Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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Hiya, my name's Cream. | 0:00:22 | 0:00:23 | |
Means... | 0:00:23 | 0:00:25 | |
Don't forget that. | 0:00:25 | 0:00:27 | |
Hey yo, what up? It's your boy Cream. | 0:00:32 | 0:00:34 | |
Creaming it up once again. | 0:00:34 | 0:00:36 | |
Now, next week I'm going to be in the World Record Books | 0:00:36 | 0:00:39 | |
on my new tour, but this week I'm going to be kicking it | 0:00:39 | 0:00:42 | |
with some different type of books, | 0:00:42 | 0:00:44 | |
in my new part-time job in the library. | 0:00:44 | 0:00:47 | |
Gangster style. | 0:00:47 | 0:00:49 | |
Also, to pay my Mums her rent. | 0:00:49 | 0:00:50 | |
Got to keep Mums happy, you know what I'm saying? | 0:00:50 | 0:00:53 | |
HE CHUCKLES | 0:00:57 | 0:00:59 | |
Boy, Ted, you get up to some funny shit, boy. | 0:01:01 | 0:01:04 | |
I mean you straight up gangster, that's what I'm talking about. | 0:01:05 | 0:01:08 | |
RAP MUSIC PLAYS | 0:01:12 | 0:01:14 | |
RAP RINGTONE PLAYS | 0:01:17 | 0:01:21 | |
Shh. | 0:01:23 | 0:01:24 | |
Oh, my bad. My bad, sorry. | 0:01:25 | 0:01:28 | |
Shh, shh... | 0:01:28 | 0:01:29 | |
HE BEATBOXES | 0:01:29 | 0:01:33 | |
Hello, Joel the plane spotter here. | 0:01:35 | 0:01:37 | |
We start at my usual spot, plane spotting, looking for a Boeing 747. | 0:01:37 | 0:01:42 | |
Please enjoy. | 0:01:42 | 0:01:43 | |
# Highway to the danger zone. # | 0:01:43 | 0:01:48 | |
That's not the plane, that's a 757. | 0:01:53 | 0:01:55 | |
That's not the airplane. | 0:02:01 | 0:02:03 | |
We're still waiting for a 747. | 0:02:05 | 0:02:07 | |
May my spell and bidding be done. | 0:02:09 | 0:02:11 | |
May my spell and bidding be done. | 0:02:11 | 0:02:13 | |
So may it be known! | 0:02:13 | 0:02:15 | |
# Oh, oh, oh, it's magic | 0:02:17 | 0:02:21 | |
# You know | 0:02:21 | 0:02:24 | |
# Never believe it's not so. # | 0:02:24 | 0:02:26 | |
Hello there. | 0:02:26 | 0:02:28 | |
-Hello. -I've been recommended very highly to this specific shop. | 0:02:28 | 0:02:31 | |
I've flown all the way from Egypt this morning, er, | 0:02:31 | 0:02:34 | |
terrible congestion up there on the witch, um, roads. | 0:02:34 | 0:02:37 | |
I wonder, have you got a-a very basic phone that I could look at? | 0:02:37 | 0:02:41 | |
-Sure. This is as basic as it gets. -OK. | 0:02:41 | 0:02:45 | |
I mean would this phone actually operate, er, | 0:02:45 | 0:02:47 | |
on the spirit-realm band? | 0:02:47 | 0:02:50 | |
-Um, no. -No? | 0:02:52 | 0:02:54 | |
So I wouldn't be able to pick up dead people on here? | 0:02:54 | 0:02:57 | |
I don't know. | 0:02:57 | 0:02:58 | |
It's like, they get these very cheap, you see, | 0:02:58 | 0:03:00 | |
they don't need a contract up there. | 0:03:00 | 0:03:02 | |
-OK. -Yeah. | 0:03:02 | 0:03:04 | |
Tell me, on-on ringtones, have you got the Ancient Sumerian, um, | 0:03:04 | 0:03:07 | |
death chant? | 0:03:07 | 0:03:09 | |
I don't have that particular one, but I'm sure there's a website | 0:03:09 | 0:03:13 | |
you could download it directly to your phone. | 0:03:13 | 0:03:15 | |
That would be from hell. | 0:03:15 | 0:03:17 | |
-Yeah, try it. -Yes. | 0:03:17 | 0:03:18 | |
I'm thinking about the iPhone 792, er, which I've seen in the future. | 0:03:18 | 0:03:23 | |
-I wonder if... -Right. -Have you got one of those in stock yet? | 0:03:23 | 0:03:26 | |
No. | 0:03:26 | 0:03:27 | |
# Ooh | 0:03:28 | 0:03:31 | |
# I wanna rub you down | 0:03:31 | 0:03:34 | |
# I wanna sex you up. # | 0:03:34 | 0:03:36 | |
Oh, yeah! | 0:03:36 | 0:03:37 | |
