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Hiya, my name's Cream. | 0:00:22 | 0:00:23 | |
It means Cash Rules Everything Around Me. | 0:00:23 | 0:00:25 | |
Don't forget that. | 0:00:25 | 0:00:26 | |
Next week, I'm going to be cleaning up on my world wide tour. | 0:00:35 | 0:00:39 | |
But this week, I'm cleaning up on my mum's crib - | 0:00:39 | 0:00:42 | |
gangster style! | 0:00:42 | 0:00:44 | |
And also, paying my mum her this month's rent. | 0:00:44 | 0:00:46 | |
# And away we go Yes, to the flow | 0:00:51 | 0:00:54 | |
# Now I gots to go To another kitchen show | 0:00:54 | 0:00:57 | |
# To rip more jeans See how the Cream getting lyrical | 0:00:57 | 0:00:59 | |
# When I grab the microphone it melts just like a miracle. # | 0:00:59 | 0:01:02 | |
Yeah! Ti-ti-tica-tica-tic. | 0:01:03 | 0:01:06 | |
# I'm the best cleaner. Yeah, yeah, yeah | 0:01:06 | 0:01:08 | |
# I'm the be-be-be-best, best, best, best cleaner. # | 0:01:08 | 0:01:11 | |
May my spell, bling, be done. May my spell, bling, be done. | 0:01:11 | 0:01:16 | |
So may it be done! | 0:01:16 | 0:01:17 | |
Hello there. | 0:01:28 | 0:01:30 | |
-Hi. -Hi, I'm Kevin. | 0:01:30 | 0:01:31 | |
Morning. Mark, nice to meet you. | 0:01:31 | 0:01:33 | |
When did it have its last service? | 0:01:33 | 0:01:34 | |
Service's just been done. We've recently just done it. | 0:01:34 | 0:01:37 | |
Was that, eh, with holy water or was that by prayer? | 0:01:37 | 0:01:40 | |
As far as I know, it's just bog-standard water. | 0:01:40 | 0:01:43 | |
Right. So no blessing of any sort? | 0:01:43 | 0:01:45 | |
No. | 0:01:45 | 0:01:46 | |
The actual vehicle looks thousands of years old. | 0:01:46 | 0:01:49 | |
I think the metal could be ancient Egyptian even. | 0:01:49 | 0:01:52 | |
-Do you mind if I just get some vibes from the car. -No. | 0:01:52 | 0:01:55 | |
Please, please, you feel free. | 0:01:55 | 0:01:56 | |
# A-a-a-ah! # | 0:01:56 | 0:02:02 | |
Are you aware it's actually haunted? | 0:02:05 | 0:02:07 | |
Um, no. | 0:02:07 | 0:02:08 | |
I would say that it's got at least three spirits | 0:02:08 | 0:02:11 | |
and one of them is possessing it. | 0:02:11 | 0:02:13 | |
-At least three? -At least three, yes. -Right. | 0:02:13 | 0:02:15 | |
No, I wasn't aware of that. | 0:02:15 | 0:02:17 | |
I mean, would you mind if I exorcised the car? | 0:02:17 | 0:02:19 | |
Not sure. | 0:02:19 | 0:02:20 | |
Elements of earth and air and fire water, | 0:02:20 | 0:02:23 | |
drawn together from every quarter, | 0:02:23 | 0:02:25 | |
may any evil spirits and evil impurities within this car be banished. | 0:02:25 | 0:02:29 | |
So may it be done! | 0:02:29 | 0:02:31 | |
THUNDER CRACKLES | 0:02:31 | 0:02:34 | |
Hello, Joel the bus spotter here. | 0:02:34 | 0:02:36 | |
I'm here at my usual location, bus spotting - | 0:02:36 | 0:02:39 | |
looking for the 93 bus. Please enjoy. | 0:02:39 | 0:02:42 | |
That lorry is not the bus. | 0:02:55 | 0:02:57 | |
That pedestrian was not the bus. | 0:03:08 | 0:03:09 | |
Forget Casanova, I'm the Nahanova. | 0:03:13 | 0:03:16 | |
What would you like to achieve through doing this? | 0:03:22 | 0:03:25 | |
-I say three things... -Yeah. | 0:03:25 | 0:03:26 | |
..get made, get paid, get laid. | 0:03:26 | 0:03:29 | |
-Escorting services is totally nothing to do with sex, yeah? -Mm. | 0:03:29 | 0:03:34 | |
Obviously, because it is an internet-based agency | 0:03:34 | 0:03:38 | |
-and we've got a website... -Mm. -..pictures are very important. | 0:03:38 | 0:03:40 | |
