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This programme contains some strong language | 0:00:07 | 0:00:14 | |
Hiya, my name's Cream. | 0:00:22 | 0:00:23 | |
Means Cash Rules Everything Around Me. | 0:00:23 | 0:00:26 | |
Don't forget that. | 0:00:26 | 0:00:27 | |
MUSIC: "Fix Up Look Sharp" by Dizzee Rascal | 0:00:28 | 0:00:30 | |
'I love this place, I come here all the time. | 0:00:31 | 0:00:34 | |
This is where the best ingredients are. It's the shit.' | 0:00:34 | 0:00:37 | |
I'm big into cooking, I'm a good cook. | 0:00:37 | 0:00:40 | |
My signature dish is Devonshire beef, | 0:00:40 | 0:00:42 | |
truffled mash sprinkled with Madeira sauce. | 0:00:42 | 0:00:46 | |
Now, that's the shit. | 0:00:46 | 0:00:47 | |
Yeah, that smells good. | 0:00:49 | 0:00:50 | |
'Being a rapper's all about' | 0:00:50 | 0:00:52 | |
bitches, money and fame, in that order. | 0:00:52 | 0:00:54 | |
What can I say? I love pussy. | 0:00:54 | 0:00:56 | |
Ooh, cat food. | 0:00:56 | 0:00:58 | |
'I got two cats, er, who I love - Money and Fame.' | 0:00:58 | 0:01:01 | |
I'm a rapper. Stands for Rude Ass Pussy Playin' Energy Roller. | 0:01:02 | 0:01:07 | |
Don't fuck with that. | 0:01:08 | 0:01:09 | |
Hello, Joel the train spotter here. | 0:01:09 | 0:01:12 | |
I'm here at my usual spot, train spotting. Please enjoy. | 0:01:12 | 0:01:15 | |
MUSIC: "Nightrain" by Guns N' Roses | 0:01:15 | 0:01:18 | |
Next train which I'm expecting should be a class... | 0:01:20 | 0:01:24 | |
..4-5-0 or triple four, | 0:01:25 | 0:01:27 | |
which will be expected to arrive in a couple of minutes, | 0:01:27 | 0:01:31 | |
and I sense it coming about now. | 0:01:31 | 0:01:33 | |
Just give it a minute. | 0:01:36 | 0:01:37 | |
OK... Ah, that's not the train. | 0:01:42 | 0:01:44 | |
Is this the 158? | 0:01:45 | 0:01:47 | |
No. | 0:01:48 | 0:01:50 | |
That's not the one. | 0:01:53 | 0:01:54 | |
That's not the one. | 0:01:56 | 0:01:57 | |
May my spellum bidding be done. | 0:02:01 | 0:02:03 | |
May my spellum bidding be done. | 0:02:03 | 0:02:05 | |
So may it be done! | 0:02:05 | 0:02:07 | |
Ah, come in. | 0:02:13 | 0:02:15 | |
Thank you. | 0:02:15 | 0:02:17 | |
-I'm Kev. -OK. -Just want you to give me a valuation of my property here. | 0:02:17 | 0:02:20 | |
Fantastic. That's what I'm here for. | 0:02:20 | 0:02:22 | |
May I introduce my wife, Sandy? | 0:02:22 | 0:02:24 | |
She takes different guises during the day, she's a cat at the moment. | 0:02:24 | 0:02:27 | |
-OK. -She'll become something else later, but just ignore her. | 0:02:27 | 0:02:30 | |
All right. OK. | 0:02:30 | 0:02:32 | |
Um, just let me check something. | 0:02:32 | 0:02:34 | |
MAGICAL WHOOSHING | 0:02:37 | 0:02:40 | |
No, you're fine. Just checking you're the right estate agent. | 0:02:40 | 0:02:43 | |
-OK, yeah. -We've been diddled a bit in the past, so... | 0:02:43 | 0:02:45 | |
-Um, OK, well, this is the living room. -Yeah. | 0:02:45 | 0:02:47 | |
-Lovely high ceilings here. -Yeah. | 0:02:47 | 0:02:49 | |
Um, I use that when me broomstick goes up. | 0:02:49 | 0:02:52 | |
Um, we do have a protective force field | 0:02:52 | 0:02:55 | |
that's in place around the flat, and that will be staying in place. | 0:02:55 | 0:02:59 | |
OK. | 0:02:59 | 0:03:00 | |
Do you think that would help at all, with the price? | 0:03:00 | 0:03:02 | |
Er, I-I doubt it would add any value, but I also doubt it would, | 0:03:02 | 0:03:05 | |
er, devalue the property in any way, either. | 0:03:05 | 0:03:07 | |
-OK. OK. -OK. | 0:03:07 | 0:03:09 | |
Hi, I'm Jonny Nash - ladies' man. | 0:03:10 | 0:03:13 | |
MUSIC: "Sexy And I Know It" by LMFAO | 0:03:14 | 0:03:16 | |
-So, what do you do? -Er, I'm a writer. | 0:03:23 | 0:03:25 | |
-I'm a writer, as well. -You are? What do you write? | 0:03:25 | 0:03:27 | |
-Yeah. Dirty poetry. -Dirty poetry? | 0:03:27 | 0:03:29 | |
-Yeah! I've got a good one here, actually. -Have you? -Yeah. | 0:03:29 | 0:03:33 | |
Just kind of like - "You look so innocent, you look so sweet, | 0:03:33 | 0:03:36 | |
"as long as I have a face you'll always have a seat." | 0:03:36 | 0:03:38 | |
LAUGHTER | 0:03:40 | 0:03:41 | |