I'm a love god. | 0:03:37 | 0:03:39 | |
MUSIC: "Boyfriend" by Justin Bieber | 0:03:47 | 0:03:50 | |
# I'd like to be everything you want | 0:04:04 | 0:04:09 | |
# Hey girl, let me talk to you | 0:04:09 | 0:04:13 | |
# If I was your boyfriend I'd never let you go | 0:04:13 | 0:04:17 | |
# Keep you on my arm girl you'd never be alone | 0:04:17 | 0:04:23 | |
# I can be a gentleman anything you want | 0:04:23 | 0:04:27 | |
# If I was your boyfriend I'd never let you go | 0:04:27 | 0:04:32 | |
# I'd never let you go... # | 0:04:32 | 0:04:36 | |
MACHINE BEEPS | 0:04:36 | 0:04:39 | |
SHE LAUGHS | 0:04:47 | 0:04:48 | |
Argh... | 0:04:48 | 0:04:50 | |
Ugh! Argh! Ugh! | 0:04:50 | 0:04:52 | |
Oh...! | 0:04:52 | 0:04:54 | |
Augh. | 0:04:56 | 0:04:58 | |
# Make me come alive | 0:05:01 | 0:05:03 | |
# Come on and turn me on | 0:05:03 | 0:05:05 | |
# Touch me, save my life | 0:05:05 | 0:05:07 | |
# Come on and turn me on | 0:05:07 | 0:05:09 | |
# Turn me on. # | 0:05:09 | 0:05:10 | |
-Hi. -Hello. -How are you? | 0:05:19 | 0:05:21 | |
Very well. I'm Michel. | 0:05:21 | 0:05:23 | |
-Hi, nice to meet you. -Nice to meet you. | 0:05:23 | 0:05:25 | |
-Er, my name is Talina. -Hi, Talina. | 0:05:25 | 0:05:28 | |
I'm just very dark, dark sky, | 0:05:29 | 0:05:33 | |
nothing special, very simple. | 0:05:33 | 0:05:37 | |
Would you like to add some stars to make me shiny? | 0:05:37 | 0:05:41 | |
Do you know what I mean? | 0:05:41 | 0:05:43 | |
-With this, we can do anything you want. -Mm-hm. | 0:05:45 | 0:05:48 | |
-It's an amazing diamond. -OK. | 0:05:48 | 0:05:49 | |
It's one of those diamonds you'll never see again. | 0:05:49 | 0:05:52 | |
It's naturally green, they almost don't exist. | 0:05:52 | 0:05:55 | |
-This one? -Yeah. | 0:05:55 | 0:05:57 | |
I can see your hands trembling looking at it. | 0:05:58 | 0:06:00 | |
-Yes. Yes. -That's a good sign. | 0:06:00 | 0:06:02 | |
No, no, I have very big hands. | 0:06:02 | 0:06:05 | |
-OK. -I always drop everything. | 0:06:05 | 0:06:07 | |
Do you know, my ex husband, he bought very expensive watch, | 0:06:07 | 0:06:10 | |
he gave it to me like "Talina, have a look," and I broke it. | 0:06:10 | 0:06:13 | |
-Can you imagine? -That's not good. -I mean... | 0:06:13 | 0:06:15 | |
I do really have very big hands, but I have very strong legs. | 0:06:15 | 0:06:19 | |
-OK. -So, that's why... | 0:06:19 | 0:06:22 | |
Do you know, I think this one, it looks really good | 0:06:22 | 0:06:26 | |
and you know, it has like greenish and a goldish colour. | 0:06:26 | 0:06:29 | |
-That's right. -It could be a bit more green. | 0:06:29 | 0:06:33 | |
-Mm. -And you know I have green eyes. | 0:06:33 | 0:06:36 | |
Er, er, I've just noticed, yes. | 0:06:36 | 0:06:38 | |
Er, and I think it will suit your jumper. | 0:06:38 | 0:06:40 | |
It will suit my jumper, OK. | 0:06:40 | 0:06:43 | |
Do you know, I think we both like green colour. | 0:06:43 | 0:06:46 | |
We do like green colour, it's beautiful. | 0:06:46 | 0:06:48 | |
-I think we already have something in common. -Mm. | 0:06:48 | 0:06:51 | |
# If you want it I'm gonna be | 0:06:51 | 0:06:53 | |
# Va va voom, voom | 0:06:53 | 0:06:55 | |
# If you got it you got it | 0:06:55 | 0:06:57 | |
# You got that boom, boom. # | 0:06:57 | 0:06:59 | |
So, what are we doing with the haircut today? | 0:07:02 | 0:07:04 | |
I'd like, just, like, a little bit taken off the sides, | 0:07:04 | 0:07:07 | |
maybe a bit smaller on top. | 0:07:07 | 0:07:09 | |
