Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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This programme contains adult humour | 0:00:07 | 0:00:10 | |
Forget Casanova, I'm the Nashanova. | 0:00:24 | 0:00:27 | |
# Let's talk about sex! # | 0:00:27 | 0:00:29 | |
Oh, grief! Oh, man! | 0:00:43 | 0:00:45 | |
Sorry, sorry, sorry. | 0:00:45 | 0:00:47 | |
My bad. Sorry, sorry. | 0:00:47 | 0:00:50 | |
That's... God, that's all right. Wow, whirlwind. | 0:00:50 | 0:00:52 | |
There are moments in life that have defound history. | 0:00:52 | 0:00:57 | |
Man walking on the moon, Obama being President, me hitting puberty. | 0:00:57 | 0:01:02 | |
And today is as different as any other day, but it's not. | 0:01:02 | 0:01:07 | |
Cos today is the defining moment in sex. | 0:01:07 | 0:01:10 | |
This I call the Nash Basher. | 0:01:12 | 0:01:14 | |
Modelled on the great man himself. | 0:01:14 | 0:01:17 | |
Now, I'm known for my art of muff-diving. | 0:01:17 | 0:01:21 | |
To smack clam, munch rug, dine at the one pink taco stand, | 0:01:21 | 0:01:26 | |
take it to the car wash, air dry that Chevy. | 0:01:26 | 0:01:30 | |
Wax it, you know the deal. | 0:01:30 | 0:01:32 | |
So what this one is, this is designed for the ladies. | 0:01:32 | 0:01:36 | |
So what we have is we have an extending, vibrating tongue. | 0:01:36 | 0:01:39 | |
Oh, God, that's the worst thing I've ever seen. | 0:01:39 | 0:01:41 | |
-Moving on, then. -OK. | 0:01:41 | 0:01:44 | |
I call this range Whip-Nash. Standard bondage gear. | 0:01:46 | 0:01:49 | |
Edgy gimp mask, yeah. | 0:01:49 | 0:01:51 | |
And the best thing is, my Whip-Nash will be a seasonal package. | 0:01:53 | 0:01:57 | |
Everything rolled into one for a kinky weekend. | 0:01:59 | 0:02:02 | |
Right... | 0:02:05 | 0:02:06 | |
Whip-Nash. | 0:02:06 | 0:02:08 | |
Time for the finger of awesomeness and the thumb of power. | 0:02:08 | 0:02:12 | |
# Let's get physical, physical! # | 0:02:12 | 0:02:15 | |
Fancy a drink? Well, why not go to the pub? | 0:02:15 | 0:02:19 | |
And remember, if it's alcohol you want, don't have too much | 0:02:19 | 0:02:22 | |
or you might end up drunk. | 0:02:22 | 0:02:24 | |
Unless, of course, that's what you want. | 0:02:24 | 0:02:27 | |
Power up! Smoking's really bad for your health. | 0:02:27 | 0:02:30 | |
Don't do it. But, if you have to, go outside cos that's the law. | 0:02:30 | 0:02:35 | |
May my spell and bidding be done, may my spell and bidding be done. | 0:02:35 | 0:02:40 | |
Fomabedoes! | 0:02:40 | 0:02:42 | |
-Hello. -Hello, mate, need any help? | 0:02:52 | 0:02:55 | |
I'm looking for a new familiar. | 0:02:55 | 0:02:57 | |
-Basically my last one was shot, um, flying over London. -OK. | 0:02:57 | 0:03:01 | |
-Do you sell any blood-sucking bats? -No. | 0:03:01 | 0:03:05 | |
-Fire-breathing dragons? -We do bearded dragons. | 0:03:05 | 0:03:09 | |
-Do they breathe fire? -No. | 0:03:09 | 0:03:11 | |
-No? Ah. Hell hounds? -No. | 0:03:11 | 0:03:14 | |
-Cat fish? -Yeah, we do cat fish. | 0:03:14 | 0:03:16 | |
Do they meow in foreign languages? | 0:03:16 | 0:03:19 | |
I mean, have you got an Arabian speaking one? | 0:03:19 | 0:03:21 | |
I couldn't tell you. | 0:03:21 | 0:03:22 | |
-No? So you've never heard... -No, I've never heard of them. | 0:03:22 | 0:03:25 | |
Would you by any chance have anything like this? | 0:03:25 | 0:03:27 | |
Quite a rare creature. | 0:03:29 | 0:03:31 | |
-No, I can't help you there. -Nothing at all like that at all? -No. | 0:03:31 | 0:03:34 | |
Or perhaps you'd have the kind of hindquarters and the head | 0:03:34 | 0:03:38 | |
in different creatures that I could, um, kind of zam together? | 0:03:38 | 0:03:42 | |
