Browse content similar to Complete Top 50. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to this extra special Children in Need night. | 0:00:02 | 0:00:05 | |
For the past 30 years, Children in Need has raised | 0:00:09 | 0:00:12 | |
a staggering £550 million for disadvantaged children in the UK. | 0:00:12 | 0:00:17 | |
The amount of money it raises for the kids is unbelievable. | 0:00:17 | 0:00:22 | |
I like the way it unites the whole country. | 0:00:22 | 0:00:24 | |
People pull together and want to help out. | 0:00:24 | 0:00:27 | |
Everyone is clubbing together for one cause. | 0:00:27 | 0:00:29 | |
It's a way of life in this country. | 0:00:29 | 0:00:31 | |
Over the next two hours, we celebrate the weird, wacky, and wonderful ways | 0:00:31 | 0:00:36 | |
in which our most cherished celebrities | 0:00:36 | 0:00:39 | |
have gone above and beyond their duty, all in the name of charity. | 0:00:39 | 0:00:43 | |
Here at Children in Need, we've spent almost 200 hours | 0:01:05 | 0:01:08 | |
selecting our favourite clips from the show's 30-year history. | 0:01:08 | 0:01:14 | |
Tonight, as we enjoy this veritable smorgasbord of Children in Need sketches... | 0:01:14 | 0:01:20 | |
Do I look bovvered? I ain't bovvered... | 0:01:20 | 0:01:21 | |
-..songs... -# A whole new world... # | 0:01:21 | 0:01:25 | |
..and stand-out moments... | 0:01:25 | 0:01:27 | |
-That's, like, freaking me out. -That's, like, freaking ME out! | 0:01:27 | 0:01:30 | |
..we'll be joined by some familiar faces keen to relive... | 0:01:30 | 0:01:34 | |
It was an absolute honour to be part of it, to be honest. | 0:01:34 | 0:01:37 | |
I love it. I absolutely adore it. | 0:01:37 | 0:01:39 | |
There wasn't a better platform for us than Children in Need. | 0:01:39 | 0:01:42 | |
..or maybe forget... | 0:01:42 | 0:01:44 | |
I looked ridiculous, like an embarrassing uncle. | 0:01:44 | 0:01:46 | |
Why on earth did I say yes? | 0:01:46 | 0:01:48 | |
..their time on Children in Need. | 0:01:48 | 0:01:50 | |
So, let's take a look at our first clip. | 0:01:55 | 0:01:58 | |
We're back in 2007, and it's the satisfying moment | 0:02:01 | 0:02:04 | |
when the hard-bitten Dragons of Dragons' Den | 0:02:04 | 0:02:08 | |
were brought down a peg or two by some brave young entrepreneurs. | 0:02:08 | 0:02:13 | |
'If we had any thought at all of patronising those kids,' | 0:02:13 | 0:02:16 | |
-straight out the window as soon as they came up. -Hello, I'm Callum. | 0:02:16 | 0:02:19 | |
Last year, I noticed that my guinea pigs were getting bored | 0:02:19 | 0:02:22 | |
with nothing to do but eat grass, | 0:02:22 | 0:02:24 | |
so I designed a house and got my grandad to make it with me. | 0:02:24 | 0:02:28 | |
'There was one little guy called Callum,' | 0:02:28 | 0:02:30 | |
who was absolutely cool as a cucumber, | 0:02:30 | 0:02:33 | |
very serious about his pitch, and quite rightly so. | 0:02:33 | 0:02:35 | |
I'd like £1,000 for heating in Grandad's workshop, | 0:02:35 | 0:02:41 | |
so it doesn't get cold in the winter, | 0:02:41 | 0:02:43 | |
and also for some wood, instead of the other wood that we've got. | 0:02:43 | 0:02:48 | |
Well done, Callum. Excellent presentation. | 0:02:48 | 0:02:51 | |
Surely everybody's on board? | 0:02:51 | 0:02:53 | |
'Callum was pretty confident. I never would have thought' | 0:02:53 | 0:02:57 | |
I would have had a pitch given to me by a ten-year-old. | 0:02:57 | 0:02:59 | |
It looks like the hamster could escape, | 0:02:59 | 0:03:02 | |
-because you have holes coming out. -They're windows! | 0:03:02 | 0:03:06 | |
Ah. Some of these Dragons aren't as bright as they look. | 0:03:06 | 0:03:10 | |
They're windows? | 0:03:10 | 0:03:11 | |
Yes! | 0:03:11 | 0:03:12 | |
-Yeah. -The hamster doesn't jump through windows? | 0:03:12 | 0:03:17 | |
Come on, Peter, keep up. | 0:03:17 | 0:03:18 | |
Well, they'd be a bit silly if they would. | 0:03:18 | 0:03:21 | |
I think we're wasting our time, Callum. | 0:03:21 | 0:03:23 | |
Every single retort was pretty strong. | 0:03:23 | 0:03:25 | |
In fact, he was probably better | 0:03:25 | 0:03:27 | |
than half the people we get in the Den for real. | 0:03:27 | 0:03:30 | |
It's better than just running around in an empty cage. | 0:03:30 | 0:03:33 | |
It's a lot better. | 0:03:33 | 0:03:34 | |
He made me feel about six years of age. | 0:03:34 | 0:03:36 | |
Confident pitch, fielded the questions well, | 0:03:36 | 0:03:40 | |
but what did the experts think? | 0:03:40 | 0:03:42 | |
You haven't really got an idea of how you're going to grow the business. | 0:03:42 | 0:03:47 | |
That's a bit harsh. | 0:03:47 | 0:03:48 | |
-If that's the best you've done, you've done a very poor job. -Come on, he's only ten. | 0:03:48 | 0:03:52 | |
I don't like the way you presented today. | 0:03:52 | 0:03:57 | |
I don't like your business plan. That's the reason why I won't be investing. | 0:03:57 | 0:04:01 | |
Hold it there, we're only joking! | 0:04:01 | 0:04:03 | |
Let's rewind the tape and see how it really went down. | 0:04:03 | 0:04:07 | |
-It's better than just running around in an empty cage. -It's a lot better. | 0:04:07 | 0:04:11 | |
Callum, I like the idea that you care about the animals, | 0:04:11 | 0:04:16 | |
and I will give you the £1,000. | 0:04:16 | 0:04:17 | |
-Have we got a deal? -Yeah. | 0:04:17 | 0:04:19 | |
Let's shake hands. | 0:04:19 | 0:04:21 | |
Ahh, well done, Callum. | 0:04:21 | 0:04:23 | |
There we are, the spirit of Children in Need in action. | 0:04:23 | 0:04:26 | |
At number 49 is the first Children in Need charity single | 0:04:28 | 0:04:32 | |
to feature in our countdown, 2009's All You Need Is Love. | 0:04:32 | 0:04:37 | |
As with all the Children in Need singles, | 0:04:45 | 0:04:47 | |
a percentage of the sales went directly to the charity, | 0:04:47 | 0:04:51 | |
and this helped raise £40 million last year. | 0:04:51 | 0:04:55 | |
# All you need is love... # | 0:04:55 | 0:04:57 | |
Pretty good, huh? | 0:04:57 | 0:04:58 | |
And next on the countdown, it's time to say hello to an old favourite. | 0:04:58 | 0:05:05 | |
Back in the '80s, Sir Terry Wogan entertained millions of viewers | 0:05:05 | 0:05:10 | |
hosting Blankety Blank, a kind of "finish my...sentence" panel show. | 0:05:10 | 0:05:15 | |
Fast forward to Children in Need 2004, and the stage was set | 0:05:15 | 0:05:19 | |
for a triumphant return, | 0:05:19 | 0:05:22 | |
reuniting Blankety Blank and Sir Terry once again. | 0:05:22 | 0:05:26 | |
We were in for a treat. | 0:05:26 | 0:05:27 | |
Much may have changed in 21 years since I last held this microphone. | 0:05:27 | 0:05:30 | |
It's extraordinary what a feeling of power it gives you. | 0:05:30 | 0:05:33 | |
'I'm not a great one for preparation.' | 0:05:33 | 0:05:36 | |
I had, frankly, forgotten completely how to play Blankety Blank. | 0:05:36 | 0:05:40 | |
Oh, dear, and forgetting how to play the game | 0:05:40 | 0:05:42 | |
was only the start of Terry's problems. | 0:05:42 | 0:05:44 | |
First, there were the unruly contestants. | 0:05:44 | 0:05:47 | |
Don't do it now, put it back! | 0:05:47 | 0:05:48 | |
For heaven's sake! | 0:05:48 | 0:05:50 | |
Then the set went on strike. | 0:05:50 | 0:05:53 | |
The automatic...roundabout will take you away... | 0:05:53 | 0:05:58 | |
because it works like clockwork. | 0:05:58 | 0:06:01 | |
You got the sense that, "Still sat here! | 0:06:01 | 0:06:03 | |
-'"I think we should be moving!"' Shall I go and push it? -I would, yeah. | 0:06:03 | 0:06:07 | |
Shall we all pull together? | 0:06:09 | 0:06:11 | |
It's all going wrong! | 0:06:13 | 0:06:15 | |
Poor Terry. What else could possibly go wrong? | 0:06:15 | 0:06:18 | |
I hope we're not going to have a lot of trouble from you. | 0:06:22 | 0:06:26 | |
You're a troublesome person. | 0:06:26 | 0:06:27 | |
-I've never seen you on TV myself. -When you end up on one of these things, | 0:06:27 | 0:06:31 | |
you're thinking, "Why on earth did I say yes?" | 0:06:31 | 0:06:33 | |
I'm always going to make a complete idiot out of myself. | 0:06:33 | 0:06:36 | |
I understand you that have a tart way about you? | 0:06:36 | 0:06:39 | |
Occasionally, Terry. | 0:06:39 | 0:06:41 | |
He was provoking me with his silly microphone. | 0:06:41 | 0:06:44 | |
Stick that any closer... | 0:06:44 | 0:06:48 | |
'So I decided to break it!' | 0:06:48 | 0:06:51 | |
-You're a brave man, Cowell, very brave. -'He got a bit sulky.' | 0:06:51 | 0:06:56 | |
-I don't think he was too happy about that. -Anybody got another one? | 0:06:56 | 0:07:00 | |
'The thing didn't work.' | 0:07:00 | 0:07:01 | |
Nothing really worked. | 0:07:01 | 0:07:03 | |
Except that it was fun to do. | 0:07:03 | 0:07:05 | |
-That wasn't as slick as we were hoping! -No! | 0:07:05 | 0:07:08 | |
Sir Terry there, doing what he does best, keeping cool under pressure. | 0:07:08 | 0:07:13 | |
And here at number 47 is another lot who know something about being cool. | 0:07:13 | 0:07:19 | |
In 2003, the cast of Coronation Street | 0:07:22 | 0:07:25 | |
gave us their expert rendition of Grease. | 0:07:25 | 0:07:29 | |
Casting for the male was easy. | 0:07:29 | 0:07:32 | |
Boyzone stud Keith Duffy assumed the lead role of Danny. | 0:07:32 | 0:07:36 | |
But the role of Sandy needed someone real special. | 0:07:36 | 0:07:40 | |
But, hey, there's over 35 ladies in this soap, | 0:07:40 | 0:07:43 | |
surely it can't be that hard? | 0:07:43 | 0:07:46 | |
I wasn't in Grease! | 0:07:46 | 0:07:47 | |
Sorry, Fiz, to play Sandy, you need a striking stage presence, | 0:07:47 | 0:07:53 | |
a fierce musical ability and years of dance lessons. | 0:07:53 | 0:07:58 | |
I don't know if I would have been Sandy. | 0:07:58 | 0:07:59 | |
# You better shape up... # | 0:07:59 | 0:08:02 | |
Oh, and looking good in leather doesn't hurt much either. | 0:08:02 | 0:08:05 | |
# ..And my heart is set on you | 0:08:05 | 0:08:08 | |
# You better shape up... # | 0:08:08 | 0:08:11 | |
There's pictures up on the wall in the green room | 0:08:11 | 0:08:14 | |
of Nikki Sanderson in some very tight leather trousers. | 0:08:14 | 0:08:20 | |
I wonder why that's still up in the green room! | 0:08:20 | 0:08:23 | |
# Ooh, ooh, ooh, honey... # | 0:08:23 | 0:08:24 | |
I watched it with a bit of a tinge of...hmmm! | 0:08:24 | 0:08:29 | |
-# ..The one that I want... # -Fiz may not have been the one they wanted, | 0:08:29 | 0:08:34 | |
but Corrie's effort helped raise £15 million on the night, | 0:08:34 | 0:08:36 | |
and the cast had such a great time, | 0:08:36 | 0:08:39 | |
they like to keep a permanent reminder somewhere very special. | 0:08:39 | 0:08:42 | |
We have a photograph of that up | 0:08:42 | 0:08:44 | |
on the set behind the Rovers. | 0:08:44 | 0:08:47 | |
When Fiz goes to the toilet, | 0:08:47 | 0:08:50 | |
I go to the toilet and then that's where it is, | 0:08:50 | 0:08:52 | |
hanging, Coronation Street do Grease. | 0:08:52 | 0:08:54 | |
# ..You're the one that I want. # | 0:08:54 | 0:08:56 | |
OK, Corrie, we know you can sing and dance, but can you act? | 0:08:56 | 0:09:00 | |
Ooh! Fabulous bangers. | 0:09:00 | 0:09:03 | |
Pay attention, girlfriends, | 0:09:03 | 0:09:04 | |
it's time for some Children in Need Gok Shock. | 0:09:04 | 0:09:06 | |
Do you have any idea where I am? | 0:09:06 | 0:09:08 | |
-Yeah! You're on Coronation Street, cock. -No, it's Gok. | 0:09:08 | 0:09:12 | |
Oh, cock instead of Gok. | 0:09:12 | 0:09:13 | |
Cock meaning the northern colloquialism, | 0:09:13 | 0:09:17 | |
not the rude... We weren't calling him a rude word. | 0:09:17 | 0:09:22 | |
Right, glad we got that cleared up. Oh, yes, where were we? | 0:09:22 | 0:09:24 | |
In 2008, the Fairy Gokmother really had his work cut out | 0:09:24 | 0:09:28 | |
making over the residents of Coronation Street. | 0:09:28 | 0:09:32 | |
-Yeah, baby, it's time to get naked. -Naked? | 0:09:32 | 0:09:35 | |
'I know the other three said, "Yes, I'll do it,' | 0:09:35 | 0:09:37 | |
"as long as I don't have to be naked." | 0:09:37 | 0:09:39 | |
But for me, I'd already spent half my time naked, | 0:09:39 | 0:09:41 | |
practically, on that show anyway. | 0:09:41 | 0:09:43 | |
Blimey, must have missed that episode. | 0:09:43 | 0:09:46 | |
Listen, Auntie Gok's in town, and it's time to dress. | 0:09:46 | 0:09:49 | |
So, to cut a long story short, | 0:09:49 | 0:09:50 | |
Auntie Gok strips them down, before putting on a Gok-tastic fashion show. | 0:09:50 | 0:09:54 | |
You go, girlfriend! | 0:09:54 | 0:09:55 | |
Shouting out some trademark catchphrases before inexplicable smoke appears, | 0:09:55 | 0:10:00 | |
fireworks explode, confetti falls, | 0:10:00 | 0:10:02 | |
oh, and a big, butch, manly fight breaks out. | 0:10:02 | 0:10:04 | |
Gok, I'm going to make you ten years younger! | 0:10:04 | 0:10:07 | |
It was probably a normal day in that factory. | 0:10:07 | 0:10:09 | |
Then style icon Gok Wan shows just what a good sport he is | 0:10:09 | 0:10:13 | |
by modelling next season's new look... | 0:10:13 | 0:10:15 | |
The Haley Cropper! | 0:10:15 | 0:10:18 | |
We're counting down the top 50 moments from Children in Need, | 0:10:20 | 0:10:24 | |
and that was Gok Wan making over the cast of Corrie. | 0:10:24 | 0:10:27 | |
Let's see what's at number 45. | 0:10:27 | 0:10:29 | |
Right, you'd better wake up your mum and dad. This one's for the oldies. | 0:10:31 | 0:10:35 | |
Yes, Children in Need has the brilliant knack of getting | 0:10:35 | 0:10:38 | |
old comedians to step out of retirement | 0:10:38 | 0:10:41 | |
and back into the limelight. | 0:10:41 | 0:10:43 | |
This has never been demonstrated more clearly | 0:10:43 | 0:10:45 | |
than when Prunella Scales | 0:10:45 | 0:10:47 | |
returned as the nation's favourite hostess, Sybil Fawlty, | 0:10:47 | 0:10:51 | |
leading a merry band of comedy legends | 0:10:51 | 0:10:55 | |
in 2007's take on Hotel Babylon. | 0:10:55 | 0:10:57 | |
'I don't think anyone else could have pulled off a sketch like that, | 0:10:57 | 0:11:01 | |
'getting actors all together' | 0:11:01 | 0:11:03 | |
to do something of that scale for what is a couple of minutes of TV. | 0:11:03 | 0:11:07 | |
Like the best hotel mixologist's cocktail, | 0:11:09 | 0:11:12 | |
this sequence was a finely balanced blend of ingredients. | 0:11:12 | 0:11:16 | |
Start off with a couple of handfuls of Dorien from Birds of a Feather. | 0:11:16 | 0:11:20 | |
Next, take a sachet of Yvette from 'Allo 'Allo, | 0:11:20 | 0:11:23 | |
a subtle drizzle of Captain Peacock from Are You Being Served?, | 0:11:23 | 0:11:28 | |
a meaty slug of Ted Bovis from Hi-de-Hi!, | 0:11:28 | 0:11:30 | |
and a squeeze of June Whitfield. | 0:11:30 | 0:11:33 | |
Then shake it up with refined Adam Chance. | 0:11:33 | 0:11:37 | |
What do you get? | 0:11:37 | 0:11:39 | |
A Comedypolitan! | 0:11:39 | 0:11:41 | |
Sorry about that. Right, who's next on the list? | 0:11:41 | 0:11:44 | |
Power-slide, high kick, is this Tom Cruise? | 0:11:48 | 0:11:54 | |
No, it's Children in Need's favourite, John Barrowman. | 0:11:54 | 0:11:59 | |
# Today's music ain't got the same soul | 0:11:59 | 0:12:03 | |
# I like that old time rock and roll | 0:12:03 | 0:12:07 | |
# Don't try to take me to a disco... # | 0:12:07 | 0:12:10 | |
When I was told I was going to be performing live in my underwear | 0:12:10 | 0:12:15 | |
in front of the nation, part of me went, "Oh, dear!" | 0:12:15 | 0:12:18 | |
And the other part went, "Yes!" | 0:12:18 | 0:12:19 | |
# ..Old time rock and roll... # | 0:12:19 | 0:12:22 | |
'I was doing this pastiche of Risky Business. | 0:12:22 | 0:12:26 | |
'Tom Cruise has got great legs. | 0:12:26 | 0:12:28 | |
'I kept thinking to myself, when he's in briefs,' | 0:12:28 | 0:12:31 | |
it looks like two Tunnocks teacakes. You know, tight. | 0:12:31 | 0:12:35 | |
'And then I come out in boxers, which will look saggy.' | 0:12:35 | 0:12:40 | |
So, I was nervous that people would think I had a saggy butt. | 0:12:40 | 0:12:43 | |
Now, I've been to Barrowman's house, | 0:12:45 | 0:12:47 | |
and what you're seeing there is pretty accurate - | 0:12:47 | 0:12:49 | |
the relentless singing, the resident dance troupe | 0:12:49 | 0:12:52 | |
and the unabashed prancing around in questionable boxer shorts. | 0:12:52 | 0:12:55 | |
# ..I've rather hear some blues or funky old soul... # | 0:12:55 | 0:12:58 | |
Personally, I'm a tighty whitey. | 0:12:58 | 0:13:01 | |
I'm a Y-fronts person. Actually, I was meant to dance in tighty whities. | 0:13:01 | 0:13:09 | |
