | 0:04:40 | |
Goal! | 0:04:40 | 0:04:42 | |
But enough of all this nonsense. At number 18, it's time to get serious. | 0:04:42 | 0:04:47 | |
The following clip contains images that many viewers may find offensive | 0:04:49 | 0:04:53 | |
and should not be replicated unless raising large sums of money for Children In Need, | 0:04:53 | 0:04:58 | |
or intoxicated, or even both. | 0:04:58 | 0:05:00 | |
# Let's do the Time Warp again. # | 0:05:00 | 0:05:04 | |
Yes, avert your eyes, it's the newsreaders in their underwear, | 0:05:04 | 0:05:07 | |
performing the Rocky Horror Show. | 0:05:07 | 0:05:10 | |
Put your hands on your hips. | 0:05:10 | 0:05:13 | |
# And bring your knees in tight. # | 0:05:13 | 0:05:15 | |
It was phenomenal. | 0:05:15 | 0:05:17 | |
That was easily, I think, streets ahead of all the others. | 0:05:17 | 0:05:20 | |
# Let's do the Time Warp again. # | 0:05:20 | 0:05:24 | |
The legendary Michael Buerk, who actually, I think, | 0:05:24 | 0:05:27 | |
as the story goes, did the 10 O'Clock News | 0:05:27 | 0:05:31 | |
wearing his suit and fishnet tights underneath. | 0:05:31 | 0:05:34 | |
That's not just a story, Sophie. | 0:05:34 | 0:05:37 | |
The act was scheduled for only a couple of minutes | 0:05:37 | 0:05:40 | |
after the end of the 10 O'Clock News that I was presenting. | 0:05:40 | 0:05:44 | |
Good evening. | 0:05:44 | 0:05:47 | |
-He didn't have time to change. -I was bloody uncomfortable. | 0:05:47 | 0:05:53 | |
All this stuff was below the waist. | 0:05:53 | 0:05:55 | |
Above the waist, I was your standard BBC 10 O'Clock newscaster. | 0:05:55 | 0:05:58 | |
Students will have to pay far more to go to university. | 0:05:58 | 0:06:01 | |
But then, quite late in the evening, they wheel on our social affairs editor. | 0:06:01 | 0:06:06 | |
Our social affairs editor Neil Dixon is here. | 0:06:06 | 0:06:08 | |
But nobody told him that I'd got this costume on. | 0:06:08 | 0:06:11 | |
And I swing round to him, in a black leather micro skirt, fishnet stockings and big leather boots. | 0:06:11 | 0:06:20 | |
-Yes, Michael, I think there was a real prospect... -How he carried on, I don't know. | 0:06:26 | 0:06:31 | |
-For those that still don't believe, here's the proof. -What a picture. | 0:06:31 | 0:06:39 | |
Fortunately for Michael, he wasn't the headline that night. | 0:06:42 | 0:06:45 | |
Jeremy Vine, the bravest newsreader of them all. | 0:06:45 | 0:06:49 | |
# I see you've met my... # | 0:06:49 | 0:06:51 | |
I've never been able to look at Jeremy in quite the same way. | 0:06:51 | 0:06:54 | |
What's the big deal? You're in stockings and suspenders and he's just in a cloak. | 0:06:54 | 0:06:59 | |
# Don't get strung out by the way I look... # | 0:06:59 | 0:07:02 | |
Oh, my God. | 0:07:02 | 0:07:04 | |
# Don't judge a book by its cover... # | 0:07:04 | 0:07:06 | |
I thought he was such a terrific guy, | 0:07:06 | 0:07:09 | |
brilliant journalist, and good mate, but... | 0:07:09 | 0:07:13 | |
I had my doubts. | 0:07:13 | 0:07:14 | |
# I'm just a sweet transvestite | 0:07:14 | 0:07:17 | |
# From Transsexual... # | 0:07:20 | 0:07:22 | |
Horrific though it may be, it managed to help raise 13.5 million in 2002. | 0:07:22 | 0:07:28 | |
That's the great thing about Children In Need. | 0:07:28 | 0:07:31 | |
What ever an arse you make of yourself, at the end of the day, it was for children, wasn't it? | 0:07:31 | 0:07:36 | |
Next, one of the most ground-breaking moments in history. | 0:07:36 | 0:07:39 | |
In 2009, a brave documentary film crew went to the ends of the Earth | 0:07:39 | 0:07:43 | |
in search of mythical talking animals. | 0:07:43 | 0:07:46 | |
This is what they found. | 0:07:46 | 0:07:49 | |
Oh, hello. | 0:07:49 | 0:07:50 | |
Isn't that Children In Need? | 0:07:50 | 0:07:52 | |
Dear, oh dear. I mean, I'm all for charity and all that, | 0:07:52 | 0:07:55 | |
but it's gone a bit mad around here this year. | 0:07:55 | 0:07:57 | |
Look, everyone, it's jumping Justin. | 0:07:57 | 0:07:59 | |
Evening, boys, don't get up. | 0:07:59 | 0:08:01 | |
I'm joking, of course. This is a Walk On The Wild Side special for Children In Need. | 0:08:01 | 0:08:06 | |
-Sid. -What, who's that? -This is your conscience speaking. -What? | 0:08:06 | 0:08:11 | |
Alan, Alan, Al, Alan. Alan. | 0:08:11 | 0:08:15 | |
Al, Al, Al, Al! | 0:08:15 | 0:08:19 | |
I know what you're thinking - what do human sound like as animals? | 0:08:19 | 0:08:23 | |
Well, it's something like this. | 0:08:23 | 0:08:25 | |
ANIMAL HOWLS AND SCREECHES | 0:08:25 | 0:08:29 | |
Amazing. | 0:08:32 | 0:08:35 | |
At number 16, a performance that Simon Cowell describes as... | 0:08:37 | 0:08:40 | |
One of the worst musical performances ever. | 0:08:40 | 0:08:43 | |
-Oh, dear. Well, who could that be? -Here's Terry Wogan. | 0:08:43 | 0:08:47 | |
Many years ago, when the world was young | 0:08:47 | 0:08:49 | |
and I was a great deal younger, | 0:08:49 | 0:08:51 | |
somebody had the idea that I should release a record. | 0:08:51 | 0:08:54 | |
# I thought I could hear the curious tone | 0:08:54 | 0:08:57 | |
# Of the cornet, clarinet and big trombone... # | 0:08:57 | 0:09:00 | |
And then somebody had the really bad idea that we do a rap version for Children In Need. | 0:09:00 | 0:09:05 | |
# There was band with a curious tone | 0:09:05 | 0:09:07 | |
# Of the cornet clarinet and big trombone... # | 0:09:07 | 0:09:10 | |
Sporting a suit trouser and camo jacket combo, | 0:09:10 | 0:09:13 | |
Mr Children In Need has made the Top 20 with the Floral Dance remix. | 0:09:13 | 0:09:18 | |
# All together with the floral dance... # | 0:09:18 | 0:09:20 | |
As anybody looking at this will see, it was an unmitigated disaster. | 0:09:22 | 0:09:26 | |
-Say, way-oh! -Way-oh! | 0:09:26 | 0:09:28 | |
Way-oh! | 0:09:28 | 0:09:30 | |
I mean, the Floral Dance, and I'm not being rude, | 0:09:30 | 0:09:32 | |
has got to be one of the worst musical performances ever. | 0:09:32 | 0:09:37 | |
# ..Came floating down... # | 0:09:37 | 0:09:40 | |
-It's not that bad. -Say, way-oh! | 0:09:40 | 0:09:43 | |
-Way-oh. -Way-oh! | 0:09:43 | 0:09:45 | |
Brilliant. | 0:09:45 | 0:09:47 | |
He's a great DJ, | 0:09:47 | 0:09:48 | |
and a great TV presenter. He's just a terrible singer. | 0:09:48 | 0:09:51 | |
I wouldn't be too quick to criticise, Cowell, because guess who's at number 15... | 0:09:51 | 0:09:58 | |
as a magician's assistant? | 0:09:58 | 0:10:00 | |
I remember getting a very excited call from Pete Waterman. | 0:10:00 | 0:10:04 | |
He said, "I've got to speak to urgently." | 0:10:04 | 0:10:07 | |
"What's urgent, Pete?" | 0:10:09 | 0:10:11 | |
"I need to saw you in half on TV." | 0:10:11 | 0:10:13 | |
Right, get him in the box. | 0:10:23 | 0:10:26 | |
I was a bit nervous, I've got to be honest with you. | 0:10:26 | 0:10:28 | |
Where's his waistband? | 0:10:28 | 0:10:30 | |
I don't know, I can't find it. It's there somewhere. | 0:10:30 | 0:10:34 | |
It was when I realised it was electric. | 0:10:35 | 0:10:38 | |
-You're kidding me. -I'm not kidding you. | 0:10:38 | 0:10:40 | |
That's it. | 0:10:41 | 0:10:43 | |
I'm lying in a box, I can't move, somebody who I often fall out with | 0:10:43 | 0:10:49 | |
is standing there with a chainsaw and it's live TV. | 0:10:49 | 0:10:52 | |
It's not the best feeling in the world. | 0:10:52 | 0:10:54 | |
I remember thinking that at point, "He's actually not a magician, what if he does saw me in half?" | 0:10:58 | 0:11:03 | |
-Oh, dear. -You don't know what you're doing. | 0:11:03 | 0:11:07 | |
I know what I'm doing, son. | 0:11:07 | 0:11:09 | |