No, that wouldn't work. | 0:03:43 | 0:03:45 | |
What other sorts of pets have you got | 0:03:45 | 0:03:47 | |
that I could actually have as a familiar? | 0:03:47 | 0:03:50 | |
-As a familiar? -Wild elephant? | 0:03:50 | 0:03:52 | |
No. Hamsters? | 0:03:52 | 0:03:55 | |
-Do they talk? -No. -No? | 0:03:55 | 0:03:57 | |
Well, I'd better have a think about this. | 0:03:57 | 0:03:59 | |
I'm going to communicate with the Great God now, Amun Ra. | 0:03:59 | 0:04:02 | |
See what he says next. | 0:04:02 | 0:04:03 | |
Amun Ra! | 0:04:03 | 0:04:08 | |
I'm not getting the communication through. | 0:04:12 | 0:04:15 | |
It's the wiring up here, you see. | 0:04:15 | 0:04:16 | |
-Yeah, they just don't make the telepathic goods any more. -No. | 0:04:16 | 0:04:19 | |
I'd like it all pink but I don't know about you. | 0:04:32 | 0:04:35 | |
-I'm not having it all pink. -Why? | 0:04:35 | 0:04:36 | |
I'll tell you what, we can have the walls pink | 0:04:36 | 0:04:39 | |
but nothing else is being pink. | 0:04:39 | 0:04:40 | |
No. Everything's pink. I want everything to be pink. | 0:04:40 | 0:04:43 | |
Oh, I can't have it pink. | 0:04:43 | 0:04:44 | |
The curtains, blinds, carpets. Why? | 0:04:44 | 0:04:46 | |
I can't be waking up in a pink room every morning. | 0:04:46 | 0:04:49 | |
-I think it should be quite good. -It's depressing. | 0:04:49 | 0:04:52 | |
He's here, he's queer, he takes it up the rear, it's got to be Ali. | 0:04:52 | 0:04:56 | |
# Don't stop the par-tay! # | 0:04:59 | 0:05:03 | |
Afternoon, guys. Afternoon. I'm all happy, happy, happy, | 0:05:03 | 0:05:06 | |
cos guess what day it is? It's my birthday. | 0:05:06 | 0:05:10 | |
It was your birthday last week. | 0:05:11 | 0:05:13 | |
No, that's where you're mistaken actually, Jean. | 0:05:13 | 0:05:16 | |
It's my birthday this week and we're going to have a party, | 0:05:16 | 0:05:18 | |
and we're going to play party games. | 0:05:18 | 0:05:20 | |
We're going to start off with musical statues, OK? | 0:05:20 | 0:05:23 | |
So, everyone take a position. | 0:05:23 | 0:05:26 | |
OK, take a position and stay in it for as long as possible. | 0:05:26 | 0:05:29 | |
Come on, you can do it. | 0:05:29 | 0:05:31 | |
I'm afraid you're out, Bert. You're disqualified. | 0:05:31 | 0:05:34 | |
Beryl, sit back down, please. You're shaking too much. | 0:05:34 | 0:05:38 | |
And you, Boris, I can see your eyelids moving and you're wobbling. | 0:05:38 | 0:05:41 | |
Jean, you're out. You're wobbling. | 0:05:41 | 0:05:43 | |
I can see your hands shaking on the chair. | 0:05:43 | 0:05:45 | |
Oh, look at you, Jim. Oh, nearly there. | 0:05:45 | 0:05:47 | |
That's the furthest you've stood in months. | 0:05:47 | 0:05:49 | |
Ooh, maybe you're going to win. Maybe, but maybe not. | 0:05:49 | 0:05:51 | |
I am the winner. I win. | 0:05:51 | 0:05:53 | |
I win and that's good, cos it's my birthday. | 0:05:53 | 0:05:56 | |
I win so I get a sweet. | 0:05:56 | 0:05:57 | |
You all moved, you're all disqualified, | 0:05:57 | 0:06:00 | |
you're all out, unfortunately. | 0:06:00 | 0:06:02 | |
Could be a long day, Ronnie. | 0:06:09 | 0:06:11 | |
# Get hyper! # | 0:06:14 | 0:06:15 | |
Front elevation, side elevation, plan. | 0:06:15 | 0:06:20 | |
This installation is called Engaging De-Engaging. | 0:06:20 | 0:06:28 | |
This should bring the crowds in. | 0:06:33 | 0:06:36 | |
This is what's happening in my industry. | 0:06:36 | 0:06:40 | |
There's nobody engaging in conversation no more. | 0:06:40 | 0:06:43 | |
Engage! Engage! | 0:06:43 | 0:06:47 | |
Come in! A pub, a cafe! Embrace it! | 0:06:47 | 0:06:51 | |