-You've got to go out and get a professional photographer... -Oh, | 0:03:40 | 0:03:43 | |
-I did a...I've done a great headshot. -Mm-hm. | 0:03:43 | 0:03:47 | |
-Oh, yeah. Yeah, that's a good one. -That's more like my sex pose. | 0:03:48 | 0:03:51 | |
Uh-huh. Do you have any more pictures? | 0:03:51 | 0:03:53 | |
Yeah, I made a couple more. Got some of my skills I could show. | 0:03:53 | 0:03:56 | |
-Mm. All right, all right, all right. -That's probably my sexiest pose, I guess. | 0:03:56 | 0:04:00 | |
-NAH LAUGHS -Yeah? | 0:04:00 | 0:04:02 | |
I got this one but this is for the fantasies. | 0:04:02 | 0:04:05 | |
I think of myself as a superhero with a special power. | 0:04:05 | 0:04:08 | |
I've had a couple of, like, sort of like, known girlfriends. | 0:04:08 | 0:04:11 | |
-This is one of them - Charlotte Church. -Mm-hm. All right. | 0:04:11 | 0:04:14 | |
-Yeah. -Yeah, OK. OK. | 0:04:14 | 0:04:16 | |
I'd say I've been learning the great art | 0:04:16 | 0:04:19 | |
-of international muff diving, for years. -Mm-hm. | 0:04:19 | 0:04:21 | |
You know what I mean - | 0:04:21 | 0:04:22 | |
smack clam, munch rug, dine at the one pink taco stand. | 0:04:22 | 0:04:27 | |
Take that shit to the car wash, you know like, | 0:04:27 | 0:04:29 | |
wax that shit, air dry. | 0:04:29 | 0:04:31 | |
That is my speciality - air dry that shit. | 0:04:33 | 0:04:35 | |
-Cos my tongue's like normal size. -Mm-hm. | 0:04:37 | 0:04:40 | |
All right. | 0:04:42 | 0:04:43 | |
HE LAUGHS | 0:04:43 | 0:04:45 | |
So I'm like, "Yeah!" | 0:04:45 | 0:04:46 | |
Hi, my name's Dorota. | 0:04:48 | 0:04:50 | |
I am exclusive lady. | 0:04:50 | 0:04:52 | |
This is my husband, Atonu. | 0:04:52 | 0:04:54 | |
Today, I present my acting skill in the grief. | 0:04:55 | 0:04:58 | |
In the grief scene. | 0:05:07 | 0:05:08 | |
-HE SPEAKS POLISH ...in a...in the grief scene. -Mm-hm. | 0:05:10 | 0:05:15 | |
In the grief. | 0:05:15 | 0:05:16 | |
-Today, I present my acting skill in the grief. -Scene. | 0:05:16 | 0:05:19 | |
Today, I present my acting skill as a grief scene. | 0:05:20 | 0:05:24 | |
In a grief scene. | 0:05:24 | 0:05:26 | |
Today, I present my acting skill in the grief scene. | 0:05:26 | 0:05:31 | |
In a grief scene. | 0:05:32 | 0:05:34 | |
In a grief scene. | 0:05:34 | 0:05:36 | |
-In a grief scene, that's it. -My god! | 0:05:36 | 0:05:38 | |
Today I present my acting skill in...in the grief. | 0:05:38 | 0:05:41 | |
-Scene, grief scene. -Grief scene. | 0:05:43 | 0:05:44 | |
-Today, I present my acting skill is a grief scene. -Nie. | 0:05:44 | 0:05:49 | |
HE SPEAKS POLISH | 0:05:49 | 0:05:54 | |
...singer, model, chcesz acting. | 0:05:54 | 0:05:56 | |
-SHE RESPONDS IN POLISH -..acting. Dobra, dobra. -No... | 0:05:56 | 0:05:59 | |
-Not acting, OK. OK. -No... -Dobra. | 0:05:59 | 0:06:03 | |
Today, I present my acting skills in a grief scene. | 0:06:03 | 0:06:06 | |
Hi, my name's Dorota. | 0:06:06 | 0:06:09 | |
This is my husband, Atonu. | 0:06:09 | 0:06:10 | |
Today, I present my skill as an actress, | 0:06:11 | 0:06:16 | |
scene of grieving. | 0:06:16 | 0:06:17 | |
-No, that was very good. -OK? -That was very good. | 0:06:22 | 0:06:25 | |
Delighted to meet you, enchanting lady. | 0:06:35 | 0:06:38 | |
Will our love be coated with our arms? | 0:06:38 | 0:06:41 | |
Sorry, I am too shy to kiss you | 0:06:42 | 0:06:46 | |
but that's no reason why we shouldn't dance | 0:06:46 | 0:06:49 | |
to a land of romance. | 0:06:49 | 0:06:51 | |