But I was pulled aside and told, "We can't do the tighty whities. | 0:13:09 | 0:13:12 | |
"You have to do boxers. Tighty whities are too revealing." | 0:13:12 | 0:13:15 | |
# ..The same soul, I like that old time rock and roll... # | 0:13:15 | 0:13:22 | |
Why do you want to know what happened to my underwear after the performance?! | 0:13:22 | 0:13:27 | |
After the show, my underwear went onto the Pudsey website. | 0:13:27 | 0:13:30 | |
I actually know who bought the pants. | 0:13:30 | 0:13:33 | |
Wow, lovely! | 0:13:33 | 0:13:36 | |
£3,000 for John Barrowman's sweaty boxer shorts! | 0:13:36 | 0:13:42 | |
I should be selling them. | 0:13:42 | 0:13:43 | |
I should have my own site to raise money for charities. | 0:13:43 | 0:13:47 | |
# ..That old time rock and roll! # | 0:13:47 | 0:13:53 | |
From bare legs to three legs. | 0:13:53 | 0:13:56 | |
In at number 43 is singer-songwriter, | 0:13:56 | 0:13:59 | |
painter and all-round entertainer Rolf Harris. | 0:13:59 | 0:14:03 | |
Wow, what I wouldn't give to have a third leg. | 0:14:07 | 0:14:10 | |
How on earth do you do it, Rolf? | 0:14:10 | 0:14:13 | |
I'm not going to tell you. What's the matter with you? | 0:14:13 | 0:14:16 | |
# I'm Jake the Peg... # | 0:14:16 | 0:14:18 | |
Oh, go on, Rolf, please! | 0:14:18 | 0:14:21 | |
I'm not going to tell you. | 0:14:21 | 0:14:23 | |
Stop playing games! | 0:14:23 | 0:14:26 | |
There's got to be some kind of trick to it. | 0:14:26 | 0:14:28 | |
# ..Jake the Peg... # | 0:14:28 | 0:14:31 | |
I'll let you into the secret... There is a false leg involved! | 0:14:31 | 0:14:37 | |
What?! A false leg? | 0:14:38 | 0:14:40 | |
Of course! | 0:14:40 | 0:14:43 | |
Oh, I feel such an idiot now! | 0:14:43 | 0:14:46 | |
It's that one, look. | 0:14:46 | 0:14:48 | |
No, hang on, it's the one in the middle. | 0:14:48 | 0:14:50 | |
Which one is it? Oh, I give up. | 0:14:50 | 0:14:53 | |
# ..And then they shout at me | 0:14:58 | 0:15:00 | |
# "Put your best foot forward" | 0:15:00 | 0:15:03 | |
# But which foot...? # | 0:15:03 | 0:15:05 | |
Rolf and his appendage helped raise £17.2 million on the night. | 0:15:05 | 0:15:08 | |
# ..Got a choice of two | 0:15:08 | 0:15:12 | |
# But me, I'm Jake the Peg | 0:15:12 | 0:15:15 | |
# Diddle-iddle-iddle-um | 0:15:15 | 0:15:17 | |
# With his extra leg! # | 0:15:17 | 0:15:18 | |
I shouldn't have told you that. | 0:15:18 | 0:15:20 | |
One performer who certainly doesn't need an extra leg | 0:15:20 | 0:15:24 | |
is good ol' twinkle toes himself, Brucie, | 0:15:24 | 0:15:27 | |
seen here romancing Kaplinsky, | 0:15:27 | 0:15:30 | |
before leading his gaggle of merry men on a right old song and dance. | 0:15:30 | 0:15:34 | |
Two, three, four! | 0:15:34 | 0:15:36 | |
It was so lovely to see Bruce and Sir Terry Wogan dancing together. | 0:15:40 | 0:15:44 | |
# I'm putting on my white tie... # | 0:15:44 | 0:15:47 | |
Bruce obviously takes the dancing side of things seriously, | 0:15:47 | 0:15:50 | |
so watching it, you could tell that Bruce was wanting to nail the steps, | 0:15:50 | 0:15:54 | |
and Terry was just having a blast. | 0:15:54 | 0:15:56 | |
'I'm pretty bad on rehearsal. | 0:15:56 | 0:15:59 | |
'I tend to make things up as I go along. | 0:15:59 | 0:16:02 | |
'That has its shortcomings, | 0:16:04 | 0:16:06 | |
'when you're expected to remember your steps and what to do with your hat.' | 0:16:06 | 0:16:10 | |
And your cane! | 0:16:10 | 0:16:12 | |
Don't worry, Terry, you weren't the only one struggling to find your rhythm. | 0:16:12 | 0:16:16 | |
Go on, John. Go on, John. Ooh, I say! | 0:16:16 | 0:16:19 | |
'As far as the public is concerned, John Humphrys has no legs. | 0:16:19 | 0:16:24 | |
'When he appeared to dance, the bottom half of his body is not all that well co-ordinated' | 0:16:24 | 0:16:28 | |
with the upper half. | 0:16:28 | 0:16:29 | |
He was dancing to a different song. | 0:16:29 | 0:16:32 | |
You might be on to something there, Fearne. | 0:16:32 | 0:16:34 | |
This is what was actually bouncing around in John's head. | 0:16:34 | 0:16:37 | |
MUSIC: "Bonkers" by Dizzee Rascal | 0:16:37 | 0:16:40 | |
Actually, we've traced John's footsteps throughout the sequence, | 0:16:45 | 0:16:50 | |
and this is what appeared. | 0:16:50 | 0:16:52 | |
Good sport John Humphrys | 0:16:52 | 0:16:53 | |
communicating through the medium of dance there. | 0:16:53 | 0:16:56 | |
Now, let's pause a minute. | 0:16:56 | 0:16:58 | |
When I say Children in Need, what do you think of? | 0:16:58 | 0:17:02 | |
Wogan? Pudsey? Generous audience members in silly costumes? | 0:17:02 | 0:17:06 | |
Well, I bet buttons to bottletops that this lot also spring to mind. | 0:17:06 | 0:17:11 | |
We interrupt this broadcast to bring you breaking news. | 0:17:11 | 0:17:14 | |
'The night of Children in Need, the first thing you think of,' | 0:17:17 | 0:17:20 | |
and everyone does it, is newsreaders doing silly dances. | 0:17:20 | 0:17:24 | |
Yes, it's the newsreaders. | 0:17:24 | 0:17:27 | |
'Every year, the newsreaders do something stupid.' | 0:17:27 | 0:17:30 | |
Newsreaders are so straight that anything they do is funny. | 0:17:30 | 0:17:32 | |
I do find myself going, "Oh, God." | 0:17:32 | 0:17:36 | |
It's like watching my dad. | 0:17:36 | 0:17:37 | |
'Everybody is prepared to go on live television and make' | 0:17:42 | 0:17:47 | |
a bit of a fool of themselves, | 0:17:47 | 0:17:48 | |
which will be on YouTube for ever. | 0:17:48 | 0:17:50 | |
'But because it's Children in Need, | 0:17:50 | 0:17:53 | |
'they do it, and they're quite up for it.' | 0:17:53 | 0:17:55 | |
Yes, for one night of the year, | 0:17:59 | 0:18:01 | |
the formal faces of BBC News get to let their hair down. | 0:18:01 | 0:18:05 | |
It certainly puts the newsreaders in an unusual, potentially embarrassing situation. | 0:18:05 | 0:18:09 | |
'All year round, we're pretty buttoned up.' | 0:18:11 | 0:18:15 | |
It's nice to escape from that. | 0:18:15 | 0:18:16 | |
Thanks, Bill, and back in the countdown, | 0:18:16 | 0:18:19 | |
here they are at number 41. | 0:18:19 | 0:18:21 | |
Wow, this is most certainly not the Nine O'Clock News. | 0:18:25 | 0:18:29 | |
# Goddess on the mountain top | 0:18:29 | 0:18:31 | |
-# Burning like a silver flame... # -They must love it, because they're clearly | 0:18:32 | 0:18:36 | |
not that serious in real life, they have to be serious when they're behind that desk. | 0:18:36 | 0:18:40 | |
# ..And Venus was her name... # | 0:18:40 | 0:18:42 | |
Could this one moment change a newsreader's life for ever? | 0:18:42 | 0:18:45 | |
Probably not, Peter, but we won't forget it in a hurry, | 0:18:45 | 0:18:49 | |
especially as we didn't know | 0:18:49 | 0:18:50 | |
what was lurking at the back of the stage. | 0:18:50 | 0:18:54 | |
# ..Yeah, baby, she's got it... # | 0:18:54 | 0:18:57 | |
We'd be thinking, "What on earth am I doing here?" | 0:18:57 | 0:19:02 | |
Well, Bill, since you ask, Wild Boys was based on a novel | 0:19:02 | 0:19:06 | |
by William Burroughs, and you're playing the part | 0:19:06 | 0:19:09 | |
of an adolescent humanoid ravaging the earth. | 0:19:09 | 0:19:13 | |
# The wild boys are calling | 0:19:13 | 0:19:15 | |
# On their way back from the fire... # | 0:19:15 | 0:19:20 | |
'That first moment they fit you up, you think,' | 0:19:20 | 0:19:25 | |
"No, no, I'm not wearing that!" | 0:19:25 | 0:19:29 | |
It wasn't so much the leather trousers, but the string vest. | 0:19:29 | 0:19:34 | |
There's not a whole lot going on under there, really. | 0:19:34 | 0:19:38 | |
They were wearing quite naughty outfits, really, | 0:19:38 | 0:19:43 | |
I think maybe naughtier than they realised. | 0:19:43 | 0:19:45 | |
# Oh, the secrets they could tell... # | 0:19:45 | 0:19:51 | |
There's always fishnets, a bit of bondage, a bit of leather. | 0:19:51 | 0:19:53 | |
# ..Looks like they'll try again | 0:19:53 | 0:19:58 | |
# Wild boys never lose it | 0:19:58 | 0:20:02 | |
# Wild boys never choose this way... # | 0:20:02 | 0:20:06 | |
'My recollections of Wild Boys - how can I put this?' | 0:20:06 | 0:20:10 | |
How enthusiastically some of my colleagues | 0:20:10 | 0:20:12 | |
embraced the idea of bondage gear. | 0:20:12 | 0:20:14 | |
You've got to watch these people. | 0:20:17 | 0:20:18 | |
The newsreaders there with a memorable performance | 0:20:23 | 0:20:26 | |
to tie up the first ten in our countdown | 0:20:26 | 0:20:29 | |
to the Children in Need 50 Greatest Moments. | 0:20:29 | 0:20:32 | |
So, what's at number 40? | 0:20:32 | 0:20:34 | |
OZ-enders. Dot Cotton describes the action. | 0:20:34 | 0:20:38 | |
I don't remember! | 0:20:38 | 0:20:40 | |
To be fair, the story was a little baffling, so pay attention. | 0:20:40 | 0:20:46 | |
This is what happened. | 0:20:46 | 0:20:48 | |
Dorothy Cotton falls asleep, and wakes up | 0:20:48 | 0:20:50 | |
in an alternate Wizard of Oz reality set in Albert Square. | 0:20:50 | 0:20:53 | |
There's something a bit queer going on. | 0:20:53 | 0:20:55 | |
She is immediately confronted | 0:20:55 | 0:20:57 | |
by two characters from Casualty, and Wellard wearing sunglasses. | 0:20:57 | 0:21:00 | |
Oh! Me head! | 0:21:00 | 0:21:02 | |
Got all of that? Good. Meanwhile, Garry Hobbs has swapped jobs | 0:21:02 | 0:21:05 | |
and is now serving in the Queen Vic whilst fiddling with a car battery. | 0:21:05 | 0:21:08 | |
I'm a mechanic, not a barman. | 0:21:08 | 0:21:10 | |
Upset by characters from other shows, | 0:21:10 | 0:21:12 | |
Dot is advised by Patrick Trueman to go and see the Wizard of Oz. | 0:21:12 | 0:21:15 | |
Little does she know that all of this mayhem is being caused | 0:21:15 | 0:21:19 | |
by evil Ian Beale, who mixed up the BBC drama scripts | 0:21:19 | 0:21:23 | |
-before throwing darts at pictures of Phil Mitchell. -Hello, princess. | 0:21:23 | 0:21:26 | |
What? The action returns to Holby City's Mubbs Hussein, | 0:21:26 | 0:21:29 | |
-who doesn't have a heart. -Could someone get me to a hospital? | 0:21:29 | 0:21:32 | |
And did I mention that Garry has no brain? | 0:21:32 | 0:21:34 | |
Sometimes wonder if I've got a brain at all. | 0:21:34 | 0:21:36 | |
And this other dude is a coward. | 0:21:36 | 0:21:37 | |
I'm such a coward. | 0:21:37 | 0:21:39 | |
Told you. Like in The Wizard of Oz. Moving on... | 0:21:39 | 0:21:41 | |
Several characters play noughts and crosses on a patient's chest, | 0:21:41 | 0:21:44 | |
while Garry, Mubbs, the other dude, and Dorothy | 0:21:44 | 0:21:47 | |
decide to burst out of the hospital to go and see the wizard. | 0:21:47 | 0:21:50 | |
We'll all go together. | 0:21:50 | 0:21:51 | |
They're advised by Merseybeat's Inspector Superintendent Jim Oulton to... | 0:21:51 | 0:21:56 | |
Follow the yellow big bear! | 0:21:56 | 0:21:58 | |
Oh, and Elvis pops up too! | 0:21:58 | 0:21:59 | |
Together, they dance off down the street, before arriving at the Children in Need studio. | 0:21:59 | 0:22:04 | |
Suddenly, Ian Beale appears from behind a poorly timed smoke explosion | 0:22:04 | 0:22:08 | |
and Jon Culshaw dressed as Ozzy Osbourne addresses the gang. | 0:22:08 | 0:22:12 | |
I am Oz. | 0:22:12 | 0:22:13 | |
The loose ends are all tied up with the Wizard of Oz - Ozzy Osbourne - | 0:22:13 | 0:22:17 | |
banishing the evil Ian Beale to TV purgatory, and the scene finishes with a good old sing-song. | 0:22:17 | 0:22:22 | |
# Some day I'll wish upon a star... # | 0:22:22 | 0:22:25 | |
But what does the star of the show, Dot Cotton, think? | 0:22:25 | 0:22:28 | |
It was silly and simple and I thought it was rather lovely. | 0:22:28 | 0:22:31 | |
So did we, Dot. | 0:22:31 | 0:22:33 | |
Oh, my God, they look hideous... | 0:22:36 | 0:22:38 | |
was something often said by Trinny and Susannah | 0:22:38 | 0:22:41 | |
on their makeover show What Not To Wear. | 0:22:41 | 0:22:44 | |
Here, however, they're looking very stylish | 0:22:44 | 0:22:47 | |
in their interpretation of Madonna's Vogue. | 0:22:47 | 0:22:50 | |
# Come on, Vogue | 0:22:50 | 0:22:51 | |
# Vogue | 0:22:51 | 0:22:53 | |
# Let your body groove to the music... # | 0:22:53 | 0:22:56 | |
The soft lighting, monochrome colourwash | 0:22:56 | 0:22:58 | |
and precise choreography was a valiant effort, | 0:22:58 | 0:23:01 | |
but there's no substitute for the real thing | 0:23:01 | 0:23:04 | |
and, thankfully, two years later, Pudsey's prayers were answered, | 0:23:04 | 0:23:08 | |
as the queen of pop agreed to appear live on stage. | 0:23:08 | 0:23:12 | |
There was a huge buzz of excitement in the building all day. | 0:23:13 | 0:23:18 | |
It was an extraordinary breakthrough to have Madonna open the show for us. | 0:23:18 | 0:23:22 | |
At one point, her and about a thousand people in her entourage | 0:23:24 | 0:23:28 | |
briskly walked past me. | 0:23:28 | 0:23:29 | |
It's so weird seeing her in real life - she's one of the most iconic famous people in the world. | 0:23:29 | 0:23:34 | |
She was probably the biggest thing in show business at the time. | 0:23:34 | 0:23:37 | |
So, without further ado, here she is, Madonna! | 0:23:37 | 0:23:43 | |
# Those who run seem to have all the fun | 0:23:43 | 0:23:46 | |
# I'm caught up... # | 0:23:46 | 0:23:48 | |
Wait, wait a minute, what the hell's wrong with the clip? | 0:23:48 | 0:23:51 | |
Ah, that's better. | 0:23:51 | 0:23:53 | |
# Time goes by so slowly Time goes by... # | 0:23:53 | 0:23:56 | |
-Her performance on the night was spectacular. -# Time goes by... # | 0:23:56 | 0:24:00 | |
Audience just went mad. | 0:24:00 | 0:24:03 | |
# I don't know what to do | 0:24:03 | 0:24:07 | |
# Every little thing that you say or do | 0:24:07 | 0:24:10 | |
# I'm hung up I'm hung up on you... # | 0:24:10 | 0:24:13 | |
You want that first performance to be huge, | 0:24:13 | 0:24:17 | |
to set the pace of the show, and Madonna did more than that. | 0:24:17 | 0:24:20 | |
# Every little thing Every little thing | 0:24:20 | 0:24:25 | |
# I'm hung up, I'm hung up on you | 0:24:25 | 0:24:29 | |
# Waiting for your call Waiting for your call... # | 0:24:29 | 0:24:32 | |
Over nine million viewers tuned in, and the fun wasn't over | 0:24:32 | 0:24:37 | |
as Sir Terry took to the stage to throw some shapes with Madge herself. | 0:24:37 | 0:24:40 | |
Oh, Lord, did he? | 0:24:40 | 0:24:41 | |
I was born to dance. | 0:24:47 | 0:24:48 | |
Madonna there, opening the show in 2005. | 0:24:48 | 0:24:52 | |
Now let's see who had the honour in 2007. | 0:24:52 | 0:24:56 | |
Bless! | 0:25:00 | 0:25:01 | |
All went wrong and the whole country were watching. | 0:25:06 | 0:25:09 | |
I did have to laugh! | 0:25:12 | 0:25:13 | |
I think I weed myself a little bit, I laughed so much. | 0:25:13 | 0:25:16 | |
It's a shame for Lee, but people watch it for that kind of thing. | 0:25:23 | 0:25:26 | |
There's a little girl to my left, | 0:25:26 | 0:25:29 | |
I remember seeing her face, thinking, "We're on telly." | 0:25:29 | 0:25:32 | |
I was like, "I know!" | 0:25:32 | 0:25:34 | |
Singer's worst nightmare - not being heard. | 0:25:36 | 0:25:39 | |
It's all a bit of a blur, to be honest. It all happened so quick. | 0:25:42 | 0:25:45 | |
But looking back, it is a bit embarrassing. | 0:25:45 | 0:25:47 | |
Oh, come on, Lee, it wasn't that bad. So your microphone packed up. | 0:25:47 | 0:25:52 | |
We were all singing along with you. | 0:25:52 | 0:25:54 | |
And for anyone who missed it, here's the karaoke version. | 0:25:54 | 0:25:58 | |
VOCALS DROP | 0:26:10 | 0:26:13 | |
His microphone was dead. | 0:26:32 | 0:26:34 | |
There was a runner at the side of the stage trying to get to him, | 0:26:34 | 0:26:37 | |
but it would have literally | 0:26:37 | 0:26:38 | |
been a case of jumping on top of five year olds. | 0:26:38 | 0:26:40 | |
# A crash of drums... # | 0:26:45 | 0:26:47 | |
'It's not until you finish' | 0:26:47 | 0:26:49 | |
that you realise most of the country was watching the performance. | 0:26:49 | 0:26:53 | |
It's one to look back on, I guess. | 0:26:53 | 0:26:56 | |
# Any dream Any dream will do | 0:26:56 | 0:27:00 | |
# Give me my coloured coat... # | 0:27:01 | 0:27:06 | |
Ahh, it all worked out in the end, | 0:27:06 | 0:27:07 | |
and the odd mishap is what Children in Need is all about. | 0:27:07 | 0:27:11 | |
Sometimes, you just need to step back and have a laugh at yourself. | 0:27:11 | 0:27:15 | |
Which is exactly what these next three did. | 0:27:17 | 0:27:21 | |
Ever wondered what Dot Cotton, Pat Butcher and Vera Duckworth | 0:27:21 | 0:27:25 | |
look like as saucy schoolgirls? | 0:27:25 | 0:27:27 | |