Embrace the landlord, engage! | 0:06:51 | 0:06:55 | |
Engage! Let's get back to basics. Let's get back to reality, please! | 0:06:55 | 0:07:00 | |
You get the idea about this one, don't you? And it's brilliant. | 0:07:00 | 0:07:06 | |
Hi, my name is Dorota, I am exclusive lady. | 0:07:06 | 0:07:09 | |
Today I present my acting skill in my act, Mermaid. | 0:07:09 | 0:07:14 | |
Now I'm Stanley, I'm a ship building engineer. | 0:07:27 | 0:07:31 | |
When one day he was working on a vessel, Mermaid spotted him. | 0:07:31 | 0:07:38 | |
He had an accident. He fell from the ship into the ocean. | 0:07:38 | 0:07:43 | |
His head hit a rock and he lost his consciousness. | 0:07:44 | 0:07:48 | |
Stanley... | 0:07:50 | 0:07:53 | |
Stanley... | 0:07:53 | 0:07:55 | |
Wake up... | 0:07:55 | 0:07:57 | |
Stanley, wake up. | 0:07:57 | 0:08:00 | |
Stanley, wake up. | 0:08:00 | 0:08:04 | |
Stanley, wake up. | 0:08:04 | 0:08:07 | |
The sun is shining over you. | 0:08:07 | 0:08:10 | |
What a beauty! | 0:08:16 | 0:08:17 | |
How grateful I am that you have saved my life. | 0:08:17 | 0:08:21 | |
How, beauty, what is your name, my beauty? | 0:08:21 | 0:08:26 | |
Melody! | 0:08:26 | 0:08:28 | |
Melody? I will stay with you forever. | 0:08:28 | 0:08:32 | |
-You want to keep your eye on that one if I were you. -OK. | 0:08:41 | 0:08:44 | |
It's a nasty piece of work. | 0:08:44 | 0:08:46 | |
It's actually a seventh king, from the seventh circle in hell. | 0:08:46 | 0:08:50 | |
Conquered all sorts of different dimensions. | 0:08:50 | 0:08:52 | |
He sliced the heads off from a million different victims | 0:08:52 | 0:08:55 | |
from atop his black steed. | 0:08:55 | 0:08:58 | |
And the main thing he liked was sacrificial virgins. | 0:08:58 | 0:09:02 | |
I could use somebody like that in my coven. | 0:09:02 | 0:09:05 | |
# Express yourself | 0:09:05 | 0:09:07 | |
# Express yourself | 0:09:10 | 0:09:13 | |
# See it's not what you look like...# | 0:09:13 | 0:09:18 | |
CRASH | 0:09:18 | 0:09:21 | |
# I was born this way | 0:09:31 | 0:09:33 | |
# I'm on the right track, baby | 0:09:33 | 0:09:35 | |
# I was born this way. # | 0:09:35 | 0:09:37 | |
That's one of my favourites. The pegs, there. | 0:09:37 | 0:09:42 | |
I really like this outfit because if she can swim with that, | 0:09:42 | 0:09:46 | |
she can catch a little fish. | 0:09:46 | 0:09:48 | |
Instead you cannot say catch, but peg a little fish. | 0:09:48 | 0:09:51 | |
It's really interesting, I love that. | 0:09:51 | 0:09:53 | |
Now we've got another one, which is very interesting. | 0:09:53 | 0:09:58 | |
As you can see these are just table mats. | 0:09:58 | 0:10:00 | |
So whenever you have your breakfast, lunch, supper, | 0:10:00 | 0:10:05 | |
with your table mats, that's another outfit | 0:10:05 | 0:10:08 | |
which you can actually think of. | 0:10:08 | 0:10:10 | |
Oh, dish towels. | 0:10:13 | 0:10:16 | |
That's household material, what else can you say? | 0:10:16 | 0:10:19 | |
All right, guys, I hope you're all enjoying my party as much as I am. | 0:10:22 | 0:10:25 | |
What we're going to do now, we're going to do my favourite party game. | 0:10:25 | 0:10:28 | |
We're going to play hide and seek. | 0:10:28 | 0:10:30 | |
Cover your eyes. Cover your eyes, everybody. Close your eyes. | 0:10:30 | 0:10:34 | |
MAN SNORES | 0:10:36 | 0:10:38 | |
One, two, three, | 0:10:38 | 0:10:42 | |
four, nine-ten. | 0:10:42 | 0:10:45 | |
OK, ready or not, come and get me. | 0:10:45 | 0:10:47 | |
Eh, no, no-one found me. | 0:10:55 | 0:10:57 | |
Sorry, eh, I'm afraid that you're all out, OK? | 0:10:57 | 0:11:00 | |
So I win that, unfortunately for you, | 0:11:00 | 0:11:02 | |