OK, what, for work, on a day-to-day basis? | 0:07:09 | 0:07:12 | |
Um, yeah, day-to-day and work. | 0:07:12 | 0:07:13 | |
-Oh, what do you do for a living? -Well, um, I'll show you if you like. | 0:07:13 | 0:07:16 | |
# I see you over there so hypnotic | 0:07:16 | 0:07:19 | |
# Thinking 'bout what I'd do to that body | 0:07:19 | 0:07:23 | |
# I'd get you like, ooh... # | 0:07:23 | 0:07:24 | |
MUSIC CUTS OUT | 0:07:24 | 0:07:26 | |
SHE LAUGHS NERVOUSLY | 0:07:26 | 0:07:28 | |
# Baby baby-ooh baby baby | 0:07:28 | 0:07:31 | |
# A-ooh baby baby-ooh baby baby | 0:07:31 | 0:07:34 | |
# And I've tried to fight it to fight it | 0:07:34 | 0:07:38 | |
# But you're so magnetic magnetic | 0:07:38 | 0:07:42 | |
# Got one life, just live it just live it... # | 0:07:42 | 0:07:46 | |
-MUSIC CUTS OUT -Oh, God! | 0:07:46 | 0:07:47 | |
Oh, God, oh... | 0:07:56 | 0:07:59 | |
# Yeah | 0:07:59 | 0:08:01 | |
# Let me know and I'll take you there | 0:08:01 | 0:08:05 | |
# Get you going like, ooh | 0:08:05 | 0:08:07 | |
# Baby baby-ooh baby baby | 0:08:07 | 0:08:09 | |
# A-ooh baby baby-ooh baby baby | 0:08:09 | 0:08:12 | |
# If you wanna scream... # | 0:08:12 | 0:08:14 | |
-MUSIC CUTS OUT -So you're a stripper? -Yeah. | 0:08:14 | 0:08:16 | |
Oh, OK. | 0:08:16 | 0:08:18 | |
So what do you think, bit off the sides? | 0:08:18 | 0:08:20 | |
Yeah. Cut it... we'll cut it quite short. | 0:08:20 | 0:08:25 | |
# He's here, he's queer he takes it up the rear | 0:08:25 | 0:08:28 | |
# It's gotta be Ali! # | 0:08:28 | 0:08:30 | |
# Whoa-oh | 0:08:30 | 0:08:32 | |
# I swear you're giving me a heart attack. # | 0:08:32 | 0:08:36 | |
Right everyone, | 0:08:36 | 0:08:37 | |
we're going to do something different today in art class. | 0:08:37 | 0:08:40 | |
Everyone, this is Francois. | 0:08:40 | 0:08:43 | |
Pen to paper, please, people. | 0:08:43 | 0:08:45 | |
Doesn't he look pretty sitting there, doesn't he? | 0:08:45 | 0:08:48 | |
This is how we should be, isn't it? | 0:08:48 | 0:08:50 | |
This is how we're born, this is how we die. | 0:08:50 | 0:08:52 | |
Some sooner than others in this room. | 0:08:52 | 0:08:54 | |
MAN SNORES | 0:08:54 | 0:08:55 | |
So, do you live locally? | 0:08:57 | 0:09:00 | |
No? No, me, I'm just up the road. | 0:09:04 | 0:09:05 | |
Francois, could you turn around a little bit for me, please? | 0:09:07 | 0:09:10 | |
Just to your right. | 0:09:10 | 0:09:12 | |
Keep going. | 0:09:12 | 0:09:14 | |
Keep going. | 0:09:14 | 0:09:16 | |
Again. Again. | 0:09:16 | 0:09:18 | |
Yeah, that's got it. | 0:09:18 | 0:09:20 | |
Just move your arm Francois, just so I can just... | 0:09:20 | 0:09:23 | |
Had a bit of trouble, forgetting what your nipple looked like. | 0:09:23 | 0:09:26 | |
Ooh, they're like football studs. | 0:09:26 | 0:09:28 | |
That's it, that's it, just see if I've got the right angle, there. | 0:09:28 | 0:09:33 | |
Turn to the right there Francois, | 0:09:33 | 0:09:35 | |
I'm just going to... fill in some gaps. | 0:09:35 | 0:09:38 | |
Talking of gap-filling, I've got a lovely... | 0:09:41 | 0:09:43 | |
CAR HORN BLARES | 0:09:43 | 0:09:44 | |
Still waiting. | 0:09:48 | 0:09:49 | |
RAP MUSIC PLAYS | 0:09:53 | 0:09:55 | |
I love this one. | 0:09:57 | 0:09:59 | |
That's what I'm talking about. | 0:10:04 | 0:10:05 | |
MUSIC CUTS OUT | 0:10:05 | 0:10:07 | |
RAP MUSIC PLAYS | 0:10:16 | 0:10:17 | |
That's what I'm talking about. | 0:10:29 | 0:10:30 | |
Hi, my name's Dorota. I am exclusive lady. | 0:10:34 | 0:10:37 | |
