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This programme contains adult humour | 0:00:02 | 0:00:09 | |
Oh, yeah. | 0:00:31 | 0:00:32 | |
I'm a love god. | 0:00:32 | 0:00:34 | |
So, welcome to How To Be A Love God. | 0:00:40 | 0:00:43 | |
I will be your God, Jonny Nash. | 0:00:43 | 0:00:46 | |
You guys are in for a real treat tonight. Do you know why? | 0:00:46 | 0:00:50 | |
Cos you're going to learn some secret, classified shit, | 0:00:50 | 0:00:53 | |
that's going to take you from stud to dud. | 0:00:53 | 0:00:57 | |
Oh, sh... It's the other way round, innit? | 0:00:57 | 0:00:59 | |
We want to get with her, not repel her, man. | 0:01:02 | 0:01:04 | |
It's going to turn you from dud to stud, from zero to hero, | 0:01:04 | 0:01:07 | |
from geek to elite. | 0:01:07 | 0:01:09 | |
No more bashing the bishop, choking the chicken, jerking the gherkin, | 0:01:09 | 0:01:14 | |
dating Rosie Palmer and her five sisters - forget that shit. | 0:01:14 | 0:01:17 | |
It's time for women and that's what we're going to learn about today. | 0:01:17 | 0:01:20 | |
WOMEN! Let me hear you say "women". | 0:01:20 | 0:01:21 | |
-ALL: -Women. | 0:01:21 | 0:01:23 | |
Hi, my name is Dorota. | 0:01:23 | 0:01:26 | |
I'm Exclusive Lady. | 0:01:26 | 0:01:28 | |
I am with my husband, er... I am with my husband Atonu. | 0:01:28 | 0:01:33 | |
Today I present my skill as a actress, in dilemma scene. | 0:01:33 | 0:01:38 | |
Alice is a married woman and one day, | 0:01:42 | 0:01:46 | |
when she was checking her e-mail, she suddenly becomes very excited. | 0:01:46 | 0:01:50 | |
-SHE LAUGHS -Wow! | 0:01:50 | 0:01:55 | |
WOW! | 0:01:55 | 0:01:56 | |
And the husband goes to find out what she is so thrilled about. | 0:01:56 | 0:02:01 | |
-SHE LAUGHS -Wow. | 0:02:01 | 0:02:03 | |
What you are so thrilled about? What is here? | 0:02:05 | 0:02:08 | |
-I can see a very long image. -This is my private e-mail. | 0:02:08 | 0:02:11 | |
No, you are my wife | 0:02:11 | 0:02:13 | |
and I must read that what other people are writing to you. | 0:02:13 | 0:02:16 | |
"Let me introduce myself, I am Rainbow, please. | 0:02:16 | 0:02:20 | |
"If you are in Dubai I will fly with you on my private planes, | 0:02:20 | 0:02:24 | |
"I'll take you to my yacht for dinner with candle," with candle? No. | 0:02:24 | 0:02:28 | |
-Wow. Wow! -No, this is not happen when I'm alive. | 0:02:28 | 0:02:32 | |
I'm very, very angry. | 0:02:32 | 0:02:34 | |
"I'll give you 10 servants and a Ferrari car." | 0:02:34 | 0:02:37 | |
My goodness he's so arrogant with his money. | 0:02:37 | 0:02:42 | |
I'm very, very angry. Very, very. | 0:02:42 | 0:02:44 | |
SHE LAUGHS | 0:02:44 | 0:02:46 | |
Hi my name's Cream, means Cash Rules Everything Around Me. | 0:02:46 | 0:02:49 | |
Don't forget that. | 0:02:49 | 0:02:51 | |
Yo-yo-yo, you know your boy Cream | 0:02:58 | 0:03:00 | |
is setting off on a worldwide tour next week, | 0:03:00 | 0:03:02 | |
but before then, I'm going to be doing a more local tour | 0:03:02 | 0:03:05 | |
in my new part-time job as a tour guide. | 0:03:05 | 0:03:08 | |
Gangsta style! | 0:03:08 | 0:03:10 | |
And, also, I've gotta pay my mum this month's rent, | 0:03:10 | 0:03:13 | |
I can't forget that, or she's going to kill me. | 0:03:13 | 0:03:15 | |
Yo, you see this church, right here? It's real old. | 0:03:24 | 0:03:28 | |
See this wall, right here? I like to take my honeys up against that | 0:03:28 | 0:03:31 | |
