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APPLAUSE AND CHEERING | 0:00:14 | 0:00:19 | |
Good evening! Hello! Hello, everybody! | 0:00:19 | 0:00:23 | |
Thank you so much, thank you. | 0:00:23 | 0:00:25 | |
Now... | 0:00:25 | 0:00:28 | |
we start tonight with the big one, the all-new, | 0:00:28 | 0:00:31 | |
all British McLaren MP4-12C, and there are two questions - | 0:00:31 | 0:00:37 | |
one, why have they named it after a fax machine? | 0:00:37 | 0:00:40 | |
-LAUGHTER -And two - | 0:00:40 | 0:00:43 | |
how can it possibly be as good as a Ferrari 458? | 0:00:43 | 0:00:47 | |
McLaren themselves admit that the 458 is a great car. | 0:00:52 | 0:00:57 | |
But they say that scientifically and mathematically, they can prove | 0:00:59 | 0:01:03 | |
that in every single measurable way, their new car is better. | 0:01:03 | 0:01:09 | |
Well, certainly, at £168,000, | 0:01:44 | 0:01:47 | |
it is a tiny bit... I was going to say cheaper, | 0:01:47 | 0:01:50 | |
let's say less expensive, than the Ferrari. | 0:01:50 | 0:01:53 | |
It's also a tiny bit kinder to the environment, | 0:01:54 | 0:01:58 | |
a tiny bit lighter, a tiny bit more economical. | 0:01:58 | 0:02:02 | |
It's also quite a lot more powerful. | 0:02:02 | 0:02:05 | |
The Ferrari has to make do with just 562 horsepower. | 0:02:14 | 0:02:20 | |
Whereas the twin turbocharged 3.8-litre V8 in this | 0:02:20 | 0:02:24 | |
churns out 592. | 0:02:24 | 0:02:28 | |
The result is simple - 0-60 takes 3.1 seconds. | 0:02:39 | 0:02:45 | |
The top speed is 205. | 0:02:45 | 0:02:49 | |
And though it's close, | 0:02:49 | 0:02:51 | |
the Ferrari cannot live with that. | 0:02:51 | 0:02:55 | |
And it's a similar story when the going gets twisty. | 0:02:55 | 0:03:00 | |
I love that Ferrari, and it is as quick round here as it an Enzo. | 0:03:17 | 0:03:22 | |
But I think this is quicker still. | 0:03:25 | 0:03:28 | |
Ferrari has been in the Formula 1 game longer than anybody, | 0:03:28 | 0:03:33 | |
but McLaren, amazingly, has a higher hit rate. | 0:03:33 | 0:03:36 | |
They've won one in every four Grand Prix they've ever entered, | 0:03:36 | 0:03:40 | |
which shows they certainly know how to make a car go round a corner. | 0:03:40 | 0:03:45 | |
And my god, they've worked their magic with this. | 0:03:48 | 0:03:51 | |
You can see the Ferrari waggling its tail there. This isn't. | 0:03:54 | 0:03:58 | |
This grips onto the road like a terrified toddler | 0:03:58 | 0:04:02 | |
grips onto its mother's hand. | 0:04:02 | 0:04:05 | |
So, Lewis Hamilton, watch and learn, this is how you pass a Ferrari... | 0:04:05 | 0:04:10 | |
Hoo-hoo-hoo-hoo! | 0:04:10 | 0:04:12 | |
..without crashing into it. Oh, yes! | 0:04:13 | 0:04:17 | |
One of the reasons the McLaren is so fast | 0:04:27 | 0:04:30 | |
is its traction control system. | 0:04:30 | 0:04:32 | |
A system that really comes into its own in the rain. | 0:04:33 | 0:04:37 | |
It lets you drive hard, but it won't let you kill yourself. | 0:04:44 | 0:04:50 | |
And that is just the tip of a technological iceberg. | 0:04:50 | 0:04:53 | |
There's a flap on the back which raises when you brake hard - | 0:04:57 | 0:05:01 | |
so you can't see what's about to crash into the back of you. | 0:05:01 | 0:05:05 | |
And then we get to the suspension - | 0:05:07 | 0:05:09 | |
a computer has replaced the anti-roll bar, | 0:05:09 | 0:05:12 | |
so all four wheels are truly independent of one another. | 0:05:12 | 0:05:15 | |
This gives you better cornering, and more importantly, a better ride. | 0:05:15 | 0:05:20 | |
Over the years, we've seen the Stig cutting this corner, | 0:05:23 | 0:05:28 | |
putting two wheels on the grass to get the best possible lap times. | 0:05:28 | 0:05:32 | |
But if you ride a bump like that in the sort of hunkered-down, | 0:05:37 | 0:05:42 | |
firmed-up cars that he drives... | 0:05:42 | 0:05:44 | |
..the jolt is horrific, it's like being dipped in liquid nitrogen | 0:05:47 | 0:05:51 | |
and then hit with a hammer, you just sort of shatter. | 0:05:51 | 0:05:54 | |
In the McLaren, though, it's a very different experience. | 0:05:55 | 0:05:59 | |
Here we go, two wheels off the track. | 0:05:59 | 0:06:02 | |
You'd get more of a jolt if you | 0:06:04 | 0:06:06 | |
drove a Rolls-Royce over a Jaffa cake. | 0:06:06 | 0:06:09 | |
I've never driven a supercar that's even half as comfortable as this. | 0:06:12 | 0:06:17 | |
Or as well-trimmed. | 0:06:17 | 0:06:20 | |
It's all exquisite leather and stitching and beautiful graphics. | 0:06:20 | 0:06:25 | |
It's simple, elegant, a truly lovely place to sit. | 0:06:25 | 0:06:31 | |
So, yes, in every scientific and mathematical way, | 0:06:31 | 0:06:35 | |
this is better than a Ferrari 458. | 0:06:35 | 0:06:38 | |
It'll even do 30 miles to the gallon. | 0:06:38 | 0:06:41 | |
But there's something missing, something that can't be | 0:06:41 | 0:06:45 | |
measured, something you can't really put your finger on. | 0:06:45 | 0:06:48 | |
There's no...zing. | 0:06:50 | 0:06:53 | |
This is the factory where the McLaren is made. | 0:06:57 | 0:07:00 | |
It's like a laboratory. | 0:07:00 | 0:07:03 | |
It's quiet, ordered, a magnesium and titanium Trappist world, | 0:07:03 | 0:07:06 | |
where perfection isn't quite good enough. | 0:07:06 | 0:07:10 | |
It's very nice, but you can't imagine anyone here has ever | 0:07:10 | 0:07:14 | |
put a whoopee cushion on the managing director's chair. | 0:07:14 | 0:07:18 | |
You sense this lack of joy when you're behind the wheel. | 0:07:21 | 0:07:25 | |
When you drive a Lamborghini, it's like you're operating a horse, | 0:07:25 | 0:07:29 | |
with some mustard stuck up its bottom. | 0:07:29 | 0:07:32 | |
But when you drive this, | 0:07:32 | 0:07:34 | |
it's like you're operating the sort of machine they use I imagine | 0:07:34 | 0:07:38 | |
in ophthalmic surgery. | 0:07:38 | 0:07:41 | |
We see the same problem with the way the McLaren looks. | 0:07:41 | 0:07:46 | |
There's nothing wrong with it, but there's no art. | 0:07:48 | 0:07:51 | |
You get the sense it was styled by software and shaped by science - | 0:07:51 | 0:07:56 | |
which it probably was. | 0:07:56 | 0:08:00 | |
I'll give you another example - you can turn the traction control off, | 0:08:00 | 0:08:04 | |
but it would be easier to launch the missiles from a nuclear submarine. | 0:08:04 | 0:08:08 | |
You've to push that button, and hold it down for 10 seconds, | 0:08:08 | 0:08:11 | |
then you push those two simultaneously. | 0:08:11 | 0:08:14 | |
I said to one of the engineers, why does it have to be so complicated? | 0:08:14 | 0:08:17 | |
And he said, "Why would you want to turn the traction control off? | 0:08:17 | 0:08:21 | |
I said, "It would be fun." And you could see him thinking, | 0:08:21 | 0:08:25 | |
"Mmm, fun - I must look that up in a dictionary. | 0:08:25 | 0:08:28 | |
The McLaren, then, is like a pair of tights - very practical | 0:08:31 | 0:08:35 | |
and very sensible. | 0:08:35 | 0:08:37 | |
The Ferrari, though - that is a pair of stockings. | 0:08:40 | 0:08:45 | |
APPLAUSE | 0:08:53 | 0:08:57 | |
-What? -What are you on about? | 0:09:05 | 0:09:09 | |
Well, tights and stockings are designed to do exactly the same job. | 0:09:09 | 0:09:14 | |
-Mmm. -But they don't. | 0:09:14 | 0:09:16 | |
I don't know, I only wear socks, Jeremy. | 0:09:16 | 0:09:19 | |
Can we just move on from the hosiery, chaps, back to the car? | 0:09:19 | 0:09:23 | |
-Is the ride really that good? -Like a Rolls-Royce - unbelievably smooth. | 0:09:23 | 0:09:27 | |
And do you know why? Wasn't developed at the Nurburgring! | 0:09:27 | 0:09:31 | |
-He's off again. -True fact, true fact. | 0:09:31 | 0:09:34 | |
Was developed, actually, at the Top Gear test track, this car. | 0:09:34 | 0:09:37 | |