Well, we're about to find out, | 0:27:27 | 0:27:29 | |
as we were treated to this fantasy in 1991. | 0:27:29 | 0:27:32 | |
# Three little new barmaids are we | 0:27:32 | 0:27:34 | |
# Pert as a schoolgirl as you see... # | 0:27:34 | 0:27:37 | |
Crikey! | 0:27:37 | 0:27:39 | |
# ..Three little spunky girls | 0:27:39 | 0:27:42 | |
# Pure and spotless virgins three | 0:27:42 | 0:27:44 | |
# All on the brink of puberty... # | 0:27:46 | 0:27:49 | |
It was dressing up as schoolgirls, and it was just fun. | 0:27:50 | 0:27:54 | |
You didn't worry about it. You had a nice time. | 0:27:54 | 0:27:56 | |
# ..Three pretty lucky girls | 0:27:56 | 0:27:59 | |
# Two little maidens from EastEnders | 0:28:02 | 0:28:05 | |
# Both want a bloke to love and tend us | 0:28:05 | 0:28:07 | |
# Both of them wearing silk suspenders... # | 0:28:07 | 0:28:11 | |
-Ooh, I say! -Ooh! | 0:28:11 | 0:28:13 | |
# ..Three pretty raunchy girls... # | 0:28:14 | 0:28:17 | |
Rumour has it these three are set to star alongside Gemma Arterton | 0:28:17 | 0:28:21 | |
in the next St Trinian's movie, | 0:28:21 | 0:28:24 | |
and whilst they'll have to wait a bit | 0:28:24 | 0:28:26 | |
to get their hands on Russell Brand's Flash Harry, | 0:28:26 | 0:28:29 | |
there's always someone they can flirt with. | 0:28:29 | 0:28:33 | |
We were really all after Sir Terry Wogan! | 0:28:33 | 0:28:36 | |
# Three little maids... # | 0:28:36 | 0:28:39 | |
Ooh, Terry, you lucky man! | 0:28:39 | 0:28:42 | |
Did I land up sitting on Terry Wogan's lap? | 0:28:42 | 0:28:47 | |
Yes, I thought I might have done. | 0:28:47 | 0:28:49 | |
Like you can't remember, June! | 0:28:49 | 0:28:52 | |
I think I won there! | 0:28:52 | 0:28:54 | |
Frankly, if I wasn't a married man, | 0:28:56 | 0:28:59 | |
and it hadn't been in front of millions of people watching, | 0:28:59 | 0:29:02 | |
-we could have run off together. -Careful, Terry. | 0:29:02 | 0:29:05 | |
It's 2001, and this is Shaun Williamson and friends | 0:29:39 | 0:29:43 | |
with their version of a Queen classic. | 0:29:43 | 0:29:46 | |
# I want to break free... # | 0:29:46 | 0:29:48 | |
'When they came up with the idea, based on Queen's iconic video | 0:29:51 | 0:29:54 | |
'of that song, I thought, "What a laugh,' | 0:29:54 | 0:29:57 | |
"which part do you want me to be?" | 0:29:57 | 0:29:59 | |
"The Freddie Mercury, stockings and suspenders, | 0:29:59 | 0:30:02 | |
"Hoover, big wig." | 0:30:02 | 0:30:04 | |
Fine. OK. | 0:30:04 | 0:30:05 | |
And it was a real laugh. | 0:30:05 | 0:30:07 | |
As if one cross-dressing Freddie wasn't enough, we're treated to another. | 0:30:07 | 0:30:11 | |
Try and guess where he's hiding. | 0:30:11 | 0:30:14 | |
# ..I want to break free... # | 0:30:14 | 0:30:15 | |
# I'm falling in love... # | 0:30:17 | 0:30:20 | |
'I thought, "This is going well. | 0:30:20 | 0:30:22 | |
'"The whole nation loves me."' | 0:30:22 | 0:30:24 | |
Then, of course, Greco jumps out of a wardrobe, and you forget about me. | 0:30:24 | 0:30:28 | |
# ..I'm falling in love | 0:30:31 | 0:30:33 | |
# God knows | 0:30:36 | 0:30:39 | |
# God knows I'm falling in love | 0:30:39 | 0:30:42 | |
# I want to break... # | 0:30:42 | 0:30:44 | |
Showing a bit of hairy leg live on television is not limited to just the soap stars. | 0:30:44 | 0:30:50 | |
Hello, everyone. And welcome to our | 0:30:52 | 0:30:56 | |
-Children in Need swingometer. -There are some things in life | 0:30:56 | 0:31:00 | |
that just belong together... | 0:31:00 | 0:31:03 | |
fish and chips, Posh and Becks, and Children in Need | 0:31:03 | 0:31:06 | |
and the newsreaders. | 0:31:06 | 0:31:08 | |
Let's go back to 1992 and see where it all began. | 0:31:08 | 0:31:12 | |
The king of the swingers! | 0:31:12 | 0:31:15 | |
The assumption is the newsreaders always were part and parcel | 0:31:15 | 0:31:19 | |
of dressing up, dancing and singing for us... | 0:31:19 | 0:31:22 | |
# I wanna be a man, man-cub... # | 0:31:22 | 0:31:23 | |
..but this was initiated by Peter Snow. | 0:31:23 | 0:31:28 | |
Peter Snow, in that leopard skin, | 0:31:28 | 0:31:32 | |
that really was showing you the way it was going. | 0:31:32 | 0:31:35 | |
And it was going very well indeed. | 0:31:35 | 0:31:39 | |
Peter made it respectable for people in the serious business of newsreading | 0:31:41 | 0:31:46 | |
to come out and for one night only make fools of themselves, | 0:31:46 | 0:31:50 | |
as we all do on behalf of Children in Need. | 0:31:50 | 0:31:53 | |
Well, John, what would you say | 0:31:53 | 0:31:54 | |
is the underlying political significance | 0:31:54 | 0:31:57 | |
of what we're seeing tonight? | 0:31:57 | 0:31:58 | |
Undoubtedly, Peter Snow is swinging towards megalomania! | 0:31:58 | 0:32:02 | |
I think they were very ambitious, really. | 0:32:02 | 0:32:04 | |
We're more mainstream show biz these days. | 0:32:04 | 0:32:07 | |
# ..Oh, whoop-dee-doo I wanna be like you-oo-oo... # | 0:32:07 | 0:32:10 | |
I was just disappointed that he didn't swing off through the trees, going, "Aaah-aah-aaah!" | 0:32:10 | 0:32:16 | |
# ..Someone like me-ee-ee... # | 0:32:16 | 0:32:19 | |
Peter Snow and the newsreaders there. | 0:32:19 | 0:32:22 | |
Now, what's at number 33? | 0:32:22 | 0:32:25 | |
Ozzy Osbourne's view of the world has always been somewhat different to the norm, | 0:32:25 | 0:32:29 | |
so just imagine the utter confusion he suffered | 0:32:29 | 0:32:33 | |
coming face to face with himself. | 0:32:33 | 0:32:35 | |
-Who are you? -The Prince of Darkness! | 0:32:35 | 0:32:38 | |
-Who are you? -The Prince of Darkness! | 0:32:38 | 0:32:41 | |
-Who are you? -The Prince of Darkness! | 0:32:41 | 0:32:43 | |
That, like, freaking me out! | 0:32:43 | 0:32:45 | |
This, like, freaking ME out! | 0:32:45 | 0:32:47 | |
You look like me! | 0:32:47 | 0:32:49 | |
This is, like, the best lookalike that I've ever seen... | 0:32:49 | 0:32:53 | |
That could have just gone anywhere. | 0:32:53 | 0:32:55 | |
That's your lookalike sorted, when's mine coming on? | 0:32:55 | 0:32:59 | |
Just get on with the interview! | 0:32:59 | 0:33:02 | |
Question one - what is your name? | 0:33:02 | 0:33:06 | |
The Prince of Darkness! | 0:33:06 | 0:33:07 | |
Very strong smell of aftershave, Ozzy has. | 0:33:07 | 0:33:10 | |
He must get his bottle of aftershave and... Loads of it on. | 0:33:10 | 0:33:13 | |
You can smell the aftershave 30 yards before Ozzy has reached you. | 0:33:13 | 0:33:19 | |
Next, the real Sharon Osbourne came out, | 0:33:19 | 0:33:22 | |
and if Ozzy wasn't baffled enough already, | 0:33:22 | 0:33:24 | |
the producers then introduced a life-like mannequin of Simon Cowell. | 0:33:24 | 0:33:29 | |
Definitely looks like Simon to me. | 0:33:29 | 0:33:32 | |
It was just the image of Cowell before him brought out this real sense of genuine venom. | 0:33:32 | 0:33:37 | |
Yes, the sight of his wife's tormentor proved just too much, tipping Ozzy over the edge. | 0:33:37 | 0:33:43 | |
Punching with some serious intentions. | 0:33:43 | 0:33:46 | |
I sensed he didn't like this image before him. | 0:33:46 | 0:33:49 | |
Perhaps he thought it was real. | 0:33:49 | 0:33:51 | |
-That's called getting the short straw. -The Prince of Darkness! | 0:33:51 | 0:33:54 | |
Ozzy Osbourne, just one of the many music legends to appear on Children in Need over the years. | 0:33:56 | 0:34:01 | |
Let's just pause the countdown for a moment | 0:34:01 | 0:34:04 | |
to look at some other classic performances. | 0:34:04 | 0:34:08 | |
Last year was the first time | 0:34:10 | 0:34:12 | |
we had been associated with Children in Need. | 0:34:12 | 0:34:14 | |
We performed Everybody In Love. | 0:34:14 | 0:34:16 | |
# Everybody in love | 0:34:16 | 0:34:18 | |
# Go put your hands up Everybody in love... # | 0:34:18 | 0:34:22 | |
There's a buzz about it, and everyone's there clubbing together | 0:34:22 | 0:34:25 | |
for one cause - to raise as much money as possible to help children around the UK. | 0:34:25 | 0:34:30 | |
# Every minute's like an hour Every hour's like a day... # | 0:34:30 | 0:34:33 | |
JLS appeared last year, and they're in great company. | 0:34:33 | 0:34:37 | |
# Stop right now Thank you very much | 0:34:37 | 0:34:40 | |
# I need somebody with a human touch... # | 0:34:40 | 0:34:44 | |
# Hold on tonight Whoa, whoa, whoa-oh-oh... # | 0:34:44 | 0:34:50 | |
# Here comes the girls Girl, girls, girls... # | 0:34:50 | 0:34:56 | |
# I'm spinning around Move out of my way | 0:34:56 | 0:35:01 | |
# I know you're feeling me cos you like it like this... # | 0:35:01 | 0:35:04 | |
# You're gonna make me Make me love you | 0:35:04 | 0:35:07 | |
# Nothing at all Nothing that I do... # | 0:35:07 | 0:35:10 | |
Some of the awesome pop stars who have done their bit. | 0:35:10 | 0:35:13 | |
But back in the countdown, there's one band who have given more | 0:35:13 | 0:35:17 | |
for Children in Need than any other. | 0:35:17 | 0:35:19 | |
We started back in '93, '94. '94 would have been | 0:35:20 | 0:35:23 | |
our first Children in Need performance, I think. | 0:35:23 | 0:35:25 | |
We did Children in Need every year. | 0:35:27 | 0:35:30 | |
Then we broke up, we went our own way. | 0:35:30 | 0:35:33 | |
To come back then, in 2007, | 0:35:35 | 0:35:37 | |
and for Children in Need still to want Boyzone... | 0:35:37 | 0:35:40 | |
Boyzone are back! | 0:35:40 | 0:35:42 | |
To have the opportunity to re-launch the band on Children in Need, it was such a buzz, such a great honour. | 0:35:42 | 0:35:48 | |
# You'll be there When I needed somebody | 0:35:48 | 0:35:52 | |
# You'll be there... # | 0:35:52 | 0:35:53 | |
So, this is it, | 0:35:53 | 0:35:54 | |
the moment Children in Need brought Boyzone back together. | 0:35:54 | 0:35:59 | |
# I had a picture of you in my mind... # | 0:35:59 | 0:36:03 | |
It was seven years since we had performed together | 0:36:03 | 0:36:07 | |
and the first thing we're doing is on a live TV show. | 0:36:07 | 0:36:09 | |
That was nail-biting stuff. It had been a long time | 0:36:09 | 0:36:15 | |
since we had done any dance routines or sang together, | 0:36:15 | 0:36:18 | |
so there was a lot to take on, but to do it on the biggest show | 0:36:18 | 0:36:21 | |
in the country, it was just exciting. | 0:36:21 | 0:36:23 | |
# ..I had a picture of you in my mind | 0:36:25 | 0:36:30 | |
# Never knew it could be so wrong... # | 0:36:30 | 0:36:34 | |
We thought, "If we come back together, whether we decide to take it further, | 0:36:34 | 0:36:38 | |
"or we do this and do the shows and leave it at that, | 0:36:38 | 0:36:41 | |
"at least we've come back for the right reasons, to do a bit of good." | 0:36:41 | 0:36:45 | |
That kind of helped us come back, in a way. | 0:36:45 | 0:36:47 | |
We've a lot to thank Children in Need for. | 0:36:47 | 0:36:51 | |
# ..Why'd it take me so long just to find | 0:36:51 | 0:36:55 | |
# The friend that was there... # | 0:36:56 | 0:36:57 | |
9.6 million people saw the return of Boyzone, and here's another one for the ladies. | 0:36:57 | 0:37:04 | |
# And they called it puppy love... # | 0:37:05 | 0:37:10 | |
Children in Need is all about stars from different arenas joining forces | 0:37:13 | 0:37:17 | |
for the greater good, and that's why, in 2003, | 0:37:17 | 0:37:21 | |
Donny Osmond found himself on stage with the Kumars. | 0:37:21 | 0:37:25 | |
# ..And why I love her so... # | 0:37:25 | 0:37:31 | |
Meera Syal, who played the grandma, actually in real life | 0:37:35 | 0:37:40 | |
claims she's a bigger fan than I am of Donny Osmond - so wrong! | 0:37:40 | 0:37:43 | |
No, I am number one. | 0:37:43 | 0:37:45 | |
# ..My knees are killing me... # | 0:37:45 | 0:37:46 | |
You may think you're number one, Roslin, | 0:37:46 | 0:37:49 | |
but it looks like Granny Kumar prefers being underneath anyway. | 0:37:49 | 0:37:53 | |
# ..You'll be back in my arms... # | 0:37:58 | 0:38:00 | |
I remember, by the end, they were rolling around on the floor. | 0:38:00 | 0:38:05 | |
Well, someone help me! | 0:38:06 | 0:38:08 | |
I probably wanted to be on the floor, but it was brilliant, I loved that sketch. | 0:38:08 | 0:38:12 | |
I loved the Kumars. They should still be on. Bring back the Kumars! | 0:38:12 | 0:38:15 | |
# ..The answer up above... # | 0:38:15 | 0:38:18 | |
And all this frolicking around helped raise over £15 million on the night. | 0:38:18 | 0:38:25 | |
Sanjeev, come and help me. | 0:38:25 | 0:38:27 | |
# Who wants to be a millionaire? | 0:38:29 | 0:38:33 | |
# I don't... # | 0:38:33 | 0:38:34 | |
The last place you expect to see some High Society is on Emmerdale Farm, | 0:38:34 | 0:38:38 | |
but that's exactly what those dirt magnets did in 2005 | 0:38:38 | 0:38:44 | |
for a very special Children in Need performance. | 0:38:44 | 0:38:46 | |
# ..I have heard among this clan... # | 0:38:47 | 0:38:50 | |
Even stumbling drunk Shadrach scrubbed up well. | 0:38:50 | 0:38:54 | |
# ..Is that what they're saying? Did you ever? | 0:38:54 | 0:38:56 | |
# What a swell party this is | 0:38:56 | 0:39:00 | |
# Have you heard, it's in the stars | 0:39:00 | 0:39:03 | |
# Next July, we collide with Mars | 0:39:03 | 0:39:06 | |
# Well, did you ever? # | 0:39:06 | 0:39:09 | |
The Woolpack locals proving that a little dress and decorum can go a very long way. | 0:39:09 | 0:39:14 | |
It's just a shame the whole series budget was spent on a firework display! | 0:39:14 | 0:39:19 | |
Anything Emmerdale can do, EastEnders can do just as well. | 0:39:22 | 0:39:26 | |
History books will state that EastEnders was first conceived in the '80s. | 0:39:29 | 0:39:35 | |
However, what's not known | 0:39:35 | 0:39:36 | |
is that a decade earlier, the BBC piloted EastEnders...The Musical. | 0:39:36 | 0:39:40 | |
# Calling out around the world... # | 0:39:43 | 0:39:46 | |
Ah! What could've been. | 0:39:46 | 0:39:48 | |
We're joking, of course. This is 2009's EastEnders Motown Medley. | 0:39:48 | 0:39:55 | |
Where it wasn't just the girls that got glammed up. | 0:39:55 | 0:39:59 | |
# And I'm bringing you a love that's true | 0:39:59 | 0:40:02 | |
# So get ready, so get ready Come, get ready... # | 0:40:02 | 0:40:07 | |
We were slick on the mics. We were pretty fly. | 0:40:07 | 0:40:11 | |
We had the nice suits, you know. | 0:40:11 | 0:40:13 | |
# You want to play hide-and-seek with love, let me remind you | 0:40:13 | 0:40:18 | |
# It's all right... # | 0:40:18 | 0:40:19 | |
Anything that involves giving me hair, I'm down! | 0:40:19 | 0:40:21 | |
# ..Missing the time it takes to find you... # | 0:40:21 | 0:40:24 | |
'To hit the high notes?' | 0:40:24 | 0:40:25 | |
It was partly due to the trousers they gave me. | 0:40:25 | 0:40:28 | |
I can't deny it, they were...snug. | 0:40:28 | 0:40:30 | |
-# ..Ain't no mountain high enough -No mountain high enough... # | 0:40:30 | 0:40:34 | |
'It is a nightmare for the director' | 0:40:34 | 0:40:36 | |
because television actors have the concentration span of fruit flies! | 0:40:36 | 0:40:41 | |
Yes, all the singing and dancing was just too much for some characters. | 0:40:41 | 0:40:45 | |
We're going, "Ooh, put the music up a bit louder this time...!" | 0:40:45 | 0:40:48 | |
But even Heather got there in the end. | 0:40:48 | 0:40:51 | |
# ..Ah... # | 0:40:51 | 0:40:53 | |
It hits you that you're doing something | 0:40:53 | 0:40:55 | |
that is raising a lot of money and does | 0:40:55 | 0:40:58 | |
every year for absolutely brilliant, brilliant causes. | 0:40:58 | 0:41:03 | |
# ..Ain't no mountain high enough... # | 0:41:03 | 0:41:04 | |
Not half! This performance helped raise £40 million last year. | 0:41:04 | 0:41:10 | |
# ..Ain't no mountain high enough. # | 0:41:10 | 0:41:13 | |
Well done, EastEnders. | 0:41:13 | 0:41:15 | |
# Ain't no mountain high enough... # | 0:41:15 | 0:41:17 | |
OK, Heather, we've done this one now. Heather! | 0:41:17 | 0:41:19 | |
# ..Ain't no valley keep me from you! # | 0:41:19 | 0:41:21 | |
Heather! Can someone get Heather's mate, Shirley? | 0:41:21 | 0:41:24 | |
Luckily, Children in Need always has a team of highly skilled medical professionals | 0:41:24 | 0:41:28 | |
on hand. Good job too, because in 2009, disaster struck | 0:41:28 | 0:41:32 | |
and Children in Need's main man fell unexpectedly ill. | 0:41:32 | 0:41:37 | |
No, not Sir Terry. Pudsey! | 0:41:37 | 0:41:40 | |
Tess, call for a spiritometer. | 0:41:40 | 0:41:42 | |
Nice to see you again, Pudsey, old son... | 0:41:42 | 0:41:45 | |