# And that's why birds do it | 0:06:53 | 0:06:57 | |
# Bees do it | 0:06:57 | 0:06:59 | |
# Even educated fleas do it | 0:06:59 | 0:07:02 | |
# Let's do it, let's fall in love | 0:07:02 | 0:07:07 | |
# Some Argentines without means do it | 0:07:21 | 0:07:25 | |
# People say in Boston even beans do it | 0:07:25 | 0:07:29 | |
# Let's do it, let's fall in love. # | 0:07:29 | 0:07:35 | |
-So now we start acting, Dorota. -Mm. | 0:07:41 | 0:07:43 | |
No, relax. Sit the... | 0:07:43 | 0:07:44 | |
-Yes, now relaxed. -Read the magazine. | 0:07:44 | 0:07:46 | |
Relax, like that. | 0:07:46 | 0:07:48 | |
OK. | 0:07:49 | 0:07:50 | |
PHONE RINGS | 0:07:53 | 0:07:56 | |
Hello? | 0:08:01 | 0:08:02 | |
Hello. | 0:08:04 | 0:08:06 | |
Can I speak with Elizabeth Cox? | 0:08:06 | 0:08:08 | |
Speaking. | 0:08:08 | 0:08:10 | |
This is police. I have a bad news for you, madam. | 0:08:11 | 0:08:15 | |
What happen? | 0:08:15 | 0:08:17 | |
Do you know Sonny? | 0:08:17 | 0:08:18 | |
Yes. | 0:08:19 | 0:08:20 | |
Mr Sonny had a...bad accident. | 0:08:21 | 0:08:25 | |
-What? -Mr Sonny is... | 0:08:25 | 0:08:29 | |
-in a coma. -Thank you. | 0:08:29 | 0:08:32 | |
Oh, my... Oh! | 0:08:35 | 0:08:37 | |
Oh, my god! | 0:08:37 | 0:08:39 | |
-SHE GASPS -Accident - my son... | 0:08:39 | 0:08:43 | |
Oh, my god! | 0:08:43 | 0:08:46 | |
Oh, my god! | 0:08:46 | 0:08:49 | |
How I can live without him? | 0:08:49 | 0:08:51 | |
SHE SNIFFS | 0:08:51 | 0:08:54 | |
What I can do? | 0:08:54 | 0:08:56 | |
This is my boyfriend, I cannot replace him. | 0:08:56 | 0:09:00 | |
My sunshine. Ugh! | 0:09:03 | 0:09:08 | |
My sunshine... | 0:09:08 | 0:09:10 | |
SHE SOBS | 0:09:10 | 0:09:15 | |
I miss him. | 0:09:15 | 0:09:17 | |
Oh, I want to die with him... I love him so much. | 0:09:17 | 0:09:22 | |
O-o-o-o-oh. | 0:09:22 | 0:09:25 | |
No, I must wake up. What I can do? I must see him, I must see him. | 0:09:27 | 0:09:32 | |
-Quickly! -SHE CRIES | 0:09:32 | 0:09:35 | |
He's here, he's queer, | 0:09:38 | 0:09:40 | |
he takes it up the rear - it's got to be Ally. | 0:09:40 | 0:09:43 | |
Hey, guys. I thought we'd try something different today | 0:09:49 | 0:09:51 | |
cos I'm bored of watching you every afternoon | 0:09:51 | 0:09:54 | |
dribbling over Homes Under the Hammer. | 0:09:54 | 0:09:56 | |
So I thought we'd liven it up a bit and have a bit of music. | 0:09:56 | 0:09:59 | |
-MUSIC: "Scream" by Usher -Come on, guys! Work with me here. Bit of clapping. | 0:09:59 | 0:10:02 | |
Make out we're clubbing. | 0:10:02 | 0:10:03 | |
There's a fitty in front of you, you want their number. | 0:10:03 | 0:10:06 | |
Let's do the windmill whilst doing hands in the air. | 0:10:06 | 0:10:08 | |
Let's go hands in the air and the windmill. | 0:10:08 | 0:10:11 | |
Move the hips. | 0:10:11 | 0:10:12 | |
You better be careful there, Myrtle, actually, | 0:10:12 | 0:10:14 | |
cos you've only one left. | 0:10:14 | 0:10:16 | |
Slap my windmill, come on, Maud! | 0:10:16 | 0:10:18 | |
There we go. Uh! | 0:10:19 | 0:10:21 | |
Boris, look lively! There's a hot babe in front of you. | 0:10:21 | 0:10:24 | |
We're at the bar, we're in the club. | 0:10:24 | 0:10:25 | |
What are you going to do? There's a fit babe there! | 0:10:25 | 0:10:27 | |
Grab the boobies. Grab the boobies, Boris. | 0:10:27 | 0:10:29 | |
Come on, you should be good at that. | 0:10:29 | 0:10:31 | |
Grab! | 0:10:31 | 0:10:33 | |
# I was here, everybody, so come and get me! | 0:10:33 | 0:10:36 | |
# You want me! # | 0:10:36 | 0:10:38 | |
Come on, Bertie, make it hurtie. Come on, Bertie. | 0:10:38 | 0:10:41 | |
Ooh! | 0:10:41 | 0:10:43 | |
