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'We scoured the land for ordinary people with extraordinary powers.' | 0:00:01 | 0:00:07 | |
I have the same IQ as Einstein which is 153. | 0:00:07 | 0:00:10 | |
'It was an unusual talent search...' | 0:00:10 | 0:00:12 | |
I didn't go to university but I'm not dumb. | 0:00:12 | 0:00:16 | |
'..as we looked for Britain's brightest.' | 0:00:16 | 0:00:19 | |
My fastest time for solving a Rubik's cube is 7.91 seconds. | 0:00:19 | 0:00:22 | |
'They had to pass brain-busting tests.' | 0:00:22 | 0:00:25 | |
Ooh, you are horrible. | 0:00:25 | 0:00:27 | |
'Finally, 24 made it through. | 0:00:27 | 0:00:29 | |
'Tonight, it's the play-off.' | 0:00:34 | 0:00:36 | |
I think I may have gone horribly wrong here. | 0:00:36 | 0:00:39 | |
'And four runners up from the heats...' | 0:00:39 | 0:00:41 | |
Bernie has been pipped at the post. | 0:00:41 | 0:00:43 | |
'..have one last chance...' | 0:00:43 | 0:00:45 | |
Lynn, it's not all over. | 0:00:45 | 0:00:48 | |
'..to qualify for the final...' | 0:00:48 | 0:00:49 | |
-It is a place in the play-off, well done. -Thank you. | 0:00:49 | 0:00:52 | |
'..earn themselves a shot at £50,000 | 0:00:52 | 0:00:55 | |
'and the title, Britain's Brightest.' | 0:00:55 | 0:00:58 | |
Ladies and gentlemen, please welcome your host, Clare Balding. | 0:01:18 | 0:01:21 | |
Hello and welcome to Britain's Brightest, the play-off. | 0:01:27 | 0:01:31 | |
Over the past four weeks, project leader Alan Gibbs, | 0:01:35 | 0:01:38 | |
school teacher Claire Collins, | 0:01:38 | 0:01:40 | |
Cambridge graduate Sam Hyatt-Twynam | 0:01:40 | 0:01:42 | |
and business executive Zoe Cunningham | 0:01:42 | 0:01:44 | |
have all booked their places in the final | 0:01:44 | 0:01:46 | |
with a shot at the title and the prize of £50,000. | 0:01:46 | 0:01:50 | |
But that final has one place left to fill and tonight the four | 0:01:52 | 0:01:56 | |
contestants who qualified for this play-off are about to fight for it. | 0:01:56 | 0:01:59 | |
They've proved that they have the mental toughness to get | 0:01:59 | 0:02:02 | |
this far, but now there are no more second chances, | 0:02:02 | 0:02:05 | |
as the only thing that matters is first place. | 0:02:05 | 0:02:08 | |
So, let's remind ourselves of the first two hopefuls. | 0:02:08 | 0:02:11 | |
I'm Andy. | 0:02:13 | 0:02:14 | |
I'm from Southsea in Hampshire | 0:02:14 | 0:02:16 | |
and I'm a training facilitator. | 0:02:16 | 0:02:18 | |
I am incredibly competitive with a steely edge, | 0:02:19 | 0:02:22 | |
but in my heats I felt a bit shell-shocked. | 0:02:22 | 0:02:25 | |
33. | 0:02:25 | 0:02:27 | |
Sorry. | 0:02:27 | 0:02:28 | |
Oh, Andy. | 0:02:28 | 0:02:29 | |
I didn't feel I started particularly well. | 0:02:29 | 0:02:32 | |
Andy's still struggling. | 0:02:32 | 0:02:33 | |
-Did you enter something or not? -No, just my own private hell. | 0:02:33 | 0:02:36 | |
I think I was slightly distracted or overwhelmed by the scale | 0:02:38 | 0:02:42 | |
of some of the tasks I was being asked for. | 0:02:42 | 0:02:45 | |
But I do feel I regained my focus as we went through. | 0:02:45 | 0:02:48 | |
Correct. Hey! | 0:02:48 | 0:02:50 | |
-Andy, you were second, you get seven points. -What?! | 0:02:52 | 0:02:56 | |
I think getting into the play-off was my lifeline. | 0:02:56 | 0:02:59 | |
Many congratulations, you are through. Well done, Andy. | 0:02:59 | 0:03:02 | |
And I intend to make the best possible use of it this time round. | 0:03:02 | 0:03:05 | |
My name's Bernie. | 0:03:07 | 0:03:08 | |
I live in Dorset, I have a wife called Ren. | 0:03:08 | 0:03:12 | |
And I'm a professional crossword compiler. | 0:03:13 | 0:03:16 | |
ASSESSMENT is correct, four out of four, Bernie, that is sensational, | 0:03:18 | 0:03:22 | |
well done. | 0:03:22 | 0:03:23 | |
My heat started off really well. | 0:03:23 | 0:03:25 | |
Bernie's there. | 0:03:26 | 0:03:28 | |
Bernie's first again. | 0:03:28 | 0:03:29 | |
That was sensational, well done to Bernie. | 0:03:29 | 0:03:32 | |
Went into an early lead. | 0:03:34 | 0:03:35 | |
Bernie is out in front with 18 points. | 0:03:35 | 0:03:38 | |
I think I did the last game OK, but I got the timing a little bit wrong. | 0:03:39 | 0:03:43 | |
29 seconds, so seven over. | 0:03:44 | 0:03:48 | |
They gradually came back to me and I got pipped at the post. | 0:03:48 | 0:03:51 | |
In first place with 28 points, it is Sam. | 0:03:51 | 0:03:55 | |
Very disappointing. | 0:03:55 | 0:03:56 | |
We will see you back for the play-offs, very well done. | 0:03:56 | 0:03:59 | |
It's great to be in the play-offs getting a second chance. | 0:03:59 | 0:04:02 | |
I'm going to really go for it. | 0:04:02 | 0:04:03 | |
Please welcome back, Bernie and Andy. | 0:04:04 | 0:04:07 | |
CHEERING AND APPLAUSE | 0:04:07 | 0:04:10 | |
-It is great to see you both again. -Hello, Clare. -Hello. | 0:04:21 | 0:04:24 | |
Bernie, anything you learnt, do you think, from your experience in your heat? | 0:04:24 | 0:04:28 | |
Yes, I did struggle on the observation round, | 0:04:28 | 0:04:31 | |
-so I've done some practising on that and hopefully I've... -How? | 0:04:31 | 0:04:34 | |
I've been looking at still pictures and watching bits of video | 0:04:34 | 0:04:38 | |
and trying to remember as much as possible about them. | 0:04:38 | 0:04:41 | |
We saw in the film your wife, Ren, is a fantastic supporter of yours. | 0:04:41 | 0:04:46 | |
-She is. -Is she here again tonight? | 0:04:46 | 0:04:48 | |
-She is. -She is. Hello, Ren. | 0:04:48 | 0:04:49 | |
Hello. | 0:04:49 | 0:04:50 | |
How did you feel about him getting through to the play-offs? | 0:04:50 | 0:04:53 | |
Oh, wonderful, I don't have many nails left, | 0:04:53 | 0:04:56 | |
but it was a wonderful surprise. Well, he's clever. | 0:04:56 | 0:04:59 | |
He IS clever, how do you think he'll do tonight? | 0:04:59 | 0:05:01 | |
If the nerves stay down, I think he could do very well | 0:05:02 | 0:05:06 | |
but these are very clever people. | 0:05:06 | 0:05:08 | |
We have very high quality contestants. | 0:05:08 | 0:05:10 | |
You don't strike me as a nervous man. | 0:05:10 | 0:05:12 | |
I'm not normally, but having got through the last round | 0:05:12 | 0:05:16 | |
by the skin of my teeth, it becomes much more important all of a sudden. | 0:05:16 | 0:05:20 | |
Andy, you are somebody who just doesn't seem to show | 0:05:20 | 0:05:23 | |
any nerves at all. Are you super-relaxed? | 0:05:23 | 0:05:26 | |
I don't show a great deal of nerves, even if I am nervous | 0:05:26 | 0:05:28 | |
so it doesn't mean I'm not shaking underneath. | 0:05:28 | 0:05:32 | |
And are you surprised to be at this stage? | 0:05:32 | 0:05:34 | |
Yes, I had a bit of a shaky start in my heat, but I think | 0:05:34 | 0:05:40 | |
I got it together quickly enough to get through so I'm here to win now. | 0:05:40 | 0:05:44 | |
What have you done since the heat to prepare for this? | 0:05:44 | 0:05:47 | |
I've learnt another song on the ukulele. | 0:05:47 | 0:05:50 | |
Fantastic, I'm sure that will come in extremely useful. | 0:05:50 | 0:05:52 | |
Musical intelligence is one of the areas that we might be tested on. | 0:05:52 | 0:05:56 | |
You might be. And, Andy, you know that you can't afford a slow start tonight | 0:05:56 | 0:05:59 | |
because just one of our contestants can win a place in next week's final. | 0:05:59 | 0:06:02 | |
We'll have two head-to-head challenges and then a group game. | 0:06:02 | 0:06:06 | |
After that, whoever's at the bottom of the leaderboard will be leaving. | 0:06:06 | 0:06:09 | |
So winning your head-to-head is vital. | 0:06:09 | 0:06:12 | |
So let's see your first challenge. | 0:06:12 | 0:06:14 | |
Please welcome, all the way from Germany, | 0:06:14 | 0:06:16 | |
the only bottle band in the whole of Europe, GlasBlasSing Quintett! | 0:06:16 | 0:06:20 | |
MUSIC: Ronda Alla Turca | 0:06:25 | 0:06:28 | |
They are just fantastic. | 0:06:52 | 0:06:54 | |
But of course you're wondering | 0:06:56 | 0:06:57 | |
"How on earth could we make a game out of that?" Well, as you can see, | 0:06:57 | 0:07:00 | |
we have a grid of numbers. | 0:07:00 | 0:07:02 | |
The numbers reveal musical phrases which our band will play. | 0:07:02 | 0:07:06 | |