But that's Pete, he loves dressing up in strange clothes and holding chainsaws. | 0:11:09 | 0:11:15 | |
I thought you said he's got no backbone. | 0:11:15 | 0:11:17 | |
At the time, it was like, "Simon Cowell's getting sawn in half." | 0:11:21 | 0:11:25 | |
Now when you think back at it, you're thinking, | 0:11:25 | 0:11:27 | |
"Do we wish we could have sawn Simon Cowell in half?" | 0:11:27 | 0:11:30 | |
-Probably, yeah. -Would that have been a bit of a problem for us? | 0:11:30 | 0:11:33 | |
It was quite embarrassing. | 0:11:38 | 0:11:40 | |
Actually, he did saw me in half. | 0:11:40 | 0:11:42 | |
Before your very eyes, ladies and gentlemen. | 0:11:42 | 0:11:44 | |
No, obviously, we'd never want that to really happen in real life. | 0:11:50 | 0:11:53 | |
Now, we've already seen EastEnders impersonate one icon in this countdown, | 0:11:59 | 0:12:04 | |
so when Pudsey called in 2002, you can count on one man to rise to the challenge. | 0:12:04 | 0:12:09 | |
# I want to break free... # | 0:12:09 | 0:12:12 | |
After I Want To Break Free, | 0:12:12 | 0:12:14 | |
the following year, I think EastEnders thought, | 0:12:14 | 0:12:16 | |
"We've got to top this." | 0:12:16 | 0:12:18 | |
So when you've left your stamp on Freddie Mercury, where can you possibly go next? | 0:12:18 | 0:12:22 | |
They said, "Shaun, you're going to be Michael Jackson." | 0:12:22 | 0:12:26 | |
# Cos this is thriller | 0:12:26 | 0:12:29 | |
# Thriller night | 0:12:29 | 0:12:31 | |
# No-one's gonna save you from the beast about to strike... # | 0:12:31 | 0:12:34 | |
"So you want fat Barry Evans, overweight, face like a bag of spanners, to play Michael Jackson?" | 0:12:34 | 0:12:40 | |
They said, "Yeah." I thought, "This is going to be awful." | 0:12:40 | 0:12:45 | |
# You know, it's thriller thriller night... # | 0:12:45 | 0:12:50 | |
He wasn't trying to do it as Michael Jackson, | 0:12:50 | 0:12:51 | |
he was trying to do it as Barry being Michael Jackson. | 0:12:51 | 0:12:53 | |
# Inside a killer, thriller tonight... # | 0:12:53 | 0:12:58 | |
I remember Shaun Williamson doing Thriller, that was great. | 0:12:58 | 0:13:01 | |
He physically isn't very similar to Michael Jackson, but he was good. | 0:13:01 | 0:13:05 | |
He can really nail the tune. | 0:13:05 | 0:13:07 | |
# Killer, thriller, tonight... # | 0:13:07 | 0:13:10 | |
I looked ridiculous, like an embarrassing uncle. | 0:13:10 | 0:13:12 | |
# The dead start to walk... # | 0:13:12 | 0:13:14 | |
There's a bit when I jump up on a park bench, I thought, "This is your chance, son, go for it." | 0:13:14 | 0:13:20 | |
# There's no escaping the jaws of the alien this time... # | 0:13:20 | 0:13:23 | |
Flip the old jacket down the back and I'm like, "Yeah, come on!" | 0:13:23 | 0:13:27 | |
Did a few little off-the-cuff Jackson moves. | 0:13:27 | 0:13:31 | |
Not quite sure what Jackson moves those are. | 0:13:31 | 0:13:34 | |
I think one of the best parts of our video is the zombies. | 0:13:34 | 0:13:39 | |
The make-up team did a fantastic job. | 0:13:39 | 0:13:41 | |
My first appearance as a zombie, may I add. | 0:13:41 | 0:13:44 | |
Darling, you're a natural. | 0:13:44 | 0:13:47 | |
That was his hand. We'd been four hours without a snack. | 0:13:47 | 0:13:49 | |
Zombies, check. Michael Jackson, well, kind of. | 0:13:49 | 0:13:54 | |
All that's left is the famous dance. | 0:13:54 | 0:13:57 | |
When I looked back on it, it looked like I was having a fit. | 0:13:57 | 0:14:00 | |
Darkness falls across the land. | 0:14:00 | 0:14:03 | |
Your body starts to shiver. | 0:14:03 | 0:14:06 | |
This classic Children In Need performance helped raise over £26 million. | 0:14:06 | 0:14:11 | |
The evil of the thriller. | 0:14:11 | 0:14:13 | |
If you liked that, stay tuned. | 0:14:19 | 0:14:21 | |
There's more soapy moments still to come. | 0:14:21 | 0:14:23 | |
Next, a trip down mammary lane... I mean memory lane. | 0:14:25 | 0:14:28 | |
For me, taking part in Children In Need was extraordinary | 0:14:28 | 0:14:32 | |
because I'd watched it for years and years. | 0:14:32 | 0:14:34 | |
I remember watching it and Joanna Lumley taking her clothes off. | 0:14:34 | 0:14:38 | |
I'd like to take my dress off later on, if somebody would like to pledge some money...for that. | 0:14:38 | 0:14:43 | |
We were suitably moved by Joanna's offer. | 0:14:43 | 0:14:47 | |
One of the events that will always be fresh in the memory of all of those, | 0:14:50 | 0:14:55 | |
and all of us who've been part of Children In Need since 1980. | 0:14:55 | 0:15:00 | |
No need for big musical numbers or comedy sketches. | 0:15:00 | 0:15:02 | |
Back in 1983, it appears celebs would just strip for money. | 0:15:02 | 0:15:08 | |
Weren't the '80s just fantastic?! | 0:15:18 | 0:15:20 | |
It was a little black number, | 0:15:22 | 0:15:24 | |
and it had the required effect. | 0:15:24 | 0:15:26 | |
There's never been a higher point in Children In Need for me. | 0:15:30 | 0:15:33 | |
In that case, let's see your high point one more time. | 0:15:33 | 0:15:37 | |
We salute you, Miss Lumley. | 0:15:40 | 0:15:42 | |
If we had the requisite amount of money, who knows, she might have taken it all off. | 0:15:44 | 0:15:50 | |
And that would've been something, I tell you. | 0:15:52 | 0:15:55 | |
Over the years, Children In Need has given us | 0:15:56 | 0:15:59 | |
some pretty unique musical performances, but no-one could have | 0:15:59 | 0:16:03 | |
predicted this brilliantly bizarre duet back in 1997. | 0:16:03 | 0:16:08 | |
I had a request through asking if I would do something for Children In Need. | 0:16:08 | 0:16:13 | |
# Another bride... # | 0:16:15 | 0:16:18 | |
But then when she said they want you to sing... | 0:16:18 | 0:16:22 | |
# Another sunny... # | 0:16:22 | 0:16:26 | |
..with Kermit the Frog. | 0:16:26 | 0:16:28 | |
Hey-ho. | 0:16:28 | 0:16:29 | |
Nice. | 0:16:34 | 0:16:36 | |
It was incredible. | 0:16:38 | 0:16:40 | |
# A lot of shoes... | 0:16:40 | 0:16:44 | |
# A lot of rice... # | 0:16:44 | 0:16:48 | |
Everybody knows who Kermit the Frog is. | 0:16:48 | 0:16:51 | |
It was like meeting royalty. | 0:16:51 | 0:16:55 | |
You are, and why would you not, treating him like a major star, | 0:16:55 | 0:16:59 | |
albeit bending down a little bit. | 0:16:59 | 0:17:02 | |
# To make whoopee... # | 0:17:02 | 0:17:05 | |
Singing with Kermit is not something that you forget. | 0:17:05 | 0:17:09 | |
-# He's so ambitious -Er, amphibious. # | 0:17:09 | 0:17:13 | |
It definitely was one of the highlights of my career. | 0:17:13 | 0:17:18 | |
Sadly, this was to be the first and only time Kermit and Ulrika performed together. | 0:17:18 | 0:17:23 | |
# For making whoopee... # | 0:17:23 | 0:17:25 | |
I haven't actually got Kermit's mobile number, | 0:17:25 | 0:17:28 | |
but if you are watching this, and you fancy making whoopee, | 0:17:28 | 0:17:34 | |
then give me a call. | 0:17:34 | 0:17:35 | |
Miss Piggy's not going to like that, Ulrika. | 0:17:35 | 0:17:39 | |
And talking of unforgettable duets, | 0:17:43 | 0:17:47 | |
once upon a time, in a television studio in West London | 0:17:47 | 0:17:50 | |
two star-crossed lovers looked into each other's eyes, | 0:17:50 | 0:17:53 | |
and sung about a whole new world. | 0:17:53 | 0:17:55 | |
# A whole new world... # | 0:17:55 | 0:18:00 | |
And in the spirit of fairytale, let's all say something nice. | 0:18:00 | 0:18:04 | |
Katie and Peter performing together, doing A Whole New World, | 0:18:04 | 0:18:08 | |
what can I say? | 0:18:08 | 0:18:09 | |
# A whole new world | 0:18:09 | 0:18:13 | |
Erm... | 0:18:13 | 0:18:14 | |