Fortunately, the Casualty team were fully trained in bear resuscitation. | 0:41:45 | 0:41:49 | |
Ignoring the obvious physical injuries to his head, | 0:41:49 | 0:41:52 | |
the team went for a more economic approach to his recovery. | 0:41:52 | 0:41:56 | |
-His fluff count is way down. -We could try lotta letters-ology. | 0:41:56 | 0:41:59 | |
No, no, his spirits are too low. We'd risk tufftasayitis. | 0:41:59 | 0:42:03 | |
People, we've got to face facts here. This is a waiting game. | 0:42:03 | 0:42:07 | |
However, their patience reaped dividends | 0:42:09 | 0:42:11 | |
and the team finally unravelled | 0:42:11 | 0:42:13 | |
the connection between wealth and health. | 0:42:13 | 0:42:16 | |
With his pockets bulging for a good cause, | 0:42:20 | 0:42:22 | |
Pudsey soon skipped out of the ward and the show went ahead, | 0:42:22 | 0:42:26 | |
raising 20 million on the night. | 0:42:26 | 0:42:28 | |
Now, what's at number 27 in our countdown? Let's take a look. | 0:42:28 | 0:42:33 | |
Or should I say, let's take a sniff? | 0:42:33 | 0:42:36 | |
The BBC was the first to bring television into your home, | 0:42:38 | 0:42:42 | |
the first to bring you colour pictures and widescreen TV, | 0:42:42 | 0:42:47 | |
and in 1995, Auntie Beeb provided us with technology that would blow our minds. | 0:42:47 | 0:42:53 | |
-I remember smelly-vision. -It's Smell-o-vision, Roslin. | 0:42:53 | 0:42:57 | |
I remember Smell-o-vision. | 0:42:57 | 0:42:58 | |
You could buy these little booklets to actually sniff while you were watching the television. | 0:43:01 | 0:43:06 | |
You'd rub something and you could smell... | 0:43:07 | 0:43:10 | |
-Noel Edmonds. -Ooh! | 0:43:10 | 0:43:12 | |
It's very bizarre, because in the book, | 0:43:12 | 0:43:15 | |
you're sniffing Noel's armpit! | 0:43:15 | 0:43:16 | |
Mr Blobby. | 0:43:19 | 0:43:21 | |
-What's that smell? -Blobby-blobby! | 0:43:21 | 0:43:23 | |
You can imagine everyone doing it, going, "Oh, God, it smells like berries." But it didn't. | 0:43:25 | 0:43:30 | |
It just smelt like a book. | 0:43:30 | 0:43:32 | |
Television may not have stunk, | 0:43:32 | 0:43:35 | |
but thanks to the help of Blobby and friends, | 0:43:35 | 0:43:38 | |
a stinking £16.8 million was raised for Children in Need. | 0:43:38 | 0:43:43 | |
Right, what's next? Hmm. Can anyone smell cheese? | 0:43:43 | 0:43:46 | |
# I'm through with standing in line to clubs I'll never get in | 0:43:46 | 0:43:50 | |
# It's like the bottom of the ninth and I'm never going to win | 0:43:50 | 0:43:53 | |
# This life hasn't turned out quite the way I want it to be... # | 0:43:53 | 0:43:58 | |
Talent shows have been criticised | 0:43:58 | 0:43:59 | |
for using pitch-correcting, auto-tune technology | 0:43:59 | 0:44:03 | |
to ensure singers sound in key. | 0:44:03 | 0:44:05 | |
# ..I can play baseball in | 0:44:05 | 0:44:06 | |
# And a kingsize tub big enough for ten plus me | 0:44:06 | 0:44:11 | |
# Is that what you need? # | 0:44:11 | 0:44:13 | |
Unfortunately, all of the auto-tune machines were in use on this day, so instead, here are our stars miming. | 0:44:13 | 0:44:20 | |
# ..Cos we all just want to be big rock stars | 0:44:20 | 0:44:23 | |
# And live in hilltop castles driving 15 cars... # | 0:44:23 | 0:44:26 | |
They do sound good, though. | 0:44:26 | 0:44:27 | |
# ..Digger's going to wind up there | 0:44:27 | 0:44:30 | |
# Every Playboy bunny with her bleach blonde hair | 0:44:30 | 0:44:34 | |
# Hey, hey, I want to be a rock star | 0:44:34 | 0:44:37 | |
# Hey, hey I want to be a rock star... # | 0:44:40 | 0:44:44 | |
Last summer, we said a tearful goodbye to an old friend. | 0:44:48 | 0:44:52 | |
Yes, after 27 years, The Bill closed its doors to Sun Hill for ever. | 0:44:52 | 0:44:58 | |
# Spider Murphy played the tenor saxophone... # | 0:45:01 | 0:45:03 | |
Could this be the reason why? | 0:45:03 | 0:45:04 | |
-# ..On the slide trombone... # -We had PC Nate Roberts on drums, | 0:45:04 | 0:45:08 | |
Detective Constable Terry Perkins on bass, | 0:45:08 | 0:45:11 | |
and even Natalie from EastEnders busting some moves. | 0:45:11 | 0:45:14 | |
# ..Everybody on the whole cell block... # | 0:45:15 | 0:45:18 | |
Every one of them was in serious breach of police regulations. | 0:45:18 | 0:45:21 | |
-Twist! -No-one's going to jail here, though. | 0:45:24 | 0:45:27 | |
This is The Bill's 2008 Blues Brothers' Medley for Children in Need. | 0:45:27 | 0:45:31 | |
# ..And do the bird... | 0:45:33 | 0:45:34 | |
# Bend over, let me see you shake your tail-feather | 0:45:37 | 0:45:40 | |
# Bend over, let me see you shake your tail-feather | 0:45:40 | 0:45:43 | |
# Come on and let me see you shake your tail-feather | 0:45:43 | 0:45:46 | |
# Come on and let me see you shake your tail-feather | 0:45:46 | 0:45:48 | |
# Aaaahhhh! # | 0:45:48 | 0:45:52 | |
A slick performance from The Bill there, but for one cast member | 0:45:52 | 0:45:55 | |
of Hollyoaks, things didn't go as planned. | 0:45:55 | 0:45:59 | |
MUSIC: Theme from "Psycho" by Bernard Herrmann | 0:45:59 | 0:46:01 | |
You can rehearse as much as you like, but when you're on stage, | 0:46:01 | 0:46:05 | |
you hope you get out the other side unscathed. | 0:46:05 | 0:46:07 | |
That didn't happen to me. | 0:46:07 | 0:46:08 | |
We've seen it twice before in this countdown. | 0:46:11 | 0:46:14 | |
And now the hat-trick is complete. | 0:46:14 | 0:46:16 | |
Everybody says it'll be all right on the night, but I did have an out-of-body experience. | 0:46:16 | 0:46:21 | |
Yes, the curse of the Children in Need microphone mishap strikes again in 2009. | 0:46:21 | 0:46:27 | |
# We will, we will rock you... # | 0:46:28 | 0:46:32 | |
'Went on stage, live in front of all these millions of viewers,' | 0:46:34 | 0:46:39 | |
and everybody else sang their line and it got to mine and I started to sing. | 0:46:39 | 0:46:42 | |
HE MOUTHS | 0:46:42 | 0:46:44 | |
INAUDIBLE LYRICS | 0:46:45 | 0:46:47 | |
# ..You got mud on your face You big disgrace... # | 0:46:50 | 0:46:55 | |
At the end of my second line singing, one of the runners came up and handed me a microphone. | 0:46:55 | 0:46:59 | |
So the next minute, I had this microphone held in my hand | 0:46:59 | 0:47:02 | |
whilst trying to clap my hands above my head. | 0:47:02 | 0:47:05 | |
# ..We will, we will rock you... # | 0:47:06 | 0:47:08 | |
It just was the most stressful two and a half minutes of my life. | 0:47:08 | 0:47:12 | |
# ..We will, we will rock you. # | 0:47:12 | 0:47:16 | |
First person I meet walking off stage, Lee Mead, and he just laughs... | 0:47:16 | 0:47:19 | |
and says to me, "Mate, it happens to the best of us!" | 0:47:19 | 0:47:23 | |
You're not wrong, Gerard. No matter how much preparation you put in, it doesn't always go to plan. | 0:47:24 | 0:47:30 | |
Now, I bet your parents have banged on about this classic sketch, | 0:47:32 | 0:47:37 | |
where legends Morecambe and Wise demonstrate physical comedy. | 0:47:37 | 0:47:41 | |
Children in Need decided to re-create this sketch in 2003, | 0:47:41 | 0:47:46 | |
but where would they find two clowns who could handle their food? | 0:47:46 | 0:47:49 | |
Step forward a couple of TV chefs. | 0:47:52 | 0:47:54 | |
MUSIC: "The Stripper" by David Rose | 0:47:54 | 0:47:57 | |
Chefs, it's all about timing, | 0:47:57 | 0:47:58 | |
getting everything right at the right time. | 0:47:58 | 0:48:00 | |
So, this should be a doddle. | 0:48:00 | 0:48:02 | |
Yeah. Well, I think we did all right, actually. | 0:48:04 | 0:48:07 | |
Yeah, well, we'll be the judge of that, | 0:48:07 | 0:48:08 | |
because this isn't so much about cooking as the co-ordination. | 0:48:08 | 0:48:13 | |
Difficult. Really difficult. You walk out in front of ten million people watching, it's live! | 0:48:13 | 0:48:19 | |
So were we crapping ourselves? Yes, we were! | 0:48:20 | 0:48:23 | |
Well, with these two pros in the kitchen, it was bound to be | 0:48:25 | 0:48:27 | |
a recipe for success, right? | 0:48:27 | 0:48:29 | |
'He's a great natural mover.' | 0:48:35 | 0:48:37 | |
He's got the rhythm and all that, and I sort of haven't. | 0:48:37 | 0:48:41 | |
Don't be too hard on yourself, Antony. | 0:48:41 | 0:48:44 | |
It seems to be going all right so far. | 0:48:44 | 0:48:47 | |
-The pancakes stuck. -The pancakes were supposed to fall out. | 0:48:48 | 0:48:50 | |
They didn't fall out quick enough, and we're going, "Come on!" | 0:48:50 | 0:48:54 | |
Tossing pancakes can be tricky, so let's try something simpler. | 0:48:54 | 0:48:58 | |
Then I had to catch the toast. | 0:49:00 | 0:49:02 | |
Toast. This should be easy. | 0:49:02 | 0:49:05 | |
Oh, God! | 0:49:05 | 0:49:07 | |
The set builders had put the toaster in around the wrong way, | 0:49:07 | 0:49:11 | |
so the toast went that way and I was waiting for it to go that way. | 0:49:11 | 0:49:14 | |
Ah, an easy mistake. But if all else fails, | 0:49:14 | 0:49:17 | |
just take off your clothes and pull out your sausage! | 0:49:17 | 0:49:21 | |
It was a great fun thing to do, and actually very privileged | 0:49:21 | 0:49:25 | |
to be asked to do something like that for Children in Need. | 0:49:25 | 0:49:28 | |
Despite its flaws, it was a fair effort and another classic Children in Need moment. | 0:49:28 | 0:49:34 | |
Let's see what's being served up next. | 0:49:34 | 0:49:37 | |
CHEERING AND APPLAUSE | 0:49:37 | 0:49:39 | |
In 2008, Sir Terry Wogan was joined by co-host Tess Daly | 0:49:41 | 0:49:46 | |
for a very special Strictly Come Dancing. | 0:49:46 | 0:49:49 | |
The bright idea was that Tess and I should have a competition. | 0:49:49 | 0:49:53 | |
Can you think of anything more ridiculous? | 0:49:53 | 0:49:55 | |
Tess and Terry have turned into dancefloor divas and are about | 0:49:55 | 0:50:00 | |
to let their feet do the talking to raise as much money as possible for Children in Need. | 0:50:00 | 0:50:04 | |
Tess was absolutely pfft-ing it! | 0:50:04 | 0:50:08 | |
-So, it's very, very simple. -It was tough for Terry too. | 0:50:09 | 0:50:13 | |
I endured hours of rehearsal, trying to remember steps. | 0:50:13 | 0:50:18 | |
# Let me show you... # | 0:50:18 | 0:50:19 | |
Ah, yes, the steps. | 0:50:21 | 0:50:23 | |
# ..The minute you walked in the joint | 0:50:23 | 0:50:25 | |
# I could see you were a man of distinction | 0:50:25 | 0:50:29 | |
# A real big spender Hey, big spender! # | 0:50:29 | 0:50:31 | |
Tess smashed it. She was amazing. | 0:50:31 | 0:50:33 | |
She has these long, gazelle-like, beautiful tanned legs that were flicking about everywhere. | 0:50:33 | 0:50:39 | |
She was beautiful out on that dancefloor. | 0:50:39 | 0:50:41 | |
Yes, on the night, Tess tripped the light fantastic, | 0:50:44 | 0:50:46 | |
and as soon as Anton's back had recovered, | 0:50:46 | 0:50:48 | |
they had to face the toughest judges on television. | 0:50:48 | 0:50:51 | |
What I'm looking for in American Smooth is what I've just seen. | 0:50:53 | 0:50:57 | |
-I love you, Len! -Like spun gold! | 0:50:57 | 0:51:00 | |
It was fantastic. | 0:51:00 | 0:51:01 | |
That clumsy little duckling | 0:51:01 | 0:51:03 | |
has turned into a sexy swan and proved anyone can dance! | 0:51:03 | 0:51:09 | |
Yes, Arlene, anyone can dance. But Terry isn't just anyone. | 0:51:09 | 0:51:14 | |
Terry, oh, bless Terry. | 0:51:18 | 0:51:19 | |
He had this concentration face when he was going... | 0:51:19 | 0:51:22 | |
# ..Three times a lady And I love you... # | 0:51:24 | 0:51:28 | |
Hard work, preparation and hours of rehearsal can pay off. | 0:51:28 | 0:51:32 | |
Just look at the man go. | 0:51:33 | 0:51:35 | |
She's going to fall... He's got her! | 0:51:35 | 0:51:38 | |
And now for the big finale. | 0:51:38 | 0:51:41 | |
Yes, yes, he's walking in a circle! | 0:51:41 | 0:51:44 | |
But for all the spectacle, it just wasn't meant to be. | 0:51:44 | 0:51:48 | |
I was never in the running. | 0:51:50 | 0:51:52 | |
I know Tess flung herself into it most enthusiastically, | 0:51:52 | 0:51:56 | |
because when she won - which she was always going to - she went, "Yes!" | 0:51:56 | 0:52:02 | |
I thought, "Just a minute, I had no idea that you were taking it as seriously as this." | 0:52:03 | 0:52:08 | |
Terry looks shocked. He's not happy about this. | 0:52:08 | 0:52:12 | |
My advice to Terry is - I wouldn't do too much dancing any more! | 0:52:12 | 0:52:16 | |
Ah, shut up! | 0:52:16 | 0:52:17 | |
He does not like to lose! | 0:52:17 | 0:52:20 | |
Terry... you're not that good of a dancer! | 0:52:20 | 0:52:24 | |
# Don't stop me now... # | 0:52:24 | 0:52:26 | |
Maybe not, Barrowman, but Terry's twinkle toes helped raise a record £21 million on the night. | 0:52:26 | 0:52:33 | |
# Now we're back together | 0:52:37 | 0:52:42 | |
# Together... # | 0:52:42 | 0:52:44 | |
In 1988, Neighbours' sweethearts Jason Donavon and Kylie Minogue | 0:52:44 | 0:52:49 | |
topped the charts with the unforgettable Especially For You. | 0:52:49 | 0:52:52 | |
# All the love I have is especially... # | 0:52:52 | 0:52:55 | |
Ten years later, another unforgettable version was released. | 0:52:55 | 0:52:59 | |
# Especially for you | 0:53:02 | 0:53:06 | |
# I want to let you know... # | 0:53:06 | 0:53:08 | |
'I'm a massive Denise fan. I thought she was phenomenal. | 0:53:08 | 0:53:12 | |
'That's when everybody realised she could sing.' | 0:53:12 | 0:53:14 | |
I know it was tongue in cheek, and they did it quite tongue in cheek, | 0:53:14 | 0:53:17 | |
but if you've ever seen her on the West End stage, that girl can sing. | 0:53:17 | 0:53:21 | |
# ..I still feel the same | 0:53:21 | 0:53:25 | |
# Especially for you... # | 0:53:25 | 0:53:27 | |
A lot of viewers thought I was wearing a wig. But, no. Always had a thick head of hair, always. | 0:53:27 | 0:53:31 | |
I'm one of TV's most celebrated blondes. | 0:53:31 | 0:53:34 | |
# ..If dreams were wings, you know I would have flown to you | 0:53:34 | 0:53:39 | |
# To be where you are... | 0:53:39 | 0:53:41 | |
# No matter how far And now that I'm next to you... # | 0:53:41 | 0:53:47 | |
'You get in the zone, you feel the force of the Don. | 0:53:47 | 0:53:50 | |
'His spirit literally enters you and you feel suddenly giddy' | 0:53:50 | 0:53:55 | |
and you just get it. You're in the Dono-zone. | 0:53:55 | 0:53:57 | |
# ..Now we're back together | 0:53:57 | 0:54:00 | |
# Together | 0:54:00 | 0:54:02 | |
# I want to show you | 0:54:02 | 0:54:05 | |
# My heart is oh, so true | 0:54:05 | 0:54:08 | |
# And all the love I have is especially for you... # | 0:54:08 | 0:54:15 | |
'He just made me laugh. Every single expression he pulled.' | 0:54:18 | 0:54:21 | |
The outfit he had on and his hair! | 0:54:21 | 0:54:24 | |
How Denise managed to keep a straight face, I'll never know! | 0:54:24 | 0:54:28 | |
# ..You were in my heart... # | 0:54:33 | 0:54:34 | |
Denise was really enthusiastic. She's got a really good voice. | 0:54:34 | 0:54:37 | |
I'm not so good. I can vaguely carry a tune. | 0:54:37 | 0:54:40 | |
# ..No more dreaming about tomorrow Forget the loneliness and the sorrow | 0:54:40 | 0:54:46 | |
# And I've got to say it's all because of you, and... | 0:54:46 | 0:54:50 | |
# Now we're back together | 0:54:50 | 0:54:54 | |
# Together... # | 0:54:54 | 0:54:56 | |
It was amazing. We walked out and we did get a big roar. | 0:54:56 | 0:54:58 | |
Suddenly, it was a bit... Johnny Pop Star. | 0:54:58 | 0:55:01 | |
Yeah, it was good... | 0:55:01 | 0:55:04 | |
-# ..And all the love I have... # -..ish. | 0:55:04 | 0:55:07 | |
# ..Is especially for you... # | 0:55:07 | 0:55:08 | |
Yes, the studio audience and viewers alike enjoyed the laugh, | 0:55:08 | 0:55:13 | |
and Johnny and Denise helped raise over £11 million on the night. | 0:55:13 | 0:55:17 | |
At the end, I leapt up on Terry. I don't know why I did that. You know what it was? Relief. | 0:55:19 | 0:55:25 | |
'Terry is one of Earth's most huggable humans. | 0:55:27 | 0:55:30 | |
'I felt like an elaborate network of trusses on his back.' | 0:55:30 | 0:55:34 | |
-I didn't. I'm lying. -Can I ask you something? | 0:55:35 | 0:55:37 | |
Sorry to do this to you, I don't know if you all agree with me | 0:55:37 | 0:55:40 | |
that that should be released as a Christmas single. | 0:55:40 | 0:55:43 | |
'The two of them at that time were so popular as a double act.' | 0:55:43 | 0:55:47 | |
They were taking it seriously. | 0:55:47 | 0:55:50 | |
They were going to go for this. | 0:55:50 | 0:55:52 | |
I thought the song would work again, so we thought, "We'll put it out as a record." | 0:55:52 | 0:55:56 | |
