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-Of all the celebrated, beautiful, -romantic cities in the world... | 0:00:00 | 0:00:04 | |
-..to me, one name stands out. | 0:00:04 | 0:00:06 | |
-People have composed songs about it. | 0:00:06 | 0:00:08 | |
-The world's stars -come here on their holidays. | 0:00:09 | 0:00:12 | |
-Novels have been written -about this city. | 0:00:12 | 0:00:15 | |
-But more than anything, -Hogia'r Wyddfa sang about it. | 0:00:16 | 0:00:20 | |
-The city's name? | 0:00:20 | 0:00:22 | |
-Rio de Janeiro. | 0:00:23 | 0:00:24 | |
-# Y Ferch Ar Y Cei Yn Rio # -Hogia'r Wyddfa | 0:00:26 | 0:00:30 | |
-Thanks, Hogs. Next! | 0:00:44 | 0:00:46 | |
-Yes! Rio de Janeiro, Brazil. | 0:01:58 | 0:02:00 | |
-Famous for sun, music, dancing. | 0:02:00 | 0:02:03 | |
-The people are exciting, -friendly and extrovert. | 0:02:03 | 0:02:06 | |
-But more than anything, -famous for the carnival. | 0:02:06 | 0:02:10 | |
-That's why we're here. | 0:02:10 | 0:02:12 | |
-We're with a samba school -called Paraiso Do Tuiuti. | 0:02:14 | 0:02:17 | |
-The Bird of Paradise school -has taken part in 45 carnivals. | 0:02:18 | 0:02:22 | |
-Last year, the Tuiuti -was elevated to division one. | 0:02:23 | 0:02:27 | |
-Their dream this year -is staying there. | 0:02:27 | 0:02:30 | |
-See that? My drum teacher said -I sounded just like Ginger Rogers. | 0:02:31 | 0:02:35 | |
-I think he meant Ginger Baker. | 0:02:36 | 0:02:39 | |
-He said I danced like Ginger Baker! | 0:02:45 | 0:02:48 | |
-Carnival is important to everyone, -inspiring people of all ages. | 0:02:50 | 0:02:55 | |
-They rehearse -song and dance routines... | 0:02:55 | 0:02:58 | |
-..or bang drums non-stop all day - -and most of the night as well. | 0:02:58 | 0:03:03 | |
-I was gradually -drawn into the experience. | 0:03:32 | 0:03:35 | |
-The beat was starting -to get a hold on me. | 0:03:36 | 0:03:39 | |
-Rehearsals aren't child's play, -either. | 0:03:53 | 0:03:55 | |
-Everyone takes it deadly seriously, -concentrating on each note. | 0:03:56 | 0:04:00 | |
-Although I'd only been there a few -days, I started to feel part of it. | 0:04:13 | 0:04:17 | |
-I worried -whether they'd succeed or not. | 0:04:17 | 0:04:20 | |
-The people's enthusiasm -was getting to me. | 0:04:21 | 0:04:24 | |
-So many beautiful people! | 0:04:34 | 0:04:36 | |
-And they could all dance! | 0:04:36 | 0:04:38 | |
-If that was a practice, I'm -looking forward to the real thing. | 0:04:53 | 0:04:57 | |
-Goodness! | 0:04:57 | 0:04:58 | |
-The Tuiuti centre -is under this busy flyover. | 0:05:20 | 0:05:23 | |
-They ingeniously hire it out as -a car park to raise carnival money. | 0:05:23 | 0:05:28 | |
-This wall chronicles their history. | 0:05:34 | 0:05:36 | |
-In 1994, they came tenth in Group C, -one of the inferior groups. | 0:05:37 | 0:05:41 | |
-They improved from 5th to 3rd and -eventually became group winners. | 0:05:42 | 0:05:46 | |
-They were promoted to group B. | 0:05:46 | 0:05:48 | |
-They were elevated to group A -in 2000, winning by half a mark. | 0:05:48 | 0:05:52 | |
-They've now joined 'Grupo Especial.' | 0:05:53 | 0:05:56 | |
-It's a special group of 14 schools. | 0:05:57 | 0:06:00 | |
-Their goal this year -is to stay in Grupo Especial. | 0:06:00 | 0:06:04 | |
-Excitement fills the air. Everyone -contributes in one way or another. | 0:06:05 | 0:06:09 | |
-Guess what? | 0:06:10 | 0:06:11 | |