Today I am acting as a scene as a president. | 0:10:37 | 0:10:40 | |
Who are you? What you are doing in my office? | 0:10:45 | 0:10:48 | |
I am XJ99, | 0:10:48 | 0:10:50 | |
I am prince alien from planet Mars, | 0:10:50 | 0:10:52 | |
and I have come here to take your planet. | 0:10:53 | 0:10:57 | |
Winner takes it all. | 0:10:57 | 0:10:59 | |
Hold on a minute, you are joking. | 0:10:59 | 0:11:01 | |
I am not joking because I want word with you, | 0:11:01 | 0:11:05 | |
because I want human blood. | 0:11:05 | 0:11:07 | |
Oh, God, please be kind for us. | 0:11:07 | 0:11:09 | |
Kindness? What is kindness? | 0:11:09 | 0:11:12 | |
Kindness is like love. | 0:11:12 | 0:11:15 | |
Love! What is love? | 0:11:15 | 0:11:17 | |
Ahh! | 0:11:23 | 0:11:24 | |
What a strange sensation. That is called love? | 0:11:24 | 0:11:29 | |
Ah, what a strange beautiful smell. What is this? | 0:11:30 | 0:11:34 | |
Perfume. | 0:11:34 | 0:11:36 | |
Perfume! Very nice thing. | 0:11:36 | 0:11:40 | |
You must open schools for us. | 0:11:40 | 0:11:43 | |
You must teach us what is love. | 0:11:43 | 0:11:45 | |
Mm...yes, we can open school for you. | 0:11:46 | 0:11:50 | |
Goodbye. | 0:11:50 | 0:11:51 | |
In that case, I am leaving you now and I'll come back after one week. | 0:11:51 | 0:11:55 | |
So, goodbye. | 0:11:55 | 0:11:57 | |
Goodbye. | 0:11:57 | 0:11:58 | |
And we see that love conquers all, even aliens. | 0:11:58 | 0:12:01 | |
Thank you. | 0:12:03 | 0:12:04 | |
Um, what about 60 Minute Makeover? | 0:12:17 | 0:12:19 | |
-Oh, no way do they make the... -No. | 0:12:19 | 0:12:21 | |
Do them houses up in 60 minutes, that's impossible. | 0:12:21 | 0:12:23 | |
Not in 60 minutes, no way. | 0:12:23 | 0:12:24 | |
-That isn't possible. -No. -Well they, really... | 0:12:24 | 0:12:26 | |
Probably they edit it, and then make it, like, 60 seconds. | 0:12:26 | 0:12:29 | |
-Yeah, that's probably what they do. -Cos the paint's got to dry, | 0:12:29 | 0:12:32 | |
-and...got to put all the furniture and... -Yeah, I know. | 0:12:32 | 0:12:34 | |
I'd say it takes about a week, at least. | 0:12:34 | 0:12:36 | |
-At least, yeah. -Maybe more. | 0:12:36 | 0:12:37 | |
# I'm beautiful in my way | 0:12:38 | 0:12:40 | |
# Cos God makes no mistakes | 0:12:40 | 0:12:42 | |
# I'm on the right track, baby | 0:12:42 | 0:12:44 | |
# I was born this way | 0:12:44 | 0:12:46 | |
# I'm on the right track, baby | 0:12:46 | 0:12:48 | |
# I was born this way. # | 0:12:48 | 0:12:51 | |
CAR HORN BLARES | 0:12:51 | 0:12:52 | |
CRASH | 0:12:52 | 0:12:54 | |
-I'm a designer. -Right. | 0:12:57 | 0:12:59 | |
-My name is Afro-British Gaga. -OK. | 0:12:59 | 0:13:01 | |
And I have got a very good outfit which I think you'd like | 0:13:01 | 0:13:06 | |
as a uniform for your employees. | 0:13:06 | 0:13:08 | |
-Right. -Let me just er, grab it from here. | 0:13:08 | 0:13:10 | |
Ooh... | 0:13:10 | 0:13:12 | |
-No, no, no, no, no! -Here we go! | 0:13:12 | 0:13:16 | |
-What is that? -Looking good here... | 0:13:16 | 0:13:19 | |
Right. See, I'm already taking you somewhere. | 0:13:20 | 0:13:24 | |
-Sanitary pads. -Uh-huh. -Who doesn't know them? | 0:13:24 | 0:13:26 | |
-Mm-hm. -Everybody knows them. | 0:13:26 | 0:13:28 | |
-Everyone knows them. -Men, women. | 0:13:28 | 0:13:30 | |
But to put in mind to actually see them er, is a, a very good outfit. | 0:13:30 | 0:13:33 | |
Don't put it on your head! | 0:13:33 | 0:13:36 | |
Yes, you can actually wear it like this. | 0:13:36 | 0:13:38 | |
It's cool, yeah. | 0:13:42 | 0:13:44 | |