It was, wow. | 0:18:14 | 0:18:16 | |
Wait... | 0:18:16 | 0:18:18 | |
I'm just trying to think. | 0:18:18 | 0:18:20 | |
Come on, it can't be that hard, this fairytale needs a knight in shining armour. | 0:18:20 | 0:18:26 | |
Arise, Sir Terry, we need some help. | 0:18:26 | 0:18:29 | |
It wasn't perhaps the greatest performance of the century, but it was OK. | 0:18:29 | 0:18:34 | |
It was in tune, and Peter can certainly sing, and Katie... | 0:18:34 | 0:18:39 | |
came in at the appropriate time. | 0:18:39 | 0:18:41 | |
-# A whole new world -A whole new world | 0:18:42 | 0:18:47 | |
# A new fantastic point of view | 0:18:47 | 0:18:52 | |
# No-one to tell us no Or where to go | 0:18:52 | 0:18:57 | |
# Or say we're only dreaming | 0:18:57 | 0:19:03 | |
A whole new world | 0:19:01 | 0:19:03 | |
Every turn a surprise... # | 0:19:03 | 0:19:05 | |
During the time they were performing, no donations coming through at all, | 0:19:05 | 0:19:08 | |
because everybody was riveted, | 0:19:08 | 0:19:10 | |
but as soon as they'd finished, the phones went mad. | 0:19:10 | 0:19:13 | |
# A whole new world... # | 0:19:13 | 0:19:16 | |
It was one of the great moments on Children In Need in terms of a tremendous burst of giving. | 0:19:16 | 0:19:22 | |
Yes, Peter gets a bit of stick, and Katie's got her knockers, | 0:19:22 | 0:19:26 | |
but this classic Children In Need duet helped raise over £17 million on the night. | 0:19:26 | 0:19:32 | |
And they all lived happily ever after. | 0:19:32 | 0:19:35 | |
Well, kind of. | 0:19:35 | 0:19:37 | |
Before we dive head-first into the top ten greatest moments, | 0:19:39 | 0:19:43 | |
let's raise a glass to the smooth talking Irishman | 0:19:43 | 0:19:46 | |
that Children In Need simply wouldn't be the same without. | 0:19:46 | 0:19:51 | |
Now it's time to pay tribute to a very wonderful and warm human being, but enough of me. | 0:19:51 | 0:19:57 | |
-AS KEN BRUCE: -If there was a good ship Children In Need, | 0:19:57 | 0:20:00 | |
Sir Terry would be the carved figurehead at the front of it. | 0:20:00 | 0:20:04 | |
# Terry Wogan, Terry Wogan, Terry Wogan... # | 0:20:04 | 0:20:07 | |
Sir Terry has presented Children In Need for over 30 years, | 0:20:07 | 0:20:11 | |
that's over 200 hours of live TV and pure professionalism. | 0:20:11 | 0:20:16 | |
Terry Wogan is quintessentially Children In Need. | 0:20:16 | 0:20:22 | |
-When you think of Children In Need, you think of Terry. -Yee-hah! | 0:20:22 | 0:20:24 | |
From the second I started on that show, he took me under his wing, | 0:20:24 | 0:20:28 | |
and guided me through the chaos. | 0:20:28 | 0:20:30 | |
-Quite moved by that. -He has got the smoothest voice I think I've ever heard. | 0:20:30 | 0:20:35 | |
Imagine a sweet with Terry Wogan running all the way through it. | 0:20:35 | 0:20:38 | |
Sir Terry Wogan is the lynchpin in Pudsey's nappy. | 0:20:38 | 0:20:44 | |
He's got great energy, you never see him wavering over the night. | 0:20:47 | 0:20:50 | |
Hello, I'm Gaby Roslin. | 0:20:50 | 0:20:52 | |
No jokes, I really have lost Terry Wogan. | 0:20:52 | 0:20:55 | |
-He might be off, you know, having a little tipple on the side. -Thank you very much, Charles. | 0:20:55 | 0:20:59 | |
As far as I know, Terry Wogan only ever drunk water. | 0:20:59 | 0:21:04 | |
SLURRING: I'll give Terry Wogan £250 for his tie. | 0:21:04 | 0:21:09 | |
The show must go on, it's the old pro syndrome, you know, bore everybody to death. | 0:21:09 | 0:21:14 | |
Belting idea. Whoa! | 0:21:14 | 0:21:17 | |
He just gets dealt curve balls all night. | 0:21:17 | 0:21:19 | |
Pretty smooth, eh? | 0:21:19 | 0:21:21 | |
If you've been watching from the start, | 0:21:21 | 0:21:24 | |
and even I haven't been watching from the start. | 0:21:24 | 0:21:26 | |
He doesn't have to unwind after he's been on stage, he's relaxed on stage. | 0:21:26 | 0:21:29 | |
-And that is why he's a great host for the evening. -I'm not really with you now. | 0:21:29 | 0:21:34 | |
It doesn't matter how chaotic it is, | 0:21:34 | 0:21:36 | |
he'll just rock on the balls of his feet and just go, "oh, ah". | 0:21:36 | 0:21:39 | |
-Hmm. -Oh. Hmm. | 0:21:39 | 0:21:42 | |
I just caught a glimpse of myself on the television, | 0:21:42 | 0:21:45 | |
how have you been able to watch this all evening? | 0:21:45 | 0:21:48 | |
Tonight we can all make it count, really count for the children. | 0:21:48 | 0:21:53 | |
He's passionate about the charity himself, | 0:21:54 | 0:21:57 | |
he passionate about what it stands for. | 0:21:57 | 0:21:59 | |
Keep the donations coming in please, I hate to nag, but we have to do better this year. | 0:21:59 | 0:22:03 | |
All that fine work that contributed to him becoming Sir Terry, oh! | 0:22:03 | 0:22:08 | |
-We're glad that you're here, but show us the money. -It's Terry's show. | 0:22:08 | 0:22:13 | |
Children In Need is Terry, and Terry is Children In Need. | 0:22:13 | 0:22:17 | |
Isn't that heart-warming, everybody? | 0:22:17 | 0:22:19 | |
Without Terry doing Children In Need, the world would not be right. | 0:22:19 | 0:22:23 | |
He's the only man for the job, he's going to have to live forever, isn't he? | 0:22:24 | 0:22:30 | |
-He's a legend. -He is a legend. -He's a legend. | 0:22:30 | 0:22:33 | |
Deepest respect for that man. | 0:22:35 | 0:22:37 | |
-I've always loved him. -He is a national treasure. | 0:22:37 | 0:22:40 | |
And it's just great to be able to say I worked with Terry Wogan. | 0:22:41 | 0:22:44 | |
I just hope, when the day comes, when I'm not able to react quickly, | 0:22:47 | 0:22:53 | |
when I appear to trip over my feet, | 0:22:53 | 0:22:56 | |
I hope that somebody's going to take me aside and say, time you were gone. | 0:22:56 | 0:23:01 | |
Thank you, thank you, thank you, for all your efforts. | 0:23:01 | 0:23:04 | |
But in the meantime, | 0:23:04 | 0:23:06 | |
I'm going to go on doing it for as long as I can. | 0:23:06 | 0:23:09 | |
You're all very strange. But I love you. | 0:23:09 | 0:23:15 | |
What a legend. | 0:23:15 | 0:23:18 | |
And now, the moment you've all been waiting for, so sit back | 0:23:18 | 0:23:22 | |
and enjoy the Children In Need greatest moments top ten. | 0:23:22 | 0:23:26 | |
At number ten, we're at Number Ten, when Tony Blair meets Tony Blair. | 0:23:29 | 0:23:34 | |
What? Has the scriptwriter been on the booze again? | 0:23:34 | 0:23:37 | |
The Jon Culshaw and Tony Blair sketch has to be one of | 0:23:37 | 0:23:42 | |
the classic Children In Need moments. | 0:23:42 | 0:23:45 | |
Fair play to Jon Culshaw, because I would not ever have the balls | 0:23:46 | 0:23:50 | |
to do an impression of the actual Prime Minister in front of him, | 0:23:50 | 0:23:58 | |
in his house. | 0:23:58 | 0:23:59 | |
People of Britain, this is your Prime Minister. | 0:23:59 | 0:24:03 | |
'I always thought that impressions' | 0:24:03 | 0:24:05 | |
were just sort of exaggerations, | 0:24:05 | 0:24:07 | |
but there he is, just off guard, the real fellow, he says, | 0:24:07 | 0:24:11 | |
"OK, what do you want to do, guys?" | 0:24:11 | 0:24:15 | |
Emphatic hand gesture, serious forehead, angry pointy finger. | 0:24:15 | 0:24:18 | |
It is a great pleasure for me to lend my support to this year's Children In Need. | 0:24:18 | 0:24:24 | |
Not only the support of myself, but also the support, | 0:24:24 | 0:24:28 | |
in a very real sense, of my associate here. | 0:24:28 | 0:24:31 | |
I think I can manage from now. | 0:24:31 | 0:24:33 | |
Remember, emphatic hand gesture, serious forehead. | 0:24:33 | 0:24:37 | |