So, I'll grab your number now and then, I tell you what, | 0:03:41 | 0:03:45 | |
we'll go out tomorrow night, | 0:03:45 | 0:03:47 | |
we can play, we can play carpenter tomorrow night. | 0:03:47 | 0:03:49 | |
-We can play what? -Carpenter. | 0:03:49 | 0:03:51 | |
We'll go out, get hammered and then I'll nail you. | 0:03:51 | 0:03:54 | |
-SHE LAUGHS -Oh, my God. | 0:03:54 | 0:03:56 | |
-BELL RINGS -Sorry, I have to go. | 0:03:56 | 0:03:57 | |
-You have to go. -Yeah. -But before you go... -Yeah? | 0:03:57 | 0:04:00 | |
How about your number? | 0:04:00 | 0:04:01 | |
My number's six. Give that a call. | 0:04:01 | 0:04:03 | |
# He's here, he's queer | 0:04:04 | 0:04:06 | |
# He takes it up the rear | 0:04:06 | 0:04:08 | |
# It's got to be Ally! # | 0:04:08 | 0:04:09 | |
MUSIC: "Die Young" by Keha | 0:04:09 | 0:04:12 | |
# Let's make the most of the night | 0:04:12 | 0:04:13 | |
# Like we're gonna die young. # | 0:04:13 | 0:04:15 | |
OK, guys, I'm going to read you a nice love story today for a nice change. | 0:04:15 | 0:04:20 | |
It's a bit of romance, | 0:04:20 | 0:04:21 | |
cos we all need a bit of romance in our lives, don't we, guys? | 0:04:21 | 0:04:24 | |
QUIET SNORING | 0:04:24 | 0:04:25 | |
I thought it would make a change from all the horror stories | 0:04:25 | 0:04:28 | |
I keep reading you about pet cemeteries, | 0:04:28 | 0:04:30 | |
and yous don't want to be hearing about cemeteries, do you, really? | 0:04:30 | 0:04:33 | |
Not at your stage of life. OK, so let's begin. | 0:04:33 | 0:04:36 | |
"Alan had not noticed the new lifeguard on the beach before. | 0:04:37 | 0:04:41 | |
"As he put down his towel in his usual spot, | 0:04:41 | 0:04:43 | |
"which always got the best of the day's sun, he couldn't help | 0:04:43 | 0:04:46 | |
"glancing towards the white wooden steps the lifeguards always sat on. | 0:04:46 | 0:04:50 | |
"The lifeguards on this beach were always good looking, | 0:04:50 | 0:04:52 | |
"but there was something else about this one, | 0:04:52 | 0:04:54 | |
"something which meant Alan couldn't take his eyes off him. | 0:04:54 | 0:04:57 | |
"He had a muscular build, rippling biceps and skin the colour of caramel, | 0:04:57 | 0:05:01 | |
"which glistened and sparkled with sand, | 0:05:01 | 0:05:04 | |
"and the fiercest blue eyes Alan had ever seen | 0:05:04 | 0:05:07 | |
"under a mop of soft blonde hair. | 0:05:07 | 0:05:09 | |
"But from where Alan was now lying there was something else, too, | 0:05:09 | 0:05:12 | |
"as the lifeguard casually shifted his legs wide apart, | 0:05:12 | 0:05:16 | |
"giving Alan the full frontal view of his..." | 0:05:16 | 0:05:18 | |
THUNDER RUMBLES | 0:05:18 | 0:05:21 | |
DRAMATIC MUSIC | 0:05:21 | 0:05:23 | |
How long does it take for a bus? | 0:05:31 | 0:05:33 | |
Hell, I don't know, do I? Probably about an hour. | 0:05:33 | 0:05:36 | |
An hour? That's a bit too far. | 0:05:37 | 0:05:39 | |
We've been waiting here, how long now? Ten, 15 minutes? | 0:05:39 | 0:05:42 | |
That's not really that long - long is like two hours. | 0:05:42 | 0:05:46 | |
I'm not going to wait two hours for a bus. | 0:05:46 | 0:05:48 | |
I know, well we haven't waited for that long, have we? | 0:05:48 | 0:05:50 | |
But you can't say waiting for ten, 15 minutes is a long time. | 0:05:50 | 0:05:54 | |
It is for a bus. | 0:05:54 | 0:05:55 | |
Rise, price of flat, higher and higher, rise! | 0:05:59 | 0:06:04 | |
Mighty power, higher and higher. | 0:06:04 | 0:06:06 | |
-Hiya. -Welcome back. You've had a good look round? | 0:06:06 | 0:06:08 | |
I've had a very good look round. | 0:06:08 | 0:06:10 | |
A couple of bits here and there I would say need decoration before the re-let of the property. | 0:06:10 | 0:06:14 | |
But, I believe, with everything put in place, we could reach a figure around 575. | 0:06:14 | 0:06:18 | |
OK. I'd like to offer you a drink. | 0:06:18 | 0:06:20 | |
MYSTICAL MUSIC | 0:06:20 | 0:06:22 | |
Quite a nice taste, isn't it? | 0:06:29 | 0:06:31 | |
It's not bad, actually, not bad at all. | 0:06:31 | 0:06:32 | |
-Mm, that's a magical potion that I made up earlier. -OK. | 0:06:32 | 0:06:35 | |