-You'll release it for Christmas? -Yeah, we'd love to. | 0:55:56 | 0:55:58 | |
-Money to Children in Need. Fantastic! -We ended up appearing, lifelong ambition, | 0:55:58 | 0:56:04 | |
on Christmas Top Of The Pops, which was extraordinary. | 0:56:04 | 0:56:07 | |
Yes, Johnny, it just goes to show | 0:56:07 | 0:56:09 | |
that Children in Need can make dreams come true, | 0:56:09 | 0:56:12 | |
So, we've counted down from 50 to 21, | 0:56:14 | 0:56:17 | |
reliving some magical moments. Was your favourite there? | 0:56:17 | 0:56:21 | |
If not, fear not. We're about to dive | 0:56:21 | 0:56:24 | |
head-first into the all-important Top 20. | 0:56:24 | 0:56:28 | |
It's a hamster driving an Audi Quattro. | 0:56:30 | 0:56:33 | |
Not a real hamster, of course, that would be ridiculous and quite dangerous. | 0:56:33 | 0:56:38 | |
I don't know how the idea | 0:56:38 | 0:56:39 | |
of Ashes To Ashes and Top Gear getting together came about. | 0:56:39 | 0:56:43 | |
Somebody bigger and cleverer than me would have thought of it. | 0:56:43 | 0:56:46 | |
Well, bigger, definitely. | 0:56:46 | 0:56:49 | |
Yes, in 2008, two award-winning shows came together | 0:56:49 | 0:56:52 | |
for this three-minute piece of funniness. | 0:56:52 | 0:56:54 | |
-Oi! -Sorry. | 0:56:54 | 0:56:56 | |
Get away from that motor and put your hands in the air. | 0:56:56 | 0:56:58 | |
Philip was heroically abusive of me. | 0:56:58 | 0:57:00 | |
Why should I let a miniature scrotum like you anywhere near my car? | 0:57:00 | 0:57:04 | |
What else is he going to do? He gets the small one off Top Gear to play with. | 0:57:04 | 0:57:08 | |
You seriously think I'd let a man who looks like a gerbil drive my car? | 0:57:08 | 0:57:12 | |
I don't know what I was thinking about. | 0:57:12 | 0:57:15 | |
The Audi Quattro was an important car, but let's be honest, | 0:57:15 | 0:57:18 | |
it's an old car, which means it's rubbish. | 0:57:18 | 0:57:20 | |
Sorry, Audi Quattro. | 0:57:22 | 0:57:23 | |
These are brilliant. Shame it's wasted on him. | 0:57:28 | 0:57:30 | |
Producers decided it would be wise to use a stuntman for the high-speed manoeuvres. | 0:57:30 | 0:57:36 | |
I don't know why, with my reputation. | 0:57:36 | 0:57:38 | |
BELL RINGS, DOG HOWLS | 0:57:38 | 0:57:40 | |
-Yeah, I know why. -But it's not all fun and games. | 0:57:43 | 0:57:46 | |
There was an important lesson to be learned. | 0:57:46 | 0:57:50 | |
How do you fancy meeting the Stig? | 0:57:50 | 0:57:52 | |
Thought you'd never ask. | 0:57:52 | 0:57:54 | |
In my experience, a chap's ability to execute a handbrake turn | 0:57:54 | 0:58:00 | |
has a direct correlation with his ability to persuade young ladies to get jiggy. | 0:58:00 | 0:58:04 | |
Handbrake turn, girls, jiggy, got it. | 0:58:04 | 0:58:10 | |
Of course, if that doesn't work, you can always try hypnotism. | 0:58:10 | 0:58:13 | |
We're all going off on an exciting journey into the imagination. | 0:58:13 | 0:58:17 | |
Don't adjust your screens. What you're about to see is not a trick. | 0:58:18 | 0:58:22 | |
These are real celebrities risking real careers. | 0:58:22 | 0:58:26 | |
We're going off down the farmyard and there's a lot of milking to be done. | 0:58:26 | 0:58:29 | |
Yes, at number 19, it's hypnotist Paul McKenna, famous for helping | 0:58:29 | 0:58:33 | |
Olympic athletes win medals, or smokers quit their habit. | 0:58:33 | 0:58:37 | |
Back in 1996, he's doing what he does best - making celebrities look like idiots. | 0:58:37 | 0:58:43 | |
HE TALKS GIBBERISH | 0:58:43 | 0:58:46 | |
I didn't understand what I'd have to do, | 0:58:46 | 0:58:48 | |
-so I just agreed to do it. -Do you feel hypnotised? | 0:58:48 | 0:58:50 | |
-No way. -No, no, sleep, sleep. | 0:58:50 | 0:58:53 | |
What are we actually doing here? | 0:58:53 | 0:58:54 | |
When you wake up in the next few moments, whenever you hear this piece of music, | 0:58:54 | 0:58:58 | |
for the rest of this evening, | 0:58:58 | 0:58:59 | |
you'll become a world champion goal-scoring footballer. | 0:58:59 | 0:59:02 | |
I know that it wasn't fake, because my acting's not that good! | 0:59:02 | 0:59:07 | |
He shoots, he scores! | 0:59:07 | 0:59:09 | |
It's a goal! It's a goal! It's a goal! | 0:59:09 | 0:59:13 | |
Dean, Dean, what are you doing out of your seat? | 0:59:13 | 0:59:18 | |
The most embarrassing thing for me, watching back on my hypnotism... | 0:59:18 | 0:59:21 | |
-Acting like a fish? -..it was just awful. | 0:59:21 | 0:59:25 | |
-Talking like an alien? -Ah-cha-cha! | 0:59:25 | 0:59:27 | |
-Oh, yeah, right. -I'm horrified for what I was wearing. | 0:59:27 | 0:59:30 | |
Yeah, fair point. | 0:59:30 | 0:59:32 | |
I don't think there's been any lasting effects from being hypnotised, or anything like that. | 0:59:32 | 0:59:37 | |
MATCH OF THE DAY THEME MUSIC | 0:59:37 | 0:59:39 | |
Goal! | 0:59:39 | 0:59:41 | |
But enough of all this nonsense. At number 18, it's time to get serious. | 0:59:41 | 0:59:46 | |
The following clip contains images that many viewers may find offensive | 0:59:48 | 0:59:52 | |
and should not be replicated unless raising large sums of money for Children in Need, | 0:59:52 | 0:59:57 | |
or intoxicated, or even both. | 0:59:57 | 0:59:59 | |
# Let's do the Time Warp again... # | 0:59:59 | 1:00:03 | |
Yes, avert your eyes, it's the newsreaders in their underwear, | 1:00:03 | 1:00:06 | |
performing the Rocky Horror Show. | 1:00:06 | 1:00:09 | |
Put your hands on your hips. | 1:00:09 | 1:00:12 | |
# ..And bring your knees in tight... # | 1:00:12 | 1:00:15 | |
It was phenomenal. | 1:00:15 | 1:00:16 | |
That was easily, I think, streets ahead of all the others. | 1:00:16 | 1:00:19 | |
# ..Let's do the Time Warp again... # | 1:00:19 | 1:00:23 | |
The legendary Michael Buerk, who actually, I think, | 1:00:23 | 1:00:27 | |
as the story goes, did the 10 O'Clock News | 1:00:27 | 1:00:31 | |
wearing his suit and fishnet tights underneath. | 1:00:31 | 1:00:33 | |
That's not just a story, Sophie. | 1:00:33 | 1:00:36 | |
The act was scheduled for only a couple of minutes | 1:00:36 | 1:00:39 | |
after the end of the 10 O'Clock News that I was presenting. | 1:00:39 | 1:00:43 | |
Good evening. | 1:00:43 | 1:00:46 | |
-He didn't have time to change. -I was bloody uncomfortable. | 1:00:46 | 1:00:50 | |
All this stuff was below the waist. Above the waist, | 1:00:52 | 1:00:54 | |
I was your standard BBC 10 O'Clock newscaster. | 1:00:54 | 1:00:57 | |
Students will have to pay far more to go to university. | 1:00:57 | 1:01:00 | |
But then, quite late in the evening, they wheel on our social affairs editor... | 1:01:00 | 1:01:05 | |
Our social affairs editor, Neil Dixon, is here. | 1:01:05 | 1:01:07 | |
..but nobody told him that I'd got this costume on. | 1:01:07 | 1:01:10 | |
And I swing round to him | 1:01:10 | 1:01:13 | |
in a black leather micro skirt, | 1:01:13 | 1:01:15 | |
fishnet stockings and big leather boots. | 1:01:15 | 1:01:19 | |
-Yes, Michael, I think there was a real prospect... -How he carried on, I don't know. | 1:01:26 | 1:01:30 | |
And for those that still don't believe, here's the proof. | 1:01:30 | 1:01:34 | |
What a picture! | 1:01:36 | 1:01:38 | |
Fortunately for Michael, he wasn't the headline that night. | 1:01:41 | 1:01:44 | |
Jeremy Vine, the bravest newsreader of them all. | 1:01:44 | 1:01:48 | |
# I see you've met my... # | 1:01:48 | 1:01:50 | |
I've never been able to look at Jeremy in quite the same way. | 1:01:50 | 1:01:53 | |
What's the big deal? You're in stockings and suspenders and he's just in a cloak. | 1:01:53 | 1:01:58 | |
# ..Don't get strung out by the way I look... # | 1:01:58 | 1:02:01 | |
Oh, my God! | 1:02:01 | 1:02:03 | |
# ..Don't judge a book by its cover... # | 1:02:03 | 1:02:06 | |
I thought he was such a terrific guy, | 1:02:06 | 1:02:08 | |
brilliant journalist, and good mate, but... | 1:02:08 | 1:02:12 | |
I had my doubts. | 1:02:12 | 1:02:13 | |
# ..I'm just a sweet transvestite | 1:02:13 | 1:02:16 | |
# Sweet transvestite | 1:02:16 | 1:02:19 | |
# From Transsexual... # | 1:02:19 | 1:02:21 | |
Horrific though it may be, it managed to help raise 13.5 million in 2002. | 1:02:21 | 1:02:27 | |
That's the great thing about Children in Need. | 1:02:27 | 1:02:30 | |
Whatever an arse you make of yourself, at the end of the day, it was for children, wasn't it? | 1:02:30 | 1:02:35 | |
Next, one of the most ground-breaking moments in history. | 1:02:35 | 1:02:38 | |
In 2009, a brave documentary film crew went to the ends of the earth | 1:02:38 | 1:02:42 | |
in search of mythical talking animals. | 1:02:42 | 1:02:45 | |
This is what they found. | 1:02:45 | 1:02:48 | |
Oh, hello. | 1:02:48 | 1:02:49 | |
Seen that Children in Need? | 1:02:49 | 1:02:51 | |
Dear, oh dear. I mean, I'm all for charity and all that, | 1:02:51 | 1:02:54 | |
but it's gone a bit mad around here this year. | 1:02:54 | 1:02:56 | |
Look, everyone, it's jumping Justin. | 1:02:56 | 1:02:58 | |
Evening, boys, don't get up... | 1:02:58 | 1:03:00 | |
I'm joking, of course. This is a Walk On The Wild Side special for Children in Need. | 1:03:00 | 1:03:05 | |
-Sid. -What, who's that? -This is your conscience speaking. -What? | 1:03:05 | 1:03:10 | |
Alan, Alan, Al, Alan. Alan. | 1:03:10 | 1:03:15 | |
Al, Al, Al, Al! | 1:03:15 | 1:03:18 | |
I know what you're thinking - what do humans sound like as animals? | 1:03:18 | 1:03:22 | |
Well, it's something like this. | 1:03:22 | 1:03:24 | |
ANIMAL HOWLS AND SCREECHES | 1:03:24 | 1:03:28 | |
Amazing. | 1:03:31 | 1:03:34 | |
At number 16, a performance that Simon Cowell describes as... | 1:03:36 | 1:03:39 | |
One of the worst musical performances ever. | 1:03:39 | 1:03:42 | |
-Oh, dear. Well, who could that be? -Here's Terry Wogan. | 1:03:42 | 1:03:46 | |
Many years ago, when the world was young | 1:03:46 | 1:03:48 | |
and I was a great deal younger, | 1:03:48 | 1:03:50 | |
somebody had the idea that I should release a record. | 1:03:50 | 1:03:53 | |
# I thought I could hear the curious tone | 1:03:53 | 1:03:56 | |
# Of the cornet, clarinet and big trombone... # | 1:03:56 | 1:03:59 | |
And then somebody had the really bad idea that we do a rap version for Children in Need. | 1:03:59 | 1:04:04 | |
# ..There was band with a curious tone | 1:04:04 | 1:04:06 | |
# Of the cornet, clarinet and big trombone... # | 1:04:06 | 1:04:09 | |
Sporting a suit trouser and camo jacket combo, | 1:04:09 | 1:04:12 | |
Mr Children in Need has made the Top 20 with the Floral Dance remix. | 1:04:12 | 1:04:17 | |
# ..All together with the floral dance... # | 1:04:17 | 1:04:20 | |
As anybody looking at this will see, it was an unmitigated disaster. | 1:04:21 | 1:04:26 | |
-Say, way-oh! -Way-oh! | 1:04:26 | 1:04:27 | |
Way-oh! | 1:04:27 | 1:04:29 | |
I mean, the Floral Dance, and I'm not being rude, | 1:04:29 | 1:04:31 | |
has got to be one of the worst musical performances...ever. | 1:04:31 | 1:04:36 | |
# ..Came floating down... # | 1:04:36 | 1:04:39 | |
-It's not THAT bad. -Say, way-oh! | 1:04:39 | 1:04:42 | |
-Way-oh. -Way-oh! | 1:04:42 | 1:04:44 | |
Brilliant. | 1:04:44 | 1:04:46 | |
He's a great DJ, | 1:04:46 | 1:04:47 | |
and a great TV presenter. He's just a terrible singer. | 1:04:47 | 1:04:50 | |
I wouldn't be too quick to criticise, Cowell, because guess who's at number 15... | 1:04:50 | 1:04:57 | |
as a magician's assistant?! | 1:04:57 | 1:04:59 | |
I remember getting a very excited call from Pete Waterman. | 1:04:59 | 1:05:03 | |
He said, "I've got to speak to you urgently." | 1:05:03 | 1:05:06 | |
"What's urgent, Pete?" | 1:05:08 | 1:05:10 | |
"I need to saw you in half on TV." | 1:05:10 | 1:05:12 | |
Right, get him in the box. | 1:05:23 | 1:05:25 | |
I was a bit nervous, I've got to be honest with you. | 1:05:25 | 1:05:27 | |
Where's his waistband? | 1:05:27 | 1:05:30 | |
I don't know, I can't find it. It's there somewhere. | 1:05:30 | 1:05:33 | |
It was when I realised it was electric. | 1:05:34 | 1:05:37 | |
-You are kidding me?! -I'm not kidding you. | 1:05:37 | 1:05:41 | |
That's it. | 1:05:41 | 1:05:42 | |
I'm lying in a box, I can't move, somebody who I often fall out with | 1:05:42 | 1:05:48 | |
is standing there with a chainsaw and it's live TV. | 1:05:48 | 1:05:51 | |
It's not the best feeling in the world. | 1:05:51 | 1:05:53 | |
I remember thinking at that point, "He's actually not a magician, what if he does saw me in half?" | 1:05:57 | 1:06:02 | |
-Oh, dear. -You don't know what you're doing. | 1:06:02 | 1:06:06 | |
I know what I'm doing, son. | 1:06:06 | 1:06:08 | |
But that's Pete, he loves dressing up in strange clothes and holding chainsaws. | 1:06:08 | 1:06:14 | |
I thought you said he's got no backbone. | 1:06:14 | 1:06:17 | |
At the time, it was like, "Simon Cowell's getting sawn in half." | 1:06:20 | 1:06:24 | |
Now, when you think back at it, you're thinking, | 1:06:24 | 1:06:26 | |
"Do we wish we could have sawn Simon Cowell in half?" | 1:06:26 | 1:06:29 | |
-Probably, yeah. -Would that have been a bit of a problem for us? | 1:06:29 | 1:06:33 | |
It was quite embarrassing. | 1:06:37 | 1:06:39 | |
Actually, he did saw me in half. | 1:06:39 | 1:06:41 | |
Before your very eyes, ladies and gentlemen. | 1:06:41 | 1:06:44 | |
No, obviously, we'd never want that to really happen in real life. | 1:06:49 | 1:06:52 | |
Now, we've already seen EastEnders impersonate one icon in this countdown, | 1:06:58 | 1:07:03 | |
so when Pudsey called in 2002, you can count on one man to rise to the challenge. | 1:07:03 | 1:07:08 | |
# I want to break free... # | 1:07:08 | 1:07:11 | |
After I Want To Break Free, | 1:07:11 | 1:07:13 | |
the following year, I think EastEnders thought, | 1:07:13 | 1:07:15 | |
"We've got to top this." | 1:07:15 | 1:07:17 | |
So when you've left your stamp on Freddie Mercury, where can you possibly go next? | 1:07:17 | 1:07:21 | |
They said, "Shaun, you're going to be Michael Jackson." | 1:07:21 | 1:07:25 | |
# Cos this is thriller | 1:07:25 | 1:07:28 | |
# Thriller night | 1:07:28 | 1:07:30 | |
# No-one's gonna save you from the beast about to strike... # | 1:07:30 | 1:07:33 | |
"So you want fat Barry Evans, overweight, face like a bag of spanners, to play Michael Jackson?" | 1:07:33 | 1:07:39 | |
They said, "Yeah." I thought, "This is going to be awful." | 1:07:39 | 1:07:44 | |
# You know, it's thriller Thriller night... # | 1:07:44 | 1:07:49 | |
He wasn't trying to do it as Michael Jackson, | 1:07:49 | 1:07:50 | |
he was trying to do it as Barry. | 1:07:50 | 1:07:53 | |
# ..Inside a killer, thriller, tonight... # | 1:07:53 | 1:07:57 | |
I remember Shaun Williamson doing Thriller, that was great. | 1:07:57 | 1:08:00 | |
He physically isn't very similar to Michael Jackson, but he was good. | 1:08:00 | 1:08:04 | |
He can really nail the tune. | 1:08:04 | 1:08:06 | |
# ..Killer, thriller, tonight... # | 1:08:06 | 1:08:09 | |
I looked ridiculous, like an embarrassing uncle. | 1:08:09 | 1:08:11 | |
# ..The dead start to walk... # | 1:08:11 | 1:08:13 | |
There's a bit when I jump up on a park bench, I thought, "This is your chance, son, go for it." | 1:08:13 | 1:08:19 | |
# There's no escaping the jaws of the alien this time... # | 1:08:19 | 1:08:23 | |
Flip the old jacket down the back and I'm like, "Yeah, come on!" | 1:08:23 | 1:08:26 | |
Did a few little off-the-cuff Jackson moves. | 1:08:26 | 1:08:30 | |
Not quite sure what Jackson moves those are. | 1:08:30 | 1:08:33 | |
I think one of the best parts of our video is the zombies. | 1:08:33 | 1:08:38 | |
The make-up team did a fantastic job. | 1:08:38 | 1:08:40 | |
My first appearance as a zombie, may I add. | 1:08:40 | 1:08:43 | |
Darling, you're a natural. | 1:08:44 | 1:08:46 | |
That was his hand. We'd been four hours without a snack. | 1:08:46 | 1:08:48 | |
Zombies, check. Michael Jackson, well, kind of. | 1:08:48 | 1:08:53 | |
All that's left is the famous dance. | 1:08:53 | 1:08:55 | |
When I looked back on it, it looked like I was having a fit. | 1:08:55 | 1:08:59 | |
Darkness falls across the land. | 1:08:59 | 1:09:02 | |
Your body starts to shiver. | 1:09:02 | 1:09:05 | |
This classic Children in Need performance helped raise over £26 million. | 1:09:05 | 1:09:10 | |
The evil of the thriller. | 1:09:10 | 1:09:12 | |
If you liked that, stay tuned. | 1:09:18 | 1:09:20 | |
There's more soapy moments still to come. | 1:09:20 | 1:09:23 | |
Next, a trip down mammary lane... I mean memory lane. | 1:09:24 | 1:09:27 | |