after the clubs are closed, you know what I'm saying? | 0:03:31 | 0:03:33 | |
I also got a application to make this into a nightclub, | 0:03:33 | 0:03:36 | |
it's going to be more of a titty bar though, you know what I'm saying? | 0:03:36 | 0:03:40 | |
It's going to be called Cream Girls. It's going to be off the chain. | 0:03:41 | 0:03:45 | |
Yo, if you like kitchen roll, this store across the road | 0:03:46 | 0:03:50 | |
has a great variety of different brands, gangsta style. | 0:03:50 | 0:03:54 | |
If you look to your right this is where I first start to freestyle. | 0:03:54 | 0:03:58 | |
If you look to the left, | 0:03:58 | 0:04:00 | |
this is where I got shot five times on a drive by. | 0:04:00 | 0:04:03 | |
That was a crazy day, baby, I swear to God. | 0:04:03 | 0:04:06 | |
Hello, Joel The Dog Spotter here. | 0:04:06 | 0:04:08 | |
We start at my usual location - dog spotting. | 0:04:08 | 0:04:11 | |
Today we're looking for the Chihuahua. Please enjoy. | 0:04:11 | 0:04:16 | |
# Snoop doggy dog. # | 0:04:16 | 0:04:21 | |
# Nasty Dog. Doggie Dog. # | 0:04:21 | 0:04:24 | |
A DOG BARKING | 0:04:33 | 0:04:35 | |
So, for this first technique, I'm going to need a volunteer. | 0:04:40 | 0:04:44 | |
Perfect. What's your name? | 0:04:45 | 0:04:47 | |
-Simos. -Simos. Come up. | 0:04:47 | 0:04:49 | |
You are going to be the lady in this one. Beautiful, sexy baby. | 0:04:49 | 0:04:53 | |
A glamour girl, you know, or a stripper or something, like, glamorous | 0:04:53 | 0:04:56 | |
cos that's what the gods go for, top of the food chain. | 0:04:56 | 0:04:59 | |
I'll come in, and you'll see... you're noticing me. | 0:04:59 | 0:05:03 | |
Oh, hello. | 0:05:03 | 0:05:04 | |
Oh, how are you? Good? | 0:05:04 | 0:05:07 | |
Yeah. | 0:05:07 | 0:05:08 | |
-Are you OK? -Oh, oh, sorry. | 0:05:11 | 0:05:14 | |
Oh, my God! | 0:05:14 | 0:05:15 | |
Oh, my God. Oh, sorry. | 0:05:15 | 0:05:19 | |
-Do you want to sit down? -Ah, you're...you're such a nice girl. | 0:05:19 | 0:05:21 | |
Yeah, please, er, come keep me company. | 0:05:21 | 0:05:25 | |
Oh, yeah. Ooh, sorry about this. | 0:05:25 | 0:05:27 | |
-Hey, what's your name? -Simone. -Simone? | 0:05:27 | 0:05:30 | |
Jonny Nash. It's a pleasure. You see that? | 0:05:30 | 0:05:33 | |
Putty in my hands. Some Florence Nightingale shit, right there. | 0:05:33 | 0:05:37 | |
He's here, he's queer, he takes it up the rear, it's gotta be Ali. | 0:05:37 | 0:05:42 | |
Just move the paper over it, no-one'll know. | 0:05:50 | 0:05:53 | |
"Alan couldn't believe he had just been sent to prison again. | 0:05:53 | 0:05:57 | |
"He just hoped he wouldn't be sharing a cell with a large black man | 0:05:57 | 0:06:00 | |
"called Big Daddy, all over again. | 0:06:00 | 0:06:02 | |
"His last stay had been absolutely exhausting | 0:06:02 | 0:06:05 | |
"and he hadn't been able to ride a bike for weeks." | 0:06:05 | 0:06:07 | |
Ooh, memories. | 0:06:07 | 0:06:09 | |
"'You're in here,' said the Warden, with a snarl, | 0:06:09 | 0:06:12 | |
"shoving him into the new cell with a kick up the rear from his boot | 0:06:12 | 0:06:15 | |
"and slamming the door behind him with a clank. | 0:06:15 | 0:06:18 | |
"As his keys jangled away down the corridor, | 0:06:18 | 0:06:21 | |
"Alan's eyes adjusted to the gloom | 0:06:21 | 0:06:23 | |
"and saw, sitting on the bunk, his chest bursting | 0:06:23 | 0:06:26 | |
"out of a tight blue denim shirt, his blonde hair falling softly | 0:06:26 | 0:06:30 | |