To try and put your mind into a mode that will kind of up the price. | 0:06:35 | 0:06:40 | |
-OK. -To push it all the way to the roof, if you can. | 0:06:40 | 0:06:43 | |
At the moment I'm going to stick with the, er... | 0:06:43 | 0:06:45 | |
price I said of 575. | 0:06:45 | 0:06:47 | |
-See what happens when the telepathy kicks in. -OK. | 0:06:47 | 0:06:49 | |
And I think, in the meantime, my wife down there is also thinking thoughts at you. | 0:06:49 | 0:06:53 | |
Yeah. | 0:06:53 | 0:06:54 | |
What it might do, um, might be useful, | 0:06:54 | 0:06:56 | |
is if I do a quick evaluation ceremony. | 0:06:56 | 0:06:58 | |
Yeah. | 0:06:58 | 0:07:00 | |
OK. Yeah, that's fine. | 0:07:00 | 0:07:01 | |
ELEMENTS OF EARTH AND AIR, FIRE AND WATER, | 0:07:01 | 0:07:05 | |
DRAWN TOGETHER FROM EVERY QUARTER, SO MAY IT BE DONE! | 0:07:05 | 0:07:08 | |
OK. | 0:07:11 | 0:07:12 | |
Any difference in the price, do you think? | 0:07:12 | 0:07:14 | |
Again, not at the moment. I'll still keep it at the 575 figure. | 0:07:14 | 0:07:17 | |
-OK, well, thank you for coming round. -That's no problem whatsoever. | 0:07:17 | 0:07:20 | |
-And, er, you've got my phone number. -Yeah. -For WHEN I change your mind. | 0:07:20 | 0:07:24 | |
I doubt I will change my mind, to be honest. | 0:07:24 | 0:07:26 | |
I'm sure you're going to change your mind. | 0:07:26 | 0:07:28 | |
-OK. I can't see it changing. -I really am sure. | 0:07:28 | 0:07:30 | |
-OK. -Anyway, let me see you out. | 0:07:30 | 0:07:32 | |
OK, thank you very much. | 0:07:32 | 0:07:33 | |
So may it be done! | 0:07:42 | 0:07:44 | |
Time for the finger of awesomeness and the thumb of power. | 0:07:44 | 0:07:48 | |
MUSIC: "Sweat" by Snoop Dogg | 0:07:48 | 0:07:50 | |
# I just wanna make you sweat. # | 0:07:50 | 0:07:52 | |
Hi, guys. Just like in real life, | 0:07:52 | 0:07:54 | |
you might find yourself just about to step in a pile of shit. | 0:07:54 | 0:07:57 | |
Doesn't mean you have to. | 0:07:57 | 0:07:59 | |
You can always step over it. | 0:07:59 | 0:08:00 | |
Job done. | 0:08:00 | 0:08:02 | |
Use trees and all living things to harness the power of energy. | 0:08:02 | 0:08:05 | |
Ha! Feeling energised and awesome! | 0:08:06 | 0:08:08 | |
Make good use of the dog, | 0:08:08 | 0:08:10 | |
and play with the children. | 0:08:10 | 0:08:12 | |
My name's Dorota. I am an actress. | 0:08:12 | 0:08:15 | |
I'm exclusive lady and I love film. Thank you. | 0:08:15 | 0:08:18 | |
Hello. My name is Atonu. | 0:08:19 | 0:08:21 | |
I am the husband and manager of this talented actress. | 0:08:21 | 0:08:24 | |
MUSIC PLAYED THROUGH PHONE: "Pretty Woman" by Roy Orbison | 0:08:30 | 0:08:36 | |
MUSIC STOPS | 0:08:39 | 0:08:41 | |
Hi, do you remember me? | 0:08:42 | 0:08:44 | |
No. Er, yes. | 0:08:44 | 0:08:45 | |
You didn't se...sell me test yesterday. | 0:08:46 | 0:08:49 | |
-Do you working on commission? -Yes. | 0:08:49 | 0:08:52 | |
This is big, big mistake. Huge one! | 0:08:52 | 0:08:54 | |
Now I going for the shopping. | 0:08:55 | 0:08:57 | |
MUSIC STARTS | 0:08:58 | 0:09:00 | |
HE SPEAKS IN OWN LANGUAGE | 0:09:02 | 0:09:04 | |
Oh, yes. | 0:09:04 | 0:09:05 | |
HE SPEAKS IN OWN LANGUAGE | 0:09:05 | 0:09:08 | |
Sorry. | 0:09:08 | 0:09:09 | |
Still waiting for the class treble four to come through. | 0:09:11 | 0:09:16 | |
That's not it. | 0:09:16 | 0:09:17 | |
No. | 0:09:19 | 0:09:20 | |
4-5-0, that's not it. | 0:09:20 | 0:09:22 | |
HE EXHALES | 0:09:24 | 0:09:26 | |
Oh, is that the train? | 0:09:28 | 0:09:29 | |
No. | 0:09:31 | 0:09:33 | |
MUSIC: "Candy" by Robbie Williams | 0:09:35 | 0:09:37 | |
-Ola. -Hello. -How are you? | 0:09:49 | 0:09:51 | |
-Very good to meet you. Jack. -Ah, my name is Talina. | 0:09:51 | 0:09:54 | |
-Great to meet you. -Nice to meet you. | 0:09:54 | 0:09:56 | |
You too. Please take a seat. | 0:09:56 | 0:09:58 | |
Er, Jack... | 0:09:58 | 0:09:59 | |
I'm a simple girl. I'm looking for exotic luxury adventure. | 0:10:00 | 0:10:05 | |
Er, how many persons would be travelling? | 0:10:05 | 0:10:07 | |
Two. | 0:10:07 | 0:10:08 | |
-Two. -HE LAUGHS | 0:10:08 | 0:10:09 | |
Actually, you know, | 0:10:09 | 0:10:12 | |