so I get to have a sweet from the sweetie jar. | 0:11:02 | 0:11:04 | |
# Happy birthday to me | 0:11:05 | 0:11:08 | |
# Happy birthday to me, | 0:11:08 | 0:11:10 | |
# Happy birthday, dear Ali | 0:11:10 | 0:11:13 | |
# Happy birthday to me. # | 0:11:13 | 0:11:15 | |
PARTY POPPER POPS Ooh! | 0:11:15 | 0:11:17 | |
Hi, my name's Cream, | 0:11:20 | 0:11:21 | |
means Cash Rules Everything Around Me. | 0:11:21 | 0:11:23 | |
Don't forget that. | 0:11:23 | 0:11:25 | |
As always, I'm surrounded by good-looking bitches. | 0:11:33 | 0:11:36 | |
Next week, I'm on tour with my boy Snoop Doggy Dog, | 0:11:38 | 0:11:41 | |
but this week, I'm actually snooping with some real dogs in my new | 0:11:41 | 0:11:45 | |
part-time job as a dog sitter, gangsta-style. | 0:11:45 | 0:11:49 | |
Also to pay my mum her rent. | 0:11:49 | 0:11:51 | |
Stop trying to hump each other. Damn. | 0:11:53 | 0:11:56 | |
Walking all these dogs, that ain't no challenge for a gangsta like me. | 0:11:56 | 0:12:00 | |
Where'd they go? | 0:12:00 | 0:12:01 | |
Where's my bitches at? | 0:12:01 | 0:12:03 | |
Come on, bitch, come back here. Damn. | 0:12:03 | 0:12:06 | |
You're supposed to have my back, not run away from me, girls. | 0:12:06 | 0:12:10 | |
All the realest gangsters wear real fur, you know what I'm saying? | 0:12:12 | 0:12:15 | |
Yeah, this is my bitch. | 0:12:17 | 0:12:19 | |
Sammy Day, come on. | 0:12:19 | 0:12:23 | |
DOG BARKS Come on. | 0:12:23 | 0:12:25 | |
Don't run away from me, girl. | 0:12:26 | 0:12:28 | |
That's what I'm talking about. | 0:12:32 | 0:12:33 | |
Yeah. | 0:12:35 | 0:12:36 | |
You know what, I need some "me" time. | 0:12:40 | 0:12:43 | |
Come here, stapler. | 0:12:43 | 0:12:45 | |
Tense and squeeze, tense and squeeze, tense and squeeze, awesome. | 0:12:45 | 0:12:51 | |
Improvise. | 0:12:51 | 0:12:52 | |
In a shopping centre waiting for your girlfriend to choose a new top? | 0:12:55 | 0:12:58 | |
Bored? Why not try walking up the escalator in the wrong direction? | 0:12:58 | 0:13:01 | |
Watch. | 0:13:01 | 0:13:02 | |
Power up. | 0:13:07 | 0:13:09 | |
See, you have a lot of products here. | 0:13:12 | 0:13:14 | |
I think what you need is more, like, books. | 0:13:14 | 0:13:16 | |
I have the next bestseller for you. | 0:13:16 | 0:13:19 | |
Autobiography on myself... | 0:13:19 | 0:13:21 | |
-Good grief. -..of how I became who I am today. | 0:13:21 | 0:13:24 | |
Well that, yeah, no, that's going to be a fascinating read. | 0:13:24 | 0:13:28 | |
Allow me to present to you the first copy of Fifty Shades Of Jonny Nash. | 0:13:28 | 0:13:33 | |
I'm going to read you a paragraph from my erotic non-fiction. | 0:13:33 | 0:13:36 | |
OK. | 0:13:36 | 0:13:37 | |
HE CLEARS THROAT | 0:13:39 | 0:13:41 | |
I used her thighs as ear muffs, as I smacked her clams | 0:13:41 | 0:13:45 | |
and munched her rug in the sen-sensual art of muff diving. | 0:13:45 | 0:13:49 | |
Grabbing hold of the Nash Basher, | 0:13:50 | 0:13:53 | |
out squirted the lube as I slipped that satisfactory guaranteed | 0:13:53 | 0:13:57 | |
toy inside her like a lumberjack feeding a hungry beaver some wood. | 0:13:57 | 0:14:02 | |
My lubricated hand gave her two in the pink, one in the stink, | 0:14:02 | 0:14:05 | |
two in the goo, one in the poo, | 0:14:05 | 0:14:08 | |
two in the kitty, one in the shitty, | 0:14:08 | 0:14:10 | |
two in the gutter, one in the turd cutter. | 0:14:10 | 0:14:13 | |
No, God, right... | 0:14:13 | 0:14:14 | |
-Right, sir, your salmon. -Lovely. Thank you. | 0:14:19 | 0:14:21 | |
There you go. A little touch of black pepper, olive oil, vinegar? | 0:14:21 | 0:14:24 | |