Each musical phrase is part of a pair. | 0:07:06 | 0:07:08 | |
So if the band play: | 0:07:08 | 0:07:11 | |
MUSIC: Don't Worry, Be Happy | 0:07:11 | 0:07:13 | |
..then you'd have to find where else... | 0:07:15 | 0:07:18 | |
MUSIC: Don't Worry, Be Happy | 0:07:18 | 0:07:21 | |
..appears. | 0:07:22 | 0:07:23 | |
The first to find four matching tunes is the winner | 0:07:23 | 0:07:26 | |
and will receive three points, but the loser I'm afraid gets nothing. | 0:07:26 | 0:07:29 | |
So, Andy, you said that in preparation for this | 0:07:29 | 0:07:32 | |
-you've learned a new tune on the ukulele. -Yes. | 0:07:32 | 0:07:35 | |
Your musical ear is good. | 0:07:35 | 0:07:37 | |
It's the second tune I know. | 0:07:37 | 0:07:39 | |
-Right. -LAUGHTER | 0:07:39 | 0:07:41 | |
So are you concerned or are you looking forward to this? | 0:07:41 | 0:07:44 | |
I could do all right here. I play a lot of pairs with Charlie, my three-year-old, | 0:07:44 | 0:07:47 | |
so I think that'll stand me in good stead. | 0:07:47 | 0:07:49 | |
Bernie, you're very good with words, you're a crossword compiler, | 0:07:49 | 0:07:52 | |
-but how good is your aural memory? -I think it's pretty good. | 0:07:52 | 0:07:55 | |
I played the drums when I was younger | 0:07:55 | 0:07:57 | |
so I'm hoping this is going to stick. | 0:07:57 | 0:08:00 | |
Well, Bernie, you are going to start, | 0:08:00 | 0:08:02 | |
so you may choose your first number, please. | 0:08:02 | 0:08:05 | |
I'll start with number 1. | 0:08:05 | 0:08:07 | |
Number 1. | 0:08:07 | 0:08:08 | |
MUSIC: Mission: Impossible Theme | 0:08:08 | 0:08:10 | |
And your second number? | 0:08:17 | 0:08:18 | |
-Number 16. -Number 16, please. | 0:08:18 | 0:08:22 | |
MUSIC: Tequila | 0:08:23 | 0:08:26 | |
So, not a pair. Andy, your turn. | 0:08:28 | 0:08:31 | |
Number 9, please. | 0:08:31 | 0:08:32 | |
MUSIC: Can't Get You Out Of My Head | 0:08:35 | 0:08:37 | |
And your second number? | 0:08:43 | 0:08:45 | |
Number 6, please. | 0:08:45 | 0:08:46 | |
MUSIC: Hallelujah | 0:08:48 | 0:08:51 | |
Not a pair, Andy. Bernie. | 0:08:56 | 0:08:59 | |
Number 2, please. | 0:09:00 | 0:09:02 | |
MUSIC: Popcorn | 0:09:05 | 0:09:07 | |
-And your second number, Bernie? -And number 3, please. | 0:09:12 | 0:09:14 | |
MUSIC: Tequila | 0:09:17 | 0:09:19 | |
Andy. | 0:09:22 | 0:09:23 | |
16, please. | 0:09:23 | 0:09:24 | |
MUSIC: Tequila | 0:09:27 | 0:09:29 | |
And number? | 0:09:31 | 0:09:32 | |
3, I hope. | 0:09:32 | 0:09:33 | |
MUSIC: Tequila | 0:09:35 | 0:09:36 | |
Yeah! | 0:09:36 | 0:09:37 | |
APPLAUSE | 0:09:37 | 0:09:39 | |
Well done, Andy. You have the first pair on the board. | 0:09:40 | 0:09:43 | |
And it was the most beautiful rendition of Tequila. | 0:09:45 | 0:09:47 | |
Love it. | 0:09:47 | 0:09:49 | |
So, Andy, three more pairs and you will win this game. | 0:09:49 | 0:09:51 | |
But, Bernie, it's your turn now. | 0:09:51 | 0:09:53 | |
Number 5, please. | 0:09:53 | 0:09:54 | |
MUSIC: New York, New York | 0:09:57 | 0:09:59 | |
Number 8, please. | 0:10:04 | 0:10:05 | |
MUSIC: Can't Get You Out Of My Head | 0:10:08 | 0:10:10 | |
Not a pair, but, Andy, your turn. | 0:10:16 | 0:10:19 | |
I'll take number 9, please. | 0:10:19 | 0:10:21 | |
MUSIC: Can't Get You Out Of My Head | 0:10:25 | 0:10:27 | |
And number...? | 0:10:33 | 0:10:34 | |
Number 8, please. | 0:10:34 | 0:10:35 | |
MUSIC: Can't Get You Out Of My Head | 0:10:38 | 0:10:39 | |
APPLAUSE | 0:10:39 | 0:10:41 | |
-And you know what it was? -That song has never sounded so good to me. | 0:10:45 | 0:10:48 | |
It hasn't, has it? Kylie I think would be really proud of that. | 0:10:48 | 0:10:51 | |
Can't Get You Out Of My Head. So, two pairs for Andy. | 0:10:51 | 0:10:54 | |
Bernie, you really need one now. | 0:10:54 | 0:10:56 | |
Number 10, please. | 0:10:56 | 0:10:57 | |
MUSIC: Beverly Hills Cop Theme | 0:11:00 | 0:11:02 | |
Number 1, please. | 0:11:08 | 0:11:09 | |
MUSIC: Mission: Impossible Theme | 0:11:12 | 0:11:14 | |
Unfortunately not a match. | 0:11:21 | 0:11:23 | |
-Andy. -Number 15, please. | 0:11:23 | 0:11:26 | |
MUSIC: Beverly Hills Cop Theme | 0:11:28 | 0:11:31 | |
I think I have to go for number 10. | 0:11:36 | 0:11:38 | |
MUSIC: Beverly Hills Cop Theme | 0:11:40 | 0:11:42 | |
APPLAUSE | 0:11:42 | 0:11:44 | |
Axel F with the theme tune to Beverly Hills Cop. Well done. | 0:11:48 | 0:11:51 | |
Three pairs for Andy, he just needs one more to win the game. | 0:11:52 | 0:11:56 | |
Now, Bernie, you did say you'd been practising with your memory. | 0:11:56 | 0:12:00 | |
-Mm-hm. -Do you think it's just bad luck so far? | 0:12:00 | 0:12:02 | |
Partly, yeah. | 0:12:02 | 0:12:04 | |
OK, let's hope you get lucky this time. Pick a number. | 0:12:04 | 0:12:06 | |
Well, for good luck, I'll have 13, please. | 0:12:07 | 0:12:10 | |
MUSIC: Hallelujah | 0:12:12 | 0:12:14 | |
And? | 0:12:20 | 0:12:21 | |
Number... | 0:12:24 | 0:12:26 | |
6, please. | 0:12:26 | 0:12:27 | |
MUSIC: Hallelujah | 0:12:29 | 0:12:31 | |
APPLAUSE | 0:12:31 | 0:12:33 | |
Hallelujah, Bernie. It's right, well done. | 0:12:36 | 0:12:39 | |
You have a pair. | 0:12:39 | 0:12:40 | |
-Fantastic. -It's me. -That is you! | 0:12:41 | 0:12:44 | |
LAUGHTER | 0:12:44 | 0:12:46 | |
So, 3-1 Andy leads, one more, though, and you will win this game. | 0:12:46 | 0:12:50 | |
So, Andy, your choice, please. | 0:12:50 | 0:12:52 | |
I'll try number 12, please. | 0:12:52 | 0:12:54 | |
MUSIC: Peter Gunn Theme | 0:12:56 | 0:12:58 | |
-And? -A new one. Uh... | 0:13:05 | 0:13:08 | |
Number 7? | 0:13:08 | 0:13:09 | |
MUSIC: Mission: Impossible | 0:13:11 | 0:13:14 | |
Bernie's thinking long and hard, because this choice is crucial. | 0:13:21 | 0:13:25 | |
Number 1. | 0:13:28 | 0:13:29 | |
MUSIC: Mission: Impossible | 0:13:31 | 0:13:33 | |
And number 7, please. | 0:13:39 | 0:13:40 | |
Number 7, is this correct? | 0:13:42 | 0:13:44 | |
MUSIC: Mission: Impossible | 0:13:44 | 0:13:46 | |
APPLAUSE | 0:13:46 | 0:13:48 | |
It is the music for Mission: Impossible | 0:13:53 | 0:13:56 | |
which no longer looks like a mission impossible, actually. | 0:13:56 | 0:13:59 | |
-No. -3-2. | 0:13:59 | 0:14:00 | |
Andy still leading, though. What's your next selection? | 0:14:02 | 0:14:05 | |
-14, please. -Number 14. | 0:14:05 | 0:14:08 | |
MUSIC: Peter Gunn Theme | 0:14:10 | 0:14:12 | |
And? | 0:14:17 | 0:14:18 | |
Mm-ah... | 0:14:18 | 0:14:20 | |
Was it...12? | 0:14:20 | 0:14:23 | |
If this is correct, you will win the game, Andy. | 0:14:23 | 0:14:27 | |
MUSIC: Peter Gunn Theme | 0:14:28 | 0:14:30 | |
APPLAUSE | 0:14:30 | 0:14:31 | |
The Peter Gunn theme, Henry Mancini. | 0:14:36 | 0:14:39 | |
Fabulous. Fabulous work and that means that Andy DOES win the game. | 0:14:39 | 0:14:43 | |
Great memory, great musical recognition as well. | 0:14:43 | 0:14:46 | |
-Well done, Andy, that really was superb. -Thank you. | 0:14:46 | 0:14:48 | |
APPLAUSE | 0:14:48 | 0:14:50 | |
Well, what a great start to the play-off and a big danke schoen to David, Fritze, Peter, Frank | 0:14:52 | 0:14:57 | |
and Andreas who together make up GlasBlasSing Quintett. | 0:14:57 | 0:15:01 | |
MUSIC: Don't Worry, Be Happy | 0:15:01 | 0:15:05 | |
So after that game, Andy, you scored three points. | 0:15:10 | 0:15:12 | |
Bernie, I'm afraid no points for you. | 0:15:12 | 0:15:14 | |
We'll see you both shortly, but for now, ladies and gentlemen, | 0:15:14 | 0:15:17 | |
Andy and Bernie. | 0:15:17 | 0:15:18 | |
OK, let's say hello again to Lynn and Nayomie | 0:15:22 | 0:15:25 | |
and remind ourselves how they got here. | 0:15:25 | 0:15:27 | |
My name is Nayomie and I live in Thames Ditton. | 0:15:30 | 0:15:33 | |
I'm a tennis coach and an actress. | 0:15:33 | 0:15:36 | |
I think in the heats I did manage to stay quite calm. | 0:15:36 | 0:15:38 | |
14 stone, 4lbs. Well done, Nayomie, | 0:15:38 | 0:15:41 | |
you've done enough to win the first round. | 0:15:41 | 0:15:42 | |
I felt quite relieved, actually. | 0:15:43 | 0:15:46 | |
-Nayomie. -Jilly Cooper. | 0:15:46 | 0:15:48 | |
It is Jilly Cooper, well done, Nayomie. Fantastic. | 0:15:48 | 0:15:51 | |
I think I managed to stay pretty calm throughout. | 0:15:52 | 0:15:55 | |
I think I did quite well. | 0:15:55 | 0:15:56 | |