The best thing about domestic work | 0:10:48 | 0:10:50 | |
is I can chill out during the day, watching Bargain Hunt. | 0:10:50 | 0:10:53 | |
My boy David Dickinson, the original gangster. | 0:10:53 | 0:10:56 | |
Fake tan represent. | 0:10:58 | 0:10:59 | |
you know what I'm saying? | 0:10:59 | 0:11:01 | |
East coast versus west coast. | 0:11:01 | 0:11:03 | |
Yeah, I'm coming for you. | 0:11:05 | 0:11:06 | |
Bam, I got you, there. Bam, I got you! | 0:11:08 | 0:11:10 | |
HE MAKES MACHINE GUN SOUNDS | 0:11:10 | 0:11:12 | |
What is that? | 0:11:13 | 0:11:14 | |
Just leaving my tag, know what I'm saying? | 0:11:16 | 0:11:19 | |
Picking up litter | 0:11:23 | 0:11:24 | |
and picking up bitches - I'm good at both, y'all. | 0:11:24 | 0:11:27 | |
You killed my brother! | 0:11:27 | 0:11:29 | |
Let me get you. Let me get you! | 0:11:29 | 0:11:31 | |
I'm going to get you. | 0:11:31 | 0:11:32 | |
Oh, shit. | 0:11:34 | 0:11:36 | |
Goddamn, my mum's gon' kill me. | 0:11:36 | 0:11:38 | |
What do you like best - sun or rain? | 0:11:51 | 0:11:53 | |
-The sun, obviously. -Yeah, | 0:11:53 | 0:11:54 | |
I don't like the hot, hot sun, you know, | 0:11:54 | 0:11:56 | |
-where you're sweating in bed... -Yeah. | 0:11:56 | 0:11:58 | |
..but the medium type sun, where it's cool and warm at the same time. | 0:11:58 | 0:12:02 | |
Could be a long day, Ronnie. | 0:12:09 | 0:12:11 | |
Get hyper. | 0:12:15 | 0:12:16 | |
This is a new one. | 0:12:18 | 0:12:19 | |
Controversial, thought provoking, | 0:12:20 | 0:12:24 | |
it should get 'em all interested. | 0:12:24 | 0:12:27 | |
It's called Skin. | 0:12:27 | 0:12:28 | |
This should bring the crowds in. | 0:12:33 | 0:12:35 | |
This is Daphne from Australia, she's a white chick. | 0:12:36 | 0:12:40 | |
This is Edith from Papua New Guinea, she's a black chick. | 0:12:42 | 0:12:46 | |
But she's got dual citizenship in New Zealand. | 0:12:47 | 0:12:51 | |
And they're just not getting on, at all. | 0:12:51 | 0:12:54 | |
I don't know what your problem is, Edith, | 0:12:56 | 0:12:58 | |
I don't know what your problem is, Daphne, | 0:12:58 | 0:13:00 | |
but you've got to sort it out. | 0:13:00 | 0:13:03 | |
You've got to come in, you've both got to get on board | 0:13:03 | 0:13:06 | |
and you've got to work it out cos I'm telling you now | 0:13:06 | 0:13:10 | |
it is not my problem. | 0:13:10 | 0:13:12 | |
Get hyper. | 0:13:12 | 0:13:14 | |
Hi, come and sit down. | 0:13:28 | 0:13:29 | |
Hello. | 0:13:32 | 0:13:34 | |
-Hi. How are you doing? -My name is Talina, how are you? | 0:13:34 | 0:13:37 | |
-I'm very well, thanks. -What's your name? -Jamie. | 0:13:37 | 0:13:39 | |
-Nice to meet you, Jamie. -Pleased to meet you. -So, | 0:13:39 | 0:13:42 | |
I'm still Talina. | 0:13:42 | 0:13:44 | |
You know, I'm just a simple girl and really, really normal | 0:13:44 | 0:13:48 | |
and nothing special at all | 0:13:48 | 0:13:50 | |
but I know zat you have something special for me. | 0:13:50 | 0:13:53 | |
What kind of swimming pool do you have? | 0:13:55 | 0:13:57 | |
Um, we have all sorts of swimming pools. | 0:13:57 | 0:13:59 | |
It really depends the type that you're looking for. | 0:13:59 | 0:14:02 | |
-OK. -Would you like to look through some of these? -Yeah. | 0:14:02 | 0:14:05 | |
Can we do zis one? | 0:14:07 | 0:14:10 | |
Yeah, you can do that for sure. | 0:14:10 | 0:14:11 | |
And do you think we can go | 0:14:11 | 0:14:13 | |
under ze cover together? | 0:14:13 | 0:14:14 | |
Mm-hm. | 0:14:14 | 0:14:16 | |