Yeah. This, this fish has just told me that it wasn't humanely killed. | 0:14:24 | 0:14:28 | |
It's telling me that it was actually strangled. | 0:14:28 | 0:14:31 | |
Is it OK if I perform the last rites for him? | 0:14:34 | 0:14:37 | |
If you like to, yes, please. | 0:14:37 | 0:14:38 | |
Rest in peace, oh mighty fish, but now I devour thee. | 0:14:40 | 0:14:45 | |
-THUNDER CLAPS -Thank you, the Gods, for this meal on this day. | 0:14:45 | 0:14:49 | |
I'll try a chip. | 0:14:51 | 0:14:53 | |
MUSIC: "Scary Monsters And Nice Sprites" by Skrillex | 0:14:53 | 0:14:56 | |
Let's play crosswords. | 0:15:01 | 0:15:03 | |
The greatest wonder of them all, | 0:15:05 | 0:15:09 | |
in French it rhymes with glamour. | 0:15:09 | 0:15:11 | |
Amour. | 0:15:14 | 0:15:16 | |
L-o-v-e. | 0:15:17 | 0:15:20 | |
Love! | 0:15:20 | 0:15:22 | |
# L is for the way you look at me | 0:15:25 | 0:15:30 | |
# O is for the only one I see | 0:15:30 | 0:15:35 | |
# V is very, very extraordinary | 0:15:35 | 0:15:40 | |
# E is even more than anyone but you alone can... | 0:15:40 | 0:15:45 | |
# Love is all that I can give to you | 0:15:45 | 0:15:50 | |
# Love is more than just a game for two | 0:15:50 | 0:15:54 | |
# Two in love can make it | 0:15:54 | 0:15:57 | |
# Take my heart and please don't break it | 0:15:57 | 0:15:59 | |
# Love was made for me and you | 0:15:59 | 0:16:04 | |
# Love was made for me and you. # | 0:16:04 | 0:16:10 | |
Maud couldn't be with us this afternoon, she's up in her room | 0:16:21 | 0:16:25 | |
cos I've stolen her glasses for one of my props, OK? | 0:16:25 | 0:16:28 | |
"Oh, hello there, Jean." "Hello, Bert." | 0:16:30 | 0:16:33 | |
"Oh, I would run after you but I can't. | 0:16:34 | 0:16:37 | |
"I can't because my limbs don't work, not since 1962." | 0:16:37 | 0:16:41 | |
"Oh, that's a shame, because you can't have your glasses, | 0:16:41 | 0:16:44 | |
"I'm taking them to Mr Alan. | 0:16:44 | 0:16:46 | |
"Why don't we ask Maurice what he thinks?" | 0:16:46 | 0:16:49 | |
"Oh, he is fantastic, I wish he was our dad and he was born years ago." | 0:16:49 | 0:16:54 | |
"But that could never happen, Mr Alan is far too gorgeous." | 0:16:54 | 0:16:58 | |
"But we too could look like him if we was younger." | 0:16:58 | 0:17:01 | |
"No, we couldn't." "Why's that, Jean?" | 0:17:01 | 0:17:03 | |
"Because I've already seen your photos of | 0:17:03 | 0:17:05 | |
"when you was younger, Bert. | 0:17:05 | 0:17:07 | |
"You know that black and white one in your room? | 0:17:07 | 0:17:09 | |
"You look like the back end of a bus." | 0:17:09 | 0:17:11 | |
"And I've also seen your photo, Jean, yes. | 0:17:11 | 0:17:14 | |
"Yes, yes, I was an ugly duckling | 0:17:14 | 0:17:16 | |
"and I wouldn't touch you with two shitty sticks." | 0:17:16 | 0:17:19 | |
"Oh, that's fair enough, Jean, cos I would batter you with those | 0:17:19 | 0:17:22 | |
"two shitty sticks if you come near me for a snog." | 0:17:22 | 0:17:25 | |
"Oh, but I-I give good snogs, I have no teeth." | 0:17:25 | 0:17:27 | |
England caps, what else can you say? | 0:17:34 | 0:17:38 | |
You can support England. | 0:17:38 | 0:17:41 | |
A short skirt, as well, you can cover up your bits. | 0:17:41 | 0:17:44 | |
Right, well, well. You look very fantastic. | 0:17:44 | 0:17:50 | |
How are you feeling today? | 0:17:50 | 0:17:51 | |
Exciting. | 0:17:51 | 0:17:53 | |
These creations, | 0:17:53 | 0:17:54 | |
they are an inspiration to everyone in this library. | 0:17:54 | 0:17:57 | |
So as you can see, right, the models are very happy. | 0:17:59 | 0:18:02 | |
Are you really enjoying, eh, using, uh...wearing your outfit? | 0:18:03 | 0:18:07 | |