For me, taking part in Children In Need was extraordinary | 1:09:27 | 1:09:31 | |
because I'd watched it for years and years. | 1:09:31 | 1:09:33 | |
I remember watching it and Joanna Lumley taking her clothes off. | 1:09:33 | 1:09:37 | |
I'd like to take my dress off later on, if somebody would like to pledge some money...for that. | 1:09:37 | 1:09:42 | |
We were suitably moved by Joanna's offer. | 1:09:42 | 1:09:46 | |
One of the events that will always be fresh in the memory of all of those, | 1:09:49 | 1:09:54 | |
and all of us, who've been part of Children in Need since 1980. | 1:09:54 | 1:09:59 | |
No need for big musical numbers or comedy sketches. | 1:09:59 | 1:10:01 | |
Back in 1983, it appears celebs would just strip for money. | 1:10:01 | 1:10:07 | |
Weren't the '80s just fantastic?! | 1:10:17 | 1:10:20 | |
It was a little black number, | 1:10:21 | 1:10:23 | |
and it had the required effect. | 1:10:23 | 1:10:25 | |
There's never been a higher point in Children in Need for me. | 1:10:29 | 1:10:32 | |
In that case, let's see your high point one more time. | 1:10:32 | 1:10:36 | |
We salute you, Miss Lumley. | 1:10:39 | 1:10:41 | |
If we'd had the requisite amount of money, who knows, she might have taken it all off. | 1:10:43 | 1:10:49 | |
And that would've been something, I tell you. | 1:10:51 | 1:10:54 | |
Over the years, Children in Need has given us | 1:10:56 | 1:10:58 | |
some pretty unique musical performances, | 1:10:58 | 1:11:01 | |
but no-one could have predicted this brilliantly bizarre duet back in 1997. | 1:11:01 | 1:11:07 | |
I had a request through asking if I would do something for Children in Need. | 1:11:07 | 1:11:12 | |
# Another bride... # | 1:11:14 | 1:11:17 | |
But then when she said they want you to sing... | 1:11:17 | 1:11:21 | |
# ..Another sunny... # | 1:11:21 | 1:11:25 | |
..with Kermit the Frog... | 1:11:25 | 1:11:27 | |
Hey-ho! | 1:11:27 | 1:11:28 | |
Nice. | 1:11:33 | 1:11:35 | |
It was incredible. | 1:11:37 | 1:11:39 | |
# ..A lot of shoes... | 1:11:39 | 1:11:43 | |
# A lot of rice... # | 1:11:43 | 1:11:47 | |
Everybody knows who Kermit the Frog is. | 1:11:47 | 1:11:50 | |
It was like meeting royalty. | 1:11:50 | 1:11:54 | |
You are, and why would you not, treating him like a major star, | 1:11:54 | 1:11:59 | |
albeit bending down a little bit. | 1:11:59 | 1:12:01 | |
# ..To make whoopee... # | 1:12:01 | 1:12:04 | |
Singing with Kermit is not something that you forget. | 1:12:04 | 1:12:08 | |
-# ..He's so ambitious -Er, amphibious... # | 1:12:08 | 1:12:12 | |
It definitely was one of the highlights of my career. | 1:12:12 | 1:12:17 | |
Sadly, this was to be the first and only time Kermit and Ulrika performed together. | 1:12:17 | 1:12:22 | |
# ..For making whoopee... # | 1:12:22 | 1:12:24 | |
I haven't actually got Kermit's mobile number, | 1:12:24 | 1:12:27 | |
but if you are watching this, and you fancy making whoopee, | 1:12:27 | 1:12:33 | |
then give me a call. | 1:12:33 | 1:12:35 | |
Miss Piggy's not going to like that, Ulrika. | 1:12:35 | 1:12:38 | |
And talking of unforgettable duets, | 1:12:42 | 1:12:46 | |
once upon a time, in a television studio in west London | 1:12:46 | 1:12:49 | |
two star-crossed lovers looked into each other's eyes, | 1:12:49 | 1:12:52 | |
and sung about a whole new world. | 1:12:52 | 1:12:55 | |
# A whole new world... # | 1:12:55 | 1:12:59 | |
And in the spirit of fairytale, let's all say something nice. | 1:12:59 | 1:13:03 | |
Katie and Peter performing together, doing A Whole New World, | 1:13:03 | 1:13:07 | |
what can I say? | 1:13:07 | 1:13:08 | |
# ..A whole new world... # | 1:13:08 | 1:13:12 | |
Erm... | 1:13:12 | 1:13:13 | |
It was, wow. | 1:13:13 | 1:13:15 | |
Wait... | 1:13:15 | 1:13:17 | |
I'm just trying to think. | 1:13:17 | 1:13:19 | |
Come on, it can't be that hard. This fairytale needs a knight in shining armour. | 1:13:19 | 1:13:25 | |
Arise, Sir Terry, we need some help. | 1:13:25 | 1:13:28 | |
It wasn't, perhaps, the greatest performance of the century, but it was OK. | 1:13:28 | 1:13:33 | |
It was in tune, and Peter can certainly sing, and Katie... | 1:13:33 | 1:13:38 | |
came in at the appropriate time. | 1:13:38 | 1:13:40 | |
-# A whole new world -A whole new world | 1:13:42 | 1:13:46 | |
# A new fantastic point of view | 1:13:46 | 1:13:51 | |
# No-one to tell us no Or where to go | 1:13:51 | 1:13:56 | |
# Or say we're only dreaming | 1:13:56 | 1:14:04 | |
A whole new world | 1:14:00 | 1:14:04 | |
Every turn a surprise... # | 1:14:02 | 1:14:04 | |
During the time they were performing, no donations coming through at all, | 1:14:04 | 1:14:07 | |
because everybody was riveted, | 1:14:07 | 1:14:09 | |
but as soon as they'd finished, the phones went mad. | 1:14:09 | 1:14:12 | |
# ..A whole new world... # | 1:14:12 | 1:14:15 | |
It was one of the great moments on Children in Need in terms of a tremendous burst of giving. | 1:14:15 | 1:14:21 | |
Yes, Peter gets a bit of stick, and Katie's got her knockers, | 1:14:21 | 1:14:25 | |
but this classic Children in Need duet helped raise over £17 million on the night. | 1:14:25 | 1:14:31 | |
And they all lived happily ever after. | 1:14:31 | 1:14:34 | |
Well, kind of. | 1:14:34 | 1:14:36 | |
Before we dive head-first into the top ten greatest moments, | 1:14:38 | 1:14:42 | |
let's raise a glass to the smooth-talking Irishman | 1:14:42 | 1:14:45 | |
that Children in Need simply wouldn't be the same without. | 1:14:45 | 1:14:50 | |
Now it's time to pay tribute to a very wonderful and warm human being, but enough of me. | 1:14:50 | 1:14:56 | |
-AS TERRY WOGAN: -If there was a good ship Children in Need, | 1:14:56 | 1:15:00 | |
Sir Terry would be the carved figurehead at the front of it. | 1:15:00 | 1:15:03 | |
# Terry Wogan, Terry Wogan Terry Wogan... # | 1:15:03 | 1:15:07 | |
Sir Terry has presented Children in Need for over 30 years, | 1:15:07 | 1:15:10 | |
that's over 200 hours of live TV and pure professionalism. | 1:15:10 | 1:15:15 | |
HE BLOWS A RASPBERRY | 1:15:15 | 1:15:16 | |
Terry Wogan is quintessentially Children in Need. | 1:15:16 | 1:15:20 | |
-When you think of Children in Need, you think of Terry. -Yee-hah! | 1:15:20 | 1:15:24 | |
From the second I started on that show, he took me under his wing, | 1:15:24 | 1:15:27 | |
and guided me through the chaos. | 1:15:27 | 1:15:30 | |
-Quite moved by that. -He has got the smoothest voice I think I've ever heard. | 1:15:30 | 1:15:34 | |
Imagine a sweet with Terry Wogan running all the way through it. | 1:15:34 | 1:15:39 | |
-Sir Terry Wogan is the lynchpin in Pudsey's nappy. -Oh! | 1:15:39 | 1:15:44 | |
He's got great energy, you never see him wavering over the night. | 1:15:46 | 1:15:49 | |
Hello, I'm Gaby Roslin. | 1:15:49 | 1:15:51 | |
No jokes, I really have lost Terry Wogan. | 1:15:51 | 1:15:54 | |
-He might be off, having a little tipple on the side. -Thank you very much, Charles. | 1:15:54 | 1:15:58 | |
As far as I know, Terry Wogan only ever drunk water. | 1:15:58 | 1:16:03 | |
SLURRING: I'll give Terry Wogan £250 for his tie. | 1:16:03 | 1:16:08 | |
The show must go on, it's the old-pro syndrome, you know, bore everybody to death. | 1:16:08 | 1:16:13 | |
Belting idea... Whoa! | 1:16:13 | 1:16:16 | |
He just gets dealt curve balls all night. | 1:16:16 | 1:16:18 | |
Pretty smooth, eh? | 1:16:18 | 1:16:21 | |
If you've been watching from the start, | 1:16:21 | 1:16:23 | |
and even I haven't been watching from the start... | 1:16:23 | 1:16:25 | |
He doesn't have to unwind after he's been on stage, he's relaxed on stage | 1:16:25 | 1:16:29 | |
-and that is why he's a great host for the evening. -I'm not really with you now. | 1:16:29 | 1:16:33 | |
It doesn't matter how chaotic it is, | 1:16:33 | 1:16:35 | |
he'll just rock on the balls of his feet and just go, "Oh, ah." | 1:16:35 | 1:16:39 | |
-Hmm. -Oh. Hmm. | 1:16:39 | 1:16:41 | |
I just caught a glimpse of myself on the television. | 1:16:41 | 1:16:44 | |
How have you been able to watch this all evening? | 1:16:44 | 1:16:47 | |
Tonight, we can all make it count, really count, for the children. | 1:16:47 | 1:16:52 | |
He's passionate about the charity himself, | 1:16:53 | 1:16:55 | |
he's passionate about what it stands for. | 1:16:55 | 1:16:58 | |
Keep the donations coming in, please. I hate to nag, but we have to do better this year. | 1:16:58 | 1:17:02 | |
-AS TERRY WOGAN: -All that fine work that contributed to him becoming Sir Terry, oh! | 1:17:02 | 1:17:07 | |
-We're glad that you're here, but show us the money. -It's Terry's show. | 1:17:07 | 1:17:12 | |
Children in Need is Terry, and Terry is Children in Need. | 1:17:12 | 1:17:16 | |
-Isn't that heart-warming, everybody? -Without Terry doing Children In Need, the world would not be right. | 1:17:16 | 1:17:21 | |
He's the only man for the job, he's going to have to live for ever, isn't he? | 1:17:24 | 1:17:29 | |
-He's a legend. -He is a legend. -He's a legend. | 1:17:29 | 1:17:32 | |
Deepest respect for that man. | 1:17:34 | 1:17:36 | |
-I've always loved him. -He is a national treasure. | 1:17:36 | 1:17:39 | |
And it's just great to be able to say I worked with Terry Wogan. | 1:17:40 | 1:17:43 | |
I just hope, when the day comes, when I'm not able to react quickly, | 1:17:47 | 1:17:52 | |
when I appear to trip over my feet, | 1:17:52 | 1:17:55 | |
I hope that somebody's going to take me aside and say, "Time you were gone." | 1:17:55 | 1:18:00 | |
Thank you, thank you, thank you, for all your efforts. | 1:18:00 | 1:18:03 | |
But in the meantime, | 1:18:03 | 1:18:05 | |
I'm going to go on doing it for as long as I can. | 1:18:05 | 1:18:08 | |
-You're all very strange... -Yay! -..but I love you! | 1:18:08 | 1:18:14 | |
What a legend! | 1:18:14 | 1:18:17 | |
And now, the moment you've all been waiting for, so sit back | 1:18:17 | 1:18:21 | |
and enjoy the Children in Need greatest moments top ten. | 1:18:21 | 1:18:25 | |
At number ten, we're at Number Ten, when Tony Blair meets...Tony Blair. | 1:18:28 | 1:18:33 | |
What? Has the scriptwriter been on the booze again? | 1:18:33 | 1:18:36 | |
The Jon Culshaw and Tony Blair sketch has to be one of | 1:18:36 | 1:18:41 | |
the classic Children in Need moments. | 1:18:41 | 1:18:44 | |
Fair play to Jon Culshaw, because I would not ever have the balls | 1:18:45 | 1:18:49 | |
to do an impression of the actual Prime Minister in front of him, | 1:18:49 | 1:18:57 | |
in his house. | 1:18:57 | 1:18:58 | |
People of Britain, this is your Prime Minister. | 1:18:58 | 1:19:02 | |
'I always thought that impressions' | 1:19:02 | 1:19:04 | |
were just sort of exaggerations, | 1:19:04 | 1:19:06 | |
but there he is, just off guard, the real fellow, he says, | 1:19:06 | 1:19:10 | |
"OK, so, what do you want to do, guys?" | 1:19:10 | 1:19:14 | |
Emphatic hand gesture, serious forehead, angry pointy finger. | 1:19:14 | 1:19:18 | |
It is a great pleasure for me to lend my support to this year's Children in Need. | 1:19:18 | 1:19:23 | |
Not only the support of myself, but also the support, | 1:19:23 | 1:19:27 | |
in a very real sense, of my associate here. | 1:19:27 | 1:19:30 | |
I think I can manage from now. | 1:19:30 | 1:19:32 | |
Remember, emphatic hand gesture, serious forehead... | 1:19:32 | 1:19:35 | |
I said, OK, I'll do a formal speech, then that can be your moment... | 1:19:35 | 1:19:40 | |
Since the appeal started back in 1980... | 1:19:40 | 1:19:42 | |
..then you can get started and then I'll interrupt you. | 1:19:42 | 1:19:45 | |
-In a very real sense. -In a very real sense, | 1:19:45 | 1:19:48 | |
it's money which has made and is making a huge difference | 1:19:48 | 1:19:51 | |
to the lives of many tens of thousands of children and young people in the UK. | 1:19:51 | 1:19:55 | |
Yes, it was very good of him to participate in this. | 1:19:55 | 1:19:58 | |
I said, "Thank you, Prime Minister for joining in and helping out in this way." | 1:19:58 | 1:20:03 | |
He says, "You know, it's a very good cause, Jon, ha-ha." | 1:20:03 | 1:20:07 | |
And off he went to run the country or something. | 1:20:07 | 1:20:10 | |
-Thank you. -Very good, it's good to get a thank you in at the end. | 1:20:10 | 1:20:13 | |
I think people will relate to that and find that very warming. | 1:20:13 | 1:20:16 | |
I think you do this better than me, actually. | 1:20:16 | 1:20:18 | |
Looks like he made a good IMPRESSION. | 1:20:18 | 1:20:20 | |
-BADUM-TISH! -Thank you. | 1:20:20 | 1:20:22 | |
Who's at number nine? | 1:20:23 | 1:20:25 | |
I don't know, who is it? Oh, right, "Who's" at number nine, very clever. | 1:20:27 | 1:20:33 | |
-What? -What? -What? -It's Who, actually. | 1:20:33 | 1:20:38 | |
Yes, Children in Need in 2007 saw an iconic moment for any Doctor Who fan. | 1:20:38 | 1:20:44 | |
That moment when the Doctors came together | 1:20:44 | 1:20:47 | |
was an iconic moment for any Doctor Who fan. | 1:20:47 | 1:20:49 | |
-Yeah, I just said that. -Who are you? | 1:20:49 | 1:20:52 | |
Take a look. | 1:20:52 | 1:20:54 | |
-Oh. Oh, no. -Oh, yes. -You're... Oh, no, you're... | 1:20:54 | 1:21:00 | |
-Here it comes. Yeah, I am. -A fan? -Yeah... What? | 1:21:00 | 1:21:04 | |
For those of us who are Doctor Who fans, we always want the past to meet the future. | 1:21:04 | 1:21:09 | |
And it's that whole time travel thing. | 1:21:09 | 1:21:11 | |
In real time travel, you're never supposed to meet yourself, but you can if you're different people. | 1:21:11 | 1:21:16 | |
I've no idea what you're talking about. | 1:21:16 | 1:21:18 | |
It's like two time zones at war in the heart of the TARDIS. That's a paradox. | 1:21:18 | 1:21:23 | |
-You guys who know what I'm talking about will understand. -One of the Doctors explains... | 1:21:23 | 1:21:29 | |
I was rebuilding the TARDIS, forgot to put the shields back up. | 1:21:29 | 1:21:31 | |
The same TARDIS at different points in its own time stream, collided. | 1:21:31 | 1:21:35 | |
And ooh, there you go, end of the universe. | 1:21:35 | 1:21:38 | |
-But I know exactly how this all works out. Watch. -Right. | 1:21:38 | 1:21:41 | |
It's a brilliant thing that Doctor Who are able to make those moments for Children in Need. | 1:21:41 | 1:21:45 | |
Those are the moments we wait for. | 1:21:45 | 1:21:47 | |
Well, anyway, it all ends well with a Doctor Who love-in. | 1:21:47 | 1:21:52 | |
Cos you know what, Doctor? | 1:21:52 | 1:21:54 | |
You were MY Doctor. | 1:21:54 | 1:21:57 | |
And it helped raise over £19 million on the night. | 1:21:57 | 1:22:00 | |
Even though I still have no idea what, or who, was going on. | 1:22:00 | 1:22:05 | |
At number eight, it's poor, thieving good-for-nothings and filthy slums. | 1:22:08 | 1:22:13 | |
Yes, it's Coronation Street, performing the hits from Oliver. | 1:22:13 | 1:22:16 | |
Stepping into the lead role was actor Sam Aston at only 11 years old. | 1:22:19 | 1:22:23 | |
-Oh, look at his little face! -Please, sir, | 1:22:23 | 1:22:27 | |
I want some more. | 1:22:27 | 1:22:29 | |
Yeah, it is a bit cringe-worthy. | 1:22:29 | 1:22:32 | |
It's just because I was so young, my voice was so high-pitched. | 1:22:32 | 1:22:35 | |
-Please, sir, I want some more. -More?! | 1:22:35 | 1:22:40 | |
I had no kind of theatrical experience whatsoever. | 1:22:42 | 1:22:46 | |
I don't sing, I don't dance, I don't do anything like that. | 1:22:46 | 1:22:50 | |
His parents are so going to play that at his wedding. | 1:22:50 | 1:22:53 | |
Him as Oliver, being really cute. | 1:22:53 | 1:22:54 | |
# He will rue the day somebody named him Oliver... # | 1:22:54 | 1:22:59 | |
He probably got the girls, didn't he, after that? | 1:22:59 | 1:23:02 | |
It was a great opportunity for the girls of Weatherfield to show us their talents. | 1:23:02 | 1:23:09 | |
I was so chuffed to be doing Oliver. | 1:23:09 | 1:23:11 | |
When they said I could be Nancy, I was just so excited. | 1:23:11 | 1:23:16 | |
# Oom pah pah, oom pah pah That's how it goes | 1:23:16 | 1:23:20 | |
# Oom pah pah, oom pah pah Everyone knows | 1:23:20 | 1:23:24 | |
# Whether it's hidden or whether it shows... # | 1:23:24 | 1:23:28 | |
These girls have got some front. | 1:23:28 | 1:23:30 | |
# ..It's the same oom pah pah... # | 1:23:30 | 1:23:33 | |
And here's Bradley Walsh, in a factory so full of tarts, it should be owned by Mr Kipling. | 1:23:33 | 1:23:38 | |
# In this life One thing counts... # | 1:23:38 | 1:23:41 | |
Bradley Walsh took some handkerchiefs out of my bosom. | 1:23:41 | 1:23:44 | |