In second place, we see Nayomie on 27. | 0:15:56 | 0:16:00 | |
I was disappointed not to go straight through to the final. | 0:16:00 | 0:16:03 | |
And Andrew you are out of time. | 0:16:03 | 0:16:06 | |
Nayomie, for you it is a place in the play-off, well done. | 0:16:06 | 0:16:10 | |
-Thank you. -Really good. | 0:16:10 | 0:16:12 | |
I know I come across as quite cool and calm and collected, | 0:16:13 | 0:16:16 | |
but underneath I'm just ridiculously excited that I might get there | 0:16:16 | 0:16:19 | |
and potentially might win. | 0:16:19 | 0:16:20 | |
My name's Lynn, I come from Old Dilton, | 0:16:22 | 0:16:24 | |
which is a tiny hamlet in Wiltshire and I am a child minder. | 0:16:24 | 0:16:27 | |
Your daughter Erin says that you are cool under pressure. | 0:16:28 | 0:16:30 | |
I don't feel any kind of nerves. | 0:16:30 | 0:16:33 | |
-31 seconds. -Oh, no. | 0:16:33 | 0:16:35 | |
I was kicking myself | 0:16:35 | 0:16:36 | |
because I should have come through on that first go. | 0:16:36 | 0:16:39 | |
In second place, Lynn with 23 points, but it's not all over. | 0:16:39 | 0:16:43 | |
I stole the play-off from Clare. | 0:16:45 | 0:16:47 | |
She went to pieces a little bit. | 0:16:47 | 0:16:49 | |
D | 0:16:49 | 0:16:50 | |
C | 0:16:51 | 0:16:53 | |
I didn't, I was calm and cool like I usually am. | 0:16:53 | 0:16:56 | |
Time. | 0:16:56 | 0:16:57 | |
E, O | 0:16:58 | 0:17:00 | |
Stop the clock. | 0:17:00 | 0:17:02 | |
Clare, you're out time, I'm so sorry. | 0:17:02 | 0:17:05 | |
Well done to Lynn. You've secured a place in our play-off. | 0:17:06 | 0:17:10 | |
I really want to get to the final. | 0:17:10 | 0:17:12 | |
It would be my chance to prove that I am a really clever person. | 0:17:12 | 0:17:15 | |
Ladies and gentlemen, please welcome back Lynn and Nayomie. | 0:17:18 | 0:17:22 | |
CHEERING AND APPLAUSE | 0:17:22 | 0:17:24 | |
-Hello, both of you, welcome back. -Hello, Clare. -Hello, Lynn. | 0:17:36 | 0:17:39 | |
What was Erin, you daughter's reaction when she found out you'd got through to the play-off? | 0:17:39 | 0:17:43 | |
Well honestly it's a good job I stay calm because Erin is hysterical | 0:17:43 | 0:17:48 | |
that I'm this far, so she is absolutely thrilled. | 0:17:48 | 0:17:50 | |
And is there anything you learnt, do you think, from your first experience? | 0:17:50 | 0:17:54 | |
Um, my strategy has always just been to think of what's happening now | 0:17:54 | 0:17:58 | |
and to stay calm, so nothing different | 0:17:58 | 0:18:00 | |
but I hope I have a bit more experience. | 0:18:00 | 0:18:02 | |
-Now, Nayomie, you're very sporty, you're an actress as well. -Yep. | 0:18:02 | 0:18:05 | |
Who was the first person you told when you knew you'd made the play-off? | 0:18:05 | 0:18:08 | |
That would be Rob, my other half. | 0:18:08 | 0:18:10 | |
And what advice did he give you? | 0:18:10 | 0:18:11 | |
Well, I've got a bit of a tendency to get ahead of myself | 0:18:11 | 0:18:13 | |
so looking to the finals next week and thinking, "You know I'm there," whereas actually | 0:18:13 | 0:18:17 | |
I've obviously got to get through the play-offs tonight first. | 0:18:17 | 0:18:20 | |
So just re-focus, take a deep breath and take each game at a time, | 0:18:20 | 0:18:23 | |
not try and pre-empt myself for what's going to happen. | 0:18:23 | 0:18:26 | |
Best of luck to both of you and you are now, Lynn and Nayomie, | 0:18:26 | 0:18:28 | |
going head-to-head, so come with me. | 0:18:28 | 0:18:31 | |
So it's an old favourite but with a twist because you're about to | 0:18:35 | 0:18:38 | |
be surrounded by floating sums and your job is to knock out | 0:18:38 | 0:18:41 | |
the incorrect answers leaving the one remaining correct answer. | 0:18:41 | 0:18:44 | |
I'm not great with numbers so they've given me something simple, | 0:18:44 | 0:18:47 | |
but here's a good example, because I know that's wrong, I know that's wrong, | 0:18:47 | 0:18:50 | |
so that must be right, I haven't even got time to work it out. | 0:18:50 | 0:18:53 | |
The good news for you two is you ARE both good with numbers. | 0:18:53 | 0:18:56 | |
I mean, Lynn, you'll love this, won't you? | 0:18:56 | 0:18:58 | |
I love numbers and I'm really quite good at adding up quickly, | 0:18:58 | 0:19:00 | |
-small sums. -Well, fantastic, but I'm wondering | 0:19:00 | 0:19:03 | |
if, Nayomie, your tennis skills might come to the fore here? | 0:19:03 | 0:19:06 | |
Fingers crossed, yes, I think it's a case of forehand | 0:19:06 | 0:19:08 | |
and possibly backhand so... | 0:19:08 | 0:19:10 | |
We shall see how you get on because, Lynn, you are up first. | 0:19:10 | 0:19:12 | |
Nayomie, if you could disappear backstage | 0:19:12 | 0:19:14 | |
because we don't want you to receive an advantage. | 0:19:14 | 0:19:16 | |
She will hear and see nothing. | 0:19:16 | 0:19:18 | |
Lynn, let's put you on the spot. | 0:19:18 | 0:19:20 | |
Your time starts now. | 0:19:23 | 0:19:24 | |
Correct. | 0:19:32 | 0:19:33 | |
Well done. | 0:19:50 | 0:19:52 | |
APPLAUSE | 0:19:52 | 0:19:53 | |
Oh... | 0:20:06 | 0:20:08 | |
SHE SIGHS | 0:20:09 | 0:20:10 | |
Oh... | 0:20:14 | 0:20:15 | |
Oh, Lynn, it's difficult, isn't it? | 0:20:15 | 0:20:17 | |
I made silly mistakes. | 0:20:17 | 0:20:19 | |
I was finding the right one and going, "That's the right one". | 0:20:19 | 0:20:22 | |
It is about to get harder. | 0:20:22 | 0:20:24 | |
You're going to be surrounded by four floating sums, | 0:20:24 | 0:20:26 | |
three of them are going to be incorrect. | 0:20:26 | 0:20:28 | |
Good luck. Let's go. | 0:20:28 | 0:20:30 | |
Oh, timed out, I'm afraid. | 0:20:40 | 0:20:41 | |
-Timed out again. -Oh, no. | 0:20:50 | 0:20:52 | |
SHE SIGHS | 0:20:53 | 0:20:55 | |
Oh, dear. | 0:21:01 | 0:21:02 | |
Oh, this is terrible. | 0:21:11 | 0:21:13 | |
You're out of time again. | 0:21:22 | 0:21:23 | |
Lynn, that was seriously difficult, wasn't it? | 0:21:33 | 0:21:35 | |
That was absolutely terrible. It wasn't so difficult, it was me, I was terrible. | 0:21:35 | 0:21:39 | |
You got three out of 12 there. | 0:21:39 | 0:21:41 | |
-Oh! -So, Lynn, I know you're disappointed, | 0:21:41 | 0:21:44 | |
but, for now, thank you so much. Ladies and gentlemen, Lynn. | 0:21:44 | 0:21:47 | |
And let's bring out Nayomie to face the maths challenge. | 0:21:47 | 0:21:51 | |
APPLAUSE | 0:21:51 | 0:21:53 | |
-So, Nayomie, are you ready? -Yes. | 0:21:55 | 0:21:57 | |
Let's start this challenge now. | 0:21:57 | 0:21:59 | |
Well done. | 0:22:05 | 0:22:07 | |
Excellent. | 0:22:13 | 0:22:15 | |
Very good. | 0:22:22 | 0:22:23 | |
Good start, Nayomie. | 0:22:47 | 0:22:49 | |
It's now going to get harder. | 0:22:49 | 0:22:50 | |
You'll be surrounded by four floating sums, | 0:22:50 | 0:22:52 | |
you knock out three of them. Here we go. | 0:22:52 | 0:22:54 | |
Timed out. | 0:23:03 | 0:23:04 | |
Again out of time. | 0:23:14 | 0:23:15 | |
Oh, just out. | 0:23:25 | 0:23:26 | |
Well done. | 0:23:34 | 0:23:35 | |
APPLAUSE | 0:23:35 | 0:23:37 | |
And that is the end of the round. | 0:23:52 | 0:23:54 | |
Have you ever had to think so fast under pressure? | 0:23:54 | 0:23:58 | |
No, and it was a lot harder with the more difficult sums as well, | 0:23:58 | 0:24:02 | |
I think, and that split-second too long and it was gone, yeah. | 0:24:02 | 0:24:06 | |
Well, Nayomie you scored five out of 12 there. We'll get Lynn back out | 0:24:06 | 0:24:10 | |
and I'll tell you whether that's enough to have won the round. Well done for now, Nayomie. | 0:24:10 | 0:24:13 | |
APPLAUSE | 0:24:13 | 0:24:15 | |
Only one of you was able to get a correct answer | 0:24:18 | 0:24:21 | |
when it got more difficult, when there were four sums | 0:24:21 | 0:24:24 | |
and, Nayomie, that was you. | 0:24:24 | 0:24:26 | |
But Lynn only scored three out of 12, which means that | 0:24:26 | 0:24:29 | |
with five out of 12, you have won the challenge, | 0:24:29 | 0:24:31 | |
-you take all three points. -Well done, deservedly. -Thank you. -And impressive getting one right | 0:24:31 | 0:24:35 | |
in the tougher round when were four sums. Fantastic, well done. | 0:24:35 | 0:24:38 | |
So, Lynn, no points for you | 0:24:39 | 0:24:40 | |
but there is a group game to come so let's go and join Andy | 0:24:40 | 0:24:43 | |