-I've been invited to join them -in the carnival. | 0:06:12 | 0:06:15 | |
-It involves so much work -and nearly 3,000 people. | 0:06:16 | 0:06:20 | |
-They all need their own costumes. | 0:06:20 | 0:06:22 | |
-Here's the list. -Each one has a number. | 0:06:23 | 0:06:26 | |
-I'm looking forward -to discover what I'll get. | 0:06:27 | 0:06:30 | |
-Waltinho is the creative director. | 0:06:31 | 0:06:33 | |
-He interprets the themes -and keeps the momentum going. | 0:06:33 | 0:06:37 | |
-My costume has arrived. | 0:06:38 | 0:06:40 | |
-This year's theme -is 'Moor in the Castle'... | 0:06:43 | 0:06:46 | |
-..inspired by -Paulo Georges Bourdoukan's book. | 0:06:46 | 0:06:49 | |
-There are five days to go. | 0:06:54 | 0:06:56 | |
-I wouldn't say they're panicking -but they work 10-12 hours a day. | 0:06:56 | 0:07:00 | |
-Good grief! | 0:07:00 | 0:07:02 | |
-Bourdoukan recounts a Moor captain's -voyage from Africa to Brazil. | 0:07:06 | 0:07:12 | |
-They have seven floats and seven -sections in the procession. | 0:07:12 | 0:07:16 | |
-Each reflects a different aspect -of the Moor's life. | 0:07:16 | 0:07:20 | |
-The theme's only one -of ten different elements. | 0:07:23 | 0:07:26 | |
-They include samba, song, -costume, flag waving, decoration... | 0:07:26 | 0:07:30 | |
-..and drums. Each element -wins marks on the big night. | 0:07:31 | 0:07:35 | |
-Samba and carnival -belong to the African culture. | 0:07:37 | 0:07:41 | |
-It started amongst plantation slaves -in the last century. | 0:07:42 | 0:07:46 | |
-The only location remaining -for slaves to build houses... | 0:07:47 | 0:07:51 | |
-..was the worthless, steep hills -surrounding the city. | 0:07:51 | 0:07:54 | |
-Samba developed -in the favelas - the shanty towns. | 0:07:54 | 0:07:58 | |
-Pedro De Sao established the first -official samba school in the '20s. | 0:08:02 | 0:08:06 | |
-Influenced by European emigrants, -it's become vital to the culture. | 0:08:07 | 0:08:12 | |
-It evolved into a magnificent, -world famous pageant. | 0:08:13 | 0:08:17 | |
-Favelas are still out of bounds -to gringos like me. | 0:08:19 | 0:08:23 | |
-But our hosts looked after us... | 0:08:24 | 0:08:26 | |
-..as we talked to residents -about the carnival. | 0:08:26 | 0:08:31 | |
-I'm 40 and I've been part of -the Tuiuti procession for 30 years. | 0:08:32 | 0:08:37 | |
-I'm an army fireman. I once escaped -in order to take part. | 0:08:37 | 0:08:41 | |
-I was imprisoned for 30 days. | 0:08:42 | 0:08:45 | |
-But it was worth it, because the -Tuiuti were the champions that year. | 0:08:45 | 0:08:49 | |
-The carnival -makes life worthwhile. | 0:08:50 | 0:08:52 | |
-I've taken part for 25 years. | 0:08:53 | 0:08:56 | |
-I started as a drummer before -joining the Maria Augusta section. | 0:08:56 | 0:09:00 | |
-Drug gangs have made this place -hazardous to strangers. | 0:09:02 | 0:09:06 | |
-But I'm safe with Dona Iolanda. | 0:09:06 | 0:09:08 | |
-She's a member of a well known -family in the area. | 0:09:08 | 0:09:12 | |
-She's appeared in the carnival -every year since she was a child. | 0:09:12 | 0:09:16 | |
-I'm so used to being part of -the school, I'd be lost without it. | 0:09:22 | 0:09:28 | |
-It fills my heart. | 0:09:29 | 0:09:31 | |
-According to Dona, the Tuiuti's -success is down to one person. | 0:09:38 | 0:09:42 | |
-Amarildo Felipe, the presidente. | 0:09:43 | 0:09:46 | |
-The area and school -are steeped in history. | 0:09:48 | 0:09:51 | |