I've just remembered that. | 1:23:44 | 1:23:45 | |
# ..You got to pick a pocket or two... # | 1:23:45 | 1:23:48 | |
Oh, my God. | 1:23:48 | 1:23:50 | |
Who says crime doesn't pay? | 1:23:50 | 1:23:53 | |
25 members of the Corrie cast performed four choreographed routines | 1:23:53 | 1:23:56 | |
in full make-up and costume, all shot in one day. | 1:23:56 | 1:24:00 | |
But the toughest task was mastering the accents. | 1:24:00 | 1:24:03 | |
-# Consider yourself -At home... # | 1:24:03 | 1:24:06 | |
I had to do a cockney accent. | 1:24:06 | 1:24:08 | |
# ..one of the family... # | 1:24:08 | 1:24:10 | |
I'm not sure that's a cockney accent. | 1:24:10 | 1:24:12 | |
# ..so strong... # | 1:24:12 | 1:24:14 | |
Cor blimey! | 1:24:14 | 1:24:15 | |
Get out of my pub! | 1:24:15 | 1:24:17 | |
I'll work on that. | 1:24:17 | 1:24:20 | |
# ..Consider yourself... # | 1:24:20 | 1:24:21 | |
This performance helped Children in Need raise over £17 million in 2004. | 1:24:21 | 1:24:26 | |
I don't care that they're on the other channel, they can consider themselves one of us. | 1:24:26 | 1:24:32 | |
I think we did well, considering we ain't West End stars. | 1:24:32 | 1:24:37 | |
# ..one of us! # | 1:24:37 | 1:24:41 | |
Not to be outdone, four years later, their soap rivals raised the bar | 1:24:41 | 1:24:46 | |
by performing songs from not one but a whole load of musicals. | 1:24:46 | 1:24:50 | |
But what could you call EastEnders performing songs from the West End? | 1:24:50 | 1:24:56 | |
WestEnders. Genius. | 1:24:56 | 1:24:58 | |
The strange thing about this is that you always see EastEnders people looking miserable. | 1:24:58 | 1:25:03 | |
So, when you see them with jazz hands | 1:25:10 | 1:25:14 | |
and make-up and smiles, it's so strange. | 1:25:14 | 1:25:18 | |
# There may come a time when a lass needs a lawyer | 1:25:18 | 1:25:22 | |
# But diamonds are a girl's best friend... # | 1:25:22 | 1:25:26 | |
John Partridge, who plays Christian, he was loving every single minute of it. | 1:25:26 | 1:25:30 | |
# ..employer thinks you're awful nice | 1:25:30 | 1:25:32 | |
# But get that ice Or else no dice... # | 1:25:32 | 1:25:36 | |
Of course, some people are, you know, very good at dancing, | 1:25:36 | 1:25:39 | |
and some people aren't. | 1:25:39 | 1:25:42 | |
Johnny's always, | 1:25:42 | 1:25:43 | |
"You need to give it more arms or more legs." | 1:25:43 | 1:25:46 | |
You need the hand here. | 1:25:46 | 1:25:47 | |
"Give it some of this!" | 1:25:47 | 1:25:49 | |
-Get the choreography! -You can't shut him up. | 1:25:49 | 1:25:52 | |
I mean, the training never leaves you. No. | 1:25:52 | 1:25:55 | |
Partridge, the ultimate pro. | 1:25:55 | 1:25:58 | |
I'll go in front. Is it my close-up? | 1:25:58 | 1:26:00 | |
# Well, you can tell by the way I... # | 1:26:00 | 1:26:02 | |
Unfortunately, it is. | 1:26:02 | 1:26:03 | |
# ..a woman's man No time to talk... # | 1:26:03 | 1:26:06 | |
We were told it was Saturday Night Fever. | 1:26:06 | 1:26:08 | |
# ..Whether you're a brother Or whether you're a mother | 1:26:08 | 1:26:10 | |
# You're stayin' alive Stayin' alive... | 1:26:10 | 1:26:12 | |
I thought a bit of slapstick, a bit of comedy... | 1:26:12 | 1:26:15 | |
They decided to have this slap-up, this punch-up! | 1:26:15 | 1:26:18 | |
# ..Ah, ah, stayin' alive Stayin' alive... # | 1:26:18 | 1:26:21 | |
I just go...and smack him one. | 1:26:21 | 1:26:23 | |
That's why I love Children in Need. That wasn't scripted, but, like, he says, "I think it'll be funny." | 1:26:23 | 1:26:28 | |
It's like adding the EastEnders element to it. | 1:26:28 | 1:26:31 | |
And who could forget the big finale, Superfagicalilist...? Ohhh... | 1:26:31 | 1:26:36 | |
Superfagicagalistic expialidocious. | 1:26:36 | 1:26:38 | |
You know the one. | 1:26:38 | 1:26:39 | |
# Supercalifragilistic expialidocious | 1:26:39 | 1:26:43 | |
# Even though the sound of it is something quite atrocious | 1:26:43 | 1:26:46 | |
-# If you say it loud enough -You'll always sound precocious | 1:26:46 | 1:26:49 | |
# Supercalifragilistic expialidocious | 1:26:49 | 1:26:52 | |
# Um diddle-diddle-diddly Um diddle-aye | 1:26:52 | 1:26:53 | |
# Um diddle-diddle-diddly Um diddle-aye | 1:26:53 | 1:26:55 | |
# Um diddle-diddle-diddly Um diddle-aye | 1:26:55 | 1:26:56 | |
# Um diddle-diddle-diddly Um diddle-aye | 1:26:56 | 1:26:58 | |
# As I was afraid to speak When I was just a lad | 1:26:58 | 1:27:01 | |
# Me father gave me nose a tweak | 1:27:01 | 1:27:02 | |
# Told me I was bad... # | 1:27:02 | 1:27:04 | |
It's nice for once to see other people in ridiculous outfits other than myself. | 1:27:04 | 1:27:08 | |
Sing! | 1:27:08 | 1:27:10 | |
In 2008, Children in Need raised over £21 million, so plenty to make a song and dance about. | 1:27:10 | 1:27:16 | |
Shetty, shetty, hitch, kick, pirouette... | 1:27:16 | 1:27:18 | |
Oh dear, oh dear! | 1:27:18 | 1:27:19 | |
# ..Supercalifragilistic Expialidocious! # | 1:27:19 | 1:27:24 | |
It's all for a good cause. | 1:27:24 | 1:27:26 | |
That's the spirit. Now, hold for applause. Hold it. | 1:27:26 | 1:27:29 | |
Keep it holding. | 1:27:29 | 1:27:31 | |
OK, that's enough. | 1:27:32 | 1:27:34 | |
Next up, five of Britain's best-loved chefs | 1:27:36 | 1:27:38 | |
show us what exciting things can be done with meat and two veg. | 1:27:38 | 1:27:42 | |
Even now, people come up in the street and talk about it | 1:27:42 | 1:27:45 | |
ten years later. | 1:27:45 | 1:27:46 | |
Everyone went, "Oh, God!" | 1:27:46 | 1:27:48 | |
Everyone thought, "This is too risque." | 1:27:48 | 1:27:51 | |
It was really scary. One of the most scary things I've ever done. | 1:27:51 | 1:27:55 | |
I have no idea which person in the Children in Need office thought to themselves, | 1:27:55 | 1:28:00 | |
"I know, let's get Ainsley Harriott and Antony Worrall Thompson to get nude." | 1:28:00 | 1:28:04 | |
CHEERING | 1:28:04 | 1:28:07 | |
Why would you do that? Who wants to see that? | 1:28:07 | 1:28:11 | |
Well, quite a few people, it turns out, because the Ready Steady Cook | 1:28:11 | 1:28:14 | |
Full Monty has gone down in Children in Need history. | 1:28:14 | 1:28:17 | |
The audience were just amazing. They were screaming, they were shouting. | 1:28:18 | 1:28:22 | |
I felt like a rock star. | 1:28:22 | 1:28:25 | |
I was almost like the fall guy. The one who was always out of time. | 1:28:25 | 1:28:29 | |
I remember I couldn't get that thrusting movement. | 1:28:29 | 1:28:32 | |
# You can leave your hat on... # | 1:28:32 | 1:28:36 | |
The most embarrassing thing was, I was the one who had to stand next to Ainsley. | 1:28:38 | 1:28:43 | |
And there I was, rummaging through my sock drawer to try and make myself look adequate. | 1:28:44 | 1:28:49 | |
One of the boys had loosened my belt, when I took my belt off, my trousers were starting to come down. | 1:28:51 | 1:28:57 | |
I was trying to get my shirt off and hold my trousers up at the same time. | 1:28:59 | 1:29:04 | |
I'll never forget Antony's trousers falling down. | 1:29:08 | 1:29:11 | |
OK, anyone with a weak heart should probably look away right about now. | 1:29:12 | 1:29:17 | |
Oh, whoops, I missed it. | 1:29:17 | 1:29:18 | |
Bit late there. Sorry. | 1:29:18 | 1:29:21 | |
They'd warned me that they were going to take everything off and I was terrified. | 1:29:21 | 1:29:25 | |
And at that moment, there is a sort of "No!" | 1:29:27 | 1:29:31 | |
Like all good chefs, they raised a lot of dough in 1998. | 1:29:31 | 1:29:35 | |
The studio audience got their money's worth that night, | 1:29:35 | 1:29:38 | |
but, due to BBC guidelines, TV viewers didn't see a sausage. | 1:29:38 | 1:29:42 | |
Before we hit number five, let's check out the Children in Need Top of the Pops. | 1:29:45 | 1:29:50 | |
Cue '90s graphics. | 1:29:50 | 1:29:52 | |
You can't have Children in Need without an official Children in Need single, | 1:29:54 | 1:29:57 | |
and over the years, some pretty big names have done their bit. | 1:29:57 | 1:30:01 | |
But the biggest-selling Children in Need single is a Perfect Day, | 1:30:01 | 1:30:05 | |
performed by... | 1:30:05 | 1:30:06 | |
..him, her, that bloke from the Lightning Seeds. | 1:30:09 | 1:30:12 | |
Oh, just watch the clip. | 1:30:12 | 1:30:15 | |
# Just a perfect day... # | 1:30:24 | 1:30:27 | |
I absolutely loved it. I thought, "This is amazing. | 1:30:27 | 1:30:29 | |
"What a beautiful song." | 1:30:29 | 1:30:31 | |
I missed it the first time round. | 1:30:31 | 1:30:33 | |
# Then later, a movie too And then home... # | 1:30:33 | 1:30:39 | |
I remember the Elton John bit, and I remember the Gabrielle bit. | 1:30:39 | 1:30:43 | |
# I'm glad I spent it with you... # | 1:30:45 | 1:30:47 | |
The lines that I had I think are quite distinctive, | 1:30:49 | 1:30:52 | |
and lots of people took the mickey out of me for ages! | 1:30:52 | 1:30:56 | |
# ..You're going to reap just what you sow, yeah... # | 1:30:56 | 1:31:01 | |
# You're going to reap just what you sow, now... # | 1:31:01 | 1:31:04 | |
# ..Just a perfect day... # | 1:31:06 | 1:31:08 | |
The mix is quite eclectic, and you wonder how they're going to put all these voices together. | 1:31:08 | 1:31:13 | |
When you look at the line-up, everyone from Bono to... | 1:31:13 | 1:31:16 | |
Shane McGowan, but the list was endless. | 1:31:16 | 1:31:18 | |
# It's such fun... # | 1:31:18 | 1:31:20 | |
We were delighted to be asked to be on it. | 1:31:20 | 1:31:23 | |
I remember clearly shooting the video. | 1:31:25 | 1:31:28 | |
# ..Oh, it's such a perfect day... # | 1:31:28 | 1:31:33 | |
Whoa, whoa, whoa! What the devil are those outfits? | 1:31:33 | 1:31:36 | |
Is that tinfoil? | 1:31:36 | 1:31:38 | |
It wasn't your run-of-the-mill outfit, that's for sure. | 1:31:38 | 1:31:41 | |
It was like a metal paper. | 1:31:41 | 1:31:43 | |
Yes, tinfoil. | 1:31:43 | 1:31:44 | |
-And it was extremely hot. -That's because it's tinfoil. | 1:31:44 | 1:31:47 | |
Oven-roasted boy bands aside, Perfect Day hit the UK's number one spot not once but twice, | 1:31:50 | 1:31:55 | |
selling over 1.5 million copies and raising over £2 million, | 1:31:55 | 1:31:58 | |
making it the most successful Children in Need single ever. | 1:31:58 | 1:32:04 | |
So far, we've seen the newsreaders do this, this and this, | 1:32:05 | 1:32:11 | |
but 2009 saw their most ambitious performance ever. | 1:32:11 | 1:32:15 | |
I never really feel nervous until literally about | 1:32:15 | 1:32:18 | |
four minutes before you go on air. | 1:32:18 | 1:32:20 | |
Thank you, guys. | 1:32:20 | 1:32:22 | |
You can hear Terry Wogan there and you can hear them talking, and they're all saying, "You're next." | 1:32:22 | 1:32:26 | |
Give it up for the Newsroom Massive! | 1:32:26 | 1:32:29 | |
CHEERING | 1:32:29 | 1:32:30 | |
"What am I doing?" | 1:32:30 | 1:32:32 | |
My heart's slightly, "Oh, what if I get it wrong?" | 1:32:32 | 1:32:36 | |
"There is no way we are going to manage that." | 1:32:36 | 1:32:39 | |
If you really feel those nerves, | 1:32:39 | 1:32:41 | |
it is going to be rubbish. | 1:32:41 | 1:32:43 | |
# Uh oh, uh oh, uh oh Oh, no, no... # | 1:32:43 | 1:32:47 | |
But for once, it wasn't rubbish, | 1:32:47 | 1:32:49 | |
and that's why this is the highest of all newsreader performances. | 1:32:49 | 1:32:53 | |
# Uh oh, uh oh, uh oh Oh, no, no... # | 1:32:53 | 1:32:56 | |
The girl newsreaders take it really very seriously. | 1:32:56 | 1:32:59 | |
# ..I look and stare so deep in your eyes | 1:32:59 | 1:33:01 | |
# I'm touching you more and more every time... # | 1:33:01 | 1:33:04 | |
It's their chance to get out from behind that desk and be a little bit sexy. | 1:33:04 | 1:33:09 | |
# ..Such a funny thing for me to try to explain... # | 1:33:09 | 1:33:11 | |
We were all expecting absolute car crash. | 1:33:11 | 1:33:13 | |
Step forward Fiona Bruce | 1:33:13 | 1:33:15 | |
with a body that you just looked at and thought, | 1:33:15 | 1:33:19 | |
"Yeah! I would! | 1:33:19 | 1:33:22 | |
"I definitely would!" | 1:33:22 | 1:33:23 | |
# ..So crazy Your love's got me looking | 1:33:23 | 1:33:26 | |
# Got me looking so crazy Your love... # | 1:33:26 | 1:33:28 | |
# Uh oh, uh oh, uh oh Oh, no, no... # | 1:33:28 | 1:33:30 | |
They were sexy, though, weren't they? | 1:33:30 | 1:33:32 | |
They were sexy! They were super-sexy! | 1:33:32 | 1:33:35 | |
The newsreader performance is the equivalent of that moment when the secretary takes off her glasses, | 1:33:35 | 1:33:41 | |
lets the pin out of her hair and reveals a naughty side. | 1:33:41 | 1:33:45 | |
And this time, it's a double whammy. | 1:33:45 | 1:33:49 | |
Not only did we have the Beyonce routine, then we had to dance with Diversity. | 1:33:49 | 1:33:53 | |
Afterwards, the male newsreaders tried to join in and tried to do, | 1:33:55 | 1:33:59 | |
like, a dance battle with Diversity, who, obviously, are fantastic. | 1:33:59 | 1:34:04 | |
Funnily enough, the girls took to it more easier than the guys did! | 1:34:07 | 1:34:13 | |
When you see Bill Turnbull doing that... "Come on, then," | 1:34:18 | 1:34:22 | |
-to Diversity, you just think, "Oh, no!" -Bill is a beast. | 1:34:22 | 1:34:25 | |
Underneath, Bill's a wild, furry animal just waiting to get out! | 1:34:25 | 1:34:32 | |
Something like that. | 1:34:33 | 1:34:34 | |
When they told us about this robot sequence, | 1:34:37 | 1:34:39 | |
you think, "I am going to look an absolute idiot here." | 1:34:39 | 1:34:43 | |
It actually came together rather well. | 1:34:50 | 1:34:52 | |
Oh, God... | 1:34:52 | 1:34:53 | |
Who knows what they'll get us to do this year? | 1:34:55 | 1:34:57 | |
When the call comes, I'll be busy. | 1:34:57 | 1:35:00 | |
And that's the news tonight! | 1:35:00 | 1:35:03 | |
CHEERING | 1:35:03 | 1:35:05 | |
And at number three, two of the toughest ladies in London go head to head. | 1:35:06 | 1:35:10 | |
Live from the Queen Vic, Children in Need 2005 brings you the slanging match of the century. | 1:35:10 | 1:35:17 | |
I'm Peggy Mitchell. | 1:35:17 | 1:35:19 | |
Am I bovvered? | 1:35:19 | 1:35:20 | |
Peggy thought it was no fight. That's it. | 1:35:25 | 1:35:27 | |
I mean, who is this little toerag? | 1:35:27 | 1:35:29 | |
She doesn't frighten me. | 1:35:29 | 1:35:31 | |
Was Lauren Peggy's toughest adversary? | 1:35:31 | 1:35:34 | |
I'd very much like to think so! | 1:35:35 | 1:35:38 | |
Yes, this is when Catherine Tate joined the cast of EastEnders, | 1:35:41 | 1:35:45 | |
creating a Children in Need comedy classic. | 1:35:45 | 1:35:48 | |
Lauren was after Stacey because she'd stolen her boyfriend. | 1:35:48 | 1:35:53 | |
This girl's after me. She thinks I nicked her boyfriend. | 1:35:53 | 1:35:56 | |
Lauren is from up West. | 1:35:56 | 1:35:58 | |
She's from up West. There's no knowing what she's capable of. | 1:35:58 | 1:36:00 | |
It's all sounding a bit like Chekhov. | 1:36:00 | 1:36:03 | |
Obviously, it's just a sketch for charity. | 1:36:03 | 1:36:07 | |
If she thinks she can turn up in Walford shouting the odds, she's got another think coming. | 1:36:07 | 1:36:12 | |
'When I got the script, they said,' | 1:36:12 | 1:36:15 | |
"Don't really learn it." So I said, "But I must!" | 1:36:15 | 1:36:18 | |
And then I understood why, because you don't get a word in. | 1:36:18 | 1:36:22 | |
-Are you a cockernee? -You ignorant little mare! | 1:36:22 | 1:36:24 | |
-I'm only ak-sing a question. -That's... -Can't I ask a question? | 1:36:24 | 1:36:27 | |
Can't I even ask you a question? Can't I even ask you a question, though? | 1:36:27 | 1:36:30 | |
-Can't I even ask you a question? -Will you let me...? | 1:36:30 | 1:36:33 | |
Can I ak-s you a question? | 1:36:33 | 1:36:35 | |
-OK. -Do you know Chas and Dave? -What are you talking about? | 1:36:35 | 1:36:38 | |
-Are you their mum? -Oh, stop talking rubbish! -Is it that you are Chas and Dave's mum? | 1:36:38 | 1:36:42 | |
-I'm nothing to do with them! -Did you abandon Chas and Dave? | 1:36:42 | 1:36:45 | |
It was very difficult not to laugh. | 1:36:47 | 1:36:49 | |
-I said get out! -Are you doing the Lambeth walk, oi? | 1:36:49 | 1:36:51 | |
-I'm not. -Are you doing the Lambeth walk, oi? -Get out! -Are you doing the Lambeth walk, oi? | 1:36:51 | 1:36:55 | |
Is it that you are doing the Lambeth walk, oi? | 1:36:55 | 1:36:58 | |
Are you disrespecting my family? | 1:36:58 | 1:37:00 | |
-What? -Are you disrespecting my family? | 1:37:00 | 1:37:02 | |