Or we could do something like this pool here. This'd do you. | 0:14:16 | 0:14:18 | |
This pool here's got a moving floor so you can use it for parties, | 0:14:18 | 0:14:22 | |
when the pool's not being used as a pool. | 0:14:22 | 0:14:24 | |
I would love to see you fun time. | 0:14:24 | 0:14:26 | |
Do you know, I think you look so handsome and so intelligent, | 0:14:28 | 0:14:32 | |
I just really want to dive in. | 0:14:32 | 0:14:35 | |
You really put a spring in my step. | 0:14:35 | 0:14:38 | |
-Excellent. -And now, let's talk about payment. | 0:14:38 | 0:14:41 | |
Oh, that's easy. We just take a 10% deposit now. | 0:14:41 | 0:14:44 | |
I don't really like to think about money. | 0:14:44 | 0:14:48 | |
Why do I need to think about? | 0:14:48 | 0:14:50 | |
Why do I need to ask, "How much is that?" | 0:14:50 | 0:14:53 | |
I want to have the swimming pool. | 0:14:53 | 0:14:54 | |
-Mm-hm. -We don't need to pay for it. | 0:14:54 | 0:14:57 | |
No, we do. | 0:14:57 | 0:14:58 | |
To be honest, I'm not really sure if you want to see me | 0:14:58 | 0:15:02 | |
in my special swimming suit. | 0:15:02 | 0:15:05 | |
I'm not sure if that's entirely appropriate. | 0:15:05 | 0:15:08 | |
I'm not sure either. | 0:15:08 | 0:15:09 | |
I call it my birthday suit. | 0:15:09 | 0:15:12 | |
I'm sure it's a very fine suit | 0:15:12 | 0:15:13 | |
but we'd still have to talk about the money. | 0:15:13 | 0:15:15 | |
No! | 0:15:15 | 0:15:16 | |
-I could give you a discount. -Hmm. | 0:15:20 | 0:15:21 | |
What would you be thinking of? | 0:15:22 | 0:15:25 | |
If I could get it to under £6,000, how does that sound? | 0:15:25 | 0:15:28 | |
And that includes the entities within the car? | 0:15:28 | 0:15:30 | |
Free of charge. | 0:15:30 | 0:15:32 | |
I...I think somewhere in the fives would be very lucky. | 0:15:32 | 0:15:35 | |
You want me levitate the car? | 0:15:37 | 0:15:39 | |
OK. Good, OK. | 0:15:39 | 0:15:41 | |
Hum-m-m-m! | 0:15:41 | 0:15:46 | |
Rise. Rise. Rise. | 0:15:46 | 0:15:49 | |
Rise. Rise. Rise. Rise. | 0:15:49 | 0:15:53 | |
Nothing happening. I think it's because | 0:15:55 | 0:15:57 | |
of the weight of the spirits in the car. Hmm. | 0:15:57 | 0:16:00 | |
Do you mind if I take it for a psychic test drive? | 0:16:02 | 0:16:04 | |
-Psychic test drive? -Yeah. | 0:16:04 | 0:16:05 | |
-OK. -OK. | 0:16:05 | 0:16:07 | |
Vroom. Vrm, vrm, vrm. | 0:16:09 | 0:16:12 | |
Mmm-m-m-m. | 0:16:12 | 0:16:15 | |
Mmm-m-m-m. | 0:16:15 | 0:16:17 | |
Mmm-m-m-m. | 0:16:17 | 0:16:19 | |
-Huh, we're back. -Good. | 0:16:20 | 0:16:22 | |
Good trip? | 0:16:22 | 0:16:23 | |
-Almost hit a pedestrian and a psychic traffic warden... -OK. | 0:16:23 | 0:16:26 | |
..nearly booked me. | 0:16:26 | 0:16:28 | |
-But very nice drive. -Good. | 0:16:28 | 0:16:29 | |
-Excellent. -What about that one over there? | 0:16:29 | 0:16:31 | |
Which one are we looking at, the silver BMW? | 0:16:31 | 0:16:33 | |
-That's the one. -OK. | 0:16:33 | 0:16:35 | |
What would you like to know about that one? | 0:16:35 | 0:16:37 | |
Wow! Can you hear that? | 0:16:37 | 0:16:39 | |
That sounds like a million souls crying out. | 0:16:39 | 0:16:42 | |
RECORDED WAILING PLAYS | 0:16:42 | 0:16:44 | |
They use medium like that to come through. | 0:16:44 | 0:16:47 | |
-Definitely possessed. -What, the car? | 0:16:48 | 0:16:51 | |
-Yeah. -OK. | 0:16:51 | 0:16:52 | |
That's not the bus. | 0:16:56 | 0:16:58 | |
MAN SHRIEKS AND CRASHES | 0:17:12 | 0:17:14 | |
-Hello, you must be Clare. -Hi. Yes, I'm Clare. | 0:17:26 | 0:17:28 | |