do you think we can look around in the hot steamy jungle? | 0:10:12 | 0:10:16 | |
Yes, um, well, that's... | 0:10:16 | 0:10:18 | |
So, what can you offer? | 0:10:18 | 0:10:19 | |
We could have a look at properties in the Caribbean for you, | 0:10:20 | 0:10:23 | |
and then you said going to the jungle, as well. | 0:10:23 | 0:10:25 | |
What we can do at Abercrombie & Kent is that, certainly for... | 0:10:25 | 0:10:27 | |
I think your eyes, it's really very blue, like sea. | 0:10:27 | 0:10:30 | |
Thank you, that's very kind of you to say. Thank you. | 0:10:30 | 0:10:32 | |
I really would like to travel. | 0:10:32 | 0:10:34 | |
I would like to wide my horizon... | 0:10:34 | 0:10:36 | |
OK. | 0:10:36 | 0:10:38 | |
Would you like to widen my horizon? | 0:10:38 | 0:10:41 | |
When I look into your eyes I really feel myself so happy. | 0:10:42 | 0:10:46 | |
LAUGHTER | 0:10:46 | 0:10:47 | |
-That's awfully kind of you to say. -Yeah. | 0:10:47 | 0:10:49 | |
I'm a super lover undercover, there can never be no other. | 0:10:51 | 0:10:55 | |
Not many people know this about me, | 0:10:55 | 0:10:57 | |
but I'm world class at Sudoku and crosswords. | 0:10:57 | 0:11:00 | |
Nobody can beat me at a crossword, | 0:11:00 | 0:11:02 | |
and if they try I have to take 'em out. | 0:11:02 | 0:11:04 | |
DANCE MUSIC | 0:11:05 | 0:11:07 | |
What a lovely morning! | 0:11:14 | 0:11:16 | |
The tea is ready already. | 0:11:18 | 0:11:20 | |
How warm! How cosy! | 0:11:20 | 0:11:22 | |
How beautiful would it be to share it with a loving wife and children? | 0:11:29 | 0:11:34 | |
SONG: "Tea for Two" by Pablo Bubar | 0:11:34 | 0:11:36 | |
# Picture you upon my knee | 0:11:36 | 0:11:39 | |
# Just tea for two and two for tea | 0:11:39 | 0:11:43 | |
# Just me for you and you for me, alone | 0:11:43 | 0:11:50 | |
# Nobody near us, to see us or hear us | 0:11:51 | 0:11:55 | |
# No friends or relations on weekend vacations | 0:11:55 | 0:11:58 | |
# We won't have it known, dear | 0:11:58 | 0:12:01 | |
# That we own a telephone, dear | 0:12:01 | 0:12:06 | |
# Day will break and you'll awake | 0:12:06 | 0:12:10 | |
# And start to bake a sugar cake | 0:12:10 | 0:12:14 | |
# For me to take for all the boys to see | 0:12:14 | 0:12:21 | |
# We will raise a family | 0:12:21 | 0:12:25 | |
# A boy for you, a girl for me | 0:12:25 | 0:12:30 | |
# Oh, can't you see | 0:12:30 | 0:12:32 | |
# How happy we would be? # | 0:12:32 | 0:12:39 | |
-Hello. -Hello! | 0:12:44 | 0:12:46 | |
How are you? | 0:12:46 | 0:12:47 | |
Better now that you're here. | 0:12:47 | 0:12:48 | |
LAUGHTER | 0:12:48 | 0:12:50 | |
-I'm Angel. -They call me Coffee. | 0:12:50 | 0:12:52 | |
-Coffee? -Yeah. -Coffee. -Cos I grind so fine. | 0:12:52 | 0:12:55 | |
LAUGHTER | 0:12:55 | 0:12:57 | |
Very good. What do you do? | 0:12:57 | 0:12:59 | |
-I'm an astronaut. -Astronaut, yeah? | 0:12:59 | 0:13:01 | |
-Yeah. -And my next mission... -Are you? | 0:13:01 | 0:13:03 | |
..is to explore Uranus. | 0:13:03 | 0:13:05 | |
Yeah?! | 0:13:05 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
I like it, carry on. | 0:13:09 | 0:13:11 | |
You like a bit of that, eh? | 0:13:11 | 0:13:12 | |
I've gone all quiet now! | 0:13:12 | 0:13:14 | |
You are bad boy! | 0:13:14 | 0:13:16 | |
Yes, I am, baby! | 0:13:16 | 0:13:17 | |
Yeah, why don't we get out of here? We can do a 68. | 0:13:17 | 0:13:19 | |
-A 68, yeah? -Mm. | 0:13:19 | 0:13:20 | |
-Not a 69? -Do you know what it is? -No. | 0:13:20 | 0:13:22 | |
It's where you go down on me and I'll owe you one. | 0:13:22 | 0:13:25 | |
LAUGHTER | 0:13:25 | 0:13:27 | |
Oh, my gosh! | 0:13:27 | 0:13:28 | |
Let me show you some of the finer oral actions. | 0:13:28 | 0:13:30 | |
Yeah? | 0:13:30 | 0:13:32 | |
-Oh, my God! -HE FLAPS HIS TONGUE | 0:13:32 | 0:13:35 | |
Oh, my gosh! It looks like a false tongue. | 0:13:35 | 0:13:38 | |
LAUGHTER | 0:13:38 | 0:13:39 | |
That's a trick one, isn't it? Oh, my gosh. | 0:13:39 | 0:13:42 | |
Trust you to get a naughty thing in... | 0:13:42 | 0:13:44 | |
-Oh, my God! -Woo! | 0:13:46 | 0:13:48 | |
-Yeah, I've got a little tattoo. -So, the little one is where? | 0:13:48 | 0:13:51 | |