You see, the Duchess of Cambridge, yeah? | 0:13:44 | 0:13:46 | |
And, er, this now, you'll have to put some pins, er, here. | 0:13:46 | 0:13:50 | |
-Do you want me to help you? -Yes. | 0:13:50 | 0:13:52 | |
But don't poke into my skin please. | 0:13:52 | 0:13:55 | |
-Because you don't have to... -I'd never want you to look silly! | 0:13:55 | 0:13:59 | |
Right, you've got it. | 0:13:59 | 0:14:01 | |
You see the belt, put it here. | 0:14:01 | 0:14:04 | |
-I'm putting on these sanitary pads -Yeah. | 0:14:06 | 0:14:08 | |
You can rip them off, use them. | 0:14:08 | 0:14:11 | |
It's eye-catching. | 0:14:13 | 0:14:15 | |
Look at me, please. | 0:14:15 | 0:14:16 | |
Yeah, I am, I am looking right at you! | 0:14:16 | 0:14:19 | |
Look, these are my old friends. | 0:14:28 | 0:14:32 | |
It's great to see you all. | 0:14:32 | 0:14:34 | |
How are you? | 0:14:35 | 0:14:37 | |
Isn't it lucky to encounter our fellow lovey-doveys in our journeys? | 0:14:37 | 0:14:42 | |
The lioness and the lion, | 0:14:45 | 0:14:48 | |
they've been sharing a great deal of raw cows. | 0:14:48 | 0:14:54 | |
How far does one have to travel, to... | 0:14:56 | 0:14:59 | |
HE MAKES KISSY NOISE | 0:14:59 | 0:15:01 | |
# Oh, give me land | 0:15:03 | 0:15:07 | |
# Lots of land under starry skies above | 0:15:07 | 0:15:11 | |
# Don't fence me in | 0:15:11 | 0:15:13 | |
# Let me ride through the wide open country that I love | 0:15:13 | 0:15:18 | |
# Don't fence me in | 0:15:18 | 0:15:20 | |
# Let me be by myself in the evening breeze | 0:15:20 | 0:15:25 | |
# Listen to the murmur of the cottonwood trees | 0:15:25 | 0:15:28 | |
# Send me off forever | 0:15:28 | 0:15:30 | |
# But I ask you please | 0:15:30 | 0:15:32 | |
# Don't fence me in | 0:15:32 | 0:15:34 | |
# Just turn me loose let me straddle my old saddle | 0:15:34 | 0:15:39 | |
# Underneath the western skies | 0:15:39 | 0:15:42 | |
# On my cayuse let me wander over yonder | 0:15:42 | 0:15:46 | |
# Till I see the mountains rise | 0:15:46 | 0:15:50 | |
# I wanna ride to the ridge where the west commences | 0:15:50 | 0:15:54 | |
# Gaze at the moon till I lose my senses | 0:15:54 | 0:15:57 | |
# Can't look at hovels and I can't stand fences | 0:15:57 | 0:16:01 | |
# Don't fence me in. # | 0:16:01 | 0:16:04 | |
Hmm, not really sure where this road goes to or where it comes from, | 0:16:10 | 0:16:12 | |
but don't panic, help is at hand, with this foldable drawing | 0:16:12 | 0:16:16 | |
of all the local roads and names I call a map. | 0:16:16 | 0:16:19 | |
Time for the finger of awesomeness and the thumb of power. | 0:16:20 | 0:16:24 | |
# Where have you been all my life? # | 0:16:24 | 0:16:27 | |
Hello, guys, you're just in time. | 0:16:30 | 0:16:32 | |
I've just been taking a virus off my computer | 0:16:32 | 0:16:34 | |
and optimising my hard drive, and it got me thinking, you know, | 0:16:34 | 0:16:37 | |
when was the last time that you decided to optimise YOUR hard drive, | 0:16:37 | 0:16:39 | |
that internal computer that's your brain? | 0:16:39 | 0:16:42 | |
Isn't it time to take those negative thoughts out of your life, | 0:16:42 | 0:16:45 | |
embrace yourself and step into a bright new future? | 0:16:45 | 0:16:48 | |
Now here's an idea, give it a go. | 0:16:48 | 0:16:50 | |
-PENCIL CLATTERS ON FLOOR -Oh... | 0:16:55 | 0:16:56 | |
I'm really sorry. | 0:16:56 | 0:16:58 | |
Would you mind getting that, Francois, for me, please? | 0:16:58 | 0:17:01 | |
No, it's OK, Bert, you mind your hips. | 0:17:03 | 0:17:05 | |