Pleased to meet you. | 0:17:28 | 0:17:30 | |
Clare, I'm Afro British Gaga... | 0:17:30 | 0:17:34 | |
-OK. -..and that means that I design outrageous outfits, | 0:17:34 | 0:17:38 | |
-just as what you can see. -OK. | 0:17:38 | 0:17:40 | |
And I would like to know whether it is possible to put my, eh, | 0:17:40 | 0:17:44 | |
designs through to your magazines. | 0:17:44 | 0:17:46 | |
I'm just... very noticeable that you're wearing | 0:17:46 | 0:17:48 | |
-jay cloths and sponges. -And if I have to take away this... | 0:17:48 | 0:17:52 | |
..I am now part of the beachwear. | 0:17:53 | 0:17:56 | |
-OK. -What you can see now - I'm ready to go for a beach | 0:17:56 | 0:17:59 | |
and there is this design with the pegs. | 0:17:59 | 0:18:01 | |
-Oh, it's pegs, yeah. -And this design of it, | 0:18:01 | 0:18:03 | |
it also goes with... | 0:18:03 | 0:18:05 | |
-OK. -It goes with this... | 0:18:07 | 0:18:09 | |
-OK. -..with this beachwear. | 0:18:10 | 0:18:12 | |
So I'm home and dry for this one when I'm ready to go for a beach. | 0:18:12 | 0:18:16 | |
-You can have, Clare, a look at this. -Yeah. No, I can see. | 0:18:16 | 0:18:19 | |
Yeah, right. I can put it aside. | 0:18:19 | 0:18:21 | |
I think we are...we are working on the same wavelength. | 0:18:21 | 0:18:25 | |
Clare, maybe this outfit will actually convince you. | 0:18:25 | 0:18:28 | |
No. | 0:18:31 | 0:18:33 | |
Not at all. | 0:18:33 | 0:18:34 | |
-Before you make a conclusion... -I've already made a conclusion. | 0:18:34 | 0:18:37 | |
This is a hat, which you can actually, like, wear like this | 0:18:37 | 0:18:40 | |
-that becomes a... -But I'm just...I'm struggling. | 0:18:40 | 0:18:42 | |
I'm really struggling to see how you could have possibly | 0:18:42 | 0:18:45 | |
got inspiration from using sanitary towels to make clothes. | 0:18:45 | 0:18:48 | |
Not for me. It doesn't, you know... | 0:18:48 | 0:18:49 | |
-That's fine I have no problem with you. -You're very daring. | 0:18:49 | 0:18:51 | |
But I will give you time to be imaginative like me. | 0:18:51 | 0:18:55 | |
-'Hello?' -Hi, I'm here about the room. | 0:19:09 | 0:19:11 | |
'Come on up.' | 0:19:11 | 0:19:12 | |
-Guys, this is Louis. -You all right? | 0:19:17 | 0:19:19 | |
-Hi, nice to meet you. -Nice to meet you, mate. -I'm Jay. | 0:19:19 | 0:19:22 | |
-I'm Catherine. -Hello, Catherine. -Nice to meet you. | 0:19:22 | 0:19:24 | |
-And what was your name, sorry? -Zita. -Zita. -Nice to meet you. | 0:19:24 | 0:19:27 | |
Thanks for having me here today to have a look round. It's... | 0:19:27 | 0:19:30 | |
Do you want a glass of wine? | 0:19:30 | 0:19:31 | |
Yes, please. I'll have a glass of wine. | 0:19:31 | 0:19:34 | |
So have you seen many other places? | 0:19:34 | 0:19:35 | |
To be fair, this is my first. | 0:19:35 | 0:19:37 | |
It's not the biggest of rooms but it's got everything | 0:19:37 | 0:19:39 | |
you need in it. There's plenty of storage in there as well. | 0:19:39 | 0:19:41 | |
-Lovely. -So, it's OK. | 0:19:41 | 0:19:43 | |
What do you do? Like, what do you do for a living? | 0:19:43 | 0:19:45 | |
Well, um, I'll show you if you like. | 0:19:45 | 0:19:47 | |
LAUGHTER | 0:19:48 | 0:19:50 | |
Oh, my god! | 0:19:50 | 0:19:52 | |
MUSIC: "Scream and Shout" by Britney Spears and Will.i.am | 0:19:52 | 0:19:55 | |
SHOUTS DROWNED OUT BY MUSIC | 0:19:55 | 0:19:57 | |
-Oh, God! -Well... | 0:19:57 | 0:19:58 | |
SPEECH DROWNED OUT | 0:20:06 | 0:20:09 | |
Shit! | 0:20:09 | 0:20:12 | |
Oh, god. | 0:20:12 | 0:20:13 | |
We've got someone else coming round now. | 0:20:15 | 0:20:16 | |