and Bernie and have our first look at the leaderboard. | 0:24:43 | 0:24:46 | |
APPLAUSE | 0:24:46 | 0:24:47 | |
You've been involved in head-to-head competitions. | 0:24:52 | 0:24:54 | |
So far, this how the scores look. | 0:24:54 | 0:24:57 | |
Andy and Nayomie both have three points | 0:24:57 | 0:24:59 | |
because they won their head-to-head challenges. | 0:24:59 | 0:25:02 | |
Bernie and Lynn, cruel as it may seem, | 0:25:02 | 0:25:04 | |
they didn't lose by much, but they have no points on the board at all. | 0:25:04 | 0:25:08 | |
As you are all too aware, after our next group challenge the player | 0:25:08 | 0:25:12 | |
at the bottom of the leaderboard will be leaving the competition. | 0:25:12 | 0:25:15 | |
But with six points for the winner, everything could change. | 0:25:15 | 0:25:19 | |
Bernie, Lynn, you are both on zero points, this gets serious. | 0:25:19 | 0:25:22 | |
You've got to score a point, otherwise you will be going home. | 0:25:22 | 0:25:25 | |
But now it's time for your first group game | 0:25:25 | 0:25:28 | |
and since this is the play-off, we've got a brand new challenge | 0:25:28 | 0:25:31 | |
that's going to test your emotional intelligence. | 0:25:31 | 0:25:34 | |
So, Lynn, how good are you at reading the emotions of other people? | 0:25:34 | 0:25:38 | |
Well, having been in sales most of my life, | 0:25:38 | 0:25:40 | |
I think I'll be pretty good at it. | 0:25:40 | 0:25:42 | |
Andy, what about you? | 0:25:42 | 0:25:43 | |
Well, I spend most of my working days in front of audiences of people, | 0:25:43 | 0:25:48 | |
so I would hope that I've picked something up from looking at | 0:25:48 | 0:25:51 | |
-lots of faces all day. -Well, we're going to find out | 0:25:51 | 0:25:54 | |
because you're about to see a number of people smiling | 0:25:54 | 0:25:56 | |
and the question is, are they real smiles or are they fake? | 0:25:56 | 0:26:00 | |
Let's be honest, we've all pretended we've enjoyed something | 0:26:00 | 0:26:03 | |
when in reality we didn't. | 0:26:03 | 0:26:05 | |
We invited comedian Milton Jones to make a group of people smile. | 0:26:05 | 0:26:09 | |
Those will be the real smiles. | 0:26:09 | 0:26:11 | |
But sometimes we showed them a sign telling them to smile | 0:26:11 | 0:26:15 | |
and those, of course, are the fake ones, but which is which? | 0:26:15 | 0:26:19 | |
You have to decide. | 0:26:19 | 0:26:20 | |
So let's start the challenge and this is Danielle, | 0:26:20 | 0:26:24 | |
but is that a real smile or is that fake? | 0:26:24 | 0:26:27 | |
Let's see what you thought. | 0:26:32 | 0:26:34 | |
Now, three of you think that's a real smile, | 0:26:35 | 0:26:37 | |
just Bernie thinks that might be fake, so let's find out. | 0:26:37 | 0:26:40 | |
My Auntie Marge has been ill for so long we've changed her name to | 0:26:44 | 0:26:48 | |
I Can't Believe She's Not Better. | 0:26:48 | 0:26:50 | |
It was a real smile. | 0:26:53 | 0:26:55 | |
So, Bernie, I'm afraid you're the only one who got that wrong. | 0:26:55 | 0:26:58 | |
Let's move on and have a look at Alan. | 0:26:58 | 0:27:00 | |
Now, is that a real smile, or is that fake? | 0:27:00 | 0:27:03 | |
You've all answered and all four of you think that that is a fake smile. | 0:27:09 | 0:27:15 | |
Let's find out. | 0:27:15 | 0:27:16 | |
And all four of you are absolutely correct, well done. | 0:27:21 | 0:27:24 | |
So, next challenge. | 0:27:25 | 0:27:27 | |
This is Mary. | 0:27:27 | 0:27:28 | |
Now, is Mary smiling for real or has she been told to smile? | 0:27:30 | 0:27:34 | |
You've made your decisions. | 0:27:37 | 0:27:39 | |
Two of you think that's real, two of you think it's fake. | 0:27:39 | 0:27:42 | |
Let's find out. | 0:27:42 | 0:27:43 | |
And the two of you who thought that was a fake smile, | 0:27:47 | 0:27:50 | |
Andy and Lynn, are absolutely correct, well done. | 0:27:50 | 0:27:53 | |
APPLAUSE | 0:27:53 | 0:27:55 | |
So here's another one. This is James. | 0:27:55 | 0:27:57 | |
Now, is James smiling for real, or is that fake? | 0:27:58 | 0:28:01 | |
You've all answered. Lynn's turning round smiling at me | 0:28:08 | 0:28:10 | |
and I think that's a real smile, Lynn. Let's see what you think. | 0:28:10 | 0:28:13 | |
LAUGHTER | 0:28:13 | 0:28:15 | |
Lynn, Andy and Nayomie, you all thought that was real, | 0:28:15 | 0:28:18 | |
Bernie you thought that was fake. | 0:28:18 | 0:28:20 | |
Let's see. | 0:28:20 | 0:28:21 | |
My grandfather said that in the old days | 0:28:24 | 0:28:27 | |
people used to leave their back doors open, | 0:28:27 | 0:28:30 | |
which is probably why his submarine sank. | 0:28:30 | 0:28:32 | |
That was a real smile. | 0:28:34 | 0:28:36 | |
Bernie, he didn't, you know, roll about laughing | 0:28:36 | 0:28:39 | |
but it was a genuine smile. | 0:28:39 | 0:28:40 | |
This is Charlie. | 0:28:42 | 0:28:44 | |
Is that real or fake? | 0:28:44 | 0:28:46 | |
This is what you think. | 0:28:51 | 0:28:52 | |
Ooh, we've got a split, 50-50. | 0:28:54 | 0:28:56 | |
The two women think it's fake, the two men think it's real. | 0:28:56 | 0:28:58 | |
Here we go. | 0:29:00 | 0:29:01 | |
And those who thought it was fake, Lynn and Nayomie, | 0:29:05 | 0:29:08 | |
you are spot on, well done, good reading. | 0:29:08 | 0:29:11 | |
Andy, that's the first one you've got wrong. | 0:29:11 | 0:29:13 | |
I wavered on that. | 0:29:13 | 0:29:14 | |
I think my first instinct was fake and I overrode it | 0:29:14 | 0:29:18 | |
and I should have trusted my gut, I think. | 0:29:18 | 0:29:20 | |
This is Joseph. | 0:29:20 | 0:29:21 | |
Now, is that real or fake? | 0:29:23 | 0:29:24 | |
This is what you made of Joseph's smile. | 0:29:29 | 0:29:31 | |
Three of you think it's real, Lynn, Andy and Nayomie, | 0:29:33 | 0:29:36 | |
-Bernie you're the one who thinks it's fake. -I've got to get one. | 0:29:36 | 0:29:39 | |
You have got to get one against the tide, as it were. | 0:29:39 | 0:29:42 | |
This could be the one, let's find out. | 0:29:42 | 0:29:44 | |
Well done, Bernie. | 0:29:48 | 0:29:49 | |
APPLAUSE | 0:29:49 | 0:29:51 | |
Fantastic work. | 0:29:51 | 0:29:53 | |
Was that just luck? | 0:29:53 | 0:29:54 | |
No, the mouth is too wide. | 0:29:54 | 0:29:57 | |
It's too high at the edges. | 0:29:57 | 0:29:59 | |
Very good work. Well done, Bernie. | 0:29:59 | 0:30:00 | |
Let's move on then, this is Sarah. | 0:30:00 | 0:30:02 | |
Same question - is this smile real or is it fake? | 0:30:02 | 0:30:05 | |
Right, all your answers are in. | 0:30:12 | 0:30:14 | |
Lynn says fake, everybody else says real. | 0:30:14 | 0:30:17 | |
What made you think that was fake? | 0:30:18 | 0:30:20 | |
I didn't think the smile reached the eyes. | 0:30:20 | 0:30:24 | |
Let's see, Lynn, if you're right, or whether, uncharacteristically, | 0:30:24 | 0:30:28 | |
you're wrong and everyone else is right. | 0:30:28 | 0:30:30 | |
And uncharacteristically, | 0:30:32 | 0:30:34 | |
you were wrong. | 0:30:34 | 0:30:36 | |
This is the very last one. | 0:30:36 | 0:30:38 | |
This is Angelina. | 0:30:38 | 0:30:40 | |
Is that real or is that fake from Angelina? | 0:30:40 | 0:30:44 | |
LYNN SIGHS | 0:30:44 | 0:30:46 | |
Big sigh from Lynn as she put her answer in there. | 0:30:46 | 0:30:49 | |
But let's have a look and see what you said. | 0:30:49 | 0:30:51 | |
Again, a split. | 0:30:53 | 0:30:55 | |
Bernie and Lynn think that's fake, | 0:30:55 | 0:30:57 | |
Andy and Nayomie think that is a real smile. | 0:30:57 | 0:31:00 | |
Let's find out. | 0:31:00 | 0:31:02 | |
Oh, I can't bear to look. | 0:31:02 | 0:31:03 | |
About a month before he died, my grandmother | 0:31:05 | 0:31:07 | |
covered my grandfather's back with lard | 0:31:07 | 0:31:11 | |
and after that he went downhill very quickly. | 0:31:11 | 0:31:13 | |
It wasn't just a smile, it really was a laugh. | 0:31:15 | 0:31:17 | |
So, Andy and Nayomie, you were spot on there. | 0:31:17 | 0:31:20 | |
Very, very good work on Angelina. That completes the round. | 0:31:20 | 0:31:23 | |
APPLAUSE | 0:31:23 | 0:31:25 | |
Andy, you said beforehand, your job prepares you for this | 0:31:27 | 0:31:31 | |
and clearly it does. | 0:31:31 | 0:31:33 | |
Yeah, well, as I say, I deliver training to, sometimes | 0:31:33 | 0:31:36 | |