I said, right, OK, I'll do a formal speech and then that can be your moment. | 0:24:37 | 0:24:41 | |
Since the appeal started back in 1980... | 0:24:41 | 0:24:43 | |
Then you can get started and then I'll interrupt you. | 0:24:43 | 0:24:46 | |
-In a very real sense. -In a very real sense, | 0:24:46 | 0:24:49 | |
it's money which has made and is making a huge difference | 0:24:49 | 0:24:52 | |
to the lives of many tens of thousands of children and young people in the UK. | 0:24:52 | 0:24:56 | |
Yes, it was very good of him to participate in this. | 0:24:56 | 0:24:59 | |
I said, thank you, Prime Minister for joining in and helping out in this way. | 0:24:59 | 0:25:04 | |
He says, "You know, it's a very good cause, Jon, ha-ha." | 0:25:04 | 0:25:08 | |
And off he went to run the country or something. | 0:25:08 | 0:25:11 | |
-Thank you. -Very good, it's good to get a thank you in at the end. | 0:25:11 | 0:25:14 | |
I think people will relate to that and find that warming. | 0:25:14 | 0:25:17 | |
I think you do this better than me, actually. | 0:25:17 | 0:25:19 | |
Looks like he made a good IMPRESSION. Thank you. | 0:25:19 | 0:25:24 | |
Who's at number nine? | 0:25:24 | 0:25:26 | |
I don't know, who is it? Oh, right, "Who's" at number nine, very clever. | 0:25:28 | 0:25:34 | |
-What? -What? -What? -It's Who, actually. | 0:25:34 | 0:25:39 | |
Yes Children In Need in 2007 saw an iconic moment for any Doctor Who fan. | 0:25:39 | 0:25:45 | |
That moment when the Doctors came together | 0:25:45 | 0:25:48 | |
was an iconic moment for any Doctor Who fan. | 0:25:48 | 0:25:50 | |
-Yeah, I just said that. -Who are you? | 0:25:50 | 0:25:53 | |
Take a look. | 0:25:53 | 0:25:55 | |
-Oh, oh, no. -Oh, yes. -You're... Oh, no, you're... | 0:25:55 | 0:26:01 | |
-Here it comes. Yeah, I am. -A fan? -Yeah... What? | 0:26:01 | 0:26:05 | |
For those of us who are Doctor Who fans, we always want the past to meet the future. | 0:26:05 | 0:26:10 | |
And it's that whole time travel thing. | 0:26:10 | 0:26:12 | |
In real time travel, you're never supposed to meet yourself, but you can if you're different people. | 0:26:12 | 0:26:17 | |
I've no idea what you're talking about. | 0:26:17 | 0:26:19 | |
It's like two time zones at war in the heart of the TARDIS. That's a paradox. | 0:26:19 | 0:26:24 | |
-You guys who know what I'm talking about will understand. -One of the Doctors explains... | 0:26:24 | 0:26:30 | |
I was rebuilding the TARDIS, forgot to put the shields back up. | 0:26:30 | 0:26:32 | |
The same TARDIS at different points in their own time stream, collided. | 0:26:32 | 0:26:36 | |
And ooh, there you go, end of the universe. | 0:26:36 | 0:26:39 | |
-But I know exactly how this all works out. Watch. -Right. | 0:26:39 | 0:26:41 | |
It's a brilliant thing that Doctor Who are able to make those moments for Children In Need. | 0:26:41 | 0:26:46 | |
Those are the moments we wait for. | 0:26:46 | 0:26:48 | |
Well anyway, it all ends well with a Doctor Who love-in. | 0:26:48 | 0:26:53 | |
Cos you know what, Doctor? | 0:26:53 | 0:26:55 | |
You were my Doctor. | 0:26:55 | 0:26:57 | |
And it helped raise over £19 million on the night. | 0:26:57 | 0:27:01 | |
Even though I still have no idea what or who was going on. | 0:27:01 | 0:27:06 | |
At number eight, it's poor, thieving good-for-nothings and filthy slums. | 0:27:09 | 0:27:14 | |
Yes, it's Coronation Street, performing the hits from Oliver. | 0:27:14 | 0:27:17 | |
Stepping into the lead role was actor, Sam Aston, at only 11 years old. | 0:27:20 | 0:27:24 | |
-Oh, look at his little face. -Please, Sir, | 0:27:24 | 0:27:28 | |
I want some more. | 0:27:28 | 0:27:30 | |
Yeah, it is a bit cringe-worthy. | 0:27:30 | 0:27:33 | |
It's just because I was so young, my voice was so high-pitched. | 0:27:33 | 0:27:36 | |
-Please, Sir, I want some more. -More? | 0:27:36 | 0:27:41 | |
I had no kind of theatrical experience whatsoever, | 0:27:43 | 0:27:46 | |
I don't sing, I don't dance, I don't do anything like that. | 0:27:46 | 0:27:51 | |
His parents are so going to play that at his wedding, aren't they? | 0:27:51 | 0:27:54 | |
Him as Oliver being really cute. | 0:27:54 | 0:27:56 | |
# He will rue the day somebody named him Oliver... # | 0:27:56 | 0:28:00 | |
He probably got the girls after that, didn't he? | 0:28:00 | 0:28:03 | |
It was a great opportunity for the girls of Weatherfield to show us their talents. | 0:28:03 | 0:28:10 | |
I was so chuffed to be doing Oliver. | 0:28:10 | 0:28:12 | |
When they said I could be Nancy, I was just so excited. | 0:28:12 | 0:28:17 | |
# Oom pah pah, oom pah pah That's how it goes | 0:28:17 | 0:28:21 | |
# Oom pah pah, oom pah pah Everyone knows | 0:28:21 | 0:28:25 | |
# Whether it's hidden or whether it shows... # | 0:28:25 | 0:28:29 | |
These girls have got some front. | 0:28:29 | 0:28:31 | |
# It's the same oom pah pah... # | 0:28:31 | 0:28:34 | |
And here's Bradley Walsh, in a factory so full of tarts, it should be owned by Mr Kipling. | 0:28:34 | 0:28:39 | |
# In this life, one thing counts... # | 0:28:39 | 0:28:42 | |
Bradley Walsh took some handkerchiefs out of my bosom, didn't he? | 0:28:42 | 0:28:45 | |
I've just remembered that. | 0:28:45 | 0:28:46 | |
# You got to pick A pocket or two. # | 0:28:46 | 0:28:49 | |
Oh, my God. | 0:28:49 | 0:28:51 | |
Who says crime doesn't pay? | 0:28:51 | 0:28:54 | |
25 members of the Corrie cast performed four choreographed routines | 0:28:54 | 0:28:57 | |
in full make-up and costume, all shot in one day. | 0:28:57 | 0:29:01 | |
But the toughest task was mastering the accents. | 0:29:01 | 0:29:04 | |
-# Consider yourself -At home. # | 0:29:04 | 0:29:07 | |
I had to do a cockney accent. | 0:29:07 | 0:29:09 | |
#..one of the family... # | 0:29:09 | 0:29:11 | |
I'm not sure that's a cockney accent. | 0:29:11 | 0:29:13 | |
#..so strong...# | 0:29:13 | 0:29:14 | |
Cor blimey! | 0:29:14 | 0:29:16 | |
Get out of my pub! | 0:29:16 | 0:29:18 | |
I'll work on that. | 0:29:18 | 0:29:19 | |
# Consider yourself... # | 0:29:21 | 0:29:22 | |
This performance helped Children in Need raise over £17 million in 2004. | 0:29:22 | 0:29:27 | |
I don't care that they're on the other channel, they can consider themselves one of us. | 0:29:27 | 0:29:33 | |
I think we did well, considering we ain't West End stars. | 0:29:33 | 0:29:36 | |
# ..one of us! # | 0:29:38 | 0:29:42 | |
Not to be outdone, four years later, their soap rivals raised the bar | 0:29:42 | 0:29:46 | |
by performing songs from not one but a whole load of musicals. | 0:29:46 | 0:29:51 | |
But what could you call EastEnders performing songs from the West End? | 0:29:51 | 0:29:57 | |
WestEnders. Genius. | 0:29:57 | 0:29:59 | |
The strange thing about this is that you always see EastEnders people looking miserable. | 0:29:59 | 0:30:04 | |
So when you see them with jazz hands | 0:30:10 | 0:30:15 | |
and make-up and smiles, it's so strange. | 0:30:15 | 0:30:19 | |
# There may come a time When a lass needs a lawyer | 0:30:19 | 0:30:23 | |
# But diamonds are A girl's best friend... # | 0:30:23 | 0:30:27 | |
John Partridge, who plays Christian, he was loving every single minute of it. | 0:30:27 | 0:30:31 | |
# ..employer thinks You're awful nice | 0:30:31 | 0:30:33 | |
# But get that ice Or else no dice... # | 0:30:33 | 0:30:37 | |
Of course, some people are, you know, very good at dancing, | 0:30:37 | 0:30:40 | |
and some people aren't. | 0:30:40 | 0:30:43 | |
Johnny's always, | 0:30:43 | 0:30:44 | |
"You need to give it more arms or more legs." | 0:30:44 | 0:30:47 | |