-THE GIRLS LAUGH -Oh, God. | 0:20:16 | 0:20:19 | |
Get that thing away from me. | 0:20:19 | 0:20:21 | |
-Yes! -Do you want some? | 0:20:22 | 0:20:24 | |
No, I'm absolutely fine. Thank you. | 0:20:24 | 0:20:26 | |
-Oh, no. -Oh, no. -Oh, no. Oh, no. | 0:20:30 | 0:20:32 | |
Oooh, dear. It's coming round now. | 0:20:35 | 0:20:37 | |
-Oh, God. -T'rific. Terrific. | 0:20:39 | 0:20:41 | |
-MUSIC STOPS -Oh, God! | 0:20:45 | 0:20:47 | |
MUSIC STARTS AGAIN | 0:20:50 | 0:20:53 | |
-We've got a girl round next, haven't we? -Yeah. -Hopefully. | 0:20:57 | 0:21:00 | |
So, is the room mine? | 0:21:00 | 0:21:01 | |
Well, you know, I think she's got your details, eh, on her phone so... | 0:21:03 | 0:21:06 | |
LAUGHTER | 0:21:06 | 0:21:08 | |
I'm sure we'll be able to find you. Are you on Facebook? | 0:21:08 | 0:21:11 | |
Me on a Friday night! | 0:21:14 | 0:21:15 | |
Wouldn't you love to see this in a club? | 0:21:15 | 0:21:18 | |
A bit of this and a bit of this. | 0:21:18 | 0:21:20 | |
Come on, Boris, want to come home with me? | 0:21:20 | 0:21:22 | |
There's my number. | 0:21:22 | 0:21:23 | |
Come and get it! Yeah, look at that. | 0:21:23 | 0:21:26 | |
Look at that, want some of this? Want some of this? | 0:21:26 | 0:21:29 | |
Want some of this? Yeah, come on Boris. | 0:21:29 | 0:21:31 | |
If you want me, you've got to come and get me. Come on. | 0:21:31 | 0:21:34 | |
Come and get me, Boris. | 0:21:34 | 0:21:35 | |
Slap the bootie. | 0:21:35 | 0:21:37 | |
Woo! | 0:21:37 | 0:21:39 | |
Come on, baby. Come on, baby! | 0:21:39 | 0:21:42 | |
Whoa! Buns of steel. | 0:21:42 | 0:21:44 | |
look at them go, mother fucker! Yay. | 0:21:44 | 0:21:46 | |
Hello, my sunshine. | 0:21:51 | 0:21:53 | |
I am very glad you sent me very beautiful bunch of flower. | 0:21:53 | 0:21:57 | |
You are my sunshine, you are my heart, | 0:21:57 | 0:21:59 | |
you are my salt. | 0:21:59 | 0:22:01 | |
I send you big huge kiss. Can you see me? | 0:22:02 | 0:22:05 | |
Yes, I can see you. | 0:22:05 | 0:22:07 | |
Before I go, I sing song for you. | 0:22:07 | 0:22:09 | |
BACKING TRACK: "You're My Heart, You're My Soul" | 0:22:10 | 0:22:13 | |
# You my heart | 0:22:26 | 0:22:28 | |
# You my salt | 0:22:28 | 0:22:30 | |
# Can you shine wherever go then | 0:22:30 | 0:22:33 | |
# Hearts | 0:22:33 | 0:22:35 | |
# You my salt | 0:22:35 | 0:22:37 | |
# Yes, me, your love is grow | 0:22:37 | 0:22:41 | |
# You my heart | 0:22:41 | 0:22:43 | |
# You my salt | 0:22:43 | 0:22:45 | |
# That's the way that really know. # | 0:22:45 | 0:22:48 | |
Time for the finger of awesomeness and the thumb of power. | 0:22:51 | 0:22:55 | |
I'm just about to make a meal. | 0:22:59 | 0:23:00 | |
Now, cooking usually involves a lot of cutting, | 0:23:00 | 0:23:02 | |
so you need to make sure you've got a sharp knife. | 0:23:02 | 0:23:04 | |
Improvise. | 0:23:06 | 0:23:07 | |
Why don't you try cutting through something like a banana. | 0:23:07 | 0:23:09 | |
If it goes straight through, | 0:23:09 | 0:23:12 | |
that's the knife for the job. | 0:23:12 | 0:23:14 | |
Power up! | 0:23:14 | 0:23:16 | |
If you're chopping an onion, here's a tip - | 0:23:16 | 0:23:18 | |
don't do it on the floor or on the fridge door, | 0:23:18 | 0:23:21 | |
pick up a chopping board, lay it on a flat surface, | 0:23:21 | 0:23:24 | |
that'll stop the tears. | 0:23:24 | 0:23:25 | |
Improvise. | 0:23:26 | 0:23:28 | |
Still waiting. | 0:23:29 | 0:23:30 | |
-There's one last thing we can try to let the spirits out. -OK. | 0:23:36 | 0:23:39 | |