-The samba school was popular amongst -the people from the very beginning. | 0:09:51 | 0:09:55 | |
-We forged links -with local businesses... | 0:09:55 | 0:09:57 | |
-..to raise money -in order to take part. | 0:09:58 | 0:10:00 | |
-The Carnival is an expensive -business and we were poor. | 0:10:00 | 0:10:04 | |
-There's nothing for the people -in the favela, nor in the city. | 0:10:08 | 0:10:12 | |
-If the school closed, -there'd be mayhem. | 0:10:12 | 0:10:16 | |
-People would die as a result. | 0:10:16 | 0:10:18 | |
-# The girl from Allt-y-Blaca -out walking | 0:10:21 | 0:10:25 | |
-# I ask her, "How are you doing?" # | 0:10:26 | 0:10:29 | |
-No. | 0:10:32 | 0:10:33 | |
-# The girl from Pontlotyn | 0:10:34 | 0:10:36 | |
-# Stepping out -with a bloke from Scotland # | 0:10:38 | 0:10:41 | |
-What's this place called, Hughes? | 0:10:43 | 0:10:45 | |
-Ipanema. | 0:10:46 | 0:10:47 | |
-Ipanema. | 0:10:47 | 0:10:48 | |
-# The girl from Ipanema out walking | 0:10:52 | 0:10:54 | |
-# I ask her how she's feeling # | 0:10:55 | 0:10:58 | |
-That's better, isn't it? | 0:10:59 | 0:11:01 | |
-# The Girl From Ipanema # | 0:11:05 | 0:11:07 | |
-Any boy's dream, on any beach, -anywhere in Brazil... | 0:11:36 | 0:11:40 | |
-..is scoring a goal -for his country here... | 0:11:40 | 0:11:43 | |
-..the world's biggest stadium - -The Maracana. | 0:11:43 | 0:11:46 | |
-The football last night was good. | 0:12:28 | 0:12:30 | |
-Tonight, we've a choice, Hughes. | 0:12:31 | 0:12:33 | |
-A lecture about traditional -folk dancing in the museum. | 0:12:34 | 0:12:38 | |
-Or the Erotic Ball in La Scala. | 0:12:38 | 0:12:43 | |
-Hm. | 0:12:46 | 0:12:47 | |
-Tonight's the carnival's big night. -The Gay Ball. | 0:12:57 | 0:13:01 | |
-This is where we've come. | 0:13:06 | 0:13:08 | |
-Not that I'm gay myself. -I help out when they're busy. | 0:13:09 | 0:13:13 | |
-Come on, Hughes. -Did you have to wear that skirt? | 0:13:13 | 0:13:15 | |
-As you can see, Gwyn Erfyl's -conducting a few interviews. | 0:13:26 | 0:13:30 | |
-Emyr Wyn's behind me, surrounded -by prominent Gorsedd members. | 0:13:33 | 0:13:37 | |
-I thought tomorrow -was meant to be wild! | 0:14:14 | 0:14:17 | |
- | 0:14:28 | 0:14:30 | |
-The big day finally arrives. | 0:14:52 | 0:14:54 | |
-The Passarella do Samba day -or Sambadromo. | 0:14:55 | 0:14:58 | |
-Everyone's clutching a costume -with eager anticipation. | 0:14:58 | 0:15:02 | |
-What will the boys say, -back in the rugby club? | 0:15:16 | 0:15:20 | |
-Some people who've worked for -a year on the floats and costumes... | 0:15:28 | 0:15:33 | |
-..can't afford to come into -the Sambadrome itself. | 0:15:33 | 0:15:36 | |
-They come here to wish us well. | 0:15:37 | 0:15:39 | |
-It's terribly hot -and there are two hours to go. | 0:15:46 | 0:15:49 | |
-Like the two blokes in the sauna. | 0:15:49 | 0:15:52 | |
-One has high blood pressure, -the other has water on the brain. | 0:15:53 | 0:15:56 | |
-One says, "It's hot in here." -The other whistles like a kettle! | 0:15:57 | 0:16:01 | |
-The Sambadrome -has a 60,000 capacity. | 0:16:02 | 0:16:05 | |
-14 schools compete over two nights -for the first prize. | 0:16:06 | 0:16:09 | |
-Problems. | 0:16:28 | 0:16:29 | |
-My costume's coming apart. | 0:16:29 | 0:16:31 | |
-OK, love? | 0:16:34 | 0:16:35 | |
-OK, love? - -These pieces... Don't you 'love' me. | 0:16:35 | 0:16:37 | |