-It's a ten-inch ruler. -Oh, it's a ten inch ruler! | 0:13:51 | 0:13:53 | |
You know where it's tattooed! | 0:13:56 | 0:13:58 | |
-That's good. I thought you couldn't get out of that one. -Yeah. | 0:13:58 | 0:14:01 | |
MUSIC: "Bom Bom" by Sam and the Womps | 0:14:02 | 0:14:06 | |
HORN BLARES AND BIKE CRASHES | 0:14:15 | 0:14:18 | |
-Excuse me. -Yes? | 0:14:40 | 0:14:42 | |
Do you have any outfits | 0:14:42 | 0:14:44 | |
made up of sanitary pads? | 0:14:44 | 0:14:46 | |
Sanitary... Sanitary pads? | 0:14:46 | 0:14:47 | |
Yes. | 0:14:47 | 0:14:48 | |
-Um, no. -How about something like this? | 0:14:48 | 0:14:51 | |
Um... | 0:14:51 | 0:14:53 | |
I'm the one which actually made it and I designed it. | 0:14:53 | 0:14:56 | |
In your shop I can see that you don't have something | 0:14:56 | 0:15:00 | |
-as unique as this maxi dress. -No, we don't. | 0:15:00 | 0:15:03 | |
-Do you like it? -Er... | 0:15:03 | 0:15:05 | |
Not personally. | 0:15:05 | 0:15:07 | |
-I actually think that it suits you. -Suits me? | 0:15:07 | 0:15:11 | |
Yes, I think so. And it's actually unique. | 0:15:11 | 0:15:14 | |
Nobody has actually worn something like this, um, outfit. | 0:15:14 | 0:15:19 | |
It's a maxi dress. What it simply does, it's, er... | 0:15:20 | 0:15:23 | |
I think it's quite unattractive, cos you're wearing sanitary towels. | 0:15:23 | 0:15:27 | |
Right. The idea is uniqueness. | 0:15:27 | 0:15:30 | |
Nobody's actually done, er, any, er, any outfit with sanitary towels. | 0:15:30 | 0:15:35 | |
Mmm. | 0:15:35 | 0:15:36 | |
Why, why did you want to design something like this? | 0:15:36 | 0:15:38 | |
-If you, if you're on the beach... -Yeah. | 0:15:38 | 0:15:40 | |
..having your bikini, just put this one on top and it's fine. | 0:15:40 | 0:15:43 | |
It's not a very good material, though, for the beach, | 0:15:43 | 0:15:45 | |
cos this would, like, absorb the water and... | 0:15:45 | 0:15:47 | |
If you wear this dress, you go outside, | 0:15:47 | 0:15:50 | |
within hours you'll be in the newspaper. | 0:15:50 | 0:15:52 | |
Yeah, probably thinking you're crazy. | 0:15:52 | 0:15:54 | |
They'll be following you. | 0:15:54 | 0:15:55 | |
If you can actually buy this design, | 0:15:55 | 0:15:57 | |
you might actually make very good customers which are celebrities. | 0:15:57 | 0:16:01 | |
Yeah. | 0:16:01 | 0:16:02 | |
MUSIC: "Gold Dust" by DJ Fresh | 0:16:02 | 0:16:04 | |
Hello. | 0:16:14 | 0:16:16 | |
Hi, Louis, how'd you do? I'm Chris. | 0:16:16 | 0:16:18 | |
-I'm Louis. -Yeah. Have a seat, mate. -Thank you. | 0:16:18 | 0:16:20 | |
Right then. | 0:16:21 | 0:16:23 | |
Now, let's start. | 0:16:23 | 0:16:25 | |
Tell me all about yourself. | 0:16:25 | 0:16:26 | |
I'm working in a butcher's, I just feel like | 0:16:26 | 0:16:29 | |
I want to do something else and I really ain't sure what I want to do. | 0:16:29 | 0:16:32 | |
-What type of something else would that be? -Not too sure. | 0:16:32 | 0:16:34 | |
When I was at school they sent me on courses, | 0:16:34 | 0:16:36 | |
I did bricklaying, a little bit of plumbing. | 0:16:36 | 0:16:38 | |
When you're doing something that you really enjoy doing, | 0:16:38 | 0:16:41 | |
what-what is that? | 0:16:41 | 0:16:42 | |
And maybe, cos what we could then do is turn that interest | 0:16:42 | 0:16:45 | |
or passion that you've got into, er, a job. | 0:16:45 | 0:16:49 | |
Well, this is a skill I have. | 0:16:49 | 0:16:50 | |
MUSIC: "Scream and Shout" by Will.I.Am | 0:16:53 | 0:16:55 | |
-MUSIC STOPS -Yeah, I think that's cool Louis. | 0:17:13 | 0:17:15 | |
-I don't think that we need to demonstrate it. No. -No? -No. | 0:17:15 | 0:17:18 | |
Don't you like it? | 0:17:18 | 0:17:19 | |
Well, I don't know, man. I mean, it's really not for me, is it? | 0:17:19 | 0:17:22 | |
-Why is it not for you? -Mm? | 0:17:22 | 0:17:25 | |
Everyone likes different things, don't they? | 0:17:25 | 0:17:27 | |
Yeah, but... | 0:17:27 | 0:17:28 | |
MUSIC STARTS | 0:17:28 | 0:17:31 | |
MUSIC STOPS | 0:17:42 | 0:17:43 | |
You looked shocked. | 0:17:43 | 0:17:44 | |
No, bemused, man. | 0:17:44 | 0:17:46 | |
-Bemused? -Yes. | 0:17:46 | 0:17:47 | |
MUSIC STARTS AGAIN | 0:17:50 | 0:17:52 | |