"over his tanned face, the most beautiful prisoner he had ever seen. | 0:06:30 | 0:06:34 | |
"His cell mate smiled, revealing a full mouth of dazzling white teeth. | 0:06:34 | 0:06:39 | |
"As he shifted his legs apart, revealing a..." | 0:06:39 | 0:06:43 | |
Yo, listen up, for real, this is, what we call in the UK, a bus queue. | 0:06:47 | 0:06:52 | |
This what rappers do in a bus queue. | 0:06:52 | 0:06:55 | |
PLAYS HIP-HOP MUSIC ON HIS PHONE You know what I'm saying? | 0:06:55 | 0:06:57 | |
HE BEAT BOXES | 0:06:57 | 0:07:00 | |
You know what I'm saying? It's what we do. | 0:07:02 | 0:07:04 | |
See this place, right here? This is real important in Cream's life. | 0:07:08 | 0:07:12 | |
This is where I get my food on. | 0:07:12 | 0:07:15 | |
Without this place I would, literally, die. | 0:07:15 | 0:07:17 | |
May my sperm bidding be done. | 0:07:23 | 0:07:25 | |
May my sperm bidding be done. | 0:07:25 | 0:07:27 | |
SO MAY IT BE DONE! | 0:07:27 | 0:07:31 | |
Hum, bulum, bulum, bulum, bulum, bulum, ting. | 0:07:34 | 0:07:37 | |
-Oh, Kev. -Good morning. -Come in, take a seat. | 0:07:44 | 0:07:47 | |
-A couple of plans I'd like to discuss with you. -Certainly, yes. | 0:07:53 | 0:07:56 | |
I'm actually the High Priest of Living Witches in this country. | 0:07:56 | 0:08:01 | |
-OK. -And we're looking at building a 30 foot temple in the town centre. | 0:08:01 | 0:08:08 | |
-Right. -And what I've got here... | 0:08:08 | 0:08:11 | |
..they're the details of the plan | 0:08:13 | 0:08:16 | |
and it's, basically, going to be erected to the Dark Lord. | 0:08:16 | 0:08:20 | |
-OK. -And you'll find that the whole perimeter, here, | 0:08:20 | 0:08:23 | |
will be circled by an invisible barbed wire fence. | 0:08:23 | 0:08:28 | |
-OK. -So people will see the scratches but they won't see the fence. | 0:08:28 | 0:08:32 | |
-Right. -Then there's this bit, | 0:08:32 | 0:08:34 | |
that'll be the stairway down to the dungeon. | 0:08:34 | 0:08:37 | |
Erm, that's where the virgins will be kept. | 0:08:37 | 0:08:40 | |
I mean there are so many reasons why, you know, as a business, | 0:08:40 | 0:08:45 | |
-it couldn't work. -Yes, yes. | 0:08:45 | 0:08:46 | |
I mean, not withstanding that the sacrifice aspects of it, | 0:08:46 | 0:08:50 | |
I don't think that would be, erm, | 0:08:50 | 0:08:52 | |
I don't think that's going to be acceptable, you know, in any, sort of, borough... | 0:08:52 | 0:08:55 | |
-Right, oh. -..to be perfectly honest. | 0:08:55 | 0:08:57 | |
-SHE LAUGHS -Wow! | 0:09:00 | 0:09:02 | |
Wow. I leaving you for better life. | 0:09:02 | 0:09:06 | |
-I... -Unbelievable. | 0:09:06 | 0:09:07 | |
Because I am fed up with this gloomy weather. | 0:09:08 | 0:09:10 | |
But you promised me love for ever, so what happened to this love? | 0:09:10 | 0:09:14 | |
I don't care. | 0:09:14 | 0:09:15 | |
Bye. Bye-bye, I leaving for Dubai. | 0:09:18 | 0:09:21 | |
I am very upset. | 0:09:21 | 0:09:23 | |
My goodness. | 0:09:24 | 0:09:26 | |
Stay... | 0:09:27 | 0:09:28 | |
..or go? | 0:09:29 | 0:09:31 | |
Stay... | 0:09:33 | 0:09:34 | |
..or go? | 0:09:36 | 0:09:37 | |
I decide stay. | 0:09:43 | 0:09:45 | |
Oh, I'm so relieved. | 0:09:45 | 0:09:46 | |
You have made the right choice and you will not regret it ever. | 0:09:46 | 0:09:50 | |
DUBSTEP MUSIC PLAYING | 0:09:52 | 0:09:54 | |
Life is going just swimmingly. | 0:10:01 | 0:10:04 | |