-I can see them watching this -in the rugby club. | 0:16:39 | 0:16:42 | |
-As new arrivals -to the first division... | 0:16:43 | 0:16:45 | |
-..Paraiso Do Tuiuti will lead -the procession. That's unfortunate. | 0:16:45 | 0:16:50 | |
-We'll have to warm up the crowd. | 0:16:50 | 0:16:52 | |
-We've heard rumours some members -are late. They'll miss the start. | 0:16:53 | 0:16:57 | |
-I'm too nervous to waffle on here. | 0:17:10 | 0:17:13 | |
-And the hat isn't going to stay on, -I know that now. See? | 0:17:15 | 0:17:19 | |
-I'll put it on the other way. | 0:17:20 | 0:17:22 | |
-PUBLIC ANNOUNCEMENT | 0:17:30 | 0:17:33 | |
-Oh, I'm all nerves now. | 0:17:37 | 0:17:39 | |
-I still haven't learnt the song. | 0:17:41 | 0:17:43 | |
-# Lleucu Llwyd # | 0:17:46 | 0:17:48 | |
-They'll never know, will they? | 0:17:53 | 0:17:55 | |
-# Lleucu Llwyd # | 0:17:56 | 0:17:58 | |
-You know... | 0:18:07 | 0:18:09 | |
-..these floats are OK -but it's us, the performers... | 0:18:09 | 0:18:13 | |
-..who make the carnival come alive. | 0:18:14 | 0:18:16 | |
-We're off! | 0:18:25 | 0:18:26 | |
-Off we go! | 0:18:28 | 0:18:29 | |
-That's it! | 0:21:57 | 0:21:58 | |
-I've been waiting for -him -for about an hour. | 0:21:58 | 0:22:02 | |
-It takes an hour -for the procession to pass through. | 0:22:03 | 0:22:06 | |
-I enjoyed that - -it was worse than a rugby game. | 0:22:06 | 0:22:09 | |
-I've cooled down -after sweating buckets. | 0:22:09 | 0:22:11 | |
-I want to know -what people thought of us. | 0:22:12 | 0:22:15 | |
-I reckon we looked alright. -The crowd reacted. | 0:22:15 | 0:22:18 | |
-Better than being -in the national stadium. | 0:22:18 | 0:22:21 | |
-What did the people think? | 0:22:21 | 0:22:23 | |
-Amazing. What did you think? | 0:22:23 | 0:22:25 | |
-We'll stay in the first division. | 0:22:26 | 0:22:28 | |
-The crowd responded well. -Maybe we won't get a good result... | 0:22:29 | 0:22:33 | |
-..but it was a great experience -and very good for our community. | 0:22:33 | 0:22:37 | |
-I feel a little sad. -We could have been better. | 0:22:40 | 0:22:44 | |
-We'll have to wait for the result. -My heart's racing. | 0:22:45 | 0:22:49 | |
-I think things went well -but there were problems. | 0:22:52 | 0:22:56 | |
-Our lack of experience at competing -at the highest level showed. | 0:22:56 | 0:23:00 | |
-But I feel the Tuiuti demonstrated -their nature and character. | 0:23:02 | 0:23:06 | |
-I've been running around all day -and arrived here feeling stressed. | 0:23:09 | 0:23:13 | |
-Maybe it's just me -who feels a little low. | 0:23:13 | 0:23:16 | |
-I hope they stay -in the first division. | 0:23:18 | 0:23:21 | |
-It's the competing that counts, -isn't it, Hughes? | 0:23:21 | 0:23:25 | |
-No, you're right. -Winning's important. | 0:23:25 | 0:23:28 | |
-We later heard -the Tuiuti were unsuccessful. | 0:23:39 | 0:23:42 | |
-They drop out of the first division. | 0:23:42 | 0:23:45 | |
-A great disappointment to us all. | 0:23:45 | 0:23:47 | |
-This year's champions -were Imperiatriz Leopoldinese. | 0:23:52 | 0:23:56 | |
-And fair play to them, -they deserved to win. | 0:23:56 | 0:23:59 | |
-But there you go, -their day will come. | 0:24:11 | 0:24:14 | |
-And next year, who knows? | 0:24:14 | 0:24:16 | |
-In the world of the Sambadrome - -anything's possible. | 0:24:17 | 0:24:20 | |
-Goodnight, children. | 0:24:21 | 0:24:23 | |
-S4C Subtitles by -GWEAD | 0:24:24 | 0:24:26 |