MUSIC STOPS | 0:17:57 | 0:17:58 | |
Tell you what Louis, why don't you put your clothes back on, mate? | 0:17:58 | 0:18:01 | |
I think we've seen enough. Let me give you some notes. | 0:18:01 | 0:18:05 | |
-Come on, pull your chair right in. -LOUIS LAUGHS | 0:18:05 | 0:18:08 | |
Right, take a pen. | 0:18:08 | 0:18:10 | |
OK, what makes you think you can be a male stripper? | 0:18:10 | 0:18:13 | |
Well, I enjoy having a good time with the ladies, | 0:18:13 | 0:18:15 | |
and I've got a nice-sized piece. | 0:18:15 | 0:18:17 | |
Right, OK. Right. | 0:18:17 | 0:18:20 | |
PHONE RINGS | 0:18:26 | 0:18:27 | |
'You know who I am! I am coming...!' | 0:18:33 | 0:18:37 | |
My God! Oh, my God! | 0:18:37 | 0:18:39 | |
Oh, my... | 0:18:39 | 0:18:41 | |
'You don't know anything about me, but I know everything about you. | 0:18:41 | 0:18:45 | |
'I am coming...' | 0:18:46 | 0:18:48 | |
Oh, my God, he is coming! Oh, my God, he is coming! | 0:18:48 | 0:18:51 | |
Oh, my God, he is coming! Oh, my God, he is coming! | 0:18:51 | 0:18:55 | |
Oh, my god, he is coming! Argh! | 0:18:55 | 0:18:58 | |
'Coming, coming, coming...' | 0:18:58 | 0:19:00 | |
FOOTSTEPS APPROACH | 0:19:00 | 0:19:03 | |
-Finished, yeah? -Mm. | 0:19:04 | 0:19:05 | |
Still waiting. | 0:19:05 | 0:19:07 | |
Not yet. | 0:19:13 | 0:19:14 | |
Um, what kind of accommodation do you think we should have? | 0:19:16 | 0:19:20 | |
Maybe a honeymoon suite? | 0:19:20 | 0:19:23 | |
I do have a, a girlfriend Vicky, | 0:19:23 | 0:19:25 | |
who's the absolute love of my life, so, you know... | 0:19:25 | 0:19:27 | |
It's so, so sweet. Do you have very nice friend? | 0:19:27 | 0:19:30 | |
Er, yes, I've lots of very good friends, yeah. | 0:19:30 | 0:19:32 | |
-OK, fine, he can take me. -LAUGHTER | 0:19:32 | 0:19:35 | |
Yeah, so, actually I have idea... | 0:19:35 | 0:19:38 | |
Do you think me and your friend, do you think we can join you | 0:19:38 | 0:19:41 | |
-and your girlfriend when you're going for holidays? -LAUGHTER | 0:19:41 | 0:19:44 | |
The holidays I have with my girlfriend, they're very special, | 0:19:44 | 0:19:47 | |
they're very intimate, so I want to make sure... | 0:19:47 | 0:19:49 | |
It's all right, you will have more fun with me and your friend. | 0:19:49 | 0:19:51 | |
HE LAUGHS | 0:19:51 | 0:19:53 | |
Well, I guess in one sense I would need to know your preferred price range? | 0:19:53 | 0:19:56 | |
-Uh? -Your preferred price range. | 0:19:56 | 0:19:58 | |
Why do you need to think about the price? | 0:19:58 | 0:20:01 | |
Oh, just so I get a gauge, I want to make sure I'm meeting all of your expectations. | 0:20:01 | 0:20:04 | |
I don't really think I need to know the price. | 0:20:04 | 0:20:06 | |
I mean, it doesn't really matter, but you can give the price | 0:20:06 | 0:20:11 | |
to your friend and I think he will be happy to pay. | 0:20:11 | 0:20:14 | |
Well, um, what... | 0:20:14 | 0:20:15 | |
Once he meet me, do you know, to be honest, I'm a happiness. | 0:20:15 | 0:20:19 | |
I bring happiness. | 0:20:19 | 0:20:21 | |
-Mm-hmm. -But I think it's not a lot. | 0:20:22 | 0:20:23 | |
I think your friend will be fine to pay. | 0:20:23 | 0:20:26 | |
-LAUGHTER -I mean, certainly with... | 0:20:26 | 0:20:28 | |
Because how I told you, I'm a normal girl, I'm a simple one, | 0:20:28 | 0:20:31 | |
-but I have very high standard. -Mm-hmm. | 0:20:31 | 0:20:33 | |
If you do have any questions I'm only one phone call or e-mail away. I'm here to help. | 0:20:33 | 0:20:37 | |
Sure. I will call you tonight. | 0:20:37 | 0:20:39 | |
Thank you, that's very kind, | 0:20:39 | 0:20:41 | |
but, um, my office hours at the moment are ten till six o'clock. | 0:20:41 | 0:20:45 | |
THUNDER RUMBLES | 0:20:47 | 0:20:49 | |
DRAMATIC MUSIC | 0:20:49 | 0:20:50 | |
What I have been told is that you're not supposed to... | 0:20:59 | 0:21:02 | |
When it's raining or really pouring down, | 0:21:02 | 0:21:04 | |
-you're supposed to walk home in the rain, not run. -Really? | 0:21:04 | 0:21:08 | |
Because you get, you get less wet, | 0:21:08 | 0:21:10 | |
-Cos when you run you're running into the rain more. -Mm. | 0:21:10 | 0:21:13 | |