Do bubbles carry love songs inside them? | 0:10:04 | 0:10:07 | |
# Somewhere beyond the sea | 0:10:13 | 0:10:19 | |
# Somewhere waiting for me | 0:10:19 | 0:10:23 | |
# My lovers dance on golden sands | 0:10:23 | 0:10:28 | |
# And watches the ships that go sailing | 0:10:28 | 0:10:34 | |
# It's far beyond the stars | 0:10:34 | 0:10:40 | |
# It's now beyond the moon | 0:10:40 | 0:10:45 | |
# I know beyond a doubt | 0:10:45 | 0:10:49 | |
# My heart will lead me there soon | 0:10:49 | 0:10:55 | |
# Me beyond the shore | 0:10:55 | 0:11:00 | |
# Will kiss just as before | 0:11:00 | 0:11:04 | |
# Happy we'll be beyond the sea | 0:11:04 | 0:11:10 | |
# And never again I go sailing. # | 0:11:10 | 0:11:17 | |
Time for the finger of awesomeness and the thumb of power. | 0:11:21 | 0:11:25 | |
Let's improvise, let's get busy, let's use the kitchen to exercise. | 0:11:29 | 0:11:32 | |
What are we going to do with a plate? | 0:11:32 | 0:11:34 | |
Let's use it intelligently, OK? | 0:11:34 | 0:11:36 | |
So we're going to come down, arms above our head, | 0:11:36 | 0:11:38 | |
squat down, bend the arms and extend above your head. | 0:11:38 | 0:11:41 | |
Power Up! | 0:11:41 | 0:11:42 | |
Improvise. | 0:11:42 | 0:11:43 | |
UNLEASH your imagination. | 0:11:43 | 0:11:45 | |
Discover the child within. | 0:11:45 | 0:11:47 | |
And, don't forget, you can always take your dog for a walk. | 0:11:47 | 0:11:50 | |
I might have to resort to a spell route to change your mind. | 0:11:53 | 0:11:56 | |
OK. You could certainly try. | 0:11:56 | 0:11:58 | |
HE CHANTS WORDLESSLY | 0:11:58 | 0:12:01 | |
SANDMAN BE GONE! | 0:12:01 | 0:12:03 | |
-You've changed your mind, haven't you? -Er, no, not really. | 0:12:05 | 0:12:08 | |
There are a lot of risks involved about not giving planning permission. | 0:12:08 | 0:12:12 | |
Right, erm, I mean, that's an awkward situation to be in, | 0:12:12 | 0:12:17 | |
but I still think even, sort of, given, you know, given the gravity of what you're saying, | 0:12:17 | 0:12:20 | |
I still think you would find it pretty much impossible | 0:12:20 | 0:12:23 | |
to get the planning permission that you're looking for. | 0:12:23 | 0:12:25 | |
That is the other thing I will have to talk to you about | 0:12:25 | 0:12:27 | |
is the gravity above the town | 0:12:27 | 0:12:29 | |
because, obviously, our broomsticks need to levitate higher, | 0:12:29 | 0:12:33 | |
so we will have to adjust the gravity | 0:12:33 | 0:12:35 | |
and you might find that other people are walking down the road about their business | 0:12:35 | 0:12:39 | |
and suddenly they start floating, | 0:12:39 | 0:12:41 | |
but we'd take great effort there to make sure any dog walkers | 0:12:41 | 0:12:44 | |
-don't let their dog dump from a great height on anybody. -Yeah. | 0:12:44 | 0:12:48 | |
I mean, that would be a fantastic sensation, | 0:12:48 | 0:12:50 | |
I'd love to experience that. | 0:12:50 | 0:12:51 | |
What, being dumped on? | 0:12:51 | 0:12:53 | |
No, being, you know, floating. I wouldn't want to be dumped on. | 0:12:53 | 0:12:56 | |
Hi, my name is Dorota. I am Exclusive Lady. | 0:12:56 | 0:13:00 | |
This evening I present my singing skill. | 0:13:00 | 0:13:04 | |
I sing, er, one song for my husband, Happy Birthday. | 0:13:04 | 0:13:09 | |