You need the hand here. | 0:30:47 | 0:30:48 | |
"Give it some of this"! | 0:30:48 | 0:30:50 | |
-Get the choreography! -You can't shut him up. | 0:30:50 | 0:30:53 | |
I mean, the training never leaves you. No. | 0:30:53 | 0:30:55 | |
Partridge, the ultimate pro. | 0:30:55 | 0:30:59 | |
I'll go in front. Is it my close-up? | 0:30:59 | 0:31:01 | |
# Well, you can tell by the way I... # | 0:31:01 | 0:31:03 | |
Unfortunately, it is. | 0:31:03 | 0:31:04 | |
# ..a woman's man, no time to talk. # | 0:31:04 | 0:31:06 | |
We were told it was Saturday Night Fever. | 0:31:06 | 0:31:08 | |
# Whether you're a brother Or whether you're a mother | 0:31:08 | 0:31:11 | |
# You're stayin' alive Stayin' alive... | 0:31:11 | 0:31:13 | |
I thought a bit of slapstick, a bit of comedy... | 0:31:13 | 0:31:16 | |
They decided to have this slap-up, this punch-up! | 0:31:16 | 0:31:19 | |
# ..ah, ah, stayin' alive Stayin' alive...# | 0:31:19 | 0:31:22 | |
I just go...and smack him. | 0:31:22 | 0:31:24 | |
That's why I love Children in Need. That wasn't scripted, but, like, he says, "I think it'll be funny." | 0:31:24 | 0:31:29 | |
It's almost like adding the EastEnders element to it. | 0:31:29 | 0:31:32 | |
And who could forget the big finale, Superfagicalilist... Ohhh... | 0:31:32 | 0:31:36 | |
Superfagicagalistic expialidocious. | 0:31:36 | 0:31:39 | |
You know the one. | 0:31:39 | 0:31:40 | |
# Supercalifragilistic expialidocious | 0:31:40 | 0:31:44 | |
# Even though the sound of it Is something quite atrocious | 0:31:44 | 0:31:47 | |
-# If you say it loud enough -You'll always sound precocious | 0:31:47 | 0:31:51 | |
# Supercalifragilistic expialidocious | 0:31:51 | 0:31:53 | |
# Um diddle-diddle-diddly Um diddle-aye | 0:31:53 | 0:31:54 | |
# Um diddle-diddle-diddly Um diddle-aye. # | 0:31:54 | 0:31:56 | |
# Um diddle-diddle-diddly Um diddle-aye | 0:31:56 | 0:31:57 | |
# Um diddle-diddle-diddly Um diddle-aye. | 0:31:57 | 0:31:59 | |
# As I was afraid to speak When I was just a lad | 0:31:59 | 0:32:02 | |
# Me father gave me nose a tweak | 0:32:02 | 0:32:03 | |
# And told me I was bad... # | 0:32:03 | 0:32:05 | |
It's nice for once to see other people in ridiculous outfits other than myself. | 0:32:05 | 0:32:09 | |
Sing! | 0:32:09 | 0:32:11 | |
In 2008, Children in Need raised over £21 million, so plenty to make a song and dance about. | 0:32:11 | 0:32:17 | |
Shetty, shetty, hitch, kick, pirouette... | 0:32:17 | 0:32:19 | |
Oh, dear, oh, dear. | 0:32:19 | 0:32:20 | |
# Supercalifragilistic Expialidocious! # | 0:32:20 | 0:32:24 | |
It's all for a good cause. | 0:32:24 | 0:32:27 | |
That's the spirit. Now hold for applause. Hold it. | 0:32:27 | 0:32:30 | |
Keep it holding. | 0:32:30 | 0:32:32 | |
OK, that's enough. | 0:32:33 | 0:32:35 | |
Next up, five of Britain's best-loved chefs | 0:32:37 | 0:32:39 | |
show us what exciting things can be done with meat and two veg. | 0:32:39 | 0:32:43 | |
Even now, people come up in the street and talk about it | 0:32:43 | 0:32:46 | |
ten years later. | 0:32:46 | 0:32:47 | |
Everyone went, "Oh, God!" | 0:32:47 | 0:32:49 | |
Everyone thought, "This is too risque." | 0:32:49 | 0:32:52 | |
It was really scary. One of the most scary things I've ever done. | 0:32:52 | 0:32:56 | |
I have no idea which person in the Children in Need office thought to themselves, | 0:32:56 | 0:33:01 | |
"I know, let's get Ainsley Harriott and Antony Worrall Thompson to get nude." | 0:33:01 | 0:33:05 | |
CHEERING | 0:33:05 | 0:33:08 | |
Why would you do that? Who wants to see that? | 0:33:08 | 0:33:12 | |
Well, quite a few people, it turns out, because the Ready Steady Cook | 0:33:12 | 0:33:15 | |
Full Monty has gone down in Children in Need history. | 0:33:15 | 0:33:18 | |
The audience were just amazing. They were screaming, they were shouting. | 0:33:19 | 0:33:23 | |
I felt like a rock star. | 0:33:23 | 0:33:25 | |
I was almost like the fall guy. I was the one who was always out of time. | 0:33:25 | 0:33:30 | |
I remember I couldn't get that thrusting movement. | 0:33:30 | 0:33:33 | |
# You can leave your hat on... # | 0:33:33 | 0:33:37 | |
The most embarrassing thing, of course, was I was the one who had to stand next to Ainsley. | 0:33:39 | 0:33:43 | |
And there I was, rummaging through my sock drawer to try and make myself look adequate. | 0:33:45 | 0:33:50 | |
One of the boys had loosened my belt, when I took my belt off, my trousers were starting to come down. | 0:33:52 | 0:33:58 | |
I was trying to get my shirt off and hold my trousers up at the same time. | 0:34:00 | 0:34:05 | |
I'll never forget Antony's trousers falling down. | 0:34:09 | 0:34:12 | |
OK, anyone with a weak heart should probably look away right about now. | 0:34:13 | 0:34:18 | |
Oh, whoops, I missed it. | 0:34:18 | 0:34:19 | |
Bit late there. Sorry. | 0:34:19 | 0:34:22 | |
They'd warned me that they were going to take everything off and I was terrified. | 0:34:22 | 0:34:26 | |
And at that moment, there is a sort of "No!" | 0:34:28 | 0:34:32 | |
Like all good chefs, they raised a lot of dough in 1998. | 0:34:32 | 0:34:36 | |
The studio audience got their money's worth that night, | 0:34:36 | 0:34:39 | |
but, due to BBC guidelines, TV viewers didn't see a sausage. | 0:34:39 | 0:34:43 | |
Before we hit number five, let's check out the Children in Need Top of the Pops. | 0:34:46 | 0:34:51 | |
Cue '90s graphics. | 0:34:51 | 0:34:53 | |
You can't have Children in Need without an official Children in Need single, | 0:34:55 | 0:34:58 | |
and over the years, some pretty big names have done their bit. | 0:34:58 | 0:35:02 | |
But the biggest-selling Children in Need single is a Perfect Day, | 0:35:02 | 0:35:05 | |
performed by: | 0:35:05 | 0:35:06 | |
..him, her, that bloke from the Lightning Seeds. | 0:35:10 | 0:35:13 | |
Oh, just watch the clip. | 0:35:13 | 0:35:16 | |
# Just a perfect day... # | 0:35:25 | 0:35:28 | |
I absolutely loved it. I thought, "This is amazing. | 0:35:28 | 0:35:30 | |
"What a beautiful song." | 0:35:30 | 0:35:31 | |
I missed it the first time round. | 0:35:31 | 0:35:34 | |
# Then later, a movie too And then home... # | 0:35:34 | 0:35:40 | |
I remember the Elton John bit, and I remember the Gabrielle bit. | 0:35:40 | 0:35:44 | |
# I'm glad I spent it with you... # | 0:35:46 | 0:35:48 | |
The lines that I had I think are quite distinctive, | 0:35:50 | 0:35:53 | |
and lots of people took the mickey out of me for ages! | 0:35:53 | 0:35:57 | |
# You're going to reap Just what you sow, yeah... # | 0:35:57 | 0:36:02 | |
# You're going to reap Just what you sow, now... # | 0:36:02 | 0:36:05 | |
# Just a perfect day... # | 0:36:07 | 0:36:09 | |
The mix is quite eclectic, and you wonder how they're going to put all these voices together. | 0:36:09 | 0:36:14 | |
When you look at the line-up, everyone from Bono to | 0:36:14 | 0:36:17 | |
Shane McGowan, but the list was endless. | 0:36:17 | 0:36:19 | |
# It's such fun... # | 0:36:19 | 0:36:21 | |
We were delighted to be asked to be on it. | 0:36:21 | 0:36:24 | |
I remember clearly shooting the video. | 0:36:26 | 0:36:29 | |
# Oh, it's such a perfect day... # | 0:36:29 | 0:36:34 | |
Whoa, whoa, whoa. What the devil are those outfits? | 0:36:34 | 0:36:36 | |
Is that tinfoil? | 0:36:36 | 0:36:39 | |
It wasn't your run-of-the-mill outfit, that's for sure. | 0:36:39 | 0:36:42 | |
It was like a metal paper. | 0:36:42 | 0:36:43 | |
Yes, tinfoil. | 0:36:43 | 0:36:45 | |
-And it was extremely hot. -That's because it's tinfoil. | 0:36:45 | 0:36:48 | |
Oven-roasted boy bands aside, Perfect Day hit the UK's number one spot not once but twice, | 0:36:51 | 0:36:56 | |