So, it should be able to set a blisteringly fast lap time. | 0:09:37 | 0:09:41 | |
To find out, we have to give it to our tame racing driver. | 0:09:41 | 0:09:44 | |
Some say that he refuses to acknowledge | 0:09:44 | 0:09:47 | |
the existence of Nottinghamshire. | 0:09:47 | 0:09:50 | |
And that he recently had a strong e-mail from his fiancee's mother, | 0:09:50 | 0:09:55 | |
saying it's bad manners to sit at the dinner table in a helmet. | 0:09:55 | 0:10:00 | |
All we know is, he's called The Stig! | 0:10:00 | 0:10:03 | |
APPLAUSE | 0:10:03 | 0:10:05 | |
And it's off. | 0:10:05 | 0:10:07 | |
MP4-12C may sound like a fax machine, but this car is fast, | 0:10:07 | 0:10:11 | |
no doubt about that. | 0:10:11 | 0:10:13 | |
Double clutch gearbox shifting seamlessly, | 0:10:13 | 0:10:16 | |
going through the first corner. | 0:10:16 | 0:10:18 | |
No dramas whatsoever! | 0:10:18 | 0:10:21 | |
MUSIC: "Dancing Queen" by Abba | 0:10:21 | 0:10:25 | |
Stig listening to Abba in Spanish, very weird! | 0:10:25 | 0:10:28 | |
Almost as weird as the way it takes Chicago - strangely calm, that. | 0:10:28 | 0:10:32 | |
Squirrely under braking into Hammerhead. | 0:10:32 | 0:10:35 | |
Now, the mute of the corner. | 0:10:35 | 0:10:36 | |
And it's really gained its composure completely. | 0:10:36 | 0:10:39 | |
McLaren have actually been fiddling with the car since I drove it, | 0:10:39 | 0:10:43 | |
so the ones you buy will have a sharper throttle. | 0:10:43 | 0:10:46 | |
-"DANCING QUEEN" PLAYS -And more noise, OK. | 0:10:46 | 0:10:49 | |
A chance to really open up the twin turbo V8. | 0:10:49 | 0:10:52 | |
How much is he going to clip the corner? | 0:10:52 | 0:10:54 | |
Not a lot, but he won't have felt a thing. | 0:10:54 | 0:10:57 | |
Just two corners to go now. | 0:10:57 | 0:10:59 | |
Air brake helping out there, tyres squealing. Only Gambon left! | 0:10:59 | 0:11:04 | |
Millimetrically perfect! | 0:11:04 | 0:11:06 | |
And here he is, across the line! | 0:11:06 | 0:11:08 | |
APPLAUSE | 0:11:08 | 0:11:11 | |
Now... | 0:11:11 | 0:11:14 | |
OK! | 0:11:14 | 0:11:16 | |
Here is the Ferrari 458. | 0:11:16 | 0:11:20 | |
The Ferrari Enzo... | 0:11:20 | 0:11:23 | |
The MP4-12C, 1:16.2! | 0:11:23 | 0:11:28 | |
It is the second fastest car we've ever had here! | 0:11:28 | 0:11:33 | |
Now, on Top Gear, we love hot hatchbacks. | 0:11:38 | 0:11:42 | |
The idea of a sporty car and a practical car | 0:11:42 | 0:11:45 | |
all rolled into one is hugely appealing. | 0:11:45 | 0:11:48 | |
Yes. But while we all agree that hot hatchbacks are brilliant, | 0:11:48 | 0:11:51 | |
we cannot agree on which one is best. | 0:11:51 | 0:11:54 | |
So, the producers decided we should sort this out | 0:11:54 | 0:11:57 | |
on a European road trip, beginning in the Italian town of Lucca, | 0:11:57 | 0:12:01 | |
which is in Italy. | 0:12:01 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:05 | |
OPERA PLAYS | 0:12:05 | 0:12:12 | |
I was the first to arrive, and as you can see, | 0:12:14 | 0:12:17 | |
my choice was superb. | 0:12:17 | 0:12:20 | |
This is a Citroen DS3 Racing, | 0:12:21 | 0:12:24 | |
and it does everything a hot hatchback should. | 0:12:24 | 0:12:27 | |
It is bonkers to look at, and with 204 horsepower under the bonnet, | 0:12:27 | 0:12:31 | |
it's bonkers to drive as well. | 0:12:31 | 0:12:34 | |
But it still has back seats that fold down, it's still small, | 0:12:34 | 0:12:38 | |
it's relatively inexpensive, it's... | 0:12:38 | 0:12:41 | |
Ah! It seems Mr May has arrived | 0:12:41 | 0:12:44 | |
in a driving instructor's car. | 0:12:44 | 0:12:46 | |
This...is a Renault Clio, but | 0:12:48 | 0:12:51 | |
it's the Cup version. | 0:12:51 | 0:12:54 | |
And it is, pound for pound, | 0:12:57 | 0:13:00 | |
the most exciting car on sale - not my words, | 0:13:00 | 0:13:03 | |
not mine - the words of Autocar magazine. | 0:13:03 | 0:13:07 | |
-Autocar? -Yes. -The magazine that sacked you? -Yes. | 0:13:07 | 0:13:11 | |
I could point out that it's £16,000 and yours is what, 23? | 0:13:11 | 0:13:15 | |
Where's your air con, cruise control, sat nav...? | 0:13:15 | 0:13:19 | |
-It's got air con. -It's an optional extra! | 0:13:19 | 0:13:22 | |
-And it's been selected! -What is it, 197 horsepower? | 0:13:22 | 0:13:26 | |
-Yeah. -204. | 0:13:26 | 0:13:27 | |
-That's very nearly as much power as yours. -In the same way | 0:13:27 | 0:13:31 | |
that the Egyptian Army is nearly as powerful as the American Army. | 0:13:31 | 0:13:35 | |
'Mercifully, at this point, Hammond arrived... | 0:13:35 | 0:13:38 | |
'..in a car from the 1950s.' | 0:13:40 | 0:13:43 | |
Gentlemen, behold! The Fiat 500 Abarth Convertible! | 0:13:44 | 0:13:49 | |
-The best hot hatch ever. -Apart from a couple of things - one, | 0:13:49 | 0:13:53 | |
it's not very hot, and two, it's not a hatchback. | 0:13:53 | 0:13:56 | |
-I'm with him. -It is hot. This one has got 158 brake horsepower. | 0:13:56 | 0:14:01 | |
Wow! | 0:14:01 | 0:14:02 | |
Just a couple of things - small, yes it is. | 0:14:02 | 0:14:05 | |
-What have you...? This is enormous, the Clio. -Yes. | 0:14:05 | 0:14:09 | |
You've brought one of those ridiculously gaudy training shoes | 0:14:09 | 0:14:13 | |
with springs at the back, that go, look at me! | 0:14:13 | 0:14:17 | |
Have you seen the writing?! | 0:14:17 | 0:14:19 | |
This would look good on the deck of a Nimitz-class aircraft carrier. | 0:14:19 | 0:14:23 | |
We're not on the deck of a Nimitz-class, | 0:14:23 | 0:14:26 | |
we're in a beautiful Italian plaza. | 0:14:26 | 0:14:28 | |
-You know what this is? -What? -Juvenile. | 0:14:28 | 0:14:32 | |
-Juvenile?! -I have to say, one thing... -Juvenile! | 0:14:32 | 0:14:34 | |
This is just a small French car! | 0:14:34 | 0:14:37 | |
-It has an optional extra on it. -Air conditioning, yes. -Something else. | 0:14:37 | 0:14:42 | |
Ah, yes. No... I didn't do... I... | 0:14:42 | 0:14:45 | |
What this means in Italian is, "Bell end." | 0:14:45 | 0:14:48 | |
James, just a headline to sum up the cars. | 0:14:48 | 0:14:52 | |
Magnificent, ridiculous... (It's a bit boring, bland.) | 0:14:52 | 0:14:55 | |
It might look boring... It isn't boring because... What are these cars about? | 0:14:55 | 0:15:00 | |
They are about the sensation of driving, and this will give it to me because it's a small Renault | 0:15:00 | 0:15:05 | |
-and they're the best in the world at that. -It's about fun and experience. It looks magnificent. -Looks?! | 0:15:05 | 0:15:10 | |
-You can put the roof back... -But it isn't a hatchback. | 0:15:10 | 0:15:14 | |
It's like turning up to do the Grand National on a cow or a hen. | 0:15:14 | 0:15:18 | |
It's not! | 0:15:18 | 0:15:20 | |
'Seeing that this was going nowhere, the producer stepped in with a challenge.' | 0:15:20 | 0:15:25 | |
-This is a no-brainer. -A man with a thing... | 0:15:25 | 0:15:28 | |
"To see which of your cars works best in the urban environment, | 0:15:28 | 0:15:32 | |
"you will now leave the city of Lucca." | 0:15:32 | 0:15:34 | |
Is that it? | 0:15:37 | 0:15:39 | |
< Yep. | 0:15:39 | 0:15:41 | |
What, just drive out of a town? How hard can that be? | 0:15:41 | 0:15:45 | |
As it turned out, very hard, | 0:15:47 | 0:15:49 | |
because in this medieval walled city, the streets were a complete maze. | 0:15:49 | 0:15:55 | |
Now, I think a left here. Oh, I can't go down there. | 0:15:55 | 0:16:00 | |
I can't go left. | 0:16:01 | 0:16:03 | |
Right, but it doesn't matter too much. | 0:16:03 | 0:16:06 | |
I'll just go along here and then turn right. | 0:16:06 | 0:16:08 | |
Ah, no, there isn't a right. It's just somebody's drive. | 0:16:08 | 0:16:11 | |
I HAVE to go left. | 0:16:11 | 0:16:13 | |
One way. Really?! You don't say(!) | 0:16:14 | 0:16:17 | |