You mind your hips, Bert, cos I know you've just got out of hospital. | 0:17:05 | 0:17:08 | |
Yeah, Bert, Bert, leave it, Francois will get it. | 0:17:08 | 0:17:10 | |
Drop it, Bert! | 0:17:10 | 0:17:12 | |
Thanks very much for that. | 0:17:12 | 0:17:13 | |
Oh, that was really kind of you to help him, Bert. | 0:17:13 | 0:17:16 | |
Look, they're all nodded off, | 0:17:18 | 0:17:19 | |
that just leaves, er, me and you, Francois. | 0:17:19 | 0:17:22 | |
Maybe do you want to turn this way a bit? | 0:17:22 | 0:17:25 | |
I've done the back area, probably now time for the front, | 0:17:25 | 0:17:28 | |
best till last, you know. | 0:17:28 | 0:17:29 | |
Just, er, move that there like that. | 0:17:30 | 0:17:33 | |
Little sweaty there. | 0:17:34 | 0:17:36 | |
Yeah, that's got it. | 0:17:38 | 0:17:41 | |
Now we're cooking on gas. | 0:17:42 | 0:17:44 | |
Lovely, Francois. | 0:17:44 | 0:17:45 | |
PENCIL LEAD SNAPS | 0:17:47 | 0:17:48 | |
Hmm, it's got a funny aura. | 0:17:52 | 0:17:54 | |
Do you mind if I do a quick... | 0:17:54 | 0:17:56 | |
-little exorcism on it? -Go ahead, yeah. | 0:17:56 | 0:17:59 | |
Dark spirits of this realm, begone from this phone on this day. | 0:17:59 | 0:18:03 | |
HE CHANTS | 0:18:03 | 0:18:09 | |
So may it be done! | 0:18:09 | 0:18:10 | |
So may it be done! | 0:18:12 | 0:18:15 | |
Ah, that feels better. Yeah, so give this a test. | 0:18:16 | 0:18:20 | |
Er, could you er, actually call me and leave a message inside my head? | 0:18:20 | 0:18:25 | |
I've actually got a SIM card implanted. | 0:18:25 | 0:18:27 | |
OK, what's the number? | 0:18:27 | 0:18:29 | |
666... | 0:18:29 | 0:18:30 | |
..66... | 0:18:31 | 0:18:33 | |
666. | 0:18:33 | 0:18:36 | |
-Ah, I'm ringing. -Hello. | 0:18:36 | 0:18:38 | |
-Hello. -You can hear me? -I can hear you very, very clearly. | 0:18:38 | 0:18:41 | |
-I can hear you clearly too. -Yes. | 0:18:41 | 0:18:45 | |
-OK, thank you. -OK, thanks. Bye. -Bye. | 0:18:45 | 0:18:47 | |
Still waiting. | 0:18:50 | 0:18:52 | |
# You know I said it's true | 0:19:00 | 0:19:02 | |
-# You know I said -I said I said I said | 0:19:02 | 0:19:05 | |
# You know I said it's true | 0:19:12 | 0:19:15 | |
# I can feel the love | 0:19:15 | 0:19:16 | |
# Can you feel it too? | 0:19:16 | 0:19:18 | |
# I can feel it ah-ah | 0:19:18 | 0:19:20 | |
# I can feel it ah-ah... # | 0:19:20 | 0:19:23 | |
Oh, my God! | 0:19:23 | 0:19:25 | |
Do you like the way I move? | 0:19:27 | 0:19:28 | |
No. | 0:19:28 | 0:19:30 | |
I move just like this outside of the gym, | 0:19:30 | 0:19:32 | |
in a more, like, padded bedroom area. | 0:19:32 | 0:19:35 | |
Oh, yeah! | 0:19:39 | 0:19:42 | |
Ooh! | 0:19:42 | 0:19:43 | |
# Na na na | 0:19:43 | 0:19:46 | |
# No no no no... # | 0:19:46 | 0:19:50 | |
CROW CAWS | 0:19:58 | 0:19:59 | |
Could be a long day, Ronnie. | 0:20:05 | 0:20:07 | |
MUSIC: "Get Hyper" by Droideka | 0:20:07 | 0:20:10 | |
# Get hyper. # | 0:20:10 | 0:20:11 | |
Today, it's all about toast. | 0:20:13 | 0:20:17 | |
It's my favourite food. | 0:20:17 | 0:20:19 | |
Britain, we need to start eating toast. | 0:20:19 | 0:20:22 | |
MUSIC: "Get Hyper" by Droideka | 0:20:22 | 0:20:27 | |
This should bring the crowds in. | 0:20:27 | 0:20:29 | |
I'm going to be pinning this to the chimney breast. | 0:20:32 | 0:20:35 | |
Toast is a good product for art because it's so versatile. | 0:20:38 | 0:20:43 | |
Could be the pyramids, | 0:20:47 | 0:20:49 | |
minus all the pyramids apart from one. | 0:20:49 | 0:20:52 | |
Edith... | 0:20:53 | 0:20:55 | |
likes a drop of toast. | 0:20:55 | 0:20:57 | |