# Today is your birthday I send you wishes from my heart | 0:13:13 | 0:13:18 | |
# Today is your birthday I send you love from my heart | 0:13:18 | 0:13:22 | |
# Today is your birthday | 0:13:22 | 0:13:24 | |
# Let sun it shine on you | 0:13:24 | 0:13:27 | |
# Today is your birthday You wait for me 100 years. # | 0:13:27 | 0:13:32 | |
So the setting here is a restaurant, yeah? | 0:13:36 | 0:13:38 | |
We walk past the restaurant, we see a hot chick dining by herself. | 0:13:38 | 0:13:42 | |
That's what we like to refer to as, "the target," | 0:13:42 | 0:13:44 | |
so what we're going to do is we're going to initiate a two man technique | 0:13:44 | 0:13:47 | |
that's going to make me look like a rock star. | 0:13:47 | 0:13:49 | |
So what we do is, you go in | 0:13:49 | 0:13:51 | |
and then, when I give you the wave, you start choking. | 0:13:51 | 0:13:54 | |
Oh, my God, he's choking! Won't someone help him? | 0:13:56 | 0:14:00 | |
No-one's going to help him? Looks like then it's down to me. | 0:14:00 | 0:14:03 | |
Come on! Come on. | 0:14:03 | 0:14:04 | |
Bend down, bend down, bend down, bend down. | 0:14:04 | 0:14:08 | |
Come on, get it out, get it out, get it out, get it out. | 0:14:08 | 0:14:12 | |
Ah, uh, ah, there you go. | 0:14:12 | 0:14:14 | |
It's out, it's out. Are you OK there, sir? | 0:14:14 | 0:14:16 | |
-Yeah, cheers, brother. Cheers man. -Well, yeah. | 0:14:16 | 0:14:19 | |
-Cool. -Ooh, sorry, baby. -Wow, you're a hero. | 0:14:19 | 0:14:22 | |
It really takes it out of me, man. | 0:14:22 | 0:14:24 | |
Whoa, I just happened to be at the right place at the right time. | 0:14:24 | 0:14:28 | |
So what's a beautiful girl like you dining alone in a place like this? | 0:14:28 | 0:14:32 | |
I know, I ask myself the same thing. | 0:14:32 | 0:14:34 | |
Do you see that? I didn't just save his life, I've saved yours as well. | 0:14:34 | 0:14:39 | |
See that, she's, again, putty in my hands cos chicks love a hero. | 0:14:40 | 0:14:47 | |
Great job. | 0:14:47 | 0:14:48 | |
# Express yourself | 0:14:48 | 0:14:50 | |
# Express yourself | 0:14:53 | 0:14:54 | |
# Oh, do it | 0:14:55 | 0:14:57 | |
# See it's not what you look like... # | 0:14:57 | 0:15:01 | |
CAR CRASHING | 0:15:01 | 0:15:03 | |
-Hi. -Hello, how are you? | 0:15:17 | 0:15:20 | |
I'm good, how are you? | 0:15:20 | 0:15:21 | |
-Very well, thank you. -Good. | 0:15:21 | 0:15:23 | |
-What a nice, uh, jeweller shop. -Thank you. | 0:15:23 | 0:15:26 | |
I'm just wondering, do you, uh, sometimes sell... | 0:15:26 | 0:15:30 | |
recyclable jewellery? | 0:15:30 | 0:15:33 | |
No. | 0:15:33 | 0:15:34 | |
I'm in the right place at the right time. | 0:15:34 | 0:15:36 | |
By the way, may I introduce myself as Afro-British Gaga? | 0:15:36 | 0:15:40 | |
-OK. -A designer from another planet. | 0:15:40 | 0:15:43 | |
That's a good introduction. | 0:15:43 | 0:15:44 | |
-So may I show you what I have got here? -Yeah, of course, yeah. | 0:15:44 | 0:15:48 | |
Right - kitchen utensils. | 0:15:48 | 0:15:51 | |
Ah... | 0:15:53 | 0:15:55 | |
-Soothers, baby soothers. -OK. | 0:15:55 | 0:15:57 | |
I've got some earrings here, right. | 0:15:57 | 0:16:00 | |
If you have got a nosebleed, you can simply pluck one Tampax | 0:16:04 | 0:16:08 | |
and then stop the blood from your nosebleed, | 0:16:08 | 0:16:11 | |
so it's not only for women, not only for women. | 0:16:11 | 0:16:14 | |
This is an interesting concept here. | 0:16:14 | 0:16:17 | |
This is definitely an unusual one. | 0:16:17 | 0:16:19 | |
Oh, you've got more. | 0:16:19 | 0:16:20 | |
Yeah, this one, now that's the necklace which goes with the... | 0:16:20 | 0:16:24 | |