JEREMY LAUGHS | 0:16:17 | 0:16:20 | |
Every single turn you make puts you in exactly the same road as the one you've just left. | 0:16:20 | 0:16:26 | |
Also, in any other city, the Renault and the Citroen would be considered quite small. | 0:16:26 | 0:16:32 | |
Cock. | 0:16:32 | 0:16:34 | |
But here, they were huge. | 0:16:34 | 0:16:36 | |
And...breathe in. | 0:16:36 | 0:16:40 | |
Bloody hell. | 0:16:40 | 0:16:42 | |
That's a squeeze. | 0:16:42 | 0:16:45 | |
No, it's not going to fit. Sorry. | 0:16:45 | 0:16:49 | |
Since when did the Renault Clio become an enormous car with a huge turning circle? | 0:16:49 | 0:16:54 | |
Happily, the Fiat was small enough, but I had another problem. | 0:16:54 | 0:16:58 | |
This just isn't working. | 0:16:58 | 0:17:01 | |
The visibility in the C version with the sliding roof, | 0:17:01 | 0:17:06 | |
with the roof back, is, you know, it's good compared to, say, | 0:17:06 | 0:17:10 | |
having a bag on your head or being blind. | 0:17:10 | 0:17:13 | |
Eventually, I decided the best thing was to abandon ship. | 0:17:13 | 0:17:17 | |
Right, I'm leaving the car here. I'm going to go ahead on foot. | 0:17:17 | 0:17:22 | |
I know I can make it on foot, find the way out, come back, pick up the car, drive out and win. | 0:17:22 | 0:17:27 | |
This...this must be James's idea of hell. | 0:17:27 | 0:17:31 | |
He gets lost in a hotel. | 0:17:31 | 0:17:34 | |
That was a curve in that road which was essentially a right, | 0:17:34 | 0:17:37 | |
but now I've gone to the left, so I must still be going the right way. | 0:17:37 | 0:17:41 | |
Driving through somebody's restaurant. | 0:17:41 | 0:17:44 | |
Sorry. Sorry. Sorry. | 0:17:44 | 0:17:47 | |
Hang on a minute... | 0:17:51 | 0:17:54 | |
Is this... Is this the square where I started? | 0:17:54 | 0:17:58 | |
Yes, it is. | 0:17:58 | 0:18:00 | |
Hang on. | 0:18:00 | 0:18:03 | |
That... That's the wall. | 0:18:03 | 0:18:05 | |
That's the city wall. | 0:18:05 | 0:18:07 | |
I've found it! There it is! | 0:18:07 | 0:18:10 | |
A bit of a hill. Wasn't expecting that. Never mind. | 0:18:12 | 0:18:16 | |
Er... | 0:18:16 | 0:18:18 | |
No, it's that way. | 0:18:22 | 0:18:24 | |
Gearbox works. | 0:18:24 | 0:18:25 | |
Reverse, first, both good. | 0:18:25 | 0:18:28 | |
Meanwhile... | 0:18:28 | 0:18:30 | |
I think that ramp may have been a bit of a mistake, | 0:18:30 | 0:18:33 | |
because the view from here and the view over that way of trees | 0:18:33 | 0:18:39 | |
suggests I am actually on top of the wall. Still, could be worse. | 0:18:39 | 0:18:42 | |
Hi. | 0:18:47 | 0:18:48 | |
MAN SPEAKS ITALIAN Yeah! | 0:18:48 | 0:18:51 | |
Have you seen a Fiat, a small black and white Fiat... on your travels? | 0:18:51 | 0:18:57 | |
Nothing to see here. | 0:19:02 | 0:19:03 | |
Just a man driving on top of a historic monument. | 0:19:03 | 0:19:08 | |
Eventually, I found my car and the way back to the city wall. | 0:19:08 | 0:19:13 | |
That's the first time since I left that I've gone fast enough to activate the central locking. | 0:19:15 | 0:19:20 | |
But outside the city gates, Professor Smug was already there. | 0:19:20 | 0:19:25 | |
Yes, there's no missing it, is there? | 0:19:26 | 0:19:28 | |
A man standing next to a child's training shoe. | 0:19:28 | 0:19:31 | |
Did you see Lord Lucan(?) | 0:19:31 | 0:19:33 | |
-No. -Oh, he's there. Shergar. | 0:19:33 | 0:19:35 | |
They're all in there. | 0:19:35 | 0:19:37 | |
'Even though James wasn't with us, another challenge then turned up.' | 0:19:37 | 0:19:42 | |
RICHARD CLEARS HIS THROAT Right. | 0:19:42 | 0:19:44 | |
"You will now drive to the town of Canelli, | 0:19:44 | 0:19:48 | |
"which is 170 miles away, near Alba. | 0:19:48 | 0:19:51 | |
"En route, you must collect the following items. | 0:19:51 | 0:19:55 | |
"A branch of a cedar tree, ice cubes, a photo of as many people as you can getting into your car, | 0:19:55 | 0:20:02 | |
"a CD from a service station - but you may not get out of your car to get it - | 0:20:02 | 0:20:08 | |
"a bicycle, a vine and a dog." | 0:20:08 | 0:20:11 | |
A dog?! | 0:20:11 | 0:20:14 | |
A vine? A bicycle? | 0:20:14 | 0:20:15 | |
-Whereabouts on the Riviera are you going to find...? -And a branch of a cedar tree... | 0:20:15 | 0:20:20 | |
-Oi! -May! | 0:20:20 | 0:20:22 | |
Yeah? | 0:20:22 | 0:20:24 | |
-What are you doing up there? -I can't find the way down. | 0:20:24 | 0:20:27 | |
After the idiot explained his predicament, we filled him in on our new challenge. | 0:20:27 | 0:20:32 | |
Dog?! | 0:20:32 | 0:20:34 | |
-That's what I said, "A dog"! -What's the point of that? | 0:20:34 | 0:20:37 | |
It's to see how practical the car is. | 0:20:37 | 0:20:40 | |
Well, off you go, then. | 0:20:40 | 0:20:41 | |
So we did. | 0:20:41 | 0:20:44 | |
Autostrada, here we go. | 0:20:47 | 0:20:50 | |
And as we headed north, we fell even more in love with our cars. | 0:20:53 | 0:20:57 | |
If you have a big BMW or Mercedes, it's like an expensive suit, | 0:20:59 | 0:21:04 | |
so it has to be a sober colour - silver, black, grey. | 0:21:04 | 0:21:08 | |
But if you have a hot hatch, it's like a T-shirt. | 0:21:08 | 0:21:11 | |
It can be anything you want - have writing on it, it can be orange, anything. | 0:21:11 | 0:21:17 | |
That's why the DS3 Racing is so brilliant, | 0:21:17 | 0:21:20 | |
they've just taken the idea of fun and gone mad with it. | 0:21:20 | 0:21:24 | |
Ooh! Ooh! Ooh! Fizzy little car. | 0:21:26 | 0:21:29 | |
RICHARD CHUCKLES | 0:21:29 | 0:21:31 | |
Just setting my cruise control, Hammond - are you able to do that? | 0:21:31 | 0:21:34 | |
Sorry, it's a bit windy in here. I'm just going to close my roof. | 0:21:34 | 0:21:38 | |
Have you closed yours already? Oh, you can't open it! | 0:21:38 | 0:21:42 | |
In all fairness, the Fiat and the Citroen are very similarly equipped. | 0:21:42 | 0:21:47 | |
There are more things on the Citroen, but this has everything you need. | 0:21:47 | 0:21:50 | |
Operate the stereo from the steering wheel, electric windows, electric roof that opens. Ha-ha(!) | 0:21:50 | 0:21:56 | |
Meanwhile, very far behind, Captain Sense Of Direction | 0:21:57 | 0:22:01 | |
had finally found a way out of Lucca. | 0:22:01 | 0:22:04 | |
Bursting out into the sunlight...now. | 0:22:04 | 0:22:07 | |
I don't doubt that the others will be bleating on | 0:22:11 | 0:22:15 | |
about how they have sat nav or leather upholstery, or whatever. But that's not the point. | 0:22:15 | 0:22:19 | |
Renault has concentrated on the things that make this a hot hatch rather than just a hatchback. | 0:22:19 | 0:22:25 | |
So your money goes on the engine, this lovely steering wheel, this fabulous gear change. | 0:22:25 | 0:22:30 | |
You get a dull interior. It is very boring, very basic. | 0:22:30 | 0:22:33 | |
But I want this car to drive. | 0:22:33 | 0:22:36 | |
Soon, we were in the hills and ready to start our challenge. | 0:22:45 | 0:22:51 | |
A bicycle, dog. | 0:22:52 | 0:22:54 | |
What else have we got? Ice cube. Get that near the end or it'll melt. | 0:22:54 | 0:22:58 | |
I'm going to pull in here | 0:22:58 | 0:23:00 | |
and attempt to buy a CD without getting out of the car. | 0:23:00 | 0:23:04 | |
Branch of a cedar tree... | 0:23:04 | 0:23:07 | |
A vine. | 0:23:08 | 0:23:10 | |
To make life harder, the producers hadn't given us any money to buy things. | 0:23:10 | 0:23:14 | |
Fortunately, production has supplied me with some potential bartering items. | 0:23:17 | 0:23:23 | |
I have a CD here of Robson & Jerome's love songs, and I've also got this one, the... | 0:23:23 | 0:23:28 | |
A Cockney Christmas With Chas & Dave. | 0:23:30 | 0:23:33 | |
-Do you speak English? -A little bit. | 0:23:33 | 0:23:36 | |