selling over 1.5 million copies and raising over £2 million, | 0:36:56 | 0:36:59 | |
making it the most successful Children in Need single ever. | 0:36:59 | 0:37:04 | |
So far, we've seen the newsreaders do this, this and this, | 0:37:06 | 0:37:10 | |
but 2009 saw their most ambitious performance ever. | 0:37:10 | 0:37:16 | |
I never really feel nervous until literally about | 0:37:16 | 0:37:18 | |
four minutes before you go on air. | 0:37:18 | 0:37:21 | |
Thank you, guys. | 0:37:21 | 0:37:23 | |
You can hear Terry Wogan there and you can hear them talking, and they're all saying, "You're on next." | 0:37:23 | 0:37:27 | |
Give it up for the Newsroom Massive! | 0:37:27 | 0:37:30 | |
CHEERING | 0:37:30 | 0:37:31 | |
"What am I doing?" | 0:37:31 | 0:37:33 | |
My heart's slightly, "Oh, what if I get it wrong?" | 0:37:33 | 0:37:37 | |
"There is no way we are going to manage that." | 0:37:37 | 0:37:40 | |
If you really feel those nerves. | 0:37:40 | 0:37:42 | |
It is going to be rubbish. | 0:37:42 | 0:37:44 | |
# Uh oh, uh oh, uh oh Oh, no, no... # | 0:37:44 | 0:37:48 | |
But for once, it wasn't rubbish, | 0:37:48 | 0:37:50 | |
and that's why this is the highest of all newsreader performances. | 0:37:50 | 0:37:54 | |
# Uh oh, uh oh, uh oh Oh, no, no... # | 0:37:54 | 0:37:57 | |
The girl newsreaders take it really very seriously. | 0:37:57 | 0:38:00 | |
# I look and stare so deep In your eyes | 0:38:00 | 0:38:02 | |
# I'm touching you more and more every time... # | 0:38:02 | 0:38:05 | |
It's their chance to get out from behind that desk and be a little bit sexy. | 0:38:05 | 0:38:10 | |
# Such a funny thing for me To try to explain... # | 0:38:10 | 0:38:12 | |
We were all expecting absolute car crash. | 0:38:12 | 0:38:14 | |
Step forward Fiona Bruce | 0:38:14 | 0:38:16 | |
with a body that you just looked at and thought, | 0:38:16 | 0:38:20 | |
"Yeah! I would! | 0:38:22 | 0:38:23 | |
"I definitely would!" | 0:38:23 | 0:38:24 | |
# So crazy Your love's got me looking | 0:38:24 | 0:38:26 | |
# Got me looking so crazy, your love... # | 0:38:26 | 0:38:29 | |
They were sexy, though, weren't they? | 0:38:31 | 0:38:33 | |
They were sexy! They were super-sexy! | 0:38:33 | 0:38:36 | |
The newsreader performance is the equivalent of that moment when the secretary takes off her glasses, | 0:38:36 | 0:38:42 | |
lets the pin out of her hair and reveals a naughty side. | 0:38:42 | 0:38:46 | |
And this time, it's a double whammy. | 0:38:46 | 0:38:49 | |
Not only did we have the Beyonce routine, then we had to dance with Diversity. | 0:38:49 | 0:38:54 | |
Afterwards, the male newsreaders tried to join in and tried to do it | 0:38:56 | 0:39:00 | |
like a dance battle with Diversity, who, obviously, are fantastic. | 0:39:00 | 0:39:05 | |
Funnily enough, the girls took to it more easier than the guys did! | 0:39:08 | 0:39:14 | |
When you see Bill Turnbull doing that- "Come on, then" | 0:39:19 | 0:39:23 | |
-- to Diversity, you just think, "Oh, no!" -Bill is a beast. | 0:39:23 | 0:39:26 | |
Underneath, Bill's a wild, furry animal just waiting to get out! | 0:39:26 | 0:39:33 | |
Something like that. | 0:39:34 | 0:39:35 | |
When they told us about this robot sequence, | 0:39:38 | 0:39:40 | |
you think, "I am going to look an absolute idiot here." | 0:39:40 | 0:39:44 | |
It actually came together rather well. | 0:39:51 | 0:39:53 | |
Oh, God... | 0:39:53 | 0:39:54 | |
Who knows what they'll get us to do this year? | 0:39:56 | 0:39:58 | |
When the call comes, I'll be busy. | 0:39:58 | 0:40:01 | |
And that's the news tonight! | 0:40:01 | 0:40:04 | |
CHEERING | 0:40:04 | 0:40:06 | |
And at number three, two of the toughest ladies in London go head to head. | 0:40:07 | 0:40:11 | |
Live from the Queen Vic, Children in Need 2005 brings you the slanging match of the century. | 0:40:11 | 0:40:18 | |
I'm Peggy Mitchell. | 0:40:18 | 0:40:20 | |
Am I bovvered? | 0:40:20 | 0:40:21 | |
Peggy thought it was no fight. That's it. | 0:40:26 | 0:40:28 | |
I mean, who is this little toerag? | 0:40:28 | 0:40:30 | |
She doesn't frighten me. | 0:40:30 | 0:40:32 | |
Was Lauren Peggy's toughest adversary? | 0:40:32 | 0:40:35 | |
I'd very much like to think so! | 0:40:36 | 0:40:39 | |
Yes, this is when Catherine Tate joined the cast of EastEnders, | 0:40:42 | 0:40:45 | |
creating a Children in Need comedy classic. | 0:40:45 | 0:40:49 | |
Lauren was after Stacy because she'd stolen her boyfriend. | 0:40:49 | 0:40:54 | |
This girl's after me. She thinks I nicked her boyfriend. | 0:40:54 | 0:40:56 | |
Lauren is from up west. | 0:40:56 | 0:40:58 | |
She's from up west. There's no knowing what she's capable of. | 0:40:58 | 0:41:01 | |
It's all sounding a bit like Chekhov. | 0:41:01 | 0:41:04 | |
Obviously, it's just a sketch for charity. | 0:41:04 | 0:41:08 | |
If she thinks she can turn up in Walford shouting the odds, she's got another thing coming. | 0:41:08 | 0:41:13 | |
When I got the script, they said, "Don't really learn it." | 0:41:13 | 0:41:17 | |
So I said, "But I must!" | 0:41:17 | 0:41:19 | |
And then I understood why, because you don't get a word in. | 0:41:19 | 0:41:23 | |
-Are you a cockernee? -You ignorant little mare! | 0:41:23 | 0:41:25 | |
-I'm only asking a question. -That's... -Can't I even ask a question? | 0:41:25 | 0:41:28 | |
Can't I even ask you a question? Can't I even ask you a question, though? | 0:41:28 | 0:41:31 | |
-Can't I even ask you a question? -Will you let me... | 0:41:31 | 0:41:34 | |
Can I ask you a question? | 0:41:34 | 0:41:36 | |
-All right. -Do you know Chas and Dave? -What are you talking about? | 0:41:36 | 0:41:39 | |
-Are you their mum? -Oh, stop talking rubbish. -Is it that you are Chas and Dave's mum? | 0:41:39 | 0:41:43 | |
-I'm nothing to do with them! -Did you abandon Chas and Dave? | 0:41:43 | 0:41:46 | |
It was very difficult not to laugh. | 0:41:47 | 0:41:50 | |
-I said get out. -Are you doing the Lambeth walk, oi? | 0:41:50 | 0:41:52 | |
-I'm not. -Are you doing the Lambeth walk, oi? -I said get out! -Are you doing the Lambeth walk, oi? | 0:41:52 | 0:41:56 | |
Is it that you are doing the Lambeth walk, oi? | 0:41:56 | 0:41:59 | |
Are you disrespecting my family? | 0:41:59 | 0:42:01 | |
-What? -Are you disrespecting my family? | 0:42:01 | 0:42:03 | |
No, I love Chas and Dave. | 0:42:03 | 0:42:05 | |
When you get to work with people that you would not normally work with | 0:42:05 | 0:42:09 | |
and get to be on the set of something like EastEnders, it's great! | 0:42:09 | 0:42:13 | |
I'm Peggy Mitchell, and if you know what's good for you, you'll get out of my pub before I throw you out! | 0:42:13 | 0:42:19 | |
And it's for charity! | 0:42:19 | 0:42:21 | |
Am I bovvered? | 0:42:22 | 0:42:23 | |
-That's it. -Am I bovvered, though? -Oh, I don't believe this. -But I ain't even bovvered, though. | 0:42:23 | 0:42:27 | |
I mean, that last rant she did, | 0:42:27 | 0:42:31 | |
she never did that at all on rehearsals. | 0:42:31 | 0:42:33 | |
Arthur Fowler, God rest his soul. I ain't even bovvered, though. I ain't even bovvered. | 0:42:33 | 0:42:36 | |
Have a pint of whelks right up your trousers. Do I look bovvered? I ain't even bovvered. | 0:42:36 | 0:42:39 | |
If Lauren found out she was number three, in the Children in Need greatest moments, what would she say? | 0:42:39 | 0:42:45 | |
Hmmm. | 0:42:45 | 0:42:46 | |
Rabbit, rabbit, yap yap rabbit, yip yap yip yap bunny rabbit. I ain't even bovvered. | 0:42:46 | 0:42:49 | |
Would she say, "Oh, that's nice, innit?" | 0:42:49 | 0:42:53 | |