a dozen people, sometimes 200, 300 people, | 0:31:36 | 0:31:38 | |
so you're constantly reading people to get a sense of | 0:31:38 | 0:31:41 | |
where they are as the session goes along. | 0:31:41 | 0:31:44 | |
And funnily enough, Bernie, | 0:31:44 | 0:31:46 | |
maybe working at home on your own is a real disadvantage for | 0:31:46 | 0:31:49 | |
something like this where you need to be able to see a lot of people. | 0:31:49 | 0:31:52 | |
I think so, yeah. I'm glad I'm not in sales. | 0:31:52 | 0:31:55 | |
LAUGHTER | 0:31:55 | 0:31:56 | |
In that game, Andy and Nayomie, you were sensational | 0:31:58 | 0:32:02 | |
and you have got exactly the same number of correct answers. | 0:32:02 | 0:32:05 | |
Lynn, you started so well and then for some reason you fell away | 0:32:05 | 0:32:09 | |
and I'm afraid, Bernie, that really didn't suit you. | 0:32:09 | 0:32:12 | |
So, what that means for your scores is, Andy and Nayomie, you can | 0:32:12 | 0:32:15 | |
afford a real smile because you will both get five points. | 0:32:15 | 0:32:20 | |
Lynn comes in with a crucial one point | 0:32:20 | 0:32:23 | |
and, Bernie, I'm afraid you get zero. | 0:32:23 | 0:32:26 | |
The leaderboard now looks like this. | 0:32:26 | 0:32:29 | |
In the lead jointly, Andy and Nayomie with eight. | 0:32:30 | 0:32:34 | |
Lynn with one point survives. | 0:32:34 | 0:32:36 | |
Bernie, I'm afraid, no points, | 0:32:36 | 0:32:38 | |
you're leaving Britain's Brightest. | 0:32:38 | 0:32:40 | |
I'm very sorry. | 0:32:40 | 0:32:42 | |
I am as well. I just had a bad start, really, this evening. | 0:32:42 | 0:32:45 | |
I haven't had a chance to get going. | 0:32:45 | 0:32:47 | |
It's a great shame, you're a wonderful contestant. | 0:32:47 | 0:32:49 | |
You have a brilliant brain and thank you so much | 0:32:49 | 0:32:51 | |
for playing Britain's Brightest. Ladies and gentlemen, Bernie. | 0:32:51 | 0:32:54 | |
APPLAUSE | 0:32:54 | 0:32:55 | |
Oh, that's bad luck for Bernie but, Lynn, | 0:33:05 | 0:33:08 | |
you are clinging on, you're clinging on. | 0:33:08 | 0:33:11 | |
What are you going to do now | 0:33:11 | 0:33:12 | |
to switch your brain into a really positive, competitive mode? | 0:33:12 | 0:33:15 | |
Well, my way is just to empty my brain of everything that's | 0:33:15 | 0:33:19 | |
gone before and look at what's happening next. | 0:33:19 | 0:33:22 | |
Otherwise you get too confused and upset. | 0:33:22 | 0:33:24 | |
That is very wise advice, Lynn. I'm going to adopt that approach. | 0:33:24 | 0:33:27 | |
-It's not easy. -No, it's not easy. | 0:33:27 | 0:33:28 | |
For Andy and for Nayomie, you're in very strong positions. | 0:33:28 | 0:33:32 | |
Andy, how are you feeling about the next challenge? | 0:33:32 | 0:33:35 | |
I'm positive, you know, I think I've acquitted myself quite well | 0:33:35 | 0:33:39 | |
so far, so, yeah, onwards and upwards. | 0:33:39 | 0:33:41 | |
And what about you, Nayomie, is your brain firing? | 0:33:41 | 0:33:44 | |
It is, yes, again trying to do similar to Lynn actually, | 0:33:44 | 0:33:47 | |
just take a deep breath, don't get ahead of myself | 0:33:47 | 0:33:49 | |
and just focus on whatever comes next, however it might take form. | 0:33:49 | 0:33:53 | |
Well, let's move on to the next game because this challenge is | 0:33:53 | 0:33:56 | |
testing your powers of observation and memory. | 0:33:56 | 0:33:59 | |
I'm going to show you a video of a surprise musical | 0:33:59 | 0:34:02 | |
performance in Trafalgar Square. | 0:34:02 | 0:34:04 | |
The public were shocked to see one of Britain's biggest | 0:34:04 | 0:34:07 | |
bands on their doorstep. | 0:34:07 | 0:34:09 | |
But, unlike them, don't just watch the act, | 0:34:09 | 0:34:11 | |
you're going to have to watch everything | 0:34:11 | 0:34:14 | |
because there will be observational questions afterwards. | 0:34:14 | 0:34:17 | |
We will start the challenge as I hand you over to the more | 0:34:17 | 0:34:20 | |
than capable musical hands of Madness. | 0:34:20 | 0:34:23 | |
APPLAUSE | 0:34:23 | 0:34:26 | |
CHEERING | 0:34:29 | 0:34:30 | |
# It was very late in the discotheque | 0:34:40 | 0:34:43 | |
# I was feeling blue Like I sometimes do | 0:34:43 | 0:34:48 | |
# I turned around cos it's time to go | 0:34:48 | 0:34:53 | |
# A face in the crowd A face I didn't know | 0:34:53 | 0:34:57 | |
# We got to talking for a little while | 0:34:57 | 0:35:02 | |
# You said it's not the sort of thing you usually do | 0:35:02 | 0:35:05 | |
# Talking to strangers so late in the night | 0:35:06 | 0:35:10 | |
# These days you never know | 0:35:10 | 0:35:12 | |
# Well, I thought you were nice I even told you so | 0:35:14 | 0:35:18 | |
# You smiled so shyly and said to me | 0:35:18 | 0:35:23 | |
# I bet you say that to all the girls you meet | 0:35:23 | 0:35:26 | |
# But it isn't so | 0:35:26 | 0:35:28 | |
# The club was closing so we had to leave | 0:35:31 | 0:35:35 | |
# We walked out together just a little ill at ease | 0:35:35 | 0:35:39 | |
# I would have liked to have walked you home | 0:35:39 | 0:35:43 | |
# But you said you'd catch the bus I ended up alone | 0:35:43 | 0:35:47 | |
# I never knew your name | 0:35:47 | 0:35:50 | |
# Nor your telephone number | 0:35:50 | 0:35:53 | |
# Will I ever see you again? | 0:35:54 | 0:35:59 | |
# I wonder | 0:35:59 | 0:36:01 | |
# No, I never knew your name | 0:36:03 | 0:36:05 | |
nor your telephone number | 0:36:07 | 0:36:11 | |
# Will I ever see you again? | 0:36:11 | 0:36:15 | |
# Girl, I wonder | 0:36:15 | 0:36:17 | |
# It was very late in that discotheque | 0:36:20 | 0:36:24 | |
# And I was feeling blue as I always do | 0:36:24 | 0:36:28 | |
# I turned around cos it's time to go | 0:36:29 | 0:36:34 | |
# Oh. # | 0:36:34 | 0:36:35 | |
APPLAUSE AND CHEERING | 0:36:40 | 0:36:42 | |
Madness, being sensational, but for our three remaining contestants | 0:36:47 | 0:36:51 | |
we have quick-fire questions coming up. | 0:36:51 | 0:36:53 | |
The first to buzz in gets a chance to answer, but if they get it | 0:36:53 | 0:36:56 | |
wrong, you'll be locked out for the following question. | 0:36:56 | 0:37:00 | |
So, here we go. | 0:37:00 | 0:37:02 | |
A monument to which historical figure was behind the band? | 0:37:02 | 0:37:05 | |
-BUZZER -Nayomie. | 0:37:05 | 0:37:06 | |
Nelson. | 0:37:06 | 0:37:08 | |
Nelson is correct. | 0:37:08 | 0:37:09 | |
APPLAUSE | 0:37:09 | 0:37:11 | |
What did the little boy in the pushchair have in his hands? | 0:37:11 | 0:37:13 | |
-BUZZER -Andy. | 0:37:13 | 0:37:15 | |
Drumsticks? | 0:37:15 | 0:37:16 | |
Let's have a look. | 0:37:16 | 0:37:19 | |
Drumsticks is correct. | 0:37:19 | 0:37:20 | |
APPLAUSE | 0:37:20 | 0:37:21 | |
Which one country's flag was featured? | 0:37:24 | 0:37:27 | |
-BUZZER -Lynn. | 0:37:27 | 0:37:29 | |
Canada. | 0:37:29 | 0:37:30 | |
Canada is correct. | 0:37:30 | 0:37:32 | |
-APPLAUSE -One correct answer each. | 0:37:32 | 0:37:35 | |
You saw five people wearing lettered t-shirts | 0:37:35 | 0:37:39 | |
but what 2013-related word can be made from their letters? | 0:37:39 | 0:37:43 | |
OK, I'll tell you. | 0:37:47 | 0:37:49 | |
It was snake. 2013 is the year of the snake. | 0:37:49 | 0:37:53 | |
What colour was the ballerina's pashmina? | 0:37:53 | 0:37:55 | |
-BUZZER -Nayomie. | 0:37:55 | 0:37:57 | |
Blue. | 0:37:57 | 0:37:58 | |
Let's have a look. | 0:37:58 | 0:37:59 | |
Blue is correct, well done. | 0:38:00 | 0:38:02 | |
APPLAUSE | 0:38:02 | 0:38:04 | |
What was in the right hand of the man whose cheek Suggs squeezed? | 0:38:04 | 0:38:10 | |
-BUZZER -Nayomie. | 0:38:10 | 0:38:11 | |
A mobile phone. | 0:38:11 | 0:38:13 | |
That is incorrect. | 0:38:13 | 0:38:14 | |
The correct answer is a camera | 0:38:14 | 0:38:16 | |
so you are locked out of the next question. | 0:38:16 | 0:38:19 | |
You saw a juggler but how many | 0:38:19 | 0:38:20 | |
different types of fruit did he juggle during the film? | 0:38:20 | 0:38:23 | |
-BUZZER -Lynn. | 0:38:23 | 0:38:25 | |
Two. | 0:38:25 | 0:38:26 | |
Two is correct, lemons and apples. | 0:38:27 | 0:38:29 | |
He did also juggle balls. | 0:38:29 | 0:38:31 | |
APPLAUSE | 0:38:31 | 0:38:32 | |
What was written on the back of the sandwich board? | 0:38:34 | 0:38:36 | |