Er... I may not get out of the car. Chas & Dave - molto populare Inglese...er... | 0:23:36 | 0:23:43 | |
-I don't understand. -..pop group. | 0:23:43 | 0:23:45 | |
BELL RINGS OUT | 0:23:45 | 0:23:47 | |
Can you go really far? Really far. Good, good, good. | 0:23:47 | 0:23:52 | |
There's three in the front right away. | 0:23:52 | 0:23:55 | |
OK, let's go. | 0:23:55 | 0:23:57 | |
Suspension's gone down a bit. That's ten. | 0:23:57 | 0:24:00 | |
In we go. Oh, thank you, madam, for helping. | 0:24:01 | 0:24:04 | |
Right, I reckon we'll get another four in the front. Oh, cyclist! You'll be thin. | 0:24:04 | 0:24:09 | |
Skinny as a stick. Yes! | 0:24:09 | 0:24:11 | |
Scusi, signora. | 0:24:11 | 0:24:14 | |
It's his bottom. You've got his bottom in your face there. | 0:24:17 | 0:24:20 | |
12. | 0:24:22 | 0:24:23 | |
13. | 0:24:23 | 0:24:25 | |
It's the 13th. | 0:24:25 | 0:24:27 | |
That is 13 people in a Citroen DS3 Racing. | 0:24:27 | 0:24:31 | |
Beat that, Hammond. Beat that, May. | 0:24:31 | 0:24:34 | |
14. Count 'em up! | 0:24:34 | 0:24:36 | |
Oh, that is magnificent. That's for Italy. | 0:24:36 | 0:24:40 | |
If I just do one for Italy, for Fiat. Ya-ha! We're all excited. | 0:24:40 | 0:24:43 | |
Er... | 0:24:43 | 0:24:44 | |
Chas & Dave? | 0:24:44 | 0:24:46 | |
Robson e Jerome? Molto bene. | 0:24:48 | 0:24:50 | |
Since we had to be at the finishing point by six | 0:24:56 | 0:24:58 | |
and there were bonus points for getting there first, it became a very busy afternoon. | 0:24:58 | 0:25:04 | |
Yes, that's a vineyard. | 0:25:04 | 0:25:07 | |
TRANSLATION: | 0:25:07 | 0:25:13 | |
No, the CD, OK? In the shop? | 0:25:13 | 0:25:16 | |
Um, I'm a scientist | 0:25:16 | 0:25:20 | |
and I'm investigating the possible medicinal healing qualities of vines. | 0:25:20 | 0:25:24 | |
Now, I am able to offer you in part exchange | 0:25:24 | 0:25:29 | |
-this commemorative plate. -MAN GUFFAWS | 0:25:29 | 0:25:32 | |
-This! The swap. -OK... | 0:25:32 | 0:25:37 | |
-For a vine... -Si. | 0:25:37 | 0:25:40 | |
-I can give you molto valuable Wills and Kate souvenir wedding bell. -Ah, OK. | 0:25:40 | 0:25:47 | |
MUSIC PLAYS | 0:25:48 | 0:25:53 | |
That is a good stereo. | 0:25:54 | 0:25:56 | |
Can I just clarify, I'm not looking for bicycles to steal. | 0:26:00 | 0:26:03 | |
Anyway, there's a policeman there. But it's a policeman on a bicycle. | 0:26:03 | 0:26:09 | |
There you go. Off-roading. | 0:26:14 | 0:26:18 | |
Oh! Is that a cedar tree? | 0:26:20 | 0:26:22 | |
-Citroen - pfff! Renault - ha! Fiat... -Fiat. | 0:26:25 | 0:26:29 | |
Ha! Better. | 0:26:29 | 0:26:31 | |
-Very, very good, Fiat. -Yes, exactly. | 0:26:31 | 0:26:35 | |
To show very good - bicycle in it. | 0:26:35 | 0:26:37 | |
It's a police bike in a Fiat, it's just better! | 0:26:37 | 0:26:42 | |
Hang on. | 0:26:42 | 0:26:43 | |
I'm so hot. | 0:26:47 | 0:26:50 | |
HE GASPS | 0:26:50 | 0:26:52 | |
How am I going to get a bicycle in here as well? | 0:26:54 | 0:26:57 | |
Grazie. | 0:27:03 | 0:27:04 | |
Thank you. Thank you very much. | 0:27:04 | 0:27:06 | |
-You don't have police dogs, do you? -Eh? -No, never mind. | 0:27:06 | 0:27:09 | |
Oh, God! It smells terrible. | 0:27:13 | 0:27:15 | |
There were now just 20 minutes left | 0:27:17 | 0:27:20 | |
in which to scavenge our remaining items. | 0:27:20 | 0:27:22 | |
I've got to get a cube of ice. Not difficult. | 0:27:24 | 0:27:26 | |
A dog... | 0:27:26 | 0:27:28 | |
How do you scavenge a dog? | 0:27:28 | 0:27:33 | |
Come on. Come on. | 0:27:36 | 0:27:39 | |
Right, the final thing, ice. | 0:27:39 | 0:27:44 | |
Thank you so much for doing this. | 0:27:44 | 0:27:46 | |
You are so kind. Tres gentil. | 0:27:46 | 0:27:50 | |
Could you just stay here? I have to get an ice cube. | 0:27:50 | 0:27:53 | |
-SHE SPEAKS ITALIAN -Uno minuto. -OK. | 0:27:53 | 0:27:57 | |
Really got to hurry now. It's melting. | 0:27:58 | 0:28:03 | |
Come on. | 0:28:03 | 0:28:05 | |
Quicker, little Citroen. | 0:28:05 | 0:28:07 | |
Have you ever been in a car with a tree growing out of the back, Theo? | 0:28:07 | 0:28:11 | |
Probably not. | 0:28:11 | 0:28:13 | |
James, too, had found a dog, | 0:28:15 | 0:28:18 | |
but sadly his speed was limited by his ice cube transportation system. | 0:28:18 | 0:28:23 | |
Which meant there was plenty of time for conversation. | 0:28:27 | 0:28:31 | |
I like dogs and cats. | 0:28:33 | 0:28:35 | |
I've just got a wet seat. | 0:28:39 | 0:28:41 | |
That doesn't count. | 0:28:41 | 0:28:43 | |
There's one left. | 0:28:43 | 0:28:46 | |
-SCRAPING -Sorry about the noise. It's the tree dragging on the road. | 0:28:48 | 0:28:51 | |
My ice cube is melting. | 0:28:52 | 0:28:54 | |
It's very pretty here, isn't it? | 0:28:59 | 0:29:02 | |
Now, come on. Don't melt. | 0:29:04 | 0:29:07 | |
Coming through. | 0:29:08 | 0:29:10 | |
-SHE SPEAKS ITALIAN -Huh? Oh, it's there. | 0:29:11 | 0:29:15 | |
-THUD! -Ooh, sorry, sorry, sorry. | 0:29:15 | 0:29:18 | |
Oh, no! | 0:29:21 | 0:29:23 | |
-Er, that's... -OK, yes. | 0:29:23 | 0:29:25 | |
-That's an actual person. -Yes, yes. First of all, well done, Hammond. Well done, well done. | 0:29:25 | 0:29:31 | |
That's ice, as is that. | 0:29:31 | 0:29:33 | |
-As is that. -Yes, it is. | 0:29:33 | 0:29:35 | |
-Where's your dog? It's not a dog. -Yes, it is. | 0:29:35 | 0:29:38 | |
-What this is, it's an acrylic fur stuffed with industrial waste. -That's no way to talk about a dog. | 0:29:38 | 0:29:44 | |
Yes, it is. Do you think this is a dog, dog? | 0:29:44 | 0:29:46 | |
Look at that. That's proof enough for me! You can have that, little friend. | 0:29:46 | 0:29:51 | |
James arrived just as the last of his ice cubes melted. | 0:29:52 | 0:29:57 | |
-Good evening. -Good evening. | 0:29:57 | 0:30:00 | |
-This is Francesca. -Hello, Francesca. | 0:30:00 | 0:30:02 | |
-Francesca, this is Jeremy and Richard. -Let me guess. | 0:30:02 | 0:30:05 | |
-Christ, has he made you pregnant? -No. -No. -You work fast, mate! | 0:30:05 | 0:30:08 | |
Now, it is time to put a star in our reasonably priced car. | 0:30:18 | 0:30:22 | |
Over the years, we've had many guests on this programme. | 0:30:22 | 0:30:25 | |
All different sorts. Men, women, | 0:30:25 | 0:30:27 | |
Americans, Germans. | 0:30:27 | 0:30:30 | |
A lesbian. | 0:30:30 | 0:30:31 | |
LAUGHTER | 0:30:31 | 0:30:32 | |
We've never had a Canadian, though. | 0:30:32 | 0:30:35 | |
That, however, is ABOOT to change. | 0:30:35 | 0:30:37 | |
Ladies and gentlemen, please welcome Ryan Reynolds! | 0:30:37 | 0:30:41 | |
CHEERING AND APPLAUSE | 0:30:41 | 0:30:44 | |
-Hello, sir! How are you? -I'm very well, how are you? | 0:30:44 | 0:30:47 | |
I'm very well, thank you. | 0:30:47 | 0:30:49 | |
Hi, everybody. Hello, hello. | 0:30:49 | 0:30:51 | |
CHEERING | 0:30:51 | 0:30:53 | |
-Hello! -Have a seat. | 0:30:53 | 0:30:55 | |
-I'd love to. -Have a seat. | 0:30:55 | 0:30:58 | |
-It's like looking in a mirror! -It really is! | 0:30:58 | 0:31:01 | |
-It really is! -Not for you! | 0:31:01 | 0:31:03 | |
So, 2010, you were voted the sexiest man alive. | 0:31:03 | 0:31:07 | |
AUDIENCE: Woo! | 0:31:07 | 0:31:09 | |
That was 2010, though! | 0:31:09 | 0:31:11 | |
I'm on the lecture circuit now! | 0:31:11 | 0:31:13 | |
I was just thinking, your schooldays, | 0:31:13 | 0:31:16 | |
were they just a blizzard of snogging and smooth moves? | 0:31:16 | 0:31:20 | |
No, it wasn't that. I was a bit of a little pariah at school. | 0:31:20 | 0:31:25 | |
I have three older brothers, | 0:31:25 | 0:31:27 | |
all of whom were kicked out of this very same school, | 0:31:27 | 0:31:29 | |
so from the moment I got there, I was a marked man. | 0:31:29 | 0:31:32 | |
What were they kicked out for? | 0:31:32 | 0:31:33 | |
Just random things. Just mostly drugs and violence. | 0:31:33 | 0:31:36 | |