We have to open all the doors and windows. | 0:23:39 | 0:23:41 | |
-Do you think you could open the boot and bonnet? -I can, yeah. | 0:23:41 | 0:23:43 | |
-Do you want me to do that now? -Yes, let's open these. -Certainly. | 0:23:43 | 0:23:46 | |
I want you to shout as loud as you can, | 0:23:52 | 0:23:54 | |
"Vile demons be gone!" | 0:23:54 | 0:23:56 | |
And keep saying it until they've gone. | 0:23:56 | 0:23:58 | |
Is it... will it work? | 0:23:58 | 0:24:00 | |
Yeah, I'm certain. | 0:24:00 | 0:24:01 | |
Vile demons be gone! Vile demons be gone! | 0:24:01 | 0:24:05 | |
Vile demons be gone! | 0:24:05 | 0:24:07 | |
-Keep going. -Vile demons be gone! | 0:24:07 | 0:24:09 | |
Vile demons be gone! Vile demons be gone! | 0:24:09 | 0:24:13 | |
Vile demons be gone! Are we done? | 0:24:13 | 0:24:14 | |
-Keep going. -Keep going! | 0:24:14 | 0:24:16 | |
Vile demons be gone! | 0:24:16 | 0:24:17 | |
Vile demons be gone! | 0:24:17 | 0:24:19 | |
And I'll tell you what is a nightmare - the traffic. | 0:24:32 | 0:24:34 | |
-They've blocked all the roads off. -Yeah. | 0:24:34 | 0:24:36 | |
And the bus we get to the shopping precinct, | 0:24:36 | 0:24:38 | |
-it goes two stops further away now... -Does it?! | 0:24:38 | 0:24:41 | |
..and you've got to walk the rest of the way. | 0:24:41 | 0:24:42 | |
-Well that's a bit... -Cos it's blocked our bus stop off. | 0:24:42 | 0:24:45 | |
-That's not fair, is it? -No. -I don't like walking far. | 0:24:45 | 0:24:48 | |
No, it's, it's quite annoying. | 0:24:48 | 0:24:49 | |
CLATTERING SOUND EFFECTS | 0:24:55 | 0:24:59 | |
What happened to us, my love? | 0:25:01 | 0:25:04 | |
Don't die on me, please. | 0:25:04 | 0:25:06 | |
-CLATTERING CONTINUES -Don't! | 0:25:06 | 0:25:09 | |
999, please! We have accident. | 0:25:09 | 0:25:13 | |
Northcote Road. Please, come quickly. | 0:25:15 | 0:25:19 | |
Oh! | 0:25:19 | 0:25:21 | |
SHE MOANS DRAMATICALLY | 0:25:21 | 0:25:23 | |
I sense a bus coming. | 0:25:33 | 0:25:35 | |
It is the 93 bus. Please enjoy. | 0:25:35 | 0:25:37 | |
Oh, here comes another one, too. | 0:25:49 | 0:25:51 | |
That is definitely the bus. | 0:25:52 | 0:25:54 | |
Yeah. | 0:25:56 | 0:25:57 | |
Next! | 0:26:13 | 0:26:14 | |
My name is Nahimus Meridieth. | 0:26:15 | 0:26:17 | |
Are you ready for me to blow your mind? | 0:26:20 | 0:26:23 | |
I'm ready when you are. | 0:26:23 | 0:26:25 | |
NO MUSIC PLAYS | 0:26:25 | 0:26:27 | |
HE LAUGHS | 0:26:31 | 0:26:34 | |
It's jammed. | 0:26:34 | 0:26:36 | |
HE GRUNTS | 0:26:36 | 0:26:38 | |
The chicks are going to love the anticipation. | 0:26:40 | 0:26:42 | |
Show some flesh for the ladies. | 0:26:49 | 0:26:51 | |
Oh, wow! | 0:26:52 | 0:26:54 | |
This is...be careful. | 0:26:54 | 0:26:56 | |
Wow. | 0:27:00 | 0:27:01 | |
Oh! | 0:27:01 | 0:27:03 | |
-Woo! -Ow. | 0:27:03 | 0:27:06 | |
I'm a matador. | 0:27:06 | 0:27:07 | |
Woo! | 0:27:09 | 0:27:10 | |
THE JUDGES GIGGLE | 0:27:10 | 0:27:13 | |
Bad ass! | 0:27:13 | 0:27:14 | |
Can you handle this? | 0:27:20 | 0:27:21 | |
Start the fire. | 0:27:21 | 0:27:23 | |
Punch the invisible man, stick 'em up and the dragonfly. | 0:27:23 | 0:27:26 | |
Oops. | 0:27:29 | 0:27:32 | |
Ah! | 0:27:32 | 0:27:33 | |
HE GROANS | 0:27:33 | 0:27:36 | |
(Yeah!) | 0:27:43 | 0:27:44 | |
Thank you very much. | 0:27:58 | 0:27:59 | |
I'm Jonny Nah. | 0:27:59 | 0:28:01 | |
Can I ask you a question? | 0:28:03 | 0:28:04 | |
I can start tomorrow. Thank you. | 0:28:04 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:19 | 0:28:23 |