Daphne's not bothered. | 0:20:57 | 0:20:59 | |
We're trying to convert Daphne. | 0:20:59 | 0:21:02 | |
And I'm inviting customers to come in to toast their own, | 0:21:02 | 0:21:07 | |
as long as they bring their own condiments, | 0:21:07 | 0:21:09 | |
but they will be under supervision. | 0:21:09 | 0:21:11 | |
I think we could make beautiful pendant. | 0:21:16 | 0:21:19 | |
What we'd do is we'd have a few diamonds | 0:21:19 | 0:21:21 | |
which get bigger and bigger, | 0:21:21 | 0:21:23 | |
yet the diamond at the end is the sort of diamond | 0:21:23 | 0:21:25 | |
you'll never see, so it would be totally fantastic. | 0:21:25 | 0:21:29 | |
Er, do you think, can you do it for me? | 0:21:29 | 0:21:31 | |
Oh, yeah, absolutely. | 0:21:31 | 0:21:32 | |
And, er, so it shall be like a long one around my - like... | 0:21:32 | 0:21:36 | |
-Yeah. -Like this, and, like, around everywhere... -Yes. | 0:21:36 | 0:21:39 | |
And like, small, this one here. | 0:21:39 | 0:21:41 | |
Here, absolutely. That'd be beautiful. | 0:21:41 | 0:21:44 | |
-I think... -It's totally worked. -Yes. -Yeah. | 0:21:44 | 0:21:46 | |
-Are you sure you really want to do it for me? -Yes. | 0:21:46 | 0:21:48 | |
Oh, of course I do. Of course I do. | 0:21:48 | 0:21:50 | |
Cos I don't really mind to accept your present | 0:21:50 | 0:21:54 | |
-because you know, I think we have many things in common. -Mm, yes. | 0:21:54 | 0:21:58 | |
And I think we can be really, really good friend. | 0:21:58 | 0:22:00 | |
-I will have to charge for it. -Because you know... | 0:22:00 | 0:22:02 | |
To be honest, I don't think, like, I have to worry about the price. | 0:22:02 | 0:22:06 | |
-Mm. -Why I should worry about the price? | 0:22:06 | 0:22:09 | |
I don't think I should care. | 0:22:09 | 0:22:11 | |
I think, like, once you have, like, right, clever man, | 0:22:11 | 0:22:16 | |
-you don't need to care. -Mm-hm. | 0:22:16 | 0:22:18 | |
But if you want you can tell me, | 0:22:18 | 0:22:19 | |
I feel like you really want to tell me. | 0:22:19 | 0:22:22 | |
Funnily enough, yes, I do. | 0:22:22 | 0:22:23 | |
But to be honest, it doesn't really matter. | 0:22:23 | 0:22:25 | |
Um, well, no, of course not, but, um... | 0:22:25 | 0:22:28 | |
the diamond as it stands would be 1.2 million, so... | 0:22:28 | 0:22:31 | |
It's all right, it's not a big deal. | 0:22:31 | 0:22:33 | |
Good. Well, that's a relief. | 0:22:33 | 0:22:36 | |
I'm OK, we can go for it. | 0:22:36 | 0:22:37 | |
-You up for that? Shall we go for that? -Yes. -OK. -Yes. | 0:22:37 | 0:22:40 | |
So, you can do what you want to do | 0:22:40 | 0:22:42 | |
and, obviously I, I agree to accept it from you. | 0:22:42 | 0:22:45 | |
Um, we normally we take a deposit of 250,000. | 0:22:45 | 0:22:49 | |
-Sure, it shouldn't be no problem at all. -Mm. | 0:22:49 | 0:22:51 | |
I-I agree to accept your present, it's fine. | 0:22:51 | 0:22:54 | |
Well, yes, shall I give you, um... the credit card machine, or...? | 0:22:54 | 0:23:00 | |
Yeah, sure, but actually, to be honest, | 0:23:00 | 0:23:03 | |
I expect you to get it for me. | 0:23:03 | 0:23:05 | |
Yes, er, I think that might be a problem. | 0:23:05 | 0:23:08 | |
My heart is full of love. | 0:23:08 | 0:23:11 | |
I'm sure I can trust you. | 0:23:11 | 0:23:13 | |
JAZZ BASS PLAYS | 0:23:19 | 0:23:20 | |
I see lots of things in the toast, see visions. | 0:23:20 | 0:23:25 | |
It could be the moon. | 0:23:27 | 0:23:28 | |
It could be a mountain range. | 0:23:30 | 0:23:32 | |