OK! | 0:31:36 | 0:31:38 | |
And I was kicked out for something I think you'd appreciate. | 0:31:38 | 0:31:42 | |
I was kicked out for stealing a car. | 0:31:42 | 0:31:44 | |
-Stealing a car? -But wait, I didn't actually steal a vehicle. | 0:31:44 | 0:31:48 | |
What we did was, a teacher that we had was just 100% awful, | 0:31:48 | 0:31:53 | |
he had this little car, one of those little Volkswagens, | 0:31:53 | 0:31:56 | |
and so my friends and I just played an April Fools' prank on him. | 0:31:56 | 0:32:00 | |
We picked it up, we lifted it up and carried it down the block, | 0:32:00 | 0:32:03 | |
about eight of us. | 0:32:03 | 0:32:04 | |
We talked about this last week. The best fun you can have with a little car is pick it up | 0:32:04 | 0:32:08 | |
-and turn it round so it's facing the other way... -Fun practical joke. | 0:32:08 | 0:32:11 | |
That's a better idea, | 0:32:11 | 0:32:13 | |
because in Canada, if you move it more than ten feet, it's a felony. | 0:32:13 | 0:32:17 | |
I didn't know that. | 0:32:17 | 0:32:19 | |
So you moved a car more than ten feet | 0:32:19 | 0:32:21 | |
and then that was grand theft auto? | 0:32:21 | 0:32:22 | |
Yeah, one city block was, yeah, 100% grand theft. | 0:32:22 | 0:32:25 | |
Now, obviously, sexiest man alive, 2010, | 0:32:25 | 0:32:29 | |
but reading through your notes, also clumsiest man alive. | 0:32:29 | 0:32:32 | |
Mmm. Oh, definitely, yeah. | 0:32:32 | 0:32:35 | |
There's a thing... Zurich, Switzerland - | 0:32:35 | 0:32:38 | |
it is impossible to hurt yourself in Zurich. | 0:32:38 | 0:32:40 | |
You go there, you eat cheese and then you come home. | 0:32:40 | 0:32:43 | |
-So, how did you manage to hurt yourself? -I jumped off a bridge. | 0:32:43 | 0:32:46 | |
But there was water below. | 0:32:46 | 0:32:49 | |
And I dove in and I broke a vertebrae by diving in. | 0:32:49 | 0:32:52 | |
AUDIENCE GROANS | 0:32:52 | 0:32:54 | |
-You've also been run over? -I have been run over, yeah. | 0:32:54 | 0:32:57 | |
I was 19 years old, I was in Vancouver and I was at a bar, | 0:32:57 | 0:33:00 | |
I had a few drinks, left my car and decided to walk home. | 0:33:00 | 0:33:03 | |
-Being responsible. -Exactly. | 0:33:03 | 0:33:05 | |
And I was crossing the street, it was about two in the morning | 0:33:05 | 0:33:09 | |
and I was hit by a drunk driver. | 0:33:09 | 0:33:11 | |
So, yeah. | 0:33:11 | 0:33:12 | |
LAUGHTER | 0:33:12 | 0:33:14 | |
I always wondered if he tells people that he got hit by a drunk pedestrian. | 0:33:14 | 0:33:17 | |
LAUGHTER | 0:33:17 | 0:33:19 | |
-I would. -So did that hurt? | 0:33:19 | 0:33:20 | |
Yeah, that was bad. I broke a lot of bones. | 0:33:20 | 0:33:22 | |
That was all the left side of my body I broke. | 0:33:22 | 0:33:25 | |
But I was 19, so at that point, you're just made of rubber and magic. | 0:33:25 | 0:33:28 | |
LAUGHTER | 0:33:28 | 0:33:30 | |
-You healed? -Yeah. -Bearing in mind you can't jump off a bridge without breaking your back, | 0:33:30 | 0:33:34 | |
was skydiving the perfect hobby to take up? | 0:33:34 | 0:33:38 | |
God, you're like my mother! | 0:33:38 | 0:33:40 | |
-LAUGHTER -Old enough! -Just killing me! | 0:33:40 | 0:33:43 | |
My friends were trying to get their licence, | 0:33:43 | 0:33:46 | |
so I decided I would get my licence, skydiving, | 0:33:46 | 0:33:49 | |
and I did 12 jumps, which were all highly successful! | 0:33:49 | 0:33:55 | |
And then it was 13! | 0:33:55 | 0:33:57 | |
And the 13th one, I had a problem, where the chute didn't open, | 0:33:57 | 0:34:01 | |
and I had to pull the reserve. | 0:34:01 | 0:34:03 | |
But the weird thing is, when you're in a situation like that, | 0:34:03 | 0:34:06 | |
you're flying down at 120 miles per hour, | 0:34:06 | 0:34:09 | |
and when your chute doesn't open, | 0:34:09 | 0:34:10 | |
you seriously have to think about pulling the other one. | 0:34:10 | 0:34:13 | |
That's the weird thing. Time slows down and you're thinking, | 0:34:13 | 0:34:16 | |
"If I pull the other one, then I'll have none left." | 0:34:16 | 0:34:19 | |
LAUGHTER | 0:34:19 | 0:34:20 | |
"So, I'm just going to wait to see if something happens." | 0:34:22 | 0:34:25 | |
And sure enough, at the last minute, I pulled the reserve chute, | 0:34:25 | 0:34:29 | |
which you can't steer, and I ended up landing in a field | 0:34:29 | 0:34:31 | |
which contained only a dead horse. I don't know what omen that is. | 0:34:31 | 0:34:35 | |
Usually, it's a black crow that tells you you're going to die, | 0:34:35 | 0:34:38 | |
but I just landed next to a dead horse. | 0:34:38 | 0:34:41 | |
-You have a new film out, Safe House. -I do, yeah. | 0:34:41 | 0:34:43 | |
-So when's the movie out? -The film is out February 24th here in the UK. | 0:34:43 | 0:34:47 | |
We have a clip of that, which we're going to show for you now. | 0:34:47 | 0:34:50 | |
Let's have a look. | 0:34:50 | 0:34:52 | |
TYRES SQUEAL | 0:34:55 | 0:34:57 | |
APPLAUSE | 0:35:22 | 0:35:23 | |
That's a good crash! | 0:35:23 | 0:35:25 | |
It was a good crash! | 0:35:25 | 0:35:27 | |
-That's Denzel Washington. -Yes, backseat driving right there! | 0:35:31 | 0:35:34 | |
-Elbowing you in the face! -Yeah. | 0:35:34 | 0:35:36 | |
So what is it about? Give us the plot, give us the story. | 0:35:36 | 0:35:39 | |
I play a guy who's what's called a safe house operator, a housekeeper. | 0:35:39 | 0:35:44 | |
There are CIA-owned apartments and flats all around the world, | 0:35:44 | 0:35:48 | |
and they're run by usually a low-level CIA guy. | 0:35:48 | 0:35:50 | |
And then, one day, in walks Denzel Washington's character, | 0:35:50 | 0:35:54 | |
who's probably one of the world's worst murdering, | 0:35:54 | 0:35:57 | |
sociopathic Hannibal Lecter types. | 0:35:57 | 0:35:59 | |
And I'm left to deal with this guy, | 0:35:59 | 0:36:02 | |
who I'm deeply ill-equipped to deal with. | 0:36:02 | 0:36:05 | |
-So it's not like The Devil Wears Prada, then? -No! | 0:36:05 | 0:36:09 | |
It's not The Proposal II. | 0:36:09 | 0:36:11 | |
-It's not a romcom. -No, that's good. | 0:36:11 | 0:36:14 | |
-Can I just say that God is normally quite fair... -Yeah. | 0:36:14 | 0:36:18 | |
..with his dishing-out of talents. For instance, David Beckham, | 0:36:18 | 0:36:21 | |
he's said, "He's going to be very good-looking, | 0:36:21 | 0:36:23 | |
"talented footballer, | 0:36:23 | 0:36:25 | |
"and to balance that up, I'll give him a squeaky voice." | 0:36:25 | 0:36:29 | |
You're funny and good-looking and not fat... | 0:36:29 | 0:36:32 | |
..where's your squeaky voice? | 0:36:34 | 0:36:36 | |
-What's my...? -Have you got BO? | 0:36:36 | 0:36:38 | |
-Have I got 41 nipples? -Have you got very tiny testes? | 0:36:38 | 0:36:42 | |
It's like Braille down there, Jeremy. | 0:36:42 | 0:36:45 | |
LAUGHTER | 0:36:45 | 0:36:47 | |
-A very short novel. -That's what it is - Braille. | 0:36:49 | 0:36:51 | |
Yeah, the whole system. | 0:36:51 | 0:36:53 | |
Everybody has... I have a lot of things wrong. | 0:36:54 | 0:36:57 | |
I'm blind, I'm deaf, | 0:36:57 | 0:36:59 | |
I've got no sense of smell cos I have a cold, | 0:36:59 | 0:37:02 | |
which I haven't mentioned. | 0:37:02 | 0:37:04 | |
Thank you for the tongue kiss earlier. | 0:37:04 | 0:37:07 | |
LAUGHTER | 0:37:07 | 0:37:09 | |
Just went deep with it, too! | 0:37:09 | 0:37:12 | |
No, we all have crazy faults. | 0:37:13 | 0:37:16 | |
My fault isn't something horrendous, like, | 0:37:16 | 0:37:19 | |
"I can't stop murdering children." | 0:37:19 | 0:37:21 | |
-LAUGHTER -I just can't stop. | 0:37:21 | 0:37:24 | |
I like to think I'm a horrible driver... | 0:37:24 | 0:37:26 | |
Horrible or bad? | 0:37:26 | 0:37:28 | |
I ride motorcycles everywhere, so you can race up through traffic, | 0:37:28 | 0:37:32 | |