Wow. | 0:16:24 | 0:16:26 | |
Let me have a look at the necklace in its full glory. | 0:16:26 | 0:16:29 | |
Yeah, there's plenty there. | 0:16:29 | 0:16:31 | |
Yes, they are unique products, as you can see. | 0:16:31 | 0:16:33 | |
These are £100 each. | 0:16:33 | 0:16:36 | |
I don't know if I'll be able to sell them for that much. | 0:16:36 | 0:16:40 | |
-The earrings and the necklace, they are £200. -OK. | 0:16:40 | 0:16:44 | |
We can try something of everything, yeah, and see how it goes, you know, | 0:16:44 | 0:16:48 | |
and hopefully we'll make a good partnership and, you know... | 0:16:48 | 0:16:52 | |
-Thank you very much. -I can sell some things for you. | 0:16:52 | 0:16:54 | |
MUSIC: "Zadok the Priest" | 0:16:54 | 0:16:58 | |
Still waiting. | 0:17:19 | 0:17:21 | |
MUSIC: "Feel The Love" by Rudimental | 0:17:23 | 0:17:27 | |
Are you all right? Is it Talina? | 0:17:31 | 0:17:32 | |
-Oh, hi, how are you? -Not bad. | 0:17:32 | 0:17:35 | |
-What's your name? -My name's Louis. | 0:17:35 | 0:17:37 | |
OK, Louis, I'm Talina. | 0:17:37 | 0:17:39 | |
How are you today? | 0:17:39 | 0:17:40 | |
Not bad at all. Have you been up to anything nice lately? | 0:17:40 | 0:17:43 | |
No, not really. Actually, I just woke up. | 0:17:43 | 0:17:46 | |
-It's all right, come on. -Sorry? -Don't be nervous, it's fine. | 0:17:46 | 0:17:49 | |
-No, I'm fine. -I'm not going to bite you, relax, no stress. | 0:17:49 | 0:17:53 | |
-So where are you from? -I'm from Bexley Heath. | 0:17:53 | 0:17:55 | |
-Where is this? -Sort of Kent, on the borders of the South East. | 0:17:55 | 0:17:58 | |
Near Kent, and do you live in Kent? | 0:17:58 | 0:18:00 | |
Well, sort of the borders, sort of on the edge of London. | 0:18:00 | 0:18:02 | |
-Do you live in London or do you live in Kent? -Kent. | 0:18:02 | 0:18:05 | |
So you still live in Kent? | 0:18:05 | 0:18:06 | |
Yeah, I still live in Kent, yeah. | 0:18:06 | 0:18:08 | |
-OK, so how do you treat a girl? -How to treat a girl? | 0:18:08 | 0:18:11 | |
I'll show you if like. | 0:18:11 | 0:18:13 | |
Ah, you can tell me, I mean, you can explain, that's fine. | 0:18:13 | 0:18:18 | |
DANCE MUSIC | 0:18:18 | 0:18:22 | |
No, you can keep your private space. | 0:18:23 | 0:18:26 | |
Guys, can I have security please? | 0:18:45 | 0:18:48 | |
Security, 991, we need some help here. | 0:18:48 | 0:18:51 | |
OK, honey, I told you I'm not interested. | 0:19:02 | 0:19:06 | |
Seriously, it's really not my cup of tea. | 0:19:06 | 0:19:09 | |
-What do you think, back to your house? -No. | 0:19:14 | 0:19:16 | |
Hey, yo, what's up, Boom Town? It's your boy Cream once again | 0:19:16 | 0:19:20 | |
waiting for you to purchase your tickets for my O2 concert next week, | 0:19:20 | 0:19:24 | |
but right now I'm issuing some tickets of my own | 0:19:24 | 0:19:27 | |
in my brand new job as a traffic warden, | 0:19:27 | 0:19:31 | |
gangsta style. | 0:19:31 | 0:19:32 | |
Also to pay my mom this month's rent, | 0:19:32 | 0:19:35 | |
can't forget that. | 0:19:35 | 0:19:36 | |
Damn, that's a badass set of wheels right there. | 0:19:38 | 0:19:42 | |
That's what I'm talking about. | 0:19:42 | 0:19:44 | |
Damn, I could get all of my bitches in the back of that rig. | 0:19:44 | 0:19:47 | |
Mm-hmm, but unfortunately | 0:19:47 | 0:19:51 | |
it's contravening the Parking and Traffic Act 1988, | 0:19:51 | 0:19:55 | |
which requires me to put a parking ticket on this bad boy. | 0:19:55 | 0:20:00 | |