-BUZZER -Nayomie. | 0:38:36 | 0:38:38 | |
One step beyond. | 0:38:38 | 0:38:40 | |
The question was what was written on the back of the sandwich board? | 0:38:40 | 0:38:44 | |
You knew too much, the answer was one step. | 0:38:44 | 0:38:46 | |
So, I'm afraid, one step beyond is incorrect | 0:38:46 | 0:38:49 | |
and, Nayomie, you are locked out for the next question. | 0:38:49 | 0:38:52 | |
So, for Andy and Lynn, you saw a man wearing a red baseball cap | 0:38:52 | 0:38:56 | |
but what colour was his jacket? | 0:38:56 | 0:38:57 | |
-BUZZER -Lynn. | 0:38:57 | 0:39:00 | |
Beige. | 0:39:00 | 0:39:01 | |
You say beige, let's have a look. | 0:39:01 | 0:39:04 | |
I'm afraid that's wrong, | 0:39:04 | 0:39:06 | |
it's blue and that means you are locked out of the next question. | 0:39:06 | 0:39:08 | |
Nayomie, you're back in. | 0:39:08 | 0:39:10 | |
So, Nayomie and Andy, of the people in letter t-shirts, | 0:39:10 | 0:39:14 | |
how many were also wearing glasses? | 0:39:14 | 0:39:16 | |
-BUZZER -Andy. | 0:39:16 | 0:39:18 | |
Two? | 0:39:18 | 0:39:19 | |
Two is correct, well done. | 0:39:19 | 0:39:21 | |
APPLAUSE | 0:39:21 | 0:39:22 | |
Lynn, you're back in play now, so, for all three of you, | 0:39:22 | 0:39:25 | |
where was the toddler in the pink hat sitting? | 0:39:25 | 0:39:27 | |
-BUZZER -Andy. | 0:39:27 | 0:39:30 | |
On her parent's shoulders. | 0:39:30 | 0:39:32 | |
Let's have a look. | 0:39:32 | 0:39:34 | |
On her parent's shoulders. You are right, well done. | 0:39:34 | 0:39:37 | |
APPLAUSE | 0:39:37 | 0:39:39 | |
The flower worn by Madness's... | 0:39:39 | 0:39:41 | |
BUZZER | 0:39:41 | 0:39:42 | |
Oh, my word, that's early. | 0:39:42 | 0:39:45 | |
Nayomie, I'd hardly even started the question. | 0:39:45 | 0:39:47 | |
What do you think the answer is? | 0:39:47 | 0:39:48 | |
Pink, white, red. | 0:39:48 | 0:39:50 | |
Pink, white, red, you think is the answer to the question... | 0:39:50 | 0:39:53 | |
-I hope it's the answer. -..that I didn't finish. | 0:39:53 | 0:39:55 | |
Here's the rest of that question. | 0:39:55 | 0:39:57 | |
The flower worn by Madness's saxophonist Kix, | 0:39:57 | 0:40:00 | |
changed colour throughout the film. | 0:40:00 | 0:40:02 | |
What colour was it while he was also wearing the wig? | 0:40:02 | 0:40:05 | |
-Let's have a look. -It's red. | 0:40:05 | 0:40:07 | |
And it's red, and again, Nayomie, you knew too much | 0:40:07 | 0:40:10 | |
and you got in there so fast and if you'd waited till the end of | 0:40:10 | 0:40:13 | |
the question I'm sure you would have got it. The answer there was red. | 0:40:13 | 0:40:18 | |
Well, it was very impressive from all three of you, but at the end | 0:40:18 | 0:40:21 | |
of that round, there was a clear winner | 0:40:21 | 0:40:24 | |
and that winner was Andy. | 0:40:24 | 0:40:26 | |
-Really? -Yes, really. It was you. You look very surprised. | 0:40:26 | 0:40:30 | |
And then tied right behind you were Nayomie and Lynn | 0:40:30 | 0:40:32 | |
so it was very, very close. | 0:40:32 | 0:40:34 | |
So let's see what that challenge has done for your scores. | 0:40:34 | 0:40:37 | |
Andy, six points to you. | 0:40:37 | 0:40:39 | |
Nayomie and Lynn, you get two points each | 0:40:39 | 0:40:42 | |
and here is what those scores have done to the leaderboard. | 0:40:42 | 0:40:46 | |
It means that, Andy, you stretch into a lead, 14 points to you. | 0:40:46 | 0:40:51 | |
Nayomie in second with 10 and Lynn now has three. | 0:40:51 | 0:40:54 | |
APPLAUSE | 0:40:54 | 0:40:56 | |
There's still so much to discover about our minds | 0:41:01 | 0:41:03 | |
and our science expert Steve Mould has been doing just that. | 0:41:03 | 0:41:08 | |
'Ever played Tower Of Hanoi? | 0:41:08 | 0:41:10 | |
'You have to move all the discs from one end to the other | 0:41:10 | 0:41:13 | |
'but you can't put a larger disc on a smaller one. | 0:41:13 | 0:41:17 | |
'Yeah, I really like doing logic puzzles | 0:41:17 | 0:41:20 | |
'but is it because I'm a geek?' | 0:41:20 | 0:41:22 | |
Or is it because I'm a man? | 0:41:23 | 0:41:24 | |
Men often pride themselves on their logic and problem-solving prowess. | 0:41:24 | 0:41:28 | |
Who's more logical, women or men? | 0:41:28 | 0:41:30 | |
I'd say me. | 0:41:30 | 0:41:32 | |
-Women. -Men. | 0:41:32 | 0:41:33 | |
Women are more emotional. | 0:41:33 | 0:41:35 | |
Yeah. I'd agree with that. | 0:41:35 | 0:41:37 | |
Tend to be driven more by that than thinking with their heads. | 0:41:37 | 0:41:40 | |
I'd definitely say men are more logical. | 0:41:40 | 0:41:42 | |
-In what way? -All round. | 0:41:42 | 0:41:44 | |
Hm, I don't know about that. | 0:41:44 | 0:41:46 | |
This is often controversial but some studies claim that men | 0:41:46 | 0:41:49 | |
have more of a tendency towards systemising their world, | 0:41:49 | 0:41:54 | |
analysing and creating systems to work things out. | 0:41:54 | 0:41:58 | |
But does that make men better at solving certain kinds of problem? | 0:41:58 | 0:42:03 | |
Well, here's a competition that really | 0:42:03 | 0:42:05 | |
challenges our power of logic. | 0:42:05 | 0:42:07 | |
It's the water jug test. | 0:42:07 | 0:42:09 | |
The challenge is to fill the containers | 0:42:09 | 0:42:11 | |
until you have exactly four litres in the five litre container. | 0:42:11 | 0:42:16 | |
Oh, and you can't use a measuring jug. | 0:42:16 | 0:42:18 | |
Our guinea pigs are two teams of rowers, four girls and four boys. | 0:42:20 | 0:42:25 | |
They will be going head to head over four rounds. | 0:42:25 | 0:42:28 | |
They've started filling up from the tap, | 0:42:29 | 0:42:32 | |
but we don't know whether they have any idea what to do after that. | 0:42:32 | 0:42:36 | |
Thinking through it logically. | 0:42:36 | 0:42:39 | |
So here's how to solve this problem. | 0:42:39 | 0:42:41 | |
Fill the three litre bucket and then pour that into the five litre bucket. | 0:42:41 | 0:42:46 | |
Next re-fill the three litre and top up the five litre again. | 0:42:46 | 0:42:51 | |
You will now have one litre remaining in the smaller container. | 0:42:51 | 0:42:55 | |
Now, empty out the five litre and pour in the remaining one litre. | 0:42:55 | 0:43:00 | |
Top this up with a further three litres, | 0:43:00 | 0:43:03 | |
which gives you exactly four litres. | 0:43:03 | 0:43:05 | |
'Back at the competition, | 0:43:07 | 0:43:08 | |
'and it looks like this guy has worked out how to do it.' | 0:43:08 | 0:43:12 | |
It's not quite four litres but the point is it was the right system. | 0:43:12 | 0:43:16 | |
1-0 to the boys and it's on to round two. | 0:43:16 | 0:43:19 | |
-That's two litres. -Yeah. | 0:43:19 | 0:43:21 | |
And then I just need to halve it. | 0:43:21 | 0:43:23 | |
I actually really like this idea. | 0:43:26 | 0:43:27 | |
But displacement isn't going to do it | 0:43:27 | 0:43:30 | |
and since neither contestant has a clue, | 0:43:30 | 0:43:32 | |
it's a draw and on to round three. | 0:43:32 | 0:43:35 | |
This time, the girls win... | 0:43:35 | 0:43:37 | |
-I think I've got four in there now. -Yes! | 0:43:37 | 0:43:40 | |
..making it one a piece. | 0:43:40 | 0:43:41 | |
Leaving it all to play for in the final round. | 0:43:41 | 0:43:44 | |
Yeah! | 0:43:44 | 0:43:46 | |
OK. | 0:43:46 | 0:43:47 | |
This is an estimate you're going for here, isn't it, Steph? | 0:43:47 | 0:43:50 | |
-No. -No, OK. All right. -It's science. | 0:43:50 | 0:43:53 | |
Freddie, what have you got, do you think you've got four litres? | 0:43:53 | 0:43:56 | |
I think we have a winner, ladies and gentlemen. | 0:43:56 | 0:43:58 | |
Another point for the boys. | 0:43:58 | 0:44:00 | |
So, there we have it, boys are more logical. | 0:44:00 | 0:44:03 | |
Based, I admit, on a small and deeply unscientific experiment. | 0:44:03 | 0:44:08 | |
APPLAUSE | 0:44:08 | 0:44:09 | |
So we have three, but soon we'll be left with just two. | 0:44:15 | 0:44:17 | |
Tonight, you've hit the bottles, experienced Madness and | 0:44:17 | 0:44:21 | |
uncovered a bunch of fakers, but now it's time for the toughest test yet. | 0:44:21 | 0:44:26 | |
You'll all remember this one and probably not fondly. | 0:44:26 | 0:44:29 | |
It's time to get multi-tasking. | 0:44:29 | 0:44:31 | |