it's bumper to bumper, and when the oncoming traffic is stopped, you just go right up the middle. | 0:37:32 | 0:37:37 | |
But I have this tendency when I am in a vehicle to think | 0:37:37 | 0:37:40 | |
I can slip that entire vehicle right up the middle. | 0:37:40 | 0:37:42 | |
And it's only at the last second when I'm hitting the brakes, coming to a halt. | 0:37:42 | 0:37:46 | |
-You remember you're in a car. You like bikes? -I like bikes a lot, yeah. | 0:37:46 | 0:37:50 | |
What sort of bikes? | 0:37:50 | 0:37:51 | |
I have an old Paul Smart Ducati, which is a nice little bike. | 0:37:51 | 0:37:56 | |
I know what a Ducati is! | 0:37:56 | 0:37:57 | |
-Yeah, Ducati. I have a Deus. -Is it "Deuce" or "Day-us"? | 0:37:57 | 0:38:00 | |
-"Day-us", yeah. -It's D-E-U-S? | 0:38:00 | 0:38:02 | |
That's how we pronounce it, | 0:38:02 | 0:38:04 | |
but you guys say "Niss-un", so I have no idea what's happening. | 0:38:04 | 0:38:08 | |
Every car's pronounced differently in America. | 0:38:08 | 0:38:10 | |
The Hyundai's a "Hundee". "Nee-sun, Vee-dub-ya, Jag-war. | 0:38:10 | 0:38:14 | |
"Bee-em-dub-ya." | 0:38:14 | 0:38:15 | |
Here, what is it, "Jag-yur"? | 0:38:15 | 0:38:17 | |
-"Jag-yoo-ar." How it's spelt. -Yeah. | 0:38:17 | 0:38:20 | |
LAUGHTER AND APPLAUSE | 0:38:20 | 0:38:22 | |
No, I'm sorry, that was mean of me! | 0:38:24 | 0:38:26 | |
Now, you came down here to obviously | 0:38:29 | 0:38:31 | |
try your hand in the Kia Cee-apostrophe-d. | 0:38:31 | 0:38:34 | |
What was your goal? | 0:38:34 | 0:38:35 | |
My goal was just to see if I could drive a manual car. | 0:38:35 | 0:38:39 | |
I haven't done that since high school, so that was interesting. | 0:38:39 | 0:38:42 | |
-Really? -Yeah. | 0:38:42 | 0:38:44 | |
-Who'd like to see Ryan's lap? -Oh, boy. -AUDIENCE: Yeah! | 0:38:44 | 0:38:47 | |
Play the tape! | 0:38:47 | 0:38:48 | |
'Aggressive start. Crisp day.' | 0:38:51 | 0:38:53 | |
That smells exactly like clutch. | 0:38:53 | 0:38:56 | |
'Smells like clutch? | 0:38:56 | 0:38:58 | |
-'Clutch does smell like clutch.' -'Does smell bad, yeah.' | 0:38:58 | 0:39:00 | |
'Annoying thing. The wide Formula 1 line in there.' | 0:39:00 | 0:39:03 | |
'I'm a big guy, I make that whole car look like a children's toy.' | 0:39:03 | 0:39:06 | |
-'You should see me in it.' -'Looks like a sweater, made of metal.' | 0:39:06 | 0:39:10 | |
LAUGHTER | 0:39:10 | 0:39:12 | |
'Every time I shift, I make a dumb face.' | 0:39:12 | 0:39:15 | |
-'That's wide, that's really wide.' -'Terrible.' | 0:39:16 | 0:39:18 | |
'No, it could give you a fast... Where are you going?' | 0:39:18 | 0:39:21 | |
BLEEP! BLEEP manual! BLEEP! | 0:39:21 | 0:39:22 | |
'Yeah! There! Right?' | 0:39:22 | 0:39:24 | |
'The beep machine has obviously blown up... | 0:39:26 | 0:39:29 | |
'Now, keeping it tidy through the lines there. Yes, pretty good. | 0:39:29 | 0:39:33 | |
'Very good, actually.' | 0:39:33 | 0:39:35 | |
Very good. | 0:39:35 | 0:39:36 | |
'Are we going to be able to find fourth?' | 0:39:36 | 0:39:40 | |
Turn from hell coming up. | 0:39:40 | 0:39:43 | |
'Oh, yeah, this turn, not fun every time.' | 0:39:43 | 0:39:45 | |
-'That's almost beautiful.' -'Yeah. | 0:39:45 | 0:39:48 | |
'That's what I call the adult diaper.' | 0:39:48 | 0:39:50 | |
'Whoa, that's cutting that one! | 0:39:50 | 0:39:52 | |
-'That's quite uncomfortable at that speed.' -'Yeah.' | 0:39:52 | 0:39:55 | |
'Look at it gripping. That's nicely done. Not too cheaty on the cutting. | 0:39:55 | 0:39:59 | |
'And around Gambon.' | 0:39:59 | 0:40:02 | |
-There we are, ladies and gentlemen, across the line! -There we go! | 0:40:02 | 0:40:05 | |
CHEERING AND APPLAUSE | 0:40:05 | 0:40:07 | |
Wow! | 0:40:07 | 0:40:09 | |
So... | 0:40:09 | 0:40:11 | |
Where would you like to appear on the board? | 0:40:11 | 0:40:15 | |
I'm going to say somewhere in the middle. | 0:40:15 | 0:40:17 | |
Didn't you... Actually, I know you did, cos you told our researchers, | 0:40:17 | 0:40:21 | |
you were desperate, cos you went back out... | 0:40:21 | 0:40:24 | |
-"Do you mind if I have another go?" -"Give me another shot." | 0:40:24 | 0:40:26 | |
Cos you wanted to beat Tom Cruise. | 0:40:26 | 0:40:29 | |
Yeah, I did want to beat Tom Cruise. I wasn't talking about the driving, though. | 0:40:29 | 0:40:33 | |
LAUGHTER | 0:40:33 | 0:40:35 | |
Yes, I'm going to guess that I have 1:45. | 0:40:37 | 0:40:40 | |
-1:45? -And that's being really generous. | 0:40:40 | 0:40:43 | |
-You did a one... -Ugh! | 0:40:43 | 0:40:45 | |
-This is terrible. -..forty... | 0:40:47 | 0:40:49 | |
OK, there's a four. | 0:40:49 | 0:40:51 | |
-..three... -Oh! | 0:40:51 | 0:40:52 | |
AUDIENCE: Ooh! | 0:40:52 | 0:40:54 | |
..point seven. You beat Tom Cruise! | 0:40:54 | 0:40:57 | |
You're a faster driver! | 0:40:57 | 0:40:59 | |
Wow! | 0:40:59 | 0:41:02 | |
CHEERING AND APPLAUSE | 0:41:02 | 0:41:03 | |
Wow! All right! | 0:41:03 | 0:41:05 | |
-Congratulations. -Give me that cold! | 0:41:06 | 0:41:10 | |
Take that back! | 0:41:11 | 0:41:12 | |
This is... | 0:41:15 | 0:41:16 | |
Wow, that's worth getting your pneumonia for! | 0:41:17 | 0:41:22 | |
I love that! | 0:41:22 | 0:41:23 | |
Life just gets worse. | 0:41:23 | 0:41:26 | |
You look like that and you're funny and you're a film star | 0:41:27 | 0:41:31 | |
and you can drive. | 0:41:31 | 0:41:34 | |
Yeah, but I break every bone in my body | 0:41:34 | 0:41:36 | |
almost with the cycle of each moon, so don't worry. | 0:41:36 | 0:41:40 | |
I'll hurt myself on the way out. | 0:41:40 | 0:41:41 | |
Well, it's been a pleasure to meet you, | 0:41:41 | 0:41:44 | |
-and a pleasure for those girls to stand so close to you. -Thank you! | 0:41:44 | 0:41:47 | |
Ladies and gentlemen, Ryan Reynolds! | 0:41:47 | 0:41:50 | |
CHEERING AND APPLAUSE | 0:41:50 | 0:41:53 | |
Now, tonight we are reviewing the boring Renault Clio Cup... | 0:41:57 | 0:42:01 | |
-It's not boring. -Yes, it is. | 0:42:01 | 0:42:03 | |
..the childish Citroen DS3 Racing and the excellent Fiat 500 Abarth. | 0:42:03 | 0:42:08 | |
So far we've found out what they're like in town, | 0:42:08 | 0:42:11 | |
what they're like at being hatchbacks, but now it's time | 0:42:11 | 0:42:14 | |
to find out what they're like when you put your foot down. | 0:42:14 | 0:42:17 | |
The producers told us to leave our overnight halt, | 0:42:17 | 0:42:20 | |
here in the foothills of the Italian Alps, and drive to Monaco, down here. | 0:42:20 | 0:42:24 | |
Right, at last. | 0:42:41 | 0:42:43 | |
A chance to drive this little thing. | 0:42:43 | 0:42:47 | |
Steering just feels fabulous. | 0:42:47 | 0:42:49 | |
Oh! A little crackle and bang on the overrun. | 0:42:49 | 0:42:52 | |
Ha-ha! | 0:42:52 | 0:42:53 | |
Oh, yes, this thing grips! | 0:42:55 | 0:42:59 | |
The grip is helped, I don't doubt, by it being short and fat, | 0:42:59 | 0:43:03 | |
so it's foursquare on the road. | 0:43:03 | 0:43:06 | |
Oh! | 0:43:06 | 0:43:08 | |
I don't think I'd change anything about this. | 0:43:08 | 0:43:11 | |
In a straight line, this is by far the fastest of the three. | 0:43:15 | 0:43:19 | |
0-60, 6.5 seconds. | 0:43:19 | 0:43:23 | |
The funny thing is, even though it's called "the Racing" | 0:43:23 | 0:43:27 | |
and it was designed by Citroen's motorsport division, | 0:43:27 | 0:43:31 | |
it doesn't actually feel like a racing car or a rally car. | 0:43:31 | 0:43:35 | |
It feels soft, it feels very Citroeny, quiet. | 0:43:35 | 0:43:39 | |
And then there's the steering. | 0:43:39 | 0:43:41 | |
There's no feel to it at all. | 0:43:41 | 0:43:43 | |
You sort of have to guess how much lock to put in for each corner. | 0:43:43 | 0:43:48 | |
Is it this much? No, more. | 0:43:48 | 0:43:51 | |
Here's a fact. | 0:43:58 | 0:43:59 | |