-So that's what gets you more wet. -Well, I never knew that at all. | 0:21:13 | 0:21:16 | |
-Yeah. So that's a handy tip for when you're in the rain... -Yeah? | 0:21:16 | 0:21:19 | |
..and it's pouring down, you just walk home, don't run. | 0:21:19 | 0:21:22 | |
"Alan had never made a movie like this before. | 0:21:24 | 0:21:28 | |
"The whole film set was around a pool in the hills above Los Angeles, | 0:21:28 | 0:21:31 | |
"and even before he had arrived, half the cast seemed to have | 0:21:31 | 0:21:34 | |
"all their clothes off, and they were frolicking in the hot tub. | 0:21:34 | 0:21:37 | |
"Amongst them, someone Alan recognised - | 0:21:37 | 0:21:39 | |
"well-built with caramel coloured skin and a mop of blonde hair." | 0:21:39 | 0:21:43 | |
QUIET SNORING | 0:21:43 | 0:21:44 | |
"He was clearly going to be the biggest star of this film | 0:21:44 | 0:21:47 | |
"and Alan could see why." | 0:21:47 | 0:21:49 | |
Could be a long day, Ronnie. | 0:21:58 | 0:22:00 | |
MUSIC: "Get Hyper" by Droideka | 0:22:00 | 0:22:03 | |
Front elevation, side elevation, plan. | 0:22:05 | 0:22:09 | |
Originally this one were about nothing - | 0:22:10 | 0:22:14 | |
three people staring into the abyss. | 0:22:14 | 0:22:18 | |
Then I thought about Moses, then I decided on the French Revolution | 0:22:18 | 0:22:25 | |
because I thought this one would bring the crowds in. | 0:22:25 | 0:22:29 | |
The French Revolution - | 0:22:34 | 0:22:36 | |
the story, their heads come off and they fall into the basket. | 0:22:36 | 0:22:42 | |
That's pretty good, that, | 0:22:43 | 0:22:46 | |
and it fetched the crowds in, | 0:22:46 | 0:22:48 | |
similar to what I'm trying to do. | 0:22:48 | 0:22:51 | |
This one should get 'em thinking quite deep. | 0:22:53 | 0:22:56 | |
Yeah. | 0:22:58 | 0:23:00 | |
I like it. | 0:23:01 | 0:23:02 | |
Ugh! | 0:23:04 | 0:23:05 | |
Ugh! Argh! | 0:23:05 | 0:23:07 | |
Hang on a minute, guys, I'll be with you in a second, | 0:23:08 | 0:23:11 | |
I'm just trying to push this wall over. | 0:23:11 | 0:23:13 | |
Of course, I'm not really trying to push the wall over, am I? | 0:23:13 | 0:23:16 | |
But how many times do you come up against an obstacle in your life | 0:23:16 | 0:23:19 | |
and you try and barge your way through it? | 0:23:19 | 0:23:20 | |
Wouldn't it just be simpler to step away and find a way round it? | 0:23:20 | 0:23:24 | |
-What's this now? -That's my ex. | 0:23:27 | 0:23:28 | |
Ah, see now... | 0:23:28 | 0:23:30 | |
Oh, she's... That's Charlotte Church, isn't it? | 0:23:30 | 0:23:32 | |
-Mm. -She's your ex? -Yeah. | 0:23:32 | 0:23:34 | |
-That's in my restaurant. -So, she came to your restaurant, | 0:23:34 | 0:23:37 | |
and then you said she was your girlfriend! | 0:23:37 | 0:23:39 | |
But why would she come to my restaurant? | 0:23:39 | 0:23:41 | |
Maybe she likes the food. | 0:23:41 | 0:23:43 | |
-Did you meet her... -Huh? | 0:23:43 | 0:23:44 | |
-..and then take this photo and say she's your girlfriend? -No. | 0:23:44 | 0:23:47 | |
Um... Well, good on you, | 0:23:47 | 0:23:48 | |
Charlotte Church is a gorgeous girl, so... | 0:23:48 | 0:23:51 | |
Mm, I'm hot. | 0:23:51 | 0:23:52 | |
-I'm burning up right here! -I know the feeling. | 0:23:52 | 0:23:55 | |
Hotness! | 0:23:57 | 0:23:58 | |
Oh, wow, that's pretty cool. SHE LAUGHS | 0:23:58 | 0:24:00 | |
If I do that will it burn me? It smells a bit! | 0:24:00 | 0:24:03 | |
-That's just my skin. -That's just you! | 0:24:03 | 0:24:04 | |
-"Just my skin burning, it's fine." -Yeah, just my hand frying up. | 0:24:04 | 0:24:07 | |
-I'm well into male grooming myself. -Are you? | 0:24:07 | 0:24:09 | |
Yeah, had a little male grooming accident. | 0:24:09 | 0:24:12 | |
What happened? | 0:24:12 | 0:24:13 | |
-I thought I'd go laser my chest. -Laser your chest? | 0:24:13 | 0:24:16 | |
Yeah, I did a couple of treatments, but I couldn't hack it. | 0:24:16 | 0:24:19 | |
You didn't man up? | 0:24:19 | 0:24:20 | |
So, what, you're half and half, or...? Oh, are we going to see? | 0:24:20 | 0:24:23 | |
Oh, I'm very excited about this. | 0:24:23 | 0:24:25 | |