You've got 30 days to pay up, boy, or I'll put a cap in your ass. | 0:20:02 | 0:20:06 | |
Could be a long day, Ronnie. | 0:20:14 | 0:20:16 | |
# Get hyper! # | 0:20:20 | 0:20:21 | |
Front elevation, | 0:20:32 | 0:20:34 | |
side elevation, | 0:20:34 | 0:20:36 | |
plan. | 0:20:36 | 0:20:37 | |
Brand new installation, it's never been seen afore, | 0:20:37 | 0:20:41 | |
it's thought-provoking, it's intense, | 0:20:41 | 0:20:45 | |
it's called Man on Man. | 0:20:45 | 0:20:47 | |
This should bring the crowds in. | 0:20:53 | 0:20:55 | |
Biblical, Romans, present day, | 0:20:55 | 0:21:01 | |
what's your problem, man? | 0:21:01 | 0:21:03 | |
Yeah, nice arch there, nice curve. | 0:21:05 | 0:21:09 | |
The angles of desire waiting for the human touch. | 0:21:10 | 0:21:14 | |
Yeah, that works, that. | 0:21:14 | 0:21:15 | |
Beautiful, beautiful. | 0:21:16 | 0:21:18 | |
OK, guys, it's time for your afternoon bingo. | 0:21:20 | 0:21:23 | |
So just give my balls a shake. | 0:21:23 | 0:21:25 | |
Not for the first time this afternoon. | 0:21:25 | 0:21:27 | |
An hour lunch, doesn't take me long. | 0:21:29 | 0:21:31 | |
Oh, Gert's age, 90. | 0:21:35 | 0:21:37 | |
Not long now. | 0:21:38 | 0:21:39 | |
I met him online, number nine. | 0:21:42 | 0:21:45 | |
Two hard dicks, 66. | 0:21:50 | 0:21:52 | |
Oh, one in the arse, number seven. | 0:21:56 | 0:21:59 | |
DRAMATIC CHORAL MUSIC | 0:21:59 | 0:22:02 | |
-You didn't leave the iron on today, did you? -Um, no, not this time, no. | 0:22:12 | 0:22:15 | |
You'd better not have. Remember last time? You burnt the house down. | 0:22:15 | 0:22:18 | |
I didn't burn the house down. | 0:22:18 | 0:22:19 | |
-I nearly burnt it down, but I didn't actually. -No, you nearly did, | 0:22:19 | 0:22:22 | |
but I had to go and buy a load of new clothes. You burnt the clothes. | 0:22:22 | 0:22:25 | |
I promise I've left it off this time. I'm more aware this time. | 0:22:25 | 0:22:27 | |
# You'd better back up, back up before I slap up, slap up | 0:22:29 | 0:22:32 | |
# Another ticket on your car for being too far | 0:22:32 | 0:22:35 | |
# Away from the kerbside even though you've got a nice ride | 0:22:35 | 0:22:40 | |
# Yeah, you want to get away with this ticket | 0:22:40 | 0:22:42 | |
# Put a £50 in my side. # | 0:22:42 | 0:22:44 | |
HE BEATBOXES | 0:22:46 | 0:22:48 | |
This one's called Time Out. | 0:23:03 | 0:23:06 | |
It's all about de-stressing meself from modern day life, | 0:23:06 | 0:23:11 | |
which can become a pain, and I just look at the dot on the wall | 0:23:11 | 0:23:18 | |
and it just brings me back to reality. | 0:23:18 | 0:23:20 | |
-Let me hear you say women! -ALL: Women. | 0:23:31 | 0:23:33 | |
-Women! -ALL: Women! | 0:23:33 | 0:23:35 | |
-Women! -ALL: Women! | 0:23:35 | 0:23:38 | |
To get a woman, you need to understand a woman. | 0:23:38 | 0:23:41 | |
I will show you what a woman wants. | 0:23:41 | 0:23:43 | |
-OK. -When a woman's looking this damn good, | 0:23:43 | 0:23:46 | |
they want a man to, like, be confident, pick 'em up, | 0:23:46 | 0:23:49 | |
put 'em on that pedestal and worship the goddamn ground they walk on. | 0:23:49 | 0:23:54 | |
What are we? | 0:23:54 | 0:23:55 | |
ALL: Love gods! | 0:23:55 | 0:23:57 | |
That's it. That's it. You need to come in here, | 0:23:57 | 0:23:59 | |
you need to show that you're the man. | 0:23:59 | 0:24:01 | |
You need to put me on there, and we'll be like, "Whoa!" | 0:24:01 | 0:24:03 | |