Hello, Princess. I ain't even bovvered. Do I look bovvered? | 0:42:53 | 0:42:56 | |
Ricky, Ricky, Ricky. I ain't bovvered! | 0:42:56 | 0:43:00 | |
Or would she say, "Am I bovvered? Do I look bovvered?" | 0:43:00 | 0:43:03 | |
She'd probably say that. | 0:43:03 | 0:43:05 | |
CHEERING | 0:43:06 | 0:43:07 | |
But, do you know Chas'n Dave? | 0:43:07 | 0:43:09 | |
In the end, she did beat me fair and square. | 0:43:10 | 0:43:13 | |
But am I bovvered? | 0:43:14 | 0:43:16 | |
Our penultimate moment was masterminded | 0:43:18 | 0:43:19 | |
by none other than Mr Peter Kay and his animated alter-ego, Big Chris. | 0:43:19 | 0:43:25 | |
Big Chris, Big Chris, yes. Listen, is Chipping Minton X-directory? | 0:43:25 | 0:43:30 | |
I'm thinking of doing something for Children in Need. | 0:43:30 | 0:43:33 | |
Peter Kay has put in a lot of effort over the years for Children in Need, | 0:43:33 | 0:43:37 | |
but especially last year with his all-star animated band. | 0:43:37 | 0:43:39 | |
This was a massive project, | 0:43:39 | 0:43:41 | |
one of the biggest that Children in Need has ever done. | 0:43:41 | 0:43:43 | |
He's been working on it for a couple of years. | 0:43:43 | 0:43:46 | |
The end result was quite something. | 0:43:46 | 0:43:48 | |
Yeah. I'm getting everybody together. | 0:43:48 | 0:43:51 | |
And when he said everybody, he meant everybody. | 0:43:51 | 0:43:54 | |
Phenomenal. I remember the first time I saw it, | 0:43:58 | 0:44:01 | |
I was screaming at my kids to watch it. | 0:44:01 | 0:44:03 | |
This piece of television history featured over 100 different animated characters | 0:44:07 | 0:44:12 | |
from over 50 years of children's TV. | 0:44:12 | 0:44:15 | |
Ladies and gentlemen, the All-star Animated Band. | 0:44:15 | 0:44:18 | |
# Can you feel it, can you feel it, can you feel it? # | 0:44:18 | 0:44:26 | |
All of the great cartoon characters were together in this one song, | 0:44:26 | 0:44:30 | |
in this one performance. | 0:44:30 | 0:44:32 | |
There were the Wombles. | 0:44:32 | 0:44:34 | |
# Don't stop... # | 0:44:34 | 0:44:35 | |
Thunderbirds. Bagpuss. | 0:44:35 | 0:44:37 | |
You name it. It had the whole lot. | 0:44:37 | 0:44:39 | |
# It'll soon be here... # | 0:44:39 | 0:44:41 | |
George and Zippy from Rainbow, alongside Fifi and the Flowertots and the Teletubbies. | 0:44:41 | 0:44:47 | |
-Thomas the Tank Engine, Bob the Builder. -Postman Pat. | 0:44:52 | 0:44:55 | |
Postman Pat. Everyone. | 0:44:55 | 0:44:57 | |
I was just blown away by that. | 0:44:57 | 0:44:59 | |
Come on, aren't you a little old to get that excited? | 0:44:59 | 0:45:02 | |
Oh, my word. Is that Fireman Sam? | 0:45:02 | 0:45:05 | |
Bagpuss, I love Bagpuss! | 0:45:05 | 0:45:07 | |
Hey, it's Pingu. | 0:45:07 | 0:45:09 | |
Oh, look. It's Paddington. Bravo! | 0:45:09 | 0:45:12 | |
It also featured some classic songs from the likes of the Beatles, Take That, Fleetwood Mac and... | 0:45:13 | 0:45:20 | |
Chumbawumba. | 0:45:21 | 0:45:22 | |
# I get knocked down But I get up again | 0:45:22 | 0:45:25 | |
# You're never gonna keep me down | 0:45:25 | 0:45:26 | |
# I get knocked down But I get up again | 0:45:26 | 0:45:29 | |
# You're never gonna keep me down. # | 0:45:29 | 0:45:32 | |
It took 132 hours to record the vocals, eight months to animate, | 0:45:32 | 0:45:35 | |
and around two years in total to finish. | 0:45:35 | 0:45:38 | |
The result was a number one single and a performance Bob Geldof would be proud of. | 0:45:40 | 0:45:45 | |
# Never Pretend that it's all real. # | 0:45:45 | 0:45:49 | |
The effort that had gone into that, | 0:45:49 | 0:45:51 | |
the hours and hours of work and detail, was just magnificent. | 0:45:51 | 0:45:55 | |
# Someone else's dream... # | 0:45:57 | 0:45:59 | |
How he pulled that off I've absolutely no idea. | 0:45:59 | 0:46:01 | |
But, again, that is the power of Children in Need. | 0:46:01 | 0:46:04 | |
# Throw those curtains wide | 0:46:04 | 0:46:08 | |
# One day like this a year Would see me right. # | 0:46:08 | 0:46:14 | |
ALL: Hooray! | 0:46:14 | 0:46:16 | |
So there you have it. 49 moments of pure TV gold. | 0:46:18 | 0:46:22 | |
But, before we reveal Children in Need's greatest ever moment, | 0:46:22 | 0:46:25 | |
let's remember why we're all here in the first place. | 0:46:25 | 0:46:28 | |
The whole of Children in Need is incredible. I felt proud to be part of it for 10 years. | 0:46:28 | 0:46:33 | |
It's a way of life in this country, every year. | 0:46:33 | 0:46:36 | |
I like the way it unites the whole country, I think that's important. | 0:46:36 | 0:46:40 | |
You wait all year for Children in Need and it hits you like a typhoon. | 0:46:50 | 0:46:53 | |
You know, Bonfire Night, it's nearly Christmas. | 0:46:53 | 0:46:56 | |
It's that Children in Need season. | 0:46:56 | 0:46:57 | |
It's an institution. It's part of the British culture, isn't it? | 0:46:57 | 0:47:01 | |
The actual night could only be described as chaos. | 0:47:02 | 0:47:05 | |
Really lovely chaos. | 0:47:05 | 0:47:07 | |
You never know what is going to happen. | 0:47:09 | 0:47:12 | |
The whole of Television Centre just comes to life. | 0:47:12 | 0:47:15 | |
-There's always a buzz about it. -It's great to be part of that. | 0:47:18 | 0:47:20 | |
It's very theatrical. It's very exciting. | 0:47:23 | 0:47:26 | |
It's like the greatest show on earth. You get complete A-list rock stars. | 0:47:30 | 0:47:34 | |
Next minute you've got the news readers jumping around in suspenders. | 0:47:34 | 0:47:37 | |
People will go out of their way, and go out of their comfort zone, to do some good. | 0:47:37 | 0:47:42 | |
Everybody's sort of takes part, it doesn't matter what channel you're on. | 0:47:42 | 0:47:46 | |
Everyone is there coming together for one cause, and that is to raise as much money as possible | 0:47:48 | 0:47:53 | |
to help children around the UK. | 0:47:53 | 0:47:54 | |
Sometimes we forget how important it is to get behind great causes. | 0:47:54 | 0:47:59 | |
There's a lot of poverty in this country that needs to be addressed. | 0:47:59 | 0:48:03 | |
There are so many kids out there who do need help. People pull together. | 0:48:03 | 0:48:08 | |
The amount of money that it raises for the kids is unbelievable. | 0:48:08 | 0:48:12 | |
In 1980 we raised £1 million. | 0:48:12 | 0:48:16 | |
You couldn't possibly have imagined that by now we would have raised over half a billion pounds. | 0:48:16 | 0:48:22 | |
Every penny of every pound goes to the kids. | 0:48:29 | 0:48:32 | |
It's such a fantastic cause. | 0:48:32 | 0:48:33 | |
I can't imagine it not being there. | 0:48:35 | 0:48:36 | |
It's a great night to be involved with, in whatever way. | 0:48:36 | 0:48:39 | |
This is something to be admired. | 0:48:39 | 0:48:42 | |
It is phenomenal. | 0:48:42 | 0:48:44 | |
-It's just become our heritage. -It's a real celebration. | 0:48:44 | 0:48:47 | |
It's what the BBC does very well. | 0:48:47 | 0:48:49 | |
Long may it continue, for ever and ever and ever. | 0:48:49 | 0:48:53 | |
Children in Need is obviously the most important thing in my professional life. | 0:48:55 | 0:49:00 | |
It's everything to me. | 0:49:00 | 0:49:02 | |
It really just says it all in the title. | 0:49:02 | 0:49:05 | |
Children in Need. And who couldn't answer that call? | 0:49:05 | 0:49:08 | |
They're children, they need you. That's it. | 0:49:08 | 0:49:10 | |
So, this is it. | 0:49:16 | 0:49:17 | |
The creme de la creme, the champion of champions, | 0:49:17 | 0:49:20 | |
the piece de resistance. The... you get the idea. | 0:49:20 | 0:49:23 | |