Hammond has a 1.4-litre turbocharged engine, | 0:43:59 | 0:44:03 | |
Jeremy has a 1.6-litre turbocharged engine. | 0:44:03 | 0:44:06 | |
I have two litres, no turbocharger, and that's important because there's no lag. | 0:44:06 | 0:44:12 | |
There you go. Through the bend, there's the power. | 0:44:12 | 0:44:15 | |
The trouble was, though, it wasn't actually getting me anywhere. | 0:44:15 | 0:44:19 | |
Hammond's little boot thing takes off like a rocket. | 0:44:19 | 0:44:23 | |
He's getting away! | 0:44:23 | 0:44:26 | |
The problem with that Renault is, brilliant though the suspension is and so on, | 0:44:26 | 0:44:29 | |
it weighs more than the QE2 and you can see that coming out of the corners. It doesn't get going. | 0:44:29 | 0:44:34 | |
(Though that could have something to do with its driver.) | 0:44:36 | 0:44:40 | |
An interesting old bell tower over there. | 0:44:40 | 0:44:43 | |
Eventually we reached the Riviera. | 0:44:45 | 0:44:47 | |
There's the Mediterranean, glistening blue, which is amazing | 0:44:51 | 0:44:54 | |
considering how many turds there are in it. | 0:44:54 | 0:44:57 | |
As we approached Monte Carlo, I heard a familiar sound. | 0:44:57 | 0:45:02 | |
-ENGINES ROAR -Chaps... | 0:45:02 | 0:45:05 | |
..I think the Grand Prix is on. | 0:45:07 | 0:45:10 | |
Oh, my God, | 0:45:10 | 0:45:11 | |
-I think, down there... -Which Grand Prix? | 0:45:11 | 0:45:16 | |
-Have either of you two ever watched the Monaco Grand Prix? -I think I watched it in the early '80s. | 0:45:18 | 0:45:24 | |
That's the one in the town, right? | 0:45:24 | 0:45:26 | |
Never has anyone had to work with such imbeciles. | 0:45:26 | 0:45:31 | |
In the hills above Monaco, we were told to pull over for a challenge. | 0:45:31 | 0:45:37 | |
-ENGINES ROAR -I love that sound. | 0:45:37 | 0:45:39 | |
"Tomorrow, you will do three laps of the Monaco Grand Prix track. | 0:45:39 | 0:45:44 | |
"Whoever posts the fastest time wins." | 0:45:44 | 0:45:48 | |
The Monaco Grand Prix track? | 0:45:48 | 0:45:49 | |
I'm going to drive around...that?! | 0:45:49 | 0:45:53 | |
My hair is... Seriously, that is just the boyhood dream! | 0:45:53 | 0:45:58 | |
Hang on, if we've got to do hot laps of the actual... That puts you at a bit of an advantage. | 0:45:58 | 0:46:03 | |
Not really. I've never actually driven round it when it's a racetrack. | 0:46:03 | 0:46:06 | |
-I don't know the fastest line through Rascasse! -I don't know what Rascasse is! | 0:46:06 | 0:46:11 | |
I don't know where it goes. You know how difficult I find it remembering a track. | 0:46:11 | 0:46:15 | |
-Am I going to get a go round? Can I look at a picture of it? -I don't know! | 0:46:15 | 0:46:19 | |
Exactly! I'll be driving around a foreign town. | 0:46:19 | 0:46:21 | |
When the Grand Prix practice was over, we went in search of some F1 drivers so we could get some tips. | 0:46:23 | 0:46:29 | |
And immediately, I found David Coulthard. | 0:46:29 | 0:46:32 | |
And the key here is speed up the hill, not speed into St Devote. | 0:46:32 | 0:46:38 | |
Concentrate on really getting that car turned, | 0:46:38 | 0:46:42 | |
early on the power, because what you gain here, if you get on the power two metres early, | 0:46:42 | 0:46:46 | |
you'll add five kilometres an hour to your top speed. | 0:46:46 | 0:46:49 | |
-So there is a noticeable crest there? -Yes. You'll see as you're coming over the crest. | 0:46:49 | 0:46:53 | |
-You've got a lot of grippy tarmac there. -On the apex? -On the apex. | 0:46:53 | 0:46:58 | |
Meanwhile, down in the harbour, | 0:46:58 | 0:47:01 | |
my colleagues had been rather distracted by all the parties. | 0:47:01 | 0:47:04 | |
-Thank you, gentlemen. -Oh! | 0:47:04 | 0:47:07 | |
Look confident. Look like you do this all the time. | 0:47:07 | 0:47:10 | |
-Grab that woman with the things on sticks. -What? | 0:47:10 | 0:47:13 | |
Where would you try in a road car to go by? | 0:47:13 | 0:47:16 | |
-A good run through the tunnel and then on the brakes. -The left-right? | 0:47:16 | 0:47:20 | |
So, over the crest, then as soon as you see his brake lights come on, count and you're in. | 0:47:20 | 0:47:26 | |
-And then go on the left, stay left? -Yeah. | 0:47:26 | 0:47:28 | |
We're doing a bit of driving around the track, you know, | 0:47:28 | 0:47:31 | |
analysing some of the corners. | 0:47:31 | 0:47:34 | |
-So, if you live in Monaco, do you drive around where the track is? -All the time. -Good. | 0:47:34 | 0:47:40 | |
What hints have you got for me? I've got to drive around it tomorrow... | 0:47:40 | 0:47:43 | |
Use the kerbs at four and five. It gives more grip. | 0:47:43 | 0:47:47 | |
-Four and five? -Yeah. | 0:47:47 | 0:47:48 | |
-And at Rascasse, I can take a lot of entry speed into that... -Yeah. | 0:47:48 | 0:47:52 | |
..and then use the front-wheel drive to wash it off? | 0:47:52 | 0:47:55 | |
Well, it's very much a party sort of place. It has very elegant properties. | 0:47:55 | 0:48:01 | |
It's like Monaco in many ways, actually. Have you ever been to Hammersmith? | 0:48:01 | 0:48:07 | |
At the end of the evening, we met up to compare notes. | 0:48:08 | 0:48:12 | |
Have you found anything about the track out? | 0:48:12 | 0:48:16 | |
-Yes, I have. -It's just over there, there's all these boats, and it's really busy. | 0:48:16 | 0:48:20 | |
-Have you talked to a single racing driver? -Yes, we have. -Who? | 0:48:20 | 0:48:24 | |
A very nice man called Tim O'Glock. An Irishman... | 0:48:24 | 0:48:29 | |
-Timo Glock! -Timo Glock, yes. | 0:48:29 | 0:48:31 | |
The next morning, the producers decided that because the track has no run-off areas, | 0:48:39 | 0:48:43 | |
and is very dangerous, none of us could drive around it unless we had a bit of tuition first. | 0:48:43 | 0:48:48 | |
Richard's tutor was Red Bull team boss Christian Horner. | 0:48:48 | 0:48:53 | |
I got former Renault boss Flavio Briatore. | 0:48:53 | 0:48:57 | |
And Jeremy was given an elderly gentleman. | 0:48:57 | 0:49:00 | |
Bernie Ecclestone. | 0:49:00 | 0:49:03 | |
-Bernie Ecclestone, as I live and breathe! How are you this morning? -Good. (Michel!) | 0:49:03 | 0:49:08 | |
-Bernie? -Listen, we need these other two cars disqualified, huh? -No problem, no problem! | 0:49:08 | 0:49:15 | |
It was time to begin. | 0:49:15 | 0:49:18 | |
There's a flag waving. Oh, we're off. | 0:49:18 | 0:49:20 | |
-Try and hook a right here. -We have to stay left, I reckon. | 0:49:20 | 0:49:24 | |
No, you have to go there. JEREMY LAUGHS | 0:49:24 | 0:49:28 | |
-Bernie, you old cheat! -We gained a bit! -We gained a lot! | 0:49:28 | 0:49:34 | |
Let's go over to the right a bit, shall we? | 0:49:34 | 0:49:36 | |
-And then... What was that lift, what was that lift?! -I didn't need to lift there, did I? -No! | 0:49:36 | 0:49:41 | |
-JAMES: -I have to slow a bit. -Further. Go down with the gears. Jesus Christ! | 0:49:41 | 0:49:46 | |
-That's a tight right. -Brake, brake, brake. What are you doing? | 0:49:46 | 0:49:50 | |
Brake. Oh, my God! | 0:49:50 | 0:49:53 | |
There are actually people watching as well. What do they expect, I wonder. | 0:49:55 | 0:49:59 | |
They expect an accident. | 0:49:59 | 0:50:01 | |
-You lifted! -I'm terrified! I don't know what's going to happen! -Oh, God! | 0:50:06 | 0:50:10 | |
-JAMES: -It's secondo for this one. | 0:50:11 | 0:50:13 | |
Just brake, Jesus Christ. | 0:50:13 | 0:50:16 | |
-Be careful now, huh? -Yep. -Left, right... | 0:50:16 | 0:50:19 | |
It's too complicated, this. | 0:50:19 | 0:50:20 | |
Get the kerb on the left. You missed it. Get the curb on the right. You missed it. | 0:50:20 | 0:50:25 | |
Try and get this kerb. | 0:50:25 | 0:50:27 | |
Christ, we missed that one as well! | 0:50:27 | 0:50:29 | |