MUSIC: "Get Hyper" by Droideka | 0:23:32 | 0:23:33 | |
# Get hyper... | 0:23:33 | 0:23:35 | |
# Get hyper. # | 0:23:40 | 0:23:41 | |
Do you want a bit, Dusty? | 0:23:43 | 0:23:44 | |
Get stuck into that. | 0:23:47 | 0:23:48 | |
Practicality, if you were bending to do a treatment, would it fall off? | 0:23:51 | 0:23:55 | |
No. It's just like the Queen, | 0:23:55 | 0:23:56 | |
if she bends her head down the crown won't fall off. | 0:23:56 | 0:23:59 | |
-Right. -So it'll be... -But to be fair, | 0:23:59 | 0:24:02 | |
that's not made of sanitary towels, is it? | 0:24:02 | 0:24:05 | |
Oh, look at when I walk. | 0:24:05 | 0:24:08 | |
It follows your curves beautifully. It's lovely. | 0:24:10 | 0:24:14 | |
Every day people will talk about you. | 0:24:14 | 0:24:17 | |
But in a good way? No. | 0:24:17 | 0:24:19 | |
-Yes, defi... Yes. -Not so much, not so much. -In a good way. | 0:24:19 | 0:24:23 | |
How much would I pay for this? | 0:24:23 | 0:24:26 | |
This one, because it's very, very unique, you, as you can see, | 0:24:26 | 0:24:30 | |
it is something which has never ever been done. | 0:24:30 | 0:24:34 | |
Ever, ever been done before! | 0:24:34 | 0:24:36 | |
-Never at all. -Yeah. | 0:24:36 | 0:24:37 | |
Exactly, and you will definitely know that it's only you | 0:24:37 | 0:24:40 | |
and your staff. | 0:24:40 | 0:24:41 | |
-That'll be two grand. -Two... No! | 0:24:41 | 0:24:44 | |
-Two grand, what can you say? -Shut up! | 0:24:44 | 0:24:47 | |
Hi, my name is Dorota. I am exclusive lady. | 0:24:47 | 0:24:50 | |
Today I acting in scene... | 0:24:50 | 0:24:52 | |
is investigation. | 0:24:52 | 0:24:54 | |
Now I'm going to play the role of the...of the reptilian. | 0:25:03 | 0:25:08 | |
Thank you. | 0:25:08 | 0:25:09 | |
RATTLING AND GROWLING | 0:25:16 | 0:25:20 | |
Wooo... | 0:25:20 | 0:25:22 | |
HE GROANS AND SHOUTS | 0:25:29 | 0:25:32 | |
INCOMPREHENSIBLE SHOUTING | 0:25:41 | 0:25:46 | |
INCOMPREHENSIBLE SHOUTING | 0:25:54 | 0:25:57 | |
HE WHIMPERS AND SHOUTS | 0:26:03 | 0:26:05 | |
Nooo! | 0:26:05 | 0:26:07 | |
So, that is how the story ends. | 0:26:07 | 0:26:10 | |
Still waiting. | 0:26:20 | 0:26:21 | |
British Airways Boeing 757. | 0:26:23 | 0:26:29 | |
But that's not the airplane I'm looking for. | 0:26:33 | 0:26:36 | |
There it is. That's definitely the 747. | 0:26:39 | 0:26:42 | |
That's definitely the 747 that just take off...over our heads. | 0:26:49 | 0:26:53 | |
Hope you enjoyed that. | 0:26:54 | 0:26:55 | |
# You know I said it's true | 0:27:02 | 0:27:04 | |
# You know I said it's true... # HE GRUNTS | 0:27:04 | 0:27:07 | |
# You know I said it's true | 0:27:11 | 0:27:13 | |
# I can feel the love | 0:27:13 | 0:27:14 | |
# Can you feel it too? | 0:27:14 | 0:27:15 | |
# I can feel ah ah | 0:27:15 | 0:27:18 | |
# I can feel ah ah ah ah ah | 0:27:18 | 0:27:23 | |
# I can feel it. # | 0:27:33 | 0:27:34 | |
What is wrong with you? | 0:27:40 | 0:27:41 | |
Agh! | 0:27:43 | 0:27:44 | |
Baby, you're making me wet already. | 0:27:44 | 0:27:47 | |
Woo! | 0:27:47 | 0:27:48 | |
# It's the B to the O to the O-M Town | 0:27:48 | 0:27:52 | |
# Crazy-ass people all around | 0:27:52 | 0:27:54 | |
# Jump around to the funky sound | 0:27:54 | 0:27:57 | |
-# Girls tickin' fine as we get down -Welcome everybody to my city | 0:27:57 | 0:28:02 | |
# Now let's get down here to the nitty gritty | 0:28:02 | 0:28:05 | |
# It's the B to the O to the O-M Town | 0:28:05 | 0:28:08 | |
# Crazy-ass people all around. # | 0:28:08 | 0:28:10 | |
Subtitles by Red Bee Media Ltd | 0:28:10 | 0:28:13 |