It's the Children in Need greatest moments' number one. | 0:49:23 | 0:49:29 | |
One of the best things that Children in Need has ever done. | 0:49:32 | 0:49:35 | |
It was always going to be immense. | 0:49:36 | 0:49:38 | |
It was an absolutely incredible, incredible might. | 0:49:38 | 0:49:42 | |
That was an extraordinary thing. | 0:49:42 | 0:49:44 | |
I don't remember many concerts but I remember that one. | 0:49:47 | 0:49:49 | |
Yes, remember, remember the 12th of November 2009, | 0:49:49 | 0:49:52 | |
this is Children In Need Rocks The Albert Hall. | 0:49:52 | 0:49:56 | |
You only had to look in the eyes of the audience to realise this was quite a ticket to get. | 0:49:56 | 0:50:02 | |
It was a good concert, in fact, it was a great concert. | 0:50:04 | 0:50:08 | |
As soon as I knew that Gary Barlow was involved, Old Captain Barlow, I was like, I'm in. | 0:50:10 | 0:50:15 | |
I was in the BBC one day and thought I'll just hit them with this idea, | 0:50:15 | 0:50:20 | |
and basically lied a lot. | 0:50:20 | 0:50:22 | |
Said I knew a lot of people, said I could get hold of them very easily, | 0:50:22 | 0:50:26 | |
and convinced them it would be a good idea to have this concert. | 0:50:26 | 0:50:30 | |
A good idea, Gary? | 0:50:31 | 0:50:32 | |
A star-studded line-up of Britain's biggest stars all in one night? That was a great idea. | 0:50:32 | 0:50:39 | |
Gary was able to bring on star after star, and a huge crowd. | 0:50:41 | 0:50:46 | |
I think the most genius thing about Children In Need Rocks The Albert Hall | 0:50:49 | 0:50:53 | |
were the duets Gary managed to get together. | 0:50:53 | 0:50:56 | |
We have a very special guest with us tonight, the very beautiful and wonderful Miss Cheryl Cole. | 0:50:56 | 0:51:02 | |
CHEERING | 0:51:02 | 0:51:03 | |
So to have Cheryl and Snow Patrol, gives me little chills thinking about that performance. Amazing. | 0:51:03 | 0:51:09 | |
# I'm miles from where you are | 0:51:09 | 0:51:14 | |
# I lay down on the cold ground And I... # | 0:51:14 | 0:51:21 | |
For me, the great performance of someone of the evening, | 0:51:21 | 0:51:24 | |
of an evening of fantastic performances, and I really shouldn't be singling anybody out, | 0:51:24 | 0:51:30 | |
but I thought Shirley Bassey, the Dame, and Dizzee Rascal was phenomenal. | 0:51:30 | 0:51:34 | |
# Diamonds are forever | 0:51:36 | 0:51:40 | |
# They are all I need to please me | 0:51:40 | 0:51:47 | |
# They can stimulate and tease me... # | 0:51:47 | 0:51:50 | |
It sounds ridiculous to even say. Shirley Bassey and Dizzee Rascal. | 0:51:50 | 0:51:53 | |
Whoever thought that would happen? | 0:51:53 | 0:51:55 | |
It was a legendary collaboration, I don't think we've seen a collaboration like that | 0:51:55 | 0:51:58 | |
for a very, very long time. | 0:51:58 | 0:52:00 | |
With a gap of half a century between their first UK number ones, | 0:52:00 | 0:52:07 | |
this was a truly memorable duet. | 0:52:07 | 0:52:09 | |
How that came about, I don't know. | 0:52:11 | 0:52:13 | |
I'm sat with Dizzee, and I'm saying, "If you want to do any duets, I can show you who else is on the show." | 0:52:13 | 0:52:19 | |
He instantly went, "Shirley Bassey." | 0:52:19 | 0:52:22 | |
# The price of my ice could well... # | 0:52:22 | 0:52:25 | |
And Shirley's dancing was out of this world. | 0:52:26 | 0:52:30 | |
# Diamonds are forever Forever, forever. # | 0:52:30 | 0:52:34 | |
I hope I'm like that when I get older. What an absolute legend. | 0:52:34 | 0:52:38 | |
# Forever. # | 0:52:38 | 0:52:42 | |
The dress, amazing, the dancing, phenomenal, her and Dizzee together, perfection. | 0:52:42 | 0:52:46 | |
CHEERING | 0:52:47 | 0:52:51 | |
It became quite an iconic event for Children In Need, and something that everybody talked about. | 0:52:53 | 0:52:57 | |
And then the came moment we'd waited 15 long years to see. | 0:52:57 | 0:53:01 | |
A perfect time for us to introduce an old friend to you right now. | 0:53:01 | 0:53:07 | |
CHEERING | 0:53:07 | 0:53:08 | |
Please welcome on stage, Robbie Williams! | 0:53:08 | 0:53:12 | |
CHEERING | 0:53:12 | 0:53:16 | |
That was a big moment for us, being back on stage, the five of us. | 0:53:16 | 0:53:21 | |
Before that there was a lot of kind of feuding for years. | 0:53:21 | 0:53:25 | |
They didn't speak. | 0:53:25 | 0:53:26 | |
It just made you realise how silly and petty their feud was in the past, | 0:53:26 | 0:53:32 | |
compared to something more important. | 0:53:32 | 0:53:34 | |
And they shouldn't have fallen out, and they're great singing together, | 0:53:37 | 0:53:40 | |
it was something you're going to remember. | 0:53:40 | 0:53:42 | |
Children In Need helped that along in some way. | 0:53:46 | 0:53:49 | |
It kind of broke the ice. | 0:53:49 | 0:53:50 | |
It was us showing us what the evening was about, it was about everybody coming together. | 0:53:52 | 0:53:56 | |
Seeing Gary and Robbie embrace on stage at that moment, | 0:53:57 | 0:54:02 | |
oh, was amazing. | 0:54:02 | 0:54:03 | |
I think a few tears were shed. | 0:54:03 | 0:54:07 | |
It was the beginning. "This could happen." And here we are. | 0:54:07 | 0:54:12 | |
It was a really, really great moment for both the show and the band. | 0:54:14 | 0:54:17 | |
Take That reunited? | 0:54:19 | 0:54:21 | |
It doesn't get better than that. | 0:54:21 | 0:54:24 | |
# Hey, Jude... # | 0:54:24 | 0:54:26 | |
I think Paul McCartney was the booking of the night. | 0:54:26 | 0:54:29 | |
OK, now you're just showing off. | 0:54:29 | 0:54:30 | |
# Take a sad song And make it better. # | 0:54:30 | 0:54:36 | |
Just to be on there with a Beatle, for everybody. | 0:54:36 | 0:54:39 | |
Robbie was there, Annie Lennox was there, | 0:54:39 | 0:54:41 | |
Leona, all these amazing singers. | 0:54:41 | 0:54:45 | |
We were all trying to get close to him. | 0:54:45 | 0:54:47 | |
# Na, na, na, na, na, na, na | 0:54:47 | 0:54:53 | |
# Na, na, na, na, hey, Jude. # | 0:54:53 | 0:54:57 | |
That was the absolute icing on the cake for me. | 0:55:01 | 0:55:04 | |
I think Children In Need Rocks The Albert Hall was just really | 0:55:05 | 0:55:08 | |
different to anything Children In Need have ever done before. | 0:55:08 | 0:55:11 | |
I think it needs to keep fresh and new, and Gary Barlow did exactly that with that show. | 0:55:14 | 0:55:19 | |
# Hey, Jude Judy, Judy, yeah, Judy, yeah. # | 0:55:19 | 0:55:24 | |
Let's hope Gary, or somebody else, may come aboard and do it again for us. | 0:55:24 | 0:55:30 | |
If they asked me to take it over, I'd do it. | 0:55:32 | 0:55:35 | |
I would, I'd make it an annual event. I think it's that important. | 0:55:35 | 0:55:38 | |
It was a brilliant night, everyone went on stage | 0:55:40 | 0:55:43 | |
and made Children In Need an awful lot of money that night. | 0:55:43 | 0:55:47 | |
Undoubtedly the evening was one of the milestones of what's called the | 0:55:49 | 0:55:55 | |
journey of Children In Need, | 0:55:55 | 0:55:58 | |
and one that nobody will ever forget. | 0:55:58 | 0:56:00 | |
# Na, na, na, na, na, na | 0:56:00 | 0:56:06 | |
# Na, na, na, na, hey, Jude | 0:56:06 | 0:56:10 | |
# Jude, Jude, Jude! | 0:56:10 | 0:56:12 | |
# Na, na, na, na, na, na, na | 0:56:12 | 0:56:18 | |
# Na, na, na, na, hey, Jude. # | 0:56:18 | 0:56:26 | |
Woo! You were great, you were great, you were great, you were great. | 0:56:27 | 0:56:31 | |
You were fantastic, each of you! | 0:56:32 | 0:56:36 | |
Subtitles by Red Bee Media Ltd | 0:56:36 | 0:56:39 | |
E-mail [email protected] | 0:56:39 | 0:56:41 | |
CHEERING | 0:56:41 | 0:56:44 |