Each of you will take turns in this, | 0:44:31 | 0:44:34 | |
the most uncomfortable seat in Britain - The Chair. | 0:44:34 | 0:44:37 | |
Your challenge is to estimate when 24 seconds has passed | 0:44:37 | 0:44:41 | |
and then hit this button. | 0:44:41 | 0:44:43 | |
If you press on exactly 24 seconds, you'll win 10 bonus points. | 0:44:43 | 0:44:47 | |
But you won't be able to see a clock and you will busy | 0:44:47 | 0:44:52 | |
because you'll also be trying to make as many four-letter words | 0:44:52 | 0:44:54 | |
as you can from our grid. | 0:44:54 | 0:44:57 | |
Each word is worth three points, | 0:44:57 | 0:44:59 | |
but go over 24 seconds and you lose points. | 0:44:59 | 0:45:02 | |
You're playing in alphabetical order | 0:45:02 | 0:45:04 | |
so that means, Andy, you are first. | 0:45:04 | 0:45:06 | |
If you would like to take your seat, Lynn and Nayomie, | 0:45:06 | 0:45:09 | |
disappear for a while, we will see you shortly. | 0:45:09 | 0:45:12 | |
Andy, come and make yourself, well, | 0:45:12 | 0:45:17 | |
I was going to say comfortable, but... | 0:45:17 | 0:45:20 | |
Have you been practising estimating time? | 0:45:20 | 0:45:24 | |
-I've got a secret weapon. -A secret weapon? | 0:45:24 | 0:45:27 | |
A secret method and I'm going to try it out tonight. | 0:45:27 | 0:45:31 | |
I'm intrigued, I can't wait to find out. Good luck. | 0:45:31 | 0:45:33 | |
Thank you. | 0:45:33 | 0:45:34 | |
We're going to put 24 seconds on the clock | 0:45:37 | 0:45:40 | |
and your time starts now. | 0:45:40 | 0:45:42 | |
So, the grid comes up. This is the first time Andy's seen it. | 0:45:44 | 0:45:48 | |
Now, last time he got very excited by the word element of the game | 0:45:48 | 0:45:51 | |
and lost track of time. | 0:45:51 | 0:45:53 | |
He's very quick at making words, he has three already. | 0:45:53 | 0:45:55 | |
A little hesitation there. | 0:45:58 | 0:46:01 | |
But ABET is allowable. | 0:46:01 | 0:46:02 | |
Oh, he's pressed the button. Now... | 0:46:03 | 0:46:05 | |
Andy, very, very fast. Four words made. | 0:46:08 | 0:46:11 | |
That'll give you 12 points. | 0:46:12 | 0:46:15 | |
What did you think about the time? | 0:46:15 | 0:46:17 | |
I'm a lot more confident than I was during my heat. | 0:46:17 | 0:46:21 | |
Well, let's see if multi-tasking | 0:46:21 | 0:46:23 | |
is something that you can practise and get better at. | 0:46:23 | 0:46:25 | |
Andy, your time was... | 0:46:25 | 0:46:28 | |
..20 seconds. So you were 4 seconds under. | 0:46:29 | 0:46:33 | |
You may have been able to make another word, but better | 0:46:33 | 0:46:35 | |
to be under than over, because that means you don't lose | 0:46:35 | 0:46:37 | |
any points at all and you walk away with 12, well done. | 0:46:37 | 0:46:40 | |
APPLAUSE | 0:46:40 | 0:46:41 | |
Ah! What a relief. | 0:46:43 | 0:46:44 | |
What was your secret weapon? | 0:46:47 | 0:46:49 | |
I was singing a song to myself that I know lasts | 0:46:49 | 0:46:52 | |
for just over 20 seconds. | 0:46:52 | 0:46:54 | |
That is genius. That is the definition of brightness | 0:46:54 | 0:46:57 | |
and that is why he scored so well. | 0:46:57 | 0:46:59 | |
And what was the song? | 0:46:59 | 0:47:00 | |
'Her Majesty' by the Beatles. | 0:47:00 | 0:47:03 | |
I sing it to Daisy to get her off to sleep. | 0:47:03 | 0:47:05 | |
So, Charlie scored you points on musical pairs | 0:47:05 | 0:47:07 | |
and Daisy has scored you points on this? | 0:47:07 | 0:47:10 | |
Yeah. | 0:47:10 | 0:47:11 | |
Andy, well done and thank you for now. | 0:47:11 | 0:47:13 | |
APPLAUSE | 0:47:13 | 0:47:14 | |
And we will bring Lynn in as Andy disappears backstage | 0:47:14 | 0:47:17 | |
so he can't hear or see anything. | 0:47:17 | 0:47:21 | |
Last time you played this game you went over the allowed time by... | 0:47:21 | 0:47:26 | |
Oh, about 13 or 14 seconds? | 0:47:26 | 0:47:29 | |
12, I think. It was 12 seconds over. | 0:47:29 | 0:47:31 | |
Have you been doing anything | 0:47:31 | 0:47:32 | |
since then to get your estimation of time better? | 0:47:32 | 0:47:35 | |
Well, I have been practising it, | 0:47:35 | 0:47:37 | |
but on the first time I did forget to press the enter | 0:47:37 | 0:47:40 | |
and that threw me out and I forgot where I was so I'm hoping | 0:47:40 | 0:47:44 | |
that I'm not going to do that again so my counting will be spot on. | 0:47:44 | 0:47:47 | |
-All right, Lynn, best of luck. -Thank you, Clare. | 0:47:47 | 0:47:50 | |
And your time starts now. | 0:47:53 | 0:47:54 | |
And again, top left corner being the preferred choice for Lynn. | 0:48:01 | 0:48:05 | |
Just a hesitation now as she looks for her second word. | 0:48:07 | 0:48:10 | |
Because she's moved direction. | 0:48:11 | 0:48:13 | |
The letters have to connect diagonally, | 0:48:16 | 0:48:19 | |
horizontally or vertically. | 0:48:19 | 0:48:22 | |
Two words, both of them are allowable. BARE and LAME. | 0:48:24 | 0:48:28 | |
-Yeah. -So, that gives you six points. | 0:48:28 | 0:48:31 | |
But you were focussing on the time rather than the words? | 0:48:31 | 0:48:34 | |
Yes, I was. | 0:48:34 | 0:48:35 | |
And how were you estimating the time? | 0:48:35 | 0:48:37 | |
I was counting with this hand, | 0:48:37 | 0:48:39 | |
"One, 1,000, two, 1,000, three, 1,000." | 0:48:39 | 0:48:42 | |
-While you were making... -Please, don't tell me I got it wrong. | 0:48:42 | 0:48:45 | |
Let's find out together. Lynn, your time was... | 0:48:45 | 0:48:49 | |
23 seconds. | 0:48:50 | 0:48:52 | |
You were just one second under, well done. | 0:48:52 | 0:48:55 | |
APPLAUSE | 0:48:55 | 0:48:56 | |
So close to hitting 24 and getting the 10 bonus points which I'm | 0:48:56 | 0:49:00 | |
sure is what you were aiming for but you walk away | 0:49:00 | 0:49:02 | |
with six points having made two words and being just under the time. | 0:49:02 | 0:49:05 | |
-Well done, Lynn. -Thank you. | 0:49:05 | 0:49:07 | |
APPLAUSE | 0:49:07 | 0:49:08 | |
And let us give a round of applause for Nayomie who comes back. | 0:49:08 | 0:49:12 | |
APPLAUSE | 0:49:12 | 0:49:14 | |
Nayomie, I was intrigued by your method | 0:49:15 | 0:49:18 | |
the last time you played this. | 0:49:18 | 0:49:20 | |
What did you do? | 0:49:20 | 0:49:22 | |
I counted out loud. | 0:49:22 | 0:49:24 | |
-You don't just count out loud. -No. | 0:49:24 | 0:49:26 | |
You count with the help of an animal. | 0:49:26 | 0:49:28 | |
Well, I was counting elephants last time | 0:49:28 | 0:49:30 | |
but the elephants made me run over so I've going to change my strategy | 0:49:30 | 0:49:34 | |
slightly, take away a few syllables and just, | 0:49:34 | 0:49:37 | |
"And one and two and three." | 0:49:37 | 0:49:40 | |
-Let's see if that strategy works. Good luck, Nayomie. -Thank you. | 0:49:40 | 0:49:43 | |
And your time starts now. | 0:49:47 | 0:49:49 | |
And one and two and three and four and five and six... | 0:49:49 | 0:49:56 | |
Very, very fast with the words. | 0:49:56 | 0:49:58 | |
..and nine and 10... | 0:49:58 | 0:50:00 | |
And the rhythm is staying strong this time. | 0:50:00 | 0:50:03 | |
..and 13 and 14 and 15. That's not a word. And 16.. | 0:50:03 | 0:50:06 | |
Right now, she's lost a little bit. | 0:50:06 | 0:50:08 | |
I think because she thinks the word CALO won't be allowed. | 0:50:08 | 0:50:11 | |
..and 21 and 22 and 23 and 24. | 0:50:11 | 0:50:16 | |
APPLAUSE | 0:50:16 | 0:50:18 | |
Nayomie, I'm not surprised that people are applauding | 0:50:22 | 0:50:24 | |
because that was extraordinary. You were so fast, you made 10 words. | 0:50:24 | 0:50:29 | |
-Two of them you made up. -OK. | 0:50:29 | 0:50:31 | |
So, we're allowing eight of them. CALO and BEAL are not allowed. | 0:50:31 | 0:50:34 | |
But eight words gives you 24 points. | 0:50:34 | 0:50:38 | |
Now, did your system work? | 0:50:38 | 0:50:40 | |
I want it to have worked. I want those 10 points. | 0:50:40 | 0:50:44 | |
Let's find out whether Nayomie was bang on 24 seconds. | 0:50:44 | 0:50:47 | |
Your time was 25, just one over. | 0:50:47 | 0:50:51 | |
APPLAUSE | 0:50:51 | 0:50:53 | |
And I'm sure it's because that last word, you desperately wanted | 0:50:53 | 0:50:57 | |
to get it in before you pressed the button. | 0:50:57 | 0:50:59 | |