No I-I-I live here, I do things here | 0:18:07 | 0:18:11 | |
and everyone's staring at me, it's really awkward. | 0:18:11 | 0:18:13 | |
And what do you think about your outfit? | 0:18:13 | 0:18:16 | |
I would not wear this in public. | 0:18:16 | 0:18:18 | |
Eh, you won't wear it in public. But if it was actually, eh, | 0:18:18 | 0:18:20 | |
made up of, eh, a real, clothing material, | 0:18:20 | 0:18:24 | |
would you buy it in a shop and wear it? | 0:18:24 | 0:18:26 | |
-No, no. -Why wouldn't you wear it? | 0:18:26 | 0:18:29 | |
I get recognised and stared at too much | 0:18:29 | 0:18:31 | |
in public with my big breasts as it is. | 0:18:31 | 0:18:33 | |
That's really... Oh, that was very wonderful. I love that. | 0:18:33 | 0:18:37 | |
Tonight we've got a very, very special event. | 0:18:41 | 0:18:44 | |
It's controversial, | 0:18:44 | 0:18:46 | |
it's out there, | 0:18:46 | 0:18:47 | |
it's thought-provoking | 0:18:47 | 0:18:50 | |
and it's called Man, and I've got a live audience in as well - | 0:18:50 | 0:18:55 | |
me pub regulars. | 0:18:55 | 0:18:57 | |
Are they going to be in for a treat? | 0:18:59 | 0:19:01 | |
This should bring the crowds in. | 0:19:07 | 0:19:08 | |
Good evening. | 0:19:12 | 0:19:14 | |
Front elevation, side elevation, plan. | 0:19:14 | 0:19:19 | |
Tonight, we're going to be talking about Man. | 0:19:20 | 0:19:24 | |
The Man, the pig, both dirty animals. | 0:19:26 | 0:19:30 | |
Um, the pig, not as dirty. | 0:19:32 | 0:19:35 | |
Man will kill the planet. | 0:19:36 | 0:19:38 | |
Man will fuck it up. | 0:19:38 | 0:19:42 | |
Man will kill the human species. | 0:19:42 | 0:19:45 | |
We've got the pig. | 0:19:48 | 0:19:50 | |
The pig's placenta, the umbilical cord, the baby. | 0:19:50 | 0:19:55 | |
Is this the way forward? | 0:19:56 | 0:19:58 | |
Thought-provoking, | 0:20:00 | 0:20:03 | |
realism, this... | 0:20:03 | 0:20:06 | |
Whoa! | 0:20:07 | 0:20:09 | |
What can you say, | 0:20:09 | 0:20:11 | |
but this could be the end result? | 0:20:11 | 0:20:14 | |
Man. | 0:20:15 | 0:20:16 | |
# Get hyper. # | 0:20:18 | 0:20:19 | |
# I'm a heartbreaker | 0:20:25 | 0:20:26 | |
# I'm a heart... | 0:20:26 | 0:20:28 | |
# Ah, ah, ah, I'm a heartbreaker | 0:20:28 | 0:20:30 | |
# I'm a... # | 0:20:30 | 0:20:32 | |
Hey, sorry I kept you waiting so long. | 0:20:34 | 0:20:37 | |
My name is J to the O to the N-N-Y with a Nash at the end | 0:20:38 | 0:20:42 | |
cos I'm motherfucking fly. | 0:20:42 | 0:20:43 | |
What do you do for a living? | 0:20:43 | 0:20:45 | |
What don't I do for a living? | 0:20:45 | 0:20:46 | |
Is it like parrot? | 0:20:47 | 0:20:49 | |
Is this what you call parrot from where you're from? | 0:20:49 | 0:20:51 | |
Do you have anything else behind your sleeve? | 0:20:51 | 0:20:54 | |
I have something I could definitely whip out later | 0:20:54 | 0:20:56 | |
if the night goes well. | 0:20:56 | 0:20:57 | |
OK, Jonny, what do you do for a living? | 0:20:57 | 0:21:00 | |
Didn't I just say what I did? | 0:21:00 | 0:21:02 | |
-No. -I'm a love god. | 0:21:02 | 0:21:04 | |
-Ah. -International. -What is it about? -This? | 0:21:04 | 0:21:08 | |
-Yes. -What do you like? | 0:21:08 | 0:21:10 | |
Roses, chocolates, or diamonds, handbags, | 0:21:10 | 0:21:13 | |
you look like a gift kind of girl? | 0:21:13 | 0:21:15 | |
Oh. | 0:21:17 | 0:21:20 | |
Eh, excuse me, what is it you have? | 0:21:22 | 0:21:24 | |
It's empty, yeah? | 0:21:24 | 0:21:26 | |
Let's see what I can get out of here for you. | 0:21:26 | 0:21:28 | |
Oh, oh, look at that. Oh. | 0:21:32 | 0:21:35 | |
-Um. -What else is in here? | 0:21:35 | 0:21:36 | |
Oh, and that one too. | 0:21:38 | 0:21:41 | |