No, I love Chas and Dave. | 1:37:02 | 1:37:04 | |
When you get to work with people that you would not normally work with | 1:37:04 | 1:37:08 | |
and get to be on the set of something like EastEnders, it's great! | 1:37:08 | 1:37:12 | |
I'm Peggy Mitchell, and if you know what's good for you, you'll get out of my pub before I throw you out! | 1:37:12 | 1:37:18 | |
And it's for charity! | 1:37:18 | 1:37:20 | |
-Am I bovvered? -That's it. | 1:37:21 | 1:37:22 | |
-Am I bovvered, though? -Oh, I don't believe this. -But I ain't even bovvered, though. | 1:37:22 | 1:37:26 | |
I mean, that last rant she did, | 1:37:26 | 1:37:30 | |
she never did that at all on rehearsals. | 1:37:30 | 1:37:32 | |
Arthur Fowler, God rest his soul. I ain't even bovvered. | 1:37:32 | 1:37:35 | |
Have a pint of whelks right up your trousers. Do I look bovvered? | 1:37:35 | 1:37:38 | |
If Lauren found out she was number three, in the Children in Need greatest moments, what would she say? | 1:37:38 | 1:37:44 | |
Hmmm. | 1:37:44 | 1:37:45 | |
Rabbit, rabbit, yap yap rabbit. I ain't even bothered. | 1:37:45 | 1:37:49 | |
Would she say, "Oh, that's nice, innit?" | 1:37:49 | 1:37:52 | |
Hello, Princess. I ain't even bovvered. Do I look bovvered? | 1:37:52 | 1:37:56 | |
Ricky, Ricky, Ricky! I ain't bovvered! | 1:37:56 | 1:37:58 | |
Or would she say, "Am I bovvered? Do I look bovvered?" | 1:37:59 | 1:38:02 | |
She'd probably say that. | 1:38:02 | 1:38:04 | |
CHEERING | 1:38:05 | 1:38:06 | |
But do you know Chas and Dave? | 1:38:06 | 1:38:08 | |
In the end, she did beat me fair and square. | 1:38:10 | 1:38:12 | |
But am I bovvered? | 1:38:13 | 1:38:15 | |
Our penultimate moment was masterminded | 1:38:17 | 1:38:19 | |
by none other than Mr Peter Kay and his animated alter-ego, Big Chris. | 1:38:19 | 1:38:24 | |
Big Chris, Big Chris, yes. Listen, is Chipping Minton X-directory? | 1:38:24 | 1:38:29 | |
I'm thinking of doing something for Children in Need. | 1:38:29 | 1:38:32 | |
Peter Kay has put in a lot of effort over the years for Children in Need, | 1:38:32 | 1:38:35 | |
but especially last year with his all-star animated band. | 1:38:35 | 1:38:38 | |
This was a massive project, | 1:38:38 | 1:38:40 | |
one of the biggest that Children in Need has ever done. | 1:38:40 | 1:38:42 | |
He's been working on it for a couple of years. | 1:38:42 | 1:38:45 | |
The end result was quite something. | 1:38:45 | 1:38:47 | |
Yeah. I'm getting everybody together. | 1:38:47 | 1:38:50 | |
And when he said everybody, he meant everybody. | 1:38:50 | 1:38:54 | |
Phenomenal. I remember the first time I saw it, | 1:38:57 | 1:39:00 | |
I was screaming at my kids to watch it. | 1:39:00 | 1:39:02 | |
# If you look around... # | 1:39:04 | 1:39:06 | |
This piece of television history featured over 100 different animated characters | 1:39:06 | 1:39:11 | |
from over 50 years of children's TV. | 1:39:11 | 1:39:14 | |
Ladies and gentlemen, the All-star Animated Band. | 1:39:14 | 1:39:17 | |
# Now tell me | 1:39:17 | 1:39:20 | |
# Can you feel it, can you feel it, can you feel it...? # | 1:39:20 | 1:39:25 | |
All of the great cartoon characters were together in this one song, | 1:39:25 | 1:39:29 | |
in this one performance. | 1:39:29 | 1:39:31 | |
There were the Wombles. | 1:39:31 | 1:39:33 | |
# ..Don't stop... # | 1:39:33 | 1:39:34 | |
Thunderbirds. Bagpuss. | 1:39:34 | 1:39:36 | |
You name it. It had the whole lot. | 1:39:36 | 1:39:38 | |
# ..It'll soon be here... # | 1:39:38 | 1:39:41 | |
George and Zippy from Rainbow, alongside Fifi and the Flowertots and the Teletubbies. | 1:39:41 | 1:39:46 | |
-Thomas the Tank Engine, Bob the Builder. -Postman Pat. | 1:39:51 | 1:39:54 | |
Postman Pat. Everyone. | 1:39:54 | 1:39:56 | |
I was just blown away by that. | 1:39:56 | 1:39:58 | |
Come on, aren't you a little old to get that excited? | 1:39:58 | 1:40:01 | |
Oh, my word! Is that Fireman Sam? | 1:40:01 | 1:40:04 | |
Bagpuss, I love Bagpuss! | 1:40:04 | 1:40:06 | |
Hey, it's Pingu! | 1:40:06 | 1:40:08 | |
Oh, look. It's Paddington. Bravo! | 1:40:08 | 1:40:11 | |
It also featured some classic songs from the likes of the Beatles, Take That, Fleetwood Mac and... | 1:40:12 | 1:40:19 | |
Chumbawumba. | 1:40:19 | 1:40:21 | |
# ..I get knocked down But I get up again | 1:40:21 | 1:40:24 | |
# You're never gonna keep me down | 1:40:24 | 1:40:25 | |
# I get knocked down But I get up again | 1:40:25 | 1:40:28 | |
# You're never gonna keep me down... # | 1:40:28 | 1:40:31 | |
It took 132 hours to record the vocals, eight months to animate, | 1:40:31 | 1:40:34 | |
and around two years in total to finish. | 1:40:34 | 1:40:37 | |
The result was a number one single and a performance Bob Geldof would be proud of. | 1:40:39 | 1:40:44 | |
# ..Never pretend that it's all real... # | 1:40:44 | 1:40:48 | |
The effort that had gone into that, | 1:40:48 | 1:40:51 | |
the hours and hours of work and detail, was just magnificent. | 1:40:51 | 1:40:54 | |
# ..Someone else's dream... # | 1:40:54 | 1:40:58 | |
How he pulled that off, I've absolutely no idea. | 1:40:58 | 1:41:00 | |
But, again, that is the power of Children in Need. | 1:41:00 | 1:41:03 | |
# ..Throw those curtains wide | 1:41:03 | 1:41:07 | |
# One day like this a year would see me right. # | 1:41:07 | 1:41:13 | |
ALL: Hooray! | 1:41:13 | 1:41:15 | |
So, there you have it. 49 moments of pure TV gold. | 1:41:17 | 1:41:21 | |
But before we reveal Children in Need's greatest ever moment, | 1:41:21 | 1:41:24 | |
let's remember why we're all here in the first place. | 1:41:24 | 1:41:27 | |
The whole of Children in Need is incredible. I felt proud to be part of it for ten years. | 1:41:27 | 1:41:32 | |
It's a way of life in this country, that we have this every year. | 1:41:32 | 1:41:35 | |
I like the way it unites the whole country, I think that's important. | 1:41:35 | 1:41:39 | |
You wait all year for Children in Need and it hits you like a typhoon. | 1:41:49 | 1:41:52 | |
You've had Bonfire Night, it's nearly Christmas. | 1:41:52 | 1:41:55 | |
It's that Children in Need season. | 1:41:55 | 1:41:57 | |
It's an institution. It's part of the British culture, isn't it? | 1:41:57 | 1:42:00 | |
The actual night could only be described as chaos. | 1:42:01 | 1:42:04 | |
Really lovely chaos. | 1:42:04 | 1:42:06 | |
You never know what is going to happen. | 1:42:08 | 1:42:11 | |
The whole of Television Centre just comes to life. | 1:42:11 | 1:42:14 | |
-There's always a buzz about it. -It's great to be part of that. | 1:42:17 | 1:42:20 | |
It's very theatrical. It's very exciting. | 1:42:22 | 1:42:25 | |
It's like the greatest show on earth. You get complete A-list rock stars. | 1:42:29 | 1:42:33 | |
Next minute, you've got the newsreaders jumping around in suspenders. | 1:42:33 | 1:42:37 | |
People will go out of their way, and go out of their comfort zone, to do some good. | 1:42:37 | 1:42:41 | |
Everybody sort of takes part, it doesn't matter what channel you're on. | 1:42:41 | 1:42:45 | |
Everyone is there coming together for one cause, and that is to raise as much money as possible | 1:42:47 | 1:42:52 | |
to help children around the UK. | 1:42:52 | 1:42:53 | |
Sometimes we forget how important it is to get behind great causes. | 1:42:53 | 1:42:59 | |
There's a lot of poverty in this country that needs to be addressed. | 1:42:59 | 1:43:02 | |
There's so many kids out there who do need help. People pull together. | 1:43:02 | 1:43:07 | |
The amount of money that it raises for the kids is unbelievable. | 1:43:07 | 1:43:11 | |
In 1980, we raised £1 million. | 1:43:11 | 1:43:15 | |
You couldn't possibly have imagined that by now, we would have raised over half a billion pounds. | 1:43:15 | 1:43:21 | |
Every penny of every pound goes to the kids. | 1:43:28 | 1:43:31 | |
Such a fantastic cause. | 1:43:31 | 1:43:32 | |
I can't imagine it not being there. | 1:43:34 | 1:43:35 | |
It's a great night to be involved with, in whatever way. | 1:43:35 | 1:43:38 | |
This is something to be admired. | 1:43:38 | 1:43:41 | |
It is phenomenal. | 1:43:41 | 1:43:43 | |
-It's just become our heritage. -It's a real celebration. | 1:43:43 | 1:43:46 | |
It's what the BBC does very well, I have to say. | 1:43:46 | 1:43:48 | |
Long may it continue, for ever and ever and ever. | 1:43:48 | 1:43:52 | |
Children in Need is obviously the most important thing in my professional life. | 1:43:54 | 1:43:59 | |
It's everything to me. | 1:43:59 | 1:44:01 | |
It really just says it all in the title. | 1:44:01 | 1:44:04 | |
Children in Need. And who couldn't answer that call? | 1:44:04 | 1:44:07 | |
They're children, they need you. That's it. | 1:44:07 | 1:44:09 | |
So, this is it. | 1:44:15 | 1:44:16 | |
The creme de la creme, the champion of champions, | 1:44:16 | 1:44:19 | |
the piece de resistance. The... You get the idea. | 1:44:19 | 1:44:23 | |
It's the Children in Need Greatest Moments number one. | 1:44:23 | 1:44:28 | |
One of the best things that Children in Need has ever done. | 1:44:31 | 1:44:34 | |
It was always going to be immense. | 1:44:35 | 1:44:37 | |
It was an absolutely incredible, incredible night. | 1:44:37 | 1:44:41 | |
That was an extraordinary thing. | 1:44:41 | 1:44:43 | |
I don't remember many concerts, but I remember that one. | 1:44:45 | 1:44:48 | |
Yes, remember, remember the 12th of November 2009, | 1:44:48 | 1:44:52 | |
this is Children in Need Rocks The Albert Hall. | 1:44:52 | 1:44:55 | |
You only had to look in the eyes of the audience to realise this was quite a ticket to get. | 1:44:55 | 1:45:01 | |
It was a good concert. In fact, it was a great concert. | 1:45:04 | 1:45:07 | |
As soon as I knew that Gary Barlow was involved, Old Captain Barlow, I was like, I'm in. | 1:45:10 | 1:45:14 | |
I was in the BBC one day and thought I'll just hit them with this idea, | 1:45:14 | 1:45:19 | |
and basically lied a lot. | 1:45:19 | 1:45:21 | |
Said I knew a lot of people, said I could get hold of them very easily, | 1:45:21 | 1:45:25 | |
and convinced them it would be a good idea to have this concert. | 1:45:25 | 1:45:29 | |
A good idea, Gary? | 1:45:30 | 1:45:31 | |
A star-studded line-up of Britain's biggest stars all in one night? That was a great idea. | 1:45:31 | 1:45:38 | |
Gary was able to bring on star after star, and a huge crowd. | 1:45:40 | 1:45:45 | |
I think the most genius thing about Children in Need Rocks The Albert Hall | 1:45:48 | 1:45:52 | |
were the duets Gary managed to get together. | 1:45:52 | 1:45:55 | |
We have a very special guest with us tonight, the very beautiful and wonderful Miss Cheryl Cole. | 1:45:55 | 1:46:01 | |
CHEERING | 1:46:01 | 1:46:02 | |
So, to have Cheryl and Snow Patrol, gives me little chills thinking about that performance. Amazing. | 1:46:02 | 1:46:09 | |
# I'm miles from where you are | 1:46:09 | 1:46:13 | |
# I lay down on the cold ground And I... # | 1:46:13 | 1:46:20 | |
For me, the great performance of the evening, | 1:46:20 | 1:46:23 | |
of an evening of fantastic performances, and I really shouldn't be singling anybody out, | 1:46:23 | 1:46:29 | |
but I thought Shirley Bassey, the Dame, and Dizzee Rascal was phenomenal. | 1:46:29 | 1:46:33 | |
# Diamonds are forever | 1:46:35 | 1:46:39 | |
# They are all I need to please me | 1:46:39 | 1:46:46 | |
# They can stimulate and tease me... # | 1:46:46 | 1:46:50 | |
It sounds ridiculous to say. Shirley Bassey and Dizzee Rascal. | 1:46:50 | 1:46:52 | |
-Whoever thought that would happen? -A legendary collaboration. | 1:46:52 | 1:46:55 | |
I don't think we've seen a collaboration like that for a very, very long time. | 1:46:55 | 1:46:59 | |
-Yeah! -With a gap of half a century between their first UK number ones, | 1:46:59 | 1:47:06 | |
this was a truly memorable duet. | 1:47:06 | 1:47:08 | |
How that came about, I don't know. | 1:47:08 | 1:47:12 | |
I'm sat with Dizzee, and I'm saying, "If you want to do any duets, I can show you who else is on the show." | 1:47:12 | 1:47:18 | |
He instantly went, "Shirley Bassey." | 1:47:18 | 1:47:22 | |
# The price of my ice could well... # | 1:47:22 | 1:47:24 | |
And Shirley's dancing was out of this world. | 1:47:24 | 1:47:29 | |
# ..Diamonds are forever Forever, forever... # | 1:47:29 | 1:47:33 | |
I hope I'm like that when I get older. What an absolute legend! | 1:47:33 | 1:47:38 | |
# ..Forever! # | 1:47:38 | 1:47:41 | |
The dress, amazing, the dancing, phenomenal, her and Dizzee together, perfection. | 1:47:41 | 1:47:45 | |
CHEERING | 1:47:45 | 1:47:50 | |
It became quite an iconic event for Children in Need, and something that everybody talked about. | 1:47:51 | 1:47:56 | |
And then the came moment we'd waited 15 long years to see. | 1:47:56 | 1:48:00 | |
A perfect time for us to introduce an old friend to you right now. | 1:48:00 | 1:48:06 | |
CHEERING | 1:48:06 | 1:48:07 | |
Please welcome on stage Robbie Williams! | 1:48:07 | 1:48:11 | |
CHEERING | 1:48:11 | 1:48:15 | |
That was a big moment for us, being back on stage, the five of us. | 1:48:15 | 1:48:20 | |
Before that, there was a lot of kind of feuding for years. | 1:48:20 | 1:48:24 | |
They didn't talk to each other. | 1:48:24 | 1:48:26 | |
It just made you realise how silly and petty their feud was in the past, | 1:48:26 | 1:48:31 | |
compared to something more important. | 1:48:31 | 1:48:33 | |
And they shouldn't have fallen out, and they're great singing together, | 1:48:33 | 1:48:39 | |
and it was something you're going to remember. | 1:48:39 | 1:48:41 | |
Children in Need helped that along in some way. | 1:48:45 | 1:48:48 | |
It kind of broke the ice. | 1:48:48 | 1:48:49 | |
It was us showing what the evening was about, it was about everybody coming together. | 1:48:51 | 1:48:55 | |
Seeing Gary and Robbie embrace on stage at that moment, | 1:48:56 | 1:49:01 | |
oh, was amazing. | 1:49:01 | 1:49:03 | |
I think a few tears were shed. | 1:49:03 | 1:49:06 | |
It was the beginning. This could happen. And here we are. | 1:49:06 | 1:49:11 | |
It was a really, really great moment for both the show and the band. | 1:49:13 | 1:49:16 | |
Take That reunited? | 1:49:18 | 1:49:20 | |
It doesn't get any better than that. | 1:49:20 | 1:49:23 | |
# Hey, Jude... # | 1:49:23 | 1:49:25 | |
I think Paul McCartney was the booking of the night. | 1:49:25 | 1:49:28 | |
OK, now you're just showing off. | 1:49:28 | 1:49:29 | |
# ..Take a sad song and make it better... # | 1:49:29 | 1:49:35 | |
Just to be on there with a Beatle, I think, for everybody. | 1:49:35 | 1:49:38 | |
Robbie was there, Annie Lennox was there, | 1:49:38 | 1:49:41 | |
Leona, all these amazing singers. | 1:49:41 | 1:49:44 | |
We were all trying to get close to him! | 1:49:44 | 1:49:46 | |
# ..Na, na, na, na-na-na-na | 1:49:46 | 1:49:52 | |
# Na-na-na-na Hey, Jude | 1:49:52 | 1:49:56 | |
# Na, na, na... # | 1:49:58 | 1:50:00 | |
That was the absolute icing on the cake for me. | 1:50:00 | 1:50:03 | |
Children in Need Rocks The Albert Hall | 1:50:04 | 1:50:06 | |
was just really different to anything Children in Need have ever done before. | 1:50:06 | 1:50:11 | |
I think it needs to keep fresh and new, and Gary Barlow did exactly that with that show. | 1:50:13 | 1:50:18 | |
# ..Hey, Jude | 1:50:18 | 1:50:21 | |
# Judy, Judy, yeah, Judy, yeah... # | 1:50:21 | 1:50:23 | |
Let's hope Gary, or somebody else, may come aboard and do it again for us. | 1:50:23 | 1:50:29 | |
If they asked me to take it over, I'd do it. | 1:50:31 | 1:50:34 | |
I would, I'd make it an annual event. I think it's that important. | 1:50:34 | 1:50:38 | |
It was a brilliant night, everyone went on stage | 1:50:39 | 1:50:42 | |
and made Children in Need an awful lot of money that night. | 1:50:42 | 1:50:46 | |
Undoubtedly, the evening was one of the milestones of what's called | 1:50:48 | 1:50:54 | |
the journey of Children in Need, | 1:50:54 | 1:50:57 | |
and one that nobody will ever forget. | 1:50:57 | 1:50:59 | |
# ..Na, na, na, na-na-na-na | 1:50:59 | 1:51:04 | |
# Na-na-na-na | 1:51:04 | 1:51:08 | |
# Hey, Jude | 1:51:08 | 1:51:11 | |
# Na, na, na, na-na-na-na | 1:51:11 | 1:51:17 | |
# Na-na-na-na | 1:51:17 | 1:51:19 | |
# Hey, Jude. # | 1:51:19 | 1:51:23 | |
Whoo! You were great, you were great, you were great, you were great! | 1:51:23 | 1:51:29 | |
You were fantastic! | 1:51:29 | 1:51:32 | |
You too! | 1:51:32 | 1:51:34 | |
Subtitles by Red Bee Media Ltd | 1:51:34 | 1:51:38 | |
E-mail [email protected] | 1:51:38 | 1:51:43 |