Oh, what are we going to see? How far down did they go?! | 0:24:25 | 0:24:28 | |
I did say I was a dancer. | 0:24:28 | 0:24:30 | |
Oh, it kind of looks like a little top. | 0:24:31 | 0:24:34 | |
Stands for V. | 0:24:34 | 0:24:35 | |
-V? -Yeah. -Why? | 0:24:35 | 0:24:37 | |
V-I-P. | 0:24:37 | 0:24:38 | |
Why is this telephone not ringing? You have su...you... | 0:24:45 | 0:24:48 | |
RING TONE | 0:24:48 | 0:24:51 | |
HE GROANS | 0:24:51 | 0:24:53 | |
Hello. | 0:24:59 | 0:25:01 | |
Hello, is Transylvania there? | 0:25:02 | 0:25:04 | |
Yes. | 0:25:04 | 0:25:06 | |
Can I talk with Count Dracula, please? | 0:25:06 | 0:25:09 | |
Er, speaking. | 0:25:09 | 0:25:11 | |
Do you remember me? It's me, Claudia. | 0:25:11 | 0:25:14 | |
It is you? | 0:25:14 | 0:25:16 | |
You want me? You want me? | 0:25:16 | 0:25:19 | |
You want me? | 0:25:19 | 0:25:20 | |
Yes, yes, yes, I want you. | 0:25:20 | 0:25:22 | |
No problem. Where are you? | 0:25:23 | 0:25:26 | |
In London. | 0:25:26 | 0:25:27 | |
No problem. | 0:25:27 | 0:25:29 | |
I will see you tomorrow at midnight | 0:25:29 | 0:25:32 | |
at Muswell Hill, in London. | 0:25:32 | 0:25:35 | |
But be careful - if you want not to be bitten by me | 0:25:35 | 0:25:39 | |
then you must bring garlic with you, | 0:25:39 | 0:25:41 | |
because the temptation is too strong for me, | 0:25:41 | 0:25:44 | |
and if I bite you then you remain for me for ever. | 0:25:44 | 0:25:49 | |
Therefore, the choice is up to you. | 0:25:49 | 0:25:51 | |
In anyway, I will see you tomorrow at midnight. | 0:25:51 | 0:25:55 | |
I cannot wait. My heart is once again jump for you. | 0:25:55 | 0:26:00 | |
See you on Wuswiff Hill. | 0:26:00 | 0:26:01 | |
Flirt stands for Fuck Love, I'd Rather Tease. | 0:26:03 | 0:26:07 | |
Roses are red, the grass is green, | 0:26:08 | 0:26:10 | |
give me that body and I'll cover it with cream. | 0:26:10 | 0:26:13 | |
Always being knocked over by vans and bicycles? | 0:26:14 | 0:26:17 | |
Try walking on the pavement, it's a lot safer. | 0:26:17 | 0:26:20 | |
Power up! | 0:26:20 | 0:26:21 | |
Got a problem you can't find a solution to? | 0:26:21 | 0:26:24 | |
Need a second opinion? | 0:26:24 | 0:26:25 | |
Well, what better person than yourself? | 0:26:25 | 0:26:27 | |
But don't internalise it - | 0:26:27 | 0:26:29 | |
have a conversation with yourself, move to a second chair. | 0:26:29 | 0:26:32 | |
"Hello, Garth, what problem are you having?" | 0:26:33 | 0:26:36 | |
"Well, it's quite simple, I can't find a solution to what I'm doing." | 0:26:36 | 0:26:39 | |
"Oh, really? Well, maybe I can help." | 0:26:39 | 0:26:41 | |
It's easy, isn't it? | 0:26:41 | 0:26:42 | |
And if that doesn't help, bring a third person in. | 0:26:42 | 0:26:45 | |
"Hello, how are you?" | 0:26:45 | 0:26:46 | |
"So what's your opinion in all this, then?" | 0:26:46 | 0:26:48 | |
"Well, actually, I think that maybe if you did this and you did that, | 0:26:48 | 0:26:51 | |
"we'd find a solution." | 0:26:51 | 0:26:53 | |
Simple. | 0:26:53 | 0:26:54 | |
MUSIC: "Approaching Twilight" by Tim Garland | 0:26:55 | 0:26:58 | |
Oh, nice to see you after so many years. You looking great. | 0:27:08 | 0:27:13 | |
Argh! | 0:27:14 | 0:27:15 | |
SHE LAUGHS | 0:27:15 | 0:27:18 | |
What you say...have done? Now I stay with you for ever. | 0:27:18 | 0:27:21 | |
I'm still waiting for it. | 0:27:29 | 0:27:30 | |
Oop, here it comes, the class 155 locomotive, | 0:27:32 | 0:27:36 | |
please enjoy as it goes through. | 0:27:36 | 0:27:39 | |
And this is definitely the train. | 0:27:39 | 0:27:41 | |
HE CHUCKLES | 0:27:48 | 0:27:50 | |
# It's the B to the O to the O-M town, | 0:27:51 | 0:27:54 | |
# Crazy-ass people all around | 0:27:54 | 0:27:57 | |
# Jump around to the funky sound | 0:27:57 | 0:27:59 | |
# Girls looking fine so get down | 0:27:59 | 0:28:02 | |
# Now, welcome, everybody, to my city | 0:28:02 | 0:28:04 | |
# Now let's get downhill to the nitty-gritty | 0:28:04 | 0:28:07 | |
# It's the B to the O to the O-M town | 0:28:07 | 0:28:10 | |
# Crazy-ass people all around | 0:28:10 | 0:28:13 | |
# Jump around to the funky sound... # | 0:28:13 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:18 |