Listen, sweetheart, I can tell you're really true, | 0:21:41 | 0:21:43 | |
it's nothing funny at all, and I'm really very bored. | 0:21:43 | 0:21:47 | |
Something here... Oh, here we go. | 0:21:47 | 0:21:48 | |
One more. | 0:21:48 | 0:21:50 | |
I'm telling you now, it can work in a circus and you can | 0:21:51 | 0:21:54 | |
make some money. | 0:21:54 | 0:21:56 | |
Russia's known for many, like, sort of, its unique studies | 0:21:56 | 0:22:00 | |
and art forms, I happen to be a student of all arts as well. | 0:22:00 | 0:22:03 | |
I don't like modern art, but I like old-fashioned art. | 0:22:03 | 0:22:07 | |
Mm-hm. | 0:22:07 | 0:22:08 | |
The art form I study has been around for many, many years. | 0:22:08 | 0:22:11 | |
I studied the great American art of muff diving. | 0:22:11 | 0:22:14 | |
Do you know that one? | 0:22:14 | 0:22:16 | |
To smack clam, munch rug, dine at the one pink taco stand, | 0:22:16 | 0:22:20 | |
take it to the car wash, you know, wax that shit. | 0:22:20 | 0:22:24 | |
Air dry it, air dry it. | 0:22:24 | 0:22:26 | |
Good with the hands. | 0:22:26 | 0:22:28 | |
Why did you show me your tongue, it's not sexy? | 0:22:28 | 0:22:30 | |
Oh, you want to see my tongue, eh? | 0:22:30 | 0:22:32 | |
I can't control it. | 0:22:32 | 0:22:34 | |
I can't control it. | 0:22:34 | 0:22:36 | |
It's got a mind of its own. | 0:22:38 | 0:22:40 | |
Bye. He knows a bit of discipline. | 0:22:41 | 0:22:44 | |
Have you finished? | 0:22:44 | 0:22:45 | |
Do you like discipline? | 0:22:45 | 0:22:47 | |
If there's anything else you can show me | 0:22:47 | 0:22:49 | |
before I will walk away in the next three seconds. | 0:22:49 | 0:22:52 | |
Oh, look at that. Ah, ah, ah. | 0:22:52 | 0:22:54 | |
Hi, my name is Dorota. This is my husband Atonu. | 0:22:58 | 0:23:01 | |
Today, I show you my | 0:23:03 | 0:23:04 | |
ABC book for children, present my illustrator skill. | 0:23:04 | 0:23:10 | |
Today is Princess's birthday | 0:23:14 | 0:23:17 | |
and she has got a beautiful present - | 0:23:17 | 0:23:21 | |
ABC book. | 0:23:21 | 0:23:22 | |
A is for Apple. | 0:23:38 | 0:23:40 | |
-TOY HAMSTER: -A for Apple. | 0:23:40 | 0:23:41 | |
B is for Bear. | 0:23:45 | 0:23:46 | |
C for Cat. | 0:23:48 | 0:23:50 | |
-TOY HAMSTER: -C for Cat, C for Cat. | 0:23:50 | 0:23:52 | |
Eh, hold, hold on a minute, hold on a minute, | 0:23:52 | 0:23:54 | |
because hamster repeating too long... TOY HAMSTER MAKES INDISTINCT NOISES | 0:23:54 | 0:23:57 | |
What? We don't need. | 0:23:57 | 0:23:59 | |
Only when it's A, A, B, B. TOY HAMSTER MAKES INDISTINCT NOISES | 0:23:59 | 0:24:02 | |
But, but you are talking too much, | 0:24:02 | 0:24:03 | |
just A for Apple, B for Bird, C for Cat. | 0:24:03 | 0:24:06 | |
-OK. I see, mm-hm. -So go, go on this way, huh? | 0:24:06 | 0:24:09 | |
TOY HAMSTER MAKES INDISTINCT NOISES | 0:24:09 | 0:24:11 | |
A for Anteater. | 0:24:11 | 0:24:14 | |
-TOY HAMSTER: -A for Anteater. | 0:24:14 | 0:24:16 | |
A for Apple. | 0:24:16 | 0:24:17 | |
C for Cat. | 0:24:23 | 0:24:25 | |
-TOY HAMSTER: -C for Cat. | 0:24:25 | 0:24:27 | |
-TOY CAT: -I love looking pretty. | 0:24:27 | 0:24:29 | |
C for Cake. | 0:24:29 | 0:24:30 | |
Once again because it's stopped talking. | 0:24:32 | 0:24:34 | |
-TOY CAT: -I love looking pretty. -C for Cat. | 0:24:34 | 0:24:37 | |
-TOY HAMSTER: -C for Cat. | 0:24:37 | 0:24:38 | |
-TOY CAT: -I love looking pretty. -C for Cake. | 0:24:40 | 0:24:42 | |
-TOY HAMSTER: -C for Cake. | 0:24:42 | 0:24:44 | |
H is for Horse. | 0:24:48 | 0:24:50 | |
-TOY HAMSTER: -H is for Horse. | 0:24:50 | 0:24:52 | |
House and Hedge-cog. | 0:24:52 | 0:24:54 | |
Hedgehog. | 0:24:54 | 0:24:56 | |