-Oh, aren't you the man, huh? -Yes, I am. | 0:24:03 | 0:24:05 | |
Can't you manhandle a naughty girl like me, yeah? | 0:24:05 | 0:24:08 | |
-Ooh, I like it. -Oh, thanks. | 0:24:08 | 0:24:10 | |
Cos women, they want to know | 0:24:10 | 0:24:12 | |
that you're a great student of the art of muff diving, | 0:24:12 | 0:24:15 | |
smack clams, munch rugs, | 0:24:15 | 0:24:17 | |
dine at the one pink taco stand. | 0:24:17 | 0:24:19 | |
Write that down. | 0:24:19 | 0:24:21 | |
Still waiting for the chihuahua. | 0:24:24 | 0:24:26 | |
Hey, guys, I'm glad you're here. | 0:24:33 | 0:24:35 | |
I'm just trying to get myself in the zone, | 0:24:35 | 0:24:37 | |
and to do that I'd like to introduce you to two of my friends, | 0:24:37 | 0:24:39 | |
the finger of power and the thumb of awesomeness. Give it a go! | 0:24:39 | 0:24:43 | |
Here I am flying my remote control plane. | 0:24:45 | 0:24:48 | |
It's just like flying a real plane, | 0:24:48 | 0:24:49 | |
but if you flew into the side of a building, no-one would get killed. | 0:24:49 | 0:24:53 | |
Power up! | 0:24:53 | 0:24:55 | |
Hi, I am Dorota. | 0:24:55 | 0:24:56 | |
I am Exclusive Lady. | 0:24:56 | 0:24:58 | |
Today I present one song which I call...Sunshine After The Sky. | 0:24:58 | 0:25:04 | |
After The Rain. | 0:25:05 | 0:25:06 | |
Rain, yeah, Sunshine After The Rain? | 0:25:06 | 0:25:08 | |
Sunshine After The Rain. | 0:25:08 | 0:25:09 | |
So, today I present one song which is Sunshine After The Rain. | 0:25:09 | 0:25:14 | |
# I want to see the sunshine after the rain | 0:25:26 | 0:25:29 | |
# I want to see bluebirds flying over the mountains again | 0:25:29 | 0:25:35 | |
# Where is the silver lining shining at the rainbow end? | 0:25:36 | 0:25:42 | |
# I want to see the sunshine after the rain | 0:25:43 | 0:25:46 | |
# I want to see bluebirds flying over the mountain again | 0:25:46 | 0:25:52 | |
# Where is the silver lining shining at the rainbow end? # | 0:25:53 | 0:25:59 | |
Ah-ooh! | 0:26:03 | 0:26:04 | |
Ah-ooh. | 0:26:04 | 0:26:06 | |
-Ooh. -Oh... | 0:26:06 | 0:26:09 | |
Women relate great dancing to great sex. | 0:26:09 | 0:26:12 | |
Show 'em a little taster of what's to come. | 0:26:14 | 0:26:16 | |
Every woman likes a big thruster. | 0:26:19 | 0:26:21 | |
LEATHER SQUEAKS | 0:26:47 | 0:26:51 | |
Oh. | 0:26:52 | 0:26:54 | |
THEY LAUGH | 0:26:56 | 0:26:59 | |
Still waiting. | 0:27:09 | 0:27:11 | |
That's the dog. | 0:27:16 | 0:27:17 | |
That's the chihuahua. | 0:27:17 | 0:27:19 | |
Please enjoy. | 0:27:19 | 0:27:20 | |
# I want to see the sunshine after the rain | 0:27:28 | 0:27:32 | |
# I want to see bluebirds flying over the mountain again | 0:27:32 | 0:27:37 | |
# Where is the silver lining shining at the rainbow end? | 0:27:39 | 0:27:45 | |
# I want to see, I want to... | 0:27:53 | 0:27:56 | |
# I want to... I want to... | 0:27:56 | 0:27:59 | |
# I want to see the sunshine after the rain | 0:28:00 | 0:28:03 | |
# I want to see the sunshine after the rain | 0:28:03 | 0:28:06 | |
# I want to see the sunshine after the rain | 0:28:06 | 0:28:10 | |
# I want to see the sunshine after the rain | 0:28:20 | 0:28:23 | |
# I want to see the sunshine after the rain | 0:28:23 | 0:28:27 | |
# I want to see the sunshine after the rain | 0:28:27 | 0:28:30 | |
# I want to see the sunshine after the rain. # | 0:28:30 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:33 | 0:28:36 |