-Now, Rascasse. -Brake now. | 0:50:29 | 0:50:31 | |
-Oh, really late? -Accelerate now. | 0:50:31 | 0:50:34 | |
Tuition over, we ditched the teachers... | 0:50:34 | 0:50:37 | |
-That was good. Come on, that was good! -Jesus Christ. | 0:50:37 | 0:50:40 | |
..and set off on our warm-up lap. | 0:50:40 | 0:50:43 | |
I am out of my depth to a degree I've never before experienced. | 0:50:43 | 0:50:48 | |
The crowds were beside themselves as we started our first lap. | 0:50:48 | 0:50:52 | |
Here we go. | 0:50:54 | 0:50:55 | |
OK. | 0:50:59 | 0:51:01 | |
Now, this creeps up on you. | 0:51:01 | 0:51:02 | |
Whoa! | 0:51:08 | 0:51:09 | |
BLEEP! BLEEP! | 0:51:09 | 0:51:13 | |
-I'm struggling, I'm struggling! -Come on, Rich! | 0:51:15 | 0:51:18 | |
Wait till you can see the Armco before braking. That's now. | 0:51:23 | 0:51:27 | |
-Flavio corner. -ITALIAN ACCENT: -Jesus Christ-ah! | 0:51:37 | 0:51:42 | |
I caught them up. | 0:51:50 | 0:51:51 | |
Well late going in there. Get in, get in. | 0:51:53 | 0:51:57 | |
It is simply terrifying. You just have no... | 0:52:00 | 0:52:03 | |
I mean, look - fine, dead. | 0:52:03 | 0:52:06 | |
-Oh, dear God. -That's Hammond dealt with in the tunnel. | 0:52:15 | 0:52:18 | |
Now, James will not know where he's going. | 0:52:18 | 0:52:21 | |
OK, now we come down to the chicane, I think. | 0:52:21 | 0:52:23 | |
Or is it Raser-ma-casse-er-ma-casse? | 0:52:23 | 0:52:26 | |
Jezzer's going to have me here, I can feel it coming. | 0:52:29 | 0:52:33 | |
Under-braking. Get the grip from the zebra. | 0:52:37 | 0:52:40 | |
Got him. | 0:52:42 | 0:52:44 | |
Get this kerb. | 0:52:45 | 0:52:46 | |
Ooh, this is risky. I don't know the way! | 0:52:51 | 0:52:53 | |
Hammond, you bugger. | 0:52:53 | 0:52:56 | |
Oh, God almighty! I may have cocked that up a bit. | 0:52:56 | 0:53:00 | |
We now had just one lap left. It had to be a fast one. | 0:53:02 | 0:53:07 | |
My last ever lap of the Monaco Grand Prix track. | 0:53:11 | 0:53:14 | |
Don't mess this corner up again, Jeremy. | 0:53:14 | 0:53:16 | |
Whoa! | 0:53:16 | 0:53:18 | |
JEREMY LAUGHS | 0:53:20 | 0:53:22 | |
Just leave it in third. | 0:53:22 | 0:53:26 | |
Change into second. | 0:53:28 | 0:53:30 | |
That was better. | 0:53:33 | 0:53:34 | |
-ITALIAN ACCENT: -Careful, the barrier! It comes out-ah. | 0:53:34 | 0:53:37 | |
Get it in now. | 0:53:38 | 0:53:41 | |
Flat, flat, flat! | 0:53:52 | 0:53:54 | |
Oh! | 0:53:56 | 0:53:57 | |
-Aargh! He's getting away! -My mighty Fiat roaring in the tunnel at Monaco! | 0:53:57 | 0:54:02 | |
Topless women. Mustn't look. | 0:54:04 | 0:54:06 | |
I can see why racing drivers love this track. You are just on it. | 0:54:08 | 0:54:11 | |
Don't... Oh, God, strewth. | 0:54:19 | 0:54:22 | |
I think this is it. | 0:54:24 | 0:54:27 | |
Come on, everything you can. | 0:54:28 | 0:54:30 | |
Oh, my God! | 0:54:34 | 0:54:36 | |
What an extraordinary day! | 0:54:36 | 0:54:39 | |
Hee-ha-ha! | 0:54:39 | 0:54:42 | |
I have to say, that's pretty special. | 0:54:42 | 0:54:45 | |
What a fantastic moment. | 0:54:45 | 0:54:49 | |
Thank you, Bernie. Thank you, thank you, thank you, thank you so much! | 0:54:49 | 0:54:55 | |
-CHEERING, APPLAUSE That was amazing. -It was. | 0:54:58 | 0:55:04 | |
I really... | 0:55:04 | 0:55:06 | |
I really do mean that. | 0:55:06 | 0:55:09 | |
I really do, | 0:55:09 | 0:55:11 | |
I've never had a day I've enjoyed more, working, than that. | 0:55:11 | 0:55:14 | |
It was amazing. I'm not exactly steeped in F1 folklore, but still, | 0:55:14 | 0:55:19 | |
that was the most amazing track driving experience I've ever had. | 0:55:19 | 0:55:23 | |
And I've always thought the Monaco track worked | 0:55:23 | 0:55:25 | |
because of where it was, the harbour and the palace. But you could pick it up and put it in a field | 0:55:25 | 0:55:31 | |
in Lancashire, and it would still be a fantastic thing to drive around. | 0:55:31 | 0:55:34 | |
Yeah, absolutely. It would certainly be better than the Nurburgring, wouldn't it? | 0:55:34 | 0:55:39 | |
-LAUGHTER -It is now time to work out which of these cars is best. | 0:55:39 | 0:55:43 | |
We begin with the getting out of Lucca challenge. | 0:55:43 | 0:55:46 | |
-Jeremy, I believe you arrived first. -Yeah. -So you get ten points. | 0:55:46 | 0:55:50 | |
-Good. -Hammond, you were second, so you get five points. | 0:55:50 | 0:55:53 | |
And I, of course, was last so I only get two points. | 0:55:53 | 0:55:57 | |
However, the producers have said that any man who loses his car | 0:55:57 | 0:56:03 | |
in the city is actually disqualified. So, Hammond, I'm afraid you've got nought. | 0:56:03 | 0:56:07 | |
Oh, I can see where this is going already. | 0:56:07 | 0:56:12 | |
Nought for that. Now, the scavenger hunt - | 0:56:12 | 0:56:14 | |
er, Hammond, you finished first, so you get ten points. | 0:56:14 | 0:56:19 | |
I was second so I get five. | 0:56:19 | 0:56:21 | |
James, you were last so you get two. | 0:56:21 | 0:56:23 | |
However, because your ice cube had melted, | 0:56:23 | 0:56:26 | |
I'm afraid you lose a point for that so you actually only get one. | 0:56:26 | 0:56:28 | |
-Oh, dear. -Interestingly enough, Hammond, the producers said | 0:56:28 | 0:56:32 | |
-that because your dog wasn't real, that is minus two points. -Minus two? -Yes. | 0:56:32 | 0:56:37 | |
And also because your cedar tree turned out to be a larch, that's another minus two. | 0:56:37 | 0:56:43 | |
-Yeah, and finally, you didn't get a CD. So that's minus... -Oh, let me guess! Is it six? | 0:56:43 | 0:56:48 | |
-Yes, it is! -Is it? Is it really? | 0:56:48 | 0:56:51 | |
-So, six and two... -Is nought. -Yes, it is. Nought for that. | 0:56:51 | 0:56:55 | |
People in the car - James, you got 12. | 0:56:55 | 0:56:59 | |
I got 13 in the Citroen. And you got nought. | 0:56:59 | 0:57:04 | |
-I got 14 for that. -What? | 0:57:04 | 0:57:06 | |
-I got 14! -No, the producers have said that because your people weren't actually in your convertible, | 0:57:06 | 0:57:11 | |
-there were sort of on it, you were disqualified, so... -They were in it! Oh, for God's sake. | 0:57:11 | 0:57:16 | |
Nought. Now, the big one, the lap times. Hammond... | 0:57:16 | 0:57:21 | |
I did it in the Fiat in two minutes 20 seconds. | 0:57:21 | 0:57:24 | |
Ooh, two minutes 21. | 0:57:24 | 0:57:26 | |
Close. | 0:57:26 | 0:57:27 | |
This is tricky. | 0:57:27 | 0:57:29 | |
Well, I've got to look pleased now, haven't I, without being smug? | 0:57:29 | 0:57:32 | |
You're not pulling that off. | 0:57:32 | 0:57:35 | |
-Two minutes 15. -Oh, God. | 0:57:35 | 0:57:37 | |
-So, I get ten points. -Do you? | 0:57:37 | 0:57:40 | |
Er, wait a minute, you get... | 0:57:40 | 0:57:44 | |
Well, it can't be nought this time, can it? I finished! | 0:57:44 | 0:57:47 | |
You get five, and you get... I'm afraid last again, so that's another two. | 0:57:47 | 0:57:52 | |
OK, so, let's tot up the totals. | 0:57:52 | 0:57:55 | |
Jeremy, you have 38. | 0:57:55 | 0:57:59 | |
Excellent. The Citroen has won. | 0:57:59 | 0:58:01 | |
-I've got 17, and Hammond, I'm afraid you have five. -Five. | 0:58:01 | 0:58:07 | |
-No, you see, he doesn't. -Really? -No, because the producer said | 0:58:07 | 0:58:10 | |
it was a test of hot hatchbacks, and you must have a points deduction | 0:58:10 | 0:58:14 | |
for turning up in a car that wasn't a hatchback. | 0:58:14 | 0:58:17 | |
Really? How many points does he lose for that? | 0:58:17 | 0:58:20 | |
-It's five. -Is it really?! LAUGHTER | 0:58:20 | 0:58:24 | |
-So, I get nought...again. -Yes. | 0:58:24 | 0:58:28 | |
And on that bombshell, it's time to end. Thank you very much for watching. Good night! | 0:58:28 | 0:58:33 | |
CHEERING, WHISTLING | 0:58:33 | 0:58:35 | |
Subtitling by Red Bee Media Ltd | 0:58:46 | 0:58:49 |