H is for Horse, House and Hedge-cog. | 0:24:56 | 0:24:59 | |
Hog. | 0:25:02 | 0:25:03 | |
Yeah. H is for Horse, House, Hedge-cog. | 0:25:03 | 0:25:08 | |
SHE SPEAKS IN OWN LANGUAGE | 0:25:08 | 0:25:10 | |
Hedge-cog? Hedgehog. | 0:25:10 | 0:25:11 | |
SHE SPEAKS IN OWN LANGUAGE | 0:25:13 | 0:25:16 | |
-Hedge-cog. -Hedgehog. -Hedgehog. | 0:25:18 | 0:25:20 | |
Hog. | 0:25:20 | 0:25:21 | |
H is for Hedge-cog, Horse. | 0:25:21 | 0:25:24 | |
SHE SPEAKS IN OWN LANGUAGE | 0:25:24 | 0:25:27 | |
-Hedgehog. -Hedgehog. | 0:25:27 | 0:25:30 | |
I could show you many things. | 0:25:30 | 0:25:32 | |
But I'll save the best for last. | 0:25:32 | 0:25:35 | |
I'm about to show you my sexual dance of seduction, baby. | 0:25:35 | 0:25:39 | |
Would you like some of this? | 0:25:39 | 0:25:41 | |
Blah, blah, blah, boring. | 0:25:42 | 0:25:44 | |
Eh, sit down. | 0:25:56 | 0:25:58 | |
OK, Jonny, it was really lovely to meet you | 0:25:59 | 0:26:02 | |
and I hope I will see you in a different life. | 0:26:02 | 0:26:05 | |
I don't think you'll be that lucky, baby. | 0:26:05 | 0:26:08 | |
'I hope I will see you in a different life.' | 0:26:16 | 0:26:18 | |
# Yeah, we live in Boom Town | 0:26:23 | 0:26:25 | |
# Where? Yo, we live in Boom Town | 0:26:25 | 0:26:27 | |
# Yeah, yo, we live in Boom Town, yeah | 0:26:27 | 0:26:33 | |
# It's the B to the O to the O-M Town, | 0:26:33 | 0:26:36 | |
# Crazy-ass people all around | 0:26:36 | 0:26:39 | |
# Jump around to the funky sound | 0:26:39 | 0:26:41 | |
# Girls looking fine as we get down | 0:26:41 | 0:26:43 | |
# Now, welcome, everybody, to my city | 0:26:43 | 0:26:46 | |
# Now, let's get down, hell, to the nitty-gritty | 0:26:46 | 0:26:49 | |
# And give you all something spanking | 0:26:49 | 0:26:52 | |
# The shows and the girls and the money I'll be banking | 0:26:52 | 0:26:54 | |
# Look at me, baby, they call me cutie | 0:26:54 | 0:26:57 | |
# Cos it is my duty to cream that booty | 0:26:57 | 0:27:00 | |
# Don't get vexed when I begin to flex | 0:27:00 | 0:27:02 | |
# Cos, girls, you'll be paying me for my phone sex | 0:27:02 | 0:27:05 | |
# I sometimes walk around in the nude | 0:27:05 | 0:27:07 | |
# Got a zillion, trillion hits on YouTube | 0:27:07 | 0:27:10 | |
# Stills that we got are too hot for you now | 0:27:10 | 0:27:13 | |
# Where nothing seems real when you live in Boom Town | 0:27:13 | 0:27:16 | |
# It's the B to the O to the O-M Town | 0:27:16 | 0:27:19 | |
# Crazy-ass people all around | 0:27:19 | 0:27:22 | |
# Jump around to the funky sound | 0:27:22 | 0:27:24 | |
# They call me J to the O to the N-N-Y | 0:27:24 | 0:27:29 | |
# With a Nash at the end cos I'm pretty fly | 0:27:29 | 0:27:32 | |
# My name is known all over town | 0:27:32 | 0:27:34 | |
# By all the foxy ladies that let me go down | 0:27:34 | 0:27:37 | |
# I'm going down in history | 0:27:37 | 0:27:39 | |
# As the baddest mo-fo that you ever will see | 0:27:39 | 0:27:42 | |
# When it comes to the sex, ladies, put away the cash | 0:27:42 | 0:27:45 | |
# Cos you ain't gotta pay for that legendary Nash Bash | 0:27:45 | 0:27:48 | |
# It's the B to the O to the O-M Town | 0:27:48 | 0:27:51 | |
# Crazy-ass people all around | 0:27:51 | 0:27:53 | |
# Jump around to the funky sound | 0:27:53 | 0:27:56 | |
# Girls looking fine as we get down | 0:27:56 | 0:27:59 | |
# Yeah, yo, we live in Boom Town | 0:27:59 | 0:28:01 | |
# Yeah, yo, we live in Boom Town | 0:28:01 | 0:28:04 | |
# Yeah, yo we live in Boom Town | 0:28:04 | 0:28:07 | |
# Yeah | 0:28:07 | 0:28:08 | |
# Now. # | 0:28:08 | 0:28:10 | |
GIRLS LAUGH | 0:28:10 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:12 | 0:28:14 |