You scored 24. You're going to lose just one for being one second over. | 0:50:59 | 0:51:03 | |
23 points is stunningly good. | 0:51:03 | 0:51:05 | |
Nayomie, well done. Let's bring the others in and I shall reveal | 0:51:05 | 0:51:08 | |
to you how you all got on and how different this was to the heats. | 0:51:08 | 0:51:13 | |
I mean, what a transformation. | 0:51:13 | 0:51:15 | |
All three of you have practised the game and you were so good at it. | 0:51:15 | 0:51:19 | |
Two of you were under the time. | 0:51:19 | 0:51:22 | |
One of you was over the time but only by a second and she made | 0:51:22 | 0:51:26 | |
so many words it didn't matter. | 0:51:26 | 0:51:28 | |
Because it was absolutely extraordinary. | 0:51:28 | 0:51:31 | |
Nayomie, you win the round, giving you six points. Well done. | 0:51:31 | 0:51:34 | |
APPLAUSE | 0:51:34 | 0:51:36 | |
Very, very good from Andy and from Lynn as well. | 0:51:36 | 0:51:39 | |
Andy, though, you finished second, you get three points. | 0:51:39 | 0:51:42 | |
Lynn, you've come third | 0:51:42 | 0:51:44 | |
and that, I'm afraid, means no points from this game. | 0:51:44 | 0:51:47 | |
So, let's see how that round has affected the leaderboard. | 0:51:47 | 0:51:51 | |
Well, Andy is still in first place with 17 points. | 0:51:51 | 0:51:55 | |
Who is in second? | 0:51:55 | 0:51:57 | |
It's Nayomie and she's closed the gap, only one point between them. | 0:51:57 | 0:52:01 | |
Nayomie has 16. | 0:52:01 | 0:52:02 | |
Sadly that means, Lynn, you're in third place with three points. | 0:52:02 | 0:52:06 | |
You will be going home and I am so sorry | 0:52:06 | 0:52:08 | |
because I know how much this meant to you. | 0:52:08 | 0:52:11 | |
It did mean a lot but there are two really good people either | 0:52:11 | 0:52:14 | |
side of me here so I don't mind losing to these two. That's fine. | 0:52:14 | 0:52:17 | |
Ladies and gentlemen, a brilliant brain. Please congratulate Lynn | 0:52:17 | 0:52:20 | |
-as she leaves Britain's Brightest. Thank you, Lynn. -Good luck. | 0:52:20 | 0:52:23 | |
APPLAUSE | 0:52:23 | 0:52:26 | |
And then there were two and congratulations to Nayomie | 0:52:32 | 0:52:35 | |
because you have closed the gap. | 0:52:35 | 0:52:37 | |
Just one point between you and that will be absolutely crucial because | 0:52:37 | 0:52:41 | |
our last challenge will decide which one of you books their place | 0:52:41 | 0:52:44 | |
in the final and gives themselves the chance to compete for £50,000. | 0:52:44 | 0:52:50 | |
To achieve that, you must win the Fight For Survival. | 0:52:50 | 0:52:54 | |
APPLAUSE | 0:52:54 | 0:52:55 | |
Now, you are both unbeaten at this challenge until now. | 0:52:59 | 0:53:03 | |
But, obviously, only one of you can win this time. | 0:53:03 | 0:53:05 | |
Do you think, Andy, that being a performer helps, | 0:53:05 | 0:53:09 | |
that actually you're used to raising your game in front of a crowd? | 0:53:09 | 0:53:13 | |
Definitely. I think when all eyes are on you, | 0:53:13 | 0:53:15 | |
that's the time to bring it home. | 0:53:15 | 0:53:17 | |
And, Nayomie, you're an actress as well. Same thing applies? | 0:53:17 | 0:53:20 | |
Yep, absolutely, and it's the ability to put your focus | 0:53:20 | 0:53:22 | |
completely on something else I'll be using. | 0:53:22 | 0:53:24 | |
Well, on the screen is a grid of numbers. You must pick a number | 0:53:24 | 0:53:27 | |
to reveal a question or puzzle. | 0:53:27 | 0:53:29 | |
What comes up could make the difference | 0:53:29 | 0:53:32 | |
between going to the final or going home. | 0:53:32 | 0:53:35 | |
As you know, once you've picked a number, | 0:53:35 | 0:53:37 | |
your clock will start counting down until you give me a correct answer. | 0:53:37 | 0:53:40 | |
Then your opponent must pick a number | 0:53:40 | 0:53:42 | |
and tackle a question as their own clock starts ticking. | 0:53:42 | 0:53:46 | |
If you can't solve a puzzle, | 0:53:46 | 0:53:48 | |
please pass and choose another number from the grid. | 0:53:48 | 0:53:52 | |
If your clock runs out of time, your hopes | 0:53:52 | 0:53:54 | |
of becoming a finalist are over. | 0:53:54 | 0:53:56 | |
There won't be time for me to give the answers but they are | 0:53:57 | 0:54:00 | |
all available on our website bbc.co.uk/britainsbrightest. | 0:54:00 | 0:54:05 | |
Nayomie, you are first to play. There's 90 seconds on the clock. | 0:54:05 | 0:54:08 | |
Andy, as you were ahead on the leaderboard by one point, | 0:54:08 | 0:54:13 | |
you get an extra two seconds on your clock. | 0:54:13 | 0:54:17 | |
That advantage could have been much more if, | 0:54:17 | 0:54:19 | |
Nayomie, you hadn't closed the gap. | 0:54:19 | 0:54:21 | |
So let's start this Fight For Survival. | 0:54:21 | 0:54:23 | |
Nayomie, pick a number. | 0:54:25 | 0:54:26 | |
Two. | 0:54:26 | 0:54:28 | |
Number two. | 0:54:28 | 0:54:29 | |
176. | 0:54:31 | 0:54:32 | |
-That's wrong. -Four. -Pick another number. Four. | 0:54:34 | 0:54:37 | |
-Pass. -Pick another number. | 0:54:43 | 0:54:45 | |
Six. | 0:54:45 | 0:54:46 | |
-Pass. -Pick another number. | 0:54:56 | 0:54:57 | |
10. | 0:54:57 | 0:54:59 | |
600. | 0:55:06 | 0:55:07 | |
Is correct. Stop the clock. Andy. | 0:55:07 | 0:55:10 | |
-Six. -Number Six. | 0:55:10 | 0:55:12 | |
Porcupine. | 0:55:12 | 0:55:13 | |
Porcupine is correct. | 0:55:13 | 0:55:14 | |
-One. -Nayomie. | 0:55:14 | 0:55:17 | |
15. | 0:55:25 | 0:55:27 | |
Is wrong. Pick another number. 9. | 0:55:27 | 0:55:29 | |
Priest. | 0:55:34 | 0:55:36 | |
-Correct. Stop the clock. Andy. -Two. | 0:55:36 | 0:55:39 | |
253. | 0:55:42 | 0:55:43 | |
-Wrong, pick another number. -Four. | 0:55:43 | 0:55:46 | |
Back. | 0:55:49 | 0:55:50 | |
Is correct. Stop the clock. | 0:55:50 | 0:55:51 | |
Three. | 0:55:51 | 0:55:52 | |
The Tardis. | 0:55:59 | 0:56:00 | |
-Correct. Stop the clock. Andy. -One. | 0:56:00 | 0:56:02 | |
14. | 0:56:05 | 0:56:07 | |
-Is correct. Stop your clock. Nayomie. -11. | 0:56:07 | 0:56:09 | |
Minus. | 0:56:15 | 0:56:17 | |
-Is correct. Stop the clock. Andy, pick a number. -21. | 0:56:17 | 0:56:21 | |
145. | 0:56:24 | 0:56:26 | |
-Nayomie, pick a number. -13. | 0:56:26 | 0:56:28 | |
Pass. 14. | 0:56:32 | 0:56:34 | |
And you are out of time and that means out of Britain's Brightest. | 0:56:35 | 0:56:40 | |
Andy, that means you are through to the final. | 0:56:40 | 0:56:42 | |
APPLAUSE | 0:56:42 | 0:56:43 | |
Well done and well played. | 0:56:46 | 0:56:49 | |
First of all, Andy, a reaction from you. | 0:56:50 | 0:56:53 | |
Unbelievable. Yeah, I can't believe it. I'm very pleased. | 0:56:54 | 0:56:57 | |
And who were you thinking of? | 0:56:57 | 0:56:59 | |
Well, my wife Sarah and Daisy and Charlie, | 0:56:59 | 0:57:03 | |
who will be watching avidly, I'm sure. | 0:57:03 | 0:57:05 | |
And, actually, they both really helped you. | 0:57:05 | 0:57:08 | |
Yeah, I think they were my little guardian angels, | 0:57:08 | 0:57:10 | |
so, yeah, great big squeezes when I get home. | 0:57:10 | 0:57:13 | |
Will you practise again with them before the final? | 0:57:13 | 0:57:15 | |
For sure, definitely, yeah. | 0:57:15 | 0:57:17 | |
Good luck in that, Andy. | 0:57:17 | 0:57:18 | |
Nayomie, so close and you came back so strongly across the contest | 0:57:18 | 0:57:23 | |
and I'm afraid that just didn't suit you. | 0:57:23 | 0:57:25 | |
My brain left the building on the first three questions. | 0:57:25 | 0:57:27 | |
Porcupine will haunt me for ever, I think. | 0:57:27 | 0:57:30 | |
But, Andy, a very deserving winner | 0:57:30 | 0:57:32 | |
and hopefully go on to win it for me, please. | 0:57:32 | 0:57:34 | |
Well, fantastic stuff, many congratulations to Andy. | 0:57:34 | 0:57:37 | |
Thanks to all our amazing contestants, | 0:57:37 | 0:57:39 | |
to our bottle band GlasBlasSing Quintett | 0:57:39 | 0:57:41 | |
and to Madness. | 0:57:41 | 0:57:43 | |
With the addition of Andy, | 0:57:43 | 0:57:45 | |
we now have our five players for next week's final, | 0:57:45 | 0:57:48 | |
where the very best of the best will think it out for £50,000. | 0:57:48 | 0:57:53 | |
Join us when we will crown Britain's Brightest. Good night. | 0:57:53 | 0:57:57 | |
APPLAUSE | 0:57:57 | 0:57:59 | |
Subtitles by Red Bee Media Ltd | 0:58:02 